The Gothic Diffusion shawl stretched out to flaunt the long color transitions in the Parfait colorway of it’s a wrap Rainbow yarn.
The increases at the center point of the shawl are more gradual and help the visual lines of the pattern appear to be curved.
Knitting an obtuse isosceles triangle shawl with one cake of Rainbow Triangular shawls come in all shapes and sizes. They get their shape by adjusting the rate of increasing at the center or along the edges. The most common triangular shawl that one encounters these days is called a right isosceles triangle. This means that two sides form a 90° angle and the other two angles are each 45°.
around the edges. To rectify this, I crocheted a very easy and subtle border around the whole shawl. If you are an experienced shawl knitter, feel free to add your own built-in lace inset edgings or knitted on edgings as you see fit. This crochet edge could be reproduced in knitting with a 2-stitch i-cord, if crochet isn’t your thing.
When I saw this pink and purple skein of Red Heart it’s a wrap Rainbow gradient yarn, I knew that a shallower triangle would be just the thing to show off the long color transitions in this yarn.
The Gothic arches lace pattern is quite simple to do. You’ll notice from the photos that as you increase, new stitches are at first worked in altering garter stitch ridges and stockinette valleys until enough stitches have been added on to introduce a full pattern repeat of the Gothic arches lace. Because the rate of increase isn’t directly proportional to the multiple of stitches in the Gothic arches lace motif, the inclusion of a new full pattern repeat is different at the long edges than at the center point. To help you maneuver through this, stitch markers will be your heroes.
This shawl starts at the center of the long (almost 7¼’ [220cm]) edge. As you knit, you increase dramatically on each edge, add stitches at the center point at a much slower rate.
Some notes on the pattern
The full pattern follows this article, but there are a few key elements that I’d like to highlight. The long edge increases happen very quickly, which produces a border that’s literally a little rough 34
KNITmuch | issue 11
