Ignitetheimagination
WELCOME
W elcome backtoaseasonthatwill energize your soul.In planningthis season,it wasimpossible to not recognizethat thereismuch uncertainty intheworld. Weknow thatTheatreCalgary’s 2022-23seasonisa placewhere youcanrecharge yourselves.Wearegrateful to sharewith you our seasonofshowsthat willtransport youtoanother place,bring tears of joyandsadness,andleave you withasmileon yourface.
BillieHoliday’sstoryisonewhere youwillexperience alloftheaboveinasingleperformance.Thepowerof onewoman’sability tomakeanimpactontheworldis encompassedinthisone-nightweshareinherstory. Beautifulmusicandstorytellingwoventogethertobring intoclaritythefulldepthandbreadthofthetimesthat shelivedinandthepowershetriedtoreclaimover herlife.Herstoryisonethatwehaveneverforgotten andhermusicisimprintedontothefabricofourlives inwaysthatyoumaynothaverecognized.Hersisan importantstorytobetold.
Wehopethatallthestorieswe tellonourstageareas impactfulandimportant.Thisyearwecelebratethe poweroffamily,theimportanceoflaughter,andthe fortitudeofthehumanspirit.Wehopeyoucomebackforitall,whetherthatbeasa fullseasonsubscriber,orifyouwanttoscriptyourownseasonbychoosingthreeor fourmoreshows.
Ourtheatreisopen andprimedforanenergizedseasonthatallofusatTheatre Calgarytrustyouwillembraceandenjoy.
-MAYA
LAND
Inthespiritofreconciliation,TheatreCalgaryacknowledgesthatwelive,workand createonthetraditionalterritoriesoftheBlackfootConfederacy(Siksika,Kainai, Piikani),theTsuut’ina,theÎyâxeNakodaNations,theMétisNation(Region3), andallpeoplewhomaketheirhomesintheTreaty7regionofSouthernAlberta. Theyweretheoriginaloccupantsofthislandandcontinuetobeheretothisday. TheatreCalgaryisgratefultohavetheopportunitytopresentinthisterritory.
DIRECTOR’S NOTES
Thisplayisaboutperseverance.It’sabouttranscending thechallengesandlimitationsthatlifethrowsinone’s pathinpursuitofahigheraim.Itisaplayaboutan artist,BillieHoliday,reflectingonalifetimeofchoices madeinanefforttountangleanartisticknot.
Whatisanartisticknotyouwonder?Idescribeitasthe irrationalcompulsiontopursueenlightenment,nirvana, bliss,orclaritythroughartisticexpression.
What’sremarkableaboutthisplayishowclearlywesee anartistsimultaneouslyattheheightofherinterpretive powersandataprofoundlylowpointinherpersonaland emotionaldevelopment. Her best friend, LesterYoung,hasjustdied,sheismarriedto ashockinglyabusivehusband,shehasonlyafewpenniesinherbankaccount,andher livelihood(performinginintimatejazzclubs)isinjeopardy.Andyet,inspiteofallthis, BillieHoliday wasdriventoperform.Driventofindthesoulorthe“feeling”attheheart ofasongandsharethatwithanadoringaudience.Inherownwords:
“If you find a tune and it’s got something to do with you, you don’t have to evolve anything. You just feel it, and when you sing it other people canfeel something too.”
Thisstate,thiscompulsion,thisdesiretoknowthyselfasanartist,tocommunicate whatyouknow,andtosomehowtransformanaudienceisuniversalamongstartists. Chasingtheephemeraof“feeling”throughartisticexpressionisuniversalamongst artists.Miningpastexperiences,whethertraumaticorjoyful,isuniversalamongst artists.But,alas,notallartistsrisetotheheightsthatBillieHolidaydid.Notallartists arefortunateenoughtohaveamassiveaudienceclamouringfortheirart.
WhatisitaboutBillieHolidaythatsolidifiedherpositionamong“thegreats”?Is ither perfectpitch(hardly),thegenerosityofherspirit(notatall),herlady-likelanguage (don’tmakemelaugh).No.Itisnoneofthosethingsthatmadeheraninternational treasure,thatmadehermusicubiquitousandapartofthesoundtrackofourlives.I believeit isher braveryofherdoggedquesttobeherself,andtounabashedlybring herselfpleasureeven if that quest broughtitsfairshareofpain.BillieHoliday was unapologeticallyBillieHoliday.
Mygreathopeforyouwatchingtoday’sperformanceisthatyouareinspiredtobe moreauthenticallyYOUinwhateveritisthatyoudo.Ifyouworkatthebank,Ihope thatthisstorywakesupthedesirethatlivesinyoutodoyourbankingworkwitha flairthatonlyYOUcanbringtoit.Ifyouareaparent,Ihopethatthisstoryemboldens youtoparentyourchildreninexactlythewaythatonlyYOUcando.And,ifyouare anartist,Ihopethatthisstoryremindsyouthattherehasneverbeenanartistlikeyou before,andthereneverwillbeanartistlikeyouagain-beyourwhole-heartedself.
-RAY HOGG DIRECTORCAST
Billie Holliday SHAKURA DICKSON
Jimmy Powers YANICK ALLWOOD
Announcer (voiceover) CHRISTIAN GOUTSIS
Pepi MOJAVE
SETTING
Midnight, on a night in March, 1959, in Emerson’s Bar and Grill, south Philadelphia.
Lady Day at Emerson’s Bar and Grill is performed without an intermission.
Head of Sound BRONWYN BOWLBY
Head of Lighting CATHARINE CRUMB
Head Dresser RACHEL MICHELLE SHERIDAN
Head Stage Carpenter JOSH SEMOS
Stage Hand MIKE BOOTH
Alternate Head of Sound MIKE GESY
SONGS
Ain’t Nobody’s Business If I Do Baby Doll
Crazy He Calls Me Deep Song
Don’t Explain Easy Livin’
Foolin’ Myself
Gimmie a Pig Foot God Bless the Child
I Wonder Where Our Love Has Gone Somebody’s On My Mind
Strange Fruit
What a Little Moonlight Can Do When a Woman Loves a Man
SHAKURADICKSON
BillieHoliday
(she/her) TheatreCalgarydebut.Previoustheatrecreditsinclude: Dear EvanHansen (Mirvish); IamWilliam,Freedom2.0 (Stratford); Jerusalem (OutsidetheMarch/Crow’s); TroutStanley (Factory); Light,GirlsLike That (Tarragon); OtherSideoftheGame (Obsidian/Cahoots).Shakura hasalsoappearedin GrandArmy (Netflix); Coroner (CBC); PrivateEyes (Global).SheisagraduateofSheridan’sMusicTheatrecollegeprogram. Shakurathanksheragent,MichaelMarinoatNobleCaplanAbrams, Chelsea,andhermomfortheirunwaveringsupport,thecreative team andcrew,aswellasRay fortrustingherwithBillie.Whatalittlemoonlightcando. Instagram:@badgalkooks
YANICKALLWOOD
JimmyPowers
(he/him) TheatreCalgarydebut.YanickisaCanadiansinger,multikeyboardist,composerandsounddesigner.Hereleasedagospelalbum attheageofsevenandwentontoplayYoungSimbaintheEdMirvish productionof TheLionKing aswellasamyriadofotherrolesintheatreand TV.YanickhasstudiedclassicalpianoperformanceatWesternUniversity, andtouredinternationally,releasingfouralbumswithhishighlyacclaimed groupAfterFunk.Hehasrecentlybeenfeaturedon TheSOCIAL andyou canoftenhearhismusicplayingonCBCradio.Yanickrecentlygotback fromasevenmonthtriptoDubaiwherehewasbandleaderfortheExposonics,theWorldExpo 2022 residentband.Healsoreleasedafewvideoprojects; ATributetoDonny[Hathaway] anartistic contributiontomentalhealthandrace awarenessand CelebrationandRevelations,avirtualconcert thattellsthenarrativeofblackpeoplethroughmusic.FollowonYouTubeorInstagram:@funky_yan.
MOJAVE
Pepi
Mojaveisthrilledtodebuthisactingcareeras‘Pepi’.Mojavehasbeen showcasinghistalentsforfriendsandfamilyinbackyardsforovera decade,inexchangeforhisfavouritetreats,chicken,andcucumber slices.Mojave’sfavouritetrickstoperformarehissignature‘ballerina dance’,andhisaggressive‘superpaw’.Mojaveisbestknownfor bringingjoy tohumans,andstealingtheheartsofeveryonehemeets. MojaveishonoredtoputhisheartandpawsintoPepi’scharacter! Instagram:@mrmo.jave
CREATIVE TEAM
RAYHOGG
Director
(he/him) TheatreCalgarydebut.Rayisanaward-winningartistknown forcreatingvirtuosic,visuallystunning,viscerallymovingtheatre.He hasover25yearsexperienceinthemostcelebratedopera,dance,and theatrecompaniesacrossEurope,TheUnitedStates,andCanada. HeiscurrentlyArtisticDirectorforTheMusicalStage Company, AffiliateArtistatNeptuneTheatre,andthefounderofPrimeMover Theatre Company.From2012-2017hewasArtisticDirectorofRainbow Stage.Directingcreditsinclude: ControlledDamage (TheGrandTheatre), DixonRoad,Starwalker (MusicalStage Co), daKinkinmyHair (ArtsClub); Cats,TheProducers, SisterAct,Shrek,LittleShopofHorrors (RainbowStage); FiveGuysNamedMoe,Dreamgirls (NeptuneTheatre); LoveandInformation,AnEnemyofthePeople,DamnYankees,and Chicago (SheridanCollege).HehaschoreographedfortheShawFestival,theWinnipegSymphony Orchestra,theSegalCentreMontreal,andmore.@rayhogg2021,@primemovertheatreco, rayhogg.com,primemovertheatreco.com
JONATHANCORKAL-ASTORGA
MusicDirector
(he/him) TheatreCalgarydebut.JonathanisaChilean-Canadianmusic director,copyist,andperformer.Heisthrilledtobeexploringthelifeof theprofoundlyinfluentialartistBillieHoliday.Inhisownwork,Jonathan bringsacollaborativeandstory-focusedapproachtomusicaldirection, withapassionforinterrogatingmaterialthroughnewlenses.Heisalso anavidsupporterofnewtheatricalstoriesandhashelpedtodevelop someoftheforemostmusictheatrebeingmadeinCanada.Whennot inrehearsal,hecanbefoundexperimenting with sounds on his small collectionofsynths.Selectedcreditsinclude DixonRoad,Blackout,Caroline,orChange,Dr.Silver (MusicalStage Co.); SundayInTheParkWithGeorge (EclipseTheatre); Drama101,and PollyPeel (TorontoFringe).HeisforeverthankfulforhisfamilyinbothChileandCanadafortheirsupport -saludosyabrazosatodos!
BRIANDUDKIEWICZ
SetDesign
(he/him) TheatreCalgarydebut.Brianisanaward-winningdesigner basedinToronto.Recentcreditsinclude: JukeboxHero (Jubilee Auditorium,Mirvish); DixonRoad (MusicalStage Company); Soundof Music,KinkyBoots,Rocky,Newsies,BillyBishop (DraytonEntertainment); AprilFools,Indecent,BadJews,MillionDollarQuartet (SegalCenter); Titanic (TheGrand); TheLastFiveYears (NeptuneTheatre); NeverNot Once (Theatre Aquarius); TheGreatDivide (HaroldGreen); JerseyBoys (ThousandIslandsPlayhouse);anddozensofshowsOff-Broadwayand acrossTheUnitedStates.BrianholdsanMFAinSetDesignfromtheYaleSchoolofDramaand aBScinArchitecturefromMcGillUniversity.
CREATIVE TEAM
ADEJOKÉTAIWO
CostumeDesign
(she/her) TheatreCalgarydesigndebut.Asadesignprofessionalfor thepast15yearswithintheTheatreandFilmindustry,Adejokéis passionateaboutdesign,creating,andtellingbeautifulstoriesthrough imagery.ShereceivedherformaltrainingthroughtheRedDeerCollege TheatreStudiesprogramandtheBanffCentre,aswellasherBachelor ofDesignfromTorontoMetropolitanUniversity(FormerlyRyerson University).RecentDesignworksinclude: MyLifewiththeWalterBoys (Netflix); CHAD (CBS); Tribal (APTN).Althoughshehasspentmany yearsinthefilmindustryherfirstloveisforthetheatre.Adejoké’sveryfirstprofessionalwork experiencesintheindustrywererighthereatTheatreCalgaryasanambitious19yearold,so sheisextremelyhonouredtocomeback“home”tocreatesomethingbeautifulwithherpeers.
LOGANRAJUCRACKNELL
LightingDesign
(he/they) TheatreCalgarydebut.LoganisaTorontobasedtheatreartist specializingintheatricaldesignandlivestreamcreation.Theirwork hastakenthemacrossthecountryandtheyareeagertoseewhat journeyslieahead.HeisexcitedtobeworkingwithTheatreCalgary forhisfirsttime,andwiththisexcitingwork.Recentworksinclude: AliceinWonderland (BadHatsTheatre); DixonRoad (TheMusical StageCompany); AsYouLikeIt/DreamInHighPark (CanadianStage Company); WilliamShakespeare’sAsYouLikeIt:ARadicalRetellingbyCliff Cardinal,and OrphansfortheCzar (Crow’sTheatre).
WADESTAPLES
SoundDesign
(he/him) TheatreCalgarydebut.Amemberandpastboardmemberof theAssociatedDesignersofCanada,Wadedesignedsoundandvideo elementsfortheCanadianExhibitiontoPragueforPQ2015,andserved asajurorfortheselectionoftheCanadianexhibitiontoPQ2019.Most recentlyheservedontheWorldStageDesign2022Jury.Wadehas designedandtouredproductionsacrossCanadaandinternationally, includingdesigningworksfortheStratfordShakespeare Festival,the CitadelTheatre,L’UniTheatre,FreeWillPlayers,andCatalystTheatre. WithCatalystTheatre,hecreatedsounddesignsfororiginalproductionsof TheBlueOrphan, Frankenstein,CarmenAngel,Nevermore,Hunchback,TheSoulCollector,and Vigilante.Wadeis anaward-winningCanadiandesigner,livesoundengineer,technician,anduniversityeducator basedinEdmonton.AnalumnusofMacEwanUniversityMusic,Recording,andTheatre Productionprograms,hehasbeenaninstructorandSoundDesignerforMacEwanUniversity forover28years.
CREATIVE TEAM
KENNEDYGREENE
StageManager
(she/her) ForTheatreCalgary: AChristmasCarol (2020-21), TC Returns, TheLouderWeGet.Selectcreditsinclude: Heaven,CallingOutChristmas!, FlightRisk (Lunchbox); Kim’sConvenience (AlbertaTheatre Projects/ ArtsClub); LaTraviata,Rigoletto,Everest,Hansel&Gretel,TheBrothers Grimm,Filumena,Turandot,SouthPacific (CalgaryOpera); STRUCK (GhostRiverTheatre); AssassinatingThompson (Lunchbox/InsideOut); AllThatBindsUs (Azimuth); ThereGoestheBride,80’s Solid Gold 1 & 2, Spamalot,Chicago,LoveTrain,Gameshow (StageWest); TheThinMan, TheHollow (Vertigo); ALoveLettertoEmilyC,AChitengeStory,TheTallBuilding (Handsome Alice); MakeLoveNotArt (InsideOut).KennedyisaproudgraduateoftheUniversityof Lethbridge’sTechnicalTheatre Program,andisthrilledtobebackatTheatreCalgary!
SANG-SANGLEE
AssistantStageManager
(she/her) ForTheatreCalgary: HonourBeat.Elsewhere: TheHerd (Citadel/Tarragon);BanffCentre’sOperainthe21stCenturyprogram; TheFiancée,ABrimfulofAsha,Tempest,Hadestown,Redpatch,Mamma Mia!,SenseandSensibility,MillionDollarQuartet,WestSideStory,Who’s AfraidofVirginiaWoolf?,AvenueQ,OneMan,TwoGuvnors,MakeMine Love,Spamalot,and PrivateLives (Citadel); SexyLaundry,Buddy:The BuddyHollyStory,SuperGroovy70s,SixDanceLessonsinSixDays,and DirtyRottenScoundrels (Mayfield); FeverLand (TeatroLaQuindicina); MakingsofaVoice,TheBlueHour (SkirtsAfire); Disgraced (ATP); Hamlet,MerryWivesofWindsor, MerchantofVenice,KingLear,MidsummerNight’sDream (FreewillShakespeare); SaltBaby (Globe); SongsMyMotherNeverSungMe (Concrete Theatre).SangSangisexcitedtobeback atTheatreCalgary,workingon LadyDayatEmerson’sBarandGrill!
LANIEROBERTSON Playwright
LanieRobertsonisaplaywrightwhooftentacklesthemesofsocietal issuesandfeatureshistoricalcharacters.Hisfirstplay, TheInsanityof MaryGirard,wasproducedin1976andwaslaterpublishedin1979. Otherworkincludes: BackCountyCrimes (1980), NastyLittleSecrets (1988), AlfredAimeO’Keeffe (1998), WomanBeforeaGlass (2005), and LadyDayatEmerson’sBarandGrill (1987)whichlateropenedon Broadwayin2014.HeisamemberoftheDramatistsGuild,Writers GuildofAmericaEast,andtheSocietedesAuteresetCompositeurs Dramatiques.He’searnedawardssuchasanOuterCriticsCircleAward(1987)for LadyDayat Emerson’sBarandGrill,aKlibanAward(1985),BerillaKerrFoundationAward,andagrantfrom theNationalEndowmentfortheArts.
AaronDouglas(1899-1979)wasanAfrican-American painter, illustratorand visual artseducator.Hewasa majorfigureinthe HarlemRenaissance. Hedeveloped hisart careerpainting muralsand creatingillustrations that addressed socialissuesaroundraceandsegregation intheUnited States byutilizingAfrican-centric imagery. Douglassetthestage foryoung, African-American artists toenterpublicartsrealmthroughhisinvolvementwith the Harlem ArtistsGuild.In1944,heconcludedhisart careerby founding the ArtDepartmentatFiskUniversity inNashville,Tennessee.Hetaughtvisualart classes hisretirementin1966.Douglasisknownasaprominentleaderin modernAfrican-American art whose work influenced artists foryears to come.
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2021 AND 2022-23 SEASONS
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