PORT FOLIO SOHAM SENGUPTA
CONTENTS • MOVE SPACE • EXPLORATIONS • OUR SPACE
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MOVE SPACE
About The Project Move Space is a project which requires the designing of a theatre/concert hall for any form of chosen dance by analyzing the given site and understanding the chosen dance. Before starting to design the concert hall, it is important to understand the chosen dance. I have chosen Ballet, hence, I have to understand Ballet to get the best inspiration for my design, the building should be influenced by ballet and scream the word ‘Ballet’ to whoever looks at the building. To understand Ballet better, I watched a lot of videos on Ballet. I also have to analyze the given site before beginning to design to come up with the most efficient and plausible design. A few Ballet videos
I am going to start my project by learning more about Ballet. I will then analyze the site and try and come up with the best building design. I am also going to watch videos on stadium/arena/concert hall design to understand hoe to come up with the best seating arrangement for the audience to have the best atmosphere and the enjoy the performance.
Understanding Ballet Ballet is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result ballet has evolved in distinct ways. A ballet as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and using elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery.
The following elements characterize the style of Ballet: •graceful, flowing movements. •classical form: turn-out of the legs and pointe work. •balance and symmetry. •ethereal quality. •emphasis on story ballets and narrative. •elaborate sets and costumes. Benefits of Ballet: •Physical coordination, grace and posture •Mental strength and focus •Builds social skills •Instills confidence
I want to take inspiration from Ballet and design my building to be graceful with soft and smooth curves which give it an effect of flowing movements. I want the building to be balanced and symmetric, it should emphasize on the story of ballets and elaborate sets. When people look at it, they should instantly be reminded of Ballet and its beauty as an art form.
Precedent Studies Heydar Aliyev Centre
Heydar Aliyev Centre Baku, Azerbaijan
I have chosen Heydar as I believe that it is able to represent Ballet as a form through its distinctive architecture and flowing, curved style that eschews sharp angles. I love the design of the building, not only does it look stunning but also serves its purpose as the center for the nation’s cultural programs. It was designed to give the city a break from the city’s rigid and often monumental Soviet architecture that is so prevalent in Baku. Designed by Zaha Hadid It expresses the Azeri culture and the optimism of a nation that looks into the future. I researched a lot about this magnificent piece of architecture so that I am able to apply the same principles in my design. I went through the blueprints and watched several videos help me understand the design process of this building better. More info about Heydar Aliyev Centre
Zaha Hadid Architects Construction: 2007-2012 Building: 51.519msq Site: 111,292msq Footprint: 15,514msq
Precedent Analysis And Research Design concept
The design of the Heydar Aliyev Center establishes a
continuous, fluid relationship between its surrounding plaza and the building's interior. The plaza, as the
ground surface; accessible to all as part of Baku’s urban fabric, rises to envelop an equally public interior space
and define a sequence of event spaces dedicated to the collective celebration of contemporary and traditional
Azeri culture. Elaborate formations such as undulations, bifurcations, folds, and inflections modify this plaza
surface into an architectural landscape that performs a multitude of functions: welcoming, embracing, and
directing visitors through different levels of the interior. With this gesture, the building blurs the conventional
differentiation between architectural object and urban landscape, building envelope and urban plaza, figure and ground, interior and exterior.
Fluidity in architecture is not new to this region. In historical Islamic architecture, rows, grids, or sequences of columns flow to infinity like trees in a forest, establishing non-hierarchical space. Continuous calligraphic and ornamental patterns flow from carpets to walls, walls to ceilings, ceilings to domes, establishing seamless relationships and blurring distinctions between architectural elements and the ground they inhabit. The architect’s intention was to relate to that historical understanding of architecture, not through the use of mimicry or a limiting adherence to the iconography of the past, but rather by developing a firmly contemporary interpretation, reflecting a more nuanced understanding. Responding to the topographic sheer drop
that formerly split the site in two, the
project introduces a precisely terraced landscape that establishes alternative
connections and routes between public plaza, building, and underground parking. This
solution avoids additional excavation and
landfill, and successfully converts an initial disadvantage of the site into a key design feature.
My sketch of Heydar Aliyev Centre
Geometry, structure, materiality
Heydar Aliyev Centre plans
One of the most critical yet challenging elements of the project was the architectural development of the building's skin. The ambition to achieve a surface so continuous that it appears homogenous, required a broad range of different functions, construction logics and technical systems had to be brought together and integrated into the building’s envelope. Advanced computing allowed for the continuous control and communication of these complexities among the numerous project anticipants. The Heydar Aliyev Center principally consists of two collaborating systems: a concrete structure combined with a space frame system. In order to achieve large-scale column-free spaces that allow the visitor to experience the fluidity of the interior, venical structural elements are absorbed by the envelope and curtain wall system. The particular surface geometry fosters unconventional structural solutions, such as the introduction of curved ‘boot columns' to achieve the inverse peel of the surface from the ground to the West of the building, and the 'dovetail' tapering of the cantilever beams that support the building envelope to the East of the site.
The space frame system enabled the construction of a free-form structure and saved significant time throughout the construction process, while the substructure was developed to incorporate a flexible relationship between the rigid grid of the space frame and the free- formed exterior cladding seams. These seams were derived from a process of rationalizing the complex geometry, usage, and aesthetics of the project. Glass Fibre Reinforced Concrete (GFRC) and Glass Fibre Reinforced Polyester (GFRP) were chosen as ideal cladding materials, as they allow for the powerful plasticity of the building’s design while responding to very different functional demands related to a variety of situations: plaza, transitional zones and envelope. In this architectural composition, if the surface is the music, then the seams between the panels are the rhythm. Numerous studies were carried out on the surface geometry to rationalize the panels while maintaining continuity throughout the building and landscape. The seams promote a greater understanding of the project’s scale. They emphasize the continual transformation and implied motion of its fluid geometry, offering a pragmatic solution to practical construction issues such as manufacturing, handling, transportation and assembly; and answering technical concerns such as accommodating movement due to deflection, external loads, temperature change, seismic activity and wind loading. To emphasize the continuous relationship between the building's exterior and interior, the lighting of the Heydar Aliyev Centre has been very carefully considered. The lighting design strategy differentiates the day and night reading of the building. During the day, the building’s volume reflects light, constantly altering the Center’s appearance according to the time of day and viewing perspective. The use of semi- reflective glass gives tantalizing glimpses within, arousing curiosity without revealing the fluid trajectory of spaces inside. At night, this character is gradually transformed by means of lighting that washes from the interior onto the exterior surfaces, unfolding the formal composition to reveal its content and maintaining the fluidity between interior and exterior. The Heydar AJiyev Center's design evolved from the architects investigations and research of the site’s topography and the Center’s role within its broader cultural landscape. By employing these articulate contextual relationships, the design is embedded within this context; unfolding the future cultural possibilities for Azerbaijan.
Chosen Site The site for the MOVE SPACE project is a public space on the North Campus of the University of Manchester, previously known as UMIST. The site is between the Reynolds Building, the Barnes Wallis building, the Manchester Meeting place and the railway viaduct. It is up to you where you situate your proposal.
History of UMIST
The University of Manchester Institute of Science and Technology (UMIST) can trace its origins to the Manchester Mechanics' Institution, founded in 1824 as part of a national movement for the education of working men. More on history of UMIST
Site Sketch
N
Site Analysis Dimensions
Measurement
Length
49.2m
Width
37.6m
Area
1866.6msq
I used Digimap to help me analyze the chosen site. Link- Digimap Soil- Artificial GroundInfilled Ground- Artificial Deposit(WMGR-ARTDP) Made Ground(Undivided) Artificial Deposit(MGRARTDP)
Barnes Wallis Building
Chosen Site in Purple
Site Information Artificial GroundInfilled Ground- Artificial Deposit(WMGR-ARTDP) Made Ground(Undivided) Artificial Deposit(MGRARTDP) Chester Pebble Bed Formations-Sandstone(CSSDST)
Site Pictures UMIST Manchester M1 7JR
Plans For The Building
ENTERANCE
ENTERANCE
PLAN 1
SEATING LEVEL 2
SEATING LEVEL 1
BATHROOM
This plan was designed by taking inspiration from Ballet shoes. The shape of the shoe was used as the basic plan and then I smoothened the curves and made adjustments to in order to achieve a plausible and efficient plan.
GREEN ROOM
ENTERANCE
This plan consists of two concert hall( a large main hall and a small secondary one). I made as smooth and flowy as possible to make it resemble ballet and its flowy nature.
Design inspiration from Ballet shoes
PLAN 2
PLAN 3 BATHROOM FOR
PERFORMERS
ENTERANCE
GREENROOM BATHROOM
ENTERANCE
SEATING LEVEL 2
STAIRCASE
STAGE
SEATING LEVEL 1
ENTERANCE
SEATING LEVEL 1
ENTERANCE
ENTERANCE
STAGE
SEATING LEVEL 2
GREENROOM
Seating in semicircular style to provide the best atmosphere and curve(bring together) everyone in to make them fell as part of the performance. This arrangement gives the audience a sense of unity and coming together for a purpose.
Floor plan of building inspired from ballet dancers in harmony.
Exterior Design Inspiration The exterior should be curved and flowy. It should represent Ballet. I took a White Ribbon and scrambled, jumbled and placed it in different positions to get ideas for the exterior. Ribbon placed in different ways For inspiration:
Exterior Design Ideas
Exterior Design For Plan 1
Sketchup Models For Possible Building Designs Model-1
The design inspiration for model-1 came from Ballet shoes. The top part of the building is shaped like the shoes. The building has smooth curves and sharp edges to make it aesthetically appealing.
A Few More Pictures
Model-2 This building is fairly simple, its an oval shaped building with a sunroof. I wanted to keep the exterior of this building simple and focus more on the efficiency and interior. Even though it looks simple, it will look way more stunning in real life as I plan to cover the exterior with stainless steel in different layers wrapping around the building like spaghetti.
It’s going to be wrapped with stainless steel just like this thin confetti. This will make the building look amazing. Idea for wrapping came from Bird's Nest
A Few More Pictures
Exterior
Interior
Model 3 Exterior Drawings And Plans
Perspective Drawing
Model-3 The inspiration for this building was taken from two ballet dancers dancing in harmony together. It has smooth curved edges and is very flowy. It also takes inspiration from the confetti to give it that flowy organic look. I also added a skylight for sunlight during the day which will help in illuminating and heating the building via sunlight thus saving electricity. At night, it will provide the audience a beautiful view of the night sky. I also used the golden ratio to make the building more attractive and appealing. It has short exit roots and the layout is designed to keep people moving smoothly and avoid confusion. The bathrooms are on the opposite side of the main concert hall to make less people use the bathrooms during the performances. There are five entry and exit points to the building. Two exits right next to the stage are the main fire exits. The primary material used will be Reinforced Concrete Structure space Frame System Combined to give it structural strength stability and smooth finish.
About The Building Length: 45m Width: 30m Height: 15m Material Used: Reinforced Concrete with Steel Space Frame inside. Glass used for doors, windows and skylight. Timber for stands and main hall.
Exterior
Interior
Choosing The Best Design After carefully examining the site and going through each design, I think the third building design is the best one as: 1. The first building is aesthetically appealing, however, is too large for the site and its shape restricts it from using the available space in the site in a judicious way. The site is rectangular almost like a square but since the building is long and narrow it is unable to judiciously use the available space on the site. 2. The second building is fairly simple and works well. It however doesn’t draw too much attention as it isn’t very aesthetic. It also doesn’t include any special design features apart from a skylight. 3. The third building is the best design solution as it looks beautiful with those gentle and smooth curves and functions the best. It includes a curved glass skylight to let moonlight and starlight enter during the concerts and make the atmosphere more beautiful. It also allows the audience to look at the night sky. The skylight also lets sunlight in during the day hence, saving electricity as it illuminates the entire hall. The stands are also designed to provide the audience with the best experience as every seat is facing straight at the stage. The walls are simple so that they do not draw attention away from the stage. The whole design forces you to look at the stage as the hall literally curves in and embraces the stage. It has been designed to make the audience pay attention at the Ballet performance and nothing else.
1
2
3
Building On Site The picture on the right shows how the building looks on the site. The large skylight faces towards northwest as north, as possible to get bright, constant light throughout the day.
North
Chosen Design 3D Model
Interior
EXPLORATIONS
About The Project To explore the environments around us by sketching, taking high-quality photographs and creating diagrams. Exploration helps reveal insights into contemporary life, the built environment, materials, and atmospheres you can experience through architectural exercises. For this project we chose to explore the city of Saltaire. Saltaire is a Victorian model village in Shipley, part of the City of Bradford Metropolitan District, in West Yorkshire, England. The Victorian era Salt's Mill and associated residential district located by the River Aire and Leeds and Liverpool Canal is a designated UNESCO World Heritage Site and an Anchor Point of the European Route of Industrial Heritage.
Saltaire
Saltaire Pictures
Victoria Hall Saltaire Victoria Rd, Saltaire, Shipley BD18 3JS Victoria Hall, Saltaire(originally the Saltaire Institute) is a Grade II listed building in the village of Saltaire, near Bradford, West Yorkshire, England. It was built by the architects Lockwood and Mawson. Saltaire Institute was built by the architectural firm of Lockwood and Mawson between 1867 and 1871 for the industrialist and philanthropist Sir Titus Salt. It cost £25,000. In the original design, the building contained a main hall seating 800, a lecture room, two art rooms, a laboratory, a gymnasium, a library of 8,500 books and a reading room. For use of the building, a quarterly fee was charged. This ranged downwards from 2 shillings for adult males. Victoria Hall was opened in 1871 by Sir Titus Salt, as a 'centre for recreation, culture and learning' for his villagers. Today, the venue is owned by the Salt Foundation - a charitable trust - and is used for many of the same purposes as when it was first built.
Architecture
Victoria Hall is a T-plan, two-storey building with a basement, constructed in ashlar, with rock-faced stone and a Welsh slate roof.
Victoria hall Exterior
Exterior
To the front, the exterior has a symmetrical, eleven-bay Italianate facade, with vermiculated quoins at ground floor level and pilaster quoins to the first floor. The central bay of the building breaks forward, on top of this bay is an elaborate square tower with pyramidal ashlar roof. Each side of the tower has a modillioned segmental pediment on an enriched entablature, supported by columns, framing slender, round-arched windows. The central portal has double, paneled doors, fanlight, and large open segmental pediment. At basement level, the windows are square-headed, at the ground and first floor level the windows are round-arched and archivolted. There is a dentilled cornice between the ground and first floors. The modillioned cornice forms the base to a deep, paneled parapet decorated with rosettes and pedimented piers with grotesque winged beasts supporting iron finials. Three-bay return elevations. The main hall projects at the rear with tall slender round-arched windows with glazing bars and circles in heads.
Interior The entrance hall has a large, stone dog-leg staircase with large square piers and vertically symmetrical turned balusters. The main hall has an elaborately plastered, coffered roof. Pilasters mark the bay divisions and support a bracketed entablature. There is a raking gallery at the rear, on fluted cast-iron columns. The former side galleries have been removed and there is glass paneling at the rear.
Victoria Hall Interior
Victoria Hall Sketch Markers
Victoria Hall Sketch
Victoria Hall Interior Sketch
Saltaire Victoria Road Sketch
Saltaire Salt Mill Salts Mill is set in the UNESCO World Heritage Site, Saltaire. The Grade II Listed historic mill building was built in 1853 by Sir Titus Salt along with the village to house his workers. The whole area is of architectural and historical interest. When Salts Mill opened in 1853, it was the biggest factory in the world. 3000 workers toiled away at 1200 looms, producing 30000 yards of cloth every single day. In a 25 years building spree, Salt also built housing, a church, schools and almshouses for his work force.
Saltaire Salt Mill Sketch
Saltaire United Reformed Church The Church was built by Sir Titus Salt in 1859 to serve his staff who worked at the Mill within the village of Saltaire, now a world heritage site. The building is a unique example of Italianate religious architecture. The entrance is up six steps under a portico supported by six unfluted Corinthian columns and topped by a fretted tower with a cupola. Fittingly, the Mausoleum built onto the church contains the remains of Sir Titus Salt himself.
Saltaire United Reformed Church
Saltaire United Reformed Church Sketch
Saltaire City Plan Diagrams
Saltaire Plan Illustration
Our Space Our Space Soham Sengupta
Project Description Our Space asks us to familiarize ourself with a range of contemporary architectural cultures, values and goals. The project's objective is to establish a shared set of architectural ideas and environmentally sustainable goals for exploration in the design of housing units and the composition of urban blocks. Design Brief: Housing Unit. Our space design brief focuses on domestic urban living spaces. I am designing an individual shared housing unit for 12 people. Accommodating contemporary living arrangements for Students. The current relevance of housing design is fourfold, the current housing shortage, limited supply of suitable homes, the need to reduce carbon emissions & waste and architecture's uncertain role in mass house building. Space & Accommodation requirements: Sleep space, Lounge / Study space, Bathroom(s), Kitchen Plus, project-specific spaces *Bring to the first session: Select a household, e.g., Multigenerational family, shared house, and alternative family groups. Identifying the members and their basic housing requirements. Urban Building Block: The second group activity explores how we live together in urban environments today. Atelier groups will make a site model in-studio to evaluate the composition of urban building block types incorporating everyone's shared housing units, including shared spaces and communal facilities essential for the residents and community. The exercise quickly builds a basic site model, distributing, slotting, and stacking the housing units together to assess urban building blocks such as terraces, courtyards, ribbons, and stand-alone solitaires. Each group member will use photomontage techniques to compose an image that captures their proposal's internal and external qualities on site. [One stipulation from the expert panel is, everybody takes an ecologically sensitive approach to the site.
My Chosen Group Of People And Why I am choosing to design an accommodation for students as being a student myself, I believe there is a shortage of good enjoyable student accommodation. I want to learn from my own and my fellow mates problems about their accommodation and fix those problems in the building a design. Manchester desperately needs more student accommodations and they should be able to keep students happy and satisfy all their needs. Most student accommodations are badly designed as they often cramp things and reduce space to cut down cost. The rooms are badly ventilated and under lit. I wish to fix the numerous existing problems and come with a student accommodation that the students will love.
There are 99,000 students in Manchester and these numbers are only going to grow over the coming years whereas, The University of Manchester has only 20 halls of residence available for its students and only 11 halls of residence are available at Manchester Metropolitan University. This make it extremely difficult for students to find an accommodation and most students are left with no choice but to live in poor conditions or pay a hefty price for their private accommodation.
Design Approach This project will be designed from the inside out. This means that the design process will start at the basic blocks such as bedrooms and bathrooms which, will then be put together in the best way possible. Designing from the inside out, the project will begin with ideas of inhabitation to define the internal spaces and then decide upon levels of enclosure. Then, examination and documentation of how our goals and ideas have informed our final proposal's spatial layout and materiality through this design process. Finally, I will explore the relationship between individual dwellings and the size and form of urban building blocks on an urban site.
Individual Room
Flat made from arranging rooms
Building
Precedent Studies Hulme Hall I chose Hulme Hall as the precedent for this project as I live in Hulme Hall and would like to apply everything I do not like and wish to change about Hulme Hall in my design. Living here I wished that a lot of things were different and I want implement all that I wanted to be better in my accommodation design. Hulme Hall Rusholme Manchester M14 5RR
Houldsworth
Birley Hulme Hall
Hulme Hall is a university hall of residence in Rusholme, Manchester, England, 1.5 miles south of Manchester city centre, housing 300 students from the University of Manchester. The facilities include a purpose-built lecture theatre with 300 seats (John Hartshorne Centre), the Old Dining Hall, the Library, the Chapel, the Senior Common Room and the Seminar Room. It is a Grade II listed building. The hall is one of the oldest in Manchester: it was founded in association with Owens College. It was named after the Lancashire lawyer and landowner William Hulme whose Hulme Trust funded the Hall's foundation.
Standard Room Hulme Hall
Houldsworth Hall, part of the Hulme Hall complex of buildings, was constructed in 1907 (Edwardian), whereas most of the local buildings are Victorian, for example the Anglican parish church (St John Chrysostom)[4] which was built in 1874 - 1877. Local student attractions include the Whitworth Art Gallery and the Curry Mile on Wilmslow Road. Common Room
Reception/Dinning Hall
Kitchen
Dinning Hall
Bathroom
Site Analysis Location: : Manchester, Upper Brook Street & Grosvenor Street
Length-94m Width-20.5m Area-2.1 Acres
Choosing Building Location on Site
Max Building Length=20m
Soil Type And Buildings Around Site The soil on the site is mainly is alluvial deposit which is quite stable on easy to build upon. Most buildings around the site are pretty modern and hence, the building design should also be modern to match the surroundings and gel with them.
Site Pictures
Long View of Site
Corner of Upper Brook St and Grosvenor St
View Towards Ardwick
Grosvenor St Approach
Upper Brook Street
Upper Brook Street View Towards UOM
Student Accommodation Pictures For Ideas And Examination
Problems With Existing Student Accommodations • Most student accommodations are very compact and small. There is very less moving and space available. • Most rooms are dark and gloomy, they only have a single window for light and make the room dull. • Air circulation does not take properly due to the lack of big openable windows. • The rooms are tiny and badly ventilated which often makes it very claustrophobic. • The rooms lack shelves and most shelves are placed above the beds which poses a danger as objects may fall on to the person laying on the bed. • Most accommodations provide single beds which most students find less spacious.
Small/cramped Room
Dark/Gloomy Room
Lack Of Windows and Ventilation
Lack Of Shelves/Storage
Tiny Single Bed
A Few Common Floor plans For Student Accommodations
Design Requirements • Room should include double bed for extra comfort and space. • Room should be well lit. • Room should include shelves, storage space, a cupboard, a study table and a basin. • Room should be well ventilated. • Room should be spacious and easily habitable.
Double Bed Storage/ Shelves Sink Study Space
Room
Bedroom Plan 1
Study Table
Cupboard
Basin
Headboard+storage
Window
Door
Chair
Bed Double
Bedroom 1 3D Model
Shower Toilet
Basin
Door
Bathroom Design For Plan 1
Floor Plan 1 Balcony 3
Bathroom 1
Bathroom 2
Stairs
Bedroom 6
Bedroom 5
y
Hallway
Balcony 2 Bedroom 1 Bedroom 2
Balcony 1
Bedroom 3
Bedroom 4
Floor Plan 1 3D Model
Problems With Design 1 The layout of design 1 is not conventional and creates unusual spaces and an unusual corridor. Each room does not gets own balcony. The rooms are very compact and offer very less freedom/space. The flat does not provide any common living room or kitchen. The whole flat is shaped weirdly and offers very unusual spaces. The building with this floor plan also does not fit will with any other building, it stands out quite a bit in an unusual way, it does not gel with the other buildings.
Weird corridor
No Living Room And Kitchen
No Balcony
Unusual Building
Requirements For Design 2 • Room should include a double bed for more space and extra comfort • Room should include a balcony for some fresh air and help the student relive some stress after studying and working for long hours. • Room should include a large window for a good amount of sunlight and ventilation • Room should have enough storage space and shelves • The flat should include a kitchen and living room for hanging out with flatmates, having some fun, taking the mind off studies and kitchen so that they can cook whenever they wish to. • The layout should be well designed with a nice and easily accessible corridor. Double Bed Storage/ Shelves Sink Study Space
Room
Balcony
Experimenting Different Plan Ideas
Bedroom Plan 2 This Bedroom Design is perfect for students as it offers• A cozy double bed for some extra comfort space. • A balcony for some fresh air to clear their heads from the study/work stress. • A basin so they don’t have to visit the bathroom every time they want to wash their face, hands, etc. • A study table with a window for some healthy and bright sunlight to make the room happier and naturally lit.
Bedroom Plan 2 Refined Sketch
Bedroom Plan 2
3.5m Headboard and Storage Window
Study Table Double Bed
5m Cupboard
Carpeted Floor Basin
Door Sliding Door Balcony
Room 3D Model
18m Toilet 1 Bedroom 1
Stairs
Toilet 2
Shower 1
Bedroom 2
Electrical/ Storage
Shower 2
10m
Kitchen Living Room Bedroom 4
Bedroom 3
Floor Plan 2
Entry/Exit
Stairs
Space For A Shop(eg-Tesco, Sainbury’s, Caffe Nero, etc).
Reception
Entry/Exit
Ground Floor Plan
Seating
Ground Floor 3d Model
Floor Plan-
Floor 1 Floor 2 Floor 3
Flat 3D Model
Terrace Plan Solar Panels Water Tank
Staircase
Building Sketchup 3D Model
Building Model Along With Other Building Models On Site Model 1:200 Scale
Thank You