1980-81_v03,n26_Imprint by Editor Imprint

\ \ Imprint

is the student -paper

at the University

of Watmloo,

It is an editorially independent newspaper published by Imp&t Publications Waterloo, a corporation without s& capital, University of Waterloo, Waterloo, Ontario. Phone 885 1080 or extension 2331 or 2332. Imprint is a member of the Cana&an University Press (CUP), a student press orgamzation of 63 papers across Canada. Imprint is also a member of the Ontario Weekly Newspaper Association (OWNA). Imprint publisheseveryFridayduringtheterm.Mailshouldbeaddressed to “Imprint, Campus Centre Boom 140.” We are typeset on campus with a Camp/Set 510; paste-up is likewise done on campus. Imprint: ISSN 07087380.

j. ’

1 A

Editor Business Manager Advert&ingMwer ProductionManager NewsEditors Sports Editor

MarfZ Sanderson SylviiL Hm.m?!s Jacob Arseneault Stu Dollar, Laurie Duquette Paul Zemokhol

Arts Editors

Photography Prose GBPoetry Karma &9 Tambourine

DaXlAJTadJhlaLehIl

- AlsnAngold Peter Saraomo Angela Brandor& Michael Ferrabee Mahatma Kane Jeeves

Imprint reserves the right to screen&it, andrefuse advertising.

whenFraeer8impson~~etrangebl~l~~~theshepeofsqutrrssoutofhisheedi began to wonder. When Boy GUpin, Dave Petrasek and 6ob D&tic&l changed int0.a matcNngperrandpencflset,suepiciDnegrewin~mindIttookthetranefomnationof AlanAngoldhaneVanDerMolenandPeter8amrcinointotheLennonsistaratoalertme to the everpresent danger. -“we’ve fallen into a pocket ofnonwelity - the entire office Is caughtl” “A what? J.D. sheepishly ssk& “A pocket of non-causabtyl” ?Taht si tahw” NancyendKsren asked inunison ‘Think of it es asortofmassivelocahzedentropy,” I explained Prabhakar, Graham, Coral, Dave, Jean, J.R, Sherry Borgford and Reinherdt Christlansenbattedthelr eyelashes coylylnasemaphoresymphorUr(Beethoven’s3Yfth, I thought, or perhaps the undertore from Tommy). “Cause and effect no longer needgo . together,” I muttered to myself, not&&g that Susan Montonen’s nose wss staMng to look like the lens of a Canon 35. Bast laughed, to nobows surprise, 81) Glenn started growing younger. Virgmia Butler end Tammy Home became Born Again Toronto Maple Leaf fans, a cruel fate which alerted me to the danger of non+zausality on the untr&ned mtnd‘Weareindeger:‘IwarmedTim~r~~whowee~trgingtophoneNew(3uinsa while the rates were cheap. Dave Bermtm, Birgit Sterner snd Cliff started calling eaoh other innocuousnames sstheentirecsstofthePirates ofFenzsncetrippedoverthefeet of Den and Anna “Do something!” Paul shouted 88 he walked backwards Into the wall trying to get to the front door. “This has gone far enough!” Marg Sanderson shout& and for a moment, all wss quiet I& pouted that she had missed the fun ss Jacob shook his head In wonder. Just 88 we were about to return to our boring humdrum lives. Sylvia faded into the wall and sprouted leaves and a number of roses. Stu and Laurie looked at eachotheragape(nottobeco~edPoitharUrreligiousgwup)$sAngelaandMike’shalr turned serif. I s2ghed 88 John and Cathy, de@ing all the former laws of graxlty, walked intothsBunset(Ihopetheygotagoodtan).itwasthenthetIre~edthatltwDuldnever end. . . IaN. Cover grapluch by Virgil Burnett

Friday,

Cmpus

Question

The Dean of Arts has been quoted as saying “sheds a lurid pi& glow on the Arts faculty”. colour? 1

Phil Taylor \

pink

glow

over

Robert Bond 1 Science

most

the new ES2 building do you think of ES2’s by Susan Montonen

I don’t

it’s a thedone.

- , _

The colour of a building has no bearing on the quality of a faculty. We have enough concrete on campus, why not an orange building. Perhaps the design could have been more

The Tories are having a’pre-election party and everyone in the province is invited exc.ept you - Ontario’s postsecondary students. The government is giving away nearly $2 billion in what they call “economic incentives.” Other people have different names for it. Clifford-Pilkey of the Ontario Federation of Labour was quoted in the Globe and Mail as calling it “perhapsthe largest attempt by any Ontario government to buy another I term in office.”

Think about ,it. The government gives away $2. billion to buy the votes of shipbuilders, homebuilders, commuters, environmentalists and almost every other conceivable group larger in number than a baseball team. ’ The Tories thenturn around and slap the collective faces of a very sizableconstituencv (over 150.000 neonlel bv demanding an extra $10 million in tuitibnYfees. This is: by comparison, a very paltry sum of money, and one might wo.nder w;hy the government would risk offending a group of such size. Obviously the government doesn’t consider students a group. Obviously, once again, their political acumen is right on the

Bob Kallonen qanning-

I think it adds a littlevariation scenery because the majority buildings are the same colour.

to the of the

Its architectural design seems out of date. The colour isn’t appalling. It’s just a typical warehouse.

lmpfint

students believe they should be paying their own way. No one else in the province is paying his or her own way, certainly not the government, but students will cling to their middle class ethics notwithstanding. And what of students leaders? One ne d only look as far as the local Federatio ‘i, office to find one such leader, Neil Freeman, a man who wanted- nothing more than to become president. Once there he abandoned the issues which were responsible for his election (knowing. the electorate wouldn’t care) and replaced them with another “strategy” (the Election Action Committee). Fortunately, this idea didn’t waste ‘many people’s time since only a handful (he was not among them) took any interest. And what of you, the students? You sat there and let Freeman manipulate. you and insult your intelligence; you then insulted . yourselves - by, emasculating the EAC by preventing it from taking sides (how can you effectively lobby government if you can’t hold ,something over their. heads?), and now you’ll sit and- watch the Tories insult you while they patronize everyone else in the province. You’ll sit there because you’d prefer to believe everything is hunky dory. And when you graduate you’ll join the Junior Chamber of Commerce; you’ll join the JCs and wait in line for the next election giveaway because this is Ontario and that is how things are done. And if they don’t want you in the JCs, you’ll join the Optimist Club because it’s almost the same thing, at least to an optimist. Eight or wrong, you can afford to be indifferent. Jacob Arseneault ’

button. Students are not a group. They have nothing in common with one another save their leaderless condition, ’ their middle class origins and their age. The Tories are aware that they can milk $10 million out of students and not 10~5 more than a handful of votes because \

Reader finds criticism inept

Nora&&kie 1st year Psychology

6, 1981.

Stories of Tories. zind t,hq p.olitics o’f insults

Pilkey estimated \ the giveaway to be worth “almost $200 for every man, woman and child in Ontario.” The political ramifications have been lost on no one in the opposition. Stuart Smith was reminded of Duplessis’ corrupt reign in Quebec while Michael Cassidy decried the transparent political opportunism of the government and stated that they “should be laughedJout of office.” far, all of this is common . .Thus knowledge. What has been lost amidst the hoopla and righteous indignation is the significance of the great Blue giveaway and the latest fee-hike for post-secondary I students.

the colour. L

Susan Kerr 3rd year Geography

The quote covers it all. I think of what poor , example architecture people could have

What

Jill Riley 1st year Kinesiology

1B Undecided

It sheds a lurid of Waterloo’.

that

February

The Editor: A comment if I may re: Mr. St.-Germain’s “review” of Sugar. Although he did manage to spot the weaknesses in the production, he proved to be an ill advisor indeed when he recommended that the public not go and see it. Mr. St.-Germain: as with the rest of life, finding fault in

.LettersT a stage production, particularly an amateur one, is perhaps one of the ea’siest tasks in the world. The hardest thing to do in’ writing a review is to simply sit back and enjoy the effect; not poised, pen in hand, accurately noting every miscue. I had the pleasure of watching Sugar on closing night. Sure, there were a. few faux-pas; and sure perhapsthe effect in some

scenes could have been improved (for which I blame the direction): but all things considered, the show’was a pure delight. Jeff Knight was tremendous. His acting was, in my opinion, up to professional standards. When one of the sets fell over accidently in the bedroom scene, and Jeff (Jerry, Daphne), not breaking stride, comcontinued

on page

.News -

_ ,il

general public to ass&me apples are a good source of Vitamin C. Other food additives include those used as processing aids, such as co_rn starch which simply out -of keeps moisture certain foods. Preservatives are also additives and those which retard or inhibit microbes or preserve freshness, are “essential to our northern climate” Kempton explained. Otherwise our more harmful than a food staple winter diet “might The study of food additive. The same is tr%ue very well be- bean soup” additives is “complicated by etiotional issues” says of such chemicals as because of a lack of fresh arsenic, strontium, and food. Alan Kempton, a UW Finally, there are those’ solinene which occur Biology Prof. speaking at naturally in common additives which colour and the weekly WPIRG Brown flavour; Kempton feels foods. Bag_ Seminar on_ Tuesday, Kempton briefly dessome of,these are needed to afternoon. help those who don’t desire cribed the various types of According to Kempton, ’ food becaus,e they ?re sick additives which we conthe public is virtually sume daily: there are those or aging. Apparently unaware that food adused for nutritional purthough, some colour additives rank last on the list ditives, like those in Jello poses such as vitamins and of potential food hazards. minerals. Many of- these and, Oranges, are unPeople tend to assume in food are.. are employed to correct necessary. Yet, white Jello “chemicals” deficiencies which governand pale oranges must be unhealthy, forgetting that viable bements feel exist in our .. commercially any foodstuff is merely .a present diet. fore the use of these colour ’ combination of several, Bread for example, is additives is curtailed. hundreds, of perhaps fortified with iron, and _Kempton feels it is ironic iden’tifiable chemicals. Additives are precee&& apple juice with Vithmin C. that aphletoxin, nitrites Kempton feels thi? can be and other carcinogenic on the list by micro1 dangerous in that “it leads *chemicals appear naturbiological, environmental to false impressions”. That we can’t ally, where and natural hazards, all of control them, and ye-t as due to’ government which seem, to gain less is, s policies, the vitamin added additives they cannot be publicity. A dirty kitchen to apple juices has led the used. counter therefore, can -be

The process of labelling certain additives as dangerous or permissable seems to be working effectively Kempton argues. He feeis that the food industry and the government work together well in.’ the job of regulation. There is though, an apparentlack of .such unanimity within the scientific community. Scientists are still arguing over the danger of sacharin, which leaves the public even more confused. Certain additives permitted in the United States are not‘allowed in Canada and vice-versa. It is this lack of conSistency which ’ partly responsible fZ raising people’s anxiety levels says Kempton. The problems’ in regulating additives are many. The scientists are unsure of the cumulati;e effect of simultaneous use of additives. Also, additives may interact once consumed, producing an entirely different chemical. Although Kempton said he did not wish to frighten anyone, he did admit that it is “impossible to say anything is safe under all or any conditions.” Dave Petrasek

Food additives r tiay be safe dziims~ one UW biology , prof (

Apathy wins ctitincil seats

Friday, Feimaw.8, ,98,. 5_ < ,mprSnt

Aid options, disapproved.’ Full time students may soon be competing with part time students for a piece of the OSAP pie if the Ontario government acts on the short term recommendations of the FederalProvincial Task Force on Student Aid. The Task Force which reported to the Ontario government on January 27, has been evaluating Ontario’s Student Aid Program since October, 1979. In the long term, the Commission has outlined 5 options which the governmight follow to ment increase the efficiency of the OSAP program. These are: 1. Continue as is with’ remedial changes. 2. Give students loans first and grants second 3. Relate the aid grant-loan to period of studies. In this

case, the longer

the study

period, he more grants will replace i oans. 4. Contingency repayment Student Assistance Plan. With this option, loan repayment is tied to income on graduation. 5. All grant program Reaction from the National Union of Students and the Ontario Federation . of

Students on the Task Force report was decidedly thumbs down when thti two organizations met last Friday to discuss the issue. “The report seems to be a justification for a lot of inaction on the part of the government in the past” said NUS researcher Jeff Parr, “it was not really a fundapental review of student assistance.” The long term option favoured by NUS and OFS is the all-grant program option. In a brief presented to the Task Force in July 1980, NUS and OFS researchers had explained’ how they felt such a system might work, if tuition and education tax deductions were eliminated. This would give the government more money for student aid. In essence, students with higher incomes would be subsidising those students with lower incomes and receiving government aid. Although this is officially an option desented by the Task Force, it is felt by these student organizations to be an option unlikely, to be adopted by the Ontario government: :.+ / Laurie Duquette . , \

The apparently big/h level of student apathy at UW has once a,gdin been +eaff:irme+: l si-q,ce the -‘24 $&iii&is .tivai-labYe’ ‘iti next Thursdayvs election, 13 had received no nominations as of February 2 (see acco-mpanying chart). According to Chief Returning Officer Anthony Waterman, it was decided that the remaining seats will be given out on a “first come,- first serve” basis. “ I refuse to keep extending *the deadline,” he explained. “It just gets pathetic.” A second ,point of interest is that, of the 14 pepple either acclaimed to or contesting a seat, not one was elected in the last general election. The only incumbent running for reelection is Arts representative Calvin Weber,

SEATS

. UNCONTESTED:

Env. Engineering (2): Studies: reg. Cl); co-op (1); ’ HKLS: reg. (I'), co-op; Math co-op (3); Science: reg. (2), co-op (1); St. Jerome!)s (1). SEATS

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tion,” said Arts Society president Doug Hamilton. “The past history is that the Federation hasA almost ‘been an Arts: mafia:‘, he stated. Hamilton attributes this t,o the nature. of the faculty’s students. “To use a psychological term,” stated Ha.milton, “Arts students have a higher degree of efficacy.” - Rob Dobrucki

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to the time a,t* which it occurs. “The council elections are ,somewhat anti-climatic follaw.ing the.. presidential eleCtiOns,” said Freeman. The one exception to this rule seems to be Arts, the only faculty in which all seats wer’e filled. “Historically, ’ Arts people have been more interested in the Federa-

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AI-IY photographs taken by Imprint photographers and appearing in the Imprint may be purchased from the paper. Contact photo department. Four dollars per 8 x 10 print.

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February

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A.B.C. Disk Jockey Services. Add a professional touch to your party, banquet, wedding, or reception! You want good music, in all styles and tastes: we have it. Call Paul on campus, ext. 3869, Residence 886-8492.

Who is ihiS

The Waterloo Public Interest Research Group (WPIRG) After more than 4 years of absorbing rising costs due to infaltion, WPIRG will raise its fees by $1.00 for the year 1981-82.

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Letters continued

from

page 4

mented “some hotel!” and put it back in order; the appreciative applauseindicated that the rest of the audience felt the same. Paul Lawson, his sidekick, wasn’t hurting for talent either, and the whole thing would have gone nowhere at all if it wasn’t for a very competent performance by the chorus especially Ailish Dolan (Sugar). My compliments on a good performance, and my sympathies to anyone led astray by bad reviews you really missed some great entertainment. P.S. Oh, by the way Mr. St.-Germain, - criticizing the title of a play is the heighth of ineptness. Shaun Beldinn

‘Disturbed by narrow-mindedness of students The Editor: A note of acknowledgement to a lady who stood up and spoke for what she believed in. It was to see such refreshing sincerity and determination in an individual. Unfortunately many of us do not recognize such qualities in a person. The narrow-mindedness -prevalent in many students at this university is disturbing. It is sad that students are not able to see beyond certain perceived judgements, and.it demonstrates their lack of openmindedness, as well as their for -. ._-- .. -.unwillingness - ____

Friday,

change. Here’s to the youth of today who are shaping our tomorrow - if we are not willing to stand up for change and a better tomoprow - who is? Well, at least we know that Maggie will! Sue Vogt

Thanks for a good clean fight The Editor As a contender in the Fed. presidential recent election, I would like to briefly express my thoughts since election day. In fact I was delighted at the outcome of the election, for I feel that for the first time may students on campus realized that the Federation

has not been fulfilling its responsibility to its members in the manner that it should. I was particularly pleased with the turn-out in Environmental Studies, where over 30% of the students voted, and from that result I would conclude that those who know me best entrust most confidence in me.. . thank you. I can only hope, though many would say it is unlikely, that the Federation of Students will embark on a positive upswing, and that Mr. Simonis in particular improves upon his personal performance, representing students more fairly than his predecessors have. In addition I would like to take this oppotiunity to thank all those who voted for me on Jan 28th, but in particular to thank wholeheartedly every-

February

6, 1981.

one who worked on my campaign. The campaign was indeed a good clean fight, one to be proud of. Much of the credit for that, I owe to my campaigners. Thanks again. Finally, I strongly urge all of you to continue the fight

Imprint

against cutbacks in education and increased tuition, for this is ,only the beginning. I for one till continue my work to this end, for as long as I am at Waterloo. Sincerely, Maggie Thompson

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Nominations ~ are requested for

Distinguished. Teaching Awards

The award is open to all thos’e wtio teach students in the University of Waterloo and its federated and affiliated colleges. Three recipients for 1981 will be chosen, and receive a citation and presentation at convocation, a designation in the University Calendar, and a ’ financial award to support the recipient’s teaching activities. Each nomination should consist of a detailed statement making the * case for the award, and should be signed by a minimium of ten persons, of whom at least half should be present or former students of the person nominated. The nomination deadline is February zoth, and an announcement concerning the awards will be made at the March meeting of Senate. Individuals or groups who wish to make a nomination for the award are strongly urged to contact the Teaching Resource Office (Needles Hall 3005, extens’on 2579) to obtain further details about the, nomination pro 4 edures. \

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I, do wish I could work up the energy for a concentrated diatribe against FASS ‘81; goodness knows it deserves it. But couple Wednesday’s performance to the disappointment of Sugar, the lacklustre BENT schedule, and the Fed prez non-campaign, and the outlook for live entertainment at UW this term appearsgrim. One can only weep. FASS, for the recprd, is an organization comprised mostly of students who, in between, numerous social activities, find the time to write, plan, _and present a mostly original musical comedy every February.

. -

” FASSif ied Information” isn’t quite the unqualified’ debacle that last year’s “Days of Future FA&‘: was; running 23/4 hours, itsshorterand not quite as technically ambitious. However, the cast (numbering roughly sixty) is still far too large; the plot machinations to give that, many people parts lend a contrived air to many of the musical numbers. Genuine laughs are few and far between, ’ and thexen

them with legendary parties. At its core are some very highly creative people, who proved in the last two SUMWAT Theatres that they were capable of intelligent, structured writing and top-notch acting. That’s why they deserve a diatribe: they’re capable of much more. But the , organization is bottom-heavy, with minimal talents in it for - the proprogrammed social environ-

,Children Child&

the show seems ‘almost an e afterthought. FASS can coast on momentum. alone for several years, selling out the weekend performances and getting their usual standing ovation for the Friday late show. There:s always new blood who haven’t been exposed to anything funnier than Carol Burnett and who’ll be as blown away by subsequent shows as I was by the “St. Valentine’s Day FASSacre” I 3. back in ‘78 It would be nice, however, ii some badly needed changes were maae: trimming the size of the cast, for instance, and resolving the problem of the plot - either by dropping it entirely, --or -A-. _-_ .-!-- *I-:-,.----I srructunng me JOKES and

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Chairman, MBA Program’ School of Business, Queen’s University Kingston, Ontario K7L 3N6 -.. r Am-----~~~~~--~~~~---Please send information

This year’s model deals with the,: activities of the ‘Fassabianca Toy Company (sacrileg.e, sheer sacrilege) who hire freelance spies to teal secret weapon plans in order to make -the ultimate --warC.. . .a . .-. II I game. unaercover of fnrs mm plot lurk numerous puns;

Name And kudos for goo performances‘ go to Gardner, Brian Martin, Andrew Farber, Bernie Roehl, Ron Dragushan and Roy Gilpin. Time - - ana preclude a analysis, but clearly one scene and a handful of people don’t make for good percentages.

concerning

Queen’s Graduating

Year I

Street

MBA to

City

Province

Universitv

Program

,Federatiorrof Students 12._i

University

of Waterldo

‘p Studeh WCouncil . Elections .

_--,/ (4

will take place on

Portrait of a People John Fraser ‘Collins Publishing _

in the Faculty of Arts, regular stream. Polls will be optin from 9:30 A.M. to 4:3OP.M. and will be’ located in the main foyer of the Arts Lecture Building. to vote. Electlon t

Committee .

- ,

.--. Eleditm Action ’Cotimittee Meeting Wednesday, February 11th 7:oo P.M. ,

Federation

Office,

To most of us in Western countries Communist China is very much an enigma. It is an immense puzzle comprised of a billion people, that seems impossible to understand or piece together into a coherent picture. The purges of the “Cultural Revolution” in the 60’s and the recent counter-purges in the trial of the infamous“‘Gang of Four” are only two of the dramatic and baffling events. They are difficult enough to understand in themselves but when filtered through the official media of a totalitarian regime, and a sometimes bewildered Western press, they become virtually inscrutable to the casual observer. I In The Chinese: Portrait of a People John Fraser succeeds to a remarkable degree in his attempts- at dissipating some of the fog’ of misunderstanding and distortion shro,uding .’ /

’

CC 235

Federation of Students

lmprlnt,o ,‘_ a* -%

Fraser’s work a rare insight into \ ’ thes puzzle ,surrounding China ’ The Chinese:

Thursday, Febnrary 12, ‘81 . I.D. Cards must be presented

, The Arfs ,_.v,. ,, _ 2.: )

the ordinary Chinese people Fraser, a reporter with the Globe and Mail, spent two years in China from 1977 to 1979 probing not only into the government’s monolithic bureaucracy but also, to an unprecedented degree, into the lives of individual Chinese . “Suddenly everyone started running toward us. . . From nowhere, people emerged - who started issuing orders to the crowd, and within’ no more than fifteen.seconds, those directly around us started sitting down . . .’ Dozens of youths climbed up into the branches of the trees around us, and over at the Xidan Wall itself many others were perched on the upper ledge. It all happened so quickly, I didn’t fully realize what was - - --- 99 nappening. Events such as this-moved and sometimes frightened the author but his intimate style of writing easily conveys his warmth for the. people without becoming overly sentimental. However, while defending. the common people and- portraying, them-as the cannon fodder of political purges, Fraser tends to become a trifle self-righteous and displays a lack of patience for those who- do not agree with his interpretations. Nevertheless, Fraser maintains hi objectivity even when hii passions seem to get the better of him. He is careful to point out discrepancies and weaknesses in arguments on both sides of any issue. The Chinese is an engaging work that, by focusiv on the human side of life in China, provides a coherent and interesting explanation of events in one of the world’s largest countries., From his first day in China, Fraser tried to see how the Chinese were different from people in the West and ultimately came to, the conclusion: “It is from lookihg deeply into ’ ourselves, first and foremost, that we wiil best be able to understand what it is like to be Chinese.” It is a remarkable book by a remarkable journalist. l--

Graham

\Snake,Bite.. R

elease 2 fluid ounces of Yukon Jack, a dash of juice from an unsuspecting lime, tumble them over ice and you’ll have skinned the Snake Bite. Inspired in the wild, midst the damnably cold, this, the black sheep of Chnadian liquors, isYukon Jack,

YbkOn . eBlackSheepof CanadianLiquors. Concoctedwith .fineCanadian Whisky.

Thomson

The Arts

Friday,

Last Dash no trash -

Mystery-band

impresses

The ensemble is complete with vocalist Dash for Cash???? Oh, God, another Keith Mackie, of the now-defunct Kensington lottery, right? Market. Keith is now doins a solo album witha Wrong! little help from Cano in thi background. Dash for Cash is an all-star mystery Dash for Cash plays a dash of everything attraction, a musical conglomerate playing for from Louis Jo&an’s 1947 “I want you to be fun and profit currently on the pub curcuit. my Baby” to Charlie Daniels to Steely Dan to Musical sleuths solved the mystery Friday There’s something for every night as Dash for Cash made a dash for the Van Morrison. musical appetite. Waterloo Motor Inn with their versatile sound. “The only thing we’re not too crazy about.is Fans were delighted to discover four band members of Cano in the ensemble. The mad country swing,” said Norris-Elye. “Our band is basically experimental. It’s for fun, not money, violin of Wasyl Kohut, drummer Mean Mountain Mike Dasti, bassist John Doerr and and that’s the whole premise.” Dash for Cash will be doing the pub circuit none other than Cano’s own David Burt on for a while, while in betweenpreproductionfor lead guitar. ’ Cano’s next album‘which should be released “We’re just a fun band,” said Burt. We don’t want to do original material, we’d rather do sometime in June or July. “We found a nice, big hall in Toronto, and other stuff. You know, tunes which take on feel right at home there,” said guitarist Burt. different styles. It’s a good way of keeping warmed up and limber between records. We “We haven’t picked a studio yet but we were do a great version of “Midnight Hour” and I thinking of Grant Studio in Hamilton,” love to watch Wasyl go nuts when he plays These music men have a lot on the go right John-Luc Panty.” now. Member number five is former Stampeder “When Cano came back from a crossDavid Norris-Elye, now noted saxophonist Canada tour, we were restless. We wanted to and studio musician for Long John Baldry. do something different so we got together with

Decadent Towers at the Edge of a World: Tales of a Medieval Town By Virgil Burnett (Nelson, Canada)

’

“He prescribed the book, which is only a collection of children’s fables, for what he called my interior life, and instructed me to take one tale a day on waking and retiring, as if they were pills.” This is an apt recommendation for Virgil .Burnett’s widely celebrated book, a series of short tales about various bizarre characters that tell the ‘fantastical history of the imaginary medieval town of “Montarnis”. This chronicle takes the reader from the depths of the Dark Ages when the hero Gundegan sets off to slay a dragon, through the lusty court’ intrigues of the Renaissance up to contemporary France. Burnett, a professor in the department of Fine Arts here at UW, spends his summers in a real French town. The result of his scholarly labours and his experiences there is an intriguing and unique little fantasy that he has both written and .illustrated splendidly. These tales in some ways do resemble traditional “fairy tales”, with their knights, damsels, and monks. But these are not fables in the tradition of an Aesop, nor the Bdventures of a Tolkien; rather, they echo the earthy and ribald tales of Boccaccio’s

fantasies Decameron. For the erotic holds a special place in these stories, and sex is given a starkness that goes well beyond the naughty Boccaccio. Sex, or gruesome death, or very often both, are at the heart of nearly all of these tales. Acts of passion and violence are described with vivid intensity in such bizarre and diverse scenes as a monk’s erotic fantasies as he lies dying of the plague among rotting corpses, the orgies and massacres of Djaa and her Amazons, and Fausta’s murderof a lover while they make love. Burnett luxuriates in stark depictions of love and death, but the eroticism and gore is never gratuitous and always occurs with calculated effect. This suite of stories is as much an exploration of eros, thanatos, mysticism and the macabre as it is a mythical account of the history of Montarnis. Burnett is in a sense a necromancer himself, for his lyrical and minutely descriptive prose mesmerizes one as would a magical incantation. Though his stories span several centuries, the text never loses that appealing and haunting aura of medieval mysticism. The original illustrations for Towers at the Edge of a _ World, and several other of Burnett’s widely published drawings are currently on exhibition in the Art Gallery in the Theatre of the Arts.

--Greb’elconcert shines Mozart died in poverty in 1791, but his works have been a drawing card for concertgoers ever since. On Friday night an allMozart program attracted a more than cap[acity crowd to the Conrad Grebel Chapel. The eleven performers, who appeared in this function as the Canadian Chamber Ensemble, are also members of the K.-W Symphony. The program consisted of quartets and quintets; each of the first four pieces featured a different wind instrument accompanied by strings. Whenever two or more musicians perform together without a conductor, someone has to lead. In the first piece there seemed to be some question as to who was going to do this, the oboist, Faith Levene, or the first violinist, Irving Ilmer . As a result, the evening got off to a rather ragged start. Levene drew a fine tone from her instrument, but failed to provide the rounded phrasing that might have unified the group. Clarinetist Victor Sawa, a more confident and experienced performer, gave/a musical impulse which kept his supporting players together. Sawa is an expressive player who has perfect control over his instrument and makes the most of dynamic contrasts. The performance of the quintet for horn was both technically and and strings

musically below professional caliber, but even without this foil the following quartet for flute and strings would have been the highlight of the evening. Flautist Tom Kay perfectly captured the joy, grace and aesthetic charm characteristic of the best works of the Mannheim School. This magnificent quartet, written during one of the happier periods in Mozart’s life, is one of his finest works. The effervescent opening allegro is succeeded by a contemplative minor adagio movement, and the piece concludes with a rousing rondo. In Kay’s rendition, no note was unessential. For the final number on the program, University of Waterloo’s most recent recipient of an honorary doctorate appeared at the piano in the quintet for piano, oboe, clarinet, horn and bassoon. Raffi Armenian has a masterful technique and is a renowned interpreter of Mozart. His definite distinctions between leading and accompanying sections bespoke an analytic overview and understanding of the piece which was not equalled by the other players. Despite varying levels of achievement, most of the artists seemed to take pleasure in their playing, and the audience was most 1 appreciative. Music cannot help but flourish in such an ideal environment. Jean Chick

Keith and David and formed

6, 1981.

Imprint

11 --

a Lofetta Dash for Cash.”

Where did the name of this all-star cast . . c\ originate< “Last Dash for Cash, comes from Cano’s Rendezvous album,” explained Burt. “It’s from a song called Floridarity Forever. There’s a circus barker who yells, ‘And now for Last Dash for Cash’, and that’s how we got our name,” grinned Burt. Dash for Cash isa great concept,almost like musical chairs for musicians. It’s different levels, different sounds, and different people. “We are having a good time right now,” said Burt. “We’re a party band and we want people to feel it too. Dash for Cash will probably alternate members. It depends who’s doing what at a given time. Don’t be surprised to find other Cano members coming in and out of the band from time to time or other studio musicians who want to get into the act.” If you missed Dash for Cash this time, chances are they’ll be back soon, and, judging by the dancing and prancing this time, next time everyone will want to get into the act. Coral Andrews These tales and illustrations are the fruit of a fanciful and unique imagination at the hands of a skilled craftsman. David Dubinski

Visage

February

looks good, Loretta Lynn Lookin’ Good MCA Records Loretta Lynn, the coal miner’s daughter from Kentucky, has become one of the most famous female vocalists in country music. Her music comes from the heart and is largely based on her personal life and experiences. This sincerity has been a large factor in her appeal to country music fans. Songs such as “Don’t Come Home a Drinkin”‘, “You Ain’t Woman Enough” and “The Pill” are examples of the personal flavour which makes her music easy for her fans to identify with, Loretta’s latest album, Lookin’ Good, not only looks good but sounds good as well. I anticipate that a few hit singles will emerge from this album. One which is already on its way is “Cheatin’ on a Cheater’. As its title states, it’s about adultery, and the line “Cheatin’

on a cheater

don’t feel like chmtin’,

or I wouldn’t be feelin’ this good”, tells the whole story. Other songs to watch for include “Workin’ Man” and “Somebody Led ’ Me Away”. In keeping with Loretta’s style, there is sincerity and familiarity surrounding each song. Her music retlects many ot the tre .(-is in today’s society. For example sex and isolation are topics in “Cheatin’ on a Cheater” and “I Don’t Fee1 Like Living Today”. This album contains many of the themes which are common to country music. Broken hearts, trying to recapture the past, love, and work have been written about repeatedly. As always, Loretta Lynn brings her personality and experience into her songs to make each one come alive and have a sound all its own. “Workin Man”, on side one, is a tribute to all the men who work hard but always have time for gentleness. It describes a relationship that many women crave and every man should strive for. . The- technical work in this album is excellent. It has a rich, full sound which accentuates Loretta’s voice. At times a string section as well as the more customary C & W instruments round out the background. To sum up this album, all I can say is that it is Loretta Lynn. If you have enjoyed her previous albums, this is one to add to your collection. Sherry Borgford

puts on facade

Visage Visage Polygram Another subculture, it seems, has migrated from England; another new wave is soon to ripple the only just-rippled American (N. American) music scene. New Wave is old guard... or at least it?soon should be - Blitz is on its way. Action and reaction, with an emphasis on escapism and self-expression underlie the Blitz movement. Indeed, the new subculture is itself a reaction led by Mr Steve Strange against the stereotyping of the New Wave image. In short, the New Wave has become too commercialized, too corporate for the Blitzers. Strange, often elaborate, costumes are a mainstay of the new movement-from tight feather tops to Ancient Egyptian-styled, twopiece suits. Patrons are urged by Strange to “come-as-they-are-not” to the Blitz bar and others in London. Dress is the form of personal self expression. Any hint of an image is frowned upon, “sameness” is the root of all evil. The other aspect of the Blitz’s escape from punk to fantasy is music. Enter Visage, the first musical offering from the new movement. accessable collection of pop-electronics; stylishly grafted together with cold electronic bridges. Yet that is all it is. : Cut through the electronic costumery and it all becomes so superficial...synthesize the voice here, synthesize the percussion there. Add some standard electronic pulse here, a

lush drone there; and Strange’s visage, his statement of the future, is born. Strange has done little more then “dress up” basic Techno-rock “as-it-is-not”. But the pretense does not last; the album’s calculated creativity quickly wears thin. ‘Sameness”, the dread of the Blitz movement, further tarnished the album. Strange has surrounded himself with musicians from various bands - Ultravox, Magazine, the Rich Kids, Siouxie and the Banshees - all solidly entrenched in the New Wave. This should be an asset, as the musicians are accomplished and experienced. Yet it also solidly entrenches this album in the New Wave, exactly where the Blitz movement doesn’t want to be. There is nothing different, no %&on-reaction” from the much-scored banality of the stereotyped New Wave image. The themes, primarily isolation and control (01’ the lack of it), are steadfast New Wave subjects: the lyrics trite: Nervous, Nervous, Tension, Tension, Addiction, Addiction, Low Tar High Tar” goes the chorus to Tar, a song about cigarettes. The rawness, the naivete so important to the New Wave today, loses out here to calculated electronic gibberish with little direction or purpose. The Blitz movement and all its vitality, no doubt, is catching on in England. The dress is absurd, strangely exciting, very different. The music; however, (if “Visage” is any indicaiton) remains the same. And mediocre. J.R.

’

. .Thefib;

.’ Friday,

Februqy

6, 1981. Imprjnj c

When I first began making the arrangements to interview Jack Dejohnette,-I was looking forward to discussing his role as the principal drummer, on Miles Davis’ legendary Bitches Brew (regarded by many as the first jazz fusion album) and his subsequent work with notables, like John McLaughlin; Terje Rypdal, John Abercrombie and Anthony Braxton. , However, as the concert drew closer and arrangements were finalized, I discovered that Dejohnette was giving a solo performance, not merely appearing as a feature player, and that he was to utilize both drums and piano. The concert was clearly to be quite different from a regular jazz set. As a result, I made a conscious decision to listen to Dejohnette as a musician trying to tell a story, not as a drummer or pianist trying to fulfill the rhythmic and melodic responsibilities of one of his instruments. The modest effort involved more than paid off. It is literally impossible to describe the concert itself L the warm, emotional, and beautifuiiy fluid exfiression of the man Jack Dejohnette. @e simply had to be there. Afterwards, in his dressing room, Dejohnette descriid ,the concept behind the solo concert. JD: Basically what I did was just play improvised music and keep it flowing so there were no lulls in the transition from drums to piano and piano back to , drums. The improvisations on drums were totally spontaneous base-d on some rhythmic repititions and dynamics and shifts of tempos. The piano improvisations were 50,60, maybe 75% improvised and the rest were fixed compositions that I flowed in and out of.

Entertainment

the ‘H&“Grail Chris Reeves -

Margot

Kidder .e

101 -Dalmatibns . c TIME: I

“This one has everything: sex, violence, comedy, thrills, tenderness. Laugh with it, scream ‘at it’, think about it. You may leave the theatre in an altered state.” -Richard

Corliss, Time

N.Y. DAILY ‘A powerful, mind-blowing fry your hair.”

NEWS:

terrifying, movie. -flex

suspenseful, The result will

Reed, New York Daily News

N.Y. TIMES: “Exhilaratingly exciting, scary,

bizarre! wildly

Obsessive, energeti_c.”

solo things? JD: I’d like to. I get a chance to do solo things when I do.-drum or keyboard clinics for equipment manufacturers. I try to get it across that drums and cymbals. are musical

miJodic

K-W Chamber

Apply

before

Saturday, February 7 Music-Society presents Italiensches 57 Young St. West, 8 pm.

SOUND

Nightly at 7..and 9 PM Matinees Sat.-Sukat 2 PM

I :,

I Lancaster House-

College of Toronto Europe

_ OCEAN QUEEN

- :

Appearing

every Thurs., Fri., Sat. 9 p.m. - 1 a.m.

FOLKSINGER- +

\’

574 Lancaster

St. W, Kitchener

Phone

7434331

May 15, 1981

information,

New owners - New Name! ’ Maple Leaf Im’Baden is now the

contact-

RED LION INN - Fully licensed’tihder

WITH STEREO

Liederbuch . .

Sunday, February 15 Martin Mull Centre in the Square

_ Summer Programmes in Europe, Woodsworth College University of Toronto, 119 St. George Street Toronto, Ontario M5S 1AS-Telephone (416) 978-2411 b, .-

SHOWN

Thursday, February 5 K-W Little Theatre, “The Shadow Box” Victoria Park Pauillion, 8 pm.

Strasbourg, France Degree courses in French Language and Civilization Jury 1.’ Augu<t 7,198l . Sienq Italy Degree courses in Fine Art and Italian Language, Literature and Civilization July 14 .y August ,26,198j For further

' l

Live, -

\ in

Eve

Programmes

doing?

Saturday and Sunday, February 7 & 8 KY.460 presents the Canadian, Chamber Ensemble Centre in the Square, 8 pm.

you’re doing and how much is it an emotional expression?

Summer

.JD: I’ll probably be doing more things like this (solo concert) and more things with my group, as well as clinis and seminars, more or less trying to create a better understanding of how rewarding music- can. be if you have the right .attitude and the right circumstances. Nothing dramatic, just consistently developing. If he continues on the course he set in his January 31st solo concert, Jack Dejohnette will certainly be fulfilling that purpose. Reinhardt Christiansen

Music

thing

c 3 Wdsworth m w vrwg 4”V” yUniversity _ L*RmR

influenced

JD: By’life in general. Life in general influences me more than anything else. Also, the music there’s a nice escape from the mundane and from the everyday situations in life that we have to deal with. In that way, it’s meditative. It’s medicinal. It helps us keep our sanity by” going off into another realm, playing the music, It keeps me balanced. RC: What do you see ahead far the next few years? What will you be

Upcoming

RC: How much is (the performance) of the

JD: Well, you have to realize that cymbals are also melodic and harmonic too. The cymbals are the extensions of your drums. I compare them to the sustaining pedals of a piano. They sustain and they ring so they’re like a bridge from staccato melodies to sustained rhythms on the cymbals. You can get them to ring and sustain while you switch and play _ new rhythms. You have something to the rhythmic things accompany playing on the drums you’re themselves. RC: Do you wish you could do more

written beforehand? ’ JD: Some of them I had written and j some were written by other people. I did it in such a way that you really couldn’t tell which was the composition and which was the improvisation, i but I did it so at least you”d know that1 was working off a form, building it, extending it, and then moving off into something else. I change like that because I get bored with repetition if it goes on too long. Repetition can be nice if it’s done for a purpose, but, if you don’t really feel it, it , sounds monotonous and boring. If it ‘gets to that point, I shift rythms and directions. extension

RC: Do you find yourself mostly by music or . . .

RC: 1 was very impressed because that (concert) was one of the very few times that I’ve heard drumming that sounded bet-y melodic. The only tones are those caused by the tension - on the drum heads yet it still sounded - very melodic.

RC:- Were these pieces that you had

instruments, not just something to bang . at. You can have a compositional orchestration with that one instrument (drums) just like you’d have with piano or anything else. It’s important for people to realize that drums can be very tender and very subtle as well as beicg very strong so that’s the idea I try to get across on the drums. I let it be realized that I’m just playing music. That’s really what it’s all about.

JD: It’s both simultaneously. You can’t separate one from the other. The dynamics and the intensity all happen at #the spur of the moment, right away, as you hear them. I’m just fortunate enough to have been given the gift to allow that creative energy to flow through me and then follow it. That’s basically all I do. I get a lot of enjoyment out of it and I try to convey that enjoyment to the listener, whether they be musicians or just people who enjoy music.

/Arhie Hall AduIt’

in sob

Dejohnette~sttinning Woody AIlen Diane Keaton

14.’

L.L.B.O. -

Country-style Dining Group rates available Meals at 2 for price of 1 with UW student I.IXcard Pool table and Dart board

Phone

634-5343

* sports Bringing

_ . Friday, .

February

6, 1981.

Imprint

home the bruises

Violet-we When Minota Hagey met Conrad Grebel in the women’s football finals last fall, they were hoping to bring home a title. Disappointment came with a twist for them: not only did they lose, but two of their players were seriously injured, one to the point of requiring surgery. Not a pleasant finale in a league set up to be fun. Linda Dubury, captain of Minota Hagey, stated that she complained to the intramural office when she suffered a broken nose (she was positioned as midlinebacker) and her centre whiplash after suffered being knocked to the ground. In an earlier meeting with Conrad Grebel, another Hagey girl ended up pectoral with separated muscles. “Certain players on that team were the dirtiest,” Dubury declared. Although major injuries are few,, incidences of unnecessary roughness have resulted in serious discussion as to whether or not the women’s football league should be watered down or perhaps even eliminated. At the present time women play by the same rules as their male counterparts since the number of referees is limited and training them in two sets of rules would be difficult. According to women’s

Intramural director Sally Kemp, problems arisk because of two particular circumstances: first, there are no divisions in the league, and second, some players tend to be too competitive. The lack of divisions in the league throws everybody in together, whether they are skilled or unskilled, When knowledgeable players pop up amid the motley crew and want to play hard they create a dilemma because those girls 1playing for fun haven’t the skill to match them fairly. As well, some teams do play simply for the fun of it, but the lack of sportmanship displayed in other cases (even from fans using abusive language) undermines that. “It makes you wonder if we should even have the sport,” says Kemp. Kathy Hunsberger, Grebel’s captain didn’t realize such injuries had even occurred. As quarterback, Hunsberger never faced the opponent’s line and she knew of nothing that would qualify as overly rough Play* Through the season, she recalled running up against some dirty play as well as treating bruises or stretched muscles, but when it came down to blatant aggression she could cite only one incident where Connie G had trouble. One of the girls

in women’s

football Such threats are often enough to start a vicious circle: one team having been slighted, attempts to pay back the other team and so on, until someone gets hurt. ,,A/--‘ Why the trouble? And how can it be prevented? Competitive natures of course figure into the situation. “Some people don’t know how to play,” Hunsberger said. And it seems her point is well made since most girls do not receive extensive training or practice in football.

playing line for her team was threatened by a girl playing line for Minota Hagey who

warned, “You’re gonna pay for that.” Just what “that” was, she didn’t know.

One solution offered to date has been the elimination of contact from the game. A committee organized by the intramural office, has been examining the situation. Although they have reached no conclusions, this is an option under consideration. This would be a much different game of football, similar to the “ten steamboat” football played by kids in the park on weekends. The level of the game would suffer.

Failing that? Any body with any skill in refereeing would be a welcome addition If these new players to the league, no doubt. mastered skills, and if they But until the conclusions knew the rules behind the are released by the committee, penalties, it would make a all solutions are speculations, difference. But before they and there remains the play in the intramural league, possibility that no changes many women never so much will come about. as handle a football. Although Both Dubury and Hunsthey know they have to , berger that they agreed protect their quarterback, and generally enjoyed the game they have some conception of and would hate to see the blocking, their unskilled program eliminated or severecontact combined with the ly altered but they would hate wish to do well, results in to see hurt players just as trouble. badly. Anyone who wants to play football next fall will still For instance, when an have a chance as it now elbow is thrown and the ref stands. They’d be well call a doesn’t penalty, advised, however, to learn retaliation takes place, and about the game beforehand, to both captains reported missed prevent accidental wounds, calls or faulty refereeing. but moreso to prevent the loss Minota Hagey’s games were of a league that is for the most always short of refs and part great sport for the women Connie G encountered refs at Waterloo. who often missed calling rough play. Virginia Butler

Female Athlete of the Week

Male Athlete of the Week Peter

’

Zagar

Peter is no stranger to top volleyball competition. In 1979 he was a member of the Guelph Oaks team who competed at the National Junior Championships and in 1980 he was a member of Senior the Provincial ’ Champions from Guelph, Currently, the team is battling for first place and will take on Brock tonight at 8:O0.

Leslie

Estwick

Leslie is compet&g with the Athenas for her second year now and she is also a member of the KitchenerWaterloo Track Club. She is currently ranked in the top 10 in Canada in both the high jump and pentathalon. At the Canadian Championships last summer she placed 4th in the latter event. At the York Invitational meet she placed first in- the high jump, and the 5Om hurdles, and she ran the 1st

Peter is the Volleyball Warriors captain and a busy figure on the team. He haas started for the team for the past three years, and was named an OUAA All-Star in 1979. He has had to carry a great deal of the load this due to serious season injury problems that have plagued his teammates. His constant hustle and team attitude have won him a great deal of respect by all.

In January 1975, a great deal was written about Mike Moser, whose death, came so suddenly that it left many people .empty and lost. Some of us who watched him play knew what he could do, and what he meant to Warrior Basketball and to UW in general. Much more could be written about Mike’s achievements on the court. He worked hard, was unselfish and consistent, particularly when the pressure was on. In ‘the 2974 Naismith he scored the last 17 points for the Warriors in their 72:70 win over St. Mary’s in the final. Mike was a hardworking, fourth-year Kinesiology student with a straight-A average. He was always ready to help fellow students out with school work or problems,

and even with his busy schedule, Mike always had time for talk, fun and strawberry ice cream cones. Mike died on January 12, 1975 in St. Petersburg during a four game tour of Florida. He complained of flu symptoms and died a few days later of a heart attack brought on by a blood clot caused by endocarditis. The Mike Moser Memorial game was started to preserve these memories, and to promote the excellence and ’ sportsmanship that Mike Moser exemplified during his short but full life. Lynn Hoyles Meeting the top ranked team in Canada was no treae Warriors Wednesday night as York defeated them 78-62.

Even on the best of nights Waterloo would have had their work cut out for them with the Yeomen but it just wasn’t Waterloo’s night: wounded Warriors handicapped the team, Scott King is still favoring a bad leg, as is Cal Kiel. Kiel demonstrated commendable spirit playing hard although visibly in pain. He, is nursing stretched ligaments, which, he said, “a couple of days rest” would heal. But he may not be, mended in time to meet Western Friday. Seeing York in action, it becomes easy to understand why they are The Team. They execute moves with a precision that makes the game appear easy. Coulthard, with his incredible shot (accurate from almost anywhere) drove the Yeomen’s score up netting 27 of the 49

points they had in the first half and four more before leaving the game early in the second half. Ken Haggert appeared on court for the longest time he has so far this season. His height and hands were certainly an advantage as he managed to block a fair number of Yeom,en shots and helped himself to rebounds that the Warriors needed. The bout with York should have the Warriors in good form for their meeting with Western ,and Estonia this weekend. The Western game is crucial to Waterloo who need a win to keep them eligible for the playoffs. In the ceeding women topped. Western

Athena game prethe Moser, the were once again this time by the ‘Stangs 72-52. Virginia Butler

200 metre leg in the medley relay which was won by Waterloo. The next weekend in London at the University of Western Ontario, Leslie again won the High Jump and was also a member of the K-W track Club’s 2OOm hurdle shuttle relay team that set a Canadian ,.I I 1 .. n women3 record time 01 29.7 seconds.

-Notice is hereby Given of -the Annual General Meeting of the Federation .

of Students,

University of Waterloo, a Corporation under the laws of Ontario, to be held on Monday, March 2,198l at 8:00 P.M. in Needles Hall, Room 3001. The agenda is as follows:

I). 2). 3). 4).

Appointment of the Board of Directors Officers’ Report 1980'81 Auditors’ Report 1979-80 Approval of Auditors for,1981-82

Any other item for the agenda of this meeting must be in the hands of the President of the Federation of Students by 4:OO P.M. February 11, 1981, to be- considered at the Annual General Meeting. Neil Freeman, President Federation of Students

-All are invited to a free film

Fiddler On the Roof UW February MC2066

8 P.M.

WLU February

1E1 8P.M.