British, European and Sporting Art - 20 March, 9.30am

BRITISH, EUROPEAN & SPORTING ART SATURDAY 20 MARCH 2021

Tennants is the UK’s largest family-owned fine art auctioneers, with a well-deserved reputation for delivering unrivalled service and results.

Twenty-seven specialist departments offer an outstanding range of depth and expertise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace.

Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major discipliners, making it one of the UK’s busiest salerooms.

YOUR SPECIALISTS

Charlotte Conboy Head of Pictures

Rohan McCulloch Picture Specialist

Francesca Young Picture Specialist, Modern & Contemporary Art

BRITISH, EUROPEAN & SPORTING ART SATURDAY 20 MARCH 2021 AT 9.30AM AUCTION The Auction Centre, Leyburn North Yorkshire DL8 5SG

VIEWING There will be no public viewing for our auctions until further notice.

Condition reports and extra images are available on request and, in some instances, we can offer a video call.

Live bidding is available on this sale by registering at www.tennants.co.uk All lots illustrated online at www.tennants.co.uk

CONTACT Telephone: 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk

FRONT & BACK COVER Lot 1076

1000 (part)

1000

1001

After François-Nicolas Martinet (1731-1800) French Bird Studies from ‘Histoire Naturelle des Oiseaux’ by Georges Louis Leclerc Buffon (1707-1788) Coloured engravings, 30cm by 21cm each (73) (unframed, contained within a solander box), one framed

Cecil Charles Windsor Aldin (1870-1935) “Sealyham Puppy” Signed in pencil, numbered 120/180, a black and white etching, 15cm by 10.5cm

£180-250

£600-800

1001 4

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1002 Charlotte Ancelin (19th/20th century) French Under starter’s orders Lithograph, together with three further lithographs of horseracing scenes, 34cm by 52cm (4)

£200-300

1002 (part)

1003 Charlotte Ancelin (19th/20th century) French Racehorses exercising on the beach Lithograph, together with five further lithographs of horseracing scenes, 34cm by 52cm (6)

£300-500

1003 (part)

1004 After Archibald Thorburn FZS (1860-1935) Black Grouse in flight Signed in pencil, a colour reproduction, together with eleven further signed colour reproductions by the same artist, 22.5cm by 32.5cm (12) Provenance: A. Baird Carter, London

£200-300

1004 (part)

www.tennants.co.uk 5

1005  Charles Johnson Payne “Snaffles” (1884-1967) “Jim - Whatever ye de keep y’owd tamboureen a rowlin” Signed, with the Snaffles bit blindstamp, a colour reproduction, 37.5cm by 41.5cm

£150-250

1005

1006  Charles Johnson Payne “Snaffles” (1884-1967) “Prepare to receive Cavalry” Signed, with the Snaffles bit blindstamp, a colour reproduction, 27.5cm by 48cm

£150-250

1006

1007  Charles Johnson Payne “Snaffles” (1884-1967) “The Finest View in Europe” Signed in pencil, with the Snaffles bit blindstamp, a colour reproduction 27cm by 56cm

£150-250 6

1007 All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1008  Charles Johnson Payne “Snaffles” (1884-1967) “A Little Fizzer” Signed in pencil, with the Snaffles bit blindstamp, a colour reproduction, 30.5cm by 26.5cm

£150-250

1009  Charles Johnson Payne “Snaffles” (1884-1967) “Tonnage - and when Hounds really run, can show how sixteen stone should o’er a country go” Signed in pencil, with the Snaffles bit blindstamp, a colour reproduction, 23.5cm by 22.5cm

£180-250

1008

1009 www.tennants.co.uk 7

1010

1011

1012

1010

1011

Circle of Peter Tillemans (1684-1734) Flemish Horses with their groomsmen Mixed media on coloured paper, 18cm by 21.5cm

Sir Edwin Henry Landseer RA (1802-1873) Study of a dead stag Pencil, 15.5cm by 25cm

£80-120

Provenance: James Orrock RI Abbott & Holder London: Private collection, Rutland

1012  Vincent R Balfour Browne (1880-1963) Stag in the mist Initialled and dated 1948, watercolour, 23cm by 33cm

£600-800

£200-300 8

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1013

1013 James Hardy Jr. (1801-1889) The Anglers Signed, pencil and watercolour heightened with white, together with a further companion example by the same hand depicting a horse, cart and figures, 17.5cm by 27.5cm (2)

£250-400

1014  John Cyril Harrison (1898-1985) Pheasants breaking cover Signed, watercolour, 32.5cm by 46.5cm Provenance: Vicars Brothers, London

£500-700

1014

1015  Peter Allis (b.1944) Covey of Grouse in a moorland landscape Signed, watercolour, 51cm by 73cm 1015

£350-500

www.tennants.co.uk 9

1016  Rodger McPhail (b.1953) Covey of Grouse in flight Grouse in contemplation Signed, watercolour heightened with white, 25cm by 19cm (2) Provenance: Commissioned and purchased from NSPCC, 26th October 1989, Clifton Castle auction

£400-600

1017  George Edward Lodge (1860-1954) “Hawfinch” Signed and dated 1950, gouache, 28.5cm by 22cm Provenance: Rowland Ward, London

£300-400

1016

1017

1021

1021

1018 

1019 

1020 

Alan M Hunt (b.1947) Coal Tits building a nest Signed and dated 1982, gouache, 40.5cm by 31.5cm

Alan M Hunt (b.1947) Blue Tit in flight Signed and dated 1983, gouache, 33.5cm by 29cm

Robin Furness (b.1933) “The 4 o’clock Fox, Bramper” Signed and dated 2014, gouache, 25cm by 35cm

£100-150

£100-150

£150-200

Harden Sidney Melville (1824-1894) A blacksmith shoeing a horse outside a thatched cottage in winter Signed, mixed media, 43.5cm by 61.5cm

£120 -180

10

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1022  Tom Carr HRHA HUA ARWF (1912-1977) “St Conan” Signed, inscribed and dated 1965, mixed media, 38cm by 55cm

£250-400

1022

1023  Tom Carr HRHA HUA ARWF (1912-1977) “Dartmoor” Signed, inscribed and dated 1964, mixed media, 38cm by 56.5cm

£250-400

1023

www.tennants.co.uk 11

1024 William Frank Calderon (1865-1943) “Kildare” Signed, inscribed and dated 1917, pastel, 49.5cm by 60cm

£300-500

1024

1025 William Frank Calderon (1865-1943) “Xerxes” Signed, inscribed and dated 1917, pastel, 49.5cm by 60cm

£300-500

1025

1026 William Frank Calderon (1865-1943) “Cigarette” Signed, inscribed and dated 1917, pastel, 49.5cm by 60cm 1026 12

£300-500 All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1027

1029

1027

1028

1029

Circle of William Watson (19th century) Sheep and lambs at rest on a fell top Oil on canvas, 74.5cm by 126.5cm

Sylvester Martin (19th/20th century) Pair of Spaniels beside the day’s kill Group of Spaniels at rest from their sporting pursuits Each signed and dated 1902, oil on board, 19.5cm by 24cm (2)

Robert Cleminson (fl.1864-1903) Spaniels with the day’s bag Signed, oil on canvas, together with a companion, 39.5cm by 60cm (2)

£800-1200

£400-600

£200-300

www.tennants.co.uk 13

1029A Walter Hunt (1861-1941) Calves and poultry feeding at a thatched stable Signed and dated 1921, with a vignette monochromatic study of hounds to the reverse, oil on canvas, 48.5cm by 74.5cm

£10000-12000

14

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1029A www.tennants.co.uk 15

1030 Follower of Sir Edwin Henry Landseer RA (1802-1873) Sportsman in a landscape Oil on canvas, 91cm by 70cm

£500-800

1031 Follower of Sir Edwin Henry Landseer RA (1802-1873) Deer hunter with kill and attendant hounds Oil on board, 28.5cm by 23.5cm

£180-250

1032 Benjamin (Lester) Hold (1839-1917) Grouse in a heather moorland Signed, oil on canvas, 48.5cm by 74cm

£400-600

1030

1031 16

1032 All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1033  Frank Moss Bennett (1874-1952) “After Cub Hunting” Signed and dated 1936, oil on canvas, 39cm by 49.5cm

£500-800

1033

1034  Frank Moss Bennett (1874-1952) Return from the hunt Signed and dated 1937, oil on canvas, 39.5cm by 50cm 1034

£700-1000

www.tennants.co.uk 17

1035 Rudolph Stone (1838-1914) “Taking a Fence” “In Full Cry” “In Full Cry” “The Kill” Signed, oil on board, 15cm by 30cm (4)

£500-800

1036 Style of John Nost Sartorius (1759-1828) Hunt and hounds on the scent in an extensive landscape Oil on canvas, 50cm by 100cm 1035

£1000-1500

1036 18

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1037

1037 John Dalby of York (1810-1865) Group portrait of Lord Durham, Ralph Lambton and Billy Williamson riding to a meet (by repute) Signed, oil on canvas, 29cm by 44cm All three men were members of northern hunts and enthusiastic Meltonians. Ralph Lambton, son of William Lambton (one of the first Meltonians), was a particularly celebrated hunting figure: in 1795 he took over the pack assembled by his brother, Henry Lambton and from 1809 he hunted hounds himself. Roger Longrigg commented: ‘He lived at the kennels and, like Lord Darlington, practically in them’ (The History of Foxhunting, 1975, p.108). Both George Lambton, 2nd Earl of Durham, and Ralph Lambton were also patrons of John Ferneley, who depicted Ralph Lambton and Billy Williamson (brother of Sir Hedworth Williamson, M.P. for Durham) with the Sedgefield Hunt in 1832 (Thirsk Hall, North Yorkshire).

An almost identical version of this painting was sold at Christie’s, Sale 7936, Lot 1, 2007 for £18,000

£3000-5000

www.tennants.co.uk 19

1038 John Alfred Wheeler (1821-1903) Taking a fence Signed, oil on board, 28cm by 45.5cm

£300-500

1039 Attributed to John Nost Sartorious (1755-1828) Sir Tatton Sykes with his favourite Cob Bunbury, and his two dogs Inscribed to label verso, oil on canvas, 69cm by 89cm Provenance: Sotheby’s London, British Paintings 1500-1850, 15th July 1998

£600-800 1038

1040 William Malbon (1805-1877) “Charles Headlon (son of Dr & Mrs Headlon) with his pony and horses at Jesmond Dene, Newcastle” Inscribed verso, oil on canvas, 56cm by 77.5cm Provenance: Arthur Ackermann & Son, Bond Street Bonhams Chelsea, British and Continental Paintings, October 3rd 2000

£600-800

1041 Attributed to Edith Anna Oenone Somerville (1858-1949) Portrait of a heavy horse standing Initialled EAS, oil on canvas, 29.5cm by 39.5cm

£180-250

1039

1040 20

1041 All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1045

1042

1042 

1043 

1044 

1045 

Arthur Spooner (1873-1962) Huntsman and hounds on the scent in Autumnal woodland Signed, oil on board, 44.5cm by 60cm

Frederick J Haycock (b.1948) Huntsman and Hounds Signed, oil on canvas, 59cm by 74.5cm

Frank Geere (1931-1991) Study of a Bay Horse in a stable Signed and dated (19)85, oil on canvas, 39.5cm by 50cm

£800-1200

£150-250

Michael Lawrence Cadman (1920-2012) Racehorses with jockeys up Signed, oil on canvasboard, 40cm by 49cm

£200-300

£150-250

1043

www.tennants.co.uk 21

1046 Attributed to Edward Algernon Stuart (active 1860-1918) “Hero Worship” Monogrammed and indistinctly signed and inscribed verso, oil on canvas, 38cm by 53cm

£250-400

1046

1047 Julius Hamburger (1830-1909) Austrian Two Japanese Chins on a carpet Signed, oil on canvas, 39cm by 53cm Provenance: MacConnal-Mason & Son, London Bears indistinct Christie’s stencil verso

£400-600

1047

1048  William Lucas Lucas (20th century) “Ch Cornwell Cyclone” - Airedale Terrier Signed, inscribed and dated 1929, oil on canvasboard, 29.5cm by 34.5cm

£400-600 22

1048 All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1049 Anthony De Bree (1855-1921) Study of Lady Halifax’s dog in the drawing room at Garrowby Hall Signed and dated 1913, oil on canvas, 49.5cm by 60cm Provenance: Commissioned by Lady Halifax, thence by descent in the family and gifted to current owner

£400-600

1050 Henry Crowther (fl.1905-1939) “Bobby Dazzler” (Study of a Yorkshire Terrier) “Mignon” One signed and dated 1926, the other initialled (obscured by the mount), each inscribed, oil on canvasboard, 18cm by 24.5cm and 17.5cm by 24cm respectively (2)

£200-300

1049

1050

1051 Attributed to George Armfield (1808-1893) Terriers ratting in a stable interior Oil on canvas, 43.5cm by 59cm 1051

£250-400

www.tennants.co.uk 23

1052 John Brandon Smith (1848-c.1893) Angler in an extensive woodland landscape Signed and dated 1878, oil on canvas, 69.5cm by 90cm

£400-600

1052

1053 John Bucknell Russell (1819-1893) Landed salmon and canvas bag by the waterside Signed, oil on canvas, 44.5cm by 90cm

£400-600

1053

1054 Attributed to John Bucknell Russell (1819-1893) Landed Salmon on the riverbank Oil on canvas, 62cm by 85cm With pencil inscription to stretcher ‘Signed and dated on the original stretcher, John Russell 1865’ 1054 24

£500-700 All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1055 Attributed to A Roland Knight (fl.1879-1921) “Salmon and a gaff” Bears signature, oil on canvas, 39cm by 59cm

£250-400

1055

1056 A Roland Knight (fl.1879-1921) “Two to one bar one - Pike and Roach” Signed, inscribed verso, oil on canvas, 44.5cm by 80cm

£800-1200

1056

1057 A Roland Knight (fl.1879-1921) “Salmon and Trout of Loch Awe” Signed, inscribed verso, oil on canvas, 34.5cm by 49.5cm

£600-800

1057

www.tennants.co.uk 25

Lot 1125

1058 Attributed to Karel la Fargue (1738-1793) Dutch Estuary scene with shipping before a town Bears signature KL Fargue to mount, mixed media on paper, 12cm by 19.5cm

£180-250

1058

1059 Attributed to Anthony Vandyke Copley Fielding (1787-1855) Isella on the Simplon Pass Watercolour heightened with white, 50cm by 63.5cm Provenance: Collection of George Smith Thos. Agnew & Sons Ltd., London

£500-700

1059

1060 William Payne OWCS (1760-1830) “Near Plymouth, Sunset” Watercolour, 14.5cm by 19.5cm

£200-300

1060 www.tennants.co.uk 27

1061

1064

1061 Thomas Miles Richardson Snr. (1784-1848) Continental mountain landscape with horse and cart and a view of a castle beyond Initialled and dated 1849, watercolour heightened with white, 22cm by 30.5cm

£300-500

1062

1063

1062

1063

1064

Thomas Miles Richardson Jnr. (British, 1813-1890) Ullswater from Gowbarrow Park, Cumbria Signed and dated 1869, watercolour, 34cm by 63.5cm

Attributed to Thomas Bush Hardy RBA (1842-1897) Boulogne Harbour Signed and dated 1890, watercolour, 26.5cm by 69cm

William Purser (c.1790-1852) Bringing in a rowing boat on a tropical shoreline Watercolour, 15.5cm by 19.5cm

Provenance: P. Polak Fine Art Dealers, London

£250-400

£120-180

£400-600 28

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1065

1065 James Burrell Smith (1822-1897) Bamburgh Castle, Northumberland Signed and dated 1868, watercolour, 40.5cm by 67cm Provenance: Dean Gallery, Newcastle Upon Tyne

£300-500

1066

1067

1066

1067

Thomas Shotter Boys NWS (1803-1874) “The Church of St. Wulfram, (North Side), Abbeville” Signed and indistinctly dated (18)35?, watercolour heightened with white, 39.5cm by 29.5cm

Clarkson Stanfield RA RBA (1793-1867) “In the Tyrol” Watercolour heightened with white, 23cm by 31.5cm

£300-500

£180-250

Provenance: According to label verso: Dr Cockcroft, West Drive, Cleveleys

www.tennants.co.uk 29

1068 William Mellor (1851-1931) “Upper Falls Rydal” “Lower Falls Rydal” Each signed, watercolour heightened with white, 45cm by 29cm (2) With Christie’s Stencil FT55S Provenance: Lower Nupend Gallery, Worcs

£300-500

1068

1070

1069

1070

William Mellor (1851-1931) “A bit of Rydal Water, Westmorland” “View in Easedale, Westmorland” Each signed, watercolour with heightened with white, 29.5cm by 45cm

Sir David Young Cameron RA (1865-1945) Scottish “Kerrera” Signed, pencil and watercolour, 25cm by 32cm Provenance: W B Simpson, Glasgow

£120-180

£300-500

1069

30

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1071  Sir Muirhead Bone (1876-1953) Scottish Remote coastal landscape Signed, pencil and watercolour, 17cm by 34.5cm

£150-250

1072 Arthur Reginald Smith ARA, RSW, RWS (1871-1934) Figures approaching a Continental coastal town Signed, watercolour with scratching out, 15.5cm by 26cm

£150-250 1071

1072

1074

1073

1073

1074

1075

Arthur Reginald Smith ARA, RSW, RWS (1871-1934) Children paddling in an estuary and before a viaduct Signed, watercolour with scratching out, 13.5cm by 30cm

Henry James Johnstone (1835-1907) The Sea Urchin Signed, watercolour 25cm by 17cm

Frances Anne Hopkins, née Beechey (1838-1919) Canadian

£180-250

Provenance: Richard Howarth, Preston Christie’s stencil 904DH

Voyageurs camping by a lake, historically known as Lake Superior Initialled, watercolour, 36cm by 53cm

£400-600

The Rowley Gallery Ltd, London Provenance: Heffel Fine Art Auction House, May 31 2012, Lot 508, sold for CAD 8,190

£500-800

www.tennants.co.uk 31

1076 Archibald Thorburn FZS (1860-1935) “Sea Birds” Signed and dated 1908, watercolour, 54cm by 108cm Provenance: Haynes Fine Art, Broadway

£25,000-35,000 32

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

www.tennants.co.uk 33

1077 William Henry Hunt (1790-1864) Still life of grapes, peaches and cob nuts Signed, watercolour heightened with white, 17.5cm by 22cm

£200-300

1078 George Goodwin Kilburne RI, RBA (1839-1924) “Tired Out” Signed, watercolour, 26cm by 35cm

£250-400

1077

1078 34

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1079 William Kay Blacklock (1872-1924) A quiet moment - a lady undertaking needlework by the fireside Signed, watercolour, 37cm by 29cm

£250-400

1080 Henri Jules Jean Geoffroy (1853-1924) “Garçon dans la Ville” Watercolour, 30cm by 40cm Provenance: Walker Gallery, Harrogate, 2019

£600-900

1079

1080 www.tennants.co.uk 35

1081  Augustus Edwin John OM, RA (1878-1961) Portrait drawing of Dorelia McNeill, c.1903-05 Bears a signature in another hand, charcoal, 16cm by 15.5cm Mistakenly identified on the rear of the frame in a faint inscription, ALICK SCHEPELER / 3rd Wife, and indistinctly initialled J.K.? F Dorelia (b.1881) was Augustus John’s muse and mistress. He never re-married after the death of his first wife, Ida, in 1907, but by the time Dorelia died in 1969 she had long since been referred to as ‘Mrs John’.

For a comparable drawing see 1903 example sold at Christies, June 25 2015, Modern British and Irish Art Sale, London, Lot 8 which realised £146,500 (inc. premium) We are grateful to Rebecca John for her assistance in cataloging this lot

£7000-10000

36

1082 Circle of Carl Haag (1820-1915) German Portrait of an Orientalist beauty, head and shoulders, wearing a headdress decorated with fine jewellery and holding a hookah pipe Pastel on vellum, 58.5cm dia. (oval)

£400-600

1082

1083  Tadeusz Styka (1889-1954) Polish Portrait of a haunting beauty Signed and indistinctly inscribed, oil on panel, 58cm by 43cm

£800-1200

1083

38

1084

1085

1084 Follower of Sir Thomas Lawrence (1769-1830) Portrait of Leonard Currie of Stanlake by repute, half length, seated in a red chair, wearing a black jacket with white cravat and holding a document Oil on canvas, 89.5cm by 69cm Label to verso suggests this portrait is by a woman artist

£500-800

1085 After Sir Thomas Lawrence (1769-1830) Portrait of the Duke of Wellington, half length Oil on canvas, 74cm by 62cm

£300-500

1086 English School (late 18th century) Portrait of a lady, wearing a white satin dress trimmed with lace at the neckline and decorated with strings of jewels and pearls Oil on canvas, 74cm by 61cm

£400-600

1086 www.tennants.co.uk 39

1087 Follower of Jean Baptise van Loo (1684-1745) French Portrait of John Bailvard of Bradford on Avon, Wiltshire (according to label to the reverse), head and shoulders, wearing a white powdered wig, and sumptuous red velvet jacket brocaded with gold, in a feigned oval Oil on canvas, 74cm by 61cm John Bailvard of Bradford-upon-Avon was a clothier Provenance: From the collection of William Stevens of Frankleigh, Bradford - Upon Avon, according to a label to the reverse

£800-1200

1088 Circle of Michael Dahl (1653-1743) Portrait of an elegant lady, half length, wearing an aquamarine blue satin dress with white lace chemise Oil on canvas, 62cm dia. (oval)

£800-1200

1087

1089

1089 Follower of Ferdinand Voet (1654-1689) French Portrait of a lady in a plumed hat and fanciful seventeenth century dress Oil on canvas, 51.5cm by 41cm

£250-400 1088

40

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1090 Follower of Sir Anthony Van Dyck (1599-1641) Portrait of a young lady, head and shoulders, wearing a blue satin dress embellished with pearls, in a feigned oval Oil on canvas, 73cm by 62cm

£700-1000

1090

1091 After Sir Anthony Van Dyck (1599-1641) Portrait of Queen Henrietta Maria and child, full length, seated, wearing a brown silk dress holding a child, a dog seated to the left oil on canvas, 125cm by 100cm Provenance: Marquess of Downshire, Easthampstead Park by descent

£800-1200

1091 www.tennants.co.uk 41

1092 Dionys van Dongen (1748-1819) Dutch Milking the herd - countryfolk and cattle in an extensive landscape Signed and dated 1799, oil on panel, 46.5cm by 60cm

£1000-1500

1092

1093

1093

1094

1095

Henry Alken (19th century) Hull to London stagecoach in the snow Devon to London stagecoach Signed, oil on canvas, 24cm by 34cm (2)

James Radford (19th century) “Rievaulx Abbey, Yorkshire” (sic) Signed, inscribed and dated 1842, bears original inscribed artist’s label verso, oil on canvas, 103.5cm by 149cm

Alfred de Breanski Snr. (1852-1928) Glencoe Signed and inscribed verso, oil on canvas, 59cm by 89.5cm

£800-1200

£6000-9000

Exhibited: Royal Academy 1841, no. 727

£2000-3000

42

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1094

1095 www.tennants.co.uk 43

1096 Charles Leslie (1835-1890) Lakeland landscapes Signed and dated 1877, oil on canvas, 29cm by 59cm (2)

£300-500

1096

1097 Edward John Niemann (1813-1876) Panoramic landscape with travellers Signed and dated (18)66, oil on canvas, 35.5cm by 74cm

£250-400

1097

44

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1098

1098 William Mellor (1851-1931) “Swallow Falls, On the ***, North Wales” “On the Hebden, Yorkshire, Nr Hardcastle Crag” Each signed and inscribed verso, oil on canvas, 74cm by 49cm (2)

£1200-1800

1099 Sam Bough RSA (1822-1878) “In Cadzow Forrest” Signed and dated 1855, oil on canvas, 46cm by 72cm Provenance: Christie’s stencil verso 519GG, with James Bourlet & Sons

£700-1000 1099

www.tennants.co.uk 45

1100

1101

1100 Daniel Sherrin (1868-1940) Figures in an extensive lakeland landscape Signed, oil on canvas, 74.5cm by 126cm

£300-500

1101 Jas. Fenton (early 20th century) “In Italy” Signed, inscribed and dated Sept.1911 verso, oil on canvas, 24cm by 29.5cm

£200-400

1102

1102  Frederick William Elwell RA (1870-1958) Vista of an Italian Lake from a hillside Signed and dated 1923, oil on board, 39.5cm by 29.5cm

£400-600

46

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1103 Carel Frans Philippeau (1825-1897) Dutch Visiting the shrine - a figure group in repose before a Mediterranean landscape Signed, oil on panel, together with a companion, 34cm by 45.5cm (2) Provenance: W H Patterson Fine Art, London

£1000-1500

1103

1104 Hendricus Jacobos Burgers (1834-1899) Dutch The Pink Fan Signed and dated 1873, oil on panel, 33.5cm by 17.5cm Provenance: Sutcliffe Gallery, Harrogate

£800-1200 1104

www.tennants.co.uk 47

1105 Cipriano Cei (1867-1922) Italian A Tender Moment Signed and inscribed ‘Firenze’, oil on canvas, 29.5cm by 48.5cm

£200-300

1105

1107 Cipriano Cei (1867-1922) Italian “Grandfather’s watch, Tick Tick” Signed, inscribed ‘Firenze’ and dated 1887, oil on canvas, 45.5cm by 25.5cm

£400-600

1106

1106 Cipriano Cei (1867-1922) Italian Portrait of a young girl, head and shoulders, wearing a scarlet ribbon in her hair Signed and inscribed ‘Firenze’, oil on canvas, 22cm by 14cm

£180-250

48

1107

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1108 William Brassey Hole RSA (1846-1917) “Christmas at the Hall” Signed and dated 1881, oil on canvas, 56cm by 91cm, unframed

£300-500

1108

1110 Nina Hardy (fl. 1890-1920) A Mother’s Love Signed and dated 1896, oil on canvas, 48cm by 32cm

£300-500

1109

1109 Circle of John James Hill (1811-1882) Wash day by the sea Indistinctly signed, oil on canvas, 28.5cm by 20cm

£200-300 1110

www.tennants.co.uk 49

1111 Eugène Carrière (1849-1906) French Two women embracing a baby Signed, oil on canvas, 48cm by 60cm

£3000-5000

1112 John Evan Hodgson RA (1831-1894) “An Arab Patriarch” Oil on canvas, 104cm by 164cm Provenance: Sir Thomas Dugdale, Crathorne Hall Sale, Monday 12th November 1945 (£12)

£4000-6000

1111

1112 50

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1113 Spanish School (19th century) The Matador performing Indistinctly inscribed and dated 1860, oil on canvas, 36cm by 26cm

£200-300

1115

1113

1114 Italian School (18th century) The Holy Family Paper laid to canvas, 29.5cm dia. (tondo)

£150-200

1116

1115

1116

After Bartolome Esteban Murillo (1617-1682) Spanish The Holy Family with a little bird Oil on canvas, 141cm by 185cm

Manner of Teniers (19th century) Cobbler at work Oil on panel, 49cm by 60cm

£1000-1500

£600-800 1114

www.tennants.co.uk 51

1117 British School (19th century) Still life of mixed roses, a platter of apples, a silver tea pot and dead Partridge on a table Initialled FB, oil on board, 50.5cm by 42.5cm

£600-900

1117

1118

1118 Oliver Clare (1853-1927) Still life of apples, plums and raspberries on a mossy bank Signed, oil on canvas, 21.5cm by 29cm

£300-500

1119 Oliver Clare (1853-1927) Still life of plums, apples and gooseberries on a mossy bank Signed, oil on canvas, 24.5cm by 19cm

£250-400

1119

1120 James Stuart Park (1862-1933) Scottish Still life of white and red roses on a bank Signed, oil on canvas, 74.5cm dia. (oval)

£400-600

1120 52

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1123

1121

1122

1124

1121 

1122 

1123 

1124 

Herbert Davis Richter RI, RSW, ROI (1874-1955) “Zinneas” - Still life of flowers in a silver vase with mirror showing the artist working at his easel Signed, signed and inscribed verso, oil on canvas, 74.5cm by 61.5cm

Herbert Davis Richter RI, RSW, ROI (1874-1955) View of an elegant panelled interior, furnished with a red lacquer chinoiserie bureau, bowls of flowers and an Empire style mirror decorated with a resplendent eagle Signed, oil on canvas, 44cm by 36.5cm

Cecil Kennedy (1905-1997) “No.4., The Seasons, “Winter”, Christmas Roses” Signed, oil on canvas, 16.5cm by 21.5cm

Frank Owen Salisbury (1874-1962) “Madonna Lilies” Signed and dated July 17th 1941, signed, inscribed and dated 1941 verso, oil on canvas, 90cm by 69.5cm

£700-1000

£600-900

£400-600

£400-600

www.tennants.co.uk 53

1125

1125  Dame Laura Knight RA, RWS, RE, RWA, PSWA, DBE (1877-1970) “The Old Garden” Signed, oil on canvas, 59.5cm by 49.5cm Provenance: Spink, London Exhibited: Royal Academy of Arts, London, Dame Laura Knight Exhibition, 1965, number 21

£3000-5000 54

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1126 Alexander Jamieson (1873-1937) Scottish Victoria & Albert Museum extension Oil on panel, 44cm by 36.5cm

£400-600

1127 Alexander Jamieson (1873-1937) Scottish The Grand Fountain Signed, inscribed & dated 1920 verso, oil on board, 37.5cm by 45cm Provenance: Louise Kosman, Edinburgh Exhibited: Royal Albert Museum, Exeter

£300-500

1128 Alexander Jamieson (1873-1937) Scottish Three Graces Statue, Tuileries Gardens Oil on panel, 36cm by 44cm

£300-500

1126

1127

1128

www.tennants.co.uk 55

1129

1130

1129

1130

Emma Ciardi (1879-1933) Italian “An Island Lagoon, Venice” Signed, oil on panel, 26cm by 36cm

Giuseppe Carelli (1858-1921) Italian “Sorrento” Signed and inscribed, oil on board, 26.5cm by 47cm

Provenance: The Fine Art Society, London, May 1942

£200-300

£1000-1500

56

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1131

1131 Phillip Sadee (1837-1904) Dutch Bringing in the catch Signed, oil on canvas, 81cm by 130.5cm Provenance: R.H. Hall Esq, Eastbourne, August 1962 Private collection UK (acquired from the above)

£15000-25000

www.tennants.co.uk 57

1132

1133

1132

1133

Harry Williams (fl.1854-1901) “On the Irish Coast” “Near Londonderry” One signed, each signed and inscribed verso, oil on canvas, 29.5cm by 50cm (2)

John James Wilson (1818-1875) Scottish Fisher folk on a jetty in blustery weather Signed, oil on canvas, 40.5cm by 55.5cm

£200-300

£250-400

58

Provenance: Calton Gallery, Edinburgh, Exhibited: Edinburgh Festival 1991, No 0151

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1134 John James Wilson (1818-1875) Scottish Fishing boats off a pier in choppy waters Signed, oil on canvas, 24.5cm by 35cm

£150-250

1134

1135 William Collins RA (1788-1847) “Irish Fishing Village” Signed, oil on canvas, 44cm by 59.5cm Provenance: Bought at the Armstrong Sale Christie’s, June 24th 1910, No.46 Messrs Gooden & Fox, London

£600-900

1135

1136 Circle of William Collins (1788-1847) Fisherfolk and beached vessels on a rugged shore Oil on board, 14.5cm by 22cm

£180-250

1136 www.tennants.co.uk 59

1137

1137 Alfred Montague (1832-1883) On the Medway, near Gillingham Signed, oil on canvas, 58.5cm by 94.5cm Provenance: Omell Galleries, London Literature: Illustrated in Country Life, November 30, 1978

£1000-1500

60

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1138 Robert Watson (fl. 1845-1866) Fishing smack off coast in squally waters Signed and dated 1854, oil on board, 23cm by 29.5cm

£250-400

1139  Ron Charles Mitchell (b.1960) “Rainbow and Lionheart, The Solent J Class Regatta 2017” Signed, inscribed verso, oil on canvas, 39cm by 59cm

£400-600

1138

1139

www.tennants.co.uk 61

1140  Laurence Stephen Lowry RBA, RA (1887-1976) Yachts at Lytham St Anne’s Signed and dated 1951, oil on panel, 21.5cm by 34cm Provenance: Bonhams London, 20th century British and Irish Art, 30 May 2012, lot 19 The Waddington Galleries, London Private Collection, UK Yachts at Lytham St Anne’s is a fine example from the series of pictures Lowry painted in Lytham over a thirty year period, beginning in the 1930’s and lasting well into the 1950’s.

Lowry began visiting Lytham and making drawings as early as 1915. In stark contrast to Blackpool its noisy neighbour five miles down the coast, Lytham exudes a peaceful Edwardian, uncommercial elegance and its proximity to the sea, plethora of sailing clubs and unobstructed varied views looking out from the harbour, provided Lowry with endless source material. Yachts and the sea are a constant theme throughout the series, as is the fact that they all look optimistically outwards. This particular work is delightfully complex and has significantly more boats than we normally see. Our eye is drawn out across the bay to where the sky meets the sea and Lowry’s use of white adds scale, light and distance to the view. In the absence of figures, Lowry’s gift of adding movement to his paintings, is transferred here to the Yachts as they appear to us to scud about across the bay, producing an active, yet calm and peaceful composition.

We are grateful to Jonathan Horwich for his assistance with compiling this catalogue entry.

£250000-350000

ARTIST’S INDEX Aldin, CCW

1001

Dalby, J of York

1037

Alken, H

1093

de Breanski, A Snr

1095

Allis, P

1015

De Bree, A

1049

1002, 1003

Elwell, FW

1102

Ancelin, C Armfield, attrib G

1051

English School

1086

Balfour Browne, VR

1012

Fenton, J

1101

Furness, R

1020

Bennett, FM

1033, 1034

Blacklock, WK

1079

Geere, F

1044

Bone, Sir M

1071

Geoffroy, HJJ

1080

Bough, S

1099

Haag, circle C

1082

Boys, TS

1066

Hamburger, J

1047

Brandon Smith, J

1052

Hardy, J Jr

1013

British School

1117

Hardy, N

1110

Burgers, HJ

1104

Harrison, JC

1014

Burrell Smith, J

1065

Haycock, FJ

1043

Bush Hardy, attrib T

1063

Hill, circle JJ

1109

Cadman, ML

1045

Hodgson, JE

1112

Calderon, WF

1024-1026

Hold, B

1032

Cameron, Sir DY

1070

Hole, WB

1108

Carelli, G

1130

Hopkins, FA

1075

Carr, T Carrière, E Cei, C

1022, 1023 1111 1105-1107

Ciardi, E

1129

Clare, O

1118,1119

Hunt, AM Hunt, W

1018, 1019 1028A

Hunt, WH

1077

Italian School

1114

Jamieson, A

1126-1128

Cleminson, R

1028

John, AE

1081

Collins, circle W

1136

Johnstone, HJ

1074

Collins, W

1135

Kennedy, C

1123

Copley Fielding, attrib AV

1059

Kilburne, GG

1078

Crowther, H

1050

Knight, AR

Dahl, circle M

1088

Knight, attrib AR

64

1056, 1057 1055

Knight, Dame L

1125

Russell, JB

1053

la Fargue, attrib K

1058

Sadee, P

1131

Salisbury, FO

1124

Landseer, foll Sir EH

1030, 1031

Landseer, Sir E H

1011

Sartorious, attrib JN

1039

Lawrence, after Sir T

1085

Sartorius, style JN

1036

Lawrence, foll Sir T

1084

Sherrin, D

1100

Leslie, C

1096

Smith, AR

1072, 1073

Lodge, GE

1017

Somerville, attrib EAO

1041

Lowry, LS

1140

Spanish School

1113

Lucas Lucas, W

1048

Spooner, A

1042

Malbon, W

1040

Stanfield, C

1067

Martin, S

1029

Stone, R

1035

Martinet, after F-N

1000

Stuart, attrib EA

1046

McPhail, R

1016

Styka, T

1083

Teniers, manner

1116

Mellor, W

1068, 1069, 1098

Melville, HS

1021

Thorburn, A

1076

Mitchell, RC

1139

Thorburn, after A

1004

Montague, A

1137

Tillemans, circle P

1010

Murillo, after BE

1115

van Dongen, D

1092

Niemann, EJ

1097

Van Dyck, after Sir A

1091

Park, JS

1120

Van Dyck, foll Sir A

1090

van Loo, foll JB

1087

Payne, CJ “Snaffles”

1005-1009

Payne, W

1060

Voet, foll F

1089

Philippeau, CF

1103

Watson, circle W

1027

Purser, W

1064

Watson, R

1138

Radford, J

1094

Wheeler, JA

1038

Richardson, TM Jnr

1062

Williams, H

1132

Richardson, TM Snr

1061

Wilson, JJ

Richmond, circle G

1088

Richter, HD Russell, attrib JB

1133, 1134

1121, 1122 1054

www.tennants.co.uk 65

THE SPRING SALE FRIDAY 19 MARCH & SATURDAY 20 MARCH 2021

To include the Selected Contents of Forcett Hall, as instructed by the Executors of the late J H Edwards-Heathcote Esq, and the selected contents of Claughton Hall, Lancashire and other notable estates from the Isle of Man and around the UK

For further information please contact: 01969 623780 | enquiry@tennants-ltd.co.uk | www.tennants.co.uk 66

ABOUT TENNANTS

UNIQUE FACILITIES Tennants is the only auctioneers in the UK with the capability to exhibit single items and collections to the public months head of sale.

Museum-quality display galleries were built in 2014 to provide ever-changing displays of highlights from the saleroom.

The Company has a long history of handling outstanding private collections and estate sales of all sizes.

Notable private collection sales have included: An American Collector - from Virginia The P Lamaison Van Heenvliet Collection of Arms and Armour - from Holland Modern Life in Print - from the estate of Edith Laurence The El-Shamy Wine Collection An Attic Sale: The Final Instalment of the Collections of the late Stanley J Seeger The Historical Collection of Natural History and Taxidermy from Hodnet Hall

www.tennants.co.uk 67

NON-SELLING EXHIBITIONS AND EVENTS Tennants hosts a busy and varied programme of exhibitions and events, which not only support and enhance the auction programme but provide a diverse cultural experience for visitors and the local community.

Frequently working in association with museums, private collectors and educational establishments, highlights of the non-selling exhibition programme include curated displays of treasure from the Bowes Museum and fine art exhibitions including 350 Years of British Art and Light & Shadow, showcasing major loaned works from over twenty museums and numerous private collections. Northern Art is championed too, with frequent selling exhibitions. Recent highlights have included Norman Cornish: Bishop’s Close Street and Sally Arnup: Life in Bronze, both of which were staged in conjunction with the artists’ estates.

CONTACT US To discuss consigning single items or collections please contact us on 01969 623780 enquiry@tennants-ltd.co.uk

68

BUYERS’ INFORMATION Buyer’s Premium

Export/ CITES Regulations

A Buyer’s Premium of 20% of the Hammer Price, plus VAT, is payable on each lot.

Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling.

Condition Reports We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. We accept no liability for the opinions expressed in any Condition Report.

Caveat Emptor The principle of caveat emptor applies to the sale of all goods sold at auction by us. Furthermore, we have no control over the condition of any item offered for sale.

Certain species are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or may be obtained from: The Animal and Plant Health Agency Centre for International Trade Horizon House Deanery Road Bristol BL1 5AH wildlife.licensing@apha.gsi.gov.uk 0117 372 3700

Requests for additional images of items in the sale can made up to 48 hours before the Day of Sale.

Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/ possession restrictions in the US prior to bidding.

Online Bidding

Picture Descriptions

We offer an online bidding service via our own platform - Tennants Live Bidding at www.tennants.co.uk. Items purchased via this platform will be subject to an additional 1.5% commission charge plus VAT at the prevailing rate. We also offer online bidding via www.the-saleroom.com for prospective buyers who cannot attend the sale. Items bought via this platform will be subject to an additional 4.95% commission charge plus VAT.

The forename(s) (or asterisks where not known) and surname of the artist indicates, in our opinion, a work by the artist named.

By completing registration on www.the-saleroom.com and providing your credit/bank card details and unless alternative arrangements are agreed with us, you;

(a) “Attributed to” - is in our opinion probably a work by the artist.

(a) authorise Tennants, if they so wish, to charge the credit/bank card given in part of full payment, including all fees, for items successfully purchased in the auction via www.the-saleroom.com; and

(c) “Circle of” - is in our opinion a work of the period of the artist executed under his immediate influence.

Additional Images

(b) confirm that you are authorised to provide these credit/bank details to Tennants through www.the-saleroom.com and agree that Tennants are entitled to permit the shipping of the goods to the card holder and card holder address provided in fulfilment of the sale.

We do not accept any liability for any losses, however arising, as a result of a prospective buyer’s use of www.the-saleroom.com. Use of www.thesaleroom.com is subject to separate terms and conditions which do not form part of these conditions.

Telephone Bidding Requests for telephone bidding must be registered at least one hour prior to the close of the View Day. We will not accept requests on the Day of Sale. Telephone Lines are booked on a first-come, first-served basis and are subject to a minimum lot value of £500 for Fine Art Sales and £200 for all other sales.

Absentee Bidding Whilst reasonable endeavours will be made to execute absentee bidding up to the Day of Sale, Tennants will not be liable for any default or neglect in connection with this service. All such arrangements therefore are made entirely at the Prospective Buyer’s risk.

The initials of the forename(s) and the surname of the artist indicates in our opinion a work of the period of the artist which may be wholly or in part his work.

The following terms apply in our determination of a picture description: (b) “Studio of” - is in our opinion a work from the studio of the artist which may or may not have been executed under his direction.

(d) “Follower of” - is in our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (e) “Manner of” - is in our opinion a work in a style related to that of the artist, but of a later date. (f) “School accompanied by the name of a place or country and a date” - means that in our opinion the picture was executed at that time and in that location; e.g. Flemish School, 17th century. (g) “After” - an artist is in our opinion a copy of any date after a work by that artist. (h) “Signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription” - are from the hand of the artist (i) “Bears signature and/or dated and or inscription means that in our opinion the artist’s name and/or date and/or inscription” - have been added by another hand. (j) All references to signature, inscriptions and dates refer to the present state of the work.

VAT

(k) Dimensions are given height before width and do not include the frame

Value added tax or any equivalent tax chargeable in the UK or elsewhere.

(l) Pictures are framed unless otherwise stated.

Agency We act as agents for the Seller, whose details remain confidential. If you buy at auction your contract is with the Seller, not us.

www.tennants.co.uk 69

Droit de Suite/ Artists’ Resale Rights

Collection

All items in this catalogue that are marked with “” are potentially qualifying items, and the royalty charge (set out below) will apply if the Hammer Price is more than the UK sterling equivalent of €1,000. The royalty charge will be added to purchase invoices, and must be paid before items can be cleared. All royalty charges are paid to either the Design and Artists Copyright Society (“DACS”) or the Artists’ Collecting Society (“ACS”) by the auctioneers, and no handling costs or additional fees with respect to these changes will be retained by the auctioneer.

All purchases much be collected from our Leyburn offices, unless stated otherwise, within seven days of the Sale (Monday to Friday 8.30am to 5.00pm).

From 14 February 2006 United Kingdom art market professionals (which includes auctioneers) are required to collect a royalty payment for all works of art that have been produced by living artists, and those who have died within the last 70 years. This payment is calculated on qualifying works of art which are sold for a Hammer Price more that the UK sterling equivalent of €1,000 (the UK sterling equivalent will fluctuate in line with prevailing exchange rates). It is the responsibility of the Buyer to acquaint themselves with the actual Euro to UK sterling exchange rate on the Day of Sale. The actual qualifying threshold will be calculated by the “Artist’s Resale Right Service Hub” based on the “European Central Bank” reference rate published at 2.15pm on the Day of Sale and can be found on www.dacs.org.uk

Bradleys Antique Packing Services Ltd 01325 281332 info@antiquepacking.co.uk

The royalty charge for qualifying items which achieve a Hammer Price of more than the UK sterling equivalent of €1,000 is as follows: Up to €50,000 – 4% €50,000.01 to €200,000 – 3% €200,000.01 to €350,000 – 1% €350,000.01 to €500,000 – 0.5% Exceeding €500,000 – 0.25%

For certain sales, we offer a packing and shipping service for items up to a total value of £5,000 (inclusive of buyer’s premium, VAT and any other associated charges). Packages can be up to 60cm x 60cm and up to 30 kg. Prices range from £20-£40 depending on the size and destination.

Items are fully insured and can be tracked from dispatch to delivery. If this service is available it will be shown on the relevant sale page. Please see the Auctions Calendar for our latest sales. If you require this service, you will need to let us know as we will need to amend your invoice. You will need to pay your invoice in full, including delivery before items are dispatched.

For further information please visit www.dacs.org.uk or www.artistscollectingsociety.org. There is no VAT payable on this royalty charge.

Method of Payment Payment is accepted by cash up to £8,000, debit or credit card, cheque or bank transfer.

Card payments where the card holder is not present will only be accepted for transactions up to £500.

Payment can be made and purchases collected during the auction.

All accounts must be settled within 14 days of the sale. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale.

70

Despatch/Delivery Buyers may appoint their own shippers or use one of our preferred suppliers for all UK deliveries and international shipping. Their contact details are as follows:

Carrs Carriers Ltd 01423 297088 01913 077024 carrscarriersltd@gmail.com Mailboxes Etc 0113 242 8715 info@mbeleedscity.co.uk

Small Items

To obtain a quote for packing and shipping, please email shipping@tennants-ltd.co.uk or call 01969 623780 For full Terms of Business please refer to www.tennants.co.uk

2021 AUCTION DATES Friday 19 March & Saturday 20 March

The Spring Sale Friday 26 March

Antiques & Interiors Saturday 27 March

The Curious Collector Friday 9 April

Militaria Saturday 10 April

Antiques & Interiors and Beswick & Border Fine Art Friday 16 April

Toys and Collectables Friday 23 April

Antiques & Interiors Friday 23 April

Wine & Whisky Friday 7 May

Antiques & Interiors Friday 7 May

Textiles Saturday 8 May

Motor Vehicles & Automobilia Wednesday 12 May

Coins & Banknotes Friday 21 May

Country House – Part I Saturday 22 May

Country House – Part II Wednesday 26 May

Scientific & Musical Instruments Friday 28 May

Antiques & Interiors

www.tennants.co.uk 71

Lot 1037

Lot 64 (detail)

The Auction Centre, Leyburn North Yorkshire DL8 5SG 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk