Music News aka Houston Music News - April 2024

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April 2024

Friday, April 5

The Verdict, Social Eclipse

Saturday, April 6

Downfall 2012, Secret Of Boris

Friday, April 12

To Be Announced

Saturday, April 13

Kobra Strike, The Gores

Friday, March 19

Split Grin, After 11, 7 Days To Die

Saturday, April 20

Six Guns Sound (Bad Company Tribute)

Friday, April 26

Stonecrop, Train Wreck Method, Phantum Sun

Saturday, April 27

Twin Sunns, Sardis, The Smokes, Dear Nobody

Hi Folks,

April 2024

Hello Music News readers. I hope you had a great February.

Our cover story for this month is Bad Bunny. Bad Bunny will be bringing his “Most Wanted Tour” to Toyota Center for two nights, April 30th and May 1st. This is going to be one concert you won’t want to miss. Bad Bunny always puts on a great show! The story on Bad Bunny is in both English and Spanish.

Now, on to the new issue. In this issue, as usual, we have some great stories and information to pass on to you. Check out stories in this month’s issue on Social Distortion, Bad Religion, Great White, Quiet Riot, Slaughter, Adam Atn, Idles, Asking Alexandria, The Alarm, Steve Vai and Joe Satriani, and much more, as well as another installment of the original story, THE BIKER! Also in this issue are a ton of great pictures of bands performing around the Houston area. I’m sure you’re going to be familiar with a lot of these bands. Those bands include After Dark Society, Alastair Greene, Chaw, Deathrattle, Empire Cats, Escape, Evelyn Rubio, Hard Luck Revival, Hipwaders Flying Circus, Hotrod Hillbillies, Pot Roast, SPX, Upper Cut and Zilove In The Air!

Also be sure to check out our Spanish section. In this month’s issue we have stories on Gloria Trevi, Conjunto Primavera, and Los invasores De Nuevo Leon. The stories are in English and Spanish.

I sincerely hope that everybody reading this new publication finds something here that they like and I would like to encourage you to let your friends and colleagues know about us. Just look for us every month at http://www.houstonmusicnews.net. I would also like to encourage you to email us for a free subscription to Rock And Blues International as well. Just email us at musicnew@airmail.net and in the subject line simply put “Sign Me Up” and we’ll email you a copy each month when it is published. Remember, for your convenience, Music News is also now downloadable. You can download the issue into your computer or storage device and save it and read it at your convenience without having to get logged on to the internet every time. Try it now and save every issue. It will make things a lot easier for you.

Bad Bunny Plots Intimate ‘Most Wanted Tour’ to Showcase New Trap Sound

By Jose Martinez

After a massive 2022 that saw him become the top global touring artist, Puerto Rican superstar Bad Bunny is returning to the road in 2024 for an intimate arena tour across North America. Promoted by Live Nation, the 31-city “Most Wanted Tour” will feature 47 shows giving fans a chance to see the Grammy winner in a scaled-down setting compared to his last outing.

The staggering run kicks off on February 21st at the Delta Center in Salt Lake City and includes multiple nights in major markets like Las Vegas, Phoenix, San Francisco, Austin, Atlanta, Orlando and others. Bad Bunny will play three nights each in Los Angeles, Chicago and New York, as well as two shows at the Toyota Center in Houston on April 30th and May 1st before

wrapping up with three consecutive performances at the Kaseya Center in Miami in late May.

The “Most Wanted Tour” will give fans their first extended look at Bad Bunny’s surprise October 2023 album “Nadie Sabe Lo Que Va Pasar Mañana.” Marking his return to his trap roots, the album quickly became the most-streamed in a single day on Spotify last year, amassing over 900 million streams led by the hit single “MONACO” which topped Spotify’s charts in 16 countries.

While promoting a more intimate concert experience, the tour is still expected to be one of 2024’s biggest draws thanks to the album’s runaway success and Bad Bunny’s unprecedented global popularity coming off his 2022 smash “Un Verano Sin Ti.” That album spent 13 non-consecutive weeks at No. 1 on the Billboard 200 on its way to

winning the Grammy for Best Musica Urbana Album.

Early hints of “Nadie Sabe Lo Que Va Pasar Mañana’s” title began surfacing last May when Bad Bunny’s “Where She Goes” video featured a billboard stating “Nadie sabe...” In the months before the album’s release, Spotify billboards reading “Nobody knows if it will be this year or next” appeared across Latin America teasing the highlyanticipated project.

In a Vanity Fair interview, Bad Bunny revealed he was “experimenting with a new musical mood” on the album, pulling influence from 1970s music across genres “in both Spanish and English” as he aimed to create an album unlike its predecessor “Un Verano Sin Ti.” He called the new

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Bad Bunny

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project, which features guest appearances from Arcángel, Bryant Myers, Feid and others, his “most personal yet.”

The surprise release of “Nadie Sabe Lo Que Va Pasar Mañana” caps off a meteoric rise over the past decade for the 29-year-old artist born Benito Antonio Martínez Ocasio. After growing up in Puerto Rico idolizing salsa singers like Héctor Lavoe and reggaeton stars like Daddy Yankee, Bad Bunny began pursuing a music career while studying audiovisual communication and working as a grocery store bagger.

He first broke through in 2016 when the reggaeton DJ Luian caught wind of his song “Diles” and signed him to his Hear This Music label. Bad Bunny’s breakthrough single “Soy Peor” arrived in late 2016, peaking at No. 22 on the Hot Latin Songs chart and establishing his trapinfluenced sound.

A prolific string of singles like “Pa Ti”, “Loco Pero Millonario” and high-profile collaborations quickly followed, including 2017 hits with Ñengo Flow, Arcangel, Ozuna and others. Towards the end of that year, Bad Bunny appeared on the J Balvin and Prince Royce smash “Sensualidad” before teaming up with Balvin and Cardi B in 2018 on the Billboard Hot 100 No. 1 hit “I Like It.”

On Christmas Eve 2018, Bad Bunny capitalized on his momentum by surprise releasing his debut studio album “X 100pre” to universal acclaim. Co-produced by reggaeton legend Tainy, the genre-blending set mixed styles like pop-punk, R&B and hip-hop while still centering Bad Bunny’s trap and reggaeton roots. It

topped the Top Latin Albums chart and crossed over to the Billboard 200.

Just six months later, he collaborated with J Balvin on the joint album “Oasis,” which peaked at No. 9 on the Billboard 200 and won Best Urban Album at the Latin Grammys. He quickly followed that in February 2020 with his solo sophomore effort “YHLQMDLG,” which became one of the first all-Spanish albums to debut at No. 2 on the Billboard 200.

As the pandemic hit, Bad Bunny continued his prolific run, surprise releasing the compilation “Las Que No Iban a Salir” featuring unreleased tracks and guests like Don Omar and Nicky Jam. Then in November 2020, he unveiled “El Último Tour Del Mundo” which found him experimenting with indie and alternative sounds inspired by bands like The Cure and Radiohead.

The stage was set for 2022’s blockbuster “Un Verano Sin Ti,” which spent three months atop the Billboard 200 thanks to smashes like

“Moscow Mule” while winning the Grammy for Best Musica Urbana Album. The album continued Bad Bunny’s musical reinvention, blending reggaeton with Caribbean rhythms and unlikely collaborations.

While taking much of 2023 off aside from festival gigs at Coachella, Bad Bunny still managed hits like “Where She Goes” and guest spots with Travis Scott and The Weeknd. Now his highly-anticipated “Most Wanted Tour” promises to be an intimate spectacle showcasing his latest reinvention as a trailblazing voice in Latin trap and música urbana.

From humble grocery store beginnings to becoming a Grammywinning global icon, Bad Bunny has cemented himself as one of this generation’s most vital artists. The “Most Wanted Tour” will give fans a rare chance to experience that hardearned stardom up close as he brings the groundbreaking “Nadie Sabe Lo Que Va Pasar Mañana” and his biggest hits to arenas across North America night after night.

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Great White, Quiet Riot, and Slaughter

Perform At Warehouse Live Midtown April 26th For A Triple Dose Of Rock

By Greg Fontaine

Meet the Legendary Great White Band

Lead by Brett Carlisle’s captivating vocals, the heart and soul of Great White pumps through the veins of each member: Mark Kendall on guitars, Michael Lardie on guitars and keyboards, Audie Desbrow on drums, and Scott Snyder on bass.

Surviving and thriving in the everevolving music industry for an impressive 40 years, Great White lives by the mantra: “These songs are bigger than any one member.” But they add their twist: “Expect the unexpected. It’s rock and roll, baby.” Through peaks and valleys, the music never stops, and the passion for their craft runs deep.

With an arsenal of hits that includes the Grammy-nominated “Once Bitten, Twice Shy,” Great White boasts a staggering 10 million albums sold worldwide, six Top 100 Billboard hits, nine Top 200 Billboard albums, two platinum records, and four charttopping music videos on MTV.

Witnessing their iconic hits like “Rock Me,” “Mista Bone,” “Save Your Love,” “House of Broken Love,” and “Lady Red Light” live is an emotional rollercoaster. Their concerts offer a sultry connection, stirring lyrics, and a relentless barrage of hard-hitting orchestrations. Audiences might also be treated to hidden gems like “Something For You,” “Hard To Say Goodbye,” or “Big Time” from Great White’s extensive catalog of 13 studio albums.

Originating in California, Great

White’s unique sound, fueled by Mark Kendall’s blues-based guitar riffs, has mesmerized audiences globally since 1982. The band’s core songwriting duo, Lardie and Kendall, have crafted numerous hits over the years. When Desbrow joined in ’85, the band hit their stride with irresistible grooves.

For over a decade, Scott Snyder’s unyielding rhythm has seamlessly merged with Desbrow’s relentless percussion, creating an unstoppable force.

From their humble beginnings at Los Angeles’ iconic Troubadour to sharing arena stages with rock giants like Judas Priest, Whitesnake, and Scorpions, Great White has left an indelible mark. They’ve traversed the globe alongside contemporaries such as Slaughter, Vixen, Skid Row, and Vince Neil, bringing their electrifying live performances to the masses.

In the world of rock and roll, Great White stands tall as legends, their music an enduring testament to the power of passion and perseverance.

The Resilient Journey of Quiet Riot

Quiet Riot, a rock & roll phenomenon, etched its name in history as the first heavy metal band to claim the coveted #1 spot on the Billboard pop chart with their monumental 1983 album “Metal Health.” Hailing from Los Angeles, this quartet became an overnight sensation with their undeniable smash hits.

Recently, legendary bassist and founding member of “Metal Health,” Rudy Sarzo, has made a triumphant return to Quiet

Riot after an absence of almost 20 years. This decision aligns with the wishes of Frankie Banali, who sadly passed away in 2020. With the blessing of the Banali estate, Quiet Riot embarks on its historic journey in 2022, featuring the talents of guitarist Alex Grossi, vocalist Jizzy Pearl, and the addition of Type O Negative drummer Johnny Kelly.

The saga of Quiet Riot begins back in 1980 when Kevin DuBrow initiated a new musical endeavor under his name, collaborating with Frankie Banali and various musicians. They later signed with Pasha/CBS Records, reclaimed the Quiet Riot moniker, and teamed up with new guitarist Carlos Cavazo and bassist Chuck Wright to craft a new album. It was in 1982, following the tragic loss of Randy Rhoads, that Rudy Sarzo left Ozzy Osbourne’s band to join Quiet Riot, completing the lineup for what would become the iconic “Metal Health” album of 1983.

Fueled by the powerhouse bassline of the title track and a raucous rendition of Slade’s classic “Cum on Feel the Noize,” “Metal Health” soared up the charts, landing at the coveted number one spot. The album achieved platinum status five times over in the U.S., eventually crossing the 10 million sales mark worldwide.

Quiet Riot continued their musical journey with the release of “Condition Critical” in 1984, which sold over 2 million copies in the U.S., featuring hits like “Mama Weer All Crazee Now” and “Party All Night.” In 1986, the band regrouped for “QR III,” with Paul Shortino taking over vocal duties. The years that followed saw various lineup changes, with different vocalists and bassists stepping in and out of the spotlight.

In 1997, a special performance at an after-show party hosted by Marilyn Manson lured Rudy Sarzo back to Quiet Riot, sparking a renewed energy in the band. They hit the road once again, captivating audiences across continents. The lineup at this time was documented on the 1999 album “Alive and Well,” followed by “Guilty Pleasures” in 2001.

Tragedy struck in November 2007 with the untimely passing of Kevin DuBrow, marking a somber chapter in Quiet Riot’s history. However, fueled by their dedication to the music and the legacy of their fallen bandmate, Frankie Banali, Chuck Wright, Alex Grossi, and later Jizzy Pearl and Johnny Kelly, continued to carry the torch of Quiet Riot.

Despite challenges and changes, Quiet Riot persevered, with Banali bravely battling cancer until December 2019. In honor of Frankie’s wishes, Johnny Kelly stepped in as the new drummer, continuing the band’s legacy. The recent return of Rudy Sarzo adds another exciting chapter to Quiet Riot’s story, as they look ahead to a future of touring and

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Great White, Quiet Riot, and Slaughter Perform At Warehouse Live Midtown April 26th For A Triple Dose Of Rock

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recording, carrying on the enduring spirit of their legendary rock & roll journey into 2022 and beyond.

The Journey of Slaughter: A Rock Saga

Hailing from the vibrant music scene of Las Vegas, Nevada, Slaughter emerged in 1988, led by the dynamic duo of Mark Slaughter on vocals and rhythm guitar, alongside bassist Dana Strum. With Tim Kelly on guitars and Blas Elias on drums, the band burst into the rock scene with a fiery energy.

Their debut album, “Stick It To Ya,” released in 1990, catapulted them to stardom with its raw, unapologetic rock anthems. Hits like “Up All Night,” “Spend My Life,” “Mad About You,” and “Fly to the Angels” dominated the airwaves, propelling the album to double platinum status in the United States.

Amidst the whirlwind of success, Slaughter remained a steadfast presence in national tours, often headlining the Rock Never Stops Tour alongside fellow rock legends of the era.

Unlike some of their counterparts who faded with the rise of alternative music, Slaughter persisted, churning out new records and thrilling audiences worldwide. In 1992, they unleashed their second album, “The Wild Life,” which went platinum and featured the Billboard Hot 100 hit “Real Love.”

However, challenges soon loomed on the horizon. In 1993, guitarist Tim Kelly faced legal troubles related to drug trafficking, while Dana Strum suffered a motorcycle accident that jeopardized his ability to play. Undeterred, the band pressed on, navigating through setbacks as they poured their hearts into their music.

By February 1994, with Strum fully

recovered, they completed their next album, switching to CMC Records for its release. “Fear No Evil” hit the shelves in 1995, finding considerable success in Japan despite lukewarm reception in the US. Guitarist Dave Marshall stepped in for Kelly during this period, holding down the fort during the guitarist’s legal battles.

When Kelly’s legal woes were behind him, Slaughter forged ahead with their next venture. In 1997, “Revolution” emerged, showcasing a more experimental, psychedelic sound that, unfortunately, went largely unnoticed by mainstream media.

Tragedy struck the band on February 5, 1998, when Tim Kelly lost his life in a devastating auto accident in the Arizona desert. The loss reverberated through the

band, but their dedication to their craft remained unshaken.

With guitarist Dave Marshall stepping in for live performances, the band continued their journey. In 1999, they welcomed Jeff Blando as Kelly’s replacement, releasing the live album “Eternal Live” to commemorate their time with Kelly.

Resurging with “Back to Reality” in 1999, featuring Blando’s fierce guitar work, Slaughter once again found their stride. The band continued to grace rock package tours, sharing stages with the luminaries of the glam era from the late ’80s and early ’90s.

Their music found new life during the summer of 1999 with the “Rock Never Stops Tour,” as “Fly To The Angels” soared to the top of charts. “Up All Night” followed suit, becoming a chart-topper on Rhino Records’ “Hard Hitters.” The Summer 2000 tour alongside Poison, Cinderella, and Dokken further solidified their place in rock history.

In 2001, Slaughter joined the “Voices of Metal” tour, alongside Vince Neil, Ratt, and Vixen, continuing to captivate audiences with their electrifying performances.

Throughout their journey, Mark Slaughter and Dana Strum’s former bandmate Bobby Rock from Vinnie Vincent Invasion lent his drumming prowess to Slaughter’s live shows, filling in for Elias on occasions during the Rock Never Stops Tour.

As the years rolled on, Slaughter’s legacy continued to grow. In April 2004, they gifted fans with the release of “Then and Now,” a DVD-A featuring 12 of their timeless tracks and a treasure trove of 50 rare band photos, a testament to their enduring presence in the annals of rock history.

Diamond Rio Perform At Dosey Doe In the Woodlands

Diamond Rio is set to grace the stage for an intimate concert at Dosey Doe in The Woodlands on April 28th, offering fans a special night of their timeless country melodies.

With a musical journey spanning over three decades, Diamond Rio recently made waves with the announcement of new music and changes within the band. Their latest release, “The Kick,” not only highlights the exceptional talents of this Grammy awardwinning group but also marks a new chapter with the addition of two fresh faces to the lineup.

Originally formed in 1989, the iconic six-time Vocal Group of the Year, Diamond Rio, consisted of Marty Roe (lead vocals), Jimmy Olander (guitar/banjo), Dana Williams (bass/vocals), Dan Truman (piano), Brian Prout (drums), and Gene Johnson (mandolin/ vocals). However, after an illustrious 33-year run, the band bid farewell to retiring members Brian Prout and Gene Johnson, welcoming Carson McKee (fiddle/harmony vocals) and Micah Schweinsberg (drums) into the fold.

“The Kick” serves as the debut song and video under this new lineup, showcasing the mastery of their instruments with a captivating blend of country and bluegrass. The energetic and musically rich track features the two new members prominently, as seen in the accompanying music video filmed in Franklin, TN. Directed by the band’s drummer and newest addition, Micah Schweinsberg, the video was developed and written by long-time guitar player Jimmy

Olander.

Originating as The Tennessee River Boys in the 1980s, the group evolved into Diamond Rio in 1989. Signing with Arista Nashville the following year, they made history in 1991 with the release of “Meet in The Middle,” becoming the first country music group to achieve No. 1 with a debut single. Their impressive repertoire includes chart-topping hits such as “How Your Love Makes Me Feel,” crossover sensation “One More Day,” and timeless classics like “Beautiful Mess” and “Unbelievable.”

Having sold over 6.8 million albums and amassing more than 1.05 billion global streams, Diamond Rio boasts an impressive track record with 20 Top 10 singles, 15 Top 5 singles, and seven No. 1 hits. Renowned for playing every note on their albums throughout their career, the band’s dedication to their craft shines through in instrumental tracks like “Big,” “Appalachian Dream,” and “Poultry Promenade,” all of which received Grammy nominations for Best Country Instrumental Performance.

Following their tenure with Arista Nashville, Diamond Rio released two albums under Word Records – the Christmas album “The Star Still Shines” and the Dove and Grammy-winning Christian Country album “The Reason.”

Accumulating numerous accolades over the years, the band holds a special place as members of the Grand Ole Opry, having earned six Vocal Group of the Year Awards

(four CMA and two ACM). Their charitable endeavors, including long-standing support for Big Brothers Big Sisters, have raised over $1 million for non-profits, earning them the Minnie Pearl Humanitarian Award.

Diamond Rio’s distinctive blend of modern country, traditional bluegrass, and rock & roll has solidified their status as country music icons. Since their formation in 1982, the band has continued to captivate audiences with their unique sound, earning them a string of successes on the Country Singles chart, including seven No. 1 hits, fifteen Top 5, and twenty Top 10 placements.

The original lineup of Diamond Rio, featuring Marty Roe (lead vocals, guitar), Jimmy Olander (guitar, banjo), Gene Johnson (mandolin, vocals), Dan Truman (keyboards), Dana Williams (bass), and Brian Prout (drums), marked their debut with the selftitled album in 1991. The album’s lead single, “Meet in the Middle,” soared to the top of the Hot Country Songs chart, paving the way for a series of chart-topping hits.

Despite facing health challenges along the way – including injuries to Gene Johnson and Dana Williams, as well as Jimmy Olander’s health scare – the band persevered, releasing platinum-selling albums like their debut self-titled release in 1991 and subsequent hits like “Close to the Edge” (1992) and “Love a Little Stronger” (1994).

Their commercial success continued with albums like “Unbelievable” (1998), featuring hits such as “How Your Love Makes Me Feel,” and “One More Day” (2001), which produced their third No. 1 single of the same name. In 2002, “Completely” topped the charts with “Beautiful Mess,” solidifying their place as consistent hitmakers.

Transitioning to Christian music in the late 2000s, Diamond Rio’s albums “The Star Still Shines” (2007) and “The Reason” (2009) showcased their versatility and depth as artists. In 2015, they launched their own label, Rio Hot Records, releasing “Diamond Rio Live” and “I Made It,” their first album of new material in six years.

In 2022, Diamond Rio welcomed new members Carson McKee and Micah Schweinsberg, marking their first lineup changes in decades. Their latest single, “The Kick” (2023), is a testament to the band’s enduring creativity and passion for making music that resonates with audiences.

Don’t miss the chance to experience Diamond Rio live in concert at Dosey Doe on April 28th, where they will undoubtedly deliver a night of unforgettable music and cherished memories.

Friday,April 5

Sparky Parker Band

Saturday, April 13

Kirky TG - Chris Castaneda

Sunday, April 21

Saturday, April 6

Josh Garrett Band

Friday, April 19

Tianna Hall

Friday, April 26

Sunday, April 7 Garrett, Chauvin, & Chauvin

Friday, April 12

Eric Demmer Band w/ Jill Donahue

Saturday, April 20

Late Show Scott McGill

Saturday, April 20 @ 4pm

Paul Ramirez Band

The EZ#

Jay Hooks Band

APRIL 2024

Saturday, April 27

William James & The Classix

Sunday, \ April 28 Buck Yeager Marcus Eldridge and Mike Patton

Dave Mason, Rock & Roll Hall of Famer, Brings 2024 Traffic Jam Tour to Houston

Dave Mason, Rock & Roll Hall of Famer, Brings 2024 Traffic Jam Tour to Houston

British guitarist and singersongwriter Dave Mason, a revered figure in the world of rock music, is gearing up to bring his iconic sounds to Houston on April 12th as part of his 2024 Traffic Jam tour. The concert, set to take place at the esteemed Heights Theater, promises a night of unforgettable music from a career spanning over five decades.

Mason, best known for his work with the legendary band Traffic, has established himself not only as an exceptional performer but also as a prolific songwriter and producer. Fans and critics alike have hailed him as one of the most talented guitarists and songwriters in the world, a reputation that has kept him in the spotlight and performing over 100 shows a year to sold-out crowds.

The journey of Dave Mason’s musical career began at a young age. By the time he was 15, he had already founded two bands, The Deep Feeling, and The Hellions. It was at 18 when he teamed up with Steve Winwood, Jim Capaldi, and Chris Wood to form Traffic, a band that would leave an indelible mark on the rock music landscape.

At just 19 years old, Mason penned the timeless rock anthem “Feelin’ Alright,” a song that would become synonymous with both himself and Traffic. Originally recorded by Traffic and later covered by dozens of artists, including the iconic Joe Cocker, “Feelin’ Alright” cemented Mason’s place in rock history and continues to influence musicians to this day.

Despite his success with Traffic, Mason ventured into a solo career in 1969. Over the years, he has penned over 100 songs, with three gold albums— Alone Together, Dave Mason, Mariposa De Oro—and a platinum album, Let It Flow, which featured the chart-topping single “We Just Disagree.”

Mason’s influence extends far beyond his solo work. He has contributed to and performed on numerous famous albums, leaving his mark on classics such as The Rolling Stones’

Beggars Banquet, George Harrison’s All Things Must Pass, and Paul McCartney and Wings’ Venus and Mars. Fans of Jimi Hendrix’s Electric Ladyland will recognize Mason’s distinctive acoustic guitar work on “All Along the Watchtower,” a favorite in his live performances.

Throughout his illustrious career, Dave Mason has collaborated with an impressive roster of musical legends, including Jimi Hendrix, George Harrison, Paul McCartney, and Eric Clapton, among many others. His distinctive style can be heard on various gold and platinum albums, showcasing his versatility and talent as a musician.

Born on May 10, 1946, in Worcester, England, Mason’s musical journey began in his teens when he made his recording debut with the instrumental group the Jaguars. His path led him through bands like the Hellions and Deep Feeling before he joined the Spencer Davis Group as road manager, crossing paths with Steve Winwood along the way.

In 1967, Winwood and Mason, alongside Capaldi and Wood, formed Traffic, releasing hits like “Paper Sun” and “Hole in My Shoe.” Mason’s departure from Traffic in 1968 marked the beginning of his successful solo career, marked by albums like Alone Together, It’s Like You Never Left, and Let It Flow.

Mason’s solo albums showcased his incredible songwriting talent and his ability to craft melodies that resonate with audiences. Songs like “Only You Know and I Know” from Alone Together and “We Just Disagree” from Let It Flow became anthems for a generation, capturing the spirit of the times with their heartfelt lyrics and infectious hooks.

The 1970s saw Mason at the peak of his solo career, with a string of successful albums and hit singles. Albums like Split Coconut and Mariposa de Oro showcased his versatility as an artist, blending rock, folk, and blues

influences into a sound that was uniquely his own.

In addition to his solo work, Mason continued to collaborate with some of the biggest names in music. His work with Eric Clapton on the classic album Crossroads is legendary, as is his contribution to George Harrison’s All Things Must Pass.

Mason’s live performances have always been a highlight of his career, with his electrifying stage presence and virtuosic guitar playing captivating audiences around the world. His performances of “Feelin’ Alright” and “All Along the Watchtower” are always crowd favorites, showcasing his ability to bring new life to classic songs.

Over the years, Mason has continued to evolve as an artist, experimenting with new sounds and styles while staying true to his roots. His 2008 album, 26 Letters 12 Notes, marked a return to his rock and blues roots, earning critical acclaim and reminding fans of his enduring talent.

As Mason prepares to take the stage at the Heights Theater in Houston, fans can expect an electrifying night of music that spans his illustrious career. The 2024 Traffic Jam tour promises to be a celebration of Dave Mason’s enduring legacy, showcasing the talent and passion that have defined his music for generations.

For fans of rock music, this concert is a rare opportunity to witness a true legend in action, performing the songs that have shaped the landscape of rock and roll for over five decades. Dave Mason’s influence is undeniable, and his music continues to inspire new generations of musicians and fans alike.

So mark your calendars for April 12th and get ready to experience the magic of Dave Mason live in concert. It’s sure to be a night to remember, filled with unforgettable music and the timeless sounds of a true rock and roll icon.

Conjunto Primavera Perform At The Arena Theatre

Get ready for an unforgettable night of romance and musical brilliance as Conjunto Primavera takes the stage at The Arena Theatre on April 6th. Hailing from Chihuahua, Mexico, Conjunto Primavera is not just any ordinary group; they are a best-selling, multi-Latin Grammy-winning ensemble that emerged from the explosive norteño scene of the 1990s.

Founded by the talented saxophonist Juan Dominguez in 1978, Conjunto Primavera quickly made waves with their unique blend of rancheras, boleros, and ballads. Their early regional success was evident with the release of the lively “Cuatro Primaveras” in 1980. As the years progressed, so did their sound, evolving to include not only the saxophone but also electric keyboards, as showcased in their 1986 album “Con las Manos Vacias”.

In the early 1990s, the group signed with Fonovisia, marking the beginning of a string of hit singles and albums. Their breakthrough came with

the gold-certified album “Necesito Decirte” in 1998, solidifying their position as one of the most influential groups in the norteño genre. Conjunto Primavera’s harmonies are a delightful fusion of vintage doo-wop, rhythm and blues, and northern Mexican folk music, creating a style that is uniquely their own.

From the year 2000 onwards, Conjunto Primavera consistently dominated the charts, with a dozen consecutive albums landing in the Top 200. They were a mainstay on Top Latin Albums and Mexican Regional Albums charts, with notable works such as the Latin Grammy-winning “Amor Amor” in 2014 and “Lo Más Escuchado De” in 2019.

The band, founded on March 21, 1978 (the first day of spring) in Ojinaga, Chihuahua, consists of talented musicians including Tony Meléndez on vocals, Oscar Ochoa on bass, Félix Antonio Contreras on accordion and electric keyboards, Manuel Rolando

Pérez on bajo sexto, Francisco “Frank” Mata on electric bass, and Adrian Anthony Regalado on drums.

Their journey began with performances at local venues, gradually gaining recognition before signing a recording contract with Joey Records, an independent regional Mexican label based in San Antonio, Texas. The release of their breakthrough album “Me Nortié” in 1993 marked a turning point, leading to their debut on AFG Sigma Records.

Despite label changes and transitions, Conjunto Primavera’s musical prowess remained unparalleled. Their shift to Fonovisa in 1996 marked the beginning of a fruitful partnership that saw the band soar to new heights. “Necesito Decirte” (1998) was certified platinum by the RIAA, with over a million copies sold. Successive albums such as “Morir de Amor” (2000), “Ansia de Amar” (2001), and “Perdoname Mi Amor” (2002) continued to garner success, with each going at least gold.

The band’s accolades speak for themselves, with numerous Latin Grammy nominations and wins. In 2014, they clinched the coveted Latin Grammy for Best Norteño Album with “Amor Amor”. Conjunto Primavera’s presence at the 2006 Latin Grammy Awards saw them take home the award for Best Regional Mexican Song with “Aún Sigues Siendo Mía”.

Their legacy of critical and commercial successes continued with albums topping the Regional Mexican Albums charts and achieving gold status. The band’s singles resonated with audiences, earning them a multitude of Latin Grammy nominations.

In late 2017, Conjunto Primavera returned with the studio album “Con Toda la Fuerza” for Fonovisa, followed by “Lo Más Escuchado De” two years later. This collection of romantic songs, both new and re-recorded, boasted the chart-topping single “Si Te Vuelvo A Ver”, released in the early spring of 2020.

As they prepare to grace the stage at The Arena Theatre on April 6th, fans can anticipate a night filled with timeless classics, soulful melodies, and the unmistakable magic of Conjunto Primavera. Don’t miss this opportunity to witness one of the most iconic groups in norteño music history as they captivate audiences with their enchanting performance.

Asking Alexandria Perform At The House Of Blues April 13

By Greg Fontaine

British rock luminaries Asking Alexandria are set to make a triumphant return to the United States this spring, igniting stages across the nation with their highly anticipated “All My Friends” tour. This monumental 27-date journey, in support of their critically acclaimed eighth studio album “Where Do We Go From Here?”, promises fans an electrifying experience like no other.

The tour, kicking off on April 12th in San Antonio, Texas, and concluding on May 18th in Tempe, Arizona, will see Asking Alexandria at the helm, ready to unleash their signature blend of raw energy and unbridled passion on eager audiences. Joining them on this epic musical voyage are special guests Memphis May Fire and The Word Alive, along with the electrifying opening act NERV.

“Where Do We Go From Here?” stands as a testament to the band’s enduring legacy, already boasting their second-ever #1 Active Rock radio single with the electrifying track “Psycho”. Since its release, the album has amassed an impressive 43 million streams, captivating listeners with its bold experimentation and undeniable hooks.

Produced and mixed by the acclaimed Matt Good, renowned for his work with Hollywood Undead and From First To Last, “Where Do We Go From Here?” represents a sonic evolution for Asking Alexandria. The album seamlessly blends their signature metalcore roots with innovative forays into experimental electronics, creating a dynamic and immersive listening experience.

In an era where the death of rock is often predicted, Asking Alexandria stands defiant, a vibrant beacon of the

genre’s enduring spirit. Their music resonates with vibrant potency and empowering authenticity, embodying the very essence of rock ‘n’ roll rebellion.

The band’s immense social media following, exceeding 10 million devoted fans, speaks volumes about their global reach and enduring appeal. From sharing the stage with rock legends such as Guns N’ Roses, Green Day, Alice In Chains, and Avenged Sevenfold, to touring alongside heavyweights like Slipknot, Korn, and Bullet For My Valentine, Asking Alexandria has left an indelible mark on the rock landscape.

Their anthems, including the RIAA-certified gold hits “The Final Episode” and “Not the American Average”, have collectively amassed over 100 million views on YouTube. Tracks like “The Death of Me”, “Moving

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On”, and “A Prophecy” continue to captivate audiences worldwide, their powerful lyrics and infectious melodies striking a chord with listeners.

The media has taken note of the band’s impact, with cover stories in prestigious publications such as Kerrang!, Metal Hammer, Rock Sound, Alternative Press, and Revolver. Their music enjoys extensive airplay on satellite and terrestrial radio stations, while fan discussions on platforms like Tumblr, Reddit, and Snapchat buzz with excitement.

Asking Alexandria’s self-titled fifth album marked a triumphant return to form, celebrating acceptance and the strength of diversity. Tracks like “Alone in a Room” and “Hopelessly Hopeful” showcase the band’s signature blend of powerful verses and anthemic choruses, resonating with fans on a deeply personal level.

With a career spanning five albums, Asking Alexandria’s journey has been one of resilience, reinvention, and unwavering passion. From their breakout hit “Stand Up and Scream” (2009) to the melodic fury of “Reckless & Relentless” (2011) and the chart-topping success of “From Death to Destiny” (2013), the band has continually pushed boundaries and redefined modern metalcore.

Their latest album, “Where Do We Go From Here?”, represents a pivotal moment in the band’s history. A culmina-

tion of their collective experiences, the record showcases the undeniable chemistry between founding members Danny Worsnop (vocals) and Ben Bruce (guitar), as well as the unwavering camaraderie of the entire band.

Founded in Dubai in 2003 under various names before settling on Asking Alexandria in 2006, the band has undergone several evolutions. Their early years were marked by a relentless touring schedule, sharing stages with bands like Alesana, the Bled, and Evergreen Terrace. Signing with Sumerian Records in 2009, they released their debut album “Stand Up and Scream”, followed by the “Life Gone Wild” EP.

Their breakthrough came in 2011 with the release of the remix album “Stepped Up and Scratched”, which featured EDM remixes of their hits. This was swiftly followed by the success of “Reckless & Relentless”, which soared to number nine on the Billboard charts. Despite a vocal cord injury to Worsnop in 2012, the band returned stronger than

ever with their acclaimed album “From Death to Destiny” in 2013.

A momentary departure of Worsnop in 2015 saw the band recruiting Ukrainian metalcore vocalist Denis Stoff, resulting in the release of the album “The Black” in 2016. However, the reunion of Worsnop with the band in 2017 marked a new chapter for Asking Alexandria. The self-titled album, released later that year, showcased a more refined, stadium-rock-friendly style of metalcore.

Subsequent releases like “Like a House on Fire” (2020) and “See What’s on the Inside” (2021) further solidified the band’s position as trailblazers of modern rock. Their latest album, “Where Do We Go From Here?”, released in 2023, represents a bold step forward for the band, as they continue to push boundaries and captivate audiences worldwide.

As they prepare to embark on the “All My Friends” tour, Asking Alexandria remains a shining beacon of rock ‘n’ roll defiance. Fans can expect nothing short of a spectacular live experience, filled with the raw energy and infectious enthusiasm that have become synonymous with the band’s performances.

Tickets for the “All My Friends” tour are now on sale, offering fans the opportunity to witness rock history in the making. Join Asking Alexandria as they blaze a trail across the U.S., proving once again that rock music is alive, thriving, and ready to ignite the hearts of fans everywhere. Get ready for an unforgettable journey with Asking Alexandria, where every note is a testament to the enduring spirit of rock ‘n’ roll.

Social Distortion And Bad Religion Perform at Bayou Music Center On April 22

By Nathan Pugh

Southern California punk legends Social Distortion and Bad Religion have announced an epic co-headlining tour across the U.S. that kicks off in Bakersfield, California on April 9, 2024. With additional support from The Lovebombs, the two iconic bands will join forces to bring their signature sounds and beloved catalogs to stages across the continent, showcasing their enduring legacy and influence on the punk rock movement.

As detailed in the announcement, Southern California punk legends Social Distortion and Bad Religion are set to embark on this epic co-headlining tour across America in Spring 2024. The two iconic bands will join forces to bring their signature sounds and beloved catalogs to stages across the continent, showcasing their enduring legacy and influence on the punk rock movement.

Bad Religion singer Greg Graffin reminisced, “Bad Religion and Social Distortion played together in 1980. Though we evolved in different directions, we both carried the torch of Southern California punk all along the way. Now we’re so excited to be on the same stage again.”

Jay Bentley, Bad Religion’s bassist, added “43 years after playing our first ever live show with Social Distortion, we’re finally going to tour together! That we’re both still making music and touring the world is a testament to the staying power of SoCal punk rock!”

The announcement revealed that in 2022, the two bands had shared a short tour of Australia together, where plans were hatched to bring the comradery to America this year. Brian Baker, Bad Religion’s guitarist, stated “I loved Social Distortion as a kid, and I love ‘em even more now. I am thrilled and

honored to be sharing stages with them this fall. This is one for the history books, folks.”

Social Distortion frontman Mike Ness commented directly: “It gives me great pleasure to announce that in April we will be going on a nationwide coheadlining tour with our friends in Bad Religion. Yes, we are back in action and can’t wait for this tour!! We did this with them in Australia in 2022 and the shows were amazing!”

He continued: “We have also decided in celebration of the 40-year anniversary and re-release of ‘Mommy’s Little Monster’ that we will be playing the album in its entirety. This should be a very special tour and we are all looking forward to it.”

The tour will kick off at the

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Mechanics Bank Theater in Bakersfield on April 9, 2024. Fans can expect an unforgettable experience as these two powerhouse punk bands share the stage, delivering raw, unapologetic performances night after night.

Formed as rebellious teenage punks in the working-class Fullerton suburb, Social Distortion survived their tumultuous youth to pioneer an undeniably honest and fiery punk rock brand incorporating outlaw country, classic 70s punk and primal blues. Seven studio albums and countless electrifying live shows have earned them a dedicated worldwide fanbase and catalog of timeless anthems like “Story Of My Life,” “Ball And Chain,” and “Prison Bound.” Their 2011 album ‘Hard Times And Nursery Rhymes’ hit #4 on the Billboard 200, and they celebrated 40 years as a band in 2019.

Additionally, Social Distortion shared rescheduled dates for their previously postponed tour with fellow SoCal rockers The Bellrays. Ness enthused: “I am also happy to announce

the tour with The Bellrays from last summer will now be happening in September and October 2024. I’d like thank the fans who bought tickets for their patience while we worked on the rescheduled dates. Words can’t describe how happy I am to be back onstage doing what I love. See you all soon.”

Social Distortion: Punk Legends Persevere

The story of Social Distortion is one of perseverance and unwavering dedication to their punk rock roots. Formed in 1978 by singer/guitarist Mike Ness amid the fertile Los Angeles hardcore scene, the band weathered numerous lineup changes, the decline of the L.A. punk movement that birthed them, and even Ness’ own struggles with heroin addiction. Through it all, their gritty, roots-inspired punk sound endured.

Originally featuring Ness, drummer Casey Royer, and brothers Frank and Rikk Agnew on bass and guitar respectively, Social Distortion quickly

established themselves as torchbearers of SoCal punk. Their 1983 debut Mommy’s Little Monster, with its Rolling Stonesmeets-punk sound, produced the MTV punk video rarity “Another State of Mind.”

But the band’s trajectory wasn’t smooth. Ness’ heroin use and rebellious behavior stalled their momentum, leading to a four-year gap before the country-tinged Prison Bound in 1988. Their self-titled 1990 album, featuring the Johnny Cash cover “Ring of Fire,” returned them to MTV with “Ball and Chain.”

The 1992 breakthrough Somewhere Between Heaven and Hell merged Social D’s punk roots with blues, country and rockabilly influences. It became their most popular record to date, scoring a minor hit with “Bad Luck.”

After a mid-90s hiatus, they returned with White Light, White Heat, White Trash and recruited ex-Black Flag drummer Chuck Biscuits. Ness briefly

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pursued solo efforts before the 2000 death of longtime guitarist Dennis Danell. Jonny Wickersham and Charlie Quintana joined on guitar and drums respectively.

The 2004 album Sex, Love and Rock ‘n’ Roll preceded another long break before 2011’s Hard Times and Nursery Rhymes updated their classic hybrid punk sound. Through decades of turmoil, Social Distortion’s rousing, honest and defiant music kept carrying the torch for SoCal punk.

Bad Religion: Punk Lifers Stay Righteously Angry

Of all the defiant hardcore punk bands to emerge from the early 80s Southern California scene, Bad Religion proved the most enduring. While vocalist Greg Graffin remained the sole constant member through numerous lineup changes over four decades, the band’s musical attack continuously evolved.

Bad Religion formed in Los Angeles suburbs in 1980, anchored by guitarist Brett Gurewitz, Graffin on vocals, bassist Jay Bentley and drummer Jay Ziskrout. Gurewitz launched Epitaph Records to release their aggressive, musically dexterous early albums like 1982’s How Could Hell Be Any Worse? and Into the Unknown, which controversially experimented with prog rock bombast.

Personnel shuffles and hiatuses didn’t stop their momentum. Graffin’s only original bandmate by 1987, he regrouped with Gurewitz, Bentley, and new guitarist Greg Hetson for the seminal Suffer. That galvanizing 1988 album restored their hardcore cred and sparked a prolific run including No Control, Against the Grain and their 1993 mainstream breakthrough Recipe for Hate.

Now firmly an alternative rock crossover act, Bad Religion jumped to Atlantic Records for 1994’s Stranger

Than Fiction, their first and final album with co-founder Gurewitz. The Gray Race and No Substance followed before the Todd Rundgren-produced New America led them back to the independent Epitaph label in 2000.

With Gurewitz’s return after six years, 2002’s The Process of Belief reignited their fury, kicking off a blistering run of politically charged punk albums like The Empire Strikes First, railing against Bush-era policies. The potent 2007 polemic New Maps of Hell and 2019’s Age of Unreason proved Bad Religion still burned with anarchic fire after all these years.

Through countless lineups, Bad Religion never lost their trademark blend of hardcore intensity, progressive musicality and Graffin’s socially conscious, intellectually biting lyrics. Their ability to evolve while staying steadfastly true to their punk principles ensures their iconic legacy.

Friday, April 19

Mark Hummel & Anson Funderburgh

Friday, April 26

Robert Taylor’s Post Birthday Bash

Thursday, April 25

Houston Blues Society Jam Hosted By Steve Gilbert

Joe Satriani And Seve Vai

Bring Their Satch/Vai Tour To The 713 Music Hall May 5th

By Troy Wilson

Guitar aficionados, get ready for a mind-blowing experience as two legends of the fretboard, Joe Satriani and Steve Vai, announce their much-anticipated coheadlining US tour for 2024. This dynamic duo, known for their unparalleled guitar wizardry, will be hitting the stage together outside of the G3 project for the first time, promising an unforgettable evening of shredding and musical brilliance. Houston music lovers can mark their calendars for May 5th when Satriani and Vai will rock the 713 Music Hall with their electrifying performances.

While fans have seen these maestros collaborate as part of the G3 project alongside Eric Johnson and others, this upcoming tour will mark a special milestone as they embark on the road together as a duo.

Expressing his excitement for the tour, Satriani shared, “The Satch/Vai Tour is happening! I’m so looking forward to sharing the stage with Steve again. Every time we play together, it takes me back to when we

were teenagers, eating and breathing music every second of the day, pushing, challenging, and helping each other to be the best we could be. I guess we’ve never stopped!”

Adding to the anticipation, Vai chimed in, “Touring with Joe is always a pleasure and an honor. He is my favorite guitarist to jam with, and now we have another opportunity to take it to the stage. I feel as though we are both at the top of our game and that the show will be a powerful celebration of the coolest instrument in the world, the electric guitar!”

Reflecting on their deep musical connection, Vai shared insights from his formative years studying under Satriani in a 2022 interview with LifeMinute. Recalling his introduction to Satriani’s teachings, Vai recounted, “When I was 12, a friend of mine introduced me to Joe’s music and said, ‘If you think I’m great, you should see my guitar teacher, Joe Satriani.’ So he gave me Joe’s number, and I started taking lessons. My lessons with Joe were all that mattered to me.” Vai further elaborated on the profound impact of Satriani’s mentorship, highlighting

how it shaped his musical journey and development as a guitarist.

Taking a trip down memory lane, Satriani reminisced about his early days teaching Vai, saying, “Steve Vai was 12 years old and could not play guitar at all when I met him.” He recalled Vai showing up at his door with a guitar missing strings, eager to learn. This initial encounter marked the beginning of a lifelong musical bond that has seen both guitarists rise to legendary status.

The histories of Satriani and Vai have been intricately intertwined since their teenage years on Long Island, New York. Satriani, known for his virtuosic playing and innovative compositions, served as a pivotal mentor to Vai, nurturing his talents and guiding him on his musical path. Over the years, their friendship has deepened, leading to collaborations on various projects and shared experiences within the music industry.

In April 2022, Satriani released his 19th studio album, “The Elephants of Mars,” showcasing his continued creativity and mastery of the guitar. The album, which has been met with critical acclaim, further solidifies Satriani’s status as a trailblazer in the world of instrumental rock music. Additionally, Satriani has ventured into the realm of visual art, creating original canvases and hand-painted guitars available through the Wentworth Gallery, where lucky purchasers of his works are treated to private performances.

Meanwhile, Vai has been captivating audiences worldwide with his mesmerizing performances since the release of “Inviolate.” His globetrotting tour, spanning 51 countries, has showcased his unmatched talent and musical versatility. Alongside his tour, Vai also unveiled the archival album “Vai/Gash,” a treasure trove of musical gems held in his archive for three decades.

As these guitar virtuosos prepare to take the stage together once again, fans can expect an evening of unparalleled musicianship, electrifying solos, and a celebration of the timeless allure of the electric guitar. The Satriani and Vai co-headlining tour promises to be a shredding extravaganza, a testament to their enduring friendship and shared passion for music that continues to inspire generations of guitarists around the world.

Live Music Schedule

Friday, April 5 - Heavy Honeys

Saturday, April 6 - Zephyr Island, Dead Horse Creek, Bipolar Joyride, Our Last Daze

Sunday, April 7 - Scotty Austin formerly of Saving Abel, The Lonely Ones, Love The Hate, Lucid Illusion

Wednesday, April 10 - Michale Graves, Doug Westcott, Proverbial Cool Aid

Thursday, April 11 - Zero Signal

Friday, April 12 - Dirty Birds

Saturday, April 13 - RADIATION PRODUCTIONS

Sunday, April 14 - Eli Lev, Rogue Elements

Friday, April 19 - Paraless - A Tribute to Paramore, Take this To Our Grave - A Tribute to Fallout Boy, Holdin On - Cranberries Tribute

Saturday, April 20 - Scream At The Sky, The Mendenhall Experiment

Sunday, April 21 - Coaxial Wake, Dempsey, Statik Myst, While Spirits Sleep

Wednesday, April 24 - RADIATION PRODUCTIONS

Friday, April 26 - Seventh Day Slumber, Shallow Side, Magdalene Rose, Love the Hate, Memory TX, Held in Orbit

Saturday, April 27 - Texas Mammoth Fest 3

Sunday, April 28 - RADIATION PRODUCTIONS

Tuesday, April 30 - RADIATION PRODUCTIONS

Lauren Daigle Lauren Daigle Lauren Daigle Lauren Daigle Lauren Daigle

Lauren Daigle Lauren Daigle Lauren Daigle Lauren Daigle Lauren Daigle

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Performs At Toyota Performs At Toyota Performs At Toyota Performs At Toyota Performs At Toyota Center

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By Sheena Johnson

Two-time GRAMMY Award-winning sing-songwriter Lauren Daigle has announced the spring 2024 leg of “The Kaleidoscope Tour,” a continuation of her highly successful 2023 U.S. arena tour. She will be performing at Toyota Center in Houston on April 11th She will be bringing her tour to Houston in support of her most recent self-titled album “Lauren Daigle.”

Lauren Daigle is the eponymous fourth studio album by American contemporary Christian music and pop singer Lauren Daigle. Atlantic Records (in partnership with Centricity Music) released the first volume of the album on May 12, 2023 and the second volume (the complete album) on September 8, 2023. It is Daigle’s first album to be released as a mainstream pop record.

In an interview with Relevant Magazine’s Emily Brown, regarding the inspiration for the album, Daigle said that the writing started in October 2020 and the time period was influential. Daigle further echoes how she felt powerless and voiceless due to the state of the world and her personal life at the time, and that God orchestrated the right people at the right time, seeing this album as her “rebirth” and considering it an “incredible musical journey”.

While discussing the album with Zane Lowe from Apple Music 1, Daigle explained the reason for the album being self-titled. During a dinner with two of her friends, she talked about the struggle to name her album after two years of work. Her friends suggested it should be a self-titled record because Lauren had poured herself into it, and they witnessed a transformative journey throughout its creation. The decision to make it self-titled reflects the realization that it took her previous records to find her voice and express her love for the sound and recording process. In her own words, she stated, “It’s because it took those records to find my voice, to find the voice that I can stand on in front of people and say, this is what I love. I love this sound. I love the way that we recorded this record.”

“Thank God I Do” was released as the lead single from the album on March 8, 2023. The single failed to enter the US Billboard Hot 100, but reached number 11 on Bubbling Under Hot 100 Singles. It also peaked at No. 1 on the Billboard Christian Songs chart on the issue week of May 20, 2023. The single was released to Hot AC radio on March 13, 2023.

“Waiting” was released as a promotional single on March 30, 2023. The song peaked at No. 38 on the Christian Songs chart.

“These Are The Days” was released as the second single on September 8, 2023. It was accompanied by a music video posted to YouTube on August 22, 2023. The song peaked at No. 16 on the Christian Songs chart.

“Turbulent Skies “ was released as the

third single on November 3, 2023. The song peaked at No. 22 on the Christian Songs chart.

Possessing a smoky and striking alto singing voice, Grammy-winning singer and songwriter Lauren Daigle went to number one on the Billboard Christian chart with her first album, 2015’s How Can It Be. Having already drawn some comparisons to Adele, her more soulful follow-up, 2018’s Look Up Child, was an even bigger hit, reaching number three on the Billboard 200. The album’s lead single, “You Say,” broke the record for weeks at number one on the Hot Christian Songs chart (129). She returned to the top of that chart in 2021 with “Hold On to Me,” and again in 2023 with “Thank God I Do,” which appeared on her eponymous, popleaning fourth long-player.

Growing up in Lafayette, Louisiana, surrounded by gospel, zydeco, blues, and Cajun music, Christian praise & worship artist Lauren Daigle was always singing around the house as a child. However, it wasn’t until a serious illness kept her out of school for nearly two years beginning when she was 15 that she turned to music as both solace and a profession. Home-schooled during that time, music became Daigle’s hedge against social isolation, and she began singing at her local church as a praise & worship leader. Colleagues quickly encouraged her to try out for the American Idol television series, which she did in both 2010 and 2012.

The demanding process of trying out for the show taught her a lot of valuable lessons, and she returned home determined to sharpen her writing and singing skills. She began pursuing a degree in child and family studies at Louisiana State University, and while there, was asked by a local band to help with vocals on an EP. A demo of the EP made its way to Centricity Music, and the label signed Daigle as a solo artist in 2013. Her five-song debut EP, the Paul Mabury-

produced How Can It Be, was released in late 2014 and landed on the Christian charts. In the spring of 2015, How Can It Be was expanded into a full-length LP and became both a critical and commercial success, crossing over to reach number 30 on the Billboard 200 chart and eventually going platinum. It was nominated for a Grammy Award in 2016 for Best Contemporary Christian Music Album.

Daigle followed up in October 2016 with an album of soft jazz-inspired Christmas standards called Behold. It repeated the chart success of her debut. The next year saw her contribute the single “Almost Human” to the soundtrack for Blade Runner 2049, and she received her second Grammy nomination, this time in the category of Best Contemporary Christian Music Performance/Song for “Trust in You.” In early 2018, Daigle issued the single “You Say” ahead of the release of her sophomore full-length. The song marked her debut on the Hot 100, eventually reaching number 29, and the album, September 2018’s Look Up Child, became a Top Three hit in the U.S. It also charted in Australia and Switzerland. Before the end of the month, Daigle became the first artist to reach number one on five Christian charts simultaneously (albums, airplay, songs, streaming songs, and digital song sales). Early the following year, she collected Grammys for both “You Say” and Look Up Child (Best Contemporary Christian Music Performance/Song and Album).

Several singles appeared in 2021, including the Petey Martin collaboration “Come Back Home” and the solo single “Hold On to Me.” The latter track topped the Christian songs chart and landed in the Top 15 of Billboard’s adult contemporary chart. After another non-album single, “Tremble,” Daigle returned in early 2023 with the mainstream pop single “Thank God I Do,” the lead track from her self-titled third album. Lauren Daigle debuted at number 21 on the U.S. Billboard 200 and at number one on Top Christian Albums.

Los Invasores De Nuevo Leon Perform At The Arena Theater

By Jose Martinez

The vibrant sounds of norteño music are set to echo through the halls of The Arena Theatre in Houston as the legendary Los Invasores de Nuevo Leon take the stage on Saturday, April 27th. Hailing from Monterrey, Mexico, this storied group has captivated audiences for decades with their infectious rhythms and heartfelt lyrics.

Founded in 1978 by vocalist Lalo Mora, backing vocalist/accordionist Javier Rios, bassist Homero de Leon, and drummer Eliud López, Los Invasores de Nuevo Leon began their musical journey by playing private parties, street fairs from the back of pickup trucks, and local stages. Their raw talent and undeniable energy quickly caught the attention of music lovers, leading to their first recording for DLV Discs in 1981.

The year 1982 marked a milestone for the band as they scored their first regional hit with the beloved track “Mi Casa Nueva,” which soon achieved gold status in Mexico.

This success was just the beginning, as their subsequent recordings for DLV Discs became radio and audience favorites, solidifying their place in the charts for years to come.

In 1993, Lalo Mora ventured into a solo career, and the band welcomed Isaias Lucero as his replacement. Their debut album with Lucero, “Playa Sola,” quickly achieved gold status, cementing the group’s reputation as norteño music icons. Despite Lucero’s departure shortly after, Los Invasores de Nuevo Leon continued to evolve, welcoming Rigo Marroquín (bajo sexto), vocalist Rolando Marroquín, and Luis Perales on bass, transforming the band into a sextet.

Their 1997 album, “Ventanas al Viento,” marked their international debut, followed by the blockbuster success of “Vuelvo Contigo” in the same year. This album, their first platinum recording, soared to the top of the Mexican regional charts and achieved gold status in the United States. The single “A Mí Qué Me Quedó” became an anthem across Mexico, remaining on the

radio charts for an impressive five months and earning the title of Song of the Year.

As the band entered the 21st century, they continued to push musical boundaries with albums like “Tiempo al Tiempo” and “No Soy de Palo,” featuring a collection of unpublished boleros. Their 2003 release, “Señal de Alerta,” showcased a diverse range of cumbias, boleros, and rancheras, captivating audiences with its eclectic sound.

Los Invasores de Nuevo Leon further solidified their place in the music scene with albums like “Los Más Buscados” in 2004, which added corridos to the mix, and “Corridos de Peligro” in 2005, a collection of intense narcocorridos that pushed artistic boundaries. Despite the challenging subject matter, their music continued to resonate with live audiences, showcasing the band’s versatility and passion.

In 2008, “Amor Aventurero” landed Los Invasores de Nuevo Leon in the Regional Top 40, followed by the success of “En Manos del Tiempo” in 2009. The band’s popularity continued to soar with hits like “Dejate Llevar,” which received widespread airplay across Latin America.

In a creative rebirth, Los Invasores de Nuevo Leon welcomed Lalo Mora back as lead vocalist in 2013, marking a turning point for the band. The album “Amistades” showcased the dynamic talents of Mora alongside Rios, with Javier Benavides joining as lead guitarist. This reunion sparked a renewed energy and passion for their music, setting the stage for their signing with Remex Music.

With the release of “Con la Luz Prendida,” Los Invasores de Nuevo Leon once again captivated audiences with their signature sound. The track received excellent airplay, paving the way for the full-length album “Mi Héroe.” The band continued to make waves in the music scene with hits like “Si Se Me” in 2015, showcasing their enduring appeal and musical prowess.

In a momentous achievement, Los Invasores de Nuevo Leon released their 50th album in the fall of 2016, a testament to their enduring legacy and unwavering dedication to their craft. Their most recent release, “40 Aniversario (Vol.1, Vol.2, Vol.3) en vivo,” in 2021, celebrated four decades of musical excellence and continues to resonate with fans worldwide.

As they prepare to take the stage at The Arena Theatre in Houston, Los Invasores de Nuevo Leon promise an unforgettable night of music and celebration. From their early hits to their latest releases, the band’s performance is sure to be a testament to their enduring legacy in the world of norteño music. So mark your calendars and get ready to dance the night away with Los Invasores de Nuevo Leon on Saturday, April 27th!

Prateek Kuhad Performs At White Oak Music Hall April 28th

By Troy Wilson

In an exciting announcement for music lovers in Houston, Texas, Prateek Kuhad, the mesmerizing singersongwriter from India, is set to perform at the renowned White Oak Music Hall on April 28th. The intimate downstairs stage will provide the perfect setting for Kuhad’s captivating vocals and heartfelt lyrics, allowing fans to experience his music in a truly immersive way.

Hailed by Rolling Stone India as “one of the country’s leading singersongwriters,” Prateek Kuhad has taken the rest of the world by storm in recent years, garnering a slew of accolades and honors around the globe with his mesmerizing, cinematic songwriting. His

ability to weave together English and Hindi lyrics creates a rich tapestry of emotions that resonates with audiences from all walks of life, transcending language and cultural barriers.

Kuhad’s journey to becoming a global music sensation is a testament to his unwavering passion and dedication to his craft. Born and raised in the vibrant city of Jaipur, India, Kuhad’s love for music was evident from a young age. Despite initial setbacks in his attempts to learn the guitar, he refused to let his dreams be dampened. Growing up in a time when the internet had not yet reached his hometown, Kuhad immersed himself in the sounds of Indian pop and Bollywood soundtracks that dominated the local radio stations, as well as the

limited Western music collection in his parents’ CD library.

It was during his time at New York University that Kuhad experienced a transformative moment in his musical journey. Discovering the haunting melodies and introspective lyrics of Elliott Smith, Kuhad found himself captivated by the raw honesty and vulnerability of Smith’s music. This newfound inspiration led him to delve deeper into the world of indie folk, exploring the works of legendary artists like Bob Dylan and Woody Guthrie, as well as contemporary voices such as Laura Marling and Fleet Foxes. Armed with a renewed sense of purpose, Kuhad

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committed himself to mastering the guitar and pouring his heart into his own songwriting.

Upon returning to India, Kuhad made the bold decision to pursue music full-time. His early EPs, one in English and one in Hindi, showcased his versatility as a bilingual artist and put him on the map. However, it was his debut fulllength album, “In Tokens and Charms,” that catapulted him to national stardom. The album’s opening track, “Oh Love,” not only won the prestigious International Songwriting Competition but also earned Kuhad an MTV Europe Music Award and the title of Best Pop Artist at the Radio City Freedom Awards.

As Kuhad’s music resonated with audiences across India, his popularity began to soar. He found himself selling out auditoriums and amphitheaters, sharing stages with international acts like Alt-J and Mike Posner. His captivating live performances, which effortlessly blend the delicate beauty of Sufjan Stevens with the fierce fingerpicking prowess of The Tallest Man On Earth, left audiences spellbound and hungry for more.

Kuhad’s meteoric rise caught the attention of global brands, with Nike selecting him for their #BleedBlue campaign and Converse inviting him to record in Rio de Janeiro as part of their Rubber Tracks series. However, it was his appearances at SXSW and his first North American tour in 2019 that truly solidified his status as an international sensation. Rave reviews poured in from prestigious publications like Brooklyn Vegan and US Weekly, all hailing Kuhad as a force to be reckoned with in the music world.

One of Kuhad’s most significant breakthroughs came with the release of his single “cold/mess.” The song’s haunting melody and introspective lyrics struck a chord with listeners across continents, amassing millions of streams and cementing Kuhad’s position as a global artist. The success of “cold/mess” led to a sold-out North American club tour and the release of the highly anticipated EP of the same name.

Kuhad’s music has a universal appeal that transcends language and cultural barriers. His ability to seamlessly weave together English and Hindi lyrics creates a rich tapestry of

emotions that resonates with audiences from all walks of life. His songs are a testament to the power of storytelling, as he explores the complexities of love, heartbreak, and the human experience with a level of depth and sincerity that is rarely seen in contemporary music.

In 2020, Kuhad made history by becoming the first Indian artist to sign with the prestigious Elektra Records. This milestone marked a new chapter in his already illustrious career, opening doors to even greater opportunities and exposure on a global scale. The same year, Kuhad released the hauntingly beautiful single “Kahaan Ho Tum,” which was featured in the soundtrack of the popular Netflix series Mismatched. He also showcased his versatility as an artist by delivering a mesmerizing cover of Elliott Smith’s “The Biggest Lie,” paying homage to one of his greatest influences.

As Kuhad continues to embark on his longest and largest international tour to date, spanning over 30 dates across 8 countries, his star only continues to rise. With each performance, he forges an unbreakable bond with his audience, inviting them to share in the raw vulnerability and unfiltered emotions that define his music. The anticipation for his upcoming show at White Oak Music Hall is palpable, as fans eagerly await the opportunity to witness the magic of Prateek Kuhad in person.

Kuhad’s journey from a smalltown boy in Jaipur to a global music icon is a testament to the transformative power of music and the indomitable spirit of an artist who refuses to be defined by boundaries. His songs serve as a beacon of hope and a reminder that even in our darkest moments, we are never truly alone. Through his music, Kuhad has created a universal language that speaks to the heart and soul of listeners around the world.

As he takes the stage at White Oak Music Hall on April 28th, Prateek Kuhad

will undoubtedly captivate the audience with his enchanting melodies, poetic lyrics, and magnetic stage presence. The intimate setting of the downstairs stage will provide a once-in-a-lifetime opportunity for fans to experience the raw emotions and unfiltered beauty of Kuhad’s music up close and personal.

With each passing year, Prateek Kuhad’s star continues to shine brighter, illuminating the global music landscape with his undeniable talent and heartfelt storytelling. As he embarks on this exciting new chapter in his career, there is no doubt that Kuhad’s music will continue to touch the lives of countless individuals, inspiring them to embrace the power of authenticity and the beauty of the human experience.

So mark your calendars for April 28th and prepare to be enchanted by the mesmerizing world of Prateek Kuhad at White Oak Music Hall. This is an opportunity not to be missed, as one of India’s most beloved singer-songwriters takes the stage to share his music, his soul, and his unwavering passion with the world.

IDLES Embrace “All is Love” Ethos on Revelatory New Album ‘TANGK,’

Announce Massive 2024 Tour

See Them Live At White Oak Music Hall On May 22nd

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By Greg Fontaine

After over a decade of forging fortitude from chaos and spiritual defiance, the revelation behind IDLES’ wildly ambitious new album ‘TANGK’ is as straightforward as it is transcendent: “All is love and love is all.”

The rousing fifth LP from the critically-acclaimed Bristol punks, due out February 16th, 2024 via Partisan Records, marks an audacious metamorphosis for mastermind Joe Talbot and his band of visceral agitators. Where their earliest releases like the 2017 breakthrough ‘Brutalism’ exorcised Talbot’s personal traumas with furious intensity, ‘TANGK’ represents an about-face into a full-blooded embrace of life’s great humane affirmations and human connection as an antidote to suffering.

“I needed love. So I made it,” Talbot states plainly about the album’s inspirations amidst the pandemic era and the birth of his daughter. “I gave love out to the world and it feels like magic. This is our album of gratitude and power. All love songs. All is love.”

That positivity and quest for transcendence courses through early singles like the throbbing, libidinous “Dancer,” which features guest vocals from LCD Soundsystem’s James Murphy and Nancy Whang. As Talbot repeats the mantra “I give myself to you/ As long as you move on the floor,” it celebrates the rapture of new romance but also IDLES’ unique bond with their ardently devoted fanbase.

“‘Dancer’ is the violence that comes from the pounding heart of the dancefloor and rushes through your body and gives you life from music, from love and from you,” Talbot explains.

The soulful slowburner “Grace” takes a more pensive approach, as Talbot’s weathered baritone delivers an epiphany - “No god, no king, I said love is the thing” - over swelling orchestration. It’s perhaps his most profound spiritual manifesto yet, discarding generational nihilism and toxic power structures for a more benevolent, unifying force.

Meanwhile, the taut intensity of the recently released “Gift Horse” showcases that IDLES haven’t gone soft

in embracing vulnerability. Its sinewy menace and stuttering grooves provide a backdrop for Talbot’s typically thoughtprovoking examinations of modern existence and self-empowerment: “All is love and love is all.”

The rallying cry for human connection as an antidote to life’s harsh realities has been a throughline for IDLES since their visceral 2017 debut ‘Brutalism.’ Fueled by Talbot’s adrenaline-blast lyricism documenting his struggles with addiction, abuse, toxic masculinity and more, the album was a critical and cult smash that quickly labeled them as scabrous post-punk agitators “taking the piss” out of society’s ills.

2018’s fearsome ‘Joy as an Act of Resistance’ doubled down, delivering a

muscular assertion of vulnerability as strength in the face of modern tribalism and injustice. IDLES’ music became a life-affirming rallying cry, as they forged cathartic solidarity with their fanbase. As Talbot stated at the time, “This is for those who stayed up crazy late last night talking with somebody they love about their size and skin...”

Their sound grew more contorted and restless on 2020’s ‘Ultra Mono’ and the Grammy-nominated 2021 album ‘CRAWLER,’ reflecting the chaos of the pandemic era. The latter scored them their first two Grammy nods and the #1 spot on the U.K. album chart, setting the stage for their most ambitious creative leap yet on ‘TANGK.’

To capture the new album’s

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transcendently raw joy and ecstatic epiphanies, IDLES assembled a stacked production dream team - Nigel Godrich (Radiohead, The Smile, Beck), Kenny Beats (Denzel Curry, Vince Staples, Rico Nasty), and guitarist Mark Bowen. The contrasting perspectives allowed the band to explore wildly adventurous new soundscapes and textures without losing their trademark urgency.

“What Joe and I have realized as friends and co-songwriters is that we are almost the exact opposite person, in every way,” says Bowen. “There was a time we thought it was important to be of one mind, but we’re happier and better to become more different as we go.”

The eclectic production squad’s yin-and-yang chemisty makes for a sound that is “sprawling and focused, imaginative and immediate.” It runs the gamut from the kinetic, hardcore shrapnel of “POP POP POP” and “Hall And Oates” to the psychedelic blooming of “Grace” to the album-opening improv suite “IDEA 1,” which Bowen birthed from his initial loop sessions with Godrich.

At the core is Talbot’s instantly identifiable stream-of-consciousness vocal approach, capturing his instinctive reflections on embracing love as a path to self-actualization across these 11 tracks. But now it’s contextualized by a hard-won sense of perseverance that only comes through struggle and profound life changes like new fatherhood.

“If you give people everything on stage, they’ll give you everything back,” Talbot states about his habit of confronting audiences with candor and lucidity. “There’s no bullshit in our crowd...I’ve got more strength in me than I ever have, and it comes from love.”

That invigorated spirit extends to IDLES’ biggest live roadmap to date, surrounding the ‘TANGK’ album cycle. The massive 2024 North American tour includes two legs, kicking off on May 3rd in Vancouver and covering the U.S., Canada and Mexico through late October.

The first leg hits major markets across the western U.S. and Canada before a late summer break. The second

leg launches September 14th in Asheville, NC and finally wraps up with one of their biggest headlining shows to date in Mexico City that October. It’s an epic live takeover showcasing the latest defiant vision from a band who have progressed from visceral provocateurs to optimistic beacons of hardship-born solidarity and self-empowerment.

Where IDLES were once set on taking the world’s piss and exorcizing personal trauma in real time, they have arrived on ‘TANGK’ to offer the transcendent fruits of such perseverance and wisdom - love, joy, gratitude for existence itself in the face of the void. As Talbot howls repeatedly amid the album’s torrent of colossal hooks, “I’ve searched and felt the nature is love itself.”

With leadoff single “Dancer” already providing an ecstatic, bodymoving glimpse of their revelatory new sound of purgative joy, and an epic cross-continental live show on the horizon, IDLES are embracing their role as catalysts for spiritual renewal and freudenfreude (“joy on joy”) on the appropriately titled ‘TANGK.’ The album’s very name - a guttural twist on the word “tank” meant to evoke “lashing” guitar violence - has morphed into a sigil for the very idea of living fully in love itself.

It’s an unflinching rebuke to any societal force that attempts to “compress happiness until it is controllable.” In 2024, IDLES reaffirm their place in the lineage of iconoclasts who recast raw angst as supreme self-actualization. Because as their exhilarating latest so urgently reminds us - if we don’t look after ourselves and each other through love’s eternal miracle: “Who will?”

Adam Ant Performs At Bayou Music Center

By Nathan Pugh

Adam Ant has charted out his 2024 “ANTMUSIC” U.S. tour with The English Beat joining as support for all dates. Mark your calendars for his performance at Bayou Music Center in Houston on April 20th.

This anticipated tour marks the English singer’s return to the U.S. after five years, beginning the journey in St. Louis on March 21st. The tour will weave through cities such as Chicago, Detroit, New York City, New Orleans, and Las Vegas before wrapping up on May 10th in Phoenix—just a day before his appearance at Cruel World 2024.

Adam Ant, known for his classic hits like “Goody Two Shoes,” “Kings of the Wild Frontier,” “Stand and Deliver,” and “Antmusic,” will treat fans to a mix of his chart-toppers and personal favorites throughout the tour.

Adam Ant is thrilled to announce the ANTMUSIC 2024 U.S. tour, starting March 21st in St. Louis, MO, with The English Beat supporting on all dates.

In the mid-seventies, Adam Ant entered the music scene as the bassist for Bazooka Joe, performing in pubs and colleges around London. A pivotal moment came in November 1975 when he witnessed The Sex Pistols supporting Bazooka Joe at their debut show. This ignited his ambition, leading to the formation of The Ants and regular gigs at London’s famed Marquee Club.

By 1979, Adam and the Ants released their debut album, “Dirk Wears White Søx,” quickly topping indepen-

dent charts. Collaborating with former Sex Pistols manager Malcolm McLaren, they developed a more accessible, rhythmic punk sound, leading to the smash hit “Kings of the Wild Frontier” in 1980. This album dominated the British charts for an impressive twelve weeks, propelling Adam Ant into ‘Antmania’ and earning him the Brit Award for Best British Album.

The following year, “Stand and Deliver” further solidified Adam Ant’s success, spending five weeks at number one and earning him the prestigious Ivor Novello Award for songwriting. His subsequent album, “Prince Charming,” also claimed the top spot, coinciding with his role as the first VJ on the new 24-hour music video channel, MTV.

Adam’s solo career took flight with the album “Friend or Foe,” delivering three top twenty hits on the Billboard Hot 100. “Goody Two Shoes” soared to number one in the UK and Australia, leading to Adam being voted MTV’s Sexiest Man Alive and receiving a Grammy nomination for Best New Artist.

In 1983, he graced NBC’s “Motown 25 Special” alongside legends like Michael Jackson and Diana Ross. His solo albums “Strip” and “Vive Le Rock,” produced with the renowned Tony Visconti, showcased his evolving style, culminating in a memorable performance of the title track at Live Aid.

Exploring his talents beyond music, Adam ventured into acting, appearing in stage productions and films

like “Nomads,” “Junk,” and “Slam Dance!” He also made notable TV appearances in shows such as “La Femme Nikita,” “Northern Exposure,” “The Equalizer,” and “SledgeHammer!”

In the 1990s, Adam balanced his acting with music, releasing “Manners and Physique,” featuring the hit “Room at the Top.” His 1994 album, “Wonderful,” recorded at Abbey Road Studios, continued to showcase his musical prowess.

After a twelve-year hiatus from live performances, Adam returned in 2007 with an acoustic show at London’s Bloomsbury Theatre, featuring excerpts from his autobiography, “Stand and Deliver.”

Acknowledging his impact on the music industry, Adam received the Q Music Icon Award in 2008, alongside luminaries like Paul McCartney and Bryan Ferry. His 2011 performance at London’s Hard Rock Calling further solidified his status as a musical icon.

Following successful tours in the US, Europe, and Australia, Adam released his first album in sixteen years, “Adam Ant is the Blueblack Hussar in Marrying the Gunner’s Daughter,” in 2011.

In 2014, Adam performed his debut album “Dirk Wears White Søx” in its entirety at the Hammersmith Apollo, releasing a DVD of the show. The following year, he worked on the remastered release of his iconic LP “Kings of the Wild Frontier,” resulting in a sold-out tour with over 30,000 attendees.

Adam continued to captivate audiences with tours like the “Kings of the Wild Frontier” tour in 2017, the “ANTHEMS Tour” in 2018, and the “Friend or Foe” tour in 2019, where he performed the albums in their entirety.

After the challenges of the global pandemic, Adam embarked on the ANTICS U.K. tour in the summer of 2022, showcasing his enduring appeal and talent.

With a career spanning decades, Adam Ant remains a beloved figure, recognized and admired by millions worldwide. His performances promise a personal and captivating experience, commanding attention and respect wherever he goes.

The Alarm Perform At Houston’s House Of Blues

By Nathan Pugh

The Alarm, the legendary band known for their idealistic spirit, anthemic songs, and powerhouse live performances, is gearing up for their highly anticipated “Live Today Love Tomorrow Tour 2024.” With a journey that spans decades and continents, this tour promises to be a celebration of their storied career and enduring legacy.

The tour is set to kick off on May 1st at the iconic House of Blues in New Orleans, marking the beginning of an exciting musical adventure for fans across North America. From there, The Alarm will make their way to Houston’s House of Blues on May 3rd, captivating audiences with their electrifying live shows and timeless hits.

As they crisscross the continent, The Alarm will be bringing their iconic sound to cities far and wide, from bustling metropolises to intimate venues. Fans can expect to hear a power-packed concert experience on these nights, with the band focusing on their greatest hits while also delving into a few hidden gems from their extensive catalog.

The journey doesn’t end there for The Alarm, as they will then make their way back to their native UK for a series

of concerts that promise to be nothing short of epic. The tour is currently scheduled to wind down around November 30th at The Cresset in Peterborough, United Kingdom, marking a triumphant return to their roots.

Formed in Rhyl, Wales in 1981, The Alarm quickly made a name for themselves with their impassioned brand of alternative rock. Drawing inspiration from the righteous idealism of punk, the band’s early work often featured a blend of acoustic folk-punk and hard-driving guitar rock, creating a sound that was uniquely their own.

Their breakthrough came with the release of their 1984 album, “Declaration,” which spawned hits such as “Sixty-Eight Guns,” “Where Were You Hiding When the Storm Broke?” and “The Deceiver.” The album’s success catapulted The Alarm into the spotlight, earning them a dedicated following and critical acclaim.

Building on this momentum, The Alarm continued to release a string of successful albums throughout the ’80s and ’90s. Albums like 1985’s “Strength” showcased a greater maturity in their songwriting and arrangements, while hits like “Spirit of ’76" solidified their status as one of the era’s most beloved acts.

The late ’80s saw The Alarm experimenting with their sound, with albums like 1987’s “Eye of the Hurricane” and 1989’s “Change” reflecting a more polished, mainstream production akin to U2. Tracks such as “Rain in the Summertime” and “Sold Me Down the River” became radio staples, earning the band a dedicated following on both sides of the Atlantic.

Despite their success, internal tensions and personal tragedies led to the original lineup of The Alarm disbanding in 1991. However, this was not the end of the road for the band’s founder, Mike Peters, who embarked on a successful solo career while also battling chronic lymphocytic leukemia.

In the late 2010s, The Alarm reunited to the delight of their loyal fanbase. The band’s resurgence was met with critical acclaim, with recordings like 2021’s “WA?” (later issued as “Omega” in 2022) reaffirming their commitment to their anthemic sound and dedicated fans.

In June 2023, Mike Peters released “Forwards,” an album born out of his personal struggles with leukemia and pneumonia. The songs, written during his hospitalization, offered a glimpse into Peters’ resilience and strength in the face of adversity.

Now, as The Alarm prepares to embark on the “Live Today Love Tomorrow Tour 2024,” fans can expect a night of unforgettable music and spirited performances. From the infectious energy of their early hits to the introspective depth of their later work, The Alarm promises to deliver a concert experience that celebrates their storied career and enduring legacy.

So mark your calendars and get ready to rock out with The Alarm as they take the stage once again, proving that their music is as relevant and powerful as ever. The “Live Today Love Tomorrow Tour 2024” is sure to be a highlight for fans old and new, a testament to the enduring spirit of one of rock’s most beloved bands.

Open 6 Days A Week

Tuesday thru Sunday

Wednesday’s @ 7:00 pm - 10:00 pm

Monday, April 1 - Jam w/Pierce & Steak Night

Wednesday, April 3 - Wednesday Night Jam with Hugo Rodriguez

Thursday, April 4 - Josh Garrett

Friday, April 5 - Funksion

Saturday, April 6 - Wake Zone

Sunday, April 7 - Katie’s Sunday Blues Jam with guest host Paul Ramirez

Wednesday, April 10 - Wednesday Night Jam with Bob Emmons

Thursday, April 11 - Chad Ware

Friday, April 12 - Rick Berthod

Saturday, April 13 - Eric Demmer

Sunday, April 14 - Katie’s Sunday Blues Jam with guest host William James

Wednesday, April 17 - Wednesday Night Jam with Mark May

Thursday, April 18 - Hugo Jamz Trio

Friday, April 19 - Blues Survivors

Saturday, April 20 - Pierce & The Purple Moon

Sunday, April 21 - Katie’s Sunday Blues Jam with guest host Pierce

Wednesday, April 24 - Wednesday Night Jam with Bob Emmons

Thursday, April 25 - Hip Wadders

Friday, April 26 - Malford Milligan

Saturday,April 27 - Scott McGill

Sunday, April 28 - Katie’s Sunday Blues Jam with guest host Bayou Gipsies

Saturday, August 12, 8:00 pm - 12:00 am

Mo’s Irish Pub Katy 23511 Katy Frwy - Katy, TX 77494

Friday, August 25, 7:00 pm - 11:00 pm

T Bone Tom’s 707 Hwy 146 - Kemah, TX 77565

Friday, September 1, 9:00 pm - 1:00 am

The Abbey Pub 2002 N Fry Rd - Houston, TX 77084

Saturday, September 2, 7:00 pm - 11:00 pm Papa’s On The Lake 14632 Hwy 105 W - Montgomery, TX 77356

Friday, September 8, 8:00 pm - 11:00 pm 3 Doors Down Bar 102 20th St - Galveston, TX 77550

Friday, September 15, 6:00 pm - 10:00 pm Pasadena Cookoff

Saturday, October 28, 8:00 pm - 12:00 am

Backwoods Saloon 230 Lexington Ct - Conroe, TX 77385

Friday, November 3, 8:00 pm - 12:00 am

Scotty’s Saloon 114 Agnes Rd - Richmond, TX 77469

Saturday, November 11, 8:00 pm - 12:00 am 3 Doors Down Bar 102 20th St - Galveston, TX 77550

Friday, November 17, 9:00 pm - 1:00 am

The Abbey Pub 2002 N Fry Rd - Houston, TX 77084

Saturday, November 18, 8:00 pm - 12:00 am

The Concert Pub BOAT 2462 FM 1960 W - Houston, TX 77068

Saturday. December 2, 8:00 pm - 12:00 am

Backwoods Saloon 230 Lexington Ct - Conroe, TX 77385

Saturday, December 9, 9:00 pm - 1:00 am

Jack’s Pub *Christmas Party!!! 11720 S Wilcrest - Houston, TX 77099

Saturday, December 16, 8:00 pm - 12:00 am 3 Doors Down Bar 102 20th St - Galveston, TX 77550

Decapitate Performs At Warehouse Live Midtown On April 29th

By Troy Wilson

This April, the renowned Polish metal band Decapitated will grace the stage at Warehouse Live Midtown on Saturday, April 29th.

Embarking on the “Cancer Culture Over North America 2024” tour this spring, fans of death metal will experience a night of epic music. Leading the charge are death metal icons DECAPITATED and symphonic death metal purveyors SEPTICFLESH, joined by the melodic death metal force of KATAKLYSM as direct support for a 30-day journey. Beginning on April 16 in Santa Ana, the tour will traverse cities like Atlanta, Toronto, and Minneapolis before concluding in Los Angeles on May 19. Opening

for these bands will be the technical melodic death metal ensemble ALLEGAEON.

With a discography spanning eight studio albums, DECAPITATED has evolved from the dreams of teenagers in a small Central European town to become stalwarts of the metal genre. Each successive album pushes the boundaries of their sound, maintaining authenticity and integrity, as noted by Metal Injection: “any self-respecting death metalhead knows the name well.” Their story, like a rose amidst infernal thorns, weaves triumph from tragedy. Through the gleefully grotesque imagery of extreme metal and the relentless assault of their riffs, DECAPITATED beckons listeners to uncover deeper truths.

Their latest offering, “Cancer Culture,” unleashed in 2022, delivers recognizable devastation with deceptively sinister hooks. Tracks like “Last Supper,” “Hello Death,” “Just A Cigarette,” “No Cure,” “Iconoclast,” and the titular “Cancer Culture” shimmer with razor-sharp production and unyielding bombast. The album also introduces a heightened emphasis on melody, at times delving into darkly romantic territories. Guitarist Wac?aw “Vogg”

Kie?tyka, vocalist Rafa? “Rasta”

Piotrowski, bassist Pawe? Pasek, and drummer James Stewart showcase peak performances. Notable guest appearances include JINJER vocalist Tatiana Shmayluk and MACHINE

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HEAD frontman Robb Flynn, who lend their talents to tracks like “Iconoclast” and “Hello Death” respectively.

Since their formation in 1996, DECAPITATED has solidified their status as masters of Polish Tech Death, releasing seven studio albums over nearly 25 years. Their latest effort, “Anticult” (2017), marked a challenging yet rewarding chapter in their career. The band experimented with various styles, blending Death Metal with Grindcore, infusing Black Metal atmospheres with grooveladen beats, and even incorporating elements of Stoner-Rock. As Vogg, the band’s creative force, describes it, “Decapitated’s music is a mixture of musical ideas that is really hard to describe.” The result is a unique sound that draws from death, thrash, rock ‘n’ roll, and black metal, creating an experience that promises to captivate both old and new fans alike.

With a focus on inventive songwriting and technical prowess, DECAPITATED has garnered the admiration of their peers and built a dedicated fan base. Vogg’s compositions often feature blistering tempos, crushing riffs, and unforgettable

guitar solos, ensuring an electrifying experience for all who attend their shows.

Decapitated, one of technical death metal’s enduring pillars, was forged in the fires of late ’90s Poland by guitarist Wac?aw “Vogg” Kie?tyka and his brother, drummer Witold “Vitek” Kie?tyka. Their debut in 2000 with the groundbreaking “Winds of Creation,” recorded while still in their teenage years, set the stage for albums like “Nihility” (2002) and “The Negation” (2004), solidifying Decapitated’s robust international following. Tragedy struck in 2007 with Vitek’s untimely passing in an auto accident, leading to a hiatus, but the band rose from the ashes two years later. Since then, they’ve remained at the forefront of extreme metal, crafting acclaimed works such as “Blood Mantra” (2014) and “Cancer Culture” (2022), blending virtuosic musicality with unmatched ferocity.

Founded in 1996, with members Sauron (vocals), Vogg (guitar), Martin (bass), and Vitek (drums) barely 14 years old on average, Decapitated swiftly gained renown as Poland’s, and Europe’s, premier purveyors of ultra-technical death metal. The band honed their craft through demos like “Cemeterial Gardens” (1997) and “The Eye of Horus” (1998) before signing with Earache’s Wicked World for their 2000 debut, “Winds of Creation.”

This led to a successful run of U.K. tours supporting grindcore icons

Lock Up. “The First Damned” in 2001 resurrected early demos, while acclaimed releases such as “Nihility” (2002) and “The Negation” (2004) further elevated the band’s global status. Notably, since 1999, Vogg and Martin have also been integral to the acclaimed Polish black metal outfit Lux Occulta.

In 2007, amidst lineup changes, tragedy struck as the band’s tour bus met a serious accident en route to a Belarus show. Drummer Vitek tragically lost his life, and vocalist Covan (Adrian Kowanek) was severely injured, prompting an immediate hiatus. In 2009, determined to forge ahead, Vogg set out to rebuild the group, eventually enlisting Austrian drummer Kerim “Krimh” Lechner of Thorns of Ivy, vocalist Rafa? Piotrowski (Ketha), and bassist Filip “Heinrich” Ha?ucha (Vesania). Decapitated 2.0 emerged on 2011’s Nuclear Blast-released “Carnival Is Forever,” reaching number 11 on the Billboard Top Heatseekers chart. “Blood Mantra” (2014), which also charted impressively, saw ?ysejko and Pasek taking over drum and bass duties, respectively. Their seventh studio album, “Anticult” (2017), added elements of groove-metal to their punishing sound. “Cancer Culture” in 2022 marked Pasek’s return on bass, featuring guest spots from Jinjer and Machine Head members.

Leon’s Lounge Is Now Available For Private Parties!

Make Your Reservations Now!!

This April at Leon’s Lounge

Wednesday, April 3 - Randy Soffar Hosts

Leon’s Open Mic @ 8:00 pm

Thursday, April 4 - Karaoke by Request hosted by Mark Moses

Friday, April 5 - Mark and The Misphits

Saturday, April 6 - Houston Music Classifieds presents

Astrolace, Slum City Art Dept, the Walk Up, and Juliet

Wednesday, April 10 - Randy Soffar Hosts

Leon’s Open Mic @ 8:00 pm

Thursday, April 11 - Karaoke by Request hosted by Mark Moses

Friday, April 12 - SHO-NUF Band

Saturday, April 13 - Javier Nunez

Wednesday, April 17 - Randy Soffar Hosts

Leon’s Open Mic @ 8:00 pm

Thursday, April 18 - Karaoke by Request hosted by Mark Moses

Friday, April 19 - Rolling 7’s

Saturday, April 20 - Off Record Media Presents: Juvenoia, Embertone, Telecina, Diptera

Tuesday, April 23 - Ceremonial Abyss

Wednesday, April 24 - Randy Soffar Hosts

Leon’s Open Mic @ 8:00 pm

Thursday, April 25 - Karaoke by Request hosted by Mark Moses

Friday, April, April 26 - SHO-NUF Band

Saturday, April 27 - Anthony Carreras

8:00 - 12 AM

Gloria Trevi Performs At The Smart Financial Centre On April 13

By Jose Martinez

Gloria Trevi, the most striking, daring, and distinctive artist of contemporary popular music in recent decades, has left many astounded with her evolution and surprising resurgence in the entertainment world. She has reinvented herself, surprising not only her millions of fans but also industry executives and entrepreneurs.

For several consecutive years, Trevi has been the highest-grossing female Mexican performer, drawing massive crowds to her concerts, which consistently sell out. Her tours are a fixture on the Mexico and United States rankings in Pollstar’s predominant North American Tours list.

Renowned for her intense voice and unique style of performance, Gloria Trevi is also one of Mexico’s greatest songwriters, with over 500 songs penned by her own hand. Her ability to connect with the audience and her complete dedication to each concert create a cathartic experience among attendees, making her a generational bridge.

Packed stadiums with thousands of ecstatic fans of all ages, wholly devoted to the artist, transform into a massive karaoke where the audience joins her in singing classics like “Pelo Suelto,” “Tu Ángel de la Guarda,” “Con los Ojos Cerrados,” “El recuento de los

daños,” and “Dr. Psiquiatra,” among others, leading up to anthems like “Todos Me Miran,” “Cinco Minutos,” “Vestida de Azúcar,” and heart-wrenching ballads such as “El Favor de la Soledad,” “Rómpeme el Corazón,” “No querías Lastimarme,” and “Vas a Recordarme.” Her recent hits like “Ábranse Perras” and “Grande” are also crowd favorites. Witnessing Gloria Trevi’s concerts is to intensely feel the “Trevi Experience,” an authentic “show woman” who leaves a piece of her soul on the stage every night.

Considered a global legend of Latin music, Trevi has shattered stereotypes, creating a unique

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movement that empowers women and the LGBTQ+ community. She is one of the most avant-garde, beloved, respected, and imitated Latin stars, embraced by the community that has always supported her.

Since her solo debut in 1989 with the album “…Qué hago aquí?” her career skyrocketed, becoming a Pop icon. The singer-songwriter from Monterrey, Nuevo León, Mexico, has been controversial and multifaceted with a provocative and irreverent image from the beginning, creating her distinct mark that can border on extravagance or elegance and glamour.

Within Gloria still resides the girl born on February 15 in the northern city of Monterrey, Nuevo León, Mexico. The singer and songwriter began her career at a very young age, always knowing she would be an artist. Following her heart, one day she left home to write her own story, a story she has openly shared through the lyrics of her songs. Despite her significant achievements and numerous successes, Trevi asserts that “her best moment is yet to come.”

Gloria Trevi’s discography is a testament to her enduring talent and impact on the Latin music scene. Her studio albums from “…Qué hago aquí?” in 1989 to “Diosa de la noche” in 2019 have consistently showcased her artistic evolution and ability to captivate audiences. Her live albums, including “La trayectoria” in 2006 and “Gloria en vivo” in 2012, capture the raw energy and emotion of her performances, making fans feel as though they are right there in the crowd.

Trevi’s tours have become legendary, each one a spectacle of music, dance, and emotion. From the Trevolución Tour in 2005-2006 to the Diosa de la Noche Tour in 20192020, she has taken audiences on a journey through her greatest hits and new releases, always leaving them wanting more.

Her accolades and awards are numerous, reflecting her influence and enduring popularity. From Billboard Awards to Premios Lo Nuestro, Latin American Music Awards to Luna del Auditorio Nacional, Gloria Trevi has received recognition from her peers and fans alike.

In recent years, Gloria Trevi has continued to push boundaries and challenge conventions. Her collaborations with artists like Karol G and Monica Naranjo have brought her music to new audiences, while her activism for women’s rights and LGBTQ+ rights has inspired many.

As Gloria Trevi looks towards the future, she remains an iconic figure in Latin music, a trailblazer who continues to inspire and empower with her music, her voice, and

her fearless spirit. Her legacy is not just in her songs but in the hearts of those who have been moved by her music and her message.

Gloria Trevi stands tall as an icon of Latin Pop, a multifaceted artist who has broken barriers, inspired millions, and left an indelible mark on the music industry. Her journey from a young girl in Monterrey to a global superstar is a testament to her talent, resilience, and unwavering passion for music.

Her impact extends far beyond the stage, as she remains a beacon of strength and empowerment for her fans, especially women and the LGBTQ+ community. Gloria Trevi’s music will continue to resonate for generations to come, reminding us of the power of art to inspire, uplift, and unite.

In conclusion, Gloria Trevi’s remarkable career is a testament to her indomitable spirit, unwavering dedication to her craft, and profound connection with her audience. As she continues to captivate audiences worldwide, one thing is certain: the legacy of Gloria Trevi will endure for generations, inspiring countless artists and fans alike.

The Biker, The Blues, The Poker Dealing

Mama & More

I was puttin’ down from San Francisco to LA well at least that was the plan, sort of the plan anyway. Obviously California has a lot to offer in more than one way and they have a ton of poker rooms to be sure. Plus talk about some really great blues clubs California has them as well. I’m not into poker all the time but when it seems like it’s time to lay down some jack California has the parlors, many which are first class establishments. On this day I noticed a neon sign that read No Guns or Nuclear Weapons Allowed and I thought this could be an interesting place so I parked my scooter out front, grabbed a cigar and headed for the entrance. However, before I entered a good looking mature woman asked if I was there for the cards or the show. She was definitely not some young thing hustling, not this woman, she was looking for poker players. I said cards and she said follow me. Just like in the song “She was a long cool woman in a black dress ‘Bout a 5’9" beautiful, tall. With just one look I was a bad mess because that long cool woman had it all.” There was an outside staircase that led up to a second floor entrance so I followed her up the steps. She held the door and as I entered and I realized right away that I was not in some low class kind of joint. Nope this was a top shelf well lit fine place for sure. She asked what my favorite drink was and I said single malt scotch. She pointed at the tables and said some of them are Texas Hold ‘em, choose the game you want and I’ll be right back with your drink. I looked around and it was an ocean of male and female players. I bought in at a table close by and tried my luck. After about maybe two hours I was breaking even sort of bored and ready to go. Then that long cool woman came to our table and relieved the dealer so I decided to try a few more hands, well I mean a man has to have his priorities right? She had an award winning smile and that woman could handle a deck. I won the first and then the second hand. I asked the pit boss if it was ok to tip the dealer and he nodded yes. I stood up thanked her and reminded her that she had asked me if I was there for the show. What was she talking about? She said downstairs they have live music six nights a week. I asked what kind and she said all kinds but usually on Thursday it’s rock or blues rock. Cool. I’m in. So back down the outside stairs then I was out in front of the place once again. I decided to fire up my cigar and sit on my bike. There were others out there too mostly smoking cigarettes. I asked this one couple if they knew who was on stage and they said a band named ‘Stinky Felix”. What a name, I had seen them perform in the past. The music started and while I did not recognize the song it was indeed good. Rock tempo yet with a sexy blues feel. This place was cool, the patrons and the employees were all top shelf. The sign out front that read no guns or nuclear weapons was still lit and it was an attention getter to say the least. Once inside I could see it too was a bit up town sort of plush but not over the top plush. This floor and its bar was interesting. That night it was an all male band but the audience was notably mostly women. I cozied up to the bar, placed an order and scanned the area for what’s what. Nothing too out of the ordinary but some really sharp dressed women. Poker upstairs and then down-

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The Biker, The Blues, The Poker Dealing Mama & More - cont’d

stairs good music and good looking women. When the drink arrived it was certainly filled with scotch which is always a good sign. Still the place wasn’t holding my attention for some reason so I closed out and made tracks for my scooter. I called ahead to Los Gatos and reserved a room at a motel, fired up my bike and we hauled ass for our destination. Los Gatos is close to San Jose and if you are looking for a super friendly town that is cool with folks from out of town this would be the place. I checked in and waited for the engine to cool before rolling it inside the room. Everything went as planned until in the morning when I rolled it back out and into a parking spot. I sat down on a chair I had brought outside and fired up my morning smoke. A cognac flavored single leaf 50 ring Connecticut wrapper stogie. “Hey Mom what’s for breakfast?” Well kids nothing starts the day like a cloud of smoke and city water direct from a motel sink. Anyway I sat down enjoying this California low smog area of the state when a door a few rooms down opened and out came this elderly lady. Maybe 80 to 85 but cool looking wearing a Turquoise Squash Blossom and some native rings. I smiled as she walked by, she nodded good morning but not a word exchanged between us. A short time later she came back from wherever she had been, nodded again and kept on going. Then she paused at her door looked back and said hey they got some donuts and coffee up front. I nodded thank you and thought well that seems like a good idea but it was going to happen after I finished this fine cigar. So I was sitting there cooling it when this motorcycle cop pulls up. I thought no surely someone didn’t dime me out about my bike being in the room? He pulled up behind my bike and shut his off. A state cop no less. He was smiling so I thought well maybe it wasn’t anything too terrible. I could see he called in my plate then he came over and asked for my license and insurance card. I opened my wallet and gave him both and then kept quiet. It seemed like forever until he brought them back but then he said thank you. He asked what year the engine was because a new construction registration verifies the frame number but not the engine number. I told him 1975. He asked if it was a 1,200 and I said no I actually we bore the cylinders out and I’m running ten over pistons with an Andrews Cam. He asked if the pipes were muffled and I told him no and he replied saying that the county had a noise abatement law. I said I was just passing through and as soon as I had a couple of donuts and a cup of coffee from up front I would be on my way. He said he wasn’t going to cite me, thanked me again and said by the way not a good idea to take your bike into a motel room with new carpet, good day sir. I was stunned. Someone actually did dime me out and for some reason get this a state cop on a bike and not a county mounty came to check me out, go figure! His comment about the new carpet left me with the impression that it was the motel manager that probably called them. Anyway all’s well that ends well and with that thought in mind I decided to forego the donuts and coffee up front in the office. However, the idea of a donut and coffee was still on my mind. As I pulled away I noticed a sign that read Donut Wheel Bakery and I thought cool and wheeled on in.

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Nice people, but not very many people inside. I could smell cinnamon so I ordered a bear’s claw and a cup of black coffee. I looked at the map on my cell phone and could see that Santa Cruz was 25 miles away straight down highway 17. I knew that the gas and oil levels were fine so when I finished I just fired up my scooter and left for Santa Cruz. Now you may wonder what is so cool about Santa Cruz and one thing is the variety of sea animals that harbor on their beaches. By the way California keeps their beaches super clean up and down the coast and you meet the nicest, friendliest folks on planet earth there. On the day I arrived I met a Mexican family of immigrants, a family of five. Mom, Dad, two boys and a girl. I can only imagine what was going through their minds when this biker guy on this loud red chopper comes rumbling up. Possibly stereotypical to them. They turned out to be cool about me being there and didn’t freak out and leave, they just kept doing their thing. It was lunch time when the Dad of the family, his name was Juan, came over with something in his hand and offered me some kind of Mexican dish his wife, Marcelina, had prepared. I gratefully accepted their food, smiled and thanked him. I asked him if he spoke English and he nodded nope. I told him I didn’t speak Spanish yet we both knew that we were communicating. I pointed to a seal sitting on some seaweed and he nodded and pointed toward his kids while saying something I didn’t understand. The kids were pointing toward the animal too and yelling something to their Dad. He left and went back to them. About a football field and a half away was this small food store combination gift shop. I walked over and while there I noted their candy aisle. I bought some and went back to where my bike was parked. The family that gave me the free lunch were still there. I walked over to them. When I got there I put my hand in the bag and took out three packages of Red Vine Licorice. I expressed as best I could that I wanted to give the licorice to their kids. He and wife got the non verbal message and nodded yes. The kids however wouldn’t come near me so their Mom took the licorice from me and handed it to them. I reached back into the bag and took out three Hershey’s Almond bars and gave Mom and Dad each one and I kept one. The three of us ate our cache on the spot. This is the way America is supposed to function, at peace with life and each other. I walked back to my bike and not too long after I noticed a priest going up to that family. I thought that was odd. A priest on a beach, kind of different. A nun was with him and as she escorted the family toward their car the priest walked over to me. He told me that they wished to tell me that my return friendship was a sign of their welcome to America. The priest explained that no they were not from Mexico as I had assumed but from Central America where all they possessed was taken from them and they fled the country for America. They were seeking asylum. I stumbled right into that situation and didn’t know it. As the priest turned to leave I said Father do you know why nuns do not have sex? He said what? I said do you know why nuns do not have sex? He just furled his eye brows, turned away and started walking again. I shouted out because they can’t get into the habit. He stopped, turned, visibly laughing and waved goodbye. It was then that I noticed a couple maybe in their thirties holding each other on the beach. They were either in love or harboring a deep desire. You could tell at that very moment they were happy being together and that was cool to see. Me, well the annual Blues Music Awards are in Memphis next month, May. I think I will point my scooter in that direction. Their annual awards event is a lot like the Grammys event except it just presents blues and that’s a way, way cool experience. See you next month...

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Conjunto Primavera Gloria Trevi

Los Invasores De Nuevo Leon

Conjunto Primavera se presenta el 6 de abril en el Arena Theatre

Por Jose Martinez

Este mes, el icónico Conjunto Primavera se presentará en el The Arena Theatre el sábado 6 de abril, prometiendo una velada llena de romance y estilo característico que los ha convertido en una de las agrupaciones más destacadas del explosivo escenario norteño de la década de 1990.

Originarios de Chihuahua, México, Conjunto Primavera es un grupo multi-Grammy Latino que ha vendido millones de discos en todo el mundo.

Fundado en 1978 por el saxofonista Juan Domínguez, Conjunto Primavera inició su exitoso recorrido con sonidos rancheros, boleros y baladas, evidenciado claramente en su álbum de 1980, “Cuatro Primaveras”. Para 1986, con el lanzamiento de “Con las Manos Vacías”, el sonido de la banda evolucionó para incluir no solo el saxofón, sino también los teclados eléctricos. Tras firmar con Fonovisia a principios de la década de 1990, el grupo registró una serie casi constante de éxitos con sencillos y álbumes, epitomizado por su primer álbum certificado como oro, “Necesito Decirte”, en 1998. Sus armonías están estilizadas con influencias del vintage doo wop y rhythm and blues tanto como la música folclórica del norte de México. A

partir de “Morir de Amor” en el año 2000, Conjunto Primavera colocó una docena de álbumes consecutivos en el Top 200, y más de dos veces aparecieron en los rangos superiores en Top Latin Albums y/o Mexican Regional Albums, incluyendo “Amor Amor”, ganador del Grammy Latino en 2014 y “Lo Más Escuchado De” en 2019.

El grupo fue fundado el 21 de marzo de 1978 (el primer día de primavera) por el saxofonista Juan Domínguez en Ojinaga, Chihuahua. Los miembros actuales de Conjunto Primavera incluyen a Tony Meléndez (voces), Oscar Ochoa (bajo), Félix Antonio Contreras (acordeón, teclados eléctricos), Manuel Rolando Pérez (bajo sexto), Francisco “Frank” Mata (bajo eléctrico) y Adrian Anthony Regalado (batería). En sus inicios, la agrupación se presentó localmente durante años antes de firmar un contrato de grabación con Joey Records, un sello independiente de música regional mexicana con sede en San Antonio, Texas. El grupo grabó una serie constante de álbumes para Joey, muchos de los cuales fueron reeditados en CD a mediados de los años 90. Estas reediciones llegaron después de “Me Nortié” (1993), el álbum de éxito de Conjunto Primavera y su debut en AFG Sigma Records. Sin embargo, esta nueva

asociación con el sello discográfico no duró mucho, ya que AFG Sigma (un sello propiedad del grupo Los Temerarios) comenzó a tener problemas financieros a mediados de los años 90 y, en consecuencia, fue comprado por el gigante regional mexicano Fonovisa.

Conjunto Primavera fue uno de los pocos grupos que lograron sobrevivir a la transición de AFG Sigma a Fonovisa, y su perfil se vio enormemente reforzado como resultado, comenzando con su debut en el sello en 1996. Desde ese momento, el grupo grabaría álbumes de manera constante para Fonovisa, lo que a su vez aseguraría una óptima comercialización y distribución para cada uno de ellos. Esta relación comercial cosechó importantes recompensas para ambas partes, ya que Conjunto Primavera ascendió en las filas de la música regional mexicana en términos de popularidad y reconocimiento, uniéndose a los likes de Los Tigres del Norte y Grupo Exterminador entre los actos principales de la escena norteña. “Necesito Decirte” (1998) fue su primer álbum en ser certificado como platino por la RIAA, con más de un millón de copias vendidas. Los álbumes sucesivos, incluyendo “Morir de Amor” (2000), “Ansia de Amar” (2001) y “Perdóname Mi Amor” (2002), en general fueron al menos certificados como oro, con más de medio millón de copias vendidas de cada uno. Además, Conjunto Primavera regularmente recibió nominaciones a los Grammy Latinos; incluso actuaron en la ceremonia de 2006, donde ganaron el premio al Mejor Canción Regional Mexicana (“Aún Sigues Siendo Mía”).

Este marcó el comienzo de una larga serie de éxitos críticos y comerciales para el grupo. En los años siguientes, varios de sus álbumes se ubicaron en los primeros lugares de las listas de álbumes regionales mexicanos y fueron certificados como oro. Los sencillos de la banda también tuvieron un éxito notable. Fueron nominados para casi una docena de Premios Grammy Latinos. En 2014, en la 15a entrega anual de los Premios Grammy Latinos, Conjunto Primavera ganó el Grammy Latino al Mejor Álbum Norteño por “Amor Amor”. Le siguió una intensa gira, pero en los dos años siguientes, las únicas grabaciones fueron las contribuciones de la banda a compilaciones de varios artistas.

A fines de 2017, Conjunto Primavera reapareció con el álbum de estudio “Con Toda la Fuerza” para Fonovisa. Dos años después, lanzaron el álbum “Lo Más Escuchado De”, una colección de canciones románticas nuevas y regrabadas, que contó con el sencillo “Si Te Vuelvo A Ver”, lanzado a principios de la primavera de 2020. Los fanáticos de la música norteña están emocionados por la próxima presentación de Conjunto Primavera en el The Arena Theatre el sábado 6 de abril, donde podrán disfrutar de una noche inolvidable llena de música romántica y talento excepcional.

Gloria Trevi se presenta el 13 de abril en el Smart Financial Centre

Por Jose Martinez

Gloria Trevi, la artista más impactante, atrevida y distintiva de la música popular contemporánea en las últimas décadas, ha dejado a muchos boquiabiertos con su evolución y sorprendente resurgimiento en el mundo del entretenimiento. Se ha reinventado, sorprendiendo no solo a sus millones de seguidores sino también a ejecutivos de la industria y empresarios.

Durante varios años consecutivos, Trevi ha sido la intérprete femenina mexicana con mayores ingresos, atrayendo multitudes masivas a sus conciertos, que se agotan consistentemente. Sus giras son una presencia constante en los rankings de México y Estados Unidos en la lista predominante de Giras Norteamericanas que publica Pollstar.

Renombrada por su voz intensa y su estilo único de interpretación, Gloria Trevi es también una de las mejores

compositoras mexicanas, con más de 500 canciones escritas por su propia mano. Su habilidad para conectar con el público y su dedicación completa a cada concierto crean una experiencia catártica entre los asistentes, convirtiéndola en un puente generacional.

Estadios llenos con miles de fans eufóricos de todas las edades, totalmente entregados a la artista, se convierten en un inmenso karaoke donde el público se une a ella para cantar clásicos como “Pelo Suelto,” “Tu Ángel de la Guarda,” “Con los Ojos Cerrados,” “El recuento de los daños,” y “Dr. Psiquiatra,” entre otros, llegando hasta himnos como “Todos Me Miran,” “Cinco Minutos,” “Vestida de Azúcar,” y baladas desgarradoras como “El Favor de la Soledad,” “Rómpeme el Corazón,” “No querías Lastimarme,” y “Vas a Recordarme.” Sus éxitos más recientes como “Ábranse Perras” y “Grande” también son favoritos del público. Presenciar los conciertos de Gloria Trevi es sentir intensamente la “Experiencia

Trevi,” una auténtica “show woman” que deja un pedazo de su alma sobre el escenario cada noche.

Considerada una leyenda global de la música latina, Trevi ha roto estereotipos, creando un movimiento único que empodera a las mujeres y a la comunidad LGBTQ+. Es una de las estrellas latinas más vanguardistas, queridas, respetadas e imitadas, acogida por la comunidad que siempre la ha respaldado.

Desde su debut en solitario en 1989 con el álbum “…Qué hago aquí?” su carrera se disparó, convirtiéndose en un ícono del Pop. La cantautora regiomontana ha sido polémica y polifacética con una imagen provocativa e irreverente desde el principio, creando su propio sello que puede rozar la extravagancia o la elegancia y el glamour.

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Gloria Trevi

(Continuación de la página anterior)

Dentro de Gloria aún habita la niña que nació un 15 de febrero en la ciudad norteña de Monterrey, Nuevo León, México. La cantante y compositora comenzó su carrera a muy temprana edad, siempre sabiendo que sería artista. Siguiendo su corazón, un día dejó su hogar para escribir su propia historia, una historia que ha compartido abiertamente a través de las letras de sus canciones. A pesar de sus significativos logros y numerosos éxitos, Trevi afirma que “su mejor momento aún está por llegar.”

Gloria Trevi ha logrado romper récords con su Tour Diosa de la Noche, convirtiéndose en el primer artista en general en abrir tres fechas consecutivas en la Arena CDMX y siendo la artista con más presentaciones en dicho recinto, con un total de 10 fechas. Además, su gira por Estados Unidos junto a Karol G en 2019 visitó 23 ciudades, desde Las Vegas y Los Ángeles hasta Miami y Nueva York, llevando su música y su espectáculo a lo largo y ancho del país.

El álbum ‘Diosa de la Noche’ fue creado por la mente mágica de GLORIA TREVI junto a varios productores de renombre como Armando Ávila, Carl Ryden y Ovy on The Drums. El álbum fue grabado en varios estudios en las ciudades de Miami, Los Ángeles y ciudad de México, y los temas fueron escritos y coescritos por la súper dotada cantante, quien plasmó su característica rebeldía y osadía en cada uno de los 12 temas sin guardarse nada, tal como lo ha hecho desde el principio de su carrera.

Su sencillo junto a Karol G “Hijoepu*#” tiene más de 62 Millones de reproducciones. Además, ha colaborado con la leyenda mundial Raphael, grabando uno de los clásicos del maestro Manuel Alejandro “No Vuelvas” para el disco del legendario artista.

En dos de sus últimos videos ha contado con la participación de icónicas personalidades de la comunidad LGBTQ+ como Valentina, Jessica Wild, Cynthia La Fountaine, y Ricky Lips. El video de “Ábranse Perras” es un himno y homenaje a las mujeres y a la comunidad LGBTQ+, y ha alcanzado más de 18.5 millones de reproducciones en YouTube.

“Rómpeme El Corazón” es una sentida y apasionada power ballad en donde la cantante deja toda su emoción y talento vocal plasmados durante toda la canción. El sencillo titulado “Grande” junto a otro ídolo de la música, Mónica Naranjo, está dedicado especialmente a sus fans y ya lleva más de 43 millones de visitas en YouTube.

Durante la pandemia, Gloria Trevi lanzó el sencillo “Demasiado Frágiles”, un tema muy adhoc a la época que se vive actualmente. Además, prepara su próxima producción discográfica que verá la luz en el segundo semestre del 2021.

Gloria Trevi ha revolucionado el Latin Pop, rompiendo fronteras con una extensa trayectoria. La cantautora ha sido reconocida con múltiples premiaciones y nominaciones, desde Premios Billboard a Premios Lo Nuestro, Latin American Music Awards a Luna del Auditorio Nacional, reflejando su influencia y su duradera popularidad. Su música, su voz y su espíritu intrépido siguen siendo un faro de inspiración y empoderamiento, dejando un legado no solo en sus canciones, sino en los corazones de quienes han sido conmovidos por su música y su mensaje.

Los Invasores De Nuevo Leon se presenta el 27 de Abril en el Arena Theater

Por Jose Martinerz

Los Invasores de Nuevo León, el legendario grupo norteño originario de Monterrey, México, se prepara para una emocionante presentación este mes el sábado 27 de abril en The Arena Theatre en Houston. Esta agrupación, con una trayectoria llena de historia, fue formada en 1978 por el vocalista Lalo Mora, el vocalista de respaldo/ acordeonista Javier Ríos, el bajista Homero de León y el baterista Eliud López. Desde sus inicios, Los Invasores de Nuevo León se dieron a conocer en fiestas privadas, ferias callejeras desde la parte trasera de camionetas, escenarios locales y cantinas.

El camino hacia el éxito musical comenzó a perfilarse cuando en 1981 empezaron a grabar para DLV Discs. Fue en 1982 cuando lograron su primer gran éxito regional con “Mi Casa Nueva,” el cual eventualmente obtuvo certificación de oro en México. Sus grabaciones para el sello se convirtieron en favoritas de la radio y del

público, llevando al grupo a las listas de popularidad en varias ocasiones durante la década siguiente.

En 1993, Lalo Mora dejó el grupo para seguir una carrera como solista, siendo reemplazado por Isaias Lucero. El debut con Lucero, “Playa Sola,” también logró obtener el estatus de oro. Sin embargo, la alineación no paraba de evolucionar, y poco después Lucero dejó el grupo para dar paso a Rigo Marroquín (bajo sexto), el vocalista Rolando Marroquín y Luis Perales en el bajo, convirtiendo al grupo en un sexteto. Fue con su álbum “Jardín de Amor” que Los Invasores de Nuevo León alcanzaron tal éxito regional que obtuvieron un contrato con EMI Latin. Internacionalmente debutaron con “Ventanas al Viento” en 1997; el exitoso “Vuelvo Contigo” del mismo año fue su primer álbum platino. Esta producción encabezó las listas regionales mexicanas y fue certificada como disco de oro. Su sencillo “A Mí Qué Me Quedó” se convirtió en un clásico en México, manteniéndose en las

listas de radio durante cinco meses y siendo nombrada Canción del Año. Alcanzó doble disco de platino en México y disco de oro en Estados Unidos.

Después de completar la década con un compilado de boleros por su 20º aniversario y una grabación en vivo, Los Invasores de Nuevo León entraron al siglo XXI con el aclamado álbum “Tiempo al Tiempo”. En 2002, lanzaron una colección de boleros inéditos titulada “No Soy de Palo”, con canciones de Luis Elizalde, Fidencio Villareal, Luis Padilla, José Guadalupe Esparza y Ríos. “Señal de Alerta” de 2003 fue la primera vez que reunieron una amplia gama de cumbias, boleros y rancheras de todo el panorama musical mexicano. El álbum tuvo éxito en listas de popularidad y ventas, lo que los llevó a seguir el mismo formato con “Los Más Buscados” en 2004, que agregó corridos a la mezcla. Alcanzaron nuevas alturas con el corrido y prefiguraron el movimiento alterno con el intenso “Corridos de Peligro” del siguiente año, una colección de narcocorridos. Aunque tuvo éxito con audiencias en vivo, la reproducción en radio fue más difícil debido a su temática. “Amor Aventurero” de 2008 llegó a los primeros 40 en el Regional. “En Manos del Tiempo” de 2009 contrarrestó la seriedad con canciones de fiesta y amor. “Déjate Llevar” tuvo mejor desempeño en radio y fue tocado en toda Latinoamérica. El compositor Espinoza Paz escribió “Aferrado,” el sencillo principal de la colección de canciones de amor “Aferrado al Amor”. El segundo sencillo “Que Te Lleve la Pena” llegó al Top 20. A mediados de 2013, Los Invasores de Nuevo León lanzaron el sencillo “A Ver Quién Gana.” Marcó un punto de inflexión al traer de vuelta a Mora como vocalista principal. El álbum “Amistades” marcó un renacimiento creativo al presentar nuevamente el talento del vocalista junto con Ríos (Marroquín no se fue, pero su hermano sí y fue reemplazado por Ángel Hernández, con Javier Benavides como guitarrista principal). Después de una gira de reunión con Mora, la banda firmó con Remex Music. Su primer sencillo para el sello, “Con la Luz Prendida,” fue compuesto por Lalo Ayala. Recibió una excelente difusión en radio y preparó el terreno para el álbum completo “Mi Héroe”. Los Invasores de Nuevo León iniciaron 2015 con el sencillo “Si Se Me,” que obtuvo airplay en toda Latinoamérica, aunque “Sin Presumir,” el álbum que lo acompañaba, no entró en las listas. En el otoño de 2016, el grupo alcanzó un hito en su carrera al lanzar un álbum simplemente titulado “No. 50”.

Su lanzamiento más reciente es el álbum “40 Aniversario” (Vol.1, Vol.2, Vol.3) en vivo del 2021. Los fanáticos de Los Invasores de Nuevo León están ansiosos por la presentación que se avecina en The Arena Theatre en Houston el sábado 27 de abril, donde sin duda escucharán un repertorio lleno de éxitos que han marcado la carrera de esta icónica agrupación norteña.

Bad Bunny Traza Una Intima ‘Gira Mas Buscada’ Para Mostrar Un Nuevo Sonido Trap

Por Jose Martinez

El superastro puertorriqueño Bad Bunny está planeando una gira íntima por arenas en Norteamérica titulada “Most Wanted Tour” para mostrar su nuevo sonido de trap. Después de un 2022 masivo que lo convirtió en el artista de giras globales más destacado, Bad Bunny regresa a los escenarios en 2024 con una gira de 31 ciudades promovida por Live Nation. Esta gira contará con 47 espectáculos y dará a los fans la oportunidad de ver al ganador del Grammy en un entorno más íntimo en comparación con su última salida.

La impresionante gira comienza el 21 de febrero en el Delta Center de Salt Lake City e incluirá varias noches en mercados importantes como Las Vegas, Phoenix, San

Francisco, Austin, Atlanta, Orlando y otros. Bad Bunny se presentará durante tres noches cada una en Los Ángeles, Chicago y Nueva York, así como dos espectáculos en el Toyota Center de Houston el 30 de abril y 1 de mayo antes de concluir con tres presentaciones consecutivas en el Kaseya Center de Miami a fines de mayo.

El “Most Wanted Tour” dará a los fans su primera mirada extendida al álbum sorpresa de octubre de 2023 “Nadie Sabe Lo Que Va Pasar Mañana”. Marcando su regreso a sus raíces de trap, el álbum rápidamente se convirtió en el más escuchado en un solo día en Spotify el año pasado, acumulando más de 900 millones de reproducciones lideradas por el éxito “MONACO” que encabezó las listas de Spotify en 16 países.

A pesar de promover una experiencia de concierto más íntima, se espera que la gira sea uno de los principales atractivos de 2024 gracias al éxito arrollador del álbum y a la popularidad sin precedentes de Bad Bunny tras su éxito de 2022 “Un Verano Sin Ti”. Ese álbum pasó 13 semanas no consecutivas en el número 1 del Billboard 200 antes de ganar el Grammy al Mejor Álbum de Música Urbana.

Las primeras pistas del título de “Nadie Sabe Lo Que Va Pasar Mañana” comenzaron a aparecer en mayo pasado cuando el video “Where She Goes” de Bad Bunny mostraba un cartel que decía “Nadie sabe...”. En los meses previos al lanzamiento del álbum, se pudieron

Bad Bunny

(Continuación de la página anterior)

ver carteles de Spotify en toda América Latina con la leyenda “Nadie sabe si será este año o el próximo”, generando expectativas sobre el proyecto tan esperado.

En una entrevista con Vanity Fair, Bad Bunny reveló que estaba “experimentando con un nuevo estado de ánimo musical” en el álbum, tomando influencias de la música de los años 70 en diversos géneros “tanto en español como en inglés”, con el objetivo de crear un álbum diferente a su predecesor “Un Verano Sin Ti”. Llamó a este nuevo proyecto, que cuenta con colaboraciones de Arcángel, Bryant Myers, Feid y otros, su “más personal hasta ahora”.

El lanzamiento sorpresa de “Nadie Sabe Lo Que Va Pasar Mañana” corona un ascenso meteórico durante la última década para el artista de 29 años nacido como Benito Antonio Martínez Ocasio. Después de crecer en Puerto Rico idolatrando a cantantes de salsa como Héctor Lavoe y estrellas del reggaetón como Daddy Yankee, Bad Bunny comenzó a perseguir una carrera musical mientras estudiaba comunicación audiovisual y trabajaba como empacador en un supermercado.

Saltó a la fama en 2016 cuando el DJ de reggaetón Luian se enteró de su canción “Diles” y lo firmó para su sello Hear This Music. Su sencillo de éxito “Soy Peor” llegó a finales de 2016, alcanzando el puesto número 22 en la lista Hot Latin Songs y estableciendo su sonido influenciado por el trap.

Una prolífica serie de sencillos como “Pa Ti”, “Loco Pero Millonario” y colaboraciones de alto perfil siguieron rápidamente,

incluyendo éxitos de 2017 con Ñengo Flow, Arcángel, Ozuna y otros. Hacia finales de ese año, Bad Bunny apareció en el éxito de J Balvin y Prince Royce “Sensualidad” antes de unirse a Balvin y Cardi B en 2018 en el éxito número 1 del Billboard Hot 100 “I Like It”.

En Nochebuena de 2018, Bad Bunny capitalizó su momento sorprendiendo con el lanzamiento de su álbum debut “X 100pre”, aclamado universalmente. Coproducido por la leyenda del reggaetón Tainy, el conjunto de géneros mezclados como pop-punk, R&B y hip-hop aún centraba las raíces de trap y reggaetón de Bad Bunny. Lideró la lista de Top Latin Albums y cruzó al Billboard 200.

Apenas seis meses después, colaboró con J Balvin en el álbum conjunto “Oasis”, que alcanzó el puesto número 9 en el Billboard 200 y ganó el premio al Mejor Álbum Urbano en los Latin Grammys. Rápidamente siguió eso en febrero de 2020 con su segundo esfuerzo en solitario “YHLQMDLG”, que se convirtió en uno de los primeros álbumes totalmente en español en debutar en el número 2 del Billboard 200.

Cuando la pandemia golpeó, Bad Bunny continuó con su prolífica racha, sorprendiendo con la compilación “Las Que No Iban a Salir” que presentaba pistas inéditas y colaboraciones con Don Omar y Nicky Jam. Luego, en noviembre de 2020, presentó “El Último Tour Del Mundo” que lo encontró experimentando con sonidos indie y alternativos inspirados en bandas como The Cure y Radiohead.

El escenario estaba listo para el éxito de 2022 “Un Verano Sin Ti”, que pasó tres meses en la cima del Billboard 200 gracias a éxitos como “Moscow Mule”, mientras ganaba el Grammy al Mejor Álbum de Música Urbana. El álbum continuó la reinvención musical de Bad Bunny, mezclando reggaetón con ritmos caribeños y colaboraciones poco probables.

A pesar de tomarse la mayor parte de 2023 aparte de los conciertos en festivales como Coachella, Bad Bunny aún logró éxitos como “Where She Goes” y apariciones con

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