Summer Fine Sale - 13 July 2024 by Tennants Auctioneers

SATURDAY 13 JULY 2024

ALSO SELLING TODAY:

FINE JEWELLERY, WATCHES & SILVER

SATURDAY 13 JULY

9.30AM

BRITISH, EUROPEAN & SPORTING ART

SATURDAY 13 JULY

9.30AM

SUMMER TRANSPORT

SATURDAY 13 JULY

2.00PM

Tennants is the UK’s largest family-owned fine art auctioneers, with a well-deserved reputation for delivering unrivalled service and results.

Twenty-seven specialist departments offer an outstanding range of depth and expertise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace. Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major disciplines, making it one of the UK’s busiest salerooms.

SUMMER SALE

AUCTION

The Auction Centre, Leyburn North Yorkshire DL8 5SG

VIEWING

Sunday 7 July 11.00am to 4.00pm

Monday 8 July 11.00am to 4.00pm

Tuesday 9 July 11.00am to 4.00pm

Wednesday 10 July 11.00am to 4.00pm

Thursday 11 July 11.00am to 4.00pm

Friday 12 July 11.00am to 4.00pm

Morning of Sale from 8.00am

Live bidding is available on this sale by registering at www.tennants.co.uk All lots illustrated online at www.tennants.co.uk

CONTACT

Telephone: 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk

FRONT COVER Lot 111 BACK COVER Lot 268

ORDER OF SALE

Glass 1-4

British Ceramics

European Ceramics 91-121

Asian Ceramics, Works of Art & Furniture 122-168

European Works of Art 169-224

Rugs, Carpets & Tapestries 225-254

Clocks 255-274

Furniture 275-448

Garden Furniture 449-456

TO INCLUDE

u From a Private Estate, North Yorkshire

YOUR SPECIALISTS

Tennants is the UK’s largest family-owned fine art auctioneers, with a well-deserved reputation for delivering unrivalled service and results. Twenty-seven specialist departments offer an outstanding range of depth and expertise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace. Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major disciplines, making it one of the UK’s busiest salerooms.

Jeremy Pattison Auctions Director Furniture

Adam Wasdell Wostep, MBHI Clocks & Barometers

Andrew Parker Consultant Glass, Ceramics, Asian & Works of Art

GLASS

A Large Glass “Lynn” Glass Tumbler, circa 1760, of rib moulded bucket form

12.5cm high

For a group of similar Lynn tumblers from the Wilmot Collection, see Delomosne & Son exhibition catalogue Lynn Glass, 1995, pg.16

£300-400

A Clichy Faceted Millefiori Paperweight, circa 1850, with central Clichy Rose within three concentric bands of various canes on a latticino ground 9cm diameter

A Pair of French Dark Manganese Glass Vases, circa 1860, of baluster form with everted rims, painted in white enamel in pâte-sur-pâte style with classical figures within gilt borders on circular socles

44.5cm high

£500-700

£400-600 4

An “Old English” Faceted Millefiori Paperweight, possibly Bacchus, mid 19th century, with central silhouette cane of the young Queen Victoria within four concentric bands of further canes on a white ground 10cm diameter

A Glass Great Exhibition Commemorative Paperweight, circa 1851, with a view of the Crystal Palace, the base with registration mark 8cm diameter

A Similar Paperweight, with a view of Peterborough Cathedral, bears Poulton’s label 8cm diameter (3)

£300-500

BRITISH CERAMICS

A Bow Porcelain Basket, circa 1760, of circular form, painted in colours with a sprays of flowers and with scattered sprigs

13cm diameter

£300-500

6

A Longton Hall Porcelain Leaf-Shape Pickle Dish, circa 1755, naturalistically modelled and picked out in green and puce 15cm long

£150-250 7

A Longton Hall Porcelain Mug, circa 1755, of baluster form with scroll handle, painted with exotic birds in landscape 12cm high

Provenance: Bears paper label for The Alfred Trapnell Collection

For related bird painting on Longton Hall porcelain see Watney (Bernard) Longton Hall Porcelain, pl.39

£1,000-1,500

A Derby “Dry-Edge” Figure of Autumn from the Rustic Seasons, 1752-55, modelled as a lady standing holding a bunch of grapes in her raised left hand, further fruit in her apron, on a mound base 18cm high

See Bradshaw (Peter) Derby Porcelain Figures, pg.44 for a discussion of this unusual set of the Seasons, with each Season represented by a male and a female figure

£1,000-1,500

A Derby “Dry-Edge” Porcelain Figure of Autumn from the Rustic Seasons, circa 1752-55, modelled as a youth wearing a tricorn hat, a basket of fruit over his shoulder, on a mound base 17cm high

See footnote to previous lot for a discussion of the set of the Rustic Seasons

£1,000-1,500

10

A Derby “Dry-Edge” Figure of Touch from a set of the Senses, circa 1752-55, after a model by Agostino Carlini, modelled as a lady sitting wearing a cap and flowing dress, a parrot at her side, on a mound base 16cm high

See Mallet (JBG) Agostino Carlini and Dry-Edge Derby, British Ceramics Design 1600-2002 in English Circle Transactions 2002 where the attribution of this and other dry-edge models to Carlini is discussed

£1,500-2,000

A Derby “Dry-Edge” Porcelain Figure of Smell from a set of the Senses, circa 1752-55, modelled Agostino Carlini, as a young man seated taking a pinch of snuff from a snuffbox, on a mound base 17cm high

See footnote to previous lot

£1,500-2,000

A Pair of Derby “Dry-Edge” Models of a Ewe and Ram, circa 1752-55, naturalistically modelled standing on mound bases with applied foliage 13cm and 13.5cm high

For a similar pair see Bradshaw (Peter) English Porcelain

Figures 1745-1795, pl.85

£1,000-1,500

13

A Chelsea Derby Porcelain Teacup and Saucer, circa 1770, painted with flowersprays and scattered sprigs within turquoise oeil de perdrix borders edge in gilt, gold anchor marks

For a similar cup and saucer from the Broderip Collection in the Victoria & Albert Museum see accession number C.1064&A-1924 where it is suggested that the porcelain was made in Derby and the decoration was done at Chelsea

£200-300

A Chelsea Derby Porcelain Twin-Handled Chocolate Cup and Trembleuse Saucer, circa 1775, of ogee form, painted in the manner of Edward Withers with sprays of flowers within gilt dentil borders, conjoined D and anchor marks in gilt

£150-200

15

A Worcester Porcelain High-Footed Sauceboat, circa 1755, painted in famille verte-type enamels with a “Long Eliza” in a fenced garden in moulded cartouche, the interior with flower sprigs and Buddhistic emblems

20cm long

£400-600

A Worcester Porcelain Two-Handled Sauceboat, circa 1756, of fluted oval form, printed en grisaille with the River Scene, the exterior with four vignettes of men o’war within polychrome painted foliate decoration

19.5cm wide

For a similar example see Panes (Nicholas) British Porcelain Sauceboats of the 18th Century, pg.125

A Worcester Porcelain Finger Bowl and Stand, circa 1757, painted with flowersprays and scattered sprigs within ogee rims

bowl 9cm diameter/high stand 14.5cm diameter

For a similar example see Sandon (John) & Spero (Simon) The Zerenski Collection, pg.122

£400-600

£400-600 18

A Worcester Porcelain Spoon Tray, circa 1757, of fluted hexagonal form, painted with a flowerspray and scattered sprigs 15cm wide

£400-600

A Worcester Porcelain Shell-Shape Sweetmeat Dish, circa 1758, painted with a spray of flowers, scattered sprigs and insects within a puce border 12cm wide

£300-500

20

A Worcester Porcelain Vase, circa 1758, of quatrelobed baluster form with twin crabstock handles, painted with flowersprays and scattered sprigs

17cm high

£700-1,000

22

A Worcester Porcelain Leaf-Shape Dish, circa 1770, modelled as two overlapping leaves, painted with sprays of flowers and with scattered sprigs

35.5cm long

£150-250

21

A Worcester Porcelain Teacup and Saucer, circa 1770, painted with “Spotted Fruit” and with insects and flower sprigs on an apple green ground gilt with scrolls, crossed swords mark and 9 in underglaze blue

Provenance: Bears paper label for Albert Amor Ltd

£400-600

A Pair of Worcester Porcelain “Blind Earl” Plates, circa 1770, of lobed circular form, naturalistically moulded and painted with rose sprays and with scattered sprigs within gilt scroll borders

19.5cm diameter

£400-600

£400-600 24

A Worcester Porcelain Teapot Stand, circa 1770, of fluted hexagonal form, painted in the atelier of James Giles with a spray of fruit and flowers within a pink scale border with gilt scrolls 14.5cm wide

A Worcester Porcelain “Blind Earl” Sweetmeat Dish, circa 1770, painted in the atelier of James Giles with a spray of fruit and flowers and with various insects 15.5cm wide

Provenance: Bears paper labels for The Nightingale Collection, The Rev Francis HD Smythe Collection and Albert Amor £400-600 26

A Worcester Porcelain Teapot, Cover and Stand, circa 1770, of fluted barrel form, painted in dry blue with flowersprays and scattered sprigs within gilt borders teapot 14cm high

Provenance: Bears paper label for Albert Amor Ltd, Golden Age Exhibition, 1980, no.45 £300-500

An English Hard Paste Porcelain Sauceboat, Plymouth or Bristol, circa 1770, of oval form, moulded with foliate sways, painted with flowersprays within puce highlight, scroll and stiff leaf borders 16cm long

Provenance: Bears paper labels for Peter Stevens as Plymouth and Albert Amor Ltd Exhibition of the Peter Stevens Collection 1978, no.53

For this shape, see Panes (Nicholas) British Porcelain Sauceboats of the 18th Century, pgs.232 and 240 where it is discussed that distinguishing between pieces made under William Cookworthy’s ownership can be difficult as similar sauceboat moulds were used at both factories

£800-1,200

An English Delft Charger, possibly Vauxhall, late 17th century, painted in blue with a central spiral within radiating dashes and concentric lines border with further dashes

34.5cm diameter

See Britton (Frank) London Delftware, pg.69 for a related fragmentary waster excavated on the site of the Vauxhall factory in the 1970s

£400-600

A Pair of English Delft Plates, probably Vauxhall, circa 1730, painted in colours with a cockerel and basket of flowers amongst foliage within a blue border with foliate panels 23cm diameter

Provenance: Moxhams Antiques

For a similar plate see Archer (Michael) Delftware, item B62, pg.120

£300-400

A Staffordshire Solid Agate Teapot and Cover, circa 1750, of ovoid form with bird finial and crabstock handle and spout, on three paw feet

14.5cm high

Provenance: With Jonathon Horne Antiques Ltd

£800-1,200

31-34

No Lots

A Pair of Whieldon-Type Creamware Dessert Plates, circa 1765, of lobed circular form, moulded with fruit and leaves picked out in coloured glazes, on a basketweave ground 20cm diameter

Provenance: With paper labels for Jonathan Horne Antiques

£1,000-1,500 35

A Creamware Teapot and Cover, circa 1760, with flowerhead finial, entwined handle and leaf-moulded spout, painted with an exotic bird amongst foliage 13cm high

A Similar Teapot and Cover, painted with flowersprays and scattered sprigs 12.5cm high (4)

Provenance: Aurea Carter £200-300

A Creamware Teapot and Cover, circa 1760, of ovoid form with scroll handle and moulded spout, painted with flowersprays and scattered sprigs 13cm high

A Similar Creamware Milk Jug 12.5cm high (3)

Provenance: Andrew Dando Antiques for the milk jug £200-300

A Creamware Teapot and Cover, circa 1770, of ovoid form with leaf-sheathed handle and spout, inscribed in black When this you see / remember me/ tho’ many miles / we distant be within a black and red scroll cartouche, the reverse with a church in landscape 15cm high

Provenance: With Jonathon Horne, 22.11.98

This style of decoration is traditionally attributed to the Robinson & Rhodes workshop, but similar work was also done in Staffordshire £300-500

A Whieldon-Type Creamware Hare, circa 1770, naturalistically modelled crouching, with manganese markings on a mound base applied with flowerheads 10cm long

Provenance: With paper label for Jonathan Horne Antiques

£2,500-4,000

A Ralph Wood-Type Creamware Figure of a Ram, circa 1770, naturalistically modelled recumbent, with ochre markings on a green wash mound base 16cm long

A Documentary Creamware Mask Jug, dated 1777, of ovoid form with entwined strap handle, inscribed in underglaze blue When this you see remember me ....Wm: Brumley 1777 within a foliate cartouche 15.5cm high

Provenance: With Jonathon Horne Antiques Ltd £500-700

Provenance: With paper label for Jonathan Horne Antiques £500-700

A Ralph Wood Creamware Model of a Fox, circa 1780, sitting on a mound with forepaw on a bird, picked out in typic al glazes 12cm wide

Provenance: With paper label for Leo Kaplan £1,500-2,000

43

A Creamware Barrell Shaped Jug, circa 1790, printed in black with the inscription When this you see Remember me within a foliate and scroll cartouche flanked by painted flowersprays beneath a blue border 14.5cm high

A Similar Coffee Pot and Cover, of baluster form, painted with flowersprays and sprigs within line borders 29.5cm high (3)

Provenance: David Scriven Antiques for the jug and Key Antiques for the coffee pot £200-300

A Pair of Walton-Type Pearlware Figures of Musicians, circa 1800, seated before bocage, she with a lute, he with a flute, both with a book of music, animals at their feet, on mound bases and tall scroll feet 16cm high

Provenance: With Jonathon Horne Antiques Ltd £200-300

A Prattware Lioness, circa 1800, modelled recumbent, with ochre markings on a green, blue and ochre mound base 9cm long

Provenance: With paper label for Jonathan Horne Antiques £600-800

A Yorkshire Prattware Sheep Group, circa 1800, as a shepherdess standing beside an oversized ram, two lambs at their feet, on a sponged rounded rectangular base

16cm high

Provenance: With Jonathan Horne Antiques

£700-1,000

A Prattware Jug, circa 1800, moulded and painted with a continuous sporting scene within stiff leaf borders 15.5cm high

£200-300

A Prattware Figure of a Boar, circa 1800, naturalistically modelled with brown and ochre spots on a green wash mound base

8cm wide

Provenance: With Jonathan Horne Antiques

£600-800

A Prattware Lioness, circa 1800, modelled recumbent, with blue and ochre markings on a green wash mound base 9cm long

£700-1,000

A Pratt-Type Figure of HELENDER BOY, circa 1800, standing wearing Renaissance costume on a green wash mound base and square plinth, impressed title 12cm high

A Similar Figure of SPORTSMAN’S WIFE 11.5cm high (2)

£500-700 50 51

A Prattware Figure of a Lady, circa 1800, standing wearing a bonnet and spotted dress holding a bird and a bag, on a green wash mound base

18cm high

£300-500

A Prattware Oval Plaque, circa 1800, moulded and painted with the Sailor’s Farewell within a gadrooned border 15.5cm wide

A Similar Tea Caddy, with macaroni figures 12cm high (2)

£250-350

A Pratt-Type Figure of a Bear, circa 1800, naturalistically modelled seated wearing a collar and chain, with brown dotted markings on a green washed mound base

7cm high

Provenance: With paper label for Jonathan Horne Antiques

£500-700

A Prattware Flask, circa 1800, of flattened ovoid form, moulded and painted with classical figures and foliage 15cm high

A Similar Flask, with figures in landscape 10cm high (2)

£300-500

A Prattware Figure of a Youth Representing Spring, circa 1800, standing holding flowers in his hat, on a green wash mound base and square plinth

19cm high

£250-350

A Prattware Figure of a Lady Representing Spring, circa 1800, seated wearing an ochre hat and dress holding a basket of flowers, on a canted square plinth

11.5cm high

£150-250

A Prattware Equestrian Group, circa 1800, as a gentleman wearing a black hat and blue coat mounted on a skewbald horse, on a rounded rectangular base with sponged markings 12.5cm high

For a similar example see Lewis (John and Griselda) Prattware, pg.93

£2,000-3,000 58

A Prattware Figure of a Gentleman, circa 1800, standing wearing a brown hat and ochre jacket and trouser, an umbrella at his side, on a green wash mound base

12cm high

£200-300 59

A Prattware Figure of a Youth, circa 1800, standing wearing a blue jacket, clutching a spaniel to his chest, on a mound base and square plinth

19cm high

£300-400

A Prattware Figure of a Hurdy Gurdy Player, circa 1800, standing wearing a blue cap and jacket, holding his instrument to his body, on a green wash base and square plinth

13.5cm high

£250-350

A Prattware Jug, circa 1800, moulded and painted with Prince Cobourg and Duke of York 15cm high

£200-300

A Prattware Figure of a Fox, circa 1800, modelled seated, with brown markings on a mound base 11.5cm high

Provenance: With paper label for Jonathan Horne Antiques

£1,000-1,500

(part)

A Pair of Prattware Bocage Groups, attributed to Tittensor, circa 1820, as a shepherd and shepherdess each sitting before a tree, two sheep at their feet, on mound bases, shepherdess group indistinctly impressed 7 10cm high

Provenance: Bear paper labels for DM & P Manheim

£300-500 64

A Documentary Sunderland Lustre Jug, dated 1828, of ovoid form, inscribed Jane Le Blancq / Born 5th August 1828 within a foliate cartouche below a pink lustre border, the reverse printed in black with a sailing ship 15.5cm high

A Prattware Tea Canister and Cover, moulded and decorated with macaroni figures 15cm high (3)

£200-300

An English Porcelain Hare’s Head Stirrup Cup, circa 1820, naturalistically modelled and painted, the neck of rhyton form picked out in gilding

18cm long

£200-300

A Pearlware Fox Mask Stirrup Cup, early 19th century, naturalistically modelled and painted

12cm long

A Similar Stirrup Cup 10cm long (2)

£200-300 65

A Staffordshire Pearlware Hound’s Head Stirrup Cup, early 19th century, naturalistically modelled and painted with brown markings and black collar 15cm long

£200-300 68

A Near Pair of English Porcelain Fox Mask Stirrup Cups, mid 19th century, naturalistically modelled and painted, the gilt collars inscribed TALLY HO 12cm long

£200-300 69

A Pearlware Fox Mask Stirrup Cup, early 19th century, naturalistically modelled and painted

9cm long

An English Porcelain Fox Mask Stirrup Cup, mid 19th century, naturalistically modelled and painted, the collar inscribed in gilt SUCCESS TO THE MELTON HUNT

11cm long

A Similar Fox Mask Stirrup Cup, with gilt inner ears and collar inscribed TALLY HO 12cm long (2)

£200-300

A Similar Stirrup Cup 13.5cm long (2)

£300-400

A Pair of English Porcelain Fox Mask Stirrup Cups, mid 19th century, naturalistically modelled and painted, the gilt collars inscribed Tallyho 12cm long

£200-300

A Staffordshire Pearlware Hound’s Head Stirrup Cup, mid 19th century, naturalistically modelled and painted with brown markings 14cm high

A Similar Hound’s Head Stirrup Cup 14cm high (2)

£200-300

A Pearlware Fox Mask Stirrup Cup, early 19th century, naturalistically modelled and painted, 16cm long

A Similar Fox Mask Stirrup Cup 13.5cm long (2)

£300-400

A Pearlware Hound’s Head Stirrup Cup, early 19th century, naturalistically modelled and painted with brown markings 13.5cm long

A Similar Hound’s Head Stirrup Cup 13cm long (2)

£200-300

A Rockingham Porcelain Fox Mask Stirrup Cup, circa 1830, naturalistically modelled with gilt collar, CCL.1 mark in red 10.5cm long

£200-300

A Wedgwood Black Basalt Plaque, late 18th/19thcentury, modelled in high-relief with The Death of a Roman Warrior, impressed WEDGWOOD

49.5cm by 28cm, in an architectural parcel-gilt mahogany frame

This panel, also known as The Death of Meleager, is taken from a sarcophagus in the Albani Collection, now in the Capitoline Museum in Rome. Wedgwood’s version first appeared in the factory catalogue in 1773 and remained in production throughout the 19th century, however, firing difficulties with these plaques meant that they were rarely attempted

£1,000-1,500

78 u

A Pair of English Porcelain Comports, probably Minton, circa 1860, of circular form, painted with birds perched on branches within blue and gilt borders, parian supports moulded as three cherubs and with animals on circular socles

23cm high

£200-300

A Nantgarw Porcelain Oval Dish, circa 1818-20, painted in London with the “Tumbling Baskets” pattern and with flowersprays and scattered sprigs within gilt scrollwork, impressed mark 30.5cm wide

£200-300

79

A Coalport Porcelain Double Scent Bottle and Stoppers, circa 1870, as two conjoined cylindrical bottles, painted with Indian motifs on a green ground highlighted in gilt, & and COALPORT marks in puce 7.5cm high

£150-200

80

81

A Pair of Minton Parian Figure Groups, circa 1870, as Una and the Lion and Ariadne and the Panther, modelled by John Bell, on rectangular bases, moulded marks 39cm high, mounted on gilt-metal table lamps, with shades

Provenance: From the Collection of late Adrian Stanford and Norman St John-Stevas, Baron St John of Fawsley

£500-600

A Royal Worcester Porcelain Small Ewer, by George Owen, circa 1900, of ovoid form with a reticulated band of moulded stiff leaves and circular foot, highlighted in gilt, incised signature and printed mark in gilt

12.5cm high

£700-1,000

82

A Royal Worcester Porcelain Vase, probably by George Owen and Harry Chair, 1900, of baluster form with angular handles, the shoulders with beaded band over a pierced formal border picked out in puce over gilt scrolls hung with foliage swags, on a circular socle and shaped square base, apparently unsigned, printed mark in green 12.5cm high

For a similar ewer see Bonhams, New Bond Street, 1 December 2010, lot 256 where it is discussed that Owen and Chair worked together on many ornamental pieces and that prior to 1900 the Worcester factory did not encourage their craftsmen to sign their work

£200-300

A Royal Worcester Porcelain Ewer, by John Stinton, circa 1908, of baluster form with reticulated neck and scroll handle, painted with highland cattle in a misty landscape, on a circular foot, signed, printed mark in green 25cm high

£500-700

£300-400 83

A Royal Worcester Porcelain Plate, by Ernest Phillips, 1921, painted with a spray of fruit within a broad blue and pink border highlighted in gilt, signed, printed mark in puce 23cm diameter

A Similar Soup Plate, by Ernest Phillips, 1912, painted with a spray of fruit on a powder blue ground gilt with flower sprigs and scrolls, signed, printed mark in blue 24cm diameter (2)

A Royal Worcester Porcelain Plate, by Richard Sebright, 1925, painted with a still life of fruit on a mossy bank on a blue ground with pink panels, the whole highlighted in gilt, signed, printed mark in puce

22.5cm diameter

£250-350 86

A Royal Worcester Porcelain Teacup and Saucer, by Kitty Blake, 1930, typcially painted with blackberries, blossom and autumnal leaves, signed, printed marks in puce

£150-200

A Royal Worcester Porcelain Plate, by Brian Leaman, 2nd half 20th century, painted with a still life of fruit on a cream panel and blue ground gilt with Art Nouveaustyle foliage, signed, printed mark in gilt 27cm diameter

A Similar Plate, by Cooper, on a pale blue ground, signed, printed mark in gilt 27cm diameter (2)

£300-400

A Royal Worcester Porcelain Plate, by Harry Ayrton, 2nd half 20th century, painted with a still life of fruit on a mossy bank within a shaped gadrooned border highlighted in gilt, signed, printed mark in black 23cm diameter

£300-500

90

A Royal Worcester Porcelain Plate, by R Lewis, 2nd half 20th century, painted with a still life of fruit within a broad claret and ivory border highlighted in gilt, signed, printed mark in black 23cm diameter

A Similar Plate, painted by R Lewis, with a still life of fruit on a mossy bank within a broad claret border gilt with classical scrolls, signed, printed mark in black 22cm diameter (2)

£300-400

EUROPEAN CERAMICS

92

A Cantagalli Maiolica Basin, 2nd half 19th century, of fluted trefoil form with animal mask bosses, painted with the arms of the Medici on a ground of grotesquerie and with scroll and paw feet, cockerel mark in black 45cm wide

£800-1,200

91

An Italian Maiolica Istoriato Plate, Urbino, probably mid 16th century, painted with Saturn holding a scythe overlooking a landscape with Epona leading a horse and with further classical figures

23.5cm diameter

£800-1,200

93

A Vincennes Porcelain Coffee Cup and Saucer, circa 1753, of fluted form, the bleu lapis ground with white reserves highlighted in gilt, cup with interlaced Ls in underglaze blue, both pieces with incised marks

Provenance: Bears label for Klaber & Klaber

See Eriksen (Svend) & De Bellaigue (Geoffrey) Sèvres Porcelain, Vincennes and Sèvres 1740-1800, pg.276 for a similar example and it is there discussed that Jean Claude Thomas Duplessis received instructions to design a cup and saucer with flutes on 19th February 1753. His annotated drawing shows a cup that is broader and more bowl shaped than the present example, but these cups and their saucers have twenty-four flutes; his notes refer to them as Tasse Gaudrone and Souscope Gaudrone £400-600

A Sèvres Porcelain Seaux à Demi-Bouteille, circa 1760, with twin scroll handles, painted with scattered flowersprays and sprigs within blue line and gilt borders, painter’s mark attributed to Charles François Becquet, painted marks in blue 12cm high

See Peters (David) Decorator and Dates Marks on 18th Century Vincennes and Sèvres Porcelain, pg.90 where it is discussed that flower painting with the associated decorator’s mark of a chalice appear on pieces dated 1754-58 and 1767. This mark was ascribed in a publication of 1874 to Charles François Becquet but there is no archival evidence to support this attribution

£400-600

A Matched Sèvres Porcelain Coffee Cup and Saucer, 1766 and 1772, painted with flowersprays and swags within gilt borders, cup with mark and painter’s mark in blue, saucer with mark in brown

£150-200

A Sèvres Porcelain Coffee Cup and Saucer, 1768, painted with pink roses in panels on a green ground within gilt borders, painter’s mark ca for Pierre Freta (act.1763-68), marks in purple and blue

Provenance: Bears label for Klaber & Klaber

£400-600

A Sèvres Porcelain Custard Cup and Cover, circa 1770, of baluster form with bud knop, painted with scattered flower sprigs within blue and gilt line borders, painter’s mark Jacque Micaud, painted marks in blue and manganese

8cm high

£300-500

A Sèvres Porcelain Shell-Shape Dish, circa 1772, painted and moulded with the Feuille de Choux pattern, painted marks in manganese 22cm wide

£300-500

A Pair of Sèvres Porcelain Plates, circa 1772, painted and moulded with the Feuille de Choux pattern, painted marks for Chapuis 24.5cm diameter

£300-500

A Sèvres Porcelain Coffee Can and Two Saucers, circa 1775, painted with swags of summer flowers hung from a dot and meander border, painter’s marks for Louis Jean Thevenet and Pierre Bouteaux, painted marks in black and blue to saucers only

£300-500

A Sèvres Porcelain Seau à Demi-Bouteille, circa 1775, with scroll handles painted with scattered flowersprays within blue and gilt line borders, painted mark in blue 10cm high

£400-600

102

A Sèvres Porcelain Coffee Cup and Saucer, circa 1775, painted with scattered pink roses within gilt foliate garlands, bears painter’s mark attributed to Phillippe Parpette, marks in blue

£400-600

104

103

A Sèvres Porcelain Milk Jug, circa 1775, painted with a pink rose within a flower swag and gilt border on a bleu de roi ground gilt with scrolls and foliage, painter’s mark Jean-Baptist Tandart, marks in gilt

11.5cm high

£600-800

A Sèvres Porcelain Coffee Can and Saucer, circa 1777, painted with scattered pink roses within formal leaf borders, painter’s marks for Jean Jacques Pierre, Jacques Fontaine, Pierre Bouteaux and Michel Chauvaux, painted marks in blue and black

Provenance: Bears paper label for Klaber & Klaber

£300-500

105

A Pair of Sèvres Porcelain Stands, the porcelain possibly 18th century, the decoration later, of flared square section, painted in the manner of François Joseph Aloncle with exotic birds in branches within gilt line panels on a green ground, bears marks in blue 16cm high

Provenance: The Earls of Roseberry, sold at Sotheby’s, Mentmore Sale, May 1977

£1,200-1,800

107

A Matched Set of Ten Sèvres Porcelain Dinner Plates, various dates, painted with scattered flower sprigs and sprays within moulded feilles de choux panels picked out in blue and gilt, various marks 24.5cm diameter

£500-800

106

A Matched Set of Four Sèvres Porcelain Seau à Bouteille, various dates, with scroll handles, painted with flowersprays within blue and gilt line borders, painted marks 18cm high

Provenance: The Earls of Roseberry, sold at Sotheby’s, Mentmore Sale, May 1977

£1,500-2,000

A Matched Set of Four Sèvres Porcelain Coffee Cups and Saucers, various dates, painted with scattered flower sprigs within gilt dentil borders, various painter’s marks

Provenance: One saucer with paper label for Klaber & Klaber

£600-800

109

A Sèvres Porcelain Ornithological Cup and Saucer, circa 1790, painted with “Merle du Siniges Appelle Podobe” and “Gorge Rouge” in gilt panels on a bleu celeste ground gilt with scrolling classical foliage, painter’s mark for Pierre Massy, titles and painted marks in blue

£700-1,000

110

A Sèvres Porcelain Empire-Style Cabinet Cup and Saucer, 1814-24, the cup of flared cylindrical form, painted with a foliate wreath hung with swags within formal gilt borders, the saucer with a pink rose spray within harebells and formal gilt borders, stamped marks in blue cup 9cm high saucer 16cm diameter

£400-600

111

A Pair of Louis Phllippe Gilt-Bronze and Sèvres Porcelain Candelabra, circa1845, the foliate branches on sockets with detachable nozzles issuing from square section orange tubs (Caisses A Fleurs Carrees), painted with cherubs amongst clouds, exotic birds in branches and flowersprays on a bleu ciel ground and leafcast square plinths, bear painted marks in blue 56cm high

Provenance: The Robert von Hirsch Collection, Sotheby Parke Bernet, New York, 1978, lot 529, illustrated in the catalogue

£3,000-5,000

112

A Pair of Duc du Angoulême Paris Porcelain Fruit Coolers, Covers and Liners, circa 1780, of twinhandled urn form, painted with scattered flower sprigs within gilt line borders, stencil marks in red 36cm high

Three Paris Porcelain Plates, similarly decorated 24.5cm diameter

A Similar Small Rectangular Tray (10)

£300-500

113

A Meissen Porcelain Plate, circa 1750, of lobed circular form, moulded with Gotzkowsky Erhabene Blumen and painted with scattered flowersprays and sprigs, crossed swords mark in underglaze blue 25cm diameter

A Similar Plate, with Neuozier border 22.5cm diameter

A Similar Plate, with moulded floral meander border 22.5cm diameter (3)

Johann Ernst Gotzkowsky was a wealthy Berlin-based businessman. In 1741 Frederick II of Prussia instructed Gotzkowsky and his brother to travel to the porcelain factory at Meissen and commission a magnificent table service for the Royal Court. Frederick did not want Augustus II, Elector of Saxony and his rival in the First Silesian War 1740-42, to find out for whom the noble crockery was intended. For this reason, the service was ordered under the Gotzkowsky name leading to the Meissen factory referring to this mould of pattern as Gotzkowsky Erhabene Blumen

£200-300

114

A Meissen Porcelain Soup Tureen, Cover and Stand, circa 1765, with fruit knop and scroll handles and feet, painted with flowersprays and swags within pink scale borders and foliate scroll and shell-moulded rims, crossed swords and dot marks in underglaze blue stand 43cm wide

£600-800

116

115

A Set of Four Hoechst Porcelain Dishes, circa 1770, of lobed circular form, painted with flowersprays and scattered sprigs within a broad border moulded with four foliate panels and brown line rim, wheel mark in underglaze blue

31.5cm diameter

A Similar Smaller Dish

28cm diameter

Another 26cm diameter (6)

£400-600

A Meissen Porcelain Swan, 2nd half 19th century, naturalistically modelled and painted on a rockwork base applied with leaves, crossed swords mark in underglaze blue

30cm high

£600-800

A Meissen Porcelain Rustics Group, late 19th century, as a girl picking fruit, a shepherd taking a drink and a woodsman holding a tool about a fruit tree, a dog and sheep at their feet, on a scroll moulded mound base, crossed swords mark in underglaze blue

27cm high

£400-600

A Meissen Porcelain Figure Group, modelled by Friedrich Rentsch (1836-1899), as Bacchus with fruiting vines in his hair holding a goblet sitting on the back of a roaring leopard, on a rectangular plinth, Incised F Rentsch, crossed swords mark in underglaze blue and incised crossed swords within a triangle 40cm high

Having studied at the Dresden Art Academy, Rentsch became Professor of Ornamental and Figure Drawing at Dresden’s Royal Saxon Polytechnic. He produced architectural sculptures for many buildings in Dresden as well as providing templates for wall paintings and designed a small number of models for the near-by Meissen porcelain factory

£2,000-3,000

119

A Vienna-Style Porcelain Charger, 2nd half 19th century, painted with “Geburt des Adonis” within a blue, pink, green and gilt border with panels of classical ornament, titled in red, shield mark in underglaze blue

39cm diameter

£300-500

120 u

A Vienna-Style Porcelain Three-Piece Garniture, circa 1870, painted by Wagner with portraits of Maria Stuart, Georgiana (Duchess of) Devonshire and Julia Raymond within gilt cartouche on a ground of foliate and gilt swags with jewelling and pseudo cameos, comprising a baluster vase and two bottle vases, titles in black and shield marks in blue 32.5cm and 25cm high

Provenance: JH Cooper & Sons, Ilkley, 21 February 1985

£1,500-2,000

121 u

A Pair of Sèvres-Style Porcelain Twin-Handled Vases and Covers, late 19th/early 20th century, of urn form, painted with children in dog carts and with sprays of flowers on a blue ground highlighted in gilt, bear pseudo Sèvres marks in underglaze blue

39cm high

£400-600

ASIAN CERAMICS & WORKS OF ART

123

A Chinese Blanc de Chine Porcelain Figure Group, Kangxi, as two courtesans sitting beside a table, one playing a Biwa on a rectangular base 15cm high

A Similar Figure of a Dog of Fo, seated with a forepaw on a brocade ball on a rectangular plinth 14.5cm high

Provenance: By repute The Schiller Collection

£150-200 124

122

A Persian Fritware Bowl, late 18th/early 19th century, with pierced quatrefoil panels on a scroll and foliate ground within lattice borders 19.5cm diameter

For a similar example see Victoria & Albert Museum, accession number 211-1906

£200-300

A Chinese Porcelain Figure of Guanyin, Qing Dynasty, probably Kangxi, seated wearing long flowing robes 20cm high

A Chinese Porcelain Incense Burner, modelled as fruit and tendrils picked out in manganese 6cm wide, on hardwood stand

Provenance: By repute The Schiller Collection

£200-300

125

A Chinese Swatow Porcelain Dish, late 16th/early 17th century, painted in underglaze blue with a pheasant amongst flowering branches within six panels of fruiting branches on a geometric ground 34.5cm diameter

£300-400

126

127

A Chinese Porcelain Jar, probably late 16th century, of ovoid form, painted in underglaze blue with the Hundred Boys pattern 27cm high

£300-500

A Matched Pair of Chinese Provincial Porcelain Jars and Covers, Ming Dynasty, probably Jiajing, of ovoid form, painted in underglaze blue with a band of scrolling foliage within formal borders, bear fourcharacter hallmarks for “Fine vessel for the rich and honourable” and “Ten thousand happinesses embrace all your affairs” 17cm high

Provenance: With handwritten note “From the JL Love and CM Woodbridge Collections (Sotheby’s, 8 May 1951, lot 11) bought from HRN Norton for £4

£300-400

128

A Chinese Porcelain Jar, late 16th/early 17th century, of baluster form, painted in underglaze blue with a continuous scene of figures on horseback within formal borders 17cm high

£300-500

129

A Pair of Chinese Porcelain Rouleau Vases, in Kangxi style, painted in underglaze blue with two figures sitting beneath pine trees in landscape 45cm high

£500-700

130

A Pair of Chinese Porcelain Baluster Jars and Covers, in Kangxi style, painted in underglaze blue with precious objects and foliage amongst rockwork in panels on a brocade ground 40cm high

£400-600

A Chinese Porcelain Bowl, Kangxi, of circular form with everted rim, painted in underglaze blue with figures in gardens playing musical instruments and games within brocade borders 21cm diameter

A Similar Saucer Dish, pained in underglaze blue with a dragon and carp amongst waves within lappet borders

26.5cm diameter (2)

£400-600

132

A Chinese Porcelain Ginger Jar, Kangxi, of fluted oval form, painted with mythical beasts in circular panels within borders of foliage and precious objects 22cm high

£800-1,200

133

A Chinese Porcelain Vase, Chenghua reign mark but probably Kangxi period, of slender baluster form with flared neck, painted in underglaze blue with a continuous lake landscape with figures on boats and amongst pavilions on the banks within key fret borders, bears six-character reign mark in underglaze blue

46cm high, on later wood stand

£3,000-5,000 134

A Chinese Porcelain Vase, Kangxi, of cylindrical form with sloping shoulders, painted in underglaze blue with birds amongst leafy branches, artemisia mark in underglaze blue

21cm high, later mount to rim

£200-300

See Kangxi Porcelainware from the Shanghi Museum Collection, Hong Kong 1998, pl.55 for a similar example shown to be the depiction of the West Lake as most of the buildings are identified by name

135

A Chinese Porcelain Seal Paste Pot and Cover, bears Kangxi reign mark, of circular form, painted in underglaze blue with figures in a mountainous landscape within diaper and panel borders, bears six-character reign mark in underglaze blue

13cm diameter

£200-300

136

A Chinese Porcelain Basin, Kangxi, of circular form, painted in underglaze blue with a basket of flowers within a geometric border with four foliate panels

38.5cm diameter

£700-1,000

137

A Chinese Porcelain Meiping, Qing Dynasty, probably Qianlong, painted in underglaze blue with scrolling lotus within formal lappet and leaf borders 33cm high

£1,000-1,500

138

A Chinese Porcelain Jar, Yongzheng reign mark but probably not of the period, of ovoid form, the shoulder applied with a sinuous dragon, painted in underglaze blue with three phoenix roundels, bears six-character reign mark in underglaze blue

139

A Pair of Chinese Porcelain “Dragon” Bowls, Guangxu marks, painted in underglaze blue with five-clawed dragons in pursuit of flaming pearls above waves, six-character marks in underglaze blue

16cm high

£200-300

11cm diameter

Provenance: By descent from Elizabeth Shield who was a companion to Lucie Castleman, the daughter of one of the founders of the Rock Island Railroad on her travels in Europe and the Far East in the 1880s and 1900s

£3,000-5,000

A Chinese Porcelain Dragon Bowl, Guangxu reign mark and possibly of the period, painted in coloured enamels with dragons chasing the flaming pearl amongst cloud scrolls above waves within a Greek Key border, six-character reign mark in underglaze blue

18.5cm diameter

£500-700 141

A Pair of Chinese Porcelain Sleeve Vases (Rolwagen), 19th century, painted in underglaze blue with Zhong Kui riding a deer amongst rockwork and banana trees, a demon to one side

30cm high

£700-1,000

A Pair of Chinese Porcelain Sleeve Vases, in Transitional style, painted in green, red and yellow with phoenix amidst foliate scrolls within foliate, diaper and stiff leaf borders

25cm high

£300-500 143

A Chinese Porcelain Vase, in Kangxi style, of baluster form with trumpet neck, painted in famille verte enamels with various figures in landscape 26.5cm high

£300-400

144

A Pair of Chinese Porcelain Bottle Vases, in Kangxi style, painted in famille verte enamels with birds perched amongst flowering trees and with lingzhi 41cm high

145

146

A Chinese Porcelain Gu-Shaped Vase, Kangxi, painted in underglaze blue and iron red with insects amongst flowering peony and chrysanthemums on a pale celadon ground

43.5cm high

£2,000-3,000

A Chinese Porcelain Charger, Kangxi, painted in famille verte enamels with birds amongst fruiting and flowering branches in a fenced garden

37cm diameter

£500-800

147

A Chinese Porcelain Bowl, Kangxi, of canted square form, painted in famille verte enamels with figures in fenced gardens and flowering prunus amongst rockwork in panels on a green ground with flower sprigs and insects, seal mark in underglaze blue 21cm wide

£200-300

149

148

A Chinese Porcelain Charger, Kangxi, painted in famille verte enamels with insects amongst sinuous leafy and flowering peony tendrils and rockwork within a lattice border with foliate panels, artemisia mark in underglaze blue

35cm diameter

£500-800

A Chinese Porcelain Bowl, Kangxi, painted in famille verte enamels with scrolling foliage and lappet-shaped panels within formal foliate and lappet borders, the interior with central roundel within a brocade border with panels of insects, precious object mark in underglaze blue

19cm diameter

A Similar Pair of Saucers, of fluted form, painted with flowering branches and foliate roundels, seal marks in underglaze blue 13cm diameter (3)

£200-300

150

A Chinese Porcelain Charger, Kangxi, painted in famille verte enamels and underglaze blue with a crane and deer amongst prunus, pine and peony issuing from rockwork within a foliate scroll and meander border

36cm diameter

A Pair of Bowls, en suite 26cm diameter (3)

£300-500

151

A Chinese Porcelain Vase, Kangxi, of baluster form, painted in famille verte enamels with alternating panels of ladies in gardens and foliage and rockwork within formal borders

26cm high

£400-600

153

A Chinese Porcelain Baluster Vase, Yongzheng reign mark but not of the period, with trumpet neck, painted in famille noir enamels with scrolling foliage, bears six-character reign mark in underglaze blue

27cm high

£300-400

152

A Chinese Porcelain “Ladies” Saucer Dish, Yongzheng, painted in famille rose enamels with two ladies on a balcony holding a fishing rod, a figure playing a flute beyond 20.5cm diameter

For a similar example see Sotheby’s, Hong Kong, 8 April 2011, lot 3064

£2,000-3,000

154

A Chinese Porcelain Vase, Qianlong reign mark but not of the period, of flared cylindrical form with waisted neck, painted in famille rose enamels with flowering branches on a yellow ground incised with scrolls and painted with scattered flowers, bears six-character reign mark in red 34cm high

A Turquoise Glazed Planter, of ovoid form, incised with sinuous dragons within cloud-scroll and wave borders 26cm diameter (2)

£300-500

155

A Chinese Porcelain Armorial Mug, Qianlong, of ribbed cylindrical form with faux bamboo handle, painted and gilt with the arms of Nassau, Earl of Rochfort quarterly with Zuylestein in pretence below a grey cell and gilt scroll border 12cm high

See Howard (David Sanctuary) Chinese Armorial Porcelain, pg.260 where it is discussed that this service was made for William Henry, 4th Earl of Rochfort of St Osyth’s Abbey in Essex, descendant of Henry Frederick de Nassau, Prince of Orange and who was Ambassador at Madrid and Versailles. It is also noted that the correct motto “Spes Durat Avorum” (The Hope of Ancestors Endures) is misspelt on some pieces “Spes Durat Amorum” (The Hope of Our Love Endures)

£400-600

156

A Chinese Armorial Platter, en suite to the previous lot, of canted rectangular form 36.5cm wide

£300-400

157

A Cantonese Porcelain Basin, mid 19th century, with everted rim, typically painted in famille rose enamels with figures in interiors and birds amongst branches on a foliate ground 40cm diameter

£500-700

158

A Chinese Celadon and Russet Jade Figural Vase and Cover, Qing Dynasty, probably Qianlong, as an oval section baluster vase with bird finial on the back of a horned and winged dragon 18cm high, on hardwood stand

For a related example dated to the 18th century, see Metropolitan Museum, New York, accession no. 02.18.399

£2,000-3,000

159

A Chinese Carnelian Agate Double Vase, Qing Dynasty, 18th/19th century, carved as a tree trunk with fruiting peach branches and lingzhi flanked by a conical flowerhead, the reverse with a bat 17.5cm high

Provenance: John Sparks, 28 March 1955

A related double carp vase was in the collection of the late Countess Mountbatten of Burma, another in the Palace Museum, Beijing is illustrated in Gugong Bowuyuan Idai Wishuguan Cenpiepin Tumu, pl.1314

£2,000-3,000

160

A Chinese Jade Brush Washer, Qing Dynasty, of shallow ovoid form, carved with two sinuous animals 13.5cm long, on hardwood stand

£700-1,000

161

A Chinese Jade Belt Buckle, in two parts, each of rectangular form carved in low relief with chilong 12cm long

A Similar Belt Hook, with mythical beast finial 11cm long, on hardwood stand

Two Bi Discs, carved with scrolls and mythical creatures

7cm and 6.5cm diameter

A Twin-Handled Small Bowl 9cm wide

A Cylindrical Incense Burner, on three feet 6cm

A Small Carved and Pierced Plaque 5cm (7)

£300-500

162

A Chinese Smokey Quartz Vase and Cover, In Qianlong style, of baluster form, carved and pierced with birds amongst flowering branches 29cm high

£300-500

163

A Chinese Carved Stone Head of a Bodhisattva, possibly Tang Dynasty, in Longmen Caves style, carved full face with swept-back hair and topknot tied by a foliate ornament

19cm high

Provenance: English Private Collection

The facial features and the treatment of the hair with the hair ornament relate to a number of heads from the Longmen Caves in Henan Provence, China. Commencing in the Northern Wei Dynasty and continuing through the Tang Dynasty, the Longmen Caves are regarded as some of the finest examples of Chinese Buddhistic art. The 2,345 caves are believed to contain approximately 100,000 statues, ranging in height from 25mm to 17m.

£3,000-5,000

164

A Chinese Rock Crystal Figure of Guanyin, Qing Dynasty, probably 19th century, standing wearing long robes holding a fly wisp

21cm high, on hardwood stand

A Smokey Quartz Vase and Cover, in the form of a cockerel

14cm high (3)

£200-300

165

A Pair of Chinese Cloisonné Enamel Quail, late 18th/early 19th century, of mirrored standing form with coloured plumage on a turquoise ground 14cm and 13cm high

Provenance: Frank Partridge & Sons Ltd, 7 February 1974

£2,000-3,000

166

A Chinese Tortoiseshell Snuff Box and Cover, mid 19th century, of rectangular form, carved in high relief with figures amongst trees and buildings within foliate borders

7.5cm wide, with label inscribed In the collection of the Russian Imperial Family, presented by Grand Duchess Catherine 1867 to George Duke of Mecklenburg Strelitz

£200-300

167

A Chinese Bronze Figure of a Scholar, 19th century, standing in flowing robes on a mound base

80cm high

£400-600

168

A Japanese Cloisonne Enamel Box, Inaba Workshop, 20th century, of rectangular form, the hinged domed cover decorated with birds amongst flowering branches and rockwork on a pale green ground, the base with blossoming trees on a blue ground, on six splay supports, the inside stamped KYOTO and with the Inaba Workshop mark and three-character signature for Inaba Nanaho

17cm wide

£300-400

EUROPEAN WORKS OF ART

169

A Wrought Iron Rush Light Holder, late 18th/early 19th century, with central knopped column flanked by scrolls and with ring holder on cartouche-shaped plinth and three scroll feet

48cm high

£150-200

171

After Matthias Finucane (act.c.1798): Miniature Portrait of a Gentleman, bust length, wearing a cream stock, scarlet jacket and brown coat, on ivory 6.6cm by 5cm, in gold frame with glazed rear, mounted on a green velvet-covered rectangular panel

With Non-Transferable Standard Ivory Exemption Declaration number Z9XWT5A3

£150-200

170

James Scouler (c.1740-1812): Miniature Portrait of a Gentleman, bust length, wearing a wig, white stock and fawn jacket, signed and dated Scouler 1772, on ivory, oval 3.6cm by 3.2cm, in turned wood frame

With Non-Transferable Standard Ivory Exemption Declaration number HFRTPAUL

£300-400

172

English School (early 19th century): Miniature Portrait of a Gentleman, bust length, wearing a wig, white stock and blue coat, on ivory, oval 6.5cm by 4.5cm

With Non-Transferable Standard Ivory Exemption Declaration number HZFLV4ED

£150-200

173

Adam Buck (1759-1833): Miniature Portrait of a Gentleman, bust length, wearing a black stock and jacket and white shirt, signed and dated 1820, pencil and watercolour heightened with bodycolour, on card 11.3cm by 10cm, in a red morocco-covered diptych frame with old label to reverse

£200-300

174

English School (late 18th century): Miniature Portrait of a Lady, bust length, with curly brown hair and white dress, on ivory, oval 6.3cm by 4.5cm, the glass with verre eglomise border

With Non-Transferable Standard Ivory Exemption Declaration number ALNHRWJZ

£150-200 174

175

English School (late 18th century): Miniature Portrait of a Gentleman, bust lengh, wearing a wig, white stock, lace collar and blue jacket, on ivory, oval 4cm by 3.3cm

With Non-Transferable Standard Ivory Exemption Declaration number QAZ3XR87

£150-200

176

English School (late 18th century): Miniature Portrait of a Gentleman, bust length, wearing a wig, white collar and blue jacket with scarlet sash, on ivory, oval 4cm by 3cm

With Non-Transferable Standard Ivory Exemption Declaration number N3GYBQLL

£150-200

177

English School (18th century): Miniature Portrait of William Powell, bust length, wearing a white stock, grey waistcoat and scarlet jacket, signed with monogram JH(?) and dated (17)75, on ivory, oval 5cm by 4.3cm, the reverse inscribed Wm Powell sail’d for Bengal April 9th 1776

With Non-Transferable Standard Ivory Exemption Declaration number HZWEYEVC

£150-200

178

John Bogle (1746-1803): Portrait Miniature of a Young Man, believed to be Francis Napier, 8th Lord Napier of Merchistoun, wearing a white stock and cream jacket, initialled and dated I.B (17)77, oval, on ivory 3.5cm by 2.7cm, in a rectangular gold locket with foliate repousse cover

With Non-Transferable Standard Ivory Declaration number Z2ZGBBDN

£700-1,000

179

English School (early 19th century): Miniature Portrait of a Gentleman, bust length, wearing a white stock and waist and blue coat, oval, on ivory 7cm by 5.5cm, in gold frame

With Non-Transferable Standard Ivory Exemption Declaration Number D97UGQWH

£300-500 181

English

8.7cm

With Non-Transferable Standard Ivory Exemption Declaration number

6R4Y1TK3

£200-300

A Staffordshire Enamel Patch Box, late 18th century, the hinged cover printed and overpainted with Fountains Abbey and inscribed Present from Harrogate 5cm wide

£200-300

School (early 19th century): Miniature Portrait of Sir Walter Scott, bust length, wearing a black stock and jacket and white shirt, on ivory, oval

by 6.8cm, in a giltwood and gesso frame

182

A Staffordshire Enamel Patch Box, late 18th century, the hinged cover printed and overpainted with The Dropping Well and inscribed A Trifle from Harrogate on a cream ground 5cm wide

£200-300

183

A Staffordshire Enamel Patch Box, late 18th century, the hinged cover inscribed A Present from Ripon 4.5cm wide

A Similar Patch Box, inscribed A Trifle from Bradford on a pale blue ground 4.5cm wide

Another Patch Box, decorated with a sheep in landscape within a beaded border 4.5cm wide

A Halcyon Days Box, decorated with sheep 4.5cm diameter (4)

£150-200

184

A French Alabaster Figure Group of the Holy Family, in 14th century style, carved with the Madonna sitting on a stool wearing a headdress and flowing robes, the Christ Child standing on her left knee, on a shaped rectangular base

38cm high

£2,000-3,000

185

Attributed to the Workshop of Niccolo Roccatagliata (act.1593-1636): A Bronze Figure of Bacchus, standing pouring from a ewer in his left hand, a shell in his right hand, his right foot resting on a flask 31cm high

For a similar example described as a fire dog figure and attributed to the Roccatagliata Workshop (c.1590-1625), see Victoria & Albert Museum, accession numbers A.100-1910

£2,000-3,000

186

After Severo da Ravenna (1496-1538?): Bronze Figure of a Cherub, loosely dressed, standing on his left leg holding a large conch shell on his shoulder 12.5cm high

For a similar example attributed to Severo da Ravenna (c.1500-1525), see Victoria & Albert Museum, accession number A.65-1956

£1,000-1,500

186 185

Paduan School (16th century), probably cast by Francesco Segala (c.1535-1592) from the model by Tiziano Aspetti (c.1517-1552): A Pair of Bronze Figures of a Prophet and Sibyl, he standing wearing flowing robes holding a leather-bound volume, she in flowing robes holding a scroll across her wrap 22cm high, on later green marble bases

For a similar example of the Prophet, see Metropolitan Museum, New York, accession number 18.111.

Having identified the model of the male figure as Moses in his 1921 book on Venetian sculptors, Leo Planiscig attributed this model to Tiziano Aspetti. However, in 1976 Ian Wardroper observed that the figure holds a book rather than a tablet of the law and should be considered a prophet. In 1545 Aspetti was commissioned to execute a Serraglio (grille) for the Santo in Padua. Vasari records that this commission remained incomplete due to the premature death of the sculptor. In 1564 Paduan sculptor Francesco Segala requested the models in order to make casts.

£3,000-5,000

188

After the Antique: A Pair of Bronze Figures of Apollo and Mercury, both leaning against a tree trunk, Apollo holding a lyre, on shaped circular bases

38cm high

£300-400

189

After Antoine Coysevox (1640-1720): A Pair of Bronze Allegorical Groups, each as a classical maiden sitting on a tree stump attended by a cherub on square mound bases, signed A COYSEVOX 1709 and 1710 and inscribed F BARBEDIENNE FONDEUR and with REPRODUCTION MECANIQUE stamps

45cm high

£2,000-3,000

190

After Desiderio da Settignano (1428-1464): A Bronze Bust of a Young Boy, wearing an anchor pendant

30cm high

£200-300

188 189

191

After François Duquesnoy (1597-1643): A White Marble Bust of a Young Boy circular socle 17cm high

£200-300

192

After the Antique: A Bronze Medici Lion, standing with its left paw on a ball on a rectangular plinth 34cm long

£200-300

193

After Giambologna (1529-1608): A Bronze Figure of Mercury, on a Sienna marble and black slate plinth 56cm high

£300-400

194

After Isidore Jules Bonheur (1827-1901): “Jongleur”, A bronze of a Racehorse, trotting with jockey up, on a rectangular plinth base, signed I BONHEUR, titled and inscribed to reverse OLIVELLA H.NOS Y CUSPINERA BARCELONA

62cm high

£1,500-2,000

195

Affortunato Gory (1895-1925): A Marble and Gilt Bronze Bust of a Girl, wearing a mob cap and shawl, signed A Gory and stamped PM monogram, on a veined marble plinth 24cm high

£500-700 194

196

French School (19th century): A Bronze Equestrian Group of Napoleon, in military uniform on horseback on a rounded rectangular mound base

35cm high

£400-600

198

197

196

197

After Paul-Edouard Delabrierre (1829-1912): A Bronze of aSetter, standing with left foreleg raised on an oval mound base, signed E DELABRIERRE 24cm long

£300-400

After Paul-Edouard Delabrierre (1829-1912): A Bronze of a Gun Dog, standing four-square, on an oval mound base, signed E DELABRIERRE

24cm long

£300-400

198

199

After Pierre-Jules Mêne (1810-1871): “Chasse à la Perdrix”: A Bronze Group of a Setter and Pointer, over a partridge in the undergrowth on a rounded rectangular mound base

41cm long

£1,200-1,800

200

After Pierre-Jules Mêne (1810-1879): Vache et son Veau, A Bronze of a Cow Suckling Her Calf, on a canted rectangular base, signed PJ MENE 23cm wide

£1,000-1,500

201

After Georges Gardet (1863-1939): A Bronze Group of a Tiger Attacking a Turtle, on a mound base, signed GEORGES GARDET and stamped 988 47cm long

£400-600

202

After Pierre-Jules Mêne (1810-1879): A Bronze Group of Two Foxes, on an oval mound base, signed PJ MENE 19cm long

£200-300

203

After Antoine-Louis Barye (1795-1875): Panthiere Couchee, A Bronze of a Recumbent Panther, signed BAYRE and F BARBEDIENNE FONDEUR 19.5cm long

£400-600

204

After Alfred Dubuchand (1828-1894): A Bronze of a Setter, with left forepaw raised on a grassy moulded base and rounded rectangular plinth, signed DUBUCHAND

28cm long

£250-350

205

French School (19th century): A Bronze Group of Three Bacchic Putti, carrying fruiting vine on an oval vase

34cm high

£250-350

206

After Antoine-Louis Barye (1795-1875): Panthiere de Tunis, A Bronze of a Recumbent Panther, signed BARYE

19cm long

£400-600

207 u

After Louis Marie Moris (1818-1883): A Patinated Bronze Equestrian Group of Francs I, in traditional dress, the oval base inscribed Moris

62cm by 29cm by 83cm

£3,000-5,000

204

205

206

208

After Eugene Marioton (18541933): A Bronze Figure of a Farmhand, standing leaning on his scythe, a sheaf of corn at his feet, on a rectangular base, signed E MARIOTON

65cm high

£400-600

209

French School (19th century): A Bronze Group of the Drunken Silenus, riding a donkey, on a mound base, signed Sèvres, on a Siena marble plinth

24cm high

£250-350

210

A Pair of French Gilt and Patinated Bronze Six-Light Candelabra, in Louis XVI style, with foliate sockets and drip pans on leafsheathed scroll branches issuing from cornucopia supported by seated Bacchic putti on white marble columns hung with foliage swags and octagonal plinths

76cm high

£1,200-1,800

A Pair of Gilt and Patinated Bronze FiguralAndirons, in Louis XVI style, as sphinxes on curved architectural bases cast with scroll cartouche and gadroons

33cm high

£400-600

A Gilt-Metal-Mounted Lapis Lazuli Large Lamp Base, 19th century, with Corinthian capital on tapering cylindrical column and stepped rectangular base set with rouge marble panels, on stepped black slate plinth, converted to electricity 99cm high

£2,500-3,500 213

A Set of Four Gilt-Bronze Candle Stands, in Renaissance style, the leaf-sheathed shaped circular stands on wrythen fluted columns with compressed ball knops on trefoil bases and leaf-sheathed splay feet

70cm high

£1,000-1,500

A Black Forest-Type Carved Lindenwood Figure of a Stag, late 19th/early 20th century, standing head bowed before a tree stump on a naturalistic base and canted rectangular plinth 25cm high

£200-300

A Pair of Regency-Style Bronze Urns, late 19th century, of shallow fluted campana form on square section columns cast with classical ornament and stiff leaf borders 27cm high

£400-600

216

A Pair of Gilt-Metal-Mounted Sèvres-Style

Blue-Glazed Candelabra, in Louis XVI style, of ovoid form with leaf-sheathed sockets and brackets and ram’s mask handles hung with floral swags, on circular socles and shaped square bases with peg feet, fitted for electricity 43.5cm high

£300-500

217

A Cut and Moulded Glass Six-Light Chandelier, in Regency style, with scroll branches hung with beaded swags and faceted drop, fitted for electricity approximately 95cm high

£700-1,000

218 u

A Louis XV-Style Twenty-Eight-Light Gilt-Bronze Chandelier, late 19th century, the stem modelled as acanthus leaves and issuing naturalistic scrolled arms with candle holders and leaf-form drip pans, fitted for electricity drop 83cm, 100cm diameter

£400-600

219

A Pair of French Gilt-Metal-Mounted Porcelain Lamp Bases, in Empire style, with fluted campana sockets on bisque supports modelled as the Three Graces and fluted columns, one indistinctly signed, fitted for electricity

49cm high

£500-600

220

A Pair of Gilt-Metal-Mounted Portasanta-Type Marble Lamps, in Louis XVI style, of ovoid form with ram’s mask handles hung with foliate swags, on circular socle and shaped square plinths, fitted for electricity

36cm high

£400-600

221

A Gilt and Patinated Bronze Lamp Base, in Empire style, modelled as the Three Graces standing on a cylindrical column applied with further classical figures and hexagonal plinth, adapted for electricity

42cm high

£300-500

222 u

A Pair of Louis XV-Style Gilt Metal Two-Light Wall Appliques, of rococo cast form with acanthus leaves, the scrolled arms supporting candle holders and leaf-form drips, fitted for electricity

36cm high, 36cm diameter (max)

A Further Pair of Matching Three-Light Wall Appliques (4)

£250-350

223 u

A Set of Four French Ormolu Three-Light Wall Appliques, late 19th/early 20th century, with ribbon-tied backplate supporting a quiver decorated with flowers, the three vine-decorated scrolled branches with leaf cast nozzles above cornucopia drip pans, the fluted base issuing further flowers and vines and decorated with laurel leaves

92cm high, 40cm wide

£500-700

Florence Nightingale (1820-1910): A Lock of Florence Nightingale’s Hair, contained in an envelope inscribed Miss Nightingale’s Hair 1883

Her Signature, on a clipped piece of paper 8.5cm long

The Book of Job, inscribed Harry Verney from Wm Nightingale Embley April 1862

The Order for the Burial of the Dead, In Memorium Florence Nightingale, 13th August 1910, in gilt tooled leather binding

Provenance: Sir Harry Verney who married Florence Nightingale’s sister Parthenope as his second wife and thence by direct descent

£2,000-3,000

RUGS, CARPETS & TAPESTRIES

225

Kirman Rug

South East Iran, circa 1900

The pale apple green oval field of mille-fleurs design the spandrels with boteh, enclosed by meandering vine borders and flowerhead guard stripes

198cm by 132cm

£600-900

226

Heriz Rug

North West Iran, circa 1930

The terracotta field centred by an indigo flowerhead medallion framed by ivory spandrels and polychrome flowerhead borders.

138cm by 110cm

£250-350

227

Gendje Rug

South West Caucasus, circa 1890

The ivory field with columns of stylised boteh surrounded by flowerheads and tribal devices, framed by abrashed indigo borders of polychrome octagons containing hooked devices, flanked by barber poles.

195cm by 115cm

£300-500

228

Very Fine Nain Rug

Central Iran, circa 1960

The field of scrolling floral vines centred by an ivory medallion, enclosed by spandrels and borders of scrolling vines and palmettes, flanked by guard stripes.

185cm by 116cm

£700-1,000

229

Javan Amir Khiz Tabriz Carpet

North West Iran, circa 1950

The raspberry field with an allover design of palmettes, flowerheads and vines, enclosed by indigo borders of palmettes and meandering vines, flanked by guard stripes, signed in upper guard stripe.

453cm by 342cm

£1,200-1,800

232

Aubusson Tapestry

18th/19th Century

230

Lesghi Rug

North East Caucasus, circa 1890

The abrashed indigo field with four typical Lesghi stars surrounded by tribal motifs and polychrome flowerheads, enclosed by ivory “running dog” borders.

145cm by 101cm

£350-550

231

Alpan Kuba Rug

North East Caucasus, circa 1900

The abrashed indigo field with two whole and one half mustard medallions surrounded by tribal motifs, enclosed by “running dog” borders.

162cm by 109cm

£400-600

Verdure tapestry, the field depicting a rural wooded scene with a river and castle beyond, enclosed by floral vine borders.

307cm by 346cm

£1,200-1,800

233

Malayir Kelleh

West Iran, circa 1920

The abrashed strawberry Herati field enclosed by stepped indigo spandrels, enclosed by narrow yellow borders of stellar devices, flanked by boteh guard stripes.

519cm by 201cm

£400-600

234

Karabagh Rug

South Caucasus, circa 1900

The deep indigo field with central madder, ivory and indigo panel containing four stellar devices, enclosed by madder borders of further stellar devices and ivory stylised vine borders, flanked by boteh guard stripes.

207cm by 141cm

£300-500

235

Kuba Rug of Unusual Size

North East Caucasus, circa 1900

The ivory field with rows of stylised leaves and polychrome flowerheads enclosed by wide madder borders of diamond medallions, flanked by mid-indigo guard stripes of angular vines.

193cm by 149cm

£600-900

236

Isfahan Carpet

Central Iran, circa 1970

The ivory field of vines around a central flowerhead medallion enclosed by crimson borders of meandering vines, flanked by floral guard stripes. 376cm by 253cm

£450-650

237

Narrow Karagah Runner

North West Iran, circa 1960

The soft terracotta field with a column of typical medallions enclosed by narrow borders of stylised flowerheads, flanked by meandering vine guard stripes. 389cm by 82cm

£500-800

237

238

Ushak Carpet

Central West Anatolia, circa 1900

The tomato red field with columns of stepped serrated medallions and stylised leaves and plants, enclosed by borders of angular floral vines, flanked by mustard guard stripes.

294cm by 215cm

£900-1,200

239

Unusual Feraghan Rug West Iran, circa 1900

The deep indigo field of boteh centred by an abrashed tomato red diamond medallion, framed by apple green stepped spandrels and ivory borders of stylised flowerheads, flanked by guard stripes.

184cm by 126cm

£450-650

240

Narrow Ardabil Runner of Unusual Length North West Iran, modern

The indigo field with columns of linked floral medallions surrounded by flowers enclosed by ivory borders of polychrome carnations, flanked by barber pole guard stripes.

1985cm by 90cm

£1,800-2,500

241

Kashan Carpet

Central Iran, circa 1970

The ivory field with an allover design of palmettes and vines enclosed by borders of meandering vines, flanked by guard stripes, signed in upper guard stripe.

385cm by 270cm

£500-800

242

Good Baluch Rug

North East Iran, circa 1900

The deep indigo Mina Khani field enclosed by terracotta borders of geometric motifs, flanked by lady-finger guard stripes and barber poles, and kilims to either end.

157cm by 85cm

£400-600

243 u

Kurk Kashan Carpet

Central Iran, circa 1970

The deep indigo field with tree of life, birds and balloons enclosed by dove grey borders of birds and animals, flanked by ivory meandering vine guard stripes.

309cm by 230cm

£500-800

244

Khamseh Kelleh

South West Iran, circa 1900

245

Bukhara Suzani

Central Asia, 19th century

Worked in silk on a cotton/linen foundation comprised of five panels of floral vines, enclosed by borders of further meandering vines and flowerheads.

230cm by 158cm

£1,500-2,500

246

Tabriz Runner

North West Iran, circa 1950

The brick red field with one-way design of boteh.

319cm 159cm

£200-300 244

The ivory ground with a column of medallions enclosed by narrow pistachio green borders of meandering vines, flanked by guard stripes.

408cm by 76cm

£200-300

247

No Lot

248

Kashgai Rug

South West Iran, circa 1900

The deep indigo lozenge field with polychrome flowerheads, stylised animals and birds centred by an ivory flowerhead medallion, framed by madder spandrels and borders of flowering plants.

242cm by 150cm

£400-600

249

Peking Carpet, circa 1910

The field depicting the gardens of The Imperial Palace with trees, hills and palatial buildings, enclosed by cloud borders.

358cm by 280cm

£600-900

250

17th Century Flemish Tapestry Fragment

Woven in wools and silk, the field depicting a warrior, possibly Alexander the Great, surrounded by soldiers in a verdant landscape with castle beyond, flanked by borders of mythical creatures and guard stripes.

246cm by 247cm

£800-1,200

251

Tekke Main Carpet

Emirate of Bukhara, circa 1890

The madder field with five columns of twelve quartered güls enclosed by octagons and multiple geometric motifs, flanked by guard stripes of latch-hook design and barber poles.

£1,200-1,800

252

Bakhtiar Carpet

West Iran, circa 1930

The compartmentalised field of trees and plants enclosed by blood red borders of floral vines, flanked by sky blue guard stripes.

344cm by 273cm

£600-900

253

No Lot

254 u

Ghom Silk Carpet

Central Iran, circa 1980

The salmon pink field of palmettes and vines centred by an indigo and ivory flowerhead medallion, enclosed by spandrels and indigo borders, flanked by multiple guard stripes.

426cm by 306cm

£1,500-2,500

CLOCKS

256

255

A Brass Atmos Clock, signed Jaeger LeCoultre, 20th Century, case with five glass panels, chapter ring with Arabic and dagger markers, base with spirit level and start/stop lever, visible balance wheel, movement numbered 354909 22.5cm high

£300-500

A Limited Edition “Harrisons H1” Type Grasshopper Clock, signed Comitti of London, number 4 of a limited edition of 25 pieces made, second half of the 20th Century, skeletonised brass single fusee movement with a grasshopper escapement, movement backplate numbered H1 258 Comitti Made in England, silvered dial with Roman numerals, front of the base with brass plaque Comitti of London Est.1850, beneath a wooden glass panel display case, sold with Certificate of Authenticity from Comitti of London, instructions and Comitti clock key 36mm high

£1,000-1,500

257

A Marble, Black Slate and Ormolu-Mounted Striking Portico Mantel Clock, signed Recordon & Dupont, London, circa 1800, case surmounted by an urn finial, portico form case with floral and swag decorated ormolu mounts, 6-1/2-inch enamel dial with Arabic numerals and signed, twin chain fusee movement with an anchor escapement and striking on a bell, movement backplate with engraved decoration around the outer border and signed 72cm high

£1,000-1,500

258

A French Ormolu and Marble Striking Mantel Clock, signed Dd Fe Dubois, A Paris, early 19th Century, case surmounted by a winged lady in robes holding a framed portrait, acanthus leaf and floral swag mounts, 4-inch enamel dial with Roman and Arabic numerals and signed, paste set hands, twin spring barrel movement with rack striking on a bell, silk suspension

35cm high

£300-500

259

A French Bronze Ormolu Striking Mantel Clock, circa 1850, elaborately scroll and leaf decorated case, cast dial with blue Roman numeral cartouches, twin barrel movement striking on a bell, silk suspension, movement backplate stamped Raingo Freres Paris and numbered 1256

43mm wide

£400-600

260

A French Ormolu and Pink Porcelain Mounted Striking Mantel Clock, retailed by Charles Frodsham, Clock Maker To The Queen, circa 1880, case surmounted by an urn shaped finial, acanthus leaf decorated borders, pink floral decorated porcelain panels, raised upon a gilt wooden and ebonised bases, below a glass dome, 3-1/2-inch enamel dial with Roman numerals and signed, twin barrel movement striking on a bell, movement backplate signed Chas Frodsham Clock Maker to the Queen and numbered 27834 and CF, original pendulum with bob stamped 27834 and CF

33cm high

£400-600 259

An Unusual Victorian Terrestrial Globe Striking Mantel Clock, circa 1890, walnut veneered and ebonised case surmounted by a terrestrial globe, 4-1/2-inch enamel dial with Roman numerals, twin barrel movement striking on a gong, movement backplate stamped and numbered 525, original pendulum with bob stamped and numbered 525

57cm high

£800-1,200

A French Ormolu and Porcelain Mounted Striking Mantel Clock Garniture, circa 1890, the imposing case surmounted by a classical infant in robes, side mask mounts, central blue porcelain urn shaped case, winged cherubs, loving birds and swag decorated base, porcelain painted dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell 74cm high

A Matching Ormolu and Blue Porcelain Mounted Urn Shaped Six-Light Candelabra Garniture 73cm high (3)

£1,000-1,500

An Ebonised Striking Table clock, signed Jonathan Lowndes, Pall Mall, London, circa 1700, later case with a gilt brass mounted basket top pediment with carrying handle, side glass panels, underside of the case with pull repeat cord, bracket feet, 7-inch square brass dial with a Roman numeral silvered chapter ring, matted dial centre with ringed winding holes, date aperture, winged cherub spandrels, strike/non-strike selection above 12 and signed Jonathan Lowndes and place name signed below 6, five pillar movement converted from a verge to an anchor escapement, hour rack striking on a bell, (pull quarter repeat mechanism missing), movement backplate elaborately engraved throughout with floral decoration and with a central rectangular signed cartouche, (dial and movement circa 1700, case of a later date) 42cm high over handle

£2,000-3,000

A Rosewood Striking Table Clock, signed Morris Toblas, Minories, London, circa 1810, pediment with single acorn finial, front with floral brass inlaid recessed panels, side ringed carrying handles and fish scale sound frets, brass ball feet, 8-inch painted dial with Roman numerals and signed, fast/slow regulation adjustment above 12, twin fusee movement with an anchor escapement and striking on a bell, movement secured in by brackets, movement backplate signed 46cm high

£500-700

263

264

A Mahogany Striking Table Clock, signed Robert Wood, 10 Horse Shoe Alley, London, circa 1810, arched pediment with carrying handle, fish scale front and side sound frets, side pull repeat cord, bracket feet, 8inch convex painted dial with Roman numerals and signed, twin fusee movement with an anchor escapement and striking on a bell, movement with securing brackets, movement backplate signed Robt Wood London, sold with purchase receipt from Roderick Antique Clocks on 26/06/08

42cm high over handle

£800-1,200

A Mahogany Striking Table Clock, signed Jno Carter, Cornhill, London, Early 19th Century, architectural shaped pediment, fish scale side sound frets, 8-inch painted dial with Roman numerals and signed, twin chain fusee movement with an anchor escapement and striking on a bell, movement secured in by brackets 48cm high

£500-700

267

A Good Mahogany Two Day Marine Chronometer, signed James Murray, Royal Exchange, London, No.802, circa 1840, three tier brass bound case with side carrying handles, lid with a blank brass plaque, inset ivory plaque to the front, silvered dial with Roman numerals and signed, two dials for 54-hour power reserve and seconds, spade hands, single chain fusee movement signed and numbered, detent escapement, free sprung blued helical hairspring, diamond endstone, split bimetallic balance with weights and timing screws, maintaining power, movement secured within a brass gimbal, sold with an issue of The Antiquarian Horology journal which mentions the history of the Murray clockmaking company. 16cm high

With Non-Transferable Standard Ivory Exemption Declaration Number N9N84TJU

This marine chronometer was illustrated in an article written for Antiquarian Horology in Spring 1997.

£1,500-2,000

A Giltwood Cartel Wall Timepiece, signed Wm Smith, London, circa 1770, case surmounted by an eagle, carved giltwood case with scroll and floral decoration, 7-1/2-inch silvered dial with Roman and Arabic numerals and signed, dial centre with mock pendulum aperture, single fusee movement with a verge escapement 82cm by 49cm

£2,500-3,000

269

A Chinoiserie Tavern Wall Timepiece, signed M Hill, Late 18th Century, black lacquered chinoiserie case with side viewing movement doors, trunk door decorated with pagodas and Oriental figures, signed M Hill above the trunk door, gilt floral work painted sides and base, 26-inch black lacquered dial with gilt painted Roman and Arabic numerals, single weight driven movement with an anchor escapement, A-frame shaped movement plates 147cm high

£2,500-3,500

A Mahogany Wall Regulator, signed Reid & Sons, Newcastle on Tyne, No. 4522, Late 19th Century, case with arched pediment, glazed trunk door, side movement viewing door, 13-1/2-inch silvered dial with Roman numerals and signed, seconds dial, four pillar single weight driven movement with a deadbeat escapement, “Harrisons” maintaining power 150cm high £2,000-3,000

271

A Green Chinoiserie Eight Day Longcase Clock, signed Isaac Jiercelin, circa 1730, caddy pediment, case elaborately gilt decorated with pagodas, Oriental figures, figure on horse back and floral work, unusual and rare feature with the raised lacquer woprk panel to the base, 12-inch arch brass dial with a Roman and Arabic chapter ring signed, dial centre with seconds dial and date aperture, arch with circular plaque signed William Aucott, London, five pillar movement with an anchor escapement and rack striking on a bell

255cm high

This is an unusual clock, with the clockmaker, Isaac Jiercelin, signing the clock dial; William Aucott is also signed on the dial, who probably would have been the purchaser. This is mentioned by Tom Robinson in “The Longcase Clock”, pg.290.

£400-600

272

An Unusual Blue Chinoiserie Eight Day Longcase Clock, signed Thos Smith, London, circa 1770, the blue lacquer chinoiserie case elaborately decorated with pagodas, Oriental figures, sailing boat and floral work, 12-inch arch brass dial with a Roman and Arabic silvered chapter ring, dial centre with seconds, date aperture and signed on a silvered plaque, arch with strike/silent selection dial, five pillar movement with an anchor escapement and rack striking on a bell

242cm high

£600-800

273

A Mahogany Eight Day Longcase Clock, signed George Binch, Manchester, circa 1780, swan neck pediment, front scroll pierced sound frets, trunk with brass capped fluted pilasters, 13-1/4-inch arch brass dial with a Roman and Arabic silvered chapter ring, scroll engraved dial centre with date aperture, arch with moonphase aperture and signed on the above arch, four pillar movement with an anchor escapement and inside countwheel striking on a bell

237cm high

£500-700

274

A Good Mahogany Eight Day Longcase Clock, signed Barwise, London, circa 1800, arched pediment with gilded ball finials, fluted front canted corners, side sound frets, case with good colour and a flame veneer trunk door flanked by inset fluted pilasters, flame veneer base, 12-inch circular silvered dial with Roman numerals and signed, strike/silent selection lever above 12, two dials for seconds and date, five pillar movement with an anchor escapement and rack striking on a bell

208cm high

£2,500-3,000

FURNITURE

A 17th Joined Oak Refectory Table, the three-plank top with cleated ends above a scrolled and carved frieze bearing date 1621, on bulbous turned supports with block feet joined by a peripheral stretcher 300cm by 75cm by 79cm

£2,000-3,000

276

A Set of Eight Carved Oak Joint Stools, probably Lancashire, early 18th century, with pyramid finials to the back posts between carved panels with stylised flowers and leaves above boarded seats, on turned block spindle legs joined by turned stretchers (restored) 45cm by 37cm by 115cm

£600-800

277

A 17th Century Joined Oak Wainscot Armchair, dated 1646, probably Leeds, the scrolled top rail above guilloche-patterned uprights, the moulded back support and curved arm rests above spindle turned supports and a boarded seat, the moulded seat rail above gun barrel turned legs with block feet joined by stretcher 52cm by 40cm by 117cm

£400-600

A Late 17th Century Yew and Walnut Gateleg Dining Table, the yewwood top with pivoting dropleaves to form an oval above walnut spiralturned pivoting gatelegs with block feet 88.5cm by 112cm extended by 73cm

Provenance: With original purchase receipt from Charles Lumb & Sons Ltd, Montpellier Gardens, Harrogate, 16 January 1981

£2,000-3,000

279

An Oak Joint Stool, circa 1680, of four peg construction, the moulded top above an S-shape carved frieze, on baluster turned legs with block feet joined by a peripheral stretcher 46cm by 28cm by 49cm

£300-500

A William & Mary Geometric-Moulded Oak Chest of Drawers, late 17th century, the moulded top above four graduated geometric-moulded drawers with brass split-pin handles, all between applied mounts, on compressed bun feet 105cm by 58cm by 98cm

£1,000-1,500

A William & Mary Oak Side Table, late 17th century, of nailed construction, the moulded top above a single frieze drawer, on barley-twist spiral turned legs with bun feet and joined by a flattened X stretcher 84cm by 56cm by 75cm

Provenance: With original purchase receipt from Charles Lumb & Sons Ltd, Montpellier Parade, Harrogate, 5 August 1977

£1,000-1,500

282

A Joined Oak Wainscot Armchair, South-West Yorkshire, circa 1680, the scrolled and carved top rail above a lozenge-carved back support, scrolled arm supports and a boarded seat, the guilloche patterned seat rail on turned front supports with block feet joined by a peripheral stretcher 57cm by 42cm by 125cm

£500-700

A Late 17th Century Oak Chest on Stand, the moulded top above two short and two long geometric-moulded two-as-one drawers, on a stand with a long frieze drawer above an arched apron, on turned baluster supports joined by a flattened stretcher on compressed bun feet

101.5cm by 59cm by 150cm

£800-1,200

A Joined Oak Table, circa 1700, the moulded top above a single frieze drawer of nailed construction, on balusterturned supports with block feet joined by a peripheral stretcher

90cm by 57cm by 71cm

£400-600

285

A 17th Century Joined Oak Chest,dated 1688 and initialled I.W, the moulded hinged lid with five fielded panels above a vine decorated carved frieze, the eleven carved panels below decorated with lozenge motifs and S scrolls, all between geometric and guilloche pattern stiles

304cm by 58cm by 92cm

£500-700

287

A Joined Oak Carved Chest, circa 1670, the boarded hinged lid enclosing a candlebox, three carved panels below divided by S-shape carved uprights, all between a guilloche pattern border and stiles

126cm by 51cm by 88cm

£700-1,000

286

A William & Mary Geometric-Moulded Oak Chest of Drawers, circa 1700, the moulded top above an arrangement of four two-as-one moulded drawers, all between applied mounts, on stile feet

96cm by 60cm by 90cm

£700-1,000

288

A Joined Oak Standing Livery Cupboard, early 17th century, the boarded top above a carved frieze and bulbous supports, the central marquetry cupboard door flanked by two further cupboards, on carved bulbous supports joined by a potboard 129cm by 50cm by 126cm

£1,500-2,000

289

An Oak Side Table, circa 1680, the moulded top above a long frieze drawer, on spiral-turned supports with block feet joined by an H stretcher 89cm by 61cm by 76cm

£500-700

290

A George II Joined Oak Press Cupboard, probably North England, mid 18th century, the moulded cornice above three fielded cupboard doors enclosing an arrangement of turned peg supports and later brass hanging rail above a moulded base and an arrangement of nine oak-lined drawers all between canted stiles, on a plinth base 195cm by 64cm by 208cm 292

291

An Oak Geometric-Moulded Chest on Stand, circa 1700, the chest with two short over three two-as-one moulded drawers, the base with a long two-as-one drawer above a wavy-shaped apron, on turned and inverted baluster legs joined by a flattened stretcher

96cm by 49cm by 128cm

£800-1,200

A George III Oak Straight-Front Chest of Drawers, 3rd quarter 18th century, the moulded top above four long oak-lined drawers with later brasses, the sides with brass solid backplate drop handles, on bracket feet

89cm by 56cm by 84cm

£400-600

293

A George II Enclosed Oak Dresser and Rack, mid 18th century, the upper section with a bold cornice above a blind fret carved frieze, open niches, shelves and a plate rack, the base with an arrangement of five drawers above two fielded cupboard doors enclosing shelves

185cm by 60cm by 218cm

£800-1,200

294

A George III Oak Crossbanded Kneehole Dressing Table, 2nd half 18th century, the moulded top above three oak-lined drawers and a wavy-shaped apron, on square tapering legs and block feet

94cm by 52cm by 72cm

£300-500

296 (part)

295

An Early 18th Century Oak Straight-Front Chest of Drawers, the moulded top above a pull-out brushing slide above three two-as-one oak-lined drawers above a moulded base and compressed bun feet

90cm 57cm by 87cm

£400-600

296

A Harlequin Set of Eight Mid 19th Century Yorkshire Windsor Armchairs, comprising five ash and elm examples with double spindle and splat back supports above elm moulded seats, on ring-turned legs joined by a crinoline stretcher, and three similar yewwood and ash examples

47cm by 50cm by 96cm

£1,000-1,500

297

A George II Oak Spice Cupboard, mid 18th century, the dentil moulded cornice above fielded cupboard doors enclosing an arrangement of twelve oak-lined drawers

60cm by 30.5cm by 57cm

£400-600

298

A Pair of Brass Milk Churns, of cylindrical tapering form, engraved Milk for the Nursery and Invalids, with hinged covers, the base stamped Dairy Supply Co Ltd, Museum Street, WC

47cm high

£600-800

299

A Set of Eight (6+2) George II-Style Walnut and Burr Walnut Dining Chairs, recovered in blue suede, the solid splats above drop-in seats, the moulded seat rails on shell-carved cabriole legs with ball and claw feet, the carvers with carved eagle hand grips singles 58cm by 61cm by 100cm carvers 77cm by 61cm by 100cm

£400-600

300

A George II Walnut and Crossbanded Bureau-Table, 2nd quarter 18th century, the moulded top above an oak-lined long drawer with six drawers below, all around an arched apron with door below, on bracket feet

89cm by 50cm by 75cm

Provenance: With original receipt from H.W. Keil (Brook Street) Ltd, London, 14 June 1972

£1,500-2,000

301

A Queen Anne Gilt Mirror, the plain mirror plate within a moulded frame with two inverted wood brackets suspending two scrolled brass candle holders with circular drip pans, 18th century and later 76cm by 48cm

£300-500 302

A Late 17th Century Walnut, Crossbanded and Elm-Sided Straight-Front Chest of Drawers, the moulded top with tracery stringing above two short and two long drawers, on compressed bun feet 81cm by 48cm by 75cm

£1,000-1,500

303

A George II Black Lacquer and Gilt Japanned Cabinet on Stand, 2nd quarter 18th century, with reeded edge above two cupboard doors decorated with a landscape, the interior with an arrangement of eleven stained pine drawers decorated with figures in landscapes, on a later stand with painted frieze and square chamfered legs

96cm by 47cm by 147.5cm

£600-800

304

A George II Walnut, Featherbanded and Crossbanded Chest on Stand, 2nd quarter 18th century, the moulded top above a plain frieze and three short over two oak-lined long drawers, all between canted fluted stiles, the base with two short over one long drawer with later pierced brass backplate handles above a wavy-shaped apron, on cabriole legs with pad feet

108cm by 55cm by 159cm

£500-800

305

A George II Walnut, Figured Walnut and Crossbanded Chest on Chest, 2nd quarter 18th century, the cavetto cornice above three short and six long oak-lined drawers, the bottom drawer inlaid with a sunburst, on bracket feet

108cm by 55cm by 167cm

£1,500-2,000

306

A William & Mary Walnut, Crossbanded and Tracery-Strung Side Table, late 17th century, the moulded top above a plain frieze, on spiralturned legs with bun feet and joined by a flattened X stretcher

77cm by 54cm by 77.5cm

£400-600

A George I Burr Walnut, Crossbanded and Featherbanded Bureau Bookcase, early 18th century, the moulded cornice above moulded cupboard doors with mercury glass mirror plates enclosing adjustable shelves, with pull-out candle slides below and a fall front enclosing a fitted interior, with two short over three long oak-lined drawers, on bracket feet

106cm by 64cm by 209cm

Provenance: By repute, Stour House, East Bergholt

£2,000-3,000

308

A George III Giltwood Mirror, 3rd quarter 18th century, the later plain bevelled glass plate within a carved leaf frame with scrolled apron centred by a shell, the scrolled swan neck pediment centred by a basket issuing flowers

82cm by 53cm

£400-600 309

A George I Walnut, Crossbanded and Featherbanded Bureau, early 18th century, the fall front enclosing a fitted interior of pigeon holes and small drawers all around a central cupboard door with sliding well below, with two short over two long oak lined drawers below, on bracket feet 95cm by 53cm by 99cm

Provenance: Richard Midwinter Antiques, Newcastle-under-Lyme

£1,000-1,500

310

A George III Giltwood and Gesso Wall Mirror, late 18th century, the later plain mirror plate within a reeded and stiff leaf decorated frame with a scrolled acanthus plume surmounted by a twin-handled urn 138cm by 60cm

£350-500

311

A George II Figured Walnut, Boxwood and Ebony-Strung Straight-Front Chest of Drawers, mid 18th century, the four short over four long oak-lined drawers with original brass handles and escutcheons, on scrolled bracket feet

96cm by 43cm by 118cm

£600-800

312

A Late 17th Century Walnut Side Table, the moulded top above a three-as-one frieze drawer, on spiral-turned legs joined by a flattened stretcher and on compressed bun feet

110cm by 53cm by 87cm

£500-800

313

A George III-Style Carved Giltwood Mirror, the tarnished mirror plate within a leaf and rocaille carved frame with C scroll plume and apron (regilded) 119cm by 63cm

£300-400

314

A George III Mahogany Serpentine Chest of Drawers, early 19th century, the moulded top above four long graduated drawers with later brass handles, on moulded bracket feet 85cm by 48cm by 80cm

£400-600

315 u

A George II-Style Irish Carved Mahogany Serving Table, the moulded top with carved border over a carved frieze centred by a basket issuing flowers flanked by foliate swags, on shell-carved and acanthus-decorated legs with ball and claw feet

146cm by 70cm by 89cm

£700-1,000 316

A Set of Six George III Carved Mahogany Dining Chairs, possibly Irish, early 19th century, with original drop-in seats upholstered in plain calico, the scrolled and carved top rail centred by an oval flowerhead with scrolled and pierced splat below, all between reeded uprights, the drop-in seat above a plain seat rail, on square tapering legs joined by an H stretcher

39cm by 43cm by 85cm

£250-350 318

A George III Mahogany Six-Seater Gateleg Dining Table, 3rd quarter 18th century, with two dropleaves to form an oval, on four tapering legs with pad feet

152cm by 159cm extended by 71cm

£300-500

A George III Mahogany Brass-Bound Wine Cooler, circa 1800, of hexagonal shape, the hinged lid enclosing a leadlined fitted interior, on a separate stand with fluted moulding above square chamfered legs and brass castors 49cm by 42cm by 70cm

£500-700

319

An Early 19th Century Mahogany Foldover Tea Table, attributed to Gillows, of D shape form with reeded edge, the pivoting hinged leaf above a moulded frieze, on turned and reeded tapering legs with brass-capped toes and castors

85cm by 43cm by 74cm

£300-500

A Pair of George III-Style Mahogany and BrassBound Peat Buckets, of circular ribbed form with pivoting brass handle 37cm by 69cm

£300-500 320

321

A George III Mahogany Straight-Front Chest of Drawers, circa 1800, the moulded top above two short and three long oak-lined drawers, on a moulded base with bracket feet 80cm by 48cm by 79cm

£300-500

A Set of Eight (6+2) Mahogany Dining Chairs, attributed to George Hepplewhite, late 18th century, with wheatsheaf-carved top rails above Cscroll splats decorated with flowerbells and oval satinwood patera, on square tapering legs with spade feet singles 51cm by 42cm by 95cm carvers 57cm by 42cm by 95cm

For a similar chair see Edwards (Ralph) The Shorter Dictionary of English Furniture, pg.156, pl.153

£400-600 322

324

323

A George III Mahogany Straight-Front Chest of Drawers, late 18th century, the moulded top above a pull-out green baize brushing slide and two short over three long oak-lined drawers, on scrolled and pierced bracket feet

91cm by 46cm by 81cm

£450-550 323

An Early 20th Century Carved Mahogany Double Dressing Stool, in George II style, recovered in close-nailed and buttoned green velvet, the overstuffed serpentine seat on carved cabriole legs decorated with acanthus leaves, swags and flowers and on ball and claw feet

100cm by 47cm by 49cm

£200-300

325

A George III Mahogany Straight-Front Chest of Drawers, the moulded hinged lid enclosing a pullout brushing slide above an oak and mahogany-lined vacant interior and two sham drawers above two short and two long oak-lined drawers, on shaped bracket feet (adapted)

115cm by 54cm by 103cm

£300-500

327

326

A Mahogany Free-Standing Cheval Mirror, circa 1820/30, the plain mirror plate within a moulded pivoting frame within turned reeded supports and splayed legs with brass cast feet and castors

72cm by 65cm by 176cm

£700-1,000

A George III Mahogany Chest on Chest, late 18th century, the dentil cornice above a blind fret carved frieze and two short over six long oak-lined drawers below, with original brasses and escutcheons, all between blind fret carved canted stiles, on bracket feet

110cm by 55cm 166.5cm

£550-750

329

328

A George III Mahogany Chippendale-Style Brass-Bound Oval Wine Cooler, late 18th century, of coopered form, with brass carrying handles and riveted lead liner, on square fluted legs joined by fret-carved brackets

59cm by 45cm by 61cm

£600-800

A Regency Mahogany and Ebony-Strung Cheval Mirror, early 19th century, the bevelled glass mirror plate pivoting between a square frame with urn finials, the sides with a brass pole and candle holder, on splayed legs joined by a turned stretcher with brass-capped feet and castors

70cm by 60cm by 167cm

£300-500

330

A Late 19th Century Mahogany and Crossbanded Serpentine Commode, in George III style after a design by Henry Hill of Marlborough, the moulded top above a pullout brushing slide and three deep mahogany-lined drawers, the wavy shaped apron on splayed feet

124cm by 62cm by 92cm

£600-800

331 u

A Regency Rosewood Reading Table, possibly Gillows, early 19th century, the hinged leaf with ratchet back support above a folding rest, on standard end supports joined by two turned stretchers, on reeded sabre legs with brass-capped toes and castors

68cm by 45.5cm by 73cm

£350-550

334 u

A Late 19th Century Irish Mahogany Console Table, in George III style, the moulded top with carved border above a scrolled apron centred by a bearded mask, on shell-carved cabriole legs with claw feet

153cm by 66cm by 85cm

£500-800

333

No Lot

A George III Carved Mahogany Dining Table, possibly Irish, 3rd quarter 18th century, with two dropleaves to form an oval, on substantial acanthus-carved cabriole legs with carved paw feet 166cm by 191cm by 71cm

£1,500-2,000

335

A Set of Six Regency Carved Mahogany

Dining Chairs, early 19th century, recovered in green and gold floral silk fabric, with turned and part-wrythen top rails above scrolled horizontal splats, the reeded frame above drop-in seats, on splayed sabre forelegs

47cm by 42cm by 86cm

£300-400

336

336 u

A George III Chippendale-Style Carved Mahogany Foldover Card

Table, circa 1770, the hinged leaf enclosing a green baize-lined interior and moulded gaming corners above an oak-lined frieze drawer and egg and dart border, on acanthus carved cabriole legs with ball and claw feet

91cm by 44cm by 74cm

£300-500

337 u

A Regency Rosewood and Brass-Strung Teapoy, early 19th century, the hinged lid enclosing caddies and glass mixing bowls, with brass loop handles, on a lyre-shaped support with quadripartite base and four sabre legs with brass hairy paw feet and castors

38cm by 29cm by 73cm

Provenance: With copy of original purchase receipt for Tennants Fine Art Sale, 2 November 1990, lot number 860 (ex. Otterington Hall, North Yorkshire)

£250-350

A George III Carved Giltwood Mirror, circa 1780, the later plain mirror plate within a punch-ground decorated frame with a shell and acanthus-scrolled apron, the swan neck pediment centred by an eagle 109cm by 51cm

£500-700

339 u

A George III Mahogany, MarquetryInlaid and Boxwood-Strung

Serpentine Sideboard, late 18th century, the staged top above a central shell panel flanked by oval patera, with a cupboard door and deep cellaret drawer, on square tapering legs

163cm by 74cm by 89cm

£300-500

A George III Mahogany and Brass-Bound Octagonal Cellaret, circa 1800, the hinged lid enclosing a lead-lined divided interior, with brass loop carrying handles to the sides, on a moulded stand with square tapering legs, brass-capped toes and castors

45cm by 45cm by 69cm

£300-500

341 u

A George III Mahogany Twin-Pillar Extending Dining Table, late 18th century and adapted, with three additional leaves, of D-shape form with plain frieze, on turned supports with three-splayed legs, brasscapped toes and castors, the middle section with turned and lappet-carved tapering additional supports with brass-capped toes and castors

356cm extended by 136cm by 71cm

Provenance: With original receipt from Windsor House Antiques, Benson Street, Leeds, 19 March 1979

£300-500

A Set of Twelve (10+2) George III Mahogany Dining Chairs, circa 1800, comprising ten singles and two carvers, with moulded frames and pierced splats, later recovered in yellow close-nailed button fabric, on square tapering legs with spade feet singles 54cm by 52cm by 90cm carvers 54cm by 54cm by 93cm

£2,000-3,000

344

A George III Carved Mahogany Chippendale-Style Serpentine Commode, late 18th century, the moulded top with carved border above two oak-lined drawers with original brasses, two cupboard doors below, all between carved canted stiles, the C-scroll and foliate-carved apron on cabriole legs with ball and claw feet

106cm by 60cm by 88cm

£1,500-2,000

345

A George III Carved Mahogany Tripod Table, 3rd quarter 18th century, the moulded pie-crust tilt-top with a C-scroll and flower-carved border, with a turned, fluted and part-wrythen baluster support on three carved and scrolled cabriole legs

76cm diameter by 70cm

£2,000-3,000

346

A George III Mahogany Secretaire Bookcase, circa 1800, the moulded cornice above a plain frieze and astragal glazed doors enclosing three adjustable mahogany-lined shelves, the base with a deep secretaire two-as-one drawer enclosing a fitted interior of two long drawers and twelve small drawers around a central cupboard door, with three oak-lined drawers below, with original brass handles, on bracket feet

118cm by 57cm by 129cm

£600-800

347 u

A George III Satinwood and Ebony-Crossbanded Foldover Tea Table, late 18th century, of D-shape form with hinged leaf above a plain frieze, on square tapering legs 96cm by 45cm by 72cm

£300-400

348

A George III Mahogany Chest on Chest, late 18th century, the moulded cornice above a dentil frieze and two short over six long drawers, on bracket feet

113cm by 58cm by 179.5cm

£600-800

349 u

A George III Carved Mahogany Chippendale-Style Two-Seater Sofa, 19th century, covered in green velvet, the show frame with scrolled and carved arm supports above two removable squab cushions, the blind fret carved seat rail decorated with shells, acanthus leaves and scrolls, on square-form legs joined by a pierced H stretcher 180cm by 72cm by 96cm

Provenance: With original purchase receipt from JH Cooper & Son (Ilkley) Ltd, 16 November 1979

£1,500-2,500

350 u

A George III Mahogany and Crossbanded Serving Table, late 18th century, the moulded top above a carved frieze flanked by rosettes, on carved cabriole legs with ball and claw feet 155cm by 61cm by 71cm

£1,000-1,500

351 u

A George III Mahogany Bureau Bookcase, late 18th century, the associated upper section with an architectural pediment above lancet glazed doors enclosing three adjustable shelves, the base with fall front enclosing a fitted interior of pigeon holes, small drawers and reeded pilasters enclosing secret compartments all round a central cupboard door, four oaklined graduated drawers below, on bracket feet 111cm by 59cm by 237cm

Provenance: With original purchase receipt from JH Cooper & Son (Ilkley) Ltd, 5 December 1975

£400-600

352 u

A Fine Regency Rosewood and Brass-Inlaid Library or Centre Table, early 19th century, in the manner of George Bullock, inset with a leather writing surface with anthemion gilt-tooled border, the central section with a sliding and removable games board enclosing a velvet-lined interior flanked by D-end sections with hinged lids, the middle section with a mahogany-lined frieze drawer, on standard end supports with sledge bases, scrolled brackets and brass cast feet and castors 138cm by 60.5cm by 72cm

Provenance: With original invoice, Tennants Fine Art Sale, 2 November 1990, lot 858 (ex. Otterington Hall, North Yorkshire)

£2,000-3,000

353 u

A George III Mahogany Kneehole Writing Table, late 18th century, the three-quarter moulded gallery above a leathercovered pull-out writing flap flanked by two blind fret-carved small drawers and an arched apron, on tapering legs with pad feet

90cm by 48cm by 84cm

£350-450

A George III Mahogany, SatinwoodCrossbanded, Ebony and Boxwood-Strung Sideboard, circa 1780, with central oak-lined drawer, the sliding deep drawer below with an arched apron and flanked by conforming twoas-one deep drawers with lion mask handles, on square tapering legs with spade feet 126cm by 66cm by 91cm

£300-400

£200-300 354

355 u

A George III Mahogany Tripod Table, 18th century and later, of broad circular form with tilt-top above a turned vasiform support (adapted), on shell and acanthus carved cabriole legs with claw feet

92.5cm by 71cm

358 (detail)

A Gillows Mahogany, Satinwood-Banded and Ebony-Strung Kneehole Desk or Dressing Table, circa 1820/30, the sides with original brass cast carrying handles, the crossbanded top flanked by circular patera with nine mahogany-lined drawers below, the central drawer stamped Gillows Lancaster with a scrolled and carved apron below, with two cupboard doors above a moulded plinth base 109cm by 61cm by 80cm

£1,200-1,800

A Mid 19th Century Reading Chair, covered in vintage close-nailed buttoned red leather, with yoke-shaped arm supports, the overstuffed seat on six turned walnut legs with brass-capped toes and castors joined by small stretchers and surmounted by a turned finial 66cm by 45cm by 85cm

£500-700

A Regency Mahogany Specimen Marble Pedestal Table, early 19th century, the moulded top with an oval panel inset with various marbles, including giallo antico, portoro, rouge griotte, breccia, Languedoc red, porphyry and malachite, on a tapering support with quadripartite base and splayed legs, brass hairy paw feet and castors

56cm by 48cm by 71cm

£400-600

A Set of Four George III-Style Satinwood and Polychrome Painted Dining Chairs, late 19th century, recovered in yellow and pale blue floral fabric, the oval floral decorated back supports surrounding pierced splats centred by oval portraits of women, with overstuffed seats on square tapering legs decorated with husks, terminating in spade feet 44cm by 44cm by 96cm

£600-800

360 u

A George III Mahogany and Marquetry-Inlaid Foldover Card Table, richly inlaid with fan patera and flowers, the frieze decorated with swags and leaves above tapering legs with pad feet and a rear gateleg, the table 18th century, the inlay later 73.5cm by 36cm by 72cm

£300-500 361

A George III Carved Giltwood Wall Mirror, late 18th century, the later plain mirror plate within an oval leaf-carved frame with a pierced foliate plume 21cm by 61cm

£400-600

363

A George IIII Mahogany Chest on Chest, late 18th century, the dentil cornice above two short and three long oak-lined drawers, all between canted fluted stiles, the base of three deep drawers, on bracket feet 117cm by 59cm by 188cm

£800-1,200

An Early 19th Century Mahogany Writing Table, in the manner of Gillows, the green and gilt tooled leather writing surface with adjustable easel-back writing slope, three oak-lined drawers below, on turned and reeded tapering legs with brass-capped toes and castors

108.5cm by 71cm by 80cm

£1,000-1,500

365

A George IV Mahogany Bowfront Chest of Drawers, 2nd quarter 19th century, the moulded top above two short and three oak-lined drawers, on wavy-shaped apron and splayed bracket feet 84cm by 52cm by 86cm

£400-600

366

A Set of Eight (6+2) Regency Carved Mahogany Dining Chairs, early 19th century, with calico seat covers ready for upholstery, the curved anthemion-carved top rails above reeded uprights, the seat rails on splayed sabre forelegs singles 46cm by 52cm by 86.5cm carvers 52cm by 52cm by 86.5cm

£500-700

A George III Mahogany StraightFront Chest, the moulded top above a pull-out brushing slide and three small oak-lined drawers above two long drawers, all between quartercut reeded column stiles, on stout bracket feet, 18th century and adapted 111cm by 60cm by 84cm

£300-500

368

A George IV Mahogany-Framed Scroll-End Sofa, 2nd quarter 19th century, recovered in close-nailed buttoned red leather, with overstuffed arms and squab cushion above a moulded seat rail, on turned legs with castors 215cm by 62cm by 91cm

£500-700 369

A George III Mahogany Secretaire Chest on Chest, late 18th century, the Greek Key dentil cornice above two oak-lined short drawers and three long drawers, all between canted fluted stiles, the base with a deep fall front secretaire drawer enclosing pigeon holes, drawers, secret compartments and a later green baize writing surface, two drawers below, on bracket feet 111cm by 58cm by 193.5cm

£800-1,200

370 u

A Carved Mahogany 4’6” FourPoster Bed, late 19th century, the moulded canopy with dentil cornice above a plain frieze, on carved partwrythen turned footposts with square tapering supports, spade feet and castors, with matching floral silk drapery, curtains, headboard, bed throw and four scatter cushions 137cm by 212cm by 232cm

£1,000-1,500

371

A Late George III Mahogany, Crossbanded and Boxwood-Strung Linen Press, early 19th century, the moulded cornice above a plain frieze and moulded cupboard doors, the interior formerly fitted with trays, now with brass hooks and a hanging rail, the base with two short over two long oak-lined drawers with original brass handles, on bracket feet 125cm by 57cm by 211cm

£400-600

373

372

A William IV Mahogany D-End Extending Dining Table, in the manner of Gillows, circa 1840, with four additional leaves above a sliding telescopic frame, on turned and reeded tapering supports with cupped feet and recessed castors

402cm extended by 137cm by 75cm

£1,000-1,500

373

A George IV Mahogany Library Drum Table, 2nd quarter 19th century, with an inset later green and gilt leather skiver above three real and three sham drawers, on a turned and lappet-carved column support with moulded socle, triform base and compressed feet with recessed castors

105cm diameter, 76cm high

£1,200-1,800

374 u

A Victorian Burr Walnut, Crossbanded, Boxwood and GiltMetal-Mounted Centre Table, circa 1870, of quatrefoil shaped form, with moulded edge and wavy-shaped apron, on slender cabriole legs with gilt foliate cast mounts and sabots

128cm by 88cm by 72cm

£500-800

375 u

A Victorian Figured Walnut and Marquetry-Inlaid Breakfront Side Cabinet, 3rd quarter 19th century, the moulded top above an inlaid frieze decorated with flowers and foliage flanked by oval panels, three glazed doors below enclosing a velvet-lined interior, all between gilt cast mounts, on a breakfront platform base with wavy-shaped apron

182cm by 38cm by 108cm

£600-800

376

A Rosewood Circular Dining Table, circa 1835, the moulded top with carved border above a plain frieze, on a vasiform support with carved socle and circular base with carved paw feet and recessed castors

130cm diameter, 80cm high

£300-500

376 (top)

377 u

A George III-Style Carved Mahogany Dressing Stool, 19th century, recovered in pink, yellow and floral cut velvet, on acanthus-carved and scrolled cabriole legs with ball and claw feet

86cm by 44cm by 46cm

A George III-Style Carved Mahogany Dressing Stool, 19th century, recovered in duck egg blue geometric pattern fabric, with drop-in seat and plain seat on acanthus-carved cabriole legs with ball and claw feet

55cm by 43cm by 43cm (2)

£250-350

378 u

Simpson & Sons of Halifax: A Late 19th Century Satinwood and Marquetry-Inlaid Four-Piece Bedroom Suite, comprising: a triple door wardrobe with domed canopy above a central cupboard door with oval moulded panel richly inlaid with a basket issuing flowers, acanthus scrolls and ribbons, enclosing three sliding trays with two further drawers below and flanked by mirror doors enclosing hanging base, the base with two deep drawers, all between canted stiles

186cm by 56cm by 207cm

a dressing chest with pivoting bevelled glass mirror above two short and two long drawers, all between canted stiles, on castors

130cm by 56cm by 160cm

a five-drawer straight-front chest of two short over three long drawers, all between canted stiles, on castors

85cm by 50cm by 132cm

a bedside cupboard with moulded upstand above a quarter-veneered cupboard door enclosing two removable shelves, all between canted stiles, on tapering legs with block feet

45cm by 40cm by 83cm

£1,200-1,800

379 u

A Late 19th/Early 20th Century Chippendale Revival Carved Mahogany Writing Desk, of serpentine shape form, the fret-carved upstand above a carved border and an arrangement of four mahogany-lined drawers with original brasses, all above a kneehole, on carved cabriole legs with lion mask knees and hairy paw feet

138cm by 71cm by 76cm

£400-600

380

A George IV Mahogany Side Cabinet, attributed to Gillows, circa 1825, the scrolled and carved three-quarter gallery above a gadrooned border with two moulded cupboard doors below enclosing two adjustable shelves all between reeded stiles, on a breakfront moulded base with gadrooned bun feet

115cm by 37cm by 108cm

£1,000-1,500

381

A Victorian Mahogany Partners’ Desk, 3rd quarter 19th century, with inset green and gilt leather writing surface above pedestals with six mahogany-lined frieze drawers with turned knob handles, the opposing side of one pedestal as a cupboard, the other with three graduated drawers, on plinth bases with recessed castors

184cm by 119cm by 75cm

£1,000-1,500

382

A Late Regency Walnut-Framed Reading Chair, circa 1820/30, the curved back support and arms inset with a small brass rail above a pierced splat and acanthus-scroll brackets, on carved and turned tapering forelegs with castors 65cm by 61cm by 80.5cm

£400-600

383

Lamb of Manchester: A Pair of Victorian Walnut and EbonyStrung Display Cabinets, 2nd half 19th century, the moulded tops with strung friezes flanked by marquetry panels inlaid with leaves above glazed doors enclosing two purple velvet-lined shelves all between fluted brackets decorated with swags, on moulded plinth bases 93cm by 43cm by 127cm

£500-700

382

383 (detail)

384

383

A William IV Mahogany Writing Table, attributed to Gillows, 2nd quarter 19th century, the three-quarter moulded gallery above a concave mahogany-lined drawer flanked by four small drawers all around an arched apron, on turned and reeded legs with brass-capped toes and castors 117cm by 68cm by 87cm

£600-800

385 u

Waring & Gillow Ltd: A Satinwood, Boxwood and Ebony-Strung Three-Piece Bedroom Suite, early 20th century, comprising:

a four-door bowfront wardrobe, the moulded cornice above an arcaded frieze applied with bone mounts, above two cupboard doors with oval panels enclosing shelves, three mahoganylined drawers below flanked by cupboard doors with moulded panels enclosing hanging space and a shelf, on splayed bracket feet

202cm by 72cm by 203cm

a bowfront five-drawer chest, the moulded top above a tracery-strung frieze and two short over three long drawers, with arched apron on splayed bracket feet

110cm by 56cm by 106cm

a dressing table with triple plain bevelled glass mirror plates within carved supports surmounted by twin-handled urns, the base of bowfront form with an arrangement of five mahogany-lined drawers above an arched apron, on splayed legs

137cm by 59cm by 166cm

Provenance: With original invoice from Tennants of Yorkshire, Market Place, Leyburn, 23 April 1988, lot 428

£1,000-1,500

386 u

Attributed to Waring & Gillows: An Early 20th Century Satinwood, Boxwood and Ebony-Strung Free-Standing Cheval Mirror, the bevelled glass plate contained within a moulded frame, the acanthus-carved uprights surmounted by twin-handled urn finials, on splayed legs

70cm by 44cm by 170cm

£300-400

387 u

A Satinwood and RosewoodCrossbanded Foldover Tea Table, circa 1820, of canted rectangular form, the crossbanded top with hinged leaf above a marquetry-inlaid scrolled apron with corner brackets, on scrolled supports joined by a circular undertier, with brass-capped toes and castors 91cm by 45cm by 74cm

£250-350

389

A Victorian Silky Oak and Tilt-Top Circular Breakfast Table, 3rd quarter 19th century, the moulded top above a plain frieze pivoting on an oak block with tapering support and carved socle, triform base and scrolled feet with recessed castors, the underside inscribed in manuscript THIS TABLE BELONGED TO CAROLINE ARMISTEAD A NIECE OF THOMAS RICHARDSON OF CLEVELAND LODGE GREAT AYTON

132cm diameter, 75cm high

£300-500

388 u

A Pair of Victorian Rosewood, Satinwood and MarquetryDecorated Pedestals, late 19th century, the moulded staged tops decorated with flowerbells, scrolls and husks above a parquetry-decorated moulding, on square tapering supports inlaid with fan patera, ribbons, urns and foliage above a moulded platform base 35cm by 31cm by 116cm

Provenance: With original purchase receipt dated 5 January 1979

£1,000-1,500

390

An Early Victorian MahoganyFramed Cock-Fighting or Reading Chair, mid 19th century, recovered in close-nailed red leather, the overstuffed circular seat above a small pull-out drawer, on slender cabriole forelegs 75cm by 46cm by 83cm

£500-700

391 u

A Victorian Figured Walnut, Marquetry-Inlaid and GiltMetal-Mounted Side Cabinet, mid 19th century, the moulded top above a floral marquetry-inlaid frieze and arched glazed doors enclosing two removable shelves, all between inlaid stiles decorated with flowers and ribbons and with gilt cast metal mounts, on a platform base with a stiff leaf border

115cm by 33cm by 106.5cm

£300-400

392 391

392 u

A Late Victorian Mahogany Free-Standing Corner Cupboard, late 19th century, the moulded and Greek Key dentil cornice above a blind fret carved frieze, the glazed cupboard doors enclosing a watered silk interior, all between canted fluted stiles, on bracket feet

96cm by 53cm by 75cm

Provenance: With original purchase receipt from H&M Suttle, 16 Market Place, Otley, 21 January 1972

£300-400

393

A Set of Six William IV Carved Rosewood Dining Chairs, 2nd quarter 19th century, recovered in yellow velvet, the curved top rails above C scroll acanthus horizontal splats , overstuffed seats and plain seat rails, on carved and turned forelegs

46cm by 40cm by 83cm

£200-300

394 u

A Pair of Victorian Chippendale-Style Carved Mahogany Armchairs, late 19th century, recovered in floral needlework, the carved top rails above pierced splats, with outswept arms and carved hand grips above an overstuffed seat, on carved cabriole forelegs with ball and claw feet 61cm by 59cm by 100cm

£200-300

395

A Mahogany and Brass-Bound Campaign Chest, mid 19th century, in two sections, with two short over three long with brass recessed handles, the top of the middle section painted Mrs L Platts with conforming paper label, on removable carved feet 95cm by 44cm by 81cm

£500-800

394

395 (detail)

396 u

Attributed to Holland & Sons: A Fine Victorian Burr-Walnut, Mahogany, Thuya, Rosewood-Crossbanded and Floral Marquetry-Inlaid Library or Centre Table, mid 19th century, the top inlaid with musical trophies, foliage and ribbons flanked by acanthus scrolls, all within a metal leafcast border, the mahogany-lined drawer centred by a tablet decorated with a twin-handled urn issuing scrolled leaves and foliage, on turned and fluted tapering legs joined by a curved stretcher and surmounted by an urn

137cm by 76cm by 73cm

£3,000-4,000

396 (top)

397 u

A Victorian Satinwood, PolychromePainted and Parcel-Gilt Day Bed, circa 1900, the frame decorated with green acanthus leaves and red flowers, a single-cane curved back support above and overstuffed seat, recovered in green watered silk, the plain seat rail on turned and acanthus-carved fluted tapering legs

151cm by 72cm by 86cm

Provenance: With original purchase receipt from Smiths the Rink, Harrogate, 1 December 1971

£600-800

398 u

A Victorian Rosewood Whatnot, mid 19th century, of three-tier form, formerly fitted with a three-quarter gallery above spiral-turned supports and foliate fretcarved end panels, the base with a long drawer, on stout turned feet 69cm by 40cm by 90cm

£300-400

399

A Victorian Mahogany-Framed Deep-Seated Armchair, late 19th century, covered in modern grey linen, with overstuffed seat and arms, on ring-turned forelegs with brass castors

79cm by 74cm by 81cm

£400-600

397

400 u

A Victorian Burr Walnut and Gilt-Metal-Mounted Bureau, circa 1880, in Louis XV style, the moulded fall front enclosing a kingwood and satinwood-veneered interior with a gilt-tooled inset leather writing surface, two sliding compartments, three small serpentine drawers and a shelf , the arched apron on slender cabriole legs with gilt foliate cast mounts and sabots 85cm by 46cm by 90cm

Provenance: With original purchase receipt from JH Cooper & Son (Ilkley) Ltd, 6 March 1986

£700-1,000

401

An Edwardian Satinwood and Polychrome Painted Display Cabinet, early 20th century, the frieze painted with urns joined by flower garlands above oval lancet-glazed doors enclosing three adjustable shelves, all between canted fluted stiles decorated with husks, a single oak-lined drawer below above two cupboard doors painted with oval panels containing portraits, on splayed bracket feet 98cm by 33cm by 198cm

£400-600

402

A Victorian Deep-Seated Armchair, in the manner of Howard & Sons, late 19th century, recovered in modern grey linen, on ebonised turned forelegs with brass castors

75cm by 80cm by 82cm

£400-600

403

Lamb of Manchester: A Victorian Gilt Metal-Mounted and Marquetry-Inlaid Amaranth, Ebony and Sycamore Side Cabinet, mid 19th century, of breakfront form, the glazed cupboard doors with stiff leaf metal borders enclosing two velvet-lined removable shelves flanked by open niches with gilt cast metal brackets and foliate mounts, on a moulded breakfront platform base, the top of one glazed door stamped Lamb Manchester 9198

183cm by 43cm by 102cm

£1,200-1,800

403

402

404

A Set of Fourteen (12+2) George III-Style Mahogany Ladder-Back Dining Chairs, late 19th century, recovered in close-nailed red fabric, the scrolled horizontal splats above overstuffed seats, on square tapering legs joined by H stretchers singles 52cm by 47cm by 98cm carvers 61cm by 51cm by 106cm £1,000-1,500

405 u

A Victorian Figured Walnut, Marquetry-Inlaid and Tulipwood-Banded Bonheur de Jour, 3rd quarter 19th century, the superstructure with pierced brass gallery above a central mirrored cupboard door enclosing a red velvet-lined interior and removable shelf, flanked by six small drawers with a further drawer below, all above a worn green leather writing surface and serpentine-shape drawer, on slender cabriole legs with gilt cast foliate mounts and sabots

109cm by 62cm by 124cm

Provenance: With original purchase receipt from The Edwards Gallery, 22 Dundas Street, Edinburgh, 5 January 1979

£500-800

407

405

A Victorian Mahogany-Framed Armchair, in the manner of Howard & Sons, late 19th/early 20th century, recovered in modern grey linen, with overstuffed seat, chamfered rear legs and turned forelegs on castors 70cm by 81cm by 87cm

£400-600

408

No Lot 406

A Victorian Mahogany-Framed Window Seat, labelled Wallis & Co, Holborn Circus, London, 3rd quarter 19th century, recovered in closenailed and buttoned light brown fabric, the overstuffed seat on turned and tapering forelegs

140cm by 45cm by 43cm

£250-350

409 u

A Set of Ten (8+2) George III-Style Carved Mahogany Dining Chairs, circa 1900, recovered in close-nailed brown leather, the acanthus-carved top rails above pierced interlaced splats decorated with anthemion above an overstuffed seat, on acanthus-carved cabriole legs with ball and claw feet singles 58cm by 60cm by 97cm carvers 62cm by 59cm by 100cm

Provenance: With original purchase receipt from JH Cooper & Son (Ilkley) Ltd, 2 December 1971

£600-800

410

Arthur Brett of Norwich: A Mahogany and Tulipwood-Banded Double Pedestal Dining Table, numbered 761401, of rounded rectangular form, with two additional leaves, raised on gun barrel turned supports and reeded legs with brass claw feet and castors 301cm by 123cm 74cm

£1,000-1,500

411 u

A Fine French Burr Elm, Tulipwood-Banded and Bois Satine Armoire, mid 19th century, the domed canopy centred by a gilt metal mount of an urn issuing flowers and scrolls above a central bevelled glass mirror door enclosing shelves and a mahogany drawer, all between column supports with leaf-cast capitals and flanked by bowfront cupboard doors, on turned toupie feet 175cm by 66cm by 240cm

A Matching Double Bedstead, with conforming mounts and panelled headboard and footboard, takes a 4’6” mattress headboard 146cm wide, 148cm high (2)

Provenance: With original purchase receipt from JH Cooper & Son (Ilkley) Ltd, 25 January 1990

£800-1,200

412

A Victorian Figured, Burr Walnut and Marquetry-Inlaid Bonheur Du Jour, 3rd quarter 19th century, in Louis XV style, the three-quarter pierced brass gallery above a mirrored cupboard door flanked by six small drawers with further drawer below, all between canted stiles, the base of serpentine form with an inset small leather writing surface flanked by tulipwood crossbanding, the serpentine drawer on slender cabriole legs with gilt foliate mounts

98cm by 60cm by 126cm

£400-600

411 (detail) 411

414 u

A Pair of Late 19th Century Giltwood and Gesso Fauteuils, in Louis XV style, recovered in French floral needlework, with ribbon-tied top rails above padded back supports, arms and overstuffed seats, the fluted arm supports above turned and fluted tapering legs with castors

65cm by 60cm by 100cm

£200-300

413 u

A Late 19th Century French-Style Blue and Parcel-Gilt Three-Piece Salon Suite, recovered in blue, floral and cream striped fabric, comprising: a serpentine three-seater canapé, with padded back support, arms and overstuffed seat, on scrolled cabriole legs

184cm by 60cm by 85cm

a pair of single dining chairs, upholstered to match (repainted)

47cm by 45cm by 87cm

£300-500

A Louis XV-Style Tulipwood and Gilt-Metal-Mounted Table à Ecrire, 3rd quarter 19th century, the quarter-veneered top with pierced brass gallery above two quarter-veneered cupboard doors with Sèvres-style oval turquoise porcelain mounts, two small drawers below, all between canted stiles, the table of serpentine-shaped form with crossbanded border above a mahogany-lined frieze drawer, on cabriole legs with cast metal decorative mounts and sabots, with key 71cm by 54cm by 125cm

£1,000-1,500

416 u

A Late 19th Century Giltwood Double-Caned Two-Seater Canapé, with removable squab cushion recovered in pink watered silk, the frame decorated with husks and flowerbells with acanthus-carved hand grips, the serpentine seat rail centred by a shell, on stout cabriole legs with scrolled toes 110cm by 62cm by 94cm

£300-400

A Louis XV-Style Rosewood, Tulipwood and Gilt-Metal-Mounted Foldover Card Table, circa 1880, the quarter-veneered and crossbanded top with gilt-metal border enclosing a later fabric-lined interior, the scrolled apron on slender cabriole legs with gilt cast mounts and sabots

89cm by 45cm by 74cm

£700-1,000

418

A Late 19th Century Kingwood and Ormolu-Mounted Cartonier, by Victor Raulin, in Louis XV style, the bombé-shaped top with rococo-style pediment above six graduated moulded leather drawers with brass handles, the open base with three fixed shelves flanked by floral gilt-cast mounts and canted stiles, on stout cast metal feet, the top stamped twice 81cm by 40cm by 160cm

Victor Raulin: the firm was established by Victor’s father with premises at 93 rue de Turenne. Victor took over his father’s business in 1878 and specialised in marquetry and lacquer furniture in the 18th century style. He exhibited at the 1878 and 1889 Paris Expositions Universelles where he was awarded silver medals

See Payne (Christopher) European Furniture of the 19th Century, pg.43

£1,000-1,500

A Victorian Gilt and Gesso Firescreen, mid 19th century, containing a needlework panel with gold thread depicting a vase issuing stylised flowers, the frame decorated with acanthus leaf scrolls and surmounted by a decorative pediment, the pierced C scroll apron flanked by an egg and dart border, on scrolled supports 95cm by 39cm by 125cm

£300-500

420 u

A French Louis XV-Style Rosewood, Kingwood, Marquetry-Inlaid and GiltMetal-Mounted Table à Canapé, circa 1890, of serpentine-shape form, inlaid with acanthus scrolls, flowers and foliage, with four drop leaves, on slender cabriole legs with gilt-metal mounts and sabots 102cm by 102cm extended by 74cm

£400-600

421 u

A Set of Four Late 19th Century Giltwood Fauteuils, in Louis XV style, recovered in French cream floral needlework, the carved and beaded frames above an overstuffed seat and acanthus-carved hand grips, on turned and fluted legs

67cm by 56cm by 94cm

A Matching Two-Seater Canapé, with oval back support and overstuffed seat, on turned and fluted tapering legs

138cm by 60cm by 95cm (3)

£500-700

422 u

A Pair of Late 19th/Early 20th Century Giltwood and Gesso Armchairs, recovered in floral silk needlework, with moulded show frames and scrolled hand grips above an overstuffed serpentine seat, on stout cabriole legs

68cm by 46cm by 86cm

£250-350

423

A Victorian Gilt and Gesso Bijouterie Table, 3rd quarter 19th century, the serpentine hinged lid with bevelled glass plate top enclosing a red velvet-lined interior, with glazed panels below divided by scrolled acanthus leaves and shells, on scrolled supports joined by acanthus leaf decorated stretchers and surmounted by a small platform base

78cm by 53cm by 76.5cm

£300-500

424

A French Mahogany and Gilt-Metal-Mounted Bibliotheque, in the manner of François Linke, late 19th century, of breakfront form, with pink silk-lined brass grille doors with quarter-veneered moulded panels below, the interior with seventeen adjustable shelves, on a moulded platform base 255cm by 54cm by 209cm

£1,500-2,000

425

A French Napoleon III Red Tortoiseshell, Brass-Inlaid and Ebonised Boulle Jardiniere Table, mid 19th century, in the Louis XV-style, with pierced brass gallery and removable lid enclosing a later painted removable metal liner above an arched apron centred by an Apollo mask issuing ribbons, on slender cabriole legs with caryatid mounts and sabots 85cm by 54cm by 84cm

£400-600

426

426 u

A French Louis XV-Style Rosewood, Kingwood, Floral Marquetry and Gilt-Metal-Mounted Serpentine Commode, late 19th century, the top richly inlaid with acanthus leaves and C scrolls above three oak-lined drawers with rococo-style cast handles and escutcheons, all between scrolled mounts and capped feet 114cm by 54cm by 84cm

£800-1,200

427 u

427

A Mid 19th Century French Burr Elm, Satinwood-Banded, Boxwood, Ebony-Strung and Marquetry-Inlaid Armoire, the moulded cornice surmounted by an ormolu C-scroll shell above a central bevelled glass mirror pinned door enclosing adjustable shelve and three drawers, flanked by bowfront cupboard doors with adjustable shelves, flanked by gilt metal mounts decorated with swags and foliage 195cm by 64cm by 241cm

Provenance: With original purchase receipt from JH Cooper & Son (Ilkley) Ltd, 17 October 1989

£800-1,200

428 u

A French Louis XV-Style Kingwood, Tulipwood, Marquetry-Inlaid and Gilt-Metal-Mounted Side Table, late 19th century, the quarter-veneered top inlaid with acanthus leaves and C scrolls within a gilt-metal cast border above conforming friezes, the sides with scrolls and flower garlands, on slender cabriole legs with gilt cast mounts and sabots 62cm by 37cm by 71cm

£400-600

429

A Mid 19th Century French Gilt and Gesso Overmantel Mirror, the original tarnished mercury mirror plate within a beaded moulding, the frame decorated with flowers and foliage and surmounted by a pierced C scroll plume issuing flower garlands 224cm by 135cm

£600-800

429

430

A Late 19th Century French Louis XV-Style Kingwood, Rosewood and Marquetry-Inlaid Tables Ambulant, richly inlaid with a twinhandled urn issuing flowers, the pull out leather and gilt tooled writing surface above two oak drawers, the side panel with a further small drawer, on slender cabriole legs with gilt cast mounts and sabots

33cm by 27cm by 74cm

£400-600

433

431

A 19th Century Italian Walnut and Parcel-Gilt Torchere, the circular moulded top above a leafcarved capital and figure standing on a rocky base with triform platform and carved acanthus feet 42cm diameter, 88cm high

£300-500

432

A 19th Century Dutch Mahogany and Floral Marquetry Bombé Clothes Press, the scrolled top carved with a crest of acanthus leaves and C scrolls above moulded cupboard doors, the arched panels inlaid with baskets of flowers, leaves and foliage, flanked by an urn below and a ribbon-tied scroll wreath above, the interior with a central shelf above two oak-lined drawers and three small drawers to the base, all above three long drawers with gilt metal handles, on a scrolled apron and claw and ball feet

180cm by 66cm by 251cm

£1,000-1,500

A Set of Three Early 18th Century Dutch Walnut and Marquetry-Inlaid High-Back Dining Chairs, upholstered in floral needlework, the shell-carved top rails above solid splats inlaid with acanthus-decorated cornucopia issuing flowers and leaves, the drop-in seats on shellcarved cabriole forelegs with pointed pad feet

50cm by 49cm by 106cm

£300-500

434

An 18th Century Italian Carved Giltwood Mirror, probably Venice, the original mercury plate engraved with a figure and foliage within a C scroll frame, the apron formerly fitted with a candle arm, the scrolled plume surmounted by foliage 92cm by 54cm

£300-500

435

A Dutch Walnut and Crossbanded Armoire, late 18th/early 19th century, the domed canopy top with scrolled pediment above carved shells and marquetry inlay, with moulded arched cupboard doors enclosing two fixed shelves and five drawers, the base of bombé form with two short over two long oak-lined drawers, all between scrolled canted supports, on compressed bun feet 198cm by 71cm by 249cm

£1,000-1,500

435

436

An 18th Century Oak, Ebony and Later Ivory-Inlaid Buffet Deux Corps, the moulded cornice above a nulled frieze and fielded panel doors carved with lozenges and parquetry inlay, the interior with a removable shelf, with three small pine-lined drawers below, the base with two cupboard doors enclosing later removable pine shelves, on a moulded plinth base, in two sections 93cm by 46cm by 205cm

With Non-Transferable Standard Ivory Exemption Declaration Number EX6AVFAY

£400-600

A Chinese Padauk and Pink Marble Two-Tier Circular Plant Stand, circa 1900, the foliate carved top with beaded border above a carved frieze all between dragon head masks with carved flowerheads below, joined by a circular undertier on claw and ball feet

49cm by 67cm

£200-300

A Nest of Four Chinese Hongmu and Huamu Tables, late Qing dynasty, of rectangular form with burr panels raised on square moulded legs with humpback stretchers the largest 50cm by 36m by 68cm

£300-400

A Korean Hardwood and Gilt-Metal-Mounted Chest (Morijang) circa 1900, with nailed and engraved brasswork, the three oak-lined drawers above two cupboard doors enclosing a shelf flanked by dummy drawers, three real drawers to the base above a wavy-shaped apron and splayed feet 122cm by 46cm by 109cm

£300-500

A Chinese Hongmu Plant Stand, late Qing dynasty, the square moulded platform top above a decorative frieze, on square tapering legs joined by scrolled horseshoe brackets, the base with humpback stretchers

32cm by 32cm by 100cm

A Similar Smaller Example

34cm by 34cm by 97cm (2)

£300-500

441 (part)

439

442

A Japanese Hardwood Display Cabinet, Meiji period (1868-1912), the moulded domed top above a foliate carved panel and an arrangement of cupboard doors, open shelves and niches decorated with flowers, foliage and birds in bone, stained bone and mother-of-pearl, the base with two small drawers, on a moulded stand 79cm by 26cm by 161.5cm

£400-600

443

A Chinese Hongmu and Huamu Two-Tier Table, Qing period,late 19th century, with moulded Burr panels and a scrolled decorative frieze, on square-form supports with carved lotus scrolled feet

93cm by 46cm by 40cm

£400-600

444

A Chinese Hongmu Altar Table, Qing period, late 19th century of rectangular form, each side with a carved rectangular tablet above scrolled brackets, on plain square supports 122cm by 60cm by 87cm £400-600

445

A Chinese Circular Hongmu Centre Table with Removable Kangxi-Style Porcelain Plaque, late Qing dynasty, with pierced frieze on decorative supports with humpback stretchers, the plaque painted with a detailed court scene seated beneath a pavilion with Emperor and attendants and a dancer, all within a geometric chrysanthemum-pattern border plate 55cm diameter table 70cm by 84cm £500-800

(detail)

446

A Pair of Chinese Hongmu Stands, Qing period, mid 19th century, with acanthus leaf carved borders above a moulded frieze, the moulded cupboard door carved in relief decorated with an ox and figures in and a landscape, phoenix and warriors, with a deep drawer below, all between carved stiles, each raised on a platform base 74cm by 42cm by 145cm

£700-1,000

447

A Pair of Chinese Hongmu Cupboards, late Qing Dynasty, in two sections, with engraved gilt metal hinges and handles, the moulded cupboard doors enclosing a removable and a fixed shelf above two small drawers, the base with two moulded drawers above a decorative apron 90cm by 44cm by 200cm

£700-1,000

448

A Chinese Padauk Four-Door Cabi each cupboard door with six panels depicting artistry scenes, the oak-lined interior for shelves, all above a wavyshaped apron carved with foliage, on block feet 195cm by 51cm by 211cm

£1,500-2,000

447 (part)

GARDEN FURNITURE

449

Coalbrookdale: A Cast Iron and Later White-Painted Garden Seat, late 19th/early 20th century, the scrolled and foliate-decorated back support above a geometric pierced circular seat, on three vine-decorated splayed legs with trefid feet, stamped Coalbrookdale with 19th century lozenge registration mark 63cm by 40cm by 82cm

£400-600

From Raby Castle, Co Durham (lots 450-456)

451

A Set of Four 19th Century Terracotta Campana Garden Urns, with vine-decorated rims, the bodies decorated with acorns and leaves, the gadrooned bases with lion mask handles, on circular moulded socles and gadrooned bases (losses)

54cm diameter, 77cm high

£700-1,000

452

A Pair of 19th Century Terracotta Campana Garden Urns, with vinedecorated rims, the bodies decorated with acorns and leaves, the gadrooned bases with lion mask handles, on circular moulded socles and gadrooned bases (losses)

54cm diameter, 77cm high

£400-600

453

A Set of Four 19th Century Terracotta Campana Garden Urns

vine-decorated rims, the bodies decorated with acorns and leaves, the gadrooned bases with lion mask handles, on circular moulded socles and gadrooned bases (losses)

54cm diameter, 77cm high

£700-1,000

454

A Set of Four 19th Century Terracotta Campana Garden Urns

Mark H Blanchard, the egg and dart moulded rims above vine leaf decorated and gadrooned bodies with Bacchus-style masks formerly supporting handles, on circular reed and fluted bases (possibly associated)

60cm by 60cm (excluding bases)

For a similar set of urns, see Sotheby’s Summers Place, 22 September 1990, lot 520

£700-1,000

455

456

A Set of Three 19th Century Terracotta Campana Garden Urns, with vine-decorated rims, the bodies decorated with acorns and leaves, the gadrooned bases with lion mask handles, on circular moulded socles and gadrooned bases (losses)

54cm diameter, 77cm high

Another, lacking base (4)

£600-800

54cm diameter, 77cm high

£600-800

454

Extract from the Raby Castle Accounts Books

SWINTON SALE

The Selected Contents of Dykes Hill House, Masham, North Yorkshire, formerly the property of the 2nd Earl and Countess of Swinton and sold on the instructions of the 4th Earl and the Trustees of the Lord Swinton Will Trust

FRIDAY 13 SEPTEMBER 2024

SATURDAY 16 NOVEMBER 2024 A Pair of Regency Calamander Cabinets, early 19th century £5,000-7,000

01969 623780

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NEXT FINE ART SALE

SATURDAY 16 NOVEMBER 2024

2024 AUCTION DATES

Friday 5 July

Antiques & Interiors

Including Affordable Modern & Contemporary Art

Saturday 13 July

Fine Jewellery, Watches & Silver Summer Sale

British, European & Sporting Art Summer Transport

Friday 19 July

Antiques & Interiors

Wednesday 24 July

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Friday 2 August

Antiques & Interiors

Wednesday 7 August

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Friday 9 August

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Friday 16 August

Antiques & Interiors

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Friday 23 August

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Friday 30 August

Antiques & Interiors

The Auction Centre, Leyburn North Yorkshire DL8 5SG 01969 623780

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