BA show catalogue 2011

ARCHITECTURE2011 BA \ DIPLOMA XIIa

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SCHOOL OF ART & DESIGN

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CLASS OF 2011 BA(HONS) Ia

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ARCHITECTURE

BA2011

LAURA.ANDERSON

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Information:

Feature Project

The picture on the left shows my building from the graving dock.

The graving dock will be filled with machinery where people who visit the building will be able to walk between. I wanted to create a contrast between the two walls, with one representing the engineers and firemen’s experience onboard the ship, and the other wall representing the passengers. The main materials I used in my design are concrete, glass and metal.

Right: Ground floor plan of my building

Right: Drawing of interior space.

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Left: One of my development models trying out different materials.

This one was made from concrete.

Influences Le Corbusier Zara Hadid laura.a_89@hotmail.co.uk

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ARCHITECTURE JACOB.ANSLOW

BA2011

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Left: Conceptual studies illustrating the way we experience time within the modern city.

Feature Project

Right: Key internal images of main spaces within the building.

Model illustrating the main space, Quantum Clock Tower, within the building.

Information: A horology centre which allows the study of time to continue and allow advancements in technology and science to progress. A series of powerful spaces will give the public an altered view and experience of time.

The progression in time keeping over thousands of years has led to an ever controlled and structured society. The Threshold between Objective time and Subjective time has been lost.

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Influences Calatrava Foster Rogers Email: jacob77@hotmail.co.uk Website: http://www.student.ljmu.ac.uk/lsajansl/

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ARCHITECTURE MATT.ARNOLD

BA2011

“I call Architecture frozen music”, Johann Wolfgang von Goethe

Feature Project

(Clockwise from left) Structural Concept Model, Plans, Sections, Keymoves & Elevations

Information: ‘The Story House’ is in essence a nomadic repository for the distinct set of stories a city possess. Built upon a barge it was intended for the space to behave uniquely at each city location -representative of the unique stories a city poses.

Arising from this came the idea how the tidal changes at each coastal city could organically animate elements of the structure. A playful relationship occurs between the architecture and storytelling that dramatizes the experience for the occupants.

Influences Santiago Calatrava Peter Eisenman marnold86@hotmail.co.uk

ARCHITECTURE

JOSHUA.BARLOW

BA2011

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Feature Project

Ugliness is something that resides within almost all instances. It is so easily achieved but so difficult to avoid.

Architecture is one discipline which is fraught with ugliness.

The project explores the ugly side of beauty, exposing utilitarian supermarket as the leader. The aim is to ultimately alter the typology of a supermarket, illustrating how change can be implicated and how possibly something beautiful can emerge from a now unsightly process.

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Influences Marrakech San Gimignano josh_644871@hotmail.co.uk

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ARCHITECTURE NICOLA.BARNES

BA2011

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“ Architecture begins when you place two bricks carefully together” Mies Van der Rohe

The building focuses on the typical rib structure seen in ship construction, also combined with contemporary glass and corten steel.

Feature Project

The Titanic was one of the greatest ships of its time, taking influences from this iconic ship I created a multi purpose building that explores the history of ship construction. This structure is situated adjacent to the Maritime Museum, taking pride of place on Liverpool’s dockland.

These images are taken from my CDP project capturing the main theme of the buiolding.

It is designed to combine ship deconstruction, artist workshops and public galleries as well as the Liverpool school of art and design.

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Influences Mies Van der Rohe Le Corbusier Bernard Tschumi N.A.Barnes@hotmail.co.uk

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ARCHITECTURE DION.BARRETT

BA2011

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Feature Project

Centro de producción en alta mar

Top: Floating community Left: Salmon gutting station Right: Barge Dwelling

Despite the attempts of leading politicians, scientists and engineers to slow down and reverse the effects human activity has had on the planet, the previous ‘out of sight, out of mind’ mentality towards global warning had strained the earth too an irreversible extent. By 2060 a third of Greenland and half of the West Antarctic ice sheet had collapsed. Small island countries such as Cuba were inevitably hit the worst; my project set in 2060 shows the design solutions to the rising sea level.

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Influences BLDG Blog The Funambulist Agi Pakarani Tadao ando Barrett.Dion@gmail.com

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ARCHITECTURE MARY.BECK

BA2011

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“Contemporaries appreciate the person rather than their merit, posterity will regard the merit rather than the person.”

Colton, Charles Caleb Left: Section and West elevation from CDP Insidious project.Right: Internal images from the book repository project.

Feature Project

Existence is simply the presence of time and memory, each persons brain allows one to think, communicate and create memories. However is that to say when one ages and begins to forget that existence is also negligible. For many in todays society dementia and Alzheimer’s is a prominent issue causing the gradual decay of a persons mind. This project is designed around integration, community and protection of the sufferer and their carer, giving both back their freedom..

Right: Internal image of courtyard from CDP. Below: Concept model show insidious degradation.

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Influences Richard Rogers Capability Brown Santiago Calatrava maryeleanor49@gmail.com

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ARCHITECTURE

BA2011

KATHERINE.BERKS

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“A building is a string of events belonging together� Chris Fawcett

Information:

The feature project shows examples of my work produced for my Comprehensive Design Project .

The brief was to design a gallery of mythological artefacts from the HMS Titanic.

The building I designed is a pier stretching out into the River Mersey from the Albert Dock

As I am now nearing the end of my Architecture degree I have tried to show a range of my work from my entire experience at John Moores University with the Comprehensive Design Project (CDP) displaying my progression.

Feature Project

Feature Project

The images below and to the right are from The Precious Book Repository project.

My final design was a concrete building that stored Diaries and work of an artist and Diarist.

The final design for the CDP were steel frame, copper clad archive spaces breaking off from a pier on the River Mersey. Along with archives were exhibition areas for the display of artefacts recovered from different British shipwrecks.

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Influences Filippo Brunelleschi Le Corbusier David Adjaye kaob23@googlemail.com

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ARCHITECTURE

BA2011

REBECCA.BOWKER

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“Form and function should be one, joined in a spiritual union.

Frank Lloyd Wright

Right: Section through retreat showing the spine basalt wall in the central courtyard.

Feature Project

Time is acknowledged as passing by the brain, and remembered by the mind and its memory. The history of our race is written in books; eternally imprinted in the earth. ‘Our’ history is written in our minds and imprinted in our memories to re-discovered and re-interpreted. Like in history, the proceses of our minds have ‘presences and absences’. The absences in our minds are unprocessed thoughts. Dreams are used to fill the absences in our memories.

Right: Views into internal courtyard of the retreat and one of the individually designed sleeping spaces.

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Influences Frank Lloyd Wright Henry Moore Barbara Hepworth rebeccajaynebowker@hotmail.com

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ARCHITECTURE GREG.BRICE

BA2011

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“It’s not what you do, it’s the way that you do it” morel Rowlinson

The right image is an interior of my key space. You can see the model test basin and viewing pods that overlook the space.

Feature Project

I propose a Naval Architecture School. The school focuses around a model test basin and cavitation tunnel. These form the heart of the building and a basis from which the design evolved around. From a large part of the building the model test basin or cavitation tunnel can be seen, and must always be crossed when moving around the building. This keeps the focus of the building at the forefront. A constant reminder of the testing neccessity throught.

The two images below are concept images about hierarchical space.

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Influences Daniel Libeskind Tadao Ando Rem Koolhaas gbricex4@hotmail.co.uk

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ARCHITECTURE CARL.CHALLINOR

BA2011

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“Architecture is the reaching out for the truth” Louis Kahn

Image left: elevation of the CDP shipbreaking facility showing timber facade.

Image right: elevation of the precious book repository showing concrete exterior.

My CDP project ‘Deconstructive Teaching’ was inspired by the history of Liverpool and its naval heritage. The design sought to rectify the problems faced by workers of the shipbreaking industry in third world countries such as Bangladesh.

Feature Project

Image far left: key space within the CDP project where the public experience the feeling of being inside a broken ship.

Image right: the ‘scientific baptism’ within my precious book repository.

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Image left: abstract section through my precious book repository.

Influences Louis Kahn Frank Lloyd-Wright c-challinor@live.co.uk

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ARCHITECTURE EMMA.DAWSON

BA2011

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CDP PROJECTThe idea was based on preliminary research of protocells and metabolic materials. This then took me onto researching biotechnology and the use of algae. The project is a ‘maggies Centre’ for breast cancer on the River Thames. The algae would be grown on site and used as medicine to treat breast cancer without the damaging effects of chemotherapy.

Feature Project

Internal images, plans and sections.

Internals capture the essence of the project and the idea I was aiming to get across.

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Influences Zaha Hadid Biotechnology Protocell Architecture VIIIg

Emma.J.Dawson8@gmail.com

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ARCHITECTURE CHRIS.DOVE

BA2011

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“Think the unimaginable.�

-Cedric Price

Feature Project

Standing On The Cast Iron Shore.

The project looked at Titanic in its uncompleted, fragmented state, and began to explore how objects in their construction phase speak a different language to that of the completed.

The structure would protect relics of a lost macro technology of the titanic but house a future equivalent of this technology, tidal stream generators, to harvest energy from the river, and reflect how cutting edge the technology used in Titanic was for the time.

The intervention, cuts through the abandonned Princes Landing Stage on the River Mersey, drawing up a language between the contrast of old and new in the site as well as the program.

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Influences Cedric Price Richard Rogers N.A.T.O. 89dove@gmail.com

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ARCHITECTURE ANNA.DRAKES

BA2011

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“Design is not for philosophy it’s for life” Issey Miyake

Left: At night, through the mesh Right: Section through elevated public square

Feature Project

re(Fashion) Factory The planet is entering into a new era where the need for sustainable living will overtake the desire for fast paced consumption.

In my project I will attempt to create a business for the future, outside the cycle of globalisation and un-sustainability. In the future we must learn to cater to the consumer outside of our consumerist culture, we must make goods : that last that are beautiful that are recycled that are recyclable.

Left: Internal study of factory floors Right: Cut away section of factory with fabric drying space

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Influences Louis Kahn Issey Miyake Patrick Heron anna_drakes6@hotmail.com

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ARCHITECTURE

BA2011

ELIZABETH.EDWARDS

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Left is a photography of a concept model based on a timeline, right is a hand drawn conceptual section.

Feature Project

“2 Hours and 40 Minutes” is the current project. The brief was to design a gallery for artifacts found at the wreck of the Titanic commissioned by Liverpool Maritime Museum.

The design is developed from a timeline drawn of each event from the night of the disaster.

Seven were chosen specifically to design the seven interior spaces in order to recreate the atmostphere of the night of the disaster through use of materials and exposure to the nature of the River Mersey.

Axonometric and hand drawn site plan from “A Precious Book Repository” project, first semester of third year.

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Influences Lebbeus Woods Constant Nieuwenhuys efe.lib@gmail.com

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ARCHITECTURE ASHLEY.FRANKLIN

BA2011

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RHYTHM OF THE RIVER CRABS

To understand the true genus loci of Liverpool, one is to return to its roots as a port and wander the derelict edge of the city. . . .

Our city has become one of the masses, generic in its urban fabric and formation and afraid of its own identity and individuality.

Feature Project

The crabs that populate the edge of our city and the River Mersey are acutely tuned to the irregularity of the River and the Lunar Development of time. Chronobiologists are studying these creatures in search of cures for diseases and illnesses brought on by the pressure of the modern city. The project is to create a building which ensures the healthy population of crabs whilst transferring them into a controlled environment in which they can be studied under laboratory conditions.

The design centres around bringing scientist, students and the public together on routes of varying permeability creating the unexpected conjunctions which derelictions has brought to the docklands.

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Influences Richard Rogers Frank Lloyd Wright AshleyFranklin@mac.com

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ARCHITECTURE ROSS.HARRISON

BA2011

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“Simplicity is the ultimate sophistication�

Leonardo da Vinci

The project aimed at giving a sense of dislocation from the outside.

Rational exterior, irrational interior.

Information:

Feature Project

This project began with the idea that time is not a linear element.

That it is splintered and has various lines of time existing together, inducing the idea of parallel worlds.

The building looks to teach both students and the public about the idea of parallel worlds, and how that idea has its roots firmly bedded in quantum physics.

The spaces within rotate and disorientate, as though they were passing through different worlds.

The section and materials rotate to give a disorientating effect to the public trying to comprehend the subject.

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Influences Steven Holl Tadao Ando Peter Zumthor rossharrison89@gmail.com

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ARCHITECTURE

BA2011

ELIZABETH.JONES

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“...from verbal nuances to mind expanding imaginative leaps.”

Carol Ann Duffy right: montaged site map

left: exploration of extruding pattern cut elements from earth

Penthesilea

The ambition of this project is to create a space where women will feel emancipated from the shackles of a tyrannical regime of self-deprecation imposed by a media-driven, image obsessed society.

Through the creative works of garment design and pattern cutting, journalism and book binding, creative writing and drama women will be inspired by the work of their sisters in an environment that will be a forum for the spread of positive feminist propaganda. left: thresholds collage below: modelling pattern cut elements as architectural planes

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Influences Eleanor Rathbone Eduardo Souto de Moura Rietveld Schröder House elizabethfjones@hotmail.com

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ARCHITECTURE

BA2011

VIOLA.KRECZMER

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“Everything you can imagine is real”, Picasso

An Urban Place of Passion Specialist Coffee Shop

Immigration Gallery The purpose of this project was to design a new gallery commissioned by Merseyside Maritime Museum.

The Immigration Gallery is dedicated to lost souls of Titanic immigrants and immigrants coming to Liverpool to get to America.

Feature Project

The gallery is also dedicated to this who came to Liverpool and never made they way anywhere else; they stayed here and became a part of this city.

Place for a Storyteller

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Influences Jean Nouvel Libeskind Rogers v.kreczmer@gmail.com

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ARCHITECTURE CRAIG.MITCHELL

BA2011

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Feature Project

"where resources and expertise are scarce, innovative, collaborative design can make a difference."

This comprehensive design project, ‘BEMANTi’ developed from the global online TED talks that discuss world issues surrounding us today. A lecture from Cameron Sinclair on humanitarian aid in places like Haiti, Australia, Africa and more recent Japan, really provoked my thematic vision to create an architectural strategy. My program is located in Lubui, in Swaziland that suffers from two very extreme weather conditions. The location is an ideal test bed to help rebuild the lives of a community and to delve into local solutions and encourage an open source architectural response in conjunction with a sustainable design program behind a architectural network.

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Influences Tadao Ando Steven Holl Richard Rodgers Craig7mitchell@hotmail.co.uk

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ARCHITECTURE

Feature Project

LAURA.MORAN

BA2011 “ So much has been said and written about the Titanic since her disastrous maiden voyage in 1912 that is now often very difficult to distinguish fact from fiction, reality from fantasy.�

-Dr Alan Scarth

Over time, the originality of a story may become obscured, whether they are exaggerated for newspaper headline purposes, or simply because the finer details of the account are lost over the years. This can be proved with the tragic sinking of the Titanic on 14th April 1912 as many accounts were taken, some clearly true, some emphasised and some a fabrication. Having a connection to these stories potentially helps to understand the passengers experiences.

Influences Daniel Libeskind Mario Botta Peter Eisenman laura.moran@hotmail.co.uk

ARCHITECTURE

Feature Project

LAUREN.OGARA

BA2011

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“All fine architectural values are human values, else not valuable. “ Frank Lloyd Wright

1503 effectuate_equanimity Key structure in the overall architecture is high in proportion to its lateral dimensions forming a vertical gallery devoted to the 1503 victims of RMS Titanic.

An open edifice encompasses the gallery. Its purpose is for reflection by those are lost in their own tragedies - tragedy is tragedy to the individual who experiences it. The site, Salthouse dock is the inter land between water and city, the structure stands tall on the old stand line like a lookout to ‘save lives at sea’ and a beacon of hope for the people of the city.

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Influences Carlo Scarpa Louis Kahn Diller Scofidio + Renfro laureneogara@yahoo.ie

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ARCHITECTURE KRUPAL.PATEL

BA2011

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“I have been impressed with the urgency of doing. Knowing is not enough; we must apply. Being willing is not enough; we must do.�, Leonardo Da Vinci The Prescious Book Repository: A library for undecipherable, untranslated books

Migrating Biotope: the catalyst

Feature Project

A proposal of a contemporary exodus in preparation for escalating populations, ominous changes in sea levels and the declining health of ecological systems.

This project introduced a catalyst upon the River Mersey which would initiate an eventual migration and inhabitation of the water. It proposed a structure which accommodates the resourcing, processing and trade of a future alternative staple food- salmon fish oil flour.

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Metaboilc City: Architecture in service of selfsustainability. collecting the energy of the city.

Influences morphosis tadao ando bernard tschumi patelkrupal3@aol.com

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ARCHITECTURE

BA2011

WILLIAM.SALGADO

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“Architecture is to make us know and remember who we are�, Sir Geoffrey Jellicoe

Tai Chi Project (left).

A canopy structure which enhances the act of practising Tai Chi and is also a place for relaxation.

Titanic Project (Feature Project)

Feature Project

An exhibition space dedicated to the Titanic in which the people can experience and learn from the disaster from another point of view. Morse code had a huge influence in the demise of the Titanic and it also saved hundreds of lives. The design of the building is influenced by the communication in Morse code after the ship hit the iceberg in which each part of the building symbolises a key moment in the disaster.

P.B.R. Project (right) An underground museum to honour the heroes of WW1 and a place to celebrate Remembrance Day.

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Influences Santiago Calatrava Le Corbusier Tadao Ando willsalgado140@hotmail.co.uk

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ARCHITECTURE

BA2011

ADAM.SARGEANT

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Investigat[ography]

The architecture exists as the original dock wall form, therefore surrounded by water. A sense of drama, isolation.

The truth is what we pursue, The vulnerable, we preserve, The freedom, we behold, To become stronger, we unite

Feature Project

The journalists are situated on the lowest level, as a response to the idea of secrecy.

Their existance is camouflaged.

Fight..

To be a photojournalist, We are that pursuit That preservation Beholding and uniting We are that fight.

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Influences Photojournalism 9/11 conspiracies Liverpool dock forms adamsargeant@tiscali.co.uk

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ARCHITECTURE ANDREW.SMITH

BA2011

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Persist, Perpetuate, Prevail.

Deconstruction of form, Dockland materiality and Site respectfulness set the inspiration for the Project ‘Titanic’.

Feature Project

Using Titanic’s organic manipulation of her form during her sinking combined with the repetition of her lower Boiler room spaces and class separation, created the foundations of the buildings thematic. By Reoccupying the Canning Dock to become the main exhibition space and elevating the upper floors of the building created a key space invisible to the above, setting the thematic of the Black Gangs work, powerfully, through the combination of architecture, exhibition, and maritime aesthetic.

Above: Elevation, Concepts Models & Interiors.

Adjacent: Floor Plan & Thematic model ‘Deconstruction’

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Influences Zaha Hadid Sami Rintala Frank Gehry Andrewsmith1989@live.com

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ARCHITECTURE NIC.SMITH

BA2011

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“The speed of change makes you wonder what will become of architecture.� Tadao Ando Wall of Seperation As a design concept for my CDP project I traced the change in the site from pre and post World War II

Urban Conflict

Feature Project

The exhibition space is about how conflict changes and the destruction it causes not only physically but mentally. My design revolves around a wall of seperation between society and veterans of war and how the site changes due to bomb damage.

Post Traummatic Stress is something which is overlooked in society and needs to be addressed not ignored.

Lewis Carroll: Labyrinth. The idea was to create the story of Alice in Wonderland, the key book stored within

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Influences Tadao Ando Rem Koolhaus Daniel Libeskind nicsmith1990@yahoo.co.uk

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ARCHITECTURE

BA HONS 2011

Feature Project

NICHOLAS.STEELE

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Bird Sanctuary

The projects ambition is to design and explore an intervention situated within a barren natural landscape, conserving and protecting both the resident plant and animal life whilst not diminishing vistas of the expansive scenery. The architecture will inform and educate both children and adults about climate change and migratory patterns of birds on both a local and global scale, whilst providing an insight into the processes of monitoring and documenting migration.

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Influences

Tadao Ando N.A.T.O. Peter Zumthor

Contact Nicholas_Steele@hotmail.co.uk

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ARCHITECTURE MATTHEW.SWIFT

BA2011

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This image and the one running along the bottom are of my 1st semester project. They represent different ways of learning through reading.

Information: This is a Photomontage from my second semester in third year. Here I have combined a photograph of a ship wreck, taken whilst I was diving, with the stern of Titanic.

This forms a powerful but eerie image that represents the Lost souls of the Titanic.

The image to the left is an axonometric of the art and design academy. Installed on the top floor balcony, is a Tai Chi performance space.

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Influences Le Corbusier Daniel Libeskind Lebbeus Woods matt_swift2@hotmail.com

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ARCHITECTURE STEVEN.THORPE

BA2011

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“If someone says can’t, that shows you what to do”, John Cage

Precious Book Repository (left) Sensory Augmentation (below and right).

Promoting new ways of experiencing music through architectural space.

Feature Project

With the deterioration of hearing in youths becoming a common occurrence within society, investigation into new and diverse ways of appreciating sound has to be undertaken.

Sensory Augmentation, Architecture that engages with alternative sensory models to attenuate the senses of the entire demographic.

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Influences John Cage Brian Wilson ste_thorpe@hotmail.com

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ARCHITECTURE

BA2011

MEN-YEUT.WONG

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“Why does the eye see a thing more clearly in dreams than the imagination when awake?”

-Leonardo da Vinci

Feature Project

Information: An interest in the effects of climate change led me to research on how we as a population could adapt to these situations that we will inevitably be facing. I have been influenced to look at extreme ways to help us adjust to this new environment. In my vision I am providing a proposal for a defence system for the city of London as well as inhabitable walls integrated with transport and power harvesting.

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Influences Boullée & Ledoux Lebbeus Woods Buckminster-Fuller menyeut@hotmail.co.uk

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ARCHITECTURE

BA2011

JONATHAN.WOODWARD

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Feature Project

Information: The actuality of the counterweight is realised in its potential, and its mass. The space (interval) of its movement is occupied by potential. Architecture must treat space as potential and not void.

Material presence is the secondary occupation of space (capacity). Materials must be selected to be felt in space and from across space (volume). Or for the avoidance of saturation they must be chosen not to occupy space in replacement of other potentials (mass,lightness,etc).

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Influences:

Peter Zumthor Rafael Moneo John Pawson

JonathanWoodward@hotmail.com

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STUDIO.STAFF 2011 BA (HONS) Ia

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ROB.MACDONALD GLADYS.MASEY.MARTINEZ KEVIN.SHIELDS CHARLIE.SMITH

GUEST.CRITICS GARY.BROWN JIM.DYSON DANIEL.GIBSON ROBERT.HOPKINS CHRIS.JACKSON GRAHAM.LEWIS NIGEL.SAUNDERS

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DIPLOMA

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PHILIP.LO TREVOR.SKEMPTON CHARLIE.SMITH DOMINIC.WILKINSON IAN.WROOT

GUEST.CRITICS ROB.BURNS BEN.COHEN NICK.COLLEDGE MARK.JOYNSON CHRIS.LYDON

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ART & DESIGN ACADEMY \ 2 DUCKINFIELD STREET \ LIVERPOOL \ L3 5RD

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