YEH-SEN SU PORTFOLIO COLUMBIA UNIVERSITY /GSAPP/MSAAD
GSAPP PORTFOLIO 2012-2013
Represented by studio projects for different conditions where concepts of intimate experience space, landscape infrastructure design and cliche’ of silhouette architecture are instrumental to the approach of dynamic architectural conditions. This is a portfolio that hopes to trigger more potential to form an argument for different situations. All three projects are designed from urban scale to details in order to understand possibilities. In the first project, responding to contextual circumstance, the archive is zoned for different stages of mourning, with different intimate experience spaces.
The second project is to transform the conceptions
of urban waterfront to include an emphasis on soft infrastructure. And finally, existing architectural cliche’s are sampled, misused and transgressed to rethink the prototype of cinemateque within the city. Whether it is intimate experience space, soft infrastructure, or cliche’s—this works represent possibilities in the architectural field.
CONTENTS Studio Projects 01. Flow of Remembrance
page. 01-26
02. Dredgescape
page. 27-40
03. Dictionary of Received Ideas
page. 41-68
Others 04. Visual Studies
page. 69-74
05. Curriculm Vitae
page. 75-76
01. Flow of Remembrance
URBAN INFRASTRUCTURE DESIGN
INTIMATE EXPERIENCE SPACE
FLOW OF REMEMBRANCE Fall 2012
Academic Project
Critic:
Karla Rothstein
In collaboration with: Shu-fa Pai
â–˛ 01
Daily remembrance space
INTIMATE EXPERIENCE SPACE
INTIMATE EXPERIENCE SPACE Program
Different Typologies of Cemetery in New York
First year archive, Decades archive, Centuries archive, Chapel, Bridge, Park, Egress Space. Site Location The Old Croton Aqueduct which has been decommissioned for over a century in New York City. Concept Existing NYC cemeteries will reach capacity in the next 20 years. Forgotten underground tunnels provide space for an urban archive of human remains. Light counteracts the underground darkness in
▲ Cemetery
an archive that shifts and fills across centuries. Solution Water bears significant meaning in ritual and religious beliefs—its varied qualities offer comfort and emotional resonance. As a byproduct of resomation. Returning sacred water to the aqueduct symbolizes infinite connection with past generations. ▲ Underground Crypt
The flow of time heals loss; the flow of water aids in letting go. Responding to contextual circumstance, the archive is zoned for different stages of mourning. Immersion in the tunnel is an intimate experience with family. Emergence is a moment of release. ▲ Mausoleum
▲ Columbaria 02
INTIMATE EXPERIENCE SPACE
▲ The croton aqueduct in section
7
2
6
3
14
4
1
▲ The croton aqueduct
▲ Visible water features
▲ Right-of way 03
INTIMATE EXPERIENCE SPACE
The Old Croton Aqueduct Solution The site is from Jerome park to Jacqueline Kennedy Onassis Reservoir. Depends on different duration of grieving, There are four different stages of mourning process. The flow of time heals loss; the flow of water aids in letting go.
▲
Duration of Grieving
Stages of mourning process
▲
Diagrams of water volumn 04
▲
INTIMATE EXPERIENCE SPACE
▲ Original high bridge
Tunnel of archive
▲ Plan of tunnel ▲ 05
Site Plan
Relieve space(Egress)
Relieve space(Waterfall)
INTIMATE EXPERIENCE SPACE
EXPLODED AXONOMETRIC VIEW Adaptive reuse of high bridge By reusing the old croton aqueduct in high bridge, the tunnel can be the first year archive because of the accessibility . And there are egress space for grieving in between various distance.
Gate house (Chapel space)
Upper floor pavement
Public entrance
Tunnel of archive Water flow
Relieve space (Egress) Grieving space (Extended from steel base) Relieve space (Waterfall) Relieve space (Egress)
Relieve space (Waterfall) Original masonry structure Public entrance
06
INTIMATE EXPERIENCE SPACE
▲ Corton aqueduct inside high bridge
Upper floor pavement
Water flow Temporary light epitaph Tunnel of archive Grieving space
▲
1. High bridge masonry arch
Upper floor pavement Water flow Egress of tunnel Relieve space (Waterfall) Relieve space (Egress)
▲ 07
2. High bridge masonry arch
INTIMATE EXPERIENCE SPACE
DETAILS OF HIGH BRIDGE Masonry and steel arch With different segments of the croton aqueduct, there are different typologies of design in the high bridge.
Upper floor pavement Temporary light epitaph Water flow Tunnel of archive Grieving space
▲
1. High bridge steel arch
Upper floor pavement Water flow Egress of tunnel Relieve space (Egress) New deck Relieve space (Waterfall)
▲
2. High bridge steel arch 08
NIGHT SCENE First year archive in the city People can easily get access to here, and it is a cemetery within the city.
09
â–˛
Egress space 10
11
INTIMATE EXPERIENCE SPACE
INTIMATE EXPERIENCE SPACE
INTIMATE EXPERIENCE SPACE Light epitaph The light comes from the ceiling and those light epitaph, it is a relationship between light and remembrance experience.
▲
▲ Diagrams of light epitaph
▲ Model study of light
Moment in tunnel
Water flow Acrylic urns
Cap of light epitaph
Vacant space Original steel tunnel
Wood deck Light Structure for tunnel
▲ Detail of tunnel 12
INTIMATE EXPERIENCE SPACE
DECADES ARCHIVE Fiber optic rods The light comes from the fiber optic rods and stores in the solar collector, the rods are tangible on the ground that people can mourn their family.
Light Epitaph
â–˛
Fiber optic rods Steel tube Acrylic rods Fiber optic rods Glass tube Acrylic urns
35cm
Solar collector Solar battery Steel tube Acrylic rods Glass tube Acrylic urns Solar lights
13
INTIMATE EXPERIENCE SPACE
▲ Day time scene Night time scene
14
▲
INTIMATE EXPERIENCE SPACE
▲
15 Ground floor
High bridge park By using the remp to connect high bridge park and tunnel, it is not only an entrance but also an egress.
Moment of egress space
INTIMATE EXPERIENCE SPACE
EGRESS
16
â–˛
INTIMATE EXPERIENCE SPACE
▲
17 Lower floor
High bridge park There are small chapel and sacred water collector inside the egress space.
Moment of egress space
INTIMATE EXPERIENCE SPACE
EGRESS
18
â–˛
19
INTIMATE EXPERIENCE SPACE
Aqueduct trail There are sanctuary chapel and storage space inside the egress to provide the connection between
▲
the city and the tunnel.
Moment of egress
▲
Plan
INTIMATE EXPERIENCE SPACE
EGRESS
20
INTIMATE EXPERIENCE SPACE ▲ Section from the chapel
▲ Section from the tunnel
21
Aqueduct trail The water is being collected on the roof, the shadow of the water is part of the texture on the ground.
Moment of the chapel
INTIMATE EXPERIENCE SPACE
EGRESS
22
â–˛
INTIMATE EXPERIENCE SPACE
CENTURIES ARCHIVE light epitaph Under the Amesterdam avenue, there are the centuries archive inside. We think that memories are related to time. With the time passed, the frequency of visiting family will decrease.
Moment of the chapel
â–˛
32 cm
Fiber optic rods Acrylic rods Glass tube Acrylic urns
Fiber optic rods Acrylic rods Glass tube Acrylic urns Sensor lights
23
INTIMATE EXPERIENCE SPACE
▲ Cemetery Moment of the chapel
24
▲
INTIMATE EXPERIENCE SPACE
DAILY REMEMBRANCE Jacqueline Kennedy Onassis Reservoir The water is coming from the Jerome park and it is the by-product of resomation. It is the daily life between people jog and mourn to their family.
Moment of the chapel
â–˛
25
INTIMATE EXPERIENCE SPACE
▲
Moment of -3m
▲
Moment of -1.7m
▲
Moment of -1.2m
26
02. Dredgescape
LANDSCAPE INFRASTRUCTURE DESIGN
LANDSCAPE INFRASTRUCTURE DESIGN ▲ 27
DREDGESCAPE
Hudson river datascape
Summer 2012
Academic Project
Critic:
Kate Orff
LANDSCAPE INFRASTRUCTURE DESIGN
LANDSCAPE DESIGN Program The priority of this design is to transform the conceptions of urban waterfront to include an emphasis on soft infrastructure, robust marine habitat, and new forms of programming and enegy. Site Location This
site
presents
opportunities
to
inte-
grate public access vertically, to explore techniques
of
mollusk
farming
and
biofiltration.
Concept
▲ Floating island for filtration
The design strategy of this project is to reuse the by-product from Wastewater treatment plant and the dredge soil from the bottom of the river. We can produce new types of landscape units by combining these two types of soil. Solution There are four types of island that made by sludge and dredge, the first one is soft shoreline which locted along the waterfront, the second one is floating island which design for water filtration, the third one is mollusk farming which provides
▲ Protect and fix islands
different kinds of mollusk habitation that increases the diversity of animals and plants in the river, and the fourth one is fixed island which is a new landform that can be transform through time.
▲ New habitation
▲ New shoreline 28
LANDSCAPE INFRASTRUCTURE DESIGN
FACTORY FOR UNITS Combining sludge and dredge The garbage transfer station has been abandoned for decades, by connection the waster water treatment and the garbage transfer station, it will be a new factory that produces soil units.
▲ Units study ▲ 29
Units factory
LANDSCAPE INFRASTRUCTURE DESIGN
▲ Original garbage transfer station
Solar radiation
Green house Sludge from wastewater treatment System of ventilation Dewater sludge intake Connection with wastewater treatment Dried sludge output
Transportation of sludge units
Original base
▲ Exploded units factory 30
LANDSCAPE INFRASTRUCTURE DESIGN
▲ Site analysis
Buffer zone (sludge cover) Original hard bulkhead Geotextile tubes(dredge)
▲ Soft shoreline
Filtration vegetation Sludge cover PVC floating elements Geotextile Filtration roots
▲ Floating island 31
LANDSCAPE INFRASTRUCTURE DESIGN
DETAIL OF UNITS Sludge and dredge There are four types of units that create the shoreline and islands, mainly composed by sludge, dredge, and recycled elements.
Recycled bamboo pillars
Mollusk habitation Soil sedimentation
▲ Mollusk farming
Sludge cover Dredge base Geotextile tubes(dredge) Recycled debris
▲ Fixed island 32
LANDSCAPE INFRASTRUCTURE DESIGN
1.
2.
3. 4.
5.
6.
7.
▲ Detail of tunnel 33
LANDSCAPE INFRASTRUCTURE DESIGN
EXPLODE SITE PLAN Landscape elements From the shoreline to the Hudson river, there are different kinds of elements that create the ecological system of the landscape.
▲
2012
1. Soft shoreline 3. Tourists piers
2022
▲
2. Floating island 4. Mollusk farming 5. Fixd island 6. Heliantis solar sludge drying 7. Protect island
▲
2052 34
AERIAL VIEW Infrastructure for the shoreline By creating the infrastructure for the shoreline, the ecological system become more diversity and the water become much cleaner.
35
â–˛
Model study
36
LANDSCAPE INFRASTRUCTURE DESIGN
▲ Fix island study
▲ Basic geometry
▲ Soil erosion
▲ Floating island study
▲ Plants grow
▲ Floating island study
▲ Complex form 37
From simple to complex Some of the plants will grow, some of the soil will be erosion. The simple geometry will become divesity and create the new landscape.
LANDSCAPE INFRASTRUCTURE DESIGN
TRANSFORMATION PROCESS
Moment inside the mollusk farming
38
â–˛
TRANSFORM ACROSS TIME Changeable landscape The landscape is not permanent, it will change over time. It is a new infrastructure alone the waterfront.
39
â–˛
Islands in 2052
40
03. Dictionary of Recieved Ideas CLICHE’ OF SILHOUETTE ARCHITECTURE
CLICHE’ OF SILHOUETTE ARCHITECTURE
DICTIONARY OF RECIEVED IDEAS Spring 2013
Academic Project
Critic:
Enrique Walker
In collaboration with:
Chao Lun Wang Pablo Fernández-villaverde Sarah Ashlee Lyons
▲ 41
Moment of section axonometric
Typical silhouette building
Concept
CLICHE’ OF SILHOUETTE ARCHITECTURE
CLICHE’ OF SILHOUETTE ARCHITECTURE
The silhouette is at the same time the main structure of the building and the space for the “back of the house”, all the serving spaces that are not a part of the relation between circulation and cinemas. The silhouette spans six structural walls that provide formal and organizational freedom for cinemas and route configuration.
RECEIVED IDEA
System The building gets organized by two systems:
▲ Form is different to the space inside
the arrangement of cinemas and the circulation scheme. The latter one overlaps the cinemas in strategic locations that redefine its relation,
enhancing
their
individual
system,
composed
functions.
Solution The
circulation
by
stairs
and platforms, link the different levels cre-
RECEIVED IDEA
ating a continuous double spiral. The foyers are configured as an extension of the route.
▲ Typical floor slabs
The building deliberately lacks a main foyer, creating diverse possibilities. Each cinema has an opening system that characterizes the foyers for alternative uses and attached program. The
cinemateque
is
located
in
a
standard
RECEIVED IDEA
neighborhood inside the NY urban fabric grid (Hell’s Kitchen). This minimum urban interven-
▲ Typical cores inside
tion aims to generate a maximum effect creating a recognizable symbol of cultural identity.
RECEIVED IDEA
▲ Silhouette facing street 42
CLICHE’ OF SILHOUETTE ARCHITECTURE
t u d i o
XS 1
2
2
3 3 M 1
2
3
1. Cinema 2. Open to below 3. Classrooms
0
5
10
20
30
40
50
t u d i o
▲ +10m plan
A
A
- open to below, 3 - classrooms
+ 10m
plan A-A
5
XL
3
2
L 1
4
1. Cinema 2. Open to below 3. Classrooms 4. Projection booth 5. Cinema foyer
0
5
10
20
30
40
50
B
B
t u d i o
▲ +21m plan
2 - open to below, 3 - outdoor cinema, 4 - projection booth, 5 - cinema foyer 6.5
23.1
14.2
+21m
1.0
3
1
plan B-B
3 XL
S
23.2 27.2
4
2
1. Cinema 2. Open to below 3. Outdoor cinema 2.0
4. Exhibition
C 0
5
10
20
30
40
C
50
▲ +30m plan
2 - open to below, 3 - outdoor cinema, 4 - exhibition
43
+ 30m
plan C-C
First scheme: circulation by foyers By reusing the cinema packages to organize the building, it also open to the public through the ground floor.
CLICHE’ OF SILHOUETTE ARCHITECTURE
CUT AXONOMETRIC
44
CLICHE’ OF SILHOUETTE ARCHITECTURE
t u d i o
exterior
r
exterior control tower
exterior theater
theater
theater exterior
theater interior
exterior
theater
interior screen
exterior entance
interior
theater
entrance
admin
interior
theater exterior
car entrance
exterior
mediation of program and
silhoutte through organization ▲ Programs are inside the silhouette
cafe
lobby
entance
▲ Exploring the silhouette programs inside
building
s
and outside exploiting the silhouette program|organization
4
3 XL
4
3
XL 5
1
M
2
6
0
5
10
8
20
7
30
40
50
D
, 3 - outdoor cinema, 4 - exhibition, 5 - classrooms, 6 - cafe, 7 - entrance, 8 - lobby
▲ Section facing east
45
1. Cinema
5. Classrooms
2. Administration
6. Cafe
3. Outdoor cinema
7. Entrance
4. Exhibition
8. lobby
CLICHE’ OF SILHOUETTE ARCHITECTURE
SECTIONS Occupied and void By combining the core with structure wall, it has more freedom inside, and also uses louver to cover the exterior space.
1 3
M
XL 4
2
L 1
XL 3 5 5
6
0
5
10
20
30
40
50
E
- outdoor cinema, 4 - archive, 5 - classrooms, 6 - cafe, 7 - entrance, 8 - lobby
▲ Section facing west
1. Cinema
5. Classrooms
2. Exhibition
6. Cafe
3. Outdoor cinema
7. Entrance
4. Archive
8. lobby
46
CLICHE’ OF SILHOUETTE ARCHITECTURE
AXONOMETRIC CORE AND PROGRAM Cinemas as structure By creating the service facade within the core, people can choose to experience the space floor by floor or directly. t u d i o
▲ Follows silhouette but is discontinuous in its1extrusion. 2
1
33 Wrap creates a double
2
Follows silhouette but is discontinuous in its extrusion Follows silhoutte but
Tightly wraps program, follows silhouette shape
layer for occupiable
between fixed program and
Wrap creates a double space layer for occupiable space
Tightly wrapping program - follows silhoutte shape
is discontinuous in the extrusion
4 4 Wrapper creates space 5
5
Wrapper does n frame and crea
frame Wrapper doesbetween not follow frame and creates space wrapper between frame and wrapper
Wrapper creates space frame between fixed program and frame
spatial relationships lou t u d i o
▲ Tightly wraps program, follows silhouette shape. 2
1
ilhouette but tinuous in its
Follows silhoutte but is discontinuous in the extrusion
2
Tightly wraps program, follows silhouette shape
33 Wrap creates a double
4 4 Wrapper creates space 5
layer for occupiable
between fixed program and
Wrap creates a double space layer for occupiable space
Tightly wrapping program - follows silhoutte shape
Wrapper creates space frame between fixed program and frame
5
Wrapper does not follow frame and creates space
frame and Wrapper doesbetween not follow frame and creates space wrapper between frame and wrapper
spatial relationships louver and screen t u d i o
wraps program, silhouette shape
▲ Wrapper creates a double layer for occupiable 3 space. 4
3Wrap creates a double
4
ghtly wrapping ogram - follows lhoutte shape
5
5
Wrapper does not follow Wrapper creates space frame and creates space between fixed program and frame and Wrapper creates space Wrapper doesbetween not follow frame between fixed program frame and creates space wrapper
layer for occupiable Wrap creates a double space layer for occupiable space
and frame
between frame and wrapper
spatial relationships louver and screen t u d i o
▲ Wrapper creates space between fixed 5 4 and frame. program Wrapper
4
eates a double or occupiable
tes a double occupiable
does not follow 5 Service Facade frame and creates space
Wrapper creates space between fixed program and
frame and Wrapper doesbetween not follow frame and creates space wrapper between frame and wrapper
Wrapper creates space frame between fixed program and frame
spatial relationships louver and screen
▲ Wrapper does not follow frame and 5 space between frame and creates Wrapper does not follow wrapper. frame and creates space
5
creates space fixed program and
s space program
47
frame and Wrapper doesbetween not follow frame and creates space wrapper between frame and wrapper
▲ Service facade
CLICHE’ OF SILHOUETTE ARCHITECTURE
axono 48
CLICHE’ OF SILHOUETTE ARCHITECTURE
t u d i o
▲ Perspective street view
▲ Perspective city view
49
perspective street view
t u d i o
perspective city view
t u d i o
Cinema packages The cinema packages are the zoning priciples in this building, and there are different programs hang in by the cinemas.
CLICHE’ OF SILHOUETTE ARCHITECTURE
EXPLODED AXONOMETRIC VIEW
Administration Package
▲ Administration package
exploded axonometric t u d i o
Academic Package
▲ Academic package t u d i o
exploded axonometric
Exhibition Package
▲ Exhibition package
50 exploded axonometric
CLICHE’ OF SILHOUETTE ARCHITECTURE
EXPLODED AXONOMETRIC VIEW Second scheme: cinemas as connection The silhouette spans six structural walls that provide formal and organizational freedom for cinemas and route configuration.
REDEFINED RECEIVED IDEA
DEFINED RECEIVED IDEA
1.
5.
TRUCTURAL CONCEPT: CORE PROGRAM
51
2.
6.
STRUCTURAL CONCEPT: CORES
CLICHE’ OF SILHOUETTE ARCHITECTURE
RUCTURAL CONCEPT: TRUSSES
3.
7.
RUCTURAL CONCEPT: CINEMAS
STRUCTURAL CONCEPT: CORE CIRCULATION
4.
8.
STRUCTURAL CONCEPT: TRAYS
1. Serving and service structure 2. Span six structural walls 3. Provide formal and organizational freedom 4. Egress and elevator systems 5. Serving and service programs 6. Read as two thick walls 7. Cinemas in between structural walls 8. Add trays beside cinemas 52
CLICHE’ OF SILHOUETTE ARCHITECTURE
SITE AXONOMETRIC VIEW
SITE AXON
In Hell’s kitchen This minimum urban intervention aims to generate a maximum effect creating a recognizable symbol of cultural identity.
53
CLICHE’ OF SILHOUETTE ARCHITECTURE
▲
Silhouette model
54
CLICHE’ OF SILHOUETTE ARCHITECTURE
48th St
47th St
▲ Site plan and elevation
55
CLICHE’ OF SILHOUETTE ARCHITECTURE
URBAN CIRCULATION Connection with the city The circulation comes from the ground floor which connects to the city, people can choose the interior route or exterior route from the beginning.
th
47
St
ON ▲ Ground floor section axonometric
56
CLICHE’ OF SILHOUETTE ARCHITECTURE INDOOR DIAGRAM
▲ Indoor diagram
OUTDOOR DIAGRAM
▲ Outdoor diagram
INDOOR AND OUTDOOR DIAGRAM
▲ Indoor and outdoor diagram with screens
57
CLICHE’ OF SILHOUETTE ARCHITECTURE
CIRCULATION SYSTEM Circulation and cinemas The arrangement of cinemas and the circulation scheme organize the building. The strategic locations redefine their individual functions.
▲ Circulation from the city 1. Entrance cinema 2. Main+auditorium cinema CIRCULATION DIAGRAM 3. Performance cinema 4. Seminar cinema 5. Semi-Exposed cinema 6. Open air cinema
6.
Circulation diagram
▲
N DIAGRAM
5.
4.
3. 2.
1. 58
CLICHE’ OF SILHOUETTE ARCHITECTURE
ONOMETRIC
▲ Served core section axonometric
59
Between cinemas and circulation
CLICHE’ OF SILHOUETTE ARCHITECTURE
EXPLODED AXONOMETRIC VIEW
ONOMETRIC
▲ Entrance cinema section axonometric
60
CLICHE’ OF SILHOUETTE ARCHITECTURE
ONOMETRIC
▲ Performance cinema section axonometric
61
Between cinemas and circulation
CLICHE’ OF SILHOUETTE ARCHITECTURE
EXPLODED AXONOMETRIC VIEW
ONOMETRIC
▲ Main cinema section axonometric
62
CLICHE’ OF SILHOUETTE ARCHITECTURE
ONOMETRIC
▲ Semi-Exposed section axonometric
63
Between cinemas and circulation
CLICHE’ OF SILHOUETTE ARCHITECTURE
EXPLODED AXONOMETRIC VIEW
ONOMETRIC
▲ Service core section axonometric
64
CLICHE’ OF SILHOUETTE ARCHITECTURE ▲ Overall building axonometric
65
PLAN AXONOMETRIC VIEW Exploded section plan The porosity space that happens in between cinemas and circulation.
CLICHE’ OF SILHOUETTE ARCHITECTURE
▲ Exhibition space section axonometric
▲ Entertainment space section axonometric
▲ Education space section axonometric 66
CLICHE’ OF SILHOUETTE ARCHITECTURE
SILHOUETTE Dictionary of received ideas
Outdoor Cinema 01
/ Semi-Exposed
154 Seats 1. Education 2. Circulation 3. Roof
5
0
1
1
2
3
Indoor Cinema 04
2
3
/ Seminar
70 Seats 1. Education 2. Circulation
5
Circulation System
0
2
0
1
10
2
1
3
Circulation System
Circulation System
Indoor Cinema 02 Auditorium
/ Main +
146 Seats 1. Bookstore 2. Circulation 3. Education
5
0
1
0
67
2
10
3
Truss Service Core
/ Open Air
66 Seats
5
1. Roof 2. Circulation
0
1
1
3
2
0
2
CLICHE’ OF SILHOUETTE ARCHITECTURE
Outdoor Cinema 02
10
1
Circulation System
2
Administration Core
1
1
2
3
Indoor Cinema 03
/ Performance
74 Seats
5
1. Roof 2. Circulation 3. Cafe
0
1
0
2
3
10
1
Indoor Cinema 01 Billboard
/ Entrance 2
56 Seats
10
1. Exhibition 2. Circulation
5
0
Circulation System
ses 1 0
2 10
68
04. Visual Studies OTHER PROJECTS
05. Curriculum Vitae ABOUT YEH-SEN SU
▲ Dusk scene perspective
DIGITALCRAFT Paul Klee museum by Renzo Piano This class is aim to learn different kind of softwares, by using various tools to increase the diversity of the project.
▲ Exploded model
69
▲ Aerial view rendering
▲ Detail rendering
▲ Exploded section plan
70
▲ Perspective
▲ Plan and Section
71
RE-THINKING BIM Revit study The idea of this project is trying to use Revit calculating the number of material we need for the wood structure. The project will use the material in the site and create a structure, which is merged into environment.
â–˛ Concept
72
â–˛ Rendering view
ULTRAREAL Vray study for 3ds max This class is aim to learn different kind of settings that uses for rendering. The goal is to make living images.
â–˛ Original view
73
▲ Interior rendering
NEW YORK DESIGN WEEK Installation My initial interests in the course derived from the regard of the course title New York Design Week. , As for me, the connection with the magazine and several events from studio X and New York design week would provide me the chance to
▲ Plan
experience design progress in a broader aspect in and out of the campus. Since I know that one of the groups’ work has the possibility of been finally chosen to be constructed in real scale, I am ea-
INTERCONNECT
ger to take the challenge of making good design into a better design.
INTERCONNECT
▲ Detail NEW YORK DESIGN WEEK DETAIL RAIL 74
ABOUT YEH-SEN SU
YEH-SEN SU/
CURRICULUM VITAE Name Date of birth Addrese Mobile Email
Information Yeh-Sen Su(Eason) 1986/01/23 352W 123RD ST APT GA NEW YORK NY 10027 +1-646-703-4384 yehsen.su@gmail.com
Education 2012-2013
2004-2008
Master of Science in Advanced Architectural Design Graduate School of Architecture Planning and Presevation Columbia University Bachelor of Science in Architecture College of Planning & design, National Cheng-Kung University (NCKU), Tainan, Taiwan(R.O.C.)
Honors 2013 2011 2008 2008
2008 2006
ABSTRACT Selected of GSAPP, all three semesters, Columbia University Government Scholarship to Study Abroad Proposal of Study Abroad First Prize in The National Award for Architecture Graduation Thesis Design Asia Student Award ”Young Talent Architectural Design Awards” Graduation Thesis Design Award of Superior Architectural Design Graduation Thesis Design Second Prize in “ Court of Design School” Design Competition (Partner Chin-Nan Hsieh / Pey Lung) “Light Up“ Design
Exhibitions 2008
75
“All For the Beautiful Scenery” Graduation Tainan, Taipei Exhibition Manager of Graduation Exhibition Affairs
ABOUT YEH-SEN SU
Professional Experiences 2010-2011 2008-2009 2008 Summer 2007 Spring Summer 2006 Summer
Official Staff of Straight-Square Design, Taipei, Taiwan Project Designer Serving the Duty in the Engineering Troop Service, Taipei, Taiwan Second Lieutenant Working in Green Field Architects, Taipei, Taiwan Assistant Designer Practical Training at Yu-lin Chen Architects, Tainan, Taiwan Intern Practical Training at Artonics+Bau Architects, Taipei, Taiwan Intern
Competitions & Workshops 2010 2008
2007 2006
The” Taiwan Tower” International Competition by Taichung City Government Designer “Recombinant International Workshop” held in NCKU, Taiwan and host Grahame Shane, GSAPP, Columbia University Designer “Tessellation Workshop” held in NCKU, Taiwan Designer The“ court of design school” design competition by School of Planning and Design, NCKU Designer
Leadership, Extracurricular 2007 2006
Associated Student Union of Architecture Travel, NCKU Team Leader Associated Student Union of Pop Dance Club, NCKU Core Member
76
YEH-SEN SU PORTFOLIO 2012-2013