Traces by Ylva Lund Bergner

Ylva Lund Bergner

The Illuminated Traces of Ligeia Traces [El rastro]

for Soprano, Mezzo soprano & Tenor & Flute, Clarinet, Percussion, Piano, Violin, Cello

Duration: 15-20 minutes

- 2014 -

Instruments Singers Soprano (’Nina D’), Tenor (’Will S’) & Mezzo soprano (’Narrator’)

Flute (alt. piccolo & alto) Clarinet in Bb (alt. bass clarinet)

Percussion Percussive instruments (middle c= c1) Pitch 2 Singing bowl: 3 Noah bells: 2 Crotales/Finger cymbals: 3 Gongs: Tamtam: 3 Drums:

e & d1 b f1, e 2 & f#2/g#2 b3 & c5 c#, c1 & d2 A g, a & c1

2 Woodblocks:

f2 & b 2

Non-pitch Styrofoam, Sand paper & Guiro

-------------

Tools & materials: - Mallets & bow

Grand Piano Preparations (middle c= c1) Screws Blu-tack Wedge (between 2 tones) b

b 2 d2 c#2 h1 f# c# G C#

d#2 f#1 e1 b b a c H

A2 - B

Violin Cello Technician playing electronics (including recorded choir parts) Mp3-player [Play sound files.]

Text P. 1-23: Preludium P. 24-36: Your words (Deres ord) Scene 1 P. 36-38: P. 39-42: P. 43-44: P. 45-49: P. 49-52: P. 52-60: P. 60-65:

Instrumental intro (Scene 1) Instrumental intro & choir Nena & Billy Transport Nina Nina’s song Nina; end

Scene 2 P. 65-68: Instrumental intro (Scene 2) P. 68: Electronics P. 68-73: Electronics, Choir, Nina & Doctor Scene 3 P. 74-76: Instrumental intro (Scen 3) P. 76-81: The sky surrender (Taivas nöyrtyy) Scene 4 P. 81-82: P. 82-85: P. 86-87: P. 87-99:

Instrumental intro (Scene 3) Will’s song Will; end Postludium

Libretto Preludium ------------------------Aria I: Your words (Deres ord) Inger Christensen from ” Teksten” [Universaliteter] I see the light skies I see the light sun I see how easy they paint An endless continuum as if they feel trust To me standing on the ground As if they know that I Am their words.

T R ACES El rastro

Text by Ylva Lund Bergner (inspired by Gabriel Garcia Marquez)

Characters: Nina D (soprano) & Will S (tenor) & Narrator (mezzo soprano)

ACT I Scene 1 Instrumental intro [A white blanket of snow is prevalent everywhere.]

Choir: Sounds [Aaah.Ssch.Mm.]

[A shiny silver vehicle waiting. A man and woman come walking. Elegant. The woman receives a rose from the man..When the man turns around, she puts a finger to her mouth. She has stung herself on the rose. They sit in the car. The man sees that she sucks on her finger.]

Will: Is it bad?

Nina: Not really.

[She smiles and shows her finger, where a diamond ring sparkles.]

Nina: It is just a little sting.

[They start their journey Projections of landscape on paper bricks around and on the stage.]

[Passing the urban environment. A sign that says Bayonne. The woman watches the man. The man does not notice anything. Ecstatic about his power over the vehicle which he worships. The woman tries to give him a jam ball in his mouth. He refuses, spits and turns his head away. The woman is bleeding and exhausted. She connects the finger with a handkerchief and then hold the left arm with her hand and falls asleep. She wakes up and have blood on her clothes. She let the arm hang outside the window, convinced that the icy wind from the fields would have a healing effect.]

Nina: If someone wants to find us, it will be easy. He only needs to follow the traces of my blood in the snow.

[Then she thinks about what she said, and her face blushes in the first light of dawn.]

Nina: Imagine, a trace of blood in the snow, the whole way from Madrid to Paris. Wouldnâ&#x20AC;&#x2122;t it be nice for a song?

[Ninaâ&#x20AC;&#x2122;s song] Nena: He came, he saw and followed. Followed my trace in the snow. A snow which had the colour. The colour of love, life, despair. He could not resist to find the source. He could not resist my trace. My trace of blood is visible the whole way from Madrid to Paris.

[They continue to travel. They are passing a sign that says Paris. At that point, the woman bleeds unchecked.]

Nina: My life is running out of me. [She speaks aloud to herself]

[The man turns towards the woman. Becomes terrified. He calls out. Stops the car. Honks and looks desperately around him. Tries to lift the woman, but she is completely gone.]

------------------------------

Scene 2 [The man rushes out of the car and end up quite suddenly in a chaos of people. He tries to see any help. When there is no help to see, he instead tries to take himself back to the car.]

[When the man touches the car, the chaos around him stops. He turns around and sees that a green cross is lit. Someone has noticed him, and comes with a stretcher. He must speak to several people, but it is impossible to hear because it drowns in the music. Even the woman is questioned by a nurse. The man picks up the woman's handbag in the car and he presses her hand when he comes back with it to her. A new doctor comes to examine her.]

[Electronics & Choir] Choir: Psstâ&#x20AC;Ś[sounds]

Nina: Donâ&#x20AC;&#x2122;t get scared. The worst thing that can happen is that this cannibal cuts off my hand and eats it.

------------------------------

Scene 3 [The doctor takes away the woman and puts up a hand to stop the man. The man stays without knowing what he will do, looks at the empty corridor in which the woman was brought away. He sits down on a wooden bench and falls asleep.]

Aria III: The sky surrender (Taivas nĂśyrtyy) Pentti Saarikoski

The sky surrenders and thoughts does not bring us anywhere we are constantly lost -----------------------------Scene 4 [He tries to get information but nobody seems to notice him. He goes out of the hospital but all is chaos around him and he flees back to the hospital. He is like on the run. He does not know what to do. The woman has all the information he needs and he does not know where she is. In fact, the woman had intense care but dies two days later. It is possible to see her on the small stage in the back of the stage, where she dies in agony.]

[Willâ&#x20AC;&#x2122;s song] Will: He came, him the fool, and strangled. Strangled the love of his life. A life of which he's not worthy. If worthy was ever for him.

How can I ever go on? Give me a chance to start over.

[At the same time as the woman is dying, the man lives in chaos and cannot find her. Everything becomes grayer after her death, and everything is harder. Even the man gets harder. After one week, someone ( a doctor at the hospital) tells him the truth. At this point, he has no feelings left. He sees the dead woman but leaves at once.]

----------------------------------------------------------------------Postludium

Explanations

The grade of accidentals.

Dynamics. The circle means ’nothing’/’zero’. ’qn’ means quasi niente (almost nothing in Italian)

Voices

Say the text instead of singing it. There is a specific tone behind, so try to control the speaking voice.

Sing while breathing in.

Whisper.

Sing normally but with an airy tone. Leaking tone.

Normal singing.

Flute Air tone. No normal tone and no attack in the beginning of the air tone. Different from breath tone.

A transmission from normal tone to air tone.

Bend the tone according to the graphics. Like a glissando.

Double tongue. Rhythmical.

Play flutter tongue.

Play a tone with half air. A tone leaking air.

Play a quarter tone flat tone in a dynamic crescendo from nothing (zero).

Play slap tongue.

Play tongue ram.

Play whistle tones. If the octave is not working or if you are more comfortable playing whistle tones on another flute size: change it!

Play breath tones in an accelerando phrase. Accentuated attack.

Clarinet

Play a tone with vibrato. Follow the graphics.

A part of a bass clarinet solo. Starts with a bended tone. Stop playing and say a hushing sound and continue to play again.

Play a tone with half air. A tone leaking air.

A transmission from normal tone to air tone.

Play slap tongue.

Play a tremolo between two air tones.

Play a semi high tone with a thin timbre. A thin tone. Start playing with an â&#x20AC;&#x2122;almost nothingâ&#x20AC;&#x2122;-dynamic.

Play double tongue. Rhythmical.

Percussion

Play an accelerando motion using fingers on a drum.

Play an accelerando motion using stick on a drum.

Play guiro in a normal way. One motion.

Play styrofoam in a circular motion.

Play the Noah bell, either in a normal way, or remove the inner stick and play with a mallet. Hit on different spots on the bell to get the dissonance. On Noah bells, the lower the number, the bigger the bell.

Play a Noah bell in a dynamic phrase.

Play a Noah bell. Hit on different spots on the bell to get the dissonance.

Piano

Place an e-bow on a string. Start it before placing it.

Place and lift can either be realized actually lifting the e-bow to make a diminuendo or using the pedal, but that will effect all the sounds in the piano.

When you use the e-bow, the tone will be ringing and vibrating. Put a nail towards the string to make a buzzing sound.

Play a pizzicato inside the piano. One string.

Play on a tone with a stick. It could be a chopstick. Let it fall on the string and control it with your fingers. Relaxed but firm. Best technique is to have the palm of your hand to face upwards. Play a sharp sound using a piece of an inner tire from a bike tire. An old tire is better than a new one. Try to get it for free from a bike store. Drag the bike rubber piece along the string, not too forced, and let the tone ring. It will take some time for it to start. Practise this technique several times to feel comfortable .

Try to make a wobbling sound using the pedal. Do not press it down completely. Then the sound will dissapear. So from all the way down to half up is good.

Play with your nails along the keys in a motion from low to high register. Click sound. You can choose if you want to play it on the upper side of the keys or on the front side.

Hit many strings inside the piano with the palm of your hand. Keep it on the strings to damp them and glide up. Hit the piano with a knuckle on the wood. Use the pedal to make the first hitting motion audible

Violin

Play on the e-string behind the bridge. The dynamics goes from â&#x20AC;&#x2122;nothingâ&#x20AC;&#x2122;.

Play a variation of playing techniques: pizzicato, mezzo legno battuto, arco battutoâ&#x20AC;Ś The other instruments do the same so the variation of timbre will change a lot in this part.

Play a motion of long tones and jetĂŠ-phrases.

Damp all strings and play jetĂŠ-phrases.

Play double stops and also a left hand pizzicato on the highest string.

Play fast vibrato. It is different from molto vibrato which has big motions. Fast vibrato is small but fast motions.

Play with the bow on the fingerboard. Tha bow technique is mezzo legno tratto.

Play two natural harmonics; one sounding one octave higher and one on the same note as the one being played.

Play a phrase with natural harmonics.

Play a tremolo motion between a normal tone and a natural harmonic on the same position as the normal tone.

Play a normal tone on the lowest string and let the bow touch the instrument body. Will result in a soft noise sound.

Play legno battuto in an accelerando motion.

Play legno tratto.

Play mezzo legno tratto. Play a quarter tone flat tone in a dynamic crescendo from nothing (zero).

Play with a light bow pressure.

Hit all the strings with the palm of your hand on the fingerboard, so that the strings are damped, and glide up towards the bridge. And hit the instrument body.

Play on a string up close to the nut. Sometimes it is easier to play on the second highest strings. Try to keep the tone still.

Play with the bow on the tail piece. A dark and mellow sound.

Cello

Play a glissando on artificial harmonics with the wooden part of the bow.

Play a variation of playing techniques: pizzicato, mezzo legno battuto, arco battutoâ&#x20AC;Ś The other instruments do the same so the variation of timbre will change a lot in this part.

Damp all strings and play pizzicato and also jetĂŠ-phrases behind the bridge.

Play on two strings and make a vibrato. Follow the graphics. It starts in the lowest possible dynamic.

Play a phrase with natural harmonics.

Play a normal tone on the lowest string and let the bow touch the instrument body. Will result in a soft noise sound.

Hit the body with a knuckle or finger tip.

Play on the tail piece with the bow. A dark and mellow sound.

Play with the bow near the bridge.

Play an artificial harmonic with a slow bow motion.

Play a double stop with natural harmonics.

Soprano

Mezzo soprano

Tenor

The Illuminated Traces of Ligeia

- Traces -

Ylva Lund Bergner

Clarinet in B b

Percussion

Grand Piano

Violin

Cello

Electronics

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©Ylva Lund Bergner

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III

o ‰ œ

F œ

· F I

œo

œo m œ ‰ J

œ ‰ œ‰

‰

m˙

‰

mœ

j j · · ·

··

"·

I II

"·

‰ m· II

· P

‰

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

P. Fl.

B b Cl.

Prc.

† ˙

Vln.

mœ

F ? j ‰ b œœ '

‰

œ-

bœ.

mœ

œ ˙ J P $

œ mœ J P qn

bend

nœ bœ bend

‰

& ‰ mœ

Whistle tones

œ-

% m ‚. "

& w ( p)

Vlc.

‰

& Œ Gr. Pno.

Change to alto flute

œ mœ J p qn

mœ

œ ˙ J p $

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

B b Cl.

Prc.

(%) ‚ ‚ ‚ ‚ m‚ ‚ b‚ m‚

a‚ ‚ ‚ " #

m‚

‰

% m‚ ‚ b‚ " $ #

Nœ

‚

‰

% ‚ N‚ m ‚ #

& Gr. Pno.

& Vln.

& Vlc.

%m œ

m·.

mœ

& m·.

I II III

œ. . œ

# œ

·.

˙o o

. . , . œ œ œ. œ .œ œ. .œ

œo

‰

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

B b Cl.

Prc.

(%) ‚

‚ ‰.

N˙

œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.

Thin timbre

‰

Normal timbre

& Vln.

m·

œ. . . œ. œ. . œ. . " œ œ. œ " œ " œ $

mœ

& m œ· o p I II

Vlc.

‰

I II III

‰

I II III

œ œ. . $

n œ.

œ œ. œ. œ. . œ. œ. œ. œ. œ.

Gr. Pno.

%m œ

‰

·. " œ.

U·

$ U

" œ " " œ œ " œ œ œ. œ " œ. œ. " œ. œ. œ. œ. œ. " œ. œ. œ· . œ . œ .œ . . œ. . œ. . . . # $

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

B b Cl.

Prc.

Gr. Pno.

# œ

Repeat freely as long as the arrow indicates

& ?

·œ

‰.

mezzo legno tratto

& œ·

œ· ‰ . o

Repeat freely as long as the arrow indicates (Use pedal for rhythm)

Repeat freely as long as the arrow indicates

Vlc.

Repeat freely as long as the arrow indicates

Place E-bow

Vln.

light press.

Lift

Place E-bow

Repeat freely as long as the arrow indicates

light press.

Repeat freely as long as the arrow indicates

mezzo legno tratto

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

B b Cl.

Prc.

Gr. Pno.

& &

# Repeat freely as long as the arrow indicates

Repeat freely as long as the arrow indicates

Vlc.

Repeat freely as long as the arrow indicates

& Place E-bow

Lift

Vln.

Repeat freely as long as the arrow indicates

Place E-bow

Repeat freely as long as the arrow indicates

e = 135 Sop.

Mezzo

Ten.

P. Fl.

B b Cl.

Prc.

† &

& Gr. Pno.

Vln.

Vlc.

Œ.

œ.

œ. #

Œ.

pizz.

œ #

e = 135

Œ.

- Traces -

Œ.

The Illuminated Traces of Ligeia

˙.

œ. o

‰

p œ

pizz.

F œ >

‰

Light pressure

III

œ p

˙. p

gliss

j œ

m œœ

Œ ‰

P œ & œ ‰

Œ œ œ

‰

III IV

‰

· · F

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

P. Fl.

†

B b Cl.

Prc.

œ Œ J

˙.

œ. p

œ. ( p)

˙.

œ.

œ. ‰

& &

pizz.

Gr. Pno.

Vln.

Vlc.

œ ‰ œ

pizz.

‰

pizz.

‰

œ ‰ mœ

‰

bœ J

œ œ J P

œ.

j œ Œ

œ œ p P

‰

‰ œ ‰ p

œ. p

j œ P

j œ qn

œ œ

‰ · ·

arco

j œ œ

The Illuminated Traces of Ligeia

Sop.

Mezzo

- Traces -

& !

Ten.

P. Fl.

†

Prc.

j ‰ j ¿ ¿

j œ p

œ o

B b Cl.

Speak

see

the

light,

jeg

ser

let

Vln.

Vlc.

œ.

P pizz. œ & œJ Œ

skies

sky

P j œ Œ

œ.

œ p ‰

! ?

light

‰

Stick

œ P

œ ! ! ! ! !!!

œ qn

Œ !

œ J

œ œ

& · .. · F

b˙

pizz.

j ‰ Œ œgliss l œ œ

norm.

m œœ & J Œ Gr. Pno.

‰

r j œ ‰ œ"

& œ. ( p)

Breath in while singing

Jeg,

p j ‰ j ‰ Œ œ œ

Sing

· .. ·

· ·

j œ $

‰

œ p

Norm. press. III

j œ &

$ p

œ.

m ˙.

gliss

Œ o

‰ mœ o

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

& !

j œ

œ I,

p r ‰ " " œœœ

Jeg,

Ten.

P. Fl.

B b Cl.

Prc.

† &

œ.

œ. ( P)

pizz.

mœ J F

pizz.

j œ Œ

œ $

œ. P

‰ $

see

the

jeg

ser

den

œ ‰

‰

j Œ œ

œ.

œ #

‰

j Œ œ

mœ

b ˙. qn

œ.

j m·

Change to alto flute

j œ Œ

œ.

œ. P Œ

œ J

Gr. Pno.

Vlc.

œ.

Vln.

œ.

! Œ

Stick

œ ! ! !!!!!‰ p

! #

j œ

œ.

j œ

œ.

œ. #

œ.

˙.

œ ! ! ! ! !!!‰

œ.

œ IV

·. F

œ.

· p m·

? qn

‰

legno tratto

III

œ J $

œ.

j Œ œ

The Illuminated Traces of Ligeia

Sop.

Mezzo

- Traces -

& p œ œ œr ‰ . Œ . œ

P j j œ ‰ mœ

& Œ.

light let

Ten.

A. Fl.

Prc.

& Œ.

œ J

œ J p

‰

see

how

sol

Jeg

ser

hvor

œ.

& ‰

Œ.

? ˙

‰

pizz.

j œœ œœ .. J p

III IV

m œ. œ. qn

& III

· Œ

J p

bœ. qn

œ œ J P

œœ . . p

œ qn

j œ p

Lift

IV III

"œ

œœ . .

mezzo legno tratto

j œ bœ p qn

œ bœ

& ˙ p

& œ.

Vlc.

sun

Gr. Pno.

Vln.

j œ

‰

B b Cl.

P mœ

œœ .

œ J

œ. P

Œ.

‰

œ œ J P

‰

œ "

Œ.

˙.

œ.

Place

Lift

+ r œ " Œ œ. œ.

III

Œ II œ.

m·.

P Œ

mœ

‰

·.

+ r œ "œ .

norm.

> · ‰ ·œ " qn

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

& œ œ œ œ & J ‰ J J ‰ J ea let,

Ten.

A. Fl.

B b Cl.

they

paint,

let

teg

œ J

œ.

gliss

p nœ.

f k ˙.

gliss

paint -

ner,

teg

œ.

œ J

œ J Œ #

œ.

œ J

Change to Bass clarinet

Œ.

‰

Gr. Pno.

Vlc.

they,

& Œ.

Vln.

sy hvor

P mœ.

gliss

Prc.

$ ˙.

# œ.

Lift

œœ

near the bridge

I II

& œ.

j œ

Place

œœ J #

p ˙.

˙.

œœ

behind the bridge

‰

œ.

·œ ..

·œ J Œ

œ.

Œ.

Lift

˙.

œ.

>· œ

"Œ

œ.

The Illuminated Traces of Ligeia

Sop.

Mezzo

- Traces -

& $ & mœ

gliss

‰ Œ

ner

Ten.

A. Fl.

Bass Cl.

mœ

p Nœ " R

r" œ " ‰ œ "mœ œ ‰ r " R R mœ mœ

end

less

œ . J Œ $

løst

for

løb

con - ti

e -

‰ Œ.

m ˙. o

˙.

Prc.

œ J Œ f

& Œ.

pizz.

Gr. Pno.

Vln.

Vlc.

Place

m ˙.

? Œ

œœ

‰ #

œ.

‰ œ $

Œ.

œ J

œ.

Œ.

œ.

j œ ‰ p

Œ. Lift

œ.

On the tail piece

œ.

œ $

‰

! Œ.

m ˙.

Place

˙.

œ f ‰

Œ.

pos. norm.

mœ. o

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

& !

Œ.

j mœ as

som

Ten.

& ˙.

Bass Cl.

& ˙.

they feel trust

de føl - er til - lid

˙. ƒ

j mœ œ qn #

˙.

˙. ƒ

‰

˙.

Vlc.

‰

Air

? ˙.

! ƒ ˙.

‰

˙.

Lift

‰

norm.

Vln.

j Œ œ

& Gr. Pno.

p ‰ " r Œ ¿¿¿¿¿ R

j j Œ œ œ

A. Fl.

Prc.

f j ‰ mœ

˙.

˙. ƒ

˙.

µ ˙.

˙. ƒ

˙.

on the bridge

Œ.

j ¿ ¿ qn #

on a string at the nut

‰

! qn

The Illuminated Traces of Ligeia

Sop.

Mezzo

Ten.

A. Fl.

- Traces -

& U

& Œ.

Prc.

Gr. Pno.

p ‰ œJ œJ To

Til

mig

œ œ œ J J J

stand - ing der

står

whisper

p ‰ j · on

på

Œ.

j Œ ¬

& Œ. & ¬. p

Air

j " j " ¬ ¬ ¬ ¬ p #

j " ¬ ¬ $

j " j " ¬ ¬ ¬ ¬ p #

j " ¬ ¬ $

fi –– ‰ –– > p gliss

& Œ.

Œ.

? UŒ .

Œ.

‰

Knock on the instrument body

U œ.

œ.

¿ > near the bridge

fi –– ‰ –– > # gliss

‰

Knock

? UŒ .

œœ

Œ.

I II

·. ·.

near the bridge

fij Knock fi Knock œ j œj j œœ œœ œ ¿ œ ¿ p > # > gliss

¿ >

over the fingerboard

gliss

Instr. body

Vlc.

‰ j ·

over the fingerboard

Vln.

j ·

‰

Air

Bass Cl.

Œ.

‰

Knock

Instr. body

¿ p>

Instr. body

‰

¿ #>

fi –– ‰ –– > $ gliss

‰

Knock

¿ >

over the fingerboard

near the bridge

fij Knock œ j œœ œ ¿ $> gliss

Instr. body

‰

¿ $>

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

& &

p j œ

norm.

F j œ

the

ground

på

Ten.

A. Fl.

jor

j bœ

norm.

Prc.

œ œ œœœ

œ.

(m) -

den

(n)

norm.

bœ

œ. #

j œ œ p o

j œ Œ.

˙.

œ J #

Œ.

fij –– Œ . –– > P

Gr. Pno.

On the tail piece

Vlc.

pos. norm.

œ. P

œ.

I II

œœ J o

˙˙ . .

over the fingerboard

‰ œ. o

˙˙ . . #

‰

œ ! ! ! !!!!

P !

pizz.

norm.

œ. p

œ F

gliss

Vln.

# ‰

Bass Cl.

‰ œ

# j œ

j œœ

œœ ‰

‰.

œœ

œœ F

˙˙

P œ

The Illuminated Traces of Ligeia

Sop.

Mezzo

- Traces -

& !

Ten.

A. Fl.

‰

Bass Cl.

Prc.

Gr. Pno.

Vlc.

œ.

œœ ‰ p

pizz.

œœ

they de

P p j j ‰ mœ œ nœ J know that ved

œœ

œœ #

j tratto j œœ m œ œ Ø

Œ.

>·

‰

j ‰ Nœ œ o

œ ! !!

+ Nœ J

legno

œœ "

I jeg

Œ.

I jeg

œœ ..

œ. P

j j ‰ œ œ ‰

jeg

pizz.

if om

As som

near the bridge

Vln.

œ.

P # j j j ‰ mœ œ œ

‰.

>· >· ‰ " ‰. P

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

A. Fl.

Bass Cl.

Prc.

Ten.

Gr. Pno.

their de

mœ.

( p)

& œ.

p Bœ J

gliss

F mœ

gliss

(s) ord.

bœ

Lift

p % bœ nœ pizz. œ

œ œ

Œ !

œ œ

m˙ qn

pizz.

mœ #

‰

œœ p

mezzo legno tratto

mœ #

œ P œ.

œgliss .

œ J #

m˙ qn

‰

gliss

words.

res

œ J #

( p)

Vlc.

gliss

& Œ

P œ.

? œ ! ! !!Œ

Vln.

p m˙

‰ Bœ

pizz.

mœ P

mœ

arco

mœ

I II

m m œœ qn

‰ ‰

The Illuminated Traces of Ligeia

Sop.

- Traces -

Mezzo

Ten.

A. Fl.

Bass Cl.

Prc.

& &

Uœ

gliss

œ gliss ‰ J

bUœ

Vlc.

B œœ

Change to Bb clarinet

& œ P

Change to c-flute

mœ

norm.

Gr. Pno.

Vln.

gliss

U·

‰

mœ

‰

‰.

U·

‰.

‰

‰ !

œœ ..

‰

m m ·˙ .. qn

‰

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

Fl.

B b Cl.

Prc.

Gr. Pno.

Vlc.

bend

Vln.

m ˙.

mœ p

‰

mœ p

‰

mœ

‰

. ? ·˙ . p

m m ·˙ ..

‰

·œ

gliss

n n ·˙

‰

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

Fl.

B b Cl.

Prc.

Gr. Pno.

Vlc.

bend

mœ

œbend œ œ J # $

m œ.

bend

b œ œ bendn œ p

Vln.

m ˙.

mœ P

‰

‰ !

œ $

‰

‰ !

œ $

‰

n œœ

($) &

mœ

‰

‰ ‰

b œœ œ

b n œœ

‰

p œ

‰

‰ ‰

N œœ # bœ

. ? m m ·˙ .

·œ

gliss

n n ·˙

·œ ..

·œglissm m ·œ ·œ J # $

gliss

·œ gliss ·œ b b ·œ

The Illuminated Traces of Ligeia

Mezzo

Ten.

˙.

Fl.

B b Cl.

Prc.

Gr. Pno.

œ bœ œ < < p #

bend

# Œ

‰

bœ

‰

y qn

- Traces -

%m œ "

p b œ b œœ

œ ‰

% ( m œœ œ "

Œ ‰

# œ

‰

Vln.

Vlc.

·œ qn

Elctr.

Œ ¬

œ > ‰

‰

Normal position IV

Sch_____________________

¿œ

Ah_____________________________ Mm___________

. #

$ ‰

Œ ¬

trem.

‰

Sch_____________________

¿œ

Ah_____________________________ Mm___________

Œ ¬

Normal position

On the tail piece

‰

mœ

gliss

& On the tail piece

‰

œ >

‰

Sch_____________________

¿œ

Ah_____________________________ Mm___________

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

Fl.

B b Cl.

Prc.

& m ˙. $

˙. p

bœ. & œ $

‰

Gr. Pno.

($)

Vlc.

Elctr.

gliss

? Ó ÷

Œ ¬

III

mœ œ

Sch_____________________

Ah_____________________________

¿œ

Mm___________

mœ mœ

‰

mœ

IV III II

œ œ

mœ œ œ œœ œ

gliss

˙.

mœ qn

‰

œ.

mœ

y qn

III IV

& œ

‰

" m œœœœ ....

nœ œ.

% ‰ bœ

? Ó

Vln.

& mœ mœ. #

m ˙.

Ah_____________________________

m ˙. $

Ó ¬

mœ $

‰ Œ

Sch_______________________

¿ Œ

Mm____________________________

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

Fl.

B b Cl.

Prc.

& ˙. p &

(%) ˙.

m˙ $

œ p

œ $

˙ P

b˙

bœ

y qn

& ‰ mm œœœ

? mœ

Gr. Pno.

Vln.

Vlc.

Elctr.

& ˙. p

m˙ $

? ˙. p

m ˙. $

Ó. Ó

‰

¬ Ah_______

‰

Sch___________________________

¿ Ó.

œ œ m œ œœœ

œ m œ œœ

œ p

gliss

‰

mœ

œ.

m m œœœœ p

‰

j œ

gliss

˙. p Œ

Ó. œ

Mm___________

‰

¬ Ah_______

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

Fl.

B b Cl.

Prc.

& ˙ $ (%) b˙ & $ ÷

p Œ

? mœ

III IV

Vln.

& mœ

Vlc.

Elctr.

b˙

mœ œ

œ œ

%œ

œ $

b˙

œ $

‰

m œœœ

‰

$ #

mœ

œ œ

$ Sch___________________________

¿ Ó.

œ F Œ

‰

m˙ m ˙

œ œ p

m˙ m ˙

II III

‰

mœ

œ œ

Mm___________

m˙ m ˙

Ó. œ

%m œ

‰

m˙ m ˙

¬ Ah_______

m m œœœœ

%œ

‰

œ œ

$ œ œ $

Sch___________________________

¿ Ó.

? m˙ ÷

œ p

œ & ‰ m m œœœ #

m˙

Gr. Pno.

œ F

The Illuminated Traces of Ligeia

Mezzo

Speak

‰

m¿

Not

m¿

V Œ

‰

m¿ ¿ m¿ Is

‰

it bad?

B b Cl.

Prc.

& bœ

& Ó

˙.

bœ

œ #

& Gr. Pno.

Vln.

Vlc.

b ·œ

gliss

m n ·˙

Ó qn

b œ·

gliss

m N ˙· p

¿ "

real - ly.

& Speak

Ten.

- Traces -

Œ qn

The Illuminated Traces of Ligeia

Sop.

- Traces -

Mezzo

Ten.

Fl.

B b Cl.

Prc.

‰

œ It's

mœ œ œ œ mœ >

bœ

just a litt - le sting.

‰

˙.

bœ œ œ œ œ œ œ œ œ f

& Gr. Pno.

Vln.

Vlc.

& Œ

œ $

gliss

mœ p

III IV

m m ˙˙

œœ m m œœ œœ œœ œœ œœ œœ œœ œœ f

The Illuminated Traces of Ligeia

Mezzo

Ten.

B b Cl.

& Ó &

‰

Prc.

mœ

bœ œ œ œ œ œ œ œ

- Traces -

‰ qn

˙.

Ó qn

œ bœ œ œ œ œ œ œ p

‰ qn

& Gr. Pno.

Vln.

& m m œœ œœ œœ œœ œœ œœ œœ œœ ‰

Vlc.

III IV

m m ˙˙

œœ m m œœ œœ œœ œœ œœ œœ œœ œœ p

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

Fl.

B b Cl.

& ‰

& bœ qn

Prc.

& Gr. Pno.

Vln.

& m m œœ œœ ‰ Ó qn

Vlc.

˙ P œ

œ $ b˙ $

mœ p œ

mœ

˙ $ bœ p

bœ

The Illuminated Traces of Ligeia

Sop.

Mezzo

Ten.

Fl.

B b Cl.

Prc.

& &

Gr. Pno.

Vlc.

m˙

$ ˙

mœ

bœ

œ œ

œ $ U

œ $

Œ o

œ œ¯ œ¯ œ¯ P

Vln.

- Traces -

& ?

P mœ

œ mœ

bœ œm œ œ ‰ . mœ

The Illuminated Traces of Ligeia

- Traces -

bœ

Mezzo

Ten.

Fl.

& slap tongue

B b Cl.

Prc.

& "

œ œ œ œ œ m œ œ nœ m œ

someone to find us, it will be wants

— p

Vln.

Vlc.

" b— " b— ‰

norm.

ea - sy.

on - ly needs to follow the trac - es

b ˙.

of my blood in the snow.

œ P

œ œ bœ œ œ

& Œ Gr. Pno.

—

p P ‰ mœ nœ œ mœ nœ œ bœ œ œ mœ " nœ mœ nœ œ m œ nœ m œ mœ œ

p ? bœ

& ?

œ " mœ " Œ "

" Œ

m œœ œ " œ

m œ-

‰

œ œ œ

! Œ

m œ-

‰

The Illuminated Traces of Ligeia

Sop.

mœ.

‰

p mœ œ œ œ œ Imagine,

Mezzo

Ten.

Fl.

B b Cl.

Prc.

Vlc.

" œ mœ œ œ œ "

trace

‰

in snow, blood the

mœ œ œ " œnœ

" mœ

the

whole from Madrid way

b ˙.

& Œ

? "

Gr. Pno.

Vln.

- Traces -

& ?

mœ œ œ

m œ œ œ ®‰ p

‰

r mœ

mœ

mœœœœ ‰ ‰

r mœ

mœ

œ œ œ œm œ " œ œ œ ®‰ ‰

r œ

# ‰

r œ

(#)

mœ

œ mœ

bœ œ œ œ œm œ œ " mœ

œœœ œ œœ

The Illuminated Traces of Ligeia

Sop.

- Traces -

& œ

$ U P. œ " œ œ œ œ œ œœœ " ‰ Airy tone

Par - is. Wouldn’t it be

Mezzo

Ten.

œ œ. He came,

for song? nice a

œ m œ. he saw

mœ œ

and fol - lowed.

mœ œ œ œ œ œ Followed my trace in the

œ. p

œ o

B b Cl.

Prc.

Nœ p

? Œ

"m œr

mœ

P m œ ‰. mœ R

m œ. p

m œœ œœ II #

Œ qn

Gr. Pno.

Vlc.

Vln.

œ œ

˙˙ . . p

j œ œ o

The Illuminated Traces of Ligeia

- Traces -

Sop.

mœ snow.

Mezzo

Ten.

Fl.

B b Cl.

Prc.

P " œ. mœ

œ bœ .

bœ bœ

A snow which had

œ.

p b ‰ œ

the col - our.

œ œbendb œ

The

.. b œ

œ œ bœ œ œ œ col - our of love, life, des

œ mœ nœ

P #

‰

pair.

œ mœ J p

.. m œ

· N n œœ

œ .. œ

j . œ . des -

œ œ œ œ œ œ ..

# p

& Gr. Pno.

Vln.

Vlc.

œ. œ.

mœ

œ mœ II p

œglissm œ œ mœ

mœ

œœ

m· · qn

œœ œœ œœ œœ œœ œœ ..

# p

The Illuminated Traces of Ligeia

Sop.

- Traces -

(#)

& bœ

‰

œ.

pair

Mezzo

Ten.

Fl.

qn B b Cl.

Prc.

œ & œ ®m œ bend n œ œ ®œ œ m œ œ p

mœ mœ

could

" o

mœ

not

œ œ

" mœ œ

re - sist

mœ bend

to find

P $

" nœ mœ the

source.

‰

œ.

nœ

could

‰.

Nœ p

& Gr. Pno.

Vln.

& &

Vlc.

? ‰

œ gliss m œ œ

mœ œ

· ·

m œp

œ. œ œ . #

gliss

mœ œ p

m m ˙·

œ·

The Illuminated Traces of Ligeia

- Traces -

(P)

Sop.

& œ

not

Mezzo

Ten.

Fl.

" œ œ

re - sist

my trace.

œ.

& ˙

B b Cl.

Prc.

mœ My

mœ qn

œ trace

œ p

" œ œ œ of blood

F œœ

mœ mœ œ œ œ

is vi - si - ble the whole way

p œ œ œ J

œ J

Madrid from

& Gr. Pno.

Vln.

Vlc.

? · œ

œ· " n · $ qn

œœ

··

The Illuminated Traces of Ligeia

Sop.

- Traces -

# & œ Par

Mezzo

Ten.

Fl.

œ -

Prc.

is.

& ˙

œ $

B b Cl.

œ œ œ œ œ œ œ P qn p qn

œ œ œ œ œ œ œ qn p qn P

œ œ œ œ œ œ œ

& Gr. Pno.

Vln.

& &

Vlc.

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

Fl.

B b Cl.

Prc.

‰.

& Ó

& œ œ œ œ œ œ œ qn p qn P

[She speaks aloud to herself]

¿ ¿ ¿ ¿ ¿ ¿ ¿

life is run-ning out of me.

" Œ

œ p

œ $

œ P

œ $

œ #

& Gr. Pno.

Vln.

Vlc.

? œ œ œ œ œ œ œ P

, qn

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

Fl.

& œ

B b Cl.

Prc.

‰

& Gr. Pno.

Vln.

Vlc.

˙. o

˙. p

% ˙

˙˙ .. qn

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

(%)

Fl.

B b Cl.

Prc.

˙.

? Ó

Soft mallet

Gr. Pno.

Vlc.

œ@

˙@

œ@ p

Vln.

œ # œ

œ p œ

˙@

œ@ #

œ # œ

? ˙˙ .. P

·˙ qn

·œ p

·˙ qn

·œ

œ œ

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

Fl.

& ˙

Prc.

? @ ˙

œ@ #

Gr. Pno.

Vlc.

Change to Bass clarinet

Vln.

Change to alto flute

œ $

B b Cl.

·. ? ˙.

œ $ œ

@ œ

œ@

‰

œœ

& qn

% œœ

‰

œœ !

r œ

‰. ?

œ R

œ ‰.

r œ

œ œœ

# Ó

‰

œœ

r œ

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

Bass Cl.

œ P

Prc.

& Œ

‰.

. mœ ‰

P œ R

Vlc.

œ œ bœ bœ nœ F

œbœ œ œbœ #

Gr. Pno.

Vln.

œ ‰.

% œ r œ

Œ . nœ ‰

. mœ ‰

œ R

œ ‰.

. nœ ‰

# " œ œ œ ‰ mœ "

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

>¿

Speak: sch

Bass Cl.

Prc.

œ œ œ œ œ œ œ bœ nœ v fl fl fl fl â â p ƒ F

& " Gr. Pno.

Vln.

Vlc.

œ.

Œ !

" œ œ bœ R bœ nœ œ b œ œ bend

%œ œ œ œ r "œ Œ p

bœ

" y@ F

! mœ œ œ

bend

‰.

# ‰ mœ " Œ

œ P

œœ ..

œœ m œœ œ œ

" m œ œœ " œ " !

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

& double tongue

Bass Cl.

Prc.

% œ. bœ œ œ œ œ œ œ œ œ nœ @ b œ œ. œ œ. œ. œ œ œ œ . qn $ F

A ˙. ( p)

? Œ

Soft mallet

˙ @

& Gr. Pno.

Vln.

Vlc.

œ @ p

Œ qn

norm.

bœ J

P !

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

Bass Cl.

Prc.

œ.

$ Ó

bœ J

Nœ qn

& Gr. Pno.

Vln.

Vlc.

µœ

Nœ

µœ

œ P

Nœ µœ #

Bœ @

The Illuminated Traces of Ligeia

Sop.

Mezzo

Ten.

A. Fl.

Bass Cl.

Prc.

& ˙. & @

mœ

œ @ f

mœ p

b— > F

‰

" œ œ œ &

Vlc.

‰.

b— >

‰.

b— ‰. >

µ µ . µ µ. µ µ. µ œµ. µ®œµ. ®œµ. ®œµ ®œ ®œ ®

Gr. Pno.

Vln.

- Traces -

mœ III

·.

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

Bass Cl.

Prc.

& — ‰. > (F) ÷

b— >

‰.

. b— ‰ >

flutter tongue

b˙

mœ

‰

bœ $

µ µ µ µ µ µ µ . ®œµ. ®œµ. ® œµ. ®‰ œµ. ®œµ. ®œµ. ®œµ

P # P # P #

mœ #

‰

Gr. Pno.

mœ

& ·. III

Vln.

(#)

Vlc.

III

. " m œ œœ . II

# P

III

œ mœ. #

IV gliss

mœ

œœ m œœ p

œœ ..

j m œ·

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

Bass Cl.

Prc.

flutter tongue

z ˙

mœ #

z ˙

p ‰

zj bœ

z œ.

gliss

z œ

norm.

b˙ $

œ #

‰

& Gr. Pno.

Vln.

Vlc.

III j œ· m œ F

& trem.

œ·

‰

( mœ

m·

mœ

n· m·

J # p

n·

J #

m· mœ œ œ. " mœ œ. II

III

mœ

III

gliss

Nœ. #

nœ mœ p

near the bridge

‰

mœ p

The Illuminated Traces of Ligeia

Sop.

Mezzo

Ten.

A. Fl.

Bass Cl.

˙ #

bow

Prc.

- Traces -

& œ

œ #

‰

Change to Bb clarinet

‰

& Gr. Pno.

Vln.

Vlc.

Nœ œ mœ , œ œ œ œ # p

gliss

% œ

‰ Ó

>¿ >¿ >¿ Œ

////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Psst Psst Psst

Elctr.

>¿

Pss

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

B b Cl.

Prc.

& Gr. Pno.

Vln.

Vlc.

? >¿ >¿ >¿ Œ

>¿ >¿ >¿ Œ

>¿

>¿ >¿ >¿ Œ

>¿

Elctr.

>¿

Pss

Psst Psst Psst

Pss

Psst Psst Psst

Pss

The Illuminated Traces of Ligeia

Sop.

& bœ

Don’t

Mezzo

Ten.

A. Fl.

B b Cl.

Prc.

ÄNDRING FRÅN 72 (tid. vers.)

- Traces -

œ get

‰

‰.

scared.

The

worst

‰

thing

¿ ¿ ¿ ¿

‰

that can hap-pen

& Gr. Pno.

Vln.

Vlc.

? >¿ >¿ >¿ Œ

>¿ >¿ >¿ Œ

>¿

>¿ >¿ >¿ Œ

>¿

/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

Psst Psst Psst

Elctr.

>¿

Pss

Psst Psst Psst

Pss

Psst Psst Psst

Pss

The Illuminated Traces of Ligeia

- Traces -

Sop.

& bœ

Mezzo

Ten.

A. Fl.

B b Cl.

Prc.

" œ

that this

œ œ b œ œ bœ œ œ cuts off my cannibal

‰

Œ.

hand

j œ

bœ

and

eats

it.

& Gr. Pno.

Vln.

Vlc.

? >¿ >¿ >¿ Œ

>¿ >¿ >¿ Œ

>¿

>¿ >¿ >¿ Œ

>¿

////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

Psst Psst Psst

Elctr.

>¿

Pss

Psst Psst Psst

Pss

Psst Psst Psst

Pss

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

B b Cl.

Prc.

& Gr. Pno.

Vln.

Vlc.

? Œ æ >¿ >¿ >¿ Œ

" æ æ æ >¿

‰. æ æ æ æ " æ æ æ >¿ >¿ >¿ Œ >¿

Œ >¿ >¿ >¿ æ Œ

‰

Œ >¿

/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

Psst Psst Psst

Elctr.

‰

Pss

Psst Psst Psst

Pss

Psst Psst Psst

Pss

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

œ #

‰ Œ >¿ >¿ >¿ æ æ æ Œ

Œ >¿

qn B b Cl.

Prc.

& Gr. Pno.

Vln.

Vlc.

? ‰. æ æ æ ‰ >¿ >¿ >¿ Œ

Œ " æ æ æ ¿ >¿ >¿ >¿ >¿ Œ

/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

Psst Psst Psst

Elctr.

" æ æ æ >¿

Pss

Psst Psst Psst

Pss

Psst Psst Psst

Pss

The Illuminated Traces of Ligeia

Sop.

Mezzo

Ten.

- Traces -

& ˙.

B b Cl.

˙.

œ P

Prc.

œ œ œ œ œ. > > > pF

œ P

bend

bœ œ œ œ > > p F

bend

mœ

m ˙. b ˙. qn

& Gr. Pno.

Vln.

Vlc.

Elctr.

//////////////////////////////////////////////////////////////

œ Ø

gliss

m ˙. F

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

B b Cl.

Prc.

& œ P &

bœ P

œmœ œ œ œ. > > > pP

bend

nœ œ œ œ > > p P

bend

˙.

œ P

˙.

œ P

˙.

œ œ œ œ œ. > > > p

bend

œ œ œ œ > > p

& Gr. Pno.

Vln.

Vlc.

mœ

gliss

bend

mœ

The Illuminated Traces of Ligeia

Sop.

- Traces -

Mezzo

Ten.

A. Fl.

B b Cl.

& m ˙.

œ p

& ˙.

œ p

Prc.

‰

Change to piccolo flute

bend

mœ œ œ œ > > #

bœ

÷ œœ ..

Gr. Pno.

œœ III IV

¥ ¥

Vlc.

‰

˙ Change to Bass clarinet

! Bike rubber

Vln.

œ J F

œ.

†

mœ

gliss

m œ·

œ·

‰ qn

" " m œ œ œ œ bendœ > > > # qn

¥ o

œœ œœ J F Œ

‰

Œ œ

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

& !

# ‰ œ œ

P œ

The Tai

Ten.

P. Fl.

Bass Cl.

†

‰

Change to bass flute

Vln.

& Ó

surr

vas

‰

‰ bœ

bœ

F ? œ

& Vlc.

sky -

& Gr. Pno.

Prc.

nail

Ó œ

‰

¥ ¥

[Stick]

¥. ¥.

œ & & &&&& â . . . . .. P

! o

‰

¥.

˙ $ œ

œ $

w P

· · I·

The Illuminated Traces of Ligeia

Sop.

Mezzo

- Traces -

& P

& œ

nöyr

Ten.

B. Fl.

Bass Cl.

der -

tyy

& œ p

& ˙

and

think

ing

bœ.

gliss

get

ja - tte - lu

n œ œ œœ us

œ˙

no - where

hin

kän

, double tongue ˙@ qn p ,

U tongue flutter

z mœ

flutter

b ˙@ p

œ. P

U tongue

double tongue

norm.

bœ #

bœ F

"Œ

˙ p

p œ ? œ

œœ œ

œ mœ

( p)

·· ··

˙˙ ˙

gliss

œ œ

˙˙ ˙

/\/\/\/\/\/\/\/\/\/\/\/\/\/\

œ œ œ #

# œ

‰

U bridge

near the

b œœ ..

gliss

"‰ qn

˙˙ ˙

Place E-bow on b

pos. norm.

U III ?

G should be 3rd string

œ œ

œ F

‰

œœ œ

Lift E-bow from b

mœ œ œ œmœ œ œ J $ p mœ

fast motion to be audible.

pedal for a dynamic variation. ! Use It should be quite

˙˙ ˙

& œ œ œ p $ &

Vlc.

gliss

III

Vln.

˙ p

& Gr. Pno.

Prc.

‰

œ p

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

(p)

‰

& œ

œ œ œ m œ˙ . œ bœ œ J œ œ

are

Ten.

con - stantly

o - lem - me

i - na

& Œ

‰

Prc.

œ. ( p)

"‰

? Œ

Vlc.

lost. ek

syk

ssä.

˙ F

w F

œ ( p)

norm.

mœ

P p ˙ ? ˙˙ p

‰

? œ ‰ œ ‰

Vln.

˙ #

Change to Bb clarinet

pizz.

Gr. Pno.

˙ F

Bass Cl.

Change to c-flute

Fl.

F P

‰

œœ ˙

! œ

F ˙˙

œ œ #

œ.

‰ qn

b E-bow ˙˙ Place

‰

˙˙ P

œ œ #

III

˙ ˙ P

p ˙˙ . .

˙ $

Place E-bow

˙ œ

Move E-bow

‰ Ó

˙ p

œœ

˙ p

†

Move E-bow

m ˙˙

œ F

Change to

Move E-bow

flute œ ‰ piccolo Ó

˙ $

Ó Move Place E-bows E-bow

bœ

· · œ III

Place E-bow

The Illuminated Traces of Ligeia

Sop.

- Traces -

Clear consonants. Open mouth hole. Extrovert.

Mezzo

P mœ

P # ‰ mœ œ œ ˙

# œ Ó

Con - stant - ly. Ek

Ten.

P. Fl.

†

B b Cl.

syk

Con -

ssä.

˙.

& Ó

p ˙ nail

Gr. Pno.

œ qn

& Vlc.

m˙

˙.

p $

œ. bœ œ $

Vln.

stant - ly.

Prc.

# m œ œ œ œm œ œ

Ek - syk - si - ssä.

œ ‰ Œ

p ˙

Thin tone. Being half spoken/ half sung. Introvert.

?III

P ˙

Lift

Place

˙.

· h

˙.

·˙

˙.

‰.

·œ .. qn

·œ J

bœ œ $

œ. bœ

The Illuminated Traces of Ligeia

Sop.

Mezzo

Ten.

P. Fl.

†

B b Cl.

Prc.

P ˙.

gliss

Gr. Pno.

Vlc.

p ˙

˙.

Uœ

‰

let ring

Lift

? ˙

˙. #

œ p

˙ p

Œ œ

Lift

b œ#

"‰

œ-

"‰

œ-

œp

‰

b œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œ œ œ œ œ œ œ œ œ œ œ œ

# b œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ

let ring

%b œ

& Vln.

‰

‰ Œ

& ˙ p & ‰

- Traces -

‰

·h

U ·

·.

‰

œ qn

œ Uœ

$ p

·œ m m ·œ æ æ p

gliss

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

# j œ He

P. Fl.

B b Cl.

Prc.

†

— > F

œp

Vlc.

‰ ‰

b œ#

"‰

b œœ œœ œœ œœ œœ œ œ œ œ œ

œ-

"‰

n n ·œ & æ ( p)

‰

>œ

‰

œ-

œ bœ ‰

p b œœ œœ œœ œœ œœ æ mœ nœ Œ &

gliss

Vln.

‰.

>œ

œp

‰ ‰

b œ#

"‰

b œœ œœ œœ œœ œœ œ œ œ œ œ

œ-

"‰

‰

>· œ

‰. ‰

>œ

‰

œ bœ ‰ æ

P œ b œœ œœ œœ œœ œœ æ m œœ mœ nœ Œ R

>œ

œ-

>œ

œP

‰ ‰

b œ#

"‰

b œœ œœ œœ œœ œœ œ œ œ œ œ

œ-

"‰

‰

>· œ

‰. ‰

>œ

‰

"÷ Ó

œ bœ ‰ æ

F æ æ œ b œœ œœ œœ œœ œœ mœœ mœ nœ Œ R

>œ

œ-

>œ

mœ R

‰

œœ

>œ

‰.

>œ

‰. œ

Slap tongue

& Gr. Pno.

%> œ

‰.

— >

‰.

— >

‰.

norm.

>y ‰ . >y ‰ .

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

V œ ‰ ‰ b œœ œ . came,

P. Fl.

B b Cl.

Prc.

† ˙ &

& Gr. Pno.

Vln.

Vlc.

him the fool,

˙ #

œ. #

j œ ˙ qn

‰ y y ‰ Ó # p

œ J

and

œ œ Œ

p # P œ œ bœ nœ ‰ ‰ œ bœ bœ œ Œ

strangled.

Strangled

˙ p

yq qn

œ ˙ # qn

˙ p

œ.

j b œ bend ˙ $ p

# ! o

Œ.

of his life.

the love

œ J A

j œ

œ.

j œ œ. # yq qn

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

(p)

F œ mœ œ ˙

life

P. Fl.

B b Cl.

Prc.

of which he

† ˙ &

œ (#)

? Ó

Gr. Pno.

Vln.

Vlc.

p b˙

œ@

‰ Œ

‰. m œ nœ œ œ

is not worthy.

nœ mœ n œ œ

œ mœ nœ œ. œ

b˙

œ@ P

worthy was

jmœ mœ ev - er

j œ mœ.

œ œ. P

bend

Nœ

˙ p !

nœ J

for

P mœ

‰ Œ

him.

œ p b˙ qn

˙@ qn

mœ

œœœœ P # œœœœ

P # œ@ P

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

rit.

V Ó

# mœ œ œ œ œ œ mœ

(p)

How can I ever go

P. Fl.

B b Cl.

bœ. qn

on?

† œ m œ œ œ œ œ œ nœ mœ nœ m ˙ $ p $ # j & œ bœ œ œ œ œ œ

‰ Œ

p œ œ œ mœ mœ mœnœ œ mœ. mœ Give me a chance to start ov

œ n œ b œ n œ œ b œ nœ b œ n œ p

œ œJ œ $

œ bœ nœ b ˙

mœ

nœ nœ J

er.

nœ

m˙ #

rit.

Prc.

& Gr. Pno.

Vln.

Vlc.

˙@ qn

˙@ p

œ#

‰ Œ

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

†

B b Cl.

Prc.

& Gr. Pno.

Vln.

Vlc.

j mœ #

j œ #

III

j m œ·

j ·œ m œ p #

œ #

j m œ·

j ·œ m œ p #

œ #

j m œ·

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

Fl.

B b Cl.

Prc.

†

Nœ

mœ

Gr. Pno.

Inside piano

j & œ· m œ

P #

Vlc.

Vln.

Change to alto flute

? j

· œ P #

j m œ·

œ·

œ #

gliss

mœ

‰

bœ

œ.

On the fingerboard

nœ o

On the fingerboard

œ.

œ p

P œ

Instr. body

__œ

" j Nœ

Instr. body

¿ #

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

B b Cl.

Prc.

Vln.

j ‰ Nœ p

‰

j ‰ #

‰ Bœ p

$ !

µœ.

norm.

Lift

& œ

? Instr. body

Nœ

? œ.

Vlc.

j & œ œ #

? Gr. Pno.

j ¬ #

Nœ

Instr. body

_œ

¿ #

high up on the fingerboard

µœ

Œ norm.

J #

P j mœ mœ

" j µœ

¿. near the bridge

high up on the fingerboard

µœ " µœ

J P

Instr. body

_œ

¿ #

œ œ

_œ œ

p ‰ mœ J

" Bœ

¿ ¿.

Instr. body

¿ #

µœ

_œ

" Bœ

¿ ¿. $

P œ.

Nœ

¿ $

Instr. body

" j œ ¿ $

¿.

__œ

¿ ¿ $ P

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

j mœ P

A. Fl.

& Œ

B b Cl.

j & œ œ $

Prc.

Gr. Pno.

? œ J

Vlc.

! j µœ F

‰

mœ

j Œ œ $

j ¬ Œ # ‰ Bœ F

norm.

Nœ

‰

norm.

Vln.

j j œ ¬ #

Lift

Instr. body

Place

mœ

œ "

& œ Instr. ¿ body p ?

Bœ

_ _œ

¿ $

(P)

high up on the fingerboard

norm.

‰

j œ.

‰

Lift

near the bridge

Bœ

_ _œ

high up on the fingerboard

µœ.

P µœ

_œ

¿ ¿ #

norm.

near the bridge

j ‰ mœ

r" œ mœ

near the bridge

B œ.

norm.

"N œ ‰

‰

P "mœ œ

norm.

¿ ¿ $ œ

near the bridge

" j

œ Nœ

P ‰

! Œ

f j Nœ Nœ

µœ.

¿ #

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

& œ.

B b Cl.

Prc.

Gr. Pno.

? ‰

œ. œ œ.

µœ

œ.

Bœ

‰

j m œ-

? œ

‰

f ‰

œ.

œ œ. Instr. body

! fi j ¿ $

norm.

on the bridge

norm.

& œ " mœ Instr. ¿ body p

near the bridge

Vlc.

‰

Œ j

‰ µœ f

Vln.

¬.

¿.

¿ f

Nœ

‰ ‰

‰

J J

¿.

¿ ƒ _œ

¿ #

mezzo legno tratto

¿ ƒ

pos. norm.

µœ

m œ.

µœ œ

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

B b Cl.

Prc.

& ‰ j & œ #

Vln.

Vlc.

F Œ

¬ #

‰

norm.

j ¬

µœ

j œ $

‰

‰.

norm.

U œ.

& Gr. Pno.

Bœ

? " œœ ..

! ‰

& œ. #

µœ

legno tratto

norm.

mœ

‰.

mezzo legno tratto

œ Bœ gliss

µœ

µœ.

œ.

J $

Œ.

p U j œ œ

legno tratto

pos. norm.

œ nœ.

œ Bœ

norm.

arco normale

œ ‰ # !

j " Bœ œ. œ Instr. ¿. body $ p

near the bridge

p !

on the fingerboard

œ glissB œ

mezzo legno tratto

Nœ

" J p

U œ œ.

mezzo legno tratto

gliss

bœ

$ .&jeté .& .&.& , qn

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

B b Cl.

Prc.

& œ . ®œ . ® œ . ® ‰ # qn p qn # & Œ

norm.

? " œ. p

& .& .&.&.& ‰ .

j bœ

? Œ

Vln.

" b¬ . p

‰ .& .& .&.& #

j œ

" B ¬ & & & & && ‰ . . . . . .. qn #

breath

j Bœ #

? Bœ.

molto vibrato

b œ.

œ.

, legno tratto

j œ

‰

Bœ

œ B œ.

œ B œ. norm.

.& .& .&.& , qn

bœ

molto vibrato

" mœ mœ p

" mœ . p

&. &. &.&. n œ

norm.

. . . .. $

mezzo legno tratto

legno tratto

jeté

& & & &&

Lift

mezzo legno tratto

&. &. &. . . . B œ

norm.

p œ

jeté

arco norm.

Vlc.

j œ #

breath

Stick

Gr. Pno.

, b œ. .& .& .&.& m œ jeté

molto vibrato

œ.

&. &.&. qn

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

B b Cl.

& " µ¬ . p

breath

& œj

‰

‰ &. &. &. qn

‰

Vlc.

p norm. ? " mœ mœ

" m œ .& .& .&.&.& p $ "

legno tratto

Vln.

" B¬ . p

breath

j œ #

& .

& && Œ . ..

‰

nœ

" ¬ . P

‰

& & . .

breath

j œ p

‰

? Gr. Pno.

Bœ

Prc.

‰

& µœ p

norm.

$ , m œ. .& .&.& N œ

molto vibrato

œ µ œ.

! p œ J

mezzo legno tratto

Bœ .& .& .& .& .& qn

norm.

"œ

Bœ

mezzo legno battuto

œ œ.

œ B œ.

.& . . . . . ‰ #

‰

.& .& .& .&.&, Btratto œ J legno

‰

P " mœ mœ

molto vibrato

j . . .. µœ qn P œ œ. jeté

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

breath

A. Fl.

& ¬ &. &. Œ .

" B ¬ & && . . .. p qn

& ‰

j ‰ œ

B b Cl.

Prc.

Gr. Pno.

Bœ

Vlc.

"B ¬ . F

breath

µœ

j œ

‰

&. &&. .

‰

j nœ œ F

&. &. &.&. Œ

n ¬. f

‰

norm.

µœ

? "m œ & & & &&& ‰ . . . . . .. P #

‰

Fœ " œ

? Œ

Vln.

norm.

& j œ

.& .&.&.& m œ ? " qn

µ œ. &. &.

jeté

œ. .& .& .& . . . . . ‰

‰

molto vibrato

norm.

Bœ

norm.

œ B œ. &. &&. . N œ

, œ m œ.

FN œ "Nœ ‰

.& . ,N œtratto .

mezzo legno

" œ. &. &. &. . . . . . . ‰ # f

œ œ.

near the bridge

norm.

high up on the fingerboard

norm.

# F

f mœ mœ J molto vibrato

norm.

œ œ. &. &.&. B œ Fast . . . ,µ vibrato œ

, µœ. qn

norm.

œ B œ. &. &.&.

J #

œ µ œ.

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

B b Cl.

Prc.

& ‰

‰

& œ ƒ

Nœ f

;

" b ¬ & & &&& & & & µ ¬j . . . .. . . . f p F

norm.

Gr. Pno.

? Œ

j œ F

œ #

j " n œ œœ bœœœœ Œ

mezzo legno tratto

arco normale

bœ.

"bœ

"‰

‰

.& .& .&.&.& ‰

‰

j ‰

# norm.

" µ ¬ && " ... F

breath

j œ œ œ F F

µœ

high up on the fingerboard

norm.

# ƒ

. . . .. , ? & & & && B œJ p ƒ

no vibrato

on the fingerboard mezzo legno tratto

molto vibrato

norm. high up

on the fingerboard

arco normale

œ B œ.

œ B œ. . jeté. . . µ œ œ

p f

mœ mœ F j Nœ ‰

f j ‰ Nœ ‰

œ b œ. jeté .& .& .&.&.& B œ .

near the bridge

Vlc.

‰

;

j œ bend #

Vln.

" ¬ & & & & && Œ . . . . . .. # ƒ

breath

J #

œ µ œ.

norm.

! ‰

"m œ

r &. & .& .&.& B œ œ qn F .& .&, B œ . J qn

& & & & & &&&&

legno tratto

Bœ

œ B œ. .& .&

B œ.

gliss

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

A. Fl.

B b Cl.

& & j

bend

Prc.

µœ

P j ‰ œ

Bœ

? mœ & & & " ‰

& j j & & Bœ gliss P ? œ J #

bœ

Gr. Pno.

Vlc.

j ‰

bend

‰

j œ $

‰

Slap tongue

‰

µ—

< S

‰. o

& Œ

Vln.

bend

j bœ

‰ " bœ p

mezzo legno tratto

jeté

Bœ $

, Bœ œ B œ. .& .&.&

œ B œ.

on the fingerboard

, Bœ

near the bridge

# p

bœ

! !

j &. .& .& .& .&.&.& n œ . qn # ,

Bœ.

U œ

qn Bike rubber

no vibrato

arco norm.

j œ œ $

gliss

pizz œ " œ. " œ. Œ

arco batt.

mezzo legno battuto

legno battuto

gliss

œ.

U œ

norm.

pizz

" " " " " B œ. µ œ. œ. œ. f F P F

legno tratto near the bridge

Molto vibrato

the bow " m œ. ‰

tip of

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

accel. dim. flutter flutter tongue breath tongue breath

A. Fl.

B b Cl.

Prc.

& µ œz " " B ¬ " œz " ¬ ‰ <

< f

f . ? "m œ ‰

& Œ

—

< P

—

zzz"Œ

B œn œ µ œ

<<< qn p

‰

< $

Slap tongue

P œ. . ‰

mezzo arco legno battuto batt.

‰.

Stick

Molto vibrato

no vibrato

pizz

legno batt.

" ‰ B œ. f

. . . pizz . ? ‰ Nœ " œ " œ " ‰ µ œ " legno batt.

Vlc.

Slap tongue

pizz.

Vln.

breath

‰

norm.

Bœ o

norm.

B—

< $

"‰

œ.

& Gr. Pno.

" ¬ < p

flutter tongue

Molto vibrato

p F m œ. " œ. ‰ œ. ‰ .

" " B œ. œ.

" µ œ. ‰

Molto vibrato

pizz

Molto vibrato

‰

‰.

pizz

µ œ.

pizz.

# m œ.

mezzo legno battuto

µ œ.

arco batt.

œ.

Molto vibrato

. . . . ‰ µ œ " " B œ n œ " Nœ " œ " Œ arco batt.

‰

$. m œ ‰. high up on the fingerboard

pizz

no vibrato

tip of the bow

‰ mœ "

Inside piano

legno batt.

gliss

Molto vibrato

pizz

œ.

no vibrato mezzo mezzo

‰

Molto vibrato

µœ

legno battuto

‰

œ.

legno B œ. " "batt.µ œ. N œ. " pizz " œ. ‰ Molto vibrato

$ #

legno legno battuto tratto

œ. œ œ o

tratto " œ. " œ .

no vibrato

legno

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

V 5-10'' The dynamic in parantesis can be used as a help to compare dynamics to the other instruments through the development in the free part.

A. Fl.

B b Cl.

& .w œ. p

gliss

j œ ‰

accel. dim.

( #)

Prc.

Gr. Pno.

( p)

( P)

( p)

Use pedal for the dynamic.

( p)

( P)

Repeat freely as long as the arrow indicates

near the bridge

legno tratto norm. press.

œ #

Frequently change of expression, timbre & dynamic

hard press.

œ f

Molto vibrato (fast)

? œ ( œ ) IV ww III p # gliss

Vlc.

Vln.

B˙

Repeat freely as long as the arrow indicates

III

œw P

norm. press.

molto vibrato

µw

(F)

norm.

Normal vibrato norm.

k n œw #

( p)

Repeat freely as long as the arrow indicates

mœ

near the bridge

K n œœ nk œœ f F

wo œ œ œ

No vibrato

bœ

light bow pressure near the bridge

m wœ m œ k œ K œ n œ m œ K œœ m œ b œ n œ n œ b œ

hard press.

norm. press.

The Illuminated Traces of Ligeia

- Traces -

Sop.

Mezzo

Ten.

V 4-8'' rit.

flutter tongue

A. Fl.

B b Cl.

& B˙ ( P) &

Prc.

Gr. Pno.

norm.

Repeat freely as long as the arrow indicates

% B‚

Whistle tones

Repeat freely as long as the arrow indicates

( p)

( P)

Repeat freely as long as the arrow indicates

% bw

Repeat freely as long as the arrow indicates

p œ < P

œ#

Repeat freely as long as the arrow indicates

mezzo legno tratto

Repeat freely as long as the arrow indicates

Stop E-bow

arco normale

hard press.

norm. press.

Repeat freely as long as the arrow indicates

µw

Fast vibrato

Vln.

Vlc.

the , , , , onfinger, board ) ) ) ) gliss ? K œ n œ m œ Kœ @ n œ @ @ n œ m œ b œ n œ nœ b œ b œ n œ k œ Kœ m œ n œœ Kœœ bwœ n œ œ b œ @œ b@œ n œ b œ b œ ƒ F # f F p ƒ Pp f

Repeat freely as long as the arrow indicates

high up

(F)

high up on the fingerboard

Repeat freely as long as the arrow indicates

norm.

µ µ œO ( p)

Repeat freely as long as the arrow indicates

the Uo , near œ bridge œ k œ Kœ

( p)

k œ b œ n œœ œœ n œ w $