& SPORTS BAR
September 2024
Friday, September 6
Keaton Kyzar Band with Reid Sullivan
Saturday, September 7
Hitch, Honeycutt Southern, Smok ‘n’ Goat
Friday, September 13
When the Sun Dies, Figure Below,
Midlife Anti-Crisis
Saturday, September 14
Infuriator, with more TBA
Friday, September 20
Bands To Be Announced
Saturday, September 21
Ash on Ivywood, Scorn
Friday, September 27
Sean David MSX with Full Bill
Saturday, September 28
Scorn, Sardis, Songs For The Deaf (Queens Of The Stoneage Tribute Band)
Hi Folks,
September 2024
Hello Music News readers. I hope you had a great August.
Our cover story for this month is Creed. After a very length absence from the music scene, Creed has reformed and is back on the road again. Read all about it in this month’s issue of Music News!
We have a very special story in here about a charity auction presented by Doug Harris and the Stellanova Foundation called ‘Operation Stars, Stripes, & Strings’ supporting the reactivation of the Houston Chapter of Guitars For Veterans supporting veterans with PTSD. They will be auctioning off several autographed guitars signed by various people including Night Ranger and famed actor Dennis Quaid. We urge all of you to check this out and particpate in it. You can find out all the information on pages 14, 16, & 17 of this issue. Be sure to check it out now!
Now, on to the new issue. In this issue, as usual, we have some great stories and information to pass on to you. Check out stories in this month’s issue on Rob Zombie & Alice Cooper, Jinjer, Seether, The Wallflowers, Walter Trout, Cuco, U.D.O., The Exploited, Tom Jones, and much more, as well as another installment of the original story, THE BIKER! Also in this issue are a ton of great pictures of bands performing around the Houston area. I’m sure you’re going to be familiar with a lot of these bands. Those bands include Bayou Gipsies, Brendalynn, Dirty Reckless, Drifters and Grifters, Hugo Jamz Trio with Eric Demmer, Jeremiah Johnson, Kaleidoscope Project, Lone Star Conspiracy, Paul Ramirez, Scott Gertner, Steve Krase, Stoned Immaculate, The Risen, Too Much To Say, Tyler Griffith, Victim and more!
Also be sure to check out our Spanish section. In this month’s issue we have stories on Ana Barbara, Los Tucanes De Tijuana, and Ramon Ayala. The stories are in English and Spanish.
I sincerely hope that everybody reading this new publication finds something here that they like and I would like to encourage you to let your friends and colleagues know about us. Just look for us every month at http://www.houstonmusicnews.net. I would also like to encourage you to email us for a free subscription to Rock And Blues International as well. Just email us at musicnew@airmail.net and in the subject line simply put “Sign Me Up” and we’ll email you a copy each month when it is published. Remember, for your convenience, Music News is also now downloadable. You can download the issue into your computer or storage device and save it and read it at your convenience without having to get logged on to the internet every time. Try it now and save every issue. It will make things a lot easier for you.
Kevin Wildman Editor and Publisher
Kevin Wildman Editor and Publisher
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Kevin Wildman
Creed Return After Over a Decade Away, Bringing Their Iconic Anthems to Houston’s Cynthia Woods Mitchell Pavilion
Horror Icons Rob Zombie and Alice Cooper Bring Their Twisted Carnival Of Freaks Back to Houston
Guitars From Alan Jackson, Night Ranger, and Dennis Quaid Highlight Music-Themed Fundraiser Benefitting U.S. Veterans with PTSD
Ana Bárbara Set to Grace Houston’s Arena Theatre on September 27th with Her Reina Grupera Tour
McBride & The Ride Bring Timeless Country Harmonies to Dosey Doe Big Barn
Jinjer Gears Up to Deliver an Unforgettable Performance at Houston’s House of Blues on October 6th
The Wallflowers Bring Their Legacy and Fresh Sounds to Houston’s House of Blues on September 24th
Blues Guitar Virtuoso Walter Trout to Bring Fiery Performance to The Heights Theater, Showcasing New Album ‘Broken’
Seether Set to Rock White Oak Music Hall on October 5: A Deep Dive into the Band’s Legacy and Latest Ventures
Indie Pop Sensation Cuco Set to Dazzle Houston Fans at White Oak Music Hall: A Journey from Bedroom Producer to Rising Star
German Metal Titans U.D.O.set to Unleash Heavy Metal Thunder at Houston’s Warehouse Live Midtown
The Exploited Set Perform At Warehouse Live in Houston: A Night of Pure Punk Fury on September 28
Tom Jones to Bring ‘Ages & Stages Tour’ to Houston’s Smart Financial Centre: A Night of Timeless Hits and Enduring Talent
Iconic Norteño Band Los Tucanes De Tijuana to Perform at Smart Financial Centre on September 7th
The Continuing Saga Of A Lone Biker On The Road To Explore The Freedoms Of America Page 56
Ramón Ayala Brings Legendary Norteño Music to Smart Financial Centre: A Milestone Performance on October 5
Los Tucanes De Tijuana Llenarán el Smart Financial Centre el 7 de Septiembre
Ana Bárbara traerá su Reina Grupera Tour al Arena Theatre el 27 de septiembre
Ramón Ayala Lleva Su Gira “El Principio de un Final” al Smart Financial Centre el 5 de Octubre
Creed Return After Over a Decade Away, Bringing Their Iconic Anthems to Houston’s Cynthia Woods Mitchell Pavilion
By Greg Fontaine
The wait is finally over for Creed fans in Houston. After more than a decade away from the stage, the multi-platinum hard rock juggernaut known as Creed is making their triumphant return. The band has announced a major 40-city North American tour for 2024, which will see them hitting the stage at the Cynthia Woods Mitchell Pavilion on Saturday, September 14th.
The reunion of Creed’s classic lineup - vocalist Scott Stapp, guitarist
Mark Tremonti, drummer Scott Phillips, and bassist Brian Marshallhas been a long time coming for the devoted fanbase that has kept the band’s music alive in the years since their last live performance in 2012. Now, nearly 30 years after the group first formed in Tallahassee, Florida, Creed is poised to reclaim their place as one of the defining rock acts of the late 90s and early 2000s.
“I feel like I’m as strong as I’ve ever been vocally, and I’m really looking forward to sharing the stage with the guys again,” says frontman
Scott Stapp. “The fans have made it clear that they feel it’s long overdue, and I want to give them what they deserve. I’m ready to bring it.”
Creed’s story begins in 1994, when Stapp and Tremonti, who had been high school classmates, began writing songs together and teaming up with Phillips and Marshall to form the band. Their debut album, 1997’s My Own Prison, would set the stage for the group’s meteoric rise, spawn-
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ing four number one singles on the mainstream rock charts and eventually going six times platinum in the US.
“The minute I sat down with Mark for the first time and saw how talented he was, I was immediately a fan of his,” Stapp recalls. “The way he played ignited something in me to want to write together. He started shredding, I started freestyling, and our chemistry was instantaneous. We knew we had to make this happen and conquer the world.”
But it was Creed’s sophomore effort, 1999’s Human Clay, that truly catapulted them to superstardom. Debuting at number one on the Billboard 200, the album would go on to sell over 11.7 million copies in the United States alone, earning the band Diamond certification from the RIAA. Anthemic singles like “Higher,” “What If,” and the Grammy-winning “With Arms Wide Open” cemented Creed’s status as one of the decade’s biggest-selling rock acts.
“Songs have a way of becoming part of people’s lives,” guitarist Mark Tremonti observes. “They kind of burrow into their being. You can’t just shake that off when a band goes dormant. Even if they were casual fans who only heard these songs on the radio, it’s a nice time to reflect upon, a fun time.”
The band would continue their commercial dominance with their third album, 2001’s Weathered, which also debuted at number one and spent eight consecutive weeks atop the Billboard 200 - tying a record at the time shared with The Beatles. Songs like “My Sacrifice” and “One Last Breath” further expanded Creed’s reach, with the former earning a Grammy nomination.
Despite the band’s massive success, they were not without their fair share of turmoil. Frontman Scott Stapp’s personal struggles, including issues with substance abuse, ultimately led to Creed’s dissolution in 2004. But the band’s members would go on to find continued success in other projects, with Tremonti, Phillips, and Marshall forming the acclaimed hard rock outfit Alter Bridge, and Stapp embarking on a solo career.
“I’m glad that even though we haven’t been active with Creed for quite some time, we’ve all been very active in music in general,” Tremonti says. “Because if we’d all gotten into acting or real estate or something, whatever to make a living, it wouldn’t have been so easy to jump right back into it.”
Now, after over a decade away, Creed is back and ready to reclaim their throne. The band’s upcoming tour, which will see them joined by special guests 3 Doors Down, Buckcherry, and The Verve Pipe, represents a victory lap of sorts - a chance for the band to celebrate the enduring legacy of their towering catalog of hits.
“Even when we weren’t together, the music continued to connect with people on its own,” notes Stapp. “And we’ve learned that a whole generation of younger fans love the music but never had a chance to see us live. We’re very fortunate that Creed has stood the test of time.”
Indeed, the band’s music has proven to be timeless, with tracks like “Higher,” “My Sacrifice,” and “With Arms Wide Open continuing to resonate with fans old and new. The more than one billion streams these songs have racked up on Spotify alone is a testament to Creed’s enduring popularity and cultural significance.
As the band prepares to take the stage at the Cynthia Woods Mitchell Pavilion, Houston fans are in for a true treat. Creed’s catalog of arenaready anthems, combined with their larger-than-life stage presence, is sure to make for an unforgettable night of hard-hitting, emotive rock and roll. Tickets are sure to go fast, so fans would be wise to secure their spots early.
Creed Discography: Creed formed in 1994 in Tallahassee, Florida, with vocalist Scott Stapp, guitarist Mark Tremonti, drummer Scott Phillips, and bassist Brian Marshall. The band released their debut album, My Own Prison, in 1997, which went on to sell over 5 million copies in the US and spawned four number one singles on the mainstream rock charts.
The group’s sophomore effort, Human Clay, arrived in 1999 and would become a true juggernaut, debuting at number one on the Billboard 200 and eventually selling over 11.7 million copies in the US, earning Diamond certification. The album’s singles, including “Higher,” “What If,” and the Grammy-winning “With Arms Wide Open,” cemented Creed’s status as one of the defining rock acts of the late 90s.
Creed would continue their commercial dominance with their third album, Weathered, which also debuted at number one in 2001 and spent eight consecutive weeks atop the Billboard 200 - tying a record at the time shared with The Beatles. Songs like “My Sacrifice” and “One Last Breath” further expanded the band’s reach.
After the band’s dissolution in 2004 due to frontman Scott Stapp’s personal struggles, Creed reunited in 2009 for the album Full Circle. Following another hiatus, the band announced their return in 2023, setting the stage for their massive 2024 tour.
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Sept. 5
Sept. 6
Sept. 12
9/5 - Snit’s Dog & Pony Show
9/6 - Eric Korb
9/7 - David Miner
9/12 - James Wilhite Band
9/13 - Hardluck Revival
9/14 - Mitch Jacobs
9/19 - Nathan Quick
9/20 - Ralphie & The RC’s
9/21 - Walker County Line
Sept. 19
9/26 - Randy Holland
9/27 - Turner Country Band
9/28 - Entertainment TBA
Horror Icons Rob Zombie and Alice Cooper Bring Their Twisted Carnival Of Freaks Back to Houston
By Troy Wilson
The stage is set for the “Freaks On Parade Tour” to make its anticipated return to the Cynthia Woods Mitchell Pavilion on Sunday, September 15th. Two of hard rock’s most legendary icons, Rob Zombie and Alice Cooper, are once again joining forces to bring their unique brands of horror-fueled mayhem to Houston concertgoers, and they’re upping the ante with industrial titans Ministry and heavy-rock stalwarts Filter along for the ride.
After the massive success of the tour’s inaugural run in 2022, Zombie and Cooper are poised to deliver an even bigger and more bombastic spectacle this time around. As two of the most enduring and iconoclastic figures in hard rock history, the two performers have built parallel careers marked by a shared affinity for the macabre and an unwavering commitment to delivering an
unforgettable live experience.
Rob Zombie, the longtime frontman of the influential industrial metal group White Zombie, has spent the past few decades carving out an equally successful career as both a musician and a filmmaker. Drawing from his lifelong love of B-movies, horror, and psychedelic imagery, Zombie has consistently pushed the boundaries of what rock music can be, blending brutal metal riffs with a tongue-in-cheek sense of camp and sexuality that set him apart from his more one-dimensional contemporaries.
His 1998 solo debut, “Hellbilly Deluxe,” established Zombie as a singular force in the hard rock landscape, a record that balanced the punishing intensity of industrial metal with a darkly humorous sensibility that owed as much to the EC Comics of his youth as it did to the sonic assaults of Ministry and Nine Inch Nails. Over the course of seven solo
studio albums, Zombie has demonstrated a remarkable versatility, incorporating elements of groove metal, blues rock, and even electronic music into his everevolving sonic palette.
But Zombie’s creative vision extends far beyond the confines of the recording studio. As a filmmaker, he has proven himself to be just as bold and uncompromising, writing and directing a series of cult horror favorites that have cemented his status as one of the genre’s most distinct and influential voices.
From the gritty, grindhouse-inspired “House of 1,000 Corpses” to the deliriously over-the-top “The Devil’s Rejects” and the recent “3 From Hell,” Zombie’s unique visual style has become as much a part of his artistic identity as his music, creating a truly immersive and unforgettable experience for his devoted fans.
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While Zombie’s career has been marked by a decidedly modern sensibility, his co-headliner, Alice Cooper, is a true pioneer of shock rock. As the frontman of the band that bears his name, Cooper helped usher in a new era of theatrical hard rock in the 1970s, blending gritty, guitar-driven anthems
with a grandly macabre stage show that quite literally pushed the boundaries of what was acceptable in mainstream rock music.
From electric chairs and guillotines to boa constrictors and copious amounts of fake blood, Cooper’s live perfor-
mances were designed to shock and horrify, delivering a rock & roll chamber of horrors that cultivated outrage from authority figures even as it endeared him to legions of devoted fans who embraced his gleefully transgressive brand of showmanship.
Tracks like “School’s Out,” “I’m Eighteen,” and “Poison” became hard rock staples, cementing Cooper’s status as one of the most successful and influential acts of the decade. But beyond the shock value, Cooper also proved himself to be a remarkably versatile songwriter, effortlessly blending tough, guitar-driven riffs with lyrics that were by turns relatable and deliciously macabre.
Even after the original Alice Cooper band dissolved in the mid-1970s, Cooper has continued to evolve, maintaining his theatrical live show while exploring new sonic directions. Albums like “Welcome to My Nightmare” and “Trash” have seen him incorporate elements of pop metal and hair metal, keeping him relevant in the evershifting landscape of rock music.
Now, as these two titans of horror-tinged hard rock join forces once again, Houston concertgoers are in for a true feast for the senses. With the added firepower of industrial veterans Ministry and heavyrock upstarts Filter, the “Freaks On Parade Tour” promises to be a night of unbridled excess, delivering a twisted carnival of horrors that will leave an indelible mark on all who witness it.
The connection between Zombie and Cooper extends beyond their shared penchant for the macabre. Both artists have weathered the ebbs and flows of the
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music industry, maintaining relevance and building enduring legacies that transcend the parameters of genre. While their sonic palettes may differ, they are united in their commitment to delivering a one-of-a-kind live experience that is as much a celebration of their own singular visions as it is a tribute to the spirit of rock & roll rebellion.
For Zombie, the “Freaks On Parade Tour” represents the latest chapter in a remarkably multifaceted career that has seen him achieve success in both music and film. With a discography that spans over two decades and a filmography that includes some of the most iconic horror movies of the 21st century, Zombie has cemented his status as a true Renaissance man of the rock world. From his early days fronting the pioneering industrial metal group White Zombie to his continued evolution as a solo artist, he has consistently pushed the boundaries of what heavy music can be, merging his love of the bizarre and the grotesque with a flair for the theatrical that has captivated audiences around the world.
Meanwhile, the ever-resilient Cooper continues to defy the ravages of time, touring relentlessly and releasing new music that showcases his enduring creative spark. At 75 years old, the shock-rock legend shows no signs of slowing down, still delivering the same high-energy performances that have captivated audiences for over half a century. While his sound and stage show may have evolved over the decades, Cooper’s commitment to delivering an unforgettable experience for his fans has remained unwavering.
Tickets for the September 15th show at the Cynthia Woods Mitchell Pavilion are sure to go fast, as fans flock to witness this unparalleled pairing of hard rock icons. The freaks are coming back to town, and they’re bringing the party with them. This is a night that no
self-respecting Houston metalhead will want to miss - a twisted carnival of horrors that promises to leave an
indelible mark on all who dare to step inside.
Green Oaks Tavern
Friday, September 6 Holland K. Smith
Saturday, September 7 Eric Demmer Band
Sunday, September 15 Celebration For Mark
Friday September 13 Chip Oliphant Band
Friday, September 20 Johnny Riley Band
Saturday, Sept. 21 The Repeat Offenders
Sunday, September 22 Shawn Williams
Friday, September 27 The EZ3
SEPTEMBER
Saturday, September 14 Tony Vega Band
Saturday, September 28 Ruby Dice Band
Guitars From Alan Jackson, Night Ranger, and Dennis Quaid Highlight Music-Themed Fundraiser Benefitting U.S. Veterans with PTSD
A Houston-based charitable organization will offer a collection of autographed and/or adorned guitars as gifts with donations in the StellaNova Foundation’s Operation: Stars, Stripes, and Strings. The campaign, which will fund the reactivation of the Houston chapter of Guitars for Vets (G4V), has been organized by Texas Radio Hall of Famer Doug Harris through the charitable entity he founded in 2020.
Harris, whose work with Houston’s legendary 101 KLOL is spotlighted in Mike McGuff’s documentary Runaway Radio, has in recent years turned his attention to the needs of those with mental health issues who may not have access to treatment or care.
“Is there anyone among us who hasn’t witnessed a friend, a family member, a neighbor, or a business associate experiencing a mental health issue or episode? “asks Harris. “Depression, addiction, domestic violence, even self-harm? And for reasons that should be easy to understand, our veterans seem to face these challenges at a disproportionate level.”
When the StellaNova Foundation Board learned that an estimated 20 veterans per day die of suicide in the US, Harris took immediate action to identify groups and organizations who are working to alleviate the pain and anguish endured by the service personnel who served their country.
“Since this journey began,” says Harris, “I’ve been introduced to a variety of care, treatment, and diagnostic options available, including some which do not rely solely on long term medication. I am intrigued by the power of music, art, and other creative expressions to improve the lives of those who have been separated from the social and familial support most take for granted.”
According to Harris, many of the
greatest challenges faced by Americans can be directly connected to the mental health of the community and those individuals who deal with issues of addiction, depression, chronic pain, and other disorders. Frequently, the actions of these unfortunate souls impact the lives of others, from their families, neighbors, and co-workers to those they encounter, quite literally, “on the street.” Domestic or workplace violence, criminal activity, and self-harm are among the consequences that affect the safety and economic health of communities of all sizes, and those in need of care often become victims themselves. Harris asserts that compassion for these citizens, along with accessible treatment and care, must become a priority. Consequently, Harris’ StellaNova Foundation finds its mission in providing relief to these individuals through respected, recognized organizations, with hopes of eventually operating its own counseling and recovery center.
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Fundraiser Benefitting U.S. Veterans with PTSD
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The StellaNova Foundation’s fundraising efforts in May netted over $60,000, which was divided evenly between Healthcare for the HomelessHouston and the Montrose Center. With the Foundation’s attention now focused on veterans who are experiencing posttraumatic stress disorder (PTSD) and other combat-related disabilities, Harris has authorized distributions to G4V totaling $15,000 with plans to raise the additional funds needed to create an active G4V chapter in Houston.
“So far this year,” Harris reports, “we have made contributions to AHEPA Service Dogs for Warriors ($10,000) and The Purple Heart Project ($5,000), and this new outreach will benefit Guitars for Vets (G4V) Houston chapter.”
G4V is a 501(c)(3) non-profit organization, founded in Milwaukee, Wisconsin, in 2007. G4V now operates in more than 150 chapters nationwide with the help of over 1,000 volunteers. Through their cyber chapter, they are proud to provide services to Veterans wherever they live. Over the past years, G4V has refined a guitar instruction program aimed at providing Veterans struggling with physical injuries, PTSD, and other emotional distress. G4V pursues its mission to share the healing power of music by providing free guitar instruction, a new acoustic guitar and a guitar accessory kit in a structured program run by volunteers, primarily
through the Department of Veterans Affairs health care systems and community-based outpatient clinics.
As of this writing, the Houston chapter of G4V is being reactivated and the SNF hopes to provide the funding necessary to achieve its first “21 Guitar Salute” graduating class. An estimated $50,000 will be needed for this purpose and that is the goal Harris has set for the StellaNova Foundation’s Operation: Stars, Stripes, and Strings.
“The outpouring of support from the music industry and the arts community has been overwhelmingly positive, “says Harris. “It seems there are no ‘politics’ when it comes to helping our veterans and people have gone out of their way to get us what we need to engage donors for this cause.”
Operation: Stars Stripes, and Strings will feature autographed guitars from Alan Jackson, Night Ranger, the Fabulous Thunderbirds, and Kip Winger. A series of six guitars, each hand-painted with artist Tra’ Slaughter’s interpretations of movie roles played by Dennis Quaid, were signed by the actor/musician during festivities in Austin surrounding the release of his new film Reagan.
Also included are a BuzzFest guitar (signed by Bush, Godsmack, Live, Our Lady Peace, and others) along with one from Mexico’s supergroup Los Recorditos. Rounding out the collection, from which donors at various levels may take their pick, are creations by visual artists Taft McWhorter, Joni Zavitsanos, and Deasa Turner, all from Houston.
Beginning at noon on September 20, 2024, interested parties may view the entire collection of guitars, and make the respective donations, online at www.stellanovafoundation.org. The guitars will also be on display at Christian’s Tailgate, 5114 Kirby Drive, from 11 AM to 5 PM on Sunday, September 22nd and again at Hardy and Nance Studios, 902 Hardy Street, on Saturday, September 28th from 1 PM until 5 PM.
“With September designated as Suicide Prevention Month in America,” observes Harris, “this is a fitting tribute that has the power to save lives and families. And you can’t put a price on that.”
Ana Bárbara Set to Grace Houston’s Arena Theatre on September 27th with Her Reina Grupera Tour
By Jose Martinez
Renowned for her powerful voice, captivating stage presence, and over three decades of unparalleled success, Ana Bárbara is bringing her illustrious Reina Grupera Tour to Houston’s The Heights Theatre on September 27th. This concert promises to be a night to remember as she takes the stage to perform the greatest hits from her extensive and acclaimed career, which has solidified her as a pillar of Mexican Regional music and a beloved figure in
Ana Bárbara, born Altagracia Ugalde Mota, has transcended the boundaries of music, captivating audiences not only in Mexico and the United States but across Latin America and beyond. Her diverse musical repertoire, which spans mariachi, pop, banda sinaloense, grupero, and romantic ballads, has led to millions of record sales, and she continues to be a major influence in the music industry. Throughout her career, she has released more
than 15 studio albums, many of which have earned gold and platinum certifications, reflecting the enduring popularity of her music.
Her contributions to the world of music have not gone unnoticed. Ana Bárbara has received numerous awards and accolades, including a Latin Grammy, Billboard Latin Music Awards, Premios Lo Nuestro, and Premios Juventud. She has been a trailblazer in regional Mexican music, earning the title of “La Reina Grupera” for her role in popularizing the genre and for her dozens of hits that have topped the charts in Mexico and Latin America. Her ability to blend traditional Mexican sounds with contemporary influences has made her an ambassador of Mexican culture, bringing its rich heritage to audiences around the globe.
Ana Bárbara’s journey began in 1994 when she released her debut album, Ana Bárbara, which quickly earned a gold record. Her rise to fame was swift, with hit songs such as “La Trampa,” “Me Asusta Pero Me Gusta,” and “Ya No Te Creo Nada” solidifying her place as one of the most influential artists of her generation. Her distinctive vocal range, coupled with her avant-garde fashion sense, set her apart from her peers and helped her build a loyal fan base that continues to grow.
Over the years, Ana Bárbara has continued to evolve as an artist, embracing new sounds and styles while staying true to her roots. In 2019, her song “Que Poca” reached the Billboard top 15 and garnered over 82 million views on YouTube, earning her the title of “Female Artist of the Year” at the Radio Awards. Two years later, she released “Fruta Prohibida,” a global hit that further cemented her status as a leading figure in Latin music. That same year, her song “Reza y Reza” topped the charts in both Mexico and the United States, showcasing her enduring appeal.
Ana Bárbara’s recent work includes collaborations with other legendary artists, such as “El Consejo” with Paquita La Del Barrio, “Mi Corazón” with Bronco, “Solos” with Christian Nodal, “De Vez En Cuando” with Cristian Castro, and “La Jugada” with Don Vicente Fernández, one of his last live performances. These songs are part of her album Bordado a Mano, released in 2023, which was critically acclaimed and received nominations for both the Latin Grammy and the Ameri-
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can Grammy.
Her influence extends beyond music, as she has also contributed to television and film, including writing a song for Sharon Stone’s film “Border Run.” With over 6 million albums sold and more than 60 hits written, Ana Bárbara’s legacy is undeniable. Her song “Bandido,” a classic hit, recently resurfaced in popularity thanks to social media, introducing her music to a new generation of fans.
Ana Bárbara’s appeal is not only rooted in her music but also in her striking beauty and stage presence. Recognized for her spellbinding sex appeal, she quickly became a celebrity in Mexico during the mid-’90s, earning the nickname “La Reina Grupera.” Her ability to dominate the grupero movement, a genre that blends elements of norteño, ranchera, and Latin pop, has made her a driving force in the evolution of regional Mexican music.
Born on January 10, 1971, in Río Verde, San Luis Potosí, Mexico, Ana Bárbara showed an interest in music from a young age. Influenced by her older sister, Viviana Ugalde, who was a popular local singer, Ana Bárbara began
singing backup for her sister at the age of eight. Her early experiences in music laid the foundation for her future success, and by 1990, she was touring Colombia, enjoying her first taste of widespread success as a singer.
Ana Bárbara’s rise to fame was marked by her tenacity and determination. After winning several beauty contests and earning the title of El Rostro del Heraldo de México in 1993, she was recognized as a promising ranchera singer. Her boldness and ambition were evident when she famously interrupted a Mass at the Vatican to sing for Pope John Paul II, who blessed her and wished her luck with her career.
Her debut album Nada (1994) was a resounding success, selling over 100,000 copies and earning a gold certification in Mexico. The hits kept coming with her follow-up album La Trampa (1995), which featured popular songs such as “La Trampa,” “No Se Que Voy a Hacer,” and “Me Asusta Pero Me Gusta.” These early successes earned her the title of “La Reina Grupera,” a title that has stayed with her throughout her career.
As Ana Bárbara’s fame grew, so
did her influence in the music industry. She worked with renowned producers and songwriters, including Marco Antonio Solís, who wrote and produced her album Besos No Se Dan en la Camisa (1997). Her collaborations with other artists and her ability to continuously reinvent her music have kept her at the forefront of the industry.
In addition to her musical achievements, Ana Bárbara’s personal life has often been the subject of public interest. Despite the scrutiny and challenges she has faced, she has remained a resilient and influential figure in Latin music. Her ability to balance her career, personal life, and public image has made her a role model for aspiring artists.
As she prepares to take the stage at The Heights Theatre in Houston on September 27th, fans can expect an unforgettable performance that showcases the best of Ana Bárbara’s illustrious career. Her Reina Grupera Tour is a celebration of her legacy, her music, and her enduring impact on the world of Latin music. Whether you’re a longtime fan or new to her music, this concert is an opportunity to experience the magic of Ana Bárbara live and witness why she continues to reign as the Queen of Grupero.
By Nathan Pugh
This September, country music enthusiasts have a rare opportunity to witness a pivotal moment in the genre’s history. McBride & The Ride, the acclaimed country trio known for their impeccable three-part harmonies and authentic country sound, will be performing at Dosey Doe Big Barn on September 14th.
The group, consisting of Terry McBride (lead vocals/bass), Ray Herndon (vocals/guitar), and Billy Thomas (vocals/drums), first made waves in the country music scene in the early 1990s. Their reunion and recent release of the EP “Marlboros & Avon” marks their first new music together in nearly 30 years, signaling a noteworthy comeback that has country fans buzzing with excitement.
McBride & The Ride’s journey began in 1989 when MCA Nashville’s Executive Vice President, Tony Brown, introduced songwriter Terry McBride to session players Ray Herndon and Billy Thomas. The trio’s harmonies blended seamlessly, leading to the release of three acclaimed albums between 1991 and 1993: “Burnin’ Up The Road,” “Sacred Ground,” and “Hurry Sundown.” These albums produced several hit singles, including “Love on the Loose, Heart on the Run,” “Sacred Ground,” and “Going Out of My Mind.”
During their time apart, each member of McBride & The Ride continued to make significant contributions to the country music world. Terry McBride toured with Brooks & Dunn and wrote major hits for artists like Reba McEntire and Cody Johnson. Ray Herndon served as Lyle Lovett’s lead guitarist since 1985 and penned songs for Kenny Chesney and Lee Greenwood, among others. Billy Thomas became an integral part of Vince Gill’s band and collaborated with country stars such as Emmylou Harris and Patty Loveless.
The trio’s reunion in 2021 was met with enthusiasm from both longtime fans and a new generation of country music listeners. Their new EP, “Marlboros & Avon,” showcases the band’s evolution while staying true to their roots. The title track has already made significant strides, reaching the Top 30 on the MusicRow chart and claiming the top
McBride & The Ride Bring Timeless Country Harmonies to Dosey Doe Big Barn
spot on Austin’s KOKE FM.
The upcoming performance at Dosey Doe Big Barn promises to be a blend of nostalgia and fresh country sounds. Attendees can expect to hear classic hits that put McBride & The Ride on the map, as well as new material that demonstrates their continued relevance in today’s country music landscape.
What sets this performance apart is the band’s approach to their craft. As Terry McBride explains, “There was no need for bells and whistles on the recording, it’s us playing stone cold country music just like we do at the live show.” This commitment to authenticity is likely to resonate with the audience at Dosey Doe Big Barn, a venue known for its appreciation of genuine country music.
The band’s resurgence has been bolstered by their embrace of modern promotional tools. Their presence on social media platforms like TikTok has garnered hundreds of thousands of views, introducing their music to a new generation of fans. Additionally, their songs have found success on streaming platforms, appearing on multiple editorial playlists and amassing millions
of plays.
McBride & The Ride’s influence on country music extends beyond their own recordings. Their song “Amarillo Sky,” co-written with Big Kenny and John Rich (later of Big & Rich fame), became a hit for Jason Aldean in 2007, reaching number 4 on the country charts.
As the band prepares for their performance at Dosey Doe Big Barn, they bring with them not just their musical talents, but also a wealth of experience gained from their individual careers. This combination of seasoned musicianship and fresh creative energy promises to deliver a memorable night of country music.
For country music fans in the Houston area, the September 14th performance at Dosey Doe Big Barn represents more than just a concert. It’s a chance to witness the rebirth of a group that helped shape the sound of 1990s country music and continues to influence the genre today. Whether you’re a longtime fan or new to McBride & The Ride’s music, this performance offers an opportunity to experience the timeless appeal of well-crafted country harmonies and songwriting.
Jinjer Gears Up to Deliver an Unforgettable Performance at Houston’s House of Blues on October 6th
By Nathan Pugh
Jinjer, the Ukrainian metal powerhouse, is set to electrify the stage at Houston’s House of Blues on October 6th, and the anticipation is palpable. This performance is part of their highly anticipated North American tour, a tour that promises to be a monumental experience for fans and newcomers alike. Known for their genre-defying sound and relentless energy, Jinjer has cemented their status as one of the most innovative and exciting bands in modern metal, and their Houston show is shaping up to be one of the year’s most memorable events.
This tour marks Jinjer’s triumphant return to North America, and they are pulling out all the stops to ensure it’s a performance to remember. Fans are particularly excited about the announce-
ment that Jinjer will be supported by two powerhouse bands: Hanabie and Born Of Osiris. Both acts bring their unique styles to the table, setting the stage for an evening of intense and diverse metal music. However, what truly sets this tour apart is Jinjer’s promise to debut brand new, unreleased material from their upcoming fifth studio album. Fans have been eagerly awaiting new music since the release of their critically acclaimed 2021 album Wallflowers, and this tour offers the first opportunity to hear what the band has been crafting over the past two years. These new tracks are expected to push the band’s sound to even greater heights.
Jinjer recently expressed their excitement about the tour and the new music, saying, “We just cannot wait to share what we’ve been working on for the last two years. This will be without a
doubt a banger of a tour … we’re looking forward to this so much!” With such high expectations, the Houston show promises to be an unforgettable night for all who attend.
Jinjer’s journey from the war-torn region of Donetsk to international stardom is nothing short of inspiring. Formed in 2009, the band’s early years were marked by relentless hard work, as they honed their craft in practice rooms and on local stages. The addition of the formidable Tatiana Shmailyuk as vocalist in 2010 marked a turning point for the band, setting them on a path to becoming one of the most unique voices in metal. Jinjer’s sound is a fusion of progressive metalcore, groove metal, and a diverse array of other influences, including funk, reggae, and jazz. This eclectic mix is
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Sunday, September 8
IBC Semifinals @ 2 - 6pm
Sunday, September 22
IBC Finals @ 2 - 7:30pm
Saturday, September 14
Evelyn Rubio’s Birthday Blast! Sunday, September 29th
Mark May’s Celebration Of Life @ 4 - 9pm
Thursday - September 26
Houston Blues Society
Jam Hosted By Jamie Entenza
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further enriched by the band’s deep roots in European death metal, which became more pronounced with the release of their second LP, Cloud Factory, in 2014. This album, a powerful critique of industrialization’s impact on the environment and society, solidified Jinjer’s reputation as a band with something important to say.
The band’s breakthrough came when they were named the Best Ukrainian Metal Band in 2013, a title they would earn again in subsequent years. This recognition opened doors for Jinjer, leading to extensive touring across Europe, Russia, and Ukraine. Their live performances quickly became legendary, with the band delivering over 300 shows across the continent within just a few years. Despite their rapid rise, Jinjer has remained true to their roots. The band members have always been open about the challenges they’ve faced, from navigating the complexities of the music industry to dealing with the personal and political turmoil in their homeland. This authenticity has endeared them to fans worldwide, who appreciate not only their music but also their resilience and determination.
One of the most intriguing aspects of Jinjer’s career is their ability to defy easy categorization. While they are often compared to other female-fronted metal bands like Arch Enemy or Iwrestledabearonce, Jinjer’s sound is uniquely their own. The band members have cited influences ranging from Lamb of God and Pantera to Gojira and Killswitch Engage, reflecting the broad spectrum of their musical tastes. Tatiana Shmailyuk, in particular, has spoken
about the artists who have inspired her as a female metal vocalist. She often mentions Sandra Nasi? of Guano Apes and Otep Shamaya of Otep as her biggest inspirations, alongside Mikael Åkerfeldt of Opeth and Randy Blythe of Lamb of God. This diverse range of influences is evident in Jinjer’s music, which seamlessly blends aggression with melody, technical precision with raw emotion.
Jinjer’s discography is a testament to their musical evolution and their refusal to be pigeonholed. Their 2016 album King of Everything marked a significant turning point for the band, showcasing their growing confidence and technical prowess. The album’s standout single “Pisces” became a viral sensation, drawing millions of views on YouTube and introducing the band to a global audience. Following the success of King of Everything, Jinjer embarked on an ambitious touring schedule, playing in countries as diverse as Israel, the Philippines, and the United States. Their reputation as a must-see live act continued to grow, leading to collaborations with some of the biggest names in metal, including Arch Enemy, Cradle of Filth, and DevilDriver.
The release of the Micro EP in 2019 further solidified Jinjer’s status as one of the most innovative bands in the genre. The EP, which featured fan favorites like “Ape” and “Perennial,” was a critical and commercial success, demonstrating the band’s ability to evolve while staying true to their roots. This was followed by the release of Macro later that year, an album that took the band’s sound to new heights with its complex arrangements and emotional depth.
Like many bands, Jinjer’s momentum was halted by the COVID-19 pandemic. After a successful run of
shows in early 2020, including a performance at the Hell & Heaven Festival in Mexico, the band’s touring plans were abruptly cut short. However, Jinjer’s indomitable spirit shone through as they became one of the first international bands to resume live performances in Europe later that year, playing six shows in the midst of the pandemic. In November 2020, Jinjer released Alive in Melbourne, a live album and concert video recorded just before the world went into lockdown. This release was a beacon of hope for both the band and their fans, capturing the raw energy of a Jinjer live show and reminding everyone that better days were ahead.
The band’s resilience was further showcased with the release of their most ambitious album to date, Wallflowers, in August 2021. Written during a time of global uncertainty, the album is a reflection of the personal and collective struggles faced by the band and the world at large. With tracks like “Colossus” and “Mediator,” Wallflowers is a sonic pressure cooker of technical brilliance, emotional fury, and a dark, brooding atmosphere that resonates deeply with listeners.
As Jinjer prepares to take the stage at the House of Blues in Houston, fans can expect a performance that encapsulates everything that makes the band special. The setlist is likely to feature a mix of classic tracks, fan favorites, and new material from their upcoming album, offering a comprehensive journey through Jinjer’s musical evolution. The House of Blues, known for its stellar acoustics and vibrant energy, is the perfect venue for a band like Jinjer. From the moment the first note is played, the audience will be transported into Jinjer’s world, where genre boundaries are blurred, and music is an intense, immersive experience.
Jinjer’s Houston show is more than just a concert—it’s a celebration of the band’s journey, their resilience, and their unwavering commitment to their craft. For those lucky enough to attend, it will be a night of unforgettable performances, where every riff, every scream, and every beat resonates with the raw power that has made Jinjer a force to be reckoned with in the metal world. As the band continues to push the boundaries of what metal can be, their upcoming performance in Houston is a reminder of why Jinjer is not just a band, but a phenomenon. With their new album on the horizon and a North American tour that promises to be their most explosive yet, Jinjer is set to leave an indelible mark on the Houston metal scene—and the world—on October 6th.
The Wallflowers Bring Their Legacy and Fresh Sounds to Houston’s House of Blues on September 24th
By Robert Wilkins
The Wallflowers are set to ignite the House of Blues in Houston on September 24, 2024, marking a pivotal moment in their extensive 35-year career. This performance promises to be a significant highlight of their ongoing tour, offering fans a blend of classic hits and fresh material from their latest album, Exit Wounds. With Jakob Dylan at the helm, the band is poised to deliver an unforgettable show, reflecting on their storied past while embracing the new musical terrain they’ve explored in recent years.
Formed in 1989, The Wallflowers began their journey with a lineup that saw early changes but was consistently
anchored by Jakob Dylan’s distinctive voice and songwriting prowess. The band’s early years were marked by challenges, including a struggle to find commercial success and a changing lineup. However, Dylan’s vision and perseverance led to the creation of their self-titled debut album in 1992, which, despite its initial commercial shortcomings, laid the groundwork for the band’s future success.
The breakthrough came with the release of Bringing Down the Horse in 1996. This album catapulted The Wallflowers into the mainstream, propelled by the hit singles “One Headlight” and “6th Avenue Heartache.” The critical and commercial success of these tracks, along with the album’s
overall reception, established The Wallflowers as a significant force in rock music. The album’s success was marked by Grammy Awards for Best Rock Song and Best Rock Performance by a Duo or Group with Vocal, underscoring the band’s impact on the music industry.
Following this peak, The Wallflowers experienced a period of flux and transition. Albums such as Breach (2000) and Red Letter Days (2002) were released to varying degrees of commercial success but failed to replicate the impact of Bringing Down the Horse. The band’s lineup continued to evolve, and the years that followed saw significant changes in its composition. The depar-
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ture of key members and the challenges of maintaining momentum in a changing music landscape tested the band’s resilience.
The group’s return to the spotlight came with the release of Glad All Over in 2012, featuring a lineup that included returning member Rami Jaffee. This album marked a revitalization for The Wallflowers, but it was Exit Wounds, released in July 2021, that truly signaled a new chapter for the band. Produced by Butch Walker, Exit Wounds was The Wallflowers’ first studio album in nine years and was met with critical acclaim. The album’s introspective lyrics and mature sound reflected the global uncertainties and personal experiences that Jakob Dylan had navigated during its creation.
Exit Wounds debuted at No. 183 on the Billboard 200 and achieved a notable position on the Top Album Sales chart, reaching No. 3. This success highlighted The Wallflowers’ continued relevance and ability to connect with audiences through both timeless and contemporary themes. The album featured Shelby Lynne’s backing vocals on several tracks, adding a new dimension to the band’s sound and further enriching the listening experience.
As The Wallflowers embark on their current tour, the setlists promise a rich mixture of their beloved classics and new material from Exit Wounds. Fans can expect to hear iconic hits like “One Headlight” and “6th Avenue Heartache,” alongside newer tracks that showcase the band’s evolved sound. The current touring lineup, which has been together since the release of Exit Wounds, includes Chris Masterson on guitar, Whynot Jansveld on bass, Ben Peeler on guitar, Mark Stepro on drums, and Aaron Embry on keyboards. This group has brought a fresh energy to the band’s performances, enhancing their live shows with dynamic arrangements and a
revitalized presence.
Jakob Dylan’s role as the band’s leader has been crucial in shaping The Wallflowers’ sound and identity. His commitment to both his solo projects and The Wallflowers reflects his versatility and dedication as an artist. The upcoming Houston show will be a testament to his ability to navigate the band’s legacy while pushing forward with new creative directions.
The House of Blues in Houston will be a fitting venue for this significant performance. Known for its intimate atmosphere and excellent acoustics, the venue provides an ideal setting for fans to experience The Wallflowers up close. This concert is not just a chance to see a legendary band live but also an opportunity to witness the evolution of their sound and the continuation of their musical journey.
For fans of The Wallflowers, this performance on September 24th represents a rare opportunity to catch the band in action. The Wallflowers do not tour
frequently, making each show a special event. As they prepare to take the stage, anticipation is building for what promises to be a night of memorable music, celebrating both the band’s storied past and their exciting present. The show will undoubtedly be a highlight of the year for fans and a powerful demonstration of The Wallflowers’ enduring appeal and creative vitality.
As Jakob Dylan and his bandmates prepare for their Houston concert, the excitement and anticipation continue to grow. This performance will be a celebration of The Wallflowers’ legacy, a showcase of their latest work, and a testament to their ability to connect with audiences through both familiar hits and new material. Fans can look forward to an evening of exceptional music and an unforgettable live experience at the House of Blues.
Blues Guitar Virtuoso Walter Trout to Bring Fiery Performance to The Heights Theater, Showcasing New Album ‘Broken’
By Greg Fontaine
The Houston blues scene is set for a seismic event as guitar legend Walter Trout prepares to grace the stage of The Heights Theater on September 12th. This performance promises to be a tour de force, showcasing Trout’s unparalleled guitar skills and the raw emotion that has defined his nearly five-decade career in blues rock.
Trout’s appearance comes on the heels of his latest album, “Broken,” released in 2024. This new offering is a testament to Trout’s enduring creativity and his ability to push the boundaries of blues rock while staying true to its roots. “Broken” features 12 autobiographical songs that delve deep into Trout’s experiences, reflecting the honesty and vulnerability that have become hallmarks of his songwriting.
The album’s title track, a collaboration with the powerhouse vocalist Beth Hart, sets the tone for a record that’s both introspective and explosive. Trout’s partnership with his wife, Marie Trout, on three of the album’s songs adds a personal touch, showcasing the depth of their relationship both on and off stage. The inclusion of guest artists like harmonica virtuoso Will Wilde on “Bleed” and the surprising collaboration with Twisted Sister’s Dee Snider on “I’ve Had Enough” demonstrates Trout’s ability to blend diverse musical influences while maintaining his blues core.
Trout’s journey to this point has been nothing short of extraordinary. Born in New Jersey in 1951, he cut his teeth playing in local bands before making the bold move to Los Angeles in 1973. Armed with determination and the Fender Stratocaster that would become his signature instrument, Trout quickly
made a name for himself in the competitive L.A. music scene.
His early career saw him rubbing shoulders with blues royalty. Trout’s time playing alongside legends like Big Mama Thornton, Lowell Fulsom, and John Lee Hooker provided an invaluable education in the blues. These experiences laid the groundwork for his later success and helped shape his distinctive style.
Trout’s big break came when he joined Canned Heat in 1981, replacing the late Bob Hite. This high-profile gig put him in the spotlight, but it also coincided with a period of personal struggle with substance abuse. However, it was during this time that Trout’s path crossed with British blues legend John Mayall. After impressing Mayall during a one-off performance, Trout was invited
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to join the Bluesbreakers, a move that would elevate his status in the blues world significantly.
Five years with Mayall’s Bluesbreakers cemented Trout’s reputation as a guitar virtuoso. His fiery playing and emotive solos earned him critical acclaim and a devoted following, particularly in Europe. In 1989, Trout took the leap into a solo career, a move many considered risky at the time but one that has since proven to be the right decision.
Trout’s solo career has been marked by prolific output and consistent quality. Albums like “Life in the Jungle” (1990), “Transition” (1992), and “Tellin’ Stories” (1994) showcased his growth as a songwriter and performer. His ability to blend scorching guitar work with thoughtful, often introspective lyrics set him apart in the blues rock world.
The new millennium saw Trout continue to evolve and expand his musical horizons. Albums like “Full Circle” (2006), which featured collaborations with John Mayall and Joe Bonamassa, demonstrated his standing among blues elite. His 2013 release, “Luther’s Blues,” a tribute to the late Luther Allison, highlighted Trout’s deep respect for blues tradition and his peers.
However, Trout’s career took a dramatic turn in 2013 when he was diagnosed with cirrhosis and Hepatitis C, leading to a life-threatening battle that culminated in a liver transplant in 2014. This harrowing experience became the subject of his critically acclaimed 2015 album “Battle Scars,” a raw and honest reflection on his struggle and recovery.
Since his return to health, Trout has experienced a creative renaissance. Albums like “We’re All in This Together” (2017) and “Survivor Blues” (2019) both reached number one on the Blues Albums chart, affirming his status as a contemporary blues icon. His 2020 release, “Ordinary Madness,” saw Trout expanding his sonic palette, incorporating influences from songwriters like John Lennon and Bob Dylan while maintaining his blues foundations.
Trout’s upcoming performance at The Heights Theater is more than just a concert; it’s a celebration of blues history and its continued relevance. Attendees can expect a setlist that spans his entire career, from early classics to tracks from “Broken.” Trout’s legendary guitar skills, combined with his powerful vocals and the tight interplay with his band, promise an electrifying evening of music.
For blues guitar enthusiasts, this show offers a rare opportunity to witness one of the genre’s true masters up close. Trout’s technique, which blends lightning-fast runs with soulful bends and emotive phrasing, has influenced countless guitarists and continues to set
the standard for contemporary blues playing.
The intimate setting of The Heights Theater provides the perfect backdrop for Trout’s intense, passionate performances. Known for his ability to connect with audiences on a deeply personal level, Trout often shares stories between songs, offering insights into his life and the inspirations behind his music.
As Walter Trout prepares to take the stage in Houston, he brings with him not just decades of experience, but a renewed passion for his craft. His journey from a young, ambitious guitarist to a survivor and elder statesman of the blues is a testament to the enduring power of the genre and the human spirit.
For blues fans in Houston and beyond, the September 12th show at The Heights Theater is more than just another tour date – it’s a chance to be part of living blues history. As Trout continues to push himself creatively while honoring the traditions that shaped him, this performance promises to be a highlight of Houston’s musical calendar.
Tickets for this highly anticipated event are expected to sell quickly. Blues aficionados and music lovers alike are encouraged to secure their spots early for what is sure to be an unforgettable night of world-class blues rock from one of the genre’s most respected and talented performers.
Seether Set to Rock White Oak Music Hall on October 5: A Deep Dive into the Band’s Legacy and Latest Ventures
By Nathan Pugh
As the crisp autumn air settles over Houston, rock enthusiasts are buzzing with anticipation for Seether’s upcoming performance at White Oak Music Hall Lawn on Saturday, October 5th. This show, part of their co-headlining tour with Skillet, promises to be a testament
to Seether’s enduring influence in the rock world and a showcase of their evolving sound.
At the forefront of Seether’s current activities is the imminent release of their ninth studio album, “The Surface Seems So Far,” set to drop on September 20th via Fantasy Records. This album
marks a significant milestone in the band’s two-decade-long career, demonstrating their continued relevance and creative vitality in the ever-changing landscape of rock music.
The first taste of this new material came in the form of “Judas Mind,” the album’s blistering opener. This track has already made significant waves, rapidly climbing both the Mediabase Active Rock chart and Billboard Mainstream Rock Airplay chart, currently sitting at an impressive #7 on both. The song’s quick ascent suggests that Seether’s raw, emotive sound continues to resonate strongly with listeners.
“The Surface Seems So Far” promises to be a journey through various emotional landscapes. With tracks like “Regret,” “Same Mistakes,” and “Dead on the Vine,” the album seems poised to deliver the introspective lyrics and powerful soundscapes that Seether fans have come to expect. The band’s frontman, Shaun Morgan, took on production duties for this album, collaborating with veteran producer Matt Hyde, known for his work with metal titans Deftones and Slayer. This partnership hints at a potentially heavier, more intricate sound for the band.
The upcoming tour, which includes the Houston stop, will give fans their first opportunity to hear these new tracks live. It’s a chance for Seether to showcase their growth as musicians while still delivering the high-energy performances they’re known for.
To fully appreciate Seether’s current position in the rock world, it’s crucial to look back at their impressive journey. Emerging from South Africa in the early 2000s, Seether quickly distinguished themselves in the post-grunge era with their authentic sound and emotionally charged lyrics.
The band’s origins trace back to 1999 when they formed under the name Saron Gas. Their debut album, “Fragile,” released in 2000, found surprising success in their home country of South Africa, where pop and indigenous music typically dominate. This early triumph caught the attention of Wind-Up Records in the United States, leading to their international break and a name change to Seether.
Seether’s rise to prominence in the global rock scene was meteoric. Their 2002 debut under the Seether name,
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“Disclaimer,” featured the hit single “Fine Again,” which quickly became a staple on rock radio. However, it was their 2004 re-release, “Disclaimer II,” that truly catapulted them to stardom. This album included a reworked version of “Broken” featuring Amy Lee of Evanescence, which became an international hit and remains one of their most recognizable songs.
The band’s subsequent albums continued to build on this success. “Karma and Effect” (2005) entered the Top Ten, while “Finding Beauty in Negative Spaces” (2007) gave us the sardonic hit “Fake It.” These releases cemented Seether’s reputation for crafting hard-hitting yet melodic rock with deeply personal lyrics.
As they moved into the 2010s, Seether showed no signs of slowing down. “Holding Onto Strings Better Left to Fray” (2011) and “Isolate and Medicate” (2014) both reached the Top Five in the U.S., demonstrating the band’s consistent appeal. Their 2017 release, “Poison the Parish,” saw the band take more control over their sound, with Morgan stepping into the producer’s role for the first time.
Most recently, 2020’s “Si Vis Pacem, Para Bellum” (Latin for “If you want peace, prepare for war”) spawned the active rock hits “Dangerous” and “Bruised & Bloodied,” proving that Seether’s ability to craft impactful, radiofriendly rock remains undiminished.
Throughout their career, Seether has amassed an impressive array of accolades. They boast five gold and platinum albums, a staggering 24 Billboard Rock Airplay Top 10 hits, including 20 No. 1s at U.S. radio. These numbers speak to the band’s consistent ability to connect with listeners through their music.
Seether’s influence extends beyond their musical accomplishments. For nearly a decade, the band founded and ran the Rise Above Fest, an annual event dedicated to raising awareness for suicide prevention and mental illness. This initiative highlights the band’s commitment to using their platform for meaningful causes, adding depth to their legacy.
The band’s longevity in a notori-
ously fickle industry is a testament to their authenticity and musical integrity. Throughout lineup changes and evolving musical trends, Seether has remained true to their core sound while still finding ways to grow and adapt.
As Seether prepares to take the stage at White Oak Music Hall Lawn, Houston fans can expect a show that spans the band’s impressive catalog while showcasing their latest material. The outdoor venue provides a perfect backdrop for Seether’s powerful sound, promising an immersive experience for concertgoers.
This performance is more than just a stop on a tour; it’s a celebration of Seether’s enduring legacy and a glimpse into their future. Fans will have the opportunity to hear classic hits like “Broken,” “Fake It,” and “Remedy” alongside new tracks from “The Surface Seems So Far,” offering a comprehensive view of the band’s musical journey.
For those yet to secure tickets, they remain on sale through the band’s official website, www.seether.com. Given Seether’s dedicated fanbase and the anticipation surrounding their new album, early ticket purchase is advised.
As Seether continues to forge ahead in their career, this Houston show stands as a testament to their ongoing relevance in the rock world. It’s a chance for long-time fans to reconnect with the band they love and for new listeners to experience the raw energy and emotional depth that have made Seether a mainstay in rock for over two decades.
In an era where rock music’s place in the mainstream is often questioned, Seether’s continued success and creative output serve as a powerful reminder of the genre’s enduring appeal. As they prepare to unleash “The Surface Seems So Far” and embark on this new tour, Seether once again proves that authentic, emotionally charged rock music will always find its audience.
The October 5th show at White Oak Music Hall Lawn isn’t just a concert; it’s a milestone in Seether’s ongoing story, a story of perseverance, evolution, and the unifying power of rock music. For Houston rock fans, it’s an opportunity not to be missed – a chance to be part of Seether’s legacy and to experience firsthand the electricity of a band still at the height of their powers.
Indie Pop Sensation Cuco Set to Dazzle Houston Fans at White Oak Music Hall: A Journey from Bedroom Producer to Rising Star
By Troy Wilson
Indie pop phenomenon Cuco is preparing to bring his dreamy, bilingual soundscapes to Houston this month, marking another milestone in his meteoric rise to fame. The 26-year-old singer-songwriter, born Omar Banos, will take center stage at White Oak Music Hall’s expansive Lawn on Friday, September 27th, treating fans to his unique blend of psychedelia-tinged love ballads and laid-back beats that have captured the hearts of listeners across the globe.
Cuco’s journey to stardom is as captivating as his music, embodying the American dream with a distinctly millennial twist. Born in Inglewood, California, to Mexican immigrant parents, he grew up in nearby Hawthorne, absorbing a rich tapestry of musical influences. From an early age, Cuco displayed a prodigious talent for
music, teaching himself multiple instruments before he even reached high school. By the age of eight, he had already picked up the guitar, and by eleven, he was composing his own songs.
The artist’s stage name, a playful nod to his childhood nickname (the Spanish pronunciation of “cuckoo”), belies the serious musical chops that have earned him a devoted following. Cuco’s sound, often described as “bedroom pop” or “alternative dream pop,” seamlessly blends elements of bossa nova, indie rock, and psychedelia. His bilingual lyrics, delivered in both English and Spanish, have struck a chord with young Latino listeners in particular, who see in Cuco a representation of their own bicultural experiences.
Cuco’s musical evolution is a testament to his diverse influences and experimental nature. In his early teens,
he adopted the moniker “Heavy Trip” and dabbled in psychedelic music. However, as he began to craft poppier tunes, he rebranded himself as Cuco. His eclectic taste is evident in his list of inspirations, which range from contemporary acts like Tame Impala and Tyler, The Creator to 60s psychedelic rock bands such as Love and The Doors. This fusion of old and new, mainstream and underground, has resulted in a sound that feels both familiar and refreshingly original.
The artist’s rise to fame is a quintessential story of the internet age. After self-releasing his first EP, “Wannabewithu,” in 2016, he quickly gained traction on streaming platforms. Songs like “Lover is a Day” and “Amor de Siempre” went viral, connecting with listeners through their raw emotion and lo-fi charm. His breakthrough single,
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“Lo Que Siento,” released in 2017, has since amassed over 320 million streams on Spotify alone. This success allowed the young artist to drop out of Santa Monica City College after just one year and pursue music full-time, a decision that has clearly paid off.
Cuco’s journey from bedroom producer to rising star has been marked by several notable achievements. He’s performed at major festivals like Coachella and Lollapalooza, sharing stages with established acts and even collaborating with saxophone legend Kenny G. In 2019, after a two-year bidding war, Cuco signed with Interscope Records, marking his transition from independent artist to major label signee.
The upcoming Houston show comes on the heels of Cuco’s latest release, the “Hitchhiker” EP, which dropped in November 2023. This sevensong collection showcases the artist’s evolving sound, delving into themes of
mortality and life’s fragility while maintaining the dreamy, psychedelic vibes that fans have come to love. It follows his sophomore album, “Fantasy Gateway,” released in 2022, which featured collaborations with artists like Kacey Musgraves and Adriel Favela, demonstrating Cuco’s ability to cross genre boundaries and appeal to diverse audiences.
Concertgoers at the White Oak Music Hall can expect to hear a mix of fan favorites and new material. Cuco’s live performances are known for their intimate feel, with the artist’s soulful vocals and intricate instrumentation creating a mesmerizing atmosphere. His ability to blend synthesizers, 808s, and what he describes as “washed out analog sounds” creates a lush sonic landscape that translates beautifully to live settings.
As Cuco continues to make waves in the music industry, his upcoming Houston performance is not to be missed. With his unique blend of cultural
influences and genre-defying sound, Cuco represents a new generation of artists who are redefining what it means to be a pop star in the 21st century. His music speaks to the experiences of young Latinos in America, but its emotional resonance transcends cultural boundaries, touching listeners from all backgrounds.
The choice of White Oak Music Hall’s Lawn as the venue for this performance adds another layer of excitement to the event. The outdoor setting provides the perfect backdrop for Cuco’s dreamy soundscapes, allowing fans to experience his music under the stars. It’s a fitting environment for an artist whose music often evokes a sense of cosmic wonder and introspection.
Cuco’s rise to fame hasn’t been without its challenges. In 2018, he and his band were involved in a serious tour bus accident that sent them to the hospital. However, this experience only seemed to deepen his artistic resolve, with themes of vulnerability and resilience finding their way into his subsequent work, including his debut studio album “Para Mi.”
As he prepares to take the stage in Houston, Cuco stands as a symbol of the changing face of pop music. His success demonstrates the power of authenticity and cultural pride in connecting with audiences. For many young Latino fans, Cuco’s music provides a soundtrack to their lives, blending the sounds of their heritage with contemporary indie pop in a way that feels genuine and relatable.
Tickets for Cuco’s September 27th show at White Oak Music Hall are on sale now. Given the artist’s growing popularity and the intimate nature of the venue, fans are encouraged to secure their spots early for what promises to be a memorable night of music. As the sun sets over Houston and Cuco’s dreamy melodies fill the air, attendees will have the chance to witness a rising star in his element, creating musical magic under the Texas sky.
German Metal Titans U.D.O. Set to Unleash Heavy Metal Thunder at Houston’s Warehouse Live Midtown
By Albert Schwartz
Heavy metal fans in Houston, Texas are in for a treat as German metal icons U.D.O. prepare to storm the stage at Warehouse Live Midtown on September 12, 2024. Led by the indomitable Udo Dirkschneider, whose distinctive voice has been a cornerstone of heavy metal for over four decades, U.D.O. is set to deliver a night of pure, unadulterated metal mayhem.
This highly anticipated show is part of U.D.O.’s rescheduled North American tour, which was originally planned for late 2023 but faced postponement due to what the band described as “an insurmountable combination of logistical, cargo, and rental equipment problems.” The rescheduled tour, kicking off on September 6, 2024, in Frenchtown, New Jersey, will see the band traversing the continent before concluding in Manchester, New Hampshire on October 12.
U.D.O.’s current tour supports their latest album, “Touchdown,” released in August 2023 through Atomic Fire Records. The 13-track powerhouse showcases the band’s enduring commitment to delivering hard-hitting, no-nonsense heavy metal. Produced by Martin “Mattes” Pfeiffer and mastered by Stefan Kaufmann at ROXX Studio, “Touchdown” has been praised for its robust sound and uncompromising metal spirit.
In a recent interview with KNAC.COM, the 71-year-old Udo Dirkschneider shed light on what fans can expect from the setlist. While U.D.O. has primarily focused on their own extensive catalog in recent years, Dirkschneider revealed that the band might include a couple of ACCEPT classics in their set, particularly the iconic “Balls To The Wall.” This decision comes as a treat for longtime fans who have followed Dirkschneider’s career from his ACCEPT days through his successful journey
with U.D.O.
“The promoter in America, he said, ‘Yeah, but when you come on tour, you have to play ‘Balls To The Wall’. You cannot be in America without ‘Balls To The Wall’,’” Dirkschneider explained. “And then he said, ‘Can we put this in the contract?’ And I said, ‘Don’t worry. We don’t have to put this in the contract. I know that we have to play ‘Balls To The Wall’ in America. Of course.’”
Adding to the excitement surrounding the tour is the recent addition of Peter Baltes to U.D.O.’s lineup. Baltes, the former bassist of ACCEPT, officially joined U.D.O. and DIRKSCHNEIDER (Udo’s project focusing exclusively on ACCEPT material) in April 2024. His presence adds another layer of authenticity to the group’s sound, especially when revisiting ACCEPT classics.
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Open 6 Days A Week
Tuesday thru Sunday
Wednesday’s @ 7:00 pm - 10:00 pm
Sunday, September 1 - Katie’s Sunday Blues Jam with guest host Chris Castaneda
Wednesday, September 4 - Wednesday Night Jam with Bob Emmons
Thursday, September 5 - Chad Ware
Friday, September 6 - Zach Tate
Saturday, September 7 - Mark May Tribute Band
Sunday, September 8 - Katie’s Sunday Blues Jam with guest host The Classix
Wednesday, September 11 - Wednesday Night Jam with Hugo Rodriguez
Thursday, September 12 - Eric Demmer
Friday, September 13 - Bayou Gipsies
Saturday, September 14 - The Repeat Offenders
Sunday, September 15 - Katie’s Sunday Blues Jam with guest host Chris Castaneda
Wednesday, Sepember 18 - Wednesday Night Jam with Bob Emmons
Thursday, September 19 - Static Blues
Friday, September 20 - Sparky Parker
Saturday, September 21 - Wake Zone
Sunday, September 22 - Celebration of Life for Mark May. Music Starts at 3:00 pm
Wednesday, September 25 - Wednesday Night Jam with Hugo Rodriguez
Thursday, September 26 - The HipWaders
Friday, September 27 - Pa’Zazz
Saturday, September 28 - Kelly Chambers
Sunday, September 29 - Katie’s Sunday Blues Jam with guest host Paul Ramirez
Wednesday, October 2 - Wednesday Night Jam
U.D.O.
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The current U.D.O. lineup, featuring Udo Dirkschneider on vocals, Andrey Smirnov and Fabian Dee Dammers on guitars, Peter Baltes on bass, and Sven Dirkschneider on drums, promises to deliver a high-octane performance that spans the band’s impressive 18-album discography.
Warehouse Live Midtown, known for its intimate atmosphere and excellent acoustics, provides the perfect setting for U.D.O.’s high-energy show. The venue’s history of hosting legendary rock and metal acts makes it an ideal stop on this tour, allowing fans to experience the raw power of U.D.O.’s music up close and personal.
For die-hard fans looking to make the most of this rare opportunity, VIP packages are available. These exclusive packages include a meet-and-greet with the band, photo opportunities, autographs, and more, offering an unforgettable experience for true metal aficionados.
U.D.O.’s journey began in 1987 following Udo Dirkschneider’s departure from ACCEPT. Over the years, the band has carved out a significant place in the heavy metal landscape, consistently delivering albums that stay true to the classic metal sound while pushing the boundaries of the genre. From their debut “Animal House” to the recent “Touchdown,” U.D.O. has maintained a prolific output, averaging nearly an album per year.
The band’s longevity and consistency are a testament to Dirkschneider’s unwavering dedication to heavy metal. Despite brief reunions with ACCEPT and various lineup
changes over the years, U.D.O. has remained a constant force in the metal world, continuing to tour and release new material that resonates with fans old and new.
As U.D.O. prepares to bring their ‘Touchdown’ tour to Houston, metal fans in the area are buzzing with anticipation. The combination of new material from “Touchdown,” classic U.D.O. tracks, and the possibility of hearing a few ACCEPT favorites makes this show a must-see event for any serious metal enthusiast.
Don’t miss U.D.O. as they bring their ‘Touchdown’ tour to Warehouse Live Midtown in Houston on September 12, 2024. With Udo Dirkschneider’s iconic vocals leading the charge, backed by a band of seasoned metal veterans, it’s sure to be a night of fist-pumping, headbanging metal that fans will be talking about for years to come. Tickets are on sale now, but given the band’s loyal following and the venue’s intimate size, they’re likely to sell out fast. Secure your spot for what promises to be one of the most intense and memorable metal shows to hit Houston in 2024!”
Sunday, September 1, 3:00 pm – 7:00 pm
Papa’s On The Lake 14632 TX-Hwy 105 - Montgomery, TX 77356
Friday, September 6, 8:00 pm – 11:00 pm
No Label Brewery 5351 1st St - Katy, TX 77493
Saturday, September 7, 9:00 pm – 1:00 am
Aspens Bar & Grill 817 Clear Lake Rd. - Kemah, TX 77565
Friday, September 27, 8:00 pm - 12:00 am
Sharky’s Tavern 504 25th St - Galveston, TX 77550
Saturday, September 28, 9:00 pm – 1:00 am
Mo’s Irish Pub Katy 23511 Katy Freeway - Katy, TX 77494
Friday, October 4, 8:00 pm -12:00 am
Scotty’s Saloon 114 Agnes Rd - Richmond, TX 77469
Saturday, October 12, 7:00 – 10:00 pm
Lone Pint Brewery
507 Commerce St - Magnolia, TX 77355
Friday, October 18, 9:00 pm – 1:00 am
Pub Fountains
12720 SW Freeway - Stafford, TX 77477
Saturday, October 19, 8:00 pm - 12:00 am
Sharky’s Tavern 504 25th St - Galveston, TX 77550
Saturday. October 26, 8:00 pm - 12:00 am
Backwoods Saloon 230 Lexington Ct - Conroe, TX 77385
Friday, November 8, 7:00 – 10:00 pm
No Label Brewery 5351 1st St. - Katy, TX 77493
Saturday, November 16, 9:00 pm – 1:00 am
Aspens Bar & Grill 817 Clear Lake Rd. - Kemah, TX 77565
Friday, November 22, 9:00 pm – 1:00 am
Pub Fountains
12720 SW Freeway - Stafford, TX 77477
Saturday, December 14, 9:00 pm – 1:00 am
Jack’s Pub *Christmas Party!!! 11720 S Wilcrest, Houston, TX 77099?
The Exploited Perform At Warehouse Live in Houston: A Night of Pure Punk Fury on September 28
By Troy Wilson
On September 28, Houston’s Warehouse Live Midtown is about to be hit with an anarchic force of nature as The Exploited, one of the most notorious and unapologetic punk bands in history, takes the stage. For over four decades, The Exploited have been the living embodiment of punk rock’s rebellious spirit, and their upcoming performance promises to be nothing short of explosive.
Riot-starting, bouncer-bashing, copbaiting, hotel-trashing, foul-talking, noise-making, chaos-causing, venuewrecking, government-hating, rulebreaking, piss-taking, and unrelenting in their mission, The Exploited are not here to entertain with sanitized, corporatefriendly punk. No, this is the real deal, raw and undiluted, a blast of rage and defiance that refuses to be tamed or packaged for mass consumption.
Let’s get one thing straight: The Exploited are not “punkers” or any of the other cutesy, watered-down, MTVfriendly names you might want to call them. The Exploited are punk rock in its purest form. But to truly understand what
that means, we need to go back to where it all began.
It’s early 1980, and the world is a bleak place, especially if you’re young, broke, and living in a decaying workingclass neighborhood in Edinburgh, Scotland. Entertainment on a Saturday night, or any other night of the week, consists of sitting around at home watching crap on TV or sitting in a bus shelter drinking cider or sniffing glue. If you’re old enough, maybe you’ll be at the local pub, drowning your sorrows with the same pint as your dad.
Punk rock was the lifeblood for those who had nothing else, the only thing that made sense in a world with ‘no future.’ It was more than just music; it was a way of life, a dangerous business where the mere act of looking like a punk could earn you a night in casualty if you weren’t careful. And getting to and from one of the few venues that would let punk bands play could literally be a matter of life and death.
In this environment, you could either cop out and be a part-time punk, flattening your hair down for school,
work, or more likely, the dole queue. Or you could follow whatever trend was “in” this week. The other option, the only option for those who were truly committed, was to give everything to punk rock, just as it had given everything to you. If you were going to be unemployed, then be unemployable. If you were going to get beaten up, then go down fighting. And if you had something to say, then shout it out loud, even if it meant getting into trouble, even if it meant smashing stuff up. After all, punks were supposed to be obnoxious, weren’t they?
This was the route chosen by Wattie Buchan, an ex-squaddie who took on vocal duties for The Exploited, along with Big John Duncan on guitar, Dru Stix on drums, and Gary McCormack on bass. From the very start, there was no toning these Edinburgh punks down, no diluting their music for public consumption. The Exploited were punk rock, in all its loud, brash, and chaotic glory.
Just one year later, in 1981, they released their debut album on the Secret label. It was as much a rallying battle cry as it was a record. Titled “Punk’s Not Dead,” the album went on to become the number one independent album of 1981, reaching number 20 in the national charts and selling 150,000 copies. If punk was dead, no one had told The Exploited’s rapidly growing “barmy army.”
While “Punk’s Not Dead” may not have been the greatest record ever made, as an opening gambit, it was unbeatable. And live, the band was nothing short of incredible. The long, hot summer of ’81 saw the whole country going up in flames, with real anarchy in the UK as city after city, town after town, exploded in riots. It was the perfect time for The Exploited to co-headline the legendary “Apocalypse Now” tour with fellow punk giants, Discharge. The sell-out London show at the Lyceum Ballroom took place just one day after the Brixton riots. Talk about an electric atmosphere!
By October that year, The Exploited were in the singles charts with the violently evocative “Dead Cities,” leading to arguably the most ferocious performance ever seen on Top Of The Pops. Yes, you read that right, The Exploited on Top Of The Pops! And yes, there were numerous complaints. The band followed this with another massive UK tour, one that ended in a full-scale riot at the Rainbow in Finsbury Park. Or maybe that was another time. Certainly, it was snowing in the capital the night ever-
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Wednesday, Sept. 4 Wednesday, Sept. 18 DOORS @
DOORS
Sept.
Saturday, Sept. 28
The Exploited
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demented frontman Wattie declared war on the Mods, resulting in a pitched battle outside the venue.
The next year, 1982, saw the release of The Exploited’s first genuine classic album, “Troops Of Tomorrow,” which reached number 17 in the charts. Ten years later, tracks from this album, most notably “UK82” (changed to “LA92”), were covered by Slayer for the “Judgement Night” soundtrack. It was yet more proof that without the likes of The Exploited, Discharge, and GBH, there would be no thrash metal, and thus, no Metallica, Slayer, or Slipknot. The influence of these punk bands even extended to such varied acts as Queens Of The Stone Age (whom Wattie presented with a “Best International Newcomers” gong at the Kerrang Awards in 2000), Atari Teenage Riot, Nirvana (ExExploited guitarist Big John even played for them briefly), and Massive Attack.
Over the next two decades, The Exploited would go on to be tear-gassed by German cops, banned from Holland, arrested in Spain, and declared that the
Falklands are British forever while on stage in Argentina. They caused more carnage than a multi-car pile-up on the M1. But throughout it all, they remained steadfastly true to their roots, never selling out, never splitting up (despite numerous line-up changes), and never bowing down.
The Exploited have been accused of being dumb (yes, sometimes, but willfully so) and causing trouble (guilty again, but smashing stuff is fun, and punks are supposed to be obnoxious). But they are also fiercely, not to mention bluntly, socially and politically aware, covering everything from the Criminal Justice Act to the increasing use of Big Brother CCTV. They have never wavered from their anti-authoritarian, anti-war stance. And while a critic once suggested they were stating the obvious (politicians are liars and war is bad), someone is still voting for the fuckers, and we seem to be on the brink of World War Three. Someone should be shouting about it, for Christ’s sake! And no one shouts louder than The Exploited.
Who else would have the nerve to drown a Tory politician in their video (for the title track of their 1996 masterpiece “Beat The Bastards”) or repeatedly refer to Maggie Thatcher as a “fucking cunt!” (“Maggie”). So, as we face the start of another year and nothing has changed — the country’s still fucked, on the brink of war as America’s lapdog, and bored kids still wander the streets (smack and designer labels having replaced glue and cider) — The Exploited are just as relevant today as they were in 1980.
Punk rock has come to mean so many different things to so many different people. Like an incurable virus, the genre has infected the whole world, evolving, mutating (often beyond recognition), and contaminating everything that gets in its path. Fashion, art, comedy, politics, and of course, music have all been irrevocably altered by punk rock. Even football got in on the act — a Mohican haircut we’re told is now called a Beckham. Not bad for something that has been pronounced dead more times than Dracula.
But to The Exploited, punk rock still means everything. Their eighth studio album, “Fuck The System,” released in 2003, sees the band on more explosive form than ever, riotous, unrepentant, and wholly uncompromising. Tracks like “Never Sell Out” and “Chaos Is My Life” (both self-explanatory) are as brutally heavy as anything bands half their age have to offer and prove beyond doubt that not only is there life in the old dog yet, but the fucker’s got rabies! “Fuck The System” isn’t just an album title; it’s a statement of intent. But then, it is a punk rock album, and make no mistake: The Exploited are punk rock!
Fast forward to the present day, and while The Exploited may not have released a new studio album since “Fuck The System,” they have continued to tour relentlessly, leaving a trail of destruction in their wake across the UK and Europe. Their live shows are legendary, a chaotic maelstrom of sound and fury that leaves no room for compromise. It’s a testament to their staying power and the raw, untamed energy that has kept them going for over 40 years.
As they prepare to take the stage at Warehouse Live Midtown on September 28, the audience can expect nothing less than a full-scale sonic assault. This isn’t just another gig; it’s a call to arms, a rallying cry for everyone who still believes in the power of punk rock to shake the foundations of the establishment. The Exploited
8:00 - 12 AM
Tom Jones to Bring ‘Ages & Stages Tour’ to Houston’s Smart Financial Centre: A Night of Timeless Hits and Enduring Talent
By Greg Fontaine
Music icon Sir Tom Jones is set to captivate Houston audiences this month as part of his extended “Ages & Stages Tour.”
The Welsh superstar will take the stage at Smart Financial Centre on Monday, September 23rd, promising an unforgettable evening of timeless hits and soulful performances that span his remarkable six-decade career.
At 84 years young, Jones continues to demonstrate the vocal prowess and stage presence that have made him a global sensation since the 1960s. Fans can expect to hear crystal-clear renditions of classic hits like “It’s Not Unusual,” “Delilah,” and “What’s New Pussycat?” – songs that have become integral parts of the pop music canon and continue to resonate with audiences of all ages.
The Houston show is part of a 16-city tour across the United States, which kicked off on September 5th in Uncasville, Connecticut. This extensive tour, which will conclude on October 12th in Lincoln, California, marks another chapter in Jones’ illustrious career. It’s a testament to his enduring appeal and tireless work ethic, showcasing an artist who refuses to rest on his laurels.
Throughout his career, Jones has sold over 100 million albums and earned numer-
ous accolades, including GRAMMY Awards, Brit Awards, and NME Awards. Perhaps most notably, he was knighted by Queen Elizabeth II in 2006 for his services to music, joining an elite group of musical knights that includes Sir Paul McCartney and Sir Elton John.
Known for his versatility, Jones has defied easy categorization throughout his career. The New York Times once aptly described him as a “musical shapeshifter who could slide from soulful rasp to pop croon, with a voice as husky as it was pretty.” His repertoire spans pop, gospel, R&B, soul, and rock and roll, showcasing a remarkable ability to adapt to changing musical landscapes while maintaining his signature style.
Jones’ journey from a small town in Wales to international stardom is the stuff of legend. Born Thomas John Woodward, he began his professional singing career in 1963, performing with beat groups in Wales. It wasn’t until 1965 that he burst onto the international scene with “It’s Not Unusual,” which became a number one hit in the UK and a top ten hit in the US. From there, his career skyrocketed, with a string of hits and notable performances, including recording the theme for the James Bond film “Thunderball.”
The singer’s most recent album, “Surrounded by Time,” released in 2021, demonstrates his continued artistic evolution.
The album features covers of songs by diverse artists such as Bob Dylan and Todd Snider, and even includes a Radioheadinspired track. This latest work follows a string of critically acclaimed albums that saw Jones exploring the modern American Songbook and collaborating with contemporary artists, proving that his musical curiosity and willingness to experiment remain undiminished.
In recent years, Jones has also endeared himself to a new generation of fans through his role as a coach on the UK version of “The Voice.” His wit, charm, and vast musical knowledge made him a favorite among contestants and viewers alike, further cementing his status as a beloved cultural icon.
The “Ages & Stages Tour” offers longtime fans and new listeners alike the opportunity to experience Jones’ legendary “full-throated, robust baritone” in person. From his early days as part of the British Invasion to his reinvention as a crossgenerational icon, Tom Jones has consistently delivered powerful performances that leave audiences in awe.
As he prepares to grace the stage at Smart Financial Centre, Jones shows no signs of slowing down. His passion for performing remains as strong as ever, promising Houston concert-goers an electric atmosphere filled with hits from across his extensive catalog. Attendees can expect a journey through musical history, from the swinging sixties to contemporary sounds, all delivered with Jones’ trademark energy and charisma.
Tickets for this must-see performance are on sale now. Given Tom Jones’ enduring popularity and the intimate setting of the Smart Financial Centre, fans are encouraged to secure their seats early for what promises to be a highlight of Houston’s fall concert season.
Local music enthusiasts are already buzzing with anticipation. “Tom Jones is more than just a singer; he’s an institution,” says Maria Rodriguez, owner of a local record store. “His voice is just as powerful now as it was 50 years ago. It’s incredible.”
As the excitement builds for Jones’ Houston performance, it’s clear that his appeal transcends generations. Whether you’re a long-time fan who’s followed his career from the beginning or a younger listener discovering his music for the first time, the “Ages & Stages Tour” promises to be an unforgettable experience.
Don’t miss this chance to witness a true living legend in action, as Tom Jones continues to prove that great music, like fine wine, only gets better with age. From the sultry swing of “She’s a Lady” to the heartfelt balladry of “Green, Green Grass of Home,” Tom Jones’ Houston performance is set to be a celebration of a truly remarkable musical journey – one that shows no signs of ending anytime soon.
By Jose Martinez
Los Tucanes De Tijuana, the celebrated Mexican norteño band renowned for their pioneering contributions to the genre, will bring their energetic and influential sound to Smart Financial Centre in Sugar Land, Texas on September 7, 2024. This highly anticipated performance will be a highlight of their ongoing national tour and offers fans an opportunity to experience one of the most iconic acts in regional Mexican music.
Founded in 1987 in Tijuana, Baja California, Los Tucanes De Tijuana, led by the charismatic Mario Quintero Lara, revolutionized the norteño genre. The band, alongside contemporaries like Los Tigres del Norte, is credited with introducing a grittier, more vibrant sound that diverged from the traditional norteño style prevalent in northeastern Mexico. Their innovative approach has significantly influenced norteño music, particularly in Mexico’s Pacific states, shaping the genre’s modern identity.
Over the years, Los Tucanes De Tijuana have amassed numerous accolades and milestones. Their impressive career includes multiple Grammy Award nominations and a Latin Grammy win in 2012 for their album 365 Días. The band has also earned nine Lo Nuestro Awards nominations and has been recognized with various BMI Awards for their contributions to music composition. In a notable achievement, they became the first norteño band to receive an international film award, winning the Un Certain Regard Angel Film Award at the Monaco International Film Festival for their role in the documentary Los Ilegales. Furthermore, in 2008, they were honored with a star on the Las Vegas Walk of Fame, cementing their legacy in the music industry.
The band’s influence extends beyond the studio and stage. In 2019, Los Tucanes De Tijuana made history by becoming the first regional Mexican music group to perform at the Coachella Valley Music and Arts Festival in Indio, California. This performance marked a significant milestone for norteño music, showcasing its crossover appeal to a broader audience. Additionally, the group has participated in prestigious events such as Vive Latino and Pa’l Norte festivals, highlighting their enduring relevance in the music scene.
Throughout their career, Los Tucanes De Tijuana have sold over 25 million albums worldwide and have earned 34 gold and 30 platinum records. Their extensive discography includes hits like “La Chona,” “El Tucanazo,” “La Chica Sexy,” “Vivir de Noche,” and “El Centenario,” which continue to enjoy
Iconic Norteño Band Los Tucanes De Tijuana Perform at Smart Financial Centre on September 7th
popularity on radio stations and music platforms. Their music has also made notable appearances on U.S. charts, underscoring their widespread appeal.
The band’s journey began in the early 1980s, with the formation of the group by Mario Quintero Lara, Mario Moreno, Joel Higuera, and David Servín Raya. Initially performing at small venues and family gatherings, they eventually moved to Los Angeles to break into the Latin club circuit. Their early albums, such as Me Robaste el Corazón (1994) and Mundo de Amor (1995), helped establish their reputation in both Mexico and the U.S., leading to significant chart successes.
The late 1990s and early 2000s saw the band’s international consolidation. They received critical acclaim and multiple nominations for their albums Al Por Mayor and Me Gusta Vivir de Noche. The band’s achievements during this period include winning the “Un Certain Regard Angel Film” prize for their participation in the documentary Los Ilegales and receiving a Latin Grammy Award for 365 Días. Their influence continued to grow with memorable performances and significant contributions to major music festivals and events.
In the 2010s, Los Tucanes De Tijuana continued to solidify their place in music history. They were featured in the
Grammy Museum’s “Great Latin Stars” display, alongside legendary artists like Celia Cruz and Ricky Martin. The band also received the Legacy Award at the Billboard Mexican Music Awards and was recognized as “Ambassador of Norteño Music” at the Mexiga Festival in Spain. Their participation in the film Hecho en México and their composition of the theme song for the Telemundo series Señora Acero further highlighted their impact on both Mexican and international music scenes.
As the band enters 2024, their upcoming performance at Smart Financial Centre is set to be a memorable event for fans in Texas and beyond. The concert will showcase their extensive catalog of hits and celebrate their enduring influence on norteño music. With a career spanning over three decades, Los Tucanes De Tijuana remain a defining force in regional Mexican music, continuing to captivate audiences with their dynamic performances and innovative sound.
Tickets for the Smart Financial Centre performance on September 7th are available now, and fans are encouraged to secure their seats early for a chance to witness this legendary band live. The event promises to be a vibrant celebration of norteño music, offering an unforgettable experience for attendees.
The Biker, The Blues & This Month
The
Blues In Idaho
The blues is international in scope and with its many sub-genres its depth reaches countless millions world wide. In the states it reaches Boise Idaho. Boise is just north of Nevada: go to Jackpot Nevada and go northwest on 84 until you arrive in Boise. The photo on the left depicts the turn out at their annual Boise Music Festival, so yes Boise is into the blues big time. There is just something about the blues that keeps calling musicians home. Ask just about any guitar player how they originally made their chops and they will probably tell you that they cut their teeth on the blues. If they are not playing blues full time and you ask them why they moved from it they will probably tell you their answer in one word, money. Nashville is full of guitar pickers and many of them will tell you they favor the blues but country has a much wider audience. That is definitely true but no one ever told the good folks of Idaho that’s the way the cookie crumbles. As you can see they turn out en masse to hear the down to earth roots music. In Boise it even goes a step further too. The blues community heavily supports young people looking to learn the craft and then bust loose on stage. That’s cool. To love something so much, to know how much enjoyment it can bring to musicians and festival goers alike that you stand behind those trying to make their bones. That really is cool. Willie Nelson sings the verse, “The nightlife ain’t no good life but it’s my life” and like a moth driven to a flame both performer and listener find themselves intertwined into one community with the common denominator being the blues. One of Boise’s cool night spots is a place named The Sapphire Room. An upscale listening room that as the saying goes is one of the best kept secrets in America. The place seats up to 170 people and includes a top shelf lighting system, clear sight lines of the stage from any seat in the house and the sound system is excellent. This room draws national touring acts as well as highly coveted regional bands and artists. Then you add the annual Boise Music Festival and Boise has got it working. “The Lucky Losers” out of San Francisco were scheduled to perform at The Sandbar Patio located in The Riverside Hotel. If you have not heard them then the next time they perform near you take it in. Phil and Kathy have been paying their dues from coast to coast for years. No matter where they lay the blues down audiences want them back. They are that good and once again Boise is on top of delivering great blues. Both the Sapphire Room and Sandbar Patio are located inside The Riverside. Quite the place, upscale but not snobby. As a side bar note - I find it rather interesting when I pull up on my scooter and say to the valet please leave it up front. They never quarrel as many of them would rather just see this gem up front than risk dropping it or worse yet having it get away from them. Laster on beyond The Riverside I was sitting in this dive bar and the guy next to me tells me about people from all over the region coming to Boise for ribs. That comment caught me totally off guard and I asked
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The Biker, The Blues & This Month
The Blues In Idaho
well where do they go for ribs? He said there are a number of places but my favorite is Good Wood Barbeque. He said you name it and they got it. Pork ribs, Beef ribs, Sausage and Chicken and it’s all good, really good. I asked if he worked there he smiled and said no but their food is good. Well my hunger alarm was going of f so I looked on my phone and located the place. Now what I was not ready for was their complete menu. Yes, it had the standard fare for BBQ and sides but this place went one step further - they offered smoked prime rib. Can you imagine that? I came in for the ribs but I kept going back to the prime rib listing on the menu. A BBQ joint with a prime rib offering, can you even picture that, for some reason I wasn’t thinking it belonged on that menu. Yet when the waiter came back that is exactly what I ordered and let me tell you it wasn’t just good, it was damn good. Overall, people usually don’t know what to think of me. I mean they hear the noise and see the bike when I pull up so who knows what’s on their mind. Kids though are usually all smiles. I have even had parents ask if they can take a photo of their son or daughter beside me and the bike. Kids are so accepting which makes taking the shot special. Then they grow into some kind of who knows what just before they hit their teens and God doesn’t give them back to you until they are twenty one. If I am lying I am dying. Many people notice my plates and ask if I trailer the bike to the destination or do I ride it all the way there. Well I travel on two wheels as nothing beats being free and easy. I am lucky but if you can only get away for a weekend and need to trailer that’s cool. Being up on two wheels is a thrill even if you can only do it when you can do it. No matter how you get there try Boise and allow yourself some time to visit the Boise National Forest. It’s cool. On my second day I woke up at the nondescript No Tell Motel and made my way west on route 184, about a fifteen minute ride. Once you get to the park’s welcome sign there’s a ranger station close by and you just go there and get a map of the forest with its many trails, camping areas etc. While there I noticed that the sky had this crystal clear look to it as if air pollution had not arrived in Idaho. The trees were deep green and the streams were crystal clear. Now there was this one curiosity of mine and that was about bears. Yep the park has them and while I wasn’t too sure what I would do if I saw one, running did come to mind. One time at Yosemite I made it to the top of this one road that ended at a small store. A country store that sold ice cream cones. Locals drive up there and sit at one of the picnic tables and enjoy their cones.
So I arrived by entering into their parking area and all I could see were adults with kids running from the store. Then this middle aged guy with a broom chasing a black bear
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The Biker, The Blues & This Month
The Blues In Idaho
Bravo to Boise and all of the other over one hundred plus blues societies that belong to the Blues Foundation. Now to close out this month’s article let me share that I noticed on the “Idaho Women Sing the Blues” page that a woman chose a Willie Dixon song and that put me in the mood for Willie’s “Spoonful”. That in turn move me to watch “Cadillac Records”. Finally watching that led me to a single malt scotch and a 50 ring hand rolled cigar. Get this, it’s only 9:08 in the morning - so fire me… I am free baby…
off of the deck area. I had just shut off the bike so I could hear the guy telling folks that it was ok that the bear just comes around to steal ice cream from visitors. Well I knew one thing for sure I wasn’t going to order an ice cream cone. So that was my experience at Yosemite and while the experience was a bit humorous now being in the wild in Idaho with large wild bears well that may not be so funny. I enjoyed the day, met a nice couple while sitting at a picnic table, they were from the Boise area. I asked them if they were going to go somewhere to hear the blues where would they go? They said they enjoyed a place named Watson’s. A friendly place that hosts many of the region’s up and comers as well as established blues players. I went there and right away I was met by an upbeat, friendly waitress. The feel of the place had more personality than most places I had been in over the last six months or so. The lady waiting on me told me that the Boise Blues Society has a band there almost every month but what was even cooler was that she told me about an album that was recorded with the help of the Boise Blues Society named “Idaho Women Sing the Blues”. That seemed like a cool project for someone to take on so I looked it up and yep it’s listed on the Boise Blues Society’s website. Check this out: twenty one women getting the chop credits they deserve. The album was produced and designed by Norman Davis, Don Cunningham and Patrick Reid. It contains twenty one tracks and features traditional blues and blues rock including familiar cover songs as well as originals. By the way the website even lists the band members plus who wrote each song. That’s informative. Boise has got it working. The blues is alive and well there. So many people love the blues but just don’t know it. Unless local communities keep educating young musicians about what the blues sounds like, what it is both historically and culturally then many young people will just think it is something else, maybe another genre. Boise is investing into their youth and music. If you think about it putting an instrument in their hands is better than young people putting a gun in their own hands.
Ramón Ayala Brings Legendary Norteño Music to Smart Financial Centre: A Milestone Performance on October 5
By Jose Martinez
On Saturday, October 5, the Smart Financial Centre in Sugar Land, Texas, will host a musical icon whose career spans over five decades—Ramón Ayala, the undisputed “King of the Accordion.” As part of his El Principio de un Final Tour 2024, Ayala will grace the stage with a performance that promises to be a memorable celebration of norteño music.
Ramón Ayala, born on December 8, 1945, in Monterrey, Mexico, is a towering figure in Latin music, revered for his profound impact on
the norteño genre. Known for his mastery of the accordion and his evocative vocal style, Ayala’s career is a testament to his artistry and innovation. Over the past 50 years, he has not only redefined norteño music but also elevated it to international prominence. His unique interpretive style has earned him a place as one of the foremost representatives of Mexican music around the world.
Ayala’s musical journey began at a young age. Raised in a modest family, he was the son of local musician Ramón Cobarrubias. By the age of six, Ayala had already started
playing the accordion, an instrument that would become central to his career. His early experiences included performing in public places with his first bands, Los Jilgueros de Marin and Los Pavorreales. These formative years laid the groundwork for his future success.
In the early 1960s, Ayala teamed up with the late bajo sexto guitarist and vocalist Cornelio Reyna to form Los Relámpagos del Norte. This collaboration was pivotal, as it virtually invented modern conjunto music. The duo’s distinctive sound
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and innovative approach revolutionized the norteño genre, which was then largely confined to cantina music. Their breakthrough single, “Ya No Llores,” released in 1963, marked the beginning of a prolific partnership that would reshape the music landscape. Los Relámpagos del Norte recorded 20 albums, leaving behind a legacy of classics that have influenced countless artists in contemporary Latin music.
Following Reyna’s departure in 1971, Ayala embarked on a new chapter by forming Ramón Ayala y sus Bravos del Norte. With a renewed lineup and a fresh direction, Ayala continued to push the boundaries of norteño music. The band’s early success with vocalist Antonio Sauceda set the stage for further innovation. After Sauceda’s departure, Eliseo Robles joined the band, and together they crafted a style that became the gold standard for norteño music. Their partnership produced hits such as “Un Rinconcito en el Cielo” and “Chaparra de Mi Amor,” cementing Ayala’s reputation as a leading figure in the genre.
The 1980s brought additional changes, including the departure of Robles and the arrival of new lead singers. Despite these challenges, Ayala’s musical vision remained steadfast. The addition of Mario Marichalar in 1993 brought a new energy to the band, appealing to a younger audience while preserving the essence of Ayala’s signature sound. Marichalar’s influence has been instrumental in keeping the band’s music relevant and vibrant in the contemporary music scene.
Throughout his illustrious
career, Ramón Ayala has been recognized with numerous awards, including multiple Grammy and Latin Grammy Awards. His album En Vivo… El Hombre y Su Música won a Grammy Award in 2001, and he has also received Latin Grammys for Quémame Los Ojos and El Número Cien. These accolades reflect his enduring impact on the music industry and his ability to connect with audiences across generations.
Ayala’s influence extends beyond music into film, with appearances in thirteen movies, sharing credits with renowned talents such as Antonio Aguilar and Cornelio Reyna. His contributions to both music and film have solidified his status as a cultural icon.
The Smart Financial Centre will provide an ideal setting for Ayala’s performance, offering fans an opportunity to experience his music
in an intimate and dynamic venue. The concert on October 5 will feature a selection of Ayala’s greatest hits, including classics like “Casas de madera,” “Tragos amargos,” “Tristes recuerdos,” “Bonita finca de adobe,” “Un rinconcito en el cielo,” and “Mi Golondrina.” These songs, along with others from his extensive catalog, will showcase the depth and breadth of Ayala’s career.
As Ayala takes the stage for this highly anticipated performance, fans can expect a night of powerful music and heartfelt performances. His concert at the Smart Financial Centre will not only celebrate his remarkable career but also reaffirm his status as a living legend of norteño music. With over 113 albums to his name and a career that has spanned more than half a century, Ramón Ayala continues to be a vital force in Latin music, captivating audiences and setting the standard for excellence in the genre.
En Español En Español En Español En Español En Español
Los Tucanes De Tijuana
Ramón Ayala
Ana Barbara
Los Tucanes De Tijuana Llenarán el Smart Financial Centre el 7 de Septiembre
Por Jose Martinez
Los Tucanes De Tijuana, una de las bandas más icónicas del género norteño, se presentarán en el Smart Financial Centre de Sugar Land, Texas, el próximo 7 de septiembre de 2024. Este esperado concierto será una oportunidad única para disfrutar de la vibrante música de una agrupación que ha dejado una marca indeleble en la música regional mexicana.
Fundada en 1987 en Tijuana, Baja California, Los Tucanes De Tijuana, liderados por el carismático Mario Quintero Lara, revolucionaron el género norteño con su estilo innovador y enérgico. Junto a Los Tigres del Norte, fueron pioneros en introducir una versión más robusta y dinámica del norteño, alejándose de las formas tradicionales del noreste de México y dando forma al sonido característico de la región pacífica del país. Este enfoque fresco y audaz ha influido en innumerables artistas de norteño, consolidando a Los Tucanes De Tijuana como una referencia esencial en el género.
A lo largo de su carrera, Los Tucanes De Tijuana han cosechado numerosos premios y reconocimientos. En 2012, la banda ganó el Grammy Latino al Mejor Álbum Norteño por 365 Días, y han recibido varias nominaciones al Grammy y a los Premios Lo Nuestro. La banda también ha sido galardonada con diversos premios BMI por sus composiciones. Uno de sus logros más notables fue convertirse en la primera banda de música norteña en
recibir un premio internacional de cine, el Angel Film en el Festival Internacional de Cine de Mónaco, por su participación en el documental Los Ilegales. Además, en 2008, Los Tucanes De Tijuana fueron honrados con una estrella en el Paseo de la Fama de Las Vegas, destacando su impacto en la industria musical.
El impacto de la banda no se limita a los escenarios y estudios de grabación. En 2019, Los Tucanes De Tijuana hicieron historia al ser el primer grupo de música regional mexicana en presentarse en el Festival de Música y Artes de Coachella en Indio, California. Esta actuación marcó un hito importante para la música norteña, demostrando su atractivo para audiencias más amplias. La banda también ha participado en eventos de gran relevancia como los festivales Vive Latino y Pa’l Norte, lo que resalta su relevancia continua en el panorama musical.
Con más de 25 millones de álbumes vendidos a nivel mundial y 34 discos de oro y 30 de platino, Los Tucanes De Tijuana han dejado una huella profunda en la música. Canciones como “La Chona”, “El Tucanazo”, “La Chica Sexy”, “Vivir de Noche” y “El Centenario” siguen siendo éxitos en estaciones de radio y plataformas musicales. Además, sus producciones discográficas han alcanzado posiciones destacadas en las listas de éxitos en Estados Unidos, subrayando su popularidad internacional.
La historia de Los Tucanes De
Tijuana comenzó en los años 80 con la formación del grupo por Mario Quintero Lara, Mario Moreno, Joel Higuera y David Servín Raya. Inicialmente, tocaron en pequeños locales y fiestas familiares, antes de trasladarse a Los Ángeles para integrarse en el circuito de clubes latinos. Sus primeros álbumes, como Me Robaste el Corazón (1994) y Mundo de Amor (1995), ayudaron a cimentar su reputación tanto en México como en Estados Unidos, llevando a la banda a éxitos significativos en las listas de ventas.
A finales de los años 90 y principios de los 2000, Los Tucanes De Tijuana consolidaron su posición internacional. Recibieron aclamación crítica y múltiples nominaciones por sus álbumes Al Por Mayor y Me Gusta Vivir de Noche. Entre sus logros de este período se encuentran el premio “Un Certain Regard Angel Film” por su participación en Los Ilegales y el Grammy Latino por 365 Días. Su influencia continuó creciendo con actuaciones memorables y contribuciones significativas a festivales musicales y eventos importantes.
En la década de 2010, Los Tucanes De Tijuana continuaron solidificando su lugar en la historia musical. Su traje de actuación fue exhibido en el Museo Grammy en la muestra “Great Latin Stars”, junto a artistas legendarios como Celia Cruz y Ricky Martin. La banda también recibió el Premio Legacy en los Billboard Mexican Music Awards y fue reconocida como “Embajadora de la Música Norteña” en el Festival Mexiga en España. Su participación en el documental Hecho en México y la composición del tema para la serie de Telemundo Señora Acero destacaron aún más su impacto en la música tanto mexicana como internacional.
Con su próximo concierto en el Smart Financial Centre, Los Tucanes De Tijuana ofrecerán una actuación inolvidable para los fanáticos en Texas y más allá. El espectáculo será una celebración vibrante de la música norteña y una oportunidad para disfrutar de un grupo que ha cautivado a audiencias durante más de tres décadas. Los boletos para el evento del 7 de septiembre ya están disponibles, y se recomienda a los fanáticos que aseguren sus lugares con anticipación para no perderse esta legendaria presentación. El concierto promete ser una celebración emocionante de la música regional mexicana, ofreciendo una experiencia inolvidable para todos los asistentes.
Ana Bárbara traerá su Reina Grupera Tour al Arena Theatre el 27 de septiembre
Por Jose Martinez
Ana Bárbara, una cantante y compositora de renombre internacional, ha cautivado a audiencias de todo el mundo durante más de tres décadas. Su influencia trasciende las fronteras de México y Estados Unidos, con un seguimiento significativo en toda América Latina. Con un repertorio musical que abarca desde mariachi hasta pop, banda sinaloense, grupero y baladas románticas, ha logrado ventas de
millones de discos a lo largo de su exitosa carrera.
El concierto de Ana en Houston presentará la música que ha marcado su carrera de 30 años, consolidándola como una de las cantantes y compositoras más grandes de la música regional mexicana. Con su potente voz y su estilo inconfundible, ha grabado más de 15 álbumes de estudio, muchos de los cuales han recibido certificaciones de oro y platino. A lo largo de su trayectoria, ha
sido galardonada con numerosos premios, incluyendo un Latin Grammy, Billboard Latin Music Awards, Premios Lo Nuestro y Premios Juventud. Su legado la convierte en una de las artistas más influyentes del género regional mexicano, con docenas de éxitos en las listas de popularidad en México y América Latina, además de ser una embajadora importante de la cultura mexicana a nivel mundial.
Ana Bárbara, conocida como “La reina grupera,” ha sido reconocida no solo por su excepcional rango vocal, sino también por su estilo vanguardista. Su carrera comenzó en 1994, año en el que lanzó su álbum debut, “Ana Bárbara,” el cual obtuvo un disco de oro. Desde entonces, ha lanzado más de 10 álbumes de estudio, destacándose en cada uno por su talento y carisma.
Uno de sus grandes éxitos recientes, “Que poca,” lanzado en 2019, alcanzó el Top 15 de Billboard y acumuló 82 millones de vistas en YouTube, lo que le valió el título de “Artista Femenina del Año” en los Radio Awards. En 2021, lanzó su éxito global “Fruta Prohibida,” mientras que su tema “Reza y Reza” encabezó las listas tanto en México como en Estados Unidos ese mismo año.
Recientemente, Ana Bárbara ha colaborado con grandes figuras de la música, como Paquita La Del Barrio en “El Consejo,” Bronco en “Mi Corazón,” Christian Nodal en “Solos,” Cristian Castro en “De Vez En Cuando” y Don Vicente Fernández en “La Jugada,” siendo esta una de sus últimas presentaciones en vivo, todas estas canciones forman parte de su álbum “Bordado a Mano.” En 2023, Ana Bárbara lanzó “Bordado a Mano,” un álbum aclamado por la crítica y nominado tanto al Latin Grammy como al Grammy Americano.
Este mismo año, Ana Bárbara recibió uno de los premios más importantes de la industria, el BMI Icon Award, un momento histórico al convertirse en la primera compositora en ser honrada con este galardón.
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Ana Bárbara
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Entre sus numerosos logros, se encuentran 6 nominaciones al Latin Grammy, con una victoria, 4 premios Premios Lo Nuestro, incluyendo un premio a la trayectoria en 2024, 7 premios Furia Musical y 2 nominaciones al Grammy Americano.
Ana Bárbara ha contribuido no solo con su música, sino también con sus composiciones para otros artistas y su participación en televisión y cine, incluyendo una canción para la película “Border Run” protagonizada por Sharon Stone. Ha vendido más de 6 millones de discos y ha compuesto más de 60 éxitos. Su canción “Bandido” ha resurgido en popularidad gracias a las redes sociales.
Reconocida por su música y su atractivo hipnótico, Ana Bárbara se catapultó a la fama en México a mediados de los años 90, siendo coronada rápidamente como “La Reina Grupera.” Bárbara no solo dominó el movimiento grupero, sino que fue una de las fuerzas impulsoras detrás de este estilo. Su música, a menudo categorizada como ranchera, incorpora elementos de
norteño y pop latino, con canciones románticas que han conquistado los corazones de sus fans en todo el mundo. A pesar de las críticas, su música sigue siendo popular, y Bárbara ha demostrado ser una de las pocas artistas regionales mexicanas que ha logrado una proyección internacional más allá de México y Estados Unidos.
Nacida como Altagracia Ugalde Mota el 10 de enero de 1971 en Río Verde, San Luis Potosí, México, Bárbara mostró interés por la música desde temprana edad, influenciada por su hermana mayor, Viviana Ugalde, una cantante popular a nivel local. A los ocho años, comenzó a cantar como corista para su hermana, quien más tarde se convertiría en su manager. Antes de alcanzar el éxito como cantante, Bárbara se destacó por su belleza, ganando concursos como Señorita San Luis Potosí y El Rostro del Heraldo de México en 1993.
La carrera de Bárbara despegó en 1994 con el lanzamiento de su álbum debut “Nada,” que vendió más de
100,000 copias y obtuvo certificación de oro en México. Su éxito continuó con álbumes como “La Trampa” (1995) y “Ay, Amor” (1996), que la consolidaron como una estrella en ascenso en el género grupero. Su colaboración con Marco Antonio Solís en “Besos No Se Dan en la Camisa” (1997) le valió un gran éxito en México, aunque su impacto en Estados Unidos fue menor.
A lo largo de su carrera, Ana Bárbara ha sido una figura constante en los medios de comunicación, tanto por su música como por su vida personal, a menudo marcada por relaciones sentimentales que han sido objeto de interés público. A pesar de las críticas, Bárbara ha mantenido su estatus como una de las artistas más queridas y respetadas de la música regional mexicana.
El 27 de septiembre, los fanáticos en Houston tendrán la oportunidad de disfrutar de una noche inolvidable con “La Reina Grupera” en el Arena Theatre, donde Ana Bárbara interpretará sus grandes éxitos y continuará demostrando por qué sigue siendo una de las artistas más influyentes y queridas de la música mexicana.
Ramón Ayala Lleva Su Gira “El Principio de un Final” al Smart Financial Centre el 5 de Octubre
Por Jose Martinez
Ramón Ayala, una leyenda viviente de la música norteña y conocido cariñosamente como “El Rey del Acordeón,” se presentará en el Smart Financial Centre el próximo sábado 5 de octubre. Con una carrera que se extiende por más de cinco décadas, Ayala ha redefinido el género norteño con su estilo interpretativo único, consolidándose como una figura central en la música mexicana a nivel mundial.
Nacido el 8 de diciembre de 1945 en Monterrey, Nuevo León,
México, Ramón Ayala comenzó a tocar el acordeón a la temprana edad de seis años, inspirado y apoyado por sus padres. Su primer contacto con la música fue a través del grupo Los Jilgueros de Marín, seguido por su participación en Los Pavorreales. Durante su adolescencia en los años 60, Ayala revolucionó la música conjunto al formar Los Relámpagos del Norte junto al fallecido guitarrista y vocalista Cornelio Reyna. El dúo creó un sonido distintivo que rápidamente capturó la atención de la audiencia, con su primer éxito, “Ya No Llores,” grabado en 1963.
A lo largo de ocho años, Los Relámpagos del Norte dominaron las listas de éxitos, transformando el norteño de un género considerado exclusivamente para cantinas en una propuesta más accesible y dinámica. La banda grabó un total de 20 álbumes, dejando un legado de clásicos que aún son influyentes en la música latina contemporánea. Entre estos, destacan canciones como “El Disgusto” y “Mi Tesoro.”
En 1971, tras la partida de
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Cornelio Reyna para seguir su carrera en el ranchero, Ayala formó su propia banda, Ramón Ayala y sus Bravos del Norte. Con esta nueva formación, Ayala continuó consolidando su estatus en el mundo de la música. La banda, con el vocalista Antonio Sauceda, tuvo un crecimiento notable, pero los cambios continuaron. Sauceda se retiró para dedicarse a la teología cristiana, dando paso a Eliseo Robles, quien junto a Ayala, forjó una de las colaboraciones más emblemáticas del norteño. Esta asociación produjo éxitos como “Un Rinconcito en el Cielo” y “Chaparra de Mi Amor,” que catapultaron las ventas de los álbumes a niveles sin precedentes tanto en México como en Estados Unidos.
En la década de los 80, la banda enfrentó nuevos desafíos cuando problemas internos llevaron a la salida de Robles. Antonio Coronado asumió el papel de vocalista, pero las dificultades persistieron. Finalmente, en 1993, Mario Marichalar se unió a la banda, aportando una nueva energía y atrayendo a una audiencia más joven. Bajo su liderazgo, la banda continuó siendo un pilar en la música norteña, manteniendo su relevancia y popularidad.
Ramón Ayala ha sido reconocido con numerosos premios a lo largo de su carrera, incluyendo varios Grammy y Latin Grammys. En 2001, recibió
el Grammy Americano por el álbum “En Vivo... El Hombre y Su Música” y dos Latin Grammys por “Quémame Los Ojos” y “El Número Cien.” Sus contribuciones a la música han dejado una marca imborrable, no solo por sus numerosos álbumes y éxitos, sino también por su influencia en la evolución del género norteño.
Además de su impresionante discografía, Ayala ha participado en 13 películas, compartiendo créditos con figuras como Antonio Aguilar y Los Hermanos Almada. Su impacto en la música moderna es indiscutible, y muchos grupos norteños actuales basan su estilo en el legado que Ayala ha establecido.
El 5 de octubre, Ramón Ayala y sus Bravos del Norte se
presentarán en el Smart Financial Centre, ofreciendo una noche llena de nostalgia, ritmo y pasión. Este concierto promete ser una celebración de más de 50 años de música, una oportunidad para que los fanáticos disfruten de sus clásicos inolvidables y vivan la experiencia de un verdadero ícono del norteño.
La gira “El Principio de un Final” 2024 es un testimonio de la longevidad y la vitalidad de Ramón Ayala en la industria musical. Con su talento incomparable y su legado duradero, Ayala continúa siendo una de las figuras más destacadas de la música mexicana, y su próximo concierto en Houston es una cita imperdible para todos los amantes de la música norteña.
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Photos By Kevin D. Wildman
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Jeremiah Johnson Brings Heavy Dose Of The Blues To The Big Easy!
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Tyler Griffith Performs At Shady Acres Saloon In The Heights
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Lonestar Conspiracy Perform At The 19th Hole
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The Bayou Gipsies Perform At Katies’ Bar In Bacliff
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The Dirty Reckless Perform At Webster’s Hottest New Club, The Iron Horse Rock Bar
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The Kaleidoscope Project
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Stoned Immaculate, Houston’s Hottest Doors Tribute Band Perform At Dan Electro’s In The Heights
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Rick Marcel Performs At Scott Gertner’s Rhythm Room with special guest Scott Gertner for Scott’s Birthday Bash!
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The Risen Perform at Webster’s Hottest New Club, The Iron Horse Rock Bar
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Drifters & Grifters Perform At
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The Hugo Jamz Trio With Special Guest Eric Demmer Perform At Katie’s Bar In Bacliff
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The Paul Ramirez Band Perform At Shady Acres Saloon
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The Steve Krase Band with special guest Shawn Pittman Perform At The Big Easy
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Victim Perform At The BFE Rock Club This Night
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