GROUP 3: OUR LIGHT STORIES
By: Charmaine Javier Yina Mora Ana Flavia Coleto Maria Ellain Santiago
CHARMAINE JAVIER - Architect - B.Sc. in Architecture at the University of Santo Tomas, Philippines - Nationality: Filipino
ANA FLAVIA ERICHSEN-COLETO - Architect - B.Sc. in Architecture at Universidade Positivo, Brazil - Nationality: Brazilian
YINA MORA - Architect & Interior Designer -B. Sc. in Architecture at Universidad Nacionad de Colombia - M.Sc. in Interior Design at Politecnico di Milano, Italy - Nationality: Colombian
MARIA ELLAINE SANTIAGO - Architect - B.Sc. in Architecture at the University of Santo Tomas, Philippines - Nationality: Filipino
URBAN PROJECT: PIAZZA SANT’ANGELO, MILAN
LIGHTING REFLECTIONS
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
3
PRESENTATION This Project is a reflection about light. Beyond the importance that the light has for the enhancement of life, let’s say “beyond its function”, in this case it has a spiritual meaning and value. The aim of this project is to illuminate a traditional square in the center of Milan, the square of Saint Angelo (Piazza Sant’Angelo). The church and the monastery around the square belongs to the religious order of the Franciscans. It was quite a challenge for us to light up this place because of the difficulty of translating the importance of the light from a spiritual dimension into a lighting design project. The light, in a spiritual level, is related to God. From that point of view, the physical light becomes into something precious in this kind of project. “Light as a material of design” in this case is particularly precious. Our interest on this specific square at the beginning was just that actually, in terms of artificial lightingit is so poor and that it really needs a lighting design project. So, basically we decided to doit because it is really needed. As we started to go deep in the study of this place, we discovered its importance, its transcendence. Then we understood the responsibility to illuminate it. We read about San Francis and his Order. Knowing about him and understanding his philosophy and his lifestyle has helped us to hypothesize about “How he would like to be enlightened”. So, we started reading about historical, philosophical and religious issues to understand how our approach must would be. The whole philosophical and spiritual context of this project is our effort to make an approach delicate and sensible. At the end these reflections about light are a kind of homage, a tribute in memory of Saint Francis.
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
4
GENERAL PLAN
CONCEPT The complex of Saint Angel in the center of Milan is dedicated to San Francis of Assisi. The church of Saint Angel was originally named Saint Mary of the Angels remembering a church restored by San Francis in the past. The church and the monastery next belongs to the Franciscan’s Order. San Francis followed the teachings of Jesus Christ and imitated his life. He renounced his father and his patrimony and decided to live in absolute poverty. In his Testament, he said that absolute personal and corporate poverty was the essential lifestyle for the members of his order. Following the philosophy of San Francis we adopted the premise: “LIGHT ONLY WHERE IS NEEDED” For instance, we decided not to light up the trees because it is not a necessity as well. Our aim is to lit up the façade of the church through the light reflected from the ground of the square and not by using direct lighting. In this context, we think that this project must be very sober, and that we must light up just what is strictly necessary. In other words, this must be a kind of “minimalist lighting”, in terms of quantity of elements (poles, bollards, luminaires, etc.) and in terms of quantity of light (amount) At the end, the result must be a dimmed effect. The idea is to use the less possible of elements avoiding to use poles, for instance, and using the trees to install the luminaires.
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
5
FOUNTAIN San Francis asked God the Father for spiritual enlightenment. As the light of God comes from the heaven we propose to light up the sculpture of San Francis from the top, installing a lighting fitting on a tree next to the fountain, in order to create the idea of the spiritual enlightenment that at the end he reached. “ Nature is the mirror of God” By the other hand, San Francis believed that nature itself was the mirror of God, so, we want to make an analogy between this idea and our project by using the fountain as a mirror, reflecting the light coming from the top on the figure of San Francis.
SAN FRANCIS MONUMENT Fountain
FACADE Our aim is to lit up the façade of the church through the light reflected from the ground of the square and not by using direct lighting. Inspired on the daylight we proposed a light scene alternative for the cases in which the church will need some additional light. So, we decided to mimic the effect of the daylight on the façade of the church. The oblique light that reaches the façade creates a dramatic effect. All the shapes are pop up by this light. So, we propose to install two projectors on the building beside (Angelico’s) to recreate this effect. Only the upper part of the façade is enlightened. The lower part is dimmed simulating the shadow produced by the Angelico’s building beside during the day. There is also the possibility of lit up the main sculpture at the center, by using some projectors, but it is up to the Franciscans adopt this intervention.
CHURCH OF SAINT ANGEL Facade / Interior view
STREET LIGHT We decided to enhance the current street lighting by adding four more catenary lights at the intersection to the current system.
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
6
LIGHT SCENE 1 - All ON 18:00|19:30 - 0:00
LIGHT SCENE 2 - Church and Fountain Lighting ONLY 0:00 - 4:00
FACADE LIGHTING MIMICKING THE DAYLIGHT EFFECT
FOUNTAIN LIGHTING
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
7
Elevation Square
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
Elevation Facade
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
section Square
8
Lighting Summary
CONCLUSIONS
The light, in a spiritual level is related to God. From that point of view, the physical light becomes into something precious in this kind of project. Our job has been to translate the spiritual meaning and value in a lighting design interpretation. Following the philosophy of San Francis we adopted the premise: “LIGHT ONLY WHERE IS NEEDED”to develop our project. The result is a dramatic effect. Most of the visual field is in the darkness. Only the floor of the square is enlightened. The facades around are not directly lit up but by the reflected light incident on the floor. We decided to highlight the fountainemphasizing the figure of San Francis, which is the monument of the square, through our design by using two lights: First, a narrow beam angle installed on a tree, directed to the fountain. Second, a wider beam angle projector to give a soft light and glow around the fountain.Then, the water reflects the light to the statue of San Francis. This is an analogy between our design and the belief of San Francis that “NATURE IS THE MIRROR OF GOD”. Here the nature literally reflects God, which is represented by the light itself. During summer, the artificial light output from the projectors installed on the trees will be filtered by the leaves, creating a very interesting shadows play, and integrating artificial light and nature.
TOTAL POWER = 1.087.20 WATTS
Then, we decided to lit up the façade of the church inspired on the daylight. We wanted to imitate the effect of the natural light by using an oblique artificial light. The effect created is very dramatic and the whole shapes are pop up by the light. This lighting solutions successfully achieve our general concept, which is functional with spiritual light impressions, and with our main objectives: simplicity, sobriety, and a dimmed effect result.
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
9
RETAIL: XYZ SHOP. Stockholm, Sweden.
THE PEOPLE
CONNECT
THE FUTURE
FLUIDITY
INTANGIBLE REALITIES
CONTINUITY
VIRTUAL CONNECTIONS
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
10
DIAGRAM This is a graphic explanation of the concept, where the single element crosses the whole project like a thread, and changes in relation with each environment. This is an abstraction of our idea, which is not literally a line but we use it to represent the idea of the continuity. A line can be described as a sequence of points. It is the continuity that we pretend to do and not a “linear� project or a linear lighting fittings composition but a sequence of one element.
REPETITION AND TRANSFORMATION
ENTRANCE HALL In the entrance hall we proposed to install some mirrors on the two sides of the corridor and on the ceiling. The effect of the faced mirrors is the multiplication of the images by the creation of virtual images. In this case we pretend to reflect lights, creating virtual lights. The virtuality is related to the computer technologies, so this is how we connect our project with the brand and the kind of products that are going to be displayed. The virtuality is intangible and untouchable. So, we decided to make an analogy between that dimension of the computing space and the virtuality of the spaces created through the mirrors.
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
11
ENTRANCE CORRIDOR : Renderings
LIGHT SCENE 1 -
Moving linear lighting system.
ML1
DL1
ENTRANCE CORRIDOR : Fixtures
ML2
M1
LL1
LIGHT SCENE 1 Moving linear lighting system at 150lux
VIRTUALITY
LIGHT SCENE 2 -
In the entrance hall we proposed to install some mirrors on the two sides of the corridor and on the ceiling. The effect of the faced mirrors is the multiplication of the images by the creation of virtual images. In this case we pretend to reflect lights, creating virtual lights.
LIGHT SCENE 2 -
Niche display lighting
Maintenance lighting at 150lux.
We constructed a physical model to test the reflections and the light produced by this mirrored corridor. Here there is a picture of our model. This work was useful to us to perceive the kind of experience we were creating in our project.
LIGHT SCENE 3 -
LIGHT SCENE 3 -
Maintenance lighting
POLITECNICO DI MILANO
Entrance Virtual Experience
Niche Display lighting at 500lux.
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
12
MAIN DISPLAY AREA
LIGHT SCENE 1 Display lighting ONLY
LIGHT SCENE 1 Display lighting ONLY
LIGHT SCENE 1 Display lighting only at 500lux
LIGHT SCENE 2 -
LIGHT SCENE 2 -
LIGHT SCENE 1 Display lighting only at 500lux
FLUIDITY AND CONTINUITY Fluidity can be translated into continuity of some element that would be present in the whole project, like a thread crossing all the spaces. This element can change along the project but it must be always recognized and read as only one. So, even if each space has a different ambient we have the continuity of one single element, permanent, as a mark connecting them and giving them fluidity. In the contrary, if each space would be different to each other and there is no connection between them, then there is no fluidity. Our connector is the mirror. We chose different types of mirrored materials to cover the surfaces creating reflections (virtual images) along the whole project.
POLITECNICO DI MILANO
POLIDESIGN
All lights ON
LIGHT SCENE 2 All lights ON
Master in Lighting Design & LED Technology
AA 2015 - 2016
All lights ON at 500lux
LIGHT SCENE 2 All lights ON at 500lux
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
13
DL1
ENTRANCE CORRIDOR : Fixtures PR1 LL2
LIGHT SCENE 1 -
LIGHT SCENE 1 -
LIGHT SCENE 2 -
LIGHT SCENE 2 -
Video screen only at 500lux
Video screen only at 500lux
LIGHT SCENE 3 -
LIGHT SCENE 3 -
LIGHT SCENE 3 -
LIGHT SCENE 3 -
Video screen only
Maintenance lighting renderings
LIGHT SCENE 3 Maintenance lighting
POLITECNICO DI MILANO
POLIDESIGN
LIGHT SCENE 3 Maintenance lighting
Master in Lighting Design & LED Technology
Maintenance lighting renderings
AA 2015 - 2016
Video screen only
Maintenance false color rendering at 500lux
Maintenance false color rendering at 500lux
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
14
BRAINSTORMING ROOM BRAINSTORMING ROOM : Lighting Layout and Fixtures
LL1
LIGHT SCENE 1 Task Lighting
LIGHT SCENE 2 All lights ON
LIGHT SCENE 1 Task Lighting at 500lux
LIGHT SCENE 2 All lights ON at 500lux
LIGHT SCENE 1 Task Lighting
LIGHT SCENE 2 All lights ON (linear light at Cool White)
LIGHT SCENE 1 - Task Lighting at 500lux
LIGHT SCENE 2 All lights ON at 500lux, Cool White
RGB1
LIGHT SCENE 2 All lights ON (linear light at Blue)
POLITECNICO DI MILANO
LIGHT SCENE 2 All lights ON (linear light at Red)
POLIDESIGN
LIGHT SCENE 2 All lights ON (linear light at Yellow)
Master in Lighting Design & LED Technology
LIGHT SCENE 2 All lights ON (linear light at Purple)
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
15
LOUNGE AREA : Lighting Layout
Lounge and Buffet Area renderings
LIGHT SCENE 1 Artificial lighting with daylighting factor
LIGHT SCENE 1 Artificial lighting + daylighting factor at 500lx
LIGHT SCENE 2 Artificial lighting only (night scene)
LIGHT SCENE 2 Artificial lighting only at 500lx
Buffet Area & Display Pedestal renderings
LIGHT SCENE 1 Artificial lighting with daylighting factor
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
LIGHT SCENE 2 Artificial lighting + daylighting factor at 500lx
16
Fixtures
LL3
DL1
DL3
DL4
PL1
LL4
Buffet Area & Display Pedestal renderings
LIGHT SCENE 2 Artificial lighting only (night scene)
LIGHT SCENE 2 Artificial lighting only (night scene) at 500lx
Hallway with skylight renderings
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
LIGHT SCENE 1 Artificial lighting with daylighting factor
LIGHT SCENE 2 Artificial lighting + daylighting factor at 1500lx
LIGHT SCENE 2 Artificial lighting only (night scene)
LIGHT SCENE 2 Artificial lighting only (night scene) at 1500lx
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
17
SHOP : Renderings & false colors renderings
SHOP : Lighting Layout and Fixtures LL1
DL3
LIGHT SCENE 1 Artificial lighting with daylighting factor
LIGHT SCENE 1 Artificial lighting with daylighting factor at 500lx
LIGHT SCENE 2 Artificial lighting only (night scene)
LIGHT SCENE 2 Artificial lighting only (night scene) at 500lx
LIGHT SCENE 1 Artificial lighting with daylighting factor at 500lx
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
LIGHT SCENE 2 Artificial lighting only (night scene) at 500lx
18
Lighting for Cultural Heritage: Museo di Turin, italy
MINERALS EXHIBITION
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
19
EXHIBITION ROOM : Lighting Layout
MINERALS EXHIBITION SPECS. SUMMARY To lit up the Museum of Natural Sciences of Turin we pretend to create an analogy between nature and space by using biomorphic forms, by simulating natural scenes and by mimicking the daylight. For this project we have focused on Mineralogy in particular, because of the visual variety of the minerals in terms of shapes, colours, textures, dimensions, etc., also because of the dimension of the space allows to display only small pieces and for the beauty of the minerals itself, so, for practical and aesthetical reasons. Our concept premise is: “Display the minerals as in its original ambient” As the minerals are mostly extracted from the underground we pretend to create a sort of underground environment. The way we propose to mimic nature in this case is by creating dimmed spaces, making a reference to the caves, and recreating the original ambient of the minerals. This is Our interpretation of the “cave” and so, it is an abstraction. The cave effect is dimmed and dramatic. That’s the kind of environment that we want to create in our project. Inspired on the minerals we propose our furniture; the furniture is composed by prismatic shapes, making and analogy to the quartz crystals. The showcases of the display area are octagonal prisms, transparent solids self illuminated with integrated lighting. In this way the light becomes shape, going from an intangible dimension into a corporeal one.
DL 1
Floating glass display ERCO. 3000K. CRI 90. 210 Lm. Starpoint Recessed Spotlight 10º Beam.
LL3
Floating glass display LED LINEAR. 3000 K. 897lm / m CRI 96 Diffuse Base Lighting. 120º Beam Dimmable.
LL4
Octagon glass Island display LED LINEAR. 2200-5000K. CRI 86. 720Lm /m Indirect Dynamic Lighting LED RGB/white
LL5
Long Wall display lighting ERCO. 4000 K. 2475 Lm. CRI 80 Wallgrazing lighting (High Power) Non dimmable.
EXHIBITION ROOM : Details
Our scope is to create a play of light with the minerals: When light passes from air or vacuum into a transparent crystal, some is reflected and some refracted. The crystal structure plays with the light, producing luminous reflections and flashes of colour. The furniture makes part of the play: The glasses of the displays will also produce reflections of light on the floor and on the walls. In this case, the play of the light is an integral part of our project.
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
20
Luminous showcases and vault ceiling lighting at 300lux
Integrated showcase lighting only at 300lux
FLOATING WALL DISPLAY top view at 300lux
POLITECNICO DI MILANO
POLIDESIGN
OCTAGONAL DISPLAY top view at 300lux
FLOATING WALL DISPLAY top view at 300lux
Master in Lighting Design & LED Technology
AA 2015 - 2016
OCTAGONAL DISPLAY front view at 300lux
LONG WALL BACK DISPLAY top view at 300lux
OPEN DISPLAY false color rendering at 300lux
LONG WALL BACK DISPLAY front view at 300lux
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
21
atrium : Lighting Layout and Fixtures
DOOR LIGHTING ACCENT
DOOR LIGHTING ACCENT at 150lux
STATUE NICHE LIGHTING
STATUE NICHE LIGHTING at 150lux
ATRIUM GENERAL VIEW
ATRIUM GENERAL VIEW at 150lux
RECEPTION LIGTHING
RECEPTION LIGTHING at 500lux
Section 1
ATRIUM Display the elements as in its original ambient, with the play of light by mimicking the daylight. “Cave effect”
Section 2
Section 3
Elevation
SPECS. SUMMARY
LL1
COUNTER LIGHTING LED LINEAR Lightbox (high power) LED linear, 3000K CRI 80, Dimmable 10º beam.
POLITECNICO DI MILANO
POLIDESIGN
LL2
TASK LIGHTING COUNTER LED LINEAR LED linear, 3000K, CRI 80, Non dimmable 120º beam
Master in Lighting Design & LED Technology
PR1
STATUE LIGHTING iGUZZINI Projector Spot Light
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
-
22
SHOP : Lighting Layout and Fixtures RENDERINGS
SHOP Shelf lighting Indirect lighting - Diffuse up light Lightbox - Counter
Shop General View at 150lux
False colors rendering at 300lux
SPECS. SUMMARY
LL1
COUNTER LIGHTING LINEAR Lightbox (high power) LED linear, 3000K CRI 80, Dimmable 10ª beam.
POLITECNICO DI MILANO
POLIDESIGN
LL2
TASK LIGHTING COUNTER LED LINEAR LED linear, 3000K, CRI 80, Non dim- mable 120º beam.
Master in Lighting Design & LED Technology
LL6
Shop Top View false colors render at 300lux
SHELF BACK LIGHTING LED LINEAR LED linear, 3000 K, CRI 85, 620 lm, (mid power)
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
23
Lighting for Hospitality: Collegio di Milano, Milan
INDUSTRIAL DWELLINGS
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
24
COLLEGIO DI MILANO - HOSPITALITY “Hospitality refers to the relationship between a guest and a host , where the host receives the guest with goodwill, including the reception and entertainment of guests, visitors or strangers.”
Lighting MASTERPLAN LIGHT SCENE 1 “SOFT TOUCH INDUSTRIAL MODERN LIGHTING” Lighting Integration - Lightness
FACADE
INDUSTRIAL DWELLINGS Objectives: - To achieve significant reduction of electrical energy utilization for all forms of lighting using leds - To equaly distribute the uniformity of daylight and artificial lighting - To control the daylight glare during the day and mimic the daylight effect during at night. Strategy: - With the use of the wire mesh in the skylight to control excess daylight to prevent too much glare. - Immitating the daylight in the dining room through the method of indirect lighting. Concept: - The Collegio di Milano building by Architect Marco Zanuso with one of his brutalist architectural style. To fully preserve this style we plan to continue it through lighting with a modern touch of technology. As of today the demand of industrial decorative lighting is booming this concept is perfect for this type of project that is already envisioned by the architect as an industrial style of building. Industrial style with its raw, utilitarian appeal, it gives a modern homes a sophisticated edge.
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
25
RECEPTION: Lighting layout
Lighting MASTERPLAN LIGHT SCENE 2 “SOFT TOUCH INDUSTRIAL MODERN LIGHTING” Sustainable Light Sources
Lighting layout
D1
Flos Compass Box Recessed Small 1L LED Array DC 500mA 9.2W 945lm 3000K CRI80 48° beam angle DALI, IP20
POLITECNICO DI MILANO
RENDERINGS
B1
iGuzzini Laser Blade InOut BX65 LED 10W 920lm 3000K CRI90 48° beam angle Non-dimmable, IP65
POLIDESIGN
S1
Led Linear VarioLED Flex Hydra LD10 9.6W/m 1,364 lm/m 3000K CRI85 120° beam angle Non-dimmable, IP20
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
26
ATRIUM: Lighting layout
ATRIUM: Daylight Scene
D1
Flos Compass Box Recessed Small 1L LED Array DC 500mA 9.2W 945lm 3000K CRI80 48째 beam angle DALI, IP20
POLITECNICO DI MILANO
D2
Flos Compass Box Recessed Small 2L LED Array DC 500mA 9.2W 945lm 3000K CRI80 24째 & 48째 beam angles DALI, IP20
POLIDESIGN
A1
Led Linear Kalypso Hydra HD25 1514mm LED 25W/m 2,448 lm/m 3000K CRI84 10째 beam angle DALI
Master in Lighting Design & LED Technology
AA 2015 - 2016
Diffuser Rendering
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
27
ATRIUM: Rendering and False colors Rendering
MOUNTING DETAIL
SKYLIGHT
Mesh, Filtering the daylight
Controlling the daylight
rendering of the Diffuser (meshes) POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Light Scene 1 - Artificial Light at 300lux
False colors rendering at 300lux
Light Scene 2 - Daylight Scene at 500lux
False colors rendering at 500lux
Light Scene 1 - Artificial Light at 300lux
False colors rendering at 300lux
Light Scene 2 - Daylight Scene at 500lux
False colors rendering at 500lux
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
28
LIVING ROOM: Lighting layout
Living Room Daylight Scene
Longitudinal Section
E1
Flo Compass Box Large 1L LED QR-111 G53 15W CRI80 3000K 40° beam angle IP20
POLITECNICO DI MILANO
M1
Led Linear Kalypso Hydra HD10 952mm LED 10W/m 928 lm/m 3000K 10° beam angle CRI83 DALI, IP20
POLIDESIGN
Cross Section
M2
Led Linear Kalypso Hydra HD10 952mm LED 10W/m 928 lm/m 3000K 30° beam angle CRI83 DALI, IP20
Master in Lighting Design & LED Technology
AA 2015 - 2016
Living Room light Scene 1
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
29
Light Scene 1
False colors rendering at 300lux on task areas
Living room Daylight Scene
Daylight False colors rendering at 500lux
Light Scene 2
False colors rendering at 50lux general
Light Scene 1
Light Scene 1False colors at 300lux on task areas
Daylight scene
False colors rendering
Light Scene 2
Light Scene 2 False colors at 50lux average
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
30
DINING ROOM: Lighting layout
Dining Room Current View
Mounting Detail
Buffet Section
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
31
1 LED K CRI90 ALI, IP20
DINING ROOM: Lighting fixtures
L3 Flos Super Flat Suspension 30x30 Down LED 17W 1270lm 4000K CRI80 92° beam angle Electronic dimmable 1-10V, IP20
P2
P1
P2
iGuzzini Palco P631 LED 20W 2000lm 3000K CRI90 20° beam angle DALI, IP20
T1
iGuzzini Palco P633 LED 20W 2000lm 3000K CRI90 46° beam angle DALI, IP20
POLITECNICO DI MILANO
iGuzzini Palco P633 LED 20W 2000lm 3000K CRI90 46° beam angle DALI, IP20
T1
S1
iGuzzini Front Light N273 LED 12W 1300lm 3000K CRI90 16° beam angle Nondimmable, IP20
Led Linear VarioLED Flex Hydra LD10 9.6W/m 1,364 lm/m 3000K CRI85 120° beam angle Nondimmable, IP20
Day Scene
Day Scene False colors at 300lux
Night Scene
Night Scene False colors at 300lux
Day Scene False colors at 300lux
Night Scene False colors at 300lux
S1
iGuzzini Front Light N273 LED 12W 1300lm 3000K CRI90 16° beam angle Nondimmable, IP20
POLIDESIGN
Led Linear VarioLED Flex Hydra LD10 9.6W/m 1,364 lm/m 3000K CRI85 120° beam angle Nondimmable, IP20
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
32
PLAY ROOM: Lighting layout
Play room current view
Play room current view
Light scene 1 at 300lux
Light Scene 1 False colors at 300lux
Lighting Layout
Section
Section
Y2
Xoominescent T5 HE 17.2W/m 2,300 lm/m 3000K CRI85 120° beam angle Non-dimmable, IP20
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
33
FIXTURE CODE
POLITECNICO DI MILANO
ILLUSTRATION
LIGHTING FIXTURE
ZONE
FIXT. QTY
UNIT
POWER PER FIXT. (WATTS)
TOTAL POWER (WATTS)
Kalypso Hydra HD25 1514mm LED 25W/m 2,448 lm/m 3000K CRI84 10° beam angle DALI
Hall / Foyer
55
pcs
25
1,375
IGUZZINI
Laser Blade InOut BX65 LED 10W 920lm 3000K CRI90 48° beam angle Non-dimmable, IP65
Entrance
2
pcs
10
20
D1
FLOS
Compass Box Recessed Small 1L LED Array DC 500mA 9.2W 945lm 3000K CRI80 48° beam angle DALI, IP20
Reception & Corridor
29
pcs
9.2
266.8
D2
FLOS
Compass Box Recessed Small 2L LED Array DC 500mA 9.2W 945lm 3000K CRI80 24° & 48° beam angles DALI, IP20
Corridor
18
pcs
9.2
165.6
E1
FLOS
Compass Box Large 1L LED QR111 G53 15W CRI80 3000K 40° beam angle IP20
Living Room
20
pcs
15
300
L3
FLOS
Super Flat Suspension 30x30 Down LED 17W 1270lm 4000K CRI80 92° beam angle Electronic dimmable 1-10V, IP20
Dining Room
49
pcs
17
833
M1
LED LINEAR
Kalypso Hydra HD10 952mm LED 10W/m 928 lm/m 3000K 10° beam angle CRI83 DALI, IP20
Living Room
51
pcs
15
765
M2
LED LINEAR
Kalypso Hydra HD10 952mm LED 10W/m 928 lm/m 3000K 30° beam angle CRI83 DALI, IP20
Living Room
50
pcs
25
1,250
P1
IGUZZINI
Palco P631 LED 20W 2000lm 3000K CRI90 20° beam angle DALI, IP20
Dining Room
25
pcs
20
500
P2
IGUZZINI
Palco P633 LED 20W 2000lm 3000K CRI90 46° beam angle DALI, IP20
Dining Room
23
pcs
20
460
S1
LED LINEAR
Led Linear VarioLED Flex Hydra White LD10 9.6W/m 1,364 lm/m 3000K CRI85 120° beam angle Non-dimmable, IP20
Reception & Corridor
2.2
pcs
9.6
21.12
T1
IGUZZINI
Front Light N273 LED 12W 1300lm 3000K CRI90 16° beam angle Non-dimmable, IP20
Dining Room
4
pcs
12
48
U1
IGUZZINI
iPro BX03 LED 12W 1550lm 3000K CRI80 20° beam angle Non-dimmable, IP66
Hall / Foyer
2
pcs
12
24
Y1
LED LINEAR
Xoominescent T5 HE 17.2W/m 2,300 lm/m 3000K CRI85 120° beam angle Non-dimmable, IP20
Play Room
17.92
m
17.2
308.224
PROPOSED TOTAL POWER
6,336.744
EXISTING TOTAL POWER (WATTS)
4,298
TOTAL POWER SAVINGS
-2,038.744
MANUFACTURE R
REFERENCE
A1
LED LINEAR
B1
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
34
Show Lighting: “WISH YOU WERE HERE” By Pink Floyd
Syd Barret Tribute
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
35
“WISH YOU WERE HERE” by Pink Floyd
“WISH YOU WERE HERE” (Lyrics) So, so you think you can tell Heaven from hell Blue skies from pain Can you tell a green field From a cold steel rail? A smile from a veil? Do you think you can tell? Did they get you to trade Your heroes for ghosts? Hot ashes for trees? Hot air for a cool breeze? Cold comfort for change? And did you exchange A walk on part in the war For a lead role in a cage? How I wish, how I wish you were here We’re just two lost souls Swimming in a fish bowl Year after year Running over the same old ground And how we found The same old fears Wish you were here
ABSENCE
INSPIRATIONS: MOOD IMAGES
The song represents the feeling of absence and the detached feeling most people go through life. This song was based on a poem Roger Waters wrote about Syd Barrett, founding member, and his fall from reality. Our lighting concept starts as dark, deep and intense with a feeling of isolation from reality progressing to bright, vivd colours and frenetic light intensities that gives a euphoric symphony of light evoking all human emotions both good and bad.
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
36
Cue 1:
Cue 1:
Electric guitar solo
Second guitar enters (Frontman)
Image projection. Color spots on the guitarrist and the frontman
TRAXON
High Resolution Media System (T & PRO Series)
TRAXON
High Resolution Media System (T & PRO Series)
CLAY PAKY Hepikos
Cue 3a: Voice 1 enters. Starts with a black-out and then a fast come out of sharp blue rays with flickering white front spots to give an initial show of the psychedelic meaning of the song.
CLAY PAKY Sharbar
CLAY PAKY Hepikos
CONCEPT We decided to represent the idea of the absence by using two different light colours, dividing the stage into two imaginary dimensions, evoking the social detachment of a person that suffers of a mind illness. Practically, one person in this conditions is living in another reality. Is completely apart. Isolated. So, we not only intend to have two different light colours on the stage, dividing it, but our intent is more on the way of manage the both sides of the stage, separately, with different velocities, rhythms, colours, images, geometries, ,, So, there should be one side” frenetic”, accelerated, acid colour, obscene, fantastic, lunatic, wild, galactic.... and other side more calmful, quiet, slow, ordered.. rational. This duality finishes in two different moments: 1. The “frenetic” scene is going to be only in the first part of the lyric (QUE 4) and it is going to be a flash... something fast, fleeting, volatile... evoking the fast and bright career of the genius Syd. Even if he died when he was already old, all his geniality, the top of this career was extremely short,,,, his best moment, the more productive, was ephemeral. After his mental collapse, his artistic production declined. It was like a meteor.
POLITECNICO DI MILANO
POLIDESIGN
Cue 3B:
Voice 1. The front spots move towards the band
with the band being illuminated by a white video projection.
CLAY PAKY Hepikos
Master in Lighting Design & LED Technology
TRAXON
High Resolution Media System (T & PRO Series)
AA 2015 - 2016
Cue 4: Drums enter. Rear colored rays from the stage floor and white spotlights moving fast left and right continuing the psychedelic mood.
CLAY PAKY Sharbar
CLAY PAKY Hepikos
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
Cue 5a: Front sharp rays moving side to side on the stage in a medium pace with the orange video projection, giving a fast strobe effect.
CLAY PAKY Sharbar
TRAXON
High Resolution Media System (T & PRO Series)
37
Cue 5b: Instrumental chorus. Video projection becomes static and changes to a red tone while the rear sharp rays and the spotlights radiate light like sun rays reaching towards the sky.
CLAY PAKY Hepikos
TRAXON
High Resolution Media System (T & PRO Series)
Voice 2. From a black-out again, front spotlights and video projection slowly illuminates the stage in low intensity after coming from strong lighting in previous cues presenting delirious light mood transitions.
Cue 6:
CLAY PAKY Hepikos
TRAXON
High Resolution Media System (T & PRO Series)
Cue 7: Instrumental chorus - End. Surprising the audience with kaleidoscopic lighting effects lighting up the whole stage and the front spotlights moving from the stage to the audience and back again making a mind-blowing and lasting finale.
TRAXON
High Resolution Media System (T & PRO Series)
CLAY PAKY
Show - batten 100 AS
CLAY PAKY Hepikos
By the other hand, there is the long artistic life of the band Pink Floyd, that still exists. This difference of velocities are like a meteor and a wood fire... and that’s exactly the idea that we want to represent with our project. But the way we represent the sense of the Absence in this case is making it present, evoking the missing Syd and his geniality and then dissapearing him of the rest of the song. Reflecting the history of the life of the band.. Most of the best songs of Pink Floyd were inspired by Syd Barret, even if he doesn’t continue playing with them, he continues inspiring them for long time. Syd is a real artist, independent, doesn’t mind about the money, not even about the opinions of the others, just following his own way, misunderstood, alone. This project can be a kind of tribute to him and in general to the artists.
POLITECNICO DI MILANO
POLIDESIGN
Master in Lighting Design & LED Technology
AA 2015 - 2016
Architects: Charmaine Javier, Ana Flavia Coleto, Yina Licet Mora, Maria Ellain Santiago
38