OUT & ABOUT ARTS & CULTURE
A Celebration of Rockport-Fulton’s Art Colony A COLORFUL BOOK FOCUSES ON LOCAL ARTISTS WITHIN THE BROADER HISTORY OF TEXAS ART BY: JACQUELINE GONZALEZ
R
ockport is known as one of the 10 best coastal art colonies in the country due to the rich history behind its growth, but after meeting with Kay Betz, one of the authors of The Story of the Rockport-Fulton Art Colony, we learned this was not always the case. So, just how did the neighboring city grow into a nationally recognized hub for creatives? In the 1940s, a charismatic artist by the name of Simon Michael taught art to many local adults and children, while promoting the area as a creative community. This attracted other talented, dedicated people, who moved here to live and work as artists. By the 1960s, with the success of the oil and gas industry, more people came to the Coastal Bend to purchase new homes; many wanting to furnish them with coastal art.
74 The Bend
However, Betz noticed gallery owners, collectors and other attendees at national and state art and history conferences were not privy to Rockport’s artistic legacy. She came across a book called 250 Years of Texas Art in which only one Rockport artist was featured. Although Betz was thrilled to see this artist in the book, she felt the larger world, including Texas art collectors and scholars, needed to know more about the area’s rich art history. Betz and Vickie Merchant, fellow educator and author of The Story of the Rockport-Fulton Art Colony, joined forces to bring recognition to the rich Rockport legacy. They became volunteers at the History Center of Aransas County, where Merchant served as president and Betz served as secretary of the board. They decided to raise money for the history center by writing three
The Story of the Rockport-Fulton Art Colony is available for purchase at the Art Museum of South Texas gift shop, History Center of Aransas County and Amazon. Left: Lydia Ann Light Station by Harold Phenix Right: Spoonbills in Flight by Larry Felder