42 STATE OF THE ARTS
The local art scene is vibrant and fostered by passionate creatives with unique points of view and thought-provoking imagery. We showcase five local artists and provide an intimate look at how they each express themselves.
The local art scene is vibrant and fostered by passionate creatives with unique points of view and thought-provoking imagery. We showcase five local artists and provide an intimate look at how they each express themselves.
This year’s artist issue cover spotlights the spectacular work of featured artist Noe Perez. The piece, a 30x24 oil on canvas painting, is titled “Red Cactus Blooms.”
A look inside the unbreakable bond forged among a collective of female silversmiths and how their presence has influenced the Rockport art scene.
artwork by SONIA ORTEGA photography by LILLIAN REITZ
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This is the first feature contributing writer Vanessa Perez has worked on for The Bend. Perez’s undeniable talent shines on the pages throughout this month’s cover feature, “State of the Arts” beginning on page 42.
Inside art advisor Morgane Heinz Blackmon’s dream home filled with creative beauty
Discover the world of an LGBTQIA+ art exhibition challenging traditional notions of liberation
Growing Texas sage shrubs in your Coastal Bend landscape
Ideas for displaying a large spirit collection in a small space
Local podcast provides ocean knowledge to aid in coastal sustainability
A look back at how shellcrete bricks from crushed
Persis Indian Grill’s expansive menu features all your favorites of Indian cuisine
We’d like to say THANK YOU to the Corpus Christi Community for allowing us to provide rehabilitative services for 10 years. CCRH would also like to recognize the employees that have been with us since we began providing our services.
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Ah, the Artist Issue … I’m not entirely sure whether, when we planned the first edition of this issue in 2015, it was intended to become an annual cover feature. Yet here we are, nine Artist Issues later, and it remains a favorite — for our readers and for me.
That made me wonder about its popularity. The numbers — online pageviews for the annual feature and responses to yearly readership surveys — indeed show this issue consistently pleases the crowd, but why? Here’s my guess: Art, in its varied forms, has the unique power to move people, to evoke emotions and to connect us all via the reminder of the human existence being a shared one.
Managing editor Alexa Rodriguez and contributing writer Vanessa Perez brilliantly take readers into the minds and visionary worlds of our five featured artists for 2023. Beginning on page 42, the dynamic writing duo zoom in on the extraordinary gifts of Noe Perez, Payton Koranek, Ricardo Ruiz, Sonia Ortega and Jesus De La Rosa. In
each individual profile, you’ll learn the life experiences, cultural identities, societal messaging and wonderous inspiration behind the works produced by these fine artists.
When reading through that feature, “State of the Arts,” I lingered on the idea of art acting as a conduit for shared humanity in a way that words sometimes fail to do. In Simon Schama’s Power of Art, the author explores this very notion and states art “tells us something about the world, how it is to be inside our skins, that no more prosaic source of wisdom can deliver. And when [art works do] that, they answer, irrefutably and majestically, the nagging question of every reluctant art-conscript … 'OK, OK, but what's art really for?'"
Similar to Schama’s insightful take, Rodriguez shares a similar sentiment in that the power of art “…is a summation of the solitary human experience in which everyone is different, though often with a thread connecting us together.” My interpretation of that connecting thread is the desire we as humans have to be seen, heard, valued and given the chance to live a life of hope and freedom. On page 16, the successful entrepreneur and PRIDE Corpus Christi Board President Jonathan Swindle reminds us of this fact.
Other art-filled stories line our pages this month, such as a chronicle of six female metalsmiths forging incredible art and an even more incredible bond (pg. 56), a look inside the masterpiece of professional art advisor Morgane Heinz Blackmon’s home (pg. 65) and an exploration of the exhibition “Daydreaming Ourselves Awake,” which explores the history of Pride Month and celebrates the LGBTQIA+ community through the eyes of talented local artists (pg. 92).
After reading through this issue, I hope you feel inspired, and are reminded of the fact that our individual stories and experiences in this life might just be the thing that connects us all.
Esperanza de Tejas is a phenomenal nonprofit founded and led by Brianna Davis, whose tireless passion for serving this community is truly unmatched. Pg. 20
Persis Indian Grill is definitely one of my new favorite date night spots. The menu features delectable Indian flavors with both classic and original dishes. I recommend taking a full tour of the menu and ordering familystyle. Pg. 88
Don’t let the subject matter of The Gulf Stream podcast hosted by the Harte Research Institute fool you — even if you aren’t the “science type,” it does a wonderful job of breaking down topics relevant to our region in an exciting and digestible way. Pg. 96
THE ENTREPRENEUR AND PRIDE CORPUS CHRISTI PRESIDENT DISCUSSES HIS BUSINESS TRIUMPHS AND TRIBULATIONS, WHAT PEOPLE CAN EXPECT FROM THIS YEAR’S PRIDE CC PROGRAMMING AND MORE
BY: KYLIE COOPER PHOTO BY: SHOOCHA PHOTOGRAPHYKC: You are the owner of a local marketing agency, Hi-Res Media Group (HRMG). How did you decide to start this company?
JS: My decision to establish the company was driven by a desire to pursue a career in digital work in an area where such opportunities were scarce locally. My background in computer skills and a personal commitment to helping others enabled me to assist people with their websites, graphic design and other technical needs.
KC: How have you seen HRMG evolve in the 10+ years since its inception?
JS: In my initial enthusiasm, I opened an uptown office, eager to build a team to better serve our clients. However, the process of assembling the right team proved more difficult than anticipated. I found myself working 16-hour days, juggling client management, website development and administrative tasks. This pace was not sustainable, and the lack of skilled professionals in the industry locally exacerbated the issue.
To address this, I shifted my focus from simply hiring employees to building a pathway for cultivating talent. My experience founding Corpus Christi's first coworking space,
AXOM, taught me the importance of capital in achieving this goal. Over the past decade, Hi-Res Media Group has evolved from a survival-driven venture into a diverse agency that not only provides valuable services but also fosters the development of local talent.
KC: More recently, you co-founded the company Confirmed Life Safety (CLS). Can you share a bit about the company and what it does?
JS: CLS is a niche Software as a Service company that caters to commercial real estate owners, specifically Real Estate Investment Trusts (REITs). We help property managers and building engineers modernize life safety measures by transitioning from paper-based records to digital platforms. Our services include digitizing and organizing information related to elevator inspections, fire panels, emergency exit signage and more, streamlining their day-to-day management. Beyond this, CLS allows REITs to analyze large sets of data, identify issues and make informed decisions to improve efficiency and cost savings.
KC: You’ve been an entrepreneur in the community for well over a decade. Where did your passion for entrepreneurship come from?
JS: A key aspect of my passion for entrepreneurship is the enjoyment I derive from getting to know people, identifying their strengths and seeing how these pieces can work together. Over the past 11 years, this inherent drive has manifested itself in my entrepreneurial journey. I have consistently sought to help others and contribute to the betterment of my community. My passion for entrepreneurship stems from a desire to make a meaningful impact and create lasting value in the lives of others.
KC: Let’s talk about PRIDE Corpus Christi a bit. As Board President for the second year, what do your responsibilities look like?
JS: My primary responsibility is to build and maintain relationships with community partners who share our mission of fostering the well-being of the LGBTQIA+ community and their allies. We work collectively to support our families, friends and neighbors through
advocacy and events that increase visibility and create opportunities.
In this role, I ensure the successful execution of PRIDE Corpus Christi's programs and events while promoting the organization's efforts both locally and beyond. Additionally, I collaborate with my fellow board members to strengthen our community and uphold the integrity of our initiatives aimed at fostering economic vitality. Central to our success is the diverse composition of our board, which comprises individuals from various industries and backgrounds.
KC: What can people expect from PRIDE Corpus Christi’s programming for Pride Month? Any changes and/or additions you’re excited about?
JS: This year, we're taking PRIDE Corpus Christi's programming to new heights. By expanding from Pride Week to the entire month of June, we're leveraging ongoing commitments with partners and sponsors, improved technology infrastructure, reduced overhead and a larger board.
This year, PRIDE Corpus Christi is producing an LGBTQIA+ themed play at Harbor Playhouse from Jun.30 – Jul. 2. The play, originally a graphic novel by Alison Bechdel, tells a poignant coming-of-age story about a young lesbian woman. Additionally, we're flying in a hall of fame comedian from Rhode Island and supporting various events planned by local businesses and drag performers. While many components are still coming together, I am particularly excited about expanding October's Pride Parade and Block Party into a concert. This will provide an opportunity for us to showcase LGBTQIA+ musicians and offer our community even more to look forward to. Undoubtedly, this year's Pride is a testament to a city that embraces inclusivity.
KC: Your work with PRIDE Corpus Christi goes far beyond planning programming for the month of June. I’d love for you to share a bit about your efforts outside of the Pride Month programming.
JS: A significant aspect of my role involves fostering relationships with
partners and sponsors, ensuring the successful organization of an increasingly grand Pride Parade and Block Party each year. Additionally, I focus on strengthening connections with statewide and nationwide partners.
Our recent membership in the United States Association of Prides allowed us to attend the inaugural conference in Minneapolis, where I had the privilege of participating in a panel alongside organizers from Washington, D.C., and San Francisco Prides. This experience enabled us to represent Corpus Christi, network with other leaders and learn from their solutions, often implemented on a much larger scale. Joining organizations like InterPride is essential to me as Board President because it helps elevate the conversation around PRIDE Corpus Christi beyond our local community, attracting investment, participation and access to additional resources. By sharing best practices, we can enhance our efforts, creating a more effective organization and fostering a city where everyone has equitable pathways to success.
KC: How can the community support PRIDE Corpus Christi?
JS: There are several ways people in the community can support PRIDE Corpus Christi. Donate or sponsor an event; your contributions help us scale our impact and invest in our mission, enabling us to do more for those around us. Volunteer your time; it takes many hands to carry out this work, and your involvement can make a significant difference. Attend our events; by showing up and participating, you get to know the people in your city and contribute to a supportive environment. Spread the word; encourage others to join our events, donate or volunteer, and help grow our community.
Most importantly, help us demonstrate to our youth that this is a place worth building a life in and giving back to. Your support and presence make all the difference.
Read the full interview online at thebendmag.com
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“Ate at Executive Surf Club tonight and had drinks at BUS with out of town guests. Downtown was bustling and beautiful! So proud to show it off!”
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“Loved being at the Buc Days Wings Over South Texas air show this past weekend! Those who came out to witness the world-famous Blue Angels and their heartpounding aerial show enjoyed an amazing experience!”
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"I completed [my] childhood dream of visiting the Texas State Aquarium today."
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Dedicated to enhancing communities’ access to fresh food, healthcare and supplies and skills needed for education, Esperanza de Tejas aims to uplift underserved individuals in the Coastal Bend. With a motto of “Amor y Esperanza,” the nonprofit strives to build hope through community engagement, comprehensive programs and social service initiatives.
Esperanza de Tejas was established in the middle of a pandemic and has continued to thrive. As the nonprofit embarks upon its fourth year, its fearless leader, Brianna Davis, has been prepping for her busiest year yet. “During the pandemic, it was so difficult for people to get items they needed, which made us really recognize the need for self-sustainability around the community,” she said. With continual growth and increasing support, the nonprofit has been able to launch three new initiatives to serve the Coastal Bend.
In wanting to provide individuals with the ability to incorporate healthier options into the meals they love, Davis put together the Garden of Hope, a new initiative she hopes will increase access to fresh foods, bridge the food insecurity gap and increase overall wellness.
With a background in psychology, Davis uses Maslow’s Hierarchy of Needs to be aware that some people must focus on survival needs, such as buying food items with the longest shelf life rather than satisfying
nutritional needs with fresh fruits and vegetables. Through Garden of Hope, the nonprofit plans to teach families how to grow food in backyard or community gardens. Her vision for this initiative is to eventually get the program incorporated into schools and create partnerships throughout the Coastal Bend to expand upon it.
Also launching this year is the Children’s Free Store. With this initiative, Esperanza de Tejas seeks not just to fight food insecurities but provide necessities to families on the verge of homelessness. With funding provided by the Driscoll Health Plan, the nonprofit created a diaper bank as part of the Free Store, giving parents in need the opportunity to pick up formula, diapers, wipes, hygiene items and clothing for free. Davis’ vision is to procure an actual storefront that will let parents “shop” for items.
Esperanza de Tejas is also passionate about creating leadership and scholarship opportunities for our youth. Through the new scholarship fund Amor y Esperanza, the nonprofit aims to empower future leaders in the community by increasing the number of students completing high school, attending secondary educational institutions and applying for FAFSA. The scholarship fund hosts a yearly workshop for middle and high school students to provide resume and college application resources, ultimately boosting confidence for students in pursuit of higher education.
As is evident by these new initiatives, Esperanza de Tejas is working to seek out and care for those in our community with specific needs in varying walks of life. It’s a big undertaking, but with a visionary like Brianna Davis at the helm, more people in our community can benefit from the help these initiatives provide.
CONTACT:
418 Peoples Street #100 | esperanzadetejas.org
JUNE 2023
For the second year, Downtown Corpus Christi will host a multi-day event dedicated to the unveiling of four new murals in the area. Enjoy MuralWalk June 2 to tour the new murals while participating in ArtWalk. Head over to Norma Urban Park on June 3 for the Closing Party where a special fifth mural will be unveiled during the celebration of a newly renovated and improved community park.
GODOWNTOWNCC.COM
This annual event is back and better than ever. Enjoy live music, food trucks, vendors, family arts and crafts activities and a whole lot of local beer. The festival will take place at the Art Center of Corpus Christi from 1-6 p.m. General admission starts at $30 and tickets are available online.
CORPUSCHRISTIBEERFEST.COM
PRIDE Corpus Christi is proud to present a full month of event programming highlighting the dynamic nature of the LGBTQIA+ community, including parades, festivals, educational workshops, art exhibitions, family-friendly fun and more. From a comedy night at Mesquite St. Southside on June 6 to the Annual Pet PawRade June 10 to PRIDE Night with the Corpus Christi Hooks on June 21, there is a little something for everyone. Find the full lineup of PRIDE events online. PRIDECORPUSCHRISTI.COM
Celebrate World Oceans Day with Harte Research Institute
Join TABPHE-CC for its annual 10 Days of Juneteenth Jubilee Celebrations, which kicks off June 9 at Nueces Brewing Co. at 6 p.m. Other events include the 10th Annual Black & White Dance and Comedy Show at the Crystal Reception Hall on June 16; The Corpus Christi Juneteenth Festival at Water’s Edge Park including a 5k run, food trucks, kids’ zone and musical performances from local artists and rapper Juvenile; and the Hillcrest Park Celebration Family Fun Day on June 18. For more information on each day of programming, visit the website. TABPHECC.ORG
best sideshow character or circus-themed attire and help raise funds for the museum’s educational programming!
Tickets start at $75 and are available for purchase online.
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The American Heart Association’s annual Heart Ball was held on Feb. 11, 2023, at the Ortiz International Center. The event, which was co-chaired by Drs. Meridith and Tim Carter and Rajan Ahuja, celebrated local efforts, supporters and volunteers, as well as raised awareness and funds for heart disease.
Held at a private residence on Feb. 23, 2023, the annual Charity League Cocktail Party benefited local nonprofit Agape Ranch. After the Cocktail Party and Annual Style Show & Luncheon, over $486,000 was raised for the charity.
Don’t be a wallflower; burst into a full bloom of selfexpression this season photography by
Prints and patterns are calling your name, and you don’t have to pick just one … or two or three. This is a bountiful season for playful colors and patterns, ripe for creative exploration. It’s also a resounding call to refresh your stylistic voice by adding a layer of interest to tried-and-true classics like stripes and gingham, or for trying a new, eclectic flavor of ikat and brushstroke patterns.
Creating the perfect mixed ensemble doesn't have an exact recipe. The best way to begin is to decide if you want to tread lightly with a subtle take that combines neutral colors and delicate patterns, or if you're ready to stretch into the limelight with a maximalist splash of bold colors and loud prints.
Here are a few ideas to get you on the path to selecting with intention and communicating your unique flair:
~ Pick a color story that appeals to you. For example, choose complementary colors like orange and blue or green and magenta. Then, select contrasting scales of patterns in those colors, either small and large or structured and organic.
~ A "harmoniously hectic" approach would be to wear pieces in the same color scheme or same pattern together — for example, a barrage of head-to-toe polka dots in contrasting tones.
~ Keep in mind that heavy textures do count as a pattern, so use them as a way to rest the eye or add interest without adding additional colors.
~ There is no wrong way to mix patterns, as long as you select what you love and wear it with confidence. You are multifaceted, unique and nuanced; your style voice can be, too!
Self-care is a way to build selflove; it is the core that enables us to be strong women, mothers, entrepreneurs and friends. Between being a wife to an ambitious partner, a mom to a very charismatic, bubbly 8-year-old daughter who watches my every move and now a business owner of Monarch Boutique, it is important to maintain my health physically and mentally.
My self-care regimen varies day to day: Some days I can do all the steps and other days I’m running out the door barefaced, praying my gas light isn’t on and struggling to at least close my Apple watch standring before midnight. The first step is acknowledging and accepting that I can’t be 100% all the time. On my best days, I’m able to blow-dry my hair, drink a gallon of water, ride eight miles on the Peloton, read and reply to unread messages and make it to work and soccer practice on time.
Keeping physically active positively drives the tempo of my mood. Whether it’s attending an F45 class, taking an indoor bike ride or walking the dogs, completing any kind of physical activity is fulfilling. I bring out my inner vibrance by focusing on routines that provide mental clarity and build confidence. A perfect end to my day is getting cozy on the couch with a good book or catching up on a new documentary with a glass of wine while everyone is asleep.
I live my life in a rush, and being 34, I have a morning and nighttime routine that can’t be ignored. These products keep my routines simple and relaxing while helping me find a consistent balance with my everyday life.
PHOTO BY: SHOOCHA PHOTOGRAPHY MAKEUP BY:7002 S. Staples St. Suite 107 Corpus Christi, TX 78413 361-452-2637
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Clinique All About Eyes Serum De-Puffing Eye Massage
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This instant cooling roller-ball helps under-eye areas feel refreshed and hydrated, and brightens the eye area over time. This is a morning must for me.
Lush Imperialis Moisturizer & Breath of Fresh Air Toner
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Imperialis helps skin find balance and brightens any dullness. Breath of Fresh Air cools and hydrates stressed-out complexions, calms redness and is alcohol-free. These two products are a glass of water for my skin. I carry the toner in my purse and spray my face throughout the day.
Kopari Exfoliating Crush Scrub
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This earth-friendly exfoliator is packed with aloe vera, brown sugar and Tahitian coconut shell to buff out the dryness. The organic coconut oil leaves your skin hydrated and smoother than ever — this is a must for me before shaving.
ZO Skin Health – Anti-Aging Kit
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This kit has become a part of my holy grail nighttime routine and has everything I need in one package. It includes an exfoliating cleanser, polish, renewal pads, moisturizer and serum. I needed a medical-grade skincare program, and I found the perfect one.
Jo Malone London Nectarine
Blossom & Honey
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A perfect everyday scent, it's light, soft and sweet with notes of peach, honey and cassis. Wild Bluebell and Earl Grey & Cucumber are two of my other favorite scents — it’s truly impossible to pick one.
Tula Protect & Glow Sunscreen and Prime Your Life Primer
Available at Ulta
This is the best daily SPF 30 sunscreen I have come across; its gel-like formula leaves you with a gorgeous, protected glow. A good SPF is essential with or without makeup, and this primer adds a wonderful base for the days I do wear a full face of makeup.
COLOR WOW Dream Coat
Supernatural Spray
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This anti-frizz formula leaves hair smooth and glossy, blocks humidity and is a great addition when it’s time to blowdry. Also, it smells amazing.
Ilia Multi-Stick in Lady Bird
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This multi-stick is an easy application for the days I don’t feel like doing too much. Its natural and luminous finish works perfectly on my lips, cheeks and nose for a sun-kissed glow.
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Did you know your surroundings may be influencing your emotions and state of mind? We're here to present you with a beginner's guide to color psychology.
BY: JARRED SCHUETZEBLUE AUTHENTICITY SYMPATHY SERENITY COMPASSION
YELLOW HAPPINESS INTELLECT ENERGY INSPIRATION
RED PASSION POWER DANGER LOVE
THE ESSENTIALS
PURPLE NOBILITY POWER
LUXURY AMBITION
BKK
HARKNESS YOGA
HESTER’S CAFE
JULIAN GOLD
PARK SEVEN
PILAR
How do I keep my foundation from melting off of my face in the summer heat?
Utilizing a primer that helps control oil is very helpful. Jane Iredale’s Smooth Affair for Oily Skin helps balance oil production and delivers antioxidant protection. Finish off with a setting spray to seal it all in.
Is it okay to wear makeup to the beach or the pool?
If you feel that makeup is a must, go for it. Look for a clean makeup line and if it has SPF in it, even better! Jane Iredale has four different foundations that are perfect.
Recommended products for achieving the perfect summer glow without looking greasy?
I love mixing a bit of luminescent moisturizer or highlighter into my foundation. MAC’s Strobe Cream is a great choice. Then apply cream bronzer and blush. Voila!
Leigh Ann MarroquinI’m going straight from the beach to an event. What’s a no-fuss way to freshen up my hair?
Start with using a hair moisture cream and work mids to ends before the beach. We recommend Oribe Supershine Cream. Before your event, apply Oribes Gold Lust Oil on just the ends to instantly prime the hair for a sleek shine. Follow by spraying a dry shampoo starting from the scalp and then towards the ends. Let it sit to absorb unwanted oils, then finish it off with a texture spray for extra bounce and hold!
How can I make my curls stay defined, not frizzy, in hot, humid weather?
Curls love moisture! Prep your curls with styling butter and pair it with a curl gloss. Layer the products on top of one another to enhance shine and prevent dryness on the ends with ever-lasting moisture. Finish off by spraying antihumidity spray to keep a hold on those curls and also prevent frizz.
How should our skincare routine generally change in the summertime?
The key to keeping your skin bright and clear during the summer is by preventing damage from happening in the first place. Use an SPF 30 or higher with zinc, and don’t forget to reapply! My favorite is the Skinbetter tinted lotion sunscreen and the Skinbetter tinted compact. Also, use a vitamin C serum to fight free radicals that cause dark spots and achieve that “glow effect” we all want. I like the Alto Advanced Defense and Repair Serum by Skinbetter. I also recommend avoiding intensive treatments such as deep chemical peels and lasers during this time of year.
Top skincare products you recommend for the season?
If I could only use one product on my skin (outside of an SPF), it would be the Skinbetter Alpharet cream. Everyone over 25 needs to be using a retinol. Skinbetter invented a new formula that has never been seen before! By combining retinol with lactic acid, it’s an entirely new molecule that’s much more gentle and less irritating. Also, lip care is just as important as the rest of the face, and the Gylmed Ultra Hydrating Lip Balm tops my list.
HAIR ATELIER SALON THE BEAUTY BAR SALON & SPAThe Coastal Bend’s art scene is vibrant and fostered by passionate creatives with unique points of view and thought-provoking imagery. With this feature, we showcase five local artists and provide an intimate look at how they each express themselves and communicate with the world around them. From transcendent folklore to anthropological figures, this year’s lineup includes works in varying mediums from individuals who are just as inspiring as their creations.
rowing up in the brush country between the Gulf Coast and the border, Noe Perez began a quest to capture the austere, beautiful landscape in the gaps between human impact.
Perez, the son of a cowboy in Falfurrias, would often follow his father out into the field to watch him at work among the oak trees, mosquitoes and cacti. “Those things have become my main subject,” Perez said. “It’s that kind of nostalgic feeling I’ve been around since I was a kid.” This sense of familiarity and closeness to the landscape is ripe in the smallest detail and corner of each painting.
“Most of my work is pure landscape without the presence of man,” Perez said. “That’s hard to find. I have always wrestled with how much of that human element I want to show.” In his work, the man-made elements featured are often old or worn down amid nature, reflecting his perception that although these structures are here now, they are
temporary. “Eventually, it all goes back to the land.” An admirer of the American Impressionist movement and early Texas painters, Perez draws similarities between the near-photographic qualities of his work and those of impressionists who seek to portray their subjects close to real life. The attempt to replicate the feeling of looking at subjects as they exist in nature — the precise moment of sun setting over a country road and the shadows cast by trees, cacti, cattle — drives Perez in each of his works.
“People are drawn to subjects, but I also hope people notice the details. Like the brushwork I used here or the light and the use of color there,” he said. While the precision and scrupulous nature of capturing subjects in such a way might intimidate some artists, to Perez it is an undertaking scored with the hope of highlighting nature’s small but profound beauties.
Forty years as an engineer by profession informs some of the exacting practices behind his work, which require considerable trial and error with the mercurial nature of oil paint. “I take a lot of photographs. If I have time, I’ll do some plein air work,” Perez said of the preparation stage for his paintings, most of which take 60 to 80 hours of work to complete.
To Perez, painting as a tactile process — pushing colors around a palette or applying them to the canvas with a palette knife or brush — contains an allure that draws painters in. “They say the process is the best part of painting; that the journey is often better than getting there,” Perez said. “In a lot of ways, I tend to agree with that.”
As a retired engineer who sold paintings and showed in galleries in his spare time, Perez cites late nights painting at the kitchen table with the hum of his family moving around him as some of his favorite
memories in over four decades of his craft. “I’ve never had a separate studio because I want to be present,” Perez explained. “I have three daughters. They know what I’m doing and they’ll walk into my studio to say ‘Dinner’s ready’ or ‘I’m going to bed.’ Invariably, now and then out of the blue, they’ll say ‘Oh, I really like that.’ I like them to see this process and to see what I’m doing.”
Perez’s work can be found in the recent publication KingRanch:A LegacyinArt, which contains over 40 of his commissioned paintings, all of which live in the various houses and camp buildings on the King Ranch. His work will also show in the Spring of 2024 at the Art Museum of South Texas, where his landscapes will soon join its permanent collection. – VP
or as long as she can remember, Payton Koranek — now a ceramicist, sculptor and teacher — has been surrounded by artists. She was inspired by the clean lines, color and complexities of cartoons as a child, but drawing and other creative disciplines remained mere pleasant pastimes. It was in her exposure to clay and classical sculpture that an artistic identity began to form, as did her functional pottery pieces and eventually anthropological figures.
“I wouldn’t necessarily call myself a purist when it comes to ceramics, but I also wouldn’t call myself a multidisciplinary artist,” Koranek said. “Once I chose clay, I said, ‘This is what I want to know the ins and outs of. This is what I want to stick with.’” With the mastery
of a craft comes challenges, setbacks and “doubts that keep the progression,” as Koranek says. What might be viewed as obstacles, the artist uses to continuously propel herself forward in her craft. So much so that she went on to complete an MFA at Texas A&M UniversityCorpus Christi, became an adjunct professor with a passion for teaching the art of clay and is currently completing a residency in Rome.
It all started with a pottery wheel and a piece of clay. This, combined with her love for classical sculpture, eventually morphed into sculpting on the wheel and using the Roman influence to form facial features.
With many current works conveying modern themes through abstract symbols, Koranek prefers to draw inspiration from the past —
specifically, clay sculpture from the Renaissance and Baroque periods — to inform the present. The classical influence is inescapable, but her pastel colors breathe life into each face, creating a stark contrast to the pale tones of classical sculpture.
However, the past always leaves its mark on the present, as is reflected in her use of traditional materials such as clay and terra sigillata; as well as using the female figure, specifically the face, to convey distinct facets of humanity, regardless of the time period.
By using what Koranek describes as “the power of the multiple,” her work references how we are always surrounded by symbols of everyday life, whatever they may be. These symbols, in conjunction with female faces sculpted from nothing, are in more ways than one a summation of
the solitary human experience, in which everyone is different, though often with a thread connecting us together.
“As much as my art is a progression of myself, it’s a separate thing for the viewer, who sees the pieces independently, not knowing who I am as an artist,” Koranek said of the viewer experience. Art is a message. Art exists as self-extension and societal connection. The moment the viewer beholds a piece of art, that experience is their own, drawing from it what they will. The art must stand alone and convey its own message, and regardless of how her pieces are received by the viewer, the molding of clay into something significant is, as Koranek puts it, “fulfilling and gives [us] something in this really complicated life.” – AR
arly in life, Ruiz recalls internalizing the traditional tales told by elders — La Llorona, El Cucuy, El Chupacabra — and began spinning corresponding legends that sang a different song. These figures of his own creation are the focal point of the work he produces now. He explores the potential of folklore and its propensity for spreading wonder, joy and striking humor.
From ink-drawn comic-style panels to the vibrant hues found in his paintings, Ruiz portrays an expansive world of various original myths that span personal and human experience. “I grew up terrified, terrified by the stories I was told,” Ruiz recalled, “just evil beings who wanted to eat little kids.” A lifelong affinity for comic books, storytelling designed to inspire rather than to traumatize and a macabre yet wondrous sense of humor became the ethos behind the stories Ruiz crafts.
“When I was a little kid, we’d go to Mexico to visit family, where I’d see these little frog tableaus at the mercado, I always wanted one,” Ruiz said. “As an adult I went back and bought a set, and came home and placed them on the table. I’m looking at the cute little frog and I notice it has a stitch between its legs, and another on its mouth. This poor frog had been taxidermied and shellacked. And they suddenly became martyr frogs to me.”
Ruiz began painting his own myths of these frogs — wandering the world, having visions of the apocalypse, fighting devils — setting the foundation for an enduring narrative within his work. Frogs, wooden skeletons, wolves and various elements of Mexican iconography make frequent appearances in Ruiz’s body of work, which spans nearly four decades. These motifs mingle in the space between personal legends
stemming from lived experience and the wider culture of folktales. In producing a piece, Ruiz works from gray to color, sketching loose figures in oil paint sticks to fully bloomed compositions in raw umber, burnt sienna, ochre and crimson that come together to create the signature rich depth of pigment in his paintings. “I never know who I am until the minute I walk into the studio,” Ruiz said of his approach to the process. “I’m influenced by other artists’ work or a conversation, or the weather, and it affects my approach to the work that day. I kind of envy artists who have a set of methodology to their work.” This spirit of spontaneity in the process comes through in each piece.
Since earning his BFA from Del Mar College in 1986, Ruiz continued painting while juggling a family and a demanding career outside the arts. “I got my BFA and four years later, I finished a painting and said
to myself: ‘This is a Ricardo Ruiz painting. This is my voice. This is true to me.’ And that’s been my aim ever since,” Ruiz said. “I’m a narrative painter.” Noted by many as a trailblazer for modern Chicano art, Ruiz’s impact is cited by many Chicano artists as a vital push forward for the movement.
Ruiz has enjoyed turning his sights fully toward his craft in recent years, steadfastly expanding his body of work and collection of new South Texas mythology. His work can be found in the prestigious personal collection of notable Chicano art collector and actor Cheech Marin, as well as in the permanent collection at the Art Museum of South Texas. – VP
or Sonia Ortega, art is a grounding force and a concrete expression of abstract emotions. Raised by a professionally trained artist in her father, the artistic process was made personal only in adulthood during times of unrest and uncertainty — when an artistic outlet aided in processing complicated feelings, and provided a sacred space to do so.
Ortega’s identity as an artist was shaped by multiple factors, one of which was her childhood on the other side of the world. As a Texas native, growing up in Indonesia until the age of 18 but being of Mexican and Cuban descent, she said, “I feel like I always grew up not really fitting into one culture or the other.” The identity crisis of her culture and ethnicity, paired with societal periods of unrest due to Hurricane Harvey in 2018 and the COVID-19 pandemic, were the catalysts for leaning into art as an escape.
In the center of this Venn diagram of cultural associations sits the inspiration for her work. Largely influenced by Indonesian batik art and small repetitive dots reminiscent of those painted on frogs in Mexican souvenirs, her work represents “the struggle of fitting in as a third culture kid wanting to learn about the Cuban side or the Mexican side that I wasn’t immersed in, but also an appreciation for the Indonesian side that shaped me into who I am,” she said.
Inspiration aside, empathy drives everything Ortega does, and her artwork is no exception. Although abstract art is often left to interpretation, the emotions represented are anything but. They are real, often heavy, and putting ink and paint to paper is the method by which these emotions are processed. “I think when I absorb other people’s emotions, I want to carry that for them … and so for me, by just getting something down on paper, I’m able to make sense of what’s
on my mind,” said the artist. Whether it’s freehanding abstract shapes while processing childhood experiences and adding in primary colored dots as a metaphor for our youthful years or swirls resembling breath with yellow dots as a symbol of the coronavirus, all her pieces have a similar visual presence with differing emblematic representations. Each work is freehanded using pen first with colored acrylic paint dots — made using the back of a paintbrush — filling the negative space. The consistency of mediums across her work creates uniformity, while drawing freehand ensures that each piece maintains singularity.
In what might be perceived as a rebellion against the traditional art viewing experience, Ortega prefers her work be discerned by all senses, touch included. For the artist, this work is a healing escape, and by breaking the barrier between art and viewer, gazing upon and even touching the pieces can evoke a similar, peaceful experience.
With the support and encouragement from her family, Ortega’s drawings, or “doodles” as she called them in the early days, found their way to a gallery in New York, and she is now preparing for her next exhibition at K Space Contemporary this August. This showcase gave her the confidence she needed to take her own work and artistic expression seriously, while preserving its deeply personal nature.
“Even though I’ll run myself into the ground doing art and maintaining another career, if I make it a job, it takes that escape away from me,” Ortega said. This subtle balance is necessary in order to maintain her integrity as an artist and to continue to marry her works to the deepest corners of human emotion. – AR
esus De La Rosa’s road into the arts was paved by the constant flux of inspiration unfurling around him, both in his family and in the rich culture of the South Texas borderlands. The tradition of starting something from scratch and crafting it by hand was sewn into the fabric of his upbringing — much like the intricate designs he would watch his mother, a seamstress, conjure up in her dress shop.
“She had such an attention to detail,” De La Rosa said, recalling the dry drawings his mother would make in preparation for wedding gowns, quinceañera dresses or her own clothing. “I really got that from my mom; she was always crafting or working on something.”
From watching his mother sewing to his grandfather cooking up culinary classics as the chef at Arturo’s in Nuevo Progreso, De La Rosa’s
path to a creative pursuit as a way of making a living was one imbued with endless support. When it came time for him to make his own way professionally, the choice to pursue a life in visual arts was a confident one.
After earning his Bachelor of Fine Arts at Texas A&M-Kingsville, De La Rosa embraced his burgeoning sensibilities through a range of mediums—painting, graphic design, screen printing — and the fluidity that came with having an open mind. While working as a graphic designer at the University of Texas Pan-American in the late 1990s, he took a leap of faith and opened a gallery next door to his mother’s dress shop, in the hopes of cultivating a community for local artists at the border. This experience fueled a newfound sense of the opportunities and challenges associated with being an artist in an overlooked market
like many of the creative pockets across Texas. The gallery stayed open until 2003, at which point De La Rosa went on to pursue a Master of Fine Arts at Ohio State University.
Today, his work encompasses the experiences he cultivates across the many intersections of identities: father, husband, teacher, caregiver, artist. “I’m all those things, but I’m also an artist [and] I never separate those things,” De La Rosa said, explaining the lens through which he filters his world, his relationships and their influence on his work.
At first glance, his body of work includes paintings, silkscreen prints, lithographs and mixed media with bright, soaring colors and borderland iconography. Part of the artistic practice for De La Rosa, however, comes in the curation of everyday things — hours of footage from the daily commute to work, dozens of notes collected from his
mother-in-law as she experiences dementia, childhood memories of seeing Diego Rivera murals on trips that were pure happenstance.
De La Rosa’s work deftly explores the intersection of experience and craft; the fluidity of painting versus the precision of printmaking; the dual identity of being a Mexican-American artist in the borderlands between Texas and Mexico. With these dichotomies come room for discovery and exploration. “One of the things that attracted me to visual arts was that there were no restrictions, except what you put on yourself,” he said. “I always tell my students, ‘Give yourself permission to do stuff.’ We have to give ourselves permission to be silly and imperfect.” – VP
Beginning June 16 through August 6, Rockport Center for the Arts will feature the work of Kent Ullberg in the H-E-B Gallery. Ullberg is a world-renown sculpture who creates works that reflects the diversity of native wildlife. Admission is free, and most of the work is available to be collected.
Rockport Center for the Arts
204 S Austin St. Rockport, TX 78382
361-729-5519
Tuesdays - Saturdays • 10a-5p
Sundays • Noon - 4p
www.rockportartcenter.com
The unbreakable bond forged among a collective of female silversmiths
BY: KYLIE COOPER PHOTOS: LILLIAN REITZThat space is the Silver Silo in Rockport, owned by Diane Johnson, and this story is the reason they’re gathered on this particular day. As an observer, it was abundantly clear from the way they interacted with one another that these women are more than just a group of artists all working within the same medium; they’re a sisterhood. Though their art consists of similar materials and techniques, there is no competition. Just community, camaraderie.
The five women — Diane Johnson, Teeny Barnard, Danya de Leon, Lori Fisher and Jennifer Racette, along with an integral part of this story, Kim KnifeChief — have formed a collective with learning from one another and empowering each other at the core of its existence. However, to truly understand this group of talented artists as they are today and the contributions they’ve made to the Rockport art community, we must first look back at the individual roads that led them to one another.
Our story begins about a decade ago with Diane Johnson and Kim KnifeChief. Johnson had already begun navigating her way through the world of jewelry making, taking any class she could locally. She was looking for ways to continue developing her skillset, and decided the next phase of her artistic journey was waiting in Santa Fe. She connected with a woman who had not only lodging options for her, but a teacher in mind. Johnson and KnifeChief met, connected on the soul kind of level and the rest was history. “Once we met, I knew we’d be friends for life,” Johnson said.
The pair spent every moment of the next two weeks with one another, and Johnson soaked up every bit she could. KnifeChief, a member of the Pawnee Nation and a graduate of the Institute of American Indian Arts with a degree in silversmithing, imparted traditional Indigenous American metalsmith techniques to Johnson. To this day, once a year, Johnson and KnifeChief spend 30 straight days with one another in a garage studio in Santa Fe, where they easily fall back into that same inspirational flow and create.
Her first trip to Santa Fe lit a fire in Johnson’s mind and soul — she brought back not only newly learned techniques, but an invigorated spirit ready to work. Insert our third woman into the collective: Teenya Barnard. A longtime friend of Johnson’s (who also just so happened to be Johnson’s hairdresser, with a
knack for reassembling antique jewelry and a love for studying random things), Barnard helped research etching techniques. It only took Barnard making one pair of earrings for her to realize this was something she was meant to do. The duo worked out of a tiny shack on Johnson’s property, and soon after, Danya de Leon entered the picture.
De Leon, with her intrinsic artistic abilities, had already begun making beaded jewelry, but was interested in diving deeper into the art and begin silversmithing. After complimenting a friend’s piece of jewelry, de Leon was introduced to the lore of Diane Johnson and joined the group.
At this point, it’s late summer in 2017 and Johnson, KnifeChief, Barnard and de Leon were well established silversmiths looking for elevated ways to showcase their art. Luis Purón, executive director of the Rockport Center for the Arts (RCA), knew exactly what to do.
“The reality is that their work would never be displayed in a gallery setting, which is the traditional way the RCA shines a light on artists,” Purón said about the inception of the now-annual event. “Though their work was displayed and sold in a gift shop setting, they had to share the space with many other artists.” Purón already had experience with events where models wore pieces from artists,
and proposed a fashion and trunk show as a way for the silversmiths to showcase their work. When it came time to name the inaugural event, Purón knew exactly what to call it: Women on the Verge of a Silver Meltdown.
“Spanish auteur Pedro Almodóvar makes the most elegant films about the modern female narrative,” he said. The filmmaker released Women on the Verge of a Nervous Breakdown in 1988, and it became one of Purón’s favorites. “I must have watched that film over 20 times, and because the silversmiths and the people that attended the fashion event were all women, I took the name of Almodóvar’s film and replaced the last two words.” Though Hurricane Harvey ultimately postponed the event until 2018, by the time it finally took place, it was well worth the wait. The name stuck and the show, which finally provided these fine artists a way to exhibit their work in a “fine art” manner, went on to become one of the most talked-about annual events in the Rockport community.
Lori Fisher, the next silversmith sister to join the collective, was a retired banker looking for her next phase of life to conquer. Always dabbling in artistic endeavors, she had previously worked in paint, ceramics and stained glass, but after moving to Rockport and meeting Johnson, she fell in love with the art of silver. Fisher immediately took a class
taught by de Leon and Barnard and fit right in. Whereas the other women began their silversmith journeys once joining the group, the sixth and most recent addition to the collective, Jennifer Racette, came to the group with a well-established career in metalsmithing. Racette made her own jewelry to pair with the suits she wore for her corporate job. At age 42, she decided she no longer wanted to work a 60-hour work week while trying to raise a child, and chose to see where her jewelry making talent might take her. After connecting with the Gulf Coast Gem and Mineral Society and taking a silversmithing course, she was hooked. Racette continued making pieces and selling them through her own trunk shows and various events over the years. Word travels when a new female silversmith in the Coastal Bend starts making waves, and Johnson connected with Racette to invite her to join their group.
An entirely separate article could be written about the tactile process and varying techniques these women practice. Metalsmithing isn’t glamorous; it can be painstaking work and involves hazardous energy and chemicals. It’s truly a methodical and fascinating artform in which every step has its own set of possible risks that could force you to start over. Practitioners can spend their entire lives learning new techniques in order to create one-of-a-kind pieces. “When you take a sheet of silver and you start creating a one-ofa-kind piece, not a production run and not 15 of the same rings, but a one-of-a-kind piece
you won’t see again, you just really cannot beat that,” Fisher said.
These women are creating wearable art, and often it’s turned into family heirlooms or timeless treasures. “The idea of you or someone else wearing a piece you’ve made means wearing a piece of our own personal story,” de Leon said. “Every time you send a piece out into the world, it’s an extension of yourself and a little piece of yourself, and your story goes with it to a new family and their story,” Racette added.
However, the cornerstone of this story isn’t the undeniable fact that each of these women create breathtaking, wearable fine art pieces; it’s the idea that this sisterhood transcends the pieces they’re making. So often in life, women are pitted against one another, especially women working within the same field. Yet these six women know nothing of the sort. They inspire one another, they teach each other, they lend materials and tools, they inspire and help workshop ideas when someone is feeling stuck or doubtful.
“I haven’t always been open to sharing my doubts, fears or even success stories with other people, but this group has helped me grow in that area of my life and has given me more confidence,” de Leon shared. “[These women] constantly remind me that we all
have doubts and fears.” They are each other’s cheerleaders, confidants, teachers, family — all connected by sheets of glimmering silver and precious stones.
“To be good at this, you have to love it,” Racette said. “And you’ll know from your first moments at a workbench holding a 1,200-degree torch if it’s for you. Given this truth, there will be a relatively small number of people you cross paths with in your life that share your love of this age-old artform.” With that in mind, it seems fair to say that the women who make up this collective were meant to cross paths with one another in the little coastal town of Rockport, Texas. And though they each have their own individual stories, aesthetics and studio spaces, their love for this artform has created a transcendent and lifelong bond.
MAKE PLANS TO ATTEND THE 2023 WOMEN ON THE VERGE OF A SILVER MELTDOWN EVENT OCT. 26 AT THE ROCKPORT CONFERENCE CENTER. THIS YEAR’S EVENT WILL INCLUDE TWO NEW PARTICIPANTS: DIANA CASABAR AND ALEJANDRO SIFUENTES.
Come inside...you'll be surprised when you see all this 4-bedroom home has to offer. Nestled in a well established Subdivision on Padre Island. Spacious and so inviting. Gated courtyard entry. Concreted courtyard & side yards. Concrete walk with side door into the spacious garage. The interior features a beautiful entry, sizable living area with cozy fireplace & a wall of windows for THAT water view! First floor owner's suite and all secondary bedrooms up plus a second living-loft area to enjoy. Bedroom/Office room upstairs has adorable blt-in murphy bed. Beautifully appointed kitchen with center island/breakfast area, room for several cooks and another wall of windows! Multi-level Trex outdoor decking. Boat lift. Jet-ski lift. Freshly painted outside 2022. 2-HVAC's installed 11/2022. Wide water canal views, evening shade, fish cleaning table and the list continues on. Nothing to do but move in! You're gonna love it here. Come Coast Awhile.....right here!
15338 BOWSPRIT CT., CORPUS CHRISTI, TX 78418 OFFERED AT $697,000
This Southside home is ready for YOU! Located in the desirable location off Staples & Spanishwood, walking distance to Faye Webb Elementary and Kaffie Middle School and just a short drive to Veterans Memorial, plus close to amazing restaurants and shopping! Step inside to this pristine, all tile home featuring 4 bedrooms and 3 bathrooms, granite counters, stainless appliances, split bedrooms, ample storage and beautiful custom cabinets. The primary suite features a large room, dual vanities, walk in shower, tub, and double closets. Amenities added are seamless gutters, driveway extension, raised brick flower bed, stone walkway in backyard, epoxy painted garage floor with AC, wood hanging storage in garage, insulated garage door, and security cameras. You’ll want to check this one out TODAY!
5713 BELLA DI GIORNO DR., CORPUS CHRISTI, TX 78414 OFFERED AT $364,500
Morgane Heinz Blackmon has dreamt of building her dream home since she was a child. She remembered, “I have always loved one-story ranch-style homes with metal roofs as well as California Spanish and haciendastyle homes.” When Morgane and her husband, Henry, purchased their lot in Hyde Park in 2019, she was well prepared to bring her vision to life.
“Our home is loosely based on Hugh Newell Jacobsen’s ‘U-shaped’ configuration,” said Blackmon. “I grew up in a Walter Wisznia home that had floor-to-ceiling windows overlooking the backyard and pool, so I’ve always loved that Frank Lloyd Wright aesthetic with lots of windows and the ability to see nature throughout the house.”
Blackmon’s main goal for the home was to create an open, casual space ripe for entertaining and comfortable for her, her husband and their two golden retrievers, Baxter and Asher. With the help of interior designer Jon Hall of Prime Designs, and builder Chuck Clark of South Shore Homes, Blackmon’s dream home came to fruition.
“I love that it is something I dreamed up, carried out and get to dwell in,” Blackmon smiled. “I handled the entire design inside and out. I picked out the floors, every tile, every sconce. I even custom designed sconces with Worley Lighting in North Carolina.”
The home features dramatic 18-foot vaulted ceilings, striking black framed windows, organic materials and layered texture. The living room, with its mix of modern and primitive furnishings, features two pillowy sofas, a Moroccan rug and a double-sided fireplace. The other side of the fireplace faces the casual dining room and kitchen. Recessed wood bookcases flank the fireplace in the dining room—perfect ways to display Blackmon’s primitive pottery. In the kitchen, the massive island is ideal for entertaining, while the open shelves exhibit monochromatic dishes and sculptural pottery.
One of the most notable elements of the home is the stunning art collection. Blackmon, who owns MHB Art Advisory, thoughtfully curated each piece. “We have art from both Tony and Tracey Mose in New Orleans, Marcy Sanchez from Corpus Christi, Cande Aguilar from Brownsville, Ricardo Ruiz from Corpus Christi and Jane Dubois from Austin,” she said. “We have pieces we collected from California, France and San Miguel, as well.”
The stark white gallery-style walls throughout the home are the perfect canvas for the art to shine. Even the hallways feature works by New Orleans artist Tony Esom and South Texas artist Cande Aguilar. One of Blackmon’s most prized pieces is the black-and-white oil painting by Ricardo Ruiz, which is above the fireplace in the dining room. “The detail is perfection. It is my favorite piece in the house,” Blackmon said.
Blackmon is not only an art lover, curator and scout — she is an artist in her own right. “Half my family are artists. My mother is an interior designer
and my grandfather was an architect and engineer. I went to art school and have a BFA in painting and art history. I love and literally dream about art, architecture, fashion and travel. I will wake up with a new home to design, a clothing line to create or painting I should paint.”
Blackmon’s passion for all things art, architecture and design are evident in the home. Every corner features a breathtaking art or furniture piece … the home in its entirety acts as its own art gallery in a sense.
mid-century cubist painting by French artist STM leans on the kitchen counter while a painting by Mexican artist Mara is displayed in the dining room. A commissioned piece by New Orleans artist Tony Esom is exhibited above a modern wood console table in the entryway.Commonly referred to as “Cenizo” in South Texas, the Texas sage is an unassuming shrub that can quickly brighten a landscape with a spectacular burst of purple blooms. A native to the Lone Star State, this sage plant has been recognized as the Native Shrub of Texas. Other names include “Texas Ranger” and “barometer bush.”
These silver-green shrubs can be seen while trekking through the brush country of the Coastal Bend. If you’re fortunate, you’ll see them in bloom, garnishing the higher elevations of our area with swaths of stunning purple color. During the summer months, these blooms make for a welcome sight to landowners in need of rain, as well as some easily appreciated color in an otherwise parched landscape.
A Texas sage bloom will prompt a nectar rush from pollinators, especially honeybees. The surge of sudden activity creates a sensory experience that engages not only sight and smell, but also the sound of hundreds of honeybees working quickly to capture the nectar flow. They are focused on the task at hand and have no interest in a defensive posture, so pull up a chair and enjoy the sound of honey production.
When mass planted, this shrub makes an excellent screen to hide an eyesore or create privacy. There are several pink and purple varieties available. Also, keep an eye out for a unique sage variety that will bloom with brilliant white flowers.
Spacing and height, 6’ to 8.’ Prefers full sun and can tolerate partial shade. This hardy shrub does not mind even the hottest summer days in the Coastal Bend and will do fine with temperatures down to 10 degrees Fahrenheit. When planting, dig the hole twice as wide as the plant and as deep as the root ball. Once established, Texas sage will not require supplemental watering. No serious insects or diseases threaten it.
To promote the most prolific blooms and leaves, plant in a well-drained spot that receives at least seven hours of sunlight per day. Prune after the last anticipated freeze to shape and encourage full, leafy growth on the branches. Planting in too much shade can result in “leggy” branches with few leaves. Texas sage is very suitable for xeriscaping, and don’t worry about deer, as this shrub is resistant to them.
The nickname “barometer bush” comes from its unique ability to flower when triggered by high soil moisture after a rain. It has been said that bush can predict rain by blooming a few days before rainfall. Science is still trying to solve that mystery, but the likely answer seems to lie in its sensitivity to humidity and barometric pressure changes. For the citizen scientist, consider documenting blooms throughout the year and look for patterns over time.
DESIGN INDEX DECANTER, WHISKEY INFUSIONS, TORTOISESHELL TRAY, RAWHIDE PHOTO FRAME, FAUX BOXWOODS: PARK SEVEN . GOLD CRICKET, BOOKENDS: CHIC TO CHIC . LOCAL SPIRITS: AERODROME SHELVING UNIT: WORLD MARKET
HOW TO DISPLAY A SPIRIT COLLECTION IN A SMALL SPACE BY: MONICA BENAVIDEZ PHOTOS BY: RACHEL BENAVIDES
If you have a collection of spirits taking over storage space in your home, opt for a chic and stylish display system instead. When your living space lacks a built-in bar and a bar cart just won’t suffice, an industrial-style shelving unit with warm tones and plenty of space for both spirits and decor just might be the solution.
PLANNED PROPORTIONS
MAKE USE OF VERTICAL SPACE AND CHOOSE TALL STRUCTURES AS OPPOSED TO WIDE. THE BAR SHOULD COMPLEMENT THE ROOM, NOT OVERWHELM IT.
RATHER THAN FILL EVERY INCH OF THE SHELVES WITH BOTTLES, LAYER IN COCKTAIL BOOKS, BARWARE AND NATURAL ELEMENTS TO ADD INTEREST AND FUNCTIONALITY.
LOCAL LIBATIONS
SHOP AND SIP LOCAL SPIRITS BY VISITING PLACES LIKE AERODROME AND LIQUID TOWN. BOTH HAVE SPIRIT SELECTIONS AND ACCESSORIES THAT WOULD MAKE WELCOME ADDITIONS TO ANYONE’S HOME BAR.
DECANTER DWELLING
DECANTERS ARE A BEAUTIFUL WAY TO DISPLAY BOTTLES THAT DON'T MATCH YOUR AESTHETIC.
GARDEN-STYLE FLORALS AND SENTIMENTAL DÉCOR ELEMENTS BRING THIS DESTINATION WEDDING TO LIFE
BY: JO ANNE HOWELL PHOTOS PROVIDED BY: MELISSA PIONTKOWSKIPuppy Love
If you’re looking for a way to incorporate your precious pups into the wedding, signature drinks are a great way to do so. For this wedding, we took things one step further and named each bar after the happy couple’s dogs, Georgia and Junie.
The Details
A subtle color scheme consisting of blush and ivory set a sweet tone for the décor. Lush floral arrangements from Wild Veggie Bouquet were scattered throughout tables and incorporated into suspended centerpieces.
When planning their special day, Hannah and Mitchell knew they wanted a destination wedding, and the Coastal Bend was the perfect locale. The ceremony was held at First United Methodist Church with the reception and other weekend festivities taking place at Palmilla Beach in Port Aransas. When planning a destination wedding, organizing group transportation is one of the best tips I can give!
Life is complicated, but dinner doesn’t have to be. A satisfying meal can be as simple as five ingredients (or fewer). Cutting down on meal components doesn’t mean having to sacrifice flavor.
Sure, we might love to prepare complex dishes that stretch our culinary skills; on the other hand, these often require more time in the kitchen and a catalog of aromatics, spices, herbs, etc. Even the most ambitious home chef can agree that simplicity wins after a long day. Jotting down a short grocery list on your hand, leaving the store with only a bag or two and throwing dinner together in less than 30 minutes is a proposition we can’t resist.
Simplifying dishes requires only a little ingenuity. Spice mixes are a slam dunk way to add gobs of flavor with a single shake. We make sure za’atar, everything bagel or Jamaican jerk seasonings line our cabinet shelves consistently. Using one ingredient in multiple ways can also cut down on the shopping list. Keeping kitchen staples well-stocked lessens an efficient home chef’s frustration. While the inclusion of salt and pepper is usually implied for a savory dish, remember there are many variations that can add even more flavor — e.g., smoked salt and lemon pepper.
For dishes with only a few ingredients, it’s even more critical to choose the best available. Make the trip to a local fishmonger to purchase fresh fish or never-frozen Gulf shrimp. Find wagyu or grass-fed beef, pastured pork, eggs or chicken from a local grower or meat market. Frequent the farmer’s market and opt for organic produce and herbs to maximize freshness and flavor.
We’ve teed up two crowd-pleasing dinners that are perfect for summer and whip up in no time. A southern shrimp boil is a fun, hands-on, “throw it on the table and let them get after it” type of meal with only five ingredients and as many steps. Our second recipe, seared steak, is a summer tradition at our house. We purchase grass-fed steaks from our farmer friends at a local market. Though this meat is leaner than that from corn-finished cows, it’s also higher in anti-inflammatory fatty acids and has been shown to promote health.
Our busy lifestyles beg for an easy solution to supper. All you need is five ingredients and dinner is served.
Serves 6
COOK TIME: 15 minutes
INACTIVE TIME: 15 minutes
INGREDIENTS:
2 lemons, sliced
1/3 cup crawfish, shrimp and crab boil seasoning
1 lb baby gold potatoes, halved
3 ears corn on the cob, husked and cut in half
2 lbs large Gulf shrimp
Optional: 4 tbsp butter, unsalted and melted
DIRECTIONS:
Fill a large stock pot halfway with water and add in 1 sliced lemon and shrimp boil seasoning and place over high heat.
Once the water starts to boil, boil the potato halves for 5 minutes before adding in the corn. Boil the corn an additional 5 minutes before adding the shrimp. Cook the shrimp for 2 minutes, then turn off the heat.
Let the mixture sit for 15-20 minutes. Drain the liquid from the shrimp mixture and toss with melted butter (optional). To serve, tip the mixture out onto a butcher-paper lined surface with the remaining lemon slices.
Serves 4
PREP TIME: 5 minutes
COOK TIME: 15 minutes
INACTIVE TIME: 15 minutes
INGREDIENTS:
1/4 cup rice wine vinegar
1 tsp sugar
1 bell pepper, diced
Two 1 lb ribeye steaks
2 tsp steak seasoning
DIRECTIONS:
Whisk rice wine vinegar and sugar in a small bowl. Add in diced bell pepper and let sit for at least 15 minutes.
Let steaks come to room temperature, pat dry with a paper towel, and season each with 1 teaspoon of your favorite steak seasoning.
Preheat a cast iron skillet over medium-high heat. Add 1 tbsp olive oil to the skillet and heat until shimmering. Sear steaks for 4 minutes, then flip with tongs and cook for an additional 3 minutes on the second side. Remove steaks from the skillet and let rest.
Transfer peppers with 1 tbsp pickling liquid to a small food processor and blend until almost smooth. Spoon over prepared steaks prior to serving.
So long to boring, flavorless, steamed Brussels sprouts. This hearty vegetable has gotten a glow-up in the last few years and is now synonymous with much more flavorful adjectives like “crispy,” “sticky,” “sweet” and even “deep-fried.” Here are the five best Brussels sprouts dishes in town, sure to exceed your expectations of what this cruciferous vegetable could be.
495 Chesapeake Eats
The chefs at 495 Chesapeake Eats put the same care into the sides as they put into the entrées. When choosing a side to pair with U-10 Sea Scallops or the Texas Wagyu Steak, consider the Fried Brussels Sprouts, coated in hot honey and topped with goat cheese. This dish will not only complement any entrée, but take it to the next level. 1008 E. NORTH ST.
Ramen Legend
The Deep-Fried Brussels Sprouts at this ramen spot take the principles of deep frying and apply them to a vegetable. The no-fuss method of dunking in hot oil until crisp and hitting them with a generous seasoning of furikake (made with toasted sesame seeds, nori, salt and sugar) while they’re still hot is simple, brilliant and bursting with flavor.
The next time you visit this spot for its family-style seafood platters, consider the Railroad Brussels Bowl too. Roasted to a crisp and coated in a sweet and tangy bacon glaze, this dish is warm, savory and a great counterpart to a tangy avocado salad, another must-have on the starter menu. 1214 N CHAPARRAL
The Post at Lamar Park
Locals flock to The Post for its expansive selection of craft cocktails, bar food and — you guessed it — the crispy Brussels sprouts. Impossibly crisp with a tender interior, each piece is doused in a honey sriracha sauce for just the right amount of savory, sweet heat. According to the menu, bacon is optional, but trust us, it’s a necessity.
411 DODDRIDGE ST. #102This tempura dish just might be the perfect starter. The sprouts are tempura fried, topped with parmesan cheese and served with house-made spicy ninja sauce. Crispy, salty, spicy, creamy, umami … this dish has it all. Order in conjunction with other stars like the tuna tower and the Ronin Beef Bowl.
REFRESHING COCKTAILS TO DISCOVER THE FLAVORS OF SUMMERTIME
BY: JACQUELINE GONZALEZ PHOTO BY: LILLIAN REITZIn the Coastal Bend, where sunshine abounds, any summer day is an ideal time to sip on a refreshing fruit-infused cocktail. Whether enjoyed near the waterfront or in a laid-back bar, these innovative concoctions are how mixologists around town are serving up summer in a glass.
A pineapple margarita is perfect for summertime sipping. Head to House of Rock and order the Sexy Mexy, a pineapple pleasure with a burst of heat. Made with specially infused spicy tequila, fresh jalapeño and sweet pineapple, this margarita is perfect for seasonal sipping downtown. 511 STARR ST.
Made with Plantation Stiggins’ Fancy Pineapple Rum and coconut liqueur, this signature highball cocktail is given a coastal spin. The addition of coconut and distilled water creates a clean, refreshing flavor, while the clarified pineapple juice gives it the signature transparency of a highball topped with a lime wedge and parasol (because summer). 411 DODDRIDGE ST. #102
The flavors of the Piña La Corpus will transport you to island time. This tropical delight comes together with Flor de Caña rum, RumChata cream liqueur, pineapple and coconut, then is topped with a splash of Kraken dark spiced rum for an extra layer of exotic flavor. 6326 YORKTOWN BLVD. STE 2
Inspired by the Japanese watermelonsmashing tradition of Suikawari, the mixologists at Dokyo created a new summer drink with its namesake. Made with a cachaca base, an influence of aloe liquor, a touch of Le Blanc and smashed watermelon pulp, this drink is a sublime summertime punch.
424 N. CHAPARRAL ST.Flamboyance is the term for a grouping of flamingos, and also the latest summer concoction at BUS. This vodka-based drink gets its pink hue and sweetness from Luxardo Maraschino and tart, fresh grapefruit. Served in a coupe glass, the presentation is elegant, fun and flavorful too. 702 N.
CHAPARRAL ST.Head to The Gold Fish for a seasonal cocktail featuring bold, fruity and spicy flavors. Made with watermelon vodka, citrus, cucumber and jalapeño, La Paletera’s profile is sweet and tangy with a subtle kick, making it both delicious and adventurous.
724 N. MESQUITE ST.Escape to a summer paradise with a sip of the Thai-lada cocktail. This sweet and sour beverage is made with a flavorful blend of rum, sweet lychee liqueur, cream of coconut and pineapple juice, then topped with a lychee fruit and purple orchid, making a cocktail that’s as beautiful as it is flavorful.
3850 S. ALAMEDA ST. STE 27Coconut Mojito - Costa Sur Wok & Ceviche Bar
This refreshing, tropical Coconut Mojito from Costa Sur will transport you to the beach. Made with a blend of Bacardi White Rum, Cointreau, muddled mint and limes, agave nectar and coconut purée, this drink is a surprising take on a classic mojito. 15113 S PADRE ISLAND DR STE 101
Water cooler conversations across town are abuzz about Corpus Christi’s newest Indian restaurant, as diners are raving about the food, service and experience at Persis Indian Grill. We caught up with the owners to see how they brought a taste of India to the Coastal Bend.
Owners and best friends Ankit “Andy” Patel and Vishel “Vish” Patel are living out their childhood dream. The two were schoolmates in Gujarat, their home state in northwestern India. At only 8 years old, Vishel and Andy used to talk about settling down in another country and owning their own business together. Decades later, the pair reconvened to open Persis Indian Grill.
After buying the building outright, Andy and Vishel completely renovated the interior to reflect their culture. Authentic Indian parasols adorn the ceiling. Accent walls are painted with an inviting fuchsia. The main dining room features a lovely full wall mural of an Indian woman in a traditional saree with dupatta drape. The eatery also has a full bar and bar dining area.
fragrant boiled potatoes and peas, accompanied with verdant mint chutney for dipping. We also recommend ordering family style to get a taste of the wideranging flavors—you might recognize favorites like biryani, curry, tikka masala, vindaloo and korma, each offered in an assortment of proteins from goat to chicken to lamb, and a paneer option too.
Persis even offers a comprehensive selection for vegan and vegetarian diners, including tandoori broccoli, cheese butter masala and cashew curry, to name a few.
There are also new dishes to savor, and the mango chicken is a must: Chicken
is simmered in a sweet and spicy mango curry sauce until fall-off-the-bone tender. Grilled salmon never tasted so good as in the restaurant’s peppery tikka masala sauce. Don’t leave without trying the royal lamb chops, which are marinated in Indian spices and grilled over an open flame until lightly charred. An order of garlic naan is key to mopping up any leftover sauce. A helpful tip: specify whether you want your dish mild, medium, spicy or, as Andy puts it, “Indian spicy.”
With plans to expand to the San Antonio area, Persis Indian Grill is on its way up. “We want to bring authentic Indian food, great customer service and an experience of our culture to the community,” said Andy. Mission accomplished.
CONTACT:
4650 Corona Dr. | persisgrillcc.com
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DISCOVER THE WORLD OF DAYDREAMING OURSELVES AWAKE, AN LGBTQIA+ ART EXHIBITION
CHALLENGING TRADITIONAL NOTIONS OF LIBERATION
BY: LUIS ARJONA PHOTOS BY: LEVI GUZMANInside the world of "Daydreaming Ourselves Awake," you will find a cultural exhibition that celebrates the LGBTQIA+ community through the eyes of its talented artists. More than just an exhibition, though, it's a nod to the history of Pride Month and the legacy of those who ignited the spirit of rebellion through their fearless protests. "Daydreaming Ourselves Awake" is a refreshing oasis of wonder, imagination and world-building. It's a space where artists and audiences can explore alternative realities and indulge in the boundless possibilities of LGBTQIA+ creativity.
Curator Jose "Joey" Gonzales aims to provide a platform for members of the LGBTQIA+ community to feel safe and to support one another with this exhibition. It's crucial to spotlight these artists in the Coastal Bend, because, as Gonzales puts it, "We have talent too!" There may be a tendency to assume that those who "make it" in the art world must move elsewhere, but Gonzales is proving that assumption wrong. He's intentional about prioritizing Corpus Christi artists: “If we don't highlight the prowess of artists growing up here, we won't be able to maintain a vivid art scene” — which is something he won’t stand for.
"The biggest challenge is coming up with a concise enough theme that captures all the images and senses I have floating in my head, and still managing to be accessible enough that every type of queer artist can participate," said Gonzales.
Dr. Lofton Misick is Board Certi ed in general surgery and thoracic surgery with a distinguished 33-year career. Dr. Misick has a unique passion for preventing potential amputations using his intricate knowledge of the extremities and how they intertwine with our vascular system.
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The 2023 exhibition will be Gonzales' third time producing this art show. In previous years, he has featured works from artists in our community, all over Texas and beyond — installations, sculpture, poetry and 2-D media forms. Gonzales has curated an exhibition that furthers the complexity of queerness, showcasing artists who craft compositions that push beyond conversations around identity and instead focus on the experiences that come with living a marginalized existence.
According to its public statement, the show “will explore the investigative potential of dreams to uncover queerness as it manifests through the conscious, subconscious and unconscious self. This show urges the understanding that dreaming is an imaginative tool that provides marginalized communities the ability to produce alternatives to current material conditions. Dreaming then invites us to re-envision the future, and ultimately, to challenge whether the present deserves to persist.”
Overall, this year's "Dreaming Ourselves Awake" exhibition for Pride is a vital space for artists to showcase their work and represent the LGBTQIA+ community's presence in the Coastal Bend. It's a powerful testament to the importance of "dreaming" to imagine a better future, and take concrete steps toward finding creative solutions to complex problems.
@joeygonzales4th
experts within HRI and individuals that work within the community,” Radke said.
Emily McCauley, marketing communications manager at HRI and scheduling coordinator for The Gulf Stream, added, “Some of our guests are penciled in for the rest of the year, based on the timing of things like hurricane season and Shark Week.”
Listeners shouldn’t worry about getting bogged down by scientific jargon, though. Each topic of discussion is accompanied by a line of questions carefully curated in an easily digestible manner. “I’m not a scientist. My background is in journalism and agriculture,” Radke said. “So, when I’m planning out an episode, I put myself in the chair of the listener and think of questions that would make the topic interesting, relatable and fun to the everyday listener.”
Podcasts are a popular way to stay informed on a variety of topics, and the folks at Harte Research Institute (HRI) at Texas A&M University-Corpus Christi are utilizing this avenue to do just that. The Gulf Stream podcast is an extension of HRI’s model, a unique interdisciplinary way of offering science-driven solutions through economic, policy and sociological expertise that help solve the challenges facing the Gulf of Mexico and create lasting solutions.
Megan Radke, communications coordinator at HRI and coproducer and host of The Gulf Stream, explained, “We wanted another medium to get the word out about what we do here at HRI, but also to inspire people to figure out ways to become more active in conservation and science.”
Featuring a diverse range of guests and thought-provoking discussions, The Gulf Stream offers insightful and engaging conversations about a wide range of issues from oceanography and marine biology to coastal conservation and sustainability. These insightful conversations allow us to appreciate the ocean and further efforts to make this world a better place to live.
When choosing their guest lineup, the team looks for individuals who have a connection to the ocean in some capacity or anyone who has general conservation or environmental concerns. “We’ve done a good job of balancing our guest lineup between our own subject matter
Juan Canchola, project manager at HRI and videographer for The Gulf Stream, is surprised by how quickly the podcast has grown in popularity. “It’s interesting to see the type of audience we’re building. We had a cardiologist — someone who isn’t even in our field — tell us how much they enjoyed our podcast and how happy they were to have something to listen to that is local.”
As The Gulf Stream podcast continues to provide commentary about the ocean and beyond, Canchola, Radke and the whole team at HRI hope listeners find something that spurs their interests, something they can relate to — and most importantly, something that inspires them to take action in creating a more sustainable environment.
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The Civilian Conservation Corps (CCC) was a New Deal program to employ men from across the country during the Great Depression. Of the 97 CCC camps in Texas, 27 were dedicated to the development of state parks. Their work created 56 national, state and city parks, and 29 remain open as state parks today. Unemployed didn’t mean unskilled, and the men of the CCC built many structures that still serve visitors today.
One of those sites, Rockport’s Goose Island State Park, could have remained overgrown, unpassable land without the work of CCC Company 1801. The men cleared undergrowth, planted trees, dug drainage, built structures and cared for the ancient “Big Tree” in 1934-35.
The men at the local CCC camp weren’t all locals, but they looked to a tried-and-true area method of
construction when building Goose Island’s concessions (now recreation) building. They’d already covered muddy park roads in oyster shells, as was done in Corpus Christi until paving began in the 1910s. They later put those oysters to good use again by crafting shellcrete bricks from crushed shells and sand, just like had been done on the Texas coast since before Corpus Christi was even founded.
This choice of material fit perfectly with the CCC’s architectural style, which aimed to build buildings that blended in rather than intruding on their surroundings. Now, for nearly 90 years, the shellcrete crafted by these men has stood the test of time and continues to welcome visitors to Goose Island today.