Ylva Lund Bergner
Scotoma for Quartet [Zither & Guzheng, Cello, Percussion & Indian Harmonium]
Duration: 9-10 minutes
Commissioned by RANK for the ensemble Mimitabu
- 2015 -
Scotoma (σκότος/skótos, darkness) ---------------------------
Instruments Zither & Guzheng (played by one musician) Cello Percussion Indian harmonium Equipment 4 floor lamps (warm light; can be old style) 1 small table (zither), 1 low small table/bench (harmonium) & 1 medium big table (percussion) with cover 1 stand (gong), 2 stands (cymbal & drum) & 1 mallet table 1 chair (cello), 1 low chair (harmonium) & 1 chair/bench (zither & guzheng) 7-8 note stands (w/w.o. lights)
__________________________________________________________________________________
__________________________________________________________________________________ Suggestion for a setup on stage: Lamp Lamp
Cello
Zither Guzheng
Lamp
Lamp
Percussion Indian harmonium __________________________________________________________________________________ The piece is inspired by a Maltese poem by Alfred Grech: Musbieħi isfar lellux u f'moħħi
Lampa, gul krysantemum och tankar Lamp, yellow chrysanthemum and thoughts
Jintefa d-dawl u taqa' dalma kbira
Släcker ljuset och sprider mörkret Turns of the light and spreads the darkness
U bħal fi nżul ix-xemx iterrqu lura
Och såsom solnedgången täckandes hela vyn And as the sunset covers the whole view
Ħsibijieti, raħħala bieżla jerġgħu
Är tankarna, som livliga invånare The thoughts are like lively inhabitants
Jinġabru għall-wens ta' darhom
Samlade i hemmets trygghet Gathered in the safety at home
U jġorru lura magħhom l-għaja.
Och återvänder försvagade. And return weakened.
INSTRUMENTS Please note: c1 is middle-c ------------------Zither 4 octaves: C-c3 (can be moved up or down but the total range is not more than 4,5 octaves). It is notated 1 octave higher than the sound. Sound: C-c1 (2 octaves)
Notation: c-c2 (2 octaves)
----------------------
Equipment: 3 e-bows ----------------------
Suggestions for tuning: 1:
a#3
g#3
f#2
d#2
c#2
c≠2
h1
f#1
h
2:
h3
g#3
e3
c#3
g#2
e2
g#1
e1
a
3:
a#3
f#3
d#3
a#2
f#2
d#2
f#1
a#
e
4:
g#3
c#3
f#2
a#1
c1
h
g
e
c
5:
f#3
e3
d#2
c#2
h1
a1
g1
c1
a
6:
e3
d#3
c#3
g#2
c#2
c2
h1
d#1
f#
7:
d#3
c#3
h2
f#2
e2
a1
f#1
d#1
d#
g
Guzheng 4 octaves: C-c3 (can be moved up/down, stretched in different ways but not a bigger range than 4,5 octaves)
Note: The tones with grey background in the list are actually green coloured strings.
On the right side of the bridges C
F#
A
H
c
d#
e
f#
g
g#
h
c1#
d1#
f#1
g1#
a1#
h1
c2#
d2#
e2
a2#
On the left side of the bridges (it does not have to be this precise on the left side, except for the tone a) f
a∂
a≠
a
a∂
bb
bb
h
h≠
c≠1
d1
d1#
e1
f1
f≠1
f≠1
e≠1
f∂1
f∂1
e∂1
f#1
To tune: Find the position for the highest and lowest bridge. Place the other bridges evenly in between them. Tune the strings when the bridges are attached. Fine tune with the bridges.
Percussion Feng gong (Also known as wind gong.
Sizes from 50 centimetres or more)
Cymbal (On a stand) Drum
(Mellow sound, with a skin that gives a friction when using a superball mallet. "Deep lion's roar" kind of sound)
Styrofoam (Flat surfaces) Office lamp
(Playing on spring steels, shade surface & shade edge)
Bowl (steel) with LECA-marble (expanded clay aggregate) structure:
LECA-marble
can be replaced by small stones:
Equipment: Superball mallet Several 'normal' mallets Stick Bow Steel brush Rosin (for the bow)
Grade of "lion's roar"-sounds: Long, stable and dynamic sound - Feng gong (with superball mallet) Medium long to short sound - Drum (with superball mallet)
Indian harmonium Range C-f2 Uses 4 drones (g#, a#, c# & d#) Other techniques used are: - bellow sounds (air) - blow air on keys - drag nails along the upper surface of the instruments - make a "pizz" on the metal part holding the bellow in place when it is closed
EXPLANATIONS In general Turn the light on.
Turn the light off.
Tap on the instrument with your finger. Good wood sound.
Zither The number indicates which section of strings this tone will be in. Sometimes it is possible to find a tone in several sections. This is a pizzicato (with fingers).
Play the first tone as a slap (hit other strings or the instrument body) and the other ones as pizzicato. The tone is found in section number 3.
Place an e-bow on g#1 in section 2. The tone will start sounding after a while. The circle in the beginning of the crescendo means that it starts from nothing (no dynamic). When you are using 3 e-bows you need to keep track on which ebow is moving where. These are my suggestions. If you come up with another solution, it is fine. Here you move one e-bow from b1 in section 5 to g#2 in section 6.
Glide up and down with the e-bow on the c-string in section 4. Be careful the e-bow does not fall of.
Solo part with box notation. It is a free part where the zither is playing a solo on the tone c in section 4. Because that string is very loose the timbre variations are many. The dynamics is notated as 'free' but means 'ad libitum'. Play with different sound quality. The other musicians will follow your command.
Place the e-bow on the c-string in section 4 over the acoustic hole.
Put your nail against the vibrating string. Not to hard towards the string so that it stops, but lightly to make a 'buzzing' sound.
There are 3 e-bows placed on the strings. Place also a thin piece of paper over the strings (one or more pieces of paper). It will make the tones sound less but there will be an extra sound added instead.
Remove the piece of thin paper from the strings. The sound will grow bigger now.
Drag your nails along the b-string in section 1.
Use a piece of an inner tire from a bike and make a fast gliding motion over a string (choose one that is making a sound always). The prefereable sound is a sharp qwerky sound. Blow air on the instrument. The friction of the air passing through the strings will make a soft but audible airy tone. The notes does not indicate any register but is more the motion over the instrument. From left to right and back.
Guzheng Play a tone with the right hand (pizzicato) and make a vibrato with the left hand on the same string on the other side of the bridge. You make vibrato when you push the string downwards. Easiest way is if you push with 2 or 3 fingers together. Bending technique is almost like vibrato but you push further down and will reach another note. Only one motion for going up and one for going down.
Let your right hand rest on the side (wooden part) and play pizzicato in a more controlled way than if your hand is upright. Make a small and short vibrato on each tone when you play these tones (pizzicato). Vibrato technique (see on the previous explanation). Bending technique is almost like vibrato but you push further down and will reach another note. Only one motion for going up and one for going down.
Choose a string on the left side of the bridges and drag your nails along it to make a noisy sound.
Play on the string on the left side (LS) of the bridges. Only the first note. The second one is in normal position. Make your hand flat and move it in a circular motion from a high register and down on the strings. Follow the graphic score. The specific tones are not important. You will not hear the pitch. It will sound like an old LP-player. Touch the upper surface of the instrument (underneath the strings) with your hand. Make circular motions. First with one hand and then with both.
Do the circular motion on the strings with the right hand and touch the instrument body (underneath the strings) with the left hand.
Cello
Natural harmonic. Notation below and sound above.
Play on the tail piece. First example is a real tone. The second one is with lower bow pressure so the result is a more noisy and softer sound.
Play a tremolo with the bow on the instrument body.
Damp all the strings and play on the 1st and 2nd string with the bow in a circular motion. Move the bow towards the 2nd and 3rd string and make a crescendo.
Play double stop on one open 1st string and the 2nd string. Make a vibrato on the second string and follow the graphics.
Make a transmission from normal to hard pressure while playing a drill between A and B.
Play a drill between E and an artificial harmonic on E. Make a glissando upwards.
Play legno battuto while doing a glissando. Play natural harmonics with a half hair/half wood on the bow.
Make a slap and do a glissando. After that an artificial harmonic with the bow.
Damp all strings and make a pizzicato arpeggio down. From high to low tone.
Play a tremolo and repeat the gesture as long as the arrow indicates. The free dynamic means 'ad lib'. The zither is playing a solo and will be leading the dynamic flow.
Play a tremolo between natural harmonics. End the gesture with a left hand pizzicato.
Use the tip of the bow to play a soft tremolo. Move the tip of the bow in circles.
_______________________________________________________ Percussion
Damp the cymbal lightly and tap with your fingers.
Tap with your fingers on the drum skin while damping.
Play with a bow on the cymbal. The timing should be prepared.
Drag a stick on the surface of the cymbal. The dynamic is 'free' but means that it is 'ad lib.'. The zither is playing a solo and is leading the dynamic. Follow.
Play with a superball mallet on the drum. Accent while doing a circle motion.
Use a stick on the side of the drum to make an accelerando. The dynamic is lead by the zither. But the sound in this case should be heard. Extrovert sound.
Use a superball mallet on a feng gong. Make a circle motion around the surface. Control the dynamic.
As previous comment but with 'free dynamic'. Follow the zither.
Make an accent with the styrofoam. Short and direct.
Move two bits of styrofoam against each other in a circle motion. Possiblity to make dynamic change.
Use your voice and make the sound 'sch'.
Touch the lampshade with your hand to make a soft styrofoam-sound. If you can't make it sound: Find another solution.
Knock on the lampshade with your knuckle. Be careful so it doesn't fall of.
Play with a bow on the edge of the lampshade.
Play with a bow on the edge of the lampshade and move the bow in circles. The sound will not be as clear as the previous comment. It will be more noisy. Tremolo.
Play with a bow on the lampshade in circles. It will be mostly no tone but more noise. Tremolo.
Use a tool (stick, brush, end of bow...) to make a 'ritsch'sound on the spring steel on the lamp.
Play on the spring steel with your fingers. A shorter sound than the previous one.
Put some LECA in a metal bowl and make them jump.
Have LECA in a metal bowl and let them smoothly glide in the bowl in a circle motion.
_______________________________________________________ Indian harmonium Play with 2 drones. Prepare so the drone buttons are active before you start pumping the bellow.
Add one drone to the 2 previous drones.
Make the bellow go in. No drones should be out.
Take out the bellow to fill the airbag underneath.
The lower staff shows the drones and the upper staff means the right hand playing. Take away one drone.
First play a tremolo and then only use the bellow to make air sound. Right after play normally but be careful with the bellow since the airbag will be quite full.
Make a crescendo from nothing and play the tone as long as the arrow indicates. Follow the graphics and technique instructions. The graphics show the intensity of the bellow tremolo.
Blow on the keys and use the friction to make an audible sound. Blow from low register and up and back.
In the free part: play 3 tones freely and the dynamic is 'free' but means 'ad lib.'. The zither is playing a solo so listen and follow. Improvise with the dynamics and react to the zither.
To be able to play a big chord, let go of the bellow. Prepare so that the bellow will have air when you stop pumping.
Play a small and intense bellow tremolo.
Play a very rhythmical bellow tremolo.
Play on the metal part that is holding the bellow in place when it is packed the bag. You can play it like pizzicato.
Drag your hand with nailside down over the wooden surface of the instrument. When your nails are touching the wood pattern on top of the instrument, it will make a percussive sound. After that sound, play a bellow-in sound.
Scotoma Ylva Lund Bergner
Jintefa d-dawl u taqa' dalma kbira
A
Släcker ljuset och sprider mörkret |
Zither/ Guzheng
&
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Vlc.
|
Lamp button:
& Ind. harm.
|
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e
Gzhg
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No vibrato if nothing else is indicated
Percussion
|
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Cello
|
q = 60
Lamp button:
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|
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qn
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- Scotoma -
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Bellow out (pump up)
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mezzo legno tratto
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trem.
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& Ind. harm.
- Scotoma -
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steel brush
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f &
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Play inside the lampshade.
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- Scotoma 3 5 6
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norm.
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steel brush
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o 6 Lift
œ
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Bellow in
Guzheng
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Play inside the lampshade.
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Lift
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&
p $
Lampshade steel brush
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&
trem.
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3
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q
h
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·
˙˙˙
1
Œ
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Place
Lift
Œ
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6
Blow air on keys.
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F
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˙
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&
b b œœœ
trem.
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Small vibr.
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(I) (II)
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trem.
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Blow air on keys.
˙˙˙ ..
& Ind. harm.
Û
Û
h
Œ
F
œœ œ
Place
Lift
%
?(III) · œ ‰. + $ ÷
^
Zither Bike rubber
p
&
Lamp shade steel brush
œœ œ
3
œœœ œœœ œœœ œœœ œœœ œœœ ˙
÷
Vibr.
Gzhg
V
Blow air on keys.
3 6 1
Ztr.
6
E
$ œ
o
# œ˙ ˙
Place
œ V œœ $ ÷ Ó.
&
Vlc.
Lift
©
r œ # œr p e
Rhythmical bellow tremolo
œœœ
Œ
œœœ œœœ œœœ $
œ> ‰
Pluck the bellow holder (metal)
p
near the bridge
norm.
F
qn
˙ ˙
Move the bowl in circles.
.
¿h . @
h ¿ @ F
qn
- Scotoma -
Musbiehi isfar lellux u f'mohhi
G Ztr.
Lampa, gul krysantemum och tankar
Œ
V
Rhythmical bellow tremolo
Ind. harm.
‰
Zither
?
œœœ P
œœœ
6
1
" ‰. Ó © #œ œ LS Guzheng r Vibr. P ? ‰ œ œ #œ #œ P œœœ
e
Play close to the , e œq . Vibr. nut (right side). #œ R œœœœœœœœœœœœ j R #œ
,
Í
œœœ œœœ œœœ œœœ ... # œœœœ œœœœ %
œœœœ p
P
qn
rVibr. œ
p
# ˙˙˙˙˙ %
©. Vibr.
e
‰ j œœœœœœ œœœ œœœ œœœ ‰
r #œ F
P
Play close to the nut (right side).
œ
Íp
Vlc.
Prc.
mezzo legno tratto
?
Œ
B
‰ # œ œœ % II
near the bridge
norm.
p
%
œœ
P $
P
Move the bowl in circles.
Ó ¿h
÷
norm.
œœ glissœ œ œœ .
I
h
¿@¿ ‰ Ó
p
Speak : sch____
&
·˙
trem.
·˙
˙
trem.
$
·w
˙
3
Ztr.
V
‰
©
(not too fast)
‰ äœ Ó
Ó
f
Ind. harm.
÷
œ $
‰.
Drag nails along the wooden part of the organ. No keys pressed.
?
‰
p
(pizz.)
Vlc.
œ >. .... P qn
Œ
Ó
Œ
‰
Circular motion
Guzheng
÷
& @
gliss
Ó
$
‰
÷
Ó
& @ %
< qn
q
h
h
<
<
%
p
o
¿˙
@ o
Half tone/half noise
¿œ
@ p
‰
,
pizz.
˙
%
?
œ. . . . . . $
j ¿ Œ > Speak : sch F
äœ ‰ Œ
f
Ó.
E-bow
Œ
<
œ¿ p
˙¿
˙¿ %
– @ ‰ Œ
¿œ
¿˙
¿˙
@
@
@ % 5
?
.
Œ
<
, œ¿
,
œ > F
‰
œ >
‰
œ >
j ¿ > sch
4
œ o
?
‰ œœ J $
‰ Œ
Ÿ~~~~~~~~~~~~~~~~~ ‰ ˙ (œ ) norm.
Real mellow tone
>œ " >œ ">œ " Ó
P
‰
Zither (Place over the hole)
h.
Move in circles
Half tone/half noise
˙¿
p
&. @
<
Play on tail piece norm.
˙
trem.
Ó.
Air
Bow on the edge. Move in circles.
Prc.
–@ p
gliss
Œ Œ
·
Ó
H
qn
?
trem.
‰.
f< F < P <
Superball mallet
¿@
qn
j‰
œ p
Drum
‰ Ó
>œ Íp
÷
%
Zither First slap then pizz
Œ
Drag nails along the wooden part of the organ. No keys pressed.
Bellow in
œ
norm.
qn
‰ ‰. œœœœ œœœ œœ œ œ œ œ œ œ œ % P
˙˙˙˙ ˙ $
Ó mezzo legno tratto
p
qn
>œ " >œ ">œ "Œ
p
near the bridge
- Scotoma -
Ztr.
V
Glide up & down
4 the string.
˙. p
˙
˙ $
j œ p
œ. P
œ
6
V
˙
#œ â F
‰.
slap
Ind. harm.
?
˙˙ P
Rhythmical bellow tremolo
˙˙æ f
˙˙æ %
# œœ p
æ # œœ $
3
œ Pâ
œ
‰.
Ó.
slap
Bellow (careful) in norm.
˙˙æ P
œœæ " %
÷
˙
( Π.)
®œ œ œœ %
œ œ# œœœ J F
˙˙ ..
f
<
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? " ˙ . (œ) ˙ (œ ) œ ( œ) ˙ ( œ ) œ (œ ) œ œ fl % P qn F F % f near the bridge
Vlc.
Prc.
Feng gong
Ó
÷
near the bridge
norm.
Superball mallet (not too fast)
œ
œ ‰.
˙
$
%
qn
near the bridge
norm.
˙
œ
%
p
I
V Ztr.
4
˙ $
Œ
V
˙. Œ
3
E-bow
Zither
j œ ‰ œ œ p 5
Œ
#œ o
4 3 2
n ˙˙˙
œ $
2
E-bow
Lift
&
gliss
gliss
gliss
œ ‰.
Ó
qn
$
o
5
œ œœ
4 5 2
œ ‰
˙
P
%
4 5 7
Lift
7
o
œœ œ
œ œœ
Lift
$ œœ œ
Place
Place
Ind. harm.
œ œ œ œ # œœœœ œœœœ œœœœ œœœœ
œœœ œœœ œœœ œœ œœ œœ
%
p
œœœ œœœ œœ # œœ
$
˙˙ .. œ" œ " œ " œ " œ " œ œ
Ó
Œ
Bellow in
# œœœ
(careful)
norm.
" " "Œ œ œ $
÷
qn
f legno battuto
Vlc.
Prc.
?
÷
III
œ
mezzo legno tratto
œ œ· gliss
F Ó
p
œ
œ
œ
r
I (II)
· · œ · ˙˙ . II
gliss
Íp
Œ
&
f Ó
œœ
% Ó
œœ
IV
œ œ
Ÿ~~~~~~~~~~~~~~~~~~~~~ norm. bow
" œ ˙ (œ )
œ ·· F $
˙
œ ‰
qn
Feng gong Superball mallet (not too fast)
% 6
gliss
F
qn
œ III (IV)
˙˙ Íp
· R
Ó
Bellow in
norm.
" " "Œ œ œ $
f
<
&
$ œœœ
o
3
(careful)
?
œ œ
Ÿ~~~~~~~~~~~~~~~~~~~~~ IV " " ® ® œ œ ·· # œ œ· œ œ œ· œ ˙ ( ) > fl F $ ƒ P f> qn pizz norm. slap norm.
pizz slap
Place
˙˙˙ $
o
norm.
<
Ÿ~~~~~~~~~~~~ · ˙˙ ( œ ) · œœ R R Íp f qn Íp œ
%
œ ‰ Œ
f
qn
qn
- Scotoma -
Ztr.
3 5 7
V
˙˙˙ ... $
? Ind. harm.
Œ
˙˙˙
?
‰ ‰.
f
‰ œ # œ œ # œR h
Guzheng
Bellow in
÷
Œ
p
Lift
o
j 5 œœœ œœ .. 3
œœœ ...
o
j œ œ
Lift
norm.
" "Ó œ œ $
Œ
Œ
Bellow in
Lift
Guzheng
&
f
‰.
Œ
norm.
" œ %
II ‰ Iœ œ ? # œ œœ œ ‰ œ ( $) $ p
&
˙˙
trem.
h
$
Pluck the bellow holder (metal)
>œ ‰ .
Œ
F
<
(III)
‰
Bellow in
ƒ
>œ ‰ .
"Œ
Pluck the bellow holder (metal)
f
<
>œ ‰ .
Œ
F
‰
·
#œ ‰.
h
P
Ó.
Œ
Bellow in
‰ >¿ " >¿ ‰ .
Œ
÷
Knock on shade
F P
F
Grab with fingers
Lampshade
‰ œ œ ‰. $ f
f
$ j œ #œ
o $
Spring steels
Drum Superball mallet
‰ >œ ‰ .
p ‰ œ ‰ œ ˙
Ó
Grab with fingers
"‰
Pluck the bellow holder (metal)
(II)
(III)
qn
Lampshade
ƒ
Drag nails along the wooden part of the organ. No keys pressed.
<
#œ
Spring steels
Prc.
o
7
Vibr.
#
P
<
Vlc.
J
Œ
Knock on shade
‰ >¿ " >¿ ‰ .
Drum Superball mallet
‰ œ œ ‰. $ f
F P
Knock on
Gzhg
#
&
#
? Ind. harm.
>œ ‰ .
Pluck the bellow holder (metal)
÷
F
j¯ œ #œ ˙. ( $)
(II) (III)
Vlc.
Drag nails along the wooden part of the organ. No keys pressed.
?
Ó
‰
F
˙
(II)
Prc.
÷
Œ
Knock on shade
I
p
Grab with fingers
F P
ƒ <
· · ‰
œ œ œ
(Ó )
‰ >¿ " >¿ ‰ .
Bellow in
œ
&
Spring steels Lampshade
‰ ‰
$
Drum
‰ œ œ ‰. $ f
Superball mallet
"
>œ ‰ .
Œ
Œ
Pluck the bellow holder (metal)
f
œ·
trem.
œ #œ
œ J
Lampshade
Œ
Ó
‰
F
‰ Œ
(IV)
œ.
œ
‰ >¿ " Œ
Knock on shade
ƒ
F
7
‰.
Touch
@@ ¿¿¿ > p qn
?
@ ¿ F
#˙ %
<
œ
?
œ
j œ · œ # œ œ œ- ˙ % F $ %
norm.
Spring steels
Drum
‰ œ œ ‰. $ f
Œ
Bellow in
‰ œ œ œ. · qn p Superball mallet
‰
Ó
Drag nails along the wooden part of the organ. No keys pressed.
&
o f pS $
Guzheng instrument body
Grab with fingers
Œ
>¿ ‰ .
P
Ó.
near the bridge
œ
- Scotoma -
K Gzhg
Ind. harm.
Touch with both hands
h
h
&
?
?
h
q
Ind. harm.
Vlc.
@ ¿ @ %
#˙
˙ P
œ %
#˙
˙ %
˙ $
œ %
˙.
˙
˙ P
œ %
˙
˙ %
?
„
˙.
Feng gong
?
q
œ %
Superball mallet
&
q
„
˙ $
Feng gong
÷
„
trem.
˙
Superball mallet
˙ $
÷
Styrofoam
q
„
trem.
h
œ f
˙ f
q
@ „
„
h
q
¿ @
(not too fast)
œ ‰ %
˙
¿ %
qn
q.
¿.
¿
q
h
p
œ
‰ Œ
qn
¿ @
% ¿h %
q
q
q
„
¿ @ F
œ ‰ Œ
P Œ
trem.
qn
˙
qn
¿ ‰ Œ p qn
accel.
q
q
„
@ ¿ @
q
@ ¿
( %)
@ ¿ p
q
@ ¿
Right hand on the strings and left hand on instrument body
Gzhg
q
@ ¿
(not too fast)
Prc.
h
@ ¿ %
norm.
Vlc.
Right hand on the strings and left hand on instrument body
Touch the surface of the instrument
¿ @ F
¿ @
trem.
q
„
q
„
h
trem.
q
„
q
„
h
trem.
q
„
q
„ q
trem.
„ q
„
h
trem.
q
„
q
„
h
¿ @ f
¿ @ %
¿ @ P
¿ @
¿ @ %
¿ @ $
˙ f
#˙ %
œ P
œ
#˙ %
˙ $
˙
˙ f
˙ %
œ P
œ
˙ %
˙ $
œ ‰ ˙
˙
˙
œ
œ
˙
˙ $
qn
j œ ˙ P qn
#œ. %
œ %
q
„
U
qn
qn
qn
Feng gong
÷ Prc.
÷
Superball mallet
˙
(not too fast)
P Ó
%
Styrofoam
qn
‰ >¿ " F
f
% 8
P
%
qn
- Scotoma -
U
Guzheng
Ztr.
L © = 60 V
#
Ó
4
E-bow
Ind. harm.
?
˙.
œ $
qn
œ
%
$ œ œ
o
E-bow
Zither
3
Œ
#œ Œ
˙
˙. $
˙
œœ œ # œ œ # ˙˙˙˙ p
o
Œ
2
E-bow
U ˙ ˙˙
?
e
h
œ # œ œ# œ R p P
˙. ˙˙ ..
$
o
U œœœœ ... . U
Œ
÷
o
‰
‰ ÷
Bellow in
$
Vlc.
?
˙
qn
molto vibrato
molto vibrato
œ $
˙
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ · ˙ ( œ· ) gliss # ˙ . (# œ ) $ %
Ó
#
norm.
norm.
Prc.
÷
Superball mallet
œ
(not too fast)
( qn)
Ó
<
U ˙
near the bridge
<
mezzo legno tratto
œ
%
Feng gong
Blow air on keys.
Û
Û Œ ƒ " " " " " " ‰ Û
<
norm.
Œ
Vibr.
UÓ
ƒ <
˙ p
Ó.
M
Ztr.
V
3 2 4
Place a piece of thin paper over the strings
˙¿ .. ˙˙¿¿ .. .
˙¿ ˙˙¿¿
¿˙ . ¿˙ . ¿˙ .
qn
? ÷
Ind. harm.
÷
Œ
‰
Bellow in
$ <
Vlc.
Prc.
?
÷
œ %
Œ
fi
‰ œ@ œ â
norm.
qn
Û
Blow air on keys.
Û
<
œ@ œ â
<
œ@ œ â
ƒ <
@ œ œ â ƒ
˙¿ ˙˙¿¿
# Û Œ
ƒ " " " " " <
œ@ œ â
p
÷
‰.
Œ
‰ ¿ ¿ ¿ ¿ ¿ ¿ ‰ @ @ @ @ @ @ % qn ƒ
‰
Bellow in
<
œ@ ‰ œ â %
$
Û
Œ
fi
‰ œ@ œ â
F
Û
<
œ@ œ â
<
œ
<
@ œ œ â ƒ
˙
qn
Û Œ
<
œ@ œ â
p
œ $
‰.
˙ %
#
<
Ó
‰ ¿ ¿ ¿ ¿ ¿ ¿ ‰ @ @ @ @ @ @ % ƒ qn
h
9
œ@ œ â
ƒ
˙ ˙˙ $
( qn)
œ@ ‰ œ â %
qn
Speak : sch____
Blow air on keys.
˙. ˙˙ ..
ƒ " " " " "
<
>¿ ‰ .
3 2 Remove the piece of thin 4 paper from the strings
mezzo legno tratto
œ
˙ p
Œ
Ó
qn
¿
p
Speak : sch____
o
<
p
<
&
- Scotoma -
3 2 4
Ztr.
Ind. harm.
Vlc.
Prc.
V
?
?
Place
5 3 2
$ œœ œ
o
Lift
œœ œ
œ œœ ( $)
œ œ # œ œ# œœœ œ œ p
q
œ œ %
œ
Place
5 3 2
7 5 3
$ œœœ
o
Lift
œœœ
˙˙˙ ˙
Guzheng
?
˙˙˙
œœœ œ %
e
œ# œ œ# œ R p P ˙˙˙ ...
h
h
e
r #œ P Vibr. ˙˙˙
Place a piece of thin paper over the strings
˙˙˙ ...
qn
Let go of the bellow and play with both hands
˙˙˙ ... ˙. $
˙˙˙ ˙
Œ.
Œ
Vibr.
˙˙˙ ˙ œ œ #œ ‰
œ J
œœœ œ
˙˙˙ # ˙˙˙˙˙
o
œ
& trem.
Ó
q
· ‰ Œ
· $
÷
norm.
#
#
#
#
qn
#
N Free part
U bhal fi nzul ix-xemx iterrqu lura
Och såsom solnedgången täckandes hela vyn |
Ind. harm.
Tap on the instrument
¿¿¿¿
Remove the paper
t
¿¿¿¿
V
|
|
|
|
|
|
|
¿¿¿¿
$
w
P.
o
|
p
&
w
qn
Tap on the instrument
(Damp lightly)
¿¿¿¿ p
qn
qn
P.
qn
·w
P
o
Cymbal (bow)
>¿ J F
10
w
qn
o
Tap on the instrument
¿¿¿¿
F w
o
p.
qn
p ¿¿¿¿
V
?
w
Cymbal
Prc.
|
7 E-bow
p
Tap on the instrument
?
÷
|
Tap on the instrument
$
&
?
|
#˙
Tap on the instrument body
Vlc.
|
3 E-bow
? Ztr.
|
# # ·w
f
qn
o
Drum touch w. hand
q
¿@
F q
¿@ Œ
qn
P
% h
¿@¿ @
qn
h
o
Cymbal steel brush
¿@¿ @ P
qn
- Scotoma |
|
|
#w
|
|
|
|
|
#w
3 E-bow
Ztr.
V V
Ind. harm.
Vlc.
o
4 E-bow
w
w f
&
qn
P
|
#w
|
|
3 E-bow
P
o
¿¿ ¿ ¿
1 Drag with
nails along the string.
w ~~~~~~~ $
P
o
Tap on the instrument
p Bellow tremolo
w
P. .
o
Tap on the instrument
Tap on the instrument
F
F
¿¿¿¿
# ww %
¿¿¿¿
P
Tap on the instrument
¿ ¿ ¿ ¿¿ ¿¿
f
?
$ F
qn
norm.
molto vibrato
o
P.
w
Drum
Drum
Cymbal
¿¿¿¿ $
¿¿¿¿ F
¿¿ ¿ P
fi
fi
Tap
Prc.
|
3 E-bow
a a ·w
&
|
P
o
?
|
÷
norm.
Cymbal (bow)
fi
Tap
molto vibrato
Tap
>¿ J F
¿
O |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 Drag with
Ztr.
V
nails along the string.
w ~~~~~~ F
qn
Small intense bellow tremolo
Ind. harm.
& a ww %
o
&
Vlc.
?
w %
III IV
˙ w
qn
trem.
÷
?
#œ J F
œ
·
P %
¿
qn
$
&
Repeat the gesture as long as the arrow indicates
III IV
˙ w
qn
trem.
œ
·
P
#œ J F
$
r œ p
Metal part
(bellow holder)
p
r œ
r œ ( $)
r œ
·w
p
(
-¿ J
$
)
-¿ l.r. J % 11
Superball mallet (soft & beautiful)
w %
r œ %
Ø
$ Feng gong
Cymbal (bow)
Prc.
Drone
$
%
- Scotoma |
|
|
|
^
Ztr.
|
|
|
|
|
|
w
free dynamic
˙œ .
half way to hole
r œ¿ >
r œ¿ >
œ # œœœ J
www
nail
carefully)
free dynamic
nail
free dynamic
r œ p
Metal part
÷
(bellow holder)
r œ
r œ ( $)
>· œ R f
flautando
Vlc.
|
Touch string. Buzz-sound.
E-bow 4 (Hold e-bow
&
Drone ? #w ( p)
|
half way to hole
& Ind. harm.
|
close to the edge
R f
V
|
Solo:
Bike rubber
?
r œ % r
Tail piece
œ$
Feng gong Superball mallet
Prc.
(soft & beautiful)
w p
÷
%
|
|
w %
$
|
|
|
Solo: 4 E-bow (Hold e-bow
over the hole
over the hole
f %
|
|
F %
|
|
upper side and away from hole
upper side and away from hole
V w
carefully)
Ztr.
free dynamic
Ind. harm.
& w ww
free dynamic
Play the tones freely
a ww
free dynamic
aw
free dynamic
w w aw
free dynamic
? #w
Drone
free dynamic
Vlc.
?
œ
trem.
·œ
free dynamic
Feng gong Superball mallet (soft & beautiful)
Prc.
÷
w
free dynamic
12
Repeat the gesture as many times & as long as the arrow indicates. Let there be a pause in between the repetitions.
p
|
lower edge of the hole
|
|
|
|
free dynamic
- Scotoma -
P |
|
|
|
|
|
|
|
|
|
|
|
|
|
Solo: 4 E-bow (Hold e-bow
Improvise with the e-bow on the c-string. Make timbre variations.
carefully)
Ztr.
V
w
free dynamic
Ind. harm.
Play the tones freely
&
w
?
Rhythmical bellow tremolo
w aw
w
free dynamic
free dynamic
œ. . . . . .
? II
Vlc.
legno battuto
Ÿ~~~~~~~~~~~~~~~~~~ , pizz. · w ( ·œ ) w ( œ ) œ #œ <
legno battuto
norm.
gliss
II
. . ..
gliss
Prc.
¿.
÷
gliss
Drum
[Play w. sticks on the edge]
[Play w. sticks on the edge]
Cymbal (bow)
ä¿ J
. . ..
¿. . . .¿ '. . .
free dynamic
free dynamic
|
|
|
|
|
gliss
free dynamic
Cymbal (stick)
.
¿
free dynamic
free dynamic
Q |
norm.
free dynamic
free dynamic
Drum
Ÿ~~~~~~~ w ( ·œ )
Ÿ~~~~~~~~~~~~~~~~~~ , pizz. w ( ·œ ) œ # œ w ( ·œ ) <
mezzo legno tratto
gliss
free dynamic
free dynamic
œ.
|
|
Hsibijieti, rahhala biezla jergghu Tankarna är, som livliga invånare
|
Solo: nail
4 E-bow (Hold e-bow
Ztr.
nail
Improvise with the e-bow on the c-string. Make timbre variations.
carefully)
Vw
˙ $
free dynamic
Ind. harm.
w & w
Vlc.
? œ
w
free dynamic
·œ "
free dynamic
÷
‰
^
F
˙ ( ·œ ) $
w
free dynamic
Ó
¿
free dynamic
13
gliss
œ
"Œ
o Bellow out (pump up)
·œ . ‰
%
Ó
o
Œ
œœœœœœœœ˙ %
Ÿ~~~~~~~~~~~~~ r
Cymbal (stick)
Prc.
Bike rubber
œ
Rhythmical bellow tremolo
free dynamic
gliss
œ œ¿ œ¿ œ > >
Œ.
> f
Play with the tip of the bow
Bow on the edge. Move in circles. Half tone/half noise
Nœ @J
p
¿œ
@ o
gliss
- Scotoma -
Ztr.
Ind. harm.
#
V
? #œ.
Ó.
÷
Û
œ œ ‰ J F %
qn
Û
Blow air on strings.
Bellow in
‰< ‰< ‰ P $
f
Blow air on keys.
Œ
<
q
Û
Û Œ
Û
ƒ
Ó
Œ
# œœ ..
œœ J f
o
Û Ó
Play with the tip of the bow
#œ ? . @ ‰ % gliss
Vlc.
Ó
Ó
Bow on the edge. Move in circles.
Prc.
÷
Half tone/half noise
¿˙
@ $
1
Ztr.
Ind. harm.
V
œ p
? # œœœ .. . o
Vlc.
?
I
˙˙
Touch surface with hand.
¿œ
@ %
‰.
%
Bow on instrument body
‰ ¿ ‰ ¿ ‰ ¿ ‰ P
Ó
‰
6
#œ p
j œœœ œœœ ‰ Ó F
œœ glissœ œ ˙˙ .
@ ¿ f
‰.
Œ
¿q @ ƒ
Œ
‰
>œ
‰
F
œ
Ó
j œœœœ
‰ # œœœœ œœœœ ...
P
o
˙ qn
p
Ó
Bellow in
Û
Bow on
mezzo legno
‰ #œ
norm. pos.
q
@ ¿ ƒ
II tratto
%
Touch surface with hand.
¿ ‰ ¿ ‰ ¿ ‰ @ ƒ p $
q ¿ @
&
Ó
Œ
Bellow in
f
Drag nails along the wooden part of the organ. No keys pressed.
j‰
F
<
<
‰
P
<
norm.
˙˙ ..
œœ ‰ Œ
near the bridge
P $
œ
#œ $
"
Û "< ‰ < ‰ < ‰ $ f p P
q
˙˙˙˙
p
qn
Ó
Play on tail piece
œ > F
‰
œ > P
‰
œ > p
‰
Drum
Superball mallet
Superball mallet
÷
Û
6
‰
norm.
#
Drum
Prc.
f
R
"Ó
Û Œ
q > instrument body ‰ ·œ " Œ @ ¿ $
III
Ó
3
Blow air on keys.
œ
œ
> "‰ · "
flautando
norm. pos.
q ¿ @
Ó
mezzo legno tratto
norm.
@ ¿
Œ
2
" ‰. œ œ $
q
Styrofoam
$
5
q
&
Û
œœ ‰ $
Œ
Û
Blow air on strings.
‰ äœ Œ
(not too fast)
P
Ó 14
Œ
Ó
(not too fast)
j ¿ Œ > Speak : sch P
äœ ‰ Œ
F
j ¿ > sch
- Scotoma Right hand on the strings and left hand on instrument body
Gzhg
Ind. harm.
Ó.
Touch instrument body with left hand
Ó
&
j œœœœ p
? # œœœ .. œ. qn
Vlc.
Prc.
?
Œ
f
Bellow in
f
Play on tail piece
Ó
œ > F Drum
Ó
÷
¿"Œ
Œ
Superball mallet (not too fast)
¿"Œ
F
Drag nails along the wooden part of the organ. No keys pressed.
j‰
F
<
‰
œ > P
<
‰
¿"
P
Œ
Œ
q
trem.
„
¿" Ó
P
œ >p
äœ ‰ Œ ¿j Œ > Speak : sch F P
‰
„
trem.
„
%
q
„
# œœ Ø
‰
Gzhg
Ind. harm.
&
?
& Vlc.
&
„
h
¿ @ f
q
„
œœ $
·· P
‰
Ó
norm. pos.
j ¿ > sch
&
j Œ ¿ Ó > sch Œ
h
q
II
· Ø
·
· $
Feng gong
˙
˙
Superball mallet (not too fast)
qn
¿ ‰ Œ
¿
Styrofoam h
p
%
÷
˙
f
¿ @ F
q
„
trem.
h
q
„
¿ @ %
j œœ ˙˙ p qn
# œœ .. %
#œ # œ
&
q
I (II)
I ··
%
h
··
œ ‰ ˙
P Ó
% qn ‰ >¿ " F
© = 60 ghall-wens ta' darhom S Jingabru Samlade i hemmets trygghet q
„
trem.
h
¿ @ %
q
„
q
„ q
¿ @ P
trem.
q
„ q
¿ @
q
„
h
trem.
q
q
„
trem.
„
h
¿ @ %
¿ @ $
# œœ %
# ˙˙ %
˙˙ $
P
h
q
q
I ··
%
·· P
··
˙
œ
œ
&
h
#œ # œ h
# ··
·· $
˙
˙ $
%
Superball mallet
Prc.
q
h
q
Ó.
„
q
¿ @ %
œ œ
‰. & #˙ œœ
qn
œ œ œ œ gliss
œ œ
%
P
% 15
œ
·· ·· ·· # œ . " " "
%
œ ‰.
qn
$
# œœ
p
o
Fast vibr.
Feng gong (not too fast)
@„
„
#œ
&
#œ # œ h
q
q
<
Rhythmical bellow tremolo
˙˙ f
trem.
h
˙˙
Right hand on the strings and left hand on instrument body
trem.
„
¿ @ %
accel.
q
q
Ó
p
Ó
‰
q
q
$
Fast vibr.
gliss
# œ # œ. œ œ œ œ J " gliss
F p
P
gliss
- Scotoma -
Ztr./ Gzhg
Ind. harm.
&
&
j œœ # œœœ œœœ p $ P
# # œœœ ...
trem.
$
# # œœ ..
# # # œœœ
F
?
Ø Œ
Drone
?
$ # œ œœ .. J $
+ 1 drone
#˙
( Œ. )
Vlc.
Prc.
&
Ind. harm.
Vlc.
Prc.
$
Fast vibr.
# œ. . . n œ. . . # œ .
nœ ""
% $
F
P p
˙˙
Fast vibr.
gliss
$
#˙
$
P
F p
œ
near the bridge
norm.
gliss
Œ
$
qn
œ # œ. œ œ œ œ J "
gliss
o o
Û. p
Nails along the keys
œ
II
III
œ
fi
pizz.
IV
‰ ? œœœ ‰ œ œ % p
÷
T Gzhg
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #˙ (#œ) ˙ #œ
Œ
˙ $ ˙˙
qn
œœ J p
+ 1 drone
#˙
&
?
?
÷
Œ
Guzheng
!
!
!
‰.
>œ Vibr. R F
e
h
‰ œR f
Ó
Ó ?
‰.
Ó
Ó
‰.
Ó
Œ
©
q
q
Vibr.
‰. #œ œ RR P ‰. ! #˙ Drone Œ #˙
‰.
!
Œ
˙.
>œ
˙
$
o
16
q
Vibr. ‰ œR P
qn
Œ
flautando (II)
$
h
œœ
$
‰.
e
>œ Vibr. R F
Œ
˙˙
o
Œ
!
h
Vibr.
‰.
III
‰ >œ Œ p
˙
œ
œ
œ
&
>œ ‰ Œ P Pluck the bellow holder (metal)
·> ‰ .
p
>·œ . ‰
Œ
Œ
>¿ ‰ .
P
qn
Styrofoam
p
legno tratto
B
qn
Ó.
$
Û
- Scotoma -
Gzhg
Ind. harm.
Vlc.
Prc.
&
?
B
÷
q
‰.
Œ
Drone
˙
¿˙ .
©
#œ œ RR p
h
Vibr.
# # ˙˙
#
˙˙
œ
gliss
%
Œ
?
Bow on the edge. Move in circles.
¿˙
Half tone/half noise
@
@ $
o
qn
‰ œ> ‰ œ> ‰ œ> Œ $ p P
>œ
$
‰.
œ
&
III
·> ‰ .
p
>·œ ‰.
Œ
P
%
Œ
fi ‰ œœ œœ %
Cymbal
F
÷
& Ind. harm.
?
& @ $
& @
U
„ ‰ Œ @
Zither
Ó
Œ.
#˙
œ.
Zither
V
Ó
# œ œœ ˙˙ $ ˙˙ ..
qn
˙˙
# # # ˙˙˙
qn
6 E-bow
p œœœ ...
Vlc.
Prc.
÷
œ II >œ . œ ‰ ‰ fl.
%
$
&
œ
>· . ‰
p
V
Œ
˙
o
p
j œ # œœ
# ˙˙˙
# œœœœ œœœœ J qn
+ 1 drone
fi ?
œ œ J
! # >œ # >œ # >œ " " ‰. P ˙.
P ˙˙˙˙
+ 1 drone
3
# # ˙˙˙ ...
$ # # # # ˙˙˙˙ ....
œ
>· œ ‰.
P
Œ
#
#
# 17
˙ ˙ p
#
4
Gzhg
gliss
Œ (bow) >¿ ‰
Ó.
qn
œ
gliss
˙˙ ..
o
Pluck the bellow holder (metal)
flautando (II)
&@ . p
gliss
# # ˙˙
Œ
‰ Ó
& @
÷
œœ
$
o
Circular The pitches are not motion very important but the notationis an indication of register.
#
Ó
Cymbal (bow)
h.
¿.
qn
Ó
gliss
- Scotoma -
! ‰ # œ # œ # œ#r œ ‰ . Œ p œ ˙
!#œ #œ œ . r œ " " ‰ $
3 2 3
Ztr.
V V
Ind. harm.
6
6
Prc.
?
÷
Cymbal (bow)
¿ ‰. p
Vlc.
‰.
r r # œ. # œ > $ p
U
Vibr.
˙˙˙ U ˙˙
Grab a string (free of choice) on the left side of the bridges with 2-3 fingernails and drag along the string to make a noise sound.
Ó.
Ó
˙˙ ..
pizz. . # œ. let ring ‰. #œ ‰. Œ
p
Ó
# œ U‰ .
‰ # œ@ œ@
l.r.
‰ #œ " $
norm.
o
U Ó
Ó
Play with tip of the bow
‰
Och återvänder försvagade.
&
Drag along the string
œ¿ . p
j œ¿ œ¿ P
œ¿ > ƒ
‰.
Œ
Œ
÷
?
Û. P
Nails along the keys
Ó
e e
?
norm.
e
air on keys Û Blow Û . ‰ > " >" > " Û f p
Œ
&
œ
·˙
o
r #œ F h
o
˙˙
‰ œ> ‰ œ> ‰ œ> $ p P
Ó
#œ @
norm.
˙@ $
gliss
Ó.
Œ.
Vibr.
#œ Œ R P e Vibr.
#œ R p
j œ
Bellow out (pump up)
Œ
·˙
Û. P
Nails along the keys
e e
e
e
air on keys Û Blow Û . ‰ > " >" > " Û p f
·˙ ..
p
$
˙
˙
œ¿ œ¿ œ¿ œ¿ œ¿ > > $ p> P
Œ
˙
- 1 drone
Bellow out (pump up)
Ind. harm.
©
Pluck the bellow holder (metal)
>œ œ ‰ ‰. @ $ qn flautando (II)
near the bridge
Bellow in
&
Ó
Ó.
Ó
# œ Vibr. R
U jgorru lura maghhom l-ghaja.
V Gzhg
Œ
&
œœ œ ‰ # œ œ ˙ # œ # ˙˙ $ œœœ # # œœ ˙˙
œœœ p ? ˙˙˙
&
U
Start the ensemble
Guzheng after the fermata.
o
Lift
- 1 drone
Vlc.
3
2
Œ.
q
<
œ
·> ‰ .
p
h
j # # œœ œœ o
F
·˙
·˙
˙
Ó
Ï
>·œ ‰.
P
‰
P
?
œ
‰
œœ .. %
gliss
·œ ·œ ..
%
Drum
Prc.
÷
Cymbal (bow)
>¿ ‰ Ó
F
Superball mallet (not too fast)
˙
%
$
18
>œ >œ >œ F
qn
r #œ $
e Vibr.
Œ
gliss
, o