Music News aka Houston Music News - October 2024

Judas Priest

http://www.19th.cc

October 2024

Friday, October 4

Bad Trip, Falsify, Dyer Infernum, Dear Nobody

Saturday, October 5

Unit Shifter (Tribute To Nirvana / Midlife Anti-Crisis), Scorn

Friday, October 11

Grandstand Highway

Saturday, October 12

Brax, Bovine, Sneaumane, Big Pete

Wxlf777, Swamp Bane

Friday, October 18

Phantum Su, Fuss

NoiseGate

Saturday, October 19

Doug Burleson Miranda Rites

Friday, October 25

Sevvven

Darkness of Tomorrow

Time Capsule

Saturday, October 26

Reid Sullivan Opening for Keaton Kyzar

Hi Folks,

October 2024

Hello Music News readers. I hope you had a great September.

Our cover story for this month is Texas TNT. Texas TNT has a spectacular new album out called “Crossroads Are Burning” and we wanted everybody to know about it. This is really a fantastic Hard Rock Album Check out the story and then order the album from their website today! Read all about it in this month’s issue of Music News!

Now, on to the new issue. In this issue, as usual, we have some great stories and information to pass on to you. Check out stories in this month’s issue on Judas Priest, Korn, Morrissey, Norah Jones, Remi Wolf, Vundabar, Yngwie Malmsteen, Rick Wakeman, Stanley Jordan, Tom Jones, Alice Cooper, and much more, as well as another installment of the original story, THE BIKER! Also in this issue are a ton of great pictures of bands performing around the Houston area. I’m sure you’re going to be familiar with a lot of these bands. Those bands include Chad Ware, Chasing Yesterday, Chip Oliphant Band, Dressed As Pandas, Hipwaders, Holland K. Smith, Jambolism, Memphis Lightning, Pillar of Flames, Ralphie and The R.C.’s, Sparky Parker, Such and Such Band, Unit Shifter, Via Llinda, Wink & The Lords Of Kool and more!

Also be sure to check out our Spanish section. In this month’s issue we have stories on BXE Sryndis X Siempre, Christian Nodal, and Marc Anthony. The stories are in English and Spanish.

I sincerely hope that everybody reading this new publication finds something here that they like and I would like to encourage you to let your friends and colleagues know about us. Just look for us every month at http://www.houstonmusicnews.net. I would also like to encourage you to email us for a free subscription to Rock And Blues International as well. Just email us at musicnew@airmail.net and in the subject line simply put “Sign Me Up” and we’ll email you a copy each month when it is published. Remember, for your convenience, Music News is also now downloadable. You can download the issue into your computer or storage device and save it and read it at your convenience without having to get logged on to the internet every time. Try it now and save every issue. It will make things a lot easier for you.

Kevin Wildman Editor and Publisher

Kevin

Kevin Wildman Editor and Publisher

Web Address http://www.houstonmusicnews.net

Mailing Address

Box 1162, League City, TX 77573

Phone 281-650-1953

For Advertising email us at musicnew@airmail.net or call 281-650-1953

For A Free Subscription email us at musicnew@airmail.net and in the subject line put “Sign Me Up Now”

Wildman

Korn Rocks Houston on 30th Anniversary Tour, Teases ‘Heaviest Album in Years’

Texas TNT: Igniting the Hard Rock Scene with “Crossroads Are Burning”

The Charming Man Comes to Houston: Morrissey’s Halloween Concert Promises Tricks, Treats, and a Walk Through Alternative Rock History

Metal Gods Judas Priest to Unleash ‘Invincible Shield’ at Smart Financial Centre: A Night of Heavy Metal History and Innovation

Blues Sensation John Clifton Band Set to Electrify Houston Page 28 John Clifton

BXS BRYNDIS X SIEMPRE Set to Enchant Houston: A Night of Timeless Romance and Grupera Magic at The Arena Theatre

Prog Rock Legend Rick Wakeman Bids Farewell with Final US Solo Tour at The Heights Theater

Guitar Innovator Stanley Jordan Brings His Revolutionary Touch Technique to Dosey Doe Big Barn”

Grammy Magnet Norah Jones to Enchant Houston: ‘Visions’ Tour Promises a Night of Soulful Nostalgia and Fresh Sounds

58 Yngwie Malmsteen Page 48 Vundabar

Boston’s Indie Rock Sensation Vundabar Set to Electrify White Oak Music Hall: A Night of Math-Rock Mayhem and Post-Punk Passion

50

Funk-Pop Innovator Remi Wolf Set to Showcase ‘Big Ideas’ at White Oak Music Hall: A Deep Dive into Her Sophomore Album

Enter Shikari Will Be Performing This Month At Warehouse Live Midtown October 12th

Neo-Classical Metal Pioneer Yngwie Malmsteen to Electrify Warehouse Live Midtown: 40 Years of Guitar Virtuosity Comes to Houston

Tom Jones Electrifies Sugar Land: A Night of Ageless Wonder at the Smart Financial Centre

Christain Nodal

Regional Mexican Phenom Christian Nodal Set to Ignite

Smart Financial Centre: Pa’l Cora Tour Promises a Night of Passion and Tequila in Sugar Land Page 70 The Biker

Salsa Superstar Marc Anthony Brings His ‘Historia Tour’ and New Album ‘MUEVENSE’ to Houston’s Toyota Center

By Kevin Wildman

In the heart of Houston, Texas, a musical inferno has been brewing for over a decade, and it’s finally ready to set the world ablaze. Texas TNT, the powerhouse rock trio consisting of Ronnie Pace (guitars and vocals), Ramona Gerene (bass guitar and vocals), and Ian Carroll (drums and vocals), has just unleashed their debut album, “Crossroads Are Burning,” a tour de force that’s poised to leave an indelible mark on the hard rock landscape.

This isn’t just another rock album; it’s a culmination of lifetimes spent in pursuit of musical excellence. Each member of Texas TNT brings a rich background of experience to the table. Ronnie Pace, with his innovative guitar work and production skills, has been a fixture in the Houston music scene since the late ’70s, cutting his teeth with bands like Xcitor and Ark Royal. Ramona Gerene, the powerhouse vocalist and bassist, has traversed genres from country rock with Cowboy’s Nightmare to the heavy metal thunder of Texas TNT. Ian Carroll, the rhythmic backbone of the band, honed his skills in various outfits before finding his home behind the kit with Texas TNT.

“Crossroads Are Burning” is a testament to the band’s musical journey and their unwavering commitment to their craft. Recorded at the legendary Arlyn Studios in Austin on a coveted Neve console, the album captures the raw energy of Texas TNT’s live performances while adding new dimensions to their sonic palette. The decision to record on analog equipment was a deliberate choice, as Ronnie explains, “We wanted the real equipment that the bands that we love recorded through. We made it as analog as we could.”

The album is a rollercoaster ride through 14 tracks that showcase the band’s versatility and songwriting prowess. From the blistering opening salvo of “I Swallowed A Fly,” a scathing commentary on being fed lies, to the haunting finale “Time Stands Still,” which delves into biblical themes of revelation, the album covers a wide spectrum of emotions and styles.

Standout tracks include the anthemic “I Wanna Be Ozzy,” inspired by Ramona’s lifelong admiration for the Prince of Darkness, and featuring Ronnie’s best Randy Rhoads-inspired guitar work. “King of the Jungle,” with its powerful biblical imagery and themes of self-belief, showcases the band’s

Texas TNT: Igniting the Hard Rock Scene with “Crossroads Are Burning”

ability to blend heavy riffs with thoughtprovoking lyrics. And for those seeking a good time, “Tacos ‘N’ Tequila” serves up a party-starting anthem that’s already becoming a fan favorite.

The album isn’t afraid to tackle heavier themes either. “The Darkness” delves into fears and societal unrest, while “Blinded By Money” takes aim at greed and taxation. Even when exploring these weightier topics, Texas TNT maintains their signature hard-driving sound, ensuring that the music remains as impactful as the message.

In a nod to their roots, the band includes a blistering cover of “Piece of My Heart,” channeling the spirit of Janis Joplin through Ramona’s powerful

vocals and the band’s hard rock arrangement. It’s a perfect example of how Texas TNT pays homage to their influences while firmly establishing their own identity.

As we sit down with Ronnie, Ramona, and Ian to discuss the making of “Crossroads Are Burning,” it’s clear that this album is more than just a collection of songs. It’s a statement of intent from a band that’s ready to take on the world. Join us as we delve into the stories behind the tracks, the challenges of recording, and the passion that drives Texas TNT to push the boundaries of hard rock.

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Ronnie Pace: Hello,

Music News: Hello, it’s Kevin.

Ronnie Pace: Kevin, are you there?

Music News: Yeah, I’m here. How about you?

Ronnie Pace: I’m here. Ramona is here. I did want to call Ian in here. If you give me just a second, I’ll put him on here.

Music News: Okay.

Ronnie Pace: I think we’re all here.

Ian Carroll: I’m here.

Ronnie Pace: Okay.

Music News: Okay, we need to do roll call.

Ronnie Pace: All right. We got Ian, we got Ramona, we got me. All here.

Music News: All right.

Ronnie Pace: There’s only three of us.

Music News: I know. I know.

Ronnie Pace: It makes it so much easier, man, I gotta say, I played in fivepiece bands before too much drama.

Music News: Well, normally when I do interviews with people, I usually end up with one person. It makes it easier that way. But, you know, we’ll try it with three and see if I can distinguish between all the voices.

Ronnie Pace: Well, we’ll try to get Ramona to talk the most, since she does a lot of singing. People identify with her. When they see her, they think of her, because not a lot of bands have, like, girl, bass player and singers in them, even though there’s getting to be more and more. I think she’s been inspirational in the music world.

Music News: Well, it sounds like she does most of the lead singing on

here. Anyway.

Ronnie Pace: Yes, she does.

Ian Carroll: So if you want to do any of the CD questions about the songs, we can do those too.

Music News: Oh, we’ll talk about everything here. So this, this is the band’s first original album, right?

Ramona Gerene: Right. Oh, how did you like the CD?

Music News: I liked it. I thought it was good. I’ll tell you. There’s a lot of variety on here. Sometimes I didn’t know if I was listening to Judas Priest or Ozzy Osbourne.

Ronnie Pace: Well, that’s what we had in mind.

Music News: Yeah, it’s a heavy album, that’s for sure.

Ian Carroll: That’s cool.

Music News: The drums are really up there out front and everything. Everything’s out front, everything. I mean, you’re getting some really good sounds on the drums here.

Ronnie Pace: Yeah, that was important to me.

Music News: I’ll bet it was.

Ronnie Pace: That’s right, I’m trying to get everything just right.

Ramona Gerene: Ronnie did the production.

Music News: When you’re writing the songs on here, is there a certain procedure that you all go through?

Ian Carroll: It’s kind of... it changes every time.

Ramona Gerene: Whatever happens, happens.

Ronnie Pace: Yeah. It’s like, you know, we just create the moment, and then we go from there.

Music News: Well, let’s talk about some of the songs on here. You got devils, demons and tacos.

Ronnie Pace: Yep, yep, yep, that

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sounds like Texas, all right.

Music News: And some of these are really interesting songs, like “I Swallowed A Fly”.

Ronnie Pace: Well that’s Ramona’s song.

Music News: The starting song on here.

Ramona Gerene: Well, that starts it all off, because there’s a lot of people that I know that are really pissed off about being lied to. They’re really sick and tired of it. They’re fed up with it, in fact, and it’s like that you get lied to so much that you feel like, ‘am I really going to have to swallow this’? You know, it’s like I swallowed a fly. That’s how I feel about it. So that’s what inspired the song.

Ian Carroll: Yeah, she wrote those lyrics.

Music News: Is there a chief lyric writer with all these or does everybody just throw in their piece?

Ronnie Pace: Well, it depends on the song. See on ‘Vampire’s Kiss” and “Have Another Drink”, that’s mostly me.

Ramona Gerene: That is Ronnie.

Ronnie Pace: Yeah, and “Blinded By Money”, That’s me. “The Darkness”, “Hot Little Mama” is Ramona. “Time Stand Still” and “I Want To Be Ozzy”, and “King Of The Jungle” is me and Ramona, and “I Swallowed A Fly” is all three of us. And you know, Ian arranged the drum parts for “King Of The Jungle” and helped with “Crossroads Are Burning”.

Ian Carroll: We, all three of us, have all put in all kinds of stuff really to make the songs what they are.

Ramona Gerene: We all contributed to “Tacos And Tequila”, but all three of us and parts of the song, we all put in lyrics.

Ronnie Pace: Yeah, and Ian came up with both the ideas of the lyrics, for “I Don’t Have To”, and Ramona said, Well, if I’m going to sing it, then I’m going to arrange this a little bit different. So that’s

how that went.

Ramona Gerene: It means something to me, so I could feel it.

Ronnie Pace: I didn’t write any lyrics. I did the music on there.

Music News: So Ramona wrote the lyrics for “I Swallowed A Fly”.

Ronnie Pace: Yep, and all the lyrics for “King of the Jungle” too, just about the whole song, really.

Ramona Gerene: Yeah.

Music News: I want to talk about the songs and the meanings of the songs, and if you have any anecdotes, that you want to tell me about the recording of these, of any of the individual songs, I want to hear about that too. But let’s go on to “King Of The Jungle”. Okay, Ramona wrote the lyrics to that one.

Ian Carroll: Yeah.

Music News: Well, tell me about it. What does the “King Of The Jungle” mean to you?

Ramona Gerene: Well, it’s a Bible verse, and it’s in the book of Revelation, and it talks about the king, and there’s a whole sect of religion that comes from Africa, and they believe in Jah, the Lion of Judah. Jah is short for Jehovah, and it’s their king. They’re waiting for their return of their king, and it’s what sparked the whole Rastafarian movement. And that’s, that’s the... that’s where it came

from. That’s my personal feelings about it.

Ian Carroll: If I could just say real quickly when we developed this song and we played it, of course, I corroborated with arranging it and playing it and and getting to know the arrangement, etcetera, but later on, when I read the lyrics, I was really impressed. I was, I was touched by that. It’s, it’s a deep song. It’s amazing.

Music News: What specifically about the lyrics touched you?

Ian Carroll: There’s several, there’s several. It rings in it, I mean, because, I think it’s because it really crosses into the times that we’re in now, you know, it’s like you have to believe in something, kind of the... if you don’t believe in something, you’re going to fall for anything. But this is the high word. This is the word coming down from on high. I think a lot of it is that you should believe in yourself, and you should believe that you can be the best, the best that you can picture, and the best that you can imagine. You can be that.

Ramona Gerene: Right!

Ian Carroll: Yes, right. And anyway, I was inspired about the lyrics that way.

Music News: Okay,

Ramona Gerene: And that’s why it

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comes second. That’s important too, why it follows “I Swallowed A Fly”, because “I Swallowed A Fly” is like the reason you’re pissed. Okay, you’re angry. It’s a very angry song about being lied to, because we’ve all been lied to.

Ronnie Pace: Repeatedly, ad nauseam.

Ramona Gerene: And the “King Of The Jungle” is about truth, and it’s what you need. So it’s like they’re opposites of each other.

Music News: Okay? So it was very important on the order of those two songs?

Ramona Gerene: Right, exactly!

Ronnie Pace: When I originally told Ramona my idea for “King Of The Jungle”, it was kind of a response to “Welcome To The Jungle.” I said, Well, there’s something bigger than the jungle, than Guns N’ Roses. And she took it and ran with it.

Music News: All right, I want to be

Ozzy. I like that song. I want to be Ozzy.

Ronnie Pace: It’s been unbelievably popular, I guess, crazy.

Music News: “I can do anything.” Y’all want to be Ozzy ever since you were 17.

Ramona Gerene: Well, it’s true. It is true.

Ronnie Pace: And we make fun of her at the shows. And I always say, ‘thank you for being...’ what do I say? ‘Thank you for Sharon’, man.

Music News: Well, tell me a little bit more about it. I mean, what? What made you decide to write a song saying you wanted to be Ozzy?

Ian Carroll: This is the Ramona song, of course,

Ramona Gerene: Because I do want to be Ozzy. I really do.

Music News: You really do?

Ramona Gerene: A sincere feeling that I’ve had since I was young. And you know, I would go see bands play, and I was like, I don’t want to be this person out here. I want to be that on stage. And where was Ozzy? Ozzy was the headliner. He wasn’t just on stage. He was the headliner. So I want to be Ozzy.

Ronnie Pace: And when she told me about the idea, as she is a cool bass player, I said, Okay, I’m going to be Randy Rhoads for tonight, so I started writing all this stuff like Randy would write.

Ramona Gerene: Yeah, he got the guitar part in there just right, because I had that bassline going through there and he put that guitar in there.

Music News: Well, Ronnie, you think you accomplished the Randy Rhoads sound on there.

Ronnie Pace: I don’t know if it’s exactly the sound. It’s the closest I could get for right now,

Ramona Gerene: I was impressed.

Ronnie Pace: Ramona said, Well, if you’re going to do that, you got to have this amp. And we went and....

Ramona Gerene: Oh yeah.

Ronnie Pace: she bought me the amp for that.

Ramona Gerene: Yeah, I picked out the amp.

Music News: What was the amp that you went to get?

Ronnie Pace: It’s a Diamond. It’s a custom-made Diamond that Jeff made for me because Jeff’s a friend of mine who owned, he used to own the company. He did sell it. But it’s a hybrid between his ‘Spitfire’ and his.... What’s that called, It’s on the tip of my tongue, not the palladium, something, something. It’s a famous Hall in England that they have...

Ian Carroll: Hammersmith!

Ronnie Pace: It’s a combination of the Hammersmith and the Spitfire amps.

Music News: Okay, is that the one I see you playing all the time? Yes, there’s only one like it. Okay, well, you had that modded out, didn’t you?

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Ronnie Pace: Well, that Jeff made it for me, just, you know, special. I said there’s only one.

Music News: Okay, well, I’ve always liked the sound on that amp. I think I told you that a couple of times when I’ve seen you play.

Ronnie Pace: Yes sir. And our engineer loved it. He said, Man, that makes the best sound I’ve ever heard.

Ian Carroll: That’s what I was gonna say too, when we were recording in Austin,

Ronnie Pace: But I have a... the SG that I play is... it looks like it Gibson SG, but it’s not

Ian Carroll: That one’s modded out.

Ronnie Pace: Yeah. I took the guitar, I took all the hardware off. I took all the electronics out. I pulled the frets out. I put in stainless steel frets. I put in locking tuning keys. I put in a special nut. I put in special pickups I got from England that are called “Bare Knuckle”, and I put in custom electronics so it looks like a Gibson, but It’s not.

Music News: Okay, but you’re getting the sound you want out of it, and that’s all that matters.

Ronnie Pace: Yeah.

Music News: What do they call those things? Partscasters or something?

Ronnie Pace: Well, that would be if it was based off of a Fender guitar, right? Most people don’t do that to Gibson guitars.

Music News: Well, the big thing is changing out the pickups now in the Gibson. People are always going for different pickups.

Ronnie Pace: That is true. That is one of the things.

Ramona Gerene: Anything else you want to talk about, like how I picked out the drum kit?

Music News: What?

Ramona Gerene: How I picked out the drum kit. (laughing)

Ian Carroll: Oh, you mean the...

. Ramona Gerene: DW kit.

Ian Carroll: We knew we wanted DW, but then we saw that kit at the Guitar Center that they custom made for the Rush drummer, and it was blue.

Ramona Gerene: And I said, Ian, this is your kit.

Music News: So you’re telling everybody what to get.

Ronnie Pace: She’s more of influence than you would think.

Music News: Not only is she the bassist, but she’s the set designer.

Ramona Gerene: I’m an influencer.

Ian Carroll: She’s the hand that moves and quickly moves away.

Music News: Okay.

Ian Carroll: I like that influencer,

though, that’s funny.

Music News: That’s good.

Ronnie Pace: She’s got a great personality, but kind of shy, so she doesn’t talk that much at the shows, unless we get her to start drinking, which is, you know, it’s rare.

Music News: So after the drinks start pouring, you kind of wish you hadn’t, right?

Ronnie Pace: No, no, she’s more relaxed. She’s better. She has more fun. We just, you know, kind of, as long as we don’t go too far. She’s great.

Ramona Gerene: Am I funny though?

Ronnie Pace: Funnier.

Music News: Well, I’ve always noticed over the years that she was kind of quiet, and I’ve seen her in different bands, different lineups, different genres of music, and she just seems like a nice, sweet little girl.

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Ronnie Pace: I know.

Ramona Gerene: I am.

Ronnie Pace: She is, and we’re trying to get her to be a little more out front, but she’s, you know, reserved.

Music News: If you listen to the to the singing on this album, it shows a totally different side to her.

Ronnie Pace: Oh, I know.

Music News: Anybody picking up this album for the first time and listening to it may not really realize who she is.

Ronnie Pace: She’s multifaceted.

Music News: Well, let’s talk about the next song, “Crossroads Are Burning”. Which Crossroads are these?

Ronnie Pace: That was a song that I wrote the lyrics to and came up with some riffs for and Ramona helped me with some of the parts in there and some lyrics.

Ramona Gerene: Instrumental lyrics and notes.

Ronnie Pace: Yeah, we had a bit of a convention about some of the notes, but we got it worked out great and it’s just the music business and how much of your time and soul that it takes from you to to get even where we are, much less more famous, I can’t imagine what it takes to get to that point, but...

Ramona Gerene: Yeah, we don’t have our foot in the door at this point, but we kind of stuck our toe out

Music News: You just stuck your toe out there.

Ronnie Pace: Everything else we’ve ever done led up to this moment.

Music News: Okay.

Ramona Gerene: The old Crossroads story, you know, crossroads. Well, Robert, Johnson, that is the old story, but it’s our story.

Ronnie Pace: I had a couple of

clever lines in there.

Ramona Gerene: Yeah.

Music News: Well, at the other Crossroads songs, they sell their soul. This one, you’ve got the damn Crossroads burning.

Ronnie Pace: Well, it kind of pissed us off that we had to sell our souls and we didn’t get as such a good deal as we wanted.

Music News: You need to learn to negotiate these things.

Ian Carroll: There you go.

Music News: Well, tell me a little bit more about the lyrics on “Crossroads”. What does it actually mean to you?

Ronnie Pace: Just about, like, basically, like I said, How much it takes to be successful in this business, and how you don’t have time really, for anything else. How much would you do and what would you be willing to give up to get it, because you’d have to give up pretty much everything else.

Music News: But what did you give up to get it?

Ronnie Pace: I pretty much gave up my family. I see them occasionally, but hardly never. I’d almost never talk to my daughter or my grandchildren.

Ramona Gerene: That’s not all your fault.

Ronnie Pace: Well, they’re, yeah, they’re, they’re kind of brainwashed, I agree, but just I don’t have time for all that. I do things, three things, four things that you count, eating, sleeping.

Ramona Gerene: Well, when you’re doing... fixing everybody’s guitars, it takes up a lot of time.

Ronnie Pace: Yeah, fix guitars. I play, but that’s all I do with guitars. So we don’t go on vacations. We don’t do anything. Hey, every once while, it’s like for a couple of days, got married, we could only take off three days. That was it.

Ramona Gerene: You want to ask me what I gave up? I’m going to have to tell you I gave up absolutely nothing, I

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Ronnie Pace: This is who she is.

Ramona Gerene: What I want to do, exactly who I am.

Ian Carroll: She wants to be Ozzy.

Ramona Gerene: So there you are.

Music News: So for you, Ramona, it was just another day.

Ramona Gerene: Yeah.

Music News: Okay. “Vampires Kiss.”

Ronnie Pace: Okay.

Music News: Now we’re getting into the supernatural realm here.

Ronnie Pace: That would be me. I have this fantasy of actually being a vampire. Kevin, I got the teeth.

Ian Carroll: Kevin, did you ever know that Ronnie was married in a vampire wedding at one point in his life?

Ronnie Pace: I was

Music News: No, no, it’s nothing. I don’t remember him ever mentioning that to me.

Ronnie Pace: Yeah, they they carried us in in coffins, and we rose up out of the coffins and got married.

Ian Carroll: I love this.

Music News: Oh, you’re shitting me.

Ronnie Pace: I am not kidding you. I rented the coffins and everything.

Music News: Was this your wedding to Ramona, or a different one.

Ronnie Pace: This was Susan. This is the girl that I found that reminded me of Ramona, but she wasn’t Ramona.

Music News: Okay. Well, that sounds peculiar, right there. That sounds like a whole story in itself.

Ian Carroll: You should explain that you’re with Ramona in a band years and years before y’all got married.

Ronnie Pace: He knows that.

Ramona Gerene: I’d been in Ark Royal a long time ago,

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Ronnie Pace: Ahh, not really.

Ronnie Pace: Which is, you know, actually, where a couple of these songs came from, was from back then.

“Blinded By Money”, “Time Stands Still” and “King Of The Jungle” were originally back from Ark Royal.

Music News: Oh, okay, well, I remember that band.

Ronnie Pace: Yep, and Ramona and I were married to different people, so we got to be really good friends. And, you know, I didn’t want to, but I fell in

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love with her anyway, and I just didn’t do anything about it, because I didn’t want to mess up her marriage or my marriage, and but we just stayed friends for a really long time.

Music News: Okay, but you got married. You got carried in in coffins.

Ronnie Pace: Yeah, yep.

Ramona Gerene: When he married Susan.

Ronnie Pace: When I married Susan, we got carried in the coffins. We had vampire teeth and the whole deal.

Music News: Okay, well, that’s interesting. It’s not something you go to every day. I’m sorry I missed that one. I couldn’t go to your wedding in Vegas that was just too far for me to drive.

Ronnie Pace: Yeah, our minister for that wedding was dressed like Beetlejuice.

Music News: Really?

Ronnie Pace: I swear to God.

Music News: Y’all were really into some heavy drugs back then, weren’t you?

Ronnie Pace: It wasn’t the drugs. I just wanted to be a vampire. I have my reasons wanting to be a vampire. One of them is being young forever, and one of them’s being alive forever. And number three is I have the power of life and death.

Music News: Okay? And you get to keep the same hours,

Ronnie Pace: Yeah, pretty much.

Music News: Okay, tell me “I don’t have to”. What is it you don’t have to do in that song.

Ian Carroll: That one kind of came in from my direction. Music News: Okay.

Ramona Gerene: Ian came in with the lyric sheet.

Ian Carroll: I had the idea for that one to begin with, and it was just basically a revolt against the world. It’s like, to hell with y’all? I don’t have to.

Music News: I don’t have to stay up.

Ian Carroll: I don’t have to stay up, I don’t have to go down, I don’t have to be alone. I could be with anybody I want to be, you know. So it was my it was my little, whatever you want to call it.

Music News: Go ahead, you can describe it.

Ian Carroll: It was my little summation of life. I wanted to be, I wanted to feel, feel as free as I could and there are always factors that dictate that you’re not as free as you would like to be.

Ronnie Pace: It’s basically celebrating the power of the word no,

Music News: Okay.

Ramona Gerene: Empowering yourself.

Ian Carroll: That’s okay. It comes across when Ramona sings it.

Music News: What?

Ian Carroll: Empowering yourself.

Music News: Okay.

Ian Carroll: So that’s good.

Ronnie Pace: She kind of made it like a cattitude, because that’s the attitude cats have. Like, yeah, no, I don’t fetch. No, I’m not coming when you call me.

Music News: Yeah. You ever toss anything for a cat and ask it to bring it back and the cat just looks at you like, you’re crazy.

Ian Carroll: Only once, a long time ago, right?

Ronnie Pace: Well, one really cool thing about that song, I gotta put this in here, is that we had everything done, and Ramona is in there doing the lyrics, singing for the song, and all of a sudden, out of nowhere, we got a new section where she says, “Make me wanna”.

Ramona Gerene: That’s right.

Ronnie Pace: If you want me to do something. And I said, No, make me wanna.

Ramona Gerene: You got to make me wanna.

Ronnie Pace: So it was really cool when she came up with that out of nowhere,

Music News: Right there at the end... “Make me wanna make make me wanna”, okay. “Piece Of My Heart”. Tell me about that. Why did you add a cover song in here?

Ramona Gerene: Well, that’s my favorite Janis Joplin song, and I always wanted to do it with the band, and the band had been doing it since we got together, and everybody always asked for it like it’s one of our most.....

Ronnie Pace: Number one requested song

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Ramona Gerene: ....that we actually play. I mean, there’s songs that are requested that we don’t play, but that’s one.

Ronnie Pace: That’s one she was actually playing with Cowboy’s Nightmare too.

Ramona Gerene: Yeah.

Ronnie Pace: But they were doing the Sammy Hagar version. And I said, Oh no, we’re doing the Janis version here.

Ramona Gerene: Yeah, there’s a lot of versions of this song, but we wanted to do a real rock version of it.

Music News: Well, it sounds epic,

Ronnie Pace: We took the original and made it heavier, added more drums. I loved it. I loved the ending. It’s so really cool.

Music News: I listened to all these songs and like I told you, I didn’t know if I was listening to Judas Priest or Ozzy Osbourne, and then I get to “Tacos ‘N’ Tequila”. Out of all the subjects now, we’re singing about tacos and tequila. It’s almost like the only song that doesn’t fit on the album, but it does fit.

Ramona Gerene: It’s a party song. It’s just about fun.

Ian Carroll: There’s no question there’s a wide variety of types of music on the album. That’s true, and I am. I’m especially happy about that.

Music News: Well, I saw the video that you did on it and it looked like everybody was having a lot of fun. What.... you had about 30 people there for the video.

Ian Carroll: Yeah.

Ronnie Pace: Oh yeah.

Ramona Gerene: That’s the point we’re trying to get across.

Music News: Yeah, who had to pay the bill for the meal?

Ronnie Pace: Everybody paid.

Everybody paid their own bill. We just went in and got them all there and just videoed it and had a good time. And everybody was so helpful and cooperative. They all wanted to contribute. It pretty much did itself.

Ramona Gerene: Everybody kind of did their own little thing.

Ronnie Pace: And Heidii, oh, yeah, Heidii, which is Ian’s wife kind of... she played the part. She was amazing.

Ian Carroll: That’s my wife Heidii that plays the waitress.

Music News: That’s your wife?

Ian Carroll: Yes, that’s my wife.

Music News: Well, I enjoyed the song. “She gives me tacos ‘n’ tequila, tacos ‘n’ tequila.”

Ronnie Pace: Look, you know how that happened actually? I’m sitting in the studio playing this riff and, well we’re all talking about it, and then Ian goes in, put the E and put the D in. I know we’ve been done before, but I think it’ll fit here, so I put them in there, and then we’re all like, well, what should we have this about? I’m like, Well, we’re called Texas TNT. How about “Tacos ‘N’ Tequila” for TNT?

Ramona Gerene: You can even spell it with the little hyphen.

Ronnie Pace: And then Ramona starts writing stuff about when we were in Las Vegas and went to the tacos and tequila place.

Ramona Gerene: Yes, it was a

place in Las Vegas.

Music News: All right. Well, let’s talk about the shortest song on the album, 48 seconds. “420”.

Ronnie Pace: You’re not going to believe this, but that was inspired by Chicago, and Ian and I both agreed on that. We love what they did on I’m a man, and I know it just seems like out of left field, but we wanted to do a little percussion thing.

Ian Carroll: That’s right? And we we stood in a group in the middle of the room with a couple of microphones, and we played all kinds of different percussion. We did a couple overdubs to bring in as much as possible, yelled and screamed.

Ronnie Pace: And then Ramona said, ‘I want to play”.

Ramona Gerene: It reminded like when we used to sit around and after school, we’d get together and play some percussions, I’d play some flute and somebody would play some different instruments, whatever, and we’d all just have a good time.

Music News: Okay, okay. And then here’s one by Ronnie, “Have Another Drink”.

Ramona Gerene: The 420 is really important, because it, it is a time. The actual meter point where that begins is 420 Yeah.

Ronnie Pace: If you look at “Tacos

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Ramona Gerene: So that’s when 420 begins on the meter, 420.

Music News: Okay.

Ian Carroll: That kind of wrote itself.

Music News: Okay, “Have Another Drink”, now that it’s got some provocative thoughts in it.

Ronnie Pace: That was my drinking song that I came up with. So I did a lot of research. I drank a lot of those drinks because, I’ve been drinking. I only drink when I’m playing. I don’t drink like when I’m working, but when I’m playing in the band, I’m drinking. So it’s kind of, it kind of reads like a bartender’s recipe book because everything in there is a drink name. And I thought it would be cool to make a song out of all these drink names.

Screw Against The Wall. Sex On The Beach. Will I want it all? Yeah, sometimes I don’t know. I’m not sure exactly what you’re singing about here.

Ronnie Pace: Well, they’re all drink names.

Music News: Kamikaze, Red Devil. I like Pink Champagne. I like Purple Rain. I like Scream, Screaming Orgasm. Okay, I don’t know that drink.

Ronnie Pace: It’s called a Screaming Orgasm.

Ian Carroll: They’re all drinks, that’s right.

Music News: Okay. Well, why not? We got “Tacos ‘N’ Tequila”. Now we got drinks. And then after that, after that you’re “Blinded By Money”.

Ronnie Pace: Right, that’s about taxation, taxation, the theft of taxation.

Music News: Do I like paying taxes?

Ramona Gerene: Anybody? Does anybody like paying taxes?

Music News: I don’t get too excited about it.

Ramona Gerene: We have songs about fun, and this is a song about something that’s not fun.

Ian Carroll: Death and taxes are guaranteed.

Ramona Gerene: Yeah, death and taxes.

Music News: “Blinded By Money”.

Ian Carroll: Yep, that was Ronnie’s song.

Ramona Gerene: It’s a song about greed actually.

Ronnie Pace: Yes, about the greed of the government.

Ramona Gerene: It is a song about greed. You know it kind of reads like the seven deadly sins. You’ve got your lust, envy, your greed and your avarice. It’s all in there.

Music News: All right, and you wrote the next one, “The Darkness”. What inspired that?

continued on next page ‘N’ Tequila”, you’ll see it lasts for four minutes and 20 seconds.

Music News: Slow Comfortable

Ramona Gerene: Yeah, do you like do you like paying taxes?

Music News: All right, and you wrote the next one, “The Darkness”. What inspired that?

Ramona Gerene: Oh, that’s deep. Okay, it’s a song about fear of course. You know, everybody’s afraid of something. You know, the darkness is kind of like a metaphor. It, but...

Ronnie Pace: ...it’s ominous.

Ramona Gerene: Yeah

Music News: Panic on the street begins as our prospects rise and fall, breeding deeper the unrest outside the city hall.

Ronnie Pace: Yeah, well, our future is tied to our government, fortunately.

Ramona Gerene: Waves of

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condescension. Shift towards those who make the loss, inside hands are swift to lock down, lock down all walls, take away all your sleep, all that horrible stuff, put you into the dark.

Ronnie Pace: When they when they refuse to let you speak the truth, then you live in a time of darkness.

Ramona Gerene: And in 2020, and 2021, we were locked down and couldn’t go out. We couldn’t work, we couldn’t party, we couldn’t go eat, we couldn’t go see our friends and Joe Buck said, what about that cold, dark winter? And then we got February of 2021, we all like to froze to death here in Texas. Yeah, of course, our dog loved it, but we didn’t love it. We didn’t have any electricity.

Ian Carroll: Well, they’re from Minnesota.

Ronnie Pace: I’m not from Minnesota.

Music News: Oh, my God.

Ramona Gerene: It has an even deeper meaning than that, but all that figures in to it.

Music News: Okay, okay, well, the next song on here, “Hot Little Mama”. Is that about you Ramona.

Ramona Gerene: No, no, no, it’s about a girl I saw at the Backstage Club over on Bisonnett, Remember the Backstage Club.

Music News: Oh, yeah,

Ramona Gerene: Yeah. She was on stage dancing. It was one of those bands. I think this was one of those bands that John was in.

Ronnie Pace: It was probably a girl I was dating.

Ramona Gerene: Love And War or something. She’s really, really young, probably too young to even be in the club. I think you had to show your ID get in.

Ronnie Pace: And she probably showed her tits.

Ramona Gerene: Yeah, probably.

Music News: Well, the Backstage is one of those clubs that you’d see someone there for four or five years, and then they would wind up having their 21st birthday party there, and you’d already seen him in the club for four years.

Ronnie Pace: Yep.

Ramona Gerene: You know, I could tell you what she looked like, but she could be like any woman that you’ve fallen in lust with. But you know, if you see a woman that makes you feel that

way it could be like any woman. But this was a woman I saw, and she was on stage dancing. All the guys were losing their minds. She was so beautiful. And yeah, all the girls in the club were so jealous. They were all talking so snotty about her. It was awful.

Music News: Jealousy was running rampant.

Ramona Gerene: Yeah, this is a song about envy. It was.

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Ronnie Pace: And this is actually a song Ramona did with Cowboy’s Nightmare. And if you listen to the Cowboy’s Nightmare version, it’s different. Yes, it’s different. And we rearranged it in our style.

Music News: Okay.

Ronnie Pace: The Cowboy’s Nightmare version was more country rock. We wanted to put it more straight ahead rock.

Music News: Okay, the last song on here... you’ve got a lot of guest artists participating on the last song, “Time Stand Still”.

Ronnie Pace: So that’s because that’s a song that we recorded in Arc Royal that we didn’t get to finish because the band imploded because our drummer went stupid. But he’s the drummer that plays on that song. We could have re-recorded it with Ian but Ian said, No, go ahead. We don’t have time. It’ll cost more money and all that. He was really a gentleman about it, but Ramona wanted to put it on there because she sang it and her niece, just like, absolutely loved that song, and was like begging us to put it on the CD. So I had to remix it the same style as the rest of the CD to get it to match. It doesn’t sound like it stands out, does it?

Music News: No, it blends in really good with everything else, you did a good job. You’ve got Donny Bragg playing drums on it, Daryl McCall Alexander doing vocals and doing the second guitar on there, and Rebecca Oswald doing vocals and keyboards. Who’s Rebecca Oswald?

Ronnie Pace: Well, she was the keyboard player for Arc Royal, and Daryl was the second guitar player for Arc Royal, and Donny was the drummer for Arc Royal. So that’s where that song came from.

Music News: Okay, so this is an old tape that you had. You just remixed it and added some stuff. Yes, okay, Arc Royal, I remember you guys. You wore the puffy pirate shirts.

Ronnie Pace: That was us, and I had a cape and a whip.

Music News: Yeah, that’s right, but

I don’t remember the whip.

Ronnie Pace: Oh, yeah, I was holding the whip a certain way in the pictures.

Music News: Yeah, that was quite a while ago. I think I’ve either got an Arc Royal picture, or an Arc Royal something. I can almost visualize the picture, everybody there looking like they’re pirates, or they’ve just come off of a ship. You know, in the 1600s.

Ronnie Pace: We had promo pictures done on the Golden Hind, which is was a rare opportunity and the pictures came out fantastic.

Ramona Gerene: It was docked there in Galveston, so we just went down there and took photos on it.

Ian Carroll: Those are cool pictures.

Music News: Well, you went to Austin to record the album.

Ronnie Pace: Yes.

Music News: Why Austin? What about Arylyn studios enticed you to go there instead of doing it locally in Houston.

Ramona Gerene: Neve Board.

Ronnie Pace: They have a Neve board, and Stevie Ray Vaughan recorded there and customers that I do work for had Steve Chadie doing recording for him and Steve and I got to be good friends and he’s like, Oh, I don’t record on anything but a Neve board. I said that’s what I want to record on. So he said, Well, you come to Austin, we can record on a Neve board. Go to this studio, this studio. We picked Arlyn and that’s where we went. We tried to record here at my studio and I came to the conclusion that studio plugins that are digitally, digital recreations of actual outboard gear are a lie. They’ll tell you, they can give you this sound, but they don’t. They give you a cheap facsimile of it, and I didn’t have, you know, several million dollars to spend on that hardware gear, which they did. They had all that stuff, millions of dollars worth of great equipment. But we wanted the real equipment that the bands that we love recorded through, we made it as analog as we could,

Music News: Okay. Well, I can understand that. I have Pro Tools, but I tell you, I like my my compressors and my gates and stuff that are, you know, the hardware type. I like that a lot better.

Ronnie Pace: Exactly, that’s what we’re talking about.

Ian Carroll: We were fortunate to meet Steve Chadie and have him work on our record. I think that was a big deal. We came back to Houston with the stems, and we remixed extensively, but Steve recorded us, and he recorded this on the Neve console, and we got a big fat fucking drum sound. Baby. I love it, so I’ll always have Steve in a soft spot in my heart, even though we did do a lot of remixing.

Music News: Well, the drum sound on here is just huge. I mean, it’s, almost like that John Bonham sound,

Ronnie Pace: Yes, sir.

Ramona Gerene: Yes. Now, Steve’s a really cool guy and really fun to work with.

Ronnie Pace: Yes, and he’s a hard working man.

Music News: Well, about how long did it... how many days did it take you to record this? Did you go in and knock it out in a couple of days or did you have to make repeated trips?

Ramona Gerene: We had to wait for the opportunity to be able to get in there because it’s so...

Ronnie Pace: It’s a popular studio.

Ramona Gerene: It’s so booked up. I mean, we go in there and do maybe one or two days, and then we have to wait, like, six or eight weeks before we can get back.

Ronnie Pace: We go back for another schedule too. Yeah, Steve. Steve’s a busy guy, so we worked around his schedule and the studio schedule. If we had just gone in there and done it straight, we could have done it in a week.

Ramona Gerene: Two weeks.

Ronnie Pace: Ramona says two weeks.

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Ramona Gerene: It was longer days.

Ronnie Pace: But, but if you’re counting the days that we went to mix with him, yes, I would say so.

Ramona Gerene: It’d be like two whole weeks.

Ronnie Pace: Right, but the recording was about a week.

Music News: Right. Well, how long did it take you to mix this? You mixed it right?

Ronnie Pace: Well, Steve did. He ran it in to expensive hardware boxes and got me the sounds, but he did it like he did like drums, he did bass, he did guitars, he did lead vocals. He did back row vocals, so I had a smaller selection of tracks to work with, and then I remixed up.

Music News: Okay, so you got to take your time at least and make sure it all was perfect.

Ronnie Pace: I didn’t want to take my time. What I wanted was to sound perfect, and that just took more time than I wanted it to because I had to be innovative about a couple of things, because I never worked with stems before, but I know the tricks now and the next time will be much faster, I promise you,

Music News: Yeah. what were you mixing on?

Ronnie Pace: Pro Tools.

Music News: Okay, well, you can’t beat that.

Ronnie Pace: I know it’s the top of the food chain.

Music News: Yeah, yeah. I’ve got two versions of Pro Tools. I’ve got, what is it? Pro Tools eight. Now I’m using Pro Tools 10, and I think they’ve got Pro Tools 12 out now,

Ronnie Pace: yeah, I’m lining up with a new version. I’m using it. I’m working through Carbon. It’s the best interface I think they’ve ever come out with.

Music News: Okay, well, what else do I need to know about this? I mean, we’ve gone over the songs, the recording of it. What else do I need to know? What else does do you want everybody else to know about this?

Ronnie Pace: Well, we got an artist from Italy to do the cover. Ramona found him on Facebook and he’s a really nice guy. We gave him credit, the model credit. We sent stuff out to them.

Ramona Gerene: Told him what we want.

Ronnie Pace: Yeah, told him what we wanted. He came up with... it kind of looks like an angel fell down into Texas...

Ramona Gerene: With a cross burning.

Ian Carroll: It could be Texas. It’s hot. It looks like it’s burning there.

Music News: That’s an impressive cover.

Ian Carroll: Yeah. People like it.

Ronnie Pace: And then my my brother, John, who’s a photographer, went over there, took a bunch of pictures, and then I arranged all the inside for a nice layout. I put all the lyrics in there. We tried to give everybody credit. Oh. The other thing is that the we do have a CD, and we do have an album, but albums are limited on how much you could put on them. So we had to leave “420” off. We had to leave “Time Stands Still” off. We left that off because it, you know, with it wasn’t....

Ramona Gerene: It’s a bonus track.

Ronnie Pace: It was like a bonus track.

Ramona Gerene: We also had to leave off “The Darkness” and we had to leave off “Piece Of My Heart”.

Music News: Yeah, when you’re dealing with vinyl, you got about a 22 minute window per side. Maybe give or take a minute or two.

Ronnie Pace: You cannot go over 22 per side period, not even one second. That is max. Yeah, they made that real clear to me, and it’s on red vinyl, and it’s

really, I mean, it’s just beautiful. I got to design a label. We got our own label, Crystal Skull records. We got our own publishing company, Enchanted Moon. So we own everything. We’re our own record company at this point.

Music News: Well, that’s the way you do it now, getting signed by a big label just means you owe them a fortune.

Ronnie Pace: That’s exactly why we didn’t do that, plus you have to give away your rights. And you know, I don’t know if we’re ever going to make any money for this. I’ll be excited if I make 20 bucks, but it’s just those days are not... it’s not the same. And if one of the songs went big and we’d be like, Oh, we should have kept our rights. So I don’t know if that’s going to happen or not happen, but we wanted to do what we wanted to do, so that’s why we did what we did.

Music News: Do you notice much difference in the the sound quality, the recordings between the CD and the vinyl.

Ronnie Pace: Well, vinyl sounds like vinyl, but other than, it sounds the same to me.

Music News: Okay.

Ronnie Pace: You have to mix them different, because the vinyl won’t take the volume that a CD will take.

Music News: No, you have to knock out a lot of the low end, or the needle bounces all over it.

Ronnie Pace: I mean, so it’s not exactly the same. That’s what I mean by it sounds like vinyl.

Music News: Well, I thought it was a very powerful sounding album. I was really impressed. I mean, I see you all play live. I’m familiar with your music, but this shows a whole new dimension to the band.

Ian Carroll: That was what we wanted.

Music News: Alright. Well, what else do we need to talk about?

Ronnie Pace: And the back cover is, you know, you’ve probably seen that Armadillo before.

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Ramona Gerene: That’s Armadillo Palace.

Ronnie Pace: Yeah, on Kirby. Music News: Okay,

Ramona Gerene: Anyway, we went out there and took pictures.

Ronnie Pace: So we thought that was like, definitely Texas. So we wanted to put that on there.

Music News: Y’all look pretty wild on that back cover there, especially Ronnie. Look at that look on his face,

Ronnie Pace: Well, I want to be who I feel like I really am on this CD, because when you run a business, you have to be more restrained.

Music News: Yeah, to some extent, yes.

Ramona Gerene: And the front cover, of course, is by Gaetano Di Falco. The model’s name is Michelle Terry, Music News: Okay.

Ramona Gerene: And we also had a guest artist that came in and played keys on a couple of songs.

Ronnie Pace: It was a musician from Boston. He was cool.

Music News: Who is that?

Ramona Gerene: Stefano...

Music News: Intellisano.

Ronnie Pace: Yeah, it’s because we wanted to get a Led Zeppelin feel on “The Darkness” so he played that organ part.

Ramona Gerene: I wanted a Hammond organ, Hammond B3.

Music News: Okay,

Music News: Okay, and piano on “Hot Little Mama”.

Ronnie Pace: Right.

Music News: Well, nothing else we need to talk about on this album? there’s bound to be something you want me to know or my readers to know?

Ian Carroll: Well, we want them to

enjoy the songs.

Ronnie Pace: We want them to enjoy the songs as much as we enjoyed making them, because we’ve worked for so many years to make this happen. Yeah, a lot of a lot of effort, a lot of times.

Ramona Gerene: We wanted to put together... like an entire experience. It’s almost our story. It pretty much does, it says where we came from, where we go, and what we’ve done.

Ian Carroll: That’s kind of a sense that I was going to follow.

Ramona Gerene: I was saying earlier that “The Darkness” has a deeper meaning, and it’s very scary. It’s a biblical reference to the.... the what’s the word... tribulation? Yes, that’s the word.... to the tribulation.

Music News: Okay,

Ronnie Pace: The tough times before Christ comes back it, you know, saves our ass.

Music News: Right? Okay. Now an important question here, where can people get it?

Ronnie Pace: They can get it everywhere, really. I mean, if you want to buy it through our website, then go to texastnt.com, and go to the store and put an order in and we will ship it to you.

Music News: Okay, are you going to have any in stores anywhere, or is it pretty much just going to be sold over the internet?

Ian Carroll: They are going to be in stores soon. I’m putting them out there myself. They are already at Cactus music in Houston, but I have several other independents that I’m going to hit very soon, and I’ve been working around to them, but they are in Cactus. Okay. This is really the outcome of a whole life worth of work. This is it. This is what we’ve been working towards this whole time, that we have all done in the past and with different outfits and different bands of the recordings. But this is the best that all of us have done so far, and we’re really proud of it. We want people to know that original music and hard rock music is alive in Texas and are making it today. They’re doing it, and

we’re part of it, and we’re we’re really happy about that, but there are others out there that are doing it. They’re friends of ours. We want to lift them up as well, because there’s a lot of original Texas Music and Houston area music that’s out there, really good stuff.

Ronnie Pace: And you can get all the album or the CD or the USB drive at any of our shows.

Music News: Okay, so you’re selling USB drives, that’s great.

Ronnie Pace: Some people don’t have CD players, and they don’t have record players.

Music News: Well, that’s all because of the car manufacturers. When they when they had eight tracks in cars, eight tracks were selling, then they pulled those out and put cassettes in the cars, and cassettes were the king of the road for a while. Then they took cassettes out, put CDs in, and cassettes went by the wayside, and now all they stick is a USB plug in the radio, which made the CDs die off really fast.

Ronnie Pace: Well, that’s where we have USB drives as well.

Music News: Well, that’s fantastic.

Ronnie Pace: You could get songs on iTunes and you can listen to them on Spotify. I mean, we’ve gotten them played in the other countries too, so we’re worldwide.

Music News: That’s great.

Ramona Gerene: We’re played on a radio show in Scotland.

Music News: Scotland?

Ronnie Pace: Yep.

Music News: That’s cool. That’s cool.

Ian Carroll: “Hot Little Mama”. It was hot little mama in Scotland.

Ronnie Pace: And “Hot Little Mama” was a hit for Cowboy’s Nightmare. It was a hit in Scotland, so that’s why they did it. Yeah, we’re trying to work the worldwide market.

Music News: Well, you have to

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Ronnie Pace: Yep, and who knows what’s going to happen? Cowboy’s Nightmare ended up getting offers to play in the UK and in Switzerland. They actually went to Switzerland and played at some shows there.

Music News: I don’t know how many times I saw cowboys nightmare. I really enjoyed the band. Okay, well, I think I got all I need. So is that it. Ian Carroll: Thank you, Kevin.

Ronnie Pace: The only other thing I can think of is that “Time Stands Still” is also about Revelations, not so much the Tribulation, but the revelations of when we get to the day, and the the moon turns red, and all of that good stuff in the Bible. So we we might look like demons, yeah.

Ian Carroll: Yeah, we’re not satanic. Make sure that’s clear.

Ramona Gerene: We’ve got an angel on the cover. And I was, I was corrected by my Baptist Church lady friend that said angels are male. Biblical angels are male. I said, our angels are female.

Ronnie Pace: It sounds sexist.

Music News: Oh no, so you don’t have a politically correct Angel.

Ronnie Pace: Apparently.

Ramona Gerene: That’s an opinion. I say it this way, because in those days, what would they do to a female angel that came down? I mean, we’re talking about a brutal time. It probably wouldn’t have gone well.

Music News: Probably wouldn’t have. The first thing they would have done is kill her.

Ramona Gerene: Yeah, they would have killed her. So they they needed the biggest, baddest badass angel to come down in order for anybody to take it right, right? Yeah, that’s why I would think so it was a very sexist time, and not that, you know, it’s gotten better, but everybody’s still sexist.

Ronnie Pace: I’m not. I love women.

Music News: Okay, so this isn’t a satanic album.

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Ronnie Pace: No, no, it’s not. We do not worship it.

Ramona Gerene: People do think of it as satanic. They look at it and I think that’s Oh, that they’re satanic.

Ronnie Pace: There’s vampires on there. You know, you kind of get that feeling.

Ramona Gerene: But that’s that is a fantasy love song, a vampire fantasy Love Song.

Music News: Okay. Well, I’ll let you all go. It was fun talking to everybody, and I’ll see what I put together on this for you. Talk to you all later.

Ronnie Pace: Thanks, Kevin. Thank you. Good night.

Music News: Good night. Bye.

As our engaging conversation with Texas TNT draws to a close, it’s abundantly clear that “Crossroads Are Burning” is far more than just another hard rock album. It’s a labor of love, a testament to perseverance, and a bold statement from a band that’s ready to set the music world on fire.

Throughout our discussion, the passion and dedication of Ronnie, Ramona, and Ian shone through in every anecdote and explanation. From Ronnie’s vampire-inspired track “Vampire’s Kiss,” which delves into themes of immortality and power, to Ramona’s journey from country rock songstress to metal banshee, each member brings a unique perspective to the band’s sound. This diversity is reflected in their collaborative songwriting process, which allows each member to contribute their strengths and experiences to create a sound that’s greater than the sum of its parts.

The band’s commitment to creating a diverse album is evident in every track. They take listeners on an emotional and musical journey, from the

righteous anger of “I Swallowed A Fly” to the introspective depths of “The Darkness,” and the pure, unadulterated fun of “Tacos ‘N’ Tequila.” This variety ensures that the album never becomes monotonous, keeping listeners engaged from start to finish.

Texas TNT’s decision to record at Arlyn Studios in Austin, using top-ofthe-line analog equipment, has paid off in spades. The rich, full-bodied sound captures the essence of their live performances, giving listeners a taste of the band’s electrifying stage presence. As Ian Carroll emphasized, “This is the outcome of a whole life worth of work. This is what we’ve been working towards this whole time.” That level of commitment and passion is palpable in every note and beat of “Crossroads Are Burning.”

The album is available now on CD, vinyl, and digital platforms, offering something for every type of music consumer. For collectors and audiophiles, the limited edition red vinyl is a must-have, featuring stunning artwork by Italian artist Gaetano Di Falco that perfectly encapsulates the album’s fiery spirit.

As our interview concludes, it’s clear that Texas TNT is a force to be reckoned with in the modern hard rock scene. Their blend of classic influences and contemporary edge, coupled with their unwavering dedication to their craft, makes “Crossroads Are Burning” an essential listen for any rock enthusiast. Whether you’re a long-time fan or new to the Texas TNT experience, this album offers a thrilling ride through the landscape of hard rock.

Don’t miss the chance to be part of Texas TNT’s musical journey. Grab your copy of “Crossroads Are Burning” today and experience the raw power, intricate musicianship, and emotional depth that this Houston trio brings to the table. As the crossroads burn and a new path in rock is forged, Texas TNT is leading the charge, and you won’t want to be left behind.

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Metal Gods Judas Priest to Unleash ‘Invincible Shield’ at Smart Financial Centre: A Night of Heavy Metal History and Innovation

By Greg Fontaine

The hallowed halls of heavy metal are set to reverberate through Sugar Land as the legendary Judas Priest brings their “Invincible Shield” tour to the Smart Financial Centre on Tuesday, October 22, 2024. This highly anticipated performance promises to be a testament to the band’s enduring legacy and a celebration of their latest album, marking a new chapter in their storied 50-plus year career.

Judas Priest, fresh off the March 8, 2024 release of their 19th studio album “Invincible Shield,” are not merely touring; they’re continuing to forge the very essence of heavy metal. The new album, their first in six years since the critically acclaimed “Firepower,” has already made waves in the metal

community. Debuting at an impressive number two on the UK Albums Chart— the highest position in the band’s illustrious discography—and claiming the top spot on Billboard’s Top Hard Rock Albums chart in the US, “Invincible Shield” proves that Priest’s creative fire burns as intensely as ever.

The creation of “Invincible Shield” is a story of resilience, creativity, and adaption in the face of global challenges. The journey began in February 2020 when the band officially started writing sessions for their 19th album. However, as guitarist Richie Faulkner later revealed, they “faced some challenges with schedules due to the pandemic” and were unable to get together and work on new music in their usual manner.

The band’s preferred approach of gathering together for pre-production before recording was temporarily put on hold. Instead, they had to adapt to a new reality of remote collaboration and piecemeal recording sessions. This unexpected challenge, however, seemed to fuel their creative fire rather than dampen it.

As pandemic restrictions lifted in September 2021, Judas Priest embarked on their delayed 50 Heavy Metal Years world tour. This presented a new “obstacle,” as Faulkner described it, with the band having to “go out and tour and record bits and pieces in between the tour legs.” This unconventional approach to album creation led to a unique recording process that spanned multiple

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locations across the globe.

The drums, laid down by Scott Travis, were the first elements to be recorded, completed by March 2022. Travis and Faulkner recorded their parts in Nashville, Tennessee, where they reside. Rob Halford, the Metal God himself, recorded his iconic vocals in Phoenix, Arizona. Meanwhile, bassist Ian Hill tracked his parts in various European cities while on tour. This global approach to recording infused the album with a diverse energy that reflects the band’s worldwide impact.

Despite the geographical separation, the band maintained their collaborative spirit. Producer Andy Sneap, who also serves as the band’s touring guitarist, played a crucial role in bringing the disparate elements together. Sneap, who had previously produced the acclaimed “Firepower” album, helped maintain continuity in the band’s sound while pushing them into new territories.

The result is an album that Faulkner describes as “a bit more progressive in places” with “twists and turns musically.” He clarified that this progression isn’t in the vein of their experimental “Nostradamus” album or a Rush-like interpretation, but rather a return to the complex structures of their ’70s output. “Instead of verse, chorus, verse, chorus, solo, chorus, finish, sometimes it goes off and plays it a little... like the old ’70s Judas Priest used to, like the ‘Sinner’ and stuff like that,” Faulkner explained.

The album also features significant contributions from Glenn Tipton, the band’s longtime guitarist who stepped back from full-time touring due to Parkinson’s disease. Tipton wrote the songs “Sons of Thunder” and “Escape from Reality,” and performed guitar solos on both “Sons of Thunder” and “Vicious Circle.” This continued involvement of Tipton ensures that the classic Priest DNA remains intact within the new material.

“Invincible Shield” was announced on October 7, 2023, before the band’s performance at the first Power Trip festival in Indio, California. The album’s first single, “Panic Attack,” was released on October 13, 2023, followed by “Trial by Fire” on November 17, “Crown of Horns” on January 19, 2024, and “The Serpent and the King” on February 22. Each single release built anticipation for the album, showcasing different facets of Priest’s evolved sound.

The “Invincible Shield” tour is more than just a promotional vehicle for the new album; it’s a celebration of Judas Priest’s entire career and their continued relevance in the metal world. Fans attending the Smart Financial Centre show can expect a setlist that spans the band’s entire career, from classic anthems like “Breaking the Law” and “Living After Midnight” to new crowdpleasers such as “Panic Attack” and “Trial By Fire” from the latest album.

Rob Halford, at 72 years young, continues to defy time with his iconic

vocals, while the dual guitar attack of Richie Faulkner and Andy Sneap (filling in for Glenn Tipton) promises to deliver the intricate riffs and searing solos that have become Priest’s hallmark. Bassist Ian Hill, the band’s foundation since its inception, and drummer Scott Travis round out the lineup, delivering the thunderous rhythms that have propelled Priest’s music for decades.

The tour also features Swedish power metal veterans Sabaton as special guests, ensuring an evening packed with high-octane performances from start to finish. This pairing of metal generations showcases the genre’s continued vitality and Judas Priest’s influence on younger bands.

Judas Priest’s influence on heavy metal cannot be overstated. Since their formation in Birmingham, England, in 1969, they have been instrumental in shaping the genre’s sound and image. The twin guitar harmonies, Halford’s

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stratospheric vocals, and the iconic leather-and-studs aesthetic have become synonymous with heavy metal itself.

Albums like “British Steel” (1980), “Screaming for Vengeance” (1982), and “Painkiller” (1990) are not just Priest classics; they’re cornerstones of the entire genre. These records helped define the sound of heavy metal and influenced countless bands across multiple subgenres, from thrash to power metal.

Their impact extends beyond their music. Judas Priest is credited with popularizing the leather-and-studs look that became ubiquitous in metal culture. This visual aesthetic, combined with their powerful sound, created a complete package that defined what it meant to be a metal band.

Judas Priest’s enduring legacy was formally recognized with their induction into the Rock and Roll Hall of Fame in 2022, a long-overdue honor that cemented their status as true rock legends. This induction came after years of fan campaigns and served as a validation of metal’s importance in the broader context of rock music.

Their recent performance at the Power Trip Festival, sharing the stage

with five other titans of rock and metal, further underscored their position at the pinnacle of the genre. This festival appearance, alongside acts like Metallica and Iron Maiden, showcased Priest’s continued ability to command massive audiences and hold their own among metal’s elite.

In 2010, Judas Priest was rated by MTV as the second “Greatest Metal Band” of all time, second only to Black Sabbath. This ranking, along with their numerous awards and accolades, speaks to their sustained excellence and influence over decades.

As Judas Priest takes the stage at Smart Financial Centre, attendees will be witnessing more than just a concert; they’ll be part of a living history of heavy metal. The band’s ability to consistently deliver high-energy performances, coupled with their vast catalog of hits and new material, ensures that this show will be a memorable experience for fans of all ages.

The Smart Financial Centre, with its state-of-the-art sound system and intimate atmosphere, provides the perfect setting for Judas Priest’s brand of metal. The venue’s excellent acoustics will ensure that every note, from the deepest

bass to the highest vocal wail, is heard with crystal clarity.

For long-time followers, the concert offers a chance to reconnect with the band that has been the soundtrack to their lives for decades. They’ll have the opportunity to hear classic tracks that defined their youth alongside new material that proves Priest’s continued relevance.

For younger fans, it’s an opportunity to experience firsthand the raw power and musicianship that have influenced countless bands across multiple generations. It’s a chance to see living legends in action and understand why Judas Priest has remained at the forefront of metal for over five decades.

As Judas Priest continues to tour and release new music, they’re not just celebrating their past; they’re actively shaping the future of metal. “Invincible Shield” demonstrates that even after 19 albums, the band is capable of innovation and growth. This willingness to evolve while staying true to their core sound is a blueprint for longevity in the often-fickle world of music.

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The inclusion of Sabaton on the tour bill also speaks to Priest’s commitment to fostering the next generation of metal. By exposing their fanbase to younger acts, they’re helping to ensure the continued vitality of the genre they helped create.

As the October 22nd date approaches, excitement in the Houston area continues to build. Ticket sales are expected to be brisk, with fans eager to secure their place at what promises to be one of the year’s most electrifying concerts. Whether you’re a die-hard Priest fan who’s followed them since the ’70s or a curious newcomer drawn by their legendary status, this show is not to be missed.

So, metal heads of Houston and beyond, prepare yourselves for a night of leather, studs, and earth-shaking riffs. As Judas Priest takes the stage at Smart

(continued from previous page) Financial Centre, they’ll be carrying forward a rich musical tradition while proving once again why they remain at the forefront of heavy metal. From the opening notes to the final encore, this concert promises to be a celebration of metal in its purest, most powerful form.

Don’t miss your chance to be part of heavy metal history. Judas Priest’s “Invincible Shield” tour stop in Sugar

Land is more than just a concert—it’s a reaffirmation of the enduring power of heavy metal and a testament to a band that continues to define and redefine the genre. Get ready to raise your fists, bang your heads, and bear witness to the Metal Gods in all their glory. Houston, the Priest is coming, and they’re ready to deliver a sermon in steel you’ll never forget!

Blues Sensation John Clifton Band Set to Electrify Houston

By Troy Wilson

Houston’s blues scene is about to experience a surge of raw energy and soulful sounds as the acclaimed John Clifton Blues Band rolls into town for two highly anticipated performances. This month, blues aficionados and music enthusiasts alike will have the opportunity to witness the electrifying talent of this seasoned group on back-to-back nights at two of the city’s most beloved venues.

The musical journey begins on October 18th at The Big Easy, a cornerstone of Houston’s vibrant nightlife. Known for its intimate atmosphere and dedication to quality live music, The Big Easy provides the perfect backdrop for the John Clifton Band’s dynamic performance. The following evening, October 19th, the band will take center stage at Green Oaks Tavern, another local favorite that has long been a haven for blues lovers seeking authentic, heartfelt performances.

At the helm of this musical powerhouse is John Clifton himself, a true titan of the blues with over three decades of experience that have honed his craft to near perfection. Clifton’s journey in the world of blues is nothing short of legendary, starting from his early days in Central California where he cofounded a notorious band with his brother Bill. Since then, Clifton has dedicated his life to championing the blues genre, earning widespread acclaim for his soul-stirring performances and undeniable stage presence.

What sets Clifton apart is not just his longevity in the industry, but the sheer passion and authenticity he brings to every performance. From the moment he steps on stage and strikes the first note, audiences are captivated by his commanding presence.

Clifton’s powerful vocals, complemented by his virtuosic harmonica skills, create a musical experience that is both deeply rooted in blues tradition and refreshingly contemporary.

As a vocalist, Clifton possesses the rare ability to tap into honest, raw emotions, delivering lyrics with an intensity that resonates with listeners on a profound level. His harmonica playing is equally impressive, demonstrating a level of skill and creativity that has earned him recognition from some of the biggest names in blues. Over the years, Clifton has shared stages with legends like James Cotton, John Mayall, Luther Tucker, and Kim Wilson, holding his own among these giants of the genre.

Clifton’s reputation as a “road dog” is well-earned. His relentless touring schedule has seen him crisscross the United States countless times, playing an average of 150 dates a year. But his musical journey doesn’t stop at the U.S. borders. Clifton has taken his blues crusade global, captivating audiences at festivals in France, Belgium, Poland, and even as far as New Zealand. This international exposure has not only broadened his fan base but has also infused his music with a cosmopolitan flavor that sets him apart from his peers.

The John Clifton Blues Band’s discography is a testament to their evolving artistry and growing acclaim. Since signing with Southern California blues and roots label Rip Cat Records in 2015, Clifton has released three stellar albums, each receiving more accolades than the last. His debut solo album, “Let Yourself Go,” introduced the world to Clifton’s unique blend of traditional and contemporary blues styles, garnering worldwide acclaim and significant airplay.

His follow-up album, “Nightlife,” released in 2018, saw Clifton elevate his game to new heights. The record successfully captured the band’s electrifying live energy in the studio, seamlessly blending West Coast and Chicago Blues with ’50s style hard R&B and Soul. The album’s success was reflected in its chart performance, spending six months in the Roots Music Report Top 25 Contemporary Blues Albums and finishing at #72 for 2018 on The Top 200 Roots Music Report Contemporary Blues Chart.

Clifton’s latest offering, “In The Middle Of Nowhere,” released in the spring of 2019, further cements his status as a blues innovator. The album features a mix of original compositions and carefully selected covers, showcasing Clifton’s ability to pay homage to blues traditions while pushing the genre forward. From the moment of its release, the album became a fixture on the Top 50 Contemporary Blues charts and received heavy rotation on platforms like Sirius/XM’s Bluesville and Living Blues Radio.

But Clifton’s talents extend beyond his own performances. He’s also made a name for himself as a producer, notably working with Polish artists The Boogie Boys, former International Blues Challenge finalists. The album he produced for them, “Made in Cali,” went on to win Album of the Year honors at the Polish Blues Awards, highlighting Clifton’s ability to bring out the best in other artists.

As if his musical achievements weren’t enough, Clifton has also dipped his toes into the world of film. His song “Anytime Is Cool” was chosen by renowned producer David Z (known for his work with Prince, Etta James, and Billy Idol) for inclusion in the 2017 motion picture “Shattered.” Clifton and his band were even featured in the film’s opening scene, adding another dimension to their already impressive resume.

For Houston blues fans, the upcoming performances by the John Clifton Blues Band represent a rare opportunity to experience world-class blues in an intimate setting. Whether you catch them at The Big Easy on October 18th or at Green Oaks Tavern on October 19th, you’re in for an unforgettable night of music that comes straight from the heart, soul, and gut.

As anticipation builds for these shows, local music critics and fans alike are buzzing with excitement. “John Clifton is the real deal,” says local blues aficionado and radio host, Maria Thompson. “His ability to channel the spirit of classic blues while infusing it with his own unique energy is something you have to experience live to truly appreciate.”

So mark your calendars, Houston. The John Clifton Blues Band is coming to town, and they’re ready to remind us all why the blues will always be relevant. Don’t miss your chance to be part of what promises to be two of the most talked-about musical events of the year. Get ready to be moved, inspired, and thoroughly entertained by a band that embodies the very essence of the blues.

Green Oaks Tavern

Korn Rocks Houston on 30th Anniversary Tour, Teases ‘Heaviest Album in Years’

By Greg Fontaine

As the nu metal pioneers Korn gear up for their monumental 30th anniversary tour, fans in Houston and across North America are buzzing with excitement. The band is set to bring their signature sound and electrifying stage presence to The Cynthia Woods Mitchell Pavilion in Houston on Sunday, October 20, 2024, as part of their extensive 25date North American tour.

Korn’s journey began in 1993 when Jonathan Davis, Brian “Head” Welch, James “Munky” Shaffer, Reginald “Fieldy” Arvizu, and original drummer David Silveria came together in Bakersfield, California. Little did they know that their unique blend of heavy metal, grunge, and hip-hop elements would spark a cultural revolution. With the release

of their self-titled debut album in 1994, Korn effectively pioneered the nu metal genre, influencing countless artists and reshaping the landscape of heavy music.

The impact of Korn’s debut album cannot be overstated. As noted in the provided information, “KORN changed the world with the release of their self-titled debut album in 1994. It was a record that would pioneer a genre, and blur others-leading into a larger cultural movement.” This album, featuring now-classic tracks like “Blind” and “Need To,” didn’t just introduce the world to Korn’s distinctive sound – it became the catalyst for a larger cultural movement.

In the years since their groundbreaking debut, Korn has sold over 40 million albums worldwide,

collected two Grammy awards, and continued to push the boundaries of rock, alternative, and metal genres. Their influence extends far beyond album sales and accolades. As music critic publication The Ringer noted, Korn represents “a genuine movement in a way bands cannot be now,” transcending genre barriers and continually inspiring new generations of musicians and fans alike.

The upcoming tour, produced by Live Nation, will see Korn crisscrossing the continent, hitting major cities like Toronto, Detroit, Chicago, and Phoenix before wrapping up in St. Paul, Minnesota on October 27. Adding to the excitement, Korn will be joined by special guests Gojira, the Grammy-nominated French metal outfit, and continued on next page

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Spiritbox, a rising force in the Canadian heavy metal scene.

But the tour isn’t the only thing Korn fans have to look forward to. The band is currently hard at work on new material, and recent statements from guitarist Brian “Head” Welch have only heightened anticipation for their next release.

In a March 2024 interview with WSOU 89.5 FM radio station, Welch provided exciting insights into the band’s current work in the studio. “We are passionately and intensely working on new music,” Welch revealed. He went on to explain that the band is taking a meticulous approach to their new album, stating, “We’ve been really digging deep into sounds and tones and miking techniques and just really focusing on every aspect of just the miking and the sonic levels of everything.”

Welch’s comments suggest that Korn is aiming to push their sound to new heights while also reconnecting with their roots. “We really want to dissect our sound and remember where we came from and how we did it back then,” he explained. “And having a vintage KORN feel with a modern twist — sonically, I’m talking about.”

The guitarist’s enthusiasm for the new material was palpable as he described the progress. “The songs are amazing. I’m very proud of it. I feel like we are closer than we’ve ever been in the studio,” Welch stated. He also noted that lead singer Jonathan Davis has been heavily involved in the process, being present in the studio “every day.”

When asked about the musical direction of the new material, Welch’s response is sure to excite longtime Korn fans. “I think it’s the best and heaviest KORN stuff in

years,” he declared. “And I think it’s gonna be raw and just kind of more basic, as far as sound and recording and everything.”

While the band hasn’t started recording the album yet, Welch assured fans that they are “very passionately heading toward that direction.” He added, “We can’t wait for everybody to hear it.”

This blend of nostalgia and forward momentum is characteristic of Korn’s enduring appeal. Over the years, they’ve managed to maintain their relevance by consistently evolving their sound while staying true to the core elements that made them stand out in the first place.

As Korn embarks on their 30th anniversary tour, they’re not just celebrating their past achievements but also looking ahead to the future. The upcoming Houston show at The Cynthia Woods Mitchell Pavilion is sure to be a highlight of the tour. Known for its excellent acoustics and spacious layout, the venue provides the perfect setting for Korn’s largerthan-life sound and dynamic stage presence.

Fans can expect a setlist that spans Korn’s entire career, with a special focus on their landmark debut album. The band is known for their

intense, emotionally charged performances, and this anniversary tour promises to be no exception. Concertgoers will likely be treated to fan favorites like “Freak on a Leash,” “Got the Life,” and “Falling Away from Me,” alongside deep cuts that showcase the band’s evolution over the years.

As the anticipation builds for both the tour and the new album, it’s clear that Korn’s influence on the music world is far from waning. Their Houston performance is not just a concert – it’s a celebration of a band that changed the face of metal and continues to inspire and innovate to this day. Whether you’re a longtime Korn follower or a newcomer to their music, the October 20 show at The Cynthia Woods Mitchell Pavilion promises to be an unforgettable night of music history in the making.

With three decades of experience under their belts and a promising new album on the horizon, Korn continues to prove why they’re considered icons in the world of heavy music. As they balance honoring their legacy with pushing their sound forward, one thing is certain: the next chapter in Korn’s story is sure to be as exciting as the last.

BXS BRYNDIS X SIEMPRE Set to Enchant Houston: A Night of Timeless Romance and Grupera Magic at The Arena Theatre

By Jose Martinez

Houston’s music lovers are in for a treat as the renowned Mexican group BXS BRYNDIS X SIEMPRE prepares to grace the stage of the Arena Theatre on October 19th, 2024. This highly anticipated performance promises to be an unforgettable night of romantic ballads and cumbia rhythms, showcasing the enduring legacy of one of regional Mexican music’s most beloved acts.

BXS, which stands for “Bryndis por Siempre” (Bryndis Forever), has been captivating audiences for over a decade with their unique blend of grupera music and heartfelt lyrics. Formed in 2010 by brothers Guadalupe ‘Lupe’ Guevara and Juan Guevara, former members of the iconic Grupo Bryndis, BXS has successfully carried the torch of romantic excellence into a new era.

The group’s journey to the Arena Theatre stage is a testament to their dedication and the enduring appeal of their music. Originally hailing from Villa Juárez, San Luis Potosí, Mexico, the Guevara brothers have music flowing through their veins. Their talent and passion have transformed their

songs into anthems for lovers, allowing them to connect deeply with fans’ emotions.

BXS BRYNDIS X SIEMPRE’s lineup showcases a wealth of musical talent. Alongside Guadalupe Guevara on vocals and Juan Guevara on drums, the group features Alfredo Guevara on guitar, Juan Ayala on keyboards, Mario Luis Jimenez on bass, and Francisco Guevara on percussion. This ensemble of skilled musicians creates a rich, full sound that has become their trademark.

The Arena Theatre concert will be a celebration of BXS’s impressive catalog, spanning their career from their 2011 debut album “Por Siempre Románticos” to their latest hits. Fans can expect to hear beloved classics like “Temporal de Amor,” “Simplemente Amigos,” and “Vivo Enamorado,” as well as newer tracks such as “Tan Lejos” and “Ventana del Alma.”

One of the highlights of their current tour is the promotion of their latest single, “Amiga de la Soledad,” penned by Juan Guevara himself. This new track has been receiving widespread acclaim from their loyal fanbase, further cementing BXS’s status as masters of romantic ballads.

What sets BXS BRYNDIS X SIEMPRE apart is their ability to make love and even disloyalty into poetic musical experiences. Their performances are known for their emotional depth and the group’s uncanny ability to connect with their audience. As Guadalupe Guevara often says, “Singing to love is our cover letter.”

The group’s success extends far beyond their native Mexico. BXS has toured extensively across the United States, South America, and even parts of Europe, including Spain, Switzerland, and Italy. They’ve graced prestigious venues such as the Gran Rex in Buenos Aires, the Rosemont Theater in Chicago, and the Microsoft Theater in Los Angeles. Their appearance at Houston’s Arena Theatre adds another illustrious venue to their impressive list of conquests.

In the digital age, BXS has also made significant strides. Their presence on social media platforms and streaming services has garnered millions of views and listens, earning them well-deserved accolades and expanding their fanbase to new generations of music lovers.

For Houston’s large Latin American community, this concert represents more than just an evening of entertainment. It’s an opportunity to connect with their cultural roots through music that speaks to the heart. The Arena Theatre, known for its intimate setting and excellent acoustics, provides the perfect backdrop for BXS’s emotionally charged performances.

Attendees can expect a night filled with passion, nostalgia, and dance-inducing rhythms. From slow, romantic ballads that will have couples swaying in each other’s arms to more upbeat cumbias that will get everyone on their feet, the concert promises to be a rollercoaster of emotions and melodies.

As October 19th approaches, excitement is building in Houston’s music scene. Tickets for this not-to-be-missed event are selling fast, with fans eager to secure their spots for what promises to be one of the most memorable concerts of the year.

For long-time followers of BXS and Grupo Bryndis before them, this concert offers a chance to relive cherished memories and create new ones. For newer fans, it’s an opportunity to experience firsthand the magic that has made BXS BRYNDIS X SIEMPRE a staple of romantic Latin music for over a decade.

As the lights dim at the Arena Theatre on October 19th, Houston will be transported into a world of love, passion, and timeless melodies. BXS BRYNDIS X SIEMPRE is not just performing a concert; they’re continuing a legacy of romantic excellence that has spanned generations. Don’t miss your chance to be part of this extraordinary musical journey. Get ready, Houston – love is in the air, and its name is BXS BRYNDIS X SIEMPRE.

Guitar Innovator Stanley Jordan Brings His Revolutionary Touch Technique to Dosey Doe Big Barn”

By Nathan Pugh

Houston area music enthusiasts are in for a treat as Grammy-nominated guitar virtuoso Stanley Jordan takes the stage at Dosey Doe Big Barn on October 24, 2024. This performance promises to be an unforgettable evening of musical innovation and artistry, showcasing Jordan’s revolutionary touch technique that has redefined the boundaries of guitar playing.

Stanley Jordan, a true chameleon of the guitar world, has been captivating audiences since his commercial breakthrough in 1985. Known for his boldness, imagination, and versatility, Jordan’s performances are a journey into the unexpected, blending classical master-

pieces, pop-rock hits, straight-ahead jazz, and ultramodern improvisational works.

At the heart of Jordan’s unique sound is his mastery of the “touch technique,” an advanced form of two-handed tapping on the guitar’s fretboard. Unlike conventional strumming and picking, this innovative approach allows Jordan to create fluid, multi-layered textures that push the boundaries of what’s possible on a guitar. “I think of it as a single instrument, but one with a wide range of tonal colors—that’s why I do it,” Jordan explains.

The touch technique isn’t just a gimmick; it’s a means to a musical end that allows Jordan to play melody and chords simultaneously

with an unprecedented level of independence. This approach even enables him to play on two different guitars at once, or to combine guitar and piano in a single performance. The result is a sound that’s both technically impressive and emotionally resonant, captivating listeners worldwide with its warmth and sensitivity.

Jordan’s musical journey began at the tender age of six when he started studying piano. He switched his focus to guitar at eleven, quickly immersing himself in rock and soul bands. His prodigious talent was evident early on; in 1976, while still in high school, he performed with Quincy Jones and tied for first place

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as a soloist at the Reno International Jazz Festival.

After earning a BA in music from Princeton University in 1981, where he studied under composer Milton Babbitt and computer music pioneer Paul Lansky, Jordan’s career took off. His 1985 album “Magic Touch” not only launched him into the spotlight but also played a crucial role in re-establishing the legendary Blue Note Records as a contemporary force in jazz. The album topped Billboard’s jazz chart for an astonishing 51 weeks and achieved gold status, selling over 500,000 copies in the U.S. alone—a remarkable feat for a jazz instrumental album.

Throughout his career, Jordan has continually pushed the envelope, refusing to be confined by genre boundaries. From his bold 1986 album “Standards Volume 1,” where he argued for the inclusion of Stevie Wonder and Jimi Hendrix compositions in the standard jazz repertoire, to his eclectic 1994 release “Bolero,” featuring a 17-minute arrangement of Ravel’s classic that seamlessly blended rock, African, Latin, “groove,” and “industrial” sections, Jordan has never shied away from musical exploration.

Jordan’s influence extends beyond the world of jazz. He has performed in over 60 countries across six continents, graced numerous festivals including the Montreaux International Jazz Festival, and collaborated with a diverse array of artists. He’s worked with jazz luminaries like Art Blakey and Richie Cole, recorded with Stanley Clarke and Kenny Rogers (whose track “Morning Desire” became America’s #1 country song in 1986), and frequently guested with Les Paul

In recent years, Jordan has become a frequent collaborator with jam bands such as the Dave Matthews Band, the String Cheese Incident, and Umphrey’s McGee, further showcasing his musical versatility. His most recent album, “Friends,” received both a Grammy nomination and an NAACP Image Award nomination, cementing his status as a continuing force in contemporary music.

But for Jordan, music is more than just entertainment. He is deeply committed to music as an artistic, spiritual, and health-promoting endeavor. Currently pursuing a master’s degree in music therapy at Arizona State University, Jordan frequently conducts outreach programs in schools, hospitals, and other venues during his tours. As an artistspokesperson for the American Music Therapy Association, he has given numerous lectures and demonstrations on the healing applications of music.

The upcoming performance at Dosey Doe Big Barn offers a rare opportunity for Houston music lovers to experience Jordan’s artistry in an intimate setting. Attendees can expect a wide-ranging setlist that might include anything from innovative interpretations of jazz standards

to genre-bending original compositions. Given Jordan’s penchant for collaboration and improvisation, the audience may well be treated to some surprising musical moments.

As Jordan takes the stage on October 24, he’ll be carrying forward a musical legacy that spans decades while continuing to push into new territories. Whether you’re a longtime fan or new to his music, this concert promises to be a masterclass in guitar innovation and musical exploration.

Don’t miss this chance to witness one of the most distinctive and refreshing voices in modern guitar. Tickets for Stanley Jordan’s performance at Dosey Doe Big Barn are expected to sell quickly, so fans are encouraged to secure their spots early for what promises to be one of the most memorable concerts of the year.

As Leonard Feather, the renowned Los Angeles Times jazz critic, once wrote, “Genius is a word often tossed around in musical circles, but it has been rightfully applied to Stanley Jordan.” On October 24, Houston will have the opportunity to experience this genius firsthand in the warm, acoustically rich environment of Dosey Doe Big Barn. It’s an evening of musical magic that no serious music lover will want to miss.

during his legendary Monday nights at Iridium in New York.

The Charming Man Comes to Houston: Morrissey’s Halloween Concert Promises Tricks, Treats, and a Walk Through Alternative Rock History

By Troy Wilson

As the autumn leaves begin to fall and jack-o’-lanterns light up porches across Houston, music lovers are buzzing with anticipation for a different kind of Halloween treat. On October 31st, the 713 Music Hall will play host to none other than Morrissey, the enigmatic British singersongwriter whose brooding lyrics and distinctive voice have captivated audiences for over four decades. This Halloween night concert isn’t just another stop on a tour; it’s the grand opening of Morrissey’s latest North American musical journey, promising an extraordinary expedition through the artist’s vast and influential catalog.

Born Stephen Patrick Morrissey on a rainy May 22nd in 1959 Manchester, England, the man who would become

simply “Morrissey” to millions was an unlikely pop star from the start. A shy, awkward youth obsessed with Oscar Wilde, James Dean, and the New York Dolls, young Morrissey found solace in the power of words and music. Little did the world know that this introspective teenager would grow to be one of the most influential and controversial figures in British pop music history.

Morrissey’s rise to fame began in 1982 when he met guitarist Johnny Marr, forming a songwriting partnership that would change the face of alternative rock. Together, they founded The Smiths, a band whose jangly guitars, Morrissey’s witty, often morose lyrics, and his unique vocal stylings would define a generation. From 1984 to 1987, The Smiths released four studio albums that are now considered classics of the genre. Songs like “This

Charming Man,” “There Is a Light That Never Goes Out,” and “How Soon Is Now?” became anthems for the disaffected and lovelorn, with Morrissey’s words giving voice to the shy, the awkward, and the outsiders.

But The Smiths were just the beginning of Morrissey’s musical odyssey. When the band dissolved in 1987, many wondered if Morrissey could sustain a solo career. He answered those doubts emphatically with his 1988 debut solo album, “Viva Hate,” which spawned the hits “Suedehead” and “Everyday Is Like Sunday.” The latter, with its memorable chorus “Everyday is like Sunday, everyday is silent and grey,” showcased Morrissey’s talent for finding beauty in melancholy, a trait that would become his signature.

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Saturday, October 12

Tony Vega’s Birthday Bash! Sunday, October 20

John Calderon’s Sunday Sessions @ 6-10pm Wednesday, October 23

Larry Evans’ Birthday Bash! Friday, October 24

Keeshea Pratt’s Birthday Bash!

Thursday - October 31

Houston Blues Society

Jam Hosted By William James

Morrissey

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Over the next three decades, Morrissey would go on to release a string of successful albums, each one a new chapter in his ever-evolving artistic expression. From the glam-rock influenced “Your Arsenal” in 1992 to the introspective “Vauxhall and I” in 1994, to his most recent offering, 2020’s “I Am Not a Dog on a Chain,” Morrissey has continually pushed his boundaries as an artist.

Now, as Morrissey prepares to take the stage at 713 Music Hall, fans are eagerly speculating about what treats (or tricks) he might have in store. Will he open with a Smiths classic like “Panic” (with its apropos Halloween lyric “Burn down the disco, hang the blessed DJ”)? Or perhaps he’ll surprise the audience with something from his upcoming albums, “Without Music the World Dies” and “Bonfire of Teenagers”?

These new projects have been the subject of much excitement and speculation among Morrissey’s devoted fanbase. In a music industry where artists often struggle to maintain relevance after a few years, Morrissey’s ability to generate buzz for new material nearly 40 years into his career is a testament to his enduring appeal.

Adding to the intrigue surrounding these new albums is Morrissey’s recent triumph in a long-running dispute with Capitol Records. In a move that sent ripples through the music industry, Morrissey announced on his website that he had “paid the exit fee to Capitol Records in order to return both WORLD PEACE IS NONE OF YOUR BUSINESS and BONFIRE OF TEENAGERS albums back to him.” This bold step not only demonstrates Morrissey’s commitment to artistic control but also hints at the possibility of these albums being released on his own terms, perhaps even through his own label.

But it’s not just the promise of new music that has fans excited for the Houston show. Morrissey’s longtime guitarist, Jesse Tobias, recently set expectations sky-high with a tantalizing Instagram post. “There is currently something happening, a finesse and ferocity coming from Morrissey and the band that is unparalleled to anything I’ve seen in my tenure as Morrissey’s

guitarist for over 21 years,” Tobias wrote. He described an “infectious excitement” emanating from Morrissey himself, promising that the upcoming shows will “liberate and astound everyone.”

Of course, a Morrissey concert is about more than just the music. Known for his outspoken views and controversial statements, Morrissey has always used his platform to advocate for causes close to his heart. Chief among these is animal rights. A strict vegetarian since the age of 11 and a vegan since 2015, Morrissey has been a vocal proponent of animal welfare throughout his career. Songs like “Meat is Murder” (the title track of The Smiths’ 1985 album) and “The Bullfighter Dies” from his 2014 solo album have brought these issues to the forefront of his music.

His dedication to this cause was recently recognized when he received the 2024 Social Vanguard Award for his outstanding service and dedication to animal rights. This commitment adds another layer to Morrissey’s persona, endearing him further to fans who admire not just his music, but his principles.

As the Houston audience files into 713 Music Hall on Halloween night, they’ll be participating in more than just a concert. They’ll be witnesses to a new chapter in the story of one of alternative rock’s most enduring and enigmatic figures. Whether he’s crooning a Smiths classic like “There Is a Light That Never Goes Out,” belting out solo hits like “The More You Ignore Me, The Closer I Get,” or introducing the world to a new composition, Morrissey’s performance promises to be a spellbinding journey through the past, present, and future of alternative rock.

The choice of Halloween for the tour opener seems particularly fitting for an artist who has always embraced the darker

side of human emotion. Morrissey’s music has long been a haven for those who find beauty in sadness, comfort in melancholy. His lyrics, by turns witty, bitter, romantic, and scathing, have provided solace to the outsiders, the misfits, and the brokenhearted for generations.

As the lights dim and the first chords ring out, the Houston audience will be treated to more than just a performance. They’ll be part of a communal experience, a gathering of kindred spirits united by their love for Morrissey’s unique artistic vision. In a world that often feels increasingly fragmented and divided, there’s something almost magical about the ability of music to bring people together.

And who knows? Perhaps as the clock strikes midnight, signaling the end of All Hallows’ Eve and the beginning of a new month, Morrissey will surprise us all with a taste of what’s to come. A new song, a new sound, a new Morrissey for a new era.

One thing is certain: as Morrissey takes the stage at 713 Music Hall, he’ll be doing more than just performing songs. He’ll be reaffirming his status as one of the most important and influential figures in alternative rock. He’ll be reminding us why, after all these years, he remains “The Charming Man” who can still cast a spell over audiences worldwide.

So, Houston, prepare yourselves. This Halloween, the treats won’t just be in your trick-or-treat bags. They’ll be on stage, in the form of a man whose music has been the soundtrack to countless lives for over four decades. Morrissey is coming to town, and he’s bringing with him a lifetime of music, memories, and the promise of more to come. It’s sure to be a night Houston music fans won’t soon forget.

NOVEMBER 7 - 9

THURSDAY, NOVEMBER 7

RONNIE’S ICE HOUSE 4355 FM 517 (DICKINSON)

FRIDAY, NOVEMBER 8

REHAB BAR 1658 ENID Sr. (HOUSTON)

SATURDAY, NOVEMBER 9

THE MOON 1201 S. 16th St. (LA PORTE)

Prog Rock Legend Rick Wakeman Bids Farewell with Final US Solo Tour at The Heights Theater

By Albert Schwartz

Houston music enthusiasts are in for a treat as legendary YES keyboardist Rick Wakeman brings his final US solo tour, “An Evening of YES Music and Other Favorites,” to The Heights Theater on October 26, 2024. This performance marks a poignant moment in music history, as the 75-year-old virtuoso prepares to close the curtain on his illustrious career of solo performances.

Wakeman, who turned 75 in May, has announced his intention to cease touring by his 77th birthday. “I always planned to stop touring by my 77th birthday – for those of you who wish to send me a card, it’s May 18th!” he quipped in his farewell tour statement. This decision gives fans less than two years to witness the keyboard wizard in action, making the Houston show a must-see event for prog rock aficionados and music lovers

alike.

The tour, aptly named “An Evening of YES Music and Other Favorites,” promises to be a journey through Wakeman’s extensive musical career. Fans can expect a set filled with beloved YES classics and other fan favorites, showcasing Wakeman’s unparalleled skills on the piano.

In a special treat for attendees, Wakeman will debut a new piece titled “Yessonata,” a 30-minute instrumental that weaves YES themes and melodies into sonata form. This composition exemplifies Wakeman’s continued creativity and his deep connection to the band that helped propel him to international fame.

Reflecting on the upcoming tour, Wakeman shared, “I have thoroughly enjoyed performing the various one-man shows, but it’s time to call it a day.” He

added, “I intend to throw in the best of what I have done in the past, plus a few new surprises on the way, and possibly even the odd guest joining me on the odd occasion.”

Wakeman’s career spans over five decades, during which he has established himself as one of rock’s most original and proficient keyboard players. His journey began in the late ’60s as a sought-after session musician, working with artists like David Bowie, Cat Stevens, Marc Bolan, and Elton John. Wakeman’s contributions to Bowie’s “Space Oddity” and “Life on Mars” are particularly noteworthy, showcasing his ability to enhance and elevate the work of other artists.

However, it was his work with YES that catapulted Wakeman to worldwide recognition. Joining the band in 1971, he

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Rick Wakeman

played a crucial role in creating seminal albums such as “Fragile” and “Close to the Edge,” helping to establish YES as the preeminent progressive rock band of the era.

Beyond his work with YES, Wakeman’s solo career has been equally impressive. His groundbreaking concept albums, including “The Six Wives of Henry VIII,” “Journey to the Centre of the Earth,” and “The Myths and Legends of King Arthur and the Knights of the Round Table,” have become classics in their own right. These ambitious projects, often performed with full orchestras and choirs, demonstrate Wakeman’s ability to blend classical influences with rock sensibilities.

Wakeman’s musical prowess is rooted in a strong classical foundation. After studying piano privately for 12 years, he earned a scholarship to the Royal College of Music, where he studied piano, clarinet, and orchestration. His classical training, combined with his rock sensibilities, has allowed him to create a unique sound that bridges multiple genres.

Throughout his career, Wakeman has sold over 50 million albums, both as a solo artist and with YES. He has also ventured into film scoring, composing for films directed by Ken Russell and contributing to

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the soundtracks of Harry Palmer films starring Michael Caine.

In recent years, Wakeman has diversified his career, becoming a familiar face on British television. He has appeared on shows like “Grumpy Old Men,” “Countdown,” and “Have I Got News for You,” showcasing his wit and charm beyond the keyboard.

As Wakeman prepares for his final solo tour, he emphasizes the unique nature of each performance. “The plan is not to perform at the same venue twice throughout this period, so whatever venue you are hopefully thinking of coming to, it will be the last performance there,” he explained. This approach adds an extra layer of significance to the Houston show, making it a truly once-in-a-lifetime experience for local fans.

The Heights Theater, known for its intimate atmosphere and excellent acoustics, provides the perfect setting for Wakeman’s farewell performance in Houston. The venue’s historic charm and focus on musical craftsmanship align perfectly with Wakeman’s artistic ethos, promising an evening of unparalleled musical mastery.

As Rick Wakeman takes the stage at

The Heights Theater on October 26, attendees will be witnessing more than just a concert; they’ll be part of a living history of progressive rock. From YES classics to solo masterpieces, and with the promise of new material and possible surprises, this performance is set to be a celebration of a remarkable career and a fitting farewell to a true legend of rock music.

For music lovers in Houston and beyond, this is an opportunity not to be missed. As Wakeman prepares to bring his solo touring career to a close, his Houston performance stands as a testament to his enduring artistry and influence. It’s a chance to experience the magic of one of rock’s greatest keyboardists one last time, in an intimate setting that promises to make the evening unforgettable.

Tickets for Rick Wakeman’s performance at The Heights Theater are expected to sell quickly. Fans are encouraged to secure their spots early for what promises to be one of the most memorable concerts of the year. As Wakeman himself puts it, he’s “taking this opportunity of thanking everyone and anyone who has supported me over the last 53 years!” Don’t miss your chance to be part of this historic musical farewell.

Grammy Magnet Norah Jones to Enchant Houston: ‘Visions’ Tour Promises a Night of Soulful Nostalgia and Fresh Sounds

By Sheena Johnson

In a musical event that promises to be as smooth as honey and as intoxicating as a perfectly mixed cocktail, nine-time Grammy winner Norah Jones is set to grace the stage of Houston’s 713 Music Hall on Tuesday, October 15, 2024. This eagerly anticipated performance is part of Jones’ “Visions Tour 2024,” supporting her latest album of the same name and offering longtime fans and newcomers alike a journey through her illustrious career that has spanned over two decades and multiple genres.

The announcement of Jones’ Houston stop has sent ripples of excitement through the city’s music scene, and for good reason. Known for her velvet voice, piano prowess, and genre-defying artistry, Jones has been a steady presence in the music industry since her debut in 2002, continually evolving while maintaining the soulful essence that first captivated audiences worldwide.

“Visions,” Jones’ ninth studio album released on March 8, 2024, via Blue Note Records, marks yet another evolution in her sound. Produced by Leon Michels, a veteran of the soul revival scene known for his work with Sharon Jones & the Dap-Kings and The Arcs, the album has been described by The Los Angeles Times as “a funky, gently psychedelic garage-soul record.” This departure from her jazzier roots showcases Jones’ versatility and willingness to explore new musical territories, a trait that has

defined her career from the beginning.

The album’s title, according to Jones, was inspired by the creative process itself. “The majority of the ideas I envisioned for the album came in the middle of the night or in that moment right before sleep,” Jones revealed in a press release. This nocturnal creativity is evident in tracks like “Running,” the album’s lead single, which Jones describes as emerging from that liminal space where one is “half asleep and kind of jolted awake.” The song, with its driving rhythm and dreamy vocals, perfectly encapsulates the album’s blend of the familiar and the adventurous.

Another standout track from “Visions” is the spirited “Staring at the Wall,” for which Jones co-directed a music video featuring studio footage and her handwritten lyrics. The song’s upbeat tempo and soulful groove represent a departure from the mellower sounds Jones is often associated with, showcasing her ability to surprise and delight her audience even after all these years.

Fans attending the Houston show can expect to hear these new tracks alongside favorites from throughout Jones’ career. Known for crafting setlists that span her entire discography, Jones is likely to include beloved songs from her groundbreaking debut “Come Away With Me,” as well as hits from subsequent albums that have earned her a special place in the pantheon of contemporary music.

But what makes a Norah Jones concert truly special is not just the song selection, but the way she interprets and reinterprets her music live. Those who have seen her perform often speak of her ability to breathe new life into familiar tunes, whether it’s through an unexpected jazz improvisation on the piano or a subtle change in vocal phrasing that brings new meaning to well-worn lyrics.

Jones’ journey to this moment is nothing short of remarkable. Born Geethali Norah Jones Shankar in Brooklyn, New York, to legendary sitar player Ravi Shankar and concert producer Sue Jones, she spent her formative years in Texas. It was there, in the Dallas suburb of Grapevine, that Jones began to forge her musical identity, studying jazz piano and earning accolades for her vocal performances.

Her early musical education was diverse, spanning classical piano lessons, school choir performances, and even a stint in the school band playing alto saxophone. This eclectic background would later inform her genre-blending style, allowing her to move effortlessly between jazz, pop, country, and rock influences.

But it was her move to New York City in 1999 that set the stage for her meteoric rise. After gigging in local clubs and collaborating with various artists, including

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the trip-hop group Wax Poetic, Jones caught the attention of Blue Note Records. The result was “Come Away With Me,” released in 2002, a record Jones modestly described as her “moody little record.” Little did she know it would become a global phenomenon, sweeping the 2003 Grammy Awards with wins for Album of the Year, Record of the Year, Song of the Year, and Best New Artist.

The success of “Come Away With Me” was unprecedented for a jazz-influenced album in the early 2000s. It sold over 27 million copies worldwide, making it one of the best-selling albums of all time. The record’s breakout single, “Don’t Know Why,” became an instant classic, its gentle melody and Jones’ heartfelt delivery resonating with listeners across generations and musical preferences.

Since that watershed moment, Jones has sold more than 52 million albums worldwide, with her songs streamed an astounding ten billion times. Her subsequent albums, from “Feels Like Home” (2004) to “Day Breaks” (2016) and “Pick Me Up Off The Floor” (2020), have all showcased different facets of her musicality, earning critical acclaim and commercial success in equal measure.

What sets Jones apart is not just her musical output but her willingness to experiment and collaborate. She’s been part

of side projects like The Little Willies, a country music group formed in 2003, and Puss N Boots, an alt-country trio formed in 2008 with Sasha Dobson and Catherine Popper. These projects have allowed Jones to explore different musical territories, from covering classic country songs to writing edgier, more rock-influenced material.

Her collaborations extend beyond these side projects. Over the years, Jones has worked with an impressive array of artists across various genres. She’s recorded duets with legends like Ray Charles and Willie Nelson, collaborated with alternative darlings like Belle and Sebastian and Danger Mouse, and even ventured into electronic territory with her contributions to Danger Mouse and Daniele Luppi’s Rome project.

In 2022, Jones even launched a podcast, “Norah Jones Is Playing Along,” further cementing her status as a multifaceted artist. The podcast features Jones in conversation with other musicians, exploring the creative process and the stories behind their songs. This venture into the world of podcasting demonstrates Jones’ ongoing curiosity about music and her desire to connect with other artists and her audience in new ways.

As Houston prepares to welcome Jones to the 713 Music Hall, the excitement is palpable. The venue, known for its excellent acoustics and intimate atmosphere despite its size, provides the perfect setting for Jones’ nuanced performances. Whether she’s seated at the piano, delivering soul-stirring ballads, or standing center stage, unveiling the more uptempo, soulful sounds of her recent work, Jones has a way of making even the largest venues feel like cozy jazz clubs.

For longtime fans, this concert offers a chance to reconnect with the artist who has been the soundtrack to so many of life’s moments. Many still remember where they were when they first heard “Don’t Know Why” or how albums like “Feels Like Home” and “Not Too Late” helped them through difficult times or celebrated life’s joys. For newer listeners, it’s an opportunity to experience firsthand the artistry of a musician who has shaped the landscape of contemporary jazz and pop for over two decades.

The “Visions Tour” also represents a significant moment in Jones’ career. After the global disruptions of recent years, which saw many artists forced to cancel or postpone tours, this tour feels like a celebration of the return of live music. It’s a chance for Jones to connect with her audience in person again, to share the energy and emotion that can only come from a live performance.

Moreover, the tour is an opportunity for Jones to showcase her growth as an artist. While many performers with her level of success might be content to rest on their laurels, playing the hits that made them famous, Jones continues to push herself creatively. The songs from “Visions” represent a new chapter in her artistic journey, one that longtime fans and new listeners alike are eager to experience live.

As the October 15th date approaches, music lovers in Houston and beyond are marking their calendars. In a world of fleeting musical trends and overnight sensations, Norah Jones stands as a testament to the enduring power of genuine artistry and musical evolution. Her Houston performance promises to be more than just a concert; it will be a celebration of a career that has continually pushed boundaries while remaining true to the soulful core that first captured our hearts.

So, Houston, prepare for a night of musical magic. As the lights dim at 713 Music Hall and the first notes of Norah Jones’ piano fill the air, you’ll be transported into the vision of one of our generation’s most gifted artists. From the jazzy nostalgia of “Come Away With Me” to the soulful psychedelia of “Visions,” and everything in between, Jones will take you on a journey through her musical world. It’s a world where genre boundaries blur, where a simple melody can touch your soul, and where the power of a singular voice can fill a room with emotion.

Whether you’re a jazz aficionado, a pop music lover, or simply someone who appreciates authentic artistry, this is a concert not to be missed. Norah Jones’ performance in Houston promises to be a testament to the power of music to connect, to heal, and to inspire. It’s a chance to witness a true artist at the height of her powers, continuing to evolve and surprise even as she honors the music that made her a star.

As we count down the days to October 15th, one thing is clear: Houston is in for a treat. Norah Jones is coming to town, and she’s bringing with her not just the hits that made her famous, but a new vision for her music and her artistry. It’s a vision that honors the past while looking firmly to the future, and it’s one that music lovers of all stripes won’t want to miss.

Boston’s Indie Rock Sensation Vundabar Set to Electrify White Oak Music Hall: A Night of Math-Rock Mayhem and Post-Punk Passion

By Robert Wilkins

Houston’s indie rock scene is buzzing with anticipation as Bostonbased trio Vundabar prepares to take the stage at White Oak Music Hall on October 17th, 2024. Known for their madcap live performances and genrebending sound, Vundabar promises an unforgettable night of jangly, fuzzed-out math- and surf-tinged indie rock shot through with plenty of post-punk spirit.

Formed in 2013 by high school friends Brandon Hagen (vocals, guitar) and Drew McDonald (drums, synthesizer), Vundabar has evolved from a local Boston favorite to a nationally recognized indie rock powerhouse. With the addition of bassist Zack Abramo, the trio has crafted a unique sound that defies easy categorization, blending elements of post-punk, jangle pop, and surf rock into a cohesive and electrifying

musical experience.

Vundabar’s journey to White Oak Music Hall has been anything but conventional. From their humble beginnings as high school musicians to their current status as indie rock darlings, the band has consistently pushed the boundaries of what’s possible within the genre. Their debut album, “Antics,” released in 2013, introduced the world to their melody-rich blend of knotty folk and loud-soft-loud indie rock, drawing comparisons to Boston luminaries like the Pixies.

As the band evolved, so did their sound. Their 2015 release, “Gawk,” saw them adopt a grittier tone, adding grungy post-punk elements to their already eclectic mix. This album also spawned the single “Alien Blues,” which would become an unlikely streaming sensation six years later, catapulting the band into

the mainstream spotlight.

The band’s rise to prominence hasn’t been without its challenges. In mid-2016, bassist Zack Abramo temporarily left the group to focus on his own project, Crag Mask. During this period, Greyson Kirtland stepped in, appearing in live shows and interviews until late 2018 when Abramo rejoined the band. This lineup change, while brief, speaks to the band’s resilience and commitment to their craft.

Vundabar’s discography is a testament to their growth and willingness to experiment. Their third album, “Smell Smoke,” released in 2018, delivered an earworm-heavy set that was both bracing and sincere. The band took another leap forward with 2020’s “Either Light,” working with producer Patrick Hyland

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(known for his work with Mitski) for the first time. This album saw the band expanding their sonic palette, incorporating synthesizers, electronic drum sounds, and instruments like piano and Omnichord.

The band’s most recent releases, 2022’s “Devil for the Fire” and “Good Old,” showcase their continued evolution. “Devil for the Fire” is described as a wide-ranging effort, while “Good Old” offered fans a peek into the band’s archives, featuring seven songs recorded between “Gawk” and “Smell Smoke,” along with four acoustic versions of previously released tracks.

What sets Vundabar apart is not just their eclectic sound, but their approach to the music industry. In an effort to maintain creative control and foster a community of artists, the band started their own cassette label, Gawk Records. As Drew McDonald explained in an interview with Sound of Boston, this move allowed them to avoid the financial pressures of signing to a major label while building a supportive network of like-minded musicians.

The band’s influences are as diverse as their sound. Guitarist Brandon Hagen cites surf rock legend Dick Dale and psychedelic garage rockers Osees as inspirations. Bassist Zack Abramo draws from electronic music, particularly artists like Burial, while drummer Drew McDonald finds inspiration in the psychedelic pop of Tame Impala. This eclectic mix of influences contributes to Vundabar’s unique sound, which manages to be both familiar and refreshingly innovative.

As Vundabar prepares to take the stage at White Oak Music Hall, Houston music fans can expect a performance that showcases the full breadth of the band’s talents. From the jangly indie rock of their early days to the more experimental sounds of their recent work, the setlist is likely to be a journey through the band’s evolution.

The band’s live shows are legendary for their energy and unpredictability. Brandon Hagen’s distinctive vocals and frenetic guitar work, combined with Drew McDonald’s dynamic drumming and Zack Abramo’s groove-heavy bass lines, create a wall of sound that’s both intricate and explosive. Fans can expect

to hear favorites like “Alien Blues,” which gained a second life through social media in 2021, alongside deeper cuts and possibly new material.

White Oak Music Hall, known for its commitment to showcasing cuttingedge artists, provides the perfect backdrop for Vundabar’s eclectic sound. The venue’s intimate setting will allow fans to fully immerse themselves in the band’s performance, feeling every guitar riff and drum beat up close and personal.

For Houston’s indie rock community, this concert represents more than just a night of great music. It’s an opportunity to witness a band at the forefront of the genre’s evolution, pushing boundaries and challenging expectations with every performance. Whether you’re a long-time fan or new to Vundabar’s music, the October 17th show promises to be a transformative experience.

As the date approaches, anticipation continues to build. Will the band preview new material from their upcoming album? Will they dive deep into their back catalog for some rare gems? The only way to find out is to be there on October 17th when Vundabar brings their unique brand of indie rock mayhem to White Oak Music Hall.

Tickets for this not-to-be-missed event are expected to sell quickly. Music lovers are encouraged to secure their spots early for what is sure to be one of the most talked-about concerts of the fall season. Don’t miss your chance to be part of the Vundabar experience – a night of math-rock intricacy, post-punk energy, and pure indie rock passion that will leave you buzzing long after the last note fades.

Funk-Pop Innovator Remi Wolf Set to Showcase ‘Big Ideas’ at White Oak Music Hall: A Deep Dive into Her Sophomore Album

By Troy Wilson

Houston music aficionados are in for a treat as the vibrant and eclectic Remi Wolf brings her “Big Ideas” tour to White Oak Music Hall on October 10, 2024. The Palo Alto High School alumna and rising star of the indie pop scene is set to showcase her unique blend of funk, disco, and pop in what promises to be an unforgettable evening of entertainment.

At the heart of this tour is Wolf’s sophomore album, “Big Ideas,” released on July 12, 2024, via Island Records. This album not only marks a significant milestone in Wolf’s career but also represents a bold step forward in her artistic evolution. “Big Ideas” has been making waves in the music industry, receiving widespread critical acclaim and solidifying Wolf’s position as one of

the most exciting and innovative voices in contemporary pop music.

The album’s title, “Big Ideas,” is more than just a catchy phrase; it’s a testament to Wolf’s ambitious musical vision. Recorded with longtime producer Jared Solomon, the album introduces a refreshed sound for Wolf, incorporating vintage equipment at prestigious studios like Diamond Mine Recording and Electric Lady Studios in New York. This blend of modern pop sensibilities with classic recording techniques has resulted in a sound that’s both fresh and nostalgic.

Critical reception for “Big Ideas” has been overwhelmingly positive, earning a score of 80 out of 100 on Metacritic based on nine critics’ reviews. The album has been praised for its innovative approach to pop music and

Wolf’s fearless creativity.

Jordan Currie of Exclaim! captured the essence of the album, writing that Wolf “takes all of the big ideas in her head and throws them like neon splatter onto an already messy canvas,” showcasing “brash, explosive pop with a don’tgive-a-fuck spirit and touches of vulnerable self-reflection and soul.”

Jordan Bassett of Spin felt that “Big Ideas” “jostles with brilliant songcraft that signifies her rapid growth as an artist—if the essential aesthetic is little changed, the execution is often warmer, more mature and expansive.” This sentiment highlights Wolf’s ability to maintain her unique style while pushing her artistry to new heights.

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NME’s Hannah Mylrea described the album as “a record that – while injected with a healthy dose of groovy fun – is keenly honest. And although it may be sonically sugar-coated, Wolf’s candid lyrics never are. It’s funk-fuelled catharsis.” This balance of fun and honesty is a hallmark of Wolf’s work, and “Big Ideas” seems to have perfected this formula.

The album’s lead single, “Cinderella,” marked Wolf’s debut on the Billboard Hot Rock & Alternative Songs chart, signaling her growing mainstream appeal while maintaining her indie credibility. The song’s infectious groove and Wolf’s distinctive vocals offer a perfect introduction to the album’s sound.

DIY’s Otis Robinson opined that “Big Ideas” “tumbl[es] into glamorous imperfection and cacophonous garageband pop that sits starkly against the

corporate rigidity and rigmarole of modern pop.” This description underscores Wolf’s position as an alternative voice in the pop landscape, offering something raw and authentic in an often overly polished genre.

The Line of Best Fit’s Adele Julia found the album to be “desperate to underscore outspoken songwriting with equally raucous production, fit with all the bells and whistles one could ever need.” This comment highlights the album’s ambitious production, which matches Wolf’s bold lyricism step for step.

While the majority of reviews have been glowing, some critics have noted the album’s eclectic nature as both a strength and a potential weakness. Sam Rosenberg of Paste wrote that the album “may never quite meet the sum of its parts, but Remi Wolf’s formidable technical confidence, innovative spirit

and singular ability to navigate pop music trends without the impulse to pander make her incredibly exciting to listen to.” This observation speaks to Wolf’s unique position in the music industry – an artist unafraid to take risks and challenge listeners’ expectations.

The upcoming White Oak Music Hall show on October 10 promises to bring the vibrant world of “Big Ideas” to life. Fans can expect to hear tracks from the new album alongside favorites from her earlier releases, including her debut album “Juno” and her breakout EPs. Wolf’s live performances are known for their energy and unpredictability, mirroring the colorful chaos of her recorded music.

For Houston music fans, this concert represents a unique opportunity to witness an artist on the cusp of major stardom. Wolf’s ability to blend genres seamlessly, coupled with her charismatic stage presence, promises an evening that will appeal to a wide range of musical tastes. The intimate setting of White Oak Music Hall will allow attendees to fully immerse themselves in the vibrant, funky, and often surreal world of Remi Wolf’s music.

As the October 10 date approaches, anticipation in the Houston music scene continues to build. Whether you’re a long-time fan who’s been following Wolf since her 2019 debut EP “You’re a Dog!” or you’re new to her music, drawn in by the buzz surrounding “Big Ideas,” this concert promises to be one of the most talked-about events of the fall season.

Tickets for Remi Wolf’s performance at White Oak Music Hall are expected to sell quickly. Music lovers are encouraged to secure their spots early for what is sure to be a night of funk-fueled catharsis and pop innovation. Don’t miss this chance to see Remi Wolf live as she continues her ascent in the music world, bringing her “Big Ideas” to the Houston stage in a performance that’s bound to be as colorful, energetic, and unpredictable as her music.

Enter Shikari Will Be Performing This Month At Warehouse Live Midtown October 12th

Find Enter Shikari Online Website @ https://www.entershikari.com/ Twitter @ https://x.com/ENTERSHIKARI Instagram @ https://www.instagram.com/entershikari/ Facebook @ https://www.facebook.com/entershikari TikTok @ https://www.tiktok.com/@entershikari

By Nathan Pugh

British rock innovators Enter Shikari have once again pushed the boundaries of their genre-defying sound with the release of “Dancing On The Frontline,” a companion album to their critically acclaimed UK #1 record “A Kiss for the Whole World.” This new offering, available now via SO Record-

ings, serves as a testament to the band’s creative versatility and their commitment to delivering fresh experiences to their dedicated fanbase.

“Dancing On The Frontline” is a treasure trove for Enter Shikari enthusiasts, bringing together an eclectic mix of remixes, non-album singles, and exclusive session

tracks. The album features collaborations with a diverse array of artists, including Wargasm, Cody Frost, AViVA, and Fever 333’s Jason Aalon Butler, showcasing the band’s ability to seamlessly blend their signature sound with various musical styles.

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Photo credit: Paul Harries

Open 6 Days A Week

Tuesday thru Sunday

Wednesday’s @ 7:00 pm - 10:00 pm

Wednesday, October 2 - Wednesday Night Jam with Bob Emmons

Thursday, October 3 - Bayou Thunder

Friday, October 4 - Blues Survivors

Saturday, October 5 - Mark May Tribute Band

Sunday, October 6 - Katie’s Sunday Blues Jam with guest host William James

Wednesday, October 9 - Wednesday Night Jam with Hugo Jamz

Thursday, October 10 - Pierce & The Purple Moon

Friday, October 11 - Tommy Ross Band

Saturday, October 12 - Zach Tate

Sunday, October 13 - Katie’s Sunday Blues Jam with guest host Bayou Gipsies

Wednesday, October 16 - Wednesday Night Jam with Bob Emmons

Thursday, October 17 - Static Blues

Friday, October 18 - Scott McGill

Saturday, October 19 - Snit’s Dog & Pony Show

Sunday, October 20 - Katie’s Sunday Blues Jam with guest host Chris Castaneda

Wednesday, October 23 - Wednesday Night Jam with William James

Thursday, October 24 - Eric Demmer

Friday, October 25 - Benny Brasket 71st Birthday Party

Saturday, October 26 - Wake Zone Halloween Party

Sunday, October 27 - Katie’s Sunday Blues Jam with guest host Paul Ramirez

Wednesday, October 30 - Wednesday Night Jam with Bob Emmons

Thursday, October 31 - Hugo Jamz Trio

Enter Shikari

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One of the highlights of this release is the inclusion of session tracks originally recorded for BBC Radio 1’s Rock Show and Future Sounds programs. These recordings offer fans a unique perspective on Enter Shikari’s raw energy and musical prowess in a more intimate setting, demonstrating the band’s ability to translate their complex arrangements into powerful live performances.

Adding to the album’s appeal is the accompanying Blu-ray, which features two of the band’s electrifying live performances. Fans can witness Enter Shikari’s headline set at the UK’s Slam Dunk Festival in 2023 and their performance at Germany’s Vainstream Festival in the summer of 2022. Both shows have been expertly edited by the band’s longtime visual collaborator, Oleg Rooz, ensuring a captivating visual experience that complements the band’s dynamic sound and showcases their evolution as live performers.

The release of “Dancing On The Frontline” comes on the heels of Enter Shikari’s global tour in support of “A Kiss For The Whole World.” This parent album, released in April 2023, marked a significant milestone for the band, becoming their first UK number one record. The album’s success is a testament to Enter Shikari’s continued relevance and their ability to connect with audiences through their unique blend of rock, electronic, and experimental sounds.

“A Kiss For The Whole World” saw the band exploring themes of hope, resilience, and human connection in a post-pandemic world. The album’s lead single, “(Pls) Set Me on Fire,” set the tone with its urgent energy and introspective lyrics, while tracks like “It Hurts” and “Bloodshot” showcased the band’s ability to balance intricate electronic elements with hard-hitting rock instrumentation.

The band’s renowned live show has since graced stages across the USA, Australia, Europe, UK, and Ireland, cementing their reputation as one of the most exciting live acts in contemporary rock music. Their recent UK, Netherlands, and Germany tour in February 2024 was particularly noteworthy, with The Guardian awarding their performance four stars and declaring it “the beginning of Enter Shikari’s greatest chapter.”

Looking ahead, Enter Shikari shows no signs of slowing down. The band has announced an extensive North American tour for October and November 2024, bringing along special guests You Me At Six and Australian pop-punk outfit Yours Truly as

openers. This tour promises to be another milestone in Enter Shikari’s illustrious career, offering fans across the continent a chance to experience their genrebending soundscapes and high-energy performances.

Enter Shikari’s journey to this point has been nothing short of remarkable. Formed in Hertfordshire, England in 2003, the band - comprising vocalist Rou Reynolds, guitarist Liam “Rory” Clewlow, bassist Chris Batten, and drummer Rob Rolfe - quickly established themselves as innovators in the UK rock scene. Their unique blend of posthardcore, alternative rock, and electronic elements set them apart from their contemporaries from the very beginning.

The band’s DIY ethos was evident from the start, with their first full-length album, “Take to the Skies,” released in 2007 on their own label, Ambush Reality. The album’s success, including a gold certification in the UK, set the stage for a career defined by musical exploration and consistent growth. This debut album, with its fusion of post-hardcore aggression and electronic experimentation, laid the groundwork for Enter Shikari’s signature sound.

Over the years, Enter Shikari has continued to evolve their sound, with each album pushing the boundaries of what rock music can be. Their sophomore effort, “Common Dreads” (2009), saw the band incorporating more electronic elements and addressing political themes, a trend that would continue throughout their career. “A Flash Flood of Colour” (2012) further expanded their sonic palette, blending dubstep influences with their rock foundation and tackling global issues in their lyrics.

The release of “The Mindsweep” in 2015 marked another evolution, with the band exploring more complex arrangements and diverse instrumentation. This was followed by “The Spark” (2017), which saw Enter Shikari taking a more introspective approach, with Rou Reynolds drawing from personal experiences to create a more emotionally charged album.

Their 2020 release, “Nothing Is True & Everything Is Possible,” marked a new high point for the band, showcasing their most eclectic mix of styles to date and reaching number two on the UK album charts. This ambitious album saw the band experimenting with orchestral arrangements, drum and bass rhythms, and even folk influences, all while maintaining their core sound.

Throughout their career, Enter Shikari

has garnered a reputation for electrifying live performances, blending visual spectacle with their sonically diverse catalogue. Their shows have become must-see events, known for their energy, passion, and the deep connection forged between the band and their audience. The band has headlined major festivals and sold out venues across the globe, including a memorable performance at London’s Alexandra Palace in 2016, which was later released as a live album.

Enter Shikari’s impact extends beyond their music. The band has been vocal about social and political issues, using their platform to raise awareness about climate change, mental health, and social inequality. Their commitment to these causes is reflected not only in their lyrics but also in their actions, such as their efforts to make their tours more environmentally sustainable.

With the release of “Dancing On The Frontline,” Enter Shikari continues to demonstrate why they remain at the forefront of innovative rock music. This companion album not only celebrates their recent successes but also offers a glimpse into the creative process and collaborative spirit that has defined their career. It stands as a testament to the band’s willingness to experiment and push themselves creatively, even as they celebrate their achievements.

As Enter Shikari prepares to embark on their upcoming North American tour, fans old and new can look forward to experiencing the band’s evolution firsthand. “Dancing On The Frontline” serves as both a retrospective of their recent work and a promise of more groundbreaking music to come from this consistently surprising and sonically invigorating band. With their unique blend of genres, thought-provoking lyrics, and electrifying live performances, Enter Shikari continues to solidify their position as one of the most exciting and innovative bands in contemporary rock music.

Friday, October 4, 8:00 pm – 12:00 am

Scotty’s Saloon

114 Agnes Rd - Richmond, TX 77469

Saturday, October 5, 7:00 pm – 10:00 pm

Katy Crossing Icehouse

5733 2nd St - Katy, TX 77493

Saturday, October 12, 7:00 pm – 10:00 pm

Lone Pint Brewery

507 Commerce St - Magnolia, TX 77355

Sunday, October 13, 1:00 pm – 5:00 pm

Drifter’s Icehouse

29293 FM 149 - Richards, TX 77356

Friday, October 18, 9:00 pm – 1:00 am

Pub Fountains

12720 SW Freeway - Stafford, TX 77477

Saturday, October 19, 9:00 pm – 1:00 am

Sharky’s Tavern

504 25th St - Galveston, TX 77550

Saturday. October 26, 8:00 pm – 12:00 am

*Happy Halloween!!!

Backwoods Saloon

230 Lexington Ct - Conroe, TX 77385

Saturday, November 2, 8:00 pm – 12:00 am

Westwind Club 5905 Guhn Rd - Houston, TX 77040

7:00 pm – 10:00 pm

Saturday, December 14, 9:00 pm – 1:00 am

Jack’s Pub *Christmas Party!!! 11720 S Wilcrest - Houston, TX 77099?

Friday, December 21, 7:00 pm – 10:00 pm

No Label Brewery 5351 1st St - Katy, TX 77493

By Greg Fontaine

Houston’s metal scene is bracing for a sonic assault as legendary Swedish guitarist Yngwie Malmsteen brings his 40th Anniversary Tour to Warehouse Live Midtown on November 4, 2024. This performance promises to be a historic event, showcasing four decades of unparalleled musical innovation and guitar wizardry that has influenced generations of musicians.

“I’m very excited to play this tour with all you guys and commemorate the launch of my solo career,” Malmsteen enthused in a recent press release. “It’s been an amazing journey and it still feels like it’s only beginning. I couldn’t have done it without all of you and your support throughout all these years. Looking forward to creating some magic with all of you! More is more!”

The 40th Anniversary Tour, which kicks off on September 26 in Fort Myers, Florida, is a monumental 37-date journey across the United States, concluding on November 18 at New York City’s Gramercy Theater. For Texas guitar enthusiasts and metal aficionados, the November 4th show at Warehouse Live Midtown stands out as a must-see event.

This tour is not just a celebration of Malmsteen’s longevity in the music industry; it’s a testament to his enduring influence and innovation. 2024 marks the 40th anniversary of his debut solo album, “Rising Force,” a record that not only launched Malmsteen’s solo career but also pioneered the neoclassical metal genre.

Born into a family of classical musicians and opera singers, Malmsteen’s journey to guitar greatness began early. “I received my first guitar on my 5th birthday but started playing it seriously at the age of seven,” Malmsteen revealed in his official biography. Originally inspired by the blues, he soon became infatuated with the virtuosity of classical violin, incorporating the techniques of Nicolo Paganini and Antonio Vivaldi into his guitar playing.

Guitar Virtuosity Comes

Malmsteen’s unique approach resulted in the creation of Neo-Classical Hard Rock, a style that has earned him numerous accolades and solidified his status as one of the greatest guitarists of all time. His latest album, “Parabellum,” released in July 2021, continues to showcase his evolving artistry.

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Yngwie Malmsteen

In an October 2023 interview with producer and YouTuber Rick Beato, Malmsteen reflected on how his recording process has changed over the years. “I used to hate going to the studio,” he admitted. “Even if you weren’t inspired, you had to play. And if you made a mistake, you couldn’t fix it. And if you fixed it, the new version could be worse. So it’s a horrible psychological thing. It’s terrible.”

However, Malmsteen’s embrace of modern recording technology has revolutionized his creative process. “Finally, 15 years ago or something, I changed to Pro Tools,” he explained. “When I realized you could [move parts around], my creativity just exploded.”

The Warehouse Live Midtown show promises to be a retrospective of Malmsteen’s incredible legacy. Fans can expect an unforgettable evening of blistering guitar solos, virtuosic performances, and timeless classics that have defined Malmsteen’s career. The setlist is likely to include tracks from “Rising Force” as well as hits from his extensive catalog of over thirty solo releases.

What sets Malmsteen apart is not just his technical prowess, but his unparalleled showmanship. Known for his flamboyant stage presence and massive wall of amplifiers, Malmsteen

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joked to the Beaver County Times in 2021, “They’re the biggest Marshall stacks on earth. If you’re at the International Space Station you can see two manmade objects — The Great Wall of China and my Marshall stacks.”

For aspiring guitarists in the Houston area, this concert is more than just entertainment; it’s an education. Malmsteen’s technique has been studied and emulated by countless musicians, and seeing him perform live is akin to attending a master class in guitar virtuosity.

As Malmsteen takes the stage at Warehouse Live Midtown, he’ll be carrying with him not just 40 years of musical history, but the very evolution of guitar-driven rock. From his early days with Steeler and Alcatrazz in the ’80s to his wildly successful solo career, Malmsteen has consistently pushed the boundaries of what’s possible on the electric guitar.

“Coming to America as a teenager, I recorded various albums before signing a solo deal in 1984,” Malmsteen recounted in his biography. “This upcoming USA tour is in part to commemorate this groundbreaking album, but will also include numbers from over thirty solo releases spanning four decades of Yngwie Malmsteen albums up to the

Parabellum album.”

For fans in Houston and the surrounding areas, the November 4th show at Warehouse Live Midtown is not just a concert; it’s a once-in-a-lifetime opportunity to witness living music history. Whether you’re a long-time follower of Malmsteen’s career or a curious newcomer eager to experience the legend firsthand, this performance promises to be an unforgettable night of guitar mastery.

Tickets for Yngwie Malmsteen’s 40th Anniversary Tour at Warehouse Live Midtown are expected to sell out quickly. Guitar enthusiasts, metal fans, and music lovers of all stripes are encouraged to secure their spots early for what is sure to be one of the most talkedabout concerts of the year in Houston.

As the fall approaches and November 4th draws near, the anticipation in Houston’s music community continues to build. When Yngwie Malmsteen takes the stage at Warehouse Live Midtown, it won’t just be another stop on a tour; it will be a celebration of a musical legacy, a showcase of unparalleled skill, and a testament to the enduring power of rock and roll. Get ready, Houston – the neo-classical metal revolution is coming to town, and its name is Yngwie Malmsteen.

Tom Jones Electrifies Sugar Land: A Night of Ageless Wonder at the Smart Financial Centre

By Kevin Wildman

In a dazzling display of enduring talent and sheer star power, the incomparable Tom Jones took Sugar Land by storm, proving that true legends only get better with time. At the astounding age of 84, the Welsh wonder, backed by his impeccable band, unleashed a tour de force performance that left the Smart Financial Centre buzzing with electric energy long after the final notes faded.

From the moment Jones walked onto the stage, with his commanding presence intact and a voice as robust as ever, it was clear we were in for a night of pure magic. Kicking off his “Ages and Stages” tour with the poignant “I’m Growing Old” from his latest album “Surrounded By Time,” Jones set the

tone for an evening that would traverse the vast landscape of his unparalleled career.

As he launched into his set, the years seemed to melt away. Jones’ voice, a finely aged instrument of remarkable power and nuance, filled the venue with a warmth and richness that had the audience hanging on every syllable. The ladies in the crowd couldn’t contain their excitement, their screams of adoration punctuating the air between the thunderous applause that greeted each song.

The setlist was a masterful journey through time, seamlessly blending iconic hits with deeper cuts and surprising covers. When the opening notes of “It’s Not Unusual” rang out, the entire arena erupted. Jones delivered the classic with

a twinkle in his eye and a grin that never left his face, infusing new life into the timeless tune. The nostalgia continued with a playful rendition of “What’s New Pussycat,” which had the crowd purring with delight.

But it wasn’t just about the nostalgic favorites. Jones showcased his versatility and continued relevance with tracks from his recent albums, including a mesmerizing rendition of “Windmills of Your Mind” that left the audience spellbound. His cover of Prince’s “Kiss” was nothing short of revelatory, proving that Jones can still set the stage ablaze with his sexy swagger.

Between songs, Jones regaled the

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Tom Jones

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crowd with captivating anecdotes, transporting us to the heyday of Las Vegas and his friendship with Elvis Presley. His tale of watching Chuck Berry perform with The King himself was a highlight, offering a glimpse into the mutual respect shared by these titans of music. Jones recalled, “I was in Las Vegas, and I was with Elvis Presley one night... Elvis said, ‘Chuck Berry is playing, do you want to go and see him?’ And we went to see Chuck Berry... Elvis said, ‘There is the king of rock and roll... right there.’” This story set the stage perfectly for the electrifying finale that was to come.

As the night progressed, hit after hit kept the energy at fever pitch. “Delilah” had the entire arena singing along, while “Green Green Grass of Home” showcased Jones’ unparalleled ability to convey emotion through song. The punchy, seductive delivery of “Sex Bomb” sent shockwaves through the crowd, proving that Jones’ charisma remains as potent as ever.

But it wasn’t just the classics that shone. Lesser-known gems like “Talking Reality Television Blues” and “I Won’t Crumble If You Fall” were met with rapturous applause, a testament to Jones’ ability to connect with his audience through any material. The haunting “Tower of Song,” a Leonard Cohen cover, was another highlight of the evening, demonstrating Jones’ skill at interpreting the work of his contemporaries.

Jones’ stamina was nothing short of miraculous. For nearly two hours, he commanded the stage with the energy of a man a quarter his age. His sparkle never dimmed, his wide grin never faltered, and his powerful voice never wavered. Even as the concert drew to a close, Jones looked ready to continue for another two hours, much to the audience’s amazement and delight.

As the main set drew to a close, the energy in the Smart Financial Centre reached a fever pitch. Jones returned for an encore that threatened to blow the roof off the venue. “One Hell of a Life” felt like both a celebration and a defiant

statement from a man who has lived music to its fullest. His cover of Sister Rosetta Tharpe’s “Strange Things Happening Every Day” was a joyous, foot-stomping affair that had everyone on their feet.

But it was the final song of the night, a blistering rendition of Chuck Berry’s “Johnny B. Goode,” that sealed this concert’s place in the annals of legendary performances. Jones attacked the rock and roll classic with vigor, paying homage to the man Elvis himself had dubbed the true King of Rock and Roll.

As the final notes rang out and the thunderous ovation washed over him, Tom Jones stood center stage, barely winded and looking ready to do it all over again. This wasn’t just a concert; it was a masterclass in showmanship, a celebration of a career that has spanned decades, and a thrilling reminder that true talent knows no age.

Tom Jones didn’t just perform at the Smart Financial Centre – he owned it, leaving an indelible mark on every heart in attendance. As we filed out into

the night, still buzzing from the experience, one thing was clear: we had just witnessed a living legend at the height of his powers, proving once and for all that Tom Jones is not just unusual – he’s extraordinary.

Song List

1I’m Growing Old

2It’s Not Dark Yet

3It’s Not Unusual

4What’s New Pussycat

5Windmills Of Your Mind

6Sexbomb

7Pop Star

8Green Grass of Home

9Across the Borderline

10One More Cup of Coffee

11Talking Reality Television Blues

12I Won’t Crumble With You If You Fall

13Tower Of Song

14Delilah

15Lazarus Man

16You Can Leave Your Hat On

17If I Only Knew

18Kiss

19One Hell Of A Life

20Strange Things Happening Every Day

21Johnny B Goode

Regional Mexican Phenom Christian Nodal Set to Ignite Smart Financial Centre: Pa’l Cora Tour Promises a Night of Passion and Tequila in Sugar Land

By Jose Martinez

The highly anticipated performance will take place at the Smart Financial Centre in Sugar Land, bringing Nodal’s magnetic stage presence to one of Houston’s premier entertainment venues.

The vibrant sounds of regional Mexican music are set to electrify Houston as Christian Nodal, the genre’s reigning wunderkind, brings his Pa’l Cora Tour 2024 to the city on Sunday, October 13, 2024. The 25-year-old sensation, known for his powerful voice and emotional lyrics, is poised to deliver an unforgettable night of music that bridges traditional mariachi with contemporary norteño styles.

Nodal’s announcement of the Pa’l Cora Tour has sent waves of excitement

through his fanbase, with the artist himself expressing his enthusiasm for the upcoming shows. “I’m very excited that we will meet again very soon,” Nodal stated in a press release. “I’m working very hard to make Pa’l Cora Tour even more surprising than the previous one.”

In a nod to his recent partnership with Tequila Don Julio, he playfully added, “Get your Don Julio tequila ready so we can toast together. Wait for me, I’ll be there. I love you all.”

At just 25 years old, Christian Nodal has already left an indelible mark on the music industry. Born on January 11, 1999, in Caborca, Sonora, Mexico, Nodal grew up immersed in music. His mother, Silvia Cristina Nodal, was a professional mariachi singer who now manages her son’s career, while his father, Jaime González, owns an independent record label. This musical lineage laid the foundation for Nodal’s future success.

The Houston-area show, likely to take place at a major venue in the city or nearby Sugar Land, is expected to be a highlight of the tour. Fans are eagerly anticipating a setlist that spans Nodal’s impressive catalog, from his breakout hit “Adiós Amor” to recent chart-toppers like “La Intención,” his collaboration with fellow regional Mexican star Peso Pluma. continued on next page

Nodal’s journey to stardom began early. He started singing at the tender age of four and by eight had already begun teaching himself various instruments, including piano, guitar, trumpet, and accordion. His talent for songwriting emerged at 13, and he soon began

Christian

Nodal

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posting videos of his performances on social media, catching the eye of Fonovisa’s A&R department, who signed him in 2016.

The release of “Adiós Amor” in 2017 catapulted Nodal to fame. The single topped the Mexican Regional Songs chart and spent over 33 weeks on the Top Latin Songs chart, eventually going 21 times platinum. This early success was a harbinger of things to come, as Nodal’s debut album, “Me Dejé Llevar,” released later that year, topped the Mexican Regional Albums chart and earned him his first Latin Grammy.

Since then, Nodal’s career has been a whirlwind of hit singles, critically acclaimed albums, and prestigious awards. He has amassed an impressive collection of accolades, including six Latin Grammys, eight Latin Billboard Music Awards, and eleven Latin American Music Awards. His songs have consistently charted, with “Botella Tras Botella” featuring Gera MX and “La Intención” with Peso Pluma both breaking into the Billboard Hot 100, a rare feat for regional Mexican music.

Nodal’s music resonates with fans for its authentic storytelling and emotional depth. He draws inspiration from traditional Mexican ranchera and mariachi styles while infusing modern elements, creating a sound that is both familiar and fresh. His sophomore album, “Ahora,” further established his versatility, featuring collaborations with renowned artists like Alejandro Fernández and David Bisbal.

The Pa’l Cora Tour 2024 comes on the heels of several successful releases for Nodal. His “Forajido” EP series, released in 2022 and 2023, showcased his continued evolution as an artist. The tour is also expected to feature songs from his latest project, including the hit single “La Intención,” which has further cemented his status as a leader in the booming regional Mexican music scene.

Nodal’s live performances are

known for their energy and emotional intensity. His rich, expressive tenor voice, combined with his skill on multiple instruments, creates a dynamic stage presence that captivates audiences. Fans attending the Houston show can expect a night filled with passionate ballads, foot-stomping norteño beats, and the soaring sounds of mariachi trumpets.

The Pa’l Cora Tour is more than just a series of concerts; it’s a celebration of Mexican culture and music. Nodal’s partnership with Tequila Don Julio for the “A Summer of Mexicana” campaign underscores his commitment to celebrating and spotlighting inspiring Mexican creatives. This focus on cultural pride is likely to be a theme throughout the tour, adding an extra layer of significance to each performance.

For Houston’s large MexicanAmerican community, Nodal’s concert represents a chance to connect with their cultural roots through music. The city’s diverse population has embraced regional Mexican music, making it a natural stop for major tours in the genre. Nodal’s appearance is sure to be a

highlight of Houston’s 2024 musical calendar, drawing fans from across Texas and beyond.

As the October 13th date approaches, excitement in Houston continues to build. Ticket sales are expected to be brisk, with fans eager to secure their spot at what promises to be one of the year’s most memorable concerts. Whether you’re a longtime fan of regional Mexican music or new to the genre, Christian Nodal’s Pa’l Cora Tour offers a unique opportunity to experience the passion, skill, and cultural richness of one of Mexico’s brightest musical stars.

So, Houston, get ready to raise your glasses of Don Julio and join in the chorus as Christian Nodal brings his Pa’l Cora Tour to town. It’s more than just a concert; it’s a celebration of music, culture, and the enduring power of regional Mexican sounds. As Nodal takes the stage on October 13th, he’ll be carrying forward a rich musical tradition while pushing the boundaries of what regional Mexican music can be. Don’t miss your chance to be part of this unforgettable night of music and passion.

The Biker, The Blues & The Preacher

Life has its many twists and turns and sometimes life is stranger than fiction and just so you know the names and places in this article have been changed to protect all of us. Lord have mercy. (for additional ambiance begin listening to Sgt. Pepper’s Lonely Heart Club “When I Am Sixty Four”) There was a preacher at a small non-denominational church in northwestern Pennsylvania, Reverand Peters. A slightly balding gentleman whose sermons were down to earth, perfect for the farming communities close by. Back then I rode a chopped 1,000cc Harley Sportster. Rigid frame, three pronged chickie bar on the rear fender, standard Sportster gas tank, slight rake on the frame with ten over tubes, the chrome on the pipes was to die for. I had built an A-Frame cabin in the woods while living on money earned from guarding manholes in the neighboring bigger city. Not a great job but it paid the bills. I was happy and looking back it was a great time in my life. Well one day Reverand Peters drove his car up to my cabin and introduced himself. He asked me if I knew Jesus and I told well not personally but yes I know who He was or maybe you are supposed to say is? He didn’t push the topic and we turned to talking about the slant on the cabin roof and that I had used rough cut lumber so that a 2x4 was indeed a 2x4. He said just about everyone that comes to his church asks about the guy in the cabin that rides a bike. I asked him if that was good or bad? He said it’s all good, they are just curious. He went on to say why don’t stop by one day and say hi to some of them and join us for some after church pickings and sweets. I thought this guy is good, trying to subtly get me into his church. He was selling but I wasn’t buying. He departed on good terms. Nice guy, friendly not too pushy but definitely on a mission. Ok so that was that until winter came rolling in. You see I built the front door to open to the outside and it sleeted in the late afternoon the day before and that night while I was sleeping a huge winter snow storm hit. So in the morning when I rose to go outside and take a leak the door wouldn’t open. The sleet had frozen the lower perimeter of the door and then the snow added so much weight that no matter what I tried I could not get it open. Now you might think well ok so why didn’t you just open a window and the reason was that I did not have enough money at the time to install regular windows so I cut out a hole in the wall and nailed a storm window in place so unless I broke it I was stuck inside. I had heat and food so I was alright but I knew I was going to be there until somebody stopped by. Well you will never guess who came knocking on my front door, yep, Reverand Peters. He asked if I was in there and I said yes and he said there was a lot of snow on the door so he was going to shovel it away. Then he reached the frozen sleet and chipped it away. Finally the door opened and the good reverend came inside. I knew right then that he had me right where he wanted me. Well we talked and I agreed that I would stop in his church on one of the upcoming Sundays. They were indeed nice people and very curious to say the least. There I was in long hair and a beard and there they were in their Sunday best. Quite a scene at the time. He was right about the food too. His message that day was down to earth and no one was whooping and hollering in the aisles so all went well. Now you would think that the story ends there but nope, oh this gets much better. Well as time moved along I decided it was time for me to do the same and I left Northwestern Pa for a snow

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free warmer climate. I traveled to a number of western cities and of all places I chose Las Vegas. After all what’s not to like - they got it all. Not too long after I moved there my Mother told me that Reverend Peters had moved there too. I couldn’t believe it. This honorable nice man, this down to earth preaching gentleman was now living in Las Vegas. I was sure he must have taken a church of some kind and so I tracked him down. No he had not. He had left it all behind for a parishioner after being married for years to another woman. I mean how interesting is that and how bizarre that we would both end up in the city of sin? If I could have written a blues song this would have been the perfect story. It has everything. Here I was dating a stripper and there he was with his runaway mama. Oh reverend Peters, you dog you! It was just too cool of a situation. We talked and he told me the story only this time I was not buying most of it at all. True to his calling he did reach out to me once in a while and let me know that if I needed to talk he was there. I thought what the hell would we talk about, titty size? Life is so very, very strange. Jim Morrison had it right, “People Are Strange”. Las Vegas is like a giant carnival for adults, you can see it all there. All sorts of people, personalities, many with designs on how to get over either legally or more nefarious in nature. You can only imagine the education by fire that this nice, gentle country preacher was getting in this land of anything goes. I loved it, you just cannot make this kind of stuff up any better than it is which leads me to the Tommy Roberts. Tommy wasn’t a preacher but he was a friend that lived in Arizona who had just went through a divorce and he was hurting pretty bad. He called me and said he was thinking about coming to Las Vegas and naturally I said well if you do don’t get a hotel room I have two empty bedrooms. He asked me if I was serious and I said yes sure. Now here’s the back story. In Las Vegas your neighbor could be anybody, a bookie, a singer, a pit boss even a chorus girl. One day while going out to get the mail so did my neighbor. She was a tall really nice looking woman, well tanned with a million dollar smile wearing a bikini. We had not spoken to each other previous to this brief encounter but I commented on her really nice tan. She told me that she had to stay tanned because she was in the front line of Jubilee. You see Jubilee was the grand musical on the main stage at Bally’s at the time. It was a Donn Arden production which featured Bob Mackie costumes. Since she was in the front row that meant she was topless and needed to keep her tan even. I mean what’s not to like about Las Vegas? So anyway I told her that I had a pool and the key to the side gate for the pool cleaning guy was located in a small metal box beside the electric meter. Since I worked days and was hardly ever home if she ever wanted to use it feel free to do so. She said she doubted she ever would but thanked

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me just the same. Ok so now we go back to Tommy. I should stop for a second and let you know this about living in Las Vegas - just about everyone that you know that comes there thinks that if they are going to run all day and night for few days that you will too and that is not how it works. If you live there you have a job and most likely you don’t gamble or do very little of it. You can’t because if you do you won’t last there but again out of towners, visitors, don’t know this of course. So the day comes that Tommy arrives and I go to the airport to pick him up. He comes out with his luggage and I put it into the trunk. He tells me how good it is to see me and that he cannot wait to get out and about with a cold beer and see some good looking women. Then Neil Diamond’s “Love On The Rocks” comes on the radio and Tommy gets silent. I tried to get his mind back on the immediate, back on today but I wasn’t making much progress. So we get to my house and I pull into the garage. I opened the trunk and took his suitcase out. We walk to the door into the house and he steps inside. In Las Vegas in the day time people tend to keep their drapes shut to keep the heat and the sunlight out. I had done that before leaving for the airport. So I sat his suitcase down while Tommy was commenting on what a nice place I had and I walked over to the sliding glass door that led outside to the pool. As I opened the vertical blinds there they were, three topless women sitting by my pool waving to me. Tommy as you might have guessed went nuts. He was giving me so many kudos for coming through for him. I thought oh my God how do I get him to understand? In the mean time the girls stood up covered their breasts and left by the side gate. Well things got calmed down and Tommy then thought it was funny how it all happened but then wanted to know if we could go to see Jubilee that night and we did. In Las Vegas, if you lived there at the time, if you knew the Matri d’ normally you could get good seats. We scored great seats and the night was fun especially when one of the girls looked directly at Tommy and smiled. I didn’t have the heart to tell him that was their job as it was good to see his spirits lifted. That’s Las Vegas and it just goes to reinforce that people are indeed strange. I guess I fit right in. I loved living there, the people, the whole dichotomy, what’s not to like? When I lived there the population was maybe 250,000. Today it’s almost 3,000,000. Still today great musicians from all around the world move there and when it comes to blues Las Vegas has got it working big time. The Las Vegas Blues Society, a non-profit organization, sponsors shows almost nightly throughout the city. One of the best blues sax players in the world lives there, Jimmy Carpenter, and he’s the President of their organization. If you are going there check out their website and learn where the locals go and take in some good blues. Oh and by the way Reverend Peters passed away but not before he became the Associate Pastor at a small nondenominational church there. Me, well I am not with that stripper anymore but we do run into each other in our travels across the U.S. from time to time. Good memories and even greater evenings these days. I really am lucky except at black jack.

8:00 - 12 AM

Salsa Superstar Marc Anthony Brings His ‘Historia Tour’ and New Album ‘MUEVENSE’ to Houston’s Toyota Center

By Jose Martinez

Houston is gearing up for a historic night of Latin music as Marc Anthony, the undisputed king of salsa, is set to ignite the Toyota Center on November 3rd with his electrifying “History Tour”. This show promises to be more than just a concert; it will be the perfect stage for Houston fans to experience live the new songs from his album “MUEVENSE”, released in April 2024.

The Toyota Center will transform into the epicenter of salsa passion, where Marc Anthony will not only revisit his greatest hits but also premiere songs from “MUEVENSE”. This album, the fifteenth of his career, represents a milestone in the artist’s musical evolution, blending classic salsa with innovative sounds that demonstrate why he remains a dominant force in Latin music.

“MUEVENSE” is much more than just an album for Marc Anthony.

Co-produced by Anthony himself alongside the legendary Sergio George, this 10-song work is a celebration of Latin culture and a testament to Anthony’s constant artistic evolution. The lead single, “Ale Ale”, promises to be one of the high points of the Houston concert, an anthem celebrating Latin pride that’s sure to make the Toyota Center vibrate.

Concertgoers in Houston will be among the first to hear live tracks like “Amarte a la Antigua”, a reinvention of a classic that showcases Anthony’s ability to give new twists to familiar melodies. The album also includes a mix of rhythms ranging from pure salsa to touches of bachata and ranchera, promising a night of non-stop dancing at the Toyota Center.

But the “History Tour” is not limited to presenting new material. Marc Anthony has prepared a show that spans his entire impressive career. Houston fans can expect to hear timeless hits like “Pa’lla Voy”, “Vivir Mi Vida”, and “Valió La Pena”, along with emotional ballads such as “Y Hubo Alguien” and “Qué Precio Tiene el Cielo”. This blend of classics and new songs promises to create a unique experience for the Houston audience.

The concert at the Toyota Center is not just another show for Marc Anthony. In a recent Instagram post, the artist expressed his excitement about performing in Houston: “My people in Houston, we’ll see each other very soon to live an unforgettable night. We’re going to write history together with the music of ‘MUEVENSE’ and all our hits.” This statement has raised expectations among his followers in the city.

The presentation of “MUEVENSE” in Houston is

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particularly significant. The album, which entered the Top 40 in eight countries in its first week of release, shows Marc Anthony’s continued relevance in the global music scene. Songs like “Muevense” and “Ale Ale” promise to become new anthems for the Latin community, and Houston will witness their live interpretation.

For Houston’s Hispanic community, this concert represents more than a night of music; it’s a celebration of their heritage and culture. Marc Anthony, with his ability to connect with the audience, promises to create an intimate atmosphere despite the grandeur of the Toyota Center. Each song, each note, will be a bridge between the artist and his fans, reaffirming why he is considered one of the best Latin performers of all time.

The “History Tour” in Houston will not only celebrate the release of “MUEVENSE”, but also Marc Anthony’s recent success with “Pa’llá Voy”, an album that earned

him a Latin Grammy for Best Salsa Album and a Grammy for Best Tropical Latin Album in 2022. This continued recognition demonstrates Anthony’s constant evolution and relevance in the music industry.

As the concert date approaches, excitement in Houston grows. Tickets for the Toyota Center are selling out quickly, with fans eager to be part of this historic night. For many, it will be the first opportunity to hear the songs from “MUEVENSE” live, adding an extra level of excitement to the event.

Marc Anthony promises a spectacular production for his

Houston show, with a live band that will bring to life the complex harmonies and rhythms of “MUEVENSE”. The Toyota Center stage will be transformed to create a visual and auditory experience that will complement Anthony’s vocal power and the energy of his new songs.

In summary, November 3rd is shaping up to be a date that will be etched in Houston’s musical memory. Marc Anthony, with his “History Tour” and the new album “MUEVENSE”, is not just bringing a concert, but a complete experience that celebrates the rich tradition of Latin music and its constant evolution. The Toyota Center will be the stage where the past, present, and future of salsa merge into one magical night, with Marc Anthony as the master of ceremonies. For Latin music lovers in Houston, this is an unmissable event that promises to be a topic of conversation for a long time to come.

BXS Bryndis X Siempre

En Español En Español En Español En Español En Español

BXS Bryndis X Siempre

Promete una Noche

Mágica en Houston: Amor y Grupera se Unen en el Arena Theatre

Por Jose Martinez

La comunidad latina de Houston está de enhorabuena: el reconocido grupo mexicano BXS BRYNDIS X SIEMPRE se prepara para conquistar el escenario del Arena Theatre el próximo 19 de octubre de 2024. Este esperado concierto promete ser una noche inolvidable de baladas románticas y ritmos de cumbia, celebrando el duradero legado de uno de los actos más queridos de la música regional mexicana.

BXS, cuyo nombre significa “Bryndis por Siempre”, ha cautivado al público durante más de una década con su mezcla única de música grupera y letras que llegan al corazón. Formado en 2010 por los hermanos Guadalupe ‘Lupe’ Guevara y Juan Guevara, ex miembros del icónico Grupo Bryndis, BXS ha logrado mantener viva la llama de la excelencia romántica en una nueva era.

Originarios de Villa Juárez, San Luis Potosí, México, los hermanos Guevara llevan la música en la sangre. Su talento y pasión han convertido sus canciones en himnos para los enamorados, permitiéndoles conectar profundamente con las emociones de sus fans.

La alineación de BXS BRYNDIS X SIEMPRE es un despliegue de talento

musical. Junto a Guadalupe Guevara en la voz y Juan Guevara en la batería, el grupo cuenta con Alfredo Guevara en la guitarra, Juan Ayala en los teclados, Mario Luis Jiménez en el bajo y Francisco Guevara en la percusión. Este conjunto de músicos hábiles crea un sonido rico y completo que se ha convertido en su sello distintivo.

El concierto en el Arena Theatre será una celebración del impresionante catálogo de BXS, que abarca desde su álbum debut de 2011 “Por Siempre Románticos” hasta sus últimos éxitos. Los fans podrán disfrutar de clásicos queridos como “Temporal de Amor”, “Simplemente Amigos” y “Vivo Enamorado”, así como de temas más recientes como “Tan Lejos” y “Ventana del Alma”.

Uno de los puntos destacados de su gira actual es la promoción de su último sencillo, “Amiga de la Soledad”, escrito por el propio Juan Guevara. Este nuevo tema ha sido recibido con gran aceptación por sus fieles seguidores, consolidando aún más el estatus de BXS como maestros de la balada romántica.

Lo que distingue a BXS BRYNDIS X SIEMPRE es su capacidad para convertir el amor e incluso la deslealtad en experiencias musicales poéticas. Sus actuaciones son

conocidas por su profundidad emocional y la increíble capacidad del grupo para conectar con su público. Como suele decir Guadalupe Guevara, “Cantar al amor es nuestra carta de presentación”.

El éxito del grupo se extiende mucho más allá de su México natal. BXS ha realizado extensas giras por Estados Unidos, Sudamérica e incluso partes de Europa, incluyendo España, Suiza e Italia. Han actuado en prestigiosos escenarios como el Gran Rex de Buenos Aires, el Rosemont Theater de Chicago y el Microsoft Theater de Los Ángeles. Su presentación en el Arena Theatre de Houston añade otro ilustre venue a su impresionante lista de conquistas.

En la era digital, BXS también ha dado pasos importantes. Su presencia en plataformas de redes sociales y servicios de streaming ha generado millones de visualizaciones y escuchas, ganándoles merecidos reconocimientos y ampliando su base de fans a nuevas generaciones de amantes de la música.

Para la gran comunidad latinoamericana de Houston, este concierto representa más que una noche de entretenimiento. Es una oportunidad para conectar con sus raíces culturales a través de una música que habla al corazón. El Arena Theatre, conocido por su ambiente íntimo y su excelente acústica, proporciona el escenario perfecto para las actuaciones cargadas de emoción de BXS.

Los asistentes pueden esperar una noche llena de pasión, nostalgia y ritmos que invitan al baile. Desde baladas románticas lentas que harán que las parejas se balanceen en los brazos del otro, hasta cumbias más animadas que pondrán a todos de pie, el concierto promete ser una montaña rusa de emociones y melodías.

A medida que se acerca el 19 de octubre, la emoción crece en la escena musical de Houston. Las entradas para este evento imperdible se están vendiendo rápidamente, con los fans ansiosos por asegurar sus lugares para lo que promete ser uno de los conciertos más memorables del año.

Para los seguidores de toda la vida de BXS y del Grupo Bryndis antes que ellos, este concierto ofrece la oportunidad de revivir recuerdos preciados y crear otros nuevos. Para los fans más recientes, es una oportunidad de experimentar de primera mano la magia que ha hecho de BXS BRYNDIS X SIEMPRE un pilar de la música romántica latina durante más de una década.

Cuando las luces se apaguen en el Arena Theatre el 19 de octubre, Houston se transportará a un mundo de amor, pasión y melodías atemporales. BXS BRYNDIS X SIEMPRE no solo está ofreciendo un concierto; están continuando un legado de excelencia romántica que ha abarcado generaciones. No pierdas la oportunidad de ser parte de este extraordinario viaje musical. Prepárate, Houston – el amor está en el aire, y su nombre es BXS BRYNDIS X SIEMPRE.

Marc Anthony Trae su ‘Historia Tour’ y Nuevo Álbum ‘MUEVENSE’ a Houston: Una Noche Épica de Salsa en el Toyota Center

Por Jose Martinez

Houston se prepara para una noche histórica de música latina cuando Marc Anthony, el rey indiscutible de la salsa, llegue al Toyota Center el 3 de noviembre con su electrizante “Historia Tour”. Este espectáculo promete ser mucho más que un concierto; será el escenario perfecto para que los fans de Houston experimenten en vivo las nuevas canciones de su álbum “MUEVENSE”, lanzado en abril de

2024.

El Toyota Center se convertirá en el epicentro de la pasión salsera, donde Marc Anthony no solo repasará sus grandes éxitos, sino que también presentará en primicia las canciones de “MUEVENSE”. Este álbum, el decimoquinto de su carrera, representa un hito en la evolución musical del artista, fusionando la salsa clásica con sonidos innovadores que demuestran por qué sigue siendo una fuerza dominante en la música

latina.

“MUEVENSE” es mucho más que un simple álbum para Marc Anthony. Co-producido por él mismo junto al legendario Sergio George, este trabajo de 10 canciones es una celebración de la cultura latina y una muestra de la constante evolución artística de Anthony. El sencillo principal, “Ale Ale”, promete ser uno de los momentos álgidos del concierto en Houston, un himno que celebra el orgullo latino y que seguramente hará vibrar al Toyota Center.

Los asistentes al concierto en Houston serán de los primeros en escuchar en vivo temas como “Amarte a la Antigua”, una reinvención de un clásico que muestra la habilidad de Anthony para dar nuevos giros a melodías conocidas. El álbum también incluye una mezcla de ritmos que van desde la salsa más pura hasta toques de bachata y ranchera, prometiendo una noche de baile incesante en el Toyota Center.

Pero el “Historia Tour” no se limita a presentar el nuevo material. Marc Anthony ha preparado un espectáculo que recorre toda su impresionante carrera. Los fans de Houston pueden esperar escuchar éxitos atemporales como “Pa’lla Voy”, “Vivir Mi Vida” y “Valió La Pena”, junto con baladas emotivas como “Y Hubo Alguien” y “Qué Precio Tiene el Cielo”. Esta mezcla de clásicos y nuevas canciones promete crear una experiencia única para el público de Houston.

El concierto en el Toyota Center no es solo otro espectáculo más para Marc Anthony. En una reciente publicación en Instagram, el artista expresó su emoción por presentarse en Houston: “Mi gente de Houston, nos veremos muy pronto para vivir una noche inolvidable. Vamos a escribir historia juntos con la música de ‘MUEVENSE’ y todos nuestros éxitos”. Esta declaración ha elevado las expectativas entre sus seguidores en la ciudad.

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Marc Anthony

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La presentación de “MUEVENSE” en Houston es particularmente significativa. El álbum, que entró en el Top 40 de ocho países en su primera semana de lanzamiento, muestra la continua relevancia de Marc Anthony en la escena musical global. Canciones como “Muevense” y “Ale Ale” prometen convertirse en nuevos himnos para la comunidad latina, y Houston será testigo de su interpretación en vivo.

Para la comunidad hispana de Houston, este concierto representa más que una noche de música; es una celebración de su herencia y cultura. Marc Anthony, con su habilidad para conectar con el público, promete crear un ambiente íntimo a pesar de la grandeza del Toyota Center. Cada canción, cada nota, será un puente entre el artista y sus fans, reafirmando por qué es considerado uno de los mejores intérpretes latinos de todos los tiempos.

El “Historia Tour” en Houston no solo celebrará el lanzamiento de “MUEVENSE”, sino también el reciente éxito de Marc Anthony con “Pa’llá Voy”, álbum que le valió un

Grammy Latino al Mejor Álbum de Salsa y un Grammy al Mejor Álbum Latino Tropical en 2022. Este reconocimiento continuo demuestra la constante evolución y relevancia de Anthony en la industria musical.

A medida que se acerca la fecha del concierto, la expectación en Houston crece. Las entradas para el Toyota Center se están agotando rápidamente, con fans ansiosos por ser parte de esta noche histórica. Para muchos, será la primera oportunidad de escuchar en vivo las canciones de “MUEVENSE”, añadiendo un nivel adicional de emoción al evento.

Marc Anthony promete una producción espectacular para su

show en Houston, con una banda en vivo que dará vida a las complejas armonías y ritmos de “MUEVENSE”. El escenario del Toyota Center se transformará para crear una experiencia visual y auditiva que complementará la potencia vocal de Anthony y la energía de sus nuevas canciones.

En resumen, el 3 de noviembre se perfila como una fecha que quedará grabada en la memoria musical de Houston. Marc Anthony, con su “Historia Tour” y el nuevo álbum “MUEVENSE”, no solo traerá un concierto, sino una experiencia completa que celebra la rica tradición de la música latina y su constante evolución. El Toyota Center será el escenario donde pasado, presente y futuro de la salsa se fusionarán en una noche mágica, con Marc Anthony como maestro de ceremonias. Para los amantes de la música latina en Houston, este es un evento imperdible que promete ser tema de conversación por mucho tiempo.

Christian Nodal Promete una Noche de Pasión y Tequila en Sugar Land: La Gira Pa’l Cora 2024 Llega al Smart Financial Centre

Por Jose Martinez

El tan esperado concierto tendrá lugar en el Smart Financial Centre de Sugar Land, llevando la magnética presencia escénica de Nodal a uno de los recintos de entretenimiento más importantes de la zona de Houston.

Houston se prepara para vibrar al ritmo de la música regional mexicana con la llegada de Christian Nodal, el joven fenómeno que ha revolucionado el género. El domingo 13 de octubre de 2024, la ciudad texana será testigo de uno de los conciertos más esperados del año, como parte de la gira “Pa’l Cora Tour 2024".

Nodal, nacido en Caborca,

Sonora, en 1999, se ha convertido en poco tiempo en un referente indiscutible de la música regional mexicana. Con solo 25 años, el cantante ya acumula un impresionante palmarés que incluye 6 Latin GRAMMY, 8 Latin Billboard, 11 Latin AMA, entre otros reconocimientos que demuestran su impacto en la industria musical.

“Estoy muy emocionado de que nos volveremos a ver muy pronto”, compartió Nodal en un comunicado de prensa. “Estoy trabajando muy duro para hacer que el Pa’l Cora Tour sea aún más sorprendente que el anterior”. Y con un guiño a su reciente colaboración con la marca de tequila Don Julio, añadió: “Preparen su tequila Don Julio para

que brindemos juntos. Espérenme, ahí estaré. Los quiero a todos”.

La gira “Pa’l Cora” promete ser un viaje por la rica trayectoria musical de Nodal. Desde su primer éxito “Adiós Amor”, que lo catapultó a la fama en 2017, hasta sus más recientes colaboraciones como “La Intención” con Peso Pluma, los fans podrán disfrutar de un repertorio que abarca lo mejor de su carrera.

El ascenso meteórico de Nodal en la música no es casualidad. Criado en una familia de músicos, con una madre cantante de mariachi y un padre dueño de una disquera independiente, la música corre por

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sus venas. Desde los 4 años comenzó a cantar y a los 8 ya tocaba varios instrumentos, incluyendo piano, guitarra, trompeta y acordeón.

Su estilo único, que fusiona el mariachi tradicional con el norteño contemporáneo, ha cautivado a millones de seguidores en todo el mundo. Álbumes como “Me Dejé Llevar”, “Ahora” y la serie de EPs “Forajido” han acumulado miles de millones de reproducciones en plataformas de streaming, consolidando a Nodal como una de las voces más importantes de su generación.

El concierto en Houston, que probablemente se llevará a cabo en uno de los principales recintos de la ciudad o en la cercana Sugar Land, se perfila como uno de los eventos musicales más destacados del año en Texas. La numerosa comunidad mexicana y latina de la región ya cuenta los días para ver en vivo a uno de sus ídolos.

Pero la gira “Pa’l Cora” es más que una serie de conciertos; es una celebración de la cultura mexicana. La reciente asociación de Nodal con Tequila Don Julio para el lanzamiento de “A Summer of Mexicana” busca “celebrar y destacar a creativos mexicanos inspiradores que viven Por Amor”, según se anunció en un comunicado de prensa.

Los fans que asistan al concierto pueden esperar una noche llena de emociones, con la poderosa voz de Nodal interpretando baladas románticas y temas más movidos, acompañado por una banda que fusiona los sonidos tradicionales del mariachi con ritmos contemporáneos.

La versatilidad de Nodal como artista se refleja no solo en su música, sino también en sus colaboraciones. Desde duetos con leyendas como Alejandro Fernández hasta proyectos con artistas urbanos, Nodal ha demostrado su capacidad para evolucionar y mantenerse relevante en un paisaje musical en constante cambio.

A medida que se acerca la fecha del concierto, la expectación en Houston crece. Los boletos prometen agotarse rápidamente, con fans ansiosos por asegurar su lugar en lo que será, sin duda, una de las noches más memorables del año musical en la ciudad.

Para la comunidad mexicana y latina de Houston, el concierto de Nodal representa más que un espectáculo musical; es una oportunidad de conectar con sus raíces culturales a través de la música. La ciudad, conocida por su diversidad, ha abrazado la música

regional mexicana, convirtiéndola en un destino obligado para las grandes giras del género.

Así que, Houston, prepárate para una noche inolvidable. Alza tu copa de tequila Don Julio y únete al coro mientras Christian Nodal trae su gira “Pa’l Cora” a la ciudad. Será más que un concierto; será una celebración de la música, la cultura y el poder duradero de los sonidos regionales mexicanos.

Cuando Nodal suba al escenario el 13 de octubre, no solo estará ofreciendo un espectáculo; estará llevando adelante una rica tradición musical mientras empuja los límites de lo que la música regional mexicana puede ser. No pierdan la oportunidad de ser parte de esta noche inolvidable de música y pasión. ¡Houston, prepárate para vibrar al ritmo de Christian Nodal!

The Night the Nightmare Came Alive: Alice Cooper

Unleashes Hell in Houston

By Kevin Wildman

On a sweltering September 15th evening, the Cynthia Woods Mitchell Pavilion in Houston transformed into a portal to the netherworld as the Godfather

of Shock Rock, Alice Cooper, descended upon the city with his macabre carnival of horrors. As the sun dipped below the horizon, an electric anticipation crackled through the air, with fans ranging from grizzled rockers to wide-eyed youngsters

gathering to witness the 75-year-old legend prove that nightmares, like fine wine, only get better with age.

As the house lights dimmed, an ominous fog rolled across the stage, punctuated by flashes of lightning and the low rumble of thunder. The crowd’s roar reached a fever pitch as the first chilling notes of “Lock Me Up” pierced the night. Alice emerged from the shadows, a gothic ringmaster in his element, his trademark black eye makeup and leather ensemble a stark contrast to the sea of eager faces before him.

Without missing a beat, Cooper launched into the rebellious anthem “No More Mr. Nice Guy.” The years melted away as his voice, still remarkably powerful and edged with that signature rasp, carried across the pavilion. The audience, a living, breathing entity of its own, sang every word back to him, creating a call-and-response ritual that set the tone for the evening.

The energy surged as Alice tore into “I’m Eighteen,” a song that, despite the irony of being performed by a septuagenarian, lost none of its angst-ridden power. Cooper prowled the stage like a caged animal, his movements a perfect blend of menace and showmanship that belied his years.

“Under My Wheels” followed, with Alice’s crack band laying down a groove so thick you could cut it with a knife. The guitarists traded blistering solos while Cooper commanded the stage, twirling his cane with the dexterity of a man half his age.

As “Billion Dollar Babies” kicked in, the stage erupted in a shower of counterfeit bills, Alice gleefully tossing handfuls into the crowd. The theatrical elements ramped up, with dancing skeletons and monstrous puppets joining the fray, creating a visual feast to match the aural assault.

The sinister “Hey Stoopid” gave way to the eerily atmospheric “He’s Back (The Man Behind the Mask).” As fog once again enveloped the stage, a Jason Voorhees lookalike stalked among the band members, chainsaw in hand, while Cooper delivered the lyrics with a knowing wink to the horror aficionados in the audience.

“Snakebite” slithered its way into the setlist, Cooper’s voice dripping with venom as he spun a tale of reptilian revenge. But it was “Feed My Frankenstein” that truly showcased the grand continued on next page

Alice Cooper

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guignol spectacle of an Alice Cooper show. A massive Frankenstein’s monster puppet lumbered onto the stage, sparks flying as Cooper played the mad scientist, bringing his creation to life in a dazzling display of pyrotechnics and theatrical wizardry.

As the opening riff of “Poison” rang out, the crowd erupted once more. Cooper, now adorned in a straitjacket, delivered the song with all the tortured passion of a man possessed, his eyes wild and searching as he struggled against his bonds, eventually breaking free in a moment of cathartic release.

The stage darkened for “Black Widow,” with Cooper emerging in a cloak of glittering spider webs. Gigantic arachnid legs descended from above, creating a nightmarish tableau that sent shivers through the audience.

The “Ballad of Dwight Fry” showcased Cooper’s storytelling prowess, the stage transforming into a twisted asylum as he portrayed the song’s titular character with unsettling conviction. This seamlessly transitioned into “I Love the Dead,” Cooper leading a ghoulish dance macabre that had the entire pavilion swaying in morbid unison.

As the main set drew to a close, the energy reached a fever pitch. Cooper, now dressed in a star-spangled suit, launched into a raucous rendition of “Elected.” The stage became a twisted parody of a political rally, complete with campaign posters and a podium from which Alice delivered his mock stump speech, reminding us all of his razor-sharp wit and satirical edge.

For the grand finale, the opening chords of “School’s Out” sent the crowd into a frenzy. Confetti cannons exploded, releasing a blizzard of paper report cards into the air. Massive balloons bounced across the audience as Cooper, wielding a sword, gleefully popped them, releasing clouds of smoke and glitter. The band seamlessly wove in snippets of Pink Floyd’s “Another Brick in the Wall,” creating a rebel anthem for the ages.

As the last notes faded and Alice took his final bow, the Houston crowd stood in awe, having witnessed not just a concert, but a master class in rock ‘n’ roll showmanship. Alice Cooper had once again proven why, after more than five decades in the business, he remains the undisputed king of shock rock.

The Cynthia Woods Mitchell Pavilion had been transformed into a living, breathing nightmare, and as fans filed out into the warm Houston night, their ears ringing and their minds reeling, one thing was certain: Alice Cooper is not just a performer, he’s an experience – a journey into the dark heart of rock ‘n’ roll that leaves an indelible mark on all who dare to enter his world.

Alice Cooper Setlist

Lock Me Up

No More Mr. Nice Guy

I’m Eighteen

Under My Wheels

Billion Dollar Babies

Hey Stoopid

He’s Back (The Man Behind the Mask)

Snakebite

Feed My Frankenstein

Poison

Black Widow

Ballad of Dwight Fry

I Love the Dead

Elected

School’s Out

RANDOM SHOTS

Chad Ware Performs At Kati’s Bar & Grill in Bacliff!

Photos By Kevin D. Wildman

RANDOM SHOTS

Dressed As Pandas Perform At The BFE Rock Club

Photos By Kevin D. Wildman

RANDOM SHOTS

Jambolism Bring Their “Jam Band Senses” To The Cottonwood

Photos By Kevin D. Wildman

RANDOM SHOTS

Ralphie And The R.C.’s Perform At Shady Acres

Saloon

Photos By Kevin D. Wildman

RANDOM SHOTS

Unit Shifter, The Nirvana Tribute, Perform At The 19th Hole

Photos By Kevin D. Wildman

RANDOM SHOTS

Chasing Yesterday Perform At The BFE Rock Club

Photos By Kevin D. Wildman

RANDOM SHOTS

The Hipwaders

Perform At Katie’s Bar

In Bacliff

Photos By Kevin D. Wildman

RANDOM SHOTS

In The Heights

Memphis Lightning Perform At Dan Electro’s

Photos By Kevin D. Wildman

RANDOM SHOTS

Sparky Parker Band

Perform At Katie’s Bar & Grill In Bacliff

Photos By Kevin D. Wildman

RANDOM SHOTS

Photos By Kevin D. Wildman

RANDOM SHOTS

The Chip Oliphant Band Hold Their CD Release Party At Green

Oaks Tavern!

Photos By Kevin D. Wildman

RANDOM SHOTS

Holland K. Smith Performs At The Big Easy

Photos By Kevin D. Wildman

RANDOM SHOTS

Pillar Of Flames Perform At The BFE Rock Club1

Photos By Kevin D. Wildman

RANDOM SHOTS

The Such And Such Band Perform At Scott Gertner’s Rhythm Room

Photos By Kevin D. Wildman

RANDOM SHOTS

KC & The Sunshine Band Tribute, Wink And The Lords Of

Kool Perform At Club EGO In The Woodlands

Photos By Kevin D. Wildman