Modern & Contemporary Art - 4 March

MODERN & CONTEMPORARY ART

SATURDAY 4 MARCH 2023

ALSO SELLING TODAY:

20TH CENTURY DESIGN

SATURDAY 4 MARCH

9.30AM (394 lots)

MODERN & CONTEMPORARY ART

SATURDAY 4 MARCH 2023 AT 9.30AM

AUCTION

The Auction Centre, Leyburn North Yorkshire DL8 5SG

VIEWING

Thursday 2 March 10.00am to 4.00pm

Friday 3 March 10.00am to 5.00pm Morning of Sale from 8.00am

Live bidding is available on this sale by registering at www.tennants.co.uk

All lots illustrated online at www.tennants.co.uk

CONTACT

Telephone: 01969 623780

enquiry@tennants-ltd.co.uk www.tennants.co.uk

FRONT COVER Lot 60

BACK COVER Lot 23

MODERN & CONTEMPORARY ART DEPARTMENT

In line with rising interest with this area of visual culture, Tennants offer a wide range of examples by artists and movements from the 20th century through to the present day.

YOUR SPECIALISTS

Tennants is the UK’s largest family-owned fine art auctioneers, with a well-deserved reputation for delivering unrivalled service and results. Twenty-seven specialist departments offer an outstanding range of depth and expertise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace. Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major discipliners, making it one of the UK’s busiest salerooms.

Francesca Young Modern & Contemporary Art Specialist

Charlotte Conboy Head of Pictures

Guy Cooper Picture Specialist Lucy Campbell Picture Department Administrator

1 ✓ After Laurence Stephen Lowry RBA, RA (1887-1976) “Deal Beach Sketch”

Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 17cm by 24.5cm £500-700

2 ✓ After Laurence Stephen Lowry RBA, RA (1887-1976) “Level Crossing, Burton-on-Trent” Signed, with the blindstamp for the Fine Art Trade Guild, published in 1973 by Henry Donn, a colour reproduction, 43.5cm by 58cm £300-500

3 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“The Fever Van” Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 46cm by 53cm £2,000-3,000

After Laurence Stephen Lowry RBA, RA (1887-1976)

“Britain at Play”

Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 47cm by 60cm £800-1,200

After Laurence Stephen Lowry RBA, RA (1887-1976)

“Market Scene in a Northern Town”

Signed in pencil, a colour reproduction, 35.5cm by 60.5cm (unframed)

Provenance: Headrow Gallery, Leeds

£1,000-1,500

4 ✓

5 ✓

6 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“The Pond”

Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 46.5cm by 58cm £2,500-4,000

7 ✓ After Laurence Stephen Lowry RBA, RA (1887-1976)

“Britain at Play” Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 47cm by 60cm £2,500-4,000

8 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“The Fever Van”

Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 46cm by 53cm £2,500-4,000

9 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“People Standing About” Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 35cm by 53cm £800-1,200

10 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“Woman with Beard” Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, together with a print of the preparatory sketch, 61cm by 49cm and 23.5cm by 14cm respectively (2) £1,000-1,500

11

11 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“Self Portrait”, “The Artist’s Mother”; “The Artist’s Father” Each signed, a colour reproduction, sold together with the certificate, 33.5cm by 25cm (4) £500-700

12 ✓

After Laurence Stephen Lowry RBA, RA (1887-1976)

“Woman with Beard”

15 ✓

Trevor Grimshaw (1947-2001)

“Stonehenge”

Signed and numbered 40/50, lithograph, 30cm by 40cm £100-150

Harold Riley DL, DLitt, FRCS, DFA, ATC (b.1934)

“Sunstreet, Salford”

Signed, inscribed, dated (19)79 and numbered II/XIII, lithograph, 50cm by 40.5cm £150-250

Trevor Grimshaw (1947-2001)

“Ribblehead Viaduct”

Signed and numbered 70/500, lithograph, 35.5cm by 50cm £200-300

16 ✓

Trevor Grimshaw (1947-2001)

“Aqueduct”

Signed and numbered 36/50, lithograph, 29.5cm by 39.5cm £100-150

13 ✓

14 ✓

1718

17 ✓

Tom McGuinness (1926–2006)

“Miners Gala”

Signed, inscribed and numbered 15/18, dated (19)85, lithograph, 55cm by 41cm £200-300

18 ✓

Tom McGuinness (1926-2006)

“Bankhead”

Signed and dated (19)77, mixed media, 13cm by 14cm £400-600

19 ✓

Tom McGuinness (1926-2006)

Miners underground Mixed media, 6.5cm by 16.5cm £250-400

20 ✓ Geoffrey Key (b.1941) “Clouded Landscape’’

Signed and dated (19)87, inscribed verso, pen and ink, 21.5cm by 27.5cm £250-400

21 ✓ Jacob Kramer (1892-1962) “The Rabbi”

Signed and inscribed “To Mr. Gibson, with best luck from Jacob Kramer, August 1920”, mixed media, 56.5cm by 42.5cm £150-200

22 ✓

Laurence Stephen Lowry RBA, RA (1887-1976)

“The Sea”

Signed and dated 1965, pencil, 24.5cm by 34cm

Provenance: The Stone Gallery, Newcastle Upon Tyne

For a related preparatory pencil study (1965) see Sotheby’s London, “Modern and Post War British Art”, June 10 2015 lot 144

A highly comparable oil painting to the present work titled “The North Sea”, was sold at Tennants

Auctioneers, “Modern and Contemporary Art”, 15 October 2022, lot 122 (see image below)

Lowry was fascinated by the sea. At once both beautiful and dangerously powerful, it was a constant source of inspiration to the solitary artist and he painted it throughout his life. Whilst the majority of his seaside pictures depict bustling seafronts and boats on the North West coast, from the early 1940s he began to depict pure seascapes. These rare, seemingly simple yet highly sophisticated works are far removed from the bustling industrial streets scenes for which he is better known.

After the death of his overbearing mother in 1939, Lowry frequently stayed for long periods of time at the Seaburn Hotel in Sunderland, to which he became deeply attached. Here he always stayed in the same room, which looked straight out at the empty expanse of the North Sea, sketching, and watching the water and sky melding at the horizon.

£12,000-18,000

“The North Sea” A highly comparable oil painting to the present work, was sold at Tennants Auctioneers, “Modern and Contemporary Art”, 15 October 2022, lot 122 for £840,000 plus buyer’s premium

23 ✓

Laurence Stephen Lowry RBA, RA (1887-1976)

“The Stepped Street”

Signed and dated 1929, pencil, 38cm by 27.5cm

Provenance: Phillips London, Tuesday 4th June 1991, British, Irish, Traditional, Modern and Contemporary, lot 63

Laurence Stephen Lowry RBA, RA (1887-1976)

“Crowther Street, Stockport”

Signed and dated 1929

Whilst “The Stepped Street” represents a work in its own right, “Crowther Street, Stockport”, as shown, clearly relates directly.

“The Stepped Street”, 1929 is a superb example of Lowry’s mastery of drawing and comes from a golden period of productivity, creativity and artistic energy which formed the foundation of his successes to come. Shortly after leaving Art School in 1928, Lowry’s father suggested he sketch the nearby soon to be demolished St Simon’s Church in Salford and indeed a few days later the building was razed to the ground. This began Lowry’s search to record other locally threatened architectural gems such as Crowther Street, which was later partially demolished leaving only the right hand portion seen in the drawing which has since been restored. “The Stepped Street” is not a preparatory sketch for an oil painting, here Lowry gives us a detailed, complete, stand-alone and fully formed work in its own right in which he enjoys including many of his signature motifs, dogs, children, prams, smoking chimneys, porches and people in all their shapes and sizes make an appearance if you look hard enough. In addition Lowry is also indulging his love of Steps as subject matter for his work as he says himself ‘Steps and things ... I liked doing steps, steps in Ancoats ... steps in Stockport ... steps anywhere you like, simply because I like steps and the area which they were in was an industrial area. I did a lot, you see. I've never found it interesting to paint pure landscapes. I'm not interested in pure landscapes’.

©. Jonathan Horwich, January 2023

£50,000-80,000

- L.S. Lowry

© The Estate of L.S. Lowry. All Rights Reserved, DACS 2022

© Stockport Local Heritage Library, Crowther Street Steps, c.1950, Photographer Mr Boland

24 ✓ Arthur Delaney (1927-1987)

Albert Square, Manchester

Signed, oil on board, 20cm by 25.5cm

Provenance: Purchased from the artist £1,500-2,500

26

Steven Scholes (b.1952)

“Manchester in the Fog, 1958”

Signed, inscribed verso, oil on canvas, 19.5cm by 29.5cm £200-300

27

Steven Scholes (b.1952)

“Piccadilly London, 1962”

Signed, inscribed verso, oil on canvas, 39.5cm by 49cm £300-500

25 ✓

Steven Scholes (b.1952)

“Oxford Street, Manchester, 1962”

Signed, inscribed verso, oil on canvas, 39.5cm by 49cm £300-500

28 ✓ Brian Shields ‘Braaq’ FBA (1951-1997) Children playing before an industrial town Signed and dated (19)74, oil on canvas, 75.5cm by 100cm £5,000-8,000

29 Stuart Walton (b.1933) Hunslet, Leeds Signed and dated (19)63, oil on board, 109cm by 68.5cm £800-1,200

Signed and dated (20)16, inscribed verso, acrylic on board, 51cm by

“Back

Signed

30

Stuart Walton (b.1933)

“Steps, Rosebank View, Leeds”

37.5cm £500-800

31 30

31

Stuart Walton (b.1933)

Brunswick, Leeds”

and (20)16, inscribed verso, acrylic on board, 50.5cm by 37.5cm £500-800

Stuart Walton (b.1933)

“Augusta Street, Salford”

Signed and dated (20)15, inscribed verso, acrylic on board, 40.5cm by 50cm £500-800

Paul Maze (1887-1979), often referred to as ‘The Last of the Post-Impressionists’, had the extraordinary ability to capture the essence of a place with deceptive simplicity. He painted with immediacy, and his skills were once described by his lifelong friend Winston Churchill as “with the fewest of strokes, he can create an impression at once true and beautiful”

Maze spent much of his life living in England, however, after the First World War he lived in Paris and became an integral member of the art scene. He counted amongst his friends Derain, Bonnard and Vuillard, and the latter had encouraged Maze to concentrate on working with pastels, which best suited his style. Maze turned his hand to a variety of subject matter, from marines to cityscapes, and the gentle landscapes of the English and French countryside. However, he had a particular love of painting the pomp and circumstance of British army parades and the social whirl of the English season, and he could be frequently found at Cowes, Henley and Goodwood. Having married his second wife, Jessie, Maze moved to the South Downs in 1950, where he would remain for the rest of his life. He fell in love with the softly rolling hills, which he frequently depicted. He died at the age of 92, at home looking over the Downs, with a pastel in his hand.

“Regents Park”

Signed and dated 1959, pastel, 53.5cm by 74.5cm

Provenance: The artist’s family

Exhibited: Acquavella Galleries, New York £500-700

Signed, pastel, 54cm by 75cm

Provenance: The artist’s family

Exhibited: Altermann Gallery, Dallas, Texas, USA £300-500

Signed and dated (19)57, pastel, 54.5cm by 74.5cm

Provenance: The artist’s family Exhibited: Acquavella Galleries, New York £400-600

33 ✓ Paul Maze (1887-1979) French

34 ✓

Paul Maze (1887-1979) French “Farms in Sussex”

35 ✓ Paul Maze (1887-1979) French “Sussex Downs”

36 ✓

Paul Maze (1887-1979) French Study of Oxeye Daisies

Signed, pastel, 74cm by 54cm

Provenance: The artist’s family

£250-400

37 ✓

Paul Maze (1887-1979) French

“Nora and Jessie”

Signed, inscribed and dated 1978, pastel, 36.5cm by 52cm

Provenance: The artist’s family

Exhibited: The Midhurst Gallery, West Sussex £250-400

38 ✓

Paul Maze (1887-1979) French

The artist’s wife Jessie before a mirror

Signed, pastel, 26.5cm by 27.5cm

Provenance: Collins and Hastie, London

£300-500

39 ✓

Sir William Rothenstein (1872-1945)

“Portrait of E M Forster”

Initialled, inscribed “1st Sketch”, contécrayon, 19cm by 12.5cm Provenance: Ex collection of Sir John Rothenstein CBE, by repute With Christie’s stencil verso, FH619

£200-300

40 ✓

Robin Tanner (1904-1988)

“Phallus Impudicus”

Inscribed and dated 22 Oct 1941, and Oct 30 at O.C.F, pencil, 20.5cm by 12.5cm

£150-250

41 ✓

Claire Leighton (1898-1989)

“January Lambing”

Electrotype, together with eleven further prints from “The Farmer’s Year: A Calendar of English Husbandry”, 23cm by 28.5cm (12) £250-400

42

Tanaka Ryohei (1933-2019) Japanese

Thatched farm building with log piles

Signed, numbered 119/150 and dated (19)84 in pencil, etching, 22cm by 20.5cm £200-300

43 ✓

Graham Clarke (b.1941)

“Grande Exposition”

Signed, inscribed artist’s proof, “pièce de résistance”,“Peter with much love”, etching, 58.5cm by 72cm £150-250

45 ✓

Erté (Romain de Tirtoff) (1892-1990) Russian/French

“Don Juan”

Signed, inscribed verso, stamped verso, gouache, 34cm by 23cm £1,000-1,500

44 ✓

Karl Korab (b.1937) Austrian

“Ohne Titel”

Signed and dated 1971, pencil, 38cm by 49cm

Provenance: Galerie Schlégl, Zurich Collection DOBE, Zurich

£400-600

46 ✓

Sir Quentin Blake, CH, CBE, FRSL, FCSD, RDI (b.1932)

“Constant Readers #53”

Signed, pen and ink, 26.5cm by 25.5cm

Provenance: Shapiro Rare Books, London

Literature: “The Q B Papers: Constant Readers”, 2019

£600-800

47 ✓

Adrian Heath (1920-1992)

Figure study

Initialled, mixed media, 26cm by 23cm

Provenance: The Venture Art Group, London £700-1,000

“Woodland”

Signed,

Provenance:

“Caolas

49 ✓ Norman Adams RA (1927-2005)

on Scarp”

Initialled, inscribed and dated (19)69, pencil and watercolour, 25cm by 30.5cm £100-150

48 ✓ Billie Waters (1896-1979)

gouache, 37cm by 27cm

Bonhams, “Modern Pictures”, 21st September 2004 £300-500

50 ✓

Derek Hyatt (1931-2015)

“Autumn Sunset Harewood Lake”

Signed, inscribed with title and dated (19)91, pencil and watercolour, 31cm by 45cm £200-300

51 ✓

Derek Hyatt (1931-2015)

“World Beyond the Gate”

Signed, inscribed and dated 1991 to artist’s label verso, mixed media on board, 40cm by 36cm £200-300

52 ✓

Philip Hughes (b.1936)

“Leonie Island: Boxing Day: Moss”

Mixed media, 32cm by 44cm

Provenance: The Phoenix Gallery, Lavenham, 1967 £200-300

53 Darren Yeadon (b.1970) “Red Nautilus” Signed, Travertine, 39cm high (including base) £400-600

54 Darren Yeadon (b.1970) “Nautilus” Signed, Carrara marble, 49cm high (including base) £400-600

55 ✓ Darren Yeadon (b.1970) Fish Signed, Carrara marble, 35cm high £500-700

55

56 ✓

James Morrison RSA, RSW, LLD (b.1932) Scottish “Old Montrose”

Signed and dated 1971, oil on canvas, 39.5cm by 49.5cm £1,000-1,500

57 ✓

Donald McIntyre RCA (1923-2009) “The Anchorage”

Signed, inscribed verso, oil on board, 39.5cm by 75cm

Provenance: The Phoenix Gallery, Lavenham,1967

£1,500-2,500

Signed, oil on board, 30cm by 49cm

Provenance: The Leinster Gallery, Dublin

Signed and dated, oil on canvas, 51cm by 73cm

Provenance: Purchased from the artist

58 ✓

Markey Robinson (1918-1999) Irish “Coming Home”

£1,500-2,500

59 ✓

Reginald James Lloyd (1926 - 2020) “Boscastle”

£300-500

58

60

Arthur Merric Bloomfield Boyd AC, OBE (1920-1999) Australian

“Shoalhaven River and Black Bird”

Signed, oil on board, 30cm by 21.5cm

Christie’s: “Australian, International and Contemporary Paintings”, Melbourne, 3rd - 4th May 2004, lot 1048

Provenance: Art Galleries Schubert, Queensland

Arthur Merric Bloomfield Boyd AC, OBE (1920-1999) was a leading Australian painter, printmaker, sculptor, designer, and ceramicist. Boyd comes from a distinguished artistic dynasty in Australia. Beginning in 1886 with the marriage of artists Arthur Merric Boyd (1862–1940) and Emma Minnie Boyd. The Boyd family have contributed vastly to the landscape of Australian art, pioneering a lasting and illustrious legacy of experimental ceramics, painting, and sculpture.

Following Boyd’s training at the National Gallery School in Melbourne, Australia, and his service as a car tographer in the Australian Army during the Second World War, Boyd established himself as a prominent painter in Britain. Boyd returned to New South Wales, Australia in 1971, settling with his family on the banks of the Shoalhaven River at his home Bundanon which was gifted to Australia and now serves as a prominent art gallery and museum. The Shoalhaven River fascinated Boyd from thereon, becoming one of his most emotive, enduring, and allegorical subjects throughout his career.

“At daybreak the water’s edge would draw the line Arthur Boyd drew between two worlds”

Darleen Bungey in “Arthur Boyd: A Life”

In “Shoalhaven River and Black Bird”, Boyd paints with a loose hand suggesting an intimate familiarity with the Shoalhaven River and its landscape. The sandstone escarpments are painted in a glistening monochrome ivory hue and finished with a dash of ochre. The river is still. Boyd’s scene is a pure and unspoiled landscape, devoid of urban life, be this roads, buildings, vehicles, or boats. It is unashamedly a celebration of the Shoalhaven River and its hold on Boyd’s life and career.

£12,000-18,000

61✓

John Lowrie Morrison “Jolomo” OBE (b.1948) Scottish

“Summer Light Tarbert”

Signed, stamped and inscribed verso, oil on canvas, 60cm by 60cm

Provenance: Haynes Fine Art, Broadway

£3,000-4,000

62 ✓ Mackenzie Thorpe (b.1956)

“Forever Morning Love II” Signed, pastel, 49.5cm by 73cm Provenance: Purchased from the artist £1,500-2,000

63

Brian Alderman (b.1954)

“Sun and Snow - Crag Farm near Hawes” Signed and inscribed verso, oil on canvas, 40cm by 49.5cm £300-500

64

Brian Alderman (b.1954)

64

62

“The Chance Meeting”

Signed, inscribed verso and numbered 2301 with the artist’s numbering system, oil on board, 20cm by 28.5cm £500-700

66

“Before the catch”

Signed, inscribed verso and numbered 2244 with the artist’s numbering system, oil on board, 44cm by 60cm £800-1,200

65

Jonathan Armigel Wade (b.1960)

Jonathan Armigel Wade (b.1960)

67

67 ✓

Joan Gilchrest (1918-2008)

Three figures before a seaside church Signed, oil on board, 50cm by 51.5cm £1,000-1,500

68 ✓

Pipp Todd-Warmoth (b.1962)

“The Shepherd” Initialled, oil on board, 25cm by 20cm Provenance: New Grafton Gallery, London £120-180

Signed,

69 ✓ Simeon Stafford (b.1956) “St Ives”

inscribed verso, oil on canvas, 81cm by 81cm £1,000-1,500

70 ✓ Simeon Stafford (b.1956)

Fairground Signed, oil on board, 75cm by 101cm £700-1,000

“Al Mare”

Watercolour, 22cm by 29cm

Provenance:

John Mackie (b.1953) Scottish “Dancing Trees, St Tropez”

Signed and dated (19)92, oil on canvas, 49cm by 59.5cm

Provenance: Walker Galleries Ltd., Harrogate £600-800

Antoine Blanchard (1910-1988)

French “Paris Rue Trouchet”

Signed, inscribed verso, oil on canvas, 45.5cm by 53cm

Sold together with a letter of authenticity from Rehs Galleries Inc, New York

Provenance: County Galleries, Altrincham £2,000-3,000

71 ✓

Frank Archer (1912-1995)

The Catto Gallery, London Bankside Gallery, London £200-300

72 ✓

73 ✓

74 ✓

Gillian Roberts (Contemporary)

“Settle Market”

Signed, oil on canvas, 27cm by 44.cm

£150-250

76

Felix Kelly (1914-1994) New Zealand

“No 1 Garden Lane, New Orleans”

Oil on board, 11cm by 14cm

Provenance: Partridge Fine Arts Ltd., London

Sold together with two Felix Kelly exhibition catalogues from Partridge Fine Arts Ltd., London

£400-600

75 ✓

Delyth Llwyd Evans de Jones (1919-1986) Welsh

“Golygfa yn ardal Bryn Gwyn, Dyffryn y Gamwy, Chabut”

Signed and inscribed verso, oil on board, 37cm by 47cm

Delyth Llwyd Evans de Jones was a descendant of the first Welsh settlers in Pategonia. She is considered the most important artist from Pategonia.

£200-300

77 ✓

Marie Walker Last (1917-2017)

“The Old Apple Tree”

Signed, inscribed verso, oil on canvas, 44cm by 54.5cm

Sold together with a video of the artist signing the work

£150-250

78 ✓

Trevor Stubley RP, RBA, RSW, RWS (1932-2010)

“Red Lamb”

Signed, acrylic on board, 24.5cm by 29cm

£120-180

80 ✓

John Ridgewell ARCA (1937-2004)

“Oak Walk”

Signed, oil on board, 50.5cm by 40cm

£200-300

79 ✓

John Ridgewell ARCA (1937-2004)

“Bury St Edmunds”

Signed, oil on canvas, 126cm by 101cm

£300-500

81 ✓

John Ridgewell ARCA (1937-2004)

“Daisies”

Signed, oil on board, 91cm by 70cm

£300-500

82

Andrew

“Botanical Gardens, Dominica, Grenadines, West Indies”

Signed, inscribed verso and dated 2001, oil on canvas, 62.5cm by 75cm £700-1,000

83

Andrew

“Young Archers, France”

Signed, inscribed verso and dated 1998, oil on canvas, 70cm by 89.5cm £600-800

Macara NEAC (b.1944)

Macara NEAC (b.1944)

84

84

Andrew Macara NEAC (b.1944)

“Ping Pong De African, Queen Hideaway, Barbados”

Signed, inscribed verso, oil on canvas, 51cm by 61cm £400-600

85

Andrew Macara NEAC (b.1944)

“Young Buddists, Thailand”

86 ✓

Colin Orchard (b.1965)

“Hepworth, A Celebration, Sterts Art Gallery, Liskeard”

Monogrammed, inscribed verso and dated 1992, oil on board, 16.5cm by 16.5cm

Provenance: Walker Galleries Ltd., Harrogate, 11/12/1993

£300-500

87 ✓

Sarah Spackman RBA (b.1958)

Still life of assorted stoneware

Signed and dated (20)06, oil on board, 39cm by 60cm

£150-250

88

88 ✓

Christine McArthur RSW, RGI (b.1953) Scottish “Quails Eggs Under Snow Clouds”

Signed, inscribed to artist’s label verso, oil on canvas, 44cm by 44cm £400-600

89

89 ✓

Sarah Bowman (b.1975)

“Still life with Conch Shell”

Signed and dated (20)07, oil on canvas, 70cm by 100cm

Provenance: Ainscough Contemporary Art, Devon

£400-600

90 ✓ Sarah Bowman (b.1975)

“Spring Flowers”

Signed, oil on board, 38cm by 48cm

Provenance: Ainscough Contemporary Art, Devon £250-400

91

Horacio Renteria Rocha (1912 - 1972) Mexican Portrait of two children and a dog before a landscape

Signed, oil on canvas, 59.5cm by 45cm

Provenance: Purchased from the artist £500-700

92

Inimá de Paula (1918–1999)

Brazilian Reclining nude Signed, oil on canvas, 96cm by 129cm £2,000-3,000

93 ✓

Martin Bloch (1883-1954)

Polish/German/British

“Green Bottles on a Green Ground”

(1927)

Signed, oil on canvas, 70cm by 90cm

Exhibited: “Martin Bloch A Painter’s Painter”, Sainsbury Centre for Visual Arts at the University of East Anglia Norwich, 2007

£1,000-1,500

94 ✓

Anne H Mackintosh (b.1944) Scottish “Sunny Day - Summer Flowers”

Signed, oil on canvas, 99cm by 90cm

£300-500

95 ✓ Stanley Reginald Wilson (1890-1973) Still life of flowers in a patterned jug Oil on canvas, 62cm by 47cm £250-400

96 ✓ Sue Fitzgerald (Contemporary)

“Hotel Window near Apt” Signed, acrylic on canvas, 60cm by 59cm Provenance: The Bourne Gallery, Surrey £600-800

97 ✓ Sue Fitzgerald (Contemporary) Tulips in a blue and white jug Signed, acrylic on canvas, 47.5cm by 62.5cm £400-600

97

96 95

98 ✓

After Pablo Picasso (1881-1973) Spanish

“Cote d’Azur” (1962)

Lithographic poster, together with a further lithograph after the artist “Rider and Model” from “La Comedie Humaine”, 100cm by 66cm and 26cm by 34cm respectively (2) (unframed)

£200-300

99 ✓

After David Hockney OM, CH, RA (b.1937)

“Les Manielles de tresias l’enfant et les sortigeges parade” Poster for the Metropolitan Opera New York 1981, together with a further poster after the artist “Fiesta ‘88”, 63cm by 43cm and 63cm by 42.5cm respectively (2) (unframed)

£150-200

“Aesops Fables Peacock & Magpie”

Signed, inscribed and numbered Artist’s proof 15/50, linocut, 42cm by 59.5cm £800-1,200

Henry

“Six Stones” (1973)

Signed and numbered 112/200, lithograph, 34.5cm by 24.5cm

This lithograph was produced as a memento of the opening of British Olivetti’s training centre in Haslemere

Provenance: Olivetti, London

Gifted to the vendor upon her leaving Olivetti

£700-1,000

100 ✓ Edward Bawden CBE RA (1903-1989)

101 ✓

Moore OM, CH, FBA (1898-1986)

Robert

Figures

Initialled and dated 1952, inscribed A/P, etching, 20cm by 27.5cm £150-250

104

“Flute”

Signed and dated 1988, monotype, 73.5cm by 52cm £150-250

103 ✓

Graham Sutherland OM (1903-1980)

Form and bird

Signed, lithograph, 62.5cm by 47cm £400-600

105 ✓

John Egerton Christmas Piper CH (1903-1992)

“Stowe, South Side of the House”

Signed and numbered 59/70, lithograph, 48cm by 58.5cm £1,200-1,800

102 ✓

Ernest Clatworthy RA (1928-2015)

✓ Maxwell Doig (b.1966)

106 ✓

Barbara Rae CBE, RA, FRSE (b.1943) Scottish “Karoo”

Signed and numbered 69/90, screenprint, 58cm by 75cm

Provenance: Castlegate House Gallery, Cockermouth

£600-800

107 ✓

Joe Tilson RA (b.1928)

“Demeter’s Ladder”

Signed, inscribed A/P and dated 1977, etching and silkscreen from “Proscinomi, Oracles”, 92cm by 65cm

£400-600

108 ✓

Sir Terry Frost RA (1915-2003)

“It is True”

Signed, inscribed and dated (19)91, numbered 13/25, lithograph and etching, 76cm by 57cm

£600-800

Signed and dated (19)96, inscribed verso, acrylic on shaped mdf, 74cm by 73cm

Stuart has enjoyed tremendous success up until his retirement in 2019. Born in Dewsbury, Yorkshire, he started painting industrial landscapes in the late 1960’s (see lot 29) and became a full-time professional artist in the 1970’s.

Yorkshire Television appointed him as their first fine arts fellow in 1972, and he was exhibited in many one-man, group and open exhibitions throughout the country including London galleries. He has made many local radio broadcasts, gave the British M.E.N.S.A lecture in London in October 1975, and was the subject of a television film screened in 1973. After completing his national service in the R.A.F in 1954, he became very interested in abstract painting and painters. He soon ventured into abstract expressionism influenced by Franz Kline, Jackon Pollock and other American artists of that period.

Within a couple of years, he had settled into hard-edge painting and construction which he continued throughout the 1960’s. A whole stream of works was produced and exhibited in the north and in London galleries, this being possibly the most rewarding period to date.

In 1970 Stuart gave up his job as Assistant Display Manager to paint full time. He started producing figurative pieces mainly of street scenes of the northern industrial cities. Of course, the subject matter was not new to him, having grown up in that environment, which explains his great affection for it, he continued this until 1990’s.

From 1990, he has returned to his first love, abstract painting. The works on show are a result of his interest on the mass media, such as television, glossy magazines, billboards and any printed ephemera. The works are composite selected particles from which we are constantly bombarded. He continued his abstract painting until he returned to his street scenes in 2013 (see lots 30-32) before retiring in 2019, where he completed his last street scene.

£150-250

Signed and inscribed verso, liquitex on cotton, 60cm by 60cm

Exhibited: South Yorkshire Open Art Exhibition, Cooper Gallery, Barnsley £150-250

Signed and dated (19)91, inscribed verso, liquitex on cotton, 47cm by 71.5cm

111

Stuart Walton (b.1933) “Freeze”

£150-250

109

Stuart Walton (b.1933) ‘’Amber Slide’’

Stuart Walton (b.1933)

“High Yellow”

112

William Perehudoff (1918-2013) Canadian “La Plonge #9”

Signed, inscribed, printers proof, silkscreen, together with five further silkscreens from the same series, 69cm by 92cm (6) (unframed)

Provenance: Bonhams and Brooks, Knightsbridge, London, 25 July 2001, lot 175 £400-600

113

Tom Hodgson (1924-2006) Canadian

Abstract

Signed watercolour and India ink, 36cm by 58cm

Provenance: Bonhams and Langlois, St Helier, Jersey, 29 November 2000, lot 1118 £500-800

114

Jean Albert McEwen RCA (1923-1999) Canadian

Abstract

Signed and dated (19)63, watercolour, 35cm by 25cm

Provenance: The Robertson Gallery, Ottawa Bonhams and Langlois, St Helier, Jersey, 29 November 2000, lot 1119 £1,500-2,000

115

Paul-Émile Borduas (1905-1960) Canadian

“Danse Irrégulière”

Signed and dated (19)54, watercolour, 27cm by 35cm

Provenance: Dominion Gallery, Montreal

Bonhams and Langlois, St Helier, Jersey, 29 November 2000, lot 1118

Literature: Borduas Online Catalogue Raisonné, no. 2005-0166

Paul-Émile Borduas was one of the most important figures in modern Canadian art. A leader of the group known as the Automatists, he developed a spontaneous style of non-figurative painting. A technique first used by Surrealist painters and poets to express the unconscious in art.

Borduas spent the first period of his career working primarily as a church decorator and teacher in Montreal. In 1948 he published the “Refus Global”, an influential manifesto calling for freedom of expression. His views on Catholicism and nationalism caused uproar in the media which lead to his dismissal from his teaching post at the École du Meuble.

In 1953, Borduas moved to New York which greatly influenced his artistic development. It was here he viewed works by the New York school of Abstract Expressionists, including Jackson Pollock, Franz Kline and Mark Rothko. Borduas began exclusively using a palette knife to paint and became preoccupied with light and space. In 1955, he moved to Paris, where he achieved some measure of international recognition. He continued to paint, write and travel, despite failing health. His name lends itself to the Prix Paul- Émile Borduas awarded each year to a distinguished Quebec visual artist.

£6,000-8,000

116 ✓

David Wynne RA (1926-2014) “Preening Bird”

Bronze, 104cm high (including base)

Purchased: Sotheby’s “Modern British and Irish Paintings, Drawings and Sculpture”, 3rd March 1999, lot 195 £2,000-3,000

117 ✓ Sally Arnup (1930-2015)

“Bulldog”

Signed and numbered IV/X, bronze, 46cm high

Only two examples of this work were cast

Provenance: The Blake Gallery, York

Literature: “Sally Arnup Animal Bronzes”, The Blake Gallery, York, p.16

Sold together with a copy of “Sally Arnup Animal Bronzes”, The Blake Gallery, York and further literature relating to the artist.

Celebrated sculptor Sally Arnup is most renowned for her lifelike animal bronzes. Although being a zoophilist, her particular passion for dogs and all canine breeds was clearly evident. Her insistence on working directly from her subject and her ability to control her medium allowed Sally to explore and depict the animal’s coat and features conveying the humour in the relationship between man and beast, as seen here in “Bulldog”

£4,000-6,000

118 ✓ Lorenzo Quinn (b.1966) Italian “Finding Love” (2017)

Signed and numbered 61/99, white bronze and stainless steel on a granite base, 29cm high Sold together with the certificate of authenticity and original crate £2,000-3,000

119 ✓ Lorenzo Quinn (b.1966) Italian “Gravity Female” (2018)

Signed and numbered 16/99, aluminium and Carrara marble, 41cm high Sold together with the aluminium plaque, certificate of authenticity and original crate £2,500-4,000

Signed and numbered 30/99, aluminium and Carrara marble, 36cm high

Sold together with the aluminium plaque, certificate of authenticity and original crate

£2,500-4,000

120 ✓ Lorenzo Quinn (b.1966) Italian “Gravity Male” (2022)

121 ✓

Fabian Perez (b.1967) Argentinian “At the Window” Signed, acrylic on canvas, 60cm by 44cm £3,000-5,000

121

124

124

Peter

Signed and numbered 90/950, limited edition, 102cm by 33cm

Sold together with the certificate of authenticity £2,000-3,000

122 ✓ Matthew Wooding (Contemporary) “Keeper” (1997) Oil on gesso, 122cm by 213.5cm £300-500

123 ✓ Matthew Wooding (Contemporary) “Castellano” (1997) Inscribed verso, oil on gesso, 122cm by 213.5cm

Royal Academy of Arts entrance examination piece £300-500

Lik (b.1959) Australian “Night Fire - Mauna Kea, The Big Island, Hawaii”

125

Signed and numbered 251/295, giclee print, 62.5cm by 45.5cm

Sold together with the Washington Green Fine Art certificate of authenticity and original slipcase

126

Signed and numbered 161/295, giclee print, 82cm by 61cm

Sold together with the Washington Green Fine Art certificate of authenticity

£1,000-1,500

Bob Dylan (b.1941) American “Fisherman” (2016)

£1,000-1,500

Bob Dylan (b.1941) American “Woman on a Bed” (2010)

127

Bob

“Motel Pool” (2013)

Signed and numbered 217/295, giclee print, 80cm by 60cm

Sold together with the Washington Green Fine Art certificate of authenticity £1,000-1,500

128

Bob

Signed and numbered 212/295, giclee print from “The Beaten Path”, 49cm by 66cm

Sold together with the Washington Green Fine Art certificate of authenticity £800-1,200

127

Dylan (b.1941) American

Dylan (b.1941) American “Myrtle Avenue, Brooklyn” (2017)

129

Bob Dylan (b.1941) American “Abandoned Motel, Eureka” (2017)

Signed and numbered 202/295, giclee print from “The Beaten Path”, 66cm by 42cm

Sold together with the Washington Green Fine Art certificate of authenticity £800-1,200

130

Bob Dylan (b.1941) American “Clam Bar, Surf Avenue” (2017)

Signed and numbered 203/295, giclee print from “The Beaten Path”, 69cm by 91cm

Sold together with the Washington Green Fine Art certificate of authenticity £1,000-1,500

Billy

“Zebra Crossing”

Signed and numbered 41/295, giclee print, 57cm by 77cm

Sold together with the Washington Green Fine Art certificate of authenticity £700-1,000

Signed and numbered 141/195, giclee print, 77cm by 57cm

Sold together with the Washington Green Fine Art certificate of authenticity £700-1,000

131 ✓

Connolly CBE (b.1942) Scottish

132 ✓

Billy Connolly CBE (b.1942) Scottish “Born on a Rainy Day”

133 ✓ David Mach RA (b.1956) Scottish “Mickey Mouse” (2013) Foam and pins, 20cm high £250-400

134 ✓ Julian Opie (b.1958)

“Still Life with Orange, Grapes and Red Apple” (2001) Signed, lambada print laminated onto canvas, 39cm by 65cm £1,500-2,000

134

133

135

136

After Andy Warhol (1928-1987) American “Campbells Soup Box, Chicken Rice” (1986)

Numbered 1500/ 2400, stamped verso, lithograph, produced for the Carnegie Museum of Art, Pittsburgh, 60cm by 60cm (unframed) £150-250

After Andy Warhol (1928-1987) American Mick Jagger Lithographic exhibition poster for “Warhol at the Pigeonhole”, 63.5cm by 52cm (unframed) £200-300

137

Keith Haring (1958-1990) American Barking Dog

Signed and dated (19)87, pen, 18cm by 11cm (unframed) £1,000-1,500

138 ✓

Mr Brainwash (b.1966) French “Samo is Alive”

Numbered 115/125, signed verso with the artist’s fingerprint and dated 2016, screenprint hand finished with spray paint, 86cm by 118cm (unframed) £800-1,200

139

139 ✓

Patrick Demarchelier (1943-2022) French Love Magazine Editorial Photographic print on aluminium, 100cm by 75cm £300-500

140 ✓

140

Helmut Newton (1920-2004) German/Australian “Sumo”, Monte Carlo 1999 (Taschen)

Signed on the title page and numbered 01707 from an edition of 10,000, with the original stand, 71.5cm by 50.5cm £1,500-2,500

142 (part) 141 (part)

141 ✓

After Wolfgang Tillmans (b.1968) German “I Didn’t Inhale” (1997)

Lithographic poster for Chisenhale Gallery, London, together with a further unframed poster after the artist “What is Lost is Lost Forever”, 84cm by 59cm and 84cm by 59cm respectively (2)

£100-150

142 ✓

After Gilbert and George (b.1943 & 1942) “Scapegoating Picture” (2014)

Signed, digital print, together with two further signed posters from the same series, 60cm by 90cm and 90cm by 60cm respectively (3) (one unframed)

£200-300

143 ✓

After Sam Taylor-Johnson OBE (b.1967)

“Crying Men”

Signed, lithographic exhibition poster for White Cube Gallery 29th

October - 4 December 2004, 78cm by 54cm

£80-120

144 ✓

Stanley Donwood (b.1968)

“I Might Be Wrong”, Radiohead artwork

Signed and dated 2013, with the artist’s blind stamp, together with another “Will You Come Back to Me”, 37cm by 34cm and 29cm by 29cm respectively (2)

£200-300

145 ✓

Damien Hirst (b.1965)

Butterflies and Hearts

Signed, pen and ink on an Éire Ireland Flora and Fauna 1985 First Day

Cover, 11cm by 21cm (unframed)

£250-400

Damien

“Card Shark”

Signed and inscribed, marker pen on a black Ace of Spades playing card, 8.5cm by 12.5cm (unframed) £300-500

148 ✓

Grayson Perry RA (b.1960)

“100% ART PLATE”

China plate, with artist’s seal printed to base, produced for York Art Gallery, 22cm (dia)

£150-250

Doodle

Signed, on a Beatles Commemorative First Day Cover, together with a signed photograph of the artist and a copy of Peter Blake’s “ABC” by Tate, 11.5cm by 19cm, 25.5cm by 20cm and 18cm by 18cm respectively (3) (unframed)

£150-250

149

Grayson Perry RA (b.1960)

“100% ART PLATE”, (2020)

China plate, with artist’s seal printed to base, produced for the Holburne Museum Bath, 21.5cm (dia) (2)

Sold together with a signed doodle of Alan Measles by the artist created in Sheffield City Hall 10/9/21

£300-500

146 ✓

Hirst (b.1965)

147 ✓

Sir Peter Blake CBE, RDI, RA (b.1932)

NEXT MODERN & CONTEMPORARY ART SALE

SATURDAY 17 JUNE 2023

2023 AUCTION DATES

Friday 24 February Antiques & Interiors

Saturday 4 March 20th Century Design

Saturday 4 March Modern & Contemporary Art

Friday 10 March Antiques & Interiors

Wednesday 15 March Stamps, Postal History & Postcards

Saturday 18 March Spring Fine Art Sale

Saturday 18 March British, European & Sporting Art

Saturday 18 March

Fine Jewellery, Watches & Silver

Wednesday 22 March

Militaria & Ethnographica

Friday 24 March

Antiques & Interiors

Wednesday 5 April Toys & Collectables

Thursday 6 April

Antiques & Interiors, to include: Beswick & Border Fine Art

Saturday 15 April

Motor Cars, Motorcycles & Automobilia

Wednesday 19 April

Natural History & Taxidermy

BRITISH, EUROPEAN & SPORTING ART

SATURDAY 18 MARCH 2023

For further information please contact:

Charlotte Conboy 01969 623780

charlotte.conboy@tennants-ltd.co.uk www.tennants.co.uk

George Dunlop Leslie RA (1835-1921) “Cowslips”

Initialled, oil on canvas, 143cm by 107.5cm

Provenance: The Rt. Hon. William George Armstrong

C.B., F.R.S. of Cragside, Rothbury until 1900 and thence to his executors, by whom sold Christie’s, 24 June 1910, lot 72 bought ‘Sampson’

Exhibited: The Royal Academy 1877, no. 101 Literature: Academy Notes, 1877, p.17; Art Journal, 1877, p.197

Estate of Denton Hall in Ilkley, Yorkshire which has been part of the NG Bailey group of companies for over 40 years. NG Bailey is the UK’s leading independent engineering and services business and is owned by the Bailey family.

£10,000-15,000

Guy Cooper 01969 623780

guy.cooper@tennants-ltd.co.uk www.tennants.co.uk

ABOUT TENNANTS

UNIQUE FACILITIES

Tennants is the only auctioneers in the UK with the capability to exhibit single items and collections to the public months head of sale. Museum-quality display galleries were built in 2014 to provide ever-changing displays of highlights from the saleroom.

The Company has a long history of handling outstanding private collections and estate sales of all sizes.

Notable private collection sales have included:

An American Collector – from Virginia

The P Lamaison Van Heenvliet Collection of Arms and Armour - from Holland

Modern Life in Print - from the estate of Edith Laurence

The El-Shamy Wine Collection

An Attic Sale: The Final Instalment of the Collections of the late Stanley J Seeger

The Historical Collection of Natural History and Taxidermy from Hodnet Hall

BUYERS’ INFORMATION

Buyer’s Premium

A Buyer’s Premium of 22% on the first £999,999 of the Hammer Price and 20% on the amount thereafter, plus VAT, is payable on each lot.

Condition Reports

We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. We accept no liability for the opinions expressed in any Condition Report.

Caveat Emptor

The principle of caveat emptor applies to the sale of all goods sold at auction by us. Furthermore, we have no control over the condition of any item offered for sale.

Additional Images

Requests for additional images of items in the sale can made up to 48 hours before the Day of Sale.

Online Bidding

We offer an online bidding service via our own platform - Tennants Live Bidding at www.tennants.co.uk. Items purchased via this platform will be subject to an additional 1.5% commission charge plus VAT at the prevailing rate. We also offer online bidding via www.the-saleroom.com for prospective buyers who cannot attend the sale. Items bought via this platform will be subject to an additional 4.95% commission charge plus VAT.

By completing registration on www.the-saleroom.com and providing your credit/bank card details and unless alternative arrangements are agreed with us, you;

(a) authorise Tennants, if they so wish, to charge the credit/bank card given in part of full payment, including all fees, for items successfully purchased in the auction via www.the-saleroom.com; and

(b) confirm that you are authorised to provide these credit/bank details to Tennants through www.the-saleroom.com and agree that Tennants are entitled to permit the shipping of the goods to the card holder and card holder address provided in fulfilment of the sale.

We do not accept any liability for any losses, however arising, as a result of a prospective buyer’s use of www.the-saleroom.com. Use of www.the-saleroom.com is subject to separate terms and conditions which do not form part of these conditions.

Absentee Bidding

Whilst reasonable endeavours will be made to execute absentee bidding up to the Day of Sale, Tennants will not be liable for any default or neglect in connection with this service. All such arrangements therefore are made entirely at the Prospective Buyer’s risk.

VAT

Value added tax or any equivalent tax chargeable in the UK or elsewhere.

AML Due Diligence

We conduct appropriate Due Diligence checks to comply with current Anti Money Laundering regulations for any buyer exceeding the threshold of £8,000. We reserve the right to withhold the purchased lots until such checks have been completed.

Agency

We act as agents for the Seller, whose details remain confidential. If you buy at auction your contract is with the Seller, not us.

Picture Descriptions

The forename(s) (or asterisks where not known) and surname of the artist indicates, in our opinion, a work by the artist named.

The initials of the forename(s) and the surname of the artist indicates in our opinion a work of the period of the artist which may be wholly or in part his work.

The following terms apply in our determination of a picture description:

(a) “Attributed to” - is in our opinion probably a work by the artist.

(b) “Studio of” - is in our opinion a work from the studio of the artist which may or may not have been executed under his direction.

(c) “Circle of” - is in our opinion a work of the period of the artist executed under his immediate influence.

(d) “Follower of” - is in our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(e) “Manner of” - is in our opinion a work in a style related to that of the artist, but of a later date.

(f) “School accompanied by the name of a place or country and a date” - means that in our opinion the picture was executed at that time and in that location; e.g. Flemish School, 17th centur y.

(g) “After” - an artist is in our opinion a copy of any date after a work by that artist.

(h) “Signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription” - are from the hand of the artist.

(i) “Bears signature and/or dated and or inscription means that in our opinion the artist’s name and/or date and/or inscription” - have been added by another hand.

Telephone Bidding

Requests for telephone bidding must be registered at least one hour prior to the close of the View Day. We will not accept requests on the Day of Sale. Telephone Lines are booked on a first-come, first-served basis and are subject to a minimum lot value of £500 for Fine Art Sales and £200 for all other sales.

(j) All references to signature, inscriptions and dates refer to the present state of the work.

(k) Dimensions are given height before width and do not include the frame

(l) Pictures are framed unless otherwise stated.

Droit de Suite/ Artists’ Resale Rights

All items in this catalogue that are marked with “✓” are potentially qualifying items, and the royalty charge (set out below) will apply if the Hammer Price is more than the UK sterling equivalent of €1,000. The royalty charge will be added to purchase invoices, and must be paid before items can be cleared. All royalty charges are paid to either the Design and Artists Copyright Society (“DACS”) or the Artists’ Collecting Society (“ACS”) by the auctioneers, and no handling costs or additional fees with respect to these changes will be retained by the auctioneer.

From 14 February 2006 United Kingdom art market professionals (which includes auctioneers) are required to collect a royalty payment for all works of art that have been produced by living artists, and those who have died within the last 70 years. This payment is calculated on qualifying works of art which are sold for a Hammer Price more that the UK sterling equivalent of €1,000 (the UK sterling equivalent will fluctuate in line with prevailing exchange rates). It is the responsibility of the Buyer to acquaint themselves with the actual Euro to UK sterling exchange rate on the Day of Sale. The actual qualifying threshold will be calculated by the “Artist’s Resale Right Service Hub” based on the “European Central Bank” reference rate published at 2.15pm on the Day of Sale and can be found on www.dacs.org.uk

The royalty charge for qualifying items which achieve a Hammer Price of more than the UK sterling equivalent of €1,000 is as follows:

Up to €50,000 – 4%

€50,000.01 to €200,000 – 3%

€200,000.01 to €350,000 – 1%

€350,000.01 to €500,000 – 0.5%

Exceeding €500,000 – 0.25%

For further information please visit www.dacs.org.uk or www.artistscollectingsociety.org. There is no VAT payable on this royalty charge.

Method of Payment

Payment is accepted online via our website. Card payments where the card holder is not present will only be accepted for transactions up to £500.

Payment can be made and purchases collected during the auction. All accounts must be settled within 14 days of the sale. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale.

Collection

All purchases must be collected from our Leyburn offices, unless stated otherwise, within seven days of the Sale (Monday to Friday 8.30am to 5.00pm).

Despatch/Delivery

Buyers may appoint their own shippers or use one of our preferred suppliers for all UK deliveries and international shipping. Their contact details are as follows:

Bradleys Antique Packing Services Ltd 01325 281332 info@antiquepacking.co.uk

Carrs Carriers Ltd 01423 297088 01913 077024 07958 023028 carrscarriersltd@gmail.com

Mailboxes Etc 0113 242 8715 info@mbeleedscity.co.uk

In-House Shipping

For certain lots, we offer a packing and shipping service up to a total value of £5,000 (inclusive of buyer’s premium, VAT and any other associated charges). Prices start from £20 depending on the size and destination. Please note, we are unable to post items of a fragile nature. Items are fully insured and can be tracked from dispatch to delivery. To obtain a quote for packing and shipping, please email shipping@tennants-ltd.co.uk or call 01969 623780. You will need to have paid your invoice in full, including delivery, before items are dispatched.

For full Terms of Business please refer to www.tennants.co.uk