To Recover A Heartbeat [2008]
Aaron Holloway-Nahum
To Recover A Heartbeat [2008]
Aaron Holloway-Nahum aaronholloway1@hotmail.com 07876.504072
www.aaronhollowaynahum.com
Duration: Approximately 14 minutes in two movements Score in C Instrumentation Piccolo Flute 1,2 Clarinet in B-flat Clarinet in A Bass Clarinet in B-flat Bassoon 1,2 Horn in F 1,2 Trumpet in B-flat 1,2 Trombone Tuba 2 Percussion playing: Marimba, Bass Drum, Small Triangle, Wood Block, Snare Drum, Glockenspiel, Whip, Tam-Tam, Crotales (2 octaves), Tubular Bells, & Temple Bowl Harp Celesta Solo Piano Solo Viola Cello 1,2 Solo Doublebass
Cover photograph by the Composer
SCORE in C
á Dia
To Recover A Heartbeat
q. = 108
Piccolo
grace notes before the beat
a2
ff:sffz
Flute I, II
ff:sffz
Clarinet in Bb
Clarinet in A
Bass Clarinet in Bb
Tuba
Percussion
ff:sffz
a2
ff:sffz
distant p
distant, con sord. p
f cresc.
2. open
f aggressivo sempre
(f)
mp sempre
p
p
p
ffp
ff:sffz
f
fp
ffp
ff:sffz 0
ff sffz
tutti, pizz.
q. = 108
pizz. secco, rhythmico
f sempre
sffz
mf
1. with straight mute
f
ff
arco, detaché sempre
mp
Copyright © Aaron Holloway-Nahum, 2008
pp
f
pp
fp
f
mf
cresc...
Cb
pp
f
poco f
f
ff poss
poco f
poco f
DbC§B§/EbF#G§Ab
l.v.
(a2)
fp 1.
p
pp
f poss.
cresc...
soft mallet (topside, R.H.)
p
pp
f
ff sffz
Bass Drum l.v. sempre
Solo Viola
Solo Contrabass
mf
1. stopped
ff:sffz 1.
hard mallets
Violoncello I, II
Celesta
Piano
Harp
pp
f
a2 secco
ff:sffz
Marimba
p
ff
Horn in F I, II
Trombone
f
Aaron Holloway-Nahum
f
ff:sffz
Bassoon I, II
Trumpet in Bb I, II
p
3+2
1. soloistically
ff:sffz
(f)
3+2
(f)
p sempre
p
poco f
n
f aggressivo
arco
p
mf
2
A Picc. 9
pp poss.
Fl. I, II
Bb B. Cl.
mf
Tba.
Perc.
Solo Vla.
ff:sffz
mute out
ff
pp
ff
A
pp
3+2
pp
f
n
p
a2
n
(a2)
player 1 mute out
f:sfz
ff:sfz
l.v.
p
mf
mf
p sempre
p sempre
p
(Snare)
pp sempre
legato
div. ff:sffz
0
ff:sffz
p
sffz
0
unis.
sim...
sim...
f
very hard mallets
f cresc...
cresc...
f
sffz
mf
n
2. (w/str. mute)
B 3+2
mf
mf
f
Marimba
Bb/GbF§
sfz
pizz.
f:sfz
mp
sfz
p
mp
f:sfz sfz sfz
f
senza sord.
p
f
ff:sffz
Solo Cb.
pp poss.
f
(detaché)
Vc. I, II
ff:sffz
mp f ff:sfz stopped sffz sffz ff:sffz
mf
a2 w/mute
p
(Wd Blck) Tri/Wd.Blck 2 2 mf f 2 sffz ( f ) Whip
Cel.
Pno.
B
pp poss.
2
Hp.
p
sffz
f:sfz
f
Mar.
f
mp
p
f
p
(a2)
mf
ff:sffz
(open) Hn. I, II
a2
Tbn.
1.
Bsn. I, II f
Tpt. I, II
mf
A Cl.
p
ff:sffz
Bb Cl.
pp
pizz.
p cresc.
Picc.
17
p
Fl. I, II
A Cl.
Bb B. Cl.
Bsn. I, II
ff:sffz
Tpt. I, II
Mar.
Perc.
Hp.
Cel.
(snare)
p sub.
n
mf
pp
1. w/cup mute
ff
p
ffpp
f:sfz
pp mf with straight mute
f
pp
f:sfz
hard mallets (as in the beginning)
(bass drum)
f
dampen pp
l.v.
ff:sffz
mf
sfffz
2
B§
ff:sffz
con sord.
f aggressivo
f
(wood block)
pp
2. w/str mute
pp
n
pp sempre
p
sfz
sfz
f
p
(pp)
mp
poco
p
pp
p
p
pp
p
ffp
ffp
Vc. I, II
ff:sffz
ff:sffz
Solo Vla.
Solo Cb.
mf
pp
pp
p sempre
sffz
Pno.
p
mf
ff
f
Tbn.
Tba.
a2
1. open
pp
f
(both) open
p sempre
Hn. I, II
fp
f
Bb Cl.
3
mf
secco
ff
( ff )
arco (detaché sempre)
f aggressivo
arco (detaché sempre)
f aggressivo
pizz. n ff
4
C
Picc. 24
3+2
A Cl.
Bb B. Cl.
Hn. I, II
Tpt. I, II
Tba.
Mar.
Perc.
Hp.
Cel.
Pno.
7:6
f cresc.
p
mfp
ff:sffz
1.
f
p
ff
tri
Glockenspiel
mf
f
p sempre
ff sffz
p
mf
G§
f
pp
pp
wood block
p
pp
sffz
mfp
f cresc.
mfp
pp
f
pp f
sfz
f
pp
3+2
f cresc. sffz
pp
ff
pp
D
pp
cresc...
a2, secco aggressivo
f
7:6
pp
fp
fp
fp
mp
7:6
p
C 3+2 Solo Vla. Vc. I, II
Tbn.
fp
Bsn. I, II
(a2)
Bb Cl.
p
Fl. I, II
mf
ff cresc.
ff:sffz
(pizz)
ff:sffz
Solo Cb.
sffz
ff:sffz
pizz.
mf
( ff )
D 3+2 arco
3
(p)
pp sempre
0
div.
p
pizz.
arco
p
molto!
Picc. 31
Fl. I, II
Bb Cl.
A Cl.
Bb B. Cl.
Bsn. I, II
f
p
pp
mfp
pp
mp
p
Glock.
Cel.
Vc. I, II
Solo Cb. ff
ff
f
p
mf
with straight mute
f
p
f aggressivo
3+2+2
detaché sempre
f aggressivo arco, detaché sempre
ff
cresc.
C§
f
p sempre
p
sfz sfz
E
n
f
1. open
p
unis. (open) p
(stopped)
f:sffz
mfp
sffz
sfz sfz with metal beater Triangle
p
D§
sffz
f
sfz
2+2+3
molto legato
cresc. possible
f
p
3+2
p
f aggressivo
molto legato
p
distant
f:sffz
cresc. molto
Solo Vla.
(Glock)
Pno.
Hp.
f
sffz-p sub.
f poss.
mf
1.
a2
mf
f
3+2
lyrically
p cresc. molto ff Mar. Tba.
p
lyrically
sfz
unis. pp
f
a2
p
2+2+3
p
p
Tbn.
3+2+2
f
Hn. I, II Tpt. I, II
5
E
(f)
0
F
6
Picc. 38
Fl. I, II
cresc. molto
Bb Cl.
A Cl.
Bb B. Cl.
Bsn. I, II
Tba.
Mar.
p
f:sfz 1.
ffp
f
ff
ff
(f)
pp
ppp poss.
mf
pp sempre
p
p
pp
l.v. sempre
F#A§
p
ff
Snr., B. Dr.
p
mute out
pp
ff
fp
sfz
f
CbBb
pp
both open
pp
f
f
f:sfz
Solo Vla.
Solo Cb.
Vc. I, II
a2
Cel.
Pno.
p
Hp.
sfz
Perc.
pp
f
ff:sffz
p cresc. molto
a2
Tbn.
Hn. I, II
Tpt. I, II
F
fp
n
p non cresc. secco
n
sfffz
f
Picc.
42
Fl. I, II
Bb Cl.
A Cl.
2
f
G
un poco rubato
p
1. f
3
3
3
cresc....
3
1. solo, fanfare!!
ff
cresc.
Tba.
Cel.
Pno.
p
a2 con sord
p
f
(f)
f
molto!
5 5 f
p sempre
ff
Solo Vla.
(f)
p
poco
Cb/E§
fp
sudden and violent!
Vc. I, II
pp
pp
mf
a2
p
(non tr)
pp
pp
p
Hp.
pp
2
f
3
Perc.
ff
mp
Mar.
Tbn.
f
Tpt. I, II
2
f
pp
Hn. I, II
Bb B. Cl.
Bsn. I, II
p
7
5
6 5 6 6 5
cresc.
G un poco rubato mf sub.
pizz.
a2, pizz.
f Solo Cb.
0
f
8
H
Picc. 47
Fl. I, II
Bb Cl.
A Cl.
mp
Bb B. Cl.
Tbn.
Tba.
f
Hp.
Cel.
Pno.
Solo Vla.
Vc. I, II
Solo Cb.
f:sfz
mf
Marimba
f:sfz
sfz
f
pp
sfz
p
arco
mf
pp
f
mp
p
mf
sfz
f
(ord.)
p
mf
pizz.
p
n
(a2 pizz) secco
H A Tempo
f cresc.
p
sfffz
5 5
pp
3
pp sempre
(b.dr)
(dead strokes)
ff:sffz
secco
(1.)
pp
C§B§
2.
f
p
mf
pp
5
pp
5
pp
(open)
ff cresc. poss.
p
pp
Mar. Perc.
ff poss.
Hn. I, II
Tpt. I, II
Bsn. I, II
(a2)
pp
A Tempo
p
n
detaché sempre
f aggressivo
9
I
Picc. 55
2+3
3+2
2+3
p cresc.
f:sfz
(a2)
Fl. I, II
p sfz (p)
Bb Cl.
pp
(p) molto legato
sfz
p
molto legato
A Cl.
p
Bsn. I, II
Bb B. Cl.
Hn. I, II
Tpt. I, II
Tbn.
pp
Tba.
1. open
p
mf
unis.
Perc.
mf
mf
mf ff
I
2+3
f
Solo Cb.
Solo Vla. Vc. I, II
ffp
tri
cresc....
p
f:sfz
2+3
ff
ff
ff aggressivo
3+2
arco
f
ffp
f
f:sfz
mf
(a2)
p
p
p
Ab
f:sfz
snare - tri
Cel.
Pno.
p
2
pp
mfp
mf
cresc. poco a poco
Hp.
unis.
pp sempre
ff:sffz
Mar.
a2
pp
p
pp
sffz-p
sffz-p
f:sfz
f
J
10
mf cresc. molto
Picc.
63
Fl. I, II
Bb Cl.
f
sfz
mf cresc. molto
2+2+3
ff:sffz
ff:sffz
ff:sffz
A Cl.
mf cresc. molto
Bb B. Cl.
Bsn. I, II
Hn. I, II
Tpt. I, II
ff:sffz
molto
Tbn.
pp
Tba.
molto
mf
Perc.
Hp.
Cel.
Vc. I, II
f
f
p
p
n
f:sfz
f:sfz
f:sfz
f:sfz
cresc. molto!
fp
ff:sffz
0
2+2+3
p
ff:sffz
f
p
ff
n
J
fpp
ff
p
f
ff
f
( ff )
p
ff
bass drum
ff:sffz
ff
p
open
mute out
ff:sffz
arco Solo Vla.
Solo Cb.
Pno.
ff:sffz
ff:sffz
pp
Mar.
ff:sffz
ff:sffz
2
3+2+2
3+2+2
n
67 Picc.
f:sffz
Fl. I, II
f:sffz
f poss.
A Cl.
a2
f
3
ff
ff poss.
sffz
Hp.
Cel.
Pno.
pp
Solo Vla.
con sord.
ff poss.
DbC#Bb/E§FbG§A#
pizz.
f
Solo Cb.
with cup mutes (very tight)
p sub.
f:sfz
pizz.
ff
sfz
s.
glis
ff:sffz
f
(dampen) pp sempre
n
f
n
Vc. I, II
sub. pp
p sub.
f
ff
pp
f
div.
3
sub. pp
3
let bass drum vibrate...
pp
f:sfz
f
Whip
wood block
(1.)
p espressivo
(con sord.)
with straight mute
p espressivo
6
Mar. Perc.
ff poss.
1. molto legato
ff
f
f poss.
Hn. I, II
Tbn.
pp poss. sub.
ff
Tpt. I, II
ff
6
Bb B. Cl.
Tba.
f
Bb Cl.
Bsn. I, II
6
11
K non rit.
ff
sffz
K non rit.
ff
1 arco
pp sempre arco
pp sempre
n
12
Picc.
73
poco
Fl. I, II
Bb Cl.
Bb B. Cl.
f
Bsn. I, II
Hn. I, II
f
Perc.
Perc.
Hp.
Cel.
(a2)
p sempre
pp
pp
mp cresc.
f
3 3
p
pp
p
p
p mute out
ff
snare - triangle
f:sfz sfz
pp
pp
mute out
bass dr
DbC#Bb/E#F§G#A§
f
L
f
3
(detaché)
f
3
3
n
sfz
sfz
3
3
non Ped
3
fp
sfz
sfz
3
mf
3
p
tutti
3
f
p
legato sempre
3
n
Solo Cb.
n
Vc. I, II
3
Solo Vla.
n
p
1. (cup mute) f
Pno.
mf
mp
p
f
f
p
3
a2
3
p sempre
p
mf
f
2. open
3
f
Tba.
sfz
f
Tbn.
Tpt. I, II
p
A Cl.
L
sffz
sffz
ff:sffz
pizz.
p
pizz.
p
M
80 Picc.
un poco rubato
p
Bb Cl.
A Cl.
Bb B. Cl.
Bsn. I, II
Fl. I, II
a2
Hn. I, II
ff
ff:sffz
ff
ff
mf
fp
ff:sffz stopped
mf
fp
in time > senza cesura
1. solo cantabile
Tbn.
fp Tba.
Perc.
Perc.
poco
mp
senza sord
fp
poco
Cel.
M
Solo Vla.
Vc. I, II
ff
un poco rubato
molto!
arco fp
molto!
ff
ff
mf
con sord.
1. open f
p
p
fp
ff
Tam
mp
p sub.
div.
arco
p
f
sfffz
2. open
wood of beater scrape edge of Tam with mf
ff:sffz
fp
Solo Cb.
ff:sffz
3
ff:sffz
Pno.
ff:sffz
mp
ff:sffz
3
3
Hp.
ff
senza sord
mutes out
pp distant and haunting
ff:sffz with straight mutes Tpt. I, II
13
N
ff:sffz
in time > senza cesura
pp sempre
3 f
N
ff
p
3
(l.h. over)
sfffz
pizz. 0
mf
pp sempre
pp sempre
14
86
Picc.
O A tempo (q=72)
=72 rit...
n
pp poss.
Fl. I, II
Bb Cl.
A Cl.
Bb B. Cl.
Bsn. I, II
Hn. I, II
3
p
pp
n
Tpt. I, II
Tbn.
Tba.
Perc.
Perc.
Hp.
Cel.
tri
3
Pno.
f
p
p
p
3
mf
3 pp
(cadenza)
3
3
mf molto espressivo
6 6 5 5 5
O A tempo (q=72)
Vc. I, II
Solo Cb.
Solo Vla.
=72 rit...
15
Picc.
Fl. I, II
Bb Cl.
A Cl.
Bb B. Cl.
92
(a2) div.
Bsn. I, II
Tpt. I, II
Tbn.
Tba.
Perc.
Hn. I, II
Perc.
Hp.
3
mp
Cel.
Pno.
ppp poss.
tri
pp
p 3
3
7
êco
Tam
3
5
5
3
3
5
3
7
Vc. I, II
Solo Cb.
Solo Vla.
16
Picc.
98
Fl. I, II
P
Bb Cl.
A Cl.
Bb B. Cl.
Bsn. I, II
f
f
3
3
Solo Vla.
Cel.
Pno.
Hp.
(l.v.)
pp
P
Solo Cb.
sffz
Vc. I, II
5
6
f
non Ped
3
3
3
a2 unis.
3
pp sempre
p
poco
mf
p
3
Perc.
distant, hollow
p
poco
Tba.
Tbn.
p
Tpt. I, II
fpp
distant, hollow
f Hn. I, II
Perc.
2.
3
102
Picc.
Fl. I, II
Bb Cl.
Bb B. Cl.
A Cl.
Bsn. I, II
ffp
Pno.
mp
mf
f
1. solo
3 5 5 3 7 7
Vc. I, II
f
3
f
f
<qK
arco
3
f
arco
f
3
cresc...
Solo Vla.
Solo Cb.
Tbn.
Cel.
p
poco
Tpt. I, II
Hp.
3
n
mf
Perc.
f
senza sord.
Perc.
=108 = q >
3 Hn. I, II
Tba.
<qK
17
3
=108 = q >
7
7
6 5
p
3
3
18
Q
Picc. 107
Tempo II q = 72
f
Fl. I, II
Bb Cl.
A Cl.
Bb B. Cl.
pp
pp
fp
f
ffp
Tbn.
Tba.
3
Perc.
Perc.
Hp.
Cel.
Pno.
f
Vc. I, II
Solo Cb.
ffp
a2
p
mf
mf
3
3
3
f
3
ff
3
ff
l.v. sempre
3
3
mf
3
3 3 3
Tempo II q = 72
ffp
p ff:sffz
ffp
div.
3
3
Q
7
3
legato
7
(f)
7
arco Solo Vla.
a2 (open)
solo cantabile
mf
pp
3
ffp
f
Tpt. I, II
mf cantabile, dolce
3
pp
cantabile, dolce
n
p
Bsn. I, II Hn. I, II
1. 2.
mp
pp
19
R 114 Picc.
Fl. I, II
senza cesura
p
3
1.
p
p
Bb Cl.
A Cl.
f Bb B. Cl.
Bsn. I, II
Hn. I, II
Tpt. I, II
Tbn.
Tba.
Hp.
take cup mute
Cel.
Pno.
R
Solo Vla. Vc. I, II
1. with straight mute
mp
3
p
w/cup mute
p
3
mf
p sempre
p sempre
3
poco
p
n
p
n
Bass Drum
3
p
senza cesura
scrape edge with metal (tri) beater
Triangle
3
Tam
(bass harmonic sounds at this pitch)
5
pp
p sempre
Solo Cb.
IV
mf
3
p
3
mf
pp
p
f
n
mp
Perc. Perc.
3
a2
3
3
20
Picc. 120
Fl. I, II
Bb B. Cl.
Bsn. I, II
Hn. I, II
f
3
Perc.
Perc.
Hp.
Cel.
Solo Vla.
Solo Cb.
p
p
molto legato 3
p
pp
pp
pp
1.
3
p
mp
mute out
Marimba
pp
3
3
3
3
p
3
3
(r.h.>) 5 3
3
mf
mf
mf
3
pp sempre
soft mallets, distant
molto legato 3
Vc. I, II
= q >
Pno.
molto legato 3
mp
Tba.
<qK
S =108
f
Tbn.
Tpt. I, II
1. solo
3
A Cl.
Bb Cl.
solo
5
3
<qK
5
S =108 = q >
21
Picc. 125
Fl. I, II
p
3
Bsn. I, II
Tbn.
3
p
3
3 p cresc.
a2 Hn. I, II Tpt. I, II
3
Mar.
Perc.
Hp.
Cel.
3
3
3
Triangle
pp sub.
pp sub.
fp
f
f
3
pp sub.
solo cantabile
f
p
3
3
p sub.
B.dr.
Vc. I, II
Solo Cb.
Solo Vla.
mf
(open)
Pno.
fp
f
3
mf cresc. Tba.
f
a2
mf
Bb B. Cl.
mp
mf
A Cl.
T Tempo II q = 72
pp poss.
f
Bb Cl.
1.
rubato
5
5
mf
p
pp
7 6 7 mf
5
(l.h.)
sffz
f
rubato mf
6
p
6
6
tutti
mf
6
p
6
6
mf
6
p
6
6
ff
Tempo II q = 72
T
mf dolce
mf dolce
f
22
Picc. 130
Fl. I, II
Bb Cl.
A Cl.
pp
p
pp
espressivo
fp
fp ( fp)
Bsn. I, II
Hn. I, II
Tpt. I, II
Tbn.
Cel.
Pno.
p
5
5
mp
div.
Solo Cb.
3
Glock
3
p espressivo
f
unis.
div.
3
mp
3
3
3
3
3
cresc...
3
f cresc.
3
D#
f cresc.
3
p espressivo
3
rhythmically mf
3
mp
5
5
p
p
3
espressivo
pp sempre
p sempre
mf
mp
D§C#B§/E§F#G#A§
Solo Vla.
Vc. I, II
Mar.
Hp.
Tba.
Perc.
mf
Bb B. Cl.
mp
poco
poco
mp
poco
f cresc.
3
3
3
3
3
3
3
23
U
=108
Picc.
137
Fl. I, II
Bb Cl.
<qK
3
= q >
pp
p
mf
5
mp cresc.
p
5
mf
5 5
mp
5 5 5 5 5 5 5 5 5 3
3
A Cl.
5
3
Bb B. Cl.
Bsn. I, II
1.
pp
Hn. I, II
Tba.
Mar.
3
pp
pp
ff:sfz
mf
Solo Cb.
3
3 3
U =108 <qK = q >
3
3
3
ff:sfz unis.
mf
3
f
3
3
3
3
Solo Vla. 3
p
3
3
3
mp
3
3
f
3
Vc. I, II
3
5
pp sempre
3
Cel.
Pno.
Tbn.
Hp.
p
Tpt. I, II
Perc.
3
5
pp
6
ff:sfz
ff:sfz
24
Picc. 141
1.
f
Fl. I, II
f poss.
Bb Cl.
Bb B. Cl.
Glock.
pp
n
ff
p
p
molto!
n
mf
n
n
mf
mf
mf
p
ff:sffz
f
(open)
f
3
f
molto
n
6
6
Solo Vla.
Cel.
Pno.
Hp.
Tbn.
Mar.
Tpt. I, II
Tba.
mf
Hn. I, II
6
6 6 6 6 f:sfz
A Cl.
Bsn. I, II
3
3
3
Vc. I, II
Solo Cb.
V
144
Picc.
Fl. I, II
Bb Cl.
Bb B. Cl.
Hn. I, II
A Cl.
Bsn. I, II
f
Tpt. I, II
Tbn.
Tba.
Mar.
Glock.
Hp.
Solo Cb.
3
p
f:sfz
f
3
f:sfz
3
f:sfz
f
ff:sfz
ff:sfz
ff:sfz
mf sub.
Marimba
ff aggressivo
(these grace notes on the beat)
f
ff:sffz
ff
6
6
6
7
tutti
6
3
Vc. I, II
6 6
Solo Vla.
Cel.
Pno.
f:sfz
f
f
Tempo I q. = 10825
f div.
V Tempo I q. = 108 ff
f
f
ff:sffz
ffp
f
26
Picc. 148
A Cl.
Tpt. I, II
Tbn.
Glock.
Hp.
Cel.
Solo Vla.
sffz
pizz.
Vc. I, II
Solo Cb.
sfz
sfz
2+3
fp
1.
fp
pp
f
7
p
ff:sffz
f
ff:sfz
f:sfz
p cresc. a2
f:sfz
ff:sffz
f
f:sffz
p
ff:sfz
7
ffp
sfz
ff:sffz
f
7
stopped
f
a2
with straight mutes
pp
Pno.
Hn. I, II
Mar.
Bb B. Cl.
Tba.
Bb Cl.
Bsn. I, II
Fl. I, II
p cresc.
f
sfffz
p
fff
sffz
p
(r.h.)
2+3
f
27
Picc. 156
Fl. I, II
Bb Cl.
Hp.
mf
div.
mp
mp
mp
pp
pp unis.
mf
f
f
mp
mp
f sempre
f
sffz
0
mf
ff:sffz
ff:sffz
sfz
f
p
(tutti pizz.)
f
p
pizz.
2+3
f
arco, detaché Solo Vla.
Solo Cb.
Cel. f cresc. Pno.
Vc. I, II
p
p sempre
f sempre
2.
a2
mf
f
p
p
3+2
Tbn.
Glock.
Tpt. I, II
Mar.
pp
Bsn. I, II
Tba.
Bb B. Cl.
A Cl.
Hn. I, II
2+3
arco
f
f
sffz
mf
3+2
p
f
p
p
pizz.
f
28
Picc. 163
f
Fl. I, II
Bb Cl.
A Cl.
Bb B. Cl.
Bsn. I, II
Hn. I, II
Tpt. I, II
Tbn.
Tba.
mf
Hp.
Cel.
Pno.
Solo Cb.
2
2
mf
cresc...
p cresc.
2 non cresc. (mf sempre)
f:sfz
mf cresc.
f
ff:sffz
f
ff:sffz
f:sfz
2
p cresc. f:sfz unis.
ff
1. with mute
f
2
2
cresc...
2
ff
mf
Solo Vla. Vc. I, II
Mar. Glock.
mf
sfz
2
f
ff
ff sempre
ff
f
sfffz
f
a2 arco, detaché
f
29
Picc. 169
Bb B. Cl.
Bsn. I, II
Hn. I, II f
Tpt. I, II
Tbn.
f cresc.
p
f:sfz
p
f:sfz
p
f:sfz
p
f:sfz
ff:sffz
cresc.
A Cl.
Bb Cl.
Fl. I, II
(2. open)
pp
pp
a2 unis.
ff:sffz
p
p
Tba.
Mar. Glock.
Hp.
Cel.
Pno.
ff:sffz
f
pp
pp
f
p
f
sffz
Vc. I, II
f
pizz.
f
ff
f
f
f
ff
sffz
(f)
2+3
(f)
f
mf
p
a2 unis.
f
f cresc.
Solo Vla.
Solo Cb.
f
p
2+3
30
Picc. 177
3 +2
Fl. I, II
Bb Cl.
p
A Cl.
distant
7
Bb B. Cl.
Hn. I, II
pp
5
mf
5
pp
ppp
ppp
ppp
pp
mf
p
Bsn. I, II
mf
7
distant
p
pp
mf
a2
p
distant
ppp
sfz
p
Tpt. I, II
Tbn.
Tba.
Mar.
Glock.
Hp.
p
3 3
Solo Vla.
p
f cresc.
3 +2
ff
ff pizz.
0
mf
f
Solo Cb.
Vc. I, II
1.
Pno.
Cel.
3
3
3 ffp
31
Picc.
Fl. I, II
Bb Cl.
182
non rit.
3+2
2+3
f poss.
lyrically
p
A Cl.
Bb B. Cl.
Bsn. I, II
fp
Tpt. I, II
Tba.
mf
Hn. I, II
Tbn.
n
f
unis.
pp
Hp.
Cel.
Pno.
ff
Solo Cb.
p
mf
with straight mute
f
f
cresc.
C§
f:sffz
3+2 2+3 Solo Vla.
Vc. I, II
mf
p
f aggressivo
p
ppp
sffz-p sub.
f
lyrically
1. f
mf
ff
Mar. Glock.
non rit.
detaché sempre
f
cresc. possible sfz sfz sfz
f aggressivo
mf
tutti, arco sempre detaché
fp
mf
f aggressivo
f
32
Picc. 191
Fl. I, II
Bb Cl.
A Cl.
Bb B. Cl.
a2
f
Tbn.
Tba.
Mar.
Glock.
Hp.
Cel.
p
p
p
p
Solo Vla.
Vc. I, II
Solo Cb.
molto legato
f molto legato
f
f:sfz
unis. (open) p
f:sffz
mfp
a2
ffp
D§
p
sffz
f
sfz
sfz
with metal beater
Triangle
f
sfz
sfz
CbBb
f
ff
ffff
pp sempre
(a2 div.)
(1.)
mute out
ff
pp sempre
mute out
f
( ff )
ff
f
pp sempre
f
con sord.
both open
ff
f:sfz
sffz
1.
sffz
Pno.
(stopped)
1. open
Hn. I, II
Tpt. I, II
Bsn. I, II
W p f pp sub. sempre (a2 div.) 1. pp sub. sempre ff sffz ff pp sempre
W
div.
pp sempre
pp sempre
33
Picc. 197
Fl. I, II
Bb Cl.
A Cl.
Bb B. Cl.
Tba.
Mar.
Perc.
p
(pp)
p
p
pp
p
p
pp sempre
f
f
2. (open)
f
1. solo espressivo
f
2
1.
p
unis.
unis.
senza sord., rhythmically
sfffz
Bass Drum
p non cresc. secco
2
2
Solo Vla.
f
p
Solo Cb.
(a2)
Cel.
Vc. I, II
Pno.
Hp.
Hn. I, II
Tbn.
Bsn. I, II
Tpt. I, II
p sempre
f
34
Picc. 204
Fl. I, II
Bb Cl.
p
poco
mp
f sempre
a2
3
3
3 3
3 3
f
A Cl.
Bb B. Cl.
Bsn. I, II
div. Hn. I, II (div.)
Tpt. I, II
Tba.
Hp.
Cel.
Pno.
f sempre
n
n
n
p
n
3
3
Vc. I, II
2
f
3
3 3 3 3 3
senza sord.
Solo Vla.
Solo Cb.
Tbn.
Perc.
DCbB/E§F#GA§
ff:sffz
sffz
sffz
5 5 5 5
f
5 5 5
n
n
n
f
3
35
Picc. 210
Fl. I, II
Bb Cl.
A Cl.
pp poss.
f sempre
Bb B. Cl.
Bsn. I, II
Hn. I, II Tpt. I, II
Tbn.
Tba.
1.
1.
mf
mf
p
p 3
f sempre
3
f sempre
3
3
with hardest possible sticks (with care not to break a bar!)
Mar.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
ff
Perc.
Hp.
Cel.
Pno.
6 6 6 Solo Vla. Vc. I, II
5 6
5
detaché
5
5
5
5
5 3
3 3 3 3 3 3 3
ff al fine
tutti unis.; detaché
3 3 3 3 3
ff al fine
6
3
3
3
3
3
detaché 3 3 3 3 3 3 3 3 3 3 3 3 Solo Cb. p
ff al fine
molto!
36
Picc. 215
Fl. I, II
Bb Cl.
A Cl.
Bb B. Cl.
Bsn. I, II
mp sempre
p sempre
Perc.
Hp.
Cel.
3
f
3
3
3
3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
3
3
ff
3
ff
3
a2 al fine
3
3
3
ff
p
3
a2 al fine
3
sffz
3
3
3
3
Pno.
f cresc....
stopped
3
Mar.
a2 al fine
f
f
Tba.
p sempre
ff
Tbn.
p sempre
Hn. I, II
Tpt. I, II
6 ff
6
7
sffz 3 3 3 3 3 Solo Vla.
Vc. I, II
3 3 3 3 3
Solo Cb.
3 3 3 3 3
3
3
3
6
6
6
7
3
3
3
3
3
3
3
3
3
6
6
3
3
3
3
3
3
3
3
3
X
q = 108 <q. = q>
219
Picc.
Fl. I, II
Bb Cl.
A Cl.
6
f cresc....
5
3
3
3
7
3
fff
ff
7
fff
ff
fff
ff
6
In Time non rit. al fine
6
37
fff
ff
6
Bb B. Cl.
Bsn. I, II
Hn. I, II
ff
Tpt. I, II
fff
fff
ff
Tbn.
Tba.
ff
Hp.
Cel.
Pno.
Solo Vla.
fff
ff
Mar. Perc.
3
3
3
3
fff 3
3
3
3
6
6 cresc. molto!!!
Vc. I, II
Solo Cb.
3
3
3
6
3
3
3
3
3
3
5
3
3
3
ffff
fff
X
q = 108
<q. = q>
In Time non rit. al fine
3
3
3
3
3
3
3
3
3
3
3
3
38
Picc. 222
Fl. I, II
Bb Cl.
A Cl.
Bb B. Cl.
ff
fff
ff
fff
ff
fff
ff
fff
ff
fff
Bsn. I, II a2
ff
Hn. I, II
fff
ff
Tbn.
ff
Mar.
Perc.
Hp.
Cel.
Solo Cb.
3
ff
fff
fff
ff
fff
ff
fff
ff
ff
ff
fff
ff
fff
3 3 3 3 fff
ffff
fff
ffff
senza cesura
fff
fff
fff
fff
ff
fff
ff
fff
fff
ff
ffff
fff
ffff
fff
ffff
fff
ffff
fff
fff
ffff
fff
ffff
fff
ffff
fff
ffff
3 3 3 3 ffff
Tam
scrape edge
mf
p
3
fff poss. al fine
Solo Vla. Vc. I, II
fff
ff
3 3 3 3 ff
Pno.
fff
3
Tba.
ff
Tpt. I, II
ff
3
fff
div.
ff
ff
fff
fff
fff
fff
fff
ffff
ffff
senza cesura
ffff
II. Picc. 1
Fl. I, II
Bb Cl.
A Cl.
Bb B. Cl.
q = 80 throughout
Y
pp
1.
p
pp
p
pp
pp
Bsn. I, II
p
poco
1.
Hn. I, II
p sempre
Tpt. I, II
39
a2 con sord.
3
pp
w/cup mute (very tight)
Tba.
con sord.
Mar.
Tbn.
Crot.
Hp.
Pno.
Crotales
p
mf
p molto legato sempre
Vc. I, II
n
Solo Cb.
with soft mallets
pp sempre
pp
3
pizz. vib. molto sempre mf
( mf )
mp
pp sempre
div.
p
sim... q = 80 throughout Solo Vla.
p dolce cantabile
pp
pp
Cel.
3
pp
Y
( mf )
arco p
pp
40
Picc. 14
Z
1. solo espressivo
Bb Cl.
A Cl.
Fl. I, II
Bb B. Cl.
mf
p
Bsn. I, II
a2
Hn. I, II
pp
Tpt. I, II
con sord.
Crot.
Cel.
p
1. w/str mute
w/str. mute
p
mf
pp
3
DbC§B#/EbF#G#A§
p
Solo Vla.
Vc. I, II
Pno.
pp
1.
pp sempre
Hp.
pp
con sord.
Tba. Mar.
p
p (sounding)
Tbn.
3
3
Solo Cb. pizz.
mf
Z
arco
pp sempre
41
Picc. 26
AA
n
Bb Cl.
A Cl.
p espressivo
3
molto legato
pp sempre
pp sempre
Hn. I, II
(con sord)
Tbn.
pp
Mar.
p
p
To Tub. B.
AA Solo Vla.
D#C#
mf
Solo Cb.
Vc. I, II
Pno.
Cel.
Hp.
Tba.
Crot.
pp
mp
pp Tpt. I, II
3
p espressivo
Bsn. I, II
Bb B. Cl.
1.
Fl. I, II
3
42
Picc. 39
Fl. I, II
Bb Cl.
A Cl.
BB senza cesura
pp
CC
6
6
pp molto legato
6
Bb B. Cl.
Bsn. I, II
p sempre
Hn. I, II
Tpt. I, II
w/str mutes
con sord.
mp
Tbn.
(con sord.)
Tba.
Mar.
Crot.
Hp.
Cel.
Solo Vla.
3
Tubular Bells
mf with presence
n
p
3
f:sfz
f:sfz
mf
3 3 3 3 3 3 BB CC senza cesura
Vc. I, II
Solo Cb.
p
Pno.
p con sord.
a2
molto!
6
6
6
3
6
pp molto legato
3
gliss.
43
Picc. 46
Fl. I, II
6
6
A Cl.
Bsn. I, II
6
6
Hn. I, II
p
Tpt. I, II
3
Tba.
Mar.
Tub. B.
Hp.
Cel.
Pno.
3
3
p
3
6
6
6
3
3
a2 molto cantabile
f
p 3
pp
f
6
3
3
3
6
3
Vc. I, II
6
3 3 3
6
pp molto legato
f
p 1. open
3 3 mf
Solo Vla.
Solo Cb.
(w/str. mutes)
(con sord.)
p
Tbn.
pp molto legato
6
6
Bb B. Cl.
p
6
Bb Cl.
DD
DD
3
3
3
44
Picc.
51
Fl. I, II
6
Bb Cl.
6
A Cl.
Hn. I, II
6
6
3
6
3
6
6 6 6 6
Bb B. Cl.
Bsn. I, II
6
6
6
6
n
Tpt. I, II
Tbn.
Tba.
Mar.
Tub. B.
Hp.
Cel.
Solo Vla.
p
p
3
3
Vc. I, II
Solo Cb.
Pno.
f
3
3
6 6 6
6
45
Picc. 54
3
Fl. I, II
Bb Cl.
A Cl.
p sempre
3
3
3
3
3
3
6
6
pp sempre
Bsn. I, II Hn. I, II
3
3
pp sempre
Cel.
Solo Vla.
3
3
pp
3
3
3
a2
(pp)
p cresc. poco a poco
p cresc. poco a poco
mf
mf
7
Pno.
Hp.
Tub. B.
Tbn.
pp
Mar.
3
mp
3
Tpt. I, II
Tba.
6
pp sempre Bb B. Cl.
3
7
6
6
Vc. I, II
Solo Cb.
7
6
6
ff:sfz
46
EE 57 Picc. Fl. I, II
p
a2
p espressivo
3
Bb Cl.
A Cl.
Bb B. Cl.
Bsn. I, II
Hn. I, II
p poss.
Tbn.
Tba.
Mar.
Tub. B.
Hp.
Cel.
Pno.
3
Solo Cb.
p
p
3
pp
f
3 3 7
7
pp
mf
EE Solo Vla. Vc. I, II
f:sfz
ff:sffz
p espressivo
senza sord.
Tpt. I, II
a2
3
sfz
ff:sfz
3
3
7
47
Picc.
61
Fl. I, II
Bb Cl.
A Cl.
6
Bsn. I, II
6
Hn. I, II
Tbn.
Mar.
Tub. B.
Hp.
Cel.
ff:sffz
pp open
f:sfz
7
pp
3
pp sempre
n
3
3 3 3 3
(f)
3
3
3
distant echoes, l.v. sempre
3
p
distant echoes, l.v. sempre
f
Solo Cb.
Solo Vla. Vc. I, II
6
pp sempre
3
6
Crotales
6
mf
6
mf
pp
6
open
Pno.
6
p cantabile
3
con sord.
Tpt. I, II
Tba.
6
6
pp molto legato
f
6
7
Bb B. Cl.
6
pp molto legato
6 6
3
48
Picc. 65
Fl. I, II
n
Bb Cl.
mf
espressivo, molto legato
6 6 6 6
Bb B. Cl.
6
pp sempre
Bsn. I, II
3
p sempre
mp
Tpt. I, II
f
Tbn.
Tba.
6
6
6
6 6
6
6
6
(con sord.)
mp cresc.
mp
pp
3
Cel.
3 3 7 Solo Vla.
Solo Cb.
3
Vc. I, II
6
pp
p
Pno.
a2; 1-open, 2-w/str. mute
Crot.
Hp.
pp sempre
Tub. B.
6
pp
f:sfz
mf
a2
Hn. I, II 1. open
pp sempre
mp sub.
A Cl.
7
3
3
7
3
49
Picc.
68
Fl. I, II
Bb Cl.
6
6
6
6
3
6
6
7
Tbn.
mf cresc.
Crot.
Hp.
Cel.
Pno.
Solo Vla.
gliss.
p
l.v.
f cresc...
f:sfz
6
6
6
mf
ff:sffz
w/str. mutes
mp
gliss.
f
7
p
3
(pp sempre)
sfz l.v.
f
mf
mp
3
7
mp
Vc. I, II
Solo Cb.
DbC#Bb/E#F§GbA#
f:sfz
ff
mp
Tba.
Tub. B.
7
Hn. I, II Tpt. I, II
6
6
mp
Bsn. I, II
Bb B. Cl.
6
6
3
6
pp sempre A Cl.
mf sempre
3
3
7
ss.
gli
50
Picc.
Fl. I, II
Bb Cl.
A Cl.
71
Bb B. Cl.
pp
Bsn. I, II
Hn. I, II
Tpt. I, II
Tbn.
Tba.
pp
pp
Tub. B.
Cel.
Pno.
Solo Vla.
mf
mp
mf
sfz
mf
cresc. poco a poco l.v.
p
Vc. I, II
Solo Cb.
Hp.
p espressivo
Crot.
7
3
7
3
3
3
3
3
3
3
3
51
Picc.
75
Fl. I, II
pp
mf
pp
1. solo espressivo
p
pp
mf
3
Bb Cl.
A Cl.
Bb B. Cl.
Bsn. I, II
Hn. I, II
Tpt. I, II
Tbn.
Tba.
Crot.
Tub. B.
1. solo
Hp.
Cel.
Pno.
3
p
mf espressivo
mf
6 6 6 3
6
3 3 3 3 3 3 3 Solo Vla. Vc. I, II
Solo Cb. pizz.
f
molto!
molto!
52
79 FF Picc.
Bb Cl.
A Cl.
Bb B. Cl.
Fl. I, II
pp
1. espressivo
Bsn. I, II
Hn. I, II
pp
Tpt. I, II
Tbn.
Tba.
Mar. Marimba
Tub. B.
Hp.
ppp
n
(open)
pp
p
3
pp
con sord., molto legato
3
D#CB/EbF#G§A§
p
p
pp
Crotales
p
3
ffp sempre
mf
ffp sempre vib. molto sempre
Solo Cb.
mp
FF Solo Vla. Vc. I, II
p
Cel.
Pno.
f
fp
p
( mf )
l.v. sempre
arco p
pp
53
Picc. 91
Fl. I, II
pp
Bb Cl.
A Cl.
Bb B. Cl.
Bsn. I, II
Hn. I, II 2.
both open
pp
Tpt. I, II
senza sord
Tbn.
pp
Tba.
Crot.
Tub. B.
Hp.
Vc. I, II
p
mf
(p)
mf
mf
mf
senza sord.
mf
Solo Cb.
pizz.
Solo Vla.
Cel.
Pno.
arco
54
Picc.
Fl. I, II
Bb Cl.
Bb B. Cl.
Bsn. I, II
100
A Cl.
Hn. I, II
(unis.)
a2
Tbn.
Tba.
Crot.
Tub. B.
Tpt. I, II
Hp.
Cel.
Pno.
Solo Vla.
n
f
p
senza sord.
f
f
senza sord.
ff
pp
f (div.)
pp
3
ff
Temple Bowl
f
ff:sffz
3
3
pp
p
Vc. I, II
Solo Cb.
f
p
3
mf
3 3
pizz.
mp pizz.
mp
pizz.
mp