Portfolio 2019

Portfolio 2019 Selected works

https://www.google.com/ maps/place/Calouste+Gulbenkian+Museum+Modern+Collection/@38.7378538,-9.1558 749,16.88z/data=!3m1!5s0xd19330dacd32861:0xb825fcec059d548b!4m12!1m6!3m5 dilettante !1s0xd19330dd0753635:0x893a61d0a72083b!2sMuseo+Calouste+Gulbenkian!8m2!3d38.7378124!4d-9.1535455!3m4!1s0xd19330daa5d4e55:0xc13adbfa1c4bbfb0!8m2!3d38.735687 6!4d-9.1539824 (also arch)

Allegra Zanirato

25 years old E: allegrazanirato@gmail.com T: +39 3405674849 A: Lisbon, Portugal

Photography Marco Pallaoro

This portfolio shows the selected projects from Academic and job experiences achieved during the last years.

Allegra is born in 1994, in Italy and studied Architecture in the University of Ferrara.

During her studies, she developed her interests in Graphic design, photography and illustrations.

Currently, Allegra moved to Lisbon, where she is working on new personal projects.

curriculum Education

Experience

UNIVERSITY OF ARCHITECTURE OF FERRARA

INTERNSHIP MASSLAB

5 years Architecture Master degree 2013-2019

OPORTO, PORTUGAL

UNIVERSIDADE PRESBITERIANA MACKENZIE SÃO PAULO 1st February - 28 June 2016 One semester Oversea Program

ECOLE NATIONALE SUPÉRIEURE D’ARCHITECTURE ET DE PAYSAGE DE BORDEAUX 6th Febraury - 27 June 2017 One semester Erasmus Program

5th July - 5th October 2017

WEB ASSISTANT KOOZA/RCH SeptemberDecember 2018

INTERNSHIP BUREAU.AC LISBON, PORTUGAL 1st April - 1st July 2019

Workshop

Skills

“HISTORIC CITY CENTRES”

PROGRAMS

JODHPUR, INDIA. December 2014

HANDS ON LISBON COLECTIVO WAREHOUSE LISBON, PORTUGAL 15th July - 28th July 2019

Autocad Illustrator Photoshop InDesign Lightroom Rhinoceros Sketchup Microsoft Office Wordpress

LANGUAGES Italian English Portuguese French

PERSONAL SKILLS Team worker Leader Organization Problem solver

selected works

2019 hands on Lisbon colectivo warehouse workshop culture on industry, industry on culture

The renovation of the old slaughterhouse of Porto, Portugal.

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12

Master Thesis Project.

2018 saluti da Favygnana!

Yac competition

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2017 munchie

Downtown restaurant, Porto, Portugal.

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Executive Project.

in between the halle Sernam

The renovation of the old Halle of Pau, France.

Academic Project.

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2015 HpO

Did u say Campo Marzio?

Academic Project.

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hands on Lisbon

Colectivo Warehouse summer school 8

The project takes place in the heart of Lisbon, in Mouraria district. The purpose of the summer school is to open the Centro de inovação da Mouraria to the inhabitants of the district. The main aim is to tell the story of the communities that from years settled here: from the stairs that go down from Igreja da Graça till the CIM, the temporary installation 9

the temporary installation suggests to follow the path till the patio.

The secret garden concealed by the wall leave space to curiosity and imagination to visitors. Now, the furnitures designed for the patio create a cozy space for cim residents and inhabitants of Mouraria. As a poem of 3 acts, the project finds its way far away on the stairs and it opens reflection about barriers in the contemporary city and new common spaces.

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culture on industry, industry on culture

MAIA

MATOSINHOS

ESTADIO DO DRAGAO

˜

CASA DA MUSICA

˜

BOLHAO

VILA NOVA DE GAIA

MIRAMAR

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M K

ESPINHO

master thesis project 12

While the crisis was afflicting the country, new fashion local brands arose.

Due to the textile production history of the city, young designers and international brands found in Porto a “fertile soil� where to settle and experiment thanks to the innovative technologies of production and low production cost.

The project reflects the purpose to bring a new space take

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for the local community.

Starting from the strengths of the city and the ones in which Porto should bet, the program tries to join the industrial identity with the new creative fields of the city.

The project consists of reflections concerning the role of voids and the city, in particular, the peripheral city, precarious from the urban and social point of view. These concepts translate into an architectural project that finds its roots in the history of its territory. Using the notions of fragmentation, absence, memory and identity, we highlight the relationship between them within the city, being fundamental for the understanding of the place. From the programmatic choice for the enhancement of the local economic and cultural heritage to the strategic choices measured with the substantial identity of the area, the project crosses the history of the place, keeping clear the boundary between what belongs to the memory and the new elements that are going to be inserted. The intervention, therefore, aims to translate the issues addressed in an indissoluble relationship between theory and practice.

complete

work

on

https://issuu.com/allegrazanirato/docs/040319_elaborati_grafici_0-11 14

41° 9’ 36.36”

3”

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program and general distribution of the spaces PUBLIC

OFFICES

STUDENT

METRO CONNECTION

STUDENT ATELIERS

TEXTILE

BOOKSHOP

DESIGN

AUDITORIUM TEMPORARY EXPOSITION

DESIGN LABS TEMPORARY EXPOSITION

MAKERS LABS

LIBRARY

LABS

MUSEUM

TEXTILE

CENTRAL NAVE

OFFICES

BAR

backstage

PUBLIC

AUDITORIUM

ATELIERS

CENTRAL NAVE

METRO ACCESS

BOOKSHOP

METRO ACCESS

MUSEUM ARCHIVES

MUSEUM LIBRARY

MAKERS

TEXTILE

LABS

MUSEUM

RESTAURANT

BUSINESS

MUSEUM ARCHIVES

LABS

SQUARE ACCESS

BISTROT TEMPORARY EXPOSITION

BUSINESS LABS

Offices

Eating areas

Museum

Library

Main circulation

METRO CONNECTION

OFFICES

STUDENT ATELIERS

BAR BOOKSHOP

AUDITORIUM TEMPORARY EXPOSITION

DESIGN

TEMPORARY EXPOSITION

LABS

ATELIERS LIBRARY

DESIGN LABS

LABS

MAKERS

STUDENT

MUSEUM ARCHIVES

MAKERS

BISTROT TEMPORARY EXPOSITION

LABS

BUSINESS

BUSINESS LABS

LABS

SQUARE ACCESS

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PERMANENT EXPOSITION

PUBLIC

CENTRAL NAVE

METRO ACCESS

SQUARE ACCESS

LIBRARY

MUSEUM ARCHIVES

BISTROT

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A

F’

18 design labs 1370 m2

student ateliers 460 m2

public offices 850m2

C’

D’

bookshop 260 m2

bar 140 m2

temporary exposition 508 m2

patio 220 m2

temporary exposition 740 m2

auditorium 430 m2

central nave 600 m2

museum deposite 600 m2

library 1100 m2

B’

A’

A

ground floor

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E

F

business labs 690 m2

maker labs 460 m2

C

ticket office

0.00

D

permanent exposition 424 m2

patio 220 m2

B

restaurant 800 m2

E’

E

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A’

A

F’

0.00

0.00

+4.20

+4.20

design labs 930 m2

0.00

student ateliers 340 m2

public offices 850 m2

C’

permanent exposition 440 m2

D’

0.00

Bookshop 260 m2

Bar 140 m2

temporary exposition 508 m2

patio 220 m2

temporary exposition 740 m2

auditorium 430 m2

+4.50

restaurant 600 m2

+4.50

museum offices 600 m2

+4.50

0.00

library 580 m2

B’

+4.50

A’

first floor

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E’

E

F

+4.20

+4.20

0.00

business labs 690 m2

0.00

maker labs 340 m2

C

+3.00

0.00

D

permanent exposition 424 m2

patio 220 m2

0.00

B

E’

The existing architecture becomes the scenography of the fashion shows or exhibitions: the arches act as the architectural backdrop to the works, surrounded by light curtains that structure the complexity of the space.

The old slaughterhouse, being a central point for the connection between the city and the periphery, becomes a space for people, open to the citizens.

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saluti da Favygnana!

with: Marco Pallaoro, Davide Lucchese.

Yac Competition

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Saluti da Favygnana is a manifesto against the theme of the Contemporary Museum in the Island of Favignana.

The island is already suffering the tourist gentrification and it is becoming more and more expensive and different from its roots. The location and the accessibility don’t give any possibility to the Museum to become the main Mediterranean Art centre. So, In front of that problem and take

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the refugees one, we decide to focus our project on another theme.

Art and culture are for everyone, it is not about luxury and richness, it’s about people.

Favignana’s Refugees Luxury Hotel Mediterranean contemporary culture center 1. Welcome to a peculiar experience that depics the truly essence of contemporary Mediterranean: the Favignana’s Refugees Luxury Hotel.

Dive into the cultural diversity that fluorish and enrich the basin, in a thrilling experience of overcrowded loneliness, forced exile, institutional inconsideration and rhetorical violence.

2. We offer an immersive experience to collectors adn enthusiasts.

They will have the chance to live an unforgettable stay in the facility, according to one’s own sensitiveness in order to enjoy deprivation, survival kits and uncomfortable routes.

3. The long walkway acceding the Favignana’s Refugees Luxury Hotel consists of an “open air camping gallery”.

It is a steep q,5km route where to enjoy tents, tents and more tents.

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4. Reach the shore through a breathtaking and unpleasant journey on rubber dinghies offered by our traffickers.

Boats may be overbooked and may not reach the destination.

5. The Favignana’s Refugees Luxury Hotel will guarantee a limited number of 30000-50000 suites equipped with every discomfort in order to meet the standards of the wealthiest and most demanding visitors. This place will also NOT ensure an access with the helicopter, as there is no available parking for such a lavish stupidity.

6. The new volumes of the camping tents, the hammocks and the sleeping bags are inserted in respect of the existing building, in particular: do not compromise or damage the existing facilities, do not exceed 4 meters in height and guarantee a design which is in harmony with th architecture and the surrounding landscape.

7. The intervention’s materials are light, dystonic, high-tech and transportable, easily mounted through engaging processes of autoconstruction, for a participative dwelling experience.

What are you waiting for? Come and visit us.

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Three billboards ou Sic

Saluti da

FAVYGNANA

“TLuxury is a noble virtue that must not be confused with comfort”

Saluti da

FAVYG

“The biggest enemy of art is luxu

Jean Cocteau

Willia

“TLuxury is a noble virtue that must not be confused with comfort” Jean Cocteau

“The biggest enemy of art is luxury a

William

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outside Favygnana cily

GNANA

Saluti da

FAVYGNANA

ury as art cannot live in its environment”

“Only the poor can access certain luxuries.”

am Morris

as art cannot live in its environment”

Roberto Gervaso

“Only the poor can access certain luxuries.”

m Morris

Roberto Gervaso

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munchie

MassLab Office with Diogo Zenha

execution project 30

Munchie is an hamburger’s restaurant located in the downtown of Porto. The project gives a new image to the existent space: according with the idea of the healthy hamburger, the interiors reflect clear and light views thanks to the tiles which outline the different spaces in the restaurant. The different use of the tiles outlines the functions and the furnitures, which take

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are thought as architectural forms.

In the way to minimize the sensation of a long continuous space, we used the tiles on the wall and on the floors as a perspective element. We tried to create the idea of a “box� divided in two half: the first one defines the area of the tender bar, the second one follows the hallway trough the other rooms.

Pink elements are dedicated to all the eating areas, like the furnitures and dining rooms; green tiles define the services parts as the hallway and the staff areas in a continuity between the different rooms of the restaurant.

The patio concept follows the idea of pic-nic tables, fixed on the floor and covered by tiles. Due to the small area, each table is for two-three people maximum. For the sunny days, or to protect from rain, a metal structure protect the patio with a movable curtain. The pink painting designs the limit with the circulation axe.

The dining room takes light from the central patio. Every step defines dining areas with 2, 4 and 6 people tables. The furnitures are shaped as architectural forms, coming out from the walls.

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cozy room

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patio

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dining room

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in between the Halle Sernam

with Irene Giani

academic project 40

The purpose of the project is to create a space for all kinds of people, between the historic city centre and the great natural park. The space is characterized from the continuity thanks to the square that connect all the different activities and its flexibility.

A space for all kinds of people in every time of the day.

Let’s enjoy it! take

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strategy guidelines Franchire le concept deFranchire difference de hauteur de la voie ferrée comme la limite leetconcept deFranchire difference de hauteur Franchire leetconcept deFranchire difference de la hauteur de la voie ferrée comme limite leetconcept de difference de la hauteur de la voie comme limite le concept deferrée difference de hauteur et de la voie ferrée comme la limite et de la voie ferrée comme la limite

Réorganiser la mobilité des piétons Réorganiser Réorganiser et des des cyclistes la mobilité piétons Réorganiser la mobilité des piétons etRéorganiser des cyclistes la mobilité des piétons et des cyclistes la mobilité des piétons et des cyclistes et des cyclistes

Reconvertir laReconvertir Halle Sernam Reconvertir laReconvertir Halle Sernam laReconvertir Halle Sernam la Halle Sernam la Halle Sernam

Valoriser

le tissu Valoriser urbain grâce à un système d'espaces Valoriser le tissu urbain grâcepublics à un Valoriser le tissu urbain grâcepublics à un Valoriser système d'espaces le tissu urbain grâcepublics à un système d'espaces le tissu urbain grâce à un système d'espaces publics système d'espaces publics

Intensifier l'échange entre la ville Intensifier et le parcla ville Intensifier l'échange entre Intensifier l'échange et leentre parcla ville Intensifier l'échange ville et leentre parcla l'échange entre la ville et le parc et le parc

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The overtaking of the limits The re-organization of the cycle and pedestrian mobility The reconversion of the Halle Sernam New public spaces which valorise the urban tissue A cultural exchange between the city and the natural park 43

program

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HpO

with Gabriele Cirami, Alessia Pagano

academic project

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But pardon and gentles all, The flat unraise spirits that have dared On this unworthy scaffold to bring forth So great an object: can this cockpit hold The vasty fields of Tuscany? or may be cram Within this wooden BS the very casques That did affright the air at Prato?

O, pardon! Since a crooked take

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figure may Attest in little place a million; And let us, ciphers to this great accompt, On your imaginary forces work.

Suppose within the girdle of thee walls Are now confined two mighty hospitals, Whose high upreared and abutting fronts, The perilous narrow ocean 50

parts as Piece out our imperfections with your thoughts, Into a thousand parts divide on man, And make imaginary puissance; The area of the ex Hospital Misericordia, in Prato (Italy), in five years will become a building area, which will leave space for the new urban park of the city. The area is huge: 32000 square meters of park and 7000m2 for residences and services involved into the future park. For that reason it was necessary to analyse the best way to de-construct the area and guarantee the accesses during the five years needed for the end of the building site. The main strategy was to choose a type of controlled demolition with hydraulic pliers: the de-construction starts from the last floors dividing the supporting structure from the buffer walls. In this way, the site is available from the first years to the citizens, with a temporary program. This kind of demolition also allow to save parts of the ancient building, in order to re-cycle.

What’s next demolition?

One of the proposals is an utopian park, inspired by Campo Marzio of Piranesi: a reflection about the space in relation of architecture. The result is an architectural thematic park, where the different heights and sizes of the architectures create a silent atmosphere. The de51

contextualized architectures were needed to complain the importance of space identity and the aesthetic consequences that can arise. The chosen architectures are the ones of Brazilian modern and contemporary movement, totally different from the Italian context.

DEC 1539 mq

1699 mq

1828 mq

282 mq

890 mq

405 mq 204 mq

994 mq

542 mq

784 mq

807 mq

428 mq

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731 mq

247 mq

Il prin estrem vista, esam della libera parco reside motiv le div garan comu demo occup ma ch secon cittad tecnic agisc idrau serie polve perm piani

Anno 1 Metri cubi demoliti: 1 972

Year 2 M3 demolished: 33 800

18 480 mc

20 388 mc

27 420 mc 1692 mc

6579 mc 1836 mc

17 892 mc 14 112 mc

4878 mc 14 526 mc 2568 mc

247 mq

Anno 2

Year 3 M3 demolished: 23 403

Metri cubi demoliti: 33 800

18 480 mc

20 388 mc

27 420 mc

1692 mc 6579 mc 1836 204 mq mc 17 892 mc

14 112 mc

247 mq

Anno 3 Metri cubi demoliti:

Year 4 M3 demolished: 35 628

23 403

18 480 mc

20 388 mc

27 420 mc 1692 mc

6579 mc

Year 5 M3 demolished: 38 868

Anno 4 Metri cubi demoliti: 35 628

18 480 mc

20 388 mc

27 420 mc

Anno 5 Metri cubi demoliti: 38 868

18 480 mc

20 388 mc

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atlas of architectures Teatro Gonzaga Teatro Gonzaga Architetto: Affonso Eduardo Architetto: Affonso Eduardo Reidy Reidy Località: Brasilia Località: Brasilia Dimensioni: 3000 m2 Dimensioni: 3000 mq Anno di costruzione: Anno 1950 di costruzione: 1950

Pinacoteca Do EstadoPinacoteca Do Estado Architetto: Ramos deArchitetto: Azevedo Ramos de Azevedo e Domiziano Rossi e Domiziano Rossi Località: San Paolo Località: San Paolo Dimensione: 3000 m2Dimensione: 3000 mq Anno di costruzione: Anno 1905 di costruzione: 1905

Cassino Architetto: Oscar Niemeyer Località: Pampulha Dimensioni: 3000 mq Anno di costruzione: 1940-1943

Cassino Architetto: Oscar Niemeyer Località: Pampulha Dimensioni: 3000 m2 Anno di costruzione: 1940-1943

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Casa James Francis Kin Casa James Francis King Architetto: Paulo Mendes DaArchitetto: Rocha Mendes Da Rocha Località: San Paolo Località: San Paolo Dimensioni: 1000 m2 Dimensioni: 1000 mq Anno di costruzione: 1972 Anno di costruzione:

atro Gonzaga Residencia Pacelli chitetto: Affonso Eduardo Architetto: Ottavio Leonidio dy Località: Rio de Janeiro calità: Brasilia Dimensioni: 1000 m2 mensioni: 3000 mq di costruzione: 1995 no di Anno costruzione: 1950

1972

Casa Mariante Architetto: Aldeira De Serra Località: San Paolo Dimensioni: 500 m2 Anno di costruzione: 2002

Casa Max Define Architetto: Eduardo De Almeida Località: San Paolo Dimensioni: 1000 m2 Anno di costruzione: 1978

acoteca Do Estado chitetto: Ramos de Azevedo Residencia Fernando Millan Domiziano Rossi Architetto: Paulo Mendes Da Rocha calità: San Paolo Località: San Paolo mensione: 3000 mq 500 m2 no di Dimensioni: costruzione: 1905

Residencia Marcos Acayaba Architetto: Marcos Acayaba Località: Guaruja Dimensione: 1000 m2 Anno di costruzione: 1996

Anno di costruzione: 1970

Residencia Horto Florestal Architetto: Fen Rosa Località: Salvador de Baia ssino Dimensione: 1000 m2 chitetto: Oscar Niemeyer Anno di costruzione: 1999 calità: Pampulha

Casa Mariante Architetto: Aldeira De Località: San Paolo Dimensioni: 500 mq Anno di costruzione: 2

Residencia Marcos Acayaba Architetto: Marcos Acayaba Località: Guaruja Dimensione: 1000 mq Anno di costruzione: 1996

Casa Olivo Gomes Architetto: Rino Levi e Roberto Casade Olivo Gomes Cerqueira César Architetto: Rino Levi e Località: São Paulo Cerqueira Cé Dimensione: 500 m2 Località: São Paulo Anno di costruzione: 1940 Dimensione: 500 mq

mensioni: 3000 mq no di costruzione: 1940-1943

Anno di costruzione: 19

Casa Gerassi Architetto: Paulo Mendes Da Casa Rocha Gerassi Località: San Paolo Architetto: Mendes Da Località: San Paolo Dimensioni: 500 mq Anno di costruzione: 1991 Dimensioni: 500 mq

Residencia Antônio Ceppas Architetto: Jorge Machado Moreira Località: Rio de Janeiro Dimensione: 500 m2 Anno di costruzione: 1951

Anno di costruzione: 1

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YOU CAN CONTACT ME AT THIS E-MAIL >> ALLEGRAZANIRATO@GMAIL.COM•OR ON THIS PHONE NUMBER >> +39 3405674849 • THANK YOU FOR YOUR ATTENTION!

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