The Chap Issue 110

Page 152

W E I V E R M L I F

LAST NIGHT IN SOHO Gustav Temple reviews Edgar Wright’s new sixties-set thriller from a director who is trying to move on from spoofs of genre movies

“We are all haunted by the sixties and can’t let go of the idea that everything was groovy in that overhyped decade. Even Terence Stamp looks like he’s more than ready to move on from the past, but no-one will allow him to” 152


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