Volume 17, Issue 10 - Oct. 21, 1994

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Congressional • • campa1gn1ng on campus }

Democratic Congresswoman Patricia Schroeder speaks with Rosanna Rains, a UCO Health Center employee, during a re-election campaign stop Oct. 19·

The Metropolitan/Andy Cross

Faculty to sue Trustees over salary -

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Jesse Stephenson Senior Staff Writer Indignant over years of alleged salary injustice, 78 senior MSCD faculty are preparing to sue The Board of Trustees for Colorado State Colleges. The Faculty Protection Association, comprised of the plaintiffs, contend that the board refused to adjust the MSCD procedure for determining salary for senior faculty. The FPA wants a system that would make senior faculty salaries consistent with that of peer institutions and junior faculty. In addition, the FPA charges that The Board of Trustees executed a breach of contract by failing to comply with the guidelines for determining salary in The MSCD Handbook For Professional Personnel. The 1993 handbook states that salaries must be adjusted to achieve equity and parity. This designates that pay rates for veteran faculty and newly hired faculty should be congruent, and that MSCD should maintain a

faculty pay scale consistent with peer institutions. The senior faculty, all of which have served 15 years or more at MSCD, are asking for up to $20 million in damages to compensate for salary disparities that have occurred since 1986. "This is a volcano ready to erupt," said John Schmidt, president of FPA. "It is the single most devastating issue to faculty on this campus, to morale and quality of life." Grievances over the alleged salary injustices were initially brought to Denver District Court in 1992 by 17 MSCD faculty who sought class action certification. The case was thrown out with prejudice by a judge who ruled that the faculty had failed to fulfill formal grievance procedures which would give the administration a chance to remedy the situation out of court. Following the initial court ruling, the board revised the handbook and omitted provisions for equity and parity as essential in determining faculty salary. Schmidt said the omissions in the handbook were a

reactionary response to the lawsuit and that the FPA will sue on grounds that the original contract induded provisions for salary equity and parity. According to Schmidt, the original grievants did not seek internal remedy on the advice of their attorney because there was no guideline for class action grievances in The MSCD Handbook for Professional Personnel. To counter the ruling that they failed to attempt outof-court settlement, the FPA collaborated with the Board of Trustees to create a formal class action grievance procedure. Additionally, they prepared to appeal the District Court's ruling of prejudice which would prohibit the suit from being retried. In October 1993, The Colorado Court of Appeals overruled the decision to throw the case out with prejudice but maintained that the grievants must pursue internal remedy before bringing the ease back to court. According to Schmidt, the FPA fulfilled the judge's

se·e LAWSUIT page 6

Q & A with Bill Eggert, Republican candidate for U.S. House District I

Son of Met: More fun than we usually allow ourselves

Women's soccer team splits weekend matches

18


2

The Metropolitan

October 21, 1994

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The Metropolitan

.. .

Senior Staff Writer The Auraria library will reduce its hours of operation, cut student worker positions, buy less materials, and place a hiring freeze on vacant positions due to lack of funding for faculty and classified staff raises, according to the 1994/95 library budget. According to the budget released Tuesday, at the start of the spring semester the campus library will be open 11 hours less per week and a number of student worke.r positions will not be available, saving the library $47,280. The library will save $70,012 by eliminating its film/video budget and by not buying 3,000 books. An additional $45,128 will be saved by a hiring freeze on all vacant positions. "We were not funded to cover all of our raises, and that's why we're running at a deficit," said Camila Alire, dean/director of library administration. According to Alire, this year's deficit was $187,671, but UCD contributed an additional $43,581 to prevent a freeze on journal purchases. She said that MSCD contributed an additional $16,000 to keep library hours the same and to keep library student workers employed for the rest of the fall semester. The library is still left with a $128,090 deficit, Alire said. As part of a five-year contract with the library, MSCD, UCO and CCD each fund the library based on a formula that includes student enrollment. Each school has already contributed to the library's $5.14 million base budget for 1994/95, Alire said. However, state mandated raises for classified employees and raises approved by the CU Board of Regents for CU faculty caused a $222,513 increase in

costs for this year, she said. Because the Auraria library is managed by UCO, the state legislature gave the University of Colorado Regents money to cover 80 percent of the raises, said Joe Arcese, MSCD vice president .of administration and finance. "When the regents submitted to the state legislature their total costs, they included all the total library costs with it," Arcese said. "So, the regents already received the mandated costs for the library. For some reason, they are not giving it to the library, and we don't understand why not. That is the issue we are going to try to resolve between now and January. We are going to work with the regents and basically try to get them to put in their fair share." John Bernhard, UCO vice chancellor of administration and finance, said whether CU received the money, or whether it was even supposed to, is an area of dispute. "Until this mess gets cleaned up, Metro is going to put in some additional money," Arcese said. "It's so complicated we can't even seem to get the same straight answers between the three schools." The Auraria campus library has a history of being underfunded, according to 1992 Library Research Service reports. And, according to Alire, the statistics still hold true for 1994. .In 1992, the Auraria library had more student consumers than any other university in Colorado, according to the Service reports. Yet, the Auraria library spent less money on its students for materials, librarians, library staff, and operating · expenditures than any other university in Colorado. The Auraria library was second from the bottom in volumes of books, the reports read.

TO STUDENTS, FACULTY :\ND STAFF OF THE AURARIA CAMPUS

'-

3

Auraria library funding falls $128,090 short · Christopher Anderson

·I

October 21, 1994

m We would liiee to addre'ss the concerns about the Auraria Library's fiscal situation. With regards to the adjustment of the AurariaLibrary's hours of operation, we understand that:this will be in effect for,,qne semester and until June 3p, 1995. The new hour~ qfLibrary 9peration are but one of several measures the Library will be ii:nplementing to deal with its budget deficit. . . , . We will work with the Library this fiscal ye~ to assess and analyze the 1D1pact of the newly-instituted measures, AU_three Auraria institutions are currently working with the I:.ibrary to institUte a more realistic Lib~ry Base Budget Agr~ement and plan to restqre some of the hours 9f operation next fiscal ~ear. .. · , ~ We understand that these changes will cause some inconveniency and hope that . "=lli .:;,:;Ji ~.. '.l. ~. »~ ~:)>J it be minimal. ' ~ . ~ .'

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"'J ohn Buechner Chancellor University of Colorado at Denver

': Byron McCleriney \ President Community College ,, of Denver''

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The Metropolitan/Jane Raley

Joe Martinez of the Colorado Rolling Cowboys Basketball Team battles for a ball during a demonstration game Oct.19 in the PER Events Center, for the 1994 Disability Awareness Day.

Public Safety chief resigns after 20 years at Auraria Dave Flomberg Staff Writer After more than 20 years of service to AHEC, the Auraria Public Safety Director has resigned. Effective Oct. 31, Chief David Rivera will leave his post at APS and move to the University of Colorado Health Sciences Center, where he will assume the position of Chief of Police, according to a press release issued by .Connie Besser, Public Information Officer at APS. "Personally, it's gonna be a big loss to me," said Besser in a recent interview. "It'll be a big Joss to the campus, but I think it will be a good step forward for him." Rivera was also optimistic about his move. "It' s a new challenge, with new issues and concerns, and challenging expectations," he said when speaking of his new position. Rivera said that the center contacted him last May, after their police chief resigned, and that he has been in discussions with them ever since. Rivera began his career at APS as a work-study guard, and steadily progressed his way through the ranks to serve as acting chief in '75. He was appointed to the

position permanently in February of '78. Since he has been chief, APS has grown to 36 full-time employees and 15 student guards. His accomplishments include the bicycle patrol program, planning of the International Association of Campus Law Enforcement Administrators' development sessions, and security for Auraria campus involvement during World Youth Day 1993. Rivera' s immediate replacement will be Lt. Gary Kasson who will be the interim director of APS until a permanent replacement can be found. According to Dean Wolf, vice president of operations for Auraria, it may be some time until a replacement is found. " It's very early in the proceedings to tell," said Wolf, adding that he was about to go into a meeting with JoAnn Soker, executive vice president for administration for Auraria, to determine just who will serve on a search committee to find a new chief. "We hate to see Dave go, it's a hard slot to fill," said Wolf. "I suspect it will be a nationwide search." There will be a reception held for Chief Rivera on Oct. 26, which will be his last day of duty at APS, in the Tivoli Student Union, room 444, from 3-5 p.m.


4

The Metropolitan

October 21, 1994

Question and Answer with Bill Eggert: Republican candidate for U.S. House of Representatives District Louis A. Landa News Editor LANDA: What are the main differences between you and Pat Schroeder? EGGERT: I think the main difference is that she has a great deal of faith in bigger and bigger government, higher and higher taxes, and more and more spending. Plus she wants an increased regulatory burden on the productive sector and I don' t. In my background, growing up in the Bronx, I can see what big government did through repressive policies of high taxation and reckless spending. I think the

worst thing about it was the welfare system that was set up in the mid-1960s. It pretty much destroyed my old neighborhood. And that's big government. I think the more power government has, the less power people have. LANDA: Do you follow the old notion that Democrats look to government for solutions to a problem and Republicans look to the people? EGGERT: Well, some of that may be a little trite, but that's the way I view it. Although there are d ifferent types of Republican welfare, farm subsidies are one of them ... So I don' t care if they are

big government Democrats or big government Republicans, I'm convinced more government is not the answer. We're robbing the people. LANDA: You haven ' t lost faith in the American political system, or you would not be running for Congress. EGGERT: Right. LANDA: How is it that you, as a

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Congressman form Texas) flat-tax proposal. I'm in favor of a flat-tax. I prefer it be 15 percent instead of 17 percent, but the general idea is a good one. We have a $4.5 trillion debt. And sooner or later the chickens are going to come home to roost on the deficit, and I think we are going to have devastating economic problems in this country. LANDA: I recently read a statement by Pat Schroeder where she was speaking out against term limits. She said something to the effect that in order to be effective, members of Congress must have seniority ... EGGERT: What happened to Lowry (Air Force Base)? I think if her point about seniority was valid, I suppose Lowry would still be open. Fitzsimons is on the chopping block, too. LANDA: How will you handle situations like that, in which the good of the nation contrasts with the good of your district? EGGERT: It depends. My function iii going to Washington is not to bring home the pork. That's the way I look at it. We,. can't afford that anymore, whether it's Denver, Chicago or New York. I've agreed to serve no more than six years.

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junior member of Congress, can make a difference in government? EGGERT: It depends on who is in the majority. I suppose if the Democrats are once again in the majority, which I think is open to question at this point, it's going to be difficult. If the Republicans are in the majority, I plan to aggressively support Dick Armey's (Republican

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The Metropolitan

5

October 21, 1994

Eggert plans to unseat Pat Schroeder Nov. 8 Big government programs like welfare may be the source ofAmericas woes EGGERT from page 4

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- LANDA: But how are you going to go about effecting change in government? EGGERT: Well, the guiding document for me is the Constitution. I think the Eggert Constitution is the most forgotten document in Washington. Just this year we have seen attempts to grab control of health care. And education, they want more federal control for what I think is a local government and private responsibility. I never said it would be easy and I think it depends how many people like me get elected. If nobody gets elected who thinks like me, it will be a frustrating two years. LANDA: I see a lot of your lawn signs and they say "22 years is enough." EGGERT: For Democrats and Republicans. I.ANDA: I agree. Why do you think the people of District one have been so willing to el~ct Pat Schroeder for 22 years?

EGGERT: I think the Republican party has been partially responsible for that. I think people in their 20s and early 30s see that my generation have had a big dinner and they end up with sloppy seconds. I'm getting killed in my own yuppie generation, but I'm doing real well with people in their 20s and early 30s, because they don't think they are going to have any opportunities if the current way of doing business continues. I agree with them. I don't think they are going to have any opportunities. I think we are going to see a big surprise on election day. Especially in blue

collar areas, and black and Hispanic areas also. LANDA: Do you think people in America are losing faith in government? EGGERT: Yes, and I think it's for one reason. When law abiding citizens brush up against government it's usually in some negative way. I think they feel they are treated worse than some criminals. They work harder, but their paycheck doesn't seem to grow. They deal as a business with some agency like OSHA (Occupational Safety Hazard Administration) and t~y are treated like a criminal. The EPA (Environmental

Protection Agency) is starting to level fines on small cities and villages that they are going to find very difficult to deal with. Welfare is another thing. When are we going to have the guts to deal with that problem? What I've seen so far is cosmetic. The worst thing about welfare is not the money we waste, although that is bad, but it's the isolation of welfare. It hurts individuals, kills families and makes neighborhoods hopeless places. I trust the people. I don't trust big government.

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6

The Metropolitan

October 21, 1994

ijofaen 'l(ey 'l{ationaf

J{onor Society REMINDER The MSCD Chapter of Golden Key National Honor Society will hold its Induction Ceremony to recognize new members.

November 4, 1994 Turnhalle Tivoli Student Union

·FPA members say salaries reflect inequalities LAWSUIT from page 1 order to seek an internal remedy and attempted to challenge the Board of Trustees on the issue of salary injustice through a non-judicial hearing. The hearing arbitrator threw the grievance out after collecting written statements from both parties. The case will go back to court in mid-November. Although FPA members seek retroactive salary compensation through legal venues, they are also pressing MSCD president Sheila Kaplan to revise the salary system to avoid further damages. Kaplan said she acknowledges the problem and is attempting to solve it with

the aid of an outside consultant, but doubts the validity of the FPA claim that there was a breach of contract. "I think that argument doesn't hold water," she said. "But that doesn't mean I don 't think there's a real issue here." Kaplan said that the trustees did not make an absolute obligation to determine salary according to equity and parity and speculates that the court will rule in favor of the board. Despite Kaplan ' s skepticism about the contractual portion of the suit, she agrees that there is numerical evidence that senior faculty are being paid less then their recently hired peers.

According to a report published in an FPA newsletter, which took salary figures from the proposed staffing pattern and personnel roster, a full-time business professor with 15 years of teaching experience makes $15,000 less per year than a newly hired part time professor in the same department with no experience. Schmidt said the inequity is the result of hiring new faculty at or above market salary and giving raist{s based primarily on merit without giving cost of living increases for veteran faculty. Kaplan said the salary revision is likely to keep meritbased raises but will put an end to overscale hiring.

6:00 pm Reception following

Guest Speaker:

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__ The Metropolitan

Amendment 1·5 - campaign finance reform for Colorado

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Amendment 15 is a campaign finance reform measure. Does Colorado need a reform package? Supporters of reform claim that Amendment 15 will take "big money" out of Colorado politics. "There is too much money in Colorado politics," said Patricia Johnson of the League of Women Voters. She also said that it is bad government when you have money that controls the government. Opponents to Amendment 15 said that its primary objective is to force Colorado taxpayers to pay for politicians' campaigns with tax dollars. It's argued that Amendment 15 makes it easier for wealthy candidates to dominate the elections. Opponents also point out that if Amendment 15 is passed, taxpayers will be paying for a new election committee called the Campaign and Political Finance Commission. This committee will replace the Secretary of State who is currently responsible for enforcing election laws. Amendment 15 would require that contributions from special interest groups, political action committees (PACs) and private citizens be reported more often. This would include any amount over $20. Unions and corporations could continue to donate money through PACs.

On Sept. 29, the Denver Post published an editorial stating that Amendment 15 uses a straightforward approach to removing special interest pressure from Colorado politics and called Amendment 15 "a treasure."

Amendment 15 calls for: -specific limits on contributions: $500 per candidate for governor. $250 per candidate for lieutenant governor, secretary of state, state treasurer or attorney general. $100 per candidate for state senate and house of representatives, State . Board of Education or regent of the University of Colorado. -limitations on contributions to candidates' committees. -individuals cannot give money to a candidate twice. -restrictions on contributions to political parties. -contributions remaining 30 days after an election not be counted as contributions from natural persons. -contributors of more than $500 report tc> the secretary of state and to the candidate. -'-reporting more frequently any contribution that exceeds $20.

October 21, 1994

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8

The Metropolitan

October 21, 1994

I R13I 113'ii 11 I

'· ··"MiTllDPOLITAN EDITOR .Jeff Stratton COPY EDITORS Evan Lee Scottie Menlo .Jeanie Straub NEWS EDITOR Louis A. Landa FEATURES EDITOR Robyn Schwartz SPORTS EDITOR Michael BeDan PHOTO EDITOR Andy C:ross SENIOR STAFF WRITERS Christopher Anderson .Jesse Stephenson STAFF WRITERS Donna Dickey Dave Flomberg Kevin .Juhasz Isaac Mlon Meredith Myers

My vision for Stude.nt Government Megan Reyes ~. Student Government Assembly ·President .,, .

\

REPORTERS Mark C:lcero · Trevor Grimm Ed Kraus STAFF PHOTOGRAPHERS .Jane Bale)' Nikolas Wllets . ,. CARTOONISTS Rob Kruse Takuya Mlnagawa Matthew Pike RELIGIOUS COLUMNIST The Rev. Mort Farndu GRAPHIC ARTISTS Elvira Flores K:yle Lovln.C .Julie Powell ADVERTISING STAFF Marla Rodriguez OFFICE MANAGER C:orlna Landeros OPERATIONS MANAGER Kersten Keith KILLER QUEEN Richard Simmons DISTRIBUTION Kelly Raymond ADVISER .Jane Hoback DIRECTOR OF STUDENT PUBLICATIONS Kate Lutrey TELEPHONE NUMBERS Edltorlah Advertising: Fax a

...

556-2507 556-8381 558-3421

E-MAIL Banyans ~elf Stratton @studafrs@mscd Internet: strattoj@mscd.edu

The Metropolitan ii produced by and for the 1tuden11 ofMSCD urving the Auraria Campw and the local community. The Metropolitan ii 1upported by advertiiinB revenues and student fm, and ii published every FriJay durinB the academic year and is distributed to all campw ~· No person may take more tlum one copy of each weekly issue of The Metropolitan without prior 11>ritten pennilsion. Direct any questions, complaints, complimenU or comments to the MSCD Board ofPublicatioll$ do The Metropolitan. Opinions nprnud within do not necasarily reflect those of The Metropolitan, Metropolitan State College of Denver or its ad11ertisers. Deadline for calendar itema is 5 p.m. FriJay. Deadline for press releases is 10 a.m. Monday. Display advertisinB deadline ii 3p.m. FriJay. Clauijied advertiiinB deadline ii Noon Monday. The Metropolitan~ officn are located in the Tivoli Studenl Union room 313. Mailing addreu is Campw Box 57, P.O.Bax 173362, Den11er, CO 80217-3362. AU righti reunied. The Metropolitan ii printed on recycled paper.

,,

It was almost one year ago that I first shared my vision for MSC D ' s S t u d e n t Government with its adviser, Maggie Miller. We were having lunch and, in the process of venting, I explained what I believed to be the answer to Student Government's ills: an entirely new structure of government. As it turned out, Maggie shared the same vision. We immediately inundated each other with specific ideas, concepts, and details of such a structure and had, before we new it, constructed a new Student Government - one that professed collaboration and respect as its essential ingredients. As we stopped to catch our breath, we looked at each other and simultaneously sighed over the scope of such a change, for the existing Student Government structure was hierarchical and competitive; it was rooted in suspicion, and was, tor all practical purposes, ineffectual. My imagination took me back a thousand years where I found myself at the mercy of a huge, ghastly dragon standing at the gate of a cold, dark castle. Unable to control my shivering, I explained to the beast in a non-confrontational tone, of course - that I merely wanted to get by so that I might, with the help of my assistants, "restructure" what it was the dragon was commissioned to protect. I also noted that his kind services would no longer be required. As I brought myself back to the 2oth century, it became exceedingly clear to me that the implementation of a new structure would be a rigorous task. How, tor instance, does one implement an egalitarian system of government when the act of imple-

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mentation itself is non-collaborative and hierarchical in nature? Does one simply stand at a podium and declare the old constitution obsolete and set out to create a new one? Clearly not. Instead, two ingredients - collaboration and respect - would have to be utilized at every step of the way, and it would begin at the drawing board of a new constiMion. Shortly after my conversation with Maggie, about eight of us came together in what was to go down in history as Student Government's first Constitutional Convention. We began the enormous task of rewriting our constitution during winter break of 1993. Three months later, we had produced what we believed to be a workable document, as did the college and the Board of Trustees, for they approved it in the spring of 1994. Naivete, unfortunately, has always been my strong suit, which was evidenced by my forecast tor clear sailing now that Student Government possessed such a fine constitutional compass. I was certain that all stumbling blocks, once encountered as a result of the limitations of the preceding constitution, would simply vanish - kaput! I never once considered the repercussions of inaugurating such an innovative system into what emerged as antithetical to it: society. We are brought up to compete, often times at all costs, tor what it is we desire in life. We are told that bigger is better. We learn that what we have is a reflection of who we are. We grow up in an environment that teaches us to fight tor what we want - that giving up is a sign of weakness. We applaud the most violent of plays in football and hockey. We strive for perfection and when we realize we can't achieve it, we buy it. Manipulation is the key to life learn to play the game and you'll get what you want. It is no wonder why

we are killing each other tor a pair of tennis shoesl This dismal revelation of humankind led me to my one and only goal for this year: to fully embrace the principle of egalitarianism, seeing to it that the Student Government Assembly maintains that principle in all aspects of its function. That is to say that, no matter what we may encounter during our tenure as student representatives, we will employ the two essential ingredients noted earlier so that we may be available to our constituency in an open and honest manner. Like everyone elie on the planet, we have made mistakes and will continue to do so. That is a given. However, what is different about this year's SGA is that we hesitate to point fingers and lay blame. Rather, we look inside our organization for the source of the problem. This process does not come easy to most, and it certainly doesn't come easy to me. I was raised in the same competitive and aggressive world as everyone else. It would be very natural for me to slip back into a dictatorial role where I could just sit back and point my finger at others. Nonetheless, I constantly remind myself of my goal to bring about and maintain a sense of egalitarianism, and, to do that, I have learned to point my finger at myself, however reluctant I am to do so. In order tor the SGA to survive and I believe for all of humankind to survive - we must be willing to embrace and incorporate egalitarianism into all facets of our lives. Whether it is a new form of parenting, a new manner in which one manages an office, or establishing a new structure for Student Government, egalitarianism allows every member of society to participate and not just the most aggressive.

CORllE~PONDENCE The Metropolitan welcomes letters to the editor and guest edttorials from Auraria students and faculty. Submit letters (typed only) on a Macintosh-compatible d~k. letters must be under 250 words or will be edited for space. We won't print libelous or offensive material. letters must include name, student ID number or title, school and phone number. All letters submitted become property of The Metropolitan. For more information regarding letters or edttorials, can 556-2507.

History is a lie agreed upon. Napoleon

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"

• John Carter Isn't content simply to sell records. He's the hands of record stores and consumers. eady to eliminate record collfpanies from the commerce "My goal is that people will be able to come in, hit a f music. Usi ng on-line technology, button, and the music will be electroniarter plans on moving music from the cally transferred.· ""This Is one of the reators to the consumers directly, elimiAnd his internet enterprise Is off ating the middleman In the process. most progressive and running, with e-mail orders Carter sells tapes and CDs made by little businesses accounting for most of the store's busiolorado-based musicians at his store, vou'I/ ever lay eyes ness. Still, Locals' sees walk-In customers ocals' Music at 13th Avenue and Marlon r · as well as local band members who On. n treet. Th e store Is ad omed w ith black stop In to distribute their homemade a Int, skulls, a huge, engulfing couch, products.· tickers, skateboard accoutrements and _John Carter As Carter launches into a speech huge selection of local CDs and tapes. , about cyberspace While giving a tour of "This Is one of the most progressive owner, Locals music the store, his associate Doug Bohm ~pv. ·· ' ittle businesses you'll ever lay eyes on,• 4.;;,,.,,,.,..,.......,,....,.,...,.....,..,,....,.,,,...,....i·- -; explains why Locals' Is such a good arter says - a sardonic glint In his eye. thing. It's a new concept • "We have a lot of under-21 customers, and lots of Carter's plan involves building a worldwide network young bands Who can only afford to make a few homef small, Independent music stores and record labels. His made cassettes. We sell those on a consignment basis. t project, the Jukenet, is an on-line catalog that lets They prove themselves, and then we prove ourselves.· ustomers order whatever they need from an everLocals' mission to pump Colorado's music scene Is xpandlng database of product. The interactive catalog paying off. Bands like The Samples and Big Head Todd ets customers listen to excerpts of songs, read mini- and The Monsters have already made It big on a national iographies on bands, and download photographs and level. Carter says he feels that it's his mission to put music rtwork. Into the hands of people who want to hear It - without "This effort Is rooted in a commitment to the lnde- the dreaded industry taking Its cut. The Metropolitan/Jane Raley ndent artist,· Carter says. He restocks a shelf of discs "The new technology will revolutionize everything,• as Lord of Word, Hipple Werewolves he promises. y local outfits such John Carter and customer at Locals' music. nd Babihed_. His scheme to wrest control of music from Locals' address is 1301 Marion St. Their e-mail e corporate monsters Involves technology that would address lmo@jukenet.com. How recorcllng stucllos to pipe finished product directly to

arlous rtlsts

....

The deeper one delves into house the more one learns just how well ~his area of music, like techno, conforms to Burrough's rule-of-thumb that 90 percent of everything is crap. So rises the hope that the myriad dance "compilation· albums out there might separate the Wheat from this considerable chaff. So why do 90 percent of these also suck? Maybe such albums are actually attempts to re-market a bunch of cuts too lame to succe~d on their own. Also, for royalty reasons, a record label will often cull a collection exclusively from their own stables, t-hus limiting the pool of "hits" they can choose from. So perhaps the shrewd move is to find dependably fierce labels. Are there such things? Yes. At this time we unapologetically anoint Nervous Records, Cutting Records and Strictly Rhythm, New York undergrounds all, as Mattering The Most. Not to say that majors never do anything right, but with such rare exceptions as Virgin's Inner City and Epic's Lil' Louis, strong underground talent usually tomes up for major-label air only in a behind-the-scenes guest capacity (read: remixers on singles). Nor do we imply that other underindies like Emotive, Eightball, etc. don't deliver, but we speak here of consistency and breadth. As for the collections, all of which boast a Masters At Work (see last column; rumors of their recent breakup are untrue) connection: Of the three, Nervous has been (at least, before their recent explosive growth) the least prolific but, along with its rap/hip-hop alter-egos Strapped, Sorted and Wreck

den-under-a-rock sounds. Their Deep House: Nervous Breakdown Volume 2 has variety, recency and no less than four MAW productions, including NuYorican Soul's Old-Westflavored "Nervous Track" and, daringly, not one but an unprecedented (for a compilation) two different mixes of the same song, Kim English's current world hit "Nite Lite·. Only problem: squeezing seven cuts onto one LP, combined with a DJ's need for widerthan-average groove spacing, clearly forced Nervous to truncate selections to a mean length of four minutes (typical house lengths are around seven). Cutting 's double LP Cutting Traxx One avoids that problem but still doesn't cut it. Dismaying, as this label had the savvy to land and release not only MAW's self-titled LP and singles, but one of house's crown jewels, 1+1 =3's "I'm On Beat"- all this in just the first quarter of '931 But a good SO percent of this album just lays there, track after anonyrm;>t.is track coming and going uneventfully. Even MAW's mix of Kathy Brown's ·can't Play Around" is inferior to their 12" version. A few good tracks, nothing classic. Strictly puts out more sheer volume than any other underindie, domestic or international. Having already done three volumes of their This Is Strictly Rhythm compilations, they're now assembling showcases for specific remixers. Todd, "Little" Louie & Kenny ·0ope· is their double-LP tribute to the MAW duo and Todd Terry, its four sides christened Todd, Louie, Kenny and New (this combo Re:=?~d_:;!. ~e!19~ !~"'!~~~ ~?~e- ':!nJgl!e1 hid_- _ ~lso wO(ks for bridal -...vear).

Louie serves up his best mix of '93's "We Can Make It" from Sole Fusion, a beautiful but too-hard house track if there is such a thing, and the raw, unpolished ambient-disco sound of the limited DJ-only mix of Hardrive's · Just Believe·- after only recently getting me to shell out $7 for the one-sided, clear-aquavinyl single of this! Damn if Strictly ain 't catchin' onta big-time record-label scammery jes' a Iii' too quick fer my taste. Meanwhile Kenny's side, a find for newcomers, offers two of the best pre-MAW, pre-old school (hell, they're almost breakdancy) cuts he ever did via The Untouchables. Impossible to find in their original 12 inches (got mine used al the now-defunct La Casa del Fonk), the prescient hints they give of MAW's future glory are fascinating. Terry's association with some of house's most seminal clubs and projects dates to its infancy, but damned if his side just doesn't keep up: The kids love his seasoned anthem ·can You Feel It", though, which makes its third Strictly appearance here (it was also on This Is, Vol. ~. Finally the New side includes the recent, Vega-mixed ·curious· from

Imaginary Landscapes/A Brief history of Ambient Volume 2

Jean Clarke

Over 150 minutes of music Is crammed onto these two discs, each tune segueing Into the next thanks to some nifty editing . Attempting to draw together older Innovators like Gong and Tangerine Dream from the early 70s, with 80s milestones from Brian Eno, Robert Fripp and David Sylvian to the modem chlll·out stuff of The Grid and Amorphous Androgynous, this Brief History of Ambient draws only from the Virgin label and Its subsidiaries, leaving out some big contributors to the scene - like Harold Budd, Terry Riiey, The Orb and Aphex Twin. But SyMan and a host ot his co-collaborators and former bandmates provide some of the r:iost satisfying moments on this collection. To me, though, ambient means you never have to get up from blisstul near-slumber to tum It down, like I found necessary with the abrasive Pll-era Jah Wobble track. EVen the Grid's Orbtweaked "Crystal Clear" remix encloses Its ambience _In a too-blpplty framework of annoying bpm's. But kudos to the compilers for lndudlng The Verve from last year, who otter a nice psychedelic six-string sound in contrast to the predominately electronic bent displayed by the rest. For fans of this genre who may have come In late, this collection, and Its predecessor, tlll In some gaps and provide some history. A nice package.

•• • • •••••••• • •••••••••••••••••••••••••••••••••••••••··~·····~•eT••

• • •• • ...-. • • • • .• • • .• • Jeff Stratton

Sun,Sun,Sun, which bears a curious resemblance to Soul Fusion's new (and also Vegamixed) "BassTone·, even down to the very cool and disorienting parallel -universe Klingon red-alert klaxon heard in both (yes, I am indeed the biggest Trekkie in the House.)


The Metropolitan

October 21, 1994

'Butt4U4'Moroccan VD CDLP

fio-Kart

j

Q

This Is the kind of music that really worked up your parents. Now you can enjoy It without risking a trip to the therapist's couch. The Go-Kart label Is new, but the band Isn't . Moroccan VD CD LP Is Buttsteak's third release, following Fatty's Got More Blood and Shlt...Cool, It's the Honeycomb Generation.. Buttsteak offers up a '70s U.K. punk sound and attitude that seems to be finding Its way back t o the mainstream. According to their management, It's "the kind of teen bullshit you thought was really expressive In high school. You have acne, you're really Into anarchy, and your asshole parents won't let you go to the dance with the sleazeball greaser you felt up In shop." With people calling themselves Pink Ness, Eight Soft, Miik Brown, Up N. Sydeher, and Fingers Way, It's hard to tell what to expect. Don't let the names scare you, though. This album might start off rough and tough, but It ends with slmpllcity and fun. So rent "Sid and Nancy", pull out the combat boots, the painted leather, the blown speakers, the hair dye and the Elmer's glue for that bulletproof look and enjoy. Buttsteak Is on the loose.

Dur i ng Sn/vlllzatlon's maiden whirl in

my CD player, the Elysian melodies had a profoundly lulling effect. I so relished the d isc that by the third sytheslzed track I was sprawled on the living room floor tor optimal ear/speaker j uxtaposl-

tion. My brain, starved for synth that goes beyond the sterilized whumplty-whumplty of techno, absorbed SnM /fzatlon's aural smorgasboard with gusto. The first track, a moderately-paced confection entitled "Forever,· Is fluid and engaging. Snlvillzatlon does a fine job of p ioneering a new course for computer generated sound, manipulating It to stunning aesthetic effect. The lyrically sparse "Philosophy by Numbers" Is driving and danceable, as Is ·crash and Carry,• which Is techno-esque without being monotonous. Orbital brothers Phil and Paul Hartnoll created the tracks during May and June In their London studio. The mind boggles. With the vast, masterfully executed styles featured on the disc the two must have been half-mad, their brains bulging w ith freshly contrived i_deas manifested during the creative renaissance that gave birth to SnM/fzatlon.

~

Jesse Stephenson

Richard Coy

L

p

of

peers at Student ActMtles can bring to Aurarla some worthwhile performers this year. It'll be hard t_o top Laurie Anderson's visit last April, but we'd sure be happy to see a concert on campus sometime

1993 when her lndle-label debut Exile In Guyvll/e sold an astounding 200,000 copies.

soon. SON OF MET Is a wholly owned subsidiary of The Metropolitan. No part of SON OF MET may be reprinted without permission, nor may It be used In any way which dis- . appoints us on a spiritual level.

I

Son of Met- . d itor

'

Jeff stratton

r

Phair has such an eloquent way of frankly saying how romantic relationships work and her mesmerlzlngly sweet voice drives It all home. Some men might be shocked by her sexual bluntness, she told Ro/flng Stone (where she recently graced the cover), saying that the conversations of young women today are as casual as those of men. Indeed, Phair pulls no punches when It comes to sex. The entire album flows smoothly from beginning to end, and It begs you to keep llstenlng. Phair arrived on the music scene In

Rich•rd Buder leads his new tNlnd Love Spit Love through a Psychedelic Fun· free set at the Mercury C.fe on Oct s. Openers The Gigolo Aunts will be Hck in Denver nut month, supporting MC 900 Ft. Jaus and the Cr•nbcrria at the P•amotint Theater on Nov. H. stacks of promos grow to the size they have In our production room, It can be a bit overwhelming. We'll try to cover as much as we can here, and try not to get behind In the Mure. In coming weeks, look for The Met's Interview with the Pale Saints (see CD review this Issue) and M.C. 900 Ft. Jesus, a thorough exploration of the recently released concert films and CDs from Peter Gabriel and Dead C:.n Dance, photographs from the Jim Rose Circus Sideshow and Nine Inch Nails little soiree at Big Mac, and In another four weeks or so, we'll throw together another of these lo.vlngly pac~ged Son of Met, or. Beyond the Met, or Beyond the Valley of the Met, or whatever we decide on that we·ek. And let's hope that our

z a

Th is Is unden i ably one of the best albums of the year, beautifu ll y composed w ith Phalr's blunt, sexually driven lyrics.

The Metropolitan/Jane Raley

Weicome to this latest version of The Metropo//t.an's entertainment section. Our troika of Inserts wc'\-e brought to you since May have met with crltlcal accialm and have generated a swell of Interest, yet we feel we need ... more. Expect to see music articles Infiltrate ~ pages of the Met proper (Met Sr.?), and witness ~ur dedication to providing you the kind music coverage you need to complete college In style. If we' re not giving you what you want, write us a letter and complain. Of course, If you want us to review the new Biiiy Joel album, don't hold your breath. But don't expect to see three Issues In a row without music news at all - we apologize, and music will be a regular feature In the pages of The Met from now on. When the

i h

Wh/p-Smarfs first.single ·super Nova• Is a classic guitar pop track that entices you to stay tuled fot more, and the album delivers. The Icy, brittle opener, "Chopsticks,· offers only 30 seconds of sed,lJCtlon before Phair lets loose her first f. word. An extremely powerful and stunning musician, Phair deserves credit for her muslcal creatlvlfy and boldness. ~(

"I am a wa lki ng screaming hell, a thing of torture to behold" ... so begins the latest magnum opus from Danzig. And scream he does. And bellow. And moan. About hell, pain, Gods, devils, demons and countless other b r ingers of death. Packaged like an arcane grlmolre, this fourth album from the boys In black picks up where the previous three left off and adds just enough new twists to their formula without diluting Its essential power. Unlike most rock bands, Danzig knows some things are better left undisturbed. In their case It means tight but disjointed blues rl_ffs, unpretentious and relentless backbeat drumming at the spine, and Glenn Danzig's trademark howlln' wolf cries. Maintaining his strict control over every aspect of the songwriting and presentation, Glenn's singular darl< vision filters all shades of llght Into the darl< tunnel he alone Inhabits. It's a black hole masl<Jng a magnetic field which sucks the listener Into a 67-minute visit to the dertc side. Whether this Is a cartoon world of childhood nlgf,ltmares, or something more sinister, Is left for you to decide. Probably the truth Is somewhere In the middle, a twilight zone between rock 'n' roll and demonic Invocation. If you're atrald of the latter, don't even let this disc Into your house. But If your soul yearns for dynamic, electrlfled music beyond the standard pop dlches of wine & women, Danzig deltvers,

and heft ~ damned.

Michael Moynihan esi n & la out

kyle loving/Jeff stratton copy editor

evanlee

'

-.

-


The Metropolitan ~s:>E::.I

..!~l"I~

Mississippi

~~

Island

Hof Trip to

Heaven American

>

' '

After five years of soulsearching, and some plodding, trite solo projects and premature rumors of Its demise, Love and Rockets ha.s reinvented Itself In supreme fashion with Hot Trip to Heaven. Still comprised of Daniel Ash, Davld J. and Kevin Haskins, L&R probably don't have a big hit on here like 1989's "So Alive,· but this 70-mlnute comeback of sorts addresses ambient music, big-band posturing and Industrial mayhem. Boldly displaying a new techno/ dance .edge, and bringing David J's aquatic bassllnes to the forefront, Heaven reintroduces L&R as a force to be reckoned with - again. Starting with a tranqulllzlng Introduction, the 14-mlnute "Body and Soul" takes over five minutes to unfurl Itself Into one of the most funklly effective dance tunes these guys have ever written. "Trip and Glide" rides a velvet monorail of orchestral synths and female vocals, while "Be The Revolution" swoons with the felicity of Its tasteful guitar licks. Couched In metalllc gloom and doom, the title track boldly goes where L&R have never forayed - the circus tent of repetitive Industrial dissonance. After spending the last five years sidetracked and In danger of becoming a fading memory, this Is right up there with 1986's Express. It'll send old fans Into orbit, and newcomers will find new things to like on each listen.

Jeff Stratton

~

Chocolate and Cheese Elektra This one comes HIGHLY recommended to

l!!~~!!!!~!]!!!!!!I those looking for

-

some Insane musical high Jinks. Encompassing the broad musical dementia that defines -their eccentric style, the brothers Ween return with their fourth effort. The Ween songwriting formula goes something like this: Slap a big fat Bootsy Collins bass line under a swirling Beatles melody, lay a viciously distorted guitar on top, tum on the drum machine and sing a beautifully tarnished poem In a voice that sounds like Captain Kangaroo on acid Impersonating Lou Reed. Simple, right? Altho~gh not as downright bizarre as their last ·.album, Pure Guava, Choc+Cheese excels In offering a distinctly fresh approach to their craft. And It Is also no less a ·celebration of Ween's own peculiar brand of quirky musical Innovation. To wit: Check out "Roses Are Free• for an Idea of what It's like to play a rip-saw In the bathtub while philosophizing In full-Osmond harmony. Then there's ·.Mister, Would You Please Help My Pony?", a psycho elevator Muzak ditty guaranteed to bring back some sort of weird suppressed childhood memory. Also, witness the strangely entertaining tip-toe tympani rhythm of "Spinal Meningitis (Got Me Down)", the sad tale of a doomed lad facing Invasive medicine while realizing his own premature mortality (baby backing voc~s Intact). This great album's pinnacle Is reached In the funky lounge lizard tribal atmosphere of ·voodoo Lady", a song that Dean Ween says "Is gonna be .the next 'Feed The Tree•.· Dean & Gene Ween are a wlld statement of true Americana, a couple of weird-ass New Jersey white boys with a basement full of recording equipment and too much free time. Their contribution Is substantial. Believe It. Check out the brothers at the Ogden Theater on Nov. 2.

I

Mississippi Is the mi!Jor labe·I debut of local warehouse veterans Spell, who may ----~ suceed In d rawing some much-needed attention to the Denver music scene. Comprised of former members of Rope, '57 Lesbian and the Fluid, as well as being the official darlings of Westword, Spell are the Denver supergroup who are taking a shot at the brass ring. Mlsslslss/pl Is a kodachrome Polaroid of their live sound, Including a lot of their golden oldies mixed in with some newer studio jams. Songs like "Dixie" and · superstar· sound KTCL-ready, featuring stiletto-like guitars with pop hooks big enough to hang your laundry on. The Spell formula of male/female call and response can also lag over the course of an entire album, making songs like "More• a bit tedious to the non-fan. My favorite song Is the glassy "4-B", which owes as much to the lush pop of Fleetwood M.ac as It does to the jaded numbness of Sonic Youth. Spell have broken free of the Denver bar, circuit, and have taken a stab at "modem rock" success, which will probably translate Into moderate album sales and opening slots for The Pretenders.

---------

The cabalistic crooners from Cincinnati are back for a third CD which endeavors to surpass the previqus two. Over the Rhine once again float mellifluous melodies through the air waves , w ith Eve expressing hopes of becoming tyrants of the melancholy beat. The Ohio natives extend on their talents and mature into a quartet divine. Eve could propel the arcane musicians into national attention. From the first song "Happy with Myself," a borderline narcissistic, acoustical proclamation, to the kicker "Falling (Death of a Tree), there is a definite presence of unity among the members. Sine~ the inception of the band in 1989, the group has yet to entrench themselves as possessors of an unparalleled sounp, Over the Rhine, usually . somewhat furtive about their inspirational ..~ethods , has offered a little more insight on the creation of Eve, by making a documentary. For placid; genteel serenity-searchers, this Eve is essential.

Chuck Mlndenhall

We Never Sleep

You Got Lucky: a Tribute to Tom Petty

Backyard

Records No matter how much you dress-up, re-perform, re-package or re-promote donkey dung It still smells llke, well, donkey dung. These odorlfic melodies are re-spun by a variety of pungent untalented artists. The fumes from the so-called "songs•, which collectively would be called the work of musician Tom Petty, were beginning to dissipate from the airwaves when some brain surgeon decided to resurrect them. The music Is dfy and unharmonious. The whole album sounds as If a few ,grungy guys got together, put down 10 to 12 bee~, and decided to put together a tribute album. All the while, the collaborators failed to consider that they couldn't play Instruments. The cacophony produced by a group of toddlers who have begun to beat the non-stick Slverstone kitchenware against the floor will be a welcomed sound afterllstenlng to this CD.

Nik Wllets

England's Pale Saints are back with their third 4AD long-player, and their first without exleader Ian Masters, who left the band nearly two years ago claiming that his "arms had grown too short to play the guitar." Masters has actually gone on to form a new outfit, Spoonfed Hybrid. Back to a four-piece now, with new member Colleen Brown making the Saints a two-boy two-girl unit, Slow Buildings is a masterpiece, with song dynamics carefully measured and expertly constructed. Without their Masters' voice, the band has mutated into a group not unlike their labelmates Lush, .a bit feminine and pretty. Meriel Barnham, .,..ho sang a couple tunes on their last LP, i_s now the m.ain singer. "(Will you be my) Angel" is one of the ,catchiest things they've ever done (and.will the first single and video) , and tlie last n~l'flbe,-, the extended "Suggestion," starts ~ith a µntle cello intro which leads inta ttieir mqst ar.:::ompl~shed song yet. It brings, their intriccicles and eccentricities into focus with a wildly memorable finish. Pale Saints will play Boulder's Fox Theater on Nov. 14 with Lisa Gerffi:i,1o

J?e

Jeff Stratton

If/ Were a Carpenter A&.M

f~OpenMy

1,#Quth With the Red Knife Of Heaven

Varlou• Artists

••••••

Various artists

Ga~en

Jeff Stratton

Slow Buildings 4AD

Eve IRS

L i f e

piPes

Over the Rhine

Eric Becker

Forbidding, hypnotic and menacing, the title of this Phoenix experimental outfit's new release Implies some type of subinfsslon, and that's precisely what's In store here. Generating an awe-Inspiring landscape of strange, eerie nightmare Images, Red Knife's power comes not from _songs per se, but rather tonal exercls· es that rely on dlgltally-processed voices, drums, wind Instruments and magically exotic percussion (Including PVC and gas tanks). None of the 14 tracks stand out, Instead they all blend Into a seamless muslque concrete that sounds like It could have been made, by longhairs In a '60s sweatlodge or a migrating collection of extratel'l'estrlals. Available on Denver's own We Never Sleep lmpr:lnt.

October 21, 1994

W'!S

good git! of the 70s and Is

tr.e

C~L-••••

l~t •••••

Karen Carpenter the archetypal

godmother of soft

The Conversation

rode. Ard tinJ!:ti mo& W-.At't reac:lt,r actrit It, l1WT>' of us are closet Ccrpenters

lr.stlnct

rcr.s.

Included on this list of fa~s are various alternative ,:irtlsts wh9 .have put together a retr:o-hip dedication to the Carpenters, Including t\riierlcan Music Club, Babes In Toyland, Grant Lee Buffalo, Cracker,· the Cranberries, Sheryl Crow, Dlshwalla, 4 Non Blondes, Shonen Knife, Redd Kross, Marc Moreland, Johnette Napolitano,_Bettle Serveert, Sonic Youth, and Matthew Sweet. .. . Some tracks from the album are superb. Sheryl Crow offers up a heartf~lt rendition of "Solitaire,• and 4 Non Blondes give an Interesting perspe'ctl.ve to "Bless the Beasts and Children· with ~ome Janis. Joplln-.llke pipes. The best cut from this album ls without question Sonic Youths' creative cover of ·superstar• filled with a hollow vocal ond heavy feedback. American Music Club's Interpretation of "Goodbye To Love· fits Ilk~ a glove, Mark Eltzel sounding more than at home with lines like "all I know of love/ls how to IWe without It." Unfortunately, like most compilations, you m·ust take the good with the bad. Some have done a great job here, but others fall to hit the mark. Dolores O'Rlordan of the Cranberries manages to destroy "Close to You." Her vocals may be great, but this time It hurts to listen. ~ome of these bands played from the h<.~:t, but others failed to pull anything new from these covers. This leaves the album a bit fiat and Incomplete, not similar enough on one side, or creative enough on the other to satisfy.

Richard Coy

, , As near as I can fl3ure, \his 1.~ the Cabs' twenty-flf"..h album. They set the _tdble ln the late '705 - edrty '80s for the ' ' !hordes of mardudlng bandits armed with samlplers and synttjs, Intent on raising da~e-~oor lccnsdallsnes5. Now, Cab,aret Voltalro? .srab youngsters like the Orb an~ the Apti~x Twin by the throat and reclaim their turf (and then some) with this new double CD. Although Stephen 'Mal' Mal!lnder doesn't sing anymore, and plays no dlsc~mlble role here, Richard Kirk's me~merlzlng music anr;I spoken-word n:iontages burl~d throughou~ create .a djsturblng landscape .,.,ttlch makes up for the la..:;k of vocals. The 53-ml~~t.e-lqng "Project 80, : -tai<lng up most of the sec.,,r.d <;llsc, breeds a hostile, claustrophobic . coll~~e of voices (Including • some of William Hurt's monologues from "Altered States'') and dark tones, a drifting, unse~lrig piece that gradually evolves Into a rhythmic. moodswlng. This may wel.1 be CabVolt's· stro'r.gest effort yet. Evidently realiz, Cl Lng their 9ack;ll_c:rg nadir.- an Ill-advised early '90s ddour l~tc hou.se "":ISie, .~lch they may have had a l)<.nd In blrthl,ng.. ':>ut ,never excelled at - " Tile Conversation t;ikes 1 the group back to their roots es f~n~·squiid . .:. lnnovato~ and multi-media art terrorists., Tpc first disc contain$ some upbeat, lnterest:rig techno workouts (the i 5-mlriute "Brutai' but ' .. r Clean· Is totally sJ!ck), an,d "Extermlnu~jng Angel,· which OP,er;is and clo~es the album, creates an eerie, quiet malevolence.

.

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Jeff Stratton


The Metropolitan

October 21, 1994

:w.eel Box Set

Mustang

London

Monkey Hill

W h e n British hacks write about

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~i,9htning

Mustang ughtning

s ami am

Som Dead Virgin Records

Here comes Mustang Lightning In a '52

Clumsy

Atlantic

Body Count's first album reached out, erful

A pownew

punk rock, they

Cadillac with the throttle mashed into the floor on a righteous full-tilt rockabilly trip down the Lost American Hig! 1way. Fast and loud, with the

will always go back to Malcom Mclaren, the Sex Pistols and

spirit of Hank Wllllams Sr. augmented by a healthy injection of Dick Dale and hardcore

black urban decay In It and made you happy about the

sound from Northern California has made its way to the Midwest vta the CD debut of Samlam, a group who has been

the Clash. American writers will always go back

punk, the trio's new album is much more than a

whole affair.

doing wor1d tours since 1988 and is now pack-

to bands like Government Issue, Minor Threat and Scream. Scream was the sound of angry

revival of the bygone guitar-driven era when music was simple, refined and pure. This hefty

album lacks the pull, the fire, the .. .

Washington D.C., kids doing it for themselves

platter is a profound reminder that the American Dream is alive, and roadhouse ghosts

with none of the faux-art sltuatlonism of McClaren's brand of punk. Their brand of honest, ernotional and often anguished hardcore defined a moment In time in the history of Dischord Records. The band split around 1990 with the departure of drummer Dave Grohl, who went on to join Nirvana. The Stahl brothers recruited members of Drive like Jehu and Concrete Blonde to form the current Incarnation of Wool. To a lot of young Amerclans, Peter Stahl's bluesy wail Is the sound of their salad days, when personal integrity and selfbellef were all . that mattered. Today, you can find the new Wool an aisle away from the old Fugazl at Best Buy, but their vision and drive

still exist In all their whiskey-smoked splendor. It simply doesn't get any more rowcly and raw than Mustang Lightning. If you can't feel the primal drive pulslng·through these tunes, then you must be dead. They have been called the hardest-driving and hardest-working band on the circuit today, which is a pretty accurate summation. This band tours hard, and they LIVE their music. The boys who make it all happen are Phil DeVllle and the madcap Rhoades on twin guitars and vocals, with the Lightning Boy on skins, sticks and strange. The new album Is full of the '50s throw-

songs like "Eden• and "Coalinga• define the

back numbers one might expect, but also provldes a frantic cover of Alien Sex Fiend's "Rock-It Ship" and a fine version of kook-rock pioneer

Wool sound, tortured vocals fused with churning guitars that defies labels like "grunge• or

fuzz-toned originals include the raw backbeat

remains the same. The crashing soul-core of

"metal.• "God Rest His Soul" Is an emotional cover of Gregg Allman's tribute to Martln Luther King, a testament to the Joy of sweet soul music. Wool fans wlll buy this Instantly, while new listeners will be challenged by the sound

grabbed your face, shoved the anger of

This

Their new CD, Clumsy, Is a fine example of punk rock merged with melodic guitar rifts by

cojones of the first.

James Brogan and Sergle Loobkoff, and under-

Instead, you receive ripping guitar rifts and the anger of 12 cows farting because they got some

lying bass lines to match by Aaron Rubin. Though the music Itself runs along the lines

bad hay. The music's power is diminished by trite and superficial lyr1cs. The album begins the

f Ingeniously composed albums like Boston's Don't Look Back,· the lyrics of Jason Beebout ompare more easily to The Rollins Band or Dr. now In songs like "Stepson,• a ballad about an

same as their prior release with the repetitive "Body M/F Count.· And yes, those are the only lyr1cs. From this low point the music never quite takes off. The problem lies with the music and the lyr1cs never fully meshing. Song after song, lce-T seems to be singing something entirely different from Ernie C's rifts. The only thing that can possibly redeem Ice-T's reputation as a seri-

ltle, Clumsy, is worth a listen. A well-composed rst-time package from Samlam, Clumsy is like a

ous musician lies in Body Count's rendition of Jlml Hendrix's "Hey Joe.• Don't waste the wages

nd mayonnaise and a glass of milk. Go ahead,

Apart from a lame track or two llke Cradle,• a song that moves along exactly like Its

ardcore punk-rock sandwich with extra butter ke a bite.

of your hard day's labors on this disc. It's utter and total crap.

lsaacMion

Hasll Adkins' "Ha-Hall Cat Walk Baby,• Powerful chlckenfoot voodoo of "Spell" and the wltchy seduction of "La Bruja." These guys play eye for eye and tooth for tooth. Give them the respect they deserve.

Evan Lee

Eric Becker

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16

The Metropolitan

October 21, 1994

Woody Allen shoots 'Bullets' Ed Kraus The Metropolitan In Woody Allen's latest film, , "Bullets Over Broadway," violence is a laughing matter. It is not the slapstick "Naked Gun" fare but more like Quentin Tarantino Lite, with the verbal barrages far outnumbering the physical ones. Like naked but sexless Disney cartoon characters, the dead guys don't suffer or bleed. Bad guys are shot in the opening scene without fanfare or bloody corpses. The quiet gasps from the predominantly Allenomaniacal audience were slowly replaced by nervous giggles. Later, when a main character "gets taken• for a ride," the audience actually cheered. The movie takes place in the Roaring '20s, with John Cusack as David Shayne, a frustrated playwright who

finally gets a break. A respected producer (Jack Warden) gives him the green light to direct his latest drama. There is one condition: The idealistic Shayne must cast an untalented moll (Jennifer Tilly) of a gangster in the small.but important role of a psychiatrist. Sweetening the deal is the stellar cast including a legendary, albeit fading Broadway star (Dianne Wiest) and two famous but odd supporting characters. Once Shayne agrees, the compromises get easier and easier for the self-proclaimed artist. The more Shayne sells out the more he learns about himself. Artistic integrity comes from an unexpected but hilarious source. Chazz Palminteri as Cheech, the moll's brusque bodyguard who ends up rewriting the play. His understated approach would have stolen ' the show in a lesser movie. But

Ch!IZZ Palmlnterl and John Cusack In Woody Allen's "Bullets Over Broadway." The Mlrfmax film opens the 17th International Rim Festival Oct. 13 at the Paramount Theatre. strQng performances from Tracy Ullman (as a Chihuahuatoting actress), Jim Broadbent (a heartthrob with an eating disorder), and the rest of the

cast make this Allen offering one of his funniest in years. The movie has the look of a stylish '40s gangster movie loaded wi~h stereotypes and

exaggerated characters. But by slowly revealing their wacky personas, Allen enables the cast to deftly deliver the goods.

'Lear' production worth crying over plays Lear, perhaps Shakespeare's most pitiable mad- the intestinal gurglings of everyone else in the room, . man. Gale's performance draws the audience into the audience was absolutely silent as the players perFeatUres Edflor Lear's supreme pathos with skill and sincerity. In this formed the last scenes of the play. Most audience theatre in the round of sorts, the audience almost members leaned forward in their chairs in anticipation interacts with the cast because the space is so small and empathy for this desperately lovable madman. The tenderness between Lear and his daughter, as and intimate. Gale is originally from Windsor, Great Britain, . well -as the relationship between Lear and his fool and has directed Shakespeare - including " Much brought much of the audience to tears. Kelly Douglass' portrayal of Lear's Cordelia is Ado About Nothing" and Christopher Marlowe's "Dr. Faustus" - for the Cambridge University Marlowe honorable, but her role as the fool, Lear's confidant and friend, is better still. She assumes the manner of a Society. "King Lear" is a story of madness and love wise fool in a twisted body with a speech impediment. "Lear" is unique as the only Shakespeare tragedy between a father and his daughter, and one of the most touching tragedies ever told. Gale's portrayal that contains a subplot. This parallel story relates the evokes the extreme pathos Shakespeare intended for tale of the Duke of Gloucester's evil bastard son Edmund, who is willing to deceive anyone and everythis character. Lear is often considered a difficult play because one, including his own half-brother and loving father of its length and heaviness. Gale disagrees with that for a route to the duchy. Timothy Tait's evocation of Edmund is so indulevaluation. "I don't think it's a difficult play to do. It's just a gent and rich that the audience, which hates him, also matter of playing the story as simply as you can, ·... finds itself absorbed by the glee with which he machijust telling the story and letting the audience draw nates his plans. Everyone in the company is superb, but other parwhatever profundities from it that they can. That's ticularly strong performances are given by: Shawn why we start it off with 'Once upon a time."' The story tells of a ruler dividing his kingdom Sherwood as the Earl of Kent, Rebeque Destro as between his three daughters before he dies. He gives Regan, and Gary Logan as the Earl of Gloucester. The real tragedy is that the small theatre was not them the opportunity to speak of their love, promising the most flattering of the three the best land. He stuffed to capacity, with a line down the block. This is expects his youngest and favorite daughter Cordelia an interim space for Ad Hoc while it works on technito speak most highly of him because they are the clos- cal problems to bring their theatre at 1580 Gaylord St. est. When Cordelia refuses to add superficial words 'to up to building-code standards. The 20th street stage is her simple but devoted love, Lear becomes angry and donated by the Community Coffee House, an organibanishes her. His other two daughters receive the land zation promoting the arts and AIDS education to the James Gale plays King Lear In Ad Hoc intended for Cordelia but are not satisfied and plot to community. Theatre's production of the Shakespearean Got 10 bucks? Spend it here. You can't find emodeceive their own father. Their treachery leads to his tragedy. Gale Is also the director. tion like this in a movieplex. Nor can you find such a madness. Watching and becoming part of a live theatre proThe miracle of this show lies in the strength of its devoted bunch of professionals willing to spill their duction is one of the best adrenaline rushes available. acting and direction. In this minute shoe box of a stu- passion for drama onto such a humble stage, nor a You can get that rush for $10 on Thursdays, and dio with a lighting system of ordinary bulbs, a spot- cast more capable of turning dirt and boards into a $12 on Fridays and Saturdays with a student ID at the light or two and a kerosene lantern, this cast and pro- show so compelling one forgets where one is. One Ad Hoc Theatre, 416, E." 20th . St. ,, . . duction crew orchestrated a tragedy that drew tears thinks one is in the Kingdom of Lear. . Ad. Hoc Theatre s Km~ Lear is a giant presen- from the audience. The acting is so riveting that in Call 329-8760 for reservations or more information. ta~.2~ Jn_a sm}ll_ spl!ce ....~i_re~~o1 a~~~~l~!'~s_?__ .this spa~ where eye.ry J@!lie_ns.!' _Jll~l!lQ~t could hear

Robyn Schwartz

!

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---- ------·~--




The Metropolitan

Rugby rocks

October 21, 1994

19

..

---

to the top. MSCD rose above the surface in its third match of the tourney, beating North Florida, 15-2, 15-10, 15-13. A ltjp to Florida means vacation 't or most peo- · Starting to regain its midseason form, the ·pie, but for .the MSCD women'sv2Ueyball team, it Roadrunners got 11 kills from 5-foot-9-inch sopho. was all work and qo play. more Stacey Hoyt and 10 kills from junior middle The Roadru~ners visited the University of blocker Crissy Canada. ~SCD ended with only a Tampa last weekend for the 1994 Tampa .281 attack percentage but held North Florida to a · Invitational. " dismal .110 attack percentage. After opening the month of October by winning "We needed to just relax and play our game," ' five of six matches, MSCD dropped its first two Haynes said. "Everybody stopped thinking about the matches of the tournament but came back strong, technical stuff and just had fun." winning its'Jast two. The Roadrunners left Florida in style, beating · The Roadrunners opened the Journey by losing Florida Southern, 12-15, 15-10, 13-15, 15-13, 15-9. toBarry COUege, 13~1s; 4-15, 6-15. In its second victory of the year over Florida Poor hitting and an abundance of service errors Southern, MSCD recorded double figures in kills led,to the Roadrunners' .demise~ MSCD ended the from three players, including 22 from 1'erre11, 13 match \Vith a ;;146 hitti.llg percentage;,' in.cludi~g 14 from Canada and 12 from I:Ioyt. hittingen;o~,~d 16 s,erviee errors. . "Throughout the whole tournament, I was ~" ... ... "We~stwted, 1!1e tournament really slow, said t"hinkfog about Florida Southern because I knew Chelsea' Terr~ll, a 5-f00t-8-inchsenior. '.'.We just . they were a good team," Terrell said. "It was just a p!ayed OJ(; but the otfi,~r"teams played. a lot better~'" great match. I think everybody got into it, and we tlian·"'.C, d~~~ qu.r.,pta:f-irasn~t gQOd enhu~ to get ,. knew we had nothing else to lose." ..by." """". · ; ~%' .... w. . · · "' • ' · . . The Roadf,llDners, 15-12 overall and 3·2 in the ~ w Theerroi'(iauern'clmtiliued fO,r the Roadrµnners Colorado ·· Athletic Conference, played the 11n its ~nd ;hiatch~ whiCh it lqst to the Univ~rsity · University of Southern Colorado Thursday night. ·~~flralJip~ \15-;13; 16'.-:J4, .12-lS,· p-15. &-15,."' ,;. · · · · Results were not available at press time~ ·", ® . ;t{fter~ wi~nfog· the firs~ fWo ' ~aipes, the MSCD will be home today and Saturday to host ~daarunners , le'tJc'l)t~·~ b~~- in th.e ~a,;t~~ ~) cdm·« . the 1994 MSCD Invitational. · ,. The Roadrunners play two ma~ches today at the 1 rilitijog30~ hittmg e,rrors and~ seIY.i~ err~rs;,·The ; Roadtunnefs,~~1nfi~.\,vie,;, ~~~h''Yit~1 a .156 hitting Au,raria Events Center, opening the tourney against ·l>erc:;enlflge.'; ;·1; ,, :~.. . . . , . . the University of Alaska-Anchorage at 3 p.m., and . !j, "'~Vi[e ~tarted' t? ~i~,.. said senior right-side hit- playillg again at 7 p.Di. against Mesa State. MSCD ' terJulie HaYJ!es;'' ~~e had no reason'topanic, but in· will close out tbe tourney at 7 p.m. Saturday against " .: ~Dlip~,""~ ~d: 'ft didDH who .was on the the University ofNebraska-Kearney. . er"sideil>Cea~'We fild,,it to Ob~lv~/' . 80 ,, ' "tile,oJ.d :A.:;... statdi ' ~..r. • "alwa s riS'es ,,,. ' · 'ut:.i&:f,t .•a""' ~. y ·:;..;,.;...:~4.lUJll..:<;.;.. ---~-~~~·.i>~~ ~~~~,.!'

7

>

The Metropolitan/Jane Raley

Rucklng, mauling and scrummlng across the state, MSCD's rugby team fought a rainy day battle against Colorado Springs rugby club Saturday at MSCD. Dave Peyok leaps for a line out In the 21-5 loss. The team Is currently 4-4 and plays Western State on Saturday In Gunnison.

matter

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20

The Metropolitan

October 21, 1994

Sports Briefs

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' 16 games but .h as eight goals to show for it, mcluding a hat trick Crissy Canada has 61 solo-blocks in 27 matches this season in MSCD's win over Colorado Christian Oct 13. The men have for an average of 2.25 per match for the women's volleyball scored just 17 goals all year and he's only a freshman! team. At that rate, with nine matches remaining, she would fin- Stay home! , The men's soccer team is 4-12 this season but are 3-2 at ish with 81. The all-time record for solo-blocks in a season at home. They went 0-9 on the road and 1-1 at neutral sites. MSCD is 129 set by Catherine Guiles in 1984. Canada finished Congrats with 71 last season and currently ranks seventh in MSCD histoMSCD athletic director William Helman announced Oct. ry. Eighty-one would move her to a tie for fifth with Becky 12 that Bill Kawamura and Rosie Durbin are MSCD student Kofoed who also had 81in1989. athletes of the month. Kawamura is second in scoring on the Clutch performers men's soccer team with two goals and two assists. Durbin leads Rosie Durbin has scored 13 goals this season and has the CAC and her team in scoring with 13 goals and six assists. scored the game winner three times. Shannon Wise has nine ~als

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The Metropolitan

October 21, 1994

21

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Workshop from 9:30 to 11:30 a.m. in the Arts Building, Suite 177. ~•••••l:ay .Sign-ups may be meade by phone ................... - 2 2 «•-.·••1>I••••· :~I at 556-3664, or in person m the Full term classes - last day to with- Arts Building. MSCD's Bahai Club presents draw with NC; faculty signature "Books That Inspire and required. ,..•••••sci:•~ Challenge: The Promised Day Is Come by Shoghi Effendi" at 7:30 N••'-'"•••••I••••· :II: p.m., 225 E. Bayaud Ave. Free, all .... a•••scl:ay 3rd Module - last day to drop and welcome. Info: 322-8997. N••'-'"•••••I••••• I have class deleted from academic record. ,..•a•••scl:ay MSCD's Student Health Center .................... 2 5 hosts a free Stress Workshop from ........ l••••·scl:ay 3:30 to 5 p.m. in CN 203. Info: 556-2525. N••'-'"•·•••l•c.••· I 41• MSCD 's Student Health Center hosts a free Stress Workshop from MSCD's Student Health Center 3:30 to 5 p.m. in CN 203. Info: hosts a free Stress Workshop from MSCD's Career Services presents a free Mock Interview Workshop 556-2525. noon to 1 p.m. in CN 203. Info: from 12:30 to 3 p.m. in the Arts , 556-2525 Building, Suite 177. Sign-ups may be made by phone at 556-3664, or "1•••l••••scl:ay in person in the Arts Building. ...................... 241; "1•••l••••scl:ay Workshops are targeted towards N«•'-'"•••••I••·•· 2 students in their last academic year who are preparing for their job A free Scholarship Workshop will be held from 11 a.m. to noon in the MSCD's Student Activities hosts a search after graduation. Tivoli Student Union, Suite 642. Student Organization Seminar on Everyone is welcome. Info: 556- "Sending Out the Right Signals: MSCD's Golden Key National 8441. Media Workshop" from 2 to 3 p.m. Honor Society hosts a weekly in the Tivoli Student Union, room meeting every Thursday at 1 p.m. CN 101-B. All members invited. 640. Open to all MSCD student in ....... l•••••scl:ay Info: 556-4865. organizations. Info: 556-2595 .

S••••••·••••Y

Menorah Ministries host a Truth Bible Study every Monday, Wednesday and Thursday from 3 to 6 p.m. in Suite 355 of the Tivoli Student Union. Come and go as needed for fellowship and Truth Bible Study. Info: 722-0944.

................... 2 7

. ·-•·•-•y

... .... l•••••scl:ay

·~ MSCD's Golden Key National N«•'-'"•·•••I••••· :~ N••'-'"•••••I••••I I Honor Society hosts a weekly meeting every Thursday at 1 l'.m. 3rd Module - Last day to withdraw in CN 101-B. All members invited. ·3rd Module begins. with NC; faculty signature not Info: 556-4865. MSCD's Golden Key National required. Honor Society hosts a weekly •~"' ••icl:ay meeting every Thursday at 1 p.m. ................... 2:11: in CN 101-B. All members invited. Info: 556-4865.

Father Re~is Scanlon, Catholic Campus Minister, will host a series of talks on "The Catechism of the .. Catholic Church by John Paul II" every Tuesday and Thursday in Classroom II-ill (second floor) at the St. Francis Interfaith Center. Info: 556-3864.

MSCD's Career Services presents a free Mock Interview Workshop from 9 to 11:30 .a.m. in the Arts Building, Suite 177. Sign-ups may be made by phone at 556-3664, or in person in the Arts Building. MSCD's Career Services presents a free Job Search Strategies

Students are invited to join other students, for socializing and mutual support, in room 3, the Catholic student's "club room," at the St. Francis Interfaith Center. Info: 556-3864.

with Aurorio ID on Ports. Service & Accessories

2 Blocks from e1ampus

Weoffer-

on Market Street

•Free Pregnancy Testing •Free Professional Counseling •Housing Assistance •Adoption Planning - choose your child's family

Bike Sales • Service • Accessories • Financin

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Call 303-758-4484-Denver

" r __

.

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....

_,. ,..

s• bicycles and accessories in Downtown Denver P E R F 0 RM A N C E

1

or toll"'.~ree

The University of Denver hosts their 1994 Japanese Culture Festival today and tomorrow. Presentations today are from noon until 6 p.m., Tomorrow from 9:30 a.m. until 4 p.m. The event is free to the public. Info: 871-2401.

10% DISCOUNT

pregnarzt?

-

'

Menorah Ministries hosts a Jewish Messiah and Biblical Historical Jewish Roots of Christianity inforµi a ti on table every Monday, Wednesday and Thursday from 8 a.m. to 3 p.m., at the main entrance lobby of the North classroom building. Info: 722-0944.

~-

October 21, 19f>4

The Calendar is a fr_ee service of The Metropolitalor students, 1aculty and staff o the Auraria Cam_]!_ US. Calen ar items for MSCD receive priority due to space limitations. Forms for calendar items are available at The MetroQolitan office, Suite 313 of the Tivoli Stuaent Union. The Metropolitan reserves the right to edit calend'ar items for space considerations or to refu_se an;y ifem.s we deem unsuitable for publication.

-.

-I. .-. . -

o not-for-profit. pregnancy counseling and adoption agency

_, 1440 Market St.

8 I C Y C l E

Open Mon-Fri l Oam-6pm Saturday l Oam-5pm

893-8675

.


..

The Metropolitan

EPICUREAN CATERING IS HIRING catering staff: Full/Part-time, Flexible Schedule. On the job training. Starting wage $6.50/hour & up. Fun working environment. Contact Kim at 770HELP WANTED Part-time Liquor 0877 11/11 store clerk. 623-2556 10/21 CATERING EARN EXTRA $$$ Banquet Servers, Waitstaff, Cooks, Free Banquet Training. Flexible Hours and Locations. Daily Pay $5.75$7.00/Hr. Hospitality Personnel. 8306868.12/2

ATTENTION STUDENTS, FACULTY AND STAFF!! Vintage clothing store is having a Halloween liquidation sale. Tuxedos, and all related items; evening party dresses, hats, bags, shoes, costume jewelry and much more! Free gift with purchase. University Hills Mall (inside}, 2700 S. Colorado Blvd. Mon. -Fri. , 11 :00 a.m.-9:00 p.m. 757-6624.

WANTEDlll INDIVIDUALS, Student Organizations and Small Groups to Promote SPRING BREAK "95. Earn substantial MONEY and FREE TRIPS. CALL THE NATION ' S LEADER, INTER-CAMPUS PROGRAMS 1-800-327-6013 11/11

10/28

ATTENTION STUDENTS: Earn $2000 + monthly. Part-time/full-time. SMALL VIDEO PRODUCTION COMWorld Travel. Caribbean, Hawaii. All PANY needs PT counter help for film positions available. No experience. & photo transfer & possible editing. Good customer service a plus. Call Call (602) 453-4651.10/28 Easy Edit at 759-5999. 10/21 PHONE SALES IN NEW OFFICE. No · experience necessary. 3-9 p.m . FAST FUNDRAISER - Raise $500 in Broadway & Speer. Base plus com- 5 days - Greeks, groups, clubs, motimission, apply soon. Good environ- vated individuals. Fast, simple, easy ment, no pressure. Call Blake at 446- no financial obligation (800) 775-3851 EXT. 33.11/11 3005.10/21

"Best Costume Store" WW'87

2920 L Colfu (At MllwAullee) 310-8451

A'ITENTION MSCD STUDENTS!! o.assmed Ads are only

~

YOUHAVE ~ CHOICES

•OUR FAMIUES WELCOME OPEN RB.ATIONSHIPS

per word In

FOR SALE: '86 Pontiac Sunbird. $1,200 or best offer. Call 698-9210. Leave Message. 10/21

Can Make .You Feel Lonely and Frightened. We're Here to Help you.

•FREE CONFIDENT/Al, UNBIASED COUNSEUNG •C4RWG COUNSELORS ~ mLL Cot.ff ro YOU •MEDICAL.AND LMNG EXPENSES

5~

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TUE

Adoption Alternatives

METROPOLITAN

Call 24 Hours, Jeanne

922·3433 ...

363 S. lblrbln, Denver, CO 80226 LUTHERAN FAMILY SERVICES

ARE YOU INTERESTED IN HEALTH & FITNESS? Denver marketing office TYPING SERVICES AVAILABLE. is looking for creative & ambitious Term papers , resume, thesis, etc. individuals who are looking to com- typed. Call 470-7741. 12/7 bine high earnings with a passion for SCHOLARSHIPS are available right true health. Call 773-3847. 10/21 now! For list, send name, address & XMAS CASH Spend your free time $5 to: Scholar Info, Dept. 283, 1085 earning cash for Christmas. You set Comm. Ave., Boston, MA 02215. your own hours and determine the Payable to T.F. Toby earnings marketing holistic health products. This isn't hard! 796-8535 FREE HAIRCUTS/COLOR for local hair show. Career & Fashion looks for Ext. 2. 10/21 short/long hair. Males & Females PART-TIME STUDENT needed to needed. Model Call: Saturday, 10/22, help poster & market at Auraria 458-6287. 10/21 Campus & other nearby schools. Car needed. Call Council Travel. 571- LENS EXPRESS TO YOU. America's #1 mail order contact lens company. 0630. 10/21 Call 800-543-LENS.12/2 ENTREPRENEUR SEEKING advanced student in Electronic TRANSFORM THE ORDINARY into Engineering to field develop new the magical! The WordWizard can product for manufacturing. Must be help you write a paper that is CLEAR, able to develop and test circuit board CONCISE, CORRECT. Call Anita prototype. $$$. Call 303-670-8937. Churches, 422-4000. 10/21 Ask for Maggie. 10/21 HELP WANTED Council Travel is looking for an outgoing student to work as our campus representative for Auraria. Part-time. Call 571-0630. 10/21

costumes, make-up, wigs &. accessories Sales &. Rentals

COLLECTOR'S CHOICE

HOUSECLEANING $7.50-$8.50/hr. Part-time, flexible hours. Must have a car and references. Call 394-2950. 10/28 SPRING BREAK '95 America's #1 Spring Break Company! Cancun, Bahamas, Daytona & Panama! 110% Lowest Price Guarantee! Organize 15 friends and TRAVEL FREE! Earn highest commissions! (800) 32-TRAVEL.12/2

EVERYTHING FOR HALLOWEEN

WANTED 10 SPEED bike parts, or non-working bike, for repair project. 861-7714 10/28

CRUISE SHIPS HIRING - Earn up to $2,000 +/mo . on Cruise Ships or Land-Tour companies. Seasonal & INTERESTED IN AN AFTERNOON Full-Time employment available. No Joel Goldsmith tape group on Auraria exp necessary. For info. call 1-206- Campus? Contact Janet McGavin, home phone 665-5917. 10/21 634-0468 ext. C58791 .

11

·•MiTRDPDLITAN

is looking for a FEATURES EDITOR t"'E.~l' l:llES

1 ..

Entertainment Film Music Profiles

QuarkXPress Paid Position Editing

Photography Writing Copy Page Layout Assign Stories

Desktop Publishing Send Resume

This section of the paper includes entertainment (film.music, etc.), profiles of people around campus, events and happenings. The job entails assigning stories to reporters and photographers, editing and writing copy, as well as page layout and design. Job requires an individual with journalism and desktop publishing background. Familiarity with Macintosh computers and QuarkXPress helpful. This position is paid,

but requires a serious time commitment. Don't settle for less than hands-on publishing experience. The Met is the best student · publication on campus, and we offer a training ground that'll give you the know-how you need to make it in the publishing biz. Please send resume, cover letter and clips to: Jeff Stratton Editor Tivoli Union #313 or mail to: P.O. Box 173362 Campus Box 57 Denver, CO. 80217-3362

: : .· -.-_-:. : -:. :. : ==_...- - - --..--- - - - : =- -- -- - - . - --- - - - - - - -- -- - - - - ..------ --- --.....


I

A VALIANT EFFORT TO FIGHT BREAST CA CER1 A TEAM OF TEN Will CLIMB 23,000 FEET UP TREACHEROUS MOUNT ACONCAGUA.

ALL YOU HAVE TO DO IS BUY A T-SHIRT. .

.

Though you won~t be dangling from an ice axe, yop'~ still be doing your part to support Expedition Inspiration, a climb to conquer both Mount Aconcagua and the disease that steals a life e rery 11 minutes. B

ow here's where you come iil. When you purchase JanSpotrs Expedition Inspiration T-shirts anti sweatshirts, you not only get to wear a ·terrific design, you're helping to reach that s23 million goal to find a cure that could save more than 46,000 lives every year. $4 from the

t cancer.

The Expedition Inspiration team will consist of breast cancer sale of eveiy tee and suJVi ors, includin sweatshirt will be noted alpine climber conuibuted by die laura Evans. d will maria Book Genter be led by premiere to the Breast Cancer mountaineering and Fund HOW'S that for expedition guide, Pean incentive? ~l'tjllld&~- ~ ><OiDrlafll**" IIMt; tt:k ter Whittaker. Their Q-' Mic* SWD . .t mllaf)I: 'JD .1""' a.. r..:sliirt"' NrllllNl.- •r4 tch for our display goal? To get to the L.---~~~~~~-----------~ in October and for news about the ount top, of course. And in this case the top is $2.3 million. JanSport is guaranteeing a minimwn contriAconcagua climb in January of 1995. bution of $100.,00 toward this effort.

U

00 CENTE IS OUD TO FE nJ E ACTIVEWEA IMPECCA Y DESIG ED Y J S ORT, CO Y TH

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. AURARIA BooK CENTER Tivoli Student Union • 556--323 •

-Th 7 ~'

730-5~ Sat 10-3

..


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