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THE GLASGOW MILE REPORT | DAWID MITURSKI | WILLIAM LEWIS | JACOB YATES
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THE CULTURAL CITY
Figure 11: Glasgow capital logo
GLASGOW CULTURAL CAPITAL OF EUROPE 1990 In this instance culture can be defined as all the ways of life including ARTS, BELIEFS AND INSTITUTIONS OF A POPULATION that are passed down from generation to generation. Culture has been called “the way of life for an entire society. The city fought off 8 UK cities including Edinburgh to become the countries first European Capital of Culture. Similar to the effect it had on Liverpool in 2008 the city received mass investment, regenerating Glasgow forever and became
Figure 12: Scotish people celebrating
Figure 13: Another festival
a tourist destination. Over the course of the event 8.3 MILLION PEOPLE VISITED THE CITY and saw a 32 PER CENT JUMP IN THEATRE/CONCERT PERFORMANCES than in 1989 and a 40 PERCENT JUMP IN ATTENDANCE AT THEATRES, HALLS, MUSEUMS AND GALLERIES. The city proved that cultural and arts led regeneration can work but this is needed. Thirty plus years later Glasgow is home to over 100 cultural organisations and in 2019 was listed as a top creative and cultural hub in the UK by the European commission. The legacy of the event has shown that the city can host other major events such as the 2014 common wealth games and COP26 in 2021.
The catalyst for Glasgow being the European capital of culture was the event the city hosted 2 years prior. This was called the GLASGOW GARDEN FESTIVAL and was held in festival park that is located South-side of the Clyde. The event proved that Glasgow could hold a large scale festival which ran for 5 MONTHS and had a total of 4.3 MILLION VISITORS. It drew more guests than any other garden festivals in the UK. The festival included art venues, roller coasters, stalls and other adventurous attractions. Glasgow Garden Festival was the start of the cities culturally led regeneration which still needs to be improved to this date. Figure 14: Big festival along the river
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URBAN TEXTURES
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Figure 9: Old photo of a local merchant
THE BARRAS A TREASURE THATS LOST IT’S CHARM Maggie McIver founded the market in 1921 and was considered a savvy businesswoman as she put roofs on the stalls in 1926 so it could open during rainy days. The market was said to be a place where you could get ‘anything from a needle to an anchor’. Maggie also owned the Barrowland Ballroom which was created to host an annual bash when they were kicked out of St Mungo’s Hall.
Figure 10: Old photo depicting the popularity of the barras market
BILLY CONNOLLY A FAMOUS GLASWEGIAN COMEDIAN SPOKE ON THE BARRAS IN 1986. HE SPOKE ON THE IMPORTANCE OF THE MARKET TO HIS CAREER I remember The Barras as a good place, There were men who did things, tricks and guys that would give you tips for the races. It was a medieval fairground almost. There was a guy called Bennet and he was the reason I became a comedian. He sold dinner sets but he was incredibly funny, he would throw pens at you and shout a grunion for a fenian. (which relates to Celtic Football Club) He one day gave me a sandwich, that was the day I became a comedian.
Tom Joyes who manages the Ballroom says the same delicate balance is needed in the market: preserving the best of the past and the history while also modernising. The established traders like Jackie Polson, of the Magpie Café at the Barras, talk about the need to preserve the area. “We see the Barras as a national treasure, a heritage site, and feel very strongly that this area should be treated as such,” is her view. “It’s about keeping the Barras alive.” The question is how?
Having once been an extremely influential and busy part of the area the Barras is now only open on weekends where it struggles to encourage visitors as they favour the more developed East. Students around the Barras are unaware of its existence as popular pedestrian routes take you around the space rather than through it on the way to Glasgow green or into the city centre.
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CONCEPT IMAGE The purpose of this concept image is to give an understanding of the energy and vibrancy created along the high line as well as the support and enphasism on the cultural and creative heritage within the city. The start of the journey is represented by Saint Mungo on his horse on the way to found Glasgow. Each strip represents a site and reads from left to right. Site one, the start of the journey features a museum and introduces the history of the area and start of active travel through bike rentals. Site 2, focuses on the artistic talent and culture of the area creating a buzz for artistic innovation studios and a sculpture garden at street level and a gallery under the rail. Site 3, is all about the performing arts with venues, theatres and a dance school. on top of this there is a creation cores used to prepare for large events and store futures displays for the museum and sculpture garden. These sculptures and attractions are then lifted onto the high-line via a crane before being transported to their rightful place. Site 4, moving over the city union bridge site 4 focuses on music and comedy with the creation of venues and music shops/schools.
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THE CULTURAL CITY STREET ART Street art is very prominent around the city with dedicated murals giving life to bland façades. The council has noted the importance of this by hiring artists to create these masterpieces. Due to the vast number of these murals a street art trail has been set up highlighting all the locations and artists. “One of the most important reasons why street art is an essential part of a city is because it stands for FREEDOM AND CREATIVITY. It is through art that we get to communicate our ideas, to express our emotions, and to effectively connect with others. Therefore, a city that is rich in street art can be seen as AN ACTIVE, FREE, AND CREATIVE CITY” (Darnell Technical Services) By having a large concentration of art work in one area a new trail could be set up increasing footfall for any new future developments.
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CREATE A PEDESTRIANISED CORRIDOR THROUGH THE CITY
INCREASED FOOTFALL AND INVESTMENT TO THE BARRAS AREA
INCREASED GREEN SPACES THROUGHOUT CITY CENTRE
Create a clear pedestrianised route through the venues, markets, theatres and galleries in the city to define a clear walk able path and improve how complimentary uses interact and reinforce/strengthen existing culture.
Re-use the existing urban fabric to create a series of walk able public spaces through the city centre.
The Barras area currently has a £27 million plan to rejuvenate it’s previous vibrancy however it is still disconnected from the city centre to the West.
The Glasgow Strategic Development Framework outlined the importance of connected green and public space to improve the overall walk ability of the city.
PEDESTRIAN FAVOURING CONNECTION ACROSS RIVER
IMPROVE WALK ABILITY ACROSS CITY
PROTECT AND EMPHASIZE EXISTING STREET ART
EMPHASISED CULTURAL AND MUSICAL REGENERATION
Solve the issue of poor pedestrian connection between the North and South of The River Clyde reconnecting businesses in the South to the prosperous North.
Create a direct pedestrianised route through the city to improve overall walk ability allowing movement through the city at the human scale.
Protect and encourage street art and performances throughout Glasgow to reintroduce the vibrancy the city once boasted.
Manufacture a creative core to support independent businesses and professionals looking to establish themselves, furthering the existing cultural/musical heritage.
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DESIGN INTENT
CONNECTING VENUES/ PERFORMANCE SPACES
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INITIAL RESPONSE CURRENT SITE CONDITIONS From the site analysis we were able to notice a disconnection of culture across the city and across the river as well as a disused railway that runs through the middle. The disused railway comes with an opportunity to drastically improve overall connectivity via active travel across the entire city. This not only increases connection between cultural buildings allowing them to symbiotically benefit off each other; it is also an advantage for anything in the vicinity that relies on footfall. Following the Glasgow Strategic Framework, the Glasgow council stress the importance of proposals improving the public realm and re-developing neglected /grey space. These spaces are scattered along the railway allowing and offering an ideal opportunity for improvement.
-Disused rail way -Cultural buildings
-Key Cultural buildings
-Routes from site to key areas
-Key views
-Derelict/unoccupied land
-Routes to site from key areas
-Derelict/unoccupied land chosen as site
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FRONTAGE QUALITY
INITIAL RESPONSE
EARLY ZONING
CURRENT SITE CONDITIONS The Glasgow Strategic framework stresses the importance of improving existing buildings and emphasising the existing heritage of the city. This is realised within the scheme by utilising existing buildings across the site to bring people onto the rail. The buildings become dual aspect serving pedestrians at street level and along the rail. The rail has not been occupied since the 1990’s, building faces overlooking have become derelict as they are not seen. Glasgow has a rich street art heritage, The Glasgow mile proposes utilising these building faces as large canvases that tell the story of the city as you move along the high line. Local artists will be give a building face each and a moment in the cities history to represent thus creating an educational journey through time. Arches along the rail are currently unused and derelict, the project re-purposes these into frontages, cultural buildings and passageways.
-Mural frontages
-Retained frontages
-Existing buildings that interact at high line level
DEVELOPMENT OPPORTUNITIES
IN-USE RAILWAY
ACTIVE GREEN SPACE
PEDESTRIANISED RAILWAY
KINETIC OPPORTUNITY
PERFORMANCE SPACE
MARKET SPACE
PUBLIC SPACE
PEDESTRIAN TO & FROM
-Reclaimed frontages
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-IMPLIED JOURNEY START POINT
-GREEN WALKWAY
-SHORT STAY RESIDENCY
-CYCLE ROUTE
-MARKET SPACE
-PEDESTRIANISED ROUTE
-BIKE RENTAL
-PROPOSED LEVEL CHANGE BETWEEN PEDESTRIAN WALKWAY AND STREET
-SMALL INDEPENDENT BUSINESSES
INITIAL RESPONSE PROPOSAL OUTLINE
-LARGER SCALE ONE OFF ART DISPLAYS -CREATIVE CORE -LARGER SCALE ONE OFF PERFORMANCES -EATERY -MARKET SPACE -PERFORMANCE CORE -LARGER SCALE ONE OFF MUSIC EVENTS -BARS -MUSIC CORE
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INITIAL RESPONSE PRECEDENTS To help inspire the design it is always beneficial to look at a variety of projects that are trying to achieve to similar aims. In this case the New York High-Line seemed very relevant to the current project. This is due to the development of a large piece of unused infrastructure into a large linear park that greens one of the densest cities in the world. Superkilen park is also relevant due to its emphasis on active travel as it provides a cycle route and prioritises pedestrians throughout the scheme. Victoria street successfully creates two streets on different levels leading to tiers of active fronts bringing life above and below.
Figure 20: South bridge Edinburgh
VICTORIA STREET, EDINBURGH Victoria Street is one of Edinburgh’s most recognisable and picturesque locations, its elegant curve graced by a series of colourful shop fronts, making it a favourite choice of filmmakers and photograph enthusiasts alike. Constructed between 1829 and 1834, Victoria Street was one of several major improvements to the Old Town, designed to improve access around the city; previously, the only way to access the Lawnmarket and Edinburgh Castle from the Grassmarket was via an awkward and steep passageway. While Victoria Street relates to our project with the aim of improving pedestrian access through the city it also shows the effectiveness and interaction of dual height street fronts. NEW YORK HIGHLINE
SUPERKILEN PARK
A 1.4 mile linear park that makes use of an abandoned railway in New York. This areal garden was designed by James Corner Field Operations, Diller Scofidio + Renfro, and Piet Oudolf and completed in 2009 with phases opening after. There are plenty of places to hop on and off the line and the garden helps to increase bio-diversity in one of the most densest cities in the world.
Located in Copenhagen and designed by BIG this park has a mixture of intimate and large spaces across the linear area. Completed in 2012 this park represents the different communities that live in the surrounding district by having an item from each country. It uses a mixture of hard and soft spaces and includes fast ways to actively travel by having a dedicated cycle lane that feels safe due to it not being near any cars.
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MASTER-PLAN 1. Museum 2. Rent a Bike 3
3. Studio/office
3 4
1
2
7
10
4. Moveable market store
7. Sculpture garden
B
9
Site boundary
6. Shop frontages
A
8
Existing cultural buildings
5. Gallery
6 5 12
Existing adjacent buildings
11
8. Outdoor performance space
13
9. School of performing arts 10. Cultural workshop/storage 11. Theatre 12. Accommodation/offices
14
13. Connection to Glasgow Green 16
14. Proposed college building
8 15
15. Covered seating
6
16. Citizens theatre frontage
4
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k par d roa
OD WOF SELF EN FARM SUFICIENCY ON C CEPT
LEGALITY
m
ill
st
re e
t
PREVIOUS GROUP PROPA OS L, MASTERMAP WITH 2 BUSY ROADS 1:2500
ON C CEPT DIAGRAM - DOUBLE CLOSED LOOP Y S T S EM
2
1. A F RMERS MARKET/CAR BOOT FROM INDIVIDUAL URBAN PROPA OS L
4
1
2. ADDITION TOARDS W THE HORSE RIDING SCHOL
3
33m 3. DINGLE MARKET FROM GROUP URBAN PROPA OS L
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LOCAL HEIGHT DIAGRAM
12m+
10m 4. PRIMARY SCHOL - THE SURPLUS OF PRODUCE CAN BE DONATED TO THE NEARBY PLACES, MAINLY THE TOARDS W THE HORSES AT 2, PRIMARY SCHOL AT 4, OR SIMPLY SOLD AT 1 DURING A F RMERS MARKET
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BUILDING KEY
SHARED GARDENS
1. 2. 3. 4. 5. 6. 7. 8. 9.
APARTMENTS BUILDING CORE ESSENTIALS SUPPLIES SHOP BIKE SHED/SHOP GARDEN CENTER VERTICAL GREENHOUSE MAINTENANCE BIN DISPOSAL/COMPOST A. CAFE B. RESTAURANT 10. ALGAE COURTYARDS 11. FIRE ESCAPE STAIRS 12. CIRCULATION
APARTMENTS
COMMERCIAL
ll i m
AQUAPONICS
t e e str
PROGRAMME
8
1
1
1
1
1
1
1
1
1
9B
4
1
11 2
1
10
2
2
10
11 7
1
1
1
1
1
1
5
11
2
6
11 1
1
1
1
9A
3
1
1
1
7
12
GROUND FLOOR PLAN
LIGHT STUDY OF THE BUILDING
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APARTMENT KEY 1. 2. 3. 4. 5.
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BEDROOM 1- 2 PEOPLE BATHROOM GARDEN SPACE COMPACT KITCHEN + FURNITURE OPEN SPACE: - BEDROOM - OFFICE SPACE - LIVING ROOM - SMALL BEDROOM/OFFICE - GALLERY/DISPLAY
2 4 5 1
3
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SCALE 3 -
3
TYPICAL DWELLING UNIT
SECTION A
1. ADAPTABLE INTERNAL LAYOUT
LIGHTING Y S T S EM
2 2. DUAL-ASPECT UNITS
7
3. WELL-INSULATED ENVELOPE
A 4. DUAL-FLUSH TOILET & RE-UA S BLE WATER Y S T S EM
1
B
6
5. WINTER GARDEN Y S T S EM
C-D 5
6. UNDERFLOR HEATING
7. DOUBLE-GLAZED WINDOWS
4
1
2 4
SCALE 2 1. PHOTOL V TAIC
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THE BUILDING
PANELS
6
2. WINTER GARDENS AREAS
3. R A I N WA T E R H A R V E S T I N G
7
4. MAINTENANCE R O O M Used to store power and used to redistribute the power throughout the building making sure everything is functioning correctly can also be used to control the aquaponics systems.
5. ARTIFICIAL P O N D S These ponds are used to store water and grow fish which are part of the closed loop system while the surplus of water goes into further storage at the burried retention tank.
6. PERMEABLE L A N D S C A P I N G While the ponds are rather big the landscaping can also provide a way of filtering the water and help it get into the retention tanks.
7. GROUND SOURCE HEAT PUMP Fluid water can go through the heat pump and absorb the heat from the ground and later be used in the underfloor heating.
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DETAIL A KEYS 1. 78 x 78 x 1100 mm odenw ailngr beams 2. 950 x 660 x 10 mm em t edpr glas panel 3. 10 x 10 x 65 mm om cust elst glas holder 4. 130 x 5000 x 21mm edatr timber 5. 130 x 162 x 5000mm timber beam 6. 133 x 177 x 2500mm timber beam 7. 1500 x 3 x 1500mm aluminum aingedr 8. 100 x 32 x 2750-3500 timber clading 9. 100mm rigd insulato 10. Alluminum windo am fr e 11. Quadrple-Gedlaz swindo 12. 21 x 21mm flor dboar finsh 13. 223 x 223 x 10000mm gluam beam 14. 21 x 210 x 1200mm timber floring 15. Underflo heating 16. 21mm ceilng clading 17. oferpat W memanebr 18. apour V barie 19. 200mm rigd thermal insulato
A 1:5 1
2 11
3 10
13
15
9 16 17
1
14
8
7 6
2
3
4
5
19
18
6
1
2
3
4
5 6
13
7 12
11
10
1
DETAIL B KEYS 1. 93 x 113 x 7000mm gluam beam 2. 38 x 7000mm timber shet 3. oferpat W memanebr 4. 140mm rigt thermal insulato 5. 222 x 21 x 100mm timber 6. 268 x 21 x 500 timber clading 7. 100mm rigd insulato 8. apour V barie 9. 222 x 222 x 10000mm gluam beam 10. Asedsit entilaov 11. 44 x 44 x 400mm timber beams 12. 21 x 300 x 400 mm timber clading 13. Servic vityca elctrias/ pies
12
4
5
8
2
3
4
5
8
7
6
9
7
B 1:6
C 1:6
D 1:6
9
8
WALL ASSEMBLY
DETAIL C KEYS 1. 2. 3. 4. 5. 6. 7. 8.
Underflo heating 21 x 210 x 1200mm timber floring 100mm rigd thermal insulato 5185 x 1830 x 21mm timber shet apour V barie oferpat W memanebr Timber am fr e with plastic aingedr 222 x 300 x 10000 gluam beams
DETAIL D KEYS 1. 2. 3. 4. 5. 6. 7. 8. 9.
Underflo heating 100mm rigd thermal insulato 5185 x 1830 x 21mm timber shet 21 x 210 x 1200mm timber floring Alluminum windo am fr e oferpat W memanebr Timber am fr e with plastic aingedr 222 x 300 x 10000 gluam beams Servic vityca elctrias/p
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SECTION DIAGRAM 1:30
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BRIEF
UNDERSTANDING OF KEY ASPECTS OF TBO H BRIEFS BRIEF ANASY L IS PROJECT BRIEF KEY POINTS AND GROUP OW RK BRIEF KEY POINTS VIBRANT LOCALLY DRIVEN MARKET THTA MEANDRS THROUGH CHANGING SPCESA WILL ENCOURGEA VISITORS, INTVES ORS AND SUCE INTO THE AREA THE JOURNEY INCRSEA FOOTFALL, SURVEILLANCE AND SECURITY IN CRIME HOTSPOTS THROUGHOUT THE SITE PERFORMANCE, RESIDENTIAL AND MARKET SPCESA ENSURE USE THROUGHOUT ALL HOURS OF THE Y AD AND BRTEA HS NEW LIFE INTO THE AREA. SINGULAR TS REET OR ARSQU E OR OTHER PUBLIC SPTA IAL FETA URE REARG D TO TMA ERIALITY, COMPOSITION, AND LAAPNDSC E DESIGN
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CONEPT
KEY ASPECTS OF THE DESIGN TO CRTEA E A MULTI-USE SPCEA TO PROMOTE AN A ALL SOEA NAL SPCEA FOR USE INVITE OUTER COMUNITIES AND LOCAL COMUNITIES TO CRTEA E A COMUNITY BONDING TO CRTEA E INTIMTA E AND SEMI INTIMTA E SPCEA TO GIVE A FEELING OF ZONING AND PROMOTE DIFFERENT EXPERIENCES AND CTA IVITIES UTILISE THE FETA URES OF THE PRESENT LAAPNDSC E TO CRTEA E AN OPEN PARK TO BE USED IN A ARV IETY OF S.Y AW
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