Texas Natives - Texas Narratives William Young, Medicine Hat, 2010-11, acrylic on masonite, 14x12 in.
Harvey Johnson, Wash House, Morning Star, 2006-2010, acrylic/oil wash on canvas, 28x22 in.
Don Edelman, MFA Student’s Basement Apt.artment, Champaign-Urbana, 1951, oil on canvas,48x34 in.
William Young Harvey Johnson Don Edelman
February 18 - March 19, 2011
The Narrative in Art: Another Chapter in Texas Art Saga Texas has a long-standing tradition of story-telling, and especially a fascination with the mythic folklore of the Lone Star State. This rich story telling tradition, with a legacy of grand Texas tales partly rooted in both myth and cultural history, has inspired generations of Texas artists to create their own stories on canvas, generating painted narratives which often take the viewer beyond reality and into a surrealistic or fantastical world in art. In both of our exhibitions this month, William Reaves Fine Art presents viewers with a fascinating collection that focuses on such narrative in Texas art.
William Young, all long-standing notables in the Texas art world. We bring a selection of their work together for the first time in a three-man show, showcasing their highly original approaches to creating a story in art. We continue the exhibition theme in the accompanying show in the Alcove entitled Short Stories: Texas Narratives Continued, featuring an intimate selection of works by nationally renowned printmaker Ron Adams and Texas/Connecticut artist Robert Morris. All of these artists create ingenious and impeccable narratives, skillfully incorporating into their work 12. Edelman, Antique Roadshow with Grasshopper & Off-Road Roadrunner characters and scenarios which engage Texas Natives – Texas Narratives the viewer and encourage audiences to features the work of Don Edelman, Harvey Johnson, and contemplate their own story line.
Texas native Don Edelman received his M.F.A ers, not easily seen in the work, but vital characters in from the University of Illinois, Champaignthe unfolding narrative. Edelman’s 1951 Urbana in 1952, and moved to Houston painting entitled MFA Student’s Basement in 1963. After working in various fields, Apartment, Champaign-Urbana similarly Edelman pursued his career as a full-time inspires viewers to write their own story in artist by the mid 1970s. Edelman’s work his depiction of an ordinary, mid-century can be characterized as a whimsical view kitchen interior where the remnants and of reality, depicting seemingly mundane movements of an unknown, absent charobjects and scenes in a manner that alacter are the main focus. Who lives in this ludes to a story and certain theatricality. basement apartment? Where did they go? His titles support the jovial imagery of his work, encouraging viewers to construct Artist Harvey Johnson, a Port playful scenarios. Works such as his 2003 Arthur, Texas native, is a significant player painting entitled Antique Roadshow with in the Texas art scene. Johnson is a forGrasshopper & Off-Road Roadrunner apmer student and long-time colleague pear to be an ordinary depiction of the of John Biggers, graduating from Texas remnants of a rustic Texas landscape, but 24. Johnson, “Eye on the Sparrow” Southern University in 1971 with his B.A. upon closer viewing it is obvious that there and continuing his studies at Washington is more at play than meets the eye. Edelman hints in his State University in Pullman where he received his M.F.A. title that the grasshopper and roadrunner are key playin 1973. Johnson now lives in Houston, where he led a
distinguished career as professor of art at Texas Southern University and currently works as a full time artist. Johnson’s art focuses on the history, spirituality, and folklore dominant in African-American culture. Works such as Johnson’s 2009 painting entitled “Eye on the Sparrow” incorporate AfricanAmerican imagery and symbology. Johnson’s 2011 painting entitled The Bell Done Ring, Lift Every Voice and Sing is similarly rich in narrative elements. All of his works combine a cast of intriguing characters, accompanied by objects and symbolic imagery significant to African-American heritage.
was a student of Alexandre Hogue in the 1940s. Both Hogue and Nunn are recognized for their regionalist landscapes which often incorporate pictorial elements that portray a narrative quality in their work. Similarly, Young’s art shows an emphasis on physical elements combined with an odd assortment of images, achieving a certain surrealistic, mystical quality. His 2005 painting entitled A Tomato as the Sun appears to be painted in a typical landscape tradition, but upon further scrutiny, one discovers that the blazing red sun in the sky is actually a robust and vibrant tomato. In his 2010 work entitled Pandora’s Box, Young paints his inter33. Young, A Tomato as the Sun While Johnson’s images are pretation of the Greek myth of Pandora, using grounded in historical narratives, William Young depicts his own symbolic language to create a new version of a more fantastical, surreal realm. Young grew up in an this classic tale. He creates a composition that inspires artist family, studying with his father Ancel Nunn who viewers to remove themselves from reality and enter his
artistic dream world, where ordinary objects and attributes are combined to incite intrigue and narrative. In Short Stories: Texas Narratives Continued, the selection of Ron Adams’ prints on view show his focus on African-American subjects and stories. Similar to Johnson, Adams often conveys a narrative in his work, as seen in his 1996 print entitled Neptune Washington. The relationship between the strong character, scenery, and action in this lithograph entice viewers to ponder 5. Adams, Patience the developing story. In Adams print entitled Patience, from 1997, we see the artist focus on a single character study. His adept ability to capture the physiognomy of his characters encourages viewers to wonder who these people are and what their story must be.
Robert Morris develops a more light-hearted narrative through playful imagery, often juxtaposing humans in seemingly unbelievable scenarios in a realistic representation. In his painting entitled Floaters, from c. 1969, Morris paints a group of swimmers and divers jumping out of a helicopter in comical positions. The nonchalant helicopter pilot is oblivious to the figures that float around him, plunging towards the water below. Similarly, in the artist’s painting from c. 1970 entitled Fly Over II, a woman riding an ostrich smiles out towards the viewer, oblivious to the burning building and jet plane in the background. A tall, suited man walks towards her, also seemingly unaware of the disaster behind him. Such whimsical scenes encourage a jovial narrative, asking the viewer to determine the relationship between the characters and their fictional world. This exhibition demonstrates the many facets that compose the ever evolving story of Texas art, as well
as underscoring original and creative ways in which Texas artists have explored the narrative in their work. Whether through a surrealistic, fantastical world or by depicting past histories and stories these works encourage audiences to engage in the work of art and write their own story. The viewer is now a character and achieves an active role in deciphering the meaning of the work at hand. William Reaves Fine Art is pleased to present this fascinating exhibition, exploring an important chapter of Texas art. Please enjoy!
-William Reaves, Sarah Beth Wilson, and Leslie Thompson
8. Morris, Fly Over II (Ostrich)
Artist Bio: Don Edelman Selected Biographical and Career Highlights • • • • • • •
1925, Born in Bowie, Texas Moved to Amarillo where spent remainder of childhood Navy officer in WWII 1947-1951, B.F.A., Washington University, St. Louis, Missouri 1952, M.F.A., University of Illinois, Champaign-Urbana, Illinois 1963, Moved to Houston, Industrial Design at Cameron Iron Works 1975, Became a full-time fine artist
Selected Exhibitions • • • • • •
1980, Another Reality, Hooks-Epstein, Houston, Texas 1982, National Academy of Deisng 1987, Museum of Art of the American West, Houston, Texas 1990, Texas Artists: Another Reality, McNay Museum, San Antonio, Texas 1994, Achieving Men, Watercolor Society of Houston, Houston, Texas 2006, Picturing Palo Duro, Panhandle-Plains Historical Museum, Canyon, Texas
Selected Collections • • • • • • •
Chevron, Triptych, 2009, Houston, TX Enron Texas Commerce Medical Bank Longpoint Bank San Jacinto Savings Cameron Iron Works Beaumont Well Works
Artist Bio: Harvey Johnson Selected Biographical and Career Highlights • 1947, Born in Port Arthur, Texas – currently lives in Houston • 1971, Texas Southern University, Houston, Bachelor of Arts in Education • 1973, Washington State University, Pullman, Washington, Masters of Fine Arts • 1977, Ford Foundation Grant to conduct research on African-American crafts • 1991 – 1992, Three month trip to Sierra Leone, West Africa to conduct research in continuation of project entitled A Black Aesthetic • 1973 – 2007, Professor, Art Department, Texas Southern University
Selected Exhibitions • • • • •
1978, Progressive Cultural Exhibit, Beaumont, Texas 1979, Contemporary Art Museum, Fire/000 Texas Artists, Houston, Texas 1982, One man exhibit, City of Port Arthur, Texas-Library Division, Port Arthur, Texas 1986, The Sixth Annual Atlanta Life Natural Art Competition and Exhibition (1st Prize Award in drawing) 1986, One man exhibit at the Black Heritage Gallery, Houston
• 1989, Included in Masters Choice exhibition of five leading artists from the Art League of Houston. Masters chose their best protégé, selected by John Biggers. • 1993, Included in exhibition entitled “I Remember” Thirty years after the March on Washington: Images of the Civil Rights Movement 1963-1993, Corcoran Gallery of Art, Washington, D.C.
Selected Collections • 1997, Collaboration with John Biggers on the mural Salt Marsh, The University of Houston – Downtown, Houston, Texas • 1999, Collaboration with John Biggers on the mural Nubia, Texas Southern University’s School of Business, Houston, Texas • 2003, Mural All God’s Chillun Got Wings, Community Center, Houston, Texas • Golden State Mutual Insurance, Permanent Collection, Los Angeles, California • Texas Southern University, Permanent Collection, Houston, Texas • Mrs. Susan McAshan, Civic Benefactor and Art Patron, Houston, Texas • Dr. John Biggers, Houston, Texas
Artist Bio: William Young Selected Biographical and Career Highlights • • • • • •
1952, Born Palestine, Texas University of Dallas, Dallas, Texas East Texas State University, Commerce, Texas Stephen F. Austin University, Nacogdoches, Texas 2009, Dallas Nine Award, Dallas, TX 2009, Article D Magazine, Dallas, TX
Selected Exhibitions • • • • •
2010, Five Parrots Perform King Lear, Hunting Art Prize – Finalist, Houston, TX 2010, Invitational Western Art Show and Sale, Panhandle-Plains Historical Museum, Canyon, TX 2009, Etchings & Dreamscapes, Longview Museum of Fine Art, Longview, TX 2007, Then and Now , Texas State University, San Marcos, TX 2007, Texas Five , Museum for East Texas Culture, Palestine, TX
• • •
2006, Trinity River Arts Center, Dallas, TX 2005, Museum for East Texas Culture, Palestine, TX 2005, Tyler Museum of Art, Tyler, TX
Selected Collections •
Numerous Private Collections
Texas Natives - Texas Narratives Exhibition Checklist Artist
1. Don Edelman 2. Don Edelman 3. Don Edelman 4. Don Edelman 5. Don Edelman 6. Don Edelman 7. Don Edelman 8. Don Edelman 9. Don Edelman 10. Don Edelman 11. Don Edelman
Title
Date
Medium
Size (Inches)
MFA Student’s Basement Apartment, Champaign-Urbana Green Roofs Texas Target Practice Alexander’s Ragtime Crab Houston Moonrise A Whimsical Dubuffet Gives Life to Downtown Cherry House with Miriam Rematerializing as a Red Admiral Philip Curtis: Input and Output Fishing Boat Abstraction Space Exploration Cold Front
1951
oil/canvas
48x34
1955 c.1977 1980 c. 1980 1985 c.1985
oil/board oil/board oil/board acrylic/board acrylic/paper oil/board
18x24 24x36 48x32 48x34 39x23 48x16
1986 1990 1993 1999
oil/board oil/board oil/board oil/masonite
60x48 59x44 34x48 6 3/4x7 1/4
Artist
12. Don Edelman 13. Don Edelman 14. Don Edelman 15. Don Edelman 16. Don Edelman 17. Harvey Johnson 18. Harvey Johnson 19. Harvey Johnson 20. Harvey Johnson 21. Harvey Johnson 22. Harvey Johnson 23. Harvey Johnson 24. Harvey Johnson 25. Harvey Johnson 26. Harvey Johnson
Title Antique Roadshow with Grasshopper & Off-Road Roadrunner Bells of Tumacacori The Menfolk Rest While Mommy Shops Untitled (Downtown Houston) Mercury 125 The Egg and the Sword Let the Circle be Unbroken The Old Ship of Zion Mamma’s Throne “Didn’t It Rain?” The Holy Family Wash House: Morning Star “Eye on the Sparrow” “Radiance from the Waters” Where the Sun Refused to Shine
Date
Medium
Size (Inches)
2003
oil/board
24x18
2004 2004 2004 n/d 1972 1977 1982 1983 1992 1994 2006-10 2009 2009 2009
oil/canvas watercolor watercolor oil/canvas conte/paper acrylic/canvas conte/paper conté/paper acrylic/canvas conte/paper acrylic/oil wash/canvas acrylic/oil wash/canvas conté/white chalk/paper conté/paper
24x16 37x31 38x24 14x18 39x26 30x40 21 1/2x30 1/2 23x17 30x24 22 1/2x28 28x22 24x18 34x22 24x37
Artist
Title
Date
Medium
Size (Inches)
27. Harvey Johnson 28. Harvey Johnson
“A Celebration: The Day We Were Born is Our Mother’s Birthday” Above My Head…
2010
scratchboard
12x9
2010
scratchboard
7x5
29. Harvey Johnson 30. Harvey Johnson 31. Harvey Johnson 32. Harvey Johnson 33. William Young 34. William Young 35. William Young 36. William Young 37. William Young 38. William Young
Two Wings Upper Room The Bell Done Ring, Lift Every Voice and Sing The Other Shore A Tomato as the Sun She Told Me About the Stars You are in Danger of Running Aground Dreams of a Distant Shore The Art of Negotiation The Portuguese Navigator Sights a Nymph
2010 2010 2011
scratchboard acrylic/oil wash/canvas acrylic/oil wash/canvas
10x8 31x24 40x30
n/d 2005 2005 2005 2006 2006 2007
acrylic/oil wash/board acrylic/masonite acrylic/masonite acrylic/masonite acrylic/masonite acrylic/masonite acrylic/masonite
20x26 20x16 10x32 18x20 15x27 16x12 18x28
Artist
Title
Date
Medium
Size (Inches)
39. William Young
Last Night I Made a Pair of Wings. 2010 Turned into an Owl and Flew Off. Who Knows Where... I Think it was Summer.
acrylic/masonite
24x17 1/2
40. William Young 41. William Young 42. William Young 43. William Young 44. William Young 45. William Young 46. William Young
Masters of Time Pandora’s Box Spring Hopes Eternal Temptation Yin Yang Medicine Hat Wimberley Cactus
acrylic/masonite acrylic/masonite acrylic/masonite acrylic/masonite acrylic/masonite acrylic/masonite acrylic/masonite
14x36 20x15 24x18 22x34 24x24 14x12 20x24
2010 2010 2010 2010 2010 2010-11 1984
Don Edelman
1. Edelman MFA Student’s Basement Apartment, Champaign-Urbana, 1951 oil/canvas 48x34 inches
2. Edelman Green Roofs, 1955 oil/board 18x24 inches
3. Edelman Texas Target Practice, c.1977 oil/board 24x36 inches
4. Edelman Alexander’s Ragtime Crab, 1980 oil/board 48x32 inches
5. Edelman Houston Moonrise, c.1980 acrylic/board 48x34 inches
6. Edelman A Whimsical Dubuffet Gives Life to Downtown, 1985 acrylic/paper 39x23 inches
7. Edelman Cherry House with Miriam Rematerializing as a Red Admiral, c.1985 oil/board 48x16 inches
8. Edelman Philip Curtis: Input and Output, 1986 oil/board 60x48 inches
9. Edelman Fishing Boat Abstraction, 1990 oil/board 59x44 inches
10. Edelman Space Exploration, 1993 oil/board 34x48 inches
11. Edelman Cold Front, 1999 oil/masonite 6 3/4x7 1/4 inches
12. Edelman Antique Roadshow with Grasshopper and Off-Road Roadrunner, 2003 oil/board 24x18 inches
13. Edelman Bells of Tumacacori, 2004 oil/canvas 24x16 inches
14. Edelman The Menfolk Rest While Mommy Shops, 2004 watercolor 37x31 inches
15. Edelman Untitled (Downtown Houston), 2004 watercolor 38x24 inches
16. Edelman Mercury 125, n/d oil/canvas 14x18 inches
Harvey Johnson
17. Johnson The Egg and the Sword, 1972 contĂŠ/paper 39x26 inches
18. Johnson Let the Circle Be Unbroken, 1977 acrylic/canvas 30x40 inches
19. Johnson The Old Ship of Zion, 1982 contĂŠ/paper 21 1/2x30 1/2 inches
20. Johnson Mamma’s Throne, 1983 contÊ/paper 23x17 inches
21. Johnson “Didn’t It Rain?”, 1992 acrylic/canvas 30x24 inches
22. Johnson The Holy Family, 1994 contĂŠ/paper 22 1/2x28 inches
23. Johnson Wash House: Morning Star, 2006-10 acrylic/oil wash/canvas 28x22 inches
24. Johnson “Eye on the Sparrow”, 2009 acrylic/oil wash/canvas 24x18 inches
25. Johnson “Radiance from the Waters”, 2009 conté/white chalk/paper 34x22 inches
26. Johnson Where the Sun Refused to Shine, 2009 contĂŠ/paper 24x37 inches
27. Johnson “A Celebration:The Day We Were Born Is Our Mother’s Birthday”, 2010 scratchboard 12x9 inches
28. Johnson Above My Head..., 2010 scratchboard 7x5 inches
29. Johnson Two WIngs, 2010 contĂŠ/paper 24x37 inches
30. Johnson Upper Room, 2010 acrylic/oil wash/canvas 31x24 inches
31. Johnson The Bell Done Ring, Lift Every Voice and Sing, 2010 acrylic/oil wash/canvas 40x30 inches
32. Johnson The Other Shore, n/d acrylic/oil wash/board 20x26 inches
William Young
33. Young A Tomato as the Sun, 2005 acrylic/masonite 20x16 inches
34. Young She Told Me About the Stars, 2005 acrylic/masonite 10x32 inches
35. Young You are in Danger of Running Aground, 2005 acrylic/masonite 18x20 inches
36. Young Dreams of a Distant Shore, 2006 acrylic/masonite 15x27 inches
37. Young The Art of Negotiation, 2006 acrylic/masonite 16x12 inches
38. Young The Portuguese Navigator Sights a Nymph, 2007 acrylic/masonite 18x28 inches
39. Young Last Night I Made a Pair of Wings. Turned into an Owl and Flew Off. Who Knows Where...I Think it was Summer., 2010 acrylic/masonite 24x17 1/2 inches
40. Young Masters of Time, 2010 acrylic/masonite 14x36 inches
41. Young Pandora’s Box, 2010 acrylic/masonite 20x15 inches
42. Young Spring Hopes Eternal, 2010 acrylic/masonite 24x18 inches
43. Young Temptation, 2010 acrylic/masonite 22x34 inches
44. Young Yin Yang, 2010 acrylic/masonite 24x24 inches
45. Young Medicine Hat, 2010-11 acrylic/masonite 14x12 inches
46. Young Wimberly Cactus, 1984 acrylic/masonite 20x24 inches
Short Stories: Texas Narratives Continued Morris, Contemplating Flight, 1975, acrylic/canvas, 8x6 in.
Adams, Endangered Species II, 1991, engraving/etching/aquatint, 30x22 in.
Artist Bio: Ron Adams Selected Biographical and Career Highlights • • • • • • • • • •
1934, Born Detroit, Michigan 1955-56, Los Angeles Trade Technical College, Course Graphic Art 1960-62, Los Angeles Trade Technical College, Course in Technical Illustration, Commercial Art 1962-66, Certificate of Trade Proficiency 1963, Otis Art Institute, Los Angeles, courses in Drawing, Painting, and Sculpture 1965, U.C.L.A., Course in Advanced Drawing 1967-68, University of Mexico, Courses in Lithography and Metal Engraving 1969-73, Assistant Printer then Master Printer, Gemini G.E.L., Los Angeles 1973, Master Printer, Editions Press, San Francisco 1974-1987, Owner/Master Printer, Hand Graphics, Ltd., Santa Fe, NM
Selected Exhibitions • • • •
1966, Prints & Drawings, group traveling exhibition to USSR organized by US State Dept. 1967, Solo Exhibition, Downey Museum of Art, Downey, CA 1986, 62nd Annual Prints Competition, Society of American Graphic Artists, New York, NY 1987, New Mexico ’87, Juried Exhibition, Purchase Award, Museum of Fine Arts, Santa Fe, NM
• • • • • •
1991, Solo Exhibition, Eastern New Mexico University, Portales, NM 1992, Printmaking in New Mexico 1880-1990, Museum of Fine Arts, Santa Fe, NM 1992, Solo Exhibition, Clovis Community College, Clovis, NM 1993, Solo Exhibition, Print Festival, Loyola Marymount University, Los Angeles 1993, Ron Adams: Master Printmaker, Vanderbilt University Fine Arts Gallery, Nashville, TN 2001, Go Figure, LewAllen Contemporary Art, Santa Fe, NM
Selected Collections • • • • • • • • •
Museum of Fine Arts, Santa Fe, NM Bronx Museum, Bronx, NY Vanderbilt University Fine Arts Gallery, Nashville, TN National Museum of American Art, Smithsonian Institution, Washington, DC Library of Congress, Washington, DC El Paso Museum of Art, El Paso, TX Nelson / Atkins Museum of Art, Kansas City, MO Toledo Art Museum, Toledo, OH Milwaukee Art Museum, Milwaukee, WI
Artist Bio: Robert Morris Selected Biographical and Career Highlights • • • • •
1931, Born New York City 1955, B.F.A. Yale University, New Haven, CT 1970, M.F.A. The University of Texas, Austin, TX D.D. Feldman Prize, Dallas, Texas Houston Artists Competition, First Prize, The Museum of Fine Arts, Houston, TX
Selected Exhibitions • • • • • • •
The Drawing Center: (Artists Postcards, Edition 1: circulated by the Smithsonian Institution), New York, NY The Wesleyan University Center of the Arts, CT The Museum of Fine Arts, Houston, TX David Gallery, Houston, TX Louisiana Gallery, Houston, TX Nave Museum, Victoria, TX Gallery K, Washington, DC
Selected Collections • • • • •
Trinity College, Hartford, CT Allentown Art Museum, Allentown, PA Contemporary Arts Museum, Houston, TX The Museum of Fine Arts, Houston, TX Oklahoma Arts Center, OK
Short Stories: Texas Narratives Continued Exhibition Checklist Artist
1. Ron Adams 2. Ron Adams 3. Ron Adams 4. Ron Adams 5. Ron Adams 6. Ron Adams 7. Robert Morris 8. Robert Morris 9. Robert Morris 10. Robert Morris
Title Endangered Species II, 4/60 Aunt Hattie, 4/60 Dandelion Wine, HGT III Neptune Washington, 47/70 Patience, A.P. Mr. Blue, 26/75 Floaters Fly Over II (Ostrich) Fly Over I (House with Jet) Hangers On II
Date 1991 1994 1994 1996 1997 2004 c.1969 c.1970 1973 c.1974
Medium
engraving/etching/aquatint photo engraving photo engraving lithograph engraving/etching/aquatint engraving/etching/aquatint acrylic/board acrylic/canvas acrylic/canvas acrylic/board
Size (Inches) 30x22 15x17 20 1/2x16 30x22 16x14 13x11 8x10 5x7 6x8 8x10
Artist 11. Robert Morris 12. Robert Morris 13. Robert Morris 14. Robert Morris 15. Robert Morris 16. Robert Morris 17. Robert Morris 18. Robert Morris
Title
Date
Medium
Size (Inches)
Hangers On III (Jet Plane with Helicopter) Hangers On IV (Upside Down People) The Spectators Contemplating Flight Flying Circus Grant and Trees Trailer Park Armageddon Exit (Howard Johnson
1974
acrylic/board
12x9
1974
acrylic/board
7 1/2x10
1974 1975 1978 1978 1978 n/d
acrylic/canvas acrylic/canvas acrylic/board acrylic/board acrylic/board acrylic/canvas
7 1/2x10 8x6 8x10 7x4 1/2 8x10 12x9
1. Adams Endangered Species II, 4/60, 1991 engraving/etching/aquatint 30x22 inches
2. Adams Aunt Hattie, 4/60, 1994 photo engraving 15x17 inches
3. Adams Dandelion Wine, HGT III, 1994 photo engraving 20 1/2x16 inches
4. Adams Neptune Washington, 47/70, 1996 lithograph 30x22 inches
5. Adams Patience, A.P., 1997 engraving/etching/aquatint 16x14 inches
6. Adams Mr. Blue, 26/75, 2004 engraving/etching/aquatint 13x11 inches
7. Morris Floaters, c.1969 acrylic/board 8x10 inches
8. Morris Fly Over II (Ostrich), c.1970 acrylic/canvas 5x7 inches
9. Morris Fly Over I (House with Jet), 1973 acrylic/canvas 6x8 inches
10. Morris Hangers On II, c.1974 acrylic/board 8x10 inches
11. Morris Hangers On III (Jet Plane with Helicopter), 1974 acrylic/board 12x9 inches
12. Morris Hangers On IV (Upside Down People), 1974 acrylic/board 7 1/2x10 inches
13. Morris The Spectators, 1974 acrylic/canvas 7 1/2x10 inches
14. Morris Contemplating Flight, 1975 acrylic/canvas 8x6 inches
15. Morris Flying Circus, 1978 acrylic/board 8x10 inches
16. Morris Grant and Trees, 1978 acrylic/board 7x4 1/2 inches
17. Morris Trailer Park, 1978 acrylic/board 8x10 inches
10. Morris Armageddon Exit (Howard Johnson), n/d acrylic/canvas 12x9 inches
Houston’s Gallery for Early Texas Art
2313 Brun Street • Houston, Texas 77019 • (713) 521-7500 • www.reavesart.com