Structural Minmalism : Technical Document

STRUCTURAL MINIMALISM Technical folder Rhea Jacob H00144215

contents

overview brief.............................. moodboards .............................. shape development............

STRUCTURAL MINIMALISM

Structured minimalism, as simple as the name, this collection focuses on bringing out the element of minimalism in a modern day context. Focusing on simple basic tones and merging it with the modernesque point of view. I wanted to capture the simplistic element of contemporary significance merged with structured factors. The color palete was inspired by subtle soft tones, very basic such as white. The white was mixed with elements of metallic nature (gold) signifying the modern day feature.The artist John McCracken ahs inspired the linear and soft dimensional feature for the collection, also the use of solid color base and minimalistic yet statement demanding features.The collection gives grave importance to structure, which was achieved through an array of textured fabrics, and minute silhouette structured elements. A balanced line had to be drawn where the elements of structure and texture mustn’t overpower the element of minimalism and still maintain the commercial context of the brief. Garment range varies from dresses, shorts, tops and jacket. Lengths featuredmaintain the spring feature, not straying too far below the knee. The collection features embossed fabrics, in dotted textures and linear textures.

Details showcase modern ideas of fastening such as non-functional button down flaps, and functional flap openings. Rough 3d draped folds are also part of this varied textured collection along with dimensional drapes. The target market is ba sed on a modern day woman. A trailblazer who isn’t afraid to experiment and enjoys the balance of simplicity and minimalism. She is well travelled and generates her inspiration from artwork, places she visits and her everyday life. Our target is the modern woman of today who pays attention to details, textures and aware of fashion trends, classic music, and making a statement with class and subtly.

Mood The inspiration of the trend is minimal geometric structures. The images shown inspire elements of linear, structured features and combines various textures.

Mood The inspiration of the trend is minimal geometric structures. The images shown inspire elements of linear, structured features and combines various textures.

target the target market of the collection focuses on the modern city woman. She isn’t afraid to take risks and loves to experiment but in a minimal context. Metallic elements and mix and matched texture appeals to her.

target She is well versed in literature and loves art, she is however selective on her choices. She follows the saying healthy body healthy mind. She enjoys the element of exploring and trail blazing.

color & texture The color much like the theme is very minimal and subdued, the highlighting factor is the metallic gold influence. Various textures are experimented with and featured in the collection. The dotted texture was first experimented in the sketchbook and then translated onto fabric. Linear texture was also tried in my sketchbook with thread art and then a similar texture wad featured with embossed lines onto neoprene fabric.

silhouette & shape

The silhouette in the collection features a balanced blend of oversized with fitted. Much of the elements in the trend were inspired by the shape development exercise. Where in the draped shaped inspired details within the collection.

Final Lineup

Final Lineup

Garment Flats the flats were first drawn onto paper by hand, using fine liner pens in the size 0.5, 0.3 & 0.1. the pages were then scanned and traced on illustrator ( a body template was used to ensure accurate shaping properties. the flats were then drawn using the pen tool.

Garment Flats the flats were first drawn onto paper by hand, using fine liner pens in the size 0.5, 0.3 & 0.1. the pages were then scanned and traced on illustrator ( a body template was used to ensure accurate shaping properties. the flats were then drawn using the pen tool.

Garment RANGE The color palette of the collection is very minimal. The gold areas were difficult to achieve with solid colors and shading techniques since the original fabric has a ‘glittery’ feel. Hence, the fabric was scanned and manipulated onto Photoshop, which was then exported to illustrator to fit the garment shape.

Garment RANGE The color palette of the collection is very minimal. The gold areas were difficult to achieve with solid colors and shading techniques since the original fabric has a ‘glittery’ feel. Hence, the fabric was scanned and manipulated onto Photoshop, which was then exported to illustrator to fit the garment shape.

inspiration

Outfit One

Outfit two

inspiration

inspiration

Outfit three

inspiration

Outfit four

inspiration

Outfit Five

inspiration

Outfit Six

the collage helped me collate and create new possibiliteies for design ideas and commercialize the creative elements.

Design Development

diagonal style lines inspired by art experimentation

draped detail inspired by integral research diagonal style lines, color palette and oversized vibe adapted onto garment

SHAPE Development the chosen shapes helped enhace my trend choices. the curvature and oversized nature paved way to my desig development process.

Linear

Whilst researching and sourcing fabric, the consideration and priority was given based on these points:

Embossed

•- Mixture of textures •-Linear elements •-Embossed/ heat pressed elements •-Should still exude minimalism with the element of texture •-Color palette should focus on white and gold tones.

- should be cost effective as it can increase profit margin

The four fabrics shown here were especially chosen ad they supported the above factors.

fabric selection

White & gold

swatch book

Several fabrics were chosen in this process, I wanted to explore and research several sources and mediums (both online and local).

The fabrics were chosen due to their unique texture, feel, practical stitching nature and other factors.

Here is a collection of fabrics I chose, but didn’t select to showcase in my collection.

basic bodice block used, external panel draped onto garment, sleeve seperated along c/f and c/b extra triangular feature added.

BACK

pattern Development

back FRONT

basic trouser block manipulated into shorts, faux panel traced onto plan A.

FRONT

- Tracing the pattern onto the muslin fabric, fabric was folded and then cut for pieces that had an “on-fold� region -

-

First attaching the faux panel onto the front bodice piece.

The back was then attached

-

The collar piece was the attached to the front and back neck line

-

The two sleeve pieces of the front and back region was first stitched together and then attached as a whole (just like how a normal sleeve would be attached.

-

Finishing was then done where in the insides were over locked and binded.

-

The exposed zip was then attached to secure the garment.

Garment one

toile production

The toile process, began by

The plan and pattern for the top were made from a basic bodice piece. And a manipulated sleeve pattern, where in the sleeve was divided in half at the mid-section and an extension was added in a triangular shape. The midsection then turned into a seam line.

The changes for this piece transferring onto the original garment was basically focused on the zip, where in it extended at quite a length so in the original the zip has to be shortened.

Garment one

Pattern Changes & Modification

Final production

-Tracing the pattern onto the fabric, patterns were placed in a manner where in minimal wastage occurred -Binding was secured onto the panel attaching the bodice -The bodice front piece and the panel was then attached together -The hemline of them both was stitched.

-The back section was stitched onto the front through the shoulder seam.

-The collar piece was first binded &was then attached to the neck line -The two sleeve pieces were stitched together and ironed, they were then over locked -The sleeve piece was then attached to the armhole -The exposed zip was stitched to secure the garment -Edge stitch around the edges -Buttonhole and button was attached to the panel and bodice.

- Loose edges were then hand stitched to neaten garment.

Garment one

The final garment process began by

-Pattern was traced onto the fused fabric, was then cut -Darts were carefully stitched (front and back) -Panel was attached to the front short piece -Front panel right was stitched to the left, same for back piece -Seams were attached right: full stitch, left: half way (other left for zipper) -The crotch was then stitched front to back -Lining was stitched in the same process using un-fused fabric -Waistband was then attached -Invisible zip was stitched and tucked into the waistband -Edge of waistbands facing was secured by hand stitched.

Garment two

toile production

The toile process for the shorts is as follows:

The pattern for the shorts was made using a trouser pattern, which was shortened and the hemline was propotionetly finished with a triangular hemline.

Waistband was made using the waist section of trouser block, darts were then closed and curve ruler was used to smoothen th difference.

The changes made were to exclude lining as it made the shorts quite heavy and didn’t compliment the shape.

Garment two

Pattern Changes & Modification

-Pattern was traced onto the fabric, was then cut -Darts were carefully stitched (front and back) -Panel was attached to the front short piece -Binding was then used to secure hemline of front and back and the panel -Front panel right was stitched to the left, same for back piece -Seams were attached right: full stitch, left: half way (other left for zipper) -The crotch was then stitched front to back -Waistband was then attached -Invisible zip was stitched and tucked into the waistband -Edge of waistbands facing was secured by handstitch.

Garment two

Final production

The final garment process for the shorts are as follows:

FRONT

FRONT

BACK

BACK

BACK

pattern Development

basic bodice block traced, reduced from centre front. and hem line was extended.

japanese bodice block traced, to get this complimentig fit

FRONT

-Pattern was traced onto the fused fabric and cut -The darts were stitched for the side front piece -The center front panel was attached to the side panel -Center back panel was attached to side back panel -Seam was then ironed piece was the over locked -Collar was stitched onto neckline -Armhole and hem edge was secured with bias tape.

-Exposed zip with open end was stitched.

Garment Three

toile production

The toile process for the toile top is as follows.

Garment Three

Pattern Changes & Modification

A Japanese block was traced and used in size 8; the block enabled a good fit with a side dart.

Darts were separated and turned into different panel.

Same collar pattern for garment one used. The changes made form muslin to final are as follows: -Decrease armhole width -Drop armhole -Match back and front seam.

-Pattern was traced onto the fabric and cut -The darts were stitched for the side front piece -The center front panel was attached to the side panel -The seam was then binded -Center back panel was attached to side back panel -Secured with binding -Collar was stitched onto neckline -Binding was added -Armhole and hem edge was secured with bias tape.

-Exposed zip with open end was stitched.

Garment Three

Final production

Final production process is as follows:

Garment Four

toile production

The toile process for the shorts is as follows: -Pattern was traced onto the fused fabric, was then cut -Darts were carefully stitched (front and back) -Panel was attached to the front short piece -Front panel right was stitched to the left, same for back piece -Seams were attached right: full stitch, left: half way (other left for zipper) -The crotch was then stitched front to back -Waistband was then attached -Invisible zip was stitched and tucked into the waistband -Edge of waistbands facing was secured by hand stitch.

The pattern for the shorts was made using a trouser pattern, which was shortened and the hemline was propotionetly finished with a basic hemline.

Waistband was made using the waist section of trouser block, darts were then closed and curve ruler was used to smoothen the difference.

Garment Four

Pattern Changes & Modification

-Pattern was traced onto the fabric, was then cut -Darts were carefully stitched (front and back) -Panel was attached to the front short piece -Binding was then used to secure hemline of front and back and the panel -Front panel right was stitched to the left, same for back piece -Seams were attached right: full stitch, left: half way (other left for zipper) -The crotch was then stitched front to back -Waistband was then attached -Invisible zip was stitched and tucked into the waistband -Edge of waistbands facing was secured by hand stitch.

Garment Four

Final production

The final garment process for the shorts are as follows:

Garment Five

toile production

The toile production is as follows: -Garment was first traced onto the fused muslin fabric -The front and back panels were then stitched -Binding was sued to secure raw edges -Snap buttons were added to the square panel place -Edges of square panel were finished with bias tape.

A bodice block was used for this garment, where in a section was excluded at the center front creating the space between the side panels.

The square panel was made by draping different sizes of squared onto the finished muslin to determine the required size.

The changes made were to the armhole, it was dropped. The size of the square was reduced.

Garment Five

Pattern Changes & Modification

-Garment was first traced onto the fabric -The front and back panels were then stitched -Binding was sued to secure raw edges -Edges of square panel were finished with bias tape.

-Buttonholes were stitched onto the square panel after placing on the mannequin -And buttons were stitched onto the body.

Garment Five

Final production

The final production is as follows:

on fold

a corset block was used to gain the shape due to the fitted nature of the upper of the dress. the rectangular drape was then draped and hand stitched onto the corset.

on fold

BACK

basic a-line block reshaped near the hem. style lines were adjusted in snyc with the darts.

pattern Development

BACK

FRONT

FRONT

Garment six

toile production

The toile process for this dress is as follows: -Pattern was traced onto fabric -Corset front pieces were stitched to center front piece -Corset side back piece was stitched onto center back piece -Both panels were stitched onto front and back of the a-line skirt section -Panels were secure with pins onto mannequin -Rectangular pieces were cut and placed on the top and bottom half to the dress - They were folded at an angle creating the drape The draped pieces were hand stitched onto garment and the stitched together (top and bottom) -Finishing was then done to the pieces Invisible zip was attached after hemming

For the lower half an a-line skirt pattern was used and the hem section was taken inside to create the curve.

The change made were firstly the corset section was shortened lengthwise. The upper drape was also reduced in size.

The panel of the skirt was reduced by 1cm on one side.

Garment six

Pattern Changes & Modification

A basic bodice block was first used to manipulate and create the fitted feature of the upper half of the region. The test toile didn’t sit as per design illustration; hence a corset pattern was used.

-Pattern was traced onto fabric

Final production

-Corset front pieces were stitched to center front piece -Bias tape use dot secure edges -Corset side back piece was stitched onto center back piece -Bias tape use dot secure edges -Both panels were stitched onto front and back of the a-line skirt section -Bias tape use dot secure edges -Panels were secure with pins onto mannequin -Draped rectangles were laser cut -Rectangular pieces were cut and placed on the top and bottom half to the dress - They were folded at an angle creating the drape The draped pieces were hand stitched onto garment and the stitched together first -And then attached to the body -Finishing was then done to the pieces -Invisible zip was attached after hemming -Buttonhole and button stitched

Garment six

The final process for this dress is as follows:

BACK

FRONT

basic dress block (back), excluded the shoulder region and the area below it, button will be attached in this region. button hole will be stitched in panel inorder to secure fit .

pattern Development

displaced dart in basic bodice, inorder to conceal the dart region against the draping

BACK

Garment seven

toile production

Toile Production process is as follows: -Pattern was traced onto fabric -Front and back panel was stitched together -Back and bodice front was stitched only on right side and pinned on left.

-Rectangular draped piece was put on -A seam was made to create the drape and hold it together -The seam was then ironed creating a triangular shape -The hemline was curved in along the center -The piece was then attached onto the side panels of the bodice and back.

Garment seven

Pattern Changes & Modification

Basic bodice block was used and the darts were displaced to the lower area of the bodice, so that it wouldn’t show on the top half.

Basic dress block was used for the back half of the dress. Panel of the draped in the top half of the dress back block.

Fabric was used on bias for muslin, however the drape region now for the original would go along side the grain line.

The neckline and armhole was increased on the dress. The neck region was dropped and extended creating more area for the head.

-Pattern was traced onto fabric -Darts were stitched on front bodice

Final production

-Front and back panel was stitched together -Back and bodice front was not stitched just pinned for draping purpose -Bias tape used for finishing -Bias tape used for top half of the rectangular drape -Rectangular draped piece was put on -A fold was made much similar to the box pleat (except allowing a bigger space) -The folds were secured with hand stitch -The piece was then attached onto the side panels of the bodice and back.

-Garment was laid flat and hemline was traced from the back -Bias tape used for hemline -Buttonhole and button stitched.

Garment seven

Final Production process is as follows:

FRONT

back attach front and back (neckline and side panel)

bind collar , attach collar to neckline

attach front and back sleeve , attach hem of sleeve

attach sleeve to body

production process

secure panel by binding, attach panel

gold binding used to finish raw edges., button hole handstitched as button size exceeded the machine stencil.

binding for collar and panel edge

Detail Highlight

at the edges binding was fused, to prevent fraying. prior to stitching binding was ironed to enable precision

attach front and back by shoulder seam and side seam bind edges

attach collar

attach side front to centre front

attach side back to side front

attach open end exposed zip

production process

close dart

button hole made by machine ,secured by handstitch, hem line secured by binding.

binding used to secure panel and hemline

Detail Highlight

faux panel stitched onto front piece , panel edge secured by binding stitch.

EDGES LASER CUT TO GIVE CLEAN FINISH

Detail Highlight

FAUX FLAT, SECURED WITH HANDSTITCHED BUTTON HOLE EDGE OF BODICE AND FLAP SECURED

BY BINDING.

rectangular drape

structural minimalism

corset center front

spring/ summer 15/16

corset side front

size 8 - polyester & cotton blend with coated plastic thread elements - neoprene & polyester blend

54 inches

corset center back corset side back skirt center front skirt side front skirt center back skirt side back draped pleat above draped pleat below

Grain line

On - fold

panel

1.15 m aurum gold daisy white

flowy drapes

structural minimalism

spring/ summer 15/16 size 8

- polyester & cotton blend with coated plastic thread elements - neoprene & polyester blend

1.5 m aurum gold daisy white

Grain line

On - fold

54 inches

japanese darts structural minimalism

TOP CENTRE FRONT

spring/ summer 15/16

TOP SIDE FRONT

size 8 - polyester & cotton blend with coated plastic thread elements

54 inches

TOP CENTRE BACK TOP SIDE BACK

0.5 m aurum gold

Grain line

On - fold

COLLAR

structural minimalism

TOP CENTRE FRONT

spring/ summer 15/16 size 8

- polyester & cotton blend with coated plastic faux flap thread elements - neoprene & polyester blend

TOP PANEL FRONT

54 inches

TOP CENTRE BACK TOP SLEEVE BACK TOP SLEEVE FRONT

1.21 m

aurum gold daisy white

Grain line

On - fold

COLLAR

extended vest

structural minimalism

JACKET CENTRE FRONT

spring/ summer 15/16

JACKET CENTRE BACK

size 8 - polyester & cotton blend with coated plastic thread elements - neoprene & polyester blend

1.07 m

aurum gold daisy white

FASTENING PANEL

Grain line

On - fold

54 inches

rounded panel shorts

structural minimalism

SHORTS FRONT

spring/ summer 15/16

SHORTS FRONT PANEL

size 8 - polyester & cotton blend with coated plastic thread elements - neoprene & polyester blend

54 inches

SHORTS BACK WAISTBAND FRONT

Grain line

On - fold

WAISTBAND BACK

0.68 m

aurum gold daisy white

diagonal panel shorts

structural minimalism

SHORTS FRONT

spring/ summer 15/16

SHORTS FRONT PANEL

size 8 54 inches

- neoprene & polyester blend

SHORTS BACK WAISTBAND FRONT

On - folD

Grain line

WAISTBAND BACK

0.65 m

daisy white

rectangular drape

Name :

Sample Size (uk)

Collection : structural minimalism Season : s/s 15/16

size 8

front

Est. Meterage : 54 inches

Supplier / Manufacturers :

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric Fabric Costings :

Meterage/Yardage :

Meters used :

Amount (Dhs)

neoprene polyester blend

1 meter :40

0.2 m

8

neoprene heatpressed

1 meter : 40

0.9 m

22

0.05m

1.25

cotton, polyester blend

1 meter : 25

155

Total Amount : Finishing/trim Costings :

Quantity :

Cost (Dhs) :

Amount (Dhs)

thread

1

4

4

button +zip

1

5+1

5

binding

5 yards

3

15 180

Total Amount :

Amount (Dhs)

Manufacturing/labor Costings Marking Cost

3

Grading Cost

5

Cutting Cost

8

Construction Cost

20

Total Amount :

216

Garment Cost (excluding Shipping and Duty): Total Garment Cost: Suggested Wholesale Garment Price: Suggested Retail Garment Price: Colour :

aurum gold daisy white

Swatch:

216 500 1000

Back

flowy drapes

Name :

Sample Size (uk)

Collection : structural minimalism Season : s/s 15/16

size 8

front

Est. Meterage : 54 inches

Supplier / Manufacturers :

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric Fabric Costings :

Meterage/Yardage :

Meters used :

Amount (Dhs)

neoprene polyester blend

1 meter :40

1

40

neoprene embossed

1 meter : 40

0.2

8

0.1

2.5

cotton, polyester blend

1 meter : 25

73

Total Amount : Finishing/trim Costings :

Quantity :

Cost (Dhs) :

Amount (Dhs)

button + zipt

1

5+1

6

thread

1

5

5

binding

3 yards

3

Total Amount :

6 90

Amount (Dhs)

Manufacturing/labor Costings Marking Cost

3

Grading Cost

5

Cutting Cost

8

Construction Cost

20

Total Amount :

126

Garment Cost (excluding Shipping and Duty): Total Garment Cost:

126

Suggested Wholesale Garment Price:

500

Suggested Retail Garment Price: Colour :

1000

aurum gold daisy white

Swatch:

Back

japanese darts

Name :

Sample Size (uk)

Collection : structural minimalism Season : s/s 15/16

size 8

front

Est. Meterage : 54 inches

Supplier / Manufacturers :

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric Fabric Costings :

Meterage/Yardage :

Meters used :

1 meter : 25

0.42

cotton, polyester blend

Amount (Dhs) 10.5

10.5

Total Amount : Finishing/trim Costings :

Quantity :

open end zip binding

Cost (Dhs) :

Amount (Dhs)

1

2

2

2 yrds

3

6

1

thread

5

5 23.5

Total Amount :

Amount (Dhs)

Manufacturing/labor Costings Marking Cost

3

Grading Cost

5

Cutting Cost

6

Construction Cost

12 49.5

Total Amount : Garment Cost (excluding Shipping and Duty):

50

Total Garment Cost: Suggested Wholesale Garment Price: Suggested Retail Garment Price: Colour :

aurum gold daisy white

150 400

Swatch:

Back

faux flap

Name :

Sample Size (uk)

Collection : structural minimalism Season : s/s 15/16

size 8

front

Est. Meterage : 54 inches

Supplier / Manufacturers :

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric Fabric Costings :

Meterage/Yardage :

Meters used :

Amount (Dhs)

neoprene polyester blend

1 meter :40

0.5

20

neoprene embossed

1 meter : 40

0.2

8

0.7

17.5

cotton, polyester blend

1 meter : 25

Total Amount :

45.5

Finishing/trim Costings :

Quantity :

Cost (Dhs) :

Amount (Dhs)

1

5+1

6

binding

2 yards

3

6

thread

1

5

5

button + exposed zip

62.5

Total Amount :

Amount (Dhs)

Manufacturing/labor Costings Marking Cost

3

Grading Cost

5

Cutting Cost

8

Construction Cost

18 96.5

Total Amount : Garment Cost (excluding Shipping and Duty): Total Garment Cost:

96.5

Suggested Wholesale Garment Price:

400

Suggested Retail Garment Price: Colour :

800

aurum gold daisy white

Swatch:

Back

extended vest

Name :

Sample Size (uk)

Collection : structural minimalism Season : s/s 15/16

size 8

front

Est. Meterage : 54 inches

Supplier / Manufacturers :

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric Fabric Costings :

Meterage/Yardage :

neoprene polyester blend neoprene polyester heat pressed

Meters used :

Amount (Dhs)

1 meter :40

0.1

4

1 meter : 40

1.07

42.8 46.8

Total Amount : Finishing/trim Costings :

Quantity :

Cost (Dhs) :

Amount (Dhs)

button

4

2

6

thread

1

5

5

binding

2 yards

3

6 63.8

Total Amount :

Amount (Dhs)

Manufacturing/labor Costings Marking Cost

5

Grading Cost

4

Cutting Cost

7

Construction Cost

12

Total Amount :

91.8

Garment Cost (excluding Shipping and Duty): Total Garment Cost:

91.8

Suggested Wholesale Garment Price:

400

Suggested Retail Garment Price: Colour :

800

aurum gold daisy white

Swatch:

Back

Name :

Sample Size (uk)

rounded panel shorts

Collection : structural minimalism Season : s/s 15/16

size 8

front

Est. Meterage : 54 inches

Supplier / Manufacturers :

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric Fabric Costings :

Meterage/Yardage :

neoprene polyester blend neoprene polyester heat pressed cotton, polyester blend

Meters used :

Amount (Dhs)

1 meter :40

0.4

16

1 meter : 40

0.1

4

1 meter : 25

1.25

0.05

21.25

Total Amount : Finishing/trim Costings :

Quantity :

Cost (Dhs) :

Amount (Dhs)

thread

1

5

5

binding

2 yards

3

6

2

4

2

button

36.25

Total Amount :

Amount (Dhs)

Manufacturing/labor Costings

3 4 5

Marking Cost Grading Cost Cutting Cost Construction Cost

12 60.25

Total Amount : Garment Cost (excluding Shipping and Duty): Total Garment Cost:

60.25

Suggested Wholesale Garment Price:

300

Suggested Retail Garment Price: Colour :

600

aurum gold daisy white

Swatch:

Back

Sample Size (uk)

Collection : structural minimalism Season : s/s 15/16

size 8

front

Est. Meterage : 54 inches

Supplier / Manufacturers :

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric Fabric Costings :

Meterage/Yardage :

neoprene polyester blend neoprene embossed cotton, polyester blend

Meters used :

Amount (Dhs)

1 meter :40

0.45

18

1 meter : 40

0.17

6.8

0.01

1

1 meter : 25

25.8

Total Amount : Finishing/trim Costings :

Quantity :

Cost (Dhs) :

Amount (Dhs)

thread

1

5

5

binding

2 yards

3

6

2

4

2

button

40.8

Total Amount :

Amount (Dhs)

Manufacturing/labor Costings Marking Cost

3 4 5 12

Grading Cost Cutting Cost Construction Cost

64.8

Total Amount : Garment Cost (excluding Shipping and Duty): Total Garment Cost:

64.8

Suggested Wholesale Garment Price:

300

Suggested Retail Garment Price: Colour :

600

aurum gold daisy white

Swatch:

Back

On - fold

diagonal panel shorts

Name :

rectangular drape

structural minimalism

spring/ summer 15/16

54 inches

40 dhs per meter

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric

aurum gold

35.5 35.5 “ daisy white

13 “

draped region is achieved by cutting a rectangular piece the edges are neatened with laser cut and then folded at an angle to create the draped feature

neoprene & polyester blend heat pressed neoprene & polyester polyester & cotton blend with coated plastic thread elements

japanese darts structural minimalism

spring/ summer 15/16

54 inches

extended

40 dhs per meter

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric

aurum gold

16.5�

exposed zip must h ave an open end. finishing of the garment with binding

polyester & cotton blend with coated plastic thread elements

est

flowy drapes 54 inches

spring/ summer 15/16

40 dhs per meter

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric 13.5 “ aurum gold

40.5’’

neoprene & polyester blend opening from the flap , secured with buttons. draped formed with rectangular laser cut piece.

heat pressed neoprene & polyester polyester & cotton blend with coated plastic thread elements

daisy white

faux flap

structural minimalism

spring/ summer 15/16

54 inches

40 dhs per meter

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric

aurum gold 18.5’’ daisy white

13.7 ‘’

drape flap and secure with button. finish with gold binding. exposed zip secured with edge stitch.

neoprene & polyester blend embossed neoprene & polyester polyester & cotton blend with coated plastic thread elements

extended vest

structural minimalism

spring/ summer 15/16

54 inches

40 dhs per meter

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric

40’’ daisy white

all edges to be finished off with gold binding. fastening panel to be secured by buttons. armhole secured by binding.

neoprene & polyester blend heat pressed neoprene & polyester

rounded panel shorts

structural minimalism

spring/ summer 15/16

54 inches

40 dhs per meter

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric

aurum gold

14.5 “ daisy white

all edges to be secured with golden binding. interior finished with overlock stitch (tight cased) panels secured by binding.

neoprene & polyester blend heat pressed neoprene & polyester polyester & cotton blend with coated plastic thread elements

diagonal panel shorts

structural minimalism

spring/ summer 15/16

54 inches

40 dhs per meter

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric

aurum gold

15.5 “

triangular hem line to be secured by parallel fused gold binding. all edges to be secured with golden binding. interior finished with overlock stitch (tight cased) panels secured by binding.

neoprene & polyester blend embossed neoprene & polyester polyester & cotton blend with coated plastic thread elements

daisy white

symmetrical crop

structural minimalism

spring/ summer 15/16

54 inches

40 dhs per meter

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric

daisy white

use opened ended zip. finish off armhole and collar edge with binding.

neoprene & polyester blend embossed neoprene & polyester

basic

structural minimalism

spring/ summer 15/16

54 inches

40 dhs per meter

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric

daisy white

invisible zip on the left side of the collar (front) , extending to 1cm before the edge of shoulder seam towrds armhole.

neoprene & polyester blend

geometric overlaps

structural minimalism

spring/ summer 15/16

54 inches

40 dhs per meter

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric

daisy white

overlapped section butoons should extend 1 cm after the shoulder seam, inorder to ensure secure fit.

neoprene & polyester blend embossed neoprene & polyester

inverted symmetry

structural minimalism

spring/ summer 15/16

54 inches

40 dhs per meter

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric

aurum gold

daisy white

concealed buttons used with loop to closer centre front opening

neoprene & polyester blend polyester & cotton blend with coated plastic thread elements

asymmetryt

structural minimalism

spring/ summer 15/16

54 inches

40 dhs per meter

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric

aurum gold

daisy white

concealed buttons for the concealed layer to ensure secured fit

neoprene & polyester blend heat pressed neoprene & polyester polyester & cotton blend with coated plastic thread elements

asymmetry skirt

structural minimalism

spring/ summer 15/16

54 inches

40 dhs per meter

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric

daisy white

secured with invisible zip

neoprene & polyester blend embossed neoprene & polyester

symmetry

structural minimalism

spring/ summer 15/16

54 inches

40 dhs per meter

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric

aurum gold

secured with invisble zip at centre back. polyester & cotton blend with coated plastic thread elements

dia

structural minimalism

spring/ summer 15/16

54 inches

40 dhs per meter

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric

aurum gold

daisy white

secured with invisible zip at left side panel. concealed button at collar.

neoprene & polyester blend embossed neoprene & polyester polyester & cotton blend with coated plastic thread elements

dia

structural minimalism

spring/ summer 15/16

54 inches

40 dhs per meter

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric

aurum gold

daisy white

drape secured with handstitch.

neoprene & polyester blend embossed neoprene & polyester polyester & cotton blend with coated plastic thread elements

dia

structural minimalism

spring/ summer 15/16

54 inches

40 dhs per meter

Belgium Style FZC , regal , Nobilis (Meo) , tehran fabric

daisy white

invisble zip to secure fit. faux panel secured with button neoprene & polyester blend

commercial portfolio :

structured minimalism heriot watt university, dubai rhea Jacob year 3 h00144215