British, European and Sporting Pictures - 17 July 2021

BRITISH, EUROPEAN & SPORTING PICTURES SATURDAY 17 JULY 2021

Lot 1046

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Twenty-seven specialist departments offer an outstanding range of depth and expertise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace.

Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major discipliners, making it one of the UK’s busiest salerooms.

YOUR SPECIALISTS

Charlotte Conboy Head of Pictures

Rohan McCulloch Picture Specialist

Francesca Young Picture Specialist, Modern & Contemporary Art

BRITISH, EUROPEAN & SPORTING PICTURES SATURDAY 17 JULY 2021 AT 9.30AM AUCTION The Auction Centre, Leyburn North Yorkshire DL8 5SG

VIEWING Sunday 11 July 11.00am to 4.00pm Monday 12 July 10.00am to 4.00pm Tuesday 13 July 10.00am to 4.00pm Wednesday 14 July 10.00am to 4.00pm Thursday 15 July 10.00am to 4.00pm Friday 16 July 10.00am to 4.00pm Morning of Sale from 8.00am

Live bidding is available on this sale by registering at www.tennants.co.uk All lots illustrated online at www.tennants.co.uk

CONTACT Telephone: 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk

FRONT & BACK COVER Lot 1154

1000 After Hans Burgkmair the Elder (1473-1531) German A scene from the Triumphal Procession of Emperor Maximillian I, the Falconers Woodcut, 28cm by 38cm

£250-400

1000

1001 Rembrandt van Rijn (1606-1669) Dutch After Jan Lievens, The First Oriental Head Etching and drypoint on wove paper, believed to be the third state, 14.5cm by 12cm (pl.)

Related literature: Schwartz, Gary “The Complete Etchings of Rembrandt”, Dover Publications Inc (1998), B 286 Provenance: Galerie Michael, Beverly Hills, USA Sold together with a certificate of authenticity from the above

£700-1000

1001

1002 After Albrecht Dürer (1471-1528) German Christ, man of sorrows mocked by a soldier Bears initials AD, brown ink, 13.5cm by 11cm Provenance: The drawing relates to the series of woodcuts produced by Dürer detailing the Passion of Christ published in 1511

£600-900 1002 4

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1003

1003 Circle of Cornelis van Poelenburgh (1594-1667) Dutch Diana and Actaeon Dated verso 1628, ink and wash, 27cm by 42cm

£200-300

1004

1004 Flemish School (late 16th century) Judith with the head of Holofernes Ink and wash, 15cm by 10.5cm, unframed

£200-300

1005 Theodor (Dirk) Verryck (1734-1786) Dutch River landscape with church and figures, a town in the distance Signed, watercolour, 22cm by 35cm

£400-600 1005

1006 Dutch School (18th century) Peasants transporting belongings Ink and wash on paper, 13cm by 20cm

£250-400

1006 www.tennants.co.uk 5

1007 Dutch/Flemish School (17th century) Portrait of a man wearing a ruff, half length Red chalk on paper, 19cm by 13cm

£200-300

1008 French School (17th/18th century) Head studies of a lady Red chalk, 18cm by 11cm

£150-250

1007

1008

1009

1009

1010

French School (Early 19th century) Portrait of a enlightened gentleman, head and shoulders, possibly a self portrait of an artist Pencil and monochrome wash, 7cm dia (tondo)

Attributed Antonio Bresciani (1720-1817) Italian Standing saint, various poses Inscribed, pen, ink and monochromatic wash, squared up for transfer in red conte crayon, 18.5cm by 9.5cm

£500-800

£200-400

6

1010

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1011 Giuseppe Bernardino Bison (1762-1844) Italian Venetian architecture and monument Ink and monochromatic wash, with figurative study verso, 29.5cm by 21cm, unframed

£200-300

1012 Attributed to John Christian Schetky (1778-1874) H.M.S. Spartan, at anchor off Malta (c.1815) Watercolour, inscribed to reverse by repute, 34.5cm by 51.5cm Provenance: Omell Galleries, 1992 (unattributed) Private Collection, UK Schetky was professor of drawing at the Royal Naval College in Portsmouth from 1811 and would have seen HMS Spartan when it returned in 1814 after service in America. The frigate moved to the Mediterranean in 1815 at the end of the Napoleonic wars as Malta became the main British Naval base in the area. It is believed the present work shows the vessel at anchor off the Maltese coast.

£800-1200

1011

1012

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1013

1014

1015

1016

1013

1014

William Francis Longstaff (1869-1953) Australian St Paul’s Cathedral Signed, watercolour and pencil heightened in white, 16.5cm by 16.5cm

William Francis Longstaff (1869-1953) Australian Waterloo Bridge looking towards St. Paul’s Cathedral Signed, watercolour and pencil heightened in white, 16.5cm by 16.5cm

£250-400

£150-250

1015 

1016 

Bob Richardson PS (b.1938) Venetian canal at dusk Signed, pastel, 59cm by 99cm

William Heaton Cooper RI (1903-1995) “Crummock Water & Melbreak” Signed, pencil and watercolour, 37cm by 54cm

£700-1000

Provenance: The Heaton Cooper Studio, Grasmere Sold together with a copy of the original bill of sale 20.10.88 for £620

£800-1200 8

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1017 William Wyld RI (1806-1889) Nuremberg - Morning (1877) Signed, watercolour, 22.5cm by 34.5cm Exhibited: RI 1877 (No. 302, 30gns. inc frame and glass) Wyld exhibited two views of Nuremberg at the RI. The current example and “At Nuremberg” in 1880. An example of a similar composition is held by the Harris Museum, Preston and this is likely the 1880 RI exhibit “At Nuremberg”.

Provenance: Private Collection, UK

£400-600

1017

1018

1018 Alfred William Hunt RWS (1830-1896) View of Whitby Watercolour, 23.5cm by 35.5cm Provenance: Private Collection, UK The attribution for this lot has been confirmed by the Pannett Art Gallery, Whitby.

1019

£300-500

1019 Hippolyte Petitjean (1854-1929) French Les Abres Signed and dated 1st November (18)96, crayon, chalk and charcoal on paper, 20cm by 12cm

£250-400

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1020

John Anster “Fairy” Fitzgerald is one of the best regarded artist in this genre of picture. Unlike many Victorian fairy painters, Fitzgerald dedicated almost his entire career to the genre, unlike many of his contemporaries such as Joseph Noel Paton. While many of these fairy painters took much of their inspiration from literary subjects such as A Midsummer Nights Dream or The Tempest Fitzgerald formulated many of his ideas from his own personal imagination, dreams and nightmares. As a result his pictures are more compellingly real and convincing than many other fairy painters of the time.

1020 John Anster Fitzgerald (1832-1906) The Fairies Around The Chained Dog Signed, watercolour, 26cm by 36cm

£2500-3500

1021  Leonard Russell Squirrell (1893-1979) Figures beside Café Reman Signed and dated 1950, pencil and watercolour, 18.5cm by 32cm

£250-400

1021

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All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1022  Frederick (Fred) Lawson (1888-1968) “Scarborough” Signed and dated 1930, inscribed verso, pencil and watercolour, unframed, 38cm by 32cm Provenance: The Collection of George G Hopkinson, Bradford

£250-400

1023

1023  Augustus Edwin John OM RA (1878-1961) Sketch of Dorelia McNeill in an interior Charcoal, 34cm by 24cm Provenance: Given to the current owner by Maurice G Hutchinson, who had acquired it from his father-in-law, Arthur Crosland, who was involved in the wool trade in Bradford, knew Augustus John personally and had a number of paintings and drawings by him

£1500-2500

1024 Sir Hubert von Herkomer CVO RA (1849-1914) “A Spanish Gipsy Boy” Initialled, inscribed “Valencia” and dated 1905, pencil and watercolour with scratching out, 31cm by 24cm

£600-800

1024 www.tennants.co.uk 11

1025 Benjamin D. Sigmund (1857-1947) The fruit pickers Signed, watercolour, 36cm by 52cm

£500-700

1026 Charles Edward Wilson RI (1854-1941) “The Truant” Signed, watercolour, 17cm by 25cm

£400-600

1025

1027 Thomas Sidney Cooper CVO, RA (1803-1902) “Sheep in Snow” Signed and dated, 1860, pencil and watercolour, 17.5cm by 26cm Provenance: Walker Galleries, Harrogate

£250-400

1028 William Hough (1819-1897) Plums and Greengages Signed, watercolour and bodycolour, 20.5cm by 28cm Hough constructed his exhibition still life titles using either one or two of the most prominent fruits depicted.

It is possible therefore that this is the 1867 RA exhibit, no. 775 entitled “Plums and Greengages” Provenance: Private Collection, UK

£250-400 1026

1027 12

1028 All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1029 Attributed to Simon Pietersz Verelst (1644-1721) Dutch Still life of grapes, fruit and leaves Oil on canvas, 34.5cm by 29cm Provenance: The Cider House Galleries Private Collection, UK

£2000-3000

1029

1030 Circle of Jean Baptiste Belin de Fontenay (1653-1715) French A still life of Roses, Iris, Delphinium, and Morning Glory arranged in a vase on a ledge Oil on canvas, 48cm by 37.5cm

£2000-3000

1030

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1031

1031 Circle of Tobias Stranover (1684-1756) Romanian Still life of peaches, grapes, cherries and pineapple with a butterfly and insects Oil on canvas, 61cm by 79.5cm

£1500-2000

1032 Circle of Simon Pietersz Verelst (1644-1721) Dutch Peaches, vine leaves and grapes on a ledge Canvas laid onto panel, 36.5cm by 29.5cm Provenance: Private Collection, UK 1032 14

£800-1200 All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1033 Edward Holliday (fl.1879-1884) The Light of Other Days Signed and dated 1879, oil on board, 20cm by 15cm Exhibited: RBA 1879-80 (no. 64, £5) Provenance: Private Collection, UK

£400-600

1033

1034 Alexander Jamieson (1873-1937) Scottish Still life with Summer flowers Signed and dated 1926, oil on canvas, 60cm by 50cm Provenance: Louise Kosman, Edinburgh

£400-600

1034 www.tennants.co.uk 15

1035  Cecil Kennedy (1905-1997) “Summer Arrangement” Signed, oil on canvas, 59.5cm by 49.5cm Provenance: Ian MacNichol, Glasgow

£2500-4000

1035

1036  Bennett Oates (1928-2009) Still life of Hibiscus, Clematis and Petunias arranged in a glass vase on a marble ledge Signed, oil on panel, 51cm by 43.5cm Provenance: Private Collection, UK

£1200-1800

1036 16

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1037

1037 William Thornley (fl.1858-1898) “Queensborough on the Medway” Signed, oil on board, together with a companion by the same hand entitled “Rochester”, 25cm by 19cm (2)

£400-600

1038 William Thornley (fl.1858-1898) “Sunset Lower Thames” Signed, inscribed to stretcher verso, oil on canvas, unframed, 35cm by 30cm

£180-250

1038 www.tennants.co.uk 17

1039 Alexandre Gaston Guignard (1848-1922) French Coastal view Signed, oil on board, 36.5cm by 59cm

£700-900

1040 Sir James Lawton Wingate (1846-1924) Evening Light Signed, oil on canvas, 24.5cm by 34cm

£500-700

1039

1041  Reginald Grange Brundrit (1883-1966) Extensive view of a coastline Signed and indistinctly dated, with various partial inscribed labels to the reverse, oil on canvas, 100cm by 126cm

£600-900

1041A  Bertram Priestman RA, ROI, NEAC, IS (1868-1951) Duck Pond Signed and indistictly dated (19) 03? oil on canvas board, 29.5cm by 40cm

£200-300 1040

1041 18

1041A All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1042

1043

1044

1042 

1043

1044

Walter Stuart Lloyd (1845-1959) Bringing in the catch at dusk Fishing boats moored in a small harbour Each signed, oil on canvas, 49cm by 74.5cm (2)

Walter Meegan (1859-1944) Moonlit shipping scene Signed and dated 1892, oil on canvas, 24cm by 33cm

£250-400

Robert Edward Smythe (1810-1899) Returning with the catch Signed, oil on canvas, 60cm by 90cm

£300-500

Provenance: Oscar and Peter Johnson Ltd, London Exhibited: Lowndes Lodge Gallery, 1964, No. 35

£800-1200

1045 John Wright Oakes (1820-1887) Beached vessels at Scarborough Pier Signed and dated (18)64, oil on canvas, 59.5cm by 91cm Provenance: Hamilton Fine Arts, London 1990

£600-900

1045 www.tennants.co.uk 19

1046 Attributed to Frans de Momper (1603-1660) Flemish Winter village scene with figures skating on a frozen river Oil on panel, 47.5cm by 81cm

£10000-15000

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All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

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1047

1047 Attributed to Hendrick Frans van Lint (1684-1763) Flemish Italianate landscape with travellers and classical buildings to the far distance Oil on canvas, 16cm by 33.5cm

£700-1000

1048 Thomas Barber (1771-1843) “The Hills of Derby” Signed, oil on canvas, 60cm by 90cm

£600-800

1048

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All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1049

1050

1049 Attributed to Julius Caesar Ibbetson (1759-1817) Rustic scene with cattle Signed, oil on panel, 24cm by 28cm

£400-600

1050 Attributed to Peter le Cave (fl.1769-1810) Travelling country folk in a Lakeland landscape Oil on panel, 18.5cm by 25cm Christie’s stencil verso PD912

£250-400 1051

1051 British School (18th/19th century) A country house in idyllic parkland with cattle grazing Oil on canvas, 64.5cm by 85cm

£400-600

1052 Philip James de Loutherbourg (1740-1812) Horse and cart outside a country inn Signed, oil on canvas, 39cm by 57cm

£500-700

1052 www.tennants.co.uk 23

1053

1056

1053 Circle of John Constable RA (1776-1837) “The Old Barge Berth on the River Colne” Oil on canvas, 102.5cm by 84.5cm

£700-1000

1054 Attributed to John F Tennant (1796-1872) Figures and cattle on a barge traversing a river with wherries beyond Oil on canvas, 39.5cm by 59.5cm

£600-900

1054

1055 Edmund John Niemann (1813-1876) “Hatherop Castle” Signed, dated (18)58 and inscribed, oil on canvas, 62cm by 122.5cm

£500-800

1056 Alfred Vickers (1786-1868) “Mountain stream at Ambleside, Westmorland” Signed, inscribed and dated 1854 verso, oil on panel, 27.5cm by 24cm Provenance: Palser Gallery, London 1055 24

£250-400 All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1057 Attributed to Frederick W Watts (1800-1870) Country pathway with figure and team of horses Oil on canvas, 27cm by 36.5cm Provenance: M Newman Limited, London

£150-250

1057

1058 Circle of Sir Edwin Henry Landseer RA (1802-1873) Extensive view of Rydal Hall and Rydal water, Lake District, Cumbria Oil on canvas, 30cm by 56cm Provenance: JP Morgan Chase collection (Texas Commerce Bank) Private collection, UK

£1000-1500

1058

1059 James Peel (1811-1906) “On the Lowther, Westmoreland” Signed, oil on canvas, 74cm by 118.5cm

£700-1000

1059

1060 Attributed to Abraham Hulk Jnr (1851-1922) Country cottage with figure in landscape Signed, oil on panel, 14cm by 22cm

£180-250

1060

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1061

1063

1061

1063

William Mellor (1851-1931) River landscape with sheep grazing Oil on canvas, 48cm by 73.5cm

William Mellor (1851-1931) “Falls on the Llugwy” Signed, inscribed verso, oil on board, 19cm by 29.5cm

£1500-2000

£400-600

1062 William Mellor (1851-1931) “The Wharf, Bolton Woods” Signed, inscribed verso, oil on canvas 44cm by 29cm 1062 26

£500-800 All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1064 James Burrell Smith (1822-1897) Country lakeland landscape with figure droving cattle Signed and dated 1864, oil on canvas, 49cm by 74cm

£250-400

1065 Alfred de Breanski RBA (1852-1928) “Loch na Garr” Signed, inscribed verso, oil on canvas, 19cm by 29cm

£1500-2500

1064

1065 www.tennants.co.uk 27

1066

28

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1067

1066

1067

Alfred de Breanski RBA (1852-1928) “The Trossachs” “Loch Lomond” Signed, inscribed verso, oil on canvas, 20cm by 30cm (2)

Alfred de Breanski RBA (1852-1928) “Near Stanachlacher” Signed, oil on canvas, 35.5cm by 45cm

Provenance: With Cooling Galleries, London

Provenance: With Cooling Galleries, London

£3000-5000

£2000-3000

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1068

1068 David Farquharson ARA ARSA (1839-1907) Scottish “Deeside 1889” Signed and dated (18)89, oil on canvas, 45cm by 75cm

£2000-3000

1069 William Kay Blacklock (1872-1924) Collecting the harvest Signed, oil on canvas, 44.5cm by 60cm SUBJECT TO 5% IMPORT DUTY

£600-900

1069

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All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1070 Gustave Madelain (1867-1944) French “Notre Dame de Paris” Signed, oil on canvas, 24cm by 32cm

£500-800

1070

1071 Maurice Levis (1860-1940) French River landscape with castle Signed, oil on panel, 9cm by 13cm Provenance: With M Newman Ltd, London

£300-500

1071

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1072 Alexander Jamieson (1873-1937) Scottish “The Encampment” Signed and inscribed verso, oil on panel, 12cm by 16cm

£250-400

1073  Donald Wood (1889-1953) “Gypsies at Appleby Fair” (1911) Oil on canvasboard, 12.5cm by 16cm Provenance: Donald Wood Collection

£180-250

1072

1073

1075

1074 Thomas Edwin Mostyn (1864-1930) Lamplit garden dinner party Signed, oil on canvas, 49cm by 67cm

£600-800

1075  Georges Capon (1890-1980) French “Nu” c.1930 Signed, oil on canvas, 81cm by 65cm Provenance Ewan Phillips Gallery, London

£500-800

1074

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All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1076

1077

1076 Follower of Henri Eugène Augustin Le Sidaner (1862-1939) French Town scene Monogrammed, oil on canvas board, 58cm by 68cm

£300-500

1077 Attributed to Henry Andrews (1794-1868) Fête champêtre and a game of blind man’s bluff Oil on canvas, 86.5cm by 119cm with arched corners

£400-600

1078 L Da Costa (19th century) Italian Spring clean Signed, oil on canvas, 64cm by 46cm

£1000-1500

1078 www.tennants.co.uk 33

1079 Ernest Walbourn (1872-1927) Country girl at a cottage door Country girl on a farm track Each signed, oil on canvas, 59cm by 38.5cm

£600-900

1079

1080 Nikola Masic (1852-1902) Croatian Goatherders at rest before a rustic cottage Signed, oil on canvas, 65.5cm by 50.5cm

£1200-1800

1080 34

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1081 Edward Holliday (fl.1879-1884) The Frozen Pump Signed and dated 1879, oil on canvas, 29cm by 24cm Exhibited: RBA, 1879-80 (No.135, £25) Provenance: Private Collection, UK This example of social realism highlights the plight of the many poor dependent on public standpipes - painted during one of the most severe winters of the 19th century.

1081

£500-800

1082 Circle of Giovanni Battista Tiepolo (1696-1770) Italian Ceiling design Oil on canvas, 75cm by 47cm, unframed

£1500-2500

1082 www.tennants.co.uk 35

1083

1083

1084

Attributed to Jacques Courtois, called il Borgognone (1621-1676) French/ Italian A cavalry battle between Turks and Christians Oil on canvas, 25cm by 36cm

Attributed to Pieter Van Bloemen (1657-1720) Flemish Travellers and horses taking refreshment at classical ruins Oil on canvas laid onto panel, 32.5cm by 29cm

Provenance: Lady Constance Leslie, 1895 and lent to the politician Sir Murray Guthrie, her son in law (according to a label to reverse) Private Collection, UK

£700-1000

1085

Very similar versions or parts of the composition and figures can be found in fully catalogued examples by Courtois.

Italian School (17th/18th century) Musical recital with Satyrs and other Classical figures Oil on canvas, 72cm by 97.5cm

£2000-3000

£400-600

1085

1084 36

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1086

1086 Circle of Hendrik Maertensz. Sorgh (1611-1670) Dutch The Fish Market Bears signature, oil on canvas, 63cm by 80cm Provenance: Houstoun Boswall Collection (via descent from Houstoun Boswall baronets) Private Collection UK This composition presents a wealth of detail suggesting Hendrik Maertensz. Sorgh as direct influence and author at least in part.

Numerous distinctive elements can be found in similar market scenes by Sorgh where, as here, a central elegant figure and other key participants are differentiated by bold colour and light from the muted tones and looser handling of background and secondary characters. Patterning and arrangements of specific colours - in this case accents of red/pinks, gold/yellow and grey/white - focus attention on key passages such as the interaction between the central figure and the fishwife to the far right whose cut of salmon echoes the woman’s dress. Typical also are the displays of market fare - in this case fish - painted with care and considerable effect, the basket of plaice lower left balancing the fish on the stall to the right.

Children and dogs playing or watching in the foreground are also found elsewhere in Sorgh’s work, as is the diminutive woman carrying a wide basket on her head and the porticoed market area - perhaps loosely based on related structure/s in Rotterdam.

A key note is struck by the fish-seller at centre whose pose echoes that of the Italianate statue of Neptune. Classicising elements such as the statue and sculpted portico - with their suggestion of roots in antiquity to underpin a sense of current civic pride - support a date of c.1665.

The painting offers numerous complex and thoughtful passages executed to good effect - while certain areas indicate lesser studio hand/s. It includes two unusual historical details: well executed renderings of a hobby-horse clutched by the sulky young boy and of the handwarmer or muff carried by his mother. The handwarmer appears rarely in C17th Dutch art but was popular in Europe at times during the period - and is famously referenced in Samuel Pepys diary entry for 30 November 1662, which records how he borrowed one from his wife!

For comparable work see Christie’s, Amsterdam, 24 May 2016, Lot 73.

“View of a Fish Market” by Hendrick Maertensz. Sorgh held by the Riksmuseum, Amsterdam.

£3000-5000

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1087 Circle of Cristofano dell Altissimo (c.1525-1605) Italian Portrait of the poet Burchiello, head and shoulders Inscribed, oil on cradled poplar panel, 57cm by 43cm

£2000-3000

1088 North Italian (16th/17th century) Resting soldier in a mountainous landscape Oil on canvas, laid onto panel, unframed, 17cm by 26cm

£300-500

1089 Manner of Sir Godfrey Kneller (1646-1723) Double portrait of a young lady and gentleman, half length in a feigned oval Oil on canvas, 73.5cm by 74.5cm

£400-600 1087

1088

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1089

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1090

1092

1090 After Sir Anthony Van Dyck (1599-1641) Flemish Portrait of Charles I in armour Oil on canvas, 40cm by 30.5cm

£250-400

1091 British School (18th century) Portrait of a gentleman, head and shoulders, wearing a powdered wig and white lace cravat Oil on metal, 7cm dia. (oval)

£250-400

1092 British School (18th/19th century) Portrait of William, Duke of Cumberland, half length standing, wearing a red and ermine trimmed cloak, armoured breastplate and royal blue sash Oil on canvas, 35.5cm by 30cm

£250-400

1091

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1093 After Sir Joshua Reynolds RA (19th century) Robinetta Oil on canvas, 74cm by 61cm Provenance: Once hung at Cloghan Castle, Ireland, by descent

£1500-2000

1094

1094 Flemish or Dutch School (17th/18th century) Sketch of an anguished cherub Oil on canvas, laid onto panel, 21cm by 18cm (oval)

£250-400 1093

1095 English School (18th century) Portrait of a member of the Clinton-Wellesley family Oil on canvas, 88.5cm by 68cm Provenance: The Drawing Room of 1 Manchester Square, London, the last residence of the late Clinton Wellesley

£800-1200

1095

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1096

1097

1096 Cuzco School (18th/19th century) Madonna and child Oil on canvas, 57cm by 44cm

£500-700

1097 Manner of Mason Chamberlin (1727-1787) Portrait of Catherine Ayre, standing full length, holding roses before a landscape Oil on canvas, 125cm by 100.5cm Catherine Ayre was the wife of the Rev. Edward Bromhead and mother of Thomas Ayre Bromhead

£500-800

1098 Follower of Jean-Baptiste Greuze (1725-1805) French Portrait of a lady, head and shoulders wearing a black hooded cloak Oil on canvas, 44cm by 34cm Provenance: Mr G.H Lunge of The Cedars, Ashby-de-la-Zouche (according to old catalogue entry affixed to reverse)

£250-400

1098

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1101

1099

1102 1100

1099

1100

Circle of Charles Baxter (1809-1879) Afternoon tea - young girl holding a cup and saucer beside a Chippendale style chair Oil on canvas, 77.5cm by 65cm

Attributed William Huggins (1820-1884) Portrait of a young child, head and shoulders, wearing a red embroidered jacket and a black hat with a plume Oil on canvas, 46cm dia. (tondo)

£800-1200

Provenance: Private Collection, UK

£1000-1500

1101 

Walter Herbert Allcott (1880-1951) Country girl resting before a panoramic landscape Signed and dated 1912, oil on canvas, 74cm by 61.5cm

£200-300

1102 Continental School (Later 19th century) At the Masquerade ball Oil on canvas, 55.5cm by 43.5cm

£250-400 42

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1103 Circle of William Powell Frith (1819-1909) Portrait of a lady, half length, seated in mourning dress Oil on canvas, 90cm by 69.5cm

£400-600

1104 William Frederick Yeames ARA (1835-1918) Sketch of a Renaissance artist, standing three-quarter length Oil on board, 17cm by 13cm

£120-180

1103

1104

1105

1105 Constance Rea (1866-1922) “The Tryst” Signed, with original inscribed artist’s label verso, oil on canvas, 68cm by 74cm Exhibited: Royal Academy 1927, no.32

£1500-2500 www.tennants.co.uk 43

Lot 1147

SPORTING PICTURES 1106 After Jacques Barraband (1767-1809) French Studies of Parrots Hand coloured engravings from ‘Histoire Naturelle des Perroquets’ by François Levaillant (1753-1824), all 29.5cm by 22cm (17) (unframed, contained within a portfolio)

£400-600

1107  Charles Johnson Payne ‘’Snaffles’’ (1884-1967) ‘’The Timber Merchant’’ Signed in pencil, with the Snaffles bit blindstamp, a colour reproduction, 46.5cm by 33cm 1106 (part)

1107

£120-180

1109

1108  Charles Johnson Payne ‘’Snaffles’’ (1884-1967) ‘’Great Banks there was Below in the Fields” Signed in pencil, with the Snaffles bit blindstamp, a colour reproduction, 60.5cm by 58cm

£180-250

1109  Charles Johnson Payne ‘’Snaffles’’ (1884-1967) ‘’Andsome is - wot andsome does’’ Signed, with the Snaffles blind bit stamp, a colour reproduction, 46.5cm by 43cm

£180-250

1108

46

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1110 Attributed to John Frederick Herring Snr. (1795-1865) At the start, c.1830 Pencil and watercolour, 32cm by 46cm It is possible that this work depicts the start of the St. Leger in 1830. The winner of said race “Birmingham” was painted by Herring in 1830 and also engraved. The horse and jockey on the far right of the present composition match the colours for Birmingham and its jockey Patrick Connolly, including his distinctive mutton chop sideburns. The depicted weather conditions are consistent with the famously stormy circumstances of the St Leger in 1830. There are further similarities between the second place winner at the 1830 St. Leger - “Priam” and the jockey colours worn by the centre back figure.

For a comparable work see “Bay Middleton” 1836, Bonhams, anonymous sale 15 September 2009, Lot 46 Provenance: Private Collection, UK

£800-1200

1110

1111 Charles Whympher (1853-1941) “Fullerton” Signed, inscribed and dated April 1894, mixed media on paper, 21cm by 28cm

£400-600

1111 www.tennants.co.uk 47

1112

1113 

Sir George Pirie PRSA HRSW (1866-1940) Scottish Studies of Beagles Watercolour and pencil, 17.5cm by 38cm

Lionel Dalhousie Robertson Edwards RI (1878-1966) The stag cornered Signed, charcoal and pencil heightened in white, 29cm by 25cm

£100-150

£200-300 1112

1113

1116

1114

1115

1116

James Hardy Junior (1832-1889) Dead Pheasants Signed, pencil, watercolour and gouache, 27cm by 43cm

Ernest Edward Briggs RI (1866-1913) “Salmon fishing on the Faskally Water of the Tummel” Signed, watercolour with scratching out, 37cm by 26cm

Provenance: The McDonald Booth Gallery, London

Vincent Balfour-Browne (1880-1863) Fox in woodland Signed and dated 1930, watercolour, 16.5cm by 39cm

£200-300

£300-500

1114 48

Note: Sold together with a copy of Angling and Art in Scotland by Ernest E Briggs, printed in 1908. The present lot is illustrated on pg.186 Provenance: Fine Art Society, London, No.50 Dec.1908

£200-300

1115 All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1117  Donald Wood (1889-1953) Study of the racehorse Scotty Rig Signed and dated 1926, charcoal, 45cm by 60cm

£180-250

1118  Donald Wood (1889-1953) “Brough” Signed and inscribed, pencil and watercolour, together with three further similar works by the same hand to include another depicting “Brough”, “Hawes”, “Appleby Horse Fair” and a charcoal study by Clodela Wood (Donald Wood’s sister) depicting Richmond Castle, 7.5cm by 12.5cm, 10cm by 14cm, 9.5cm by 12cm, 10cm by 16cm & 22.5cm by 15cm respectively (5)

£100-150

1117

1118 (part)

1119

1120

1119 

1120 

Alison Guest (b.1951) “Away from Cuzzlecombe Gorse” Signed, watercolour and bodycolour, 39cm by 52cm

Alison Guest (b.1951) “The Magic of Exmoor, Chalk Water” Signed, oil on board, 59cm by 74.5cm

Provenance: The Tryon Gallery Ltd, London

Provenance: The Tryon Gallery Ltd, London

£120-180

£200-300

www.tennants.co.uk 49

1121

1122

50

1124

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1123

1121 

1123 

Richard Whittlestone (b.1963) Grouse in heather moorland Signed, gouache, 49cm by 74cm

Raymond C Watson (1935-1994) Pair of Terns Signed, watercolour and bodycolour, 58cm by 45cm

£150-250

£250-400

1122 

1124 

Raymond C Watson (1935-1994) Lapwing Signed, watercolour and bodycolour, 45cm by 56cm

Rodger McPhail (b.1953) Study of a Kestral Signed, gouache, 18.5cm by 14cm

£250-400

£400-600

www.tennants.co.uk 51

1125  Arthur Spencer Roberts (1920-1997) Irish Study of a herd of Red Deer Signed, extensively inscribed and dated 1967, pencil, 38cm by 50.5cm Provenance: The artist’s estate

£100-150

1125

1126  Arthur Spencer Roberts (1920-1997) Irish “Pelicans in Flight” Signed, inscribed and dated 1988, mixed media, 50.5cm by 71.5cm Provenance: The artist’s estate This work is a preparatory study for a section of the ceiling in the East Asian mural at Port Lympne, commissioned by John Aspinall

£200-300

1126

1127  Arthur Spencer Roberts (1920-1997) Irish Study of Gulls & Oystercatchers Signed, inscribed and dated 1946, pencil, 54cm by 76cm Provenance: The artist’s estate

£100-150

1127 52

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1128

1130

1129

1128 

1129

Alan M Hunt (b.1947) Bald Eagle Signed and dated 1992, gouache, 48cm by 35.5cm

Jonathan Armigel Wade (b.1960) “Over the Beck” Signed, inscribed verso and numbered 20/42, oil on board, 68cm by 62cm

£300-500

£800-1200

1130  Robin Furness (b.1933) Pursued fox in a landscape Signed, oil on canvas, 30cm by 24cm

£150-250

www.tennants.co.uk 53

1131

1132

1131  Malcolm Coward (b.1948) “Blowing for covert” Signed, oil on canvas, 35.5cm by 45.5cm

£300-500

1132  Malcolm Coward (b.1948) “You scratch my back” Signed, oil on canvas, 45.5cm by 61cm

£500-800

1133  John Trickett (b.1952) The work party, Spaniels Signed, oil on canvas, 51cm by 61cm

£800-1200

1134  John Trickett (b.1952) Black Labradors at rest Signed, oil on canvas, 51cm by 61cm

£800-1200

1135  John Trickett (b.1952) Dusk in the highlands with stag Signed, oil on canvas, 61cm by 51cm

£700-1000

1135

54

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1133

1134 www.tennants.co.uk 55

1136 Walter Hunt (1861-1941) Calves feeding beside a thatched stable Signed and dated 1918, oil on canvas, 49cm by 75cm

£10000-12000

56

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

www.tennants.co.uk 57

1137

1137  Edgar Hunt (1876-1953) Pigeons and Doves in a barn Signed and dated 1912, oil on canvas, 29cm by 34cm

£3000-5000

1138 George William Horlor (1823-1895) Cattle and calf in a landscape Signed and dated 1891, oil on canvas, 45cm by 60cm

£1000-1500

1138 58

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1139

1139 Louis Bosworth Hurt (1856-1929) Cattle in Highlands Signed, oil on canvas, 58.5cm by 100cm

£5000-8000

www.tennants.co.uk 59

1140 Edward Holmes (19th century) “The Resting Place, New Forest Hampshire” Signed, signed and inscribed verso, oil on canvas, 71cm by 51cm

£400-600

1140

1141 Henry Alken (19th century) Hull to London stagecoach in the snow Devon to London stagecoach Signed, oil on canvas, 24cm by 34cm (2)

£800-1200

1141 60

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1142

1144

1143

1142

1143

1144

William Shayer Jnr. (1811-1892) The Ploughman’s Rest Oil on canvas, 74.5cm by 62cm

European School (18th/19th century) Study of barn owl with prey Oil on canvas, 37cm by 27cm

Provenance: Private Collection, UK

William Sidney Cooper (1854-1927) Morning on the Stowe, cattle watering Signed and dated 1902, oil on canvas, 55cm by 85cm

For comparable see Sotheby’s Anonymous Sale, 26 January 1999, Lot 111.

Provenance: Dee and Atkinson, 30th November 1990, lot 675

£800-1200

£500-800

£700-1000

Provenance: Private Collection, UK

www.tennants.co.uk 61

1145

1145 William Woodhouse (1857-1939) Grouse shooting Duck shooting Each signed, oil on canvas, 48cm by 73.5cm (2)

£2000-3000

1146

1146  Sir Peter Markham Scott, CH, CBE, DSC & Bar, FRS, FZS (1909-1989) Ducks in flight over marshland at sunset Signed and dated 1951?, oil on board, 38.5cm by 58.5cm

£400-600 62

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1147 Sir Peter Markham Scott, CH, CBE, DSC & Bar, FRS, FZS (1909-1989) “Solway - Out from the Lochar Moss, Pink-footed geese, 1951” Signed and dated 1951, oil on canvas, 90cm by 91cm

£4000-6000

1147 www.tennants.co.uk 63

1148 Colin Graeme Roe (fl.1858-1910) Pony carrying a pannier, with Setters and dead game in a landscape Signed and dated (18)92, oil on canvas, 50cm by 75cm

£700-1000

1148

1149

1149 Colin Graeme Roe (fl.1858-1910) Pair of Grouse and a Fox in a moorland landscape Cock and Hen Pheasant in a winter landscape, a fox amongst undergrowth nearby Both signed, oil on canvas, each 46cm by 36cm (a pair)

£500-800

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All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1150 George Armfield (1808-1893) Setters in a landscape Signed, oil on canvas, 21.5cm by 35cm Provenance: The Parker Gallery, London

£400-600

1150

1151

1151

1152

A Roland Knight (fl.1879-1921) A Pike and Trout feeding Signed, oil on canvas, each 28.5cm by 48.5cm (2)

John Bucknell Russell (1819-1893) Salmon on the lochside Partially signed, oil on canvas, 43cm by 85cm

£400-600

£700-1000

1152 www.tennants.co.uk 65

1153

1153 Samuel Henry Gordon II Alken (1810-1894) Hunt in full cry crossing the Path of the York to London Coach Signed and dated 1870, oil on panel, 34cm by 77cm Provenance: Private Collection, UK For comparable see Christie’s, Sporting Art Sale, 22 May 2003, Lot 6.

£2500-4000

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All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1154

1154 Wright Barker (1864-1941) Huntsman and the Belvoir hounds Signed and dated 1913, oil on canvas, 84.5cm by 110.5cm

£3000-5000

www.tennants.co.uk 67

ARTIST’S INDEX Alken, H

1141

Dutch School

1006

Alken, SHG

1153

Dutch/Flemish School

1007

Allcott, WH

1101

Edwards, LDR

1113

Andrews, attrib H

1077

English School

1095

Armfield, G

1150

European School

1144

Balfour-Browne, V

1115

Farquharson, D

1068

Barber, T

1048

Fitzgerald, JA

1020

Barker, W

1154

Flemish or Dutch School

1094

Barraband, after J

1106

Flemish School

1004

Baxter, circle C

1099

French School

Bison, GB

1011

Frith, circle WP

1103

Blacklockm, WK

1069

Furness, R

1130

Bresciani, attrib A

1010

Greuze, foll JB

1098

Briggs, EE

1116

Guest, A

British School

1051, 1091, 1092

1008, 1009

1119, 1120

Guignard, AG

1039

Brundrit, RG

1041

Hardy Jnr, J

1114

Burgkmair the Elder, after H

1000

Herring Snr, attrib JF

1110

Capon, G

1075

Holliday, E

1033, 1081

Chamberlin, manner M

1097

Holmes, E

1140

Constable, circle J

1053

Horlor, GW

1138

Continental School

1102

Hough, W

1028

Cooper, TS

1027

Huggins, attrib W

1100

Cooper, WH

1016

Hulk Jnr, attrib A

1060

Cooper, WS

1143

Hunt, AM

1128

Courtois, attrib J

1083

Hunt, AW

1018

1131, 1132

Hunt, E

1137

Cuzco School

1096

Hunt, W

1136

Da Costa, L

1078

Hurt, LB

1139

Ibbetson, attrib JC

1049 1085

Coward, M

de Breanski, A

1065-1067

de Fontenay, circle JBB

1030

Italian School

de Loutherbourg, PJ

1052

Jamieson, A

de Momper, attrib F

1046

John, AE

1023

dell Altissimo, circle C

1087

Kennedy, C

1035

Dürer, after A

1002

Kneller, manner Sir G

1089

68

1034, 1072

Knight, A R

1151

Sigmund, BD

1025

Landseer, circle Sir EH

1058

Smith, JB

1064

Lawson, F

1022

Smythe, RE

1044

le Cave, attrib P

1050

Sorgh, circa HM

1086

Le Sidaner, foll HEA

1076

Squirrell, LR

1021

Levis, M

1071

Stranover, circle T

1031

Lloyd, WS

1042

Tennant, attrib JF

1054

Longstaff, WF

1013, 1014

Thornley, W

1037, 1038

Madelain, G

1070

Tiepolo, circle GB

Masic, N

1080

Trickett, J

McPhail, R

1124

Van Bloemen, attrib P

1084

Meegan, W

1043

Van Dyck, after Sir A

1090

van Lint, attrib HF

1047

Mellor, W

1061-1063

1082 1133-1135

Mostyn, TE

1074

van Poelenburgh, circle C

1003

Niemann, EJ

1055

Verelst, attrib SP

1029

North Italian

1088

Verelst, circle SP

1032

Oakes, JW

1045

Verryck, T(D)

1005

Oates, B

1036

Vickers, A

1056

von Herkomer, Sir H

1024

Payne, CJ

1107-1109

Peel, J

1059

Wade, JA

1129

Petitjean, H

1019

Walbourn, E

1079

Pirie, Sir G

1112

Watson, R

1123

1041A

Watson, RC

1122

Priestman, B Rea, C

1105

Watts, attrib FW

1057

Rembrandt van Rijn

1001

Whittlestone, R

1121

Reynolds, after Sir J

1093

Whympher, C

1111

Richardson, B

1015

Wilson, CE

1026 1040

Roberts, AS

1125-1127

Wingate, Sir JL

Roe, CG

1148, 1149

Wood, D

1073, 1117, 1118

Russell, JB

1152

Woodhouse, W

1145

Schetky, attrib JC

1012

Wyld, W

1017

Yeames, WF

1104

Scott, Sir PM

1146. 1147

Shayer Jnr, W

1142

www.tennants.co.uk 69

FURTHER ENTRIES INVITED FOR

MODERN & CONTEMPORARY ART SATURDAY 9 OCTOBER 2021

Frederick (Fred) Cecil Jones RBA (1891-1966) “Tadcaster Bridge, Yorkshire” Signed, inscribed and dated 1947, mixed media, mounted, unframed, 32cm by 44cm £1500 - 2000

For further information please contact: Francesca Young | 01969 623780 | francesca.young@tennants-ltd.co.uk | www.tennants.co.uk

ABOUT TENNANTS

UNIQUE FACILITIES Tennants is the only auctioneers in the UK with the capability to exhibit single items and collections to the public months ahead of sale.

Museum-quality display galleries were built in 2014 to provide ever-changing displays of highlights from the saleroom.

The Company has a long history of handling outstanding private collections and estate sales of all sizes.

Notable private collection sales have included: An American Collector - from Virginia The P Lamaison Van Heenvliet Collection of Arms and Armour - from Holland Modern Life in Print - from the estate of Edith Laurence The El-Shamy Wine Collection An Attic Sale: The Final Instalment of the Collections of the late Stanley J Seeger The Historical Collection of Natural History and Taxidermy from Hodnet Hall

www.tennants.co.uk 71

NON-SELLING EXHIBITIONS AND EVENTS Tennants hosts a busy and varied programme of exhibitions and events, which not only support and enhance the auction programme but provide a diverse cultural experience for visitors and the local community.

Frequently working in association with museums, private collectors and educational establishments, highlights of the non-selling exhibition programme include curated displays of treasures from The Bowes Museum and fine art exhibitions including 350 Years of British Art and Light & Shadow, which showcased major loaned works from over twenty museums and numerous private collections. The applied arts have been celebrated with exhibitions dedicated to William Morris, antique quilts and the furniture and furnishings of Robert ‘Mouseman’ Thompson. Northern Art is championed too, with frequent selling exhibitions. Recent highlights have included Norman Cornish: Bishop’s Close Street and Sally Arnup: Life in Bronze, both of which were staged in conjunction with the artists’ estates.

CONTACT US To discuss consigning single items or collections please contact us on 01969 623780 enquiry@tennants-ltd.co.uk

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BUYERS’ INFORMATION Buyer’s Premium

Export/ CITES Regulations

A Buyer’s Premium of 20% of the Hammer Price, plus VAT, is payable on each lot.

Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling.

Certain species are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or may be obtained from: The Animal and Plant Health Agency Centre for International Trade Horizon House Deanery Road Bristol BL1 5AH wildlife.licensing@apha.gsi.gov.uk 0117 372 3700 Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

Condition Reports We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. We accept no liability for the opinions expressed in any Condition Report.

Caveat Emptor The principle of caveat emptor applies to the sale of all goods sold at auction by us. Furthermore, we have no control over the condition of any item offered for sale.

Additional Images Requests for additional images of items in the sale can made up to 48 hours before the Day of Sale.

Online Bidding We offer an online bidding service via our own platform - Tennants Live Bidding at www.tennants.co.uk. Items purchased via this platform will be subject to an additional 1.5% commission charge plus VAT at the prevailing rate. We also offer online bidding via www.the-saleroom.com for prospective buyers who cannot attend the sale. Items bought via this platform will be subject to an additional 4.95% commission charge plus VAT. By completing registration on www.the-saleroom.com and providing your credit/bank card details and unless alternative arrangements are agreed with us, you; (a) authorise Tennants, if they so wish, to charge the credit/bank card given in part of full payment, including all fees, for items successfully purchased in the auction via www.the-saleroom.com; and (b) confirm that you are authorised to provide these credit/bank details to Tennants through www.the-saleroom.com and agree that Tennants are entitled to permit the shipping of the goods to the card holder and card holder address provided in fulfilment of the sale.

We do not accept any liability for any losses, however arising, as a result of a prospective buyer’s use of www.the-saleroom.com. Use of www.the-saleroom.com is subject to separate terms and conditions which do not form part of these conditions.

Telephone Bidding Requests for telephone bidding must be registered at least one hour prior to the close of the View Day. We will not accept requests on the Day of Sale. Telephone Lines are booked on a first-come, first-served basis and are subject to a minimum lot value of £500 for Fine Art Sales and £200 for all other sales.

Absentee Bidding Whilst reasonable endeavours will be made to execute absentee bidding up to the Day of Sale, Tennants will not be liable for any default or neglect in connection with this service. All such arrangements therefore are made entirely at the Prospective Buyer’s risk.

VAT

Method of Payment Payment is accepted online via our website.

Card payments where the card holder is not present will only be accepted for transactions up to £500.

Payment can be made and purchases collected during the auction.

All accounts must be settled within 14 days of the sale. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale.

Collection All purchases much be collected from our Leyburn offices, unless stated otherwise, within seven days of the Sale (Monday to Friday 8.30am to 5.00pm).

Despatch/Delivery Buyers may appoint their own shippers or use one of our preferred suppliers for all UK deliveries and international shipping. Their contact details are as follows: Bradleys Antique Packing Services Ltd 01325 281332 info@antiquepacking.co.uk Carrs Carriers Ltd 01423 297088 01913 077024 carrscarriersltd@gmail.com Mailboxes Etc 0113 242 8715 info@mbeleedscity.co.uk

Small Items For certain lots, we offer a packing and shipping service up to a total value of £5,000 (inclusive of buyer’s premium, VAT and any other associated charges). Prices start from £20 depending on the size and destination. Please note, we are unable to post items of a fragile nature.

Items are fully insured and can be tracked from dispatch to delivery.

To obtain a quote for packing and shipping, please email shipping@tennants-ltd.co.uk or call 01969 623780. You will need to have paid your invoice in full, including delivery, before items are dispatched.

Value added tax or any equivalent tax chargeable in the UK or elsewhere.

Agency We act as agents for the Seller, whose details remain confidential. If you buy at auction your contract is with the Seller, not us.

www.tennants.co.uk 73

Picture Descriptions

Droit de Suite/ Artists’ Resale Rights

The forename(s) (or asterisks where not known) and surname of the artist indicates, in our opinion, a work by the artist named.

The initials of the forename(s) and the surname of the artist indicates in our opinion a work of the period of the artist which may be wholly or in part his work.

The following terms apply in our determination of a picture description: (a) “Attributed to” - is in our opinion probably a work by the artist. (b) “Studio of” - is in our opinion a work from the studio of the artist which may or may not have been executed under his direction. (c) “Circle of” - is in our opinion a work of the period of the artist executed under his immediate influence. (d) “Follower of” - is in our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (e) “Manner of” - is in our opinion a work in a style related to that of the artist, but of a later date. (f) “School accompanied by the name of a place or country and a date” means that in our opinion the picture was executed at that time and in that location; e.g. Flemish School, 17th century. (g) “After” - an artist is in our opinion a copy of any date after a work by that artist. (h) “Signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription” - are from the hand of the artist. (i) “Bears signature and/or dated and or inscription means that in our opinion the artist’s name and/or date and/or inscription” - have been added by another hand. (j) All references to signature, inscriptions and dates refer to the present state of the work. (k) Dimensions are given height before width and do not include the frame (l) Pictures are framed unless otherwise stated.

All items in this catalogue that are marked with “” are potentially qualifying items, and the royalty charge (set out below) will apply if the Hammer Price is more than the UK sterling equivalent of €1,000. The royalty charge will be added to purchase invoices, and must be paid before items can be cleared. All royalty charges are paid to either the Design and Artists Copyright Society (“DACS”) or the Artists’ Collecting Society (“ACS”) by the auctioneers, and no handling costs or additional fees with respect to these changes will be retained by the auctioneer.

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From 14 February 2006 United Kingdom art market professionals (which includes auctioneers) are required to collect a royalty payment for all works of art that have been produced by living artists, and those who have died within the last 70 years. This payment is calculated on qualifying works of art which are sold for a Hammer Price more that the UK sterling equivalent of €1,000 (the UK sterling equivalent will fluctuate in line with prevailing exchange rates). It is the responsibility of the Buyer to acquaint themselves with the actual Euro to UK sterling exchange rate on the Day of Sale. The actual qualifying threshold will be calculated by the “Artist’s Resale Right Service Hub” based on the “European Central Bank” reference rate published at 2.15pm on the Day of Sale and can be found on www.dacs.org.uk The royalty charge for qualifying items which achieve a Hammer Price of more than the UK sterling equivalent of €1,000 is as follows: Up to €50,000 – 4% €50,000.01 to €200,000 – 3% €200,000.01 to €350,000 – 1% €350,000.01 to €500,000 – 0.5% Exceeding €500,000 – 0.25% For further information please visit www.dacs.org.uk or www.artistscollectingsociety.org. There is no VAT payable on this royalty charge.

For full Terms of Business please refer to www.tennants.co.uk

2021 AUCTION DATES Friday 9 July

Antiques & Interiors Friday 16 & Saturday 17 July

Summer Sale Saturday 17 July

British, European & Sporting Pictures Saturday 17 July

Jewellery, Watches & Silver Friday 23 July

Natural History & Taxidermy Friday 23 July

Antiques & Interiors Wednesday 28 July

Books, Maps & Ephemera Friday 30 July

Toys & Models, Sporting & Fishing Saturday 7 August

Antiques & Interiors Saturday 7 August

Beswick & Border Fine Art Wednesday 11 August

Coins & Banknotes Saturday 21 August

Textiles & Costume Saturday 21 August

Antiques & Interiors

www.tennants.co.uk 75

Lot 1067

The Auction Centre, Leyburn North Yorkshire DL8 5SG 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk