GSAPP PORTFOLIO

YEH-SEN SU PORTFOLIO COLUMBIA UNIVERSITY /GSAPP/MSAAD

GSAPP PORTFOLIO 2012-2013

Represented by studio projects for different conditions where concepts of intimate experience space, landscape infrastructure design and cliche’ of silhouette architecture are instrumental to the approach of dynamic architectural conditions. This is a portfolio that hopes to trigger more potential to form an argument for different situations. All three projects are designed from urban scale to details in order to understand possibilities.

In the first project, responding to contextual circumstance, the archive is zoned for different stages of mourning, with different intimate experience spaces.

The second project is to transform the conceptions

of urban waterfront to include an emphasis on soft infrastructure.

And finally, existing architectural cliche’s are sampled, misused and transgressed to rethink the prototype of cinemateque within the city.

Whether it is intimate experience space, soft infrastructure, or cliche’s—this works represent possibilities in the architectural field.

CONTENTS Studio Projects 01. Flow of Remembrance

page. 01-26

02. Dredgescape

page. 27-40

03. Dictionary of Received Ideas

page. 41-68

Others 04. Visual Studies

page. 69-74

05. Curriculm Vitae

page. 75-76

01. Flow of Remembrance

URBAN INFRASTRUCTURE DESIGN

INTIMATE EXPERIENCE SPACE

FLOW OF REMEMBRANCE Fall 2012

Academic Project

Critic:

Karla Rothstein

In collaboration with: Shu-fa Pai

â–˛ 01

Daily remembrance space

INTIMATE EXPERIENCE SPACE

INTIMATE EXPERIENCE SPACE Program

Different Typologies of Cemetery in New York

First year archive, Decades archive, Centuries archive, Chapel, Bridge, Park, Egress Space.

Site Location The Old Croton Aqueduct which has been decommissioned for over a century in New York City.

Concept Existing NYC cemeteries will reach capacity in the next 20 years. Forgotten underground tunnels provide space for an urban archive of human remains.

Light counteracts the underground darkness in

▲ Cemetery

an archive that shifts and fills across centuries.

Solution Water bears significant meaning in ritual and religious beliefs—its varied qualities offer comfort and emotional resonance. As a byproduct of resomation. Returning sacred water to the aqueduct symbolizes infinite connection with past generations. ▲ Underground Crypt

The flow of time heals loss; the flow of water aids in letting go.

Responding to contextual circumstance, the archive is zoned for different stages of mourning.

Immersion in the tunnel is an intimate experience with family. Emergence is a moment of release. ▲ Mausoleum

▲ Columbaria 02

INTIMATE EXPERIENCE SPACE

▲ The croton aqueduct in section

7

2

6

3

14

4

1

▲ The croton aqueduct

▲ Visible water features

▲ Right-of way 03

INTIMATE EXPERIENCE SPACE

The Old Croton Aqueduct Solution The site is from Jerome park to Jacqueline Kennedy Onassis Reservoir. Depends on different duration of grieving, There are four different stages of mourning process.

The flow of time heals loss; the flow of water aids in letting go.

▲

Duration of Grieving

Stages of mourning process

▲

Diagrams of water volumn 04

▲

INTIMATE EXPERIENCE SPACE

▲ Original high bridge

Tunnel of archive

▲ Plan of tunnel ▲ 05

Site Plan

Relieve space(Egress)

Relieve space(Waterfall)

INTIMATE EXPERIENCE SPACE

EXPLODED AXONOMETRIC VIEW Adaptive reuse of high bridge By reusing the old croton aqueduct in high bridge, the tunnel can be the first year archive because of the accessibility . And there are egress space for grieving in between various distance.

Gate house (Chapel space)

Upper floor pavement

Public entrance

Tunnel of archive Water flow

Relieve space (Egress) Grieving space (Extended from steel base) Relieve space (Waterfall) Relieve space (Egress)

Relieve space (Waterfall) Original masonry structure Public entrance

06

INTIMATE EXPERIENCE SPACE

▲ Corton aqueduct inside high bridge

Upper floor pavement

Water flow Temporary light epitaph Tunnel of archive Grieving space

▲

1. High bridge masonry arch

Upper floor pavement Water flow Egress of tunnel Relieve space (Waterfall) Relieve space (Egress)

▲ 07

2. High bridge masonry arch

INTIMATE EXPERIENCE SPACE

DETAILS OF HIGH BRIDGE Masonry and steel arch With different segments of the croton aqueduct, there are different typologies of design in the high bridge.

Upper floor pavement Temporary light epitaph Water flow Tunnel of archive Grieving space

▲

1. High bridge steel arch

Upper floor pavement Water flow Egress of tunnel Relieve space (Egress) New deck Relieve space (Waterfall)

▲

2. High bridge steel arch 08

NIGHT SCENE First year archive in the city People can easily get access to here, and it is a cemetery within the city.

09

â–˛

Egress space 10

11

INTIMATE EXPERIENCE SPACE

INTIMATE EXPERIENCE SPACE

INTIMATE EXPERIENCE SPACE Light epitaph The light comes from the ceiling and those light epitaph, it is a relationship between light and remembrance experience.

▲

▲ Diagrams of light epitaph

▲ Model study of light

Moment in tunnel

Water flow Acrylic urns

Cap of light epitaph

Vacant space Original steel tunnel

Wood deck Light Structure for tunnel

▲ Detail of tunnel 12

INTIMATE EXPERIENCE SPACE

DECADES ARCHIVE Fiber optic rods The light comes from the fiber optic rods and stores in the solar collector, the rods are tangible on the ground that people can mourn their family.

Light Epitaph

â–˛

Fiber optic rods Steel tube Acrylic rods Fiber optic rods Glass tube Acrylic urns

35cm

Solar collector Solar battery Steel tube Acrylic rods Glass tube Acrylic urns Solar lights

13

INTIMATE EXPERIENCE SPACE

▲ Day time scene Night time scene

14

▲

INTIMATE EXPERIENCE SPACE

▲

15 Ground floor

High bridge park By using the remp to connect high bridge park and tunnel, it is not only an entrance but also an egress.

Moment of egress space

INTIMATE EXPERIENCE SPACE

EGRESS

16

â–˛

INTIMATE EXPERIENCE SPACE

▲

17 Lower floor

High bridge park There are small chapel and sacred water collector inside the egress space.

Moment of egress space

INTIMATE EXPERIENCE SPACE

EGRESS

18

â–˛

19

INTIMATE EXPERIENCE SPACE

Aqueduct trail There are sanctuary chapel and storage space inside the egress to provide the connection between

▲

the city and the tunnel.

Moment of egress

▲

Plan

INTIMATE EXPERIENCE SPACE

EGRESS

20

INTIMATE EXPERIENCE SPACE ▲ Section from the chapel

▲ Section from the tunnel

21

Aqueduct trail The water is being collected on the roof, the shadow of the water is part of the texture on the ground.

Moment of the chapel

INTIMATE EXPERIENCE SPACE

EGRESS

22

â–˛

INTIMATE EXPERIENCE SPACE

CENTURIES ARCHIVE light epitaph Under the Amesterdam avenue, there are the centuries archive inside. We think that memories are related to time. With the time passed, the frequency of visiting family will decrease.

Moment of the chapel

â–˛

32 cm

Fiber optic rods Acrylic rods Glass tube Acrylic urns

Fiber optic rods Acrylic rods Glass tube Acrylic urns Sensor lights

23

INTIMATE EXPERIENCE SPACE

▲ Cemetery Moment of the chapel

24

▲

INTIMATE EXPERIENCE SPACE

DAILY REMEMBRANCE Jacqueline Kennedy Onassis Reservoir The water is coming from the Jerome park and it is the by-product of resomation. It is the daily life between people jog and mourn to their family.

Moment of the chapel

â–˛

25

INTIMATE EXPERIENCE SPACE

▲

Moment of -3m

▲

Moment of -1.7m

▲

Moment of -1.2m

26

02. Dredgescape

LANDSCAPE INFRASTRUCTURE DESIGN

LANDSCAPE INFRASTRUCTURE DESIGN ▲ 27

DREDGESCAPE

Hudson river datascape

Summer 2012

Academic Project

Critic:

Kate Orff

LANDSCAPE INFRASTRUCTURE DESIGN

LANDSCAPE DESIGN Program The priority of this design is to transform the conceptions of urban waterfront to include an emphasis on soft infrastructure, robust marine habitat, and new forms of programming and enegy.

Site Location This

site

presents

opportunities

to

inte-

grate public access vertically, to explore techniques

of

mollusk

farming

and

biofiltration.

Concept

▲ Floating island for filtration

The design strategy of this project is to reuse the by-product from Wastewater treatment plant and the dredge soil from the bottom of the river. We can produce new types of landscape units by combining these two types of soil.

Solution There are four types of island that made by sludge and dredge, the first one is soft shoreline which locted along the waterfront, the second one is floating island which design for water filtration, the third one is mollusk farming which provides

▲ Protect and fix islands

different kinds of mollusk habitation that increases the diversity of animals and plants in the river, and the fourth one is fixed island which is a new landform that can be transform through time.

▲ New habitation

▲ New shoreline 28

LANDSCAPE INFRASTRUCTURE DESIGN

FACTORY FOR UNITS Combining sludge and dredge The garbage transfer station has been abandoned for decades, by connection the waster water treatment and the garbage transfer station, it will be a new factory that produces soil units.

▲ Units study ▲ 29

Units factory

LANDSCAPE INFRASTRUCTURE DESIGN

▲ Original garbage transfer station

Solar radiation

Green house Sludge from wastewater treatment System of ventilation Dewater sludge intake Connection with wastewater treatment Dried sludge output

Transportation of sludge units

Original base

▲ Exploded units factory 30

LANDSCAPE INFRASTRUCTURE DESIGN

▲ Site analysis

Buffer zone (sludge cover) Original hard bulkhead Geotextile tubes(dredge)

▲ Soft shoreline

Filtration vegetation Sludge cover PVC floating elements Geotextile Filtration roots

▲ Floating island 31

LANDSCAPE INFRASTRUCTURE DESIGN

DETAIL OF UNITS Sludge and dredge There are four types of units that create the shoreline and islands, mainly composed by sludge, dredge, and recycled elements.

Recycled bamboo pillars

Mollusk habitation Soil sedimentation

▲ Mollusk farming

Sludge cover Dredge base Geotextile tubes(dredge) Recycled debris

▲ Fixed island 32

LANDSCAPE INFRASTRUCTURE DESIGN

1.

2.

3.

4.

5.

6.

7.

▲ Detail of tunnel 33

LANDSCAPE INFRASTRUCTURE DESIGN

EXPLODE SITE PLAN Landscape elements From the shoreline to the Hudson river, there are different kinds of elements that create the ecological system of the landscape.

▲

2012

1. Soft shoreline 3. Tourists piers

2022

▲

2. Floating island 4. Mollusk farming 5. Fixd island 6. Heliantis solar sludge drying 7. Protect island

▲

2052 34

AERIAL VIEW Infrastructure for the shoreline By creating the infrastructure for the shoreline, the ecological system become more diversity and the water become much cleaner.

35

â–˛

Model study

36

LANDSCAPE INFRASTRUCTURE DESIGN

▲ Fix island study

▲ Basic geometry

▲ Soil erosion

▲ Floating island study

▲ Plants grow

▲ Floating island study

▲ Complex form 37

From simple to complex Some of the plants will grow, some of the soil will be erosion. The simple geometry will become divesity and create the new landscape.

LANDSCAPE INFRASTRUCTURE DESIGN

TRANSFORMATION PROCESS

Moment inside the mollusk farming

38

â–˛

TRANSFORM ACROSS TIME Changeable landscape The landscape is not permanent, it will change over time. It is a new infrastructure alone the waterfront.

39

â–˛

Islands in 2052

40

03. Dictionary of Recieved Ideas CLICHE’ OF SILHOUETTE ARCHITECTURE

CLICHE’ OF SILHOUETTE ARCHITECTURE

DICTIONARY OF RECIEVED IDEAS Spring 2013

Academic Project

Critic:

Enrique Walker

In collaboration with:

Chao Lun Wang Pablo Fernández-villaverde Sarah Ashlee Lyons

▲ 41

Moment of section axonometric

Typical silhouette building

Concept

CLICHE’ OF SILHOUETTE ARCHITECTURE

CLICHE’ OF SILHOUETTE ARCHITECTURE

The silhouette is at the same time the main structure of the building and the space for the “back of the house”, all the serving spaces that are not a part of the relation between circulation and cinemas. The silhouette spans six structural walls that provide formal and organizational freedom for cinemas and route configuration.

RECEIVED IDEA

System The building gets organized by two systems:

▲ Form is different to the space inside

the arrangement of cinemas and the circulation scheme. The latter one overlaps the cinemas in strategic locations that redefine its relation,

enhancing

their

individual

system,

composed

functions.

Solution The

circulation

by

stairs

and platforms, link the different levels cre-

RECEIVED IDEA

ating a continuous double spiral. The foyers are configured as an extension of the route.

▲ Typical floor slabs

The building deliberately lacks a main foyer, creating diverse possibilities. Each cinema has an opening system that characterizes the foyers for alternative uses and attached program.

The

cinemateque

is

located

in

a

standard

RECEIVED IDEA

neighborhood inside the NY urban fabric grid (Hell’s Kitchen). This minimum urban interven-

▲ Typical cores inside

tion aims to generate a maximum effect creating a recognizable symbol of cultural identity.

RECEIVED IDEA

▲ Silhouette facing street 42

CLICHE’ OF SILHOUETTE ARCHITECTURE

t u d i o

XS 1

2

2

3 3 M 1

2

3

1. Cinema 2. Open to below 3. Classrooms

0

5

10

20

30

40

50

t u d i o

▲ +10m plan

A

A

- open to below, 3 - classrooms

+ 10m

plan A-A

5

XL

3

2

L 1

4

1. Cinema 2. Open to below 3. Classrooms 4. Projection booth 5. Cinema foyer

0

5

10

20

30

40

50

B

B

t u d i o

▲ +21m plan

2 - open to below, 3 - outdoor cinema, 4 - projection booth, 5 - cinema foyer 6.5

23.1

14.2

+21m

1.0

3

1

plan B-B

3 XL

S

23.2 27.2

4

2

1. Cinema 2. Open to below 3. Outdoor cinema 2.0

4. Exhibition

C 0

5

10

20

30

40

C

50

▲ +30m plan

2 - open to below, 3 - outdoor cinema, 4 - exhibition

43

+ 30m

plan C-C

First scheme: circulation by foyers By reusing the cinema packages to organize the building, it also open to the public through the ground floor.

CLICHE’ OF SILHOUETTE ARCHITECTURE

CUT AXONOMETRIC

44

CLICHE’ OF SILHOUETTE ARCHITECTURE

t u d i o

exterior

r

exterior control tower

exterior theater

theater

theater exterior

theater interior

exterior

theater

interior screen

exterior entance

interior

theater

entrance

admin

interior

theater exterior

car entrance

exterior

mediation of program and

silhoutte through organization ▲ Programs are inside the silhouette

cafe

lobby

entance

▲ Exploring the silhouette programs inside

building

s

and outside exploiting the silhouette program|organization

4

3 XL

4

3

XL 5

1

M

2

6

0

5

10

8

20

7

30

40

50

D

, 3 - outdoor cinema, 4 - exhibition, 5 - classrooms, 6 - cafe, 7 - entrance, 8 - lobby

▲ Section facing east

45

1. Cinema

5. Classrooms

2. Administration

6. Cafe

3. Outdoor cinema

7. Entrance

4. Exhibition

8. lobby

CLICHE’ OF SILHOUETTE ARCHITECTURE

SECTIONS Occupied and void By combining the core with structure wall, it has more freedom inside, and also uses louver to cover the exterior space.

1 3

M

XL 4

2

L 1

XL 3 5 5

6

0

5

10

20

30

40

50

E

- outdoor cinema, 4 - archive, 5 - classrooms, 6 - cafe, 7 - entrance, 8 - lobby

▲ Section facing west

1. Cinema

5. Classrooms

2. Exhibition

6. Cafe

3. Outdoor cinema

7. Entrance

4. Archive

8. lobby

46

CLICHE’ OF SILHOUETTE ARCHITECTURE

AXONOMETRIC CORE AND PROGRAM Cinemas as structure By creating the service facade within the core, people can choose to experience the space floor by floor or directly. t u d i o

▲ Follows silhouette but is discontinuous in its1extrusion.

2

1

33 Wrap creates a double

2

Follows silhouette but is discontinuous in its extrusion Follows silhoutte but

Tightly wraps program, follows silhouette shape

layer for occupiable

between fixed program and

Wrap creates a double space layer for occupiable space

Tightly wrapping program - follows silhoutte shape

is discontinuous in the extrusion

4 4 Wrapper creates space 5

5

Wrapper does n frame and crea

frame Wrapper doesbetween not follow frame and creates space wrapper between frame and wrapper

Wrapper creates space frame between fixed program and frame

spatial relationships lou t u d i o

▲ Tightly wraps program, follows silhouette shape.

2

1

ilhouette but tinuous in its

Follows silhoutte but is discontinuous in the extrusion

2

Tightly wraps program, follows silhouette shape

33 Wrap creates a double

4 4 Wrapper creates space 5

layer for occupiable

between fixed program and

Wrap creates a double space layer for occupiable space

Tightly wrapping program - follows silhoutte shape

Wrapper creates space frame between fixed program and frame

5

Wrapper does not follow frame and creates space

frame and Wrapper doesbetween not follow frame and creates space wrapper between frame and wrapper

spatial relationships louver and screen t u d i o

wraps program, silhouette shape

▲ Wrapper creates a double layer for occupiable 3 space.

4

3Wrap creates a double

4

ghtly wrapping ogram - follows lhoutte shape

5

5

Wrapper does not follow Wrapper creates space frame and creates space between fixed program and frame and Wrapper creates space Wrapper doesbetween not follow frame between fixed program frame and creates space wrapper

layer for occupiable Wrap creates a double space layer for occupiable space

and frame

between frame and wrapper

spatial relationships louver and screen t u d i o

▲ Wrapper creates space between fixed 5 4 and frame. program Wrapper

4

eates a double or occupiable

tes a double occupiable

does not follow 5 Service Facade frame and creates space

Wrapper creates space between fixed program and

frame and Wrapper doesbetween not follow frame and creates space wrapper between frame and wrapper

Wrapper creates space frame between fixed program and frame

spatial relationships louver and screen

▲ Wrapper does not follow frame and 5 space between frame and creates Wrapper does not follow wrapper. frame and creates space

5

creates space fixed program and

s space program

47

frame and Wrapper doesbetween not follow frame and creates space wrapper between frame and wrapper

▲ Service facade

CLICHE’ OF SILHOUETTE ARCHITECTURE

axono 48

CLICHE’ OF SILHOUETTE ARCHITECTURE

t u d i o

▲ Perspective street view

▲ Perspective city view

49

perspective street view

t u d i o

perspective city view

t u d i o

Cinema packages The cinema packages are the zoning priciples in this building, and there are different programs hang in by the cinemas.

CLICHE’ OF SILHOUETTE ARCHITECTURE

EXPLODED AXONOMETRIC VIEW

Administration Package

▲ Administration package

exploded axonometric t u d i o

Academic Package

▲ Academic package t u d i o

exploded axonometric

Exhibition Package

▲ Exhibition package

50 exploded axonometric

CLICHE’ OF SILHOUETTE ARCHITECTURE

EXPLODED AXONOMETRIC VIEW Second scheme: cinemas as connection The silhouette spans six structural walls that provide formal and organizational freedom for cinemas and route configuration.

REDEFINED RECEIVED IDEA

DEFINED RECEIVED IDEA

1.

5.

TRUCTURAL CONCEPT: CORE PROGRAM

51

2.

6.

STRUCTURAL CONCEPT: CORES

CLICHE’ OF SILHOUETTE ARCHITECTURE

RUCTURAL CONCEPT: TRUSSES

3.

7.

RUCTURAL CONCEPT: CINEMAS

STRUCTURAL CONCEPT: CORE CIRCULATION

4.

8.

STRUCTURAL CONCEPT: TRAYS

1. Serving and service structure 2. Span six structural walls 3. Provide formal and organizational freedom 4. Egress and elevator systems 5. Serving and service programs 6. Read as two thick walls 7. Cinemas in between structural walls 8. Add trays beside cinemas 52

CLICHE’ OF SILHOUETTE ARCHITECTURE

SITE AXONOMETRIC VIEW

SITE AXON

In Hell’s kitchen This minimum urban intervention aims to generate a maximum effect creating a recognizable symbol of cultural identity.

53

CLICHE’ OF SILHOUETTE ARCHITECTURE

▲

Silhouette model

54

CLICHE’ OF SILHOUETTE ARCHITECTURE

48th St

47th St

▲ Site plan and elevation

55

CLICHE’ OF SILHOUETTE ARCHITECTURE

URBAN CIRCULATION Connection with the city The circulation comes from the ground floor which connects to the city, people can choose the interior route or exterior route from the beginning.

th

47

St

ON ▲ Ground floor section axonometric

56

CLICHE’ OF SILHOUETTE ARCHITECTURE INDOOR DIAGRAM

▲ Indoor diagram

OUTDOOR DIAGRAM

▲ Outdoor diagram

INDOOR AND OUTDOOR DIAGRAM

▲ Indoor and outdoor diagram with screens

57

CLICHE’ OF SILHOUETTE ARCHITECTURE

CIRCULATION SYSTEM Circulation and cinemas The arrangement of cinemas and the circulation scheme organize the building. The strategic locations redefine their individual functions.

▲ Circulation from the city 1. Entrance cinema 2. Main+auditorium cinema CIRCULATION DIAGRAM 3. Performance cinema 4. Seminar cinema 5. Semi-Exposed cinema 6. Open air cinema

6.

Circulation diagram

▲

N DIAGRAM

5.

4.

3.

2.

1.

58

CLICHE’ OF SILHOUETTE ARCHITECTURE

ONOMETRIC

▲ Served core section axonometric

59

Between cinemas and circulation

CLICHE’ OF SILHOUETTE ARCHITECTURE

EXPLODED AXONOMETRIC VIEW

ONOMETRIC

▲ Entrance cinema section axonometric

60

CLICHE’ OF SILHOUETTE ARCHITECTURE

ONOMETRIC

▲ Performance cinema section axonometric

61

Between cinemas and circulation

CLICHE’ OF SILHOUETTE ARCHITECTURE

EXPLODED AXONOMETRIC VIEW

ONOMETRIC

▲ Main cinema section axonometric

62

CLICHE’ OF SILHOUETTE ARCHITECTURE

ONOMETRIC

▲ Semi-Exposed section axonometric

63

Between cinemas and circulation

CLICHE’ OF SILHOUETTE ARCHITECTURE

EXPLODED AXONOMETRIC VIEW

ONOMETRIC

▲ Service core section axonometric

64

CLICHE’ OF SILHOUETTE ARCHITECTURE ▲ Overall building axonometric

65

PLAN AXONOMETRIC VIEW Exploded section plan The porosity space that happens in between cinemas and circulation.

CLICHE’ OF SILHOUETTE ARCHITECTURE

▲ Exhibition space section axonometric

▲ Entertainment space section axonometric

▲ Education space section axonometric 66

CLICHE’ OF SILHOUETTE ARCHITECTURE

SILHOUETTE Dictionary of received ideas

Outdoor Cinema 01

/ Semi-Exposed

154 Seats 1. Education 2. Circulation 3. Roof

5

0

1

1

2

3

Indoor Cinema 04

2

3

/ Seminar

70 Seats 1. Education 2. Circulation

5

Circulation System

0

2

0

1

10

2

1

3

Circulation System

Circulation System

Indoor Cinema 02 Auditorium

/ Main +

146 Seats 1. Bookstore 2. Circulation 3. Education

5

0

1

0

67

2

10

3

Truss Service Core

/ Open Air

66 Seats

5

1. Roof 2. Circulation

0

1

1

3

2

0

2

CLICHE’ OF SILHOUETTE ARCHITECTURE

Outdoor Cinema 02

10

1

Circulation System

2

Administration Core

1

1

2

3

Indoor Cinema 03

/ Performance

74 Seats

5

1. Roof 2. Circulation 3. Cafe

0

1

0

2

3

10

1

Indoor Cinema 01 Billboard

/ Entrance 2

56 Seats

10

1. Exhibition 2. Circulation

5

0

Circulation System

ses 1 0

2 10

68

04. Visual Studies OTHER PROJECTS

05. Curriculum Vitae ABOUT YEH-SEN SU

▲ Dusk scene perspective

DIGITALCRAFT Paul Klee museum by Renzo Piano This class is aim to learn different kind of softwares, by using various tools to increase the diversity of the project.

▲ Exploded model

69

▲ Aerial view rendering

▲ Detail rendering

▲ Exploded section plan

70

▲ Perspective

▲ Plan and Section

71

RE-THINKING BIM Revit study The idea of this project is trying to use Revit calculating the number of material we need for the wood structure. The project will use the material in the site and create a structure, which is merged into environment.

â–˛ Concept

72

â–˛ Rendering view

ULTRAREAL Vray study for 3ds max This class is aim to learn different kind of settings that uses for rendering. The goal is to make living images.

â–˛ Original view

73

▲ Interior rendering

NEW YORK DESIGN WEEK Installation My initial interests in the course derived from the regard of the course title New York Design Week. , As for me, the connection with the magazine and several events from studio X and New York design week would provide me the chance to

▲ Plan

experience design progress in a broader aspect in and out of the campus. Since I know that one of the groups’ work has the possibility of been finally chosen to be constructed in real scale, I am ea-

INTERCONNECT

ger to take the challenge of making good design into a better design.

INTERCONNECT

▲ Detail NEW YORK DESIGN WEEK DETAIL RAIL 74

ABOUT YEH-SEN SU

YEH-SEN SU/

CURRICULUM VITAE Name Date of birth Addrese Mobile Email

Information Yeh-Sen Su(Eason) 1986/01/23 352W 123RD ST APT GA NEW YORK NY 10027 +1-646-703-4384 yehsen.su@gmail.com

Education 2012-2013

2004-2008

Master of Science in Advanced Architectural Design Graduate School of Architecture Planning and Presevation Columbia University Bachelor of Science in Architecture College of Planning & design, National Cheng-Kung University (NCKU), Tainan, Taiwan(R.O.C.)

Honors 2013 2011 2008 2008

2008 2006

ABSTRACT Selected of GSAPP, all three semesters, Columbia University Government Scholarship to Study Abroad Proposal of Study Abroad First Prize in The National Award for Architecture Graduation Thesis Design Asia Student Award ”Young Talent Architectural Design Awards” Graduation Thesis Design Award of Superior Architectural Design Graduation Thesis Design Second Prize in “ Court of Design School” Design Competition (Partner Chin-Nan Hsieh / Pey Lung) “Light Up“ Design

Exhibitions 2008

75

“All For the Beautiful Scenery” Graduation Tainan, Taipei Exhibition Manager of Graduation Exhibition Affairs

ABOUT YEH-SEN SU

Professional Experiences 2010-2011 2008-2009 2008 Summer 2007 Spring Summer 2006 Summer

Official Staff of Straight-Square Design, Taipei, Taiwan Project Designer Serving the Duty in the Engineering Troop Service, Taipei, Taiwan Second Lieutenant Working in Green Field Architects, Taipei, Taiwan Assistant Designer Practical Training at Yu-lin Chen Architects, Tainan, Taiwan Intern Practical Training at Artonics+Bau Architects, Taipei, Taiwan Intern

Competitions & Workshops 2010 2008

2007 2006

The” Taiwan Tower” International Competition

by Taichung City Government Designer “Recombinant International Workshop” held in NCKU, Taiwan and host Grahame Shane, GSAPP, Columbia University Designer “Tessellation Workshop” held in NCKU, Taiwan Designer The“ court of design school” design competition

by School of Planning and Design, NCKU Designer

Leadership, Extracurricular 2007 2006

Associated Student Union of Architecture Travel, NCKU Team Leader Associated Student Union of Pop Dance Club, NCKU Core Member

76

YEH-SEN SU PORTFOLIO 2012-2013