Windlight Magazine-June 2016 Issue by Kultivate Magazine

VOLUME 2, ISSUE 6 JUNE 2016

WINDLIGHT MAGAZINE

SILAS MERLIN NITROGLOBUS GALLERY RAGLANSHIRE ARTWALK 2016 MEAUXLE BUREAUX

SUMMER ART

SONATTA MORALES

THE EDGE MANIFESTO

PARIS METRO COUTURE GALLERY

THE ARTISTRY OF PAGEANTRY

SEASHELL DENCH

MZTREY FERRANTINO

FALBALA FAIREY

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

Welcome to the June 2016 Edition of Windlight Magazine! This issue is the first issue of the summer and the last one before we celebrate our one year anniversary in July!

fast it has grown.

Of course with growth, comes both positive and negative criticism. Windlight has been at the end of negative criticism recently and we have This issue features artist Silas Merlin, addressed these statements in a the current exhibit at Nitroglobus professional way and have not let such Gallery, Raglanshire Artwalk 2016, a false and negative commentary affect summer art photo essay, the Linden our way of doing business, in fact it has Labs Department of Public Works home made Windlight stronger as we are to of the moles Meaulxe Bureaux, and complete a year in existence. DOPE Magazine owner, MzTray Ferrentino. The strength behind Windlight are you the readers, the artists, our The Edge discusses itâ&#x20AC;&#x2122;s purpose and contributors, our business partners, and goals with the publishing of The Edge our sponsors. While I am often thanked Manifesto. The artistry of pageantry is for what Windlight does for others, I also discussed and this issue has profiles always remind people that I cannot do it on vintage clothing designer Sonatta alone. I am fortunate to have such a Morales, SCALA co-owner Seashell talented team behind me and a very lovDench, and model Falbala Fairey ing and caring best friend and partner in discussed being an elf in the fashion the form of Eleseren. world. We both hope that you enjoy this issue This is our largest issue yet with over and continue to support Windlight and 240 pages and I am most proud of this our endeavors! issue, as I am of our previous issues. Looking back on almost a year of John Windlight history, I am amazed at what Publisher & Editor In Chief Windlight has accomplished and how

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

PUBLISHERâ&#x20AC;&#x2122;S NOTE

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

WINDLIGHT MAGAZINE

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

TABLE OF CONTENTS

JUNE 2016 ISSUE

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

JOHANNES1977 RESIDENT OWNER, PUBLISHE R, & EDITOR IN CH IEF ELESEREN BRIANNA COO, THE EDGE EDITOR IN CHIEF

J E S S I I 2 0 0 9 WA R R H O L , M A R K E T I N G A N D S O C I A L M E D I A C O O R D I N AT O R CONTRIB UTORS: I N A R A P E Y, L E A D C O N T R I B U TO R D AW N B E A M D R E A M S C A P E I LY R A C H A R D I N MYRA WILDMIST OEMA RESIDENT S TAV R O S R E S I D E N T ( G R A C E M O N T ) V E R U C A TA M M A S JUNE 2016 EDGE STYLISTS: M I E L E TA R A N TA L MECCA TELADIS RAMSA LUV R U BY O R N A M E N TA L TISZO CIOC C O V E R P H O TO G R A P H Y: INARA PEY

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

WINDLIGHT CONTIRBUTORS

FIND US ON THE WEB:

www.windlightmagazine.com https://www.facebook.com/windlightmagazine https://plus.google.com/+Windlightmagazine/posts http://windlightmagazine.tumblr.com/ https://twitter.com/windlightmag https://www.flickr.com/groups/windlightmagazine

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

FEATURED STORY: SILAS MERLIN WRITER AND PHOTOGRAPHY: INARA PEY

Silas is well placed to discuss art and first met Silas Merlin in January SL as a medium for artistic 2016, while visiting an exhibition of expression. Known in the physical his work being presented at Kayly world as Jean-François Le Saint, he FEATURED ARTICLE: Iali's, Gallery 24. The exhibition had specializes in pastel studies and is a been open for several days, and so I Maître VPastelliste (Master of REBECA BASHLY was both pleased and surprised to Pastels) of the Société des Pastelliste encounter the artist, whose work de France. He uses the platform to Immediately struck me as some of display his original art which, were I the most unique and eye-catching asked to describe it in a single I've yet witnessed in WRITER: Second Life, JOHNas I adjective, it would be exquisite. reported at the time. Charming, Through his work, beautifully REBECA witty, with aPHOTOGRAPHY: twinkle in his eye that BASHLY reproduced within Second Life shines through his conversation, Silas without any loss of the layered, is someone I've come to regard and textured richness so special to pastel call a friend over the ensuing months, art, it is possible to appreciate just and I've been privileged to chat why this medium has been so about art in Second Life with him on favored a form of portrait art since numerous occasions. the Renaissance period; the pale color tones which are available or can

WINDLIGHT MA GA ZINE —JUNE 2 016 ISSUE

F E AT U R E D S TO R Y

n 33

can be mixed result in incredibly life-like images which can often transcend the use of paints, capturing the very essence of the subjects in a study. Even so, I wondered what drew Silas to pastels over other mediums such as oil or acrylic or watercolors.

in Paris, to the Société des i Pastellistes de France. This august " body was founded in 1885 in S recognition of the pastel as an art o form in France, where it had, for a p period following the Revolution, l been all but banned, being identi- i fied with the frivolity of the Ancien v "I guess everyone draws when they Régime. However, in the mid-19th L are little," he says. "Most people stop century, it was re-emerging as a valat some point. I didn't. I used to draw id art form, thanks to artists such as " Eugène h in black and white. At art school they Delacroix, Jean-François Millet and u had us buy all sorts of things, Édouard Manet, with Edgar Degas, a including something called Carrés an innovator in pastel technique, i conté which are very hard pastels. a They did not make us use any specific vigorously employing it from " media, or even FEATURED teach us howARTICLE: to use around 1885 onwards. them, for which I am grateful. The The title of Maître Pastelliste is not c BASHLY day I tried them I REBECA knew instantly they bestowed lightly; it is a reflection p were the thing for me. I spent the of an individual's dedication to the n w next summer out in the countryside medium, including teaching sketching houses and landscapes. technique, actively participating in s h Later on I gradually switched to soft the Society's exhibitions and pastels. " WRITER: JOHN activities, and generally promoting s c pastel to the public at large. While Even so, he PHOTOGRAPHY: didn't initially consider REBECA BASHLY a he admits to not having taught art as his vocation; that came later, t workshops in a while, Silas has cermore as a realization that through his i tainly done a lot to promote the drawings, he had discovered his v medium, with numerous magazine raison d'être, and decided to s articles in both English and French dedicate his life to it. That decision p being written around his work, in Eventually led him, by way of the h which he has often spoken about Ecole Maryse Eloy graphics art school approaching art and developing an 34

WINDLIGHT MA GA ZINE —JUNE 2 016 ISSUE

F E AT U R E D S TO R Y

individual style. "I don't remember how I heard about Second Life," Silas informed me as our conversation flowed towards the platform. "I came to have a look and loved it; I saw it as the future of the internet. I felt the web should just vanish and be replaced by Second Life."

Following that initial exposure to the platform, Silas moved away from it for a time, focusing on the physical world. However, in 2014, following at exhibition of his work in the physical world, he had the idea of recreating it within Second Life, and thus offer it to an audience otherwise unable to see it. A video of that exhibition, produced by Silas at the time, can still "I had a gallery in the first few days," be seen on You Tube, where he also he recalls, although he didn't initially has his own channel. That exhibition use it to display his physical world led to a resurgence of his interest in art. As he told Kayly Iali in an Second Life, and in particular its interview she published in her blog to potential to help realize one of his accompany the Galley 24 exhibit, aspirations: to work in 3D. "The first thing I did was to draw commissioned portraits of avatars in "I've wanted to sculpt as long as I can pastels." In the physical world, the remember," he told me, "but every nature of his work, and preference to attempt in real life, starting from work in the peace and quiet of his when I was around ten, ended by me studio means that Silas doesn't often hurting myself with the tools!" He have the freedom to sit with his smiles at the admission, "so Second subjects and draw them, Life has become a safe means for me connecting with them and perhaps to try!" allowing that to inform his study of "Try" is hardly a word I would use; them. Second Life, by contrast made I've been privileged to witness Silas' it a lot easier for him to do so, the work in mastering mesh and digital virtual offering both the freedom to sculpture, and the results have been share whilst at the same time astonishing. For example, while preserving the calm and comfort of visitors Loki Eliot's Echtra built at this his physical world workspace. year's Fantasy Faire may not have been aware of it, the figures of the 35

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

Summer Princess and Winter Prince which featured prominently in that region were sculpted by Silas. As well as these figures, he has also reproduced some of his own work in 3D, such as Mock Fight and has also turned his hand towards reproducing some famous pieces of art into 3D sculptures; Caitlyn and I are utterly delighted to have his interpretation of Edgar Degas' Dancer at the Barre displayed at our in-world home. This is a truly marvelous piece, also featured at Silas' May exhibition at Visions of Beauty, and reproduced in this article with Degas' original inset with it.

and at Silas' New Babbage studio, l are many of his pastel studies. l These all reveal another reason why b Silas appreciates the platform. As m well as offering a means to present p his newest works, he notes that, u "Second Life lets me display and see i all the pastels that have found new a homes in real life. A picture on a b web page just doesn't compare. As a long as you don't use full bright, Second Life gives it the same kind G of quality a pastel has in real life, c reacting to changes in ambient light c in such delightful ways." p " Children, notably those in period q costume, are very much a focus of FEATURED ARTICLE: Silas' evolving 3D work can be seen at his work, prompting me to ask him ti T REBECA his new studio space at HollyBASHLY Kai why on both counts. "The Gardens as well, where a garden costumes are more interesting to h terrace is home to his work, and his me than the modern clothes," he I (at the time of writing) latest replies. "For the pastels I am trying o a reproduction of Mademoiselle Rose to capture fleeting moments, an m by EugĂ¨ne Delacroix,WRITER: can be found JOHN 'intemporal moment', if you will, b inside his studio at the park, and I think that when you are a PHOTOGRAPHY: REBECA BASHLY alongside an image of the original oil child you live in the instant, outside fi t painting - and I think it fair to stay time, sort of like being immortal, anyone seeing it will be amazed at and contemplative. Adults tend to o n the way Silas has captured the lose that gift." w original and added a unique depth to He notes that the camera is the r it. perfect tool for capturing those Also on display at Holly Kai Gardens, fleeting moments, the sheer joy of W s 42

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

F E AT U R E D S TO R Y

living in the now children exude. It al- short - in the time I have known him, lows him, as he's said elsewhere, to I have yet to discover anything he become a kind of time traveler, turns his hand to lacking in creative moving back and forth in time from flair - I also cannot do anything other photographs to pastel, capturing that than bow to his wisdom; the world unique expression from the moment would be a genuinely poorer place in each of his studies whilst also without his pastels, were he to focus allowing us a further glimpse at a more on photography. But are pastels bygone age through the dress and his sole medium for 2D art, I activities shown in many of his works. asked. "Mostly pastels, but some times I would stop for a few months Given his use of cameras, I was and switch to acrylics or oils," he curious whether he had ever replies. considered showing any of his There is little doubting the pleasure photographs. He was quick to defer, Silas' art gives those who see it, "A photographer has an incredibly however, it is often true that artists quick mind, a sense of motion and derive a different pleasure from their time that is beyond comprehension. work to that experienced by their That is a very special gift that I do not audience; so I wondered what he have. Anyone can take snapshots like found satisfying about his creations, I do, there will even be good pictures 2D or 3D? His response is immediate. once in a while; but that is mere luck and does not count. There is a kind of "Creating memories for myself and magic involved in photography, others. You don't see things until you because photographers manage to either draw them yourself, or look at find themselves at the right place in a painting. Your brain blocks most of the right time and their skills take the information your senses gather, over from there; I actually do not otherwise it would be sensory need good photographs, I extract overload. Those blocks cease to what I need from snapshots, they are work when you look at a painting, raw materials." because it is something unusual. While I cannot help but feel Silas is selling his photographic skills a little

More gets through, and you are allowed to truly experience a scene, 43

albeit through the eyes of the artist." Notes on the art images With time drawing to a close, I asked accompanying this piece: him what, outside of art, did he Portrait of Russian actress particularly enjoy in SL. "I really just Natalya Gousseva, from the midenjoy being here, mostly. And I love 1980s Soviet television minito listen to people read in voice and series, Guest from the Future attending live performances." Cover? 2. Mademoiselle Rose sculpture Being here is something we all by Silas Merlin, and a copy of the appreciate, one way or another, and original oil painting by EugĂ¨ne for many reasons. For me, my Delacroix appreciation for Second Life and art 3. Dancer at the Barre sculpture has increased through my association by Silas Merlin, with the original with Silas Merlin. I take pride in being FEATURED ARTICLE: pastel by Edgar Degas, inset able to refer to him as a friend 1.

REBECA BASHLY through the platform, and I have absolutely no hesitation in suggesting his art immeasurably enriches Second Life and the lives - virtual and physical - of all of us who witness and share in it. WRITER: JOHN

4. January 2016: The Portraits of Silas Merlin, Gallery 24 5. Visions of Beauty exhibition, April 2016 WM

You can discover this for yourself by BASHLY PHOTOGRAPHY: REBECA visiting Silas' New Babbage or his Holly Kai Gardens studios.

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

F E AT U R E D S TO R Y

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

INSIDE LOOK: POSTCARDS FROM THE SUBCONCIOUS IN SECOND LIFE

FEATURED ARTICLE: WRITER AND PHOTOGRAPHY: REBECA BASHLY INARA PEY

cu fr im Bo fo pi to th

“T pl M di un Fe to pi

WRITER: JOHN

PHOTOGRAPHY: REBECA BASHLY

Th if 56

WINDLIGHT MA GA ZINE —JUNE 2 016 ISSUE

urrently open at Nitroglobus Hall, urated by Dido Haas, is Postcards rom the Subconscious, a series of 15 mages by Maloe Vansant and Burk ode. Offered in the familiar large ormat seen at Nitroglobus, the ictures have a distinctly dark edge o them, which is not entirely what he artists intended.

INSIDE LOOK

certainly the kind thing which might creep into our dreams at three o’clock in the morning to poke at us as we sleep. At the same time, some of them provoke an entirely different response.

Take, for example, Ha Said the Clown and The Dolls, both by Burk Bode. Here we have the embodiment of the This exhibition is like a child. It was hidden menace some of us see within a clown’s make-up, or the lanned friendly and glamorous,” Maloe and Burk say of the works on suggestion of possession contained within some gaudily painted dolls. At isplay. “But as always our nconsciousness send us postcards. the same time, and while their titles eelings like bubbles coming up that might carry a hint of darkness, we have Maloe’s Crooked and Who’s old us we had to make just this That Voice Inside My Head? Two icture and no other.” pieces which seem to present a more he result is a series of images which, contemplative frame of mood, largely not the stuff of nightmares, are 57

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

free of menace, prompting a similar don’t like you’.” response in the eyes of their beBe that as it may, it is hard for holder. parents not to love their children, All of this adds up to a fascinating however they turn out, as Burk and exhibit, even if the artists feel it’s Maloe admit in their introduction not entirely what they originally to the exhibition. It’s also very hard had in mind. “At the end our child is not to be captivated and drawn into not what we planned it to be,” they these images, Dark might be the note. “It became somebody dark subject matter, but the artistry is and nasty. Looking at us like a beautifully evocative and misbehaving child and telling us: ‘I marvelously executed. Open

WINDLIGHT MA GA ZINE —JUNE 2 016 ISSUE

INSIDE LOOK

now until June. You can visit Nitroglobus Gallery by clicking the slurl below: http://maps.secondlife.com/secondlife/Hell% 20Lust/230/108/3064WM

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

FEATURED ARTICLE: REBECA BASHLY

WRITER: JOHN

PHOTOGRAPHY: REBECA BASHLY

152

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

V O YA G E S W I T H V E E Second Life is just like real life when it comes to finding a way to repair structural problems or I infrastructure - they both have a Department of Public Works. In Second Life this work is done by a group of talented builders, artists, and designers called the Moles. Theyâ&#x20AC;&#x2122;re not just in charge of repairs, but their duties are expanded to include the creation of new lands and experiences for the residents.

Works who help maintain the roads, parks, and infrastructure. In addition, they create special areas for residents to enjoy such as Barneyâ&#x20AC;&#x2122;s Bay, the Falmouth Haunted Hotel, the Portal Park Paleo Quest, etc. They do so much behind the scenes I was curious where the Moles live and hang out and so I voyaged to Meauxle Bureaux, the homestead of the Moles.

I first learned about the Moles in Meauxle Bureaux is full of vibrant 2015 while attending an episode of and colorful buildings which Designing Worlds. I had been remind me of a cross between a invited by a friend to see the show medieval kingdom and and while I checking the map to Candyland. The landing point is a see if there was anyone else there I little plaza and when you arrive knew I saw all these blue dots you'll find the main welcome clustered together. I knew you building behind you. Inside there could manually change the color of is information and landmarks to a person on the map because I had the many recreation and done this during my time as a amusement areas the LDPW has knight when I wanted to follow created. Photos of each are one of my opponents in battle and depicted along the walls of the first changed the color of their dot, but and second floors. Click on the I had no idea that there are bottom of each to get a notecard individuals who were always with a landmark for future depicted as blue dots on the map. reference. I asked my friend and he told me they were the Moles from the When you exit the main building Linden Department of Public 153

154

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

155

156

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

157

you have a choice of three paths the backyard, or the abandoned you can take. Directly ahead is the railroad tracks. Be sure to stop by plaza and beyond is a little park the pub and hoist a pint or two or where you can sit and enjoy the even play a game of cards or peaceful atmosphere and admire Picture This. As you leave, stop the flowers. At the end of this and take a moment to read the path is a wishing well with great “Good Neighbor Commandments poses to use for photos and a for Second Life Mainland” on the portal you can take to Portal obelisk outside. These are sage Park. Portal Park leads to other words indeed. places created by the Moles which you can explore, including the You can visit Meauxle Bureaux by scary Cornfield. To the right of the clicking the following slurl: portal area is an unexpected surprise, the cabin of the local http://maps.secondlife.com/ witch. Be careful before you secondlife/Meauxle% venture inside! It appears as if the 20Bureaux/157/123/30 last visitor may FEATURED not have beenARTICLE: so lucky.

REBECA BASHLY

There are two other paths from the main building which lead you through the village and past the residences of the Moles. You can WRITER: get a free bicycle from a standJOHN in the plaza, but I personally prefer to BASHLY PHOTOGRAPHY: REBECA walk about and take in every detail. As you stroll along notice how they’ve created a dwelling which reflects their unique personality down to the little hidden gems. See if you can find the shopfront with the little movie for you to view, the secret portal to 158

WINDLIGHT MA GA ZINE —JUNE 2 016 ISSUE

V O YA G E S W I T H V E E

159

160

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

161

162

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

163

164

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

165

166

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

167

168

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

169

170

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

171

THE

172

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

THE EDGE

THE EDGE JUNE 2016:

EDITOR IN CHIEF: ELESEREN BRIANNA

THE EDGE MANIFESTO THE ARTISTRY OF PAGEANTRY FALBALA FAIREY SEASHELL DENCH

173

T d n p

T m

1 f F e o p o

THE EDGE MANIFESTO

2 n t i w c i t n w d s i F

WRITER & PHOTOGRAPHY: ELESEREN BRIANNA

3 m p t 174

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

THE EDGE

The Edge will be developing what it does over the coming months, with new and exciting projects in the pipeline.

that work creatively in SL Fashion are also part of our work. We do not need to concern ourselves with being commercially successful, or covering costs, and therefore we are free to To this end the Edge and Windlight support Artists, Designers, Stylists make the following pledges: and other people involved in the 1) We will strive to work with, and creative arts completely for, original creative voices wherever altruistically. Fashion and Art meet and influence 4) The Edge will work to support each other in SL. We aim to hold creative Fashion Designers in SL and ourselves to our stated mission of promoting the true meeting ground promote and showcase them through a range of activities and events, with of Art and Fashion. NO FEE ever expected from 2) We are not encumbered by the them. Our work with Fashion need to slavishly follow real life Designers will always be FREE. trends, though we understand that 5) The Edge will also work to inspiration can come from anypromote, develop, celebrate and where. We are confident that creativity can manifest magnificently acknowledge the creativity and self in SL without the need to hark always expression of Stylists, Models and to what is done in real life. True Art is Fashion Photographers in SL, again not imitation. The work of the Edge completely altruistically. will not be centered on mere 6) The Edge pledges that any training decoration and derivation. We courses or seminars it provides will support creativity, originality and be offered at low cost, or free innovation in Art meeting Fashion, wherever possible. FOR SL, IN SL. 7) Finally, we understand that

everyone should have the right to 3) The Edge and Windlight have a express themselves creatively as I mission to selflessly support and NDIVIDUALS and not be hampered by promote the Arts in SL. As part of the need to conform to a that the Edge understands that those standardized Fashion template or 175

T a o A

F F

THE EDGE MANIFESTO

WRITER & PHOTOGRAPHY: ELESEREN BRIANNA

176

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

THE EDGE

The Edge Mission

To altruistically support, promote, and help to nurture, anything that occupies the true meeting ground of Art and Fashion in SL

that truly are a collaboration of Fashion and Art, original, innovative, creative and exciting. WM

The Edge Vision

Fashion Design, Fashion Styling, Fashion Imagery and Fashion Events

THE

177

178

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

179

180

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

181

182

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

183

MEN’S FASHION: DO OR DON’T JUNE EDGE STYLIST: MIELE TARANTAL CREDITS: WIRTER Kunglers, & PHOTOGRAPHY: United Colors, Zibska, Blackliquid, Essences, and Analog Dog

184

STAVAROS

WINDLIGHT MA GA ZINE —JUNE 2 016 ISSUE

185

186

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

JUNE EDGE STYLIST: RUBY ORNAMENTAL

Dress: Nishy leather dress by LRD available at SWANK Boots: Lantana Ankleboots by Glamistry Jeweler: Organic Gold Ring, Yula’s tear and Gold Knot bangles byFinesmith Benedictine Riata Gold necklace by Empyrean Forge Headphone: Wings headphone in Gold by SECRETS Nail Art: Cool One by Luna Body Art available at SWANK Tattoo : Assassin in Black by White Widow Accessory: Gun Garter belt by Yummy Lipstick : Tempt for lips and Claudette by Zibska available at 100 Block On the set: Best Song Ever” UNISEX Prop by WetCat old Epicene event Item

187

THE ARTISTRY IN PAGAENTRY

WIRTER & PHOTOGRAPHY: STAVAROS

188

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

THE EDGE

189

Lights... Camera... Action...

my look, which is one of the rare ones out there. There are a lot of Here we go again, this time it's a different approach. Most that know tan, pale or fashionista types. I am not any of those. I am more into a me, do as a runway model. I also ready to wear kind of guy. enjoy a variety of other activities within my second life. This piece is In pageants, it's a completely about the art of pageantry, so different story. You have a theme please don't try to use me as a and you are to create your style guide for your future endeavors. based on that theme. One of my passions in the world of This sometimes can be difficult, not modeling is pageantry. I am sure just because of the theme, but also some wonder why a male would because of the lack of variety for seek out such a profession, but I men. I have found though, that you have a long list of reasons that I won't go into, yet. There are many can incorporate a lot of things into of them out there and I have had your look that is actually not even clothing. the privilege to compete this last year in one of them. I gained the In one challenge I was able to title of Mr. SL USA 2016 in the Mr. create the image of "The Raven" it's SL competition. a native American trickster god. In the photo, you can see my I want to thank everyone in the interpretation of that god. I used organization that was there last year, for my debut into the world of beads made for decorating a sim, putting a script in them to make pageantry. I am ever grateful for them move, to enhance my other the experience as well as the worldly look. people that I met along the way. Mr. SL for me was my first experience where I was able to let my imagination run wild. For me as a model, this was actually more difficult than you would think. As a model I was usually hired for 190

What I find fascinating is the themes that some people come up with as well as their execution. Some, fall far from the mark and others can create a look that is unmistakable. WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

In my time of modeling, I have found pageantry to be a challenge for two reasons. First, it is not in my comfort zone to do so many challenges with such little time to execute them.

artistry is about. Being able to encompass all the qualities and still be unique, true to yourself, as well as prepared for anything is important.

Second is, my mind doesn't usually work that way. I prefer writing to styling for a show any day. So I am a little handicapped in that department at times. I enlist my friends for advice or criticism.

As a winner, you get to represent the organization, and yourself as a brand. If you do it well, people will flock to the organization, or school of that organization for tips and education.

One thing that is hardest about pageantry is coming up with something new, wild, unique as well as walking the runway in it.

There is an art to pageantry in all the creativity that you enveloped in. Also, pose selection lets you put to work the whole of the design of your look. It is important to make sure that your prims are in place and meshes aren't cutting through. It is also important that the poses you choose tell a story.

You have an array of places to shop that do nothing but accessories for these types of events. The focus in pageants can seen in the originality of each contestant's designs. Regular modeling is faster paced. Pageantry offers you a chance to There is also the test of one's venture deeper into the world of poise, not just in the outfit, but being able to answer a question at your own creativity. To have a the drop of a hat. I have mentored vision and share that with others. Help them to see what you want to and judged within the Miss SL express within your style your Organization, alongside Marcus Lefevre. Poise is one of the things poses and your poise. that I look for in an individual.

There are many ways to express We must look our best, be creative, one's self. Pageantry is one where and have excellent communication those that like to be the center of skills. This is all a part of what the attention get to shine or fail in the 191

spotlight.

creator to sell. It's better to style an outfit that is complimentary, Being MR SL USA 2016 offered me a without overwhelming to the chance to go to designers and product. It is not good idea to "over speak with them on their creations. style" an outfit with so many To try to enhance the world of accessories that you can't see it. fashion by incorporating those Walking down the runway for all, is designs into my challenges. a challenge. Whether you are old, They also offer me the opportunity or new to it, it never gets old. It's to be approachable by other people ever changing and ever adapting. that wish to follow on the same Each styling in a pageant is like a path. I use these opportunities as metamorphosis. Just like a an learning experience as well as caterpillar turns into a butterfly. We one to mentor the future of must transform ourselves, from the modeling. Finding out what the outside in. To bring out the inner general public is seeking when it beauty and artistry that is the comes to new designs. human imagination.

Networking is a key element to being a popular pageant runner, or even runner up. Expressing yourself on a regular basis, but keeping it fresh is what gets you noticed. Not how many elaborate pieces you can put together. What's more important is the statement your styling make. Can you take the audience on a journey with you?

We can all be an inspiration. I encourage all that have not been to a pageant, try it just once. You will see that fashion is more than just a dress size or a name tag over your head. It is about being an artist. There are many forms of art, this just happens to be one that I engage in.

In runway and advertising modeling it's best to fit into the designers look and feel. In these cases it's not yours so there is less room to play and explore looks etc. The reason for this is that we are styling for a

Mr. SL is coming up soon, I want to encourage the other male readers out there to just try. You never know what experiences you may have or what friends you may make. It is definitely not something

192

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

I could or ever would think of taking back.

It's part of what made me the writer that I am before you today. The writer that I will be going forward. I hope that you all enjoy taking the journey with me. WM

193

JUNE EDGE STYLIST: MECCA TELADIS

Credits: Jumo’s Fashion Beauty BUNNY GLAM! Face Mask Wearing ~BlackLace~ Material Girl Bauhaus Movement Pose ChocolatPose by BodyLanguage

194

WINDLIGHT MA GA ZINE —JUNE 2 016 ISSUE

195

JUNE EDGE STYLIST: TISZO CIOC

196

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

197

JUNE EDGE STYLIST: RAMSA LUV Styling: Hair: [RA] Jill Hair - Unrigged Fur: Mimikri - Fur Stole / Nastia black_ Shoes: AZOURY - Loola Shoe - White Decor: Training Mat: Yoga & Exercises Mat Mesh CHEZ MOI

198

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

APRIL EDGE STYLIST: BRYRNEDARKLY CAZALET

199

200

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

201

202

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

203

MODEL SPOTLIGHT: SEASHELL DENCH THE ARTISTRY IN PAGAENTRY WRITER: JOHN PHOTOGRAPHY: WRENNOIR CERISE , SEASHELL DENCH, & JOHN WIRTER & PHOTOGRAPHY: STAVAROS

PHOTO BY WRENNOIR CERISE 204

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

MODEL SPOTLIGHT

205

Seashell Dench is a well known fashion icon, model, and the co owner of Scala. SCALA™ is a SL Fashion Company with two main divisions: SCALA™ Models Agency (Fashion Events Production) and SCALA™ Models Academy (Professional Training of SL models). Windlight is pleased to work with SCALA on one of our anniversary events--a special fashion show and we were able to sit down with Seashell to discuss fashion, modeling, and more:

terms of creativity was and is still overwhelming for me. The second reason is that I'm a people's person; until this day I have made truly good friends in SL that I want to keep in my life or both my lives. Last year, it was SL 12th Birthday and my video is self-explanatory about what SL means to me. https:// www.youtube.com/watch?v=Ybd841PFlA This year, I already applied as a performer for SL 13th Bday, like I WM: You have been in Second Life have been doing for the past couple a very long time. Tell our readers of years. To DJ is also one of my passions in SL, so I'll be DJing how did you first discover Second Trance during the celebration of Life? What has made you stay SL's 13th Birthday. throughout the years? SEASHELL: Actually, I heard about SL when I was listening to the radio back in 2007. Somebody mentioned it in a radio show and I got really curious about it. Funny thing, I wasn't into technologies much, computers for me were working tools only and in spite of all this, I found myself absolutely fascinated by this amazing world. Why did I stay? Two main reasons made me stay: I love to challenge myself with things I find "difficult" and the openness of SL in 206

WM: How did you first discover fashion and modeling in Second Life? SEASHELL: I started searching about modeling in SL in 2008, it was something that interested me in RL too. And eventually found a very entertaining and nice modeling contest where all models had to stay at a house, we bonded, did our activities, it was a lot of fun. However, because of the

WINDLIGHT MA GA ZINE —JUNE 2 016 ISSUE

However, because of the different time zones (I live in Europe and most activities were done in SL evenings) I had to quit the contest. Until today I'm friends with many models that started there and with the lady who started the contest. It was so much fun that I though I could do that work professionally. So, my first step was to look for Modeling Schools or Academies and attended four through the years; I did what I usually advise our model trainees at SCALA Academy: to attend as many modeling academies as they can, and never stop learning.

start, preparing myself, memorizing what I need to memorize, everything is so beautiful for me. Nowadays, and since Kryptonia and I opened SCALA, my job has been managing the Company; while Kryptonia is the Academy Director and focuses her attention more on the Academy, I focus on Production and manage our Production Staff for Fashion Shows/Events. WM: Tell us about SCALA. Who else is involved with the company? What services do you provide?

SEASHELL: Fortunately, we have this amazing team of people that WM: You have a very extensive have been with us from the start or modeling resume! Do you still almost from the start. I feel model or are you more involved really proud that even other now with the business side of smaller Fashion business in SL grab, fashion? quite unknown when they need SEASHELL: Most of my SL, I've some public recognition, they been a runway model. It's really an invite SCALA staff members to adrenaline boost for me; from all work for them as model's the work days before the mentors; It's priceless to see that show, preparing the outfits, styling happening! Working at the with the right hair, shoes, and Academy, as model Instructors, we accessories; hours and hours of my have Wicca Merlin, Ruby RL time testing poses over and over Ornamental, Linda Reddevil and, of until I feel it's perfect for that par- course, Kryptonia Paperdoll and ticular situation. And finally, to be myself. In the Production division, backstage, waiting for the show to we have the core Staff members, as 207

208

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

209

Sr Producers Prisilla S. Avro, PetraL contact is always our Academy Alexander, and Producing also with Director Kryptonia Paperdoll, by NC us are Ximora Lavendel, Shazney or IM in world or by sending an Valentine , Alianna Logan, Cassie email to the academy: Piper, Arianna Jasmine, Eleanor academy@scala-sl.com. To be a Jean, it's quite a team and it keeps SCALA Model, the best thing is to growing. I truly believe in contact me directly. At this point, cooperation instead of competition, we aren't casting new models. If we the world or modeling and fashion see a SL professional model that is already competitive enough - we meets our standards, I usually have been cooperating with Siren contact the model directly and have Productions since we started, we a short interview with him or her. also cooperate with VERSUS Magazine , and of course with WM: Do you follow real life Windlight Magazine [smiles]. In fashion? If so who are your terms of services that we provide, favorite designers? we focus on models and their professionalism, with the Academy SEASHELL: I do! I go around the and model training and, on the globe online, following the 5 major other hand, we provide a Fashion Weeks and try to watch live Production team for any fashion as many RL collections as I can. In event. In this case, we are really RL, showcasing an collection takes honored to have been contacted by only 5 to 10 minutes. In SL, Windlight Magazine to produce because we do have the usual your first Anniversary show. Happy in world limitations that we are Birthday from SCALA! used to, of course, a fashion show lasts much longer; however, it's a WM: If a new or established model plus for everyone involved in SL wanted to be a part of SCALA, how fashion to keep it as realistic as would they proceed? possible. Favorite designers in RL, my very favorite is Thierry Mugler SEASHELL: In terms of the (especially his collections from Academy, for example, if a model is 2010 to 2013 when he had Nicola looking for training, the person to Formichetti as his Artistic Director) 210

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

and Miuccia Prada.

www.scala-sl.com WM: Sansar is supposed to open to invited SL residents this month. Facebook: https:// Did you apply to preview the grid? www.facebook.com/SCALA.SL/ Do you think you will go to Sansar later this year? Flickr : SCALAâ&#x201E;˘ Models: https:// SEASHELL: I didn't apply, no. I'm www.flickr.com/ definitely super curious but things photos/123583121@N05 will happen when they happen for me. I usually take my time and I SCALASL Fashion and Art : https:// like to allow things to settle a bit www.flickr.com/ and then I'll probably take a look , groups/2492688@N23/pool/ of course. Seashell Dench - https:// Seashell had the following www.flickr.com/photos/ comments to add towards the end seashelldench/ WM of our interview: We hope we can bring freshness to the Achromatic Show we are producing with Windlight Magazine, for your first birthday. It's going to be a show not to miss, with new, bold and exclusive creations from over 15 top designers in SL.. I think all fashion lovers will be mesmerized by this showcase! Windlight would like to thank Seashell for a great interview! You can continue reading about SCALA and Seashell by visiting the following links: 211

212

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

213

214

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

215

216

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

217

218

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

219

220

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

Windlight Fashion Editor and The Edge Editor, Eleseren Brianna, has published an eBook in real life, where you can learn about posing! The eBook, The Magic of Posing, is the first in a series of books under The Edge brand. The Edge is the fashion arm of Windlight Magazine. You can download the book from various links below: Barnes and Nobles: http://www.barnesandnoble.com/w/the-magic-ofposing-eleseren-brianna/1123534452?ean=2940152921649 Smaswords: https://www.smashwords.com/books/view/622234 iTunes: https://itunes.apple.com/us/book/the-magic-of-posing/ id1093710884?mt=11 Scribd: https://www.scribd.com/book/304932571/The-Magic-of-Posing Kobo Books: https://store.kobobooks.com/en-us/ebook/the-magic-ofposing Amazon (due to Amazonâ&#x20AC;&#x2122;s pricing policy, the lowest we could price the book is .99 cents): http://www.amazon.com/Magic-Posing-EleserenBrianna-ebook/dp/B01D1P5SAW/ref=sr_1_1? ie=UTF8&qid=1458604819&sr=8-1&keywords=the+magic+of+posing

221

222

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

223

THE ARTISTRY IN PAGAENTRY A FASHION IDENTITY: WIRTER & PHOTOGRAPHY: STAVAROS FALBALA FAIREY

WRITER: JOHN PHOTOGRAPHY: FALBALA FAIREY ,

224

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

PEOPLE SPOTLIGHT

225

Falbala Fairey is a well known model, stylist, teacher, mentor, fashion producer, DJ, winner of several fashion titles and the general manager of Swank. This talented person also has the distinction of being an elf and an activist for the incorporation of fantasy races/creatures in the Second Life fashion scene. Windlight was able to sit down and discuss fashion, Second Life prejudice, and more with Falbala:

for myself, so I had to wait for around 2 years to create my own avatar and to enter Second Life on my own. Back then it took me 3 days to learn how to TP away from the starter Sim and that there exists more then just the one I was on. But to rescue myself a bit, in that 3 days, the first thing I learned was changing my own shape and I had enough time to recreate myself in a way I thought I would look good aka pretty. Well, I was a fully white alien with a horrible cat suit on, but I still thought I am the most pretty avatar in SL. *laughs*

WM: So tell our readers how did you first discover Second Life? What made you create and avatar and remain all of these years? WM: How did you become interested and involved in the FALBALA: First of all I want to Second Life fashion scene? thank you very much inviting me here for the interview. Its a great FALBALA: When I entered SL I was honor! like the most average citizens in here I think. I went to party, I met The first time I ever noticed about people, I started being a dancer. Second Life was, when my RL Then after trying several jobs like brother showed me his account DJ, Club manager, Role-player, etc. I back in 2006. He told me that I finally managed it to create a fully could play in here same as with my new RP Sim with some close "Sims", which I played before long friends, based on the movie time and that it would be quiet the AVATAR by James Cameron in same, just with real people from all January 2010. On this Sim I met a over the world. Sadly to this time I man, dressed like a Na'vi (the blue didn't had any Internet connection guys of the movie, for those who 226

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

who don't know) and told me if I ever worked as a model. There it basically started, as we started to chat and he showed me the first steps in the fashion world. He brought me to meet Mimmi Boa and Frolic Mills and some other people who were very famous to this time in the high fashion world and so I started to learn step by step to raise my own career. I went to enter contests, participated castings and got my first shows and agencies. WM: Have you always been an elf?

very low self-confidence. So People mostly acted with me like a little girl or teen and I hated that. Specially when I started to work and close to nobody took me serious or as a person with authority. So for SL I decided no cute avatar for me. When I started to be in fashion I was human looking as it got told me so. But already to that time on one of my very first shows I ever saw, there was a model who had tiny elf ears, more like a pixie and I thought to myself, oh yes awesome, here are fantasy creatures allowed!

What got blown away pretty fast FALBALA: No. Before I went into when I started to do some research the fashion world I always was very on this case and that everyone who interested in any possible fantasy isn't human would not go anycreature besides of being an elf. I where far and it seemed to be true. was a vampire, a demon, a Also that model with the ears I saw mermaid, a witch, but never an elf, on that one show vanished short as back in that time around after and since then it bugged me 2008/09 elves had the image of as I thought SL should be more just hugging trees and loving each open minded for any costumers on other. And I was so not into hug- this platform then just the high ging any trees. I wanted to be evil. raised skinny human models. But I Like I was in the most roles, when I didn't feel strong enough for going played on a RP Sim. Like a vampire the patriotic way and starting the or an assassin for example. This has fight against racism in SL for other a very simple reason out of my RL. I races/creatures then human and am a very young looking person kept being below the umbrella of with a very high voice and with a many thoughts, worries and doubts 227

228

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

229

about equality in the fashion world. For me discriminating someone because he wears something At this point I should maybe explain why I call this case "racism" and I different on his body then a normal am also pretty sure that there will human out of the fashion world is for me same like judging someone be some disagreeing with me, because he has a different skin taking this on kind of the same barrier like the still ongoing racism color or religion in RL. It will not in RL. And I already apologize if my distract anything if people are used try of explanation isn't that perfect to it as something fully normal, to see for example a furry on a runway because of my language barrier. wearing a formal dress or a vampire But for me it's pretty the same behavior, just with different races in a bikini with sunglasses and a surfboard. I am aware of the included, plus the ones we have out there in the RL world already. thoughts of fantasy races in the To discriminate someone because heads of people. Like if you mention an elf, people immediately he is a Neko and wears a tail, a think on "Lord of the Rings" elves vampire because of the teeth and or if they hear vampire, it brings the polish skin, an elf because of the ears or a furry because he looks them a picture of Dracula in front like an animal with the explanation of their eyes. But just to have a different race, doesn't mean it has that it would "DISCTRACT" the designers items who are supposed to suit the typical stereotype out of Hollywood movies. An elf can be to be shown, is for me just pure modern looking and also a furry racism and the hypocritical believing of someone who tries to isn't running around 24/7 in baggy pants and raver shirts and screams fake a life to himself having something like a "real" career, same "Yiffy!" everywhere he goes. That are stereotypes who are just as a RL model/designer/agency owner, what is very sad, as it shows wrong. how much people lost themselves in here and how many costumers Ok, to come back to the question about me being an elf from the they miss with this believing. As it is a fact, that still the most citizens of beginning, I have to admit, that I started wearing ears I think it was SL are fantasy people. 230

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

back in 2012/13 when I felt strong enough in my career to go out and find the biggest ears I could find on the whole grid and risk my career as a model for being an elf model and opening some doors for following models and also designers to get in time the chance to enter the high fashion world.

my ears, when it is "needed". In the first years I said yes of course, because I hoped that people will get used to it, as it was still so new to them. But it hurts every time I had to say yes actually, as I felt close to someone who is for example ebony, to be asked to use white makeup to fit in the job. Cutting my ears, as they are a part WM: I notice that in your fashion of my body is very hard, as I have images and in previous photos of to cut something from me who is you on the fashion runway, you me. Like cutting your hand off or remain as an elf, complete with ripping out your eye. It is different ears. Has this raised eyebrows in then changing a hair color or your the past? eye color as this can be done also in RL without any problems and FALBALA: Yes it does and it still can get back without any consedoes to be honest. When I first quences. Cutting a body part is not appeared in my blog pictures with like dyeing hair. that huge ears I got IMs from both sides. Some were happy about it, But to mention as well, in this 4 wished me good luck and that it years I got a lot of support also. will get accepted. Some told me Like my very first vendor AD ever that I would risk my whole image with ears where I was allowed from and career trying to be an elf as it Enzo Champagne, owner and is not liked to be seen and that I designer of Champagne Sparkling, would loose a lot of jobs with this. to keep them on and that was for But I made my decision already for me everything in that moment. me and I don't regret it till today When I asked him if I could keep that I made this decision. Sadly, them on and he said "YES!", I was even now after 4 years wearing this like in heaven and nothing going to ears, I still see and hear the worries stop me anymore. And it is every of agencies and designers asking time amazing when I get allowed me if I would be willing to "detach" to keep them on. Anyways if it's a 231

vendor picture, a magazine or a runway show. WM: I have friends who are non human in Second Life and they often report prejudices exist in various forms. For example some clubs in Second Life have a human only policy or a non furry policy. Obviously in Second Life we can be who we want to be. Have you encountered such prejudice being an elf in Second Life and in the fashion scene?

modern high fashion outfit, in a modern high fashion world and having the same chances like any other model on the grid. WM: What advice do you have for non human characters? How can they handle criticism or prejudice in Second Life?

FALBALA: I really hope that each one of you out there, who wants to be a high fashion model and being a different race, try it! Yes it will still be harder then maybe any other FALBALA: Yes, like I mentioned human model because human are before already, that seeing people slow to change what they were or races in stereotypes is something used to be for so long and got fully human I think. But yes, I preached to all the time. Give them mostly get offers now for shows the chance also to get used to you who are already based on being and just blow them away with your fantasy or elfish to fit in the talent and effort to be a good, stereotype with telling me, they creative and hard working model think I fit in there perfectly. Well like every other model who starts yes I maybe do, but my goal isn't it their career. And I promise I will not to fit in fantasy shows who are give up to fight for all of us opening meant to have fantasy creatures the doors of being accepted and included anyways with the typical respected as who we are and what medieval clothing fallen directly out our passion tells us to follow. Being of the last Hobbit movie. What a high fashion model in SL. doesn't mean that I don't like fantasy shows. I love fantasy shows, WM: Do you think the fashion but then the effect I want to bring industry is more accepting of non human characters on the runway? to the audience is getting lost. In being a fantasy race in SL, in a 232

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

FALBALA: I think in the last 4 years a lot moved forward. Still not like I wished it to be but it became a lot better. I even see high fashion designers using elf ears on their vendor ADs now or letting an elf on a runway if its a normal modern show. It became better! But it is still not there, specially also for other races who are out there besides of elves. Time will tell if it will at least here in SL become a world without any discrimination or racism one day. Hope never dies.

interview! You can continue to read about Falbala by visiting the following links: Flickr: https://www.flickr.com/ photos/49515505@N02/ Blog: https:// liveyourfantasy.wordpress.com/ FB: https://www.facebook.com/ Falbala-Fairey-847768335293677/? fref=ts

Windlight would like to thank Falbala for such an in-depth

233

234

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

Windlight is pleased the announce the publication of another free eBook: How to Get Started in the Second Life Art Scene, by Windlightâ&#x20AC;&#x2122;s owner, John. You can obtain the free eBook from the following links: Smashwords: https://www.smashwords.com/books/view/624563 Amazon (due to Amazonâ&#x20AC;&#x2122;s price requirements the lowest the book can be sold is 0.99): http://www.amazon.com/How-Started-Second-LifeScene-ebook/dp/B01DACN178/ref=sr_1_1? ie=UTF8&qid=1458821640&sr=81&keywords=how+to+get+started+in+the+second+life+art+scene Kobo: https://store.kobobooks.com/en-us/ebook/how-to-get-startedin-the-second-life-art-scene Barnes and Nobles: http://www.barnesandnoble.com/w/how-to-getstarted-in-the-second-life-art-scene-john-herring/1123575021? ean=2940152934588

Scribd: https://www.scribd.com/book/305649160/How-to-Get-Started -in-the-Second-Life-Art-Scene iTunes: https://itunes.apple.com/us/book/how-to-get-started-insecond/id1095795097?mt=11

235

236

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

237

238

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

239

WINDLIGHT A

INTERESTED IN BEING A W IF SO PLEASE SEE THE FOLLOWING LINK F

http://windlightmagazine

240

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

ART GALLERY

WINDLIGHT ART FELLOW? FOR MORE NFORMATION AND TO APPLY:

e.com/fellowship-program/

241

RISTORANT

This free self service restaurant is part of Windlight restaurant. **The restaurant is not a roleplay restau restaurant where you can bring your date or l

Ristorante Ivanna is available for private parties, events, and functi 242

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE

TE IVANNA

t Art Gallery and is in the style of a romantic Italian urant where you have to pay to be served. It is a FREE loved one for a quiet and romantic setting. **

ions. Please contact Johannes1977 Resident for more information 243

WINDLIGHT MAGAZINE VOLUME 2 ISSUE 6 JUNE 2016 WWW.WINDLIGHTMAGAZINE.COM

244

WINDLIGHT MA GA ZINE â&#x20AC;&#x201D;JUNE 2 016 ISSUE