Miptv 2024 - N197

Contents

Q&A

EVEN MORE BROAD AND DIVERSE

Can Okan, CEO and Founder of Inter Medya _12

CREATING POWERFUL AND UNIVERSAL STORIES

Miguel García Sánchez, Sales Director of Atresmedia TV International Sales _20

IN A EUROPEAN QUEST

Angela Colla, Head of International Business and Co-Productions at Globo _24

IMPACTFUL CONTENT THAT RESONATES AROUND THE WORLD

Onur Güvenatam, President and Founder of OGM Pictures and OGM Universe 32

A FACTORY OF GOOD STORIES

Javier Villanueva, CEO of Megamedia _52

INTERVIEWS NEW YEAR, NEW STORIES

Sonia Mehandjiyska, Head of International Distribution, Electric Entertainment _16

UNDER A NEW LIGHT

Delmar Andrade, International Sales Director at Record TV _38

ACADEMY AWARDS 2024

ARTICLES

THE KITCHEN A RECOGNITION 20 YEARS IN THE MAKING _/18

ENDEMOL SHINE BOOMDOG THE VALUE OF EFFICIENCY _/22

KANAL D

INTERNATIONAL A SECRET THAT EVERYONE IS TALKING ABOUT _/28

BLUE MEDIA SHAPING THE FUTURE OF MEDIA DISTRIBUTION _/30

TRISKELION

PRODUCTIONS

A FABULOUS CATALOG OF COMPELLING STORIES _/40

EVENTS

MIPTV MOVES TO LONDON FOR 2025 EDITION _/56

MISTCO

A STRONG START TO THE YEAR _/60

PRESIDENT/CEO

Sebastian Lateulade - slateulade@todotv.tv

EDITOR AND DIRECTOR OF PUBLICATIONS

Luis Cabrera - lcabrera@todotv.tv

ONLINE EDITOR

Carolina Mussio - cmussio@todotv.tv

EDITORIAL TEAM

Rodrigo Ros - rros@todotv.tv

Rosa Fuentes - rfuentes@todotv.tv

AUDIOVISUAL CONTENT EDITOR

Manuel Bello - mbello@todotv.tv

SOCIAL MEDIA EDITOR

Karina Torres - ktorres@todotv.tv

SALES MANAGER – INTERNATIONAL

Mónica Iriarte - miriarte@todotv.tv

SALES MANAGER – LATAM

Fernando Moreno - fmoreno@todotv.tv

SENIOR BUSINESS CONSULTANT

Ana Paula Carreira - acarreira@todotv.tv

WEBMASTERS

Nazario Pereira - npereira@todotv.tv

Bernardo Soulage - bsoulage@todotv.tv

CHIEF FINANCIAL OFFICER

Cr. Michel Schwartz - mschwartz@todotv.tv

ADMINISTRATION

Valeria Morena - morena@todotv.tv

ART AND DESIGN

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ACADEMY AWARDS 2024

SOCIETY OF THE SNOW CAN’T SOAR AT THE OSCARS

Netflix’s Spanish film fell short of the prize at the Academy Awards, defeated in the Best International Film category by the WW2 period drama ‘The Zone of Interest’.

Alot of Ibero-american eyeballs were glued to the screen on March 10, when the Academy of Motion Picture Arts and Sciences presented the 96th Academy Awards, hoping to see “their” nominee, Netflix’s ‘Society of the Snow’, which was searching for a new award in the Best International Film category.

The drama, that depicts the tragedy of the Uruguayan Air Force Flight 571’s crash in 1972, had been on a tear, earning 12 Goya Awards, but succumbed to the historical drama ‘The Zone of Interest’, an adaptation of the 2014 novel by Martin Amis. This Polish and US co-production focuses on the life of Auschwitz commandant Rudolf Höss and his family, and earned praise by the fantastic performances by Christian Friedel and Sandra Hüller.

Hüller, who also starred in the nominated ‘Anatomy of a Fall’ (the film won Best Original Screenplay), was also competing for the award of Best Actress, that was won by Emma Stone for ‘Poor Things’.

The Best Actor award, meanwhile, was one of the many accolades won by ‘Oppenheimer’, which also got Best Director (Christopher Nolan), Best Supporting Actor (Robert Downey Jr.), Best Cinematography, and Best Picture.

Da’Vine Joy Randolph, who won as Best Supporting Actress for ’The Holdovers’ completed the individual awards.

Competing among many other films that won in different categories, ‘American Fiction’ was a bit of a surprise winner as Best Adapted Screenplay.

Among the animations, the winner was the Japanese feature ‘The Boy and the Heron’, and the Best Documentary Feature Film went to ‘20 Days in Mariupol’, while the short documentary awards was earned by ‘The Last Repair Shop’.

On the ratings side, the 2024 Oscars telecast improved on the 2023 edition, with 19,5 million people watching, a four-year high.

CAN OKAN, CEO AND FOUNDER OF INTER MEDYA

The recent deal with Gain adds more premium titles to Inter Medya’s already successful ‘New Generation Turkish Series’ catalog, while the company keeps moving forward with its international co-production projects, without forgetting the distribution of high quality dramas, formats and feature films.

By Luis Cabrera lcabrera@todotv.tv @luis_cabreram

EVEN MORE BROAD AND DIVERSE

In just a few months of the new year, Inter Medya has already manifested that drive that has made it the leading Turkish company in multiple areas, including new Turkish content genres and international co-productions. Besides announcing new international co-production projects, like ‘Love and Pride’ with MGE, Inter Medya has also secured an exclusive distribution agreement with Turkish platform Gain, one that empowers their already thriving catalog of mini-series, known as “New Generation Turkish Series”.

Among Gain’s content to be added to Inter Medya’s catalog are popular mini-series such as ‘Hamlet’, ‘Crinicals’ (‘Cezailer’), ‘Running Errands’ (‘Ayak İşleri’), ‘10K Steps’ (‘10 Bin Adım’), ‘Duran’, ‘The Line That Separates Us’ (‘Bizi Ayıran Çizgi’), ‘Currently You Are Free’ (‘Aslında Özgürsün’), and many more.

“We are arriving at Miptv with an extensive catalog,” affirms Can Okan, CEO and founder of Inter Medya. “In addition to successful productions like ‘Interrupted’, ‘The Ivy’, ‘Dreams and Realities’ and ‘Naked’, we recently expanded mini-series through our agreement with the platform Gain.”

“Furthermore, many successful titles from our series catalog, such as ‘Deception’, ‘Love and Pride’, ‘Leylifer’, ‘Poison Ivy’, ‘Tuzak’, will meet Miptv attendees at our stand numbered R7.E53,” adds the executive. “In addition to all these, of course, our feature films catalog containing various genres and our formats catalog will also be at Miptv.”

What titles would you like to highlight for Miptv 2024 among the ones added after your recent deal with Gain? We’re heading to Miptv once again with our broad and diverse catalog. With our agreement with Gain, we’ve added several bold mini-series to our catalog. All of this catalog is coming to Miptv with us for the first time. Successful works like ‘Like There Is No Tomorrow’, starring Tuba Buyukustun and Halit Ergenc; ‘Hamlet’, which tells an edgy story; ‘10K Steps’, with its humorous and thought-provoking storyline; ‘Actually You Are Free’, a delightful book adaptation focusing on female empowerment; and ‘Crinicals’, one of the platform’s edgiest works, and more, were added to our catalog following our agreement with Gain and are coming with us to Miptv.

How much hours of content are you adding after this deal? How many of those go straight into your New Generation Turkish Series catalogue and how big is that catalogue now? New Generation Turkish Series brand represents mini-series produced for digital platforms, featuring short seasons. All Gain content we distribute internationally is directly included in our New Generation Turkish Series or mini-series catalog. Many

“With our agreement with Gain, we’ve added several bold mini-series to our catalog”

works in our mini-series catalog, featuring various subjects and starring globally recognized actors with high production quality, have become significant additions. Our content is desirable to many digital platforms worldwide, including in the US, Europe, the Nordics, and Asia, where free-to-air channels also wish to include these types of series in their programming.

Before the Gain agreement, our catalog already featured ambitious and successful mini-series such as ‘Interrupted’, ‘The Ivy’, ‘Dreams and Realities’, ‘Naked’... These mini-series have been sold to many coun-

tries to date and continue to be among the most notable titles in our catalog. We will continue to expand our mini-series catalog and respond to the growing content demand.

Inter Medya was already leading the charge in regards to Turkish mini-series. Can you share how Europe has evolved as a destination for these kind of titles?

The popularity of Turkish mini-series continues to grow and develop worldwide. Global players are acting as trend-setters in this regard, and mini-series broadcast on local platforms are following these trends. Now-

Leylifer Drama

Deception Drama

Love and Pride Drama

“As Turkish mini-series follow the success of classic Turkish dramas, Europe, the Nordics, and Asia can be considered primary targets”

adays, as Turkish mini-series follow the success of classic Turkish dramas, Europe, the Nordics, and Asia can be considered primary targets. Both digital platforms and free TVs in these regions are demanding the addition of mini-series to their libraries and broadcast schedules. Following these countries are others like the U.S., Canada, and Brazil.

Another area in which Inter Medya is leading is Turkish international co-productions. How was the reception for ‘Love and Pride’ after its announcement? Yes, we continued our co-production journey that started in the U.S. Hispanic market in Latin America. Most recently, in January, we announced the first project of our joint production agreement with MGE in Miami. ‘Love and Pride’ became a very successful example of Turkish drama, featuring a cast

of highly talented young actors and stories revolving around themes of family and love triangles. As the plot unfolds, it delves into themes of love, desire, familial obligation, and the complexities of human relationships amidst financial crisis. We are confident that this project, brought to life through our partnership with MGE, is very promising and will be very successful both in Chile and on its international journey.

Do you have more upcoming news regarding international co-productions? We will have, very soon. We are intensely working to extend the co-productions we lead in the U.S. Hispanic and Latin America to other parts of the world for Turkey. Moreover, we are continually in search of new stories for the additional projects of the agreements we have made.

“We are intensely working to extend the co-productions we lead in the U.S. Hispanic and Latin America to other parts of the world for Turkey”

INTER MEDYA WORKS LIKE THERE IS NO TOMORROW

One of the highlights among the many titles added to Inter Medya’s catalog after the deal with Gain, is the miniseries ‘Like There Is No Tomorrow’ (‘Yarın Yokmuş Gibi’), launched in February. Starring the internationally acclaimed Tuba Büyüküstün and Halit Ergenç, the series centers on the complex relationship between

actress Manolya and experienced journalist Hakan after they meet for an interview. The series delves into deep conversations about fame, love, and relationships, revealing secrets the characters have never shared with anyone else before. Taking place in a single location over one night, ‘Like There

Is No Tomorrow’ explores the dynamics of male-female relationships through meaningful dialogues and observations.

Directed by Zeynep Günay and spanning four episodes, it is a new addition to Inter Medya’s expanded mini-series lineup under the New Generation Turkish Series brand.

Poison Ivy Drama

Another Chance Drama

Tuzak Drama

NEW YEAR, NEW STORIES

By Carolina Mussio cmussio@todotv.tv @carolinamussio

With new seasons in the works for many of its most successful series, Electric

kicked

Entertainment

off 2024

in full force, preparing a must-see catalog of proven hits for the international market.

From action to drama, adventure or sci-fi, Electric Entertainment currently owns one of the most varied TV series catalogs in the market, one which, based on the number of sales, renewals, new seasons and adaptations, is also one of the most coveted.

This year started on a high for the international producer and distributor, with the production of new seasons for many of its most successful series, as well as brand new ones to add to the catalogue.

“We’ve had a wonderful start to 2024!”, said Sonia Mehandjiyska, Head of International Distribution, Electric Entertainment, summarizing in just a few words the company’s positive start to the new year.

In terms of production, the executive highlighted the end of production for the second season of ‘The Ark’, a SyFy original.

With 12 one-hour episodes, the first season was set one hundred years in the future, when planetary colonization missions have begun as a necessity to help secure the survival of the human race. The first of these missions on a spacecraft known as Ark One encounters a catastrophic event causing massive destruction and loss of life. With more than a year left to go before reaching their target planet, a lack of life-sustaining supplies and loss of leadership, the remain-

“We finished productions on the second season of ‘The Ark’, began production on the third season of ‘Leverage: Redemption’, and the first season of ‘The Librarians: The Next Chapter’”

ing crew must become the best versions of themselves to stay on course and survive.

“We also began production on the third season of ‘Leverage: Redemption’, an Amazon Prime original, and the first season of ‘The Librarians: The Next Chapter’, a CW original,” she added.

‘Leverage: Redemption’ stars Gina Bellman, Christian Kane, Beth Riesgraf, Aldis Hodge, Noah Wyle, and Aleyse Shannon. The group stars as a team of criminals who stage elaborate cons against corrupt and powerful individuals on behalf of clients who have been

Sonia Mehandjiyska, Head of International Distribution, Electric Entertainment

wronged. The first two seasons are available on Amazon’s Freevee, while the third one will premiere on Prime Video.

Meanwhile, ‘The Librarians: The Next Chapter’, is a spin-off continuation of the beloved 2014 ‘Librarians’ TV series, which ran for four seasons on TNT. “The widely popular ‘Librarians’ franchise began in 2004 with the ‘Librarian’ made for TV movies and was followed by the ‘Librarians’ TV series. This is itself is quite a milestone for us, exemplifying how audiences around the world have embraced the franchise,” she explained.

The CW has rounded out the series regular cast of ‘The Librarians: The Next Chapter’, with Callum McGowan, Olivia Morris, Bluey Robinson and Caroline Loncq joining previously announced Jessica Green and guest star Christian Kane, who reprises his role as Jacob Stone, in the spinoff series.

From writer and executive producer Dean Devlin, the new series centers on a “Librarian” (McGowan) from the past, who time traveled to the present and now finds himself stuck here. When he returns to his castle, which is now a museum, he inadvertently releases magic across the continent. He is given a new team to help him clean up the mess he made, forming a new team of Librarians.

All three of these series are set to premiere in late 2024 and are part of Electric’s offer for the international market. “With so much going on, deals around the world will inevitably follow”, she anticipated.

The series will be presented at the upcoming Miptv in Cannes, where the company is also seeking to meet with industry friends and catch up on the latest news. “Since this may be the final one in Cannes, we look forward to meeting with our friends and colleagues to not only talk business, but also to remi-

“The widely popular ‘Librarians’ franchise began in 2004 with the ‘Librarian’ made for TV movies and was followed by the ‘Librarians’ TV series, exemplifying how audiences around the world have embraced the franchise”

nisce over the many trips we’ve taken to the French Riviera in spring,” she said.

Speaking of the industry, the executive also shared her outlook on the current OTT revolution, and explained how Electric Entertainment has been able to adapt to the changes through its own initiatives and launches.

“The audiovisual industry is constantly changing and we have to adapt,” she explained. “Inevitably the business has become more fractionalized, there are more platforms and more niche channels, as well as new ways the audiences are watching entertainment. I am referring to the FAST channels.”

“We are not only adapting, but also taking part in those changes. Four years ago we launched our own ElectricNOW app and OTT platform. Shortly thereafter, we launched our own FAST channel. Due to the success in the US, we also launched ElectricNOW in Australia and now we are planning on launching the platform in the UK and Germany. Last year we were excited to announce the introduction of ElectricNOW en Español,” she summarized.

As for the future ahead, the executive is confident that this year will bring on more positive news for the company. “Stay tuned for more and always exciting news from Electric Entertainment!,” she concluded.

THE TRUE EVENTS BEHIND THE YEAR OF THE FOX

Earlier this year, Electric Entertainment acquired the exclusive North American distribution rights to the 2023 Seattle International Film Festival Official Selection, ‘Year of the Fox’. The deal gives Electric Entertainment all media rights for the title. Directed by Megan Griffiths (‘Sadie’, Amazon’s ‘The Summer I Turned Pretty’) and written by Eliza Flug, who also produced alongside Lacey Leavitt Gray and Jennifer Roth, ‘Year of the Fox’ features compelling performances from Sarah Jeffery, Jane Adams, Jake Weber, and Balthazar Getty. Inspired by true events, this searing depiction of a wealthy community in the 90’s providing cover for predatory behavior delves into the complexities of power, privilege, and personal agency. “This film offers a beautiful and intimate portrayal of a young girl’s coming of age as she navigates through the complicated and difficult situations that life has given her,” explained Dean Devlin, CEO of Electric Entertainment. “We are happy to be providing audiences in the U.S. and Canada with the opportunity to experience this film.”

Leverage: Redemption Series

The Ark Series

The Kitchen

A RECOGNITION 20 YEARS IN THE MAKING

Nominated for an EGA Lifetime Achievement Award, Ken Lorber, president and CEO of The Kitchen, looks back at how the industry has changed and evolved in the 23 years since his company was first launched, the lessons learned, his contributions to the localization business, and what lies ahead for his team and the industry as a whole.

By Carolina Mussio cmussio@todotv.tv @carolinamussio

From early days of manual typewriters to the modern-day technologies, The Kitchen has amassed a set of skills, knowledge and experience that only twenty-plus years of working successfully in the content localization business can provide. “It’s been one hell of a ride so far!”, said Ken Lorber, President/CEO and founder of The Kitchen, summarizing his experience over the past two decades.

“I feel so very privileged to be in an industry that is ever-changing,” he explained. “Back in 2000 there were few, if any, tools for companies like ours. People were playing videos on tape machines and reading dialogues from a paper script. Coming from a video post-production background, I was horrified at how the localization industry had all but been ignored by technology.”

“I was fortunate back then to discover and adopt a unique technology that helped to speed up and add accuracy to the process”, he said. “And now we have embraced the various new platforms available and have been working closely with Ooona and Voice Cue, while developing our own proprietary software, that will form a ‘bridge’ of sorts between these cutting edge technologies.”

In addition to this unique technology, Lorber has made many contributions to the localization industry, being the developer of a process called video animatics, the industry’s first Betacam suite for MTV, and helping to bring Hispanic television to the South, building operations for MTV Latino; Discovery Latin, Playboy Latin and Sony.

“When I started my first company in NYC, I held the distinction of being the youngest videotape facility owner in the business”, he recalled. “Today, I’m looking back on my ca -

Ken Lorber, President, CEO and founder of The Kitchen

“My ability to move as the industry has moved. To adapt, as the industry adapted. To try ‘firsts’ when no one else would, I believe, is what has continued to motivate me”

reer, clearly as a more senior member of the business, and still feel like that fresh, eager, hungry young man, maybe with a few more aches and pains, but definitely with the same enthusiasm that I had when I started my career.”

And this year, the executive is being recognized for this fruitful career with a nomination for the EGA Lifetime Achievement Award. “I’m humbled at both recognitions: one for my parents, who have long been gone, and wanted to see me graduate; and one for my dedication to an industry where my passion has never dwindled,” he said.

“My ability to move as the industry has moved. To adapt, as the industry adapted. To try ‘firsts’ when no one else would, I believe, is what has continued to motivate me,” he added.

With this active spirit and drive, Ken and the entire team at The Kitchen are ready to continue growing in 2024, with new facilities, destinations and projects in the pipeline.

“Barely a week goes by that we do not receive a request for proposal for localization services. The industry is growing and our challenge is to have the capacity to meet the demand in multiple languages. It is why we have expanded our network of affiliated Kitchen Studios around the world,” the CEO explained.

“In the coming year our goal is to increase capacity and to add new language territories to meet the growing demand of our existing and our future clients”, he added. This expansion will complement the most recent additions to the company’s team, following the inauguration of its European hub in Madrid in 2023 and, most recently, the appointment of Julie Beneteau as director of International Sales.

“Early in 2024 we also introduced The Kitchen’s ‘Board of Global Influencers’, a group of well-known industry professional, who have become our eyes and ears on the ground in cities and countries where we aren’t,” he added. “The Board have been extremely affective in guiding management in areas such as AI. They also attend many of the industry functions with us.”

As the next step in this busy schedule is the upcoming Miptv in April, where the company will be taking up its usual spot in Cannes to meet with clients and friends. “Miptv and Mipcom are two of the most vital industry gatherings annually. Not only to meet with clients and colleagues, our teams from around the globe see it as an opportunity to truly bond,” he said.

“Having the ability for our team to truly get to know all of The Kitchen players, whether they are from Turkey, Israel, Hungary, Germany, Argentina or Brazil, allows all of us to get to know each other. We believe that creates a more uniformed working environment all around. And our sales team, as well, are located throughout the globe, and the two MIP’s gives them an opportunity to strategize together,” he added.

“We will be heading to more international conclaves in the coming years and as our footprint is now truly global, we see a deeper infiltration in to many new markets”, he said. “Not knowing what the next phone call will bring, adds to that excitement and I can’t wait to see what lies ahead,” he concluded.

Miguel García Sánchez, Sales Director of Atresmedia TV International Sales

CREATING POWERFUL AND UNIVERSAL STORIES

By Rosa Fuentes rfuentes@todotv.tv

The value of the Atresmedia TV catalog is strengthened by the variety of the stories they tell, which are achieving success in diverse markets and audiences, while gaining increasing international exposure.

There is no market that can resist the power of the stories that Atresmedia TV has to tell. With a catalog that is becoming increasingly robust and universal, adding hit titles that appeal to all types of audiences, the value of its productions will also be highlighted at the 2024 edition of Miptv. Its development of originals, as well as its co-productions, has resulted in titles that impact the Spanish audience, but also take on an international character. Regarding this global leap in the company’s content, Miguel García Sánchez, Sales Director of Atresmedia TV International Sales, spoke with ttv to share the news about the content that they will bring to this meeting with the industry in Cannes.

‘Eva & Nicole’ has been selected by Miptv as one of the ten most anticipated and outstanding fiction projects of the year worldwide and will be presented at MIPDrama. What can you tell us about this presentation and the expectations for this series? We are very excited. The response we have received so far about the series has been incredible, both nationally and internationally. The selection of ‘Eva & Nicole’ as one of the top 10 projects at MIPDrama is proof of that.

All those attending the screening on April 7 will be able to see, exclusively, the first images of a series that is not only powerful for its story, but also for its first-class cast, lead by Belén Rueda and Hiba Abouk, and for its powerful visuals: a setting as fascinating as the vibrant and flashy nightlife of the jet set that visited Marbella every summer.

Atresmedia’s series are widely recognized in the market: which ones are you highlighting more strongly in this edition of Miptv? Market after market we strive to present our latest

dramas and titles that are still in the production phase, but that we are sure will generate a lot of interest. In this edition of Miptv, in addition to the previously mentioned ‘Eva & Nicole’ and the 8-episode, 30-minute dramedy ‘Déjate Ver,’ recently selected at Berlinale Series Market and Series Mania in the International Panorama category, we would like to highlight ‘Sueños de libertad’, our new telenovela and daily fiction bet for Antena 3. We are delighted to say that since its premiere, it has led the audience to become the mostwatched series on television in Spain.

The series tells a compelling story, which, as in the best telenovelas, has a plot full of secrets, love, betrayal, and revenge. It is set in 1958 and tells the story of Begoña Montes, the new wife of Jesús de la Reina, heir to Perfumerías de la Reina, an essential beauty products company. Jesús is a controlling, jealous, ambitious, and evil man. His character worsens after the arrival of Andrés, his brother, who returns to help and protect his father, Damián, suspecting that his ambitious brother wants to take control of the company. Andres’ arrival intensifies Jesus’ anger and mistreatment of Begoña because he discovers how she gradually falls in love with his brother.

What can you tell us about ‘Red Flags’? ‘Red Flags’ is a teen drama of 8 episodes, each

“All those attending the screening [of ‘Eva & Nicole´] will be able to see, exclusively, the first images of a series that is not only powerful for its story, but also for its first-class cast”

30 minutes long. This is the first audiovisual project as a screenwriter for Nando López, writer of ‘La edad de la ira’, a successful novel we have already adapted and received several international awards. We are excited to collaborate again with Nando on a different project that focuses on the lives and experiences of four young people from Generation Z: Toni, Érika, Luna, and Walter.

The series revolves around their close and intimate friendship, although curiously, they have never met in person. They only communicate through a social network, sharing their fears and problems and testing their beliefs about life, love, and friendship—a fascinating premise. The first images of the series were presented at the last Berlinale Series Market, which was a great success. Now that the series has just premiered, we are proud to say that it is being very well received by critics, audiences, and clients.

What can you share about ‘Vestidas de azul’? Four years after the success of ‘Veneno,’ Los Javis are back together again to present the second season of the internationally recognized story of Cristina Ortiz. With seven episodes of 50 minutes, the series is set two years after the death of La Veneno, when Valeria finds a VHS tape that narrates the experience of six transsexuals in Spain in the early 80s. These experiences will inspire Valeria’s new book, which, once again, tells the story of women who do not deserve to be forgotten.

In addition, ‘Vestidas de azul’ follows the same narrative structure as ‘Veneno’: alternating between the present and the past. Thus, she immerses herself in the lives of her protagonists while exploring the harsh reality that transgender people faced on a daily basis in a hostile era like the 1980s. Each episode is a personal drama filled with messages of hope, sisterhood, and resilience. The series is proving to be a success internationally. It is already present in more than 20 countries, and we hope to be able to communicate new agreements very soon.

Atresmedia’s content is very varied and widely distributed in different markets. Does it work the same in all markets, or is there a noticeable difference in audiences’ interest in the Americas and Europe? We are proud of the diversity and breadth of our catalog. At Atresmedia TV, we create universal stories; this allows us to make our titles attractive to everyone. The key lies in the great diversity of genres, which means that our titles can continually adapt to the needs of our clients, whatever the territory in which they operate.

However, there are indeed differences between America and Europe. Both are our most strategic markets and those with

which we have carried out our main agreements. Still, in America, and especially in Latin America, we are united by language, and that makes the difference concerning some European territories with which, however, there is a closer link at a cultural level. As we have already mentioned, the key is our ability to adapt. The variety and quality of our topics mean that we can always offer content that fits our client’s needs.

‘Sueños de Libertad’ has very good numbers in Spain. What is its international projection? We are delighted. As we have said, ‘Sueños de Libertad’ has been the group’s big bet after ending ‘Amar es para Siempre’ after 12 seasons. The audience figures were outstanding in its primetime premiere, and it is maintaining them in its usual daily time slot (mid-afternoon). The audience has continued to choose ‘Sueños de Libertad’ day after day, always outperforming its direct competitors.

A great indicator for us is that the series is not only performing in its linear broadcast but also on atresplayer, our VOD platform, and we are also registering a significant increase in time-shifted viewership. This indicates that the series has a national audience and solid international potential. We are receiving a lot of interest from different clients.

Regarding co-productions, are you looking to find new partners for international co-productions? We know that co-productions are a business model currently on the rise. At Atresmedia, we are willing to explore any type of agreement or alliance, from financing projects that have already been put together, as long as they have attractive elements for our audience, to opening our door to pre-sales of Atresmedia projects in co-production.

EVA & NICOLE, THE ONLY SPANISH SERIES AT MIPDRAMA

‘Eva & Nicole’ has been selected by Miptv as one of the ten most anticipated and outstanding fiction projects of the year worldwide and will be presented at MIPDrama. The fiction, created by Daniel Écija, has eight 50-minute episodes and will be seen soon in prime time on Antena 3. On April 7, the Hi5 Theatre at the Palais des Festivals in Cannes will gather 150 to 200 buyers, journalists, and commissioners, a unique opportunity for the future international journey of ‘Eva & Nicole.’

Endemol Shine Boomdog

By Rosa Fuentes rfuentes@todotv.tv

With a broad catalog, full of successful scripted and nonscripted content, Endemol Shine Boomdog arrives in Cannes looking to showcase some of the most important titles on air today in Mexico and US Hispanic, like ‘¿Cuál es el bueno?’ and ‘MasterChef Celebrity’.

THE VALUE OF EFFICIENCY

In challenging times for the industry, formats are living a renaissance and few companies have been so keen on maximizing its opportunities as Endemol Shine Boomdog. The company its responsible for some of the biggest hit of the recent seasons in Mexico and US Hispanic, thanks to a solid formula that prioritizes an open dialogue with its clients and the know-how to take advantage of all the opportunities that being part of the Banijay family offers.

“We are in constant conversation with those who are our customers and those we want to be our customers,” says Frank Scheuermann, Unscripted Chief Content Officer of Endemol Shine Boomdog. “We sell what they need and what they want.”

While they have invested on creating new production teams -they have four fully formed ones at the moment- Endemol Shine Boomdog understand as few others the needs of their clients: “Latin American TV, particularly broadcast TV, has been a pioneer in making the work more efficient, in producing in a different way: producing more content, with lower budgets and with great results.”

“That’s what we have done with some clients with ‘La Casa de los Famosos’, a title with which we probably hold the world record

for the number of hours produced under the same version,” explains Scheuermann. “Last year it was an unprecedented success in Mexico and this year it is consistently number one in US Hispanic on Telemundo. This is thanks to have known how to adapt to the client’s needs and working together with them.”

In a similar vein, Boomdog has ‘MasterChef Celebrity Mexico’ on air in Azteca and has been working with Televisa and Unimás in the upcoming title ‘Vence a las estrellas’, a German original format that was quite the find for the team while searching the vast catalog available to them thanks to Banijay’s worldwide presence.

Frank Scheuermann, Unscripted Chief Content Officer of Endemol Shine Boomdog

“Last year [‘La Casa de los Famosos’] was an unprecedented success in Mexico and this year it is consistently number one in the US Hispanic on Telemundo.”

Something similar happened with ‘¿Cuál es bueno?’, today airing in Televisa’s Canal 5: “The format is part of the Banijay Rights catalog worldwide and it’s a great example in the way we have worked with the international teams,” explains Scheuermann.

“It is a paper format from our sister company in Italy. We saw it and decided to work on it in Mexico, with Televisa. We generated a pilot, but we didn’t like it, although we knew we were on the right track. The group financed half of a second pilot in which we fixed what we didn’t like and went to production, with 16 episodes. Now the second season will have 32 two-hour episodes,” details the executive.

Between the seasons, the show found new homes in Sweden, Norway and Peru, becoming a hit in all three territories. Now its “very close” to airing in a big European market.

La Casa de los Famosos Reality

MasterChef Celebrity Format

IN A EUROPEAN QUEST

Globo arrives in Cannes seeking to make a big splash with a powerful lineup of titles that include ‘Living on a Razor’s Edge’, the title that was selected at the Berlinale and Canneseries, alongside drama series like ‘The End’ and documentaries like ‘The Brazilian Mafia’.

By Rosa Fuentes rfuentes@todotv.tv

Acouple of important news for one of their biggest titles of the season, ‘Living on a Razor’s Edge’, galvanizes Globo’s presence at Miptv 2024, where the Brazilian giant is presenting, once again, a deep and powerful catalog full of premium series, documentaries and telenovelas.

Leading the way is the aforementioned Canneseries and Berlinale selection (the only Brazilian production chosen for the market), ‘Living on a Razor’s Edge’ (‘Betinho - No Fio da Navalha’), and it’s that edge that Globo wants to take advantage of to slash open a path to new opportunities in Europe.

“We want to increasingly strengthen Globo’s presence in Europe,” shares Angela Colla, Head of International Business and Co-Productions. “In February we participated in the Berlinale, in March we attended Series Mania and now we will be at Miptv.”

“We are very happy that ‘Living on a Razor’s Edge’ has been selected for events such as the Berlinale and Canneseries, which reinforces the quality of our productions,” added the executive. “That’s why we are going to Miptv with the highest expectations, eager to bring our stories to new audiences.”

Globoplay Originals productions continue to consolidate their presence in Europe. Which original titles are you highlighting for this event? We always try to showcase the diversity of our stories to the international market. In addition to ‘Living on a Razor’s Edge’, which will be screened at Canneseries, we have ‘Fin’, which is a denser drama created and written by Fernanda Torres, with art direction by Andrucha Waddington (‘Under Pressure’) and direction by Daniela Thomas. It follows a group

“European audiences consume Globo’s content, so it is important to have open conversations with our clients to understand what their demands are”

Angela Colla, Head of International Business and Co-Productions at Globo

three-season action series from José Junior, the same creator of ‘Living on a Razor’s Edge’. Another series that stands out is ‘Las Five’, aimed at young audiences and recently launched, written by Cao Hamburger, winner of the International Emmy for ‘Viva La Vida - Celebrate The Difference’.

What is the current strategy for the European markets? We want to increasingly strengthen Globo’s presence in Europe. European audiences consume Globo’s content, so it is important to have open conversations with our clients to understand what their demands are. We recently aired the telenovela ‘Sólo Confia’ in Poland, in an agreement with TVN, and in Bulgaria with bTV Media Group (CME Group). We also broadcast ‘All The Flowers’ in Armenia on First Channel (Public TV Company of Armenia). Together with Ampersand, we broadcast the telenovelas ‘Pantanal’, ‘Empire’ and ‘Precious Pearl’ in Poland.

of friends, and their joys, follies and frustrations, over the course of four decades. ‘Comando Antisecuestro’, for example, is a

How do you evaluate the receptivity of the European market (outside Portugal and Spain) to Brazilian telenovelas today? Throughout our trajectory, we have gained international recognition both for our telenovelas and for the technical quality of our productions. It is great to be able to present to the market our portfolio of telenovelas in a variety of genres and formats, as well as content aimed at different audiences. For example, ‘All The Flowers’ has been created and designed specifically for streaming platforms. This allows us to meet the specific needs of each client, whether in Europe or elsewhere. The important thing is to keep

Globo’s distinctive essence with the local culture of our clients.

Globo has developed successful adaptations and co-productions for Globoplay, are you looking for new partnerships for international co-productions? Events like Miptv represent a great opportunity to start conversations with potential partners. We will be presenting ourselves with a portfolio that demonstrates our production capacity, encompassing series, telenovelas and documentaries. This portfolio not only serves as a great letter of introduction, but also showcases our opportunities for collaboration.

In 2022 Globo Studios announced the creation of its documentary division, to start producing content for its different platforms. Is there any content you aspire to present in the MIP Documentary section? We are presenting at Cannes a selection of outstanding documentaries. These

“We understand that with the sale of scripted formats we can expand our commercial opportunities, offering productions that merge Globo’s distinctive essence with the local culture of our clients”

listening and identify which product connects best with each client.

What are the contents of the Globo Originals catalog that have been the most successful in international sales in the European market? The European market is showing interest in our telenovelas, and we want to demonstrate that Globo offers content that goes far beyond that, with a wide variety of series and documentaries. We are open to exploring new business models, from licensing telenovelas, series, documentaries, true crime, to selling formats, which can further expand our narratives. For this

reason, we want to strengthen our presence in the continent, engage in new conversations and advance existing ones.

Will you be presenting any formats in this section? In our portfolio for Miptv, we are presenting some scripted formats of different genres and styles, such as ‘La Favorita’, ‘La Vida Sigue’ and ‘Suerte de Vivir’ in the telenovela segment, and ‘Justicia’, ‘Ojos Sin Culpa’ and ‘Intolerantes’ in the series segment. We understand that with the sale of these scripted formats we can expand our commercial opportunities and reach new audiences, offering productions that merge

include documentary series such as ‘The Brazilian Mafia’, which looks at the Jogo do Bicho operation in Rio de Janeiro, and ‘Discoteca Kiss, La Tragédia De Santa Maria’, which chronicles a series of events that resulted in the tragic deaths of more than 200 young people in southern Brazil. We also have productions such as ‘Bruno And Dom, Murder In The Jungle’, which follows the last steps of indigenous activist Bruno Pereira and British journalist Dom Phillips, both murdered in the Amazon region of Vale do Javari. These issues, even though they occur in Brazil, have repercussions throughout society and generate new debates.

The Others Series

The End Series

The Brazilian Mafia Series

Living on a Razor’s Edge Series

PRODUCTION

AMPERE:

AMAZON LEADS STREAMING COMMISSIONS IN LATIN AMERICA FOR THE FIRST TIME

AMAZON PRIME VIDEO is now the leading streaming commissionaire in Latin America, with 23 orders for its VOD platform announced in the second half of 2023, according to a new report from Ampere Analysys. Aside from Amazon and Mexican giant TelevisaUnivision, all other major platforms in the region saw an overall decline in the number of streaming commissions announced between 2021 and 2023. Disney, for example, saw a 45% decline in streaming commissions in the period, while Netflix’s fell 43%. Rival Paramount announced just four orders in Latin America in 2023. Meanwhile, Amazon, unlike other US-based commissioners, continues to focus on international (non-North American) projects. With a steadily declining proportion of commissions based in North America (reaching an all-time low of 25% in the second half of 2023), Amazon is focusing its efforts on Western Europe, Asia Pacific, and Central and South America. Among all Amazon Original commissions announced in the second half of 2023, 13% came from Latin America, almost double the proportion announced in the same period in 2022 (7%).

SATISFACTION

IBERIA HIRES DAVID GALLART AND JUAN NAVARRETE

WITH THE APPOINTMENTS OF DAVID GALLART AND

JUAN

NAVARRETE, Satisfaction Iberia further strengthens its content team. Both have extensive experience in executive

EXECUTIVES APPOINTMENTS

MEDIAHUB ANNOUNCES NEW TEAM MEMBERS

MEDIAHUB HAS ANNOUNCED THE APPOINTMENT of Bekir Erdoğan as the new Business Development and Operations Manager. With foundations in insurance and risk management, and over a decade long career in operations and sales, Bekir Erdoğan joined MediaHub after a successful tenure at Amazon where he led a multicultural team to improve vendors’ performance in multiple categories as Operations Manager. This hire emphasizes MediaHub’s

production, development and adaptation of scripted and unscripted formats in Spain and in Latin America. They consolidate Satisfaction Iberia’s commitment to content. David Gallart

commitment to positioning itself as a contemporary distribution organization that leverages data-driven insights and reliable systems that replicate consistent results. The rapid growth of the company also inspired a repositioning of other internal teams and saw the reassignment of Arzu Zeynep Demirtaş as Marketing and Product Manager where she

will be Chief Content Officer (CCO) and Executive Producer, working closely with the Head of International Content & Business, David Llanes, and reporting to the CEO, Daniel Domenjó.

will continue to oversee all marketing efforts and content related matters. Kerim Emrah Turna, Managing Director of MediaHub, said: “Bekir is a dynamic professional who will help optimize our organizational structures and carry us into the next phase of our development. We are looking forward to benefiting from his expertise.”

Juan Navarrete, CCO and Executive Producer

Bekir Erdoğan, Business Development and Operations Manager

David Gallart, External Associate Consultant

Arzu Zeynep Demirtaş, Marketing and Product Manager

A SECRET THAT EVERYONE IS TALKING ABOUT

One of the biggest hits of the new season in Turkey, ‘Secret of Pearls’, leads Kanal D International’s catalogue for Miptv 2024. The series is joined by titles like ‘Farewell Letter’ and ‘A Father’s Promise’.

Pearls are said to symbolize success and wealth and ‘Secret of Pearls’, the new Turkish hit from Kanal D, is proving the veracity of the statement. The new series leads Kanal D International’s (KDI) catalogue for Miptv 2024.

The show, produced by BKM and starring Yilmaz Erdoğan (who is also the scriptwriter), follows the life of Azem who lives a happy life until the night when he ends up in prison accused of murdering his wife. Guarding a big secret close to its chest, Azem spends several years in prison until he is released with one thought in his mind: reconnect with his children, a task that will prove to be very difficult.

By Luis Cabrera lcabrera@todotv.tv @luis_cabreram

Farewell Letter Drama

The cast of ‘Secret of Pearls’, known locally as ‘Inci Taneleri’, also includes Hazar Erguclu, Selma Ergec and Kubilay Aka.

“The success of our brand new series, ‘Secret of Pearls’, in Turkey has been nothing short of remarkable,” says Elif Tatoglu, Distribution Strategy Director at KDI. “The series has captivated audiences across Turkey, drawing in a vast viewership with its compelling storyline, rich character development, and high production values.”

In social media the show has a huge impact, generating a lot of engagement and widespread discussion, with new dedicated fan pages and hashtags popping up weekly.

“The series has consistently secured top ratings, dominating prime-time slots and surpassing competitors in its time slot”, adds Tatoglu. “Viewer loyalty has been particularly notable, with audiences eagerly tuning in week after week.”

‘Secret of Pearls’ has reached as high as 25.1% of the share in total audiences, and even better numbers (above 31%) in the coveted AB demo.

“The title is indeed a hit and we are very happy with its numbers,” shares Tatoglu. “The main actor Yılmaz Erdoğan is very wellknown and loved writer, poet, director and producer. He has a very strong pen. The script is beautifully written with some poignant comments as well as poetic comebacks. The characters are very well defined, and the story is very strong.”

It’s no surprise that such a phenomenon has already attracted interest from abroad: according to KDI, ‘Secret of Pearls’ has already secured pre-sale deals with some countries, signaling its strong international appeal and commercial viability. “This early interest from global markets underscores the series’ potential to become a widespread

“The success of our brand new series, ‘Secret of Pearls’, in Turkey has been nothing short of remarkable”

sensation beyond its home territory,” says the executive.

Looking at the rest of the catalogue, KDI’s strong offering includes series like ‘Farewell Letter’ and ‘A Father’s Promise’, while it promises to bring another “captivating series” that is tentatively scheduled to premiere in the upcoming months.

‘A Father’s Promise’ is a passionate story of love, sacrifice and resilience unfolding in an emotionally charged series, while ‘Farewell Letter’ is another big title from 2023, in which two opposed families -and the new young generation- have to deal with the repercussions of an event 30 year in the past.

Elif Tatoglu, Distribution Strategy Director at KDI

“’Secret of Pearls’ has consistently secured top ratings, dominating prime-time slots and surpassing competitors in its time slot”

“The script [of ‘Secret of Pearls’] is beautifully written with some poignant comments as well as poetic comebacks. The characters are very well defined, and the story is very strong”

Secret of Pearls Drama

A Father’s Promise Drama

SHAPING THE FUTURE OF MEDIA DISTRIBUTION

Specializing in the distribution of a diverse range of content, Blue Media, part of the Haciyatmaz family, has been at the forefront of revolutionizing media distribution in Turkey.

Murat Yavan, Co-founder and General Manager of Blue Media

“With a core belief that the right marketing strategy, networking, and matching content with the right buyers are significant, Blue Media has carved a niche for itself in the media industry”

In an era where content is king, the art of distributing it effectively holds the key to success. Since its establishment in 2019, Blue Media has been at the forefront of revolutionizing media distribution in Istanbul, Turkey, and beyond. As a proud member of the esteemed company union

Hacıyatmaz, Blue Media stands as a beacon of innovation and excellence in the media industry.

Specializing in the distribution of a diverse range of content including documentaries, TV series, 3D animations for kids, and feature films, Blue Media’s offerings are meticulously curated to cater to the diverse preferences of audiences worldwide.

Being the holding company of Hacıyatmaz, Blue Media distributes its own original, self-produced content, especially compel-

ling documentaries that capture the imagination and provoke thought.

Blue Media has just invested in its own documentary production house. They have started to produce documentaries focusing on art, history and factual genres.

With their investments on documentary production, Blue Media wants to lead their own way and stress the importance they give to this category. It is believed that specializing in specific works will make them among the pioneers around the world. They are preparing to bring their catalogues, which have become richer with their own contents, to the broadcasters at the upcoming markets.

Co-founder and general manager of Blue Media, Murat Yavan, emphasizes that success in the field is achievable under certain circumstances: “With a core belief that the right marketing strategy, networking, and matching content with the right buyers are significant, Blue Media has carved a niche for itself in the media industry.”

With their evolutionary approach to the changing world, Blue Media is keeping up with the rhythm. Being the part of this evolution, they want to enrich their repository and deliver it to worldwide audiences.

Alexander Sarcophagus Documentary

Stories From the Hidden World Documentary

IMPACTFUL CONTENT THAT RESONATES AROUND THE WORLD

By Luis Cabrera lcabrera@todotv.tv @luis_cabreram

Cultural relevance and the broad appeal of its narratives are part of the formula behind the projects of a production company that never stops making hits, and which, after launching its distribution arm just over a year ago, is set to lead the way in Turkish drama internationally.

Born at the height of the international boom of Turkish content, OGM Pictures raised the bar for what is considered traditional Turkish drama, with productions that have enamored local and global audiences, such as ‘The Innocents’, ‘My Home, My Destiny’, ‘Golden Boy’, ‘Broken Destiny’ and ‘Stickman’, to name a few.

Such internationally relevant titles led to the logical evolution of the company, with the creation of its distribution arm, OGM Universe.

Behind all this success is the vision of its president and founder, Onur Güvenatam, who heads a company committed to providing diverse, solid and culturally relevant content, both locally, where competition is fierce, and in the now highly relevant international arena.

“We strive to strike a balance between creating culturally authentic content and ensuring that it resonates with international audiences”

“While our primary focus is to create content that resonates with our local audience, we also recognize the importance of international success in today’s global media landscape,” explains Güvenatam. “When considering a new project, we consider its international appeal and marketability.”

‘Lost in Love’ is the latest title in an incredible string of hits for OGM. What makes this drama so appealing to Turkish audiences? ‘Lost in Love’ resonates deeply with Turkish audiences because of its heartfelt storytelling and relatable characters. The

Onur Güvenatam, President and Founder of OGM Pictures and OGM Universe

series explores universal themes of love, loss and redemption while remaining true to Turkish culture. This creates a powerful emotional connection with our viewers.

What are the ingredients a project needs for OGM Pictures to move forward with its production? OGM Pictures meticulously selects projects that align with our vision and values. When considering a story or project, we prioritize a strong narrative that captivates and holds the audience’s interest. Quality storytelling that pushes boundaries is essential, along with authentic characters that can be identified with. Cultural relevance and broad appeal are crucial to ensure that our content reflects Turkish society, while resonating globally. Ultimately, our goal is to create impactful content that resonates with audiences around the world.

What can you share about your partnership with Dr. Gülseren Budayıcıoğlu? And after so many successes, what new titles can we expect in the future? Our partnership with Dr. Gülseren Budayıcıoğlu, a respected psychiatrist and author, has helped bring compelling, authentic and real stories to the screen. This has allowed us to explore a different dramatic genre. Dr. Budayıcıoğlu’s expertise enriches our productions with deep, thought-provoking narratives. As for future titles, we are excited to continue our collaboration and present upcoming projects that push the boundaries of storytelling. We are also excited to stay true to our commitment to quality content.

Does the international success of your titles influence your production process?

International success influences our production process in several ways. First, we strive to create stories with universal themes and transcend cultural boundaries. This approach not only enhances storytelling, but

“Cultural relevance and broad appeal are crucial to ensure that our content reflects Turkish society”

also increases the likelihood of content reception in international markets.

Second, we are aware of the growing demand for diverse content in the global entertainment industry. As such, we aim to produce content that reflects Turkish culture while offering universal themes that resonate with audiences around the world. This strategy enables us to cater to both local and international viewers. We strive to strike a balance between creating culturally authentic content and ensuring that it resonates with audiences beyond our borders.

How many titles do you have in the pipeline? How much has that number grown since the production company launched in 2019? Since our launch in 2019, OGM Pictures has successfully released 25 productions for linear TV and streaming platforms, totaling approximately 1,200 hours of high-quality content. Looking ahead, we have an exciting pipeline of projects in the pipeline for 2024, reflecting significant growth in the number of productions in development. This expansion underscores our commitment to offering diverse and engaging content while meeting the evolving demands of our audience.

LOST IN LOVE TRIUMPHS AT HOME

The acclaimed drama ‘Lost in Love’ (‘Sakla Beni’), distributed globally by OGM Universe and produced by OGM Pictures, has been a huge hit since its launch last November. The show continues to capture audiences on Star TV, showcasing its enduring popularity and ability to engage viewers. “The series has consistently delivered impressive viewership numbers, demonstrating its strong connection with viewers,” explains Ekin Koyuncu, Global Distribution & Partnership Director at OGM Universe. “With its compelling storyline, welldeveloped characters, and emotional depth, ‘Lost in Love’ has struck a chord with audiences, keeping them engaged and eager for more.” According to the executive, ‘Lost in Love’ has also attracted interest with its “remarkable plot twist” and integration of actors from ‘Golden Boy’ (‘Yalı Çapkını’), another title from OGM Pictures, which has resonated strongly with the audience. “This

collaboration has not only drawn fans of ‘Golden Boy’, but has also contributed to ‘Lost in Love’s increasing popularity,” points out Koyuncu. A big factor for ‘Lost in Love’s popularity is the chemistry between its actors, particularly the leading couple, Uraz Kaygılaroğlu and Cemre Baysel, who have delighted the audiences. Described by the executive as a “true melodrama”, ‘Lost in Love’ presents a Cinderella story like no other. “When we say a Cinderella story it’s because the main character is a pure, innocent beauty. She’s introduced to us as the maid of the house. She entered when she was a little girl as the helper of the princess of the house. And during the story we will understand she is also the granddaughter of the head of the house. When he was younger he had this big love with a tailor who got pregnant and they couldn’t get married, and he thinks she had an abortion but years later we will learn she didn’t,” she explained.

“’Lost in Love’ explores universal themes of love, loss and redemption while remaining true to Turkish culture. This creates a powerful connection with viewers”

Miracle of Love Drama

Broken Destiny Drama

THE ROAD TO SUCCESS

By Luis Cabrera lcabrera@todotv.tv @luis_cabreram

Investing to keep up with technology, and doing the work with diligence and interest has made Kadraj Group a leading company in Turkey, and its global influence continues to grow year after year.

In its 15th anniversary, Kadraj Group is working at its highest volume. “We have no plans to celebrate [this anniversary], because we are too busy and just don’t have the time,” shared matter-of-factly Hasan Köroğlu, founder & CEO of the Turkish company.

Known worldwide for the plethora of services it offers -that include technical services for highly successful Turkish dramas- Kadraj has chosen to divide the company into four parts, aiming to streamline and grow them independently, while remaining under the umbrella of the group.

Kadraj Productions will focus on content, particularly feature movies; Kadraj Anima-

tions will do the same for animation content; Kadraj Technologies will focus on cloud storage and delivery services; while Kadraj Labs will be taking care of the core business of the group.

“Following our departments’ autonomy to become Kadraj Animations & Kadraj Productions, we successfully completed three projects,” explained the company’s CEO. “’Karganın Uykusu’, aka ‘Sleep of Crow’, is an independent arthouse feature film that has won ten awards and will be showing in theaters in May 2024. ‘Yedinin Kraliçesi’, aka ‘Queen of the Seven’, is a dark comedy miniseries that criticizes the system, and will be accessible on streaming services next year. And ’Bumi’, which we spent two years completing, is scheduled to be screened in theaters in fall of 2024.”

Köroğlu also shared that two other feature films and one live-action film are in pre-production phase and scheduled to make their debut in theaters in 2025 and 2026.

“In contrast to animation content, we’re planning to focus on producing live-action content, for which we will build our own distribution library with our own IPs,” says the executive.

All those companies run alongside Kadraj’s other ventures in translation, subtitling and videogaming. The latest game from Kadraj’s Mount Q Studios, ‘Carnage Cuisine’, is available worldwide on the gaming platform Steam.

“Kadraj is a kind of hub, we are in the middle of everything in the industry and we try to use our sources efficiently: production, distribution, cloud deliveries, everything can be done in the same group,” explains Köroğlu. “We believe that being dynamic with the technology that is developing so quickly and doing the work with deep interest is the key to this market. And we try to teach and show this reality to all members of the Kadraj family. Trusting each other is another key element.”

Expansion is a logical step for such a big company, and Kadraj has opened new offices in Europe and Singapore, while keeps trying to expand its presence in Latin America.

TAKING TURKISH CONTENT TO THE HEIGHTS IT DESERVES

In this special year for Kadraj Group, the company’s focus is making big investments to refresh its technology to meet the ever evolving standards and conditions of the market, always building on the experience it has gained by providing those services for over 15 years. One example of this investment comes in the are of cloud storage and cloud computing for Artificial Intelligence: “While celebrating our 15th anniversary, Kadraj is preparing Turkey’s largest content-oriented cloud storage infrastructure to meet the demands of the market, especially in cloud storage,” says Hasan Köroğlu, CEO of the group. The group aims to start receiving concrete results from these investments in Q3. “These investments will not only improve Kadraj, but will also help reinforce Turkish content’s place and global success in the market that demands consistently high service quality,” he affirms.

Hasan Köroğlu, Founder & CEO of Kadraj Group

“We believe that being dynamic with the technology that is developing so quickly and doing the work with deep interest is the key to this market”

“I can say that we are competing with ourselves first, and we try to go further with our beliefs, and good project work,” says Köroğlu. “It’s important to hear ‘thank you for the good work’ at the end of the project. Believing that anything is possible if you really want it and work hard on the path to success. This is a tough market, only those who work hard can keep up. We are those who want to keep up with the pace and go further.”

Sleep of Crow Film

EVENTS

SPAIN AND BRAZIL AMONG TITLES SELECTED FOR CANNESERIES 2024

CANNESERIES (Cannes International Series Festival) revealed the series that will compete in the Official Section of its seventh edition, which will take place from April 5 to 10, 2024 in the French city. Brazilian production ‘Betinho: No Fio de Navalha’, an original Globoplay series, which will compete in the long-form section. In the same section there’s also the first of two entries from Spain: ‘Esto no es suecia’, the first original fiction from RTVE Play. The second Spanish entry is the short series ‘Mejor Quemarse’, a production by UN3, Ley Primera and Bucarest Argentina.

STREAMING DISNEY+ AND BOOMERANG TV ANNOUNCE NEW SPANISH SERIES, LA SUERTE

DISNEY+ PRESENTS the first images of the original series ‘La Suerte’, a new fiction by directors Paco Plaza (‘Verónica’, ‘REC’) and Pablo Guerrero (‘Alba’, ‘Entre tierras’) starring Óscar Jaenada (‘Camarón’, ‘Cantinflas’) and Ricardo Gómez (‘La Ruta’). The six-episode original Disney+ series, produced in collaboration with Boomerang TV, follows a shy taxi driver, David (Gómez) who unexpectedly becomes the driver of the Maestro (Jaenada), a bullfighting icon who comes out of his retirement to recover his lost prestige. The Master is in the doldrums and David brings him luck. Or so he says.

EVENTS

EVA & NICOLE, ONLY SPANISH SERIES SELECTED FOR MIPTV’S MIPDRAMA

AFTER ITS DEBUT AT THE MALAGA FESTIVAL, ‘Eva & Nicole’ has been selected by Miptv as one of the 10 most anticipated and outstanding fiction projects of the year around the world to be presented at MIPDrama. This is the eighth edition of an event in which a selection of images of the most notable titles that are yet to arrive in 2024 will be shown. ‘Eva & Nicole’ has eight episodes of 50 minutes each and is set in Marbella

in the 80s, at the best time of the Marbella jetset, when Hollywood stars walked through the Andalusian city every summer. In this context, Nicole has become one of the most powerful women in the city, owner of the Marbella nightlife and the fashionable nightclub. Suddenly, a ghost from the past returns to her life: Eva. ‘Eva & Nicole’ is produced by Atresmedia TV in collaboration with Good Mood, with scripts by Daniel Écija.

STREAMING PRIME VIDEO STARTS FILMING SPANISH ORIGINAL, DIME TU NOMBRE

PRIME VIDEO has announced the start of filming of the original series ‘Dime tu nombre’ directed by Hugo Stuven, which will take place in emblematic locations in Madrid, Castilla-La Mancha, Segovia, Morocco and the Monegros desert. Produced by Espotlight Media and Skybound Entertainment, the sixepisode series is set in Spain in 1997. The inhabitants of Río Blanco, a town that lives off strawberries, have accepted that Moroccan seasonal workers settle in Fuensanta, an abandoned village. But coexistence generates tensions. Sonia (Michelle Jenner), leader of an NGO that helps with integration, knows this. Father Ángel (Darío Grandinetti), a local priest, also knows this. And even Safir (Younes Bouab), the imam. But what none of them imagine is that the foundations of Fuensanta hide something capable of unleashing their worst nightmares. The oldest pain. The most ancient fear. No matter your beliefs… or who you pray to.

UNDER A NEW LIGHT

In 2024, Record TV has brought-forward its solid telenovela line-up, with titles like ‘Topíssima’ and ‘The Slave Mother’, alongside a very powerful offering from the documentary side, which includes the true-crime series ‘Doc Investigation’ and the award-winning ‘The Beast’.

By Luis Cabrera lcabrera@todotv.tv @luis_cabreram

The creation of Seriella, the distribution arm exclusively in charge of Record TV’s biblical dramas, has freed the Brazilian giant to focus its distribution facet in other areas, previously, perhaps, overshadowed by the international success of titles such as ‘Kings’ and ‘Moses and the Ten Commandments’, among many others.

“We are giving the customers something more concentrated,” explains Delmar Andrade, International Sales Director of Record TV. “If they are looking for biblical dramas, they go to Seriella, and if they want other novels and great documentaries, they come to us.”

Among those other novels, Record TV is focusing on titles like ‘Topíssima’ and ‘Ultimate Love’, alongside a period telenovela like ‘The Slave Isaura’, an international hit already sold to over 80 countries worldwide.

Following the success of ‘Isaura’, Record is promoting ‘The Slave Mother’, a prequel that follows the stories of Juliana and Miguel, a mismatched

“If the customers are looking for biblical dramas, they go to Seriella, and if they want other novels and great documentaries, they come to us”

Topíssima Telenovela

couple that have to fight to keep their love alive among many parties trying to keep them apart.

A TIME FOR DOCUMENTARIES. Along with the undeniable success of its fiction series, especially biblical dramas, Record TV enjoys great recognition for its catalog of documentaries, a genre they are betting on big in 2024.

“Record is now paying special attention to its documentaries,” Andrade commented. “We are the oldest TV in Latin America, with 70 years without closing the doors. That’s how we have a lot of documentaries, both old and current, with international reporters all over the world. That is why we decided to pay more attention to documentaries, both national and international.”

As a major highlight from the catalog, the company is featuring ‘The Beast,’ a multiaward-winning documentary that deals with immigrants arriving in the US.

“‘The Beast’ shows the suffering, desperation and desire of the Latino people to enter and

Delmar Andrade, International Sales Director of Record TV

“We are the oldest TV in Latin America. That’s how we have a lot of documentaries, both old and current, with international reporters all over the world”

establish themselves in American soil,” explained Andrade. “We sent a reporter and a cameraman to make the same journey that the immigrants make. It was a very interesting experiment that paid back in a big way for us.”

In addition to ‘The Beast,’ Andrade highlighted another great documentary in the catalog, ‘The Hospital,’ which he defined as “one

of the most realistic documentaries we have produced in the last 10 years.”

The documentary delves into one of Latin America’s most modern hospitals in São Paulo, one of only two in Brazil that perform high-risk operations and procedures with a robot called DaVinci.

“We decided to do something different, without actors, just a cameraman and a director,” the executive explained. “’The Hospital’ has been very surprising for us, because in addition to showing it on our channel, we are showing it outside Brazil and there is great interest from the public and broadcasters.”

“It is very different from other productions because it’s very real, we don’t want to shock, but we want to move people with the raw reality of a project of this magnitude,” he added.

Record is also showcasing its true-crime documentary series ‘Doc Investigation’, that includes 12 episodes that cover investigations related to organ trafficking, femicide and wrongful convictions.

“‘The Beast’ shows the suffering, desperation and desire of the Latino people to enter and establish themselves in American soil”

Ultimate Love Telenovela

The Slave Mother Telenovela

The Hospital Documentary

A FABULOUS CATALOG OF COMPELLING STORIES

By Carolina Mussio cmussio@todotv.tv @carolinamussio

Presenting a journey through the history of makeup, ‘History of Fabulous’ leads the content developer’s portfolio of standout docuseries, which also features other innovative projects currently in development and in need of partners from the international market.

Founded in 2019, in just a few years Triskelion Productions has grown into a renowned content producer, with a catalog of standout titles and more already in the pipeline.

“These last five years have been good”, summarized Ric Acevedo, writer, director and producer, and one of the founding partners of Triskelion. “One major milestone would be the completion of our docuseries, ‘History of Fabulous’. Our partner, Alessandra, came up with that concept mid pandemic, which goes to show that horrible times can encourage wonderful endeavors.”

Through seven episodes, ‘History of Fabulous’ takes a look at the history of one overlooked

History of Fabulous Docu-series

“’History of Fabulous’ was a major step up in terms of quality and the story is light, educational and enjoyable”

but often necessary accessory, makeup. The docuseries presents a journey through the history of fabulous, with the help of some of Hollywood’s best known makeup artists and stylists.

‘History of Fabulous’ is proof of the producer’s focus on “strong and innovative” storytelling, especially in the genre of documentaries. “We focus primarily on documentaries and documentary series. We feel each of our offerings tell a good story,” the producer explained. “’History of Fabulous’ was a major step up in terms of quality and the story is light, educational and enjoyable. Who doesn’t love makeup? Especially in today’s climate.”

“And we have other projects as well that are in the advancing stages of development,” he added.

In regard to these other projects, the company is currently looking for financing and co-production partners for titles such as ‘Rise of Kaiju’ or ‘Motor Valley’. “We are looking for financing partners as well as production partners that would aid in the process of pitching to bigger streamers”, he explained.

“There’s something special about seeing your work hitting the big N and others. Sure, the field is crowded but getting there means you’re doing something right. Finding financing partners is a key part of the equation as I mentioned. I think that this is a profitable time to invest in audiovisual content.”

And in the search for partners, no territory is off-limits, as Triskelion seeks to expand its content worldwide. “We would love to see an expansion from the US to the Nordic countries, Latin America, Asia and the Middle East. I guess you could say we have a “today here, tomorrow the world” mentality. Content on an international level is more accessible now so it makes all the sense to want to be a part of that,” he said.

Already established in the field of documentaries, Triskelion is now also seeking to expand its efforts to the scripted side, with a project already in the works.

“We also want the opportunity to present our narrative content,” the producer revealed. “The idea is to eventually shift into narrative content over the coming years. Scripted series have really gotten new life in recent years.”

“We are working on one currently which was the idea of our partner, Janathan. I can’t say too much about it now but I will say this, it takes traditional drama to a whole new, very interesting level,” he revealed.

“I think it’s a great time to be a content producer. I also believe it’s a great time to forge new alliances and look toward the future. The world will always need entertainment. We at Triskelion will always work hard to provide that one interesting story that’s so good you’ll want to sit and relax, if only for that hour or two,” he concluded.

“We focus primarily on documentaries and documentary series. We feel each of our offerings tell a good story”

“The idea is to eventually shift into narrative content over the coming years. Scripted series have really gotten new life in recent years”

Ric Acevedo, Writer, Director and Producer

Alessandra Corrao, Writer and Producer

Janathan Grandoit, Creative Development

Mike Shear, Post-production Specialist

RTVE is presenting an attractive slate of premium drama and comedy series, both in short and long formats, which stands out by the the topicality of their themes and the diversity of their narratives.

PREMIUM AND POIGNANT STORIES

An engaging and moving story leads the way for la Corporación de Radio y Televisión Española (RTVE) at Miptv 2024, with ‘The Law of the Sea’ meant to showcase the power of Spanish premium drama.

Based on a true story from 2006, ‘The Law of the Sea’ is a social drama recounted through its characters and their gazes. A fishing boat, ten crew members and one decision, to rescue 51 sub-Saharan migrants on a boat drifting out at sea.

The crew decision to help the strangers -that included two pregnant woman and a two-year old girl- had deep ramifications for everyone involved and became a political issue, a fight between ‘The Law of the Sea’ and the laws of the land.

Surely not coincidentally, but on a lighter note, RTVE is presenting ‘Detective Touré’, another story about a sub-Saharan immigrant, this one settled in Bilbao and who makes a living as an improvised small-time detective. His skills and intuition earn him the trust of

the Ertzaintza (Basque police) and he is immersed in a complex investigation in which the Nigerian mafia is involved.

Another comedy offering from the Spanish broadcasters is ‘4 Estrellas’, a hilarious series about the coming and goings happening at Hotel Lasierra, a family-run business that has just received its fourth hotel star... at the worst possible moment. Clara, Rita, Marta and Silvia are the brand new Lasierra family, the four stars of this series. This is the moment when they must put their differences aside to make the hotel work. Will they be able to do it?

In a different tone, ‘La Moderna’ is a period drama set in Madrid in 1930. The capital of Spain is a scene of great changes and a hotbed of an intellectual and cultural universe, but the unstable environment, both political and social, that extends throughout the country, deeply affects the people of Madrid. However, there is a select place near Puerta del Sol, where problems and conflicts remain at the front door, it is the “La Moderna” tea room

RTVE is also bringing to Cannes the dramedy series ‘Esto no es Suecia’, about a young couple of parents and their different ideas about how to raise and protect their children; and the long-running series ‘Los Pacientes del Doctor García’, a drama set in 1946, during Francisco Franco’s authoritarian regime.

“Based on a true story from 2006, ‘The Law of the Sea’ is a social drama that recounts the rescue of 51 sub-Saharan migrants on a boat drifting out at sea”

La Moderna Daily drama

Detective Touré Miniseries

The Law of the Sea Miniseries

PRODUCTION

BUENDÍA ESTUDIOS, DIAGONAL AND DEAPLANETA START PRODUCTION ON ¿A QUÉ ESTÁS ESPERANDO?

FILMING has begun for ‘¿A qué estás esperando?’, a new series for prime time on Antena 3. The series shows the reality of two completely opposite worlds, but not in conflict, through the encounters and disagreements of two couples who fall in love. It is the adaptation of the successful novels ‘Tampoco te pido tanto’ and ‘¿A qué estás esperando?’, written by Megan Maxwell. It is produced by Buendía Estudios Canarias in collaboration with Diagonal (Banijay Iberia) and DeAPlaneta, with the participation of Atresmedia TV.

STREAMING NETFLIX BEGINS PRODUCTION OF ITS NEW MEXICAN ORIGINAL,GRINGO HUNTERS

INSPIRED BY AN EXISTING ELITE MEXICAN POLICE unit that catches American fugitives in Mexico, Netflix’s fictional series ‘Gringo Hunters’ recently began production and will be filmed in Tijuana and Mexico City. It will star Harold Torres, Mayra Hermosillo, Manuel Masalva, Andrew Leland Rogers, Héctor Kotsifakis, Dagoberto Gama and Regina Nava as the Gringo Hunters, accompanied by Sebastian Roché, Gerardo Trejoluna, Paulina Dávila and José María Yazpik, among others. Adrián Grünberg, Alonso Álvarez, Jimena Montemayor and Natalia Beristáin will be in charge of directing, under the production of Woo Films and Redrum in co-production with Imagine Entertainment and in association with The Washington Post.

STREAMING MOVISTAR PLUS+ PREMIERES NEW DOC MUROS

WITH UNPRECEDENTED FREEDOM of movement in the history of the Spanish prison system, a Movistar Plus+ documentary team has entered four Spanish prisons to show us a reality that no one asks about and about which everyone assumes. A reality that, until now, has remained isolated from the world. The documentary series ‘Muros’ reveals, in privileged access, ten stories that intersect with many others to form a never-beforeseen portrait of life in prison. The four-episode series is a Movistar Plus+ original in collaboration with Buendía Estudios.

DISTRIBUTION ONZA DISTRIBUTION ADDS PERIOD DRAMA GOLDEN SWAN TO INTERNATIONAL CATALOG

ONZA DISTRIBUTION announced the addition of ‘Golden Swan’ (‘Zlatá labut’) to its international catalogue. The series, created by Filip Bobinski, Jan Coufal and Petr Sizling from Dramedy Productions, is a production of Czech TV broadcaster TV NOVA. It premiered on the channels SVOD platform, Voyo, last January 26, 2023 and aired in free TV on February 2, followed by a second season that was broadcast at the end of August. The third season will bring the series to an end this June 2024. The series travels back to 1939, set in the protectorate of Bohemia and Moravia, under Nazi occupation, at the beginning of World War II. Bára Veselá, a young thief, enters the Golden Swan luxury department store while escaping from the police. Following a series of accidents and mistakes, she becomes a saleswoman in the fashion department and a new life opens up for her. Soon the charming owner Petr, son of the Kučera family, notices her. They fall in love, but the match is so obviously unequal. During war times, can love be stronger than the struggles to carry it through?

Leverage: Redemption

ATRESMEDIA TV INTERNATIONAL SALES

Av. Isla Graciosa, 13, 28703

San Sebastián de los Reyes, Madrid sales@atresmediatv.com

international-sales-atresmedia.com

Stand: R7.H11

EXECUTIVES

Miguel García Sánchez, Sales Director

Rebeca Fernández, Sales Director for Europe

TOP EXECUTIVE

Jose Antonio Salso, Head of Acquisitions and Sales

DREAMS OF FREEDOM

(Soap Opera, Daily x 50’)

It is a story of love, betrayal, and family rivalry. It was adapted from the successful Turkish series Lifeline. Begoña Montes is the new wife of Jesús de la Reina, son of the owner of a major beauty products company. The series begins with her, a young mother, fleeing through the forest with her stepdaughter Julia while her husband runs after them, rifle in hand. What has happened?

A NEW SUNRISE (Dramedy 8 x 30’)

Candela, a well-known actress and comedian, has become an addict. She doesn’t quite know how (or so she says), but those doses of alcohol and drugs to which she didn’t give much importance have ended up getting out of control. “Relax, I’ve got this” were the words she repeated most often in her personal and work circles lately, but she is not in control of anything at all. Neither her personal life (separated and with a daughter who spends more time with her father and grandmother than with her), nor her professional life, which is increasingly disastrous.

ELECTRIC ENTERTAINMENT

323.817.1300

sales@electricentertainment.com www.electricentertainment.com

Stand: R7.G19

EXECUTIVES

Dean Devlin, CEO

Nolan Pielak, SVP International Distribution & Co-Production

Steve Saltman, Head of Domestic Sales Raul Piña, Manager, Sales & Marketing

TOP EXECUTIVE

Sonia Mehandjiyska, Head of International Distribution

GLOBO The End

Rua Evandro Carlos de Andrade 160 / 7º andar, Vila Cordeiro 04583-115, São Paulo, Brazil +55 11 5112-4559 www.globo.com/screening

EXECUTIVES

Gabriel Doria, Content Distribution & Partnerships

Guilherme Jordão, Content Distribution & Partnerships

Fabio Mauro, Content Distribution & Partnerships

Marcela Parise, Head of International Marketing and Customer Success

LEVERAGE: REDEMPTION S1-S3 (Action)

In season 3, the team pits themselves against a power broker, a Mayor, a pool hustler and an industrialist exploiting child labor, all while dodging a plan of vengeance from a Season One enemy. But no matter what, they still provide… Leverage.

THE LIBRARIANS NEXT CHAPTER (Action, 12 x 60’)

From showrunner Dean Devlin, a spinoff of the original hit series, ‘The Next Chapter’ follows a “Librarian” from the past who time traveled to the present and now finds himself stuck here. His castle is now a museum and he inadvertently releases magic across the continent. He is given a new team to clean up the mess he made.

THE ARK S1-S2 (Sci-fi, 24 x 60’)

The spacecraft “Ark One” and its remaining crew members fight to survive after a catastrophic event causes massive destruction to the ship during its mission to save humankind.

THE END (Series, 10 x 45’)

TOP EXECUTIVE

Rodrigo Nascimento, Head of International Business – Europe, Middle East and Africa

Love And Pride

INTER MEDYA

Istanbloom Offices, Kore Sehitleri, Caddesi 16/1 Zincirlikuyu, 34394, Istanbul, Turkey +90 (212) 231 0102 info@intermedya.tv intermedya.tv

Stand: R7.E53

EXECUTIVES

Beatriz Cea Okan, VP and Head of Sales and Acquisitions

Hasret Özcan, President

Ahmet Ziyalar, COO

Pelin Koray, Senior Sales, Acquisition and Strategy Manager

Sinem Alışkan, Senior Sales and Communication Manager

Melissa Şimşek, Sales Executive

Neşet Ersoy, Sales Executive

Zeynep Balto, Sales Executive

TOP EXECUTIVE

Can Okan, Founder And CEO

‘The End’ was created and written by Fernanda Torres, with artistic direction by Andrucha Waddington (‘Under Pressure’) and direction by Daniela Thomas. It is the story of a group of friends, and their joys, madness and frustrations, over four decades. The series features names such as Fabio Assunção (‘All the Flowers’), Marjorie Estiano (‘Under Pressure’), and David Junior (‘A Life Worth Living’)

THE BRAZILIAN MAFIA (Documentary, 7 x 60’)

The documentary series ‘The Brazilian Mafia’ delves into the underworld of Jogo do Bicho, in Rio de Janeiro, with an operation that involves stories of influential families with internal fights for power, fraud, betrayal, revenge and murders. With artistic supervision by Pedro Bial (‘Xuxa, A Life On TV’), ‘The Brazilian Mafia’ is produced by Conversa.doc, the documentary nucleus of ‘Conversa com Bial’. The artistic direction is by Monica Almeida, and the directors are Fellipe Awi, Ricardo Calil and Gian Carlo Bellotti. Executive production is by Erick Brêtas and Mariano Boni.

LOVE AND PRIDE (Drama)

The Köksoys live in an ancestral mansion as a wealthy and rooted family. With three daughters, the family is sinking and on the verge of losing everything. In a state of great panic, they contemplate how to escape the impending disaster when Tolga enters their lives like a savior. He is the heir to a wealthy and established family. If one of the daughters marries him, life will continue as it used to, affluent and secure. The idea is considered forthe eldest daughter, Mercan, to marry him.

LEYLIFER (Drama, 120 x 45’)

Meryem, formerly known as Maria, travels to Istanbul with her husband Kemal and children for his sister’s wedding. However, their plans to return to their home in Spain are abruptly disrupted when Kemal goes missing and is later found dead in a burned-out car with a woman Meryem has never met. Believing that Kemal was murdered, Meryem vows to stay in Istanbul until she finds his killer.

Dreams Of Freedom

Conflict

KANAL D INTERNATIONAL

Demirören Medya Center 100. Yıl Mah. 2264

Sok. No:1 34218 Bağcılar/İstanbul hello@kanald.international kanald.international

Booth: R7f28

EXECUTIVES

Çağla Menderes, Sales Manager, CIS, Greece and Italy

Canan Koca, Sales Executive, CEE and The Baltics

Sibel Levendoğlu, Sales Manager Latam and North America

Ruba Zeytuni Karatepe, Senior Sales Executive Mena and Africa

Yasemin Keskin, Sales Manager, Asia and Pacific

Selahattin Tosun, Digital and Linear Channel Sales Manager

Büşra Saraçoğlu, Distribution Sales Manager

Özen Yenice Çetinaslan, Marketing & Operation Manager

Eda Çamlı, Marketing & Operation Executive

Burçak Coşkundeniz, Traffic & Product Manager

Tuğba Yılmaz, Traffic & Product Specialist

Tuğba Akpınar, Financial Controlling Specialist

TOP EXECUTIVE

Elif Tatoğlu, Distribution Strategy Director

SECRET OF PEARLS

(Drama, CP x 44’)

Azem’s life shatters when he takes the blame for his wife’s death to protect his daughter. After prison, he seeks his adopted children, navigating complex relationships, but time has taken its toll.

FATHER’S PROMISE

(Drama, 20 x 44’)

In 1980’s political turmoil, Mustafa sacrifices to save his wife, leaving his daughter with the wealthy Ronas. A poignant tale unfolds as he reunites, facing dangers and love’s resilience.

KESHET INTERNATIONAL

12 Raoul Wallenberg Street P.O.B. 58151 / 6971910 Tel Aviv. Israel info_keshetinter@keshet-tv.com +972-37-676-085

www.keshetinternational.com

EXECUTIVES

Anke Stoll, SVP of Co-productions and Acquisitions

Fleur Wheatley, VP of Sales (US, Canada, UK, Nordics, pan-regional, and Digital Commercialization)

Anne Roder-Botbol, VP of Sales (French- and German-speaking Europe, Benelux, and Italy)

Adi Brukner, Sales Manager (Asia, Africa, Greece, Turkey, Cyprus, and Israel)

Kate Orlovsky, Sales Coordinator (CIS)

Rebecca Edwards, VP of Marcomms

CONFLICT (Thriller, 6 x 60’)

Blooming Lady

MADD ENTERTAINMENT

Esentepe, Kore Şehitleri Caddesi, No.5/3 Şişli/ Estambul 34394 Turquía. +90 212 273 24 34 info@madd.tv www.madd.tv

Booth: R7.E54

EXECUTIVES

Alaa Elabasy, Senior Sales Manager Salmi Gambarova, Senior Sales Manager

TOP EXECUTIVE Ozlem Ozsumbul, Head of Sales

TOP EXECUTIVE

Kelly Wright, MD of Distribution

As a military unit of conscripts completes its training on Midsummer’s Eve, an unidentified enemy invades the picturesque Finnish peninsula.With foreign nationals amongst the 10,000 people now held hostage in the occupied area, the US President and other allies urge Finland’s newly elected President to take decisive action. Faced with the very real threat of a proxy war, President Saaristo must follow her instincts and moral compass to not only secure the safety of her own people, but also those of Europe.

BLOOMING

LADY

(Drama, 75 x 45’)

After 20 years of living for others, a housewife decides to complete her medical residency and put herself first. When stay-at-home mother Bahar faces a life-threatening illness, she decides to make some changes in her life. She goes back to complete the medical residency she had to give up 20 years ago, even though that means working under her husband, the Chief Surgeon, and with her son, another first-year resident. Neither they nor her teenage daughter are happy about it, but Bahar finds satisfaction in her new life.

NO MERCY (Drama, 75 x 45’)

When the world crumbles, heroes rise in unexpected places. When Aydan broke his heart, Dağhan thought his life was over. He abandoned his home, signed up for the army and ended up in a special unit fighting in the east. Now after two years of hard duty, Dağhan’s service is over. It’s time to come home. But home is not as Dağhan remembers it. His family is shattered, and his old neighborhood has given way to a dark underworld.

Code Name Swift

MISTCO

Barbaros Mah. Fikret Mualla Sok. No:13. Fidem Prestij Blokları B Blok D:21 34664 Uskudar, İstanbul / Türkiye +90 216 695 1300 info@mistco.tv www.mistco.tv

Turkiye Pavilion: 4

EXECUTIVES

Zeynep Kayrak, Head of Marketing

Maria Fernanda Espino Noguez, Sales Manager LatAm & Iberia

TOP EXECUTIVE Aysegul Tuzun, Managing Director

CODE NAME SWIFT (Young Drama, Ongoing)

Yiğit Efe, 2nd place in a drone competition, meets Zeynep, who came in 3rd. Aspar and Selim, working for the mysterious Company, clash. Aspar thwarts Yiğit Efe’s win, while Selim is tasked to steal Yiğit’s project. Despite his reluctance, Selim moves in with Yiğit. Meanwhile, Zeynep’s family moves in nearby. Will the Company succeed in obtaining the project?

THE JOY OF LIFE (Family Drama)

Neşe, who left her medical education and got married and has two children, decides to return to medical education after many years. However, it will not be easy to implement this decision.

COME WHAT MAY (Romantic Drama, 89 x 45’)

On the day Alize was born, her mother passed away. Although her father Nurettin tries to make her happy, Alize has turned into an aggressive, selfish, conflicting character. When Aliz crashes into a repairman’s car and runs away, Nurettin decides to teach her daughter things she couldn’t teach her when she was younger, before it’s too late. For this reason, he proposes to his girlfriend Sinem, whom he has loved for years, but could not step into marriage so that Alize would not be upset.

Secret Of Pearls

Tomtom Mah.Istiklal Cad. No:163 Misir Apt.

K:5 D:17-19, 34433 Istanbul – Turkey ekinkoyuncu@ogmuniverse.com www.ogmuniverse.com

EXECUTIVES

Mustafa Keyvan, Sales Executive Nesrin Eyüpoglu, Marketing & PR Manager

NEXT ROOM

(Drama TBA)

TOP EXECUTIVE

Ekin Koyuncu Karaman, Global Distribution & Partnership Director

240, Varzea St, Barra Funda São Paulo / SPBrasil 01140-080 - São Paulo - SP, Brasil. +55 11 3300-4022 tbcastro@recordtv.com.br www.recordtvnetwork.com

EXECUTIVE

Thiago Castro, International Sales Executive

TOPÍSSIMA

(Telenovela, 145 x 45’)

TOP EXECUTIVE

Delmar Andrade, International Sales Director

Calle del Alcalde Sáinz de Baranda (92) y calle de O’Donnell (77), Madrid, España rosalia.alcubilla@rtve.es www.rtve.es/comercial

EXECUTIVES

María José Loranca, Sales Executive

Nerea Guemes, International Sales

Teresa Migoya, Sales Executive

Cecilia Lera, Executive International Sales & External Relations

TOP EXECUTIVE

Rosalía Alcubilla, Head of Global Clients

8551 NW 30th Terrace, Doral, FL 33122, Estados Unidos (305) 487-5305

corporate.televisaunivision.com

EXECUTIVES

Douglas Welch, Asia, Africa, C.I.S. & Baltics

TOP EXECUTIVE

Karina Etchison, Content Sales EMEA

MAREA DE PASIONES

Sevgi Ersoy, a famous TV presenter whose career is on the decline, suddenly marries Fikret Alabey, one of the country’s leading businessmen. This unexpected marriage shocked everyone. Sevgi and Fikret have unhappy marriages. Getting their dream of a new beginning won’t be easy for the couple. This will change the lives of all family members, especially their mothers, who initially strongly opposed this marriage.

LOST IN LOVE

(Drama, 85 x 45’)

Mete and Naz, born into affluent and influential families, are bound together by a promise made during their childhood. This promise stems from a tragic incident where Naz’s innocence was compromised, and Mete’s family offered unwavering support. As they grow older, their relationship becomes a rollercoaster of heated arguments and passionate reconciliations.

MIRACLE OF LOVE

(Drama, 38 x 45’)

Ali Tahir was a brave commander who fought in the Battle of Sakarya in 1921. During the battle, he made a costly mistake that led to the death of many of his soldiers. However, he managed to turn the tide of the battle and was shot in the process. Miraculously, he was resurrected by the “Water of Life” and never aged again.

‘Topissima’ is a telenovela that delves into the feminine universe and brings to light the conflicts of modern women: work versus love life, independence versus loneliness, motherhood versus career, aging versus aesthetics, illegality of abortion versus death, among others. In addition to the issues inherent to the female universe, we will have in parallel a police investigation full of twists and turns involving the protagonists.

ULTIMATE LOVE

(Telenovela, 148 x 45’)

Everyone would like to experience – or has imagined experiencing – a love story capable of overcoming any difference, prejudice or obstacle imaginable. This sentiment often arises in the most unexpected places and in even unlikely people. But when love proves to be true, nothing can stop it from uniting two lovers.

THE SLAVE ISAURA

(Period Telenovela, 167 x 45’)

‘The Slave Isaura’ is a Brazilian telenovela, successful in over 80 countries worldwide. Based on the 1875 novel by Bernardo Guimarães. The telenovela shows a love story, amid the theme of slavery. Isaura is the daughter of the slave Juliana and the farm manager, Miguel. Juliana dies, and Isaura is raised and educated by the Commander’s family.

THE LAW OF THE SEA (Thriller,

3 x 45’)

‘The Law of the Sea’ is a social drama recounted through its characters and their gazes. A fishing boat, ten crew members and one decision, to rescue 51 sub-Saharan migrants on a boat drifting out at sea. It’s ‘The Law of the Sea’... But the laws work differently on land and their actions will have unforeseeable consequences.

DETECTIVE TOURÉ (Thriller, 6

x 50’)

Touré is a sub-Saharan immigrant settled in Bilbao who makes a living as an improvised small-time detective. His skills and intuition earn him the trust of the Ertzaintza (Basque police) and he is immersed in a complex investigation in which the Nigerian mafia is involved.

LA MODERNA (Drama, 120 x 55’)

Madrid, 1930. The capital of Spain is a scene of great changes and a hotbed of an intellectual and cultural universe, but the unstable environment, both political and social, that extends throughout the country, deeply affects the people of Madrid. However, there is a select place near Puerta del Sol, where problems and conflicts remain at the front door, it is the ‘La Moderna’ tea room.

Luisa and Marcelo are a happy couple until her father, Alejandro, is murdered by Zaid, his best friend. Zaid blames Marcelo for the crime and kidnaps him with the help of some guerrillas. Luisa becomes pregnant with Marcelo’s child but marries Zaid, who offers her protection and love. Seven years later, Marcelo escapes and returns to Nayarit to reclaim his family and prove his innocence.

VIVIR DE AMOR

The story of Rebeca and Angelli, two sisters separated since childhood. Angelli is raised by their mother, Elena, who manages the luxury restaurant left to them by their father. Both are under the impression that Rebeca has died. However, the truth is that Rebeca was forced to live in a humble family, enduring significant hardships.

EL AMOR NO TIENE RECETA

Paz is a humble woman who, six years after the theft of her newborn, discovers a new purpose in life by accepting to work for Esteban, a widower with three children. In an unexpected twist of fate, Paz immerses herself in a series of experiences that lead her to reunite with her daughter and the woman who stored her longing to be a mother.

3.486.843 total average anual reach across all our digital media platform

APPOINTMENTS

Leyla Formoso, new Head of Sales and Acquisitions at Prime Entertainment Group

LEYLA FORMOSO JOINS PRIME ENTERTAINMENT

PRIME ENTERTAINMENT GROUP

ANNOUNCED the appointment of Leyla Formoso as the new Head of Sales and Acquisitions. With over 25 years of industry experience and a notable track record, Leyla will lead Prime Entertainment Group’s strategic efforts to update and improve its distribution strategy. The appointment of Leyla Formoso not only signifies Prime Entertainment Group’s commitment to growth, but also underlines the importance of fostering existing partnerships. With Leyla’s extensive industry relationships and track record, Prime Entertainment Group is proud to announce that she will continue to represent Nelvana and Corus Studios, two of her loyal and longtime clients, along with her new responsibilities at Prime. This collaboration will foster positive synergies and unlock new opportunities for both Prime Entertainment Group and its esteemed partners.

DISTRIBUTION BANIJAY OPTIONS NEW FORMAT INTERVIEW WITH HISTORY FOR SPAIN AND PORTUGAL

INDEPENDENT INTERNATIONAL DISTRIBUTION COMPANY Lineup

Industries is exploring key moments in history and bringing them to life in brand-new format ‘Interview with History’. The hybrid show, which combines documentary and dramatization, has been optioned by media and entertainment powerhouse, Banijay, for multiple territories including Sweden, Norway, Finland, Denmark, Germany, Spain, Portugal and the UK. Lineup Industries has also signed a separate deal with Creative Ventures to take the format to UAE. ‘Interview with History’ interviews key figures from the past at critical moments in their lives and gives an insight into the inner thoughts, emotions and motivations that guided their actions.

DISTRIBUTION DORI MEDIA TO SELL VIX VERSION OF LALOLA

DORI MEDIA GROUP (DMG) is launching international sales outside the US and Latin America of ViX Original romantic comedy ‘Lalola’, which successfully premiered on the platform earlier this year. Dori Media is selling both the new Spanish-language episodes of ‘Lalola’, which debuted February 2 on ViX, as well as the format rights to the international TV marketplace. ‘Lalola’, which is produced by Dori Media International, is a modern-day remake of the hit International Emmy-nominated romantic comedy that originally aired in 2008-2009.

PAY TV WBD PREMIERES NEW SEASON OF EL TOQUE DE AARÓN

WARNER BROS. DISCOVERY US

HISPANIC renewed its partnership with GroupM, Cocina (a unit of Mecenas), and beloved celebrity chef and Executive Producer Aarón Sánchez, for a highly anticipated second season of ‘El toque de Aarón’. Building upon the success of the first season, Chef Aarón Sánchez, alongside designer Cris Mercado and project manager Ángel Riveros, will once again take under their wings Latinoowned restaurants in Los Angeles, providing them with unparalleled mentorship and a pathway to refresh their businesses and help propel them to the next level. General Mills Yoplait and Ferrero Nutella are seamlessly integrated into the storyline of the series. The second season of ‘El toque de Aarón’ is airing on Discovery Familia and will debut on sister network Hogar de HGTV on April 13.

A FACTORY OF GOOD STORIES

The road to internationalization that Megamedia has set as a goal is being traveled at high speed, as the Chilean company starts the year with important agreements with international production companies, top-of-the-line platforms and its first experiences with FAST channels.

By Luis Cabrera lcabrera@todotv.tv @luis_cabreram

Afruitful start to the year has Megamedia working at full speed in the internationalization process that has become its mission for some time now and which, judging by its results, is advancing quickly and safely in all the areas that the company Chilean seeks to grow.

“Megamedia’s internationalization has several branches,” says Javier Villanueva, CEO

of the Chilean media company, whose vision encompasses multiple facets of the company’s growth, from the sale of finished content and scripts, to the expansion of its MegaGo platform, including international co-production and the recent launch of its first FAST channel (Carolina TV will be the second and there will be a third one in April).

In this process, Mega can be found making important co-production agreements, with BTF Media and Fábula Producciones; working with international platforms of the magnitude of Netflix, as is the case of the television series ‘Al sur del corazón’; its recent agreement with Mercado Play, the Mercado

Javier Villanueva, CEO of Megamedia

“This first partnership [with Netflix] amplifies the exposure of our products in the Latin American market”

Libre platform; and what will be the second content from their alliance with Latina TV, ‘Pituca sin luca’, which comes after the success of ‘Papá en apuros’.

What can you tell us about ‘Al sur del corazón’, produced with Netflix? This has to do with how we see platforms: not as a threat, but as an opportunity. At Content Americas we took another step to close the links of a chain of internationalization that has to do, on the one hand, with our next afternoon TV series, ‘Al sur del corazón’, which will have a simultaneous broadcast on Netflix. It is the first joint work between Megamedia and Netflix. This association amplifies the exposure of our products in the Latin American market.

In Miami you also closed agreements with important production companies. What does this mean for Mega’s internationalization process? We closed two production agreements: one with BTF Media and another one with Fábula Producciones, which has to do with the fact that when we are going to produce abroad, we are going to do it with whoever does it best. A production has several subsets and it is about knowing well what we know how to do, and what and who we need to develop a co-production internationally. It is there that these agreements begin to close these clusters of needs that we have. We are also very close to closing co-production agreements in Colombia and Spain, in order to have a map of strategic partners who we can join us in our internationalization projects.

What would you define as the strength that Mega brings to the table in these joint works? The story, the artistic part of how to produce and how to promote our stories. Those would say are the three main axes. The main thing is how we learn from each of the co-production experiences and internationalize it to do it better next time. It is something that must come to fruition. These co-production agreements have to do with how you partner with someone and take advantage of that expertise that BTF and the Fábula have.

How do you want to position Mega in the production area? Like a Chilean factory that knows how to write and tell very good stories which can travel. We want to bring this brand to a regional ecosystem that is recognized for telling good stories.

Another branch of internationalization that Mega is advancing is in the digital world... We made an agreement with Mercado Libre, through which MegaGo will offer its content within Mercado Play. The same thing is happening to us with the VTR Claro operator, the main pay TV operator in Chile. They are offering MegaGo and today it is a payment platform that has more than a million paid subscribers. One may say: “There are more than a million people paying.” This has to do with massiveness, brand, reputation and many other factors.

What has Mega’s first FAST experience been like? MegaNoticias Ahora is our first FAST news channel, 24 hours a day. It is the first product 100% designed for the international market, with everything that this implies: rights, technology, etc. It has

several axes of novelty: it is international; it is designed from the IP world, not from the broadcast world, which speaks of a scale and investment appropriate to the realities of the market; it has to do with content, designed for a digital ecosystem, where other news content is consumed apart from traditional ones; the other relevant thing is how we are going to combine natural talents, because we are a talent factory in the world of fiction.

This channel was born from ‘Meganoticias’ Instagram, the most successful in the digital ecosystem in Chile, and has to do with how we show Chileans who live outside the country Chile as we see it. The Frenchman who lives in France is not going to be interested in MegaNoticias Ahora, but we want to reach those million Chileans who live abroad.

At the local level you are also generating new content such as ‘El antídoto’ (see box) and ‘Megadeportes’. What can you tell us about the latter? We got very involved in sports with a live sports magazine on Sundays, from 7:00 to 8:30 p.m., focusing on

national football. With the goals and one of the eight games on each date of the national tournament in an agreement with Warner Bros. Discovery. This leads us to not only have the goals, the matches, but also exclusive access that goes beyond the goal and the match.

EL ANTÍDOTO BRINGS HUMOR TO FRIDAYS

In March, the Mega screen premiered a new entertainment format, ‘El antídoto’, hosted by the renowned Chilean comedian Fabrizio Copano. “It is a comedy show, with fun current affairs, and it has to do with how Mega continues to bring comedy programs on Fridays to improve the mood of Chileans,” said Villanueva. The first installment of ‘El antídoto’ saw Copano host a relaxed interview with the Chilean president, Gabriel Boric, on a trip aboard the fast train to Talca. The show, which aims at a “different view of current events, from the comedy side”, reinforces, at the same time, Mega’s commitment to creating its own formats: “We want to make our own IPs,” explains Villanueva. “The big licenses are all sold, so the issue here is how to discover the next one, but, above all, how we can challenge the internal teams to generate their own, like ‘La cabaña’ and ‘El antídoto’. More than how to buy from Banijay, it is how we sell to them.” All episodes of ‘El antídoto’ will be available on the MegaGo platform.

“We are very close to signing co-production agreements in Colombia and Spain, to be able to have a map of strategic partners for our internationalization projects”

MIPTV MOVES TO LONDON FOR 2025 EDITION

The new MIP London will run alongside The London TV Screenings and take place on February 24-27, 2025.

Already a staple of the annual calendar of tradeshow events for the audiovisual industry, Miptv will be moving from its traditional location in Cannes, France. After this year’s edition, which will take place on April 8-10 at the Palais des Festivals, the event will move across the pond to London for 2025.

The new Miptv, named MIP London, will run alongside the London TV Screenings (February 24-27) as a “complementary” event. MIP London will start with a pre-opening on Sunday, February 23, and will take place

at the Savoy Hotel and IET London: Savoy Place.

RX France, organizers of the Mip events, said in a statement that the new Miptv will deliver “versatile meeting and screening solutions and a comprehensive invitation program””giving free access to qualified buyers.

“The creation of MIP London is a direct result of clear and evidenced market factors,” said Lucy Smith, entertainment division director at RX France. “There is a continued appetite for a global content market in the first half of the year. MIP London will not only alleviate a

busy events calendar but will provide an additional entry point for international companies to gather in London at the same time.”

“Staging markets that provide clients with the best possible solutions for showcasing their content and facilitating deal-making is what we do best at MIP and take a huge pride in, as proven over decades in Cannes and more recently Cancun. We have consulted with many of those already hosting events in London as well as with international companies looking to do so.”

“Our vision is a market that complements, not competes with, the established screenings program, that provides further options for the widest range of international distributors, studios and buyers to take part and can bring even more business to London in February for the benefit of all. Leading RX France’s first MIP market in London is an opportunity I’m very grateful for,” she added.

As for the upcoming edition of Miptv in Cannes, the organization is expecting to welcome over 130 exhibitors.

“Miptv was established in Cannes over six decades ago and is intrinsically linked to the city,” Smith said. “It was never a case of simply re-locating it but we have to acknowledge the transformation in the market. Miptv will bow out in April and we intend to stage a memorable final edition. Following this, all our energies on the Croisette will be focused on Mipcom Cannes and our mission to deliver the mother of all entertainment markets in partnership with the city.”

Mipcom Cannes will take place on October 21-24 at its traditional venue, celebrating its 40th edition.

Canneseries, the festival which has been running alongside Miptv, will also remain in Cannes, with no move in the horizon.

Lucy Smith, Entertainment Division director at RX France

“The creation of MIP London is a direct result of clear and evidenced market factors,”

A SLATE OF DIVERSE PREMIUM CONTENT

With two new titles joining its catalog -’Palo Alto’ and ‘Valhalla Project’-, Keshet International is bringing a very attractive selection of scripted and unscripted content to Cannes.

Keshet International’s spring slate brings new titles and international success to create a diverse and broad catalog, brimming with premium content, both on its scripted and unscripted slate.

“As a sales team, we are excited to be bringing our latest spring slate, which really got buyers talking when we previewed them in London last month,” says Kelly Wright, KI’s MD of Distribution. “It’s a competitive market out there, so I’m particularly proud of the variety and quality of the dramas and factual

shows our acquisitions team has successfully acquired.”

Headlining KI’s scripted slate and one of the buzziest dramas screened at the London TV Screenings last month is ‘Conflict’ (6x60’), a compelling military and political thriller set inside a surprise attack on a neutral country by an unidentified enemy force trying to provoke a wider conflict.

Currently premiering strongly in Israel on Keshet 12 is ‘The Best Worst Thing’ (8x60), a romantic drama starring Hollywood film and

Kelly Wright, Managing Director of Distribution at KI

“It’s a competitive market out there, so I’m proud of the variety and quality of the dramas and factual shows our team has successfully acquired”

Valhalla Project Mini-series

Israeli TV actress Ayelet Zurer (‘Man of Steel’, ‘Angels and Demons’, ‘Munich’) as a breast oncologist who finds herself sharing her own cancer treatment journey with an ambitious male politician, Micha Hadad (Amos Tamam). Five episodes in, ‘The Best Worst Thing’ is not only the highest rating drama in Israel since 2021, but surveys show it is already having a positive impact on cancer awareness in Israel.

KI’s spring 2024 scripted slate is rounded off by the format and tape of Nova TV’s ‘Extractors’ (‘Extraktori’), a 6x60’ spy thriller tracking the activities of a covert Czech intelligence unit tasked with rescuing and repatriating endangered Czech citizens from abroad and bringing them home.

KI is also representing two of the ten dramas selected for this year’s MIP Drama Showcase: Artza Productions’ crime drama ‘Palo Alto’ and Snapper Films sci-fi thriller ‘Valhalla Project’. In ‘Palo Alto’, police detective Iris senses foul play when an additional corpse appears in the lab of a medical school in the port of Haifa, igniting a bloody struggle between local Jewish and Arab mobsters operating there. While in ‘Valhalla Project’, a climate scientist is lured into a quest to find a path to a parallel universe researched by her father who disappeared in Lapland over 30 years ago. Both dramas are still in post-production ahead of their official launch-to-market planned for later this year.

Headlining its unscripted slate is Ritual Arts and Amazing Owl’s ‘Earthbound’, a 6x60’ premium documentary series narrated by actor and environmentalist Orlando Bloom that explores the lives and contributions of seemingly ordinary people who have become extraordinary change-makers by turning environmental challenges into opportunities.

Other unscripted titles include ‘SAS: Catching the Criminals’ (10x60’, format and tape), ‘Arctic Wilderness in Lapland’ (3x30’) and ‘Table for Eight’ (1x62’), a heart-breaking and heart-warming documentary film by Ben Shani for Keshet 12’s Uvda (Fact) that follows couple Liron and Zoli and their recently expanded “elephant family” of eight –having adopted three orphaned children of her late sister Smadar, murdered on October 7 alongside her husband Roee. This emotional documentary begins with the couple walking viewers through the events of October 7 in Kibbutz Kfar Aza - where children Michael, Amalia and Avigail all witnessed the murder of their parents - before three-year-old Avigail was kidnapped and held hostage in Gaza by Hamas for seven weeks until her release on 28 November 2023.

Earthbound Documentary series

Artic Wilderness in Lapland Documentary series Extractors Mini-series

A STRONG START TO THE YEAR

By Luis Cabrera lcabrera@todotv.tv @luis_cabreram

With new deals for titles like ‘Secrets of an Angel’, ‘An Anatolian Tale’ and ‘Alparslan’, plus the recent premiere in Spain of its first co-production, ‘Bahar’, Mistco has completed a very satisfying first trimester of 2024.

Aysegul Tuzun, Managing Director at Mistco

“‘Bahar’ has just has been sold to Spain which is a very important market and the deals in LatAm are about to be closed”

As the exclusive sales agent for TRT, Mistco continues to bring to the international market some of the most successful Turkish TV content of each season, also adding to their catalogue titles from other sources, including their first co-production, ‘Bahar ’, a title that keeps making waves in the international market.

The series, produced by Mistco and US Yapim, is a daily drama that narrates the story of a love triangle and includes all the condiments of a traditional Turkish drama. The series stars Ali Yasin Özegemen, Turku Su Demirel, Hilal Yıldız y Kadir Polatçı and has been sold to many countries, including, recently, Vietnam, Lithuania and Spain. The 114-episode drama premiered on Mediaset’s Divinity on March 18th.

“‘Bahar ’ was our first co-production and we are very satisfied with the sales results,” says

Aysegul Tuzun, managing director at Mistco. “The series just has been sold to Spain which is a very important market and the deals in LatAm are about to be closed.”

While ‘Bahar ’ keeps advancing though the different regions, Mistco remains cautious about committing to a second co-production: “It is too early to tell,” shares Tuzun. “We have the intention to do it, as IP is more important than ever in these days and managing our own IP creates flexibilities for us, but on the other hand, there are several projects in the market from Turkish producers like we did with ‘Bahar ’, so before producing any new IP, we would like to observe the market to choose proper timing.”

Meanwhile, the rest of their catalogue its also going strong, with ‘Secrets of an Angel’ travelling in 2024 to South Africa and Namibia: “‘Secrets of An Angel’ is a very unique project highlighting a universal topic: domestic violence,” explains Tuzun. “So it is not surprising that the series is being demanded by international audiences. We are working on some more deals which will be announced soon.”

Other titles are also adding new territories, like ‘An Anatolian Tale’, close to premiering in Romania, and ‘Alparslan’, about to meet audiences in Kazakhstan.

Besides historical and traditional dramas, Mistco is also promoting ‘Come What May ’, a rom-com that is starting to travel the world. “‘Come What May’ was the most successful

summer series last year, so it was on screen during the first part of the new season and did very well against strong titles,” says the executive. “Hence there are several deals closed, I think the most important one was the deal in Russia, since we were able to sell the titles to multiple platforms simultaneously.”

When it comes to Western Europe, Spain has matured as a destination for Turkish titles, but the rest of the territories are limited by their viewing habits. “They are still a niche market, because Turkish series broadcasted on linear TV have more than one hundred episodes, which is totally different format for what those territories are used to,” explains Tuzun. “I hope that mini-series produced for Turkish platforms will make the region widen for all of our content.”

Bahar Drama

Come What May Romantic comedy

Secrets of an Angel Drama

ATRESMEDIA TV INTERNATIONAL SALES

Av. Isla Graciosa, 13, 28703

San Sebastián de los Reyes, Madrid sales@atresmediatv.com

international-sales-atresmedia.com

Stand: R7.H11

EXECUTIVES

Miguel García Sánchez, Sales Director

Rebeca Fernández, Sales Director for Europe

DREAMS OF FREEDOM

(Soap Opera, Daily x 50’)

It is a story of love, betrayal, and family rivalry. It was adapted from the successful Turkish series Lifeline. Begoña Montes is the new wife of Jesús de la Reina, son of the owner of a major beauty products company. The series begins with her, a young mother, fleeing through the forest with her stepdaughter Julia while her husband runs after them, rifle in hand. What has happened?

A NEW SUNRISE

(Dramedy 8 x 30’)

BANIJAY AMERICAS

EXECUTIVES

Steve Matthews, Content Partnership Executive Christian Wikander, Global Head of Scripted

THREE

LITTLE

(Drama, 6 x 60’)

BIRDS

Candela, a well-known actress and comedian, has become an addict. She doesn’t quite know how (or so she says), but those doses of alcohol and drugs to which she didn’t give much importance have ended up getting out of control. “Relax, I’ve got this” were the words she repeated most often in her personal and work circles lately, but she is not in control of anything at all. Neither her personal life (separated and with a daughter who spends more time with her father and grandmother than with her), nor her professional life, which is increasingly disastrous. TOP

Inspired by Sir Lenny Henry’s mother’s journey to Britain in the late 1950s, ’Three Little Birds’ is a life affirming returning drama series exploring untold stories of love, sisterhood, parenting and friendship, and the joys, laughter and struggles of making a new life in the so-called Mother Country.

EVA LONGORIA: SEARCHING FOR MEXICO

(Documentary, 6 x 60’)

In this six-episode series, Eva Longoria explores the lands of her ancestors to see how Mexico’s rich culture, landscape and history have helped shape its cuisine, loved the world over. Executive produced by Stanley Tucci, Eva Longoria: Searching for Mexico takes us on a journey through incredible produce, age-old rituals and some of the world’s top restaurants, where we’ll discover that the heart of Mexico is in its food.

BLUE MEDIA ELECTRIC ENTERTAINMENT

Seyrantepe Mahallesi İbrahim Karaoğlanoğlu Caddesi No:43 Kağıthane, İstanbul, Turkey +90 212 224 85 76 info@blue-media.tv

EXECUTIVES

Murat Yavan, Co-founder and General Manager of Blue Media

ALEXANDER SARCOPHAGUS

(Documentary 1 x 52’)

Documentary that delves into the rich history and intricate design of sarcophagi, with a special focus on the legendary Alexander Sarcophagus. This cinematic journey takes viewers on a fascinating exploration of the ancient burial practices, unveiling the cultural and artistic significance of these monumental structures that have stood the test of time.

STORIES FROM THE HIDDEN WORLDS

(Documentary 6 x 45’)

Today, languages and cultures are disappearing rapidly as globalization has an increasing impact on everything. The documentary series aims to present geographies where different life stories come together, through a poetic text and a visual structure. The people who are the starting point of these stories will be the narrators of the episodes. You will have the opportunity to see a rich visual palette, such as the white villages of Siberia and the red hot deserts of Mali.

323.817.1300

sales@electricentertainment.com

www.electricentertainment.com

Stand: R7.G19

EXECUTIVES

Dean Devlin, CEO

Nolan Pielak, SVP International Distribution & Co-Production

Steve Saltman, Head of Domestic Sales

Raul Piña, Manager, Sales & Marketing

LEVERAGE: REDEMPTION S1-S3 (Action)

In season 3, the team pits themselves against a power broker, a Mayor, a pool hustler and an industrialist exploiting child labor, all while dodging a plan of vengeance from a Season One enemy. But no matter what, they still provide… Leverage.

THE LIBRARIANS NEXT CHAPTER (Action, 12 x 60’)

From showrunner Dean Devlin, a spinoff of the original hit series, ‘The Next Chapter’ follows a “Librarian” from the past who time traveled to the present and now finds himself stuck here. His castle is now a museum and he inadvertently releases magic across the continent. He is given a new team to clean up the mess he made.

THE ARK S1-S2 (Sci-fi, 24 x 60’)

The spacecraft “Ark One” and its remaining crew members fight to survive after a catastrophic event causes massive destruction to the ship during its mission to save humankind.

100.567 average monthly website visits

Leverage: Redemption

Alexander Sarcophagus

Three Little Birds

Dreams Of Freedom

ENDEMOL SHINE BOOMDOG

Km. 14.5 Carretera México-Huixquilucan No.123,Col. San Bartolomé Coatepec, Huixquilucan, Estado de México, CP 52770

endemolshinebd.com

EXECUTIVES

Clara Machado, Director of Scripted Development & Operations of Endemol Shine Boomdog

TOP EXECUTIVE

Frank Scheuermann, Unscripted Chief Content Officer of Endemol Shine Boomdog

LA CASA DE LOS FAMOSOS S4

Twenty-three celebrities gathered under one roof, isolated from the outside world and recorded 24 hours a day, 7 days a week to know how they really are. They face daily challenges to stay in the house with the goal of overcoming week by week the challenge of nomination and elimination with the goal of winning the briefcase with 200 thousand dollars.

MASTERCHEF CELEBRITY S4

Celebrities will demonstrate their skills behind the stove in culinary challenges that will culminate in an elimination to discover if they have the seasoning necessary to win the prize of one million pesos. Whether as a team or individually, each challenge will have a winner who will enjoy certain privileges and responsibilities. Deciding the winners and eliminated will be the task of three internationally renowned Chefs who, in addition to evaluating the dishes, will share with the participants some of their own recipes, techniques and secrets.

Rua Evandro Carlos de Andrade 160 / 7º andar, Vila Cordeiro 04583-115, São Paulo, Brazil +55 11 5112-4559 www.globo.com/screening

EXECUTIVES

Gabriel Doria, Content Distribution & Partnerships

Guilherme Jordão, Content Distribution & Partnerships

Fabio Mauro, Content Distribution & Partnerships

Marcela Parise, Head of International Marketing and Customer Success

THE END (Series, 10 x 45’)

TOP EXECUTIVE

Rodrigo Nascimento, Head of International Business – Europe, Middle East and Africa

Istanbloom Offices, Kore Sehitleri, Caddesi 16/1 Zincirlikuyu, 34394, Istanbul, Turkey +90 (212) 231 0102 info@intermedya.tv intermedya.tv

Stand: R7.E53

EXECUTIVES

Beatriz Cea Okan, VP and Head of Sales and Acquisitions

Hasret Özcan, President Ahmet Ziyalar, COO

Pelin Koray, Senior Sales, Acquisition and Strategy Manager

Sinem Alışkan, Senior Sales and Communication Manager

Melissa Şimşek, Sales Executive Neşet Ersoy, Sales Executive Zeynep Balto, Sales Executive

TOP EXECUTIVE

Can Okan, Founder And CEO

‘The End’ was created and written by Fernanda Torres, with artistic direction by Andrucha Waddington (‘Under Pressure’) and direction by Daniela Thomas. It is the story of a group of friends, and their joys, madness and frustrations, over four decades. The series features names such as Fabio Assunção (‘All the Flowers’), Marjorie Estiano (‘Under Pressure’), and David Junior (‘A Life Worth Living’)

THE BRAZILIAN MAFIA (Documentary, 7 x 60’)

The documentary series ‘The Brazilian Mafia’ delves into the underworld of Jogo do Bicho, in Rio de Janeiro, with an operation that involves stories of influential families with internal fights for power, fraud, betrayal, revenge and murders. With artistic supervision by Pedro Bial (‘Xuxa, A Life On TV’), ‘The Brazilian Mafia’ is produced by Conversa.doc, the documentary nucleus of ‘Conversa com Bial’. The artistic direction is by Monica Almeida, and the directors are Fellipe Awi, Ricardo Calil and Gian Carlo Bellotti. Executive production is by Erick Brêtas and Mariano Boni.

LOVE AND PRIDE (Drama)

The Köksoys live in an ancestral mansion as a wealthy and rooted family. With three daughters, the family is sinking and on the verge of losing everything. In a state of great panic, they contemplate how to escape the impending disaster when Tolga enters their lives like a savior. He is the heir to a wealthy and established family. If one of the daughters marries him, life will continue as it used to, affluent and secure. The idea is considered forthe eldest daughter, Mercan, to marry him.

LEYLIFER (Drama, 120 x 45’)

Meryem, formerly known as Maria, travels to Istanbul with her husband Kemal and children for his sister’s wedding. However, their plans to return to their home in Spain are abruptly disrupted when Kemal goes missing and is later found dead in a burned-out car with a woman Meryem has never met. Believing that Kemal was murdered, Meryem vows to stay in Istanbul until she finds his killer.

Demirören Medya Center 100. Yıl Mah. 2264

Sok. No:1 34218 Bağcılar/İstanbul hello@kanald.international

kanald.international

Booth: R7f28

EXECUTIVES

Çağla Menderes, Sales Manager, CIS, Greece and Italy

Canan Koca, Sales Executive, CEE and The Baltics

Sibel Levendoğlu, Sales Manager Latam and North America

Ruba Zeytuni Karatepe, Senior Sales Executive

Mena and Africa

Yasemin Keskin, Sales Manager, Asia and Pacific

Selahattin Tosun, Digital and Linear Channel

Sales Manager

Büşra Saraçoğlu, Distribution Sales Manager

Özen Yenice Çetinaslan, Marketing & Operation Manager

Eda Çamlı, Marketing & Operation Executive

Burçak Coşkundeniz, Traffic & Product Manager

Tuğba Yılmaz, Traffic & Product Specialist

Tuğba Akpınar, Financial Controlling Specialist

TOP EXECUTIVE

Elif Tatoğlu, Distribution Strategy Director

SECRET OF PEARLS (Drama, CP x 44’)

Azem’s life shatters when he takes the blame for his wife’s death to protect his daughter. After prison, he seeks his adopted children, navigating complex relationships, but time has taken its toll.

FATHER’S PROMISE (Drama, 20 x 44’)

In 1980’s political turmoil, Mustafa sacrifices to save his wife, leaving his daughter with the wealthy Ronas. A poignant tale unfolds as he reunites, facing dangers and love’s resilience.

La casa de los famosos S4

Love And Pride The End Secret Of Pearls

12 Raoul Wallenberg Street P.O.B. 58151 / 6971910 Tel Aviv. Israel

info_keshetinter@keshet-tv.com

+972-37-676-085

www.keshetinternational.com

EXECUTIVES

Anke Stoll, SVP of Co-productions and Acquisitions

Fleur Wheatley, VP of Sales (US, Canada, UK, Nordics, pan-regional, and Digital Commercialization)

Anne Roder-Botbol, VP of Sales (French- and German-speaking Europe, Benelux, and Italy)

Adi Brukner, Sales Manager (Asia, Africa, Greece, Turkey, Cyprus, and Israel)

Kate Orlovsky, Sales Coordinator (CIS)

Rebecca Edwards, VP of Marcomms

CONFLICT

(Thriller, 6 x 60’)

Esentepe, Kore Şehitleri Caddesi, No.5/3 Şişli/ Estambul 34394 Turquía. +90 212 273 24 34 info@madd.tv www.madd.tv

Booth: R7.E54

EXECUTIVES

Alaa Elabasy, Senior Sales Manager Salmi Gambarova, Senior Sales Manager

TOP EXECUTIVE

Ozlem Ozsumbul, Head of Sales

Barbaros Mah. Fikret Mualla Sok. No:13. Fidem Prestij Blokları B Blok D:21 34664 Uskudar, İstanbul / Türkiye +90 216 695 1300 info@mistco.tv www.mistco.tv

Turkiye Pavilion: 4

EXECUTIVES

Zeynep Kayrak, Head of Marketing Maria Fernanda Espino Noguez, Sales Manager LatAm & Iberia

TOP EXECUTIVE

Aysegul Tuzun, Managing Director

Tomtom Mah.Istiklal Cad. No:163 Misir Apt. K:5 D:17-19, 34433 Istanbul – Turkey ekinkoyuncu@ogmuniverse.com www.ogmuniverse.com

EXECUTIVES

Mustafa Keyvan, Sales Executive Nesrin Eyüpoglu, Marketing & PR Manager

TOP EXECUTIVE

Ekin Koyuncu Karaman, Global Distribution & Partnership

TOP EXECUTIVE

Kelly Wright, MD of Distribution

As a military unit of conscripts completes its training on Midsummer’s Eve, an unidentified enemy invades the picturesque Finnish peninsula.With foreign nationals amongst the 10,000 people now held hostage in the occupied area, the US President and other allies urge Finland’s newly elected President to take decisive action. Faced with the very real threat of a proxy war, President Saaristo must follow her instincts and moral compass to not only secure the safety of her own people, but also those of Europe.

BLOOMING LADY

(Drama, 75 x 45’)

After 20 years of living for others, a housewife decides to complete her medical residency and put herself first. When stay-at-home mother Bahar faces a life-threatening illness, she decides to make some changes in her life. She goes back to complete the medical residency she had to give up 20 years ago, even though that means working under her husband, the Chief Surgeon, and with her son, another first-year resident. Neither they nor her teenage daughter are happy about it, but Bahar finds satisfaction in her new life.

NO MERCY (Drama, 75 x 45’)

When the world crumbles, heroes rise in unexpected places. When Aydan broke his heart, Dağhan thought his life was over. He abandoned his home, signed up for the army and ended up in a special unit fighting in the east. Now after two years of hard duty, Dağhan’s service is over. It’s time to come home. But home is not as Dağhan remembers it. His family is shattered, and his old neighborhood has given way to a dark underworld.

CODE NAME SWIFT (Young Drama, Ongoing)

Yiğit Efe, 2nd place in a drone competition, meets Zeynep, who came in 3rd. Aspar and Selim, working for the mysterious Company, clash. Aspar thwarts Yiğit Efe’s win, while Selim is tasked to steal Yiğit’s project. Despite his reluctance, Selim moves in with Yiğit. Meanwhile, Zeynep’s family moves in nearby. Will the Company succeed in obtaining the project?

THE JOY OF LIFE (Family Drama)

Neşe, who left her medical education and got married and has two children, decides to return to medical education after many years. However, it will not be easy to implement this decision.

COME WHAT MAY (Romantic Drama, 89 x 45’)

On the day Alize was born, her mother passed away. Although her father Nurettin tries to make her happy, Alize has turned into an aggressive, selfish, conflicting character. When Aliz crashes into a repairman’s car and runs away, Nurettin decides to teach her daughter things she couldn’t teach her when she was younger, before it’s too late. For this reason, he proposes to his girlfriend Sinem, whom he has loved for years, but could not step into marriage so that Alize would not be upset.

NEXT ROOM (Drama TBA)

Sevgi Ersoy, a famous TV presenter whose career is on the decline, suddenly marries Fikret Alabey, one of the country’s leading businessmen. This unexpected marriage shocked everyone. Sevgi and Fikret have unhappy marriages. Getting their dream of a new beginning won’t be easy for the couple. This will change the lives of all family members, especially their mothers, who initially strongly opposed this marriage.

LOST

IN LOVE

(Drama, 85 x 45’)

Mete and Naz, born into affluent and influential families, are bound together by a promise made during their childhood. This promise stems from a tragic incident where Naz’s innocence was compromised, and Mete’s family offered unwavering support. As they grow older, their relationship becomes a rollercoaster of heated arguments and passionate reconciliations.

MIRACLE

OF LOVE

(Drama, 38 x 45’)

Ali Tahir was a brave commander who fought in the Battle of Sakarya in 1921. During the battle, he made a costly mistake that led to the death of many of his soldiers. However, he managed to turn the tide of the battle and was shot in the process. Miraculously, he was resurrected by the “Water of Life” and never aged again.

3.486.843 total average anual reach across all our digital media platform

C/Suero de Quiñones, 38, 1ª 28002, Madrid (Spain) +34 91 562 0671 onza@onzadistribution.com www.onzadistribution.com

EXECUTIVE

Carlos Garde, General Manager

CACAO

(Telenovela, 140 x 50’)

TOP EXECUTIVE Carlos Garde, General Manager

Cacao is a young woman of Portuguese origin who makes chocolates on a cocoa farm in Itacaré, Brazil. Her dream is to go abroad and study pastry making, but she has no money to pay for it. Everything changes when his “father” decides to break an old pact with his wife and reveal that Cacao’s real father is actually Justino, the wealthy owner of the farm. This revelation triggers a series of intrigues and conflicts that jeopardize the family’s wealth.

SWEET STRAWBERRIES

(Fiction, 30 x 50’)

Cacao is a young woman of Portuguese origin who makes chocolates on a cocoa farm in Itacaré, Brazil. Her dream is to go abroad and study pastry making, but she has no money to pay for it. Everything changes when his “father” decides to break an old pact with his wife and reveal that Cacao’s real father is actually Justino, the wealthy owner of the farm. This revelation triggers a series of intrigues and conflicts that jeopardize the family’s wealth.

240, Varzea St, Barra Funda São Paulo / SPBrasil 01140-080 - São Paulo - SP, Brasil. +55 11 3300-4022 tbcastro@recordtv.com.br www.recordtvnetwork.com

EXECUTIVE

Thiago Castro, International Sales Executive

TOPÍSSIMA

(Telenovela, 145 x 45’)

TOP EXECUTIVE Delmar Andrade, International Sales Director

Calle del Alcalde Sáinz de Baranda (92) y calle de O’Donnell (77), Madrid, España rosalia.alcubilla@rtve.es www.rtve.es/comercial

EXECUTIVES

María José Loranca, Sales Executive Nerea Guemes, International Sales

Teresa Migoya, Sales Executive Cecilia Lera, Executive International Sales & External Relations

‘Topissima’ is a telenovela that delves into the feminine universe and brings to light the conflicts of modern women: work versus love life, independence versus loneliness, motherhood versus career, aging versus aesthetics, illegality of abortion versus death, among others. In addition to the issues inherent to the female universe, we will have in parallel a police investigation full of twists and turns involving the protagonists.

ULTIMATE LOVE

(Telenovela, 148 x 45’)

Everyone would like to experience – or has imagined experiencing – a love story capable of overcoming any difference, prejudice or obstacle imaginable. This sentiment often arises in the most unexpected places and in even unlikely people. But when love proves to be true, nothing can stop it from uniting two lovers.

THE SLAVE ISAURA

(Period Telenovela, 167 x 45’)

‘The Slave Isaura’ is a Brazilian telenovela, successful in over 80 countries worldwide. Based on the 1875 novel by Bernardo Guimarães. The telenovela shows a love story, amid the theme of slavery. Isaura is the daughter of the slave Juliana and the farm manager, Miguel. Juliana dies, and Isaura is raised and educated by the Commander’s family.

TOP EXECUTIVE

Rosalía Alcubilla, Head of Global Clients

THE LAW OF THE SEA

(Thriller, 3 x 45’)

‘The Law of the Sea’ is a social drama recounted through its characters and their gazes. A fishing boat, ten crew members and one decision, to rescue 51 sub-Saharan migrants on a boat drifting out at sea. It’s ‘The Law of the Sea’... But the laws work differently on land and their actions will have unforeseeable consequences.

DETECTIVE TOURÉ

(Thriller, 6 x 50’)

Touré is a sub-Saharan immigrant settled in Bilbao who makes a living as an improvised small-time detective. His skills and intuition earn him the trust of the Ertzaintza (Basque police) and he is immersed in a complex investigation in which the Nigerian mafia is involved.

LA MODERNA (Drama, 120 x 55’)

Madrid, 1930. The capital of Spain is a scene of great changes and a hotbed of an intellectual and cultural universe, but the unstable environment, both political and social, that extends throughout the country, deeply affects the people of Madrid. However, there is a select place near Puerta del Sol, where problems and conflicts remain at the front door, it is the ‘La Moderna’ tea room.

8551 NW 30th Terrace, Doral, FL 33122, Estados Unidos (305) 487-5305 corporate.televisaunivision.com

EXECUTIVES

Douglas Welch, Asia, Africa, C.I.S. & Baltics

TOP EXECUTIVE

Karina Etchison, Content Sales EMEA

MAREA DE PASIONES

Luisa and Marcelo are a happy couple until her father, Alejandro, is murdered by Zaid, his best friend. Zaid blames Marcelo for the crime and kidnaps him with the help of some guerrillas. Luisa becomes pregnant with Marcelo’s child but marries Zaid, who offers her protection and love. Seven years later, Marcelo escapes and returns to Nayarit to reclaim his family and prove his innocence.

VIVIR DE AMOR

The story of Rebeca and Angelli, two sisters separated since childhood. Angelli is raised by their mother, Elena, who manages the luxury restaurant left to them by their father. Both are under the impression that Rebeca has died. However, the truth is that Rebeca was forced to live in a humble family, enduring significant hardships.

EL AMOR NO TIENE RECETA

Paz is a humble woman who, six years after the theft of her newborn, discovers a new purpose in life by accepting to work for Esteban, a widower with three children. In an unexpected twist of fate, Paz immerses herself in a series of experiences that lead her to reunite with her daughter and the woman who stored her longing to be a mother.

50,000 average monthly reach in Instagram and Facebook

Cacao The Law Of The Sea Topíssima

Marea De Pasiones

IN NUMBERS

50 million US viewers have access to sports programming on only four OTT services, says Antenna.

28 consecutive months is how long Antena 3 has been the leader of Spain’s broadcast TV.

14.9 million FTTH connections are currently in Spain, says the latest report from CNMC.

48 billion dollars is how much Western European OTT TV and movie revenues will reach in 2029, according to Digital TV Research.

1 in 5 clients sign up for new OTT platforms in the US because of live sports, says Kantar’s new Entertainment on Demand report.

186 million dollars is how much Scholastic spent to acquire 9 Story Media Group.

MERGER SIGNATURE ENTERTAINMENT

ACQUIRES LATIN AMERICAN PRODCO PARTICULAR CROWD

BRITISH PRODUCTION, marketing, and distribution company Signature Entertainment announced that it will acquire Latin American production and distribution company Particular Crowd, which was founded in 2020 as a Warner Bros Discovery content label, based in Los Angeles and Buenos Aires, before re-establishing itself as an independent label. Particular Crowd has achieved success in recent months with the releases of Martino Zaidelis’ Argentine thriller ‘La Extorsión’ and the Argentine-Uruguayan comedy ‘Casi Muerta’. Signature and Particular Crowd have collaborated on films in recent years, including Paul Andrew Williams’ crime thriller ‘Bull’. Peter Bevan, head of Particular Crowd in Los Angeles, will join Signature’s senior management team as president of global strategy and distribution.

EVENTS

FORMATS CUARZO PRODUCCIONES TO PRODUCE BANIJAY’S SURVIVOR IN SPAIN

MEDIA AND ENTERTAINMENT POWERHOUSE, BANIJAY, confirmed the return of ‘Survivor’ to Spanish screens, produced for the first time by Cuarzo Producciones, part of Banijay Iberia, in collaboration with Mediaset España. ‘Survivor’ will be hosted by Jorge Javier Vázquez, Carlos Sobera and Sandra Barneda, with Laura Madrueño covering all the action from Honduras. In addition, an all-new companion show, ‘¿Quién dijo quiero ir a Supervivientes?’, for mitele PLUS, will show daily updates and all the latest news from the tribes.

BRAZIL WILL BE THE FOCUS COUNTRY AT CONECTA FICTION & ENTERTAINMENT 2024

CONECTA FICTION & ENTERTAINMENT will celebrate its eighth edition from June 18-21 in Toledo, Spain, with Brazil as the focus country for the Americas. All the participants will be able to get a glimpse of and engage with the Brazilian audiovisual scene. In this scenario, Brazilian professionals will present themselves as potential partners in a country with a strong demand for content driven by platforms, local and global operators, and a vast and loyal local audience.