SALONE DEL MOBILE MILANO. THE WALK

Page 1

MICHELE DE LUCCHI LA PASSEGGIATA THE WALK


MICHELE D

LA PASS THE


DE LUCCHI

SEGGIATA WALK


WORKING WHILE WALKING It is rightful to believe in philosophy; and philosophy was born while people were walking. Living, working, producing, discussing, deciding and evolving only makes sense if you know where you are going. You also need to know that your destination is worth reaching, no matter it’s place or goal. Certainly the first goal of every living being is survival, but for a long time man has sought a more wholesome and attractive reason to exist. George Bataille shows that, even during the ancient times of the Lascaux Caves, someone took the time to draw on the walls dissociating him/ herself from the mundane problems of finding food, seeking warmth and defending themselves. We are, and probably we will always be in this situation. So we need to find time to continue to look for a more compelling, more rewarding and more significant reason to keep walking on the surface of this planet.


“The art of walking is a visual art where you acquire the ability to look at the world in a different way�. Wu Ming 2


A meandering the


walk through transforming workplace

The office is a type of “Lascaux Cave” where man collects the messages of his time and processes them to have more reasons and arguments rather than merely to have more money, more success or more personal fulfillment. However the most important thing is not to stand still. In the office it is far more important to move rather than remain stationary. This is why the landscape has always had a fundamental role in the creation of the office. The office gives us the sense that we are a part of an ongoing evolution.

“Walking helps us to let go of our worries and concerns and to reattach the mind with the body”. Luca Gianotti


THE WALK

WHILE WALKING THE LANDASCAPE CHANGES CONTINUOUSLY

It’s more important the walk from the entrance to the desk, or from the meeting to the next meeting.



AREAS

FOUR DISTINCT WAYS OF BEING IN THE OFFICE

1

THE CLUB

SOCIAL CONTACT & EXCHANGE

2

FREE MAN

INDIVIDUAL WORK AND TEAM WORK, SMALL MEETING ROOM

3 AGORÀ

CONFERENCE ROOM AND AUDITORIUM

4 LABORATORY

CREATIVE PROCESS & COMMUNICATION



1

THE CLUB

SOCIAL CONTACT & EXCHANGE

Where to feel like being in a hotel lobby

Where to feel like being in an airline lounge

Where to feel like being in a London club

Where to feel like being in a golf club house

Where to have a coffee

Where to wait without loosing time

Where to become unpredictable

Where to meet unpredictable people

Where to face unexpected topics

Where to exercise your capability of improvisation

Where to look for something you don’t know yet

Where to listen to private conversations

Where space is informal

Where to look to other people

Where to show yourself



1

THE CLUB

SOCIAL CONTACT & EXCHANGE

Thinking of the office not as a real but as a


estate communication platform.


2

FREE MAN

INDIVIDUAL WORK AND TEAM WORK, SMALL MEETING ROOMS ●

Where you feel like being in an urban environment

Where to be alone

Where to work within yourself

Where you are not to be disturbed

Where you don’t disturb

Where to challenge the capability of being independent

Where to explore who you really are

Where to feel protected

Where to feel isolated

Where to look for intimacy

Where intimacy becomes important

Where to meet a person in private

Where to look into somebody’s eyes

“Nothing like walking allows us to look so closely at reality”. Wu Ming 2



2

FREE MAN

INDIVIDUAL WORK AND TEAM WORK, SMALL MEETING ROOMS

The workspace must encourage and productivity demand.

The key to sucessful workspace is by giving them choices that allows


“mingling” that’s what creativity

to empower individuals control over their work environment.


3 AGORÀ

CONFERENCE ROOM AND AUDITORIUM

Where you feel like being in a theater

Where special events are organized

Where to seat and receive information and stimuli

Where to participate and exchange views

Where to participate and meet with colleagues

Where to hold a conference

Where to attend a conference

Where to talk to a public audience

Where to listen to what people say

Where to present your thoughts and ideas

Where to get to know what people think

Where to express yourself

Where to know what is changing

Where to feel a sense of community



3 AGORÀ

CONFERENCE ROOM AND AUDITORIUM

Balancing the natural rhythm with the need of private To play your role in the theatre of life.

“It is really important to plan


to collaborate concentration space.

accidental social interactions�. Sevil Peach


4 LABORATORY

CREATIVE PROCESS & COMMUNICATION

Where the environment looks like a medieval village

Where to create and to make documents

Where to create and to make 3D representations and prototypes

Where to create and to craft images

Where to create softwares and applications

Where to work with your hands

Where to do and to learn

Where to explore and invent

Where to explore the use of tools and instruments

Where to display tools and instruments

Where to display your thoughts, ideas and creations

Where everybody can be updated

Where different processes create a community



4 LABORATORY

CREATIVE PROCESS & COMMUNICATION

Shifting the focus from “where

The workplace must inspire new relationships and


work is done” to “how it is done”.

forms of engagement, recognition.


CONNECTING WITH NATURE ●

Where you place your feet on the planet

Where you hear the noise of the wildness

Where you see the seasons change

Where you feel the day passing by

Where you can be conscious about what we have

Where you recognize the beauty of the universe

Where to be bitten by mosquitos

Where to smell flowers

Where to water small plants

Where to see a seed become a tomato

Where to see the effects of hybridization

Nature doesn’t need people. People need nature.


The concept of Permaculture works very well when applied to agriculture, but it works equally well when applied to human culture. The same effect of hybridization and contamination that we see in plants and animals in uncultivated brush happens in the thought and creativity in those areas that don’t fall directly under specific disciplines or categories of knowledge, and these uncultivated spaces, though perhaps ugly to look at (I would maintain that they’re no ugly at all!), are vibrant and rich. An office could be something along these lines, a space left deliberately uncultivated in order to make the most fertile seeds germinate.


COMPLICITY WITH ART ●

Where you look for different perspectives

Where art stimulates all our senses

Where art connects past, present, future

Where art connects the natural and the technological

Where everything looks different from every point

Where art has no limits

Where art connects people

Where to challenge your imagination

“Who ever said that


pleasure wasn’t functional?” Charles Eames


THE BELVEDERE ●

Where to look at everything from an elevated point of view

Where to put things into a different perspective

Where to dream of new ideas

Where to have unexpected encounters

Where to look to afar

Where to look back to where you have come from

Where to look to where you are going



THE W

14 – 19 A Salone del Mobile

Where working is


WALK

April 2015 Fiera Milano, Rho

to look for a better life


Thank you




Project Michele De Lucchi Project director Nic Bewick Project team Davide Angeli Marco De Santi Francesco Garofoli Giovanna Latis Maddalena Molteni Greta Rosset Client Federlegno Arredo Eventi S.p.A. Location Salone del Mobile 2015, Rho Fiera, Milano Chronology 2014 - in progress


14_0654_ LA PASSEGGIATA / FEDERLEGNO ARREDO EVENTI S.P.A.


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