Architectural Portfolio - Aditya Ikhe

PORT FOLIO

Selected Works 2018 - 2023

Aditya Ikhe Academy of Architecture

Curriculum Vitae

Education

2006-2016: Lilavatibai Podar High School I.C.S.E. (I.C.S.E.- 92.6%)

2016-2018: Lilavatibai Podar I.S.C. (I.S.C-93%)

2018-2023: Rachana Sansad’s Academy Of Architecture (C.G.P.A: 8.00)

Documentation + Publications

2018 - Sassoon Docks - First Year Studio

2019 - Achra chya Wada - First Year Studio

2020 -Narkanda and Kotgarh - Second Year Studio

Competitons + Installations

2018 - Bamboo Workshop (Alibaug)

My love for architecture stems from my love for exploring materiality and spatial design. Design, according to me should be a delicate balance of one’s artist expression, human exprience and laws of mother nature. When these factors work harmoniously, great design is achieved effortlessly.

I often find myself working with concrete, POP and resin to express myself. I also have a keen interest in product design, furniture design and watch design.

PERSONAL INFORMATION

D.O.B.

15th July, 2000.

Installation

2018 - Tiny Library - (Volume zero)

2019 - Reading room - (Bee Breaders)

2020 - The little big loo Rethinking Public Toilet (Volume zero)

2020 - Bamboo and Brick Workshop (Poladpur)

2020 - KalaGhoda Arts Festival

Installation

2021 - Solar Decathlon India - Division Winners

2023 - AOA Graphic of the Year - 2nd Prize

SKILLSET

City

Email ID

Languages Instagram

Mumbai

adityaikhe10@gmail.com adityai18@aoamumbai.in

Hindi, Marathi, English, Gujarati (Basic), Italian (Basic)

@adityaikhe10

@ikhe_concepts

Sketching

Model making

Autodesk Revit

Photoshop

Illustrator

Indesign

Autodesk Autocad

V-ray

Microsoft Office

Sketchup (Moderate)

Rhinoceros 3D (Basic)

Architectural Photography

Communication

Teamwork

Design

Interpersonal

Content Writing

Content Creation

Public Speaking

01 ACADEMICS

1. Protean of Loci | Semester Thesis | SPIRITUALITY, CULTURE AND RAMMED EARTH

2. The Coastal Immanence | Semester 9 | WELLNESS, HOSPITALITY AND URBAN DESIGN

3. The Marine Academia | Semester 6 | EDUCATION AND CULTURE

02 COMPETITIONS COLLABORATIONS & WORKSHOPS

1. Vihaan - Solar Decathlon | SUSTAINABILITY, RESILIENCE, MODULARITY AND NET ZERO DESIGN

2. Modular Clinic | SUSTAINABILITY, HEALTHCARE AND MODULARITY

3. Th(reading) Between the Lines | ART INSTALLATION

4. Bamboos and Bricks | SUSTAINABILITY AND VERNACULAR DESIGN

03 WORK EXPERIENCE 04 EXPERIENCE LETTER

1. Brick Facade Proposal | FACADE DESIGN

2. Auditorium Brick Facade | FACADE DESIGN

3. Flooring Layout for Sanskardham | WORKING DRAWINGS

4. Electric Layout for Sanskardham | WORKING DRAWINGS

5. Dipen Makwana Residence| ARCHITECTURE AND INTERIOR

6. Yusuf Bhai Residence | ARCHITECTURE AND INTERIOR

7. Yusuf Bhai Screen Details | ARCHITECTURE DETAILS AND WORKING DRAWINGS

8. Sanskardham Admin Office| OFFICE INTERIOR

9. Shoe Rack and Storage Unit| FURNITURE DESIGN, WORKING DRAWINGS AND DETAILS

10. Sanskardham Floor Light| PRODUCT DESIGN, WORKING DRAWINGS AND DETAILS

Letter of Experience from UN:SE:EN Architects, Ahmedabad

Protean of Loci

Thane Creek, Navi Mumbai I Architecture Design Thesis Semester

Guide: Ar. Swapna Hankare

The thesis undertook understanding how varied religons progressed over time and how it affected the architecture of their places of worship. It parallelly tried to understand the lasting effects of the pandemic on humanity and the shift in belief systems of people from God, to more spiritual practices.

After analysing of over 100 people in the urban context the programme was set to be a Spiritual centre located in a urban zone but in the lap of nature. Materials used were exposed rammed earth, concrete and glass to allow for the true nature of the material to be visible. Atmospheres by Peter Zumthor and O.O.O. by Graham Harman were theories that heavily guided the design.

Design Plan at +1.5m

Legend

Reflective Water

L. Concrete Floor

Exposed Conc Parapet

Vertical Transit

Exposed Concrete Wall

Concrete Driveway

Mud + Grass

IPS Flooring

Rammed Earth Wall

Non-Structural Wall

Sectional Perspective through Spiritual Centre and Cafe

Exploded Axonometric of Spiritual Centre

Primary Meditation Zone

- Primary meditation zone is located at the central area of the Spiritual centre.

- Stained ferrocement replicates the element of "earth"and a central water pond depicts the element of "water"

Exterior Meditation Zone

- Visitors gather into this area and its a merging zone between the people entering and leaving the Spiritual centre.

-People filter into quieter zones as they proceed into the main elemental confluence zone.

Exposed Concrete Walls

- Stairs align the visitors of the spiritual centre from the Southwest direction to the West direction for entering into the exterior zone of the main Spiritual centre.

- 300mm thick exposed concrete walls which are load bearing in nature.

Subterranean Walkway

- Luminous concrete floor with grey finish and glow in the dark feature.

- Ramps leading down to lower meditation zone with embedded water feature.

Intermediate Meditation Zone

- Intermeditate zones are a secondary meditation space outside the primary zone.

- The spiritual centre is made of ferrocement and concrete. The stepped form is reinforced with steel and the interior has cave like spaces moulded with ferro cement stained to the colour of the earth.

Vertical Supports + Service Areas

- 300mm thick exposed concrete load bearing walls support the Spiritual centre which is located vertically above the lower meditation zone.

- Services for the lower meditation zone are located behind lower level meditation zone.

Vertical Connections

- Concrete staircase connecting subterranean walkway to ground level courtyard.

- Courtyard acts a open overflow zone for library, community hall.

- Free space behind the spiritual centre allows for freeflow of wind and a visual break in elevation from the North side.

Exploded Axonometric of Reception

-Primary beams used are 80mm x 300mm.

-Primary beams are fitted into rammed earth walls which are set into the wall with L- Section.

- Secondary beams of Glue Laminated Timed are of the dimensions 40mm x 200mm.

- Services like air conditioning vent tubes, electrical conduits are suspended from the beam system and run along the floor.

- 150mm thick IPS flooring is used to have smooth grey contrast to brown walls

- Rammed earth and exposed concete 200mm thick walls are used as interior partitions

Sectional Perspective of Reception

- Alternate 100mm x 250mm tiles of terracotta and glass.

- 30mm thick tiles set into flexible steel grid.

- Waterproofing sealent between tiles to increase resistant to wind loads and water.

- Roofing system attached onto GLT beams with steel fixtures.

- 300mm thick exposed rammed earth walls are used for all exterior walls.

- Load bearing walls take weight of roof system, beams and services suspended from the roof.

- Structural glass used in openings to allow light into reception waiting area, break room and security block.

North Elevation of the Proposal

West Elevation of the Proposal

Diagonal Section through Access ramps and Spiritual Centre

Sectional Perspective through Library and Orientation Zone

South Elevation of the Proposal

Views and Physical Models

Concrete, foam, Plaster of Paris were used for form exploration in the initial stages of the design and then for the execution of the final model. Formwork was created of foam for the concrete structures and hollow spaces were designed using aluminium foil. Wires were used to represent services running via the hollow slab and transparent tubes were used to show solar tubes for natural lighting.

Overflow Courtyard adjacent to the Library and the Commuity Hall

The secondary entrance for staff and the Community Hall

The Cafeteria onlooking the Courtyard

Scale Concrete and Foam model for form development

ARD Detail Model Concrete and foam Form Exploration

The Central Courtyard for interactions

Architectural Detail of Entrance to Exhibition Hall

The Coastal Immanence

Cuffe Parade, Mumbai I Architecture Design Semester 9

Guide: Ar. Hardik Dhedia

Intervening at the handshake of the sea and land the project aimed at creating spaces which beckoned people from all socio-economic backgrounds. Utilising the DCPR to design a public market inspired by the Venetian canals, the project’s main programme was a meditation centre along with therapy spaces.

The design also included public parks, performance spaces and cycling tracks as breakout spaces for tourists who visit Cuffe Parade and the people who work there. The materials majorly used were concrete for foundations, steel spaces frames for the internal support systems and GFRC panels with glazing to achieve a dynamic form which enhanced the skyline of the city.

An illustration analysing the 5 major zones of confluence which have varied socio economic residential populations and a plethora of activites specific to the zone. The aim of the illustration was to put forth the activites by opening the elevations and thus exploring the possibilites of creating a nonintrusive intervention which assisted and improved the quality of life. The above illustration won the second prize in "Graphic of the Year" competition.

The subsequent illustration aimed to showcase the consolidation of activities in the 5 zones of study. Post researching about Maslow’s theory and applying to the existing user groups we arrived at the conclusion of making a wellness and meditation centre at the site. The illustration also tries effectively show the filtration and selection of common functions prevalent on the site.

Boat Docking

BoatShoppingcentre

Exploded Axonometric of the Wellness Centre

The parametric roof pattern flows and turns into the primary divide of spaces between the external wellness functions and internal meditation zone.

Varying modulations in openings and form have been made to control the amount of light as per function below and filter artificial light as the space desires.

One enters the spiritual center on the upper level and the lower level can be accessed via four different staircases and three lift shafts.

These islands of reclamation act as a foundation base for the entire structure and allows to direct movement of water canoes.

The entire structure is supported on 8 massive steel truncated columns which are made on three different pieces of reclaimed land.

External GFRC panels are clipped onto the truss system which follows a lamella pattern.

GFRC sheets help achieve the desired light weight shape that possess good acoustic qualities

The ellipitical void has treated double glass panels that allow permeable light.

Quality of space is enhanced by providing cut outs in the slab which allow for light and persistent sound of the sea.

The interplay of the floor and the roof, varying heights to help the user understand his scale

Lateral Section through Meditation Space

Exploded Axonometric of the Ancillary Restaurant

Flat roof for ramp access for common public from heritage park and library with view of the horizon.

The design style of the library is continued by replicating the design language of treated wooden mullions with glazing.

Internal full height glazing to separate bard and restaurant zone from fine dine kitchen.

The lower level is built on reclaimed land which offers stability due to its deep foundation, a designated space has been provided for access to users via the sea.

Hotel interaction space is divided into two zones. A closed off open viewing kitchen and a open bar for an increased interactive zone

Staggered brick wall separators to create visual excitement between two zones of bar and seating area

Flat slab with skylights for roof to allow for increased natural lighting.

Internal full height glazing to separate bard and restaurant zone from fine dine kitchen.

The Marine Academia

Sewri, Mumbai I Architecture Design Semester 6

Guide: Ar. Shekoba Sanap

The project was to redesign the LBS Maritime institute located on the eastern coast of Mumbai. Though the site is currently located at an isolated industrial spot, the project was designed keeping in mind the future influx and rapid urbanisation plans for the eastern zones of Mumbai.

The design aimed to create a sense of nostalgia for the alumni and a source of inspiration for the unexplored. The design is inspired by the sea and vistas are created at all zones to keep the user visually connected with the sea.

Understanding The Marine Academia

The site planning created vistas to the sea are created. Using an elevated plinth for the academic block and a placing the museum at a subterranean level ensured constant visual stimulation.

The public accessiblity opens the semiprivate insitute to the sea, and the accessible roof allows for multi-levelled interactive spaces.

Wooden louvres were used to control the amount of thermal radiation on the structure and the built is essentially hollow to maximize the stack effect and reduce the amount of air conditioning used.

Ground Level Plan

Green Roof for pedestrian access with varying skylights and column openings for rain water harvesting.

Supporting structural beams of ferro-cement of Cross laminate Timber.

Alternatingly arranged galleries and boat spaces on the museum floor level.

A. Services

F. Park

1. Water Storage

2. Meter Rooms

3. Parking

1. Pool

2. Gym

3. Aqua Therapy

1. Squash Court

2. Meeting Hall

3. Alumni Hall

1. Ramp (down)

2. Auditorium

3. Cafe

4. Thoroughfare

1. Gallery

2. Boat Display

3. Gift Shop

4. Ramp (up)

B. Recreation G. Jetty Space

C. Housing H. Playground

D. Academia E. Museum

Exploded Axonometric of the Institute

Top Level has Spaces dedicated to ship simulator spaces overlooking onto the sea to give maximum experience to the trainees.

Level dedicated for experiment labs and classrooms. Faculty lounge spaces and spillover balcony spaces for a relaxing experience.

Junior classes with spillover balcony spaces and internal stairs promoting vertical communication. Central Void also guarantees visual access to almost all areas.

The elevated level is the most public level and houses admission and infomation offices in one block and an auditorium and training rooms in the other.

It also houses a thoroughfare underneath connecting the public to the museum and parade ground

Views

Senior Classroms with sea vistas and CLT cladded louvre facade which creates interesting shadow patterns and lively well naturally lit spaces.

The spaceframe joins the two blocks and unifies the academic block, creating a dedicated roofing to the entrance of the Structure

First floor level with admin staff offices, libraries, workshop spaces and dedicated equidistant cores.

Competitions, Collaborations & Workshops

Sustainable Design, Vernacular Design, Art Installation

1) Vihaan - Resilience Centre

Worli Koliwada I Sustainable Design, Resilience

Solar Decathlon is a 9 month multi disciplinary competition with the goal to design Net Zero structures. The 10 person team designed a modular community resilience centre which won the First prize for its economical, aesthetic, net positive and versatile design language. The competition also allowed for government collaborations and industry partners.

Vihaan is designed as a community centre which adapts to flooding times and homes the residents of Worli Koliwada who have been displaced. Utilizing effective shading techniques, eco-STPs, energy efficient devices and low flow fixtures, the shipping container and steel structure manages to not only create a safe haven but also return water and energy back to the grid.

Why Shipping Containers?

Shipping containers were chosen as the building blocks of the design, the team decided so as:

- Mumbai controls 55% of national maritime freights.

- Ability to reuse second hand containers.

- Shipping containers are highly stackable and have structural advantages over conventional methods.

- Reduction in building time thus highly adaptible and versatile.

- Function specific modules can be chosen according to the needs of the community and site.

User Groups

There are various user groups present near the site, some of them are:

- Working Professionals who work and live near zone of intervention

- Families residing in Koliwada.

- Fishermen and fisherwomen.

- Senior citizens.

-Young adults and kids aged from 8 years to 20 years.

Factors of Design

Site Selection

Conceptual Plans

Typical Zonal Functionality

Disaster Zonal Functionality

Legend Green - Community Gathering Zone

Blue - Library

Yellow - BEST Offices and Cafe

Red - Clinic

Legend Blue- Library

Yeloow - Dwelling Unit

Green - Community Discussion Space

Red - Clinic and Ward

Function Specific Modules Interaction Zones

Learning Zones

Net Zero Water Cycle

Vihaan’s water system was designed to utilise water in the most efficient way possible. Design accounted for both scenarios, standard usage and increased usage during times of disaster. Following strategies were adopted:

- Use of eco-STP for purification of used water on site.

- Harvesting rainwater as site is located in a heavy rainfall zone.

- Utilizing grey water for flushing, landscaping, etc.

Water

Distribution

Cycle

Axonometric View of Vihaan

Urban Terrace Garden

2) Modular Clinic

Koliwada + Adaptible I Sustainable Design, Healthcare

Series of shipping containers as health-care modules were proposed to the MCGM at high density locations. The modules were designed in an ‘attractive colour scheme’ to please the eye, ‘ramps’ were provided for ‘univeral access’ and modules was well insulated against outside heat and were well ventilated to maintain hygenic conditions. Initial proposed locations included hospitals, colleges, office spaces and open play areas near the Koliwada region, but the modular proposal made the design adaptable on a wider range of locations.

Views of Modular Clinic

Variations:-

Variation 1 included a proposal for a two bed blood donation centre which could be set up in any location. The goal was to promote blood donation and bring the module as close as possible to the donation site

Variation 2 proposed a doctors’ module, or a space which could be easily set-up near underprivileged area so that hygenic medical help is accessible to all. Provision of dedicated partition walls and storage for medication has been proposed for the module.

Variation 3 was proposed as a three-bed extension module. The aim was to create a module which acts as an addition to any existing checkup space or to make a testing module which can be set up in public zones of high interaction

A clinic module in its closed form

View 1 of modular clinic.

View 2 of modular clinic.

Elevation of partially open clinic

3) Th(reading) between the Lines

Kala Ghoda Festival I Art Installation

As the circular module rotates , an interesting wave pattern gets formed on its surface creating visual interactions

Process:-

The aim was to emphasize on inclusivity and interaction. The 9 circular modules with vividly vibrant threads are designed to incorporate the same. The installation attracts the audience from all around and brings them in a common space which we believe dissolves all lines of differences in that moment.

The circular modules renders a fun-filled, interactive experience and draw parallels with our country’s ever dynamic nature. We also believe that the true essence of our country is its diversity.

Raw material | Threads

Raw material | Wheels

Welding Creating the module

4) Bamboos and Bricks

Poladpur + Alibaug I Sustainable Design, Vernacular Design

Hands on workshops at Alibaug and Poladpur help me gain experience with bamboo and brick as a material.The team designed and executed a bamboo shack facing the beach, a pavilion for rest and learnt how to create a brick arch.

Process

The foundation for the pavilion was created by filling stone into the ground with mud and rammed untill it was stable, the pipe was used as a base for the bamboos.

Converging bamboos in the pipe foundation were fixed in place with help of a mixture of wet mud, stones and rubble available on site.

The dugout foundation was levelled with mud excavated from the site itself.

Thick binding wire was used to tie bamboo which had been slit into two halves to allow for maximum bendiblity. Binding wire was tied into place using pliers and hands.

Initial form was put into place by tying 2-4 slit bamboos in place and fixing them into the pipe foundations. Post the execution of the basic form, weaker bamboos were used to reinforce the pavilion.

Bamboo Shack facing the Beach

Bamboo Pavilion overlooking a Water body

Brick laid to support Arch

Laying brick with Mud Mortar

Brick Course for base

The Brick Arch

Work Experience

Sustainable Design, Facades, Interiors, Working Drawings, Product Design, Furniture Design

1) Brick Facade Proposal

Sanskardham Campus, Ahmedabad I Facade Design

Successful execution of the front facade for the auditorium at Sanskardham provided the firm an opportunity to design the VIP entrance. In tandem with the design language prevalent at IIM-A, bricks were used for the design proposal.

View of the Proposal for the Back Entrance

Elevational View of the Proposal for the Back Entrance

View of the Proposal for the Back Entrance

2) Auditorium Brick Facade

The front facade of the Auditorium at Sanskardham had begun its execution when I joined the firm. The project entailed me designing the flooring layouts, electrical layouts, planter layouts and the seating furniture for its execution on site.

View of the Site during execution

View of the Facade close to completion

Sanskardham Campus, Ahmedabad I Facade Design

NOTES

1. ALL DIMENSIONS ARE IN MMS. & ARE TO BE READ NOT TO MEASURED.

2. DISCREPANCY FOUND IN DRG SHOULD BE BROUGHT TO ARCHITECT'S NOTICE IMMEDIATELY BEFORE COMMENCEMENT OF WORK.

3. ARCH. DRGS. TO HAVE PRECEDENCE OVER STRL. DWGS. FOR LEVELS & DIMENSIONS.

4. LARGE SCALE DRGS TO HAVE PRECENDENCE OVER SMALL SCALE DRGS

5. ALL DIMENSIONS & LEVELS ARE TO THE FINISHED SURFACE DIMENSIONS.

6. WALL MATERIALS TO BE CHECKED WITH RESPECT TO THE ABBREVIATIONS MENTIONED.

7. FINISHES THICKNESS TO BE DEDUCTED OR ADDED IF REQUIRED.

LEGENDS

NOTES

1. ALL DIMENSIONS ARE IN MMS. & ARE TO BE READ NOT TO MEASURED.

LEGENDS

2. DISCREPANCY FOUND IN DRG SHOULD BE BROUGHT TO ARCHITECT'S NOTICE IMMEDIATELY BEFORE COMMENCEMENT OF WORK.

3. ARCH. DRGS. TO HAVE PRECEDENCE OVER STRL. DWGS. FOR LEVELS & DIMENSIONS.

4. LARGE SCALE DRGS TO HAVE PRECENDENCE OVER SMALL SCALE DRGS

5. ALL DIMENSIONS & LEVELS ARE TO THE FINISHED SURFACE DIMENSIONS.

6. WALL MATERIALS TO BE CHECKED WITH RESPECT TO THE ABBREVIATIONS MENTIONED.

7. FINISHES THICKNESS TO BE DEDUCTED OR ADDED IF REQUIRED. ABBREVIATIONS

TONO FOOT LIGHT CODE:FPE1188 QUANTITY: 4

FLOORING LIGHTS(FL) CODE:FPE1197 QUANTITY: 6

ERBA SPIKE LIGHTS(SL) CODE:FPE715 QUANTITY:9

SLAB MOUNT LIGHTS CODE:[FPIXXX] QUANTITY: 3

POLAR WALL MOUNTED LIGHTS (WL) QUANTITY: 10

FLOOD LIGHT WALL WASHER(WFL) QUANTITY:

5) Dipen Makwana Residence

Ahmedabad I Architecture, Interior

UN:SE:EN architects was entasked with designing the residence of Mr. Dipen. Staircase proposals were sent forth for approval, the first was designed with powder coated mild steel, wood and glass which made the design lighter on the eye.

The second proposal for the main staircase though visually heavier, complimented the brown palette of the design. Mild steel was fitted onto the walls which was encased by treated wood.

6) Yusuf Bhai Residence

Ahmedabad I Architecture, Interior

The Yusuf Bhai residential bungalow was designed to be a sleek concrete built form which housed the family, gyms and a lawn. The designing of the interior spaces and facade with steel box sections enhanced the luxurious yet sober design. The screen protected the common passages and broke the large horizontal masses.

255 2535 1100

8MM THICK CHINA MOSAIC FINISH

WATERPROOFING COAT AS PER SPECIALIST SPECS

Ahmedabad I Architecture Details, Working Drawings

8MM THICK CHINA MOSAIC FINISH

WATERPROOFING COAT AS PER SPECIALIST SPECS

35MM THICK BASE COAT LAID IN SLOPE 1:250 (1:2:4)

20MM THICK BEDING COAT (1:6)

50MM THICK BBCC LAID IN REQUIRED SLOPE (1:250)

35MM THICK BASE COAT LAID IN SLOPE 1:250 (1:2:4)

50MM THICK BBCC LAID IN REQUIRED SLOPE (1:250)

50MM X 50MM X 3MM L-ANGLE

FILLET IN I.P.S. (R - 75MM)

BEAM AS PER STRUCTURAL LAYOUT

FINISH TERRACE FLOOR LVL +10775

FINISH TERRACE FLOOR LVL +10775

BEAM AS PER STRUCTURAL LAYOUT

25MM EXTERNAL PLASTER ON RCC

50MM X 15MM METAL BOX SECTION

25MM EXTERNAL PLASTER ON RCC

125 MM THICK RCC SLAB AS PER STRUCTURAL DRAWING

125 MM THICK RCC SLAB AS PER STRUCTURAL DRAWING

BEAM AS PER STRUCTURAL LAYOUT

6MM THICK PLASTER ON CEILING

6MM THICK PLASTER ON CEILING

50

175 125

175 125

SLAB BOTTOM LVL +10535

15

15

75MM METAL FLAT USE AS SPACER(THICKNESS SAME AS L-ANGLE)

15MM X 15MM DRIP MOULD

15MM X 15MM DRIP MOULD

OUTSIDE INSIDE FALSE CEILING

25MM

THICK MARBLE AS PER SELECTION

PER

BED(ANTI- TERMITE CHEMICALLY

SPECS

75MM METAL FLAT USE AS SPACER(THICKNESS SAME AS L-ANGLE)

25MM THICK TILE AS PER SELECTION 175

FILLET IN IPS (R - 75MM)

CHEMICAL WATERPROOFING COAT AS PER WATER PROOFING SPECIALIST 25 150

FILLET IN IPS (R - 75MM)

125MM RCC SLAB AS PER STRUCTURE CONSULTANT'S LAYOUT

6MM THICK PLASTER ON CEILING

6MM THICK PLASTER ON CEILING

50MM X 15MM ALUMINIUM BOX SECTION

RCC BEAM AS TO STRUCTURAL LAYOUT

50MM X 15MM ALUMINIUM BOX SECTION

25MM EXTERNAL PLASTER

RCC BEAM AS TO STRUCTURAL LAYOUT

25MM EXTERNAL PLASTER

50MM X 15MM ALUMINIUM BOX SECTION

75MM METAL FLAT USE AS SPACER(THICKNESS SAME AS L-ANGLE)

CELING SLAB

LVL +7560 FF CELING SLAB LVL +7385 FF CELING SLAB WITH PLASTER LVL +7379 PASSAGE PASSAGE OUTSIDE INSIDE

DETAIL

75MM METAL FLAT USE AS SPACER(THICKNESS SAME AS L-ANGLE)

NOTE:*DIMENSIONS ARE AT RISK,NEED TO BE VARIFY ON SITE

NOTE:*DIMENSIONS ARE AT RISK,NEED TO BE VARIFY ON SITE

YUSUF SURTI_RESIDENCE

YSRA_A_503

Detail A - Connection detail of Top level and MS Box section

Detail B - Connection detail of First Level Slab and Screen

SCREEN DETAIL

Detail C - Connection detail of Railing and Screen

Detail D - Connection detail of Screen and Slab

YSRA_A_503

DRAWN BY- AI

Sanskardham Admin Office

Sanskardham Campus, Ahmedabad I Office Interiors

The firm, post execution of the front facade was given the contract to redesign and renovate the administration office. The clients were provided with a new proposal plan and views to the proposal of the space to be executed.

Sectional View through cashier and Accountant’s Office

Sectional View through Accountant’s Office to Storage office

Sectional View through Meeting Room

Sectional View Of Chief Accountants’ Office

9) Shoe Rack and Storage Unit

Ahmedabad I Furniture Design, Working Drawings, Details

35MM SLIT IN BOTTOM PLY

100MM X 12MM PLY HANDLE WITH BEIGE LAMINATE AS PER SELECTION

10) Sanskardham Floor Light

1. ALL DIMENSIONS ARE IN MMS. & ARE TO BE READ NOT TO MEASURED.

I Product Design, Working Drawings, Details

2. DISCREPANCY FOUND IN DRG SHOULD BE BROUGHT TO ARCHITECT'S NOTICE IMMEDIATELY BEFORE COMMENCEMENT OF WORK.

3. ARCH. DRGS. TO HAVE PRECEDENCE OVER STRL. DWGS. FOR LEVELS & DIMENSIONS.

1. ALL DIMENSIONS ARE IN MMS. & ARE TO BE READ NOT TO MEASURED.

4. LARGE SCALE DRGS TO HAVE PRECENDENCE OVER SMALL SCALE DRGS

5. ALL DIMENSIONS & LEVELS ARE TO THE FINISHED SURFACE DIMENSIONS.

2. DISCREPANCY FOUND IN DRG SHOULD BE BROUGHT TO ARCHITECT'S NOTICE IMMEDIATELY BEFORE COMMENCEMENT OF WORK.

6. WALL MATERIALS TO BE CHECKED WITH RESPECT TO THE ABBREVIATIONS MENTIONED.

3. ARCH. DRGS. TO HAVE PRECEDENCE OVER STRL. DWGS. FOR LEVELS & DIMENSIONS.

7. FINISHES THICKNESS TO BE DEDUCTED OR ADDED IF REQUIRED.

4. LARGE SCALE DRGS TO HAVE PRECENDENCE OVER SMALL SCALE DRGS

5. ALL DIMENSIONS & LEVELS ARE TO THE FINISHED SURFACE DIMENSIONS.

6. WALL MATERIALS TO BE CHECKED WITH RESPECT TO THE ABBREVIATIONS MENTIONED.

7. FINISHES THICKNESS TO BE DEDUCTED OR ADDED IF REQUIRED.

DIMENSIONS ARE IN MMS. & ARE TO BE READ NOT TO MEASURED. DISCREPANCY FOUND IN DRG SHOULD BE BROUGHT TO ARCHITECT'S NOTICE IMMEDIATELY COMMENCEMENT OF WORK.

DRGS. TO HAVE PRECEDENCE OVER STRL. DWGS. FOR LEVELS & DIMENSIONS.

SCALE DRGS TO HAVE PRECENDENCE OVER SMALL SCALE DRGS

DIMENSIONS & LEVELS ARE TO THE FINISHED SURFACE DIMENSIONS.

MATERIALS TO BE CHECKED WITH RESPECT TO THE ABBREVIATIONS MENTIONED. THICKNESS TO BE DEDUCTED OR ADDED IF REQUIRED.

Experience Letter

Ahmedabad I UN:SE:EN ARCHITECTS

PROJ.NO

DRG.NO:

410

CHECKED: D.R.

DEALT: A.I.

SCALE: 1 : 20