REIWA I JIKOKU時刻
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REIWA I JIKOKU時刻
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REIWA I JIKOKU時刻
Alessandro Federico-Veca
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REIWA I JIKOKU時刻
allrightreserved©2020alessandrofederico.it
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REIWA I JIKOKU時刻
Ai viaggiatori.
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REIWA I JIKOKU 時刻
Questi scatti fotografici sono stati realizzati in giro per il Giappone nella primavera del 2019, in un particolare momento storico per il paese: il passaggio di consegne tra l’imperatore Akihito ed il figlio Naruhito, che ha segnato la fine del periodo Hensei (arrivato al 31° anno) e l’inizio della nuova era soprannominata “Reiwa”. Questo nome, che trae le sue origini dalla più antica collezione di poesie nipponiche, significa letteralmente “Perido di bella armonia” (dai due kanji che compongono la parola “Rei令” -bellezza- e “Wa和” -armonia-). La raccolta è stata suddivisa in tre libri, che sono rispettivamente: Basho 場所 (luogo), Hito 人 (persona) e Jikoku 時刻 (momento). Attraverso questo trittico ho cercato di suddividere la grande mole di scatti seguendo una logica che non seguisse itinerari geografici o sequenze temporali, quanto piuttosto semplificare la complessità del tangibile e recuperare l’essenziale, che è fatto di persone (o esseri viventi in generale), di luoghi e di attimi. Buona visione 良いビジョン
These photographic shots were taken around Japan in the spring of 2019, in a particular historical moment for the country: the handover between Emperor Akihito and his son Naruhito, which marked the end of the Hensei period (arrived at 31st year) and the beginning of the new era named “Reiwa”. This name, which draws its origins from the oldest collection of Japanese poems, literally means “Period of beautiful harmony” (from the two kanji that make up the word “Rei 令” -beauty- and “Wa 和” -harmony-). The collection was divided into three books, which are respectively: Basho 場所 (place), Hito 人 (person) and Jikoku 時刻 (moment). Through this triptych I tried to divide the large amount of shots following a logic that did not follow geographic itineraries or temporal sequences, but rather to simplify the complexity of the tangible and recover the essential, which is made up of people (or living beings in general), of places and moments. Good vision 良いビジョン
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JIKOKU時刻
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la bambina vestita di giallo/Miyajima©Japan2019
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training/Tokyo©Japan2019
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marat/Tokyo©Japan2019
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take out/Tokyo©Japan2019
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sushi shin/Kyoto©Japan2019
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two monks, many reeds/Kyoto©Japan2019
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velo di maya/Kyoto©Japan2019
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plexiglass/Tokyo©Japan2019
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quello che manca/Osaka©Japan2019
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manga lovers/Kyoto©Japan2019
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master of hentai/Tokyo©Japan2019
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strange balance/Kanazawa©Japan2019
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scouter/Osaka©Japan2019
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shibuya/Tokyo©Japan2019
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myujishan/Nara©Japan2019
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boys want girl/Miyajima©Japan2019
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buffi cappelli/Nara©Japan2019
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sali/Kyoto©Japan2019
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tendenze/Osaka©Japan2019
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sguardi a catena/Kyoto©Japan2019
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wardrobe/Kyoto©Japan2019
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svolta a sinistra/Tokyo©Japan2019
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tail end/Hiroshima©Japan2019
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marmorei/Nara©Japan2019
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manga+burlesque/Tokyo©Japan2019
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senso-ji/Tokyo©Japan2019
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west and east/Tokyo©Japan2019
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quando l’ora arriverà/Kanazawa©Japan2019
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cerchi nell’acqua/Tokyo©Japan2019
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fuori dalle scatole/Tokyo©Japan2019
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hide and seek/Kyoto©Japan2019
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l’odore del thè/Kyoto©Japan2019
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kobe/Kobe©Japan2019
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747/Tokyo©Japan2019
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5/Tokyo©Japan2019
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bianco e nero/Hiroshima©Japan2019
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bifronte/Kyoto©Japan2019
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31-66/Tokyo©Japan2019
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8 full/Tokyo©Japan2019
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japan kru/Tokyo©Japan2019
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4x/Hiroshima©Japan2019
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richness/Tokyo©Japan2019
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jogging/Osaka©Japan2019
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keiri/Kanazawa©Japan2019
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stranamore/Nikko©Japan2019
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vota antonio/Tokyo©Japan2019
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palline/Tokyo©Japan2019
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angry dog/Miyajima©Japan2019
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the newlyweds/Kanazawa©Japan2019
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cerini/Tokyo©Japan2019
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bohemian rhapsody/Tokyo©Japan2019
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biscottino/Nara©Japan2019
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blue kiri/Kyoto©Japan2019
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turn left/Tokyo©Japan2019
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tutto scorre/Kyoto©Japan2019
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work in shimbashi/Tokyo©Japan2019
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welcome/Kanazawa©Japan2019
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still togheter/Osaka©Japan2019
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dovunque sarai/Kamakura©Japan2019
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beauty-full/Tokyo©Japan2019
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asap/Kobe©Japan2019
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polaroid/Nara©Japan2019
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1-3/Tokyo©Japan2019
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orofeusu/Hiroshima©Japan2019
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diagonal/Kyoto©Japan2019
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kato/Kyoto©Japan2019
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dirty apron/Nara©Japan2019
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il mostro e la bambina/Kyoto©Japan2019
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papers/Tokyo©Japan2019
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shigoto no ato/Tokyo©Japan2019
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tembo/Kyoto©Japan2019
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toire/Kanazawa©Japan2019
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yeux sur les yeux/Tokyo©Japan2019
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tsukjii market/Tokyo©Japan2019
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tryhard/Osaka©Japan2019
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gaoooon/Kyoto©Japan2019
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ginza miss/Tokyo©Japan2019
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hijiri kogen/Kyoto©Japan2019
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wakamonogo/Tokyo©Japan2019
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kamotsu/Tokyo©Japan2019
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sumafu/Tokyo©Japan2019
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unrelated to nintendo/Tokyo©Japan2019
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j-league/Osaka©Japan2019
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waiting for/Kyoto©Japan2019
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una nuova era/Nara©Japan2019
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speriamo che me la cavo/Kamakura©Japan2019
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supercatta/Tokyo©Japan2019
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ssei/Kyoto©Japan2019
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stella rossa/Kyoto©Japan2019
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smoked/Miyajima©Japan2019
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solchi-2/Kyoto©Japan2019
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l’utima gheisha/Kyoto©Japan2019
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smisurata preghiera/Tokyo©Japan2019
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l’essenziale/Hakone©Japan2019
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hit parade/Hiroshima©Japan2019
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the door/Miyajima©Japan2019
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himeji/Himeji©Japan2019
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drinkosauro/Osaka©Japan2019
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frog one/Nikko©Japan2019
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anipo/Osaka©Japan2019
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12/Tokyo©Japan2019
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cas/Tokyo©Japan2019
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258/Tokyo©Japan2019
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diablo/Tokyo©Japan2019
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come sarà/Nara©Japan2019
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windbreaker/Kanazawa©Japan2019
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kiiro/Kobe©Japan2019
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boys and girl/Kamakura©Japan2019
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baseball mon amour/Osaka©Japan2019
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canzone/Tokyo©Japan2019
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caught/Tokyo©Japan2019
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tobu/Nikko©Japan2019
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gundam/Tokyo©Japan2019
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in attesa/Tokyo©Japan2019
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muhyojo/Osaka©Japan2019
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nastro giallo/Kyoto©Japan2019
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nagamachi/Kanazawa©Japan2019
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new orange/Kyoto©Japan2019
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tokyo tower/Tokyo©Japan2019
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good coop bad coop/Tokyo©Japan2019
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3180/Himeji©Japan2019
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arancione desaturato/Kyoto©Japan2019
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auto blu/Kyoto©Japan2019
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pit stop/Nara©Japan2019
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football club tokyo/Osaka©Japan2019
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3chochin/Tokyo©Japan2019
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backstage/Kyoto©Japan2019
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thinking about/Tokyo©Japan2019
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uniqlo/Osaka©Japan2019
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lowson&patrol/Tokyo©Japan2019
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kuro toyota/Kyoto©Japan2019
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pokémon go/Tokyo©Japan2019
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taxi driver/Tokyo©Japan2019
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about me/Kyoto©Japan2019
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ninnananna/Nara©Japan2019
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oarame chan/Kyoto©Japan2019
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such a perfect day/Osaka©Japan2019
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capricorn/Kobe©Japan2019
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appuru/Osaka©Japan2019
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cuéntame/Kamakura©Japan2019
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ocho/Kanazawa©Japan2019
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cestini/Tokyo©Japan2019
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dirty face/Kyoto©Japan2019
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mystical/Hakone©Japan2019
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aibu/Nikko©Japan2019
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cargo/Tokyo©Japan2019
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kuren/Nara©Japan2019
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ridi pagliaccio/Kanazawa©Japan2019
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mr polecat/Tokyo©Japan2019
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tre volti/Kyoto©Japan2019
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the flag/Osaka©Japan2019
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tra le righe/Tokyo©Japan2019
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play hard/Tokyo©Japan2019
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shiroi inu pt1/Nara©Japan2019
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uno, nessuno e centomila/Kyoto©Japan2019
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tori/Nara©Japan2019
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waygu/Kyoto©Japan2019
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walking around/Tokyo©Japan2019
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time break/Tokyo©Japan2019
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where/Miyajima©Japan2019
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welcome/Tokyo©Japan2019
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yawn/Kyoto©Japan2019
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shining day/Tokyo©Japan2019
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filo diretto/Kyoto©Japan2019
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bikers/Kanazawa©Japan2019
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hakucho/Hiroshima©Japan2019
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hangover/Tokyo©Japan2019
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3tsu no hage/Nara©Japan2019
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saibu/Nara©Japan2019
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light above/Tokyo©Japan2019
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nemererumorinobijo/Kyoto©Japan2019
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tempo d’attesa/Kyoto©Japan2019
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pick nick/Kyoto©Japan2019
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escape/Osaka©Japan2019
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lunapark/Nikko©Japan2019
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gabbia/Kanazawa©Japan2019
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sceglimi/Tokyo©Japan2019
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conductor/Osaka©Japan2019
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fiori gialli/Nara©Japan2019
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katan/Tokyo©Japan2019
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ti ricordi quando/Hiroshima©Japan2019
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taito-ku/Tokyo©Japan2019
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vecchia quercia/Miyajima©Japan2019
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metro tavola/Tokyo©Japan2019
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ricci/Tokyo©Japan2019
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scalabile/Nikko©Japan2019
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what drunkman want/Tokyo©Japan2019
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per un pugno di yen/Kyoto©Japan2019
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take out/Kyoto©Japan2019
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discesa/Kyoto©Japan2019
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duty free counter/Tokyo©Japan2019
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le liceali/Tokyo©Japan2019
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lollipop/Kanazawa©Japan2019
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with dad/Kyoto©Japan2019
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shirahato/Kyoto©Japan2019
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come and get me/Kanazawa©Japan2019
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conversione/Nara©Japan2019
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iroenpitsu/Kyoto©Japan2019
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knife master/Tokyo©Japan2019
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gozasoko/Hiroshima©Japan2019
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cookies/Tokyo©Japan2019
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play/Tokyo©Japan2019
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pink house/Kamakura©Japan2019
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hai mangiato?/Nikko©Japan2019
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intimità interrotte/Tokyo©Japan2019
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passaggi pt.2/Kamakura©Japan2019
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l’ora esatta/Nara©Japan2019
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karaoke tower/Tokyo©Japan2019
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can you spell it?/Tokyo©Japan2019
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hair flake/Kyoto©Japan2019
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dietro al confine/Kyoto©Japan2019
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don’t leave me alone/Kyoto©Japan2019
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headphone/Kyoto©Japan2019
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dream are desire/Kyoto©Japan2019
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glee club/Kanazawa©Japan2019
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palle pazze/Nara©Japan2019
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panda beverage/Kobe©Japan2019
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passo uno/Kyoto©Japan2019
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online/Nikko©Japan2019
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da cosa nasce cosa/Tokyo©Japan2019
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china/Kamakura©Japan2019
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golfpaper/Tokyo©Japan2019
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quaggiù/Tokyo©Japan2019
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tra i fumi/Himeji©Japan2019
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slurp/Kyoto©Japan2019
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makita/Nikko©Japan2019
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rete/Kyoto©Japan2019
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mi ritorni in mente/Kamakura©Japan2019
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botero san/Kyoto©Japan2019
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comfort zone/Kyoto©Japan2019
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alto/Osaka©Japan2019
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gorundenboi/Tokyo©Japan2019
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gonne a pois/Tokyo©Japan2019
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ramen machine/Tokyo©Japan2019
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luccicante/Nara©Japan2019
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rampante/Kyoto©Japan2019
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retina gialla/Kyoto©Japan2019
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cattivi pensieri/Tokyo©Japan2019
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bolla/Kyoto©Japan2019
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cryptomeria/Kyoto©Japan2019
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karaté man/Tokyo©Japan2019
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il muro bianco/Himeji©Japan2019
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kenshin/Kyoto©Japan2019
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katan/Kyoto©Japan2019
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keiko/Kanazawa©Japan2019
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dinosauri/Hiroshima©Japan2019
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nella mia ora di libertà/Kyoto©Japan2019
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sentimento nuevo/Kyoto©Japan2019
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rocket love/Tokyo©Japan2019
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gnam gnam/Osaka©Japan2019
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paletti/Osaka©Japan2019
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per un pugno di ramen II/Tokyo©Japan2019
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out of place/Nikko©Japan2019
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kagotani/Himeji©Japan2019
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filo per filo/Tokyo©Japan2019
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legnetti/Nara©Japan2019
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kufuku no neko/Tokyo©Japan2019
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nighiri/Kamakura©Japan2019
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meat box/Tokyo©Japan2019
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ogni maledetta domenica/Nara©Japan2019
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excited?/Kyoto©Japan2019
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selfie/Kyoto©Japan2019
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sesshoku/Kanazawa©Japan2019
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hiruyasumi/Tokyo©Japan2019
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Alessandro Federico-Veca è nato in Sicilia nel 1988. É un architetto, artista, art director, designer, illustratore, poeta, fotografo, visual strategist, vignettista satirico e rigeneratore urbano. Nel 2012 ha fondato la rivista online di satira illustrata La Vignetta Blog; come vignettista, ha vinto diversi concorsi nazionali. Si è laureato nel 2014 con il massimo dei voti alla Facoltà di Architettura di Siracusa. Ha collaborato con il Gruppo G124 di Renzo Piano per il recupero della periferia di Librino a Catania. Nel 2017 ha aperto il suo store online di arte contemporanea. Nel 2018 ha conseguito con il massimo dei voti il Master di II livello in Rigenerazione Urbana ed innovazione sociale presso l’Università IUAV di Venezia. Attualmente ricopre il ruolo di direttore artistico presso un’agenzia di comunicazione ed eventi a Milano.
Alessandro Federico-Veca was born in Sicily in 1988. He is an architect, artist, art director, designer, illustrator, poet, photographer, visual strategist, satirical cartoonist and urban regenerator. In 2012 he founded the illustrated satire online magazine La Vignetta Blog; as a cartoonist, he has won several national competitions. He graduated in 2014 with honors from the Faculty of Architecture in Syracuse. He collaborated with Renzo Piano’s G124 Group for the recovery of the Librino suburbs in Catania. In 2017 he opened his online contemporary art store. In 2018 he obtained the second level Master’s Degree in Urban Regeneration and Social Innovation with the highest marks at the IUAV University of Venice. He currently holds the role of Art Director at a communication and events agency in Milan.
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