WORLDPREMIERE
FORGIVENESS
BY MARK SAKAMOTO STAGEADAPTATIONBY HIRO KANAGAWAWELCOME TO THEATRE CALGARY
Ihaveprofoundfaithinstorieslike Forgiveness thatwetell onandoffourstages.Asweconfronttheever-changing social,political,andphysicallandscapeoftheworld,Iseethe potentialforchange—effectivechange—comingfromthe simpleactofsharingapowerfulstoryonastage. Forgiveness looks atthepastthroughthepresentandrevealsaworldteetering ontheedgeofanabyss.Whydowesoenjoylookingbackinto ourcollectivepast?Thereisasimpleanswertothisinquiry–we studyourpastbecausewecanviewhistoryfromasafedistance. Thefactsapersonresearchesaboutacertaintopic,likeWorld WarIIortheinternmentmightangerandhurtsomepeople,but thereisnothingthatpersoncandoaboutit–becauseitisin thepast.Inotherwords,historycannotdirectlyharmussince itisnotatarm’slength.However,whatwe’rediscoveringtodayisthatthepastisrepeating itself.Andso,wecanlearnfromourpast.Asadirector,tocollaboratewithateamofartists intranslatingthepowerfulwords,images,andhistoryofthecharacterswithin Forgiveness isa truegift.Thisgiftisverypersonaltomeastherearedirecthistoricalconnectionsthatinvolved my family–my father’sfamily(theArimas) wereinternedinBritishColumbia,andmyuncle (BruceColetteMcDonald)servedintheRoyalCanadianAirForceasLeadingAircraftsman forthreeyears.Theircollectiveandindividualliveswereultimatelytouchedbytheeventsof WorldWarII.Whatmakesdirectingthisplaysuchamiracleisthattheadaptationhasfound auniquevoicethoroughtheplaywright,HiroKanagawa.HirohasimbuedMarkSakamoto’s memoirwithaheavydoseoftheatrepoetrytoallowthesecaptivatinggroupsofpeopletolive andflourishonastage. Forgiveness isnotonlyalove-lettertothetheatreandtheintriguing wayswecantellstories,butit’salsoathought-provokingpiecethatholdsamirrorupto theworldweliveintodayandasksimportantquestions(withoutforcingananswer)about culture,tradition,xenophobia,andbelonging.Sincetheworldandhowwerelatetoeachother isevolvingatarapidpace,Isometimesfindmyselfcaughtupinthecycloneoftweetsand Googlealerts.However,Icanalwaysrelyonthegroundingenergyofenteringatheatre,sitting inmyseat,perusingthroughtheprogram,andallowingmyselftobeopentothewonderment andbreathtakingpoweroftheatrestorytelling.Ihopethatyoufindasimilarsensationsasyou experiencethisperformanceof Forgiveness.
-STAFFORD ARIMA ARTISTIC DIRECTORLAND ACKNOWLEDGEMENT
Inthespiritofreconciliation,TheatreCalgaryacknowledgesthatwelive,workand createonthetraditionalterritoriesoftheBlackfootConfederacy(Siksika,Kainai, Piikani),theTsuut’ina,theÎyâxeNakodaNations,theMétisNation(Region3), andallpeoplewhomaketheirhomesintheTreaty7regionofSouthernAlberta. Theyweretheoriginaloccupantsofthislandandcontinuetobeheretothisday. TheatreCalgaryisgratefultohavetheopportunitytopresentinthisterritory.
GENERAL INFORMATION
• Camerasandaudio/visualrecordingdevicesarenotpermittedinthetheatre.
• Videoandaudiorecordingofthisproductionisstrictlyprohibited.
• Weaskthatyoupleaserefrainfromusingyourcellphone,smart watch,oranyotherdigital device,inanycapacity,duringtheperformance.
• Goodtheatreetiquettebenefitseveryone.Pleasedonottalkorunwrapcandiesduringthe performance,remaininyourseatuntilthecurtaincallisfinishedandthehouselightshave beenturnedon.
• Babiesarenotpermittedinthetheatre.
• Wealsoofferrelaxedperformances.Formoreinformation,visitourwebsite.
• Assistedlisteningdevicesforthehardofhearingareavailableatthecoatcheck.
• Forfirstaidassistance,seethehousemanager,ornearestusher.
SAFETY AND COMFORT
• At TheatreCalgary,we recognizeourresponsibility tohave practicalguidelinesinplacetoensureourperformancesaresafe andenjoyableforeveryone.TolearnmoreaboutourcurrentSafety andComfortprotocolsgoto theatrecalgary.com/comfort-and-safety orscanhere:
PLAYWRIGHT’S NOTES
Throughouttherehearsalprocessandevenintothe previewsof Forgiveness inVancouverearlierthisyear, theplayyouareabouttoseeunderwentnumerous edits,cutsandrewritesonanear-dailybasis.Formy dramaturgStephenDrover,thequote:“Aplayisnever finished,merelyabandoned,”becameakindofmantra. Thequotehasvariousattributionsbutinthetheatrical context,itappears tooriginatewithAmericandirectorAlan Schneider.In1962ashewasabouttopremiere Who’sAfraid ofVirginiaWoolf? onBroadway,Schneiderremarkedtoa journalist,“Idon’tknowofanyperfectplay.Aworkofartis nevercompleted,onlyabandoned.Theonlyperfectplayisadeadplay.”
Ihaveneverfeltthismorekeenlythanwith Forgiveness. Thestorybegan,afterall,as thelivedexperienceofMarkSakamoto’sgrandparents,RalphMacLeanandMitsue Sakamoto.Asaworkofliteraryart, Forgiveness wasthenanessayMarkwroteforthe GlobeandMail.Heexpandeditintoabelovedandaward-winningbookwhichwasthen adaptedbymeforthestageandmagnificentlyrealizedinthisproductiondirectedby StaffordArima.TheplayhasenjoyedatremendouslysuccessfulruninVancouver,but evenastheshowopenedStaffordandIknewthattherewerechangeswewantedto makeforCalgary,changeswesimplyranoutofrehearsaltimetoimplement.Thegreat giftofthisco-productionbetweentheArtsClubandTheatreCalgaryandthe“rolling premiere”theshowhasbeenaccordedisthatwenowhaveanopportunitytoincorporate everythingwelearnedattheStanleyinVancouverintoourrunhereattheMaxBell.
Noneofthiscouldhavehappened,ofcourse,withoutadirector,acastandcrew,anda designteamwillingandabletorollwiththepunches.Itisatestamenttotheirartistry, commitmentandfearlessnessthat Forgiveness remainsaliving,evolvingworkofart.And nowyou,theCalgaryaudience,willplayalargeroleinhowthisplaycontinuestogrow.
Thephrase“ittakesavillage”comestomindasIreflectonhowtheplay Forgiveness wascreated.IamforevergratefultoRalphMacLeanandMitsueSakamotowholived thisstory, toMarkSakamotowhosharedtheirexperienceswiththeworld,andto hisextendedfamilywhotrustedmeandembracedmeasoneoftheirown.Thework ofcreatingaproductionofthisscaleandambitioncouldthennothavebeendone withoutthegenerousandsteadfastsupportofvirtuallyeveryresource availablein theCanadiantheatreecology.Fromthewordgo,boththeArtsClubandTheatre Calgarywereunwavering in their belief that this play wouldbeproduced.TheBanff Playwrights’Labprovidedthetime,space,andresourcesformetocompletethefirst draft.AndanimmenselyimportantgrantfromtheNationalCreationFundallowedthe designteamtointegrateanimationby CindyMochizukiintotheoverallconcept.
Forgiveness remains,thankfully,imperfect,notdead.Toexperienceit,Ihope,isto experiencesomethingorganic.IknowIspeakforallinvolvedwhenIsaythatweare thrilledtonowwelcomeyou,theCalgaryaudience,onthenextlegofthisshow’s evolution.
-HIRO KANAGAWA PLAYWRIGHTMUSICANDLYRICSBY JIMMYBUFFETT BOOKBY GREGGARCIA AND MIKEO’MALLEY DIRECTEDANDCHOREOGRAPHEDBY JULIETOMAINO
JIMMYBUFFETT’S ESCAPETOMARGARITAVILLE PRODUCEDBYSPECIALARRANGEMENTWITHBROADWAYLICENSING.(WWW.BROADWAYLICENSING.COM)
TICKETS: THEATRECALGARY.COM
WORLD PREMIERE
MaxBellTheatreatArtsCommons
March7-April1,2023
presentsFORGIVENESS
BY MARKSAKAMOTOSTAGE ADAPTATION BY HIROKANAGAWA
AjointproductionwiththeArtsClubTheatre Company(Vancouver)
DevelopedwithsupportfromtheNationalArtsCentre’sNationalCreationFund
AdditionalDevelopmentsupportprovidedbythe2019PlaywrightsLab
attheBanffCentreforArtsandCreativity
Director
Dramaturg
SetDesign
CostumeDesign
LightingDesign
SoundDesign
OriginalComposition
VideoDesign&Animation
NewMediaSystemProjectionDesignTeam
NewMediaSystemProjectionDesigner
ChimerikInternAssistantDesigner
FightDirector&StuntCoordinator
IntimacyDirector
CulturalConsultant&DialectCoach
STAFFORDARIMA
STEPHENDROVER
PAMJOHNSON
JOANNAYU*
JOHNWEBBER
JOSHUA D.REID
REZAJACOBS
CINDYMOCHIZUKI
CHIMERIK 似不像 COLLECTIVE
SAMMYCHIEN
VANKASALIM
MIKEKOVAC
JESSICAANNENELSON
JULIETAMIKOMANNING (JapaneseCanadian)
JapaneseLanguage Consultant
Voice&DialectCoach(EastCoastCanadian)
MilitaryConsultant
AssistantDirector
AssistantSetDesign
AssistantCostumeDesign
AssistantSoundDesign
YAYOIHIRANO
JANEMACFARLANE
PETERCOLENUTT
HOWARDDAI
RYAN CORMACK
MELICIAZAINI
BRONWYNBOWLBY AnimationAssistant
1960’sDancingandCelticJigChoreographedby
StageManager
AssistantStageManager
ApprenticeStageManager
CHERRYWENWENLU
SHELLEYSTEWARTHUNT
ERIKAMOREY
PETERJOTKUS
BRIANNADIODATI
*Indicateddesignersonthisproductionarerepresentedbythe AssociatedDesignersofCanada,IATSELocalADC659.
FORGIVENESS
CAST
MitsueSakamoto YOSHIEBANCROFT
Mortimer,Father,Recruiter,Mr.Archibald JERODBLAKE
RalphMacLean GRIFFINCORK
Stan,Pat DANIELFONG
Miyoko,Mrs.Yamamoto JUNEFUKUMURA
Tomi MANAMIHARA
Phyllis,Darlene,Mother,Mrs.Rutt
ALANAHAWLEYPURVIS Cooper,HastingsGuard FIONNLAIRD
Deighton,Adams,WeddingOfficer JACOBLEONARD
Ron,Ichiro ISAACLI
Diane,Socialite,Nurse,WomanonTrain ALLISONLYNCH Yosuke,Kato,Launderer JOVANNISY
HideoSakamoto KEVINTAKAHIDELEE
Forgiveness runsapproximately2hours,45minutes, includingone20minuteintermission.
HeadofSound BRONWYNBOWLBY
HeadofLighting CATHARINECRUMB
HeadStageCarpenter BENMOORE
HeadDresser RACHELMICHELLESHERIDAN
AssistantHeadofSound MICHAELGESY
HeadofVideo DANIELPLUMTREE
VideoOperator TARAKIELY
AssistantHeadStageCarpenter JOSHSEMOS
StageCarpenter JACKSONBUCHANAN
Dressers CHELSEABREWER,KELSEYMILLER WigRunner MELISSASAVINKOFF
TheatreCalgaryisamemberoftheProfessionalAssociationofCanadian Theatres,andoperateswithinthejurisdictionoftheCanadianTheatre Agreement.TheatreCalgaryemploystechniciansunderacollective agreementwiththeI.A.T.S.E.TheatreCalgaryisaresidentcompanyof ArtsCommons,operatingout of ArtsCommonsMaxBell Theatre.
CAST
YOSHIEBANCROFT
MitsueSakamoto
(she/her) TheatreCalgarydebut.Elsewhere: TheOrchard(AfterChekhov) (ArtsClub); Exit,PursuedbyaBear (GlobeTheatre); Griffin&Sabine (Belfry); JAPANESEPROBLEM (UniversalLimited/Soulpepper); Home IsABeautifulWord (SumTheatre/Persephone).Film&TV: Superman & Lois,BonesofCrows,Alaska,AMillionLittleThings,ColorMyWorld withLove,ChristmasUndertheStars.YoshieisamemberofVancouver’s JapaneseCanadianHastingsParkInterpretive CentreSociety,working toestablishacommemorativeinterpretivecentreatthesiteofthe1942 incarcerationatHastingsPark.hastingspark1942.ca/centreyoshiebancroft.com
JERODBLAKE
Mortimer,Father,Recruiter,Mr.Archibald (he/him) ForTheatreCalgary: AMidsummerNight’s Dream (Shakespeare bytheBow2019).Elsewhere: Frankenstein (JupiterTheatre); The Lion,theWitch,andtheWardrobe (ATP); Spinning,Eden,StonesinHis Pockets (LiffeyPlayers).Film&TV: UndertheBannerofHeaven,The BirdsWhoFearDeath,Heartland,Wilderness,BlackSummer,Heart’s Creek,Damnation.Athree-timeCATAwardwinnerandgraduateofthe CompanyofRoguesMasterclassprogram,Jerodwouldliketothank hismomandDon,JoeandthefacultyatRogues,theCalgaryDrop-In Centremanagement/staff,andtheBigGuyintheSkyforalltheirsupportandlove.
GRIFFINCORK
RalphMacLean
(he/him) ForTheatreCalgary: AMidsummerNight’sDream (Shakespeare bytheBow2019).Elsewhere: StonesinHisPockets (RosebudTheatre);
12DaysofChristmas (Stage West/BirntonTheatricals); LastChristmas (LunchboxTheatre)and RichardIII (TheShakespeareCompany).
GriffinwasnamedoneoftheAFA’sTop25YoungArtistsin2019,anda LieutenantGovernorofAlberta’sEmergingArtistin2020.Hesendslove toKaren,Kevin,Max,andhisOma,whohateslist-ybios.(SorryOma!)
DANIELFONG Stan,Pat
(he/him) ForTheatreCalgary: AChristmasCarol (2018), AMidsummer Night’sDream (Shakespeare bytheBow2012).Elsewhere: Romeo &Juliet (BardontheBeach); JosephandtheAmazingTechnicolor Dreamcoat (RosebudTheatre); US (TheGlobe); TheLion,theWitch, andtheWardrobe,FortuneFalls,TheCircle (ATP).DanielisamixedraceChinese/EuropeanperformerbornandraisedinMoh-kíns-tsis (Calgary)andisthrilled tobejoiningthiswonderfulteam!Danielis supportedbyhisamazingwifeNadia,andhisfriendsandfamily.
CAST
JUNEFUKUMURA
Miyoko,Mrs.Yamamoto
(she/her) TheatreCalgarydebut.Elsewhere: AnimusAnima (TradeCo.); MINE (Theatre Replacement); 12MinuteMadness (Centre forEmbodied Performance).Film&TV: Shō gun (FX), Pachinko (AppleTV+), Joy Ride (Lionsgate);Selectedvoice work: RestoringHarmony (TheChop Theatre); 1000xResist (SunsetVisitor); Mizuko (CBCPodcasts).Juneisa multi-discipline,niseitheatreartistfromVancouver.Sheishonouredto bemakingherTheatreCalgarydebutwith Forgiveness.Sheisagraduate ofSimonFraserUniversity’sTheatre Performanceprogramandworks asanactor,clown,devisor,anddramaturg;ArtisticDirectorofPopcornGalaxiesandtheCoFounderofNew(to)TownCollective.
MANAMIHARA
Tomi
(she/her) TheatreCalgarydebut.Elsewhere: CourageNow (Firehall ArtsCentre); Kuroko (vAct); CatKiller,BakingTime (PHT); China Doll (Gateway Theatre); ThisStaysintheRoom (Horseshoes&Hand GrenadesTheatre); AftertheQuake (PiTheatre/RumbleProduction); TopGirls (VancouverPlayhouse); SexualPracticesoftheJapanese (Theatre Replacement); Hanna’sSuitcase (GrandTheatre), Apple (TouchstoneTheatre); TheTempest (GlobeTheatre); RomeoandJuliet (CarouselTheatre forYoungPeople).Film&TV: Shogun,Stargate: Atlantis,DaVinci’sInquest.Manamiisanactor,playwright,instructor,interpreter/translator,and dramaturg.Hercriticallyacclaimedplay CourageNow justhaditsworldpremiereattheFirehall ArtsCentre.SheisprivilegedtoworkwithanamazingteamatthePresentationHousetheatre astheDirectorofAppliedTheatre.ManamiisaJessieRichardsonAwardwinnerandnominee forheractingandcollaborativecreationsandagraduateofStudio58.
ALANAHAWLEYPURVIS
Phyllis,Darlene,Mother,Mrs.Rutt (she/her) ForTheatreCalgary: Blow WindHighWater.Elsewhere: Network (CitadelTheatre/RMTC); GarneauBlock,VenusInFur (Citadel Theatre); TheHumans (CanadianStage/CT); Coriolanus (STC’sACA); Sequence (Downstage Theatre); Closer (GroundZero); Drama:APilot Episode (ATP); I’llBeBackBeforeMidnight (VertigoTheatre); TheWinter’s Tale,Caesar&Cleopatra,Romeo&Juliet,Bartholomew Fair,Love’s Labour’s Lost (Stratford Festival).Film&TV: Charmed (CW), Supergirl (Warner Bros./DC); RangeRoads (NorthCountryCinemas–2022Canadian ScreenAwardsNominationBestActress).Training:Academy forClassicalActing(MFA), BirminghamConservatory,andUofA’sBFAActing.Alanaisavocalcoach/instructorwith BardontheBeach,ArtsClub,OntheMic,DouglasCollege,andtheLGBTQ+WellnessCentre specializinginTransvocalcare.
CAST
FIONNLAIRD
Cooper,HastingsGuard
(he/him) ForTheatreCalgary: TheLouderWeGet,BillyElliotTheMusical, AChristmasCarol (2012-15,2017-18).Elsewhere: JuliusCaesar,Macbeth, RichardIII (TheShakespeare Company); Hair (BrownCow Collective).
Film&TV: UndertheBannerofHeaven.FionnattendsTheCreative SchoolatTorontoMetropolitanUniversity(formerlyRyerson)inthe Actingdiscipline.Heisincrediblypassionateabouttheatre,music, dance,andplaywriting,andisdelightedtobebackatTheatreCalgary! ThankstoMumandDad.
JACOBLEONARD
Deighton,Adams,WeddingOfficer
(he/him) TheatreCalgarydebut.Elsewhere: NotaDayGoesBy (City OperaVancouver); Mary’s Wedding (FirehallArtsCentre); Tomorrow LoveParisDeparture (Studio58); Cabaret (Queen’sMusicalTheatre); TheEndoftheWorldClub (DanSchool); ConcordFloral (Theatre Kingston).Jacobisanactor,singerandwriterbasedinVancouver,BC. Heisagraduate of Studio 58 and Queen’sUniversitywherehereceived hisActingDiplomaandLifeSciencedegree,respectively.Hewouldlike tothankeveryteacherandmentorfortheendlessknowledgeandtalent theyhavegivenhimovertheyears;and,ofcourse,hisparentsandgrandparentsfortheirlove andsmiles.
ISAACLI
Ron,Ichiro
(he/him) TheatreCalgarydebut.Elsewhere: TheCode (GreenThumb); SheSellsSeaShells (UnitedPlayers); Anon(ymous),AntonyandCleopatra (Studio58); OfMiceandMen (Promethean); Cabaret,Mortified (Studio 58);recentdirectingcreditsinclude: DerwentisDifferent (GreenThumb); KingLear,SaintJoan (Promethean); ChickenWings&Jell-OShots (Studio 58).Isaacisanactor,director,producerbasedinthelandoftheCoast Salishpeoples–Sḵwxwú7mesh (Squamish), Stó:lō and Səlílwətaʔ/ Selilwitulh (Tsleil-Waututh)and xʷməθkʷəyəm (Musqueam)Nations.
Heisagraduate of Studio 58 and artisticdirectorofPrometheanTheatre.Upcomingprojects: GoodnightDesdemona,(GoodMorningJuliet) atBlueBridge Theatre.
CAST
ALLISONLYNCH
Diane,Socialite,Nurse,WomanonTrain (she/her) ForTheatreCalgary:SoundDesigner/Composer– AChristmas Carol (2019-21), SteelMagnolias,TheScarletLetter;AsYouLikeIt,Romeo andJuliet (SBTB2013), ComedyofErrors (ShakespeareontheGo); MusicDirector– AChristmasCarol (2016-19);Actor– SteelMagnolias, AChristmasCarol (2010-19), TheSecretGarden,DearJohnnyDeere,One Man,TwoGuvnors.Elsewhere:AllisonwastherecipientoffourBetty Mitchellawardsfor Romeo&Juliet (TheShakespeare Co.); AshRizin’ (AlbertaTheatreProjects); Twisted (Forté);Composer: TheScarletLetter (TheatreCalgary),aswellasaGreaterVictoriaRegionalTheatre AwardsCritic’sChoice award forDesignfor TheMinistryofGrace (TheBelfry).YoumayhavealsoseenAllisononstageatthe NAC,TheGrand,RainbowStage,Persephone,TheDraytonFestival,theChemainusTheatre Festival,Vertigo,ATP,Lunchbox,OYR,andasfarabroadasKualaLumpurwiththeMalaysian PhilharmonicOrchestra.Heralbum Skin&Flame isonallstreamingplatforms.
JOVANNISY
Yosuke,Kato,Launderer
TheatreCalgarydebut.Elsewhere: Dig (GhostRiver); EndDream (TheatreJunction);Mr.Miyagiinthepre-Broadwaypremiereof The KarateKid:TheMusical (STAGESStLouis); NoisesOff,TheGreatLeap (ArtsClub);AsDirector: MurderontheOrientExpress (VertigoTheatre); YogaPlay,ValleySong,CloserThanEver (Gateway); GodofCarnage, Antigone,Blackbird (TheatreduPif,HongKong);AsPlaywright: Nine Dragons (Vertigo/Gateway—JessieAwardwinner,Bettynomination); A TasteofEmpire (Cahoots);InDevelopment: SalesmaninChina (Stratford Festival); KowloonBay (Vertigo); TheTaooftheWorld (Citadel/ArtsClub—PGCComedyAward winner).JovanniistheformerArtisticDirectorofGatewayTheatreandCahootsTheatreandan MFACandidateattheUniversityofCalgary’sSchoolofCreativeandPerformingArts.
KEVINTAKAHIDELEE
HideoSakamoto
TheatreCalgarydebut.Elsewhere: SurreyRe-Enactors (Museumof Surrey); HoldTheseTruths (EJCA &UniversityofAlberta); ACharlie BrownDoubleBill (CarouselTheatreforYoungPeople); TomPinkerton: TheBalladofButterfly’sSon (VancouverAsianCanadianTheatre); ChernobyltheOpera (TroikaCollective).Film&TV: WalkwithMe,Untold StoriesoftheER.KevinistherecipientoftheBillMillerdArtistFund, NAJCEndowmentFund,andBCArtsCouncilGrants.
CREATIVE TEAM
HIROKANAGAWA Playwright
(he/him) TheatreCalgarydebut.Elsewhere: ThePatronSaintofStanley Park (ArtsClub).Hiroisanaward-winningactorandwriterbasedin Vancouver.Hisfull-lengthplays ThePatronSaintofStanleyPark and TheTigerofMalaya havebeenperformedacrossCanada,ashave manyofhisshorterworks.Hereceivedthe2017Governor-General’s LiteraryAwardforDramaforhisplay, IndianArm.Alsoascriptdoctor andconsultant,HirohasservedasastoryeditoronseveralcriticallyacclaimedCanadiantelevisionseries,including DaVinci’sInquest,Da Vinci’s CityHall,Intelligence,and Blackstone.Hiro’snextplay, Urashima,co-commissionedby theBanffCentreandtheStratfordFestival,isinspiredbytheastonishingtrueaccountsof nineteenth-centuryJapanesecastawaysinthePacificNorthwest.
STAFFORDARIMA Director
(he/him) StaffordistheArtisticDirectorofTheatreCalgary.In2015, hebecamethefirstAsianCanadiantodirectaBroadwaymusical – Allegiance;andwasnominatedfora2004OlivierAwardforhis directionof Ragtime (WestEnd).Additionalcredits: TheSecretGarden, MaryandMax,AChristmasCarol,BillyElliotTheMusical (Theatre Calgary); AltarBoyz and Carrie (Off-Broadway); JacquesBrelIsAlive andWellandLivinginParis (Stratford Festival); Bhangin’It (LaJolla Playhouse), DialMforMurder (TheOldGlobe).StaffordwasAssociate Directoron Seussical and AClass Act (Broadway).HeisagraduateofYorkUniversity,andan AdjunctProfessoratUCDavis.HeisafoundingBoard memberoftheCanadianGuildofStage DirectorsandChoreographers.Stafforddedicateshisworkon Forgiveness tohisfather(Ray), hisaunts(TakandTosh),hisuncle(Mush),andhisgrandmother(Same)whowereinternedin SlocanValley,BC.staffordarima.com
STEPHENDROVER Dramaturg
(he/him) ForTheatreCalgary: Skydive.Stephenisadramaturgand directorbasedinVancouverandoriginallyfromNewfoundland.Heisa graduateofMemorialUniversity,UBC,andtheUniversityofOttawaand iscurrentlyinchargeofNewWorksandProfessionalEngagementat theArtsClub.Notabledramaturgyprojectsinclude: RedboneCoonhound byAmyLeeLavoie&OmariNewton, HarlemDuet byDjanetSears, IndianArm byHiroKanagawa, TheSocietyfortheDestitutepresentsTitus Bouffonius by ColleenMurphy, TheCull byMicheleRiml&MichaelSt.
JohnSmith,and TeenageDick byMike Lew.Afour-timerecipientofaJessieRichardsonAward fordirecting,hehasdirectedproductionsof HandtoGod,Romeo&Juliet,Hamlet,TheLastDays ofJudasIscariot,Cock,RichardIII,Mustard,Mary’sWedding,Macbeth,OedipustheKing andothers.
CREATIVE TEAM
PAMJOHNSON SetDesign
ForTheatreCalgary: KingLear,MuchAdoAboutNothing,W.O.Mitchell’s JakeandtheKid.Elsewhere: CloserThanEver (debut,1991); Bluesinthe Night,TheVisit,SidebySidebySondheim,UndertheInfluence,AllMy Sons,MemoryofWater,JacquesBrelIsAliveandWellandLivinginParis, Mom’stheWord,Mom’stheWord:Unhinged,AgeofArousal,Mrs.Dexter andHerDaily,Mom’stheWorld:Remixed,IntimateApparel,MasterClass (costumes), SaintJoan,BakersfieldMist,Redpatch,KinkyBoots,Mom’s theWord:Talkin’Turkey (ArtsClub).Film&TV: Done&Undone (Bard ontheBeach), TheGardenofAlice,TheItalianLesson,BonAppetit (PacificOpera).Pamhasalso workedatBardontheBeach,VancouverPlayhouse,ShawFestival,BelfryTheatre,andseveral companiesacrossCanada.PamhasreceivedmanyJessieRichardsonAwards,aswellasa CareerAchievementAward.
JOANNAYU
CostumeDesign
(she/her) TheatreCalgarydebut.Elsewhere:Recentdesignsinclude ‘daKinkinMyHair (setdesign,Soulpepper,TOLive); TheQueenin Me (CanadianOperaCompany/AmplifiedOpera/Nightwood); 1939 (StratfordFestival); R.U.RTorrentofLight (costumes,TapestryOpera); amongmen (FactoryTheatre); How toFailasaPopstar (Canadian Stage).Joannaisanaward-winningsetand costumedesignerworking intheatre,filmanddance.Joanna’sdesignshavebeenseenonstages acrossCanadaandinternationally;ofover100shows,morethanhalf havebeennewworks.SheisthewinnerofthePaulineMcGibbonAwardandtheVirginia MyrtleCooperAward forcostumedesign.Joannasitsontheboard fortheAssociated DesignersofCanada(ADC659).joannayudesign.com
JOHNWEBBER
LightingDesign
ForTheatreCalgary: Onegin (ArtsClubpresentation).Elsewhere: Kinky Boots (ArtsClub); TheWizardofOz,ChelseaHotel (WesternCanada Theatre); TheLittleMermaid (EastVanPanto/Theatre Replacement).
JohnishonouredtobeabackwithTheatreCalgaryandtheArtsClub onceagain,andtobeapartoftheproductionof Forgiveness.Alongtimedesignerofbothsetsandlighting,hehashadtheprivilegeof workingwithsomeofCanada’smosttalentedandadventurousartists.
CREATIVE TEAM
JOSHUAD.REID
SoundDesign
ForTheatreCalgary: Ragtime:AConcertPerformance,MillionDollar Quartet,TheLouderWeGet,BillyElliotTheMusical,TheSecretGarden Elsewhere:Recentdesignselectionsinclude AChristmasCarol (Broadway,GeffenPlayhouse;LADramaCriticsCircleAward,LA OvationAward); WestSideStory (TeatroLiricodiCagliari); ALittle NightMusic (ArizonaOpera); Dr.Seuss’HowtheGrinchStoleChristmas (nationaltour); TheColorPurple (nationaltour); Girlfriend (TheatreWorks Hartford;ConnecticutCriticsCircleAward).Joshuaisasoundand systemsdesigner,workingextensivelyonBroadway,Off-Broadway,nationaltours,international productionsandsoundsysteminstallations.FullcredentialsatReidSoundDesign.com.
REZAJACOBS
OriginalComposition
TheatreCalgarydebut.Rezaisanaward-winningmusicdirector, arranger,composer,andsounddesigner,knownforhisversatilityin styleandgenre.CreditsincludeComposerandSoundDesignerforthe Shaw Festival,StratfordShakespeare Festival,theArtsClubTheatre Company,FactoryTheatre,Tarragon,PasseMuraille,Volcano,Cahoots, theLuminatoFestival,andHarbourfront’sWorldStageFestival.As MusicDirector,hehaswon DoraMavorMooreAwards for LifeAfter (BestMusicDirectionandBestMusical,2018); LondonRoad (Best MusicDirectionandBestMusical,2014); Caroline,orChange (BestMusicDirectionandBest Musical,2012);and Assassins (BestMusical,2010).HehasplayedTedin 2Pianos4Hands (NationalArtsCentre,Globe,Centaur),andhasbeentheresidentCanadianMusicDirectorfor AndreaMartin’sone-womanshow, EverythingMustGo.HeistheinauguralPenny Fine&Hugh FurneauxDirectorofMusicfortheMusicalStageCompany.Hisfavouritegigofalltimeisbeing partnertoStephanieandfathertoArabel,Iris,andWinter.
CINDYMOCHIZUKI VideoDesign&Animation
(she/her) TheatreCalgarydebut.Elsewhere:Visualandanimation designforTheatre Replacement,UrbanInkProductions,LittleOnion PuppetCo,LisaMarikoGelley,andVeroniqueWest.Cindycreates multi-mediainstallation,audiofiction,performance,animation, drawingsandcommunity-engagedprojects.Shehasexhibited, performedandscreenedherworkinCanada,US,Australia,andJapan. RecentexhibitionsincludetheNanaimoArtGallery,SurreyArtGallery, VancouverArtGallery,BurrardArtsFoundation,RichmondArtGallery, FryeArtMuseum,andYonagoCityMuseum.ShewastherecipientoftheJackandDoris ShadboltFoundationfortheVisualArtsVIVA Award(2020)andtheVancouver’sMayor’sArts
AwardinNewMediaandFilm(2015).CREATIVE TEAM
SAMMYCHIEN(CHIMERIK 似不像 COLLECTIVE)
NewMediaSystemProjectionDesign
(he/she/they) TheatreCalgarydebut.Elsewhere: TheGreatLeap and RedboneCoonhound (ArtsClub).SammyChien 簡上翔 is a Taiwanese-Canadianimmigrantandqueerartist-of-colour,who’san interdisciplinaryartist,director,performer,researcher,andmentor infilm,soundart,newmedia,performance,movement,andspiritual practice.Withover400collaborativeprojects,hisworkhasbeen exhibitedacrossCanada,WesternEurope,andAsiaincludingCentre Pompidou(Paris)andtheNationalCentre forthePerformingArts (Beijing).Hehasworkedwithpioneersofdigitalperformance:TroikaRanchandWong KarWai’sCinematographerChristopherDoyle,andactiveinprojectsengagingvarious underrepresentedcommunities.Sammyhasbeenfeaturedonmagazines,TVandcommercials suchasDiscorder,Keedan,CBCArts,andBenQ.Sammyiscurrentlyleadingadanceresearch project“We WereOne”andmediaartsproject“Ritual-Spective 迴融”,bothfundedbyCanada CouncilfortheArtsandBCArtsCouncil.SammyistheofficialinstructorofIsadora,Member/ CouncilofMotionDAOandArtisticDirectorofChimerik 似不像,anawardwinningnewmedia art&designcollective.
MIKEKOVAC
FightDirector&StuntCoordinator
TheatreCalgarydebut.Elsewhere: TheThingAboutMen (debut,2009); asFightDirector: Disney’sBeautyandtheBeast,Mustard,Misery,Noises Off (ArtsClub); ChildrenofGod,LesFillesduRoi (UrbanInk); Sweeney Todd,Cabaret (SnapshotsCollective); SheKillsMonsters,TheCrucible (UBC).Film&TV: Batwoman,TinStar,The100,Supernatural,KungFu, FakeBlood.MikeistherecipientofthePaddyCreanAwardandJ.P. FournierAward–FightDirectorsCanada.
JESSICAANNENELSON
IntimacyDirector (she/her) TheatreCalgarydebut.Elsewhere: Cipher (AssistantDirector &Co-IntimacyDirector,2020)(ArtsClub).Jessicaisanaward-winning theatredirector,andintimacydirector,livingandworkingonthestolen andtraditionallandsoftheCoastSalishpeoples.Jessicasetsthebar forcreatingrespectful,passionate,andimaginativespacesforartists toplayinherprovocativeproductions.Herintimacydirectioncenters ontheprinciplesofcreatingconsentbasedandtraumainformedwork wherewecanhavebraverrehearsalandcreationspaces.Thankyouto herhusband,Mike,forallhisloveandsupport–shereallycouldn’tdothisworkwithouthim. jessicaannenelson.com
CREATIVE TEAM
JULIETAMIKOMANNING
CulturalConsultant&DialectCoach(JapaneseCanadian) (she/her) TheatreCalgarydebut.Elsewhere: TheTashmeProject: TheLivingArchives (TashmeProductions/FirehallArtsCentre); BurningVision (RumbleTheatre); MixieandtheHalfbreeds (Neworld Theatre); ParadiseLost (CentaurTheatre); JeanDit (CentreduThéâtre d’Aujourd’hui); Othello (ScapegoatCarnivale/SegalCentre).Julieisan award-winningactorandtheatrecreatorfromTiohtià:ke/Montréal. Sheiscurrentlycompletingherthirdplay, Mizushō bai,basedonthelife ofKiyokoTanakaGoto,aJapanesepicture-brideturned‘underground’ businesswomanin1930sBritishColumbia,withaMontrealproductioninOctober2023.
YAYOIHIRANO
JapaneseLanguageConsultant
TheatreCalgarydebut.Elsewhere: Identity–AncestralMemory (2011); Medea/Rokujo (2013); Okuni (2017); Comedia (2020); A Life at the Hawk’s Well (2022);collaborationwithpianistSaraD.Buechner atCarnegieHall,NY(2017)andtheSmithsonianinWashington, D.C.(2018).AnativeofJapan,YayoiisagraduateofTohoGakuen CollegeofDrama.In1989,shebecamethefirstmimeartisttoreceive theJapaneseMinistryofEducationFellowship,andspentayear collaboratingwithmimeanddanceartistsinGermanyandCanada. Yayoihasextensive experiencewithbothwesternandtraditionalJapanesedancetheatre. HercareerasasoloperformerincludesnumerousEuropean,AsianfestivalsandmanyNorth Americantours,for14countriesandover30cities.
JANEMACFARALNE
Voice&DialectCoach(EastCoastCanadian) (she/her) ForTheatreCalgary:ResidentVoiceCoach–Morethan60 productionssince2000including LittleWomen,TheImportanceofBeing Earnest,MillionDollarQuartet,SteelMagnolias,Admissions,TheLouderWe Get,NoisesOff,BillyElliottheMusical,TheScarletLetter,MaryandMax–A NewMusical,HonourBeat,11seasonsofShakespearebytheBowand 15yearsof AChristmasCarol.Recently,Janeadaptedanddirectedthe 2022ShakespeareontheGoproductionof TheMerryWivesofWindsor ShehasalsoworkedforATP,istheVoice&DialectConsultantfor VertigoTheatreandtheVoice&TextCoachforTheShakespeare Company.Janealsocoaches VoiceandPresencethroughherbusinessVoice Activated.ShehastaughtVoice fortheActor andActingatsuchinstitutionsasYorkUniversity,HarvardUniversity,SouthernMethodist University,MRU,UofA,andiscurrentlyonfacultyintheDramaDivisionintheSchoolof Creative&PerformingArtsatUCalgary.
CREATIVE TEAM
PETERCOLENUTT
MilitaryConsultant
TheatreCalgarydebut.PeterservedintheBritishColumbiaRegiment anddeployedtoAfghanistanwiththeLordStrathcona’sHorse(Royal Canadians)Regiment.
HOWARDDAI
AssistantDirector (he/him) TheatreCalgarydebut.Howard waslastseenonstagein The FiveVengeances and NewSocieties.Hewasthe2022artist-in-residence withPuShFestivalandRoyalCourt Theatrewithhisnewplay 菠蘿麵 包 PineappleBun,andisacurrentAssociateArtistwithrice&beans theatre.HeholdsaBFAinTheatrePerformancefromSFU.
RYANCORMACK
AssistantSetDesign
TheatreCalgarydebut.Elsewhere: KinkyBoots (ArtsClub); Yaga (Touchstone); AShakesperience (BardontheBeach); Mr.Burns,APostElectricPlay (DSDM); If/Then,BringItOn! (QMT); ChristinatheGirlKing (5thCo);asAssistantSetDesigner: TheJungleBook (AlbertaTheatre Projects) Done/Undone,RomeoandJuliet (BardontheBeach); Actually, TheGreatDivide (HaroldGreen/Obsidian).Ryanisagraduateofthe DANSchoolofDramaandMusic;studiedSetandCostumeDesignat theNationalTheatreSchoolofCanada.
MELICIAZAINI
AssistantCostumeDesign (they/them) TheatreCalgarydebut.Elsewhere: MyLittleTomato (VACT/ ZeeZeeTheatre); CourageNow (FirehallArtsCentre); ABroadway Holiday (Gateway Theatre); wethesame (RubySlippersTheatre); The JournalofthePlagueYear (TomoeArts); TomorrowLove (Studio58); Turn oftheScrew (AenigmaTheatre).Film&TV:BreakdownArtistfor Avatar: TheLastAirbender (Season1,Netflix).Meliciawasbornandraisedin Jakarta,IndonesiatoafamilyofChineseancestry,andisgratefulto belivingandcreatingontheuncededandancestralterritoriesofthe Musqueam,Squamish,andTsleil-WaututhFirstNations,coloniallyknownasVancouver,BC. meliciazaini.com
CREATIVE TEAM
BRONWYNBOWLBY
AssistantSoundDesign
(she/her) BronwynisTheatreCalgary’sHeadofSound.Elsewhere: Mesa (ArtsClub).Bronwynhasworkedalloverthecountryinmanydifferent roles,continuingtoexplorehertechtheatrepassions.Sheisthrilledto havetheopportunity toworkonthisbeautifulproduction.Thankyou toJDR.
ERIKAMOREY
StageManager
(she/her) TheatreCalgarydebut.Elsewhere: BoyFallsfromtheSky (Mirvish); AnneofGreenGables:TheMusical,MammaMia!,Jesus ChristSuperstar,Kronborg,MétisMutt,GhostLight,SpinningYarns (CharlottetownFestival); TheMarriageofFigaro (EdmontonOpera); The Seagull,Rose:ANewMusical (Soulpepper); Buffoon (TarragonTheatre). ErikaacurrentboardmemberforARCandsatasSecretary-Treasurer fortheCanadianActor’sEquityAssociationfrom2018–2021.
Brass Transit: TheMusic of Chicago
14 + 15 April 2023/7:30PM
Jack Singer Concert Hall
EnjoytheultimateChicagoexperience with this crowd-pleasing tribute tothe iconic American rock group. Youwon’twant tomiss hits like IfYouLeave Me Now, Saturday in the Park, and moreperformed bytheaward-winningmusicians of Brass Transit alongside the Orchestra.
CREATIVE TEAM
PETERJOTKUS
AssistantStageManager
ForTheatreCalgary: TheOvercoat,AnInspectorCalls.Elsewhere: Kim’s Convenience (tour), TheShoplifters (tour), CostofLiving,TheOrchard (AfterChekhov),TheHumans,Jitters,AngelsinAmerica,PartOne: MillenniumApproaches,GoodPeople,OneMan,TwoGuvnors,Santaland Diaries,NexttoNormal (ArtsClub).PeterhasalsoworkedattheBelfry Theatre,PacificOpera,VancouverPlayhouse,ElectricCompany,Bard ontheBeach,SFUWoodward’sCitadel,BanffCentre,MTC,Canadian Stage,theNationalArtsCentre,StratfordFestival,ShawFestival, Livent,OperaAtelier,Centaur,CharlottetownFestival;touring:LuminatoFestival,Toronto; RoyceHall,LosAngeles;DeSingel,Antwerp;BAM,New York;EdinburghInternationalFestival; Kammerspiel,Munich;AmericanConservatoryTheater,SanFrancisco;BergenFestival, Norway;WellingtonFestival;AdelaideFestival;BarbicanTheatre,London;WorldStage Festival. HeisagraduateoftheNationalTheatreSchoolofCanada.
BRIANNADIODATI
ApprenticeStageManager
(she/her) TheatreCalgarydebut.Elsewhere:PreviousStage ManagementApprenticeshipsinclude PriscillaQueenoftheDesert and OneHitWonders (Stage WestTheatre).Briannahasalsoworkedasan actoracrossCanadaandSpain.Selectactingcreditsinclude Matilda (La TournéTeatro-Spain), Carrie:TheMusical (UniversityofLethbridge), and NunsenseTheMusical (MusicBoxProductions).Bigthankstoher familyandfriendsforalltheirloveandsupport.
SPECIAL THANKS & ACKNOWLEDGMENTS:
LoganHerbert;EricLescarbeau;EvanRen;RachelRoss;AlbertoWhite;JulieWiebe
TheatreCalgarygratefullyacknowledgesthesupportprovidedbytheCityofCalgarythrough CalgaryArtsDevelopment,theGovernmentofAlbertathroughtheAlbertaFoundationfor theArts,theGovernmentofCanadathroughtheCanadaCouncil,CanadianHeritage,andall corporateandprivate contributors.
UNDERSTANDING FORGIVENESS
HISTORICAL FACTS
AdaptedfromtheNikkeiNationalMuseumexhibitsTaikenandHastingsPark1942asacompanionto theTheatreCalgaryandtheArtsClubTheatreCompany’sproductionof Forgiveness
Acts of Injustice
Fromthetimethefirstrecorded Japaneseimmigrantsbegan toarriveinCanadainthe late1800s,JapaneseCanadians facedracialdiscrimination.They werenotallowedtovoteandwere barredfrommanyjobs.Asseenin Forgiveness,discriminationworsened whenCanadadeclaredwaron Japanin1941.Eventhoughmost JapaneseCanadianswerebornin Canadaorhadbecomenaturalized citizens,Canadaorderedtheirmass incarcerationandtheappropriation oftheirproperty.Thegovernment ignoredthe RCMPandmilitary leaders,whostatedthatJapanese Canadianswerenotathreatto Canada’ssecurity.
Hastings Park
Inearly1942,thePacificNational Exhibition(PNE)groundsat HastingsParkinEastVancouver wereusedtotemporarilyhouse JapaneseCanadianslikeMitsueand herfamily,whowerebeinguprooted fromtheBCCoast.Over8,000were detainedinthebuildingsandstables therebeforebeingsenttointernment sitesintheBCinteriororwork campsacrossthecountry.Formany JapaneseCanadians,livinginHastings Parkwasaterrible,fearfulexperience. Conditionswereextremelyprimitive andunsanitary.Theprimarymemory formanyJapaneseCanadians internedatHastingsParkwasthe horriblesmell,followedbythenoise, theboredom, and the terriblefood.
Japanese Canadian fishing boats with woodenhouses; Steveston,BC,circa1927.YataroArikadocollection. NNM2010.31.2 BuildingK,Men’sDormitory(FormerlyForum);HastingsPark, Vancouver,BC,1942.PhotobyLeonardFrank.AlexEastwood Collection.NNM1994.69.3.18Life in the Internment Era (1942-1949)
JapaneseCanadiansbuilt communitiesinharshand isolatedconditions.Ininternment camps,theylivedinsmall,quickly builtshackswithnoinsulation, runningwater,orelectricity.Men wereseparatedfromtheirfamilies, whooftendidn’tknowwheretheir relatives were sent for months. Onsugarbeetfarms,everyoneold enoughtoworkspentlonghoursin thefields.
Evenwhileimprisoned,Japanese Canadianstriedtomaketheirnewcommunitiesbetterbysettingupschools,churches, andactivities.Youngadultsvolunteeredtoteachschoolandcoachbaseballteams.
Legacies
Thestruggleforredresstook many years.Particularly throughthe1980s,Japanese Canadiansworkedhardtoeducate allCanadiansabouttheinternment. Manyasked,“Couldanythingtruly makeupforallwehadlostand endured?”
The1988redresssettlementwas negotiatedbetweentheNational AssociationofJapaneseCanadians andthefederalgovernment.In 2012,MLANaomiYamamoto,the firstJapaneseCanadianelected totheLegislativeAssembly,led aMotionofApologytotheJapaneseCanadiansintheBCLegislature.Thisbegana processthatresultedinPremierJohnHorgan’sannouncementofaprovincialredress settlementinMay2022toacknowledgetheBCprovincialgovernment’srolein JapaneseCanadianinternment.
In2015,fourcommemorativeplaqueswereunveiledatsitesaroundHastingsPark. TheJapaneseCanadianHastingsParkInterpretive CentreSocietyiscurrently developingplansforanonsiteexhibittocommemoratethishistoryandthepeople incarceratedthere.
HastingsParkLivestockBuilding,Vancouver,BC,1942. MitsueandTomilivedinthesequarterswithotherwomenand children.PhotobyLeonardFrank.AlexEastwoodcollection. NNM1994.69.3.20The 1988 parliamentary redress settlement included the following:
• AnacknowledgmentthatCanadahadviolatedJapaneseCanadians’humanrights.
• Individualpaymentsof$21,000tosurvivorsoftheseviolations.
• TheestablishmentofaJapaneseCanadiancommunityfundof$12million.
• TheclearingofcriminalrecordsforthosechargedundertheWarMeasuresAct.
• RestorationofCanadiancitizenshiptothoseexiledtoJapan.
• ThecreationoftheCanadianRaceRelationsFoundationtohelpeliminateracism.
ToreadmoreandfortextinJapanese: centre.nikkeiplace.org/exhibits/understanding-forgiveness/ PhotosanddescriptionsaregenerouslyprovidedbytheNikkeiNationalMuseum&CulturalCentre. ThiscontentwasoriginallypublishedbytheArtsClubTheatreCompanyinJanuary,2023.
HISTORICAL BIOS
MITSUESAKAMOTO
Afterthewar,MitsueneverlivedinBCagain.ShelivedinthesamehouseinMedicineHatfor 67years,andinhermodestkitchenshefedmanyofthemusiciansthatherson,Ron,promoted overtheyears,includingTheGuessWho,MurrayMacLachlan,NittyGrittyDirtBand,Bruce Cockburn,andmanyothers.Shepassedawayin2014,attheageof93.
RALPHMACLEAN
RalphsettledinCalgaryafterthewar,workedforComincofor40years,andlivedthere forthe restofhislife.Adecoratedwarveteran,hereceivedtheQueen’sDiamondJubileeMedalin 2012.AtthetimeofhisdeathinMarch2020,attheageof97,hewasoneofthelastsurviving membersamongtheCanadiansoldierswhofoughtinHongKong.Thoughhelosthiseyesight duetohiswartimeillnesses,heremainedasvibrantandlucidaseveruntiltheend.
STANSAKAMOTO
AnentrepreneurandlifelongcommunityleaderinMedicineHat,Stanisapastdirectorofthe MedicineHatRotaryClubandaformertrusteeoftheMedicineHatMuseumandArtGallery.In 2016,heranforthefederalLiberalsintheridingofMedicineHat-Cardston-Warner;whilehewas notvictorious,hegainedmore votesinthatridingthananyotherLiberalcandidateinhistory.
DIANEMACLEAN
DianemarriedStanSakamotoin1973.Theirsons,MarkandDaniel,werebornin1977and1980. AfterDianeandStandivorcedin1985,Dianefellintoalcoholismandsubstanceabuseandspent thelastyearsofherlifeinMedicineHat’sCecilHotel.Shepassedawayin2001,attheageof53.
RONSAKAMOTO
Alegendinthecountrymusicindustry,RonwasinstrumentalinlaunchingthecareersofJerry Reed,KeithUrban,ShaniaTwain,andcountlessotherstars.AfterRonreceivedtheCanadian CountryMusicAssociationPromoteroftheYearAward for17consecutive years,theaward wasnamedafterhim.HewasinductedintotheCanadianCountryMusicHallofFamein2014.
CAMPCOMMANDANTTETSUTAROKATO
Katowassentencedtodeathforwarcrimes,buthisinfluentialfamilywasabletohavehis sentence commuted.Hewasreleasedforgoodbehaviourin1952.Hewentontowritethewar crimesapologia I WanttoBeaShellfish.Thenovelhasspawnedthreefilmadaptations,most notablybyShinobuHashimoto,writeroftheKurosawaclassics Rashomon,Ikiru,and SevenSamurai.
MACLEAN ANDSAKAMOTO IMPORTANT DATES
June10,1920-MitsueOsekiisborninEburne,BC.
June27,1922-RalphMacLeanisborninGrindstone, Quebec.
December,1941-DuringtheSecondWorldWar, CanadiansoldiersfirstfoughtdefendingtheBritish CrownColonyofHongKongagainstaJapaneseattack. Withminimalmilitarytraining,theCanadiansoldiers foughtinHongKongagainstoverwhelmingodds,with verylittlechanceofsuccess.Eventuallysurrenderingto theenemyafterbeingovertaken,thesurvivingsoldiers becameJapaneseprisonersofwar(Ralphiscaptured onChristmasDay,1941).Fromthispointforward,they wouldexperiencestarvation,torture,andinhumane livingconditionsforfouryears.
ChristmasDay,1941-Ralphiscapturedandbecomes Japaneseprisonerofwar.
1942-MitsuemarriesHideoSakamotoshortlybefore theirfamilyisuprootedandsenttoCoaldale,AB,during JapaneseevacuationofVancouver. Theyarehousedin afarmer’schickencoopandmadetodostooplabouron theland.
1945-Aftertheprisonerofwarcampsareliberated, Ralphreturns toCanada.Whiletransporting back to QuebecfromVancouver,astopinCalgaryleadsRalph tomeetPhyllis,whomhefallsinlovewithandmarries. ThecouplesettleinCalgary,andthegivebirthtoa daughter,Diane,in1951.
1967-DianeMacLeanmeetsStanSakamoto.Stan,born in1950,isthesonofMitsueandHideoSakamoto.
RiflemanRalphMacLeanpictured inNewfoundlandin1940before beingsenttoHongKongwherehe wascapturedontheafternoonof ChristmasDay,1941.
“MitsueandRalphbecameinstantfriends.There wasanunspoken understandingbetweenthem.Theywerebothfartoopolite tostate it,toaddressit.Butthey felttheykneweachother. Deepdown,they kneweachother.Theyhadbothdiscardedthepast,keepingonlywhat theyneeded,leavingtherestbehind.Theydidnotcomparehardshipsor measureinjustices.Theyknewthere wasnomerittothat.”
- FORGIVENESS ,page182
1968-TheMacLeanandSakamotofamiliesmeet fordinner,andbecomefriends.
December29,1973-DianeandStanaremarried.
July4,1977-MarkSakamoto,sonofDianeand Stan,isborninMedicineHat,AB.BrotherDanielis bornin1980.
September10,2013-MitsueSakamotopasses away atthe age of 93years,inMedicineHat.
2014 - Mark’s novel Forgiveness:AGiftfromMy Grandparents ispublished byHarperCollins.
2018- Forgiveness winsCBC’sCanadaReadsbook competition.
March14,2020-RalphMacLeanpassesawayat theageof97years,inCalgary.
MARK SAKAMOTO Author
Alawyer by training,Markhas enjoyedarichandvaried career.Heisanentrepreneurandinvestorindigitalhealthand digitalmediaandhelpsdriveThinkResearch–aleadingglobal digitalhealthcompanywithover500employeesoperatingon fourcontinents.
In2014,Markauthoredhisfirstbook, Forgiveness:AGiftfrom MyGrandparents,whichwentontobea#1nationalbestseller, winningCBCCanadaReadsin2018,hitting#1againfora secondtime,sellingover70,000copies.
Markisafrequenttelevisionhostandexecutiveproducer workingonarangeofprojectsfrom GoodPeople –a5-part documentaryseriesthatexploredhumanity’sbiggest problems–toco-hostingtheTokyoOlympicsfortheCBCwith ScottRussellandAdrienneArsenault.
MarkservedontheBoardofOntarioCreatesfornineyears –sixastheBoardChairandwasalsotheChairofthe2020 ScotiabankGillerPrizejury.HecurrentlysitsonitsBoardof Directors.
MarklivesinTorontoandPrinceEdwardCountywithhiswife andtheirtwodaughters.
Reference:
www.veterans.gc.ca/eng/remembrance/history/second-world-war/canadianshong-kong
RalphMacLeanwithhisgrandsonMark Sakamotoin2001. Forgiveness:AGiftfrom MyGrandparents byMark Sakamoto(HarperCollins).BOARD OF DIRECTORS LEADERS IN OUR ARTS AND CULTURALCOMMUNITY
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