KNITmuch | Issue 11

Page 40

Knit Together

with Cynthia MacDougall

Patterns of Yore I’m a person who values links to the past. For years, I participated in American Civil War era reenactments where I educated people about domestic arts of the period: knitting, quilting, embroidery, and spinning. Knitting patterns were scarce in the 1860s and those that were available were lacking, at best. Authors assumed that the reader had a full grasp of knitting concepts.

The advantages and disadvantages of full-text and abbreviated text patterns can be seen in the following example:

In general, old knitting patterns offer us a link to our past, but they are often difficult to interpret. It’s not surprising – times change. After all, one wouldn’t expect a videogaming 16 year-old to know how to hitch a horse to a wagon!

Cast on 7 sts. Sl 1, k3, k2tog, yo, k1.

Written knitting patterns are actually a fairly recent innovation. Evidence exists of written knitting instructions as early as 1655; however, the first mass-produced volumes appeared in the mid-1800s. Prior to that time, patterns were passed along via knitted samples or by memorizing another knitter’s work. Today, many knitters lament the lack of standardized chart symbols, however, early knitting books lacked standardized instructions, let alone standard abbreviations. Patterns seldom gave needle size, knitting tension, or even garment measurements! The earliest knitting instructions were given in full text, without abbreviations. This was advantageous in that it reduced the chance for errors in typesetting and for misinterpretation of the pattern by the reader. It was detrimental in that full text patterns are tedious to read and take up a lot of page space.

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KNITmuch | issue 11

Full text instruction Cast on seven stitches, slip the first stitch, knit three stitches, knit two stitches together, bring the yarn forward, knit one. versus its abbreviated version Abbreviations make it possible to absorb several steps at once. This reduces the number of times the knitter needs to refer to the pattern. Abbreviations vary from region to region. The abbreviation for wool forward (Wl. fwd.) in Canadian patterns is listed as “c” for ‘cast up’ in Shetland notation. Abbreviations vary over time, as well. Victorian patterns would abbreviate decreases simply as “N” for narrow, whereas Shetlanders used “T” for “together,” and mid-20th century knitting books used the more explicit “k2tog.” When designers started to show directional decreases in their patterns, more descriptive instructions for making a fabric ‘narrow’ became common. Yarn manufacture and terminology also vary over time and region. Pattern writing was further complicated by the fact that knit and purl were known by different names. Knit was usually described as plain or knit, but was occasionally given other descriptors. Purl is variously cited as pearl, purl, back, turned stitch, knotted stitch, or seam stitch.

British knitting author Jane Gaugain is believed to be the first to use abbreviations in knitting. Despite her effort, abbreviations did not become popular until several decades later, near the end of the nineteenth century. Patterns of this era rarely listed tension or needle sizes. Even if needle sizes were listed, they remain a mystery, because there were as many as four systems in use for sizing needles. Nevertheless, any sock knitter will deduce that a baby sock with 98 stitches, using Number 40 crochet cotton and number 24 needles will be very fine knitting. Weldon’s Practical Needlework (first published in the 1880s) notes that, at that time, patterns were published by thread companies whose primary goal was to sell their threads. Weldon’s was unique in that they did not sell yarn or threads; their stock-in-trade was pattern printing. According to Jean Sowerby, author of Victorian Lace Today, Weldon’s “set the standard” for pattern writing style from the mid-1800s to the early twentieth century. Butterick, the sewing company, followed soon after, with The Art of Knitting, first published in 1892. Both publications offered basic knitting instruction and patterns. Interweave Press produced facsimile editions of the Weldon’s leaflets in a series of volumes beginning in 1999. The Weldon’s leaflets included a variety of crafts, including crochet, macramé, and ironwork. Piper Publishing released a facsimile reproduction of The Art of Knitting in 2003. It is solely devoted to knitting.


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Articles inside

Patterns of Yore

5min
pages 40-41

1 cake of Red Heart it’s a wrap Rainbow knits up the Gothic Diffusion shawl

8min
pages 36-38

Knitting an obtuse isosceles triangle shawl with one cake of Rainbow

3min
pages 34-35

Fearless Knitting: Steeking

4min
page 44

Deciphering Vintage Knitting Patterns

5min
pages 42-43

Use cross-fading gradient yarns to knit a quick project

3min
pages 32-33

Easy knit late summer stole – perfect – using Red Heart Croquette yarn

3min
pages 30-31

German Short Rows make socks look great

4min
pages 22-23

Red Heart Croquette yarn knits into a vibrant hair scrunchie

3min
pages 28-29

Knitting a rolled ribbing neckline

3min
page 26

Knitting a top-down baby sweater in Wacki Saki – 1 ball

4min
pages 24-25

One sock yarn, many gauges

2min
page 21

Final thoughts about knitting with Angora Lace yarn

2min
pages 18-19

Wacki Saki, not only a sock yarn

1min
page 20

How a yarn’s characteristics influence the look of a knitted pattern

2min
page 17

Yarn Over with Be Wool add a stitch and a little magic

2min
page 11

A perfect ending to a perfect weekend of knitting with Be Wool

3min
pages 12-13

The joy of knitting with big yarn and big needles

3min
pages 9-10

Why working the cables on the Syrah Cowl in Angora Lace is so yummy

1min
page 16

Knitting the perfect invisible circular cast on

1min
page 8

Big yarn + big needles = 1 big and cozy knitted spiral rug

3min
pages 6-7

Syrah Cowl, swatching for gauge and casting on

3min
page 15

Angora Lace unique fingering weight yarn, perfect for Syrah Cowl

2min
page 14
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