s/s 2016
VAMPMAGAZINE
#22
this summer is all about big bold
prints and pops of
deep colours.
milan
most prominent
trends in
of surprise e s i r the
design week.
where do we go? milan this year
JUNE ‘2016
THE SUMMER ISSUE
page 64
keeping a white base will add a sophisticated twist to your fresh summer look. >>
heavte
w106a+ by corinthia fashi on fo re
caster s
- the
oracles
of fa
shion
THE POINT, SLIEMA calvinklein.com
focus
Kendrick Lamar, Hip-Hop Artist
am free
Abbey Lee Kershaw, Actor
DP
PS
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TOWER ROAD, SLIEMA | ZACHARY STREET, VALLETTA |
/OASISFASHIONSMALTA
ISSUE_22
CONTENTS We don’t know whether it’s because there’s a new baby arriving on the VAMP team scene, whether it’s because it’s finally summer, or whether it’s because there’s just something in the air, but this issue of VAMP is absolutely charged with creative whimsy. In terms of fashion, this summer is all about big bold prints and pops of deep colours. We have a beach-inspired fashion feature this issue, which is about keeping basics strong with some mellow prints and pops of colours - our summer vibe for a cool street style. ‘Kool Kiddos’ shows off S/S 16 for kids - fun patterns galore, both geometric and floral. Even though this issue is full of fashion features, we don’t lose our musing selves. The sequel to the March article issue ‘How Old is Your Soul’, this edition’s ‘Where Do We Go?’ is an article inspired by Psychotherapist Dr. Michael Newton’s extensive case study research on those who have gone to the other side. ‘Anti-Art’ celebrates the positively eccentric Dadaism, while ‘The Rise of Surprise’ brings us an awesome snapshot of Milan Design Week’s underlying trends this year. Clinical Psychologist Jessica Borg is back with the fascinating article, ’The Psychos Amongst Us’. Our architecture and travel sections are knock out this issue, reaching far and wide with a loft in Istanbul and a hotel in Canberra, Australia. Out of all this though - the one feature that absolutely is not to be missed this issue is ‘The Big Bang” food feature. Corinthia Palace Chefs Stefan Hogan, Jonathan Zammit, and Mark McBride have really outdone themselves this time, with a truly exceptionally creative menu. He hope all of this brings you the need… the need… the need to read. Editorial VAMP Editorial Team
Sales Manager Sam Psaila 7788 0300
Creative Director Chris Psaila
Contributors Anna Peftieva Lisa Borain Penelope Tabone (Artistic Team) Christian Pisani (Artistic Team) Mikela Zerafa Jeanne Oudot Jennifer Dimech DSALON Ibrag Robert Maxwell Jessica Borg Alina Anisimova Stephanie Bonnici Stefan Hogan Jonathan Zammit Mark McBride
Fashion Editor Carla Grima
This magazine is published by [ V ] PUBLICATIONS
Design Chris Psaila Jonathan Bajada Photographers Anna Peftieva Matthew Spiteri Alan Carville Koray Erkaya Stylists Anna Petfieva VAMP team
Reproduction in whole or in part without written permission from the publisher is prohibited. All rights reserved. Dates, information and prices are believed to be correct at the time of going to press but are subject to change and no responsibility is accepted for any errors or omissions. Neither the editor nor the publisher accept responsibility for any material submitted, whether photographic or otherwise. While we endeavour to ensure that the organisations and firms mentioned are reputable. The editor can give no guarantee that they will fulfill their obligations under all circumstances. Copyright 2016
COVER PHOTO All Makeup: Rimmel Photography: Matthew Spiteri Make-Up: Jennifer Dimech Hair: TONI&GUY Christian Pisani Artistic Team Model: Monica Staible - Earrings by Pandora
facebook.com/ vampmagazine malta
029. HEAT WAVE
This summer’s fashion: big bold prints and pops of deep colour.
042. THE ORACLES OF FASHION
Alina Anisimova reveals who are the trend forecasters and how fashion trends are born.
045. COASTLINE CRAWLING
Amazing beach and street wear to keep it casual this season.
054. KOOL KIDDOS
S/S 16 brings patterns galore in kids clothing - both geometric and floral. Find lots of stars with a nod to the 70s in teen gear.
064. WHERE DO WE GO?
Psychotherapist Dr. Michael Newton’s fascinating theory of what happens after death according to his dedicated case study research.
068. ANTI-ART
An exploration of the explosive and elusive Dadaism.
074. THE RISE OF SURPRISE
A look at some of the most prominent trends spotted at this year’s Milan Design Week.
079. THE PSYCHOS AMONGST US
Clinical Psychologist Jessica Borg explores how psychopathy is one of the most difficult disorders to spot.
090. A LOFT IN KARAKOY
A loft by design team Ofist in the heart of Istanbul, facing an old Armenian church and with Galata Tower in the background.
100. HOTEL HOTEL CANBERRA
The place of collaborative craftsmanship made by artists, makers, designers and fantasists.
106. THE BIG BANG
Corinthia Palace Chefs Stefan Hogan, Jonathan Zammit, and Mark McBride really outdo themselves this issue, with an exceptional menu.
134. ARTIST IN A DISTURBED SOCIETY
KSU student Stephanie Bonnici on the body as a medium in performance art.
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UPDATE
ALL-NEW THIS SEASON > ALPINA SEASTRONG DANIEL WELLINGTON ADDITIONS Daniel Wellington introduces the new Dapper 34MM and the new Durham strap - the choice for the connoisseur. Designed with careful attention to detail, the Dapper 34mm is an exquisite and sophisticated watch that brings timeless elegance to mind. It’s available in silver and rose gold, and is compatible with a range of elegant leather straps. The eggshell white dial is enriched with deep blue hands, Roman numerals and a date display, making it an excellent addition to any wardrobe. The new Durham strap is made from genuine American leather and is treated with vegetable oil so that it offers a unique pull-up effect, allowing the strap to develop its gorgeous and highly individual patina. This brings out unique colour variations and subtle shadings, as the strap lightens in areas where bent and stretched. Available from Sunlab.
The Alpina Seastrong Diver Collection. Everything about this model is designed to cope with the most extreme conditions any professional diver could ever encounter. Available from GABA, www.gaba.com.mt
LIUJO ACCESSORIES SS16 Liu Jo Accessories Collection for this Spring/Summer 2016 has been designed for an elegant woman who has an eye for detail, as key to completing her most sophisticated outfits. Two are the macrotrends in the collection: Geoethnic, inspired by the ethnic world but with a metropolitan twist, and Comicity, full of pop, funny hues. Both inspirations share the Liu Jo woman’s cool and hyper-feminine soul. Liu Jo stores can be found: The Point Shopping Mall Sliema Level 0, Bay Street Complex St Julian’s Level 1, Republic Street Valletta and now at Malta International Airport. For more fashion tips and trends follow them on facebook / Liu – Jo – Malta.
KÉRASTASE SOLEIL 25 years of expertise for the protection of sun-exposed hair. A routine to protect, reinforce, nourish, style and illuminate the hair. Only available from leading hair salons.
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SLIEMA 46-48 Tower Road Tel. 21 341 961
UPDATE
D&G DOLCE Following the floral tradition initiated by Dolce, the new Dolce Rosa Excelsa Eau de Parfum captures the boldness and pure spirit of the rose with the essence of fresh petals in bloom. Used for the first time in perfumery, the African Dog Rose premieres, which is a rare note combined with the enveloping femininity of the Turkish Rose Absolute, highly-prized in perfumery for its olfactive intensity. Iconic, timeless and unique, the rose is a recurrent motif throughout Dolce&Gabbana’s runway collections. VJ Salomone Marketing. T: 8007 2387.
PRETTY PEARLS Find a vast selection of fresh water pearls, Akoya pearls, South Sea Pearls and Tahitian Pearls, in all sizes and prices. You can even have yours custom made at the instore workshop at GABA, Naxxar Road, Iklin.
MAROCCO The Marocco rug by Calligaris is a jacquard-woven embossed rug with a rectangular shape made from mixed vintage-look fire-resistant yarns. It echoes the geometric pattern of a ceramic mosaic in a Moroccan hammam, and the blaze of shapes and suggestive interplays results in the typical kaleidoscope effect. Marocco belongs to CODE, the range of extraordinary, ironic and unexpected accessories designed by young talents of Italian design. www.ideacasa.com.mt
DIAMONDS A family business that is renowned for its expertise in jewellery since 1972. GABA brings you the largest selection and variety of diamonds locally, together with a vast choice of settings of the highest quality. All stones at GABA are internationally certified by G.I.A and H.R.D. Besides the services of one of the top gemologists in Malta, at GABA you will also enjoy the services of in-house cleaning and polishing of diamond jewellery. GABA, Naxxar Road, Iklin. T: 2210 5214
BALLET INTENSIVE Sandrina Spiteri-Gonzi, Founder & Artistic Director of Ballet Intensive International is holding the 3rd year of Ballet Intensive International this summer with guest teachers from The Royal Opera House and Birmingham Royal Ballet. This year’s Ballet Intensive will take place from 25th July to 5th August 2016 at the Mediterranean Conference Centre. This year they have added a number of new and exciting changes to the programme, amongst introducing a Dancers Member Scheme. T: 9958 2846. E: info@balletintensiveinternational.com. W: www.balletintensiveinternational.com
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A NY OPP ORT UN I T Y TO AD O R N O N E S E L F I S H U MAN, AN D ACCE SSORI E S A RE AN E AS Y WAY TO D O I T.” - M A R C J A C O BS
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1. Fossil watch, €159. 2. Giorgio Armani suglasses from Vision Opticians Pavi, €257. 3. Prada Sport sunglasses from Optica Sun & See, €163. 4. Calvin Klein leather key fob, €19.90. 5. Fossil bracelet, €59. 6. Fossil bracelet, €59. 7. Daniel Wellington watch, €249. 8. Skagen watch, €179. 9. Calvin Klein men’s watch (also available in white face), €350. 10. Breil watch, €385. 020 T H E S U M M E R I S S U E
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FORG E T AB OUT WI NT E R DULLS AND M AKE WAY FOR SOME PRI NT O N PRINT S U MME R AC TION. FRO M BE ACHWEAR TO ACCE S S O RIES PR INT I S T HI S S UM MER’S A DDI CTION
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1. M&Co disc necklace, €16.50. 2. Oleandro bikini from Calzedonia, €40 (top), €20 (bottom). 3. Versace sunglasses from Vision Birkirkara, €231. 4. Jennyfer top, €19.99. 5. Jennyfer denim shorts, €19.99. 6. Accessorize Havana statement necklace, €29.90. 7. Accessorize Bethany flower statement necklace, €29.90. 8. Calzedonia trousers, €49.50. 9. M&Co tie hobo bag, €42.50. 10. Oasis paisley halter and tie bikini, €29 (top), €27 (bottom). 11. Butterfly by Matthew Williamson zebra print reversible bikini from Debenhams, €32 (top), €29 (bottom). 12. Michael Kors sunglasses from Eyeland Mosta, €140. 13. Ninfea bikini from Calzedonia, €30 (top), €20 (bottom). 14. Liu Jo bag, €99. T H E S U M M E R I S S U E 023
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H I G H LI GH T YOU R SU MM ER TA N WIT H S O ME DA I N TY S PARK LI N G JEWEL S & ACCESSORIES. A PER F EC T M AT CH FOR A L L L AYERING LOV ER S
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1. Fossil necklace, €69. 2. Fossil ring, €59. 3. Skagen necklace, €59. 4. Skagen rings, €69. 5. Pandora ring, €55. 6. Skagen bracelet, €79. 7. Ottaviani flowered bag from La Bottega, €158. 8. Ottaviani striped bag from La Bottega, €198. 9. Ziio jewellery from GABA, starting from €130. 10. Pandora ring, €69 (ring), €39 (earrings). 11. Pandora ring, €79. Pandora ring, €59. Pandora ring, €119. Pandora earrings, €49. Pandora earrings, €99. 12. Polello wedding bands from GABA, starting from €324 per ring. 024 T H E S U M M E R I S S U E
A NEW ICON FASHION
To celebrate their new campaign, the eyewear giant Ray-Ban are reinterpreting the spirit of innovation with their kick-off to 2016 with a Spring \ Summer collection that continues the brand’s legendary style through unmistakable Ray-Ban shapes, brand new icons and distinctive round and retro-inspired designs.
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rawing its inspiration from iconic Ray-Ban Clubmaster and Round shapes, the talking piece of the SS16 release is an all-new icon: Clubround. Here, unique shapes are inspired by the authentic style of modern intellectuals and Bohemian creatives who love the unique and bold identity of unmistakable profiles with classic and contemporary mirror lenses. The new Clubround shape fuses authentic Ray-Ban DNA design and iconic style to create a contemporary look that is essentially cool. The brand also revamps the original Ray-Ban Gatsby shape from the 80’s, redefining the distinctive highbrow design and retro-appeal of this rounded phantos shape with modern finishes to bring a classic up-todate. Completing the offer, a new round optical style in rubberised nylon fibre and the unmistakable Erika in a modern full metal construction feature new shot finishes to bring a cool shimmer to fresh and young style.
Open yOur Heart #ItTakes COurAgE
This reinterpretation of a historic Ray-Ban model revamps a hero of retro design with contemporary elements to define up-to-date, statement style with loads of character. The rounded phantos acetate sun shape is contrasted by the high profile polished golden metal double bridge. Available in black, Havana, and opal Havana with green mirror lenses, opal Havana with blue mirror lenses, opal Havana with mirror gold lenses and opal Havana with mirror silver lenses.
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Ray-Ban revamps an inimitable classic with modern finishes to bring a historical shape up-to-date with contemporary flair. The unique double-bridged construction of this retro-inspired rounded phantos sun shape in acetate contrasts with the highbrow polished golden metal double bridge. Available in black, Havana, opal Havana with green mirror lenses, opal Havana with blue mirror lenses, opal Havana with mirror gold lenses, opal Havana with mirror pink lenses.
FASHION
Contemporary trends and innovative finishes reinvent icon-inspired design in trend-setting Ray-Ban Youngster style: Round goes gradient rubber! This lightweight nylon fibre optical frame features a cool round shape with an iconic keyhole bridge and fine Ray-Ban shaped temples for a modern, yet characterful look. The varied five-colour palette offers something for everyone – from violet, blue or grey gradient tones for a shimmer of modern style to sophisticated rubber black or rubber Havana.
Shimmer, reflect, shine: Ray-Ban reveals the infinite potential of Erika in a new metal gradient variant. The light, flat-metal construction of this full metal phantos style flaunts an unmistakable keyhole bridge and ultra-thin temples. Available in black, metallic grey, metallic gradient brown, metallic gradient blue, metallic gradient violet.
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New NAutICAl. BY MAXMARA
N a u t i ca l a lway s f i N d s i t s way i N to o u r s u m m e r wa r d r o b e s ... fresheN up this lo o k b y p l ay i N g arouNd with stripes a N d c o lo u r s . a d d a p o p o f c o lo u r a N d t e x t u r e to y o u r ac c e s s o r i e s fo r a c o N t e m p o r a r y fa s h i o N fo r wa r d feel.
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Photography: Matthew Spiteri Styling: Carla Grima
Turquoise necklace, €85 Striped dress, €270. Wedges,€395. Leather bag, €655. All from MaxMara.
Sliema - Valletta - Paola - Paceville - Gozo T. 21 346 080
HEAT WAVE Models: Tiffany Pisani & Carlo Alberto Del Rossi from Models M Photography & Styling: Anna Peftieva Styling Assistants: Mikela Zerafa & Jeanne Oudot Hair: TONI&GUY - Penelope Tabone Artistic Team Makeup: Jennifer Dimech Fashion Editor: Carla Grima
Her Calzedonia jeans, €35.95. Monsoon jacket, €108. Max Mara SportMax, €180. Stroili silver pendant from Gaba Gioielli, €87. Calvin Klein shoes, €118. Him Liu Jo Bermuda shorts, €58. Liu Jo shirt, €39. Calvin Klein shoes, €49. Ray-Ban sunglasses from Eyeland Pama, €153. Daniel Wellington watch from Sunlab, €189.
This summer is all about big bold prints and pops of deep colours. Keeping a white base will add a sophisticated twist to your fresh summer look. >>
Calzedonia bikini top (â‚Ź30)
Clavin Klein sports bra, €39. Calvin Klein underwear, €32. Liu Jo top, €159. Kenneth Cole watch from Sunlab, €210. Fossil beaded bracelet from Sunlab, €49. Michael Kors bracelet from Sunlab, €109. Calvin Klein shoes, €49.
Carla Grima Atelier swimsuit, €120. Carla Grima Atelier trousers, €200. Max Mara Weekend hat, €89. Ray-Ban sunglasses from Vision Fgura, €153. Michael Kors watch from Sunlab, €299.
Max Mara SportMax top, €115. Max Mara Weekend trousers, €159. Michael Kors ring from Sunlab, €69. Fossil beaded bracelet from Sunlab, €49. Michael Kors bracelet from Sunlab, €109. Michael Kors watch from Sunlab, €249. Persol Tuaco Opticians., €188. Calvin Klein shoes, €128.
Carla Grima Atelier top, â‚Ź170.
Max Mara Sport Max dress, €529. Clavin Klein shoes, €49. Pandora ring, €349 (gold), €119 (silver).
Calvin Klein Jeans jersey, â‚Ź99.
Calvin Klein shorts, €73. Liu Jo jacket, €88.
Her Max Mara Sport Max dress, €529. Prada sunglasses from Optika Opticians, €282. Ziio silver and semi-precious stone bracelets from Gaba Gioielli, €204 each. Him Liu Jo shirt, €39. Calvin Klein jacket, €219. Calvin Klein shorts, €73. Kenneth Cole watch from Sunlab, €210.
Pandora bracelet, €1,792. Pandora rings, €65, €99. Jennyfer lace top, €15.99. Jennyfer turtle top, €17.99. M&Co (Spirit) trousers, €32.50.
tower road, Sliema - baystreet, St. Julians savoy, Valletta - arkadia, Gozo
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B e a C H I t. SUMMER’16 ESSENTIALS
Photography: Matthew Spiteri Styling: Carla Grima
Calvin Klein Jeans blue ombre trunks, €79. Calvin Klein Jeans white printed t-shirt, €49.90. Calvin Klein Jeans towel, €61. Nike grey cap from Urban Jungle, €31. Scholl Camel Active blue espadrilles, €90.95.
N A u T i cA l A lWAy S F i N d S i T S WAy i N To o u R S u M M E R WA R d R o B E S . . . FRESHEN uP THiS lo o K B y P l Ay i N g ARouNd WiTH STRiPES ANd co lo u R S . A d d A P o P o F co lo u R A N d T E x T u R E To yo u R A cc E S S o R i E S Fo R A co N T E M P o R A R y FA S H i o N Fo R WA R d F E E l .
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FASHION FORECASTERS. THE ORACLES OF FASHION Words: Alina Anisimova
Alina Anisimova reveals who are the trend forecasters and how fashion trends are born.
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redicting the future isn’t easy, but it seems that the fashion forecasters are doing pretty well. Who are they? These are the people who define the future of fashion. They know exactly what kind of jeans and which shade of green are going to fill us with desire in the future. Brands spend a lot of money on these strategic studies to improve their businesses, understand the public opinion and most important, sell more clothes. But what are the predictions based on? From communication technologies to past sales statistics, fashion forecasting agencies focus on the consumers to measure their emotions about the current trends in order to understand the modern desire. Along with consumer perception, pop culture plays a key role in defining the fashion trends. These are, first of all, celebrities and public figures who influence the minds of masses. In the early 2000s celebrities were spotted on the streets wearing the velour tracksuits from Juicy Couture; this trend was immediately followed by numerous consumers, which is how activewear became part of people’s everyday wardrobe. Today, we turn to the streets and social media to upload some fashion inspiration. It means that if a street-style photographer captures Kendall Jenner or Cara Delevingne, it’s more than likely that their looks are going to end up becoming a fashion internet hit, so the chances that the clothes they are wearing appear in the next Topshop collection are pretty high.
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Fashion and society have long been linked. In fact, fashion always reflects the spirit of the times. While the sexual revolution of the late ‘60s brought us the mini skirt, the second-wave feminist movement of the ‘70s empowered women to wear a masculine tuxedo suit to a workplace for the first time. Five decades later, Karl Lagerfeld turned his fashion show into a feminist protest, sending models down the catwalk brandishing signs like “Feminism Not Masochism” and “Ladies First” for his Chanel SS15 show. Therefore the changes in our world and society have always had a role to play in a formation of fashion trends. Another key example to this is a Belgian designer Walter Van Beirendonck, whose “Stop terrorising our world” slogan tunic was created just after Charlie Hebdo attacks in Paris. This way, politics extends to fashion - the industry often works as
a vehicle to spread political messages and engage the attention of a younger generation. Perhaps the fact that fashion forecasting agencies are not only working for mass market brands, but are also used by some of the high fashion houses is obvious. We can sense this while looking at the same patterns, prints and silhouettes, frequently repeated from one collection to another by some of the leading designers on every fashion week. However, it doesn’t mean that there is no room for creativity and individuality in the fashion industry these days. Not all the brands are following the idea of making and selling more clothes. Without being influenced and limited by the raw numbers and predictions, young and ambitious designers are often embracing
their own ideas and ideology. That’s why the emerging little brands are growing in popularity. But it’s not all young and unknown designers. Miuccia Prada, for example, is famous for not playing by the rules. She is a risk-taker and has her very own style philosophy. Prada is not following the trends, she is the trend. And, perhaps, this is why she is one of the most influential and copied contemporary designers. Today, the market is changing and shifting so fast, it’s hard to predict where the next huge trend is coming from. Is it a provocative slogan print tee worn by Rihanna, an innovative print coming from a small art exhibition, or a faux fur wrap comeback settled by Greenpeace? It’s hard to say. V
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Nike black men’s hoodie, €73. Nike men’s grey shorts, €68. New Era white leather cap, €38. New Era colourful/graphic design cap, €35. Vans duffle bag, €58. Hurley pastel printed cap, €35. Publish women’s black cropped t-shirt,
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€46. Nike women’s red vest, €31. Cliche skateboard, €89. Nike red leather bag, €26. Vans black denim shorts, €53. Nike flower printed high tops, €98. Nike blue high tops, €144.
Photography: Matthew Spiteri Styling: Carla Grima
>> strong >> Keeping Keeping your basics strong with some some mellow prints with prints and and pops of of colours colours - our summer pops summer vibe vibe for aa cool cool street style << for <<
COASTCOASTLINE LINE CRAWL ’IN CRAWL’IN Clothing: All by Urban Jungle Photography: Matthew Spiteri Styling: Vamp Team Makeup: Jennifer Dimech Hair: DSALON Ibragg Models: Sandrina, Models M & Mikaela
Mikaela, left Hurley halter tank top, €40. Hurley shorts, €40. Nike high-tops, €98. Vans shades, €10.
Sandrina, right Vans checked shoes, €74. Vans shades, €8. Long board, €235. Hurley shorts, €40. New Era cap, €35. Hurley tank top, €30.
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Converse high-tops, €89. Hurley dress, €55. Vans shades, €10.
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Sandrina, left Hurley bikini top, €40. Vans white denim shorts, €53. New Era Yankees cap, €35. Flowered Converse, €99.90. Vans pink shades, €8. Mikaela, right Zero Skateboard, €60. Vans black shades, €10. Hurley flip-flops, €35. Hurley bikini, €49 (top), €37 (bottom).
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Hurley dress, â&#x201A;Ź65.
Mikaela, left Converse high-tops, €89. Vans bag, €42. Vans multi-coloured shorts, €42. Publish sweater, €42. Sandrina, right Flowered Converse, €99.90. Long board, €235. Hurley bikini top, €46. Hurley denim shorts, €58. Hurley cap, €35.
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GADGETS
FRIDGE CAM How many times do you wonder what’s in the fridge while you’re at work? Well now you can with Smarter’s Fridge Cam - a camera inside the fridge that snaps a photo every time the door is opened. Then you can just take a look on your phone.
MYGDAL German design atelier Nui Studio created an innovative lamp named ‘Mygdal’ which provides illumination, but also allows plants to flourish in windowless spaces without water. The aesthetic combination of light and plants inside a mouth-blown and hand-finished glass lamp creates a soothing atmosphere.
BUMP The take-everywhere, can’t-live-without accessory by designer Karim Rashid that provides a stylish solution to one of life’s most common headaches: battery life. Charge your iPhone, iPad, Android, Blackberry, GoPro & More.
SMART FINGER The concept Smart Finger device is able to accurately measure the distance between the sensors on each of the finger pieces from small millimetres to larger metres. The concept can also figure volume by multiplying your last three measurements. Prefect if you have to do a lot of measuring…
VELOBOO GOLD BICYCLE If your bicycle budget stretches a little beyond €500 (like to €37,500), this bambooframed bike from the artisans at Veloboo is for you. It’s handmade, featuring components dipped in real 24 karat gold, the bar grips are made from leather and hand sewn, and it has puncture-proof tyres. Only 30 will be made and will be available for sales at the LikeBike event in Monte Carlo, which runs from 3-5 June.
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PAS T E L S P LAY A BIG PA RT I N T HI S SUM MER’S PA LAT T E FOR THE KIDS. PA IR T HI S W I TH CUTE AND Q U I RKY PAT TERNS, AND YO U ’VE G OT SOME VERY HA P P Y KIDDOS!
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1. Monsoon Kids flower power straw bag, €21.50. 2. Monsoon Kids Frieda shorts set, starting from €43. 3. Okaidi girls’ bikini, starting from €19.99. 4. Mothercare patchwork tiered dipped hem dress, €37-38. 5. Bluezoo pink crab applique swimsuit from Debenhams, starting from €20. 6. Mothercare ‘Surf’s up’ t-shirt, €14-15. 7. Bluezoo boys’ lobster swim set from Debenhams, starting from €24. 8. Monsoon Kids mixed bead and gem tassel sandals, €34. 9. Monsoon Kids mirror mosaic tassel bag, €18.50. 10. Okaidi girls’ bikini, starting from €19.99. 052 T H E S U M M E R I S S U E
3-14 years-old
The Plaza, Level 0, Sliema - 21311820
KIDS S/S -â&#x20AC;&#x2122;16
kool s. o d d i k iteri w Sp stian atthe Seba M : y en & ph B a , r e g o eam rlott Phot mp T , Cha g: Va , Ella Stylin , Zoe y a K ls: Mode
KIDS S/S -’16
Kay [ above ] Okaidi Scarf, €9.99. Okaidi t shirt, €9.99 Zoe [ far left ] Monsoon Kids bikini, €21.50. Okaidi shades, €8.99. Monsoon flipflops, €15.50. Charlotte [ left ] Monsoon bikini, €21.50. Accessorize bag, €15.90. Monsoon flower headband. €12.50.
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KIDS S/S -’16
Zoe Monsoon Kids dress, €71. Monsoon Kids shoes, €30.
Ben Shirt, €27. shorts, €18. shoes, €18. All from Blue Zoo @ Debenhams Kay [ right ] Monsoon Kids shades, €10.50. Okaidi denim jacket, €36.99. Monsoon Kids t-shirt, €25. Monsoon Kids trousers, €25. Monsoon Kids bag, €21.50. Okaidi shoes, €29.99. Ella [ far right ] Accessorize head bands (pack of 3), €9.90. Accessorize shades, €15.50. Blue Zoo @ Debenhams t-shirt, €29. Okaidi jeans, €25.99. Okaidi scarf, €9.99. Okaidi pumps, €32.99.
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KIDS S/S -’16
Charlotte: Monsoon flower band, €15. Mothercare dress, €37. Mothercare sandals, €26. Monsoon Kids bag, €21.50. Sebastian: Blue Zoo @ Debenhams shirt, €22. Blue Zoo @ Debenhams denim shorts, €15. Blue Zoo @ Debenhams shoes, €14.
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KIDS S/S -’16
New Era cap from Urban Jungle, €25. Blue Zoo @ Debenhams t-shirt, €19. Okaidi trousers, €21.99. Okaidi shoes, €21.99. Monsoon Kids bag, €18.50. Accessorize bracelets, €7.
PROMOTION
SUMMER CODE We took the latest wardrobe essentials and paired them with our latest collection of Scholl Shoes. Here’s our take on 5 must have looks for Summer 2016!
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Evening Out
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ART+ SOUL WHERE WE GO AT THE END OF IT ALL > ANTI-ART > THE RISE OF SURPRISE > THE PSYCHOS AMONGST US > THE ROAD TO ROCK
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MUSING
where do we go ? Words: Robert Maxwell
In the March issue of VAMP, we published an article entitled ‘How Old is Your Soul’, which was based on Psychotherapist Dr. Michael Newton’s research and work with individuals whom he placed in a state of deep hypnosis, during which they recalled their experiences between lives as eternal spirits. The end of that article promised another on what happens after death according to Dr. Newton’s research. VAMP explores the fascinating theory.
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MUSING any popular religions refute the idea of reincarnation because it contradicts the belief systems within the theologies which state that there is Heaven and a Hell.
It wasn’t until around the 17th century when science began to influence people’s belief systems due to the continued development and advancements in the laws of nature. This system challenged any truth that had no physical proof, and so began science’s place in human society. The scientific systems that were established provided innovations for the human race, but there were still many questions that could not be answered by the scientific community, such as various paranormal phenomena and other impossible ‘miracles’ in nature. The 20th century began a new wave of science that dealt with the exploration of consciousness, psychics, and paranormal psychology that connected spirituality and science. Instances of near death and outof-body experiences during which people were consciously aware, after being declared clinically dead, began to test the hard facts that science had previously established. Today these cases are still widely reported and there are amazing similarities between the reports all over the world. In 1969, Dr. Pim van Lommel, a cardiologist in the Netherlands, conducted the largest hospital-based study of NDEs (Near Death Experiences), years after hearing a patient report seeing a tunnel, a light, beautiful colours and hearing wonderful music during a clinical death. Dr. Lommel was inspired to research the matter further after hearing a detailed near death experience of someone who had been clinically dead for six minutes. Dr. Lommel: “I started to interview my patients who had survived a cardiac arrest. To my great surprise, within two years about fifty patients told me about their NDE…. So, in 1988 we started a prospective study of 344 consecutive survivors of cardiac arrest in ten Dutch hospitals…. 62 patients (18%) reported some recollection of the time of clinical death…. About 50% of the patients with an NDE reported awareness of being dead, or had positive emotions, 30% reported moving through a tunnel, had an observation of a celestial landscape, or had a meeting with deceased relatives. About 25% of the
patients with an NDE had an out-of-body experience, had communication with ‘the light’ or observed colours, 13% experienced a life review, and 8% experienced a border…. Patients with a NDE did not show any fear of death, they strongly believed in an afterlife, and their insight in what is important in life had changed: love and compassion for oneself, for others, and for nature. They now understood the cosmic law that everything one does to others will ultimately be returned to oneself: hatred and violence as well as love and compassion.
evidence from the doctor’s research supporting reincarnation.
Remarkably, there was often evidence of increased intuitive feelings.”
“I also found that it did not matter if a person was an atheist, deeply religious, or believed in any philosophical persuasion in between — once they were in the proper superconscious state of hypnosis, all were consistent in their reports….”
Amongst other hypnotherapists, Dr. Michael Newton continued to unearth evidence of life after death with his ground-breaking work. With over 50 years of client-session information documenting people’s subconscious memories of past lives and even memories of the time in between two lives, something has to be said about
Dr. Newton explains that people under hypnosis are not dreaming or hallucinating — and in this state they are not capable of lying. They report whatever they see and hear in their subconscious minds as if everything is a literal observation. While under hypnosis, it is possible for them to misinterpret something they are seeing, but they will not report on anything they do not feel to be the literal truth.
Amongst a host of common reports, Dr. Newton also described that many clients were hesitant to reveal too much about their time between lives, almost as if they were >>
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MUSING following a universal code of ethics of sorts, where the information was not supposed to be revealed to mankind for a reason. Over the years Dr. Newton noted similarities among client’s descriptions, ultimately putting together a picture of the process that our soul goes through from the moment we ‘die’ to the moment we are ‘reborn’. These are the stages that he described as featured in his book, The Journey of Souls: 1. Death and departure Most patients recall looking down at their body and seeing people mourning over their death. Some people reported staying around their loved ones until after their funeral. During this time clients could feel a pull towards a light, and described a tunnel of sorts to get there. 2. Gateway to the spirit world This is the stage where clients report moving through the tunnel and reaching the light at the end. The location of the tunnel varies; some say it appears right above their bodies, while others say that they have to travel above the earth to reach it. After reaching the end of the tunnel clients almost always describe in varying ways beautiful visions, music, and scenery. Dr. Newton suggests that these images are beloved memories from our lives, to help give a feeling of familiarity during such an overwhelming process. Younger souls may feel sad or confused during this time, and it’s reported that their guides will come to assist and comfort. 3. Homecoming Here we are greeted by souls who are close to us. They appear as luminous beings who sometimes project faces of people who are still ‘alive’ in a physicality because our souls only project a certain percentage of itself into the physical body, so there will always be a part of the soul existing in the spirit realm. During this stage the soul begins to remember more about the afterlife and also their previous lives, feeling more at ease with the process. Souls which have committed murder or suicide will analyse their actions with their guide and decide on an appropriate path to begin almost immediately. 4. Orientation During the orientation stage a soul will shed any regret/doubt/sadness/traumatic memories from its previous life by going through what clients describe as a ‘shower
of light’. This renews the soul’s vibrancy and restores it to its original vibration. Afterwards, we discuss with our guide everything that has happened in our life and decide whether or not we lived up to our expectations about how we dealt with those incidents and if the lessons need to be repeated in the next life. 5. Transition After we have completed our light shower and have worked through our previous life, we then move onto what most describe as the most breathtaking visions of the entire journey. Here we see a mega-hub of souls at the same stage, all moving through beautiful tunnels of light to their destination. Clients describe this moment as exciting because there is no darkness, just pure light, and we are also on our way to meet up with our soul family, souls who are at a similar stage in their evolution and who we shared lives with. Once we meet up with these souls, we usually compare experiences and learn from each other. These are souls that we keep reincarnating with over and over again, playing various roles with each other such as partners, brothers/sisters, parents, children, etc. Sometimes souls will be present but dimmer and quieter than others, and that is because they are still projecting a physicality at that moment. Another crucial aspect of this stage is to meet a grand counsel that oversees our previous life, going into more detail about the experiences and lessons learned. 6. Placement This stage is almost like a school where larger groups of soul families (up to thousands) who incarnate around each other in cycles learn about their previous experiences. Here clients report projecting into specific scenes from their previous life and into other people’s minds to gain a full understanding of the larger picture. Here we feel what others felt to learn how we hurt people in certain situations. This stage can also see the larger soul groups connecting in circles, sharing more ideas, singing, and experiencing other joyful events. 7. Life selection During this stage we move to a large sphere of light where we then choose our next life path. We are able to see multiple paths and are able to temporarily project into these lives to feel which one would be most appropriate. We also have the ability to fast forward through the timelines to see critical events that will happen. Some souls will
choose greater challenges to experience such as a disability or premature death. 8. Choosing a new body This process is a part of the previous life selection stage, but has a separate categorisation because it focuses on the physical appearance that we will possess in the next life. This choice vastly affects our experience, so it usually takes much thought as to what it will be. If you were obese in one life, chances are you will choose to be skinny the next, etc. 9. Preparation and embarkation After choosing our life path, next we meet up with our soul group, the people who will play roles in the next life, to do extensive planning and to create synchronicities and cues that will guide us throughout our life. Higherlevel guides also help to plan out specific symbols we will see or hear that will trigger certain thoughts and actions at specific times. After the synchronicities are decided, we once again meet with a counsel to go over our goals and plans for the next life. This meeting is also to encourage us to have patience, to hold true to our values, to trust ourselves in the midst of difficult situations, and to avoid indulging in anger and negativity. 10. Rebirth Clients report travelling back to earth through the same tunnel they left in, entering the mother’s womb. Until the age of five, the soul is able to leave the baby’s body to travel and meet up with other souls if it wishes, but will snap back to the body if the baby is in any turmoil. During the first few years the soul will work to integrate its energy with the brain. This outline of our experience between lives is based on decades worth of research, and like Dr. Newton and other hypnotherapists state, clients under such hypnotic states will never lie and will only describe what they are actually seeing. Could these common reports be merely coincidental? This is the question amongst so many others that can only be answered by the assimilation of science and spirituality. In the years to come we will witness more of this conjunction between two seemingly unrelated spectrums, which will ultimately bring us closer to an understanding of life, death, and consciousness like never understood before. V
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ANTIART This year celebrates the 100th year anniversary of the legendary Cabaret Voltaire in Zurich â&#x20AC;&#x201D; the artist hangout that gave birth to the Dada movement in Europe. Dada: Yes, yes? Or French for hobbyhorse? Vamp explores the explosive and elusive Dadaism. 070 T H E S U M M E R I S S U E
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>> reviewerfrom fromthe theAmerican AmericanArt ArtNews Newsstated statedatatthe the >>“A A reviewer time most paralysing paralysing timethat that “Dada “Dada philosophy philosophy is the sickest, most andmost most destructive destructive thing that has ever originated and originated from from thebrain brain of of man”. man”. Art Art historians have described the described Dada Dada asbeing, being, in in large large part, part, a “reaction to what many as many of of these these artistssaw saw as as nothing nothing more than an insane spectacle artists spectacle of of collective homicide.” homicide.” << collective <<
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n around 1913, Marcel Duchamp created his first readymades and coined the phrase “anti-art”. The phrase meant the opposite of everything which art stood for. Where art was concerned with traditional aesthetics, anti-art ignored aesthetics. If art was to appeal to sensibilities, anti-art was intended to offend. Duchamp borrowed the term “readymades” from the clothing industry while living in New York, and especially to works dating from 1913 to 1921. The term “found object” originates from the French objet trouvé, describing art created from undisguised, but often modified, objects or products that are not normally considered art, often because they already have a non-art function. Pablo Picasso first publicly used the idea when he pasted a printed image of chair caning onto his painting titled ‘Still Life with Chair Caning’ in 1912. Duchamp’s most famous example is ‘Fountain’ (1917) - a standard urinal purchased from a hardware store and displayed on a pedestal, resting on its side. A couple of years later, the nowlegendary Cabaret Voltaire in Zurich — the artist hangout that gave birth to the Dada movement in Europe — was opened in Zurich. >>
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ART Started by a bunch of creatives, Dada was a movement that championed coincidence as the leading creative principle. At the time, circa 1916, Dada contradicted all known artistic styles. It all began with the Dada Evening, organised by Hugo Ball and Emmy Hemmings who opened the Cabaret Voltaire, which was a popular nightclub frequented by Zurich’s most celebrated artists. The evening was an expression and artistic reaction to what was going on in war-torn Europe at the time, reflecting
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on the chaos and destruction caused by World War I, which was violently raging outside Swiss borders. According to Martin Mittelmeier, author of the recent book Dada: Eine Jahrhundertgeschichte [A Century of History], “Several factors contributed to the development at the time… The talk was of people being overwhelmed by the increasingly confusing world around them. The world was simultaneously becoming more complex and multifaceted, with out-of-date political parameters.” Not dissimilar to today’s featured themes in the news.
Dadaism was unique in reworking the leading principles of art creation - more so than avant-garde movements like Expressionism, Cubism, and Futurism. Dada activities included public gatherings, demonstrations, and publication of art/literary journals; passionate coverage of art, politics, and culture were topics often discussed in a variety of media. Many Dadaists believed that the reason and logic of bourgeois capitalist society had led people into war. >>
ART
>> >> The The talk talk was was of of people people being being overwhelmed overwhelmed by by the the increasingly increasingly confusing confusing world world around around them. them. The The world world was was simultaneously simultaneously becoming becoming more more complex complex and and multifaceted, multifaceted, with with out out ofof date date political political parameters. parameters. << << T H E S U M M E R I S S U E 073
ART
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ART They expressed their rejection of that ideology in artistic expression that appeared to reject logic and embrace chaos and irrationality. For example, George Grosz later recalled that his Dadaist art was intended as a protest “against this world of mutual destruction”. A reviewer from the American Art News stated at the time that “Dada philosophy is the sickest, most paralysing and most destructive thing that has ever originated from the brain of man”. Art historians have described Dada as being, in large part, a “reaction to what many of these artists saw as nothing more than an insane spectacle of collective homicide”. The origin of the name Dada is unclear, as some believe that it’s a nonsensical word. Others say that it originates from the Romanian artists Tristan Tzara’s and Marcel Janco’s frequent use of the words “da, da,” meaning “yes, yes” in the Romanian language. Another theory is that the name “Dada” came about during a meeting of the group when a paper knife stuck into a French–German dictionary, which happened to point to ‘dada’, a French word for ‘hobbyhorse’. The movement influenced later styles like the avant-garde and downtown music movements, and groups including surrealism, Nouveau Réalisme, pop art and Fluxus. V
>> >>“George “George Grosz Grosz later later recalled that his Dadaist art was was intended intended as as aa protest “against this art world of of mutual mutual destruction.” destruction.” <<<< world
DESIGN
Lensvelt unveiled a range of intentionally “boring” office chairs, desks, room dividers and other accoutrements.
VAMP A VAMP TAKES TAKES A LOOK AT AT SOME SOME LOOK OFTHE THE MOST MOST OF PROMINENT PROMINENT TRENDS SPOTTED SPOTTED TRENDS ATTHIS THIS YEAR’S YEAR’S AT MILAN DESIGN DESIGN MILAN WEEK. WEEK.
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DESIGN 1. Transparent rocking horse by Nendo for Kartell. 2. Swiss studio Big-Game has added to the growing list of children’s products with a miniature adjustable plastic chair for Magis. 3. Bertjan Pot’s new fabric for the Utrecht chair by Gerrit Rietvelt featured in Patricia Urquiola’s first collection as Creative Director for Cassina. 4. Kartell is aiming to entice existing customers and make new fans from a young age with products like Piero Lissoni’s Trattore and Macchinine plastic vehicles. 1
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In the past, major brands would commission well-known designers to design for them, and in return the designers would receive a royalty on each product sold. Some big-name designers are no longer finding this a viable way of making a living and instead are launching their own brands. Instances such as Stefano Giovannoni’s Qeeboo, Sebastian Wrong’s Wrong London (launched with backing from Swedish brand Hay) and architect Matteo Thun’s Atelier line are looking at innovative ways to bring amazing products to market.
At the other end of the spectrum, students who worked by and for themselves are looking to partner with larger companies. The pursuit of fame is lessening as a priority for design students, who are focusing on work that can be beneficial to society and on experimental work with materials. This year brings a focus on tactility in an increasingly digital world. The infinite possibilities of flat-pack furniture have come to light even more this year, with brands like Ikea and Normann Copenhagen taking the lead from companies like Hem. Notable
was Ronan and Erwan Bouroullec’s customisable self-assembly sofa for Danish design brand Hay’s (find Hay at LOFT) 2016 range. Design for children has emerged as one of the hottest trends this year, with the launch of child-focused furniture and toys. Among those to spot a gap in the market was Italian brand Kartell, which launched a new range of products for younger people. There is a rise in creative direction by big designers for big brands. >>
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Stefano Giovannoni’s new company, Qeeboo.
DESIGN
One of the hottest stories at Milan was the unveiling of the first collections from Italian brand Cassina under the creative directorship of designer Patricia Urquiola. Widely considered a triumph, the collection included new products and updates to the brand’s classic designs – like the Utrecht chair by Gerrit Rietvelt with a new fabric by Bertjan Pot. David Chipperfield also unveiled the latest collections for Driade under his leadership, having debuted his first showroom interior for the brand last
year, while Molteni&C announced the appointment of Belgian designer Vincent Van Duysen as its creative director, with the aim of giving the brand “a more sophisticated look”. Nike, Pepsi, MINI and Audi were among the big brands that impressed this year, upstaging traditional design brands with ambitious installations. Pepsi was one of the mega-brands who really took the spotlight, revealing a new bottle design by Karim Rashid.
The word is that everyone is fed-up with the “Googleification” of the workplace, and as a result, the idea of an improved office space began to crystallise this year. Students from Lund University collaborated with the co-founder of Danish brand Hay to produce a range of experimental furniture especially for small-scale workplaces, while Lensvelt unveiled a range of intentionally “boring” chairs, desks, room dividers and other accoutrements. >>
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1. Thousands of watch components form a forest of time in Citizen watch’s installation. 2. Bo Reudler’s outdoor furniture and lighting ‘Sketch Collection’ for JSPR, in which each piece seems as if it has been spontaneously drawn on the spot. The loose lines distill a freedom of expression and liberation, while maintaining comfort and functionality. 3. Pepsi was one of the megabrands who took the spotlight this year, revealing a new bottle design by Karim Rashid. 4. Charpin’s new PC light has a simple round polycarbonate head, while the base and arm are made from aluminium. 5. Architect Matteo Thun’s new Atelier line.
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PEOPLE SENIOR CLINICAL PSYCHOLOGIST JESSICA BORG EXPLORES HOW PSYCHOPATHY IS AMONGST THE MOST DIFFICULT DISORDERS TO SPOT. THE PSYCHOPATH CAN APPEAR NORMAL, EVEN CHARMING. UNDERNEATH, HE LACKS CONSCIENCE AND EMPATHY, MAKING HIM MANIPULATIVE, VOLATILE AND OFTEN (BUT BY NO MEANS ALWAYS) CRIMINAL.
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annibal Lecter (Silence of the Lambs), Patrick Bateman (American Psycho), and Michael Myers (Halloween). What comes to mind? If you enjoy thrillers or horror films, you are likely to label these characters (all serial killers) as psychopaths. The media portrays psychopaths in a stereotypical manner - serial killers, stalkers, rapists, and pure evil. The reality, I’m afraid, is somewhat different and much more complex. Let’s look at the facts: 1% of the general population (1 in every 150) people, will meet the criteria for psychopathy. Psychopathy is a personality disorder characterised by a number of traits including deceitfulness, impulsivity, lack of empathy and remorse, a lengthy criminal history, grandiosity, superficiality, and irresponsible behaviour. >>
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PEOPLE In New Zealand, psychopathy can be diagnosed by a qualified psychologist or psychiatrist trained in using a measure called the Psychopathy Checklist – Revised. A high proportion of psychopaths are in prison serving time for very serious offences, such as murder, rape, and other violent offences, while others may be serving time for corporate crimes, such as fraud and embezzlement. International studies show that approximately 15-35% of prisoners meet the criteria for psychopathy. We know that these individuals commit a greater number of crimes, re-offending quicker and at higher rates than others, and are at greater risk of committing serious crimes upon release from prison. Their crimes tend to be more violent, aggressive, and harmful. However, not all psychopaths end up in prison, with a criminal history, or as the media portrays them – as serial killers. There is a growing area of research that aims to understand how these people are able to avoid contact with the law. This may sound startling to the public, but they can indeed live amongst us and never break the law. They do however, cause great hardship to those around them through the emotional abuse to their partners and children, living off the hard work of their family members, and generally taking advantage of innocent people. Dr Paul Babiak and Dr Robert Hare, known as the godfather of psychopathy, co-authored a book called “Snakes in Suits” where they provide a clear picture of how individuals with psychopathy traits may enter an organisation, and cause a lot of damage to the organisation and their colleagues. Experts in the field believe there are a disproportionate number of psychopaths in high places. They can be very successful at getting their needs met and obtaining promotions, but do so through reckless decisions, and manipulation of others. They do this with limited or no experience of stress, remorse and empathy for others. This means that they are not concerned with the impact of their actions and perceive people as objects to use to their own benefit and dispose of when deemed redundant. The book is aimed to warn 082 T H E S U M M E R I S S U E
employers of such individuals, and the importance of following best practice when recruiting staff. So how might the psychopath amongst us be present? They are likely to appear ego-centric, and have a sense of superiority and entitlement. Those in prison will often brag about sexual conquests, fighting abilities or their intellect. Often these arguments are not backed up by fact or greatly exaggerated. In the corporate world, these individuals may lie or exaggerate their previous roles, experiences, overestimate their abilities, “namedrop” supposed famous or powerful people they know, and blame others for their mistakes. They may initially come across as charming, charismatic, attracting a number of “followers” or supporters. But in time, and after a clear assessment of the key players and easy targets to manipulate, it does not take long for others to be affected, often leaving people confused about what unravelled. They often create conflict among colleagues, take credit for other people’s work, and contribute immensely to the low morale of a company. They are masters at disguising their true selves and are unlikely to share their true inner feelings and thoughts with others. On the other hand, they take mental notes of people’s vulnerabilities, preferences, and use these to their advantage at a later time. It is ironic therefore, that the western world often rewards these individuals in high ranking positions, perhaps because their qualities are mistaken for great leadership skills. It’s also worthwhile to mention that over the past few decades there has been an increase in the number of reports of abuse in major corporations revealing unethical standards and values, and a ruthless abuse of power. Justifications and rationalisations for their abuse of power and resources are evident e.g., “I had a tough life, I deserve this”; “the company has insurance for this kind of thing”; “it’s not much, they won’t even notice it gone” “I got away with it before, I won’t get caught”. Some may repeat the same mantra “I will only be happy if I had more money”, “I got to be successful at any cost”. While a number
of us will desire a better standard of living, very few of us will seek to gain this by abusing one’s power or others’. Psychopaths are a group of people that are most destructive, motivated by big egos, greed, and deceit at any cost. A word of caution – I have provided a small window into the world of corporate psychopaths and this article is not intended as a “how to guide” on the assessment of psychopaths. As mentioned above, this is best left to trained clinicians. It is also important to note that research into the area of psychopathy in society is in its infancy given limitations of sample sizes. It’s easy enough to assess psychopaths in prison as they enjoy the interaction and attention (quite a change from their mundane daily routine) and volunteer for such research. However, it is much harder to recruit highly powerful people in business and politics, for example. Another concern is that people misuse the term “psychopath” and generalise it. We also need to acknowledge that most of us will engage in some form of manipulation such as “impression management” in the right context. For example, during a job interview, we are most likely to present in the best way possible, talking up our strengths, and withholding information that may place us in a negative light. There are other examples of “normal” manipulation which is deemed culturally acceptable. It is the destructive manipulation that harms others that we are mostly concerned about. This article is not intended to sensationalise the subject matter, but rather to raise awareness, and to acknowledge that no one is immune from being deceived by a psychopath. In fact, it is our naivety, beliefs that others are trustworthy, and avoidance of conflict that such individuals will exploit. V
MUSING
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ost of us have a creative dream. Perhaps to spend hours painting or to design dresses professionally. Or maybe to capture the perfect photograph or perform a ballad to raucous applause. “Those are all great dreams,” says Wesley Ellul, adding that he knows a thing or two about creative ambitions. His has long been to bring a rock musical to Malta and, finally, that desire is coming true. “Rock of Ages first rolled into my life five years ago, when I was on honeymoon with my new wife in New York. I’d heard about the show and it was actually the only one I had booked in advance. After all, what could be more amazing than a ‘rock concert come musical’?”
THE ROAD TO ROCK
WITH JUST WEEKS TO GO UNTIL OPENING NIGHT, IGGY FENECH SPEAKS TO SOME OF THE CREATIVE MINDS BEHIND THE BIGGEST ROCK MUSICAL MALTA HAS EVER SEEN: ROCK OF AGES. Words: Iggy Fenech
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However, even though Wesley knew a little about what to expect from the show, nothing could have prepared him for the ‘awesomeness’ that he was about to experience. “I sat in the theatre for two solid hours buzzing at the high energy performances taking place. And it wasn’t just amazing musically, but hilariously funny too.” From that night on, Wesley – whose theatre company TAC Theatre has been behind several other local hits including the Comedy Knights and My First Time – made it his mission to bring Rock of Ages to Malta. He started to chase the contacts he needed to secure the rights and quickly got in touch with the show’s writer, Chris D’Arienzo, as well as its main producer Matthew Weaver. “We were all excited about the prospect of having Rock of Ages staged in Malta, but the project had to be put on hold because there was a major film in the works – so I had to sit tight.” In the meantime, Wesley watched the show twice in London and never lost focus. Fast forward a couple of years and he got back in touch with Rock of Ages’ international production team and, this time, his request went to the front of the line – he had finally secured the rights to produce it in Malta. So, Wesley and his business partner Marc Cabourdin got the ball rolling by securing a top team to work behind the scenes. >>
MUSING
“THIS SHOW ISN’T CALLED ROCK’S BIGGEST PARTY FOR NOTHING. IT HAS WOWED ON BROADWAY AND THE WEST END, AND NOW IT’S MALTA’S TURN!” so those nights out at Axis! I have no doubt that it’s going to be great fun, and also a wonderful throwback for the many people who really loved the unique and inimitable aspects of the 80s rock scene.” Back on the road to this rock spectacle, the fantastic team of creatives has now been matched by an equally phenomenal cast. “We quickly brought together some of the best performers on the island, including Nadia Vella, Taryn Mamo Cefai, Chris Dingli, Rachel Fabri, Katherine Brown, Colin Fitz and Warren Bonnello,” says Wesley. “And were then thrilled when Eurovision singer Kurt Calleja and Airport Impression’s Errol Sammut also jumped aboard. It really is going to be a pretty impressive line-up for our audiences to enjoy.” And they don’t have long to wait either – Rock of Ages will roll in on June 29th, launching with a bang at the City Theatre in Valletta.
That includes Renzo Spiteri for musical direction, Roger Tirazona for vocal direction, Sue Vassallo on choreography, Elyse Tonna and Maria Sammut on set design, Mark Agius on sound, Ismael Portelli on lights, and Nicole Cuscheri on costumes.
Speaking about the thrill of designing outfits for an 80s rock adventure, Nicole says it’s been like stepping back in time. “As an 80s child myself, this been something of a dream come true – the acid wash jeans, ripped tights, leg warmers and, of course, the hairspray... so much hairspray! It’s taking me right back
“This show isn’t called rock’s biggest party for nothing. It has wowed on Broadway and the West End, and at top destinations including Las Vegas, and now it’s Malta’s turn. It’s been a long time coming but, finally, the wait is over and we’re ready to rock,” Wesley adds with a smile. V Tickets to Rock of Ages are on sale now and available from www.ticketline.com.mt
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Surfaces made for dancing SURFACING THE MOST BEAUTIFUL HOMES
The Factory, Mosta Road, Lija. T: 2143 3636 www.halmannvella.com
Bahai Blanca by French interior design house Elitis, consisting of three patchwork of palm tree wood embossed on vinyl wallpaper panels. Available from camilleriparismode, Rabat.
HOME+TRAVEL
HOME+ TRAVEL
DESIGNS OF THE TIME > A LOFT IN KARAKOY > THE BIG BANG > HOTEL HOTEL CANBERRA
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HOME UPDATE
MOSS MODULAR SHELFING UNIT
The Moss modular shelfing unit by Calligaris allows you to play away with your wall, creating much needed storage as you do it. www.ideacasa.com.mt
POM POM
The POM POM design suspension lamp by Calligaris in a metal copper frame, from Ideacasa. www.ideacasa.com.mt
HOME UPDATE
ROYAL ALBERT
TOTA GLASS JARS
Royal Albert. Passionate about flowers for more than 100 years, Royal Albert is inspired by everything English - the country garden and the national flower, the rose. Royal Collection is available at GABA, www.facebook.com/GABAMalta
These beautiful, handmade Tota glass jars by AYTM give a modern twist to the classic food jars you’ll commonly find in kitchens. Dishwasher safe and available in a variety of colours and sizes, these jars feature stunning lacquer treated brass lids. LOFT, www.loft.com.mt
ROYAL BOTANIA
The new Royal Botania range of garden furniture at camilleriparismode promises ergonomic designs and superb manufacturing with a blend of precision and functionality. The garden furniture is made carefully from selected materials which are infinitely exposable to the elements “without harming our children’s inheritance; this precious planet”. www.camilleriparismode.com
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INTERIOR UPDATE
DESIGNS OF THE TIME. Interview with Yvan Puylaert VAMP talks to Yvan Puylaert, founder and director of the interior fabrics brand Designs of the Time, which is exclusively available at LOFT, Naxxar [V]: Tell us a bit about your process. How do you develop them through to the finished product?
[V]: What kind of team do you have around you to support you and your business?
YP: We are constantly looking to find the right cloth, texture, hand. Therefore it is important to have a good contact with the weaving mills, the finishers to discuss and to express the feeling about how the final desired look needs to be. [V]: What type of material do you prefer to use?
YP: The small team has the required skills for an excellent customer service, sales and creative input. Everyone involved is important - from the warehouse (checking out the goods to be sent out to high demanding decorators), to the customer service administration and the sales people on the road.
YP: We prefer to work with natural linen fabrics, or mixtures with linen involved.
[V]: What makes you excited about your business now?
[V]: How did you first become interested in fabric design?
[V]: How has your brand look and feel developed over time?
YP: I was looking to find a way to express my feelings about a pure, natural, casual lifestyle. The idea of building a brand with this DNA would enable me to enjoy my life during working…
YP: Our philosophy is an ongoing story. Since the beginning it’s been natural and casual, with each season completing the looks with impulsions of new colours, different textures and designs..
YP: It’s very exciting to see the impact of our niche market approach finds its devotees all over the world through an exquisite network of agents and distributors.
[V]: Your fabrics seem very versatile and diverse. Your inspiration must be varied. How do you create such different patterns, colours and textures?
[V]: What has been the most important lesson you have learnt along the way?
[V]: How did you begin? Our family name has enjoyed an outstanding reputation in the world of interior decor for three generations, but I didn’t want to rest on that. At the end of the 90s I set up a brand-new business premise that immediately heralded the beginning of greater visibility for our distinctive features. Today, Puylaert Designs of the Time is enjoying limitless expansion, while I have managed to surround myself with a group of dedicated distributors and agents who are just as impassioned by colour and materials as I am.
The inspiration seems to be diverse but there is always one major leading thread… Pure, authentic, casual, natural, adventurous, travelled. 090 T H E S U M M E R I S S U E
YP: I would say that most important thing is to be “big” in a small niche in a type of product line that’s fitting with your personal DNA.
[V]: What is your creative space like? YP: Spacious with pure materials, such as wood and steel. Plants. Some vintage design furniture. [V]: Do you have any exciting plans for the future? YP: My children are planning to enter the business... this gives me exciting energy for the future.
INTERIOR UPDATE
T H E S U M M E R I S S U E 091
ARCHITECTURE In the heart of Istanbul, facing an old Armenian church Getronagan and with Galata Tower in the background, 45-yearold bachelor Timur Saglam enjoys his 180 square metre penthouse.
Project Location: Karakoy, Istanbul Design Office: Ofist Design Team: Yasemin Arpac & Sabahattin Emir Words: Ofist Photography: Koray Erkaya
A LOFT IN
ARCHITECTURE
T
he location of this loft in Karakoy, as well as its personality, way of living and needs of the client were the main parameters in the design of this project. Karakoy had always been the heart of the commerce in Istanbul, but nowadays the old neighborhood is becoming more hip and active with new art galleries, boutiques, restaurants and hotels. Meanwhile, the clientâ&#x20AC;&#x2122;s personality was the designersâ&#x20AC;&#x2122; main inspiration when choosing materials and creating space: natural, neutral, comfortable, and practical are the keywords. >>
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ARCHITECTURE
The structural approach of the house was to open it up to bring in more light and views. 094 T H E S U M M E R I S S U E
ARCHITECTURE
The structural approach of the house was to open it up to being in more light and views. The previous small window openings on the front faรงade were enlarged, and the new folding window frames slide the width of the building to transform the living room into a balcony, since the apartment is missing one. A large rectangular skylight was inserted just below the peak of the pitch to provide light and a view of the outside to the mezzanine. >>
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ARCHITECTURE
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ARCHITECTURE The design approach of the house, however was to keep it simple, and “not to have too many ideas”. The designers evaluated the entire house as a whole and single space since its layout was to be designed for a single person’s use, and all the spaces were planned to be entwined together. There was no need to divide the space into many small rooms. Therefore, “we didn’t need different design ideas for different rooms. We came up with a few design approaches and used it all around the house.” One of the longitudinal walls was also used as storage. A very simple system was designed with iron rods climbing two floors and running the length of
the house, without living room, kitchen, library or bedroom categorisation. 12mm iron rods coming out of the wall and 16mm rods connected to them created a 60x60cm grid over the wall surface. Various shelving units and accessories were designed to fit this system, such as a single shelf, double or triple story shelves, vertical separators or hanging units. The idea was that the user could arrange and utilise this storing system however he likes; as a library, a woodshed, kitchen storage, or a wardrobe. The other longitudinal wall facing this busy storage system was designed with as least movement as possible to create
a serene side, and was covered with natural stone in varied sizes. This wall begins in the living room and continues all the way up and through the bedroom. The downstairs floor was covered with 60x60cm natural stone in an irregular angle, obtaining a casual look. It only changes to wood in the guest bedroom, which is facing north. All throughout the mezzanine the surfaces were covered with a cementbased material, uninterrupted, for a pleasant feeling to the naked feet. >>
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ARCHITECTURE HOME+TRAVEL
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ARCHITECTURE
>> The cast-concrete block surface which was created to form the kitchen counter framed in an iron structure, steps down and forms itself into a cantilevering dining table, which also allows extra seating around the table. <<
This surface created the floor all around, including the shower and also the block, which nestles the bed and the bathtub. Apart from practicality, the warmness that the house needed was achieved with a continuous ceiling of Iroko wood, that rises from the wall to the ceiling, also creating a wide seating unit in front of the window for crowded gatherings. Finally, the cast-concrete block surface which was created to form the kitchen counter framed in an iron structure, steps down and forms itself into a cantilevering dining table and ends up as a short plinth as the hearth, which also allows extra seating around the table. V
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that little bit out of the ordinary
rabat / sliema / valletta t: 20 10 20 30
www.camilleriparismode.com
TRAVEL
VAMP explores Hotel Hotel in Canberra, Australia - a place of collaborative craftsmanship made by artists, makers, designers and fantasists. 102 T H E S U M M E R I S S U E
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T
he artisan-focused property and creative production house Molonglo Group is responsible for Hotel Hotelâ&#x20AC;&#x2122;s conception and its creative authorship, co-designing its architecture, interior spaces and custom design pieces, and curating the artworks, objects, furniture and furnishings that live there.
The 68 hotel rooms are dressed with salvaged and restored 20th century Australian furniture, original artworks, collected objects, and artisan-made furnishings. The beds are made from reclaimed oak, while the walls are a mix of concrete, cork, earthen clay, and natural fibre wallpapers. They are a reimagination of the textures and layers of an Australian shack and landscape expressed through raw materials.
A few of the many finishing touches include Aesop amenities and heated bathroom floors. Half of the rooms look out of their opening hardwood windows onto the lake or bush; and half onto the internal atrium populated with Tasmanian tree ferns salvaged from forests destined for deforestation.
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TRAVEL
>> The salon and dining rooms pay homage to post war immigration to Australia and the eclectic-kitsch tastes that came with it. <<
The hotel’s public lounge is a series of nested spaces made of woven roughformed concrete structural lintels. The lounge houses the reception and concierge; a library stocked with small press and vintage books; two fire places; and the Monster kitchen and bar with its Mosaic room, and Salon and Dining rooms. The Mosaic room is a triple height room filled with large-scale original artworks. The Salon and Dining rooms pay homage to post war immigration to Australia and the eclectic-kitsch tastes that came with it – a shattered terrazzo floor and an original 1940s floral carpet, 1850s Greek oil paintings alongside German and American 1960s neon prints. The Monster kitchen and bar wanders throughout these lounge spaces preoccupied with local and seasonal food prepared for sharing.
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The hotel sits in the environmentally thoughtful pineapple-shaped Nishi building within Canberra’s arts and cultureprecinct, NewActon. Hotel Hotel is connected to the NewActon precinct, its amenities and gardens, by the grand stair; a geometric explosion of salvaged local and interstate timbers. Scattered throughout NewActon are 39 Hotel Hotel managed apartments. Molonglo Group sees the process of design in a non-linear way. “More like a soup of evolutionary biology than an industrial factory floor.” It is a slow, interative and layered process about people and their connections with themselves, objects, activities, and the landscape they live in. As such, they embrace a messy, collaborative and cross-disciplinary design approach. >>
TRAVEL
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The result of Molonglo Groupâ&#x20AC;&#x2122;s collaboration is a re-evaluation of the consumption culture that dominates much of contemporary design and manufacture. It favours the work of designer-makers, artists and curators who are invested in the authenticity, integrity and care of the well made. The notion extends to those people not generally cast into the designer spotlight, but who are equally essential to the proposal. The artist and the framer that framed their artwork so well. The tile maker and the tiler that laid the tiles with such care. The curator that collected the mid-century furniture pieces and re-upholsterer and French polisher that restored them. The furniture designer and iron monger, brazier and carpenter that made the design possible. The chef and the producer that grew the ingredients. And the endless banter that goes with it all. V
T H E S U M M E R I S S U E 105
THE BIG BANG
Photography: Alan Carville Recipes: Chefs Stefan Hogan, Jonathan Zammit, and Mark McBride Plates from camilleriparismode, wooden bowls from LOFT
Corinthia Palace Chefs Stefan Hogan, Jonathan Zammit, and Mark McBride really outdo themselves this issue, with an exceptional menu
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CUISINE
ROASTED PIGEON WITH PURPLE POTATO GNOCCHI & HERITAGE CARROT PUREE
T H E S U M M E R I S S U E 109
parts
o c c e s Pro
3 2
parts
l o r e p A
1
part
Soda
y d a e R o t Imported by Farsons Beverage Imports Co. Ltd. The Brewery, Mdina Road, Mriehel. BKR3000. Trade Enquiry 2381 4400
CUISINE << PREVIOUS PAGE
ROASTED PIGEON WITH PURPLE POTATO GNOCCHI & HERITAGE CARROT PUREE Ingredients 2 squab pigeons 1 sprig thyme 1 garlic clove 25g butter 25ml oil Ingredients for the purple potato gnocchi 450g purple potatoes 110g flour 25g butter 15ml olive oil Salt Pepper Method: Roast the potatoes in a hot oven until soft, cut in half and scoop out the flesh, then pass through a drum sieve whilst still hot. Add around half the flour until it’s incorporated, then season, but do not over work, and roll out into the desired shape. Chill until ready to serve. In a hot pan, sear the pigeons and season liberally with salt and pepper. Place in a hot oven for 10 minutes. Remove from the oven and place over a low flame. Add the thyme, garlic and butter and continue to cook basting the pigeons with a spoon. Remove from the heat and place to rest breast side down. Once rested remove from the bone and keep warm. To cook the gnocchi pop into a pot with boiling salted water, add gnocchi for about 2 minutes, or until they float. Remove with a slotted spoon and transfer to a pan over medium-high heat with a splash of olive oil and butter. Sauté the gnocchi for just a few minutes. Season and use to finish dressing the plate. To finish dressing the plate, add blanched buttered purple sprouting broccoli, purple kale, as well as reduced red cabbage juice, purple heritage carrots puree and roasted purple carrots.
SPRING VEGETABLE SOUP
75g parsley, chopped 50g chervil, chopped 40g tarragon, chopped 110g chives, chopped 55g celery, chopped 60g mint, chopped 60ml olive oil 3g salt 2g white pepper Ingredients for the burrata garnish 2 pieces burrata with some liquid, blended, seasoned and chilled
Serves 4
Ingredients for the vegetable garnish
Ingredients for the soup
8 asparagus tips, blanched and refreshed 30g peas, blanched 30g broad beans, shelled 2tbsp sugar snap peas, blanched and sliced 10g mixed herbs 1tsp lemon juice 1tsp olive oil 1tsp salt 1tsp pepper
180g spring onion, chopped 40g green garlic, chopped 120g white onion, chopped 125g asparagus, chopped 200g peas, chopped 80g mange tout 1.5 litres vegetable stock 200g spinach, chopped
Method: In a sauté pan, heat 3 tablespoons of olive oil, add the spring onion, garlic, and yellow onion to the pan, season with salt and pepper, and sweat until soft and cooked through. Blanch the asparagus, all the peas, and mange tout. Refresh in iced water. Blanch the spinach, parsley, chervil, chives, tarragon and celery. Refresh in iced water. All the blanched vegetables must be well drained on absorbent paper to remove all excess liquid. Place all the ingredients in a blender, and ensure that the vegetable stock is well chilled so that it does not discolour the vegetables. Purée the soup and pass through a fine chinois. Chill immediately. Once the soup is very cold, blend just before serving with a splash of olive oil and a light squeeze of lemon. Adjust the seasoning if necessary. To Serve: Spoon the whisked burrata into the centre of a deep soup plate. Dress the vegetable garnish with oil, lemon juice, salt and pepper. Top the burrata with the vegetables. For added wow pour the green herb soup table side to get the visual as the bright green hits the pure white burrata. >>
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CUISINE
TOMATO WATER CRÈME BAVAROIS, RED PEPPER GEL, DEHYDRATED STRAWBERRY & CRYSTALLISED ROSE PETALS For the tomato water bavarois 600g beef tomato 100g sugar 400ml cream 4 egg yolk 3 leaves gold leaf gelatine 2tbsp boiling water Method: Cut the tomato into pieces and place in a strainer from the night before to collect the tomato water. Bloom gelatine in cold water. Scale out 200g of the water, add to sugar and boil. Pour into the egg yolk and return to heat until it starts to thicken. Add the gelatine, and allow cooling. Whip the cream to a soft peak and fold into the tomato mixture. Pipe into moulds and allow to set in the fridge.
20g citric acid 30g pectin Method: Prepare an 8x8-inch square pan by lining it with parchment paper or use a silicone pan. Cook the red pepper purée and sugar together in a medium saucepan over low heat until they form a very thick syrup. Depending on the thickness of your purée, it will take between 30 minutes to 1 hour. The syrup should thickly coat the back of a spoon or spatula. Add glucose and pectin. Re-boil until it reaches 129C. Remove from the heat and stir in the pectin while hot. Pour immediately into prepared pan. Allow to cool to room temperature. Once the pate de fruit is completely set, cut them into small strips with a knife dipped in water. They can be rolled in caster sugar or left plain. The sugar makes them easier to store and stack, as it prevents them from sticking together. Ingredients for the compressed tomatoes
Ingredients for the red pepper gel
140g water 140g granulated sugar 2 large tomatoes
360g red pepper juice 400g sugar 100g glucose
Method: Boil water and sugar to obtain a simple syrup. Cut the tomatoes into quarters, remove the skin and seeds. Place them into
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a vacuum bag and pour over syrup. Seal the bag and poach over low heat for 30 minutes. Leave to cool. Ingredients for the beetroot 2 egg whites 125g icing sugar 4 raw beetroot Method: Scrub and peel the beetroot. Boil for 30-60 minutes until cooked through (a fork should easily pierce the beetroot). Remove from liquid and cook the liquid down for another 45-60 minutes until it’s reduced, thick and dark purple-red. To make the meringues, put the sugar and egg whites in a mixing bowl together and whisk with an electric mixer until stiff peaks form (about 5-8 minutes). Add as much of the beetroot syrup as required to get a dark rich purplered colour in the meringue. Pipe onto a baking tray lined with greaseproof paper. Each meringue should be a couple of centimetres in diameter (you don’t need to pipe; the mixture will be stiff enough to shape with a spoon). Bake for 30-40 minutes at 160C until crisp on the outside but not golden and cooked on the inside (insert a skewer into one to check). Leave to cool on a wire rack.
Ingredients for the ube halaya 500g grated purple yam 460ml coconut milk 210g granulated white sugar 1tsp cooking oil Method: Pour the coconut milk in a cooking pot. Bring to a boil. Once the coconut milk starts to boil, add the sugar. Stir until the
sugar dilutes completely. Add in the grated purple yam. Continue to cook while stirring (using low to medium heat) until the texture gets thick. (It will take around 20 to 30 minutes.) Grease a tray with cooking oil. Transfer the ube halaya to the greased tray to mould it into shape. Let it cool down to room temperature. Place in the refrigerator over night, and use the blender to turn into a paste to be piped directly onto the plate.
For plating this dessert, we have taken a modern approach. De-mould the bavarois and place onto the plating surface, as a whole or cut into smaller pieces and placed randomly. Place the compressed tomatoes slivers onto the bavarois, place the beetroot meringues and the other components as if they have fallen onto the plate instead of being placed. (This kind of plating is referred to as Dirty Plating.) >>
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CUISINE
Cocktail Time. Recipes: Timothy Zammit, Chef Leader, The Summer Kitchen, Corinthia Palace Hotel Wooden bowl and coral piece from LOFT
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Strawberry Daiquiri
Blue Sky
6 cups Ice 1/2 cup White sugar 4 oz Frozen strawberries 1/8 cup Lime juice 1/2 cup Lemon juice 3/4 cup Rum 1/4 cup Lemon-lime flavoured carbonated beverage
1 cup Ice 1/2 oz Blue Curacao 1 oz Gin 1 oz Triple Sec 1 oz Coconut syrup
In a blender, combine the ice, sugar and strawberries. Pour in the lime juice, lemon juice, rum and lemon-lime soda. Blend until smooth. Pour into glasses and serve.
In a blender combine all the ingredients. Serve in a cocktail glass.
THE SUMMER KITCHEN With exotic new menus featuring dishes from all the corners of the Mediterranean, enjoy lunch, dinner or drinks under the stars by our lush poolside gardens. Whether you fancy tossing the carbs with our mouth-watering salads or tucking into our traditionally stone baked pizzas, we look forward to welcoming you back. Reservations required for tables of 12 guests and over. Call The Summer Kitchen team on 21440301
7
Days
June 6-12
3 1
Ingredients
Campari | Gin | Vermouth
Simple Way to Give Back Donations made during Negroni Week will be given to Hospice Malta
/camparimalta
for details and a full list of participating retailers, bars and restaurants. # NegroniWeek
Imported by Farsons Beverage Imports Co. Ltd. The Brewery, Mdina Road, Mriehel. BKR3000. Trade Enquiry 2381 4400
CULTURE & ART ON THE BIG SCREEN Through advances in satellite technology and a thirst for quality and culture, the experience of going to the movies has evolved. Sure, you can still enjoy the typical Hollywood fare, but Eden Cinema’s schedule now includes a whole slate of unique on-screen experiences, from live streams direct from the Royal Opera House or the Globe theatre, to award winning, European and art-house films. Here’s an update of cultural content coming to the Eden Cinemas this June: and the works of art enshrined within them. This extraordinary cinematic experience will be screened with innovative use of 3D exclusively at Eden Cinemas.
WERTHER
LIVE FROM THE ROYAL OPERA HOUSE Live – Monday 27th June, 8pm Encore – Sunday 3rd July, 3pm
HAMLET
LIVE FROM THE ROYAL SHAKESPEARE COMPANY Wednesday 8th June, 8pm Rediscover the tragedy that is Hamlet, in the Royal Shakespeare Company’s modern rendition of one of Shakespeare’s most popular plays. Broadcast LIVE from StratfordUpon-Avon, feel the raw emotions portrayed by the cast, transmitted exclusively to Eden Cinema. Featuring Paapa Essiedu as Hamlet, and directed by Simon Godwin – famous for The Two Gentlemen in Vienna.
ST. PETER’S AND THE PAPAL BASILICAS OF ROME 3D Friday 17th June – Sunday 19th June Take a journey into the unveiled treasures of Rome, in St.Peter’s and The Papal Basilicas of Rome 3D. This new film production, delivers a tour shot from previously unseen points of view featuring completely new footage of St.Peter’s, St. John in the Lateran, St Mary major, St Paul Outside the walls
Based on Goethe’s novel The Sorrows of Young Werther, Massenet’s opera tells the story of the poet Werther’s hopeless love for Charlotte, who is committed to another man. This dramatic tale was transformed into a beautiful four-act opera by Jules Massenet, and is widely regarded as his greatest work. The production will feature performances by Italian tenor Vittorio Grigolo as Werther, and Joyce Di Dinato as Charlotte.
LOVE & FRIENDSHIP SIDE STREET MOVIE Wednesday 15th June
Starring Kate Beckinsale, Chloe Sevigny, Xavier Samuel and Stephen Fry, Love & Friendship is based on Jane Austen’s novel Lady Susan, and is as funny as her book. Written and directed by Whit Stillman, it centres on Lady Susan Vernon, who seeks refuge at her in-laws estate while rumours about her private life circulate through society.
TALE OF TALES SIDE STREET MOVIE Wednesday 15th June
Tale of Tales is an English-language ItalianFrench-British fantasy horror film, directed by Matteo Garrone, starring Salma Hayek, Vincent Cassel, Toby Jones, and John C Reilly. It is a screen adaptation based on collections of tales by Neapolitan poet and courtier Giambattista Basile: Pentamerone or Lo cunto de li cunti, which contains the earliest versions of famous fables like Rapunzel, Sleeping Beauty and Cinderella. FOR MORE INFORMATION AND TICKETS PLEASE VISIT EDENCINEMAS.COM.MT
S/Sâ&#x20AC;&#x201C;16
B E HI ND T H E SC E NE S Campari makes its way with classical cocktails behind the scenes at Heat Wave photo shoot with some of the VAMP crew
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ICONIC COCKTAILS
T H E W O R L D FA M O U S , A B S O L U T E LY U N I Q U E , R E D I TA L I A N S P I R I T Campari is a contemporary and charismatic classic. The recipe, which has remained unchanged, originated in Novara in 1860 as a result of Gaspare Campari’s experiments in concocting new beverages. Campari is an alcoholic spirit obtained from the infusion of bitter herbs, aromatic plants and fruit in alcohol and water. It is still produced today with the same ingredients and following the
original confidential recipe which remains a secret known only to the very few people in charge of the production process.
made the Campari brand famous throughout the world as an icon of passionate Italian style and excellence.
With its vibrant red colour, intense aroma and inspiring flavour, Campari has always been a symbol of intrigue and pleasure, which unfurls itself into a captivating drinking experience. These are the values that have
Campari is the base for some of the most famous cocktails around the world. The Campari based cocktail Americano is the first drink ordered by James Bond in the first novel in Ian Fleming's series, Casino Royale.
CAMPARI ON THE ROCKS
CAMPARI TONIC
AMERICANO
NEGRONI
The simplest, most classic way of discovering and enjoying Campari’s complexity. The ice will enhance its unmistakable hint of bitter, entering dry and strong on the palate. The best time to enjoy it? Aperitif time, of course.
Simplicity is often the key to the best results. And this drink proves the point; all it takes is a touch of tonic water to make an irresistible, thirst quenching cocktail.
A cocktail that you’ll love at first sip. In fact they say that once you’ve tried it you’ll never get tired of its special texture and striking mixture of flavours.
Florence, 1919. It is said that, on his return from England, Count Camillo Negroni asked his favourite bar to prepare his usual Americano with seven drops of gin instead of soda. A legend was born and still continues strong today.
1 part Campari Ice 1 slice of Orange Build in a rock glass, with ice. Garnish with a slice of orange.
1 part Campari 3 parts Tonic 1 slice of Lime
1 part Campari 1 part Cinzano Rosso 1 part Perrier 1 slice of Orange
Build the cocktail in a balloon glass ¾ filled with ice. Add a slice of lime to finish.
Pour all ingredients directly into a rock glass filled with ice. Garnish with a slice of orange.
1 part Campari 1 part Gin 1 part Cinzano Rosso 1 slice of Orange Pour all ingredients directly into a rock glass filled with ice. Garnish with a slice of orange.
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PROMOTION
MEET LIFE.
After 130 years since its conception, Coca-Cola continues to innovate and expand its portfolio to meet consumersâ&#x20AC;&#x2122; evolving needs and preferences.
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PROMOTION CUISINE Distinguished for its great taste, Coca-Cola Life’s new recipe is keeping up with the times. For those who lead a health-conscious lifestyle, looking to reduce their calorie intake without sacrificing the taste which is unique to Coca-Cola. With calories reduced by 36% than other leading colas, CocaCola Life is a great-tasting option reduced-calorie soft drink sweetened with cane sugar and stevia leaf extract.
The sweetener is made by extracting and purifying the naturally sweet components from the leaf of the stevia plant. Together with cane sugar, stevia leaf extract gives Coca-Cola Life its delicious sweetness. There is a growing interest worldwide in new ingredients like stevia leaf extract that provide sweetness from natural sources. Stevia leaf extract is sourced from the stevia plant, which is native to Paraguay. Sweeteners made from stevia
are calorie-free and up to 200 times sweeter than table sugar. For the first time, Coca-Cola’s traditional red branding has changed to green to signify and embody the beverage’s natural sweetness. The launch of Coca-Cola Life® is part of The Coca-Cola Company’s global commitment to health and wellness, offering consumers more choices with fewer or no calories.
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There’s nothing healthy about a tan.
MAY: MELANOMA AWARENESS MONTH
Melanoma is a type of skin tumour that contains melanin, the dark brown or black pigment in the skin that makes moles look dark. An
By far the biggest risk factor for developing melanoma, the most
easy method of self-examination is the ABCDE-Method: Asymmetry,
dangerous form of skin cancer, is exposure to the harmful rays of the sun.
Border, Colour, Diameter and Evolution - looking for the so-called ‘ugly
Sun damage is cumulative and much of the harm that occurs is invisible,
ducklings’. Regular self-examination of the skin should be considered
beneath the surface, only becoming apparent later in life. Therefore, it
as complementary to a skin examination by a dermatologist. While
is essential to behave cautiously in the sun from an early age. Besides
we know that people in Malta love to enjoy the sun and the sea, we
using a high SPF broad-spectrum sunscreen which protects you from
hope that Persona can contribute to raising awareness to the risks
both UVA and UVB radiation, the use of powerful topical antioxidants
of sun exposure and to support educational campaigns aimed at the
will majorly increase your protection from sun damage.
prevention of melanoma.
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42 Marina Court, Sir Ugo Mifsud Street, Ta’ Xbiex 21 340 366
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All Makeup: Rimmel Photography: Matthew Spiteri Makeup: Jennifer Dimech Hair: TONI&GUY Christian Pisani Artistic Team Model: Monica Staible
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SPA SUBLIME > ANY GIVEN LOOK > SUN TIME > HOLY HILTON!
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UPDATE
H HOLY HILTON!
ilton Malta’s former design included several classic interior design elements such as furniture, marble and fabrics. The vision for the refurbishment was a much more contemporary one, where the decor creates a dialogue between different ages, without emulating any specific style.
Hilton Malta has just undergone a huge face-lift. International Interior Designer Jean Philippe Nuel’s vision has brought it into a portal that takes the guest from the urban Portomaso to the natural elements of the seaside across. Here, the designer, Project Manager Alphonse Camilleri, and Senior Director of Interior Designing for Hilton Worldwide Chris Webb talk about Hilton’s latest glamorous renovation.
The refurbishment of the public areas entailed extending the floor area of the Vista Lobby Bar, constructing a terrace overlooking the pool deck, completely refurbishing the restaurant area and also extending the area of the restaurant terrace. This increased the seating by 116 at the Vista Bar and 80 at the Oceana Restaurant. The first talks related to the latest Hilton refurbishment date back to 2014, when the late Mr. George Fenech, in agreement with Hilton International, decided it was time to give Hilton Malta a face-lift. Project Manager Alphonse Camilleri then met with French interior designer Jean Philippe Nuel and his team to share various ideas. Once the designs were submitted and approved, a ten-week window from the second week of February until mid-April was earmarked as a period in which the hotel could afford to close down to complete the works. Alphonse says, “I remember being asked by Mr. Fenech if this was a realistic timeframe to complete all works within the public areas and the remaining 200 guest rooms and corridors. My initial response was “definitely not”, but upon giving it some more thought, I felt that I was up for the challenge and committed to complete the entire project within the stipulated tenweek period.” The most challenging tasks for the Project Manager throughout the refurbishment included planning the works on site ahead of time, coordinating various trades, and executing the work once the project kicked off. “This meant that each day, out of the 60 available working days, was absolutely crucial; delays were not in our schedule. The constant monitoring and supervising of all the trades from before sunrise till after sunset was the only way to ensure that all ran smoothly. >>
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UPDATE
>> My initial response was “definitely not”, but upon giving it some more thought, I felt that I was up for the challenge and committed to complete the entire project within the stipulated ten-week period.” << Obviously there were some unforeseen mishaps, but, being constantly at hand meant that I could immediately evaluate any situation and make a quick decision to find the ideal and most immediate solution. Halting works was never an option.” Chris Webb, Senior Director of Interior Design, Architecture, Design & Construction of Europe Hilton worldwide said of the design: “At project inception I defined a design brief emphasising on the creation of a sense of place and casual glamour. We believe that undertaking extensive research before starting out any project is one of the key factors to our success. Here in Malta we wanted to celebrate the unique location, its colours, the heritage of the island and its unique patterns, motifs and style.” Interior Designer Jean Philippe Nuel’s concept for the hotel was to highlight the seaside atmosphere of the place,
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without denying its classical architecture. The selected colour palatte for this project comprises a range of blue tones contrasted against the use of light tone woods to create a fresh and aerial ambiance.
both emotion and well-being. These two elements are the signature for a successful journey. While working on the design for Hilton Malta, I tried to reinterpret the quintessence of the place and its relationship with the sea.
Ample wood was used for both the floor and the wall panels, along with marble and new-generation tiles, reminiscent of raw cement tiles or imitation wooden flooring, which are both pleasing to the eye, as well as easy to maintain.
“We imagined the hotel as some sort of portal, that takes the guest from the urban Portomaso to the natural elements of the seaside across.”
“To me, hotels are like the first sequences of a film; they must create a unique atmosphere. Every guest is entitled to end his or her film in their own personal manner, depending on the experience they had while spending time in the hotel. “The décor should surprise and astonish without shocking… A hotel cannot be merely functional; it has to respond to the industry needs and must deliver
Chris Webb concludes, “Identikit hotels thankfully are continually vanishing. I firmly believe that a hotel and its design should tell a compelling story, and speak of the place in which it resides. Surely this is why we travel – to open our mind to new, exciting things; to learn. Apart from responding to the city in which the hotel is located, design should also subtly recall culture, location as well as the brand – it’s all about the detail.”
UPDATE
SPA SUBLIME
Olivia Borg visits Myoka 5 Senses Spa at the Hilton Malta to experience their recently renovated premises. Words: Olivia Borg
My arrival to the Myoka 5 Senses Spa was met by an impressive newly renovated environment. Lavish marble against solid wood contrasts against deep, rich colours. Upon checking in at the welcome desk, a friendly therapist greeted me with a reassuring smile, expectantly prepared for my arrival. You only become aware of how frenetic you are when you come face to face with someone who is at the complete opposite end of the spectrum. Her serenity immediately slowed me down and she invited me to sit with her to discuss my upcoming treatment. We completed my profile together as she asked me a series of pre-treatment questions, which give her an insight to any issues and needs. She concluded that the most beneficial treatment for me would be the Pañpuri Thai Herbal Compress Massage. She also suggested that the best thing to reduce the stress puffs under my eyes would be the Clarena Facial, which is an anti-ageing treatment that improves the hydration and texture of the skin. The Pañpuri treatments were designed by drawing from the best ancient Asian traditions and techniques. Since every body is different, a varying selection of signature treatments are available for specific needs; the Thai massage, Indian
Shirodara massage, Indonesian Balinese massage, Chinese Tui Na massage and Philippine Hilot massage, to name just a few. The therapist will then decide on the variation of the technique based upon the individual’s needs, and as a result, each unique therapy offers clients a completely customised experience.
Next I had the Clarena Facial, which involved a deep cleanse, followed by a hydration treatment. This also included an impressive head and neck massage. Every time I go for a massage, I am reminded of how truly vital it is to stop, treat myself, and leave feeling better than I did when coming in.
The Pañpuri treatment that was assigned to me to help with my specific problem area was both a combination of traditional and modern techniques to ease away the stress from the body and the mind.
Myoka Spa really is for those seeking total luxury. The 5 Senses Spa is also one of the only spas to offer the traditional Turkish Royal Hammam, privately or jointly. Surrounded by heated marble, they scrub you before cleansing your body in a foam bath, followed by a relaxing full body massage. You can also extend the benefits of your treatment a little while longer and forget about time, in the Five Sense’s new relaxation areas, including the spa garden.
The treatment begun with a gentle exfoliation, revealing clean and clear skin that was ready for the next step of nourishment. My therapist then used a specialised massage technique to firm the skin and relieve muscle tension. The pressure she used varied in certain areas, and reached the deeper layer of the muscles, relaxing me immensely, while the skin was treated to the nutrients of the special oil blend, leaving it soft and silky. I really was transported to another place. I could hear and smell the East, as the scent of the traditional Thai herbs released their natural oils, soothing my body and mind.
Also, now available with the refurbishment are the treatment water beds, which will be the only ones available on the island. Now alongside the Hilton Malta St. Julian’s renovation, the Myoka 5 Senses Spa is truly a highly welcoming haven amongst the hustle and bustle of the island.
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ANY GIVEN LOOK
All Makeup: Rimmel Photography: Matthew Spiteri Makeup: Jennifer Dimech Hair: TONI&GUY Christian Pisani Artistic Team Model: Monica Staible
BEAUTY
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BEAUTY
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BEAUTY
SUN TIME 8
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Artist
in a
Marina Abramović & Ulay, ‘Rest Energy’, 1980.
Disturbed
Society
KSU students speak out with VAMP. This issue, Stephanie Bonnici talks about the body as a medium in performance art. Words: Stephanie Bonnici
PEOPLE
>> “The function of the artist in a disturbed society is to give awareness of the universe, to ask the right questions, and to elevate the mind.” << – Marina Abramović
D
efining performance art has been problematic for both artist and spectator ever since its emergence in the second half of the 20th century. Frequently, performance art has been associated with controversy and censorship, and has very often been regarded and criticised as to being gratuitous and bizarre. Art historian RoseLee Goldberg writes: ‘Historically, performance art has been a medium that challenges and violates borders between disciplines and genders, between private and public, and between everyday life and art, and that follows no rules.’ The context of the 1950s and the decades that followed, in which performance art originated, is a clear indication of such assumptions. In light of the social upheavals happening at the time, namely the fight for female equality, sexual freedom, civil rights and the fight against the unfair treatment of races, the body took on an important role as a medium with which artists created their work. Many artists regarded the use of the body as a means
of expression, but also of questioning issues of gender. Artists sought ways of referring to and describing the various events happening at the time, through deliberate provocation and attempts to go against the conventions of past artistic traditions and values. Following World War II, performance became a useful medium for artists to explore the human existence in itself. The body had come to be regarded as a medium to communicate shared physical and emotional experience through direct human connection. Performance art is interdisciplinary and consists of four elements: time, space, the performer’s body, and a relationship between the performer and the spectator. The artist’s medium is the body, and the live actions he or she performs are the work of art. Artists such as Kazuo Shiraga of the Japanese Gutai Group were inspired by Abstract Expressionism to emphasise the body’s role in artistic production, and made a sculpture by crawling through a pile of mud. In Paris, Georges Mathieu staged a similar performance where he violently threw paint at his canvas. The artist’s actions came to be regarded as equally important to the artwork produced.
Performance art very often leads audiences to think of issues in an uncomfortable manner, but also leads to the realisation of life’s absurdities and the peculiarities of human behaviour. Marina Abramović, who has been described as the ‘grandmother of performance art’, is the classic example of the lengths that performance artists allow their work to take them to. The artist often endangers herself by means of the lengthy and harmful routines which she creates and performs; making statements in a manner that has led to her being regarded as absurd and irrational. She believes in total immersion in her art, both on her own personal level, yet also in her viewers and spectators. She tests her own physical and mental limits, and has inflicted upon herself and endured cutting, burning, and privation, amongst other sacrificial forms, as many choose to regard these situations which she places herself in. Abramović’s approach in her performances has often been regarded as a displacement of art directly on her body. Yet, she has stated that she thinks of the body as the ‘point of departure for any spiritual development’. In her groundbreaking work, ‘Art must be beautiful, >> T H E S U M M E R I S S U E 137
PEOPLE
>> “Performance art has been associated with controversy and censorship, and has very often been regarded and criticised as to being gratuitous and bizarre.” <<
Controversial Performance Artist Marina Abramović
artist must be beautiful’, she positions herself in front of a camera, directly addressing her viewers, revealing only her face and hands. She forcefully combs her hair, without a pause, for more than 50 minutes, repeating the sentence ‘art must be beautiful, artist must be beautiful’. Both artist and audience are put into a trance-like state by means of this performanceencounter, where overcoming the physical pain frees the body and mind from the conventions of Western society and culture.
Marina Abramović & Ulay, Imponderabilia, 1977.
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Some of Marina Abramovic’s more controversial work was created in collaboration with German artist, Ulay. The pair exploited their duality to investigate ideas such as the division between mind and body, and naturally, male and female. Their performance, Imponderabilia, involved them both
standing naked at the entrance of the Museum of the Galleria d’Arte Moderna Bologna, opposite each other in such a way that people wishing to enter the museum, had to squeeze singly through the gap between the two, unable to avoid physical contact. Participants of this performance were confronted with the experience of touch, physical contact and the exposure of an unfamiliar bodily sensation. The questions and implications that emerge from the artist’s bodily expression and challenging of social norms is a challenge that performance art confronts those who experience it. Whatever the outcome or impact, its history shows that it generates an art that is visually and viscerally, yet also mentally and physically challenging to its spectator. V
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