Portfolio 2019 Selected works
https://www.google.com/ maps/place/Calouste+Gulbenkian+Museum+Modern+Collection/@38.7378538,-9.1558 749,16.88z/data=!3m1!5s0xd19330dacd32861:0xb825fcec059d548b!4m12!1m6!3m5 dilettante !1s0xd19330dd0753635:0x893a61d0a72083b!2sMuseo+Calouste+Gulbenkian!8m2!3d38.7378124!4d-9.1535455!3m4!1s0xd19330daa5d4e55:0xc13adbfa1c4bbfb0!8m2!3d38.735687 6!4d-9.1539824 (also arch)
Allegra Zanirato
25 years old E: allegrazanirato@gmail.com T: +39 3405674849 A: Lisbon, Portugal
Photography Marco Pallaoro
This portfolio shows the selected projects from Academic and job experiences achieved during the last years. Allegra is born in 1994, in Italy and studied Architecture in the University of Ferrara. During her studies, she developed her interests in Graphic design, photography and illustrations. Currently, Allegra moved to Lisbon, where she is working on new personal projects.
curriculum Education
Experience
UNIVERSITY OF ARCHITECTURE OF FERRARA
INTERNSHIP MASSLAB
5 years Architecture Master degree 2013-2019
OPORTO, PORTUGAL
UNIVERSIDADE PRESBITERIANA MACKENZIE SÃO PAULO 1st February - 28 June 2016 One semester Oversea Program
ECOLE NATIONALE SUPÉRIEURE D’ARCHITECTURE ET DE PAYSAGE DE BORDEAUX 6th Febraury - 27 June 2017 One semester Erasmus Program
5th July - 5th October 2017
WEB ASSISTANT KOOZA/RCH SeptemberDecember 2018
INTERNSHIP BUREAU.AC LISBON, PORTUGAL 1st April - 1st July 2019
Workshop
Skills
“HISTORIC CITY CENTRES”
PROGRAMS
JODHPUR, INDIA. December 2014
HANDS ON LISBON COLECTIVO WAREHOUSE LISBON, PORTUGAL 15th July - 28th July 2019
Autocad Illustrator Photoshop InDesign Lightroom Rhinoceros Sketchup Microsoft Office Wordpress
LANGUAGES Italian English Portuguese French
PERSONAL SKILLS Team worker Leader Organization Problem solver
selected works
2019 hands on Lisbon colectivo warehouse workshop culture on industry, industry on culture
The renovation of the old slaughterhouse of Porto, Portugal.
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12
Master Thesis Project.
2018 saluti da Favygnana! Yac competition
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2017 munchie
Downtown restaurant, Porto, Portugal.
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Executive Project.
in between the halle Sernam
The renovation of the old Halle of Pau, France.
Academic Project.
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2015 HpO
Did u say Campo Marzio?
Academic Project.
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hands on Lisbon
Colectivo Warehouse summer school 8
The project takes place in the heart of Lisbon, in Mouraria district. The purpose of the summer school is to open the Centro de inovação da Mouraria to the inhabitants of the district. The main aim is to tell the story of the communities that from years settled here: from the stairs that go down from Igreja da Graça till the CIM, the temporary installation 9
the temporary installation suggests to follow the path till the patio.
The secret garden concealed by the wall leave space to curiosity and imagination to visitors. Now, the furnitures designed for the patio create a cozy space for cim residents and inhabitants of Mouraria. As a poem of 3 acts, the project finds its way far away on the stairs and it opens reflection about barriers in the contemporary city and new common spaces.
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culture on industry, industry on culture
MAIA
MATOSINHOS
ESTADIO DO DRAGAO
˜
CASA DA MUSICA
˜
BOLHAO
VILA NOVA DE GAIA
MIRAMAR
5
M K
ESPINHO
master thesis project 12
While the crisis was afflicting the country, new fashion local brands arose. Due to the textile production history of the city, young designers and international brands found in Porto a “fertile soil� where to settle and experiment thanks to the innovative technologies of production and low production cost. The project reflects the purpose to bring a new space take
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for the local community. Starting from the strengths of the city and the ones in which Porto should bet, the program tries to join the industrial identity with the new creative fields of the city. The project consists of reflections concerning the role of voids and the city, in particular, the peripheral city, precarious from the urban and social point of view. These concepts translate into an architectural project that finds its roots in the history of its territory. Using the notions of fragmentation, absence, memory and identity, we highlight the relationship between them within the city, being fundamental for the understanding of the place. From the programmatic choice for the enhancement of the local economic and cultural heritage to the strategic choices measured with the substantial identity of the area, the project crosses the history of the place, keeping clear the boundary between what belongs to the memory and the new elements that are going to be inserted. The intervention, therefore, aims to translate the issues addressed in an indissoluble relationship between theory and practice.
complete
work
on
https://issuu.com/allegrazanirato/docs/040319_elaborati_grafici_0-11 14
41° 9’ 36.36”
3”
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program and general distribution of the spaces PUBLIC
OFFICES
STUDENT
METRO CONNECTION
STUDENT ATELIERS
TEXTILE
BOOKSHOP
DESIGN
AUDITORIUM TEMPORARY EXPOSITION
DESIGN LABS TEMPORARY EXPOSITION
MAKERS LABS
LIBRARY
LABS
MUSEUM
TEXTILE
CENTRAL NAVE
OFFICES
BAR
backstage
PUBLIC
AUDITORIUM
ATELIERS
CENTRAL NAVE
METRO ACCESS
BOOKSHOP
METRO ACCESS
MUSEUM ARCHIVES
MUSEUM LIBRARY
MAKERS
TEXTILE
LABS
MUSEUM
RESTAURANT
BUSINESS
MUSEUM ARCHIVES
LABS
SQUARE ACCESS
BISTROT TEMPORARY EXPOSITION
BUSINESS LABS
Offices
Eating areas
Museum
Library
Main circulation
METRO CONNECTION
OFFICES
STUDENT ATELIERS
BAR BOOKSHOP
AUDITORIUM TEMPORARY EXPOSITION
DESIGN
TEMPORARY EXPOSITION
LABS
ATELIERS LIBRARY
DESIGN LABS
LABS
MAKERS
STUDENT
MUSEUM ARCHIVES
MAKERS
BISTROT TEMPORARY EXPOSITION
LABS
BUSINESS
BUSINESS LABS
LABS
SQUARE ACCESS
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PERMANENT EXPOSITION
PUBLIC
CENTRAL NAVE
METRO ACCESS
SQUARE ACCESS
LIBRARY
MUSEUM ARCHIVES
BISTROT
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A
F’
18 design labs 1370 m2
student ateliers 460 m2
public offices 850m2
C’
D’
bookshop 260 m2
bar 140 m2
temporary exposition 508 m2
patio 220 m2
temporary exposition 740 m2
auditorium 430 m2
central nave 600 m2
museum deposite 600 m2
library 1100 m2
B’
A’
A
ground floor
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E
F
business labs 690 m2
maker labs 460 m2
C
ticket office
0.00
D
permanent exposition 424 m2
patio 220 m2
B
restaurant 800 m2
E’
E
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A’
A
F’
0.00
0.00
+4.20
+4.20
design labs 930 m2
0.00
student ateliers 340 m2
public offices 850 m2
C’
permanent exposition 440 m2
D’
0.00
Bookshop 260 m2
Bar 140 m2
temporary exposition 508 m2
patio 220 m2
temporary exposition 740 m2
auditorium 430 m2
+4.50
restaurant 600 m2
+4.50
museum offices 600 m2
+4.50
0.00
library 580 m2
B’
+4.50
A’
first floor
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E’
E
F
+4.20
+4.20
0.00
business labs 690 m2
0.00
maker labs 340 m2
C
+3.00
0.00
D
permanent exposition 424 m2
patio 220 m2
0.00
B
E’
The existing architecture becomes the scenography of the fashion shows or exhibitions: the arches act as the architectural backdrop to the works, surrounded by light curtains that structure the complexity of the space. The old slaughterhouse, being a central point for the connection between the city and the periphery, becomes a space for people, open to the citizens. 22
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saluti da Favygnana!
with: Marco Pallaoro, Davide Lucchese.
Yac Competition
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Saluti da Favygnana is a manifesto against the theme of the Contemporary Museum in the Island of Favignana. The island is already suffering the tourist gentrification and it is becoming more and more expensive and different from its roots. The location and the accessibility don’t give any possibility to the Museum to become the main Mediterranean Art centre. So, In front of that problem and take
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the refugees one, we decide to focus our project on another theme. Art and culture are for everyone, it is not about luxury and richness, it’s about people. Favignana’s Refugees Luxury Hotel Mediterranean contemporary culture center 1. Welcome to a peculiar experience that depics the truly essence of contemporary Mediterranean: the Favignana’s Refugees Luxury Hotel. Dive into the cultural diversity that fluorish and enrich the basin, in a thrilling experience of overcrowded loneliness, forced exile, institutional inconsideration and rhetorical violence. 2. We offer an immersive experience to collectors adn enthusiasts. They will have the chance to live an unforgettable stay in the facility, according to one’s own sensitiveness in order to enjoy deprivation, survival kits and uncomfortable routes. 3. The long walkway acceding the Favignana’s Refugees Luxury Hotel consists of an “open air camping gallery”. It is a steep q,5km route where to enjoy tents, tents and more tents.
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4. Reach the shore through a breathtaking and unpleasant journey on rubber dinghies offered by our traffickers. Boats may be overbooked and may not reach the destination. 5. The Favignana’s Refugees Luxury Hotel will guarantee a limited number of 30000-50000 suites equipped with every discomfort in order to meet the standards of the wealthiest and most demanding visitors. This place will also NOT ensure an access with the helicopter, as there is no available parking for such a lavish stupidity. 6. The new volumes of the camping tents, the hammocks and the sleeping bags are inserted in respect of the existing building, in particular: do not compromise or damage the existing facilities, do not exceed 4 meters in height and guarantee a design which is in harmony with th architecture and the surrounding landscape. 7. The intervention’s materials are light, dystonic, high-tech and transportable, easily mounted through engaging processes of autoconstruction, for a participative dwelling experience. What are you waiting for? Come and visit us.
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Three billboards ou Sic
Saluti da
FAVYGNANA
“TLuxury is a noble virtue that must not be confused with comfort”
Saluti da
FAVYG
“The biggest enemy of art is luxu
Jean Cocteau
Willia
“TLuxury is a noble virtue that must not be confused with comfort” Jean Cocteau
“The biggest enemy of art is luxury a
William
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outside Favygnana cily
GNANA
Saluti da
FAVYGNANA
ury as art cannot live in its environment”
“Only the poor can access certain luxuries.”
am Morris
as art cannot live in its environment”
Roberto Gervaso
“Only the poor can access certain luxuries.”
m Morris
Roberto Gervaso
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munchie
MassLab Office with Diogo Zenha
execution project 30
Munchie is an hamburger’s restaurant located in the downtown of Porto. The project gives a new image to the existent space: according with the idea of the healthy hamburger, the interiors reflect clear and light views thanks to the tiles which outline the different spaces in the restaurant. The different use of the tiles outlines the functions and the furnitures, which take
a
look!
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are thought as architectural forms.
In the way to minimize the sensation of a long continuous space, we used the tiles on the wall and on the floors as a perspective element. We tried to create the idea of a “box� divided in two half: the first one defines the area of the tender bar, the second one follows the hallway trough the other rooms. Pink elements are dedicated to all the eating areas, like the furnitures and dining rooms; green tiles define the services parts as the hallway and the staff areas in a continuity between the different rooms of the restaurant. The patio concept follows the idea of pic-nic tables, fixed on the floor and covered by tiles. Due to the small area, each table is for two-three people maximum. For the sunny days, or to protect from rain, a metal structure protect the patio with a movable curtain. The pink painting designs the limit with the circulation axe. The dining room takes light from the central patio. Every step defines dining areas with 2, 4 and 6 people tables. The furnitures are shaped as architectural forms, coming out from the walls.
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cozy room
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patio
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dining room
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in between the Halle Sernam
with Irene Giani
academic project 40
The purpose of the project is to create a space for all kinds of people, between the historic city centre and the great natural park. The space is characterized from the continuity thanks to the square that connect all the different activities and its flexibility. A space for all kinds of people in every time of the day. Let’s enjoy it! take
a
look!
https://mapstreetview.com/#prw7l_-7wc0_4d.0_-8h55 41
strategy guidelines Franchire le concept deFranchire difference de hauteur de la voie ferrée comme la limite leetconcept deFranchire difference de hauteur Franchire leetconcept deFranchire difference de la hauteur de la voie ferrée comme limite leetconcept de difference de la hauteur de la voie comme limite le concept deferrée difference de hauteur et de la voie ferrée comme la limite et de la voie ferrée comme la limite
Réorganiser la mobilité des piétons Réorganiser Réorganiser et des des cyclistes la mobilité piétons Réorganiser la mobilité des piétons etRéorganiser des cyclistes la mobilité des piétons et des cyclistes la mobilité des piétons et des cyclistes et des cyclistes
Reconvertir laReconvertir Halle Sernam Reconvertir laReconvertir Halle Sernam laReconvertir Halle Sernam la Halle Sernam la Halle Sernam
Valoriser
le tissu Valoriser urbain grâce à un système d'espaces Valoriser le tissu urbain grâcepublics à un Valoriser le tissu urbain grâcepublics à un Valoriser système d'espaces le tissu urbain grâcepublics à un système d'espaces le tissu urbain grâce à un système d'espaces publics système d'espaces publics
Intensifier l'échange entre la ville Intensifier et le parcla ville Intensifier l'échange entre Intensifier l'échange et leentre parcla ville Intensifier l'échange ville et leentre parcla l'échange entre la ville et le parc et le parc
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The overtaking of the limits The re-organization of the cycle and pedestrian mobility The reconversion of the Halle Sernam New public spaces which valorise the urban tissue A cultural exchange between the city and the natural park 43
program
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HpO
with Gabriele Cirami, Alessia Pagano
academic project
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But pardon and gentles all, The flat unraise spirits that have dared On this unworthy scaffold to bring forth So great an object: can this cockpit hold The vasty fields of Tuscany? or may be cram Within this wooden BS the very casques That did affright the air at Prato? O, pardon! Since a crooked take
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figure may Attest in little place a million; And let us, ciphers to this great accompt, On your imaginary forces work. Suppose within the girdle of thee walls Are now confined two mighty hospitals, Whose high upreared and abutting fronts, The perilous narrow ocean 50
parts as Piece out our imperfections with your thoughts, Into a thousand parts divide on man, And make imaginary puissance; The area of the ex Hospital Misericordia, in Prato (Italy), in five years will become a building area, which will leave space for the new urban park of the city. The area is huge: 32000 square meters of park and 7000m2 for residences and services involved into the future park. For that reason it was necessary to analyse the best way to de-construct the area and guarantee the accesses during the five years needed for the end of the building site. The main strategy was to choose a type of controlled demolition with hydraulic pliers: the de-construction starts from the last floors dividing the supporting structure from the buffer walls. In this way, the site is available from the first years to the citizens, with a temporary program. This kind of demolition also allow to save parts of the ancient building, in order to re-cycle. What’s next demolition? One of the proposals is an utopian park, inspired by Campo Marzio of Piranesi: a reflection about the space in relation of architecture. The result is an architectural thematic park, where the different heights and sizes of the architectures create a silent atmosphere. The de51
contextualized architectures were needed to complain the importance of space identity and the aesthetic consequences that can arise. The chosen architectures are the ones of Brazilian modern and contemporary movement, totally different from the Italian context.
DEC 1539 mq
1699 mq
1828 mq
282 mq
890 mq
405 mq 204 mq
994 mq
542 mq
784 mq
807 mq
428 mq
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731 mq
247 mq
Il prin estrem vista, esam della libera parco reside motiv le div garan comu demo occup ma ch secon cittad tecnic agisc idrau serie polve perm piani
Anno 1 Metri cubi demoliti: 1 972
Year 2 M3 demolished: 33 800
18 480 mc
20 388 mc
27 420 mc 1692 mc
6579 mc 1836 mc
17 892 mc 14 112 mc
4878 mc 14 526 mc 2568 mc
247 mq
Anno 2
Year 3 M3 demolished: 23 403
Metri cubi demoliti: 33 800
18 480 mc
20 388 mc
27 420 mc
1692 mc 6579 mc 1836 204 mq mc 17 892 mc
14 112 mc
247 mq
Anno 3 Metri cubi demoliti:
Year 4 M3 demolished: 35 628
23 403
18 480 mc
20 388 mc
27 420 mc 1692 mc
6579 mc
Year 5 M3 demolished: 38 868
Anno 4 Metri cubi demoliti: 35 628
18 480 mc
20 388 mc
27 420 mc
Anno 5 Metri cubi demoliti: 38 868
18 480 mc
20 388 mc
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atlas of architectures Teatro Gonzaga Teatro Gonzaga Architetto: Affonso Eduardo Architetto: Affonso Eduardo Reidy Reidy Località: Brasilia Località: Brasilia Dimensioni: 3000 m2 Dimensioni: 3000 mq Anno di costruzione: Anno 1950 di costruzione: 1950
Pinacoteca Do EstadoPinacoteca Do Estado Architetto: Ramos deArchitetto: Azevedo Ramos de Azevedo e Domiziano Rossi e Domiziano Rossi Località: San Paolo Località: San Paolo Dimensione: 3000 m2Dimensione: 3000 mq Anno di costruzione: Anno 1905 di costruzione: 1905
Cassino Architetto: Oscar Niemeyer Località: Pampulha Dimensioni: 3000 mq Anno di costruzione: 1940-1943
Cassino Architetto: Oscar Niemeyer Località: Pampulha Dimensioni: 3000 m2 Anno di costruzione: 1940-1943
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Casa James Francis Kin Casa James Francis King Architetto: Paulo Mendes DaArchitetto: Rocha Mendes Da Rocha Località: San Paolo Località: San Paolo Dimensioni: 1000 m2 Dimensioni: 1000 mq Anno di costruzione: 1972 Anno di costruzione:
atro Gonzaga Residencia Pacelli chitetto: Affonso Eduardo Architetto: Ottavio Leonidio dy Località: Rio de Janeiro calità: Brasilia Dimensioni: 1000 m2 mensioni: 3000 mq di costruzione: 1995 no di Anno costruzione: 1950
1972
Casa Mariante Architetto: Aldeira De Serra Località: San Paolo Dimensioni: 500 m2 Anno di costruzione: 2002
Casa Max Define Architetto: Eduardo De Almeida Località: San Paolo Dimensioni: 1000 m2 Anno di costruzione: 1978
acoteca Do Estado chitetto: Ramos de Azevedo Residencia Fernando Millan Domiziano Rossi Architetto: Paulo Mendes Da Rocha calità: San Paolo Località: San Paolo mensione: 3000 mq 500 m2 no di Dimensioni: costruzione: 1905
Residencia Marcos Acayaba Architetto: Marcos Acayaba Località: Guaruja Dimensione: 1000 m2 Anno di costruzione: 1996
Anno di costruzione: 1970
Residencia Horto Florestal Architetto: Fen Rosa Località: Salvador de Baia ssino Dimensione: 1000 m2 chitetto: Oscar Niemeyer Anno di costruzione: 1999 calità: Pampulha
Casa Mariante Architetto: Aldeira De Località: San Paolo Dimensioni: 500 mq Anno di costruzione: 2
Residencia Marcos Acayaba Architetto: Marcos Acayaba Località: Guaruja Dimensione: 1000 mq Anno di costruzione: 1996
Casa Olivo Gomes Architetto: Rino Levi e Roberto Casade Olivo Gomes Cerqueira César Architetto: Rino Levi e Località: São Paulo Cerqueira Cé Dimensione: 500 m2 Località: São Paulo Anno di costruzione: 1940 Dimensione: 500 mq
mensioni: 3000 mq no di costruzione: 1940-1943
Anno di costruzione: 19
Casa Gerassi Architetto: Paulo Mendes Da Casa Rocha Gerassi Località: San Paolo Architetto: Mendes Da Località: San Paolo Dimensioni: 500 mq Anno di costruzione: 1991 Dimensioni: 500 mq
Residencia Antônio Ceppas Architetto: Jorge Machado Moreira Località: Rio de Janeiro Dimensione: 500 m2 Anno di costruzione: 1951
Anno di costruzione: 1
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YOU CAN CONTACT ME AT THIS E-MAIL >> ALLEGRAZANIRATO@GMAIL.COM•OR ON THIS PHONE NUMBER >> +39 3405674849 • THANK YOU FOR YOUR ATTENTION!
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