L7DS_I Am Spartacus

I AM SPARTACUS S I M O N E

D R Y S D A L E

S T U D I O

A R C H I T E C T U R E | C U LT U R E | S PAT I A L MUHAMMAD ZHARIF RAFIQ BIN ROZLAN_S3309488

The Bird Nest theory, is the idea of the wide range and type of bird nest made up of different materials the birds can find, but in contrast could exist the same tenant (the egg). Or the idea of similar bird nest but different eggs.

RECOGNITION is the action or process of recognizing or being recognized, in particular ;identification, recollection, recall, remembrance. Identification of a thing or person from previous encounters or knowledge. Every thing exist in this universe are being explored, identified, capture, categorize and store in many ways possible for future reference or to simply to recognized and understand it. Also in many ways, it can be studied and duplicate. We recognize people from faces and characters, animals by their species, buildings by style. However, the idea of prosopagnosia, a cognitive disorder of face perception where the ability to recognize faces is impaired, is applied to the architectural realm.

HOW is it relevent? WHO or WHAT would utilise it? WHERE is it constucted? WHY should a building preceive as it is?

WEEK _0 1_FACE

IN THE FIRST ATTEMPT IN TACKLING THE CONCEPT IDEA OF PROSOPAGNOSIA ONTO ARCHITECTURE, A SERIES OF EXPLORATION WITHOUT BOUNDARIES REGARDING FACIAL RECOGNITION WERE DONE.

DISCOVERY THROUGH A JOURNEY THAT ARE OFTEN IGNORED.

C U LT U R E

W E E K _ 0 1 _

F A C E

EXPLO RAT I O N I AM SPARTACUS_SIMON DRYSDALE

A SYSTEMATIC ORGANISM THAT STRUGGLE TO SURVIVE AND YET DOENS’T DESTROY OR CONSUME NATURE. INSTEAD WORK WELL WITH NATURE IN A CLOSE LOOP CYCLE OF LIFE.

C U LT U R E

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F A C E

EXPLO RAT I O N I AM SPARTACUS_SIMON DRYSDALE

THE RESIDENCE

C U LT U R E

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F A C E

EXPLO RAT I O N I AM SPARTACUS_SIMON DRYSDALE

THE COMMUNITY.

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F A C E

EXPLO RAT I O N I AM SPARTACUS_SIMON DRYSDALE

THE REPLICATION OF FACES AND SKIN TO FACADE FOR THE GIANT

ARCHITECTURE W E E K _ 0 1 _

F A C E

EXPLO RAT I O N I AM SPARTACUS_SIMON DRYSDALE

THE IMPLICATION OF MATERIAL AND ARRANGEMENT FOR SPATIAL EXPERIENCE

S P A T I A L W E E K _ 0 1 _

F A C E

EXPLO RAT I O N I AM SPARTACUS_SIMON DRYSDALE

THE CONSEQUENCES OF CULTURAL MOVEMENT

S P A T I A L W E E K _ 0 1 _

F A C E

EXPLO RAT I O N I AM SPARTACUS_SIMON DRYSDALE

W E E K _ 0 2 _ D ATA M A S K

THROUGH UNDERSTANDING HOW A COMPUTER (FACEBOOK) RECOGNIZE A FACE, IT IS THEN WE TRY TO CONNECT TO ARCHITECTURE. BY APPLYING THE SYSTEM, IDENTIFYING THE URBAN NORM AND COMPARING IT AS A PROCESS OF STORING ARCHITECTURAL DATA.

INPUT

OUTPUT

DETECT >> ALIGN >> REPRESENT >> CLASSIFY

HUMAN

ARCHITECTURE

renovation

thoughts

memory preference & opinion religion attitude character desire traits

Physical

Psychological emotion personality moral interest

sense

growth limitation

typology

experience

behavior

gender

shadow

material

age genetic

talent

texture

Physiological

habits

logic tradition

introvert - private extrovert - public weight - space height - clearance presonality - colour habit - technology character - materiality emotion - ornamentation desire - planning arrangement traits - facade and form age - life span tradition-culture

movement

connections

expression

influence

Cultural lights

aesthetics

style

technology

colour program

process

Structural collumns openings planning threshold efficiency

system

scale

hierarchy

temperature

Spatial

durability sustainability

facade geometry

politic

design

function

history

Contextual

urban location

circulation furniture

boundaries

foundation

A person and architecture are widely connected in so many ways possible range from very intimate relationship to a very physical relationship. Relationship such as the sentimental value of the house for the person, or another way around of how the house was design and built influence by the person’s character or preferences.

S P A T I A L WEEK_02_D ATA

MASK

D I A G R A M I N G I AM SPARTACUS_SIMON DRYSDALE

gesture

nose

height

mouth

weight facial

movement

habits

texture colour

eyes

temperature

lights

anatomy

talent

function

material

shadow

ears

durability

scale

geometry

foundation style

facade

desire

aesthetics

character

age

Psychological

program

Cultural

planning

interest

tradition

Spatial

preference & opinion

traits gender

efficiency

memory

thoughts

hierarchy

ARCHITECTURE

experience

religion

politic

circulation furniture threshold typology

Physiological

Contextual

sight

genetic

process

boundaries

personality

moral

Structural

expression

logic

HUMAN

technology

system

attitude

limitation

influence sustainability

behavior

emotion

renovation

design

openings

Physical

collumns

history

hearing sense smell

location

urban

taste

growth touch

Focusing on a certain connection between the human and architecture, we can define a certain spatial or cultural for the human itself. By determining the difference in peoples, expectation of the product to be a very diverse type of architectural outcome.

S P A T I A L WEEK_02_D ATA

MASK

D I A G R A M I N G I AM SPARTACUS_SIMON DRYSDALE

Small house architecture that focus and compact, satisfying a person spesific needs. An extension or changable or foldable small architecture that adapt to the person.

Or a particular personal space for a person. A cocoon / capsule like structure that only embodied a single person. Giving more intimate architecture between the person and the architecture.

Looking at adaptable architecture or capsule architecture or parasitic architecture or metabolism architecture, the ability of architecture to be flexible and adapt to human changes. Living in a place that grow with us.

ARCHITECTURE WEEK_02_D ATA

MASK

R E F E R E N C E S I AM SPARTACUS_SIMON DRYSDALE

65 O�Shanassy St, Melbourne, Victoria

17 King Willial St, Fitzroy, Victoria

173 Newry St, Carlton North, Victoria

53 Hardwick St, Melbourne, Victoria

The ubiquitous 6 pack is a part of Melbourne urban identity as a low cost and design application. With simple planning majority with 6 units apartent and minimal ornamentation. This would be the base for us as a precess of de-recognizing the existing architecture.

ARCHITECTURE WEEK_02_D ATA

S I X

MASK

P A C K S

I AM SPARTACUS_SIMON DRYSDALE

Bourke Street, Melbourne, - CHINATOWN People flocked to Victoria in the 1850s after gold was discovered, including thousands of Chinese migrants.

Their impact is evident throughout Melbourne, but can be particularly seen in the streets and alleys around Little Bourke Street. Melbourne’s Chinatown, Australia’s oldest, began around 1854-55 as a cluster of shops and boarding houses in Celestial Avenue. Today the precinct is a bustling, colourful area packed with shops and restaurants.

The decoration of latterns and signs, have blurred the existing victorian buildings.

C U LT U R E WEEK_02_D ATA

I L L

MASK

S T R E E T

I AM SPARTACUS_SIMON DRYSDALE

This federation style house amplfying to be seems as it is a person face.

With detail that express the facial traits and character. It is se a pareidolia influence that most human have.

Queen Anne / Federation Style Architecture 139 Barry St, Carlton VIC 3053

Signify as top that act as a cap or crown

The door of the house as the mouth with lips, teeth and toungh.

Whereas these detailed ornamentation express our facial hair as a decorative that dignify a person facial traits.

However, the pavement and the gates seems to be in contrast pattern and colour that represent clothing with pattern and collar.

ARCHITECTURE WEEK_02_D ATA

MASK

ORNAMENTAION

I AM SPARTACUS_SIMON DRYSDALE

WEEK_03 STAGE

ONE WOULD BE ENCOURAGE TO DEFINE AND SEARCH FOR A TECHNIQUE TOWARDS MANIPULATION OF THE SYSTEM ITSELF. AS A WAY TOWARDS UNREGOCTION. [PAREIDOLIA VS PROSOPAGNOSIA]

Prosopagnosia (also known as ‘face blindness’) refers to a severe deficit in recognizing familiar people from their face.

C U LT U R E

W E E K _ 0 3 _

S T A G E

D ER EC O G NI Z E I AM SPARTACUS_SIMON DRYSDALE

What if we stop preceive what architecture was suppose to be, and started to create building that doesnt look like a building. Making the common unrecognizable. Distoring the system in many ways and technique. Swaping or transforming architecture to not architecture. Or going to an extreme alteration by warping, distorting or even layering onto multiple influence. Additional oblique object thrown towards a building to make as aesthetic ornamentation either functional or not.

ARCHITECTURE

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S T A G E

D ER EC O G NI Z E I AM SPARTACUS_SIMON DRYSDALE

Steampunk refers to a subgenre of science fiction and sometimes fantasy—also in recent years a fashion and lifestyle movement—that incorporates technology and aesthetic designs inspired by 19th-century industrial steam-powered machinery.

C U LT U R E

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S T A G E

D ER EC O G NI Z E I AM SPARTACUS_SIMON DRYSDALE

Steampunk Art Samuel Gomez

C U LT U R E

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S T A G E

D ER EC O G NI Z E I AM SPARTACUS_SIMON DRYSDALE

IN EVERY PROCESS OF ARCHITECTURE MOVEMENT, THERE’S ALWAYS A SMALL GROUP OF REBELS THAT ARE AGAISNT THE CONVOLUTED MOVEMENT. UNTIL THE DAY THEY ARE AWAKEN..

ARCHITECTURE

W E E K _ 0 3 _

S T A G E

P ER SPEC T I V E

I AM SPARTACUS_SIMON DRYSDALE

AND IN EVERYDESTRUCTION OF THEIR SPECIES, IS THE FUEL FOR REVENGE FOR THEIR NEMESIS.

ARCHITECTURE

W E E K _ 0 3 _

M U G

S T A G E

S H O T

I AM SPARTACUS_SIMON DRYSDALE

ORIGINAL IMAGE

SEPERATION BETWEEN HOST AND APPLICANT

CROPPING

RECONFIGURATION OF ORIGINAL

FINALISED MUG SHOT ALIGNMENT OF HOST TO THE APPLICANT

ORIGINAL IMAGE

CROPPING

POPULATION OF PROPS

SCENE SETTING

RECONFIGURATION OF ORIGINAL

SEPERATION BETWEEN HOST AND APPLICANT

FINALISED MUG SHOT ALIGNMENT OF HOST TO THE APPLICANT

POPULATION OF PROPS

SCENE SETTING

ARCHITECTURE

W E E K _ 0 3 _

S T A G E

T E C H N I Q U E

I AM SPARTACUS_SIMON DRYSDALE

W E E K _ 0 4 L . S . P.

We know that “recognition� is no longer perpendicular. Recognition is now apparent in the circumference, the perimeter and the threshold. Through all the process of learning and study, now we found a few techniques to deregcognize a subject. Applying the technique as a practice to create a projectbrief.

Ornamentation Linework Detailing

C U LT U R E

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L . S . P.

T E C H N I Q U E I AM SPARTACUS_SIMON DRYSDALE

Line Work Detailing Steampunk Art Kerby Rosanes Art

C U LT U R E

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L . S . P.

T E C H N I Q U E I AM SPARTACUS_SIMON DRYSDALE

Recursion is the process of repeating items in a self-similar way. For instance, when the surfaces of two mirrors are exactly parallel with each other, the nested images that occur are a form of infinite recursion.

ARCHITECTURE

W E E K _ 0 4 _

L . S . P.

T E C H N I Q U E I AM SPARTACUS_SIMON DRYSDALE

Looking back at the basic technique used in the host and applicant relation, one of the technique was a recursion technique.

Which started to create these interesting detailed repeptitive ornaments.

ARCHITECTURE

W E E K _ 0 4 _

L . S . P.

T E C H N I Q U E I AM SPARTACUS_SIMON DRYSDALE

By combining the reseach technique and applied technique, produced a technique of detailed linework.

ARCHITECTURE

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L . S . P.

T E C H N I Q U E I AM SPARTACUS_SIMON DRYSDALE

ARCHITECTURE

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L . S . P.

T E C H N I Q U E I AM SPARTACUS_SIMON DRYSDALE

Applying the saem technique to achieve a detailed and complex drawing.

C U LT U R E

W E E K _ 0 4 _

L . S . P.

T E C H N I Q U E I AM SPARTACUS_SIMON DRYSDALE

Original 6 Pack.

Again applying the saem technique to the six pack with Queen Anne/Federation Style Architecture.

C U LT U R E

W E E K _ 0 4 _

L . S . P.

T E C H N I Q U E I AM SPARTACUS_SIMON DRYSDALE

WEEK_05_DRAW

We know that “recognition� is no longer perpendicular. Recognition is now apparent in the circumference, the perimeter and the threshold. Through all the process of learning and study, now we found a few techniques to deregcognize a subject. Applying the technique as a practice to create a projectbrief.

C U LT U R E

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D R A W

R E F E R E N C E S I AM SPARTACUS_SIMON DRYSDALE

C U LT U R E

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D R A W

R E F E R E N C E S I AM SPARTACUS_SIMON DRYSDALE

Monumental brickwork, the Mayan Building.

Brick as function and aesthetic that celebrate the ornaments.

C U LT U R E

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D R A W

R E F E R E N C E S I AM SPARTACUS_SIMON DRYSDALE

ARCHITECTURE

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T E C H N I Q U E I AM SPARTACUS_SIMON DRYSDALE

ARCHITECTURE

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ARCHITECTURE

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ARCHITECTURE

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ARCHITECTURE

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ARCHITECTURE

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ARCHITECTURE

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ARCHITECTURE

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T E C H N I Q U E I AM SPARTACUS_SIMON DRYSDALE

WEEK_06_HOAX- GHOST

The test of the recognition of the project on the original site to study the effect of the alteration of the original building on relation to the existing context.

ARCHITECTURE

WEEK_06_H O A X - G H O S T

C O N T E X T

I AM SPARTACUS_SIMON DRYSDALE

ARCHITECTURE

WEEK_06_H O A X - G H O S T

C O N T E X T

I AM SPARTACUS_SIMON DRYSDALE

ARCHITECTURE

WEEK_06_H O A X - G H O S T

C O N T E X T

I AM SPARTACUS_SIMON DRYSDALE

WEEK_07-08_MID SEM

We know that “recognition� is no longer perpendicular. Recognition is now apparent in the circumference, the perimeter and the threshold. Through all the process of learning and study, now we found a few techniques to deregcognize a subject. Applying the technique as a practice to create a projectbrief.

O’Shanassy St. North Melbourne

Streetscape

1:200

East Elevation

1:100

West Elevation

1:100

Exploded Axo of Components

C U L T U R E I D E N T I T Y

A N A T O M Y

P R O S O P A G N O S I A

D I V E R G E N T

WEEK_10_WORSHIP

Within the scope of “worship�, the study of worship place being recognize via its representation of thier beleif on their respective place of worship.

A Bahá’í House of Worship, or temple, of the Bahá’í Faith. The teachings of the religion envisage Houses of Worship being surrounded by a number of dependencies dedicated to social, humanitarian, educational, and scientific pursuits, although none has yet been built to such an extent.

C U LT U R E

WEEK_10_W

ORSHIP

R E F E R E N C E S I AM SPARTACUS_SIMON DRYSDALE

The building is remarkable for its steelframed structure, which allowed a dramatic increase in window area created by baywide windows, which in turn allowed for the greatest amount of daylight into the building interiors. This provided larger displays of merchandise to outside pedestrian traffic creating the idea of the sidewalk showcase.

C U LT U R E

WEEK_10_W

ORSHIP

R E F E R E N C E S I AM SPARTACUS_SIMON DRYSDALE

The style of la Sagrada Família is variously likened to Spanish Late Gothic, Catalan Modernism and to Art Nouveau or Catalan Noucentisme. While the Sagrada Família falls within the Art Nouveau period, Nikolaus Pevsner points out that, along with Charles Rennie Macintosh in Glasgow, Gaudí carried the Art Nouveau style far beyond its usual application as a surface decoration.

C U LT U R E

WEEK_10_W

ORSHIP

R E F E R E N C E S I AM SPARTACUS_SIMON DRYSDALE

Angkor Wat is a temple complex in Cambodia and the largest religious monument in the world. It was first a Hindu and later a Buddhist temple. The temple is at the top of the high classical style of Khmer architecture.

C U LT U R E

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ORSHIP

R E F E R E N C E S I AM SPARTACUS_SIMON DRYSDALE

Tuanku Mizan Zainal Abidin Mosque is sacred building known colloquially as the Iron Mosque a modern interpretation of Islamic architecture, its 24m-high facade characterizes a purist steel structure with typical geometric ornamentation. Simplified pattern with stainless steel spiral mesh to allows natural ventilation and openness emphasizing one of the design intention not to only become a place for worship, but also a place for learning and teaching, and hence multifunctional space.

The Taj Mahal is regarded by many as the best example of Mughal architecture and is widely recognized as “the jewel of Muslim art in India”. It is one of the world’s most celebrated structures and a symbol of India’s rich history

C U LT U R E

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ORSHIP

R E F E R E N C E S I AM SPARTACUS_SIMON DRYSDALE

The Sri Ranganathaswamy Temple is enclosed by 7 concentric walls (termed prakarams (outer courtyard) or mathil suvar) with a total length of 32,592 feet or over six miles. These temple has 21 gopurams (towers), 39 pavilions, fifty shrines, Ayiram kaal mandapam (a hall of 1000 pillars) and several small water bodies inside. The space within the outer two prakarams (outer courtyard) is occupied by several shops, restaurants and flower stalls.[19] Non-Hindus are allowed up to the second prakaram (outer courtyard) but not inside the gold topped sanctum sanctorum.

The renowned Jain temple at Ranakpur is dedicated to Tirthankara Adinatha. MÄ ru-Gurjara Architecture show the deep understanding of structures and refined skills of Rajasthani craftmen of bygone era. Light colored marble has been used for the construction of this grand temple which occupies an area of approximately 60 x 62 meters.

The temple, with its distinctive domes, shikhara, turrets and cupolas rises majestically from the slope of a hill.

Over 1444 marble pillars, carved in exquisite detail, support the temple. The pillars are all differently carved and no two pillars are the same. It is also said that it is impossible to count the pillars. Also all the statues face one or the other statue. There is one beautiful carving made out of a single marble rock where there 108 heads of snakes and numerous tails. One cannot find the end of the tails. The image faces all four cardinal directions.

C U LT U R E

WEEK_10_W

ORSHIP

R E F E R E N C E S I AM SPARTACUS_SIMON DRYSDALE

WEEK_11_RELIGION Looking at recognition from the perspective of religion. A biased preception influence by beleif of a certain group or community.

ADDICTS RELIGION A state characterized by compulsive engagement in rewarding stimuli, despite adverse consequences, a religion of addicts. A group of people that aggresively defence and protect their beleives of pleasure and freedome of mind.

The practioner explore the possibilty of one’s mind and physical throuh substances such as drugs. Drugs as their main source of religious guide to enhance or relax. Alter the perception of reality allowing them to visual differently like non-others would.

Although consist of multiple type of addicts from different substance, they share the same beliefs, that is to continuosly using and experience their religious pleasure.

The top 10 component within this religion are Heroin, Cocaine, Methamphetamine, Crack Cocaine, LSD, Ecstasy, Opium, Marijuana, Psilocybin Mushroom and PCP. Each of these component amplify different experience towards it follower.

C U LT U R E

WEEK_11_R

ELIGION

P ER SPEC T I V E

I AM SPARTACUS_SIMON DRYSDALE

Bryan Lewis Saunders likes to take drugs, both legal and illegal, and then draw pictures of himself. The results are strikingly different from drug to drug, and they vary from beautiful to grotesque, abstract and just plain bizarre.

An artist in his mid-40s from Virginia, now living in Tennessee, Saunders has completed more than 9,930 self-portraits to date (though not all under the influence of a drug).

C U LT U R E

WEEK_11_R

ELIGION

P ER SPEC T I V E

I AM SPARTACUS_SIMON DRYSDALE

PSYCHEDELIA is a name given to the subculture of people who use psychedelic drugs, and a style of psychedelic artwork and psychedelic music derived from the experience of altered consciousness that uses highly distorted and surreal visuals, sound effects and reverberation, and bright colors and full spectrums and animation (including cartoons) to evoke and convey to a viewer or listener the artist’s experience while using such drugs. A psychedelic experience is characterized by the striking perception of aspects of one’s mind previously unknown, or by the creative exuberance of the mind liberated from its ostensibly ordinary fetters. Psychedelic states are an array of experiences including changes of perception such as hallucinations, synesthesia, altered states of awareness or focused consciousness, variation in thought patterns, trance or hypnotic states, mystical states, and other mind alterations.

C U LT U R E

WEEK_11_R

ELIGION

P ER SPEC T I V E

I AM SPARTACUS_SIMON DRYSDALE

Architectural photographer Victor Enrich explores the various formal possibilities of design of buildings through playing with the very simple geometry of the building. Some images show parts of the building turned on their sides, while others show sections of it duplicated or sliced away. Some shots show it curving into different shapes and some show it pulled it apart.

In relation to the drug religion, I found that Victor Enrich would be some of what an addict see towards a typical simple buildings. A religion that allow its participate to explore their mind in various ways possible.

ARCHITECTURE

WEEK_11_R

ELIGION

P ER SPEC T I V E

I AM SPARTACUS_SIMON DRYSDALE

HEROIN

Heroin induce fear .

Imagery of scary objects translated into the architecture of the motel.

ARCHITECTURE

WEEK_11_R

ELIGION

A P P L I C AT I O N

I AM SPARTACUS_SIMON DRYSDALE

COCAINE

Induce confidence boost.

The idea of confidence being able to see in detailed towards the building.

ARCHITECTURE

WEEK_11_R

ELIGION

A P P L I C AT I O N

I AM SPARTACUS_SIMON DRYSDALE

Methamphetamine

Induce excitement Practitioner tend perform repititve tasks as portayed in the architecture above.

ARCHITECTURE

WEEK_11_R

ELIGION

A P P L I C AT I O N

I AM SPARTACUS_SIMON DRYSDALE

Crack Cocaine

Induce body pleasure Flexibilty movement of the user are shown as a flexible moving building.

ARCHITECTURE

WEEK_11_R

ELIGION

A P P L I C AT I O N

I AM SPARTACUS_SIMON DRYSDALE

LSD

Induce personality setting The building is trying to reconfigure itself .

ARCHITECTURE

WEEK_11_R

ELIGION

A P P L I C AT I O N

I AM SPARTACUS_SIMON DRYSDALE

Ecstasy

Induce euphoria.

The building is appreciating movement thus expressing by warping itself.

ARCHITECTURE

WEEK_11_R

ELIGION

A P P L I C AT I O N

I AM SPARTACUS_SIMON DRYSDALE

Opium

Induce relaxation Building experience tunnel vision as opium reduce self-awareness.

ARCHITECTURE

WEEK_11_R

ELIGION

A P P L I C AT I O N

I AM SPARTACUS_SIMON DRYSDALE

Marijuana

Induce confusion Similarly like opium, but the building tend to redefine its self-awareness.

ARCHITECTURE

WEEK_11_R

ELIGION

A P P L I C AT I O N

I AM SPARTACUS_SIMON DRYSDALE

Psilocybin Mushrooms

Induce hallucination Building appears to be visually distorted as an effect of mushroom.

ARCHITECTURE

WEEK_11_R

ELIGION

A P P L I C AT I O N

I AM SPARTACUS_SIMON DRYSDALE

PCP (Phencyclidine)

Induce loss of coordination Building is regulating itself rigidly.

ARCHITECTURE

WEEK_11_R

ELIGION

A P P L I C AT I O N

I AM SPARTACUS_SIMON DRYSDALE

WEEK_12_ENGINEER

The idea of biological engineering from the destorted recognition to the man-made alteration. From the proccess of being inluence by free thinking substance (drugs) to being rehabilitate to the common.

ARCHITECTURE

WEEK_12_E

NGINEER

A P P L I C AT I O N

I AM SPARTACUS_SIMON DRYSDALE

ARCHITECTURE

WEEK_12_E

NGINEER

A P P L I C AT I O N

I AM SPARTACUS_SIMON DRYSDALE

ARCHITECTURE

WEEK_12_E

NGINEER

A P P L I C AT I O N

I AM SPARTACUS_SIMON DRYSDALE

ARCHITECTURE

WEEK_12_E

NGINEER

A P P L I C AT I O N

I AM SPARTACUS_SIMON DRYSDALE

ARCHITECTURE

WEEK_12_E

NGINEER

A P P L I C AT I O N

I AM SPARTACUS_SIMON DRYSDALE

ARCHITECTURE

WEEK_12_E

NGINEER

A P P L I C AT I O N

I AM SPARTACUS_SIMON DRYSDALE

WEEK_14_FINAL

At this last stage is the conclusion from all the research and study on facial recognition from my perspective. The idea of our eye is deceiving what we see as an illusion and the matter of different perspective from different people.

Ph o t omo s a i c

Playing with the general perception of people about the identity of Australia, this photmosaic technique reflects that people preceived Australia as the home of the kangaroos. Thus the larger perspective represents a tree made up of kangaroos surroundered by kangaroos. However, in a closer perspective, the images are made up of smaller represntation of Australia. This photomosaic technique utilise scale and distance as to deceive once perspective.

Le n t i c u l a r

P e r s p e c t i v e

Co n c e p t “We don’t see things as they are, we see things as we are” We look at situations, events, and interpret what other people say and do, according to our own set of past experiences, culture, faith, values, all of which help us form our beliefs about ourselves, about others, and about the world in general.

The meaning we give events, the way we make sense of our world, is based upon our set of core beliefs.

Surrounding Perception how i think about others

value

faith current circumstances

experiences

character traits

Core Belief System

culture

Our minds are constantly trying to make sense of our world, forming judgements and opinions about every situation, event, interaction. Those judgements and opinions will be affected by our central or core belief system.

It is as though we are looking at the world through distorted or coloured lenses and everyone has their own personal prescription or colour for their glasses.

General Perception how i think about the world

Personal Awareness how i think about myself

The project aim to provoke a discussion by manipulating the obeservant perspective wihtin the scope of visual and architecture application.

T e c h n Ps yc h ede l i a i q u e

The major grip that hold these project are the pixels. As the project rework perspective output, the control of pixel are important to ensure the perspective illusion work.

Lenticular technique plays with different prespective location. As a person move from one point to another, they will see a different image appear on the same image as if the image transform into another new image and vise versa.This potray the concept of different perspective provide different idea towards one subject. Also can reflects changes or contrast in one opinion. For example, what its appear to be a bright sunny day suddenly change to a cloudy raining day.

Pa r a l l a x

Parallax illusion is a technique using a black and white color to manipulate once visual senses.

The technique utilise displacement of the subject to create an animation of the displacement. This explain how one perspective changes over time from observation of others. It allow the observant to interact with the subject.

Re hab

Seeing the world influence by substances distorted one perspective in many ways known as Psycheledia. Bryan Lewis drew thousands of self-portrait while using drugs. Using the similar viewpoint to redesign the building in various manner as a process of learning and understanding perspective.

Rehab, fixed, engineered. The idea of our thinking and perception being define by others.The process or rearranging the divergent in a certain order to fit the majority. This perspective of one being manipulate from its free willing thinking.

[S3309488_MUHAMMAD_ZHARIF_RAFIQ_BIN_ROZLAN]....[I_AM_SPARTACUS]...[SIMON_DRYSDALE].............

Ur ban Street Frontage

VS

Openings ventilation & lighting

Located in the Prahan,the area are low rise with a maximum of 10 storey building. Buildings from different time peroid offers different style of facade treatment but with the same principal of servicing the streets as a frontage.

Typological Facade function & aesthetic

Punt Rd

Alfred St

Donald St

Building pre-conception The preconception of building should have a frontage facing the street with grand entrance with aesthetical value of onaments and windows opening for natural lighting and vetilation are being challenged in this project by working agaisnt its.

Punt Rd

Affleck St

Margaret St

commercial road

Redirecting the main entrance to the rear of the building and by making the entrance below the ground level create the illusion of unaccessable building.

Af t e r

P i x e l s Pe r s p e c t i v e s A project that challenge the perception of the common. Recognition of beauty and clarity are redefined and review in a different prespective.

Pixelation is the new high definition quality.

“We don’t see things as they are, we see things as we are” We look at situations, events, and interpret what other people say and do, according to our own set of past experiences, culture, faith, values, all of which help us form our beliefs about ourselves, about others, and about the world in general. The meaning we give events, the way we make sense of our world, is based upon our set of core beliefs.

Our minds are constantly trying to make sense of our world, forming judgements and opinions about every situation, event, interaction. Those judgements and opinions will be affected by our central or core belief system. It is as though we are looking at the world through distorted or coloured lenses and everyone has their own personal prescription or colour for their glasses.

The project aim to provoke a discussion by manipulating the obeservant perspective wihtin the scope of visual and architecture application.

The major grip that hold these project are the pixels. As the project rework perspective output, the control of pixel are important to ensure the perspective illusion work.

Surrounding Perception

how i think about others

value faith current circumstances

experiences

character traits

culture

Core Belief System

General Perception

how i think about the world

Personal Awareness how i think about myself

ARCHITECTURE

W E E K _ 1 4 _

F I N A L

C O N C E P T

I AM SPARTACUS_SIMON DRYSDALE

Pho t o

os a i c

Pa r a l l ax

Parallax illusion is a technique using a black and white color to manipulate once visual senses. The technique utilise displacement of the subject to create an animation of the displacement. This explain how one perspective changes over time from observation of others. It allow the observant to interact with the subject.

Playing with the general perception of people about the identity of Australia, this photmosaic technique reflects that people preceived Australia as the home of the kangaroos. Thus the larger perspective represents a tree made up of kangaroos surroundered by kangaroos. However, in a closer perspective, the images are made up of smaller represntation of Australia. This photomosaic technique utilise scale and distance as to deceive once perspective.

Len t i cu l a r

Lenticular technique plays with different prespective location. As a person move from one point to another, they will see a different image appear on the same image as if the image transform into another new image and vise versa.This potray the concept of different perspective provide different idea towards one subject. Also can reflects changes or contrast in one opinion. For example, what its appear to be a bright sunny day suddenly change to a cloudy raining day.

ARCHITECTURE

W E E K _ 1 4 _

F I N A L

T E C H N I Q U E I AM SPARTACUS_SIMON DRYSDALE

VS

Building pre-conception The preconception of building should have a frontage facing the street with grand entrance with aesthetical value of onaments and windows opening for natural lighting and vetilation are being challenged in this project by working agaisnt its.

ARCHITECTURE

W E E K _ 1 4 _

U

R

B

F I N A L

A

N

I AM SPARTACUS_SIMON DRYSDALE

Located in the Prahan,the area are low rise with a maximum of 10 storey building. Buildings from different time peroid offers different style of facade treatment but with the same principal of servicing the streets as a frontage.

Redirecting the main entrance to the rear of the building and by making the entrance below the ground level create the illusion of unaccessable building.

ARCHITECTURE

W E E K _ 1 4 _

U

R

B

F I N A L

A

N

I AM SPARTACUS_SIMON DRYSDALE

ARCHITECTURE

W E E K _ 1 4 _

F I N A L

P ER SPEC T I V E I AM SPARTACUS_SIMON DRYSDALE

ARCHITECTURE

W E E K _ 1 4 _

F I N A L

P L A N N I N G I AM SPARTACUS_SIMON DRYSDALE

ARCHITECTURE

W E E K _ 1 4 _

F I N A L

P ER SPEC T I V E I AM SPARTACUS_SIMON DRYSDALE

ARCHITECTURE

W E E K _ 1 4 _

F I N A L

P ER SPEC T I V E I AM SPARTACUS_SIMON DRYSDALE

ARCHITECTURE

W E E K _ 1 4 _

F I N A L

P ER SPEC T I V E I AM SPARTACUS_SIMON DRYSDALE

ARCHITECTURE

W E E K _ 1 4 _

F I N A L

P ER SPEC T I V E I AM SPARTACUS_SIMON DRYSDALE

THE

E ND