混種事件 藝術家的「科學」 科學家的「藝術」

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ARTCO 276 104

Ⳕ⻒೰ⅲ Ǚ⏴ ೀǚ ⏴ೀ೰ⅲ ǙⳔ ⻒ǚ

‘Science’ for Artists, Ar A r rt ‘Art’ fo o for S Scientists Ǘ㈹♒⎘ඔ㦈ᷫǘൢ⍷ˏᓣǐPhoto by Nelly Ben Hayoun Studio. Credit photo Nick Ballon.

藝術和科學都會思考未來的情況,……邊界也在不斷的變化,現在科學家研究出 反物質是確實存在的東西,這也會完全改變我們對於生命的想法和對未來的看 法,包括對於世界的觀感。—Venzha Christ(註) 2002 ໝ㩾ΨⅫ㡨૱⑤ⅲ㤖⼵ଝသҡ●ᛅ䢮Mae Jemison䢯ᑞ 2002 ໝⅲ TED ᮋ ワェゲ⏴ೀ⧀Ⳕ⻒ⅲ⸩‫ܐ‬ᒶᕲϜⅬൢᑕ‫׾‬ⅲ֨㊌䣁ᇵᆘ࿍ᇇ⟕ᑔ䢮Michael L. Dertouzos䢯ᕍቋ֨䣀Ǚ21 ˠ☸́㧛㤚⦨ⅲᕏ૯ቔᆪ䢲ᒶଫΰഩ⏴ೀ⧀́ᐷ⇂♼ ‫ܐ‬䢲ྋᆓˏй⚗ˏⅲᐷ٪ǐ˕Ⅾໝ‫́ע‬㧛Ṱ̞ˏйᢶ‫܂‬သ㚢れ䢲ഩ́ᐷ⧀⏴ೀ ֱ㟚Ⅼൢ䢲Չ⡅ֱ‫׻‬჆᪨䢲́㧛ᅠ͖⽞㢶ˠ₇ⅲ⣵‫؝‬െ჆཭ǐǚ͎ໝ˖‫ڑ‬ໝ䢲⁳ ᐪΨ⫊‫ ⧀ۈ‬Dovet ail X ഓ㬡ೣ‫ܐ‬㏇ⅲワ༃ǙⳔ⻒೰ⅲǛ⏴ೀǜ૫⏴ೀࡴ䣅ǚ㑬 オԳ㕴ᑔṁ䢮Venzha Chr ist䢯⧀㡣᱔ଫ㖃യՒ͠⏴ೀよ྇㍭ՆⳔ⻒ლ≹ⅲ‫׾‬ ηុབྷ㐭⻍ֱ̹䣁⡊἖‫ݻ‬ᾤ̑ᑞॼঃഓ㬡⧂㏇Ǚ⏴ೀᒶ⇞ⅲᕖࠢ䢲˙⿀៬៬


FEATURE 105

Hybrid

Mat t e rs

ᢰᢰ‫ޏ‬䢧ǚ☴‫־‬ᮋワ䢲㑬オϜ⦪‫܍‬й㦨৶ⅲ⏴ೀപᜬ๼η

㉽㢻˙‫ܔ‬ⅲ≽㡘Ǐ⿏㕶⧀≲⇇䢲ۢ͠ή͎ⅲ⟞ೀ〝ゲᴰ᧊

⡅䢲〝ゲ↹‫ע‬₤͞ᑕ⧁అ͏Ⳕ⻒ⅲᑜ᧊ᇦ⻒⧀ᙍϡǐ2015

ᏅۢǏٝܰⅲ‫⧀̆ټ‬ग़㦣䢲②⒮Ⳕ⻒䢵⏴ೀⅲ♼‫ܐ‬ᒶ᢫ॼ

ໝⅲ᢬‫ח‬䢲ᆔоⅲ⌔ॼηިǏ⁧ᜬ⁥ჷǏỢ㦗㓅㐖᢭㊐⤗

ྋ੒㐝йᓁ͞ⅲ⟞ೀ⿭㷠䣅ᇵᆘᆔоӆᒶॼᑻᕖⅲ╊६䢲

㑁ֱ̣ۛⅲ⿏⛪䢲ଫቋᩖ⮏⏴ೀ೰ⴷώⅲᒶഓㄗ䢲⡊͔о

ͳॱㄗᒝᕇ૨ᕴㇲ˖ᑻ೛ⅲ̢ഓ䣅ᕴപ㧍ぜॱ͠㍉သᑜབྷ

➚̆‫׾‬㐤‫؝‬䣁ᇵᆘⳔ⻒೰ᆘ〶ྫᕖ‫׾ۈ‬䢲ᵁ͔оᡸ➚ֱᗀ ⧀ώသပ⡃ⅲ⣵‫؝‬ǐ₤Ⳕ⻒೰ぜॱᦵ⏴ೀᑜ᧊ᆓ᳦‫׾‬㐤 ⅲఅ͏䢲⡊⏴ೀ೰ぜ⮏͠⏴ೀᗘ᝷Ϝ』ⅬⳔ⻒ლ≹ⅲཇ ᝷䢲₤Ⳕ⻒⧀⏴ೀ䢵⏴ᇦ䢮Science and Technology䢯㑵₇ ⅲ㐖᢭ᩕཪ䢲㊆ೀ⏴‫׾‬η⡅ⅲ㧛া̑㐖᢭⼗⍻ᕒ⧀ೀ㡗⁥ ⁧䢲͔оΚ̅ଫ‫ܔ‬ೢ␴ⅲ‫ܔ‬ᓁՓᕖ‫׾‬㐤‫⧀؝‬ᕖ㑸㎌သǐᵁ ⡊㐝Չ⡅ⅲ⸩‫̑ܐ‬㐖᢭֦㧩ǙⳔ⻒೰ǚ⧀Ǚ⏴ೀ䢵⏴ᇦǚ

ྐྵ₤‫⏴⧀⻒Ⳕע‬ೀηިᎤηⅲ㠟㕳䢲གྷΖ⦰៬᝷Ǐ⍻⟰Ǐ й́㖃യՉ⡅ഓ㊤ᬧ㐞ⅲήᦷᚚώ䢲՞‫⟞׍‬ೀ⦪˹ⅲ㏌ㄗ ⧀㠛Ѓ▒‫܂‬ǐപ㧍ᕏྯぜॱ⤗㢻Ǚ⣵˙⣵⏴ೀⅲᑜ᧊㑇 ‫⻒Ⳕ׍‬ⅲ♼ᗊ䣅ǚⅲ㐇ࠑ䢲݊ήㅒⳔ⻒ᑜ᧊ᆓ᳦⏴ೀⅲ』 Ⅼఅ͏ⅲ♑˖〚₝䢲͠ກ₢ⅲ㤚‫ܙ‬യᑞ᢬‫ח‬ǙⳔ⻒೰ǚ⧀ Ǚ⏴ೀ䢵⏴ᇦǚⅲήṸѷ֨ᚚώ⧀्ᅠǐ䢮┈₝䤂཯ἔ㦈䢯 〼ǎǕⳔ⻒೰ⅲǙ⏴ೀǚǖ䢲ǗⳔ⻒₇ǘⓧ 158 ᕩ䢲2015.5/6䢲㦓 34ǐ テず䤂ᗆᦜΐǏ಴͠⦷


ARTCO 276 106

˩ⅲᆾ‫و‬

Ⳕ ⻒⧀ ⏴ ೀ䢵⏴ ᇦηި

SIMULTANEOUS GESTURES

Art and Science / Keywords for Techno Art and Ecology

⧀⁥ჷ㠛㛝ದ ᙍϡテず⧀ཇㄺ䤂 ᗆᦜΐǏ಴͠⦷

PSX Consultancy䢺 Giving Small Pleasures to the Planted ᛢ ḵ သ ⁥ ᨞ テ ず Plant Sex Consultancy Ǘॺ໚ ᒿ䢬ᆒ ˗ ⼕⇎ εᒴ ˍ ᛊ ᢩॺ ⁣㟊 ⅰ ᛠḳ䢬૭ ˗̜ൄᒴˍ␯ְ⩅ᆖˍ੊㩿ᑁǎᆒྷᣵ໛ 11 ᕓ㟘ୣ ᇮᆳᕔ⣳ 㕵͞ᘽ ⫰ ྉཕԜ ಥ䢬˧ˍ㊊ ;⇝ ‫׋‬㡼 ໛ 5 ᕓġġᆒ ᕐ Ϛ ᇢιᒴ᳤् ྷ ತ㤘˔ Ϛ⇎䢬ᆒ ᘽᕲᦒ ᕔလ ⁣ ᨜䢬ᆒ˗ ⢺䢬ᆒ ⅰྭ ͜ 㓃۸ ᒴ ᘽ ⫰ ✾ ᣋ ⅰ ⽜ ⽔ަ䢬ᆒ⃬။໛㍵ḙⅰ⦨ກॺᆒ㌨㑳⛎᏿ǎǘॺ P S X Consultancy ⅰ〘ₛᆼ՛Ǖᛠḳလ⁣᨜ツじ䢺⚋ᛠḳ ˍ㷞യឝ㉋ǖ䢨The Plant Sex Consultancy䢺giving small pleasures to the planted䢩ˬ䢬ˍᣡϚ⦨ⲕ㷊ⅰ ⦨Ⅻ㷞֦̜㐛з〘ₛⅰ˷⾾↷ⅰ䢺ᏼ࠴೟ᆬ䢨ᛠḳ䢩 ⅰလ⁣᨜Ǎ‫཯؝‬Ր⦨ᴿ✾ᣋ㐿␗䢬የ۴っゐ䢬໓ᛠḳ 〲〘ႌ㉋⁨ަǎ ⓥ 24 ൒↲ຌḑ㢠䢨L j u b l j a n a䢩〲〘㢱໛ൠˬ䢬ॉΦ ᎙ᕔ⁣ḳ٨ಾǍ⁣ḳಾǍⳒ⻐Ǎ〲〘‫ݶ‬ཅ╋㦦৴⣌ᓡ ᆑ޹ⅰ P S X ॰㡴䢬ധ⏲ಾ⸧ Մᑻຯ⁣᨜ⅰᅞ⁨ˬ䢬 ᇮᛠḳ⿍ ᳤⦾̿㧙ˍឺᕔ⇀Θ㣍ᥐⅰ⁣ḳǎ͒мॺ ᢪ㖁 ഭ໤ ␯˗‫ܒ‬ⅰ೟ᆬ㣍ᥐ㐫⻋〲 〘䢬ϟ଩͞ᤵ ㅽ ᤵὸ䢨weather balloon䢩ധ;⇝ˬⅰⲕ㷊ᘽ⫰ອ㢹‫ۆ‬ ঁ䢬㢋⮍ᤵὸˍ㊊˔‫ڌ‬Ǎ኿ᏹ˗‫␗ܒ‬ༀⅰ㎔ഥǍᤵᬱ ⦾ળ‫ྭ؛‬䢬ॺᤵὸᷩ⼧ⅰ‫ܒ‬ᒿ ᘽ⫰̏ധ ॺ ᑓⅰ​੸ ˬ㡆 ⭵䢻ᆖ⡃͞ˍᏳⁱⳬ 㧙 ᑝ⻋ ԰܎ε⁨ྭ ⁥ ⁣᷊ 㨱Ϛᬚⅰᕌ ͜ަ᏿ Մㆆ▾ ⪿ⅰኁ⹼࣮೗ˬ䢬㑩Գ͒ ॺ⼕እ◟ⅰ‫ܒ‬ᒿ˗യ ࿖ ᇮᒓ⹼ ః ̿ ⚋‫̜܊‬ǎ⡈ॺ͒ мⅰ〲 〘ˬ䢬ᆒм ̏‫׋⿼̜ ۽‬ᗬ ̬ ḳ␯ⅰḿ ᣃ လ䢬

© Copyright PSX Consultancy

Ӎᒴ͕೟Ϛ䢨C y c l a m e n䢩㣍⾾⚭ⁱᶃⶶອϚⅰḿ೙ ቟‫ػ‬㧀ἐ䢬‫أږ‬㕱᏿໴൪ⅰ⩅◟䢬Π㐛зḿ೙␯ⅰⷊⶶ↷‫נ‬ຂ⚭♿␯䢬P S X Ͼ〲〘֦Ցიᅞ࣮ⅰእ◟቟‫࣮ػ‬䢬 ॺᒓ⹼Ϛ〯ᒿ⁨ḿᣃ㧀ἐ቟‫⩅ػ‬ᕸ‫ה‬ᰚ⩅◟㕱֦ǎ ॺᆳᕔⅰႰӍˬ䢬ᛠḳⅰႌიᒴᕍ㢺⼕ύ⿼ⅰ䢬्ᢪ䢬ॺ㐛㦕〘ₛˬ䢬P S X ࢰずⅪൠ֦ˍଊᛠḳ㣍ᥐമ‫ܗ‬〲〘 ᑚᧈ䢨Plant-centred Design䢩䢬ࢰず㊎⤕͞ྡྷ⦨̿㧙⿫㷞֦Ⅺ䢬㎠ྷᛠḳ⿫㷞⿫ഊ㣍ᥐⅰѵᧈ䢬‫ܒ‬ᒿㇰࠏ̿㧙 ‫׋‬໴⣳‫͒ྷܩ‬⡃⿮ༀ⇎̠ႌǎᕔ㉋ⅰᒴॺൠ⍵㐿␗⼿䢬⿫⇶͎Գ˗̜ˍ̬Ϛ⦨̿㧙⚭㬟ⅰ␎ႌႰӍ䢬ϟ଩ധ‫ܮ‬ ᕔⳬ㧙ⅰѦ㡩Ց᏿Մ⢝㨒လⅰㆆ▾⪿ᒿ䢬ᗬ␯ᔯᒯⅰᎼ̿٨ᇷྕϾ↽኿⦾⿫⇶ⅰႰӍ㐫⻋㐥♺䢬ᗬᑚ㤘⡈〓䢬 㐛з〘ₛ̏ᆑ‫ঁ؜‬ḳ٨̜㐿ۙྷᕰ⼕ႰӍ㐿ⅰ㊄ḳ␯⿫㷞ǎ䢨ᐵ䢯ᗄဖ⏦䢩


FEATURE 107 ⑨㈻࿇ˮಠ㢌㑆䢲㈹♒⎘ඔ㦈ᷫ Super- K Sonic Explosion through a Neutrino Tunnel

Nelly Ne N el Ben Hayoun Studio䢺 ayo ay Super K Sonic BOOOO

Φ ᑜᑻᕲ අ㠤✣㨏 㬚຋㡁 ㏧䢬⎖ඒ൴ঁ ⻠ 1,000 Պ൉˕ⅰǗ㈷ ♐ ⎖ඒᘼ⻧ ㅊ ഑㬟Ҏ࣮ᫎǘ䢨▐␲Ǘ㈷♐⎖ඒǘ(Super-K)䢩〘ₛᒴᕔ‫͞܀‬Ϛᕍ⽜㢴ⅰ⏲ಾ഑ 㬟䢬˷⾾⊛⑟↷ⅰᒴጛഫॺೊ೘ˬᕍ᳤ᓠ㐾ǍΠㇰ㕵ᜲയ˜໤̃ᴮᧈ⦾ˍ⧛ḳ ㇰⅪ⁣ۣᅞⅰ࿅ˬಞǎ㐛㦕〘ₛⅪ⁣ᑜ๽૭ঁ˕ᨁ⑝ˬⅰ˗㝐㙲ម䢬⼿㦵⯧ ᕔ̧⭤ࣽ ㈷♊ ᥃Ǎॉ㤘​ ❕ ⮍ᐨ‫ ډ‬зᶸ᧓Ṷⅰҵი࣮Ǎ11,200 з԰㣊йઌ┷ ⦾ኼ࣮ᫎ䢬⁨͞〤㙺࿅ˬಞ፿Ꭰ‫׋‬㈷♊᥃ᒿᆳ⁥⁣ⅰ԰䢨͞㦆᳤ᷩឱへ䢩䢬㐛 ̬έㅽ݈έᑜ⏲ಾ೮ⅰ㣊⤾⸷ແᒿ䢬㦆ᷩൄᕔ଩ˍ㑄⑦Մঁ⻠ⅰⳅ԰䢬㈷♐ ⎖ඒ̏ᒴ↷‫˔˞נ‬റᐨⅰ࿅ˬಞ⿫ᫎ⒧́ˍǎ Φ ᑜ є ᐚǍ͞ N e l l y B e n H a y o u n ᳤ 㩼 ⅰ

Ǖ㈷♐⎖ඒ㦆ᷩǖൠ⍵ˍᓡǎPhoto by Nelly Ben Hayoun Studio. Credit photo Nick Ballon.

Nelly Ben Hayoun Studio䢨NBH䢩ᒴˍ♲ᕔ ⮍⏲ಾ ೮Ǎ๺␗ຨ⦾ε ೮ⅰ㊄ಾ ⏲॰㡴䢬͒ м ͞ ‫ ׼‬㐢 㧖 ⿂ᑻຯ ᨜ ‫ ⚭ ػ‬㬟 ⅰ ⏲ ಾ˞₅ ᳤ ॰㡴ϓ‫ݪ‬䢬⦨〴᳤ᗬ␯ቒ㕩⡃ᆖ㐥኿࣮ⅰ⿮ ⨑䢬ຒᕤ⚭ⁱ͒м♺܎ཅ ╋Ǎ​੸⦾⍹ᕐ‫ב‬ ༀ ⅰ 〲 〘ᑚ ᙋ䢬㐫 ⡈ ዞ ϫ ㌨ ⦦ Ր ੸ ⅰ ۜ ⦾ ⡃ᕅ૦֯ᖾ⣳‫⦾؛‬ᇝ‫׃‬လဓ⛁䢬εަ૦᳤૭ ⿈ឹⅰ૦ః㭓⼼⟂ǎॺՐ㭓㬟ཕεަǕ㈷♐ ⎖ඒ㦆ᷩǖ䢨Super K Sonic BOOOOum䢩ˬ䢬 ͒м ധ ࿅ˬಞ⦾ ㈷ ♊ ᥃⇀ 㐹 ⅰ≊㟠͞⿍⿦ ⦾⢔⿦ᑚཕ݈έǎN B H ॺєᐚៗ䢨L o n d o n Bridge䢩˕ⅰ⻠ᮉ③㟠 SHUNT lounge ⼿ཅ ᝵̜ˍⴵ ଩Ǘ㈷ ♐ ⎖ඒǘ਌ ঁ ⅰ③㟠䢬щ⁨ 㓱㏧ⅰᩓ㠴ᘞ⁨᥃䢬ധ SHUNT lounge ⅰˍ 㒲֯ ᏼ 㐢 ᆑ 15x5 Պ ൉ ⅰ ᥃ᥧ䢬ۜ ⿫ ⡃࿘ 㦘 ᆫ ˔ 㦵 ↤ǍⅫ⨑ ⥩ 㤸 ⦾ 㠴 ㄺ ⻜ ᆾ ⣳ Ⅹ ˔៬ ↋⧯䢬⑦㈹‫ݗ‬४Ԭᑋ⮍㘅⨑ᤵὸ䢨ㅽ࿉ ԰㣊 йઌ┷䢩ⅰ᥃˔㐜㑄䢬ॺ㐛㉈⧙⻋㐿␗ˬ㭓 㬟ⁱ⢍㦆Ⳓ⻐೮㣗ḑ㦡䢨T im Holden䢩Ꮌͯ ࿅ ˬ ಞ 㦆 ᷩ ᒿ⁥ ⁣ ⅰ ⳅ ԰ ⦾ ⢍ 㦏䢬⧙ ␗ˬ ᕅᕔϚ⦨єᐚພ२ಾ㡕䢨Imper ial C olle ge L o n d o n䢩ⅰḳύಾ೮ॺ៬↋⧯˔ゐᒛ࿅ˬ ಞ ḳύ˞₅ǎॺǕ㈷ ♐⎖ඒ㦆 ᷩǖൠ֦ⅰᕧ 㟠䢬ᣵᓏ㓃ᕔ 170 Φ⿫⇶ኯ㡴⓺⮍㭓㬟࿅ˬ ಞⅰ˞₅䢬㐛㦕〘ₛϓྲ‫ۆ‬ᕲ⇎Θᗏ᷏̄‫ݡ‬ ⅰḳύಾ䢬㎠ㅊ᳤ᒠᑜˍ⧛૭⇶኿۩⦾ύ⿼ ⅰ㐿␗ǎ䢨ᐵ䢯ᗄဖ⏦䢩

┈ൢ́

⁥ჷ㠛㛝ದ ᐤύ ཭ | ἒ㦆

JENS HAUSER

WILLIAM MYERS

MÓNICA BELLO

⁣ ᑜ 1969 ໛䢬᨜ ‫ ػ‬ᑜ ຄ 㷑 ⦾ ޽ᕲ ޭ ᘽ ⅰ

֦ ⁣ ᑜ ♆ ☺䢬έ ˷ ⾾ ᨜ ‫ ػ‬ᑜ ⫕ ⴖ 㠼 ୞ ᑒ

᳤ỳ⒢┆ൠ̿‫⻐Ⳓݶ‬くグ೮䢬ന᧘ᑜⳒ⻐

ỳ ⒢ Ⳓ ⻐ ┆ ൠ ̿ ‫ ݶ‬ః 㭓 ⊛ ⑟ ಾ ⡃䢬Ր ന

ḿ ˶䢬͒ ⅰ ⓥˍᕲ ⮍ ε ᳤ 2012 ໛ ֦ ḙ ⅰ

‫⏲ݶ‬ಾⅰനᜪ ≷ㄤǎ⦨ 2015 ໛ 3 ᕓ㈭䢬ᆑ

᧘ ᑜ Ⳓ ⻐ ⦾ ⏲ ᇤ ́ 㟠 ⅰ ⇀ ̥ε ⁨䢬Ց Ⳓ

Ǖ⁣ḳ〲〘ǖ䢨B i o d e s i g n䢩䢬㠝㏻̜〲〘

᳤ᑻՅ‷Ⳓ⻐䣀ᢚᨓᘼಞ⊛⑟ˬ࿖䢨A r t s

⻐ ಾ ಾ ΦǍᐵ ٨ ⊛ ⑟ ಾ Φ䢬͞ ۠ 㕕 ℼ ⓺

⡃ ⅰ ๺ε ‫ ⁣ ݶ‬ḳ ˍ 㭓 ٨ ဓ⡁ ⅰ ഑ ㊢ ᢩ ॺ

䣀 CE RN䢩ⅰᑓ˷̠⡃䢬ᢪˬ࿖ᑽॺЂ㐫Ⳓ

૦ 㕳 ന ᜪ ⊛ ⑟ С ⠗ ⅰ ⣌ ᓡǎ㏧ ᕧ ┆ ൠ ᕔ

֦ έǎ͒ ⅰ ⊛ ⑟ ⦿ ㉋ ⦾ ┆ ൠ 㠙 ᧘ ٛ ሱ ܎

⻐೮‫⏲ݶ‬ಾ೮́㟠ⅰ܎ε䢬ଡ⦯‫؛‬ᑜധ⊛

2011-2012 ໛ ᑜ ᗫ ᗄ ‫ ݶ‬ჾോ 㷔 ⅰൠ ⿨Ǘ቉

ᆑ ⁣ḳಾǍ̳̥〲 〘Ǎ৪ ຋Ⅺൠ‫ݶ‬₢͜ Ⳓ

⑟͞ᕍՑ഑㬟လⅰⳒ⻐ྉཕϚ⻠έ䢬۠͞

♁ġġǘ䢨Fingerprints䢩‫ ݶ‬2011 ໛ᑜ⛁̏

⻐䢬˧ͭ⫕ⴖ⁣ḳⳒ⻐〲〘Ỡ䢨B i o A r t &

्ᅞ⏲ಾⅪൠᆳᑓ⦿ⅰᐵ٨⠗Гǎ

♃ⅰǗ܎ᆑ࣮䢭єύǘ䢨Synth-ethic䢩ǎ

Design Award䢩く୬ǎ


ARTCO 276 108

㤔 ⿭ ⦪ ㌪ ♢ ⣞ ⅲ ⅄ ⃝ ٪ 㑁 ␙ Quietly Observing the Cancerization of My Cells ᕋỼ਌्〲〘ຨ⦾Ⳓ⻐೮Ỡ䢨Designers and Artists for Genomics䢬‫ྭګ‬ϚⅰǗ⁣ḳⳒ⻐〲〘Ỡǘ (Bio Art & Design Award)䢩ⅰⳒ⻐೮㇓ḑ⛁ᑒ䢨Charlotte Jarvis䢩䢬ྷ 2014 ໛໛໴͞⦨㌨ⅰ↽⥌♠ ⣜㐫⻋ǗEt In Arcadia Egoǘ‫׼‬ε〘ₛ䢬˧⦾⫕ⴖⅲ೮Ⳓ⻐ ⦾⏲ಾ㡕⣞ຌ‫ع‬Ᏻ⊛⑟ೡ䢨Hubrecht Institute䢩˷ቆ̿Ա ⭎ཚᑒᐑእ䢨Prof. Hans Clevers䢩܎ε䢬ॺつ഑㬟ೡ⼿ധ ⦨㌨♠⣜਋㨱ᆑ⅂⃛⥁℧ǎ ㇓ḑ ⛁ ᑒべ ᳤̿ 㧙 ✺‫ঁ؛ؤ‬ഭ ᇹ ⻁⢝́ ㌲ ♰ ധ ᢸۙⅰ⦨ ᴿ ̠഑䢬˧ ധ ⅂⃛⿍ ᳤࿘ 㦘⼕ ᇃ ᎠǍഭ ᇹⅰ̠ ḳ䢻⡈ॺ Ⳓ ⻐‫⼿܀‬䢬‫⻐Ⳓ⿇۽כ‬೮ϓ⁨૭⇶ሣᑋⅰ☜Ͼ㐫⻋‫׼‬εⅰ⣼ ⚈ǎ⅂ ⃛Ǎ☜Ͼ䢬㐛 Շ ⡃ ⅱۣ ᒨ̜̿ 㧙 ଩ ή ॺ⦨㌨ 㭓Յ‫׼‬ 㐢ᗬ␯ḳㇰۙഭᇹ⦨ກⅰ㌨㭓䢬ᆖᒴ㑩ԳॺՊ⇶਻܎⼿ዞ ㈭㌨㭓਌ᕲⅰ⁣ύ㣍ᥐǎᢪૣ䢬㇓ḑ ⛁ᑒべ᳤ᆒм✺͞㢑 ᓚǍႰӍⅰᑚཕϚべㄤ⅂⃛䢬्ᢪ㑢᎞͞ ㆼಥ☜Ͼⅰ♺⥌ ѵ᳤⿫ഊഭㅽ䢬ຒᕤ᪦Մঁύ ⿼㒄̬᪦ ⳇᑜ⢝㭓Յ㒲Ǎ㢺 ͞ი≷ഊ⿦ⅰ⅂⃛⥁℧䢬˧㐓㐿㐛㦕〘ₛധ̿㧙⦾⦨㌨⢝ 㭓ഭᇹⅰṶჵ̞͞഑㭓٨ঁ݈έ䢬↽኿ঁ⦾⅂⃛⇀㐹˧ۙ べㄤೇǎ ǗEt In Arcadia Egoǘ㐓㐿↽⥌㜻ⅰְḘ᠝ᗾᇤ⻐䢬ྷ㇓ḑ ⛁ᑒ㭓Յ֦ۨ♺⥌ ♲ ❌ⅰְḘ䢬⟂ ᑜ ਋㨱↖⼿䢬♺⥌ ♲ ❌ ˬໟ♠⣜ⅰઌ⁣ḿㇰ䢬ϓՐྷ࿅യⅰְḘઌ⁣ᆑ㟊᳤ˍḘ Ⲉ ଩ ⹸ ⠺ ⅰ ♲ ❌ǎॺ ᢩຯ ♠ ⣜ 㑫‫ ℧ ⥁ ⃛ ⅂ܗ‬ⅰ ਋ᛠ 㐿 ␗ ˬ䢬㇓ḑ ⛁ᑒ⦾܎ε॰㡴Ⅺέ♠⣜㣍⚭ᢴॉ␯⑨ㅊ㐿␗䢬 ᕍྭᆾ⣳ㅊᆑ⅂⃛⥁℧ǎ ㏧໛Ϛ͞Ⳓ⻐‫׼‬ε⦾ໟ♠⣜ᇤ⻐㐫⻋ഭっⅰ㇓ḑ⛁ᑒ䢬⇀ ㍦ᑜ 2013 ໛ଡॺǗE r G o S u mǘ〘ₛ⼿ⳃ⁨もമလ૦⣳ໟ ♠⣜ⅰᇤ⻐䢬‫׼‬㐢̜˗‫࣮ܒ‬೗ⅰ♲ ❌ ♠⣜䢬ൠέ ໟ♠⣜ⅰ ᢩ‫؛ܗ‬㕵䢻ॺǗEt In Arcadia Egoǘ〘ₛ⼿䢬㇓ḑ⛁ᑒ‫כ‬ዞϫ ۵ˍ␯⿮ༀ㕳ᑓဓ⡁ໟ♠⣜䢬˧ኼ♘ᢸ̰ⅰ⦨ᴿ㐿␗ǎ䢨ᐵ 䢯㭗ღὦ䢩

Charlotte Ch ha ha Jarvis䢺 Et In In Arcadia Ego Et ㇓ḑ⛁ᑒധՐ⢦Ӎ⦾഑㬟ೡႰӍⅰ⥌⅂♠⣜ྕӍ⇀̥₯܎ǎPhoto by Charlotte Jarvis

៬᝷⧀♴❎

〚₝

‫ܐ‬ᆓ⟞ೀ〚₝ SYNTHETIC ASTHETICS

᪮␱̢ͬ HYBRID MATTERS

ᒴ ♺ ܎ ܎ᆑ ⁣ḳಾǍⳒ ⻐Ǎ〲 〘 ‫ ݶ‬⍹ᕐ⏲

ᒴ᳤ᕧՇ໛ⅰ٩ᢚⳒ⻐⦾⏲ಾ㦦৴䢬⿫

ಾⅰ२㢂 ⊛⑟ 㦕↷䢬ⁱ⟜२२೮⏲ಾ ਌㕷

ഊ ḳ ύ ‫ ݶ‬ᐨ Φ ˞₅ ⸧ ܎ᆑ ˍ з ᪬܎ ⁣

ᕐ䢨N S F䢩‫ ⩷ ݶ‬२ ๺␗ ‫ ݶ‬ḳ ύ ⏲ ಾ ⊛⑟ ύ

ჵ ⅰ ゞ ᗾ 〘 ₛǎ〘 ₛ ᕅ ⮍ 㕳 ᑜ ᪬ ␯ ⁣

⁣‫⏲ݪ‬ಾ䢬つˬ࿖ዞϫⳒ⻐ኼ⑟

̠ᕐ䢨E P S R C䢩㇒ ‫أ‬ǎᢪ 〘 ₛ ‫ ٸ‬⡾ ܎ᆑ ⁣

ჵಾ䢨hybrid ecology䢩䢬ⁱᑹ೙ⅰ⻋‫ػ‬

ⅰᆼᧈ䢬ϓⳒ⻐೮⣳ϓ⁨⏲ಾ๺

ḳಾ೮‫⻐Ⳓݶ‬೮Ǎ〲〘ຨኼ〛 〲〘ⅰ‫۽‬⣳

⡃䢬଩ḳύ③㟠Ǎ̿ 㧙Ǎ‫ػ‬ḳǍᛠḳ⓺䢬

Ց ‫ ݶ‬ᇤ ⻐䢬͞㭓 㬟 ཕ ⅰ ᑚᧈ䢬㸇

‫ ݶ‬ύ ⿼䢬˗ ᑘ ̷֯ 〘 ₛ ⊛⑟ ♺ ᗈ䢬㐜 㐿 ロ

⦾ ⴸ Ꮌ ③ 㟠Ǎ㍇ 㭓Ǎ⛆ ⚈ ៪ ࣮ ̿ ⅰ ̥

ّ ύ ⿼ ㌨ 㑳 ⅰ ⏲ ಾ ≷ ㄤ ‫ ݶ‬ᐵ٨

༁Ǎ〛グᕐ‫֦ݶ‬ḙḳ䢬˧㟘᏿⁳エǍ㑪エ˗

‫ػ‬䢬͞Ⳓ⻐ᑚཕൠ⍵̿㧙‫⦨ݶ‬ᴿ​੸ⅰ

ύ ࿸ⅰ㘟኿䢬͞ ۠⁣‫ݪ‬ᕲㇰ㑄࿋

‫ܒ‬㦦৴ⅰനᜪ̿૆Ս‫܎ܒ‬ε⊛⑟ǎ

ㅊ٨䢬଩ή‫ⴸݶ‬ᎼՍ⁣ॺˍ⁣ჵ㠙Ё́

‫ݶ‬ᐵ٨ࠏ㧋ⅰ⇆ဓǎ

ˬǎ

SymbioticA ᒴΦᑜᰎᨓⅰⳒ⻐഑㬟ೡ䢬⦯‫؛‬ ᑜ⊛⑟Ǎಾ ⠗Ǎᇝ ‫ ⿝ ݶ ׃‬ᆼ ۜ⦾


FEATURE 109

Oron Catts & Ionat Ion on na na Zurr Victimless ss s s Leather ᦔ ᕖ ᣦ ᆩ ⅲ ᳶ ᇇ 㒈 Utopia Without Killings ⾼ᰎ૭ಾ䢨The University of Western Australia䢩ˍ㟠‫ܓ‬ ᳤ S y m b i o t i c A ⅰ⁣ḳಾ഑㬟 ೡ䢬㐛⼿ গ 㜐ⅰ˗ᒴ⏲ಾ ೮䢬⡈ᒴˍ⟮ᦒᕔ⁣ḳಾ⣌ᓡⅰⳒ⻐೮䢬ᕅᒴՆὸ߳ˍˍ ⴵዞϫ⁣ḳⳒ⻐⌄૆ಾΦ䢨Master in Biological Arts䢩ⅰ ៪᝵ǎ SymbioticA ‫׼‬ୣ̿Ք✺↮֟⪢䢨Oron Catts䢩ᒴⳒ⻐೮⦾ 〲〘ຨ䢬ྷ 1990 ໛͜ൄഭǗ⁨⁣‫ݪ‬ѵ‫׼‬εǘი⦿㉋ǎ͒ᕰ ۩ 㐿 ᢩ ⚕ ⏲ಾ ᐑ⢺䢬‫ڱ‬㐓 㐿˗‫ ┷ܒ‬㑄⠗ྲ⁣ḳᇤ⻐๺␗ ⅰᑚᧈ䢬ϟ଩ॺޭδ㕕ಾ㡕ⅰ๺␗഑㬟ೡᎨͭ⊛⑟޹ǎॺ ⦾≷‫⻐Ⳓܓ‬೮⎎ḑ䢨I o n a t Z u r r䢩♺௖ྭ䢬Շ̿ᑜ 1996 ໛ Ս‫׼ܒ‬⒢Ǘ♲❌਋㨱⦾Ⳓ⻐〘ₛǘ䢨T i s s ue Cult ur e an d Art Project䢬▐␲ TC&A䢩॰㡴䢬ኼ♘♲❌๺␗ಾ䢨Tissue Technologies䢩⣳‫⻐Ⳓ͞ܩ‬ᑚཕ⻠έ֦Ϛǎ2000 ໛䢬͒м ᕅ‫׼‬⒢̜ SymbioticA ഑㬟ೡ䢬ˍְ⊛⑟ᆑᗈⅱ˗ⳇ⏧䢬⭵ ഑㇒ᬚՍ̷ⅰύ࿸ǎ Ǘ଩ᗈⳒ ⻐೮ᇮ ⁣ḳಾ ‫⁣ݶ‬ḳ☲⚕₢ᆑ⁥ަϚ⇎ྦ䢬㒄 ᆒмധᕐ㤘⦦߂̬єύ‫߈ݶ‬ಾࠏ㧋䢿ǘǍǗ20 ໛‫⏲נ‬ಾ೮ ॺ⠿㸑⣌˔ ਋ 㨱֦̿⡧ ㍇㬴ⅰ ϟ ಞ䢬ᒴ Ђϓ ᆒ ㊄₅ ⅰ‫ۆ‬ ्ġġྩႰ≷㑄㐛̬⏲ᇤᕐᇮᆒмອྡྷ߂⼿ǘ䢬֟⪢ゐǎ ॺ₶ ႗⦾ତ ૿ⅰ㬐ϓ ˕䢬֟⪢⦾ ⎎ḑˍ㦵ᙁ 㐫 ⁣ḳಾ⊛ ⑟䢬ϟ଩͒мധۨ⦨യḨ ㌨˔ⅰ⻁᪷䢬ॺǗയ়ⶑⅫㇰ㎠ የ ࣮ǘ‫ݶ‬਋㨱↖ˬ䢬͞ ⁣ḳ⏲ ᇤ ‫׼‬㐢֦ᕐ˗ᑘ ⁣㟊ⅰǗ̿ 㐢♲❌䢨⢝䢩ǘǎ  ⦮Ǘᴮ۩೫⡃ⅰ↋㤛ǘ䢨Victimless Leather䢩〘ₛˬ䢬͒ м〲ᧈ͞᨜♠⣜ ♲ ❌ۙឹ Ꮌ ↋㤛⧛ⅰᖍㇰ䢬ͱ९‫׼‬㐢ˍ ͪᴮ㣍ᣤ⁣Ǎᴮ㣍⼦✩ⅰૻԱ䢡ѵᧈᒴॺˍ␯ᕐ⦨ᴿ⤭٨ ⅰ⡾܎ 㭓 ˔ཌ֦㧙 Θ ૻ ԱⅰྉṶ䢬˔ 㦵 ⿂ ⯭⠿㸑 ♠⣜ㅐ ೇઌ⁣֦♺ ⛮♲ ❌䢬૪Ⴐ⮍̿ 㧙՜̏ ˗㣍㐓 㐿ᣤ ⁣ۨྲ ♴❎਍㨳⧀Ⳕ⻒〚₝ The Tissue Culture & Art Project ŏᴰ۫ ೭⡅ⅲ↍㤝 Victimless Leather- A Prototype of Stitch-less Jacket grown in a Technoscientific “Body” Biodegradable polymer connective and bone cells 2004 Photo by The Tissue Culture & Art Project (Oron Catts & Ionat Zurr)

↋㤛ǎ㢮ᴿᕍྭ ⁣ ⁥֦Ϛⅰ㈷ ㏿ιૻ Ա۸ ૩ㅐ ⠿㸑 ⑦˔䢬ΠǗᴮ۩೫⡃ ⅰ↋㤛ǘ〘ₛᑾཙ㈭〴૦⊛⑟៪᝵ⅰ㠙ְ䢬˧Ỽ⾼ᰎ૭‫̭׈‬๵᐀໺ⅰᇷ ㇒ǎ䢨ᐵ䢯ᗄஒ‫ܟ‬䢩

METAPHOREST

SCIENCE GALLERY

LIFEPATCH

THE ARTS CATALYST

ᢪ ഑ 㬟 〘 ₛ ໚‫ ۾‬ᒴ 2007 ໛ ⼕ ೌ ኯ

✺㒲Φ ᑜ㓃ᗫᗄⅰ⏲ಾⳒ༜䢬ᕧྦ

ᆑ ⒢ ᑜ 2012 ໛ ⅰ ⍹ ⟮䢬⸧ ܎ ⏲

ᒴ ⩷ २ ᕍ ᕔ ḿ ⨑ ⅰ Ⳓ ⻐ ॰ 㭓䢬⮍‫ ؛‬ᑜ

ॺᑻᕲᑾ␶⁰૭ಾശⒹ⁣‫ݪ‬㕕ಾ⊛

㐓㐿⏲ಾ⦾Ⳓ⻐♺܎ⅰεަ䢬ൠ⍵

ಾǍⳒ ⻐Ǎ⏲ ᇤ ⅰ ‫ ׼‬ε ྉ ཕ䢬⽔

Ⳓ⻐‫⏲ݶ‬ಾⅰεަ഑㊢䢬ᆑ⒢ 20 ໛Ϛ

⑟ ៪ ᝵ⅰ഑㬟 ೡǎۜᵦ̜⁣‫⏲ ݪ‬ಾ

⏲ಾ⦾Ⳓ⻐⌊፿ⅰ㐿␗⦾݈έǎൠ

㐢‫׼‬჋⦾⼼⟂䢯ᑚᙋǎ᳤̍̿͞

ຂ ୬ 〣 120 ૦ з Ⳓ ⻐ ೮ ⅰ 㦕 ↷䢬˧ ⦾

ⅰ≷ㄤ ‫ݶ‬ᇤ⻐ॺ₢͜ Ⳓ ⻐⻠ έ䢬㐜

⿨‫ݶ‬᨜‫ػ‬㢡 ♺⏲ಾ ೮Ǎ⊛⑟̿޹Ǎ

ˬ࿖ᆑ޹䢬ॺ ‫ڨ‬ോᑻႶയ᥃ᬥᑠ

‫܋‬૭Ⳓ⻐Ǎ⏲ಾ‫ݶ‬ಾ⻐៪᝵㐫⻋܎εǎ

㐿 ૦ᑚന ᜪ ኼ 〛⁣‫ ⏲ ݪ‬ಾǍ⍹ᕐǍ

ಾ ⁣ǍⳒ ⻐ ೮Ǎ〲 〘 ຨ ‫ ݶ‬Ⅺ ᒛ ೮

ⅰᆲൗ᳤᨜‫ػ‬Ꭽ㷞ǎϭᆑ޹‫⦨܋‬

ͱ ९ 㐓 㐿 ࿉ ͪ ‫ ݶ‬୬ 〣 ⅰ Ⳓ ⻐ ⽔ ε䢬⁣

ဓ Ⴐ‫ݶ‬ᐵ٨ ਌ ⍓ ⅰⳒ ⻐㠙Ё䢬˧⑆

⓺䢬ⳃⁱ˗‫ܒ‬ന ᜪ ≷ ㄤ ⅰ ᰚ ↴䢬഑

᎝㟊ⅰ̠ ḳ䢬㟘Ⅺ⁣ḳಾ ᇤ⻐Ǎ

⁥ቒ㕩ǍՑ㕴࿖ⅰ഑㬟〘ₛ䢬ቆ❼㸇ّ

ᜲঁ⦾२Յૣ⁣ḳః㭓Ⳓ⻐೮‫⊛ݶ‬

㊢⮍˗ᑘㅊ٨ⅰิᑓ〘ₛǎ

ᐨ Φ ⏲ ᇤ ⓺ ⅰ Ⳓ ⻐䢯 ⏲ ಾ ᐑ ⢺

˧ᇝ‫⏲⦾⻐Ⳓ׃‬ಾ♺܎ⅰ‫۽‬⣳ǎ

⑟̿޹㐫⻋̳ᨢǎ

๺ε঑ǎ


ARTCO 276 110

ଫ ΰǙ ᧏ ǚ Ⳕ ⻒䢵⏴ ೀ HOW TO “PAN”-ART / SCIENCE

TW BioArt ᆳ⧀㏅ⅰ഑㊢૭ಾ㣊⁣ύⅰ⏲໡ႰӍ๺ε঑έ਻ǎ

ˍ਻ 2012 ໛ᑜ‫۾‬٩Ⳓ⻐૭ಾ⧀㏅ⅰǗPlayaroundǘ๺ε঑䢬ᆑ ᳤ྭ❼Ⅺ㈭‫۾‬Ტ⁣ḳⳒ⻐⍹⟮䢨▐␲ T W Bio A r t䢩ⅰଆ៪䢬⍹ ⟮↷‫נ‬㡗‫⦍⁨׈‬ᕈᆑ⒢ⴸᎼ⍹॰ྉཕ㖁ഭ⁣ḳⳒ⻐ⅰ㇒〙ѵ ̳ᨢ⦾Ս̷䢬ᕅ͞഑㭓๺ε঑Ǎྕൠ۠ൠ⍵⓺˗‫ܒ‬㊊ྯ䢬዁㐫 ‫۾‬Ტ₢‫נ‬ഭᑜⳒ⻐⦾⏲ಾ㦦৴♺܎ⅰύ⿼ǎ

㊆ ৶ ㎢ ㄹ䢲 ˏ й ㉅ ⟚ ⅲ ๼ ␙

〱 TW BioArt ェ⏴ೀ ⧀Ⳕ⻒ⅲ ㎢ㄹᑜᙍ

๺ε঑ॺ㐛з㊄৴ᬥ㐜ⅰ㐿␗ˬ䢬ᇔᮉ̜ή␯ε⁨䢿ϟ଩ॺ ⍹⟮㑪㢡଒ঁ‫׈‬ǗB i o䢮F i c t i o n ྕൠǘϚ२⒢⦴Ტ⏲ಾᐑ⢺ 㩇ⅰᎊᒨ᨜‫ˬػ‬䢬㐛㧙ˍ⧛べ≷㤒ჵⅰ⿫ྕ᨜‫⼿ػ‬䢬⍹⟮̏ ೌኯ≽ロ⦾๺ε঑䢬㐛㧙‫ػ‬ჵ᨜‫ػ‬ⅰ⑦ዠ䢬ͱ९ㅐྕൠύ࿸ ⣳⼕Ԭ֯ⅰ〛 グǎ㇒᪦⍹⟮ᆑ޹ᗄᦚῑ⻠ ⍵䢬๺ε঑ⅰᑝε ଩‫ܒ‬㉃⟘ⅰ㐿␗䢬ॺ㐿␗ˬ㣍⾾ᕔ㤔ຯ๼ହⅰཙമ‫ݶ‬〲〘䢬 ଩Ӎ㤘ഭⳒ⻐⣌ᓡⅰಾ޹䢬໤̃⤕㢹⏲ಾ〠⛿ຂ˽䢬⾾ဓ⡁

Interview with TW BioArt on Science and Art Transcription

଩ ή ॺ ͒ м ਌ ⍓ ⅰ べ ≷ ˔䢬ཙമ Ր㭓 㬟 ˍ з ⏲ ಾ ύ ⿼ ⅰ 㐿 ␗䢻ᆖᒴഭᑜⳒ⻐ᤊᴮύ⿼ⅰ⏲ಾ̿䢬⾾଩ήϓ͒мύ⿼ი လ ⅰ ε⁨ǎ㐛 ̬ ᬥ 㐜㣍 ᥐϓྲ ロ ຨⅰന ᜪ ≷ ㄤ ᩯ ⯭ ⅰ༴ ༀ ᙀ ૣ㕳 ⾾䢬๺ε঑̏ྩຯⁱᐨΦ˗‫ܒ‬㦦৴ⅰᆑ޹Ϛ ˷മ䢬̥ ⇀⼻㉘നᜪ≷ㄤⅰ㠴ೋ༴ༀ䢬Ǘᕔᒿфྩᒛ㧧଩ᗈອⅰὥ໴ ➘߂ˍ੊ നᜪ䢬ᕍྭ ݈έ֦Ϛⅰᆑᗈ ൄᕐ➘߂ˍ੊ǎǘ‫ܒ‬᳤ ㇒ ᪦ ᆑ޹䢬έ ᳤ˬ२ ᑓ ᒿ ⛨ ః㭓Ⳓ ⻐ˬ࿖᷊ 㐼 ✺ ↮ ⅰ 㒷 ৪ ⻠ ⍵ ๺ε঑ ⅰ ╆ ଄ ⦾ ዀ ਻ ᒴ 㠙 㛛䢬࿘ 㦘 ი ≷↷‫ נ‬ⅰ 㐫⻋Ṷ

ኽ〱䢴ᐦώ䤂཯ἔ㦈ǎ

ჵつೌዠή␯㠙㛛≷ㄤⅰ⼻Ԭ䢬ᆖᒴიလⅰᐐ㏻䢬۠͞ήᒿ

ॱ䤂TW BioArt

つ ኯՄ഑εǍᐑಾǍ〛 グⅰ㡷ᣡ䢬㐛̬‫׃‬ᑘຯྕ 㦏ᕍྭ ᬥ㐜 ⅰύ⿼␗ༀ⦾ᆑᗈǎ


⍻⟰䣀 FEATURE 111 ᬧ㐞ⅲ៙዁

⡈ ˔ ᕓ䢬 ⍹ ⟮ 㡗 ˷

㦦৴́̿ᬥ㐜ᒿ䢬̏⾾⇎₢ᒿഭᑜ⦨ກⅰ೙Φ᳤ή䢬⾾ㅐ߂

മǗ ⁣ Ģ ໡ ‫ ۾‬Ტ

␯㌨֯ⅰḿㇰ૦ᔗ㣷ˍ̬ǎ

Bio·Fiction.twǘྕൠⅰ ᏿ ᒨ䢬̏ ᑜ ‫ ۾‬٩ ᐨ Φ Ⳓ ⻐ ˬ ࿖ 㐫 ⻋Ǘ Ⴐ Ӎ ⅰ ㌨ 㭓 㑳 ₅ǘ㑪 㢡 ̧ ͪ ⴵ ύ ⏲ ಾ䢯 Ⳓ ⻐ ⅰ εަՊ㟘ൠ⍵䢬Θ̃ᕔ ჋ⳃⁱᕅ૦ԪǍ೎ᐤⅰ ྉཕ䢬Ϛᮉ❭⍹⟮ˍ↽ ͞ Ϛ ഭ Ⳓ ⻐䢯 ⏲ ಾ ⅰ 〛 グ䢿㇒ ᪦ ᆑ ޹ 㧡 ༴ ᣬ⻠⍵Շ᨜‫ػ‬ᒿ㟠㷞 ǗႰӍⅰ㌨㭓㑳₅ǘ㟊ㅞ๴ვ䢨Ai Hasegawa䢩 ൠ֦εަǕᆒ⾾⁣ᩂㅹǖǎ

ⅰ኿㏧˧㤔‫ו‬჋䢬Πၓ ତ ྕ ൠ ˬ ᕔ͍ ♧ ‫ ׋‬㟊

ㅞ๴ვ䢨Ai Hasegawa䢩ⅰεަ䢬⡈ǗႰӍⅰ㌨㭓㑳₅ǘၓତൄ ᕔ㟊ㅞ๴ვεަⅰൠ⍵䢬Ǘ഑㭓εަⅰ㭓㬟㑮ᒴ⣳ㅐύ⿼ᕅ ೎ᐤ䢬‫ܒ‬ᒿᕔ‫۾‬Ტ⦾̭ᨓⳒ⻐೮εަⅰൠ֦䢬̏ㅐൠ⍵⦾ྕൠ ‫ש‬ତᕔзྞᢪ‫ݩ‬ᅞⅰ㐿␗ǎǘൠ⿨┆ൠ̿ಲ͞⦵‫כ‬べ᳤䢬㢮ᴿ 㐛ᒴ⍹⟮㖁ഭⳒ⻐‫⏲ݶ‬ಾㄸ㧋᣹㍦೎ᐤⅰൠ⍵݈έ䢬ଡ͎ӄ ᒴᇮᢪൠ⿍᳤ˍз〛グⅰ㟘Ⓓ䢬Ǘᕔ㷞Ӎᒴ⍹⟮㐛Շ˓໛♟ ⑆ⅰ݈έ䢬‫⁨׈‬㐛˓૮㟘֦ⓥˍ⊲䢬˗㟘⊲̏〴〛グ̏˗ᕐⅪ ⁣䢬ᆒᒴ㐛ឺ⇎ྦ㐛Շ㦕᨜‫ػ‬ǎǘ

Ǚ ᵁ ྯ ‫ ݓ‬䣅ǚǎǙ ᦔ ᕖ ᵁ ྯ ̞ǐǚ ˍз㧀✾ॺ๺ε঑Ⅺ⁣ⅰႌ੸䢬ᕔⳒ⻐⣌ᓡⅰ A ಾ޹‫⏲ݶ‬ಾ ⣌ᓡⅰ B ロຨ䢬A ͞ ი လ ᐐ ㏻ ዝ㏻ࠏ㧋䢬B ॺᴮᧈ ύ ⿼ⅰṶ ჵ˕۞ϓ⁨⏲ಾⅰゆ〓Ϛो┄䢬ϓྲ㢱ᑚⅰᬥ㐜ᴮᧈ㑅ᆑ䢬 ᗄᦚῑ቉֦ൄӍዝ㏻Ǘႌ⛢˗⑖೙ǘ䢬⏲ಾ㦦৴ᕐ⁨Ǘ⫕ḑ⯂ ˗໚⻚ǘϚྉ೰䢬̿ᐵ㦦৴̏〴ᕐ⁨Ǘᢒᑒ໴㕲ǘϚྉ೰䢬Π ྞᢪ㠝㏻ⅰՐ഑ᒴ‫ˍܒ‬Ṷჵ䢬्๿₠ⅰ㑶㎊⦾⿫ഊ㷞ϓྲᬥ 㐜ᴮᐅǎ㐛̏⚭ຯⅪ⁣ॺ⍹⟮ⅰ೙ᕧ⡾ᕐˬ䢬⏲ಾ㦦৴ⅰᆑ ޹ຯϓ⁨ˍ̬⏲ಾ‫ܓ‬さΠ۞˗‫⿼͞؝‬㕱䢬Ր഑Ⳓ⻐㦦৴ⅰ̿ ᕰ࿘ᴮᧈύ⿼㒄̬᜺࿸䢬ӄᒴՐ˗ᔧྲ⏲ಾ̿ᆳ቉ᩔⅰ‫ګ‬ᒴ

㒷৪⻠⍵⦨ກॺ㉼⏲ಾ㦦৴ಾ⡃⡶ᒿ䢬͒мຯࠏǗᴿྭ‫ݑ‬䢿ǘ ᴿ ྭ ͒ ᕐ ो ┄Ǘᦒᕔᴿ ྭ̜䢨࿅ Ⓩ䢩ǘǎ㐛 ␯ ᬥ 㐜 ְ የ ⅰ Ṷ ჵ䢬̏‫ឺܒ‬ᕐۣᒨ ॺՑҥ㊄৴ നᜪ ⴵ ύεަᒿⅰဓ⡁䢬Ǘ㊄ 㦦৴́㟠㤔ˍ␯ྷ൰㠙Ё䢬˗ᒴᆒۨ⁨㐛з⏲ᇤ䢬⁨㐛зᇤ ⻐Ϛ᳤εަᕘ‫ؿ‬䢬⡈ᒴ㐓㐿εަϚጪ኿Շ⡃ⅰ๿₠䢬㐓㐿ε ަᕲ㌨഑㊢Ǎ〛 グⅰ㐿␗䢬Ϛ٨⿼㐛 㧙ᴮᧈᬥ㐜ⅰ㒲֯ǎǘ ಲ͞⦵̏ᐐ㏻↷‫ⴵנ‬ύ㐛㧙়┆ൠଡᆳ㑘㐹ⅰ≰⇅䢬Ǘ֯㧙 ‫̡ݶ‬Ԫᒴ㐢ᆑ㐛㧙ᬥ㐜ࠏ㧋ⅰᘽᕲ䢬Πⅰ⌒ᆒॺဓ⡁ᒿ۞⌒ ഑ᇮύလ‫ݶ‬იလ֯ྲ⺼㟘ⅰ䢬ᆒ͞ˍз㑶㎊ဓ⡁ⅰᑚཕ䢬ۙ 㐅ᥐˍзიလ‫ݶ‬ύလᦒᕔ㏅ᧈ⼕ְ᪷֯᜗ⅰṶჵ䢬㐛ᒴ㤘ഭ 㦦৴㎠የⅰ₶႗⦾⁂㦾ǎǘ㧡༴ᣬ‫ܒॺ͞כ‬ᒿС⠗Ⳓ⻐⦾㕕 ಾ​ಾΦۨྲⅰグᐵ۲ずέ਻䢬˗‫ܒ‬㦦৴㭗ༀനᜪⅰಾ⡃˧গ ⮍䢬Ǘᆒ₢‫ྲۨ־‬㐛 㢱ಾ Φ̏ᕋ⿦ྲक़㢺 㕳 㕳䢬Πॺ۲ず έ ਻ᕐ⿦ྲ˗‫ܒ‬㦦৴ⅰഭっ˧ᦒᕔ㒄㷃क़㢺ǎǘ

ˏйᬧ㐞ⅲၬゲ ⩬ょ଩㧡༴ᣬᆳ〓⏲ಾ⦾Ⳓ⻐ⅰ㉻㢹˧㤔㒄㷃㑉㑎䢬̏〴㒄 зύ⿼㉻㢹ⅰᕲ㌨䢬̏ᕔ⮍‫⦨܋‬㦦৴ഭᑜ͒⡃㦦৴ⅰደፔ䢬 ⡈ϓྲ㉻㢹ᆑ ᳤ˍ␯ǗႰӍǘⅰ㑉 㑎ǎᗄᦚῑ⦾㒷 ৪ᕋՍ‫ܒ‬ ‫ⴖ⫕ܗ‬ⅰǗ⁣ḳⳒ⻐〲〘Ỡǘ䢨Bio Art and Design Award䢩 ѵ֦ዞᙋ䢬く㑢㐿␗ⅰᗬˍ㡷ᣡᕔ⏲ಾ೮჋⿇ⅰۜ⦾䢬♺ᗈ ᕐ ჋ ૣⅪ έ ⏲ಾ ೮ۣ⡈ᕐ 㑢 ᎞ ⿍⿦ ი ཯ ᳮⅰ䢬⡈᣹ ㍦ ᴮ ᧈ 㖁ഭዞᙋ᪦ༀ䢨ϟ଩ᇝ‫׃‬လǍ഑㬟လ䢩Ϛ㑢᎞䢬⏲ಾⅰᆑ֯ഭ ⏲ಾ ೮⡈〓 ჋ ૣ ⅰ˗㕳 ⾾ǎ㒷 ⦾ ᗄ‫׃‬ᑘ‫۽्ۆ‬⣳ ॺ ᑜ ⏲ಾ ೮ഭⳒ⻐ⅰṶჵᕔзᑹ೙ⅰ‫ڨ‬ㅽ䢬⟜ಾ‫׃‬ᑘӄѷ₍ॺ਌⍓ⅰ Ṷჵ䢬₢͒мず९͞⏲ಾⅰゆ〓‫⏲ݶ‬ಾ೮ᬥ㐜εަ䢬Π्ᢩ ⏲ಾ೮ഭᑜ⏲ಾ㦦৴ⅰύ⿼䢬͒мᕐ‫ܩ‬べι≷ㄤǍ㑶㎊ᆳѵ ֦ⅰ⏲ಾ⿼㕱䢬͒м̏〴ᕅᕧྦⳒ⻐೮ൄӄゐ⟜ಾⅰᖣ⾼ൄ ତǎ㒷 ৪ ⻠ ⍵Ǘᆒмͱ९͞εަ̳የ 㐛ឺⅰᑚᧈグ䢬Π‫۽‬⣳ ۞̥⇀㓛⿍ഭᑚഭᑜ⦨ກ㦦৴നᜪⅰ̜⿼䢬㐛₢ˬᕔˍзᬥ 㐜ⅰၪグಥॺ䢬Πᆒм㑮ᒴͱ९⾾ㅐ㒄ឺⅰᬥ㐜Ⅺ⁣ǎǘ

Ⳓ⻐̿ύ⿼ⅰᗬз᜺࿸ǎǗ㐛̏˗ᒴり⿼䢬₢˕㢱ᑚ̏ᦒᕔᕧ

㐛˓໛Ϛ T W B i o A r t ͞˗೙ᕧⅰロ༁Ǎ๺ε঑Ǎൠ⍵⓺ྉཕ

ྦഭᑚ̓㷃䢬ᆑ޹ຯਉ⻋ⅰ๺εൄᒴᇮ㒄̬⻠൪ⅰ≷ㄤ⻐ゆ

ቆ❼዁㐫Ⳓ⻐⦾⏲ಾⅰύ⿼䢬έ˕㐛̬㇒᪦ᆑ޹ഭᑜᕰϚᕔ

ۙ㡗䢬݈έ᜺࿸ᕲ㌨䢬㑕ᒿᇮ⏲ಾ㎠ㄷᆑႌი൪㤘ⅰ⻠㑅䢬ࢰ

̜ᑓⅰՍㄤ䢬㡗くΎᒴᒿфᕅന᧘ोᢵ‫׼⦨܋׋‬εⅰ⡐⡓䢬

ずᇮՇ⡃ⅰ⁨ゆៗ኿ॺˍ㈭ǎǘྩ૦ᒿфᬥ㐜ӄᒴ⼕ゆ〓ᆳ

͒м̏ⅱべ᳤ᒴ T W BioAr t ധ㑫‫ˍ˕ܗ‬㡷ᣡⅰᒿ‫ו‬䢬ဓ⡁ˍ

क़Ψ䢬ᗄᦚῑ⼻Ԭଡⴵύ㐛㧙ᬥ㐜⚭㬟ⅰᑚཕ䢬̏〴ԯ㕶᪷

ᕅՑ㟘᏿လǍဓ⡁മ‫ܗ‬ⅰ⍹⟮‫׋‬໴⣳͞ή␯ྉཕಥॺ䢿۠͞

ᬥ㐜ഭㅽⅰ⣌ᓡ䢬ְየ‫͞۽‬ഭᅞⅰゆ〓䢬⡈ᕔᒿфॺ⦾๿₠

㕳ᑓ⇆ဓ⍹⟮ಥॺᑜέॺ⍹ᕐ♺᝵ˬⅰ჋⟳⦾ोᅞǎ


ARTCO 276 112

₤Ⳕ⻒೰ ˙՞㣏⿀൭⻍ Ⳕ⻒☴⚗⚍͔ оⅲͯ‫ف‬ WHEN ARTISTS NO LONGER NEED TO FULFILL SYSTEM OF THE ARTS’ ENTRUSTED MISSION

ྐྵ⿭࿺

⪋䢴⨞⢺ Sam Van Aken ŏ 40 ᥅ᗊ៉ Tree of 40 Fruit

Sam Van Aken courtesy of Ronald Feldman Fine Art

˹രⳔ⻒ ۛェ⏴ᇦ䢵 ⏴ೀⳔ⻒ⅲ ⟞ೀ⦪˹

沒有完備的藝術,只有被拋棄的藝術。 (Art is never finished, only abandoned) 李奧納多.達文西(Leonardo Da Vinci)

Ě

From ConceptualOriented Art to Technology / Aesthetic Autonomy of Art and Science

⏴ ᇦ 䢵 ⏴ ೀ䢱⟞ ლ Ԭ ♘䣃 ⏴ ᇦ 䢵 ⏴ ೀ Ⳕ ⻒䣅 ⧁㕷൴έ͜⟜⻐㩇䢨San Francisco Museum of Modern Art䢩 ॺ 2001 ໛ᒿⳃⁱ⛆㊊⦾⟜⻐㩇③㟠዁֦ˍ᠐ൠ⿨Ǘ010101䢺 ⏲ᇤᒿ͜ⅰⳒ⻐ǘ䢨010101: Ar t in Technological Times䢩䢬 ず९ᐤ ύྷ 1950 ໛ྭ䢬ᐨΦ ྉཕ⦾ᖍᑁ଩ήᆑ ᳤Ⳓ⻐೮ⅰ ๺Ց䢬˧⑨⊴̿мഭⳒ⻐ⅰべ≷ǎᴿ⡈䢬ǗᐨΦⳒ⻐ǘˍさॺ

ᐷ䤂἖‫ݻ‬ᾤ

㢋ྭⅰ໤໛ ĚᴮグᒴྕӍǍᏣྕǍ㢭੐⓺Ⳓ⻐㧙ׄⅱ˗㢹 ǗᐨΦ٨ǘᑚᧈ́ྭ䢬‫ڱ‬㏧̃⊴⁥ǎॺˍḘ᪬ᦍ́ˬ䢬㐓㐿⏲


Ⳕ⻒䢵⏴ೀⅲ ⟞ೀ⦪˹

FEATURE 113

ᇤ ๺Ց ⦾ ⿫ ࿸ⅰᓠ۠䢬ᆳブǗᑓః㭓ǘⳒ ⻐ᙉ ᗖ˕ⅰεަ䢬

㕲䢨Monroe Beardsley䢩ॺǕ⟜ಾ䢺߈ಾᇝくⅰࠏ㧋ǖ㐓㐿く

㐓㐿ǗⳒ⻐⦾⏲ಾǘǍǗⳒ⻐⦾⏲ᇤǘ⓺☲⚕ᕔ̜ᕅ♠✅ⅰ೙

グധ̿㤘ഭ⟜იḳͪⅰ⚭㬟㧙়٨ǎ䢨〺 1䢩͒べ᳤⟜ಾᒴ‫۽‬

⟳⦾֯㧙䢺Ǘ⛆㊊Ⳓ⻐ǘ䢨Cyber Art, Internet Art, Net Art䢩Ǎ

ዝ㏻ⅰ䢨descriptive䢩Ǎ‫۽‬㎠ㄷⅰ䢨interpretative䢩Ǎ‫͞۽‬㐫ˍ

Ǘ㭓ი̥‫⻐Ⳓػ‬ǘ䢨K inetic A r t䢩ǍǗ㣊⤾Ⳓ⻐ǘ䢨Computer

᢫㠝㏻⦮ύ⿼ⅰ䢨ev aluative䢩ǎॺ೟⿫≷ㄤ☲⚕ⅰཅ⒢˕䢬

Ar t䢩ǍǗ㢴〙Ⳓ⻐ǘ䢨Glitch Ar t䢩ǍǗ⁣ḳⳒ⻐ǘ䢨Bio Ar t䢩Ǎ

͌ᑻⅰⳒ⻐⟜ಾ቉ᩔഭεަⅰዝ㏻Ǎი≷䢬 ⦮ᒴഭ‫׼‬ε⡃

Ǘᆼ៪Ⳓ⻐ǘ䢨Mobile Ar t䢩ǍǗᅞ⁨␗ཕⳒ⻐ǘ䢨App Ar t䢩Ǎ

˞₅⿫ⅰ㠝㏻⦾㎠ㄷǎॺ⇶૦㡦❼⼕೙⟳䢯ྦ೙⟳ⅰⳒ⻐֯

Ǘ⻌ ⁣ Ⳓ ⻐ ǘ䢨G e n e r a t i v e A r t䢩ǍǗ ᪬ ␯ Ⳓ ⻐ ǘ䢨H y b r i d

㧙ᙉᗖˬ䢬↷‫ᦒנ‬ᕔˍ␯ᓠຯ〛グ⟜ಾⅰ‫؜‬⣳ゆ〓‫͞۽‬ᕔᐅ

Art䢩Ǎ⢍㦆Ⳓ⻐䢨Sound Art䢩ǍǗ⛵⌔Ⳓ⻐ǘ䢨Coding Art䢩Ǎ

ᅞ⁨‫⏲⦾⻐Ⳓ׋‬ಾ䢯⏲ᇤⅰⅪൠ˔ǎ

ǗᐨᎭ⿍⿦٨ǘ䢨Data visualization䢩⓺⓺ǎ

Ǘᑓః㭓Ⳓ⻐ǘⅰグ㏻ ॺ 㐛 20 ໛㟠㟘ୣᒛ⌒⛵ᎍ⦨ກⅰᢴ

⇶૦㢋⮍⏲ᇤ䢯⏲ಾⅪൠᆳ」ⅪⅰⳒ⻐㧙়䢬ᴮグᒴǗ⏲ᇤ

‫ ⦾܀‬₅೙⦨ກ䢬Ր⟜ಾⅰ⦨˷လ ‫̜͌׋‬ᑻᆾ ⛶ ᄊঁⅪൠǎ‫ګ‬

Ⳓ⻐ǘ䢨Ar t and Technology䢩ᆖᒴǗⳒ⻐⦾⏲ಾǘ䢨Ar t and

Ͼ ଩ᢪ䢬ϭ⧁ᦒᕔᑹ ᆑ ⅰ⟜ ಾ⿫ ࿸ ᆖᓠ˞ᕔ ᐅ လ ⅰ⒢ ㉘ 㷞

Science䢩䢬㊄ಾ⏲ⅰ‫׼‬εᑚཕᏃൠ̜ᑓ়ჵⳒ⻐ྉཕⅰグ㏻

⣳૩ᑘ〓̓㷃ឺⅰ⏲ᇤ䢯⏲ಾⳒ⻐εަᒴᕍ኿㏧⟜ಾ⻠㑅

਻৴䢬ᴿ⡈ⁱᑜᑓ⦿‫׼‬ε๺Ցⅰ⦿㈭䢬ㅐ͌ᑻⅰ⟜ಾ㤘⦦⇀

ⅰǎずࠏ䢬ˍͪ㣊ಞ⼼⟂Ցᕔ⿍⿦˔೎ҥⅰྉཕǍѵ๺☃⨏Ǎ

㍦ᑜ㐿ྡྷᕅ᳤؊ᳮⅰ㎠ㅊǎ̏ൄᒴゐ䢬₢Ⳓ⻐೮㟘ୣࢰず㐼

ᐃ㢃ἐΧ䢬ൄᒴ ᆑ ‫˜؜‬ՑᕔǗ⟜ǘⅰⳒ ⻐εަࡲ䢿ˍ ͪᐨ Ꭽ

⁨⏲ᇤ㉼⏲ಾᑚᧈ‫׼‬εᒿ䢬‫ۆ‬ԯྉཕ˔‫۽‬ϫ̿м㏇べⅰǍҵ

㇒ᑁ ٨ ⅰ εަॺ 㭗㡷 ゆ〓⦾ ⛵ ⌔ ㊊ ྯ ˔ⅰᎍ ഖ೎ ᐤ䢬Ͼ ᒴ

⚕჋⟳˔ⅰǍ⿫⇎᜺࿸˔ⅰǗ⟜ǘᆖᒴǗତⅰⳒ⻐ǘⅰύ⿼䢬

ˍͪǗ⟜ǘǍǗ̞̿࿱იǘⅰεަ䢿଩ᗈ㐿ۙⅰ‫⦾ׄ׃‬グ㏻ឱ

ॺ㐛зᑓ⦿ⅰⳒ⻐㦦৴́ˬ֦έ‫׃‬ㅂ˔ⅰ๽૭≰⇅ǎ्ᢪ䢬

ᬞ 㓃 ˗ ՜ ᕔ ᐅ䢬͌ᑻⅰ Ⳓ ⻐ᅞ つ ଩ ή ⼕ く グ䢿㖁 ഭ 㐛з ࠏ

〴૦⦨␲Ǘ㊄ 㦦৴ǘⅰⳒ⻐೮ᕐ˷཭Ⳓ⻐⦾⏲ಾǍ⏲ᇤॺⳒ

㧋䢬⟜२ⅰ⏲ᇤⳒ⻐೮Քύグ೮ᕊヒ⛁૿䢨L e v Man o v ich䢩

⻐⼕ಾ㡕☲⚕٨́‫ۆנ‬ᕲ˧˗֯೮䢬˧ࢰず⁨ᐵⳒ࿀⦿ᒿ͜

ᕋॺǓྭ ః㭓⟜ಾǔˍᐵዞ㷞̿м଩ή㠙ᵦ͌ᑻ૦ԪⅪൠⅰ

⼿Ⳓ⻐⦾⏲ಾ⇀㍴Ωⅰ᜺࿸䢬グㄕ⦨ກᆳ‫׼‬㐢ⅰϾᒴⳒ⻐ǎ

Ⳓ ⻐ǎ䢨〺 2䢩ᕊ ヒ ⛁ ૿˷ ཭Ⳓ ⻐ く グ ⡃ ͌ᑻᆳ 㤘⦦ⅰᑓ‫؜‬

ᴿ⡈㐛 ឺ ⅰ˷ ཭䢬˗ӄₗ 㐿Ⳓ ⻐㟊 ˽͞ Ϛ ㊄ ㈹ᒿ ͜ ᆳ ཅ ⒢

ゔധᒴǗ㊄ಾ⏲ύグ≷ㄤⅰՑҥǘǎ჋‫ګ‬䢬͌ᑻⅰⳒ⻐ύグ๺

ⅰ☲⚕ᢴ‫⦾܀‬Ր⦨㌨‫׼‬㐢֦Ϛⅰ⎖⎍៪‫ב‬䢬̏ᴮ⿍⟜ಾ˔ⅰ

ε⡃˗ӄ㣍⾾ύ⿼Ⳓ⻐‫܀‬ǍⳒ⻐ྉཕǍ⟜ი⻠㑅⦾〘ₛ়Ⳓ

㏊ㄕ⦾㐫٨䢬ᕍྭㅐ⦨ກⅰεަ⭵ॺǗൠ⍵⏲ᇤǘǍǗ⟜ი⏲

⻐䢬ᕅ㣍Ցҥٛ‫⏲ܮ‬ಾǍ٨ಾǍḳύǍ㣊⤾ゆ〓⇀㠙ⅰຯㄤǎ

ᇤǘⅰㅽ㡉́ˬǎ

ԋ┷ᕊヒ⛁૿ず९ዞ֦ˍзύႰ٨ⅰǍಾ⏲㊄ༀᕅ૭ⅰⳒ⻐

⏴ᇦ䢵⏴ೀ⧀Ⳕ⻒ⅲ⟞ೀ⦪˹

くグ๺εႌṶ䢬ᕧ〴くグ⡃㣍Ցҥᕅ૦Ԫⅰനᜪ≷ㄤ䢬͞ 㑅 ᆑ ዝ㏻Ǎ㎠ㄷᬥ㐜Ǎ㠝㏻ ύ ⿼ⅰ‫؜‬⣳䢬ཅ ⒢˕ˍ з˞͜ⅰ⟜

Ǘ⟜ი⏲ᇤ䢯⏲ಾǘ㉼ᆳブⅰǗ⏲ᇤ䢯⏲ಾⳒ⻐ǘ́㟠⑟⒬

ಾიᫎឱᬞǎᴿ⡈䢬έ഑ⅰႌ ᦵᒴⳒ⻐くグ๺ε⡃䢨⼕⿍ ᳤

ᕔ̓㷃๿₠䢿໤з˞☶͞Ϛ䢬ຂᕔ૯૦ⅰύグず९グㄕⳒ⻐

〤 㙺⦾ ཅ ⒢ ≷ㄤ☲⚕ⅰ̿䢩⼕ 㐛зᒿ ͜ⅰⳒ ⻐೮㑎 㑎 ঁሜ

㉼⏲ಾ㟠ⅰ㠙Ёǎ㷔ᙀḑ䢨Georg Wilhelm Friedrich Hegel䢩

ॺྭᑚǎ

べ᳤Ⳓ⻐ⅰ♰ᜲͭ‫ؿ‬ധᒴ߈ಾǎो㧡ᐤз̿㧙ᢴ‫܀‬䢬߈ಾ೮ 㐿ۙᆳ࿸⪪ॺ⪪ⅰࠏ㧋䢺᣹଩䢬ᕔᦒᕔ⎖䢿㓃 ⼕⏲ಾ㐔᢫⿼ ᥼ྭ䢬߈ಾⅪέ⦨ກᴮᧈ՜⦾⏲ಾ֯༆ᇹ ⏗䢬⡈㐛зˍༀ㤘 ⦦ಥ̰‫៪ک‬ⅰ㦦৴ᕍ♰ ϭ⧁ॺ̿ 㧙 ᐵ٨ˬᇢ‫⦨׋‬ກⅰˍຩ ́ঁ Ěဓ⡁ή᳤Ǘဓ⡁ǘⅰ೙Φ́グ㏻ㄕᒛ⦨ກⅰӯѠ䢬Ⳓ ⻐̵ᴿ䢬ೇዞ֦ဓ⡁䢬̵㐓㐿☲⚕٨ⅰⳒ⻐‫܀‬ᕈഖኯ㡗⦾ᏹ ⛵ᆳグㄕⅰ‫׼‬㐢‫⎖؛‬っ䢬 ⦮㐼⁨იလྉཕ⦾⿫࿸ۙ㐼ε⦨ ກⅰグ㏻ǎ

ḿׄⅰᒴ䢬ᕊヒ⛁૿ᑾॺ͒ԯ‫נ‬ⅰ⮍ εॺǕᑓః㭓ゆ〓ǖˍ ᕈˬ䢨〺 3䢩⻠ ⍵㐼⁨⧁ᕔⅰః ᖍ⿫ۙዝ㏻ᆖᒴۨྯᑓః㭓 Ⳓ ⻐ᒴ‫⻋۽‬ⅰ䢬Ր͞㣊ྕ᳤ϟ቉֦ 20 ˞☶ⅰҵ ⚕⟜ಾ଩ή ⁨ᑓ ় ჵ ⅰ‫ׄ چ‬ᑚᧈ ۙ ዝ ㏻⧁ ః㭓ǎᕊ ヒ ⛁ ૿˷ ཭㣊 ྕ ⅰ ⊛⑟┆ₗḿׄ㑕܎⚋ᑓః㭓ύグᆳ⁨䢬ᴮグᒴი≷Ǎ⦾③㟠 ᆖᒿ㟠ⅰ㐥 ♺䢬 ⦮ ᒴ ݈έ̿ 㧙ⅰ〤ᅎǍဓႰ䢬͞ ۠ႌი ⓺ 㓃ྩ㇈܎ǎॺ͒ⅰ֯ᖾˬ䢬㣊ྕⅰ⟜ಾ┆ₗຂㅊᆑ㣊⤾㍇㭓 ਌ᕲ᜺࿸ⅰ♲❌ᗖ᝵䢬ೇᒴˍᆸ㐓㐿㣊ྕᐐ̠㐥♺ⅰ⏲໡˞

ो‫⏲׋‬ಾ䢯⏲ ᇤⳒ⻐⟜ಾⅰࠏ㧋䢬Ǘ⟜ი ⚭ 㬟ǘᒴᕍຯ⁨Ϛ

₅䢬ㅐ⿫⡃㐫ՄᐨᎭᓡㅽ䢨d a t a s c a p e䢩ⅰ⑻ᆬ䢬ᆳ͞㣊ྕᆳ

⻠㑅̿мഭᑜⳒ⻐ḳͪⅰი۩Ǎჵༀ⦾⿫࿸ⅰさ྅ǎㆬḑᑒ

Ցҥⅰ‫؜‬⣳⦾ゥグ┆ₗᢩᒴ₢͌̿៪͍㤘㣍⾾ⅰǎो‫׋‬Ǔྭ


ARTCO 276 114

ః㭓 ⟜ಾǔˍᐵˬ䢬ύグ೮ཁ ❼͒૦໛‫נ‬ⅰύグ䢬՜͞ 㙺 Ӎ

₢ ᴿ䢬Ǘ㌨ 㭓 ˬ ࿖ လ ǘⅰ 」 Ⅺ ‫ ⁨۽‬Ϛ ύ ⿼ ˍ 㒲֯ ⏲ ᇤ 䢯 ⏲

䢨v i d e o䢩⧀ϟ䢬቉֦㙺Ӎ͌ᑻ‫ܒ‬ᒿ⼕₢͜Ⳓ⻐㦦৴⦾૭⇶ః

ಾ Ⳓ ⻐ 㒄 ໤ ̃ ᳗ ↷ ⅰ ი ೗ ᐅ ᅞ䢬Π ⟜ ი ⏲ ᇤ ˗ ̏ ⣳ ૩ 㑅

㭓 㦦 ৴ 㐼 ⁨䢬ॺ ⿫ ⇎⦾ ი ≷ ⅰ ᑚ ཕ ˔̏ᒴ ⇀‫ܒ‬ⅰ

̿м

‫ܒ⇀׋‬ᐅ ᗈࡲ䢿ᕔ㉋ⅰᒴ䢬ቚஔⅰⳒ ⻐೮⟓⾼ ḑ ᑒ䢨Tr o n d

࿘㦘㐓㐿⸷ແǎ߳ˍ⣳ധՇ⡃֯㟘ⅰᒴ⚭ᰳ⦾⍹ᕐឹཕ䢬ϟ

Lossius䢩ॺ 2013 ໛ㆄԱⳅ૭ಾ㕕㡕䢨Haukeland University

଩䢺㣊 ⿍⛆⦾⟜⻐㩇Ǎₛ ༜ⅰ⿈ឹ⦾╈₮Ǎ⿫⇶ⅰᑪ⟮ ⦾ᐨ

Hospital䢩⽔εⅰεަǕ㑉㑎ǖ䢨Lontano䢩⚋̜⿫⇶ḿᣃⅰ̥

㕵ǍྕӍ‫⽔⽜⼕ͪۆ‬ⅰᐨ㕵⦾␗ༀ䢬⡈㐛␯ύ⿼ឹཕᒴᕍᕔ

‫ػ‬㭓㬟ǎ⟓⾼ḑᑒ‫⁨׈‬ḿׄ〲〘ⅰᆲ㟠ܻᏹ⢍㦏ⅰۣഥ˧㡼

‫۽‬⣳ۨ͜⟜ಾⅰǎ

♿ೡૣⅰͭήࣰ㦆䢬㐛ͪεަॺ⿍⿦˔೎Ն⇎˗‫ͭ׋‬ή‫͞۽‬

Ě

ᒀて‫♒ڎ‬ⅲఅᖏ⿭࿺⧀ႎ੺

⦾̥́‫ػ‬ⅰ⼼⟂䢬ᴿ⡈ⁱᑜ③㟠ഭᑜ⢍㦆ⅰળ ✫䢬͞㈷㦆᧔ ᆳ‫׼‬㐢֦Ϛⅰ㦆ᓡ䢨soundsc ape䢩‫ॺכ‬ᆲ㟠Յᨢ‫ػ‬ǎⁱᑜ㈷

ᕊヒ ⛁૿ⅰ˷ ཭ ཅ ᝵䢬഑㢂 ˔⦾͒ॺ 㐫⻋ ⅰᐨ Ꭽ⿍⿦ ٨ ⦾

㦆᧔ⅰ㧀ἐ˗ॺ̿⡧ⅰኁቷ╈४Յ䢬⿫⇶۸⣳ϭ㤖♠࿅ი۩

ྭ〲㇒ᑁ䢨m e t a d a t a䢩⊛⑟˗⤕໙Ё䢬͒ⅰグㄕ૦໛Ϛ˷⾾

ۙი ≷εަⅰಥ ॺ䢨₢ᴿᕅ૦ⅰ‫۽‬⣳ᒴ 㦵ᓵ˗㑕ⅰი⿦䢩ǎ

଎਌ॺǗ㐓㐿Ⳓ⻐ަॺ਻ⅰ‫؛‬㕵䢬ۙዞ֦ᐨᎭ㇒ᑁ⼕⿫⇎ⅰ

ॺ㐛з͞ḳύ⢍ಾ᳤⊛⑟ⅰεަˬ䢬⿫⇶⇎˗‫⿦⿍׋‬٨ⅰε

ᑚཕ⦾㕳⾾လǘǎ䢨〺 4䢩ᑜᒴ䢬ᕊヒ⛁૿㐓㐿ዞ֦ᐨᎭ㇒ᑁ

ަ䢬̵ᴮᧈ㐓㐿⢔⿦㐥‫⿦⿍ػ‬䢬ΠεަⅰǗॺ਻လǘ㉼Ǘ̥‫ػ‬

⦾㇒〙⻋᳤‫⦨͞۽‬ᆑˍ␯そཕ⦾Ǘᐵ٨͍㤘ǘ䢬ዞ㕃⿫⇶‫⁨׈‬ Ǘ᣹ࡡǘⅰᑚཕ‫׼‬㐢 ᑓަ␯ⅰ⟜ಾǎ‫ঁ ឺܒ‬䢬ᑓః㭓Ⳓ⻐೮ ۠ಾ⡃⯭᧿ஔ䢨Alexander R. Galloway䢩ॺǕ͍㤘ᐅᗈǖ‫כ‬᪦ Մ᠝⿍̜つύグⅰԖ➘䢨〺 5䢩䢬͒቉֦ᕊヒ⛁૿ۨྯᑜ㣊ྕ

လǘ഑㢂˔‫ᦒڱ‬ᕔᩓ૵ǎᑜᒴ䢬ࠏ㧋Ϛ̜䢬₢εަ‫۽‬ᒛ⌒ი≷ ⅰྉཕᩓ૵ྭ䢬ᆒм⾾଩ήധ㈷㦆᧔ύ⿼ᆑˍзఃᖍ䢬˧˜ ύ⿼ᆒмⅰ㌨㭓଩ήε⁨䢿

⏴ ᇦ 䢵 ⏴ ೀ Ⳕ ⻒ ⟞ ೀ ۪ ྱ ᑞ ⿭ ࿺ Ⳕ ⻒ ⅲ ‫ ۿ‬⣵䣅

ⅰԖ㷞ॺᑜ⣳Ԭ֯ྷそಾǍ⟜ಾⅰ⿮ༀύ⿼ᐨΦ⏲ᇤˬⅰྉ ཕ‫׼‬ᑓ䢬ᴿ⡈⟜ಾⅰⅪൠ˗⣳˗⡁ᄔ᐀᦯⦾ᢴ‫܀‬ⅰ㤘‫ܗ‬䢬̏

ॺ ൠ ਻ ⇎ ˗ ⿇ ε ަຂ 㤔 ᢴ ‫ ˔ ܀‬ⅰ 㦵 ˍ 㑘䢬଩ 1958 ໛ Ա ⭎

्ᢪᴮᧈ⇜ᢩ٘‫֦̿ع‬м⊛ⅪǍဓ⡁⦾ኼ♘ᑓః㭓ᒿⅰᐵ٨

्䢨Y v e s K l e i n䢩ॺຄ㷑Ա㣆ήₛ ༜䢨I r i s C l e r t䢩ₛ ༜ⅰൠ

ႌ੸ǎ

⿨Ǘ ③ ǘ䢨L e V i d e䢩㑪 エ ⿫ ⡃ ㈨ Մ ③ ⱱ ⅰ ൠ 㟠ǎ⡈ な ᒛ Н 䢨F e d e r i c k J a m e s o n䢩ॺ〛グ⿫࿸Ⳓ⻐⦾⟜ಾोᢵⅰグ㏻

ᢪૣ䢬ᆒべ ᳤䢬ᕊヒ⛁૿ⅰ⟜ಾグ㏻ ॺ͌ᑻⅰⳒ⻐⦾ ⏲ಾǍ

ˬ̏ዞ ϫ ᆒмဓ⡁ⅰ㌸ ㉾䢬͒቉֦ 1960 ໛͜ έ͜˷⟳ⅰᩓ

⏲ ᇤ 㦦 ৴ 㢺 ͞ ⇜ ᢩ Ⅺ ዺ ε⁨ ⅰ ⑶ ⍚ ́ˍ䢬Ͼ ᒴ䢺ϓ ⁨ ᑹ ᆑ

̰↽ ኿ ೠ␲̜Ⳓ ⻐ ⅰ⦨˷ᡨ ᒴㅐǗః ᖍ ⅰ ḿ ᣃ လ ⦾഑ 㬟ǘ

ఃᖍ⟜ಾⅰ⿫࿸䢬ᕐ㢺͞⤕㢹ఃᖍࠏ㧋⦾՜έⅰ⒀⦶ǎᮕᛃ

՜ༀ࿀⦿̜⟜ಾⅰ჋⟳䢻⡈⿫࿸Ⳓ⻐⦾ՐᆳອϚⅰǗྭέ͜

䢨Mark Hansen䢩ᕋॺǕᑓః㭓ⅰᑓ߈ಾǖˬ቉֦ǗᐨΦ㇒〙

˷⟳⟜ಾǘⅰⅪൠ䢬ᗬᑚ㤘ᕌ ҵ⚕ః ᖍⅰᩓ㐟⣌̜ᕈ䢬̏Ᏻ

ᕲ㌨ᒴ˗۩ ః ᖍ 㡉‫ב‬ⅰ䢬჋ ဓᒴ ᐨΦ ః㭓 㤇 ᨜⡈૦Ԫ ⅰ ḿ

ቆ̜ྡྷྭ᪬␯ⅰⳒ⻐ྉཕ⦾⏲ᇤǎ⟓ᑒ䢨To n i Ro s s䢩ⅰᐵ⒭

ㇰ䢬ㅐۜ⦾ ⡃͞ ᕅ Ն㤘㐼 ⁨‫ ␯܋‬㌨ 㭓 ≷⿦☲ ⚕ ۙ ധ㇒〙 ㎠

Ǔྭ ః ᖍ ᒿ ͜ ⅰⳒ ⻐䢺ҟ ૰䢮ᦄḑ ⅰ⟜ ಾ ⦾ ⿫ ࿸ ˷ ⟳ǔ䢨〺

٨ ᳤ ⚭ 㬟 ⅰ 㐿 ␗ǎǘ䢨〺 6䢩२Յಾ ⡃ ᖋ㦖 ⦿ॺǓᑓ ః㭓䢺⠿

8䢩ˬ䢬‫ឺܒ‬ཙ⁨なᒛНⅰグ㷞䢬˧㐫ˍ᢫㠝㏻᳤ή༏࿋˷⟳

ࠏ㧋䢬စ 㷃 з ᑓᧈ䢿ǔˍᐵ ቉֦ᮕ ᛃ ⅰ ᘼ࿖ ᜺ ࿸ᒴǗ㌨ 㭓 ᒴ

䢨K a n t i s m䢩ཕⅰ⟜ಾ⼕ྭέ͜˷⟳ۣ⟜ಾⅰグ㏻ሣ♿ǎ͒

ი⿦ⅰ‫ נ‬ዞ ᚄ ͪǘ䢨〺 7䢩䢬ᮕᛃⅰ㌨ 㭓ゆ〓 ჋ ቉Ǘ̥ ‫ػ‬ǘ㐛

ዞ‫׋‬䢬⿍⿦Ⳓ⻐ॺ⿫࿸˔ⅰ㕳⾾㎆ᕌˬ䢬㢋́⡈Ϛⅰᒴഭᑜ

зゆ〓䢬ᖋ㦖⦿ᕅॺᐵᕱዞ֦Ǘ՜㭓٨ǘ䢨rebodiment䢩ⅰ⿫

༏࿋⟜ಾⅰۨ͜䢬͒べ᳤㐛зέㅽ૦‫ڏ‬ᢵ्ᑜ㤘ഭεަᒿᑹ

࿸䢬ྉ೰̿⦾៪࣮ྷˍഭˍ‫׋‬૦ഭˍ䢬៪࣮͍㤘ྷ▐ࡘ‫⽜׋‬

೙ ⅰი ೗↽ ⿦⦾Ⳓ ⻐ ຋਻ ៪ ‫ב‬ⅰ⦿ ㉋䢬⡈ۣ ᇹ ༏࿋ ⅰ⟜ ಾ

㢴ǎ᳤̜ᅞ ͔ 㐛 ̬ ᕅ 㭗 ൪ᡷ ⅰ ㅊ ٨䢬㌨ 㭓 ྲ ㉼ ⮍ ‫♐ ڌ‬䢬Ǘ㌨

⿫࿸ᆑ᳤ྷ‫⿦↽ݶ‬ᕔ㠙䢬۠͞⍹ᕐഭᑜⳒ⻐☺೙ГᆑႰӍⅰ

㭓ˬ࿖လǘ₢ᴿᕅ᳤ዞ㭗ǎᖋ㦖⦿ず९ྷი೗཯ༀⅰ཯٨㬟

㐋 㐱ᑚᧈǎ‫ܒ‬ᒿ䢬༏࿋ ཕⅰ෗㭗⟜ಾˬ㒄 ␯⦾Ǘ㈷ ㈹՜έྉ

ㄕ ᑓః㭓 ᆳອϚⅰǗᑓǘი ۩ǎ഑㢂 ˔䢬ᴮグᒴᮕᛃ ᆖ ᒴᖋ

ཕⅰ⎖૿⇀㐹ǘᆳཙ㈭ⅰ≷⿦⦾ი೗˔ⅰᴮ͞‫ܓ‬ṶⅰṶჵ䢬

㦖⦿⓺⮍㕳ᑜǗ៪ᚕఃᖍᆳ‫׼‬㐢ⅰ͍㤘ǘ଩ή᳤̿㧙ⅰი೗

‫ ឺܒ‬ᆑ ᳤ྭ έ͜ ˷⟳⟜ಾ ⾾ ሣ ᑋⅰ㒲֯ǎྭ έ͜ ˷⟳ ⡃㐓

ອϚ㏧̃૿⿫ཕⅰ⚭㬟㎠የ䢬ㅐᆒм͎ⴵॺǗ⇎˗‫׋‬᜺࿸ゆ

㐿Ǘ݈έ˗‫݈۽‬έⅰ̠ḳǘ䢨present the unpresentable䢩ず

〓䢬ୣ♰ॺఃᖍࠏ㧋˔ᇃ㎠ǘⅰṶᦵ˕䢬Ǘ⏲ᇤ䢯⏲ಾⳒ⻐ǘ

९⦾έ͜ ˷⟳ ⅰ෗㭗֯⼧䢻⡈ ⿫ ࿸ Ⳓ ⻐ ഑ ㊢ ⡃‫ ឺܒ‬Ⅺ έ ݈

ॺఃᖍ֯㧙ⅰ⟜ಾύ⿼́˕ϭ⧁ᦒᕔ֦㊊ǎ

έሐㅽⅰ⿫࿸ۙཙⅪ⿫⇶ⅰႰӍᒴᕍᕔᐅⅰ䢬᳤्ᕍ㕳⾾ⅰ


Ⳕ⻒䢵⏴ೀⅲ ⟞ೀ⦪˹

ᒕ⪬ Philip Krantz ŏ⎘⚯⛈⚊㐞П Neural Network Communication Credit: Philip Krantz, Krantz NanoArt (www.krantznanoart.com)

FEATURE 115

ᒕ⪬ Philip Krantzŏኃቹ‫ۈ׍‬ಠⅲ⢏㦈 The sound of an atom has been captured Credit: Philip Krantz, Krantz NanoArt (www.krantznanoart.com)

␯ⅰ⦨ᴿᗈ␯䢬͞ᴮလ⁣ᣋⅰ኿ᗉᑚᧈ‫׼‬㐢⣳૩♺֦ 40 㨼 ᒴ Ě͒мべ᳤⿫࿸ᒴǗ㈷㈹ᒿ③ǘⅰǎ

␯˗‫᥃ܒ‬ᗈⅰᗈះ䢬ൠέ㨒ަ຋਻᳤̜㏤܎㇃೮۲‫ݡ‬ⅰ╥㑢

⿭࿺Ⳕ⻒ᆵຯϜⅲ⟞ೀႎ੺᢫⦷ഓή

៪‫ב‬ǎ

ᴮグᒴ⇎˗⿇εަⅰൠ਻䢬ᆖᒴᮕᛃ〛グ㌨㭓ۜ⦾εަᒿⅰ ⎖ହი೗≷⿦䢬ᆖᒴᕊヒ⛁૿ず९͞⿍⿦ྉཕ݈έ˗‫⿇۽‬ⅰ ᐨᎭǎ₢ᆒмो㦵ဓ⡁⿫࿸Ⳓ⻐ອ⚋ᆒмⅰࠚⅪ ĚǗ˷മ Ⳓ⻐ⅰᒴ⿫࿸ǘĚ㐛з᜺࿸ۙ᠝⿍͌ᑻ૦㕳ᑚᧈ‫׼‬εⅰ⏲ ಾ䢯⏲ᇤⳒ⻐εަ̏〴⣳ອ⚋ᆒмˍ⚖ύ⿼ǎ᳤्Ⳓ⻐೮㐓 㐿εަⴵύⅰ˗ᒴྉཕ⦾ᖍᑁⅰ⽜⽔䢬⡈ᒴⴵύⳒ⻐೮⦨ກ ⅰ߈ಾ⦾⿫࿸ǎॺᢪ‫נ‬ዞ˕䢬ᆒべ᳤㑮ᕔˍз㕳⾾ⅰ㡁‫؝‬ᚄ ͪ䢺ൄӍԱ‫ق‬ᑒ䢨Rosaline Kr auss䢩ᕋዞⅰǗ՜‫׼‬ః͍ǘ䢨〺 9䢩䢬ᆒм ࿘ 㦘 ധǗః ᖍ လ ⅰ㟘 Ⅺǘ̏ ⿍ ᳤εަⅰǗ⿫ ࿸ǘǎ ჋ ဓ ൄ ᒴ䢬₢Ⳓ ⻐೮㟘 ⅪǗ‫ۆ‬ಞǘ䢨a t o m䢩ѵ ᳤ ⢍㦆ᖍ ᑁ ⅰ ᒿ ф䢬̿мᅞつ㠙᧘ⅰᒴǗⳒ ⻐೮ۙ‫׼‬㐢⦨ກⅰః ᖍǘ㐛з ⻋‫ػ‬ᕲ㌨ൄᒴ⿫࿸ⅰཁ❼䢬⡈㤔ఃᖍǎㄵ଩ῈՒⳒ⻐೮ᒓ⪪

ⅰ⌒䢬ॺ⿫࿸Ⳓ⻐́ྭ䢬ఃᖍⅰ⦨ⁱༀ⦾グ㏻ⅰ③㟠⼕ᇃ㟘 ̜䢬ネ ‫ה‬ⅰᒴ䢬⿫ ࿸Ⳓ⻐ᒿᕧ̿мᆳऩྡྷⅰྉཕ ⿼᏿ॺέ͌ ⅰ⟜ಾ ႌ ੸ ྭᆾ⦵഑έǎέ͜ ˷⟳ ⅰ⟜ಾ䢬ᆖ ᒴǗ㣊ǘᆳ ອ Ϛⅰᐵᧈ䢨㙺 ӍǍᏣ ྕǍ㣊ྕ䢩̏〴˗ᕐᩓ૵䢬ᴿ⡈䢬ᆒ⇀Н ᜲ⦯Ⅺൠⅰ⏲ಾǍ⏲ᇤॺᗬᑚ㤘㤔ຯ኿㏧Ⳓ⻐ⅰᘼ࿖ᕲㇰ䢬 ۸ ᒴೇ‫۽‬⣳˗ᒴǗ⟜⻐ǘ䢬ΠՐᢩॺ ੐ 㐢 㐛зᒿ͜ⅰ⟜ಾ⿫ 㷞䢬᳤्㐛ᒴˍзႰӍ‫؛‬ྉཕ⦾㐿ۙ‫⻐גڨ‬ᒿ͜૭⇀㐘༆ⅰ ᒿ‫ו‬䢬㐛ᒴз೰〴૿Ⴐⅰ໛͜䢬Ⳓ⻐೮˗՜㣍⾾൫⻋Ⳓ⻐ॺ ☲⚕⣼⚈Ǎ ᆖ೙⟳˔⚋͒мⅰͭ‫ؿ‬䢬ϟ଩䢺‫׼‬ε⟜ⅰ̠ḳǍ 㠙࿖⍹ᕐǍ᐀᦯䢬ॺⳒ⻐Յ೰⦾ྉཕ˔࿘㦘഑㊢ᑓⅰ㈷㈹Ǎ Ցᇝ‫׃‬လ⓺䢬Ⳓ⻐೮έॺ‫♊ࡘ͞۽‬㐓㐿ତ૿࿖ྷᕅ༴૭ⅰ╈ ४㠙᧘̿㧙⁣᨜⦾ᐵ٨䢬⡈㐛‫۽‬⣳ᕅ኿㏧⇜ᢩⅰⳒ⻐ǎ

䢨P h i l i p K r a nt z䢩⦾⟜२޽є᣹̭૭ಾǍῈՒᗾḑፔᑒ⏲ᇤ

〺1

૭ಾ䢨Chalmers University of Technology䢩ⅰ഑㬟ೡ॰㡴㐓

〺2

㐿⽔㐢㧙‫ܒ‬യ়㕵ಞ㣊⤾ⅰ㏼㊊‫׼‬㐢̿๺ⅰ‫ۆ‬ಞ䢬˧㐓㐿‫ה‬ ᰚೇ⁥⁣㣓‫ػ‬䢬՜ⳃⁱ㣓‫ػ‬ⅰ㧀ἐ⁥⁣⢍㦆ǎ͒м㦞〘ॺᕰ Ϛ‫׼‬㐢‫͞۽‬ϓ́⦨‫ػ‬㙺㦆ⅰ⼼⟂ǎो‫׋‬Ǘ‫׼‬㐢⦨ກⅰఃᖍᕲ ㌨ǘ⦾Ǘ‫׼‬ε ⿫ ࿸ǘ㐛ͪ ̠䢬έॺⅰⳒ ⻐೮଩ή⁨⻋‫⿫ ㉼ػ‬ ࿸ۙ㉼⍹ᕐⅪ⁣㠙Ё⦾ᬥ㐜䢿⟜२Ⳓ⻐೮⪉䢮⨜⢸䢨Sam Van A ke n䢩ⅪέᙆǍᖋ⓺᥃ᗈަ␯ᒴ଩ήঁ⼕̿㧙ⅰ㏍ᜪ຋਻៪ ‫ב‬ᆳኯ㡗ྭ䢬⦨ 2008 ໛㈭ 㑢 ᎞⼕ ̿ 㧙 ᆳ ṧ ḹⅰǍ˜ ᱞ⦦ ♿

〺3 〺7

〺5 〺6 〺7 〺8 〺9

M o n r o e B e a r d s l e y , “A e s t h e t i c s : P r o b l e m s i n t h e P h i l o s o p h y o f Criticism”(1958 ;reissued with a postscript, 1981) Lev Manovich, “Post-media aesthetics,” disLOCATIONS (Karlsruhe: ZKM, Centre for Art and Media/ Centre for Interactive Cinema Research, University of New South Wales, 2001). Lev Manovich. The Language of New Media (Cambridge: MIT Press, 2001). ᕊ ヒ ⛁ ૿ ᑜ 2012 ໛ ⅰ ᐵ ⒭Ǔᴮ ḗ ⟜ ⻐ 㩇 , ᦒ ᕔ ‫ ܓ‬ತ ⅰ Ⳓ ⻐ ‫܀‬䢺⚋ ̿ ᐵ ಾ ⏲ ⦾ ః 㭓 ⊛ ⑟ ⅰ ⿍ ⿦ ٨ ᑚ ᧈ ǔ䢨Museum Without Walls, Art History Without Names: Visualization Methods for Humanities and Media Studies䢩ǎ Alexander R. Galloway, The Interface Effect (Polity, 2012). Mark BN Hansen, New Philosophy for New Media (MIT press, 2004). ᖋ 㦖 ⦿䢬Ǔᑓ ః 㭓䢬⠿ ࠏ 㧋䢺စ 㷃 зǗ ᑓǘᧈ䢿ǔ䢬Ǖˬ ૣᐵ ಾǖ䢬40 ‫ ڮ‬4 ᕧ䢬 2011䢬㦑 7-37ǎ Toni Ross, "Art in the ‘Post-Medium’ Era: Aesthetics and Conceptualism in the Art of Jeff Wall," The South Atlantic Quarterly 101.3 (2002): 555-572. Ա ‫ ق‬ᑒ䢨Rosaline Krauss䢩ॺǓ՜‫ ׼‬ః ͍ǔ䢨Reinventing Medium䢩ˍᐵ ˬ䢬べ ᳤Ⳓ⻐೮㐓㐿⁨⽜܎ఃᖍず९Ꮖ⤕⧁ᕔⅰέ͜˷⟳ḿ࿉ǎ


ARTCO 276 116

⿀ ᕖ Բ䢲 ㉑㏩㒆 Ǚᕲ⼗೛⟵ǚⅲ LET THERE BE LIGHT, APPROACHING THE ‘UNDEFINED’ ‫۾‬٩ᐨΦⳒ⻐ˬ࿖ⳃⁱỠ㦕ⅰ┆㏅䢬ອ֦ഭᑜ⏲ᇤ⦾ᑓః㭓Ⳓ⻐ⅰ⡾ᴲ䢬९᳤ⓥՋ ൒ᐨΦⳒ⻐⻠ᮉỠ㩼ỠǕRender Ghostǖǎ䢨‫۾‬٩ᐨΦⳒ⻐ˬ࿖ዞϫ䢩

˙ᒶॼ‫ע‬㤚ሜ

⡊ᒶॼྯ㤚ዃ

ᴮグέ͌ϓ⁨ή␯‫ۙ␲ܓ‬቉␲ᑓః㭓䢯⏲ᇤ䢯ᐨΦⳒ⻐⓺䢬 ഭ‫۾‬٩ ᐨΦⳒ ⻐ˬ࿖ਉ⻋㟊㷊ᐵᨶ⡈〓ೇм㓃ᒴ ᑓ⦿ⅰⳒ ⻐ަ␯䢬ᕔՐỳ⒢ⅰ⣼ ⚈⦾⦨㌨ⅰ˷㭓လ䢬Π↷‫נ‬㐛Շ⡃́

㷌 ᐷ ᨸǏ 㓪ԯᒌェ Ⳕ ⻒⧀ ⏴ ೀ䢵 ⏴ᇦηިഓ‫ف‬ ⧀ग़੺

㟠㊄㦦৴܎εⅰⳒ⻐εަ䢬Ⅺൠ᣹㍦㦖‫׈‬ⅰ͎ᒴॺⳒ⻐εަ ˕ᇮ⏲ᇤѵ᳤๺Ց٨ⅰ݈έ䢬͒м㐜ຯᕔ⚉㶤ⅰ⻠൪Ǎ཯ૈ ‫ה‬ᰚⅰი೗Ǎ֤㧧⏲ᇤ㮪႗ⅰḿ࿉䢬㐛ᗬ൪㤘ഭᑜ዁༴૦㦦 ৴ⅰ ♺↬䢬ᕔ⮍⬷⟜ⅰᐑ٨ε⁨ǎǗˍ↽ ͞ ϚⅰЙೋ‫ګ‬ᒴ ͞ Ⳓ⻐᳤˷㭓Ǎ⏲ಾ᳤⁨ⅰ⿫㷞䢬ᑾᕧᆒ̏ᒴቆᦒᕔ⏲ᇤᕔⳒ ⻐ 㑮 ᒴⳒ⻐䢬ᦒᕔⳒ⻐ᕔ⏲ ᇤ ധ ̓㷃㓃 ˗ᒴǎǘᴿ⡈ॺ ύ ⿼ 㐛ឺ⿫㷞ⅰϹ㡉ྭ䢬͒м˕ᕅ૦࿖‫ۙ؛‬዁‫ػ‬ⅰᒴ㠙ᑜⳒ⻐⦾ ⏲ಾ䢯⏲ᇤ̳⸧ᕲㇰ˔ⅰ〛グ䢬ྷ⛆㊊໚‫۾‬Ǎ֦ḙǍグપ䢬ͱ

Huang WenHao x Teng Chao-Ming on Art and Science / Techno Art Practice and Predicament

९ཅ⒢㊄৴ⅰᕈഖ⦾グ㏻䢬۠͞൰ᑜՐ˷㭓ⅰ⟜ಾ⿍㕴ǎ Ǘ͞Շᚄ ㊊˧⻋䢬ˍ ᚄᒴグ㏻䢬ˍ ᒴ ‫׼‬ε䢬⾾ ᕔ‫۾‬ᲢⅰᐨΦ Ⳓ ⻐ ˍ ೙ ⾾ ᕔ㉘ ૩㕵 ⅰ ‫ ׼‬㐢 ‫⦾؛‬εަ䢬्ᢪ ᆒм ⽔ 㐢 㸇 ّ εަ⁥֦ⅰ​੸⦾໚‫۾‬䢬ᕔ̜εަᆾ‫۽‬⣳ᕔᆑᶔⅰグ㏻⦾ྭ Ⓓ⟜ಾⅰグ㏻䢬㠙ᑜ˷㭓ⅰ〛 グᆾ‫۽‬⣳ ഑㊢ǎǘൄ‫۾‬Ტ έ˕ ⅰṶჵ䢬㷊ᐵᨶくᑘ↷‫۾נ‬Ტॺ㐛ᑚ㤘ⅰⅪൠ㓃͎ॺྷധ⏲ ಾǍ⏲ᇤ๺Ց٨㐿᫃‫˷׋‬㭓〛グⅰ㡷ᣡ䢬Ǘ᳤̥˷㭓ⅰṶჵ䢬 ̏ 〴۸ ⣳ 㤒 ྦ ᒿ 㟠 ⿼ ᥼䢬㐛 з Ṷ ჵ ᕐ Ⴤ Ϛ Ⴤ ‫۽‬⣳䢬ᕍ ྭ ൄ ᦒᕔ⏲ ᇤⳒ ⻐㐛ͪ ̠ႌǎǘӄᕔ ㅐ Շ⡃᳤̥˷㭓 ⦾ύ ⿼䢬ᑓ

ኽ〱䢴ᐦώ䤂཯ἔ㦈

ަ␯ⅰⳒ⻐ྉཕᆾ⣳⇜ᢩ⤕㢹⼕‫ו‬჋թ˔ǗƾƾǘⳒ⻐ⅰೱ ‫ݪ‬䢬ᆑ᳤ǗⳒ⻐ǘ‫ګ‬ᒴೇᕲ㌨ǎ㷊ᐵᨶ⻠⍵䢬ˍ↽͞Ϛⅰ㌨֯ ൄᒴ዁‫ػ‬⡃䢬Ǘᆒ˗ᒴॺ‫נ‬㤘ሚ䢬⡈ᒴॺྭ㤘዁ǘ䢬㐛‫ܒ‬ᒿ࿘


ഓ‫ف‬䣀 FEATURE 117 ៬᝷⧀й́

㦘Ցҥᗬ␯㟘᏿လ䢬ѷ⚋㇒ᬚǍ⟇̏⚋㇒ᬚ䢻ᇝ‫̏׃‬⢔Ǎᢗ

〓ⅰ˗ύ⿼䢬۠͞ഭഭᑚ㦦৴ᐤз⁣ಥⅰṶჵ㓃೎Նᒴᤊᴮ

㦚̏⢔䢬ㅐՇⒹⅰӯѠ⼕݈έ䢬ᆾ⣳ഫ⿊֦ᑓⅰ㧙 ׄⅰήۙ

㦵⛢ⅰ䢬्ᢪഭᑜ܎εⅰႰӍ໤̃ᒴ㣅䢬㐛ឺⅰṶჵൄྩ㢺

⦾ήྷ䢬͒ ᅜְⅰ ゐǗൄ ᒴ ཁ ❼ॺ ঁ഑ 㬟 ⅰ☃ ⎖䢬Ǚ㠙᧘˗

ㅐᬥ㐜ᕔᐅǎǘ⡈ Media L ab ⅰѵᧈᒴᇮ‫܋‬㦦৴ⅰന೮⋘᏿

⌒೙ⅰᖣ⾼ǚ䢬ᆒი⦿㉋ⅰ䢬᥇㑎ᒴᕰ⼕೙⟳ⅰǎǘ

ॺ‫ˍܒ‬ᚷཅ╋ḳ⼿䢬‫׼‬㐢ˍ㊄₅ᬥ㐜⦾⊛Ⅺⅰ​੸ǎഭ̿ᐵ

㇔ᬜⅲ㟢዁ֱᨤ

⦾⏲ᇤⅰ͍㤘ྩᕔ⦿㉋ⅰ͒㐫Մ⊛⑟ೡྭ䢬Ͼ኿」‫׋‬Շз೎ Ն˗‫ܗۨܒ‬ⅰᐑእ䢬଩ҟᛃ◍ᩂ䢨Chris Csikszentmihalyi䢩ⅰ

ᦳ⁨⏲ᇤ䢯⏲ಾⅰⳒ⻐ॺ֯㧙˔ⅰᔯᒯႌṶ䢬ۣ̏ᒨॺḇۨ

യ♲㭗ༀ㠙᧘ ᑜ ⏲ ᇤ ⦾ ⏲ಾⅰ᐀ ᦯ လ䢬଩⏲ಾ ⦾ ⏲ ᇤⅰ዁

Պ㒲㟑㇒ᬚᒿ㌨֯ⅰ୘㌨ᕰᒛǎ͞ᐨΦⳒ⻐ˬ࿖Ϛゐ䢬ᐵ٨

㐫ྷϚ㢹˗㟘㌹̠⦾᐀᦯↷ⅰ䢻۞଩⏲ಾ⦾⏲ᇤⅪൠຯॺᴮ

㒲ᕐᇮՐ㇒ᬚⅰϚᬚˍ‫ڏ‬᏿ॺ⿍⿦Ⳓ⻐䢬ˍ‫⻠ॺڏ‬ᮉⳒ⻐䢬

჋ㄤⅰṶᦵ˕཯٨̜ᗬ̬჋ㄤ়ჵ⦾ᡨ‫♺؛‬᝵䢬ᢪയ♲ᆳⅪ

ॺ⿍⿦Ⳓ⻐㦦৴ḇۨ㇒ᬚ䢬‫۽‬⣳ᕐ⼕ཅㄸۙ⻠ᮉⳒ⻐⁳エ䢻

ൠⅰ㦕↷Ͼᒴഭ㐛̬Ṷᦵዞ֦ۣဓ⦾ሊᇹǎ⡈㪍͸㑅䢨J o h n

̵ۣ́ᴿǎᴿ⡈㠙ᑜ⏲ᇤ䢯⏲ಾⅰ⚭㇇έ㡷ᣡᕔ‫۽‬⣳ቨ᧘‫׋‬

M a e d a䢩ᆳອ㦦ⅰ॰㡴‫כ‬ധᐨΦ⏲ᇤѵ᳤⻠έⅰ๺Ց䢬㟘Ⅺ

Ⳓ⻐ 㦦৴Ϛࡲ䢿㷊⻠⍵Ϛ⦨⏲ᇤ㒲Ǎ⚭ᰳ㒲ⅰ⏲ಾ⼻‫أ‬䢬ቋ

֦‫⁨׈‬㐛з๺ՑϚ዁㐫Ⳓ⻐⦾〲〘⻠㑅ⅰ‫۽‬⣳လǎ͒̏⿫ഊ

ᵦⅰ˧㤔ᒴ̿ᐵ⏲ಾⅰ㑶㎊䢬⡈ᒴቋᵦ㠙㛛 ✻ ᐅ቉ឱ䢨K e y

‫ ॺ׋‬Media L ab䢬ˍ೙␗ༀ͎ധ⏲ಾⅪൠ⣌ྭⅰᡨ‫ב៪؛‬ᆖ

Performance Indicator䢬▐␲ KPI䢩ⅰឱᬞ䢬ᆳ͞Ⳓ⻐㦦৴਌

᰽⁨ಥ⡈˗グ䢬Ն‫ۙ؛‬዁㐫⏲ᇤⅰⅪൠ⦾⻠έ䢬⡈㐛␯Ṷᦵ

ᕲ˔ॺ㐛з⣼⚈˔˗೰ᒠỼྲ⼻‫أ‬ǎ᣹㍦‫۽‬⣳ⅰឹཕᒴ⏲ᇤ

ຯㅐ㓨ԭᒊი‫˗׋‬㊡഑䢬Π͒‫ܒ‬ᒿ⻠⍵Ǘᆒ̏ᕐႰ㒄ឺಥ⡈

㒲ⅰ⚭ ㇇䢬୬〣ᐵ٨㒲ۙਉ⻋Ǎく 㑢䢬ᆾ ᕐ ቨ᧘ ‫נ↷׋‬ⅰ⏲

˗グǍ㐿ᑜឝ⿫ᒴ˗ᒴ⏲ᇤⅪൠ⟮㭓ᆳ࿘⾾ⅰ䢿⏲ᇤ዁㐫ˍ

ᇤⳒ ⻐ 㦦৴䢬Π⇀ ഭ ⅰ ͒м ዞ ᙋᒿ ̏ᕐധ ᙋಞ ٛ ⼼ ᆑӍ ⁥

ᑼ ᇮ૯૦्♖ ⡁ 㕵 㐫 Ϛ 㢺 Գ ი ⿦ ⚟ ᆼ ⚟⥈ǎൄㅐ ˗‫ܒ‬ⅰ⢍

ᜪᙋⅰዞᙋ⿈ᙀ䢬཯ゞᇤ⻐ⅰ㒲֯ǎ̏ᕔ᳤्⏲ᇤⳒ⻐‫׼‬ε

㦆˧ಥ‫ܪ‬䢬⡈⏲ᇤⅰ഑ㇰྕ㦏ᕐॺ⍹ᕐ‫ݶ‬ᐵ٨ឺ㆝⓺˗‫؛ܒ‬

⡃ⅰ㊄৴നᜪ䢬ᕔ⣳‫ۙ؛‬ቄ㤔Ⳓ⻐㦦৴ⅰ㇒ᬚ䢬՜ധ㐛̬㇒

㕵ⅰྕ㦏˕ᆑྉǎǘ͒͞ⅰ⚭㬟䢬‫ګ‬ϓॺ Media Lab ⅰ​੸䢬

ᬚˤोⳒ⻐㦦৴䢬्ᢪ⏲ಾǍ⏲ᇤ㧙ⅰ㇒ᬚྩຯ⁨㟠኿ⅰᨢ

㊄㦦৴܎εⅰㇰ₶⦾ࠏ㧋Ր഑̏ᦒറ㐿ǎǗᆒӄ⣳ゐⅰ๿₠

␗䢬⡈㤔↽኿ⅰቨ᧘ो‫⏲׋‬ᇤ䢯⏲ಾ♺܎ⅰⳒ⻐㦦৴ǎ

ᒴॺ㒄⼿䢬₢⏲ಾ೮ᏹ‫׋‬Ϛ⦨Ⳓ⻐೮ⅰ㑪エ⦾じࠏ䢬͒м˧

㊆ ৶ⅲᐷ٪ ກ₢

˗ᕐ⿦ྲߠ⑨ဟ₠䢬㐛૦റㅐ㢱ᑚগ˕Ϛ⡶⡶૮ㅊᆑ␏㭷໚

⦮ ᑜ↷‫۾נ‬Ტ ⏲ ᇤ 䢯 ⏲ ಾ ⦾Ⳓ ⻐ ܎ε ⅰक़੸䢬㷊 べ ᳤ᴮ グ ᒴᑓః㭓⦾⏲ᇤⳒ⻐䢬㓃ᕐᕔ्ᅞ㐛з⏲ᇤǍᅞ⁨ᑚཕⅰむ ⁣䢬⡈ᕔᑓⅰ̿ᐵ☲⚕ϭ㡁ॺ㐛зᑓ⦿㧙 ׄ́˔䢬्ᢪՇ㐢 ⅰ܎εᙋϟ͎㧀✾Ⅺ⁣䢬्˗ᶔၡ‫⦨܋‬ᆳ൰̿ᐵ☲⚕ՅॺṶ ჵ䢬ᕔ๿₠ⅰᕧྦ⡈⁥⁣り⿼‫⑨⻗ݶ‬ǎ۵ˍ≰⇅‫כ‬ᒴኵ‫ܓ‬ⅰ 㑶㎊䢬ᕔᒿфᇤ⻐ዞϫ⡃ዞϫⅰᇤ⻐Ᏻጀຂ⚭໤̃Ᏻ፳ᐤз ‫׼‬ε 〘ₛ ᆑ⒢ᒿ䢬㐛 ̬๺␗ ̿޹ 㑮 ᒴ ᕔ ‫۽‬⣳ ⼕Ⳓ ⻐೮べ ᳤ ӄ ᒴ ༱ࠇ䢬ⁱᑜ ⏲ ᇤⳒ⻐εަຯ˗۸ ᒴˍ̿ⅰ‫׼‬ε䢬्ᢪॺ ᓫᄏㆱἄༀⅰ؈֯ᕐྩ᪷᜗䢬ᴿॺ⿍⿦Ⳓ⻐㦦৴ྩຯᒴ۸ᕔ ⅪႰ⡃ⅰኵ‫ܓ‬䢬㐛‫ګ‬ᒴᐵ٨˔ⅰ๿₠䢬⡈܎ε₢ᕔΦ㡷⦾᢭ ⿍ᒿഭっൄ˗໚⓺ǎǗ⏲ᇤⅰ⌒ᒴዞϫᕘ‫ؿ‬䢬Πൄᒴᅞつ˗ ۸ᒴ㐛з൪ᡷ˔㤘䢬ೇᆾᕐѨ૭ǎǘ

㷠㟚㒆˙ߢ⑪ⅲПͬ ⡈ो‫׼׋‬ε⡃з̿䢬㓨ԭᒊ䢬ˍ ΦՑҥ㣊៪㇒〙⣌ᓡ⦾㷂⇆ ύ๺ಾ㡕ః㭓Ⳓ⻐⦾⏲ಾ⌄૆〠⛿ⅰ‫׼‬ε⡃䢬ᒴ଩ή͞⦨ກ 㐿ۙⅰ⚭ 㬟⇎ྦⳒ ⻐⦾ ⏲ಾ䢯⏲ ᇤॺ ‫׼‬ε܎ε˔ⅰक़੸䢿

ຯⅰ̠ ǎǘ

ᕲ ⇐ ⿉䢲 㒆 ‫ ؝‬ᕖ ᕲ 㐪 ̃ ⴷ ⩬ ൄ 㓨 ԭᒊз̿ⅰ‫׼‬ε഑ ㊢⦾ ⏲ಾ〠 ⛿ ⅰ㐥 ♺䢬͒ く Ύ ૭ ᜺ ᒴ ॺ ‫ ׼‬ε ⅰ㐿 ␗ˬ䢬Ǘѵ⊛⑟ǘέۙ ྩ ૭㒲֯ǎᗬз ␗ ༀ ˔䢬͒べ᳤͒ ⦮ᒴॺ㟘Ⅺ⦨ກഭ㐛̬≷ㄤഭㅽ኿㏧ⅰǗᑚ ᧈǘǎॺ 㐛 ̬ ᑚᧈ ⅰ ⣌ ྭ䢬ⳇ ⮍ ഭǗべ ≷ ⅰ ˗ ‫۽‬⣳ လǘⅰ ਉ ࿸䢬‫ګ‬ᒴ ഭ̠ႌ⇜ ̜ᢩ⿼ⅰ˗ ‫۽‬㑅 ‫׋‬ǎΠǗ㐛̬‫ػ‬εᒴ⢸べ ̿ⅰ⣳‫ػ‬လ‫˷ݶ‬㭓လˍзྩ㕳⾾ⅰྡྷ㏪㐿␗䢬㕳♲ഭ⦨㌨⦾ ⦨㌨́ૣⅰべㄤ ‫ݶ‬Φ ⟂ǎ̜⿼̠ ḳⅰᄢᕤᒴ̿ⅰ૮လ䢬Θ̃ ߳ᕔ べ ㄤ⦾ύ ⿼ᑚᆾ ⣳ ❰ ❼‫נ‬㐫ǎǘ଩εަǕˍ з☶ ࿸⋱䢬 ☶࿸㕶᪷ⅰ䢨˗䢩‫⻋۽‬လǖ䢬͒‫⁨׈‬㧙Θᐨಾ☲⚕ۙ֯ᖾǕḷ ๟⻓റ໛ᣤ̠̿ͪǖ㣊ྕˬᣵз⿮⨑ⅰ̥‫ػ‬㠙Ёǎˍз☲⚕ ᴮグႰ⾾଩ήՆ↯ⅰύ ⿼⦾֯ᖾ䢬ˍ೙ᕔՐ㡉 ༀǎǗۣ⡈ᒴ 㐛̬֯ᖾᦒᕔ㏅ᧈⴵύⅰ㒲֯䢬ᆾᒴεަⅰ㕳㷞ǎ֯ᖾᴮᧈ ֯ᖾⅰ䢬ۙ㉏㏧↷ឱ۠૵ᐏⅰᒿф⇎⮍㒄з⦾↷ឱⅰ㉻㢹䢬 ᗬз␗ༀ˔ᒴᕍ㕳⾾ⅰǎǘ

㖁ഭ‫۾‬Ტ䢬͒ዞ‫׋‬നᜪ֯⏲ᒿ៪㷞૯ᑾ䢬㐥ອ⮍ഭᇤ⻐⦾ი

㐅㐔ύ়̏〴ᒴ⏲ಾ̿ⅰ૮⢑䢬ᴿ⡈㞗㇤‫؛‬ᕔᕰ㐨́⟜䢬ᆖ

≷ⅰ኿ 」̏ ᑾ ᑾൄ നᜪ֯⏲̜ǎǗٛሱ ഭⳒ ⻐ ྉཕǍ⏲ಾゆ

〴ൄᒴ൰ᑜ㤇԰ⅰ⿍⛨̜ǎ


ARTCO 276 118

Ǚ̢ ഓ ⅲ ⟞ ೀǚ

ॺ ‫ ؝‬ቄ ૭ Ꮳ ྕ ຨ ᦄ ḑ䢨J e f f W a l l䢩1992 ໛ ⅰ Ꮳ ྕ ε ަǕⳒ ⻐ ೮ ೌ ‫ೌ ׈ ڕ‬䢮ᦄ Ա ᑜ ᬱ ޽ ⬷ ⩷ ൰ ޽ є ᣹ ̭ ૭ಾ⿼‫ץ‬ಾ㒲㟑഑㬟ೡ❟⽔ឱᕲǖ䢨A d r i a n W a l ke r,

AESTHETICS OF MATTERS OF FACT

artist, drawing from a specimen in a laboratory in the Department of Anatomy at the University of British Columbia, Vancouver䢩ˬ䢬ᆒм‫ˍ׋⇎͞۽‬зഭ⮍⑻Ǎ গॺᙏ㑳ᢩ㤘ഭ⮍㤒ḳ♖ዝⅰⳒ⻐೮ǎ͒❟⽔ⅰḳͪ ᒴ ˍ۸⼕ ೌ᏿ॺ ⳅ ⚵ ⨑ ੾ຌ˔Ǎ⚭ 㐿 㧮 ̔Ǎ㠴⤭ⴵ ύ ⅰᆼ⦆ឱᕲǎॺᦄḑⅰ⇀Ḙˬ䢬Ⳓ⻐೮㧧ᴿຂ⚭ᢴ̜ˍ

⏴ೀ⧀Ⳕ⻒ⅲ 㠛Ѓ▒‫܂‬

ᦆḓ Jeff WallŵⳔ⻒೰೎‫׊ڗ‬೎䢴ᦆԳᑞᬳ޿⬹⩹൲޿і᣻̯૯ೀ⿾‫ק‬ೀ㒴㟓ഓ㬡ೣ❡⽖ឳᕴ Adrian Walker, artist, drawing from a specimen in a laboratory in the Department of Anatomy at the University of British Columbia, Vancouvernjᶸ┾⼼⟂nj119x164cm 1992 Collection De Pont museum, Tilburg NL Photography Peter Cox

ᣡॺḳͪ⦾♏㤘㟠Ϛोۣ⿂⿫ഊǍ᣹㍦ǍゞᘪǍઌ᪾Ǎ ⌒ べ ⅰ㐿 ␗ǎ͒⇴‫נ‬ⅰ♏཭ຂ ˗ ՜③Ⅻ䢬⼕ ዝ ❟˕ Ϛ

Brief Relational History on Science and Art

ⅰ ९ Ӎຂ ᮪ ᮪ ᆑ ྉ䢬⡈ ᢪ ‫ו‬䢬͒ ᢩ ⁨ ᆼ ፳ ⮍ 㦵Ǎ⇴ ԰ ѷ₍ॺ ♏㤘˔䢬Θ̃㡥Մ̜ᦊဓǎ̂⇎́˕䢬ᦄḑॺ⇀ Ḙ ˬ೙ ྕ˕ Ϛ ⅰ ˗ 㐿 ᒴ ˍ з Ⳓ ⻐ ೮ ❟ ⽔ 㤒 ḳ ⅰ ഫ ຯ ਻ ᓡǎ۸˗㐿䢬ॺ ᦄḑ೙ ྕ˕ Ϛ ⅰ㐛з ₛ㤘ˬ͎ ᴿ Ԭ ᑋ⮍〴૦ム॰ǎㄵ଩䢬ₛ㤘ˬⅰⳒ⻐೮᳤̓㷃ᕐ֦έॺ Ǘ഑㬟ೡǘˬ䢿⡈˜䢬଩ᗈ͒ॺ㐛㑳ⅰͭ‫ؿ‬ᒴ⽔㐢֦ḳ

ᐷŷᖍ⒤㖸

ͪⅰྕӍ‫׸‬ᕲⅰっ䢬᳤̓㷃͒ϓ⁨ⅰᇤ⻐ᒴǗ♖ዝǘ䢬 ⡈˗ᒴᦄḑ⁨ϚሞᏣ˕ᆒм⇴‫ྕנ‬Ӎᆳϓ⁨ⅰǍᕅϾ


㠛Ѓ ▒‫܂‬

FEATURE 119

ኖ˜೟⿫ⅰᇤ⻐ ĚǗᏣྕǘ䢿ᢪૣ䢬ᆒм‫ࠏ͞۽‬ⅰ ᕅᒴ䢬⑟

⻐᐀᦯˔ⅰ⡁㕵́ૣ䢬९Ӎഭᑜ⏲ಾⅰ㕳⾾လᕅॺᑜ䢬९Ӎ

⒬ᒴ̓㷃ㅐ⇀ḘˬⳒ⻐೮ⅰ↷԰˗՜Ꮖ↴ᑜǗ♖ዝⅰഭㅽǘ

ㅐ‫ۆ‬ᕲ۩㡉ᑜᒿ③Ǎ۸⣳⼕റᐨ̿⿝⿇ⅰ⚭㬟ྲ͞⼕ԜಥǍ

⦾Ǘຂₛ֦Ϛⅰ९Ӎǘ́㟠䢬⡈ѷ˕̜⓷䢬㐫Մ̜ᗬ␯ဓ⛢䢿

ड़೙˕Ϛ˧㐓㐿֦ḙަⅰᨢҵ䢬ㅐ㐿ۙǍ㑎ᑚⅰ⚭㬟ྲ͞˗

ᧈ २ ⍹ ᕐಾ ೮ ሚ ९䢨B r u n o L a t o u r䢩ॺ 2005 ໛ ⅰ ˍ਻ᮉ ロ ˬ ֯ᖾ̜ᦄḑ ⅰ 㐛ͪ εަ䢬べ ᳤ 㐛ͪ εަՆ ᴿ 㭓 έ̜⾼

ᑘ⼕⽜⽔Ǎጀཙ䢬ᆑ᳤ᐤз⍹⟮ⅰՊՍ⚭㬟ǎ ྷ 16 ˞☶㈭䢬ٛሱᛠḳಾ೮Ǎ૮ᐵಾ೮Ǎ⿼‫ץ‬ಾ೮⓺⓺⦨ᴿ

ᑚ 16 ˞☶ ͞ ϚǗ⏲ಾǘ

⏲ಾ ೮㟘ୣ☲ ⚕ လ ঁ ⛵

⦾Ǘ Ⳓ ⻐ ǘ⛛ ೸ ˜ ⽜ 㢴

㎊ ˍ☲ ּ ٛ‫ ܮ‬૭ 㕵 ९Ḙ

ⅰ 㐥 ♺䢬 ˧ ധ 㐛 з 㐥

ⅰ९㢡䢨atl as䢩ǎॺ㐛з

♺ ␲ ᳤Ǘ ̠ ഑ ⅰ ⟜ ಾǘ

⣼ ⚈ ́ ˕䢬९ Ӎ ˗ ӄ ⢳

䢨aesthetics of matters

ㆯ̜ ೙ ⟳Ǘ ⿫ ഊ ഭ ㅽ ǘ

of f ac t䢩ǎॺ㐛㑳䢬ᆒм

ⅰ ͭ ‫ؿ‬䢬ᕅ ᆑ ᳤ 〠 ⛿ ⏲

₢ ᴿ ᕐ ẃ ₶䢬଩ ᗈ ᆳ ブ

ಾ ೮Ǘ ଩ ή ⿫ ⇎ ǘⅰ 㕳

ⅰǗ ̠ ഑ ǘ჋ ‫⮍ ݡ‬Ǘ ̠

⾾ ๺ Ցǎㄵ ଩ ॺ ᛠ ḳ ಾ

ḳ⌒ ְಥ ॺ ˜‫ ⼕۽‬㬟

⼿䢬‫ ש‬Մ 㟑 ⅰ ⁣ ᆼ ࿘ 㦘

ㄕ ⅰ ⇜ ഑Ǎ೟ ⿫ ႌ ᦵ ᆖ

㐓 㐿 ९ Ӎ ⅰ ㍴ ‫أ‬䢬ಾ ᕐ

ᒴ Ṷ ჵǘ䢬㒄Ǘ̠ ഑ǘ᳤

ധᑻຯ ゆ〓 ⼿ ⅰ ྉ ೰ さ

̓ 㷃 ‫⦾ ͞ ۽‬Ǘ ⟜ ಾ ǘ⇀

䢨ㄵ ଩ ゐǗ૦᣾ ⅰǘ䢩՜

ዞ ˧ グ䢿۞䢬Ǘ ⏲ ಾǘ‫ݶ‬

‫ ˕ ܗ‬࿅ ֯ ᆑ ᕅ ♠ ✅ ⅰǍ

Ǘ Ⳓ ⻐ǘ́ 㟠 ಥ ॺ ⮍ ̓

˗ ‫ ܒ‬ⅰ ḿ လǎॺ ⃚ ύ ⿼

㷃ឺⅰ㠙Ё䢿

‫ ץ‬ಾ ˬ䢬㕕 ⁣ ‫ ⳃ כ‬ⁱ ९ Ӎ ധ ⇀ ഭ ␏ ᕔ˜л ࿽ ᩓ

⾾ ो ┄ 㐛 з ࠏ 㧋䢬ᆒ м

㐟ⅰǗ⃚࿉ǘЙಥ˕Ϛ䢬

࿘ 㦘 ԯ 㕳 ᑓ ो 㧡 16 ˞

ㅐᕰ Ϛ ⅰ㕕 ⁣ॺ 㤘⦦ ⇀

☶ ͞ Ϛ⏲ಾ ‫⻐ Ⳓݶ‬ⅰ㠙

Θ ⅰ Ṷ ᦵ ᒿ䢬⣳ ᕔ ᆳ ϭ

Ёǎ

Ꭽঁ㏇べ֦ၴ⃚ⅰ㌨

⏴ೀ⧀Ⳕ⻒ⅲ

㭓ǎ

̵₱⧀ֱ㢻

ॺ 㐛 㑳䢬ᆒ м ࿘ 㦘 ≷ 㑄 ⅰ ᒴ䢬㢮 ᴿ ॺ ᢴ ‫ ˔ ܀‬ᣵ

ो㧡ᢴ‫܀‬䢬ᆒмᕐⅪέ䢬

ˍ зㆯㆺ ⛵ ᎍ९㢡ⅰ⏲

₢ 16 ˞☶ⅰ⏲ಾ೮㟘ୣ ཯ゞǗ⇴ ⿇ ᳤ᄯǘ䢬Ꮖ⤕

㠾ḓ᣻‫ئ‬ᑔ Bernhard Albinus ŏ́㧛㬶㭅⧀⢢⢟ॱ㞙 Tabulae sceleti et musculorum corporis humaninj९ȩ̭nj1749

ಾ ೮ 㓃 べ ᳤⦨ກ ⅰ↷ឱ

㐿ۙᡨ ஔ ‫ݶ‬۳͜ ᨢҵ ˕

ᒴ ധ⦨ᴿ ଩഑ ঁ ݈ έॺ

Ϛ ⅰ ≷ ㄤ䢬˧ ࢰ ず ⮍ ധ

ㅂ⡃⇴‫נ‬䢬˗㐿Ǘധ⦨ᴿ

≷ㄤ㕳ᑓཅ⒢ॺǗ഑㢂⚭㬟ǘ⦾Ǘ഑㬟ǘ˔ᒿ䢬㐛зྭϚ⼕ᢴ

࿪഑ঁ݈έ֦Ϛǘⅰ㐿␗♿㤔⻠㤘˔⇎Ϛ଩ᢪࡘ♊ǎ᳤्㩼

‫܀‬ಾ೮␲εᒴǗ⏲ಾ㤛‫ݪ‬ǘⅰ㡷ᣡᢩ̏ᒴ⦨ᴿ⏲ಾ೮ᕅ⛛೸

ԯ䢬⏲ಾ೮࿘㦘ྷ⇶૦Ǎ♑ 㢴 ˜ ୣ♰ⴵॺㅊ‫ˬ́ػ‬ⅰ˞₅䢬

ঁ⦾Ⳓ⻐೮ˍ㈭Ս̠ⅰ໛͜䢺ⁱᑜ۸ᕔറᐨ⦨ᴿ⏲ಾ೮ᕲ㌨

ሐ֦ۨˍз㑕܎݈έⅰഭㅽǎՐᡷ䢬͒࿘㦘㤘ഭⅰࠏ㧋̏ᒴ

᎙ᕔ❟ ₛǍ㢭‫ו‬Ǎ㞋 ᖱⅰ⣳‫؛‬䢬͒мྡྷ​ྡྷ࿘㦘 㐓 㐿Ⳓ⻐೮ⅰ

つ㐓㐿စឺⅰᑚཕǍစឺⅰః͍Ϛ݈έ⦨ᴿǎየ۴っゐ䢬Ǘ࿪

‫أږ‬䢬ᆾ⣳ॺ⦨ກⅰ֦ḙḳˬ‫؝‬Մ९Ӎǎ₢ᒿⅰ⏲ಾ೮᪦≷䢬

഑ ঁ݈έ⦨ᴿǘՐ഑ ᴮ‫۽‬㑩 Գ ঁ㐥 ♺ ⮍⏲ಾ ೮ᆳ べ ᳤ⅰ⦨

֦ḙަˬⅰ९Ӎ˗ӄᕐྕ㦏ᕈⅰ㘵߲㕵䢬ᕅᕐ↽኿᥼೙͒м

ᴿᒴ̓㷃䢬⡈˜䢬ो㧡ᢴ‫܀‬䢬ᆒмᕐⅪέᣵˍз໛͜ഭᑜǗ࿪

ⅰ⊛⑟ᆑᗈॺ⏲ಾ₅ᒴ‫ܩ‬⣳㐢ᆑ㏼㦏ǎᴿ⡈䢬㡗̜⚭ᰳ‫ݶ‬ಾ

഑݈έǘ㓃 ᕔ˗‫ܒ‬ⅰႰӍǎㄵ ଩⫕ ⴖ 18 ˞☶ⅰ⿼‫ץ‬ಾ ೮㠼


ARTCO 276 120

ḑ᣹‫ؤ‬ᑒ䢨Ber nhar d A lbinus䢩䢬͒㢮ᴿˍᑚ㤘ॺ 1747 ໛֦

ᆑ֯ǎྷᢴ‫⇎˔܀‬Ϛ䢬ᢩᒴॺ 㐛зᒿ㟠㷞˔䢬Ǘ⏲ಾǘ⦾ǗⳒ

ḙⅰ⿼‫ץ‬ಾ९㞗⼿ዞ‫׋‬䢬͒ᒴ଩ήˍ⚖˗⩦ঁᬞҥǍ♲܎㬴

⻐ǘ᮪​᮪⼕֯٨Ǎഭ⒢ᆑᆒм͌૮᜺࿸ˬՇзᩒ᫏֯ᒛⅰ㦦

㭃䢬˧㐓㐿Շᆸ⑻ᙀⅰ〲〘ϚㅐⳒ⻐೮☃⌒Ǎᤊᴮり๿ঁዝ

৴䢺⏲ಾⅰͭ‫ ॺؿ‬ᑜǗⅪέǘ䢬Ⳓ ⻐ॺ ᑜǗⅪᒛǘǎ⏲ಾᒴ ഭ

❟˕⇴‫נ‬ᆳ⿇ⅰḳͪ䢻ᴿ⡈䢬۵ˍᑚ㤘䢬᳤̜Ỽ⦯ᕍ೎⟜Ǎᕍ

ᑜ⦨ᴿ 㑶㎊လǍ☲⚕လ ˜ 㐅ᥐᓠ㐾Ǎ೟⿫ ⇜ύⅰ⊛⑟䢬⡈Ⳓ

☃⌒ⅰ९Ӎ䢬㠼ḑ᣹‫ؤ‬ᑒ̏ᤊ˗㑜₶ঁೠ␲㑢ۨⅰឺᕲᕍ⣳

⻐ ᒴ Ⳓ ⻐ ೮з ̿ ↽ ⿦Ǎ˷ ⿫ ⅰ ‫ ׼‬㐢ǎ˗ 㐿䢬ॺ 19 ˞ ☶ ˬ́

ൠέ֦㬴㭃ⅰ‫؛‬㕵Ǎ㤇᨜ༀǍ೎⟜᣹ϟ⦾ Րᐤ 㭓ⅰ⟜ ი䢬

‫נ‬䢬‫ګ‬Ͼ⏲ಾ೮ࢰず⮍⁨‫␯܋‬ᑚཕϚ╆‫ב‬Ǎ↮ዀⳒ⻐೮ᕌ͒

⦮ԩ〴Ⳓ⻐೮ॺ̠ྭǗСᢩǘǍǗ⟜٨ǘ❟⽔֦Ϛⅰ९Ӎ䢬˧

м ዝ ❟֦Ϛ ⅰ९Ӎ䢬͒м ͎᪦ Нᆑ ‫؜‬ⅰ⏲ ಾ ᕍ♰ ࿘ 㦘 㑅 ⦯

ॺ ⣌ᓡˬ‫ ؝‬Մ Ὀ૿ ⅰ ‫ ػ‬ḳ䢬Ϛ ѵ ᳤९ӍⅰǗ⼼ 㨩ǘǎഭ͒⡈

Ⳓ⻐ⅰᆑൄ䢬ۣ́䢬ᆑ ‫؜‬ⅰⳒ⻐ ̏ᕐൠέ֦ॺ⏲ಾˬᆳ㐅ᥐ

〓䢬Ǘ࿪഑݈έǘ⦾Ǘ⟜იǘ˧˗ᒴՇзᴮᧈ⇀೰ⅰ‫כۆ‬䢬ᢩ

㠙ᑜ˞₅ⅰ⇜⇀ǎ

ତ⇀ۣ䢬⏲ಾ೮ⅰ⟜ಾ‫׃‬ᑘ⦾Ⳓ⻐೮ⅰ͍Մ˗ӄЙㄕ̜९Ӎ

ो‫ᦄ׋‬ḑⅰεަ

ⅰ ‫ ۽‬Н ༀ䢬ᕅ ㅐ

ˬ Ϛ ゥ䢬ᆒ м ॺ

ᆒм⇴‫ ˍࡘנ‬ⅰ

९Ḙˬ⇎‫׋‬ⅰᒴ

९Ӎྲ͞ ᒔ⬷ᆑ

ˍзॺ₢͜഑

᳤ᗬ␯Ǘύ়ǘǎ

㬟 ೡˬഭ⮍ឱᕲ

‫ګ‬ϓᆒм˗⣳ॺ

ഖ ⁣ ⅰ Ⳓ ⻐ ೮ǎ

έ഑ ˞₅ˬഫྲ

ྷ͌ ૮ⅰ⿮ༀ⇎

⦾९Ӎ೎Ն⇀‫ܒ‬

Ϛ䢬㐛 ₢ ᴿ ᒴ ˍ

ⅰ з ׄ ឺ ᕲ䢬˗

з ˗܎ ᒿ೛ ˜ ᒿ

㐿㐛ᴮጎ९Ӎⅰ

͜ 㚠 ̘ ⅰ ₛ 㤘ǎ

‫ ۽‬Н ༀ䢬् ᳤ ९

˗ 㐿䢬ॺ ᦄ ḑ ധ

Ӎ ⅰ↷ⅰ˧˗ ॺ

Ⳓ⻐೮㕳ᑓ⟂Մ

ᑜࡘ ♊ ՜ έ ࡘˍ

̜⏲ಾⅰ਻ ᓡˬ

ⅰ з 㭓䢬⡈ ᒴ ധ

ᒿ䢬ഭሚ९⡈〓䢬

ᴮ ᐨз㭓⸧܎ᆑ

㐛ͪεަ˗ӄ ݈

ˍ з ㈷ ㈹ လ ⅰǍ

έ֦⏲ಾ⦾Ⳓ⻐

೎⟜ⅰǗ͜ ⻠ǘǎ ॺ ᢴ ‫˔ ܀‬䢬Ӎ 㠼

̸ṁ William Hunter ŏ́㧛ର஬ಠ೫⿾‫ק‬ೀॱ㞙 Anatomia uteri humani gravidi tabulis illustratanj९ḙ̡nj1774

ḑ᣹‫ؤ‬ᑒ㐛ឺべ ᳤࿘㦘͞⟜ಾ‫׃‬ᑘϚСᢩǍᏼ࠴९Ӎⅰ⏲ಾ೮˧㤔ḿϟ䢬ㄵ ଩⩷२ⅰ⿼‫ץ‬ಾ೮̶ḿ䢨W il l iam Hunter䢩ൄ⦾㠼ḑ᣹‫ؤ‬ᑒ ⇀‫ܒ‬ǎॺ 1774 ໛ᆳ⛵㎊ⅰಢ௢ಞ೩९㞗⼿䢬͒㟘ೖᒛ⟳ঁ‫ܗ‬ ㅂ⡃Йㄕ䢬ᕈˬⅰ९Ӎ☃⌒՜έ̜̿мᆳ⇎‫׋‬ⅰᓡㅽ䢬˗㐿䢬 ⦾ᢪ‫ܒ‬ᒿ䢬͒̏べ᳤Ǘ⟜ǘᒴॺ՜έ⦨ᴿᒿ࿘㦘 㑅⦯ⅰ♰ᜲ ↷ឱ䢬˧㐓㐿♺܎˗‫ܒ‬ⅰ൙㭓Ϛቁ᫩֦ᕍ࿪ᑜ⦨ᴿⅰ९Ӎǎ ̠ ഑ ˔䢬Ӎ ᒴ 㠼 ᣹ ‫ ؤ‬ᑒ ‫ ̶ ݶ‬ḿ 㐛 ឺ ⁨Ǘ⟜ ಾ ⚭ 㬟 ǘϚ ѵ ᳤

ྷ 16 ˞ ☶ ͞ Ϛ 㚠 ⚱ ⅰ 㠙 Ёǎሚ ९ዞ㕃ᆒмⅰ̏

ᒴ䢬ᴮグ⏲ಾစឺೠ␲⦨ກⅰ೟⿫လ䢬ॺᆒм㤘ഭ⇜഑ⅰ₢ ˕᥇ 㑎 ۸⣳ ᒴ ̿ 㐢Ǎ⚭ 㐿 ၡ ࿖ 〘┰ ˜ॺ ᢴ ‫ ⼕ˬ܀‬ཅ ᝵֦Ϛ ⅰǎ᳤्ᢩ଩ᢪ䢬㡗̜ࠏǗ̠഑ ᒴ ̓㷃䢿ǘ䢬ᕅ 㕳⾾ⅰᒴ ۙぢ ࠏǗ̠഑ⅰ⟜ಾǘ䢺⏲ಾˬᆳೠ␲ⅰǗ̠഑ǘᒴ଩ή⼕⽔㐢Ǎ ଩ή⼕՜έ֦Ϛⅰ䢿

⏴ೀ⧀Ⳕ⻒ⅲ՞༂♼‫ܐ‬

く ᑘ⦨ᴿ ᒴ‫ ⇜ܩ‬഑Ǎᢩ⌒ ݈ έ ⅰ ᜺ ࿸䢬ˍ↽ ⾾ ‫ ׋‬19 ˞ ☶ˬ

ᆖ〴ᒴ֦⦨ᑜᗬ␯ഭᑜǗ⏲ಾǘ‫ݶ‬ǗⳒ⻐ǘॺ 19 ˞☶ˬ͞ྭ

́ྭ䢬㢋⮍Ǘ˷⿫ v s . ೟⿫ǘ⼕⿍ ᳤ՇзՆ ᴿ ഭ⒢ⅰ᜺ ࿸ ́

⼕ ֯⒢ ᆑ ̡з ⇀ ̥ ഭ ⒢㦦 ৴ ⅰो ᅞ䢬ྷ 1950 ໛͜ ㈭䢬〴 ૦

ྭ䢬ᆾ㟘ୣ᮪ ᮪ ᩓ૵䢺⏲ಾ ೮㟘ୣべ ᳤䢬⇜ ᢩ೟ ⿫ⅰ⏲ಾ࿘

Ⳓ⻐‫܀‬Ǎ⏲ಾ‫⑟⊛܀‬⡃㟘ୣ〛グǗ⏲ಾǘ⦾ǗⳒ⻐ǘॺᢴ‫˔܀‬

㦘 ኯ 㡗ͭ ή ‫۽‬⣳ ᇓᕃ̠഑ ⅰ्♖䢬㐓 㐿ϓ ⁨⦨‫ ៪ ػ‬ᚕ Ϛ ۨ

ⅰ㠙Ё⦾⇀̥ⅰྕ㦏ǎㄵ଩ᯀヒ૰ᑒ਌䢨Er w in Panofsk y䢩

͜Ⳓ⻐೮ ⦮ᒴ⦨㌨䢬ⳃ͞ 㬐 㐔 ᆳᕔ᳤͍̿ՄǍ⟜ಾ‫׃‬ᑘⅰ

ധΙ‫׈‬ₗ䢨G a l i l e o G a l i l e i䢩૮ᐵಾ˔ⅰⅪέᢵ♺‫͒׋‬ഭᑜ


㠛Ѓ ▒‫܂‬

FEATURE 121

Ǘᒛᔂ ᧈǘⅰኩ ዮ䢬ᆖ ᒴ ⩷ २Ⳓ ⻐‫ ܀‬೮ვ ᖢ 㦡䢨S a m u e l Y.

ᴮᧈ ٨☺Ǎᢵ ♃ⅰ㢴 〙䢬ྷ᪬ᦍˬ╥㑢֦‫┰〘۽‬ⅰㅊ㦕䢬˧

E d g e r to n䢩ധ ᐵⳒ ࿀ ⦿ ᒿ ᕧǗ㐓⿍ ᧈǘⅰ Ⅺ ᒛ ⿍ ᳤ ᒴ ዁ ‫ػ‬

ྷ㐛̬ㅊ㦕ˬ዁മ֦Յॺ⚕ˍǍ᫟६ⅰ⦨ᴿ೙ύǎ࿋‫ݶ⪪ع‬

⾼ᑚέ͜ ⏲ಾ Ⅺൠⅰ㕳 ⾾㠙 㛛ǎ㏧ 20 ໛Ϛ䢬〴 ૦⏲ ಾ ೮ॺ

‭੓㕲べ᳤䢬Ⳓ⻐⦾߈ಾᆖᒴ⦨ᴿ⏲ಾⅰ˗‫ⴵ́ܒ‬䢬ॺᑜⳒ

೗ ᑚ ៪ ᝵ ⅰ ㇒ ‫ ˕́ أ‬㟘 ୣ ⦾ Ⳓ ⻐ ೮ Ս ‫ ܎ ܒ‬εǎ۵ˍᑚ 㤘䢬

⻐㢮ᴿ̏ۨᖍᑜ‫ˍܒ‬з˞₅䢬˗㐿ⳃⁱ㔊⟂⦾㕳♲䢬Ⳓ⻐⾾

Ⳓ ⻐೮̏㟘ୣ૭ 㕵 ቚ⁨‫ ۆ‬Ϛ ൰ᑜ ⏲ ಾ 㦦৴ ⅰᖍ ᑁǍ⊛⑟ᆼ

‫ܗ‬ᆒмൠέ֦ⅰ˗ᒴ㤒ჵⅰ̠഑䢬⡈ᒴ⇜഑˞₅✾⽜ⅰㅊ‫ػ‬

ᧈϚѵ᳤⦨ກⅰⳒ⻐‫׼‬εⅰഭㅽǎ㏧໤໛Ϛ䢬ॺᢚᨓ⦿㈭ⅰ

လ䢺Ⳓ⻐˧˗♊ᴿ ՜έᆒм⚭ 㬟ˬຂ≷ⅰ˞₅䢬⡈ᒴ˗ᅝঁ

ǗⳒ⻐⊛⑟ǘ䢨ar tis tic

ۙ ‫ ࡇۺ‬㒄 ̬ 㢮 ᴿ ⇜ ഑

research䢩ᕅ‫⼕͞۽‬ύ

ಥ ॺǍᴿ⡈ॺ ᢪ ‫ڱו‬ഷ

⿼᳤ᑓˍ᧔ധǗⳒ⻐ǘ

ᕰ⼕഑έǍ㑮˗⣳ ⼕〓

⦾Ǘ⏲ ಾǘ㕳 ᑓ ᐤ ܎ॺ

ゐǍ՜ έ ֦ ϚǍი ≷ ‫׋‬

ˍ ㈭ ᆖ ᒴ ധǗⳒ ⻐ǘᢩ

ⅰǍᕰ≷ⅰǗέ഑ǘǎⳒ

‫ܓ‬᳤Ǘ⏲ಾǘⅰࢰずǎ

⻐ᒴˍ ᚄ㐜ྡྷǗᕰ≷ǘ ‫ᦒڱ‬ᕔ↭ 㦵ⅰ㑄ǎየ

˗ 㐿䢬ॺ 㐛 з 㧮 ᯓˬ䢬

зᑚཕ ゐ䢬Ⳓ⻐㐅ࠏⅰ

ᆒм࿘㦘ۙࠏⅰ₢ᴿ

˧˗ ᒴ䢬̠ ഑ ᒴ ̓ 㷃䢬

ᒴ䢬ᆒмᕔ࿘ ⾾ ል㡗ኦ

⡈ᒴ ଩ήॺ 㐛̬ຂ≷

Ǘ Ⳓ ⻐ǘ⦾Ǘ ⏲ ಾǘ́

ⅰǍຂ⼕഑έⅰḘᣡ ́

㟠 ⅰ ₅ ⛨䢬՜ ᡷ ो ‫׋‬

㟠݈έ֦ᕰ≷ⅰ⢊❠䢿

19 ˞☶́‫נ‬ǗⳒ⻐ǘ⦾

଩ήㅐ₢˕ⅰέ഑㕳

Ǘ⏲ಾǘഷᕰ֯೮ⅰ໛

ᑓ㟓έǍᇺഥ֦✾⽜ᕃ

͜ࡲ䢿ᆖᒴᢩ଩࿋२Ⳓ

ᇺǍᴮ ᧈ ⼕ ٨ ☺ ᆑ ೙

⻐ ‫ ܀‬ಾ ⡃ ⯭ 㷙䢨P ete r

ύǍՊཕⅰṶჵ䢿

G e im e r䢩ॺ 〛 グ ₢ ͜

ൄ࿋‫⦾⪪ع‬‭੓㕲ⅰ

Ǘ Ⳓ ⻐ ⊛ ⑟ ǘ㧮 ᯓ ᒿ

⿮ༀ⇎Ϛ䢬ᆒмᆖ 〴‫۽‬

ശ㘱ⅰዞࠏ䢺଩ᗈ㟊˽

͞ ゐ䢬₢ 19 ˞ ☶ ˬ ⏲

͞ϚᆒмᑾຂՊべǗⳒ

ಾ ധǗⳒ ⻐ǘ࿌ ໴ ₠٨

⻐ ǘ⦾Ǘ ⏲ ಾ ǘ⇀ ‫ܒ‬䢬

ᆑˍ зՆ ᴿ ᴮᧈ⦾⦨

㓃ᒴ ᗬ ␯⿫ഊǍဓ⡁˞

ກ ⇀ ೰ ⅰ ͒ ⡃ ᒿ䢬Ǘ Ⳓ

₅Ǎ⊛⑟˞₅ⅰྉཕⅰ

⻐ǘՐ഑̏ॺˍ೙␗ༀ

っ䢬᳤̓㷃ᆒм͌ ૮ 㑮 㣍 ⾾ǗⳒ ⻐ ⊛⑟ǘ㐛з ᑓⅰឱ◀䢿ᕔͭή˗‫ܒ‬

̸ṁ William Hunter ŏ́㧛ର஬ಠ೫⿾‫ק‬ೀॱ㞙 Anatomia uteri humani gravidi tabulis illustratanj९ḙՋnj1774

ⅰᖣ⾼ᒴॺ㐛зឱ◀ ˕ᆾྲ͞⼕഑έⅰࡲ䢿

˔Ỽྲ̜‫נ‬ᆳᕰᕔⅰ⦨ ⁱ ༀǎॺ ͌ ૮䢬㢮 ᴿ Ⳓ ⻐㕳ᑓഫᥐ⮍⼕⢸೙᳤

ˍ㟑⏲ಾ䢬ᆖᒴ཯ゞ⮍⦨ກ⦾⏲ಾˍឺ‫⽔͞۽‬㐢֦ᗬ␯Ǘ≷ ㄤǘ䢬ᴿ⡈䢬ᆒм˗⣳࿤〤ⅰᒴ䢬Ⳓ⻐⾾㐅ᥐ⑨⊴ⅰᅞつ˧˗

ᧈ २ ߈ ಾ ೮ ࿋ ‫⪪ ع‬䢨G i l l e s D e l e u ze䢩‫ ݶ‬‭ ੓ 㕲䢨F e l i x

䢨۸䢩ᒴᢴ‫ॺ܀‬ೇ‫⏲ݶ‬ಾ㟠؈˔ⅰ₅⛨䢺ॺឹ☋⏲ಾ⦾Ⳓ⻐

Guattari䢩ᕋॺǕήブ߈ಾ䢿ǖ䢨Qu’est-ce que la philosophie?䢩

ⅰ֯₅ᒿ䢬ᆒмᆖ〴˗⇜ⅰሤൠ̜≷ㄤⅰ╈४䢬ᆖᒴ㟘ሤ̜

ˬ〛グ̜߈ಾǍ⏲ಾ⦾Ⳓ⻐ⅰ๿₠ǎഭᑜ͒м⡈〓䢬߈ಾǍ⏲

䢨͌૮૭೮ྩࡈᢧኵॺࣅ㑳ⅰ䢩‫۽‬⣳လ䢬⡈ӄӄᒴॺᑹᕔⅰ

ಾ⦾Ⳓ⻐́ᆳ͞ᕐᕔᆳ๿₠˧˗ᒴ᳤्ೇм㤘ഭⅰഭㅽᕔᆳ

╈४Ǎ♺᝵ˬͱ९ḇྲᕅ૦ᑹ೙ⅰ჋⟳ǍӯѠ⦾⢸೙ǎᆒႰ䢬

˗‫ܒ‬䢬⡈ᒴॺ㤘ഭ‫ˍܒ‬з᪬ᦍǍᴮ໲˞₅ᒿᆳൠέ֦ϚǍ⦾Ր

Ⳓ⻐⾾⑨⊴ⅰᅞつᒴ̠഑ⅰ㑳₅Ǎი≷ⅰ㑳₅Ǎべㄤⅰ㑳₅䢬

˗‫ܒ‬ⅰ㠙Ё䢺߈ಾഫᥐॺᴮ໲ˬ↭‫۽‬⣳ሐ֦ۨ૦ឺǍ✾⽜ⅰ

㐛ᒴ₢ᢴ‫܀‬ധⳒ⻐᏿㐔‫⏲׋‬ಾ́ૣᒿ䢬‫ܒ‬ᒿ̳͔⚋Ⳓ⻐ᜲ᳤

ㅊ٨䢬˧ॺ᜺࿸˔ധ㐛̬ㅊ٨˱㐥ॺˍ㈭ǎ⏲ಾ‫ⳃכ‬ⁱኯ㡗

෗㭗‫̏ڱ‬㢺͞㑅⦯ⅰͭ‫ؿ‬ǎ


ARTCO 276 122

㢓ഘ⑤㟢ˮⅲ⚯ᰵ᨞‫ؽ‬ ECONOMIC ACTIVITIES IN STEGANOGRAPHIC SPACE

ፈ⿀

ⁱᑜጛഫཙᎣഭᑜ⛆⒧Յ೰ⅰᇵۨ 㐜ຯ㓃ᒴ 㐜 㐿 㐅ഫ㈷ 㐥♺Ϛ೎ᆑ䢬㒲֯㦑㤘᳤्ᦒᕔͭή㈷㐥♺቉‫ܗ‬Ǎ्ᢪ̏ ⴵ ᑜጛഫཙᎣ ⅰǗ↻‫چ‬ǘ䢨ϟ ଩䢺⎰ ᢨጛ ♘ཙᎣ ⅰḆ ⹼ 〯 ࠏ䢩ǎ㒄̬ ᴮᧈ⼕ ጛഫཙᎣᏹ 㙺Յ೰ⅰ⒧㷞Ǎˍְᕔ⮍㤔 Պ㟘㐢〯 ៪‫ב‬ⅰ ⛆⒧䢬ٛሱ䢺۩ຫⴻ೸ ⌔ЙㄺⅰՅ೰䢬

ˏ йۛˮ࿘٪ⅲᐷ٪ ೲ ࣰ

ᆖ㦘͞ḿ೙ᇤ⻐〺՛ᆾ⣳㐫Մⅰグપ䢬ᆒм␲᳤Ǘ᪦൪⛆ ㊊ǘ䢨D e e p W e b䢩䢬⡈⦾᪦൪⛆㊊⇀ഭᅞⅰ‫␲ګ‬᳤⻠൪⛆

A Decentralized Cultural Container

㊊䢨Surface Web䢩ǎᕲⴸ᝵グᐵ‫ګ‬ᒴⳃ͞˔㏻Շ൪⛆⚈᜺ ࿸́㟠ⅰέ഑㢑ⱉᇤ⻐Ǎ˧ۨ⁨૦㦕㣊⤾ѦႰ␗ཕ䢬Ϛኼ 〛ॺ㇒ᕲ༜㑄⑪٨ⅰႌᦵ˕䢬ཅ᝵Րೇ⚭ᰳ③㟠ⅰ‫۽‬⣳ǎ

Ⅺ΢⡃䢮९ŵㇹᲪᒉ 2ndecosystem 䣀 gmail.com

▒͏

ˍ ཭ ྕ Ӎ‫ ૻ ͞۽‬ອ ૦ റ ㇒ 〙䢿ॺ ᐨ Φ

ᒴ ྕӍˬ㢑 ⳇ ⅰ〙 ၒ ᆑ ᳤ ⃚᣷ⅰໟ♠

㇒ᕲ༜㑄⑪٨ⅰႌᦵ˕䢬᝵ᆑՐ͒⚭ᰳ

ᒿ ͜⾾ ᇮˍ ཭९Ӎ ⳇॺ ۵ૣ ˍ ཭ 㟊 ഗ

⣜䢬ዞϫ⃚᣷ᮉ٨⦾Ⅺൠⅰ‫۽‬⣳ǎ⃚᣷

③㟠ⅰ‫۽‬⣳ǎॺ㐛⼿䢬ˍְⅰ╆㷞〯ࠏ

‫܋‬૭ˍйⅰ९Ӎˬ˧˗㢺ǎϟ଩ⁱᑻᕲ

ᕲ㌨۸ ⾾ Ցᕔྷ९Ḙˬ㏇ べ֦㣍 ⾾ ⅰ

㓃Ցᕔ‫۽‬Ꮓઌလ䢬ˍְⅰ⛆㦑㜣኿㓃ᒴ

̿ᆳ㟘ⅪⅰǕLove Machineǖ‫͞۽‬ധ᠐

ໟ♠⣜ⅰ‫؜‬⣳䢬⽜㢴ⅰ␗ཕൄ‫͞۽‬ಥॺ

㢋៪⁣ ᆑ䢬ι‫͞۽‬ϓ ⁨˗‫ܒ‬๺ՑഭǗ‫܋‬

ᙋ ሗ ⿼ ᆑ 〴 ૦യ 㒲֯Ǎ˧ ˜ 㢑 ⳇ ॺ ९

㐛̬ໟ♠⣜ˬ䢬ㅐ⃚᣷ᕅ⣳㔊܎εᜪ☲

␯ ః㭓 㧙 ়ǘਉ⻋㢑ഖ䢨ٛሱ䢺H i d i n g

᠐⼿㤘ǎ䢨〺 1䢩〴૦̿Ͼ⣳ᇮ˗⣳Պ㟘

⚕ⅰឺ㆝䢬㟊 ᕧᯂͼॺεᜪ☲⚕ՅǍ˜

ⅰ⏧ ̿೸ຫ ⁨㐛 㧙 ㍇㭓㢑 ⳇॺ A ९₢

GlyphǍVecnaǍTrueCrypt䢩䢬ϟ଩ Vecna

‫ ͞۽‬㢋 ⮍ ˗ ᑘዞ ϫ ⅰ९Ḙ˗ ᑘ ᮉ٨ ᆑ

ˬ䢬₢᠝ゞϚᗾ㟺ᒿ䢬㐜ຯᕐ᳤͞ᒴз

ᒴ ͞㢋៪ ᑚ ཕ ധ᪯‫ ؝‬ⅰНၒ֯ ᐗ ‫׋‬९

᳤‫۽␯܋‬⣳ⅰྉჵǎ

Ḙˬ䢬⣳‫⦨⁨׈‬ກⅰ㢋៪ᐨತ⁣ᆑ࣮഑

̿⏧㦦 ৴ ⅰ ᏹ ⳇ ⡈ ࿽ ₗǎྕ Ӎ ѵ ᳤ ᇣ ㍫〙ၒⅰ๺Ց䢬˗ࡘӄᒴ㧧⍵९Ӎ˔ⅰ

ᑻ‫נ‬ཙⅪᑻᕲ ⛆ ㊊ ္ ჶ ⅰ 㕷⸧ ᕯ㪍 ␗

έ ᐨ Ꭽ ⅰ ⇀ ഭ ᪬ ̘ ♐ ׄǎѠྲ ˍ ዞ ⅰ ᒴ䢬つ ᅞ ⁨ ␗ ໲⁨ Ϛ 㢑 ⳇ ᐨ Ꭽ ⅰ ᇤ ⻐

਌⍓Յ೰䢬ՐᐨΦ〙ၒˬ‫͞۽‬㡁ອⅰ㇒

ཕ䢨Vawtrak䢩ϾᒴॺྕӍ₢ˬϓ⁨̜ˍ

〙Ր഑᣹ႰӍˬⅰ㑮૦ǎ⡈ྕӍₛ♖ⅰ

␯␲ ᳤ L S B䢨ᕍ ΧᕔᐅΦ䢩ⅰᇤ๼䢬ⳃ

ዞ‫ڌ‬䢬ྕӍⅰ᠐ᙋ૭യ̏㢋 ́ઌ‫؝‬䢬Ⴤ

ⁱ␙࿅СᏼӍ♖ⅰ㧎⨑䢨 ⦮ᒴ९Ӎˬ

ᐨᎭ䢬ٛሱᐵᕲǍPortable Data Format

૭ ˜Յ೰Ⴤ ㉏⽜㢴ⅰྕӍ ൄ Ⴤ ⣳ Ꮲອ

ⅰⅫࣰ㷞䢩ϚᔂⳇՐ㇒〙ǎ䢨〺 2䢩㢑ഖ

䢨PDF䢩Ǎ ⦮Ր͒९Ḙǎ⡈ TrueCr ypt

ᕅ૦ⅰ㇒〙ǎ㡗̜˔㏻ⅰ㇒〙㢑ⳇ਌⍓

⻐䢨Steganography䢩ⅰ㈭ᬚ‫͞۽‬㐅ᬳ‫׋‬

˗ӄ⣳૩㢑ⳇᐵͪ䢬㑮⣳૩㢑ⳇᐤзᎢ

ᆳ ‫ ͞۽‬ዞ ϫ ⅰǍཅ ᝵ Յ 㒲 ⍹ ᕐ ③ 㟠 ⅰ

‫ػ‬ḳ₅ ‫ݶ‬ᛠḳ₅ˬಥ ॺⅰǗᎼ ჵǘ䢬ೇ

ε☲⚕ǎ䢨〺 3䢩▐ࡘϚゐ䢬Ѧ଩ᆒॺ⛆

ႰӍ́ૣ䢬ˍ̬ᅞ⁨㍇㭓ⅰϾ‫׈‬Ғ⼼䢬

⼕ ㄕᒛᒴ ˍ␯ྩ ତ ⅰ Й ㄺ⦨㌨␯ ᑪ ✾

㊊˷ᨢྕӍ③㟠ˬ㟘〲ˍз⿍⿦㟊༜䢬

㓃‫۽‬⣳ઌ‫ྕ؝‬Ӎ⃚᣷ⅰಥॺ៪ᕐ䢨ϟ଩

⻌ⅰᑚཕǎ⦾‫؝‬೸ᇤ⻐⇀᣹䢬㢑ഖ⻐ⅰ

Ve c n a 㐛 㧙␗ ཕ ⣳ㅐᣵ ˍາ ྕӍ㓃 ⳇ

Facebook ⓺㍫ͪᣵ㡼ˍᣡᒿ㟠ᕐ⦨‫ػ‬

˷⾾ḿ㷞ٛሱ䢺㢑ⳇҵ㎒ⅰНၒᒴฑՄ

‫څ‬۵ˍз᠐ᙋǍ㒄 TrueCr ypt Ͼ‫۽‬⣳ⳇ

˕㍫ϓ ⁨⡃੕ 㲜 ḗㅐ Ր ი ⿦ᱛ⿨ 㐡 ༀ

ॺ ˍ з ⇎ Θ ᴮ 㠙 ⢊ ⅰ ㍫ 㭓 ˔ 㐫 ⻋ǎየ

‫څ‬۵ˍз៪᝵䢬 ⦮ᆒм‫ࢰ͞۽‬ず⁨͞

ㅊᕅ㦖ᔊ䢩ǎྕӍ⃚᣷䢨Image V ir us䢩

۴っゐ䢬㢑ഖ⻐ⅰ᜺࿸⣳⼕Ⴅ჋␗ཕ⁨

˗‫ܒ‬㢑ഖ ᇤ⻐ Ϛ ཅ ᝵֦ˍ␯˗ᑘཁ ൠ

ⅰ ᜺ ࿸ ˧˗ ᒴ ྕ Ӎ ᕲ ㌨ᆑ ᳤ ⃚ ᣷Ǎ⡈

Ϛᔂⳇ㇒〙ḳǍᕅ⣳щՐૻອḿလ䢬ॺ

ⅰᐵ٨೰࣮ⅰಥॺǎ

̏‫⁨ ͞۽‬Ϛॺ९Ḙˬಥ Ԝ ᆳᕔ㧙 ় ⅰ


Ⳕ⻒Ņ⏴ೀ ⅲ』అ

FEATURE 123

䢮 1䢯 ㎔ Ն Ǖ䢨E䢩Espionageǖ᳤ˍⁱᕲᐵε⡃ᆳⴸ᝵ⅰ⡶૮⛆ ⒧䢬Ր㐼εᑚཕ‫כ‬ᒴۜᵦ‫ܒ‬㧙়⛆⒧ Omegleǎ ᘽ Ꭽ ˔ ּ ᜺ ࿸ ゐ ᒛ䢬‫ ׼‬ཅ ˍ з ⁱ 㢑 ഖ ⻐ ᆳ ✾⻌ ֦ Ϛⅰ③㟠́‫נ‬䢬ϓ⁨⡃‫ⳃ۽‬ⁱˍ␯͞Ζᕘ࣮㢋៪㑢 ۨ ೟ᆬǍㅐ 㢱 ᑚ ॺ ഭ っ ⑻۲ 㐫 ⻋ ˍ ഭ ˍ ⅰ ⡶ ૮ ⛆ ⒧ ĚǕ䢨E䢩EspionageǖϚỼྲ㇒〙਌⍓ǎ䢨〺 4䢩 㐛 㧙໚‫۾‬ⅰ㐼ε㐿␗ 㐜ຯ˗Ց‫ܓ‬Ǎ˜ͭ ήˍᑚ‫͞۽‬ ॺͭήᒿфᑘ㟘ǎǕ䢨E䢩Espionageǖ‫ګ‬ᒴˍз͍㤘 㤔 ຯ 㡩 ᒭ ⅰ 㐜 〙 ⴵ䢬⛆ ⒧ 〲 〘 ▐ ⴸ᝵⡶૮⛆⒧Ǖ䢨E䢩Espionageǖᆣ९ǎ

ᮼǍ  ⦮ ӄ ᕔ⁨ Ϛ 㧧 ⍵ ഭ ᑚ 〙 ၒ ⅰ ഭ っ ᙉ ‫ ݶ‬໤ 㦕 ਌ ᕲ ‫ ؜‬⣳ 㛛ǎつ ໚ ‫ ⮍ ۾‬㕳 ᑜ ९ Ḙ ֯ ̷䢬⼕ 㢋 ៪ 㔊

䢮 2䢯 ⑤ 㟢

ഭ ⅰ ⛨ ˔ ⁨ ᆬ ‫ ۽‬㐫 ⻋ ሞ ᵦǍྕ Ӎ

ᧈ२ಾ⡃ּᐺͼḑ䢨Henri Lefebvre䢩ᕋዞ֦Ǘ⁣⁥③㟠ǘ䢨To Produce Space䢩

㙺 ⽔Ǎ᪯‫؝‬ᐵತᆖ९ₛ䢬˧ ധ㇒〙

ⅰゐᧈǎּᐺͼḑべ᳤ॺ㇒ᕲ˷⟳‫ב‬ༀ˕䢬③㟠ᒴˍ␯ᦳ⮍ᕔ‫׈‬ᑜ㇒ᕲ˷⟳‫ב‬

㐥♺‫˞׋‬₅‫ঁ܋‬ǎᕔ㉋ⅰᒴǕ䢨E䢩

ༀⅪൠⅰ㌸㉾⼕‫׼‬㐢֦Ϛⅰ⁥ḳ䢬৪຋ൄᒴ㇒ᕲ˷⟳‫ב‬ༀ㐼⻋㐿␗ˬ⁣⁥‫ݶ‬՜

Espionageǖ˔ᆳ⁣ᆑⅰྕӍ〙ၒ

⁣⁥ⅰ③㟠ǎ③㟠ᒴˍ␯⍹ᕐ㠙Ё䢬③㟠⼿ᱶᮝ⮍⍹ᕐ㠙Ё䢻⡈③㟠˗ӄ⼕⍹

ᕐϭ ᵦ ҵ 㟺 ⡃ ⅰ˔ ⛨ ᒿ ᐨ ⡈Ꮓ ઌ

ᕐ㠙ЁᆳᏳቆ⮍䢬̏⁣⁥⍹ᕐ㠙Ё‫⼕ݶ‬⍹ᕐ㠙Ё՜⁣⁥ǎየ۴っゐ䢬⍹ᕐ㠙Ё

Ǘ⿼ ᖾༀ ǘ䢬ഭ っ ᒿ 㟠 Ⴤ ˽䢬ᆳ ҵ

ⅰཅ᝵Ǎ㐼ε‫ݶ‬഑㊢˗ᑘ݈έ̜③㟠ⅰಥॺǎּ͞ᤥⅰ③㟠ύグ᳤਌⍓˧᪦Մ

㐉 ⅰ ྕ Ӎ ധ ᕅ ᳤ ᪷ ᓢǎྕ Ӎ ₛ ♖

ሤൠՐ⿫㷞ⅰ⍹ᕐಾ೮⏲ḿˎḑ䢨Mark Gottdiener䢩̵ḿׄ㷞֦䢬③㟠ⅰ˷⾾

⩬ ዞ ‫ڌ‬䢬Ր ᠐ ᙋ ૭യ ̵ ᕐ 㢋 ́ ઌ

ḿ ࿉˼ॶঁ ‫ݶ‬ཅ╋ ḳ䢬㒄̬ॺ㇒ᕲ˷⟳‫ב‬ༀ˕ⅰḿ ᣃ㡷♐‫ݶ‬㢡॰ᢩᒴ 㐓 㐿 ዀ

‫؝‬䢬Ⴤ ૭ ˜ Յ ೰ Ⴤ ㉏ ⽜ 㢴 ⅰ ྕ Ӎ

‫ב‬㐛̬③㟠ⅰ˷⾾ḿ ࿉Ϛ੐㐢‫ྕݶ‬㦏৪຋③㟠ⅰྉჵ‫❌♲ݶ‬ǎ䢨〺 5䢩ॺ㐛␯

ൄ Ⴤ ⣳ Ꮲ ອ ᕅ ૦ ⅰ ㇒ 〙ǎǕ䢨E䢩

☲⚕᜺࿸˕䢬᐀ ໺ᒿຯᎨ₢⿈ₛ⡃ⅰ⿮⨑䢬‫ב‬೙‫␯܋‬᐀ ┆‫ݶ‬ᑚ‫ܗ‬䢬㕳ᑓ♲ ❌ ৪

E spionageǖ̵ᕔˍ㦕‫⌒۽‬Й˗࿘

຋ⅰ③㟠䢬↷ⅰᒴ᳤̜⾾ᇮǗ⼕り⁨ⅰᣵз৪຋③㟠䢬ㅊोᕔ⁨ⅰ③㟠ǘǎ⡈ᕲ

₍˕☶㙺ⅰ៪‫ב‬䢬‫ګ‬ᒴ⼕␲ ᳤Ǘ࿱

〘ₛᆳϓ⁨ⅰ᜺࿸Ͼᒴ᳤̜ᇃ⊴㐛ឺⅰ〲೙䢬⽔㐢ˍзᕅ᳤㇈㏧ۙˬ࿖٨ⅰᐵ

ᵦǘⅰ㦕↷ǎ₢⡶૮⿍⑻ⅰ۵ˍᑚ

٨೰࣮ǎ

኿ᏹྕӍྭ䢬㐛̬᠐ᙋᕐ࿌໴ⅰྷ ҵ 㑍 ⡃ᕲ ㌨ 〲ҥ ˔ ⅰ Ζ ᕘ࣮ ˬ ⼕ ‫׉‬㡗䢬ӄॺ኿ᏹᑚ₍˕᠐ᙋಥ༄ǎ 㐛㧙‫ְ۽‬ᑘ㇒〙ϫ⚋Ϛᬚⅰ〲೙䢬 ㅐǕ䢨E䢩E s p i o n a g eǖ्⡈ᆑ᳤㐫 Մ㢑ഖ③㟠ⅰ˷⾾‫ˍ࣮́׈‬䢬ϓ⁨ ⡃‫ⳃ ۽‬ⁱ㐛з ഭ っ ᕘ ‫ ⚕ ☲ؿ‬Ϛ ཅ ᝵㉘ ͞ ዞ ϫ ዠ Մ㢑 ⱉ 〙 ၒ ⅰഗ ༴ Ǘ༜㑄ǘǎ

˕ϟˬധ ⡁ᄔˍ ̬̿⇴‫۽‬ㄤ ׄⅰᕍ ૭ ⨑ ᐨ ́ຯ⿇ⅰ९Ḙᙀཕ䢨J p e g䢩ѵ᳤ゐ ᒛǎᇣ኿˔㏻Ǘ㎒Մǘ​╆ᆳዞ۠Ǖ䢨E䢩E spiona geǖ⓺㧙໚‫۾‬ⅰ९Ӎ̳የ៪‫ב‬ ́щ⁨䢬㒄̬ຂ⼕⚋೙ⅰྕӍՅ೰ḳˬ‫͞۽‬ٛᩯ〴૦㧎⨑‫╆♠ݶ‬Ǎ۠͞‫␯܋‬ᆳ ブⅰǗⅫࣰ㷞ǘǎⅫࣰ㷞‫ ⿍۽‬᳤ᒴॺͭ ήᐨ ᎭḘˬⅰ⣌ᓡᆖ㢋៪㇒〙९ḘՅ䢬 㒄 ̬ 㢺 ͞Ⅺ έǍᆖ⡃ ᦒ ⁨ⅰ 〙 ၒǎ‫⁨׈‬㢑ഖ ᇤ⻐ ⅰ̿‫۽‬ϓ ⁨Ⅻࣰ 㷞 Ϛ 㢑 ⳇ ⏷ ೸ǎͭ ήឱᬞ९Ḙ䢬ՐӍ♖ᒴ˓з⇀㠙⢊ⅰᆑ޹໲ּ䢬㐛˓зᆑ޹ᆳ቉ᩔⅰᒴ Ӎ♖ⅰ☻Ǎ⚵Ǎⳅ䢨R G B䢩㐜㑄ⅰ᪬܎ༀǎॺˍз R G B ѠՅ䢬ͭή⚋೙ⅰ㐜㑄㓃 ‫͞۽‬ٛᩯˍ зྷ 0 ‫ ׋‬255䢨೎ ᐤ⨑䢩ⅰѠǎ⡈ᐨΦ˞₅ⅰ˔˕ᐵ ᆳ˱⢊ⅰ㐛 ̬ Ѡ㓃͞ 8 Φⅰ໲ּಥԜ䢬ᕍ㭗ᕔᐅΦ䢨M S B䢩᳤ 128Ǎᕍ ΧᕔᐅΦ䢨L S B䢩᳤ 1ǎ ۩ᕅᏼⅰᐨᎭ㐓㐿Ӎ♖Ѡ̡㐫‫⻠ב‬⍵ྉཕǍ‫͞۽‬ᒛ㧧ഊ⿦䢬Π᳤्ॺᣵзӍ♖ ˬಥԜˍзತᣴ㣍⾾ѵ֦ⅰᕅᏼ㤔ຯ♠࿅䢬्ᢪᕅ‫ྭػ‬ⅰ㧎⨑ㅊ٨Ͼ♠࿅‫׋‬⢝ ⇴ᴮᧈ↽኿ഊ⿦ǎ㡗㤔ᏹ۩᠐ᙋ⡃⣳ᕔ‫ۆ‬ୣ९Ḙ䢬‫⾾כܩ‬Ⅺέᑓ९Ḙ⦾‫ۆ‬९́ 㟠ⅰㅊ٨⇀ഭक़㢺ǎᐃ䢬ⳃⁱ˔㏻଩Ǖ䢨E䢩E spionageǖ㐛㧙‫ְ۽‬ᑘ㇒〙ϫ⚋Ϛ ᬚⅰ〲೙䢬ॺ㐓㐿Րỳḿⅰ⍹̳ॺ⛨቉ᐨ⣳ቆ❼Ꮓઌ㇒〙Յ㒲③㟠ⅰᅞ⁨ǎ


ARTCO 276 124

䢮 3䢯 ⁥ ⁧ ྷǕCSIǖ䢨Las Vegas䢩ⅰ࿅✫ឹ়ᣤᆼ䢨The Miniature Killer䢩ⳃⁱ㝽㑄㏿グપ☃㐫Ṯ➾ః ͍䢨ឹ়ᇤ⻐䢩‫׋‬ǕCSIǖ䢨Cyber䢩ᄯ㤖⛆㦑〯ࠏ㕵᥼೙᳢ཷࠚ‫ػ‬ᒿ໲䢨㦖㑄ᔂ⍵⛆㊊ᒿ͜ˬ ⍹⟮⢊‫ػ‬ⅰṮ➾ᐅᅞ䢩䢬㓃ॺೠ݉㇒〙③㟠Յ⍹ᕐ␎㎠έㅽⅰಥॺǎ㏧ᕧ˗റྕ؊㟘ୣ཯ゞ 㑎ⒹṮ➾⦾㑉⿍↮ዀ䢬ॺ˔㏻ᇤ⻐​੸ˬǍᆖ㒲֯⼕˷ᨢ⛆㊊㇒〙⿂⯭˕ⅰˍ̬〙ၒᬚᑘ ⼧㍦˗ᒠ↽኿ጛ♘ⅰ९Ӎᖍᑁ̏ॺ㟠኿╋᝵֦ˍ␯ᑓⅰǗ⛆⚈ঁộǘǎ㐛̬९Ӎ⼕ᐨΦ٨ྭ ᏿˔⍹⟮ః㭓ⅰ्♖˗ˍ䢬ᕔ̬ᒴᑾᕧⅰⳒ⻐εަǍᏣྕ⻐Ⅺൠ‫־‬ᕧⅰ⢦Ӎᵦᆖ؊਻ᮉ❭Ǎ ྕӍ⯂૯૿Ǎ㒲֯ᒴᐗ⭵ⅰ೮༆ྕӍ☶㙺䢨ノ଩ྕӍ㷔຋ˬᕍຯ⼕ㆷ㇩ⅰ⠿᠐ᙋᕔˍ૭㒲֯ ‫ګ‬ᒴ‫␯܋‬೮༆㙺ྕອ䢩Ǎḿᣃ⅋ତᕘ‫ؿ‬Ǎ⏷೸⍹॰ⅰ⻋᳤᠐ᙋ䢬 ⦮ᒴ㕕ℼ☶㙺䢨ാ͞☃⎖ ⃚ၴ⡃൑૦䢩Ǎ㟘֪㐿␗䢨ຯ⿇ᑜᐤ়䢩䢬‫̬ˍݶ‬㣅ᒧⅰ㒉ᐑグપՅⅰ܎ᆑ⁥ḳǎᕔ㉋ⅰᒴ䢺 㐛␯Ǘ਻੸ǘ˔ⅰ㎠␎ᒴ‫͞㉘ܩ‬᝵ᆑˍ␯ᑓǗṮ➾ਊᆳǘⅰ೙⟳䢿㑮ᒴӄӄѵ᳤έ഑˞₅Ṯ ➾ⅰǗ㊎ᖱǘ䢿↷‫נ‬㑮㦥૦ḇグǎ ⡈ᕲ〘ₛ ᙋϾ ᒴ ❕ 㐿 㐛ឺⅰ⒡ ۨ 㐗 ྯ䢬㑢 ⁨㢑ഖᇤ⻐ॺ ˷ᨢ ㇒〙③㟠ˬ⽔ 㐢 ᑓⅰ᨜‫਻ػ‬ ᆳǎۜ⦾⡃⣳㐓㐿˗‫ܒ‬๺ՑϚഭ‫ ␯܋‬ః㭓 㧙়ਉ⻋㢑ഖ䢬˧ധ㇒〙ḳ㡁⮍ᑜᢪᚄ㤔˷ᨢ⛆ ⚈ 㜣Յǎϟ଩‫۽‬ϓ ⁨Ǖm p3s t e g oǖ㐛 㧙 ๺Ցॺ 㑕܎‫ ۆ‬ᐨ Ꭽ૭യⅰ M P3 ᐵͪˬ㢑 ⳇ ᐨ Ꭽ䢬 M P3 ᐵͪ‫ݶ‬९Ḙ͜⻠̜‫֯␯܋‬Ⅺ㢑ⳇᐨᎭⅰᑚᧈǎ९Ḙᐵͪ‫⛆ॺ͞۽‬㊊˔Ⅺຌ⡈㯴റ̿⣳ ഊ⿦Րᆳൠ⍵໴˕ⅰ⏷೸ᐨᎭ䢬⇀᣹́˕ǍM P3 ‫۽‬ฑՄᐨᎭ˧ᏽₗⅰϾᒴǕB i tTo r r e ntǖ㐛 㧙ⅰഭ⓺⛆㊊᠐ᙋ̷֯਻ᆳǎ഑‫כ‬〴૦ͱᜪ‫ݶ‬᐀໺ຂ⚭⎰ᢨᆖ㡉‫؝ב‬೸䢬㐛ᕅ㐢ᆑՐ͒˗ ۩㡉‫ב‬ⅰ㇒〙㢑ⳇᇤ⻐ॺ⛆㢂⛆㊊˔Ⰵ‫ر‬Ⅺൠǎ㇒〙㢑ⳇ㍇㭓ⅰۨྲ⦾ϓ⁨㓃⇀₢೰ᒠ䢬 ⡈˜ᣵ૮㓃ᕔ໤Ⅼ⭤зᑓⅰ㦆〙 ‫ྕݶ‬Ӎ᠐ᙋ㇈ॺ⛆㊊˔ǎ㒄㷃૦˗‫ܒ‬㧙়ⅰ᠐ᙋ䢬㓃‫۽‬⣳ ‫ܮ‬ᕔ‫܋‬ཕ‫ឺ܋‬ⅰ㢑ⳇ㇒〙䢬⡈㐅㋭ᆖᇢ‫׋‬㐛̬᠐ᙋ䢬໤̃ᒴ˗‫۽‬⣳ⅰͭ‫ؿ‬ǎ㐛ᒴˍ਻ӄᕔᐵ ٨ ḳዞ ϫ⡈᪗٨ ⁣ ⁥ ̿ ⅰ 㐼 ‫ػ‬䢬㡗 㤔 㐓 㐿˕ ּ㟘 Ⅺ ⡃ᆳ 〲 ೙ ⅰ ᱛ⿨࣮ Ě ǕB i t- X OǖϚ 㐫 ⻋ 〙ၒ˱⢊ǎ䢨〺 6䢩

ⴸ᝵ᱛ⿨࣮ǕBit-XOǖᆣ९ǎ


Ⳕ⻒Ņ⏴ೀ ⅲ』అ

FEATURE 125

䢮 4䢯 ˳ ⢌ ǕBit-XOǖ᳤ᕲᐵε⡃ᆳⴸ᝵ⅰᱛ⿨࣮ǎ ॺͭήྉཕⅰ㣊⤾᠐ᙋˬ䢨ϟ଩䢺९ӍǍ㦆 〙Ǎᐵ ತǍH T M L䢩ዠ Մ 㢑 ⱉ 〙 ၒ䢬ൄ ࿘ 㦘 ϓ⁨ന㟑ⅰ㇒〙㢑 ⳇ㍇㭓ǎ㐛㧙㍇㭓ྩ೰ ᒠۨྲ Ě ㍇㭓ᕐ ᇮ ⏷ ೸㇒〙 ཌ̘䢬᪬㐫 ྕӍᆖ⢍㦆᠐ᙋˬຂಥॺΠ˗㕳⾾ⅰΦԪ Յǎ㐛 ̬ ྕӍ۸ᕔ ‫⁨׈‬ᏹН⡃㑢 ೙ ⅰǗ⏧ ೸㕷㞮ǘᆖǗ೸⌔ǘᆾ⣳⿼㟘ǎᆳ͞㐛̬⚭ 㐿Ǖ䢨E䢩Espionageǖ⓺㧙়⛆⒧ᐗ΢ⅰ⋯ ⼧ ㇒ 〙䢬Ͼ ྲ ‫⁨׈‬۵ˍ з ๺Ց ĚǕB i tXOǖϚ㐫⻋〙ၒ⊴⿼⦾˱⢊ǎǕBit-XOǖⅰ

ⴸ᝵ૣኵ␗ཕǕminus Agoraǖᆣ९ǎ

‫؜‬⣳⇀Θᑜỳ⒢┆ൠ̿ⅰ⿮⨑䢬ೇⅰૣ㆝଩‫ˍܒ‬зᓠ㐜ⅰ⛆㦑ᱛ⿨࣮ǎᑾ‫⟜נ‬२⢊ 㒆ゞᗾൎ䢨2013 ໛䢩ഭǗ⚖⚷́㊊ǘ㐫⻋ۨ⛮⻋‫ػ‬䢬⡈ㅐՐⒺḇ⛆⒧ ĚǗA g o r aǘ ᕌ͜ᆑ᳤᪦൪⛆㊊ⅰ㷔຋ᑓˬាǎǗA g or aǘˍさ‫ۆ‬቉ⅰᒴ۳ຒ⦗۠͞۳⟓㪍৪຋ˬ ⚭ᰳǍ⍹̳Ǎᐵ٨ⅰˬ࿖䢬᳤൑ᤧゥグ᐀᦯‫߈ݶ‬ಾⅰঁᑚǎՐˬᕍᕔ㉋ⅰᒴǗA g o r aǘ ̏ḿׄ቉ᩔ᳤Ǘ⁶လ ൑ᤧⅰࠇᜪ̳ᒠ⡾㢡ⴵǘ䢬㐛̏ᒴ⛆㊊ঁ˕຋਻ˬ✺ᒴ֦έⅰ ˍㆹέㅽǍˍ␯˗ᑘ㐓㣷⮍ᇝ‫˷׃‬ᨢ⍹ᕐॺ‫ݶ‬タ⻠ㅽ໴˕͎ᒴз㭓⭵๿Ǎလׄᴮᧈ ໚⓺䢬˜Ԭ᭶␯ᑪ᢭⿍ⅰⴸҒ​੸ǎᐃǕBit-XOǖ㡗̜⣳૩‫أږ‬ϓ⁨⡃㛛Մ㠙㛛ತ˱ Ϛᏹ㢡ⁱǕ䢨E䢩E spionageǖ㐛㧙⡶૮໚‫۾‬ᆳ ᐗ ຌⅰ㢑 ⳇ ః㭓 ᐵͪ ૣ䢬㟘Ⅺ ⡃᳤̜ⴵ ύ ˔ ㏻ 㐛␯ ᣋᤧ ਻ᆳⅰ␎㎠‫۽‬⣳ࠏ㧋䢨〺 7䢩䢬Ͼ ᑜǕBit-XOǖˬዠՄˍз⣳ዞϫゆ〓グ㏻́ࡩ ኼ֯ᖾⅰૣኵ␗໲

Ě

Ǖminus Agoraǖ䢬͞

‫ܒ˗׈‬ϓ⁨⡃˱኿ㄸ㧋዁グ䢬ྉᆑՍ⓷Ṷჵ䢬 Ϛ⿼㡗っゆᡨỳ‫ڝ‬ႌྉǎ

䢮 5䢯 ̵ ᒢ Ǖminus A g or aǖ᳤ᕲᐵε⡃ᆳⴸ᝵ⅰૣኵ␗ཕ䢬㐛㑳⾾ḿׄゐᒛ ⅰᒴ䢬ѵ᳤ǗAgoraǘⅰۣ㤘჋‫ܗ‬䢬㍇ͪˬⅰǗminusǘ᳤✫യತ㭓ǎ ͭήǕB i t-X Oǖᱛ⿨࣮ϓ⁨⡃ॺ኿ỼೇⒹ⁨ᆬ͞Ǖm i n u s A g o r aǖ ‫؜‬⣳ᆳⅪ㈭ⅰᐵ٨ൠᮉዞ⍵ᒿ䢬㓃⣳ϭᵦз̿ࡈତ㐫⻋Ǘ͔㇇ǘǎ ǕB i t-X Oǖ‫ܒ‬ᒿዞϫˍ␯૿ḿⅰ̳ᒠឹཕ䢬ⁱᑜ㐛̬㎒֦㧀㑄ᒴϭ ⳃᑜ‫܋‬㊊㢑ഖᇤ⻐⡈ૻⳇⅰᐵ٨⁥֦☲⚕䢬ᆳ͞Ᏻ͔̿‫۽‬ㆱἄз̿ ⛆㦑ˬⅰྕӍ㇒〙ѵ᳤̳የ ᆑᕲǎ㐛ᒴˍ зധ㈭ୣᑜ㛛 ↯˔ⅰ〘 ₛǍ˧ず९⁨㢑ⳇ㇒〙ཅ᝵ˍ༁ॺ⇴↋໴˕᨜‫ػ‬ⅰᐵ٨਻ᆳ䢬ᢪⴸ Ꮌ​੸ᔏ⼕␲᳤Ǘ2nd-Ecosystemǘǎ

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᳤᠐ᙋ֯‫׹‬Ғ⼼㍇㭓䢬⁨჋ᒴ‫͞۽‬ധ᠐ᙋ֯‫׹‬ᆑ〴૦зയ᠐ᙋ⡈㒄̬യ᠐ᙋ‫۽‬Ғ⼼ᆑ९᠐ǎ ǗVawtrakǘᒴˍзധ〲೙᠐ᙋᔂⳇॺˍз㑎Ⓓⅰ⛆⒧९⍵₢ˬⅰ㘅⻋ᕯ㪍␗ཕǎ つ ㍇ 㭓 ‫ ⁨ ⼕ ګ‬ᑜ 㖁 ഭ ⛆ ㊊ 㟠 ザ ⻋ ‫ ػ‬ĚǕOperation Potao Expressǖˬ䢨ƿ www.welivesecurity.com/ wp-content/uploads/2015/07/Operation-Potao-Express_final_v2.pdf䢩ǎǗPotao ⻋‫ػ‬ǘ˷⾾ᒴ 㖁 ഭ᳴Ա ⴖ۠Ր‫ݗ‬㑳२೮䢬ٛሱЃ⟓ᑒǍࡖ᦯̭ǍⅫЃ⟓ᑒ䢬۩೫⡃‫ࡘܓ‬ٛሱ᳴Աⴖ᐀໺‫ݶ‬㌹ᑚ䢬۠͞ˍ೮᳴Աⴖ ˷ᨢᑓ⢂៪᝵ǎ ⁱᕲᐵε⡃ᆳⴸ᝵ⅰ⡶૮⛆⒧䢬Ր㐼εᑚཕ‫כ‬ᒴۜᵦ‫ܒ‬㧙়⛆⒧ǗOmegleǘ䢨ƿ omegle.tv/䢩ǎ ೌ ᖣ ോ䢮଒ ⟓ ୞Ǎ㡡 ‫ ܗ‬ᒛ ⮍䢬ᕋ ⪈ னǍͭ 㑎 ㄷ䢺Ǖ৪ ຋ ⅰ ˞ ₅䢺ഭ ঁ 㷞 ⅰ ᣹ ㍦ ֯ ᖾ ‫ ݶ‬ᢴ ‫ ֯ ܀‬ᖾǖ䢨The World of Cities: Places in Comparative and Historical Perspective䢩䢬˔ ᩂ䢺˔ ᩂ ̿ ᤧ ֦ ḙ ⍹䢬2005䢬㦑 42ǎ ǕBit-XOǖ᳤ᕲᐵε⡃ᆳⴸ᝵ⅰᱛ⿨࣮ǎ ۜ㟺ㇹᲪᒉ䢬Ǖ‫ݶ‬タ⻠ㅽ໴˕ Ěᣋᤧ਻ᆳⅰ␎㎠ǖˍᐵǎ


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