portfolio 2019

PORTFOLIO

SPRING

2019

Selected works, Internship Application

PERSONAL INFORMATIONS

Architecture Master Degree 25 years old E: allegrazanirato@gmail.com T: +39 3405674849 A: Via Schuman 20, ForlĂŹ, Italy

CV UNIVERSITY OF ARCHITECTURE OF FERRARA

5 years Architecture Master degree 2013-2019 UNIVERSIDADE PRESBITERIANA MACKENZIE SÃO PAULO

1st February - 28 June 2016 One semester Oversea Program ECOLE NATIONALE SUPÉRIEURE D’ARCHITECTURE ET DE PAYSAGE DE BORDEAUX

6th Febraury - 27 June 2017 One semester Erasmus Program

TOURIST GUIDE, FAI FONDO AMBIENTALE ITALIANO

Days of art , 23/03/2013 TRAINEESHIP MASSLAB OFFICE, OPORTO, PORTUGAL

10th July - 10th October 2017 TRAINEESHIP BUREAU, LISBON, PORTUGAL

1st April - 1st June 2019 2

International Workshop “Historic City Centres�, Jodhpur, India, December 2014

Autocad Illustrator Photoshop InDesign Lightroom Rhinoceros Sketchup Microsoft Office

Italian English Portuguese French

Teamworker Leader Organization Problem solver 3

CULTURE ON INDUSTRY, INDUSTRY ON CU The renovation of the old Slaughterhouse of Po MUNCHIE Downtown Restaurant, Porto, Portugal HPO Did u say Campo Marzio?

18

28

THE HALLE SERNAME The renovation of the old Halle of Pau, France SALUTI DA FAVYGNANA! 44 Yac Competition GRAPHIC WORKS Personal works 52 4

ULTURE orto, Portugal

6

36

5

CULTURE ON INDUSTRY, INDUSTRY ON C

industrial identity fragments

city of Porto

CampanhĂŁ Valley thousand square meters

city project roots memory and identity and cultural heritage new elements 6

abandoned

history of its territory

clear the boun

between theo

Master Thesis

CULTURE

urban centre suburban areas limit

divides 25

slaughterhouse

development urban rehabilitation voids

peripheral architectural fragmentation, absence,

y

local economic identity of the area memory

ndary

ory and practice complete work on https://issuu.com/allegrazanirato/docs/040319_elaborati_grafici_0-11 7

TEXTILE AUDITORIUM MUSEUM

TEMPORARY EXPOSITION

MAKERS

TEXTILE

DESIGN LABS

MUSEUM

CENTRAL NA

ATELIERS

LABS BUSINESS

LABS

LIBRARY

RESTAURANT

MUSEUM ARCHIVES

TEMPORARY EXPOSITION

LABS MAKERS

ARCHIVES

SQUARE

BISTROT ACCESS TEMPORARY EXPOSITION

LEARNING FROM CONTEXTBUSINESS

ARCHITECTURE GUIDELINES

LABS

SQUARE ACCESS

Eating areas

Museum

Library

ATELIERS

DESIGN LABS

PERMANENT EXPOSITION

STUDENT

LIBRARY

BISTROT

LABS

BUSINESS LABS

METRO CONNECTION

OFFICES

STUDENT ATELIERS

BAR BOOKSHOP

AUDITORIUM TEMPORARY EXPOSITION

THE STRATEGY

DESIGN

8

LABS TEMPORARY EXPOSITION

MAKERS LABS

CENTRAL NAVE

PUBLIC

LIBRARY

MUSEUM ARCHIVES

The existing architecture becomes the scenography of the fashion shows or exhibitions: the arches act as the architectural backdrop to the works, surrounded by light curtains that structure the complexity of the space. The paths that are created give the possibility to expose both inside and outside the casings, giving a certain continuity highlighted by the rhythm of the curves that follow each other between arch and arch.

The permanent exhibit takes place in the long corridor that crosses all the museum spaces.

The arches and openings that are crossed characterize the extremely longitudinal space with a syncopated rhythm of elements that follow each other, thus fragmenting the infinite sense of the path.

BISTROT TEMPORARY EXPOSITION

BUSINESS LABS

The strong identity of the existing architecture allows to think about a strategy made of hierarchies. The industrial buildings continue to stand as the strongest elements on the area, followed by the services which define the circulation in each space, supporting the public spaces. The thirds elements are the free spaces, completely independent from the function they host, they are thought as temporary, made of curtains.

MUSEUM ARCHIVES

MAKERS

METRO ACCESS

FREE SPACES

Main circulation

backstage

Offices

ADAPT TO THE EXISTENT

SQUARE ACCESS

The old slaughterhouse, being a central point for the connection between the city and the periphery, becomes a space for people, open to the citizens.

9

10

GROUNDFLOOR PLAN

+0.00 A

F’

design labs 1370 m2

student ateliers 460 m2

public offices 850m2

C’

D’

bookshop 260 m2

bar 140 m2

temporary exposition 508 m2

patio 220 m2

temporary exposition 740 m2

auditorium 430 m2

central nave 600 m2

museum deposite 600 m2

library 1100 m2

B’

A’

E’

B

restaurant 800 m2

D E

F

business labs 690 m2

C

ticket office

0.00

patio 220 m2

permanent exposition 424 m2 maker labs 460 m2

The project reflects the purpose to create a new space for the textile and fashion start ups, with the possibility to change its functional function easily. The boxes of the services define the main circulation and distribution of the open spaces for each field. The circular elements are temporary, made of curtains which can easily change the space.

In the museum area, this system allows to create new spaces for expositions and scenery

for fashion events. In the offices, the curtains define the secondary functions, as the meeting room and relax areas. In the restaurant and in the public library, these elements outline dining rooms and study areas.

In the way to satisfy the needs of the contemporary city, the new casings are independent from the program.

11

12

museum deposite 600 m2

library 1100 m2

B’

A’

1ST FLOOR PLAN

+ 10

+ 7.0

+ 0.00

+3.00

A

F’

0.00

0.00

+4.20

+4.20

design labs 930 m2

0.00

student ateliers 340 m2

public offices 850 m2

C’

permanent exposition 440 m2

D’

0.00

Bookshop 260 m2

Bar 140 m2

temporary exposition 508 m2

patio 220 m2

temporary exposition 740 m2

auditorium 430 m2

+4.50

restaurant 600 m2

+4.50

museum offices 600 m2

+4.50

0.00

library 580 m2

B’

+4.50

A’

E’

B 0.00

D 0.00

E’

E

F

+4.20

0.00

business labs 690 m2

C

+3.00 +4.20

+ 10

+3.00

+ 0.00

B

+ 7.0 restaurant 800 m2

patio 220 m2

permanent exposition 424 m2 0.00

maker labs 340 m2

+ 13

The main entrance of the area takes place through the square that overlooks the road that connects the neighbourhood park with the slaughterhouse. The access to the museum areas is recognizable thanks to the blocking of services that comes out, creating continuity between inside and outside. Public space is defined by different playground areas for children and shaded areas with orange trees.

13

FASHION SHOW

14

TEMPORARY EXHIBITION

MUSEUM EXHIBITION

PERMANENT EXHIBITION

15

16

17

MUNCHIE hamburger’s restaurant views

furnitures

MassLab Office ongoing 18

Diogo Zenha

different sp

paces

Executive project

Porto

interiors

architectural forms

a new image clear and light tiles

19

20

THE ENTRANCE

In the way to minimize the sensation of a long continuous space, we used the tiles on the wall and on the floors as a perspective element. We tried to create the idea of a “box� divided in two halfes: the first one defines the area of the tender bar, the second one follows the hallway trough the other rooms.

21

22

THE COZY ROOM

Pink elements are dedicated to all the eating areas, like the furnitures and dining rooms; green tiles define the services parts as the hallway and the staff areas in a continuity between the different rooms of the restaurant.

23

24

PATIO

The patio concept follows the idea of pic-nic tables, fixed on the floor and covered by tiles. Due to the small area, each table is for two-three people maximum. For the sunny days, or to protect from rain, a metal structure protect the patio with a movable curtain.

The pink painting designs the limit with the circulation axe.

25

26

DINING ROOM

The dining room takes light from the central patio. Every step defines dining areas with 2, 4 and 6 people tables. The furnitures are shaped as architectural forms, coming out from the walls.

27

HPO ex Hospital Misericordia urban park

Prato

de-construct pliers

the site is available

What’s next demolition? space in relation of architecture

italian context

silent atmospher importance of space identity brasilian modern

Gabriele Cirami, Alessia Pagano

28

C

Academic project

32000 square meters controlled demolition

hydraulic

temporary program re-cycle

Campo Marzio of Piranesi thematic park re aesthetic consequences movement

different

29

DEC 1539 mq

1699 mq

1828 mq

282 mq

890 mq

405 mq 204 mq

994 mq

542 mq

784 mq

807 mq

DEMOLITION PHASES

428 mq

30

731 mq

247 mq

Il prin estrem vista, esam della libera parco reside motiv le div garan comu demo occup ma ch secon cittad tecnic agisc idrau serie polve perm piani struttu Ques intere alcun svolg Conse opera succe dello demo comp sia pi facilm demo

Year 1 M3 demolited: 1972

Anno 1 Metri cubi demoliti: 1 972 18 480 mc

20 388 mc

27 420 mc 1692 mc

6579 mc 1836 mc

17 892 mc 14 112 mc

4878 mc 14 526 mc 2568 mc

Year 2 M3 demolited: 33 800

247 mq

Anno 2 Metri cubi demoliti: 33 800

18 480 mc

20 388 mc

27 420 mc

1692 mc 6579 mc 1836 204 mq mc 17 892 mc

14 112 mc

247 mq

Year 3 M3 demolited: 23 403

Anno 3 Metri cubi demoliti: 23 403

18 480 mc

20 388 mc

27 420 mc 1692 mc

6579 mc

Year 4 M3 demolited: 35 628

Anno 4 Metri cubi demoliti: 35 628

18 480 mc

20 388 mc

27 420 mc

Year 5 M3 demolited: 38 868

Anno 5 Metri cubi demoliti: 38 868

18 480 mc

20 388 mc

31

32

THE PROJECT

33

MEDIUM

LARGE

Teatro Gonzaga Teatro Gonzaga Architetto: Affonso Eduardo Architetto: Affonso Eduardo Reidy Reidy Località: Brasilia Località: Brasilia Dimensioni: 3000 mq Dimensioni: 3000 mq Anno di costruzione: 1950 Anno di costruzione: 1950

ATLAS OF ARCHITECTURES

Pinacoteca Do EstadoPinacoteca Do Estado Architetto: Ramos de Azevedo Architetto: Ramos de Azevedo e Domiziano Rossi e Domiziano Rossi Località: San Paolo Località: San Paolo Dimensione: 3000 mq Dimensione: 3000 mq Anno di costruzione: 1905 Anno di costruzione: 1905

34

Cassino Cassino Architetto: Oscar Niemeyer Architetto: Oscar Niemeyer Località: Pampulha Località: Pampulha Dimensioni: 3000 mq Dimensioni: 3000 mq Anno di costruzione: 1940-1943 Anno di costruzione: 1940-1943

SMALL

Residencia Pacelli Residencia Pacelli Gonzaga Architetto: Ottavio Leonidio etto: AffonsoArchitetto: Eduardo Ottavio Leonidio Località: Rio de Janeiro Località: Rio de Janeiro Dimensioni: 1000 mq à: Brasilia Dimensioni: 1000 mq Anno di costruzione: 1995Anno di costruzione: 1995 sioni: 3000 mq di costruzione: 1950

Casa Max Define Casa Max Define Architetto: Eduardo De Almeida Architetto: Eduardo De Almeida Località: San Paolo Località: San Paolo Dimensioni: 1000 mq Dimensioni: 1000 mq Anno di costruzione: 1978Anno di costruzione: 1978

teca Do Estado etto: Ramos de Azevedo iziano RossiResidencia Fernando Millan Residencia Fernando Millan à: San PaoloArchitetto: Paoulo MendesArchitetto: Da Paoulo Mendes Da sione: 3000 mq Rocha Rocha di costruzione: 1905 San Paolo Località: Località: San Paolo Dimensioni: 500 mq Dimensioni: 500 mq Anno di costruzione: 1970Anno di costruzione: 1970

Residencia Horto FlorestalResidencia Horto Florestal Architetto: Fen Rosa Architetto: Fen Rosa Località: Salvador de Baia Località: Salvador de Baia Dimensione: 1000 mq Dimensione: 1000 mq o Anno di costruzione: 1999Anno di costruzione: 1999 etto: Oscar Niemeyer à: Pampulha sioni: 3000 mq di costruzione: 1940-1943

Residencia Antônio Ceppas Residencia Antônio Ceppas Architetto: Jorge MachadoArchitetto: Moreira Jorge Machado Moreira Località: Rio de Janeiro Località: Rio de Janeiro Dimensione: 500 mq Dimensione: 500 mq Anno di costruzione: 1951Anno di costruzione: 1951

Casa James Francis King Architetto: Mendes Da Rocha Località: San Paolo Dimensioni: 1000 mq Anno di costruzione: 1972

Casa Jam Architett Rocha Località: Dimensi Anno di 1972

Casa Mariante Architetto: Aldeira De Serra Località: San Paolo Dimensioni: 500 mq Anno di costruzione: 2002

Casa Ma Architet Località Dimens Anno di

Residencia Marcos Acayaba Architetto: Marcos Acayaba Località: Guaruja Dimensione: 1000 mq Anno di costruzione: 1996

Residenc Acayaba Architett Acayaba Località: Dimensi Anno di 1996

Casa Olivo Gomes Architetto: Rino Levi e Roberto de Cerqueira César Località: São Paulo Dimensione: 500 mq Anno di costruzione: 1940

Casa Oli Architett

Casa Gerassi Architetto: Mendes Da Rocha Località: San Paolo Dimensioni: 500 mq Anno di costruzione: 1991

Località: Dimensi Anno di

Casa Ge Architet Località: 35 Dimensi Anno di

IN BETWEEN THE ALL SERNAM Rehabilitation

Halle

different activities

Pau France space for all k flexibility

Let’s enjoy it!

Ensap Bx 36

Irene Giani

kinds of people continuity

Academic project

square

37

Franchire le concept de difference de hauteur et de la voie ferrée comme la limite

Franchire le concept de difference de hauteur et de la voie ferrée comme la limite

Franchire le concept de difference de hauteur et de la voie ferrée comme la limite

The overtaking of the limits

THE STRATEGY

Réorganiser la mobilité des piétons et des cyclistes

Reconvertir la Halle Sernam

Réorganiser la mobilité des piétons et des cyclistes

The re-organization of the cycle and pedestrian mobility

Reconvertir la Halle Sernam

Valoriser

le tissu urbain grâce à un système d'espaces publics

38 Valoriser

le tissu urbain grâce à un

Intensifier

Réorganiser la mobilité des piétons et des cyclistes

Reconvertir la Halle Sernam

The re of the H

Valoriser

le tissu urbain grâce à un système d'espaces publics

Intensifier l'échange entre la ville et le parc

econversion Halle Sernam

Réorganiser la mobilité des piétons et des cyclistes

Reconvertir la Halle Sernam

Valoriser

le tissu urbain grâce à un système d'espaces publics

New public spaces which valorize the urban tissue

Intensifier l'échange entre la ville et le parc

Reconvertir la Halle Sernam

Valoriser

le tissu urbain grâce à un système d'espaces publics

Intensifier l'échange entre la ville et le parc

A cultural exchange between the city and the natural park

39

RELAX

PLAY

SPORT

CULTURE

JARDIN

PER

JARDIN D’ENFANCE JARDIN BOTANIC

PLAYGROUND

PLAY

PLACE FLEXIBLE

CULTURE RESTAURANT PARCOUR

TERRACE

JARDIN

JARDIN PERGOLA DES ÉPICES

THE PROGRAM

JARDIN BOTANIC

MUSEE d’ASTRONOMIE

BIBLIOTHEQUE

PLAYGROUND

40

JARDIN D’ENFANCE CULTURE RESTAURANT

PLACE FLEXIBLE

TERRACE

RELAX

PLAY

SPORT

CULTURE

JARDIN

PERGOLA

JARDIN D’ENFANCE

MUSEE d’ASTRONOMIE

JARDIN BOTANIC

PLAYGROUND

JARDIN D’ENFANCE PLACE FLEXIBLE

TERRACE

RESTAURANT PARCOUR

TERRACE

JARDIN DES ÉPICES

EXPOSITION/ CAFÉTÉRIA

BIBLIOTHEQUE AUDITORIUM

41

42

THE PROJECT

Botanic garden & Astrology’s Museum

43

SALUTI DA FAVYGNANA!

manifesto against tourist gentrificati the accessibil main Mediterranean Art center on another theme Art and culture are for everyone

Allegra Zanirato Marco Pallaoro Davide Lucchese.

44

Competition

Contemporary Museum

ion lity don’t give any possibility problem refugees

Favignana focus

it’s about people

45

46

MANIFESTO

Favignana’s Refugees Luxury Hotel Mediterranean contemporary culture center 1. Welcome to a peculiar experience that depics the truly essence of contemporary Mediterranean: the Favignana’s Refugees Luxury Hotel. Dive into the cultural diversity that fluorish and enrich the basin, in a thrilling experience of overcrowded loneliness, forced exile, institutional inconsideration and rhetorical violence.

2. We offer an immersive experience to collectors adn enthusiasts.

They will have the chance to live an unforgettable stay in the facility, according to one’s own sensitiveness in order to enjoy deprivation, survival kits and uncomfortable routes.

the existing facilities, do not exceed 4 meters in height and guarantee a design which is in harmony with th architecture and the surrounding landscape.

7. The intervention’s materials are light, dystonic, high-tech and transportable, easily mounted through engaging processes of auto-construction, for a participative dwelling experience.

What are you waiting for? Come and visit us.

3. The long walkway acceding the Favignana’s Refugees Luxury Hotel consists of an “open air camping gallery”.

It is a steep q,5km route where to enjoy tents, tents and more tents.

4. Reach the shore through a breathtaking and unpleasant journey on rubber dinghies offered by our traffickers.

Boats may be overbooked and may not reach the destination.

5. The Favignana’s Refugees Luxury Hotel will guarantee a limited number of 3000050000 suites equipped with every discomfort in order to meet the standards of the wealthiest and most demanding visitors. This place will also NOT ensure an access with the helicopter, as there is no available parking for such a lavish stupidity.

6. The new volumes of the camping tents, the hammocks and the sleeping bags are inserted in respect of the existing building, in particular: do not compromise or damage 47

48

THE PROJECT

49

Three billboards ou Sic

Saluti da

FAVYGNANA

“TLuxury is a noble virtue that must not be confused with comfort” Jean Cocteau

“TLuxury is a noble virtue that must not be confused with comfort”

BILLBOARDS

Jean Cocteau

50

Saluti da

FAVYG

“The biggest enemy of art is luxu

Willia

“The biggest enemy of art is luxury a

William

outside Favygnana cily

GNANA

ury as art cannot live in its environment”

am Morris

as art cannot live in its environment”

m Morris

Saluti da

FAVYGNANA

“Only the poor can access certain luxuries.”

Roberto Gervaso

“Only the poor can access certain luxuries.”

Roberto Gervaso

51

GRAPHIC WORKS

support

52

architecture projects process explain

g

deve

Personal project

graphic illustrations Graphic communication elop idea

fundamental

You can find more on my ig page https://www.instagram.com/aaz_notfound/ 53

54

55

56

57

58

59

CONTACT ME

ALLEGRAZANIRATO@GMAIL.COM +39 3405674849 THANK YOU