Lighting Design Portfolio by Beatrice Nespega

Beatrice Nespega architect

lighting design portfolio 45

Beatrice Nespega studied at Accademia di Architettura di Mendrisio (Switzerland) where she gained both her Bachelor’s degree and Master’s degree in Architecture (2017). During her studies she developed a design approach which is informed by sensibility for aesthetics and construction which she applies to different architectural typologies. Her interest in light began when during her internship at Serge Schoemaker Architects in Amsterdam she had the chance to investigate about temporary installations and lighting in city festivals and helped designing “Alley of Light” (Amsterdam Light Festival 2014). After her academic studies she wanted to improve her technical knowledge and learn which is the successful balance between lighting and architecture. In 2018 she applied to the Master in Lighting Design and LED Technology at Politecnico di Milano, in which she is currently involved. Beatrice is passionate about art and architecture, and loves travelling. She speaks fluent Italian, English and Spanish.

.Beatrice Nespega. Architecture and Lighting https://issuu.com/beatrice_130892

+393497250212 beatrice.nespega.arc@gmail.com

index

.lighting design. .installation. .exterior. .hospitality. .commercial interior. .cultural heritage. .stage.

Alley of Light, Amsterdam Light Festival 2014

Ponte Vecchio di Magenta, Milan, Italy

Hotel Room, Ski Resort, Livigno, Italy

XYZ Innovation Center, Sollentuna, Sweden

Exposition: Albrecht Durer and the Reinassance between Germany and Italy

Fashion Show: Rodarte Collection 2018

.daylight control.

.Alley of Light. Serge Schoemaker Architects & DigiLuce exposed in Amsterdam (The Netherlands), Shenzhen (China), Norrkoping (Sweden)

The installation Alley of Light has been selected by the jury for Illuminade, the walking route of Amsterdam Light Festival 2014-2015. The installation consists of a twelve metre long passage that is surrounded by a four-meter-high three-dimensional matrix of 2000 handmade lights: 320 vertical strings with six lights each, hanging in a black steel cage construction. When all lights are lit, the passage appears enclosed and intimate; as soon as the lights dim, the space becomes fluid and the borders of the alley start to fade.

.installation.

.lighting design.

The atmosphere and sense of space within the passage change continuously thanks to its programmed variation of light configurations. The wave-like motion of light within the installation, inspired by the physics of underwater lighting effects, generates a unique spatial experience

.Alley of

Light.

.Ponte Vecchio di Magenta. Milan, Italy lectured by Susanna Antico & Piero Castiglioni in collaboration with Joanna Palmer (scenographer) & Clara Viladecans (product designer)

The aim of this project is to provide a social space centered around the canal staying true to the historical and ongoing personality of the Naviglio Grande as a meeting place, source of economic and organic wealth. Starting from a research of the bridge history, from where the name of the colour “Magenta” comes from, we decided to work with different shades of vibrant pink. We recognized the existence of the two ‘environments’ - the ‘Above’ (Movement) and the ‘Below’ (Stay) – each aiming with gentle contrasts to cold and warm whites to reflect the different natures of the two spaces. On the Above, through cooler light, we created horizontal and vertical patterns to reflect the constant movement that takes place on both the vehicle and the pedestrian bridges. On the other hand, the light of the Below reflects a warmer and calmer atmosphere.

.exterior.

.lighting design.

Light reveals history The reflection of the coloured dimmable light into the water connects the bridge to a sense of the townâ&#x20AC;&#x2122;s history

.Ponte Vecchio di Magenta.

.exterior.

.lighting design.

Tower of Oratorio della Beata Vergine Maria

Tower of Villa Castiglioni

[1] “The Above” Vehicle and Pedestrian Bridge horizontal and vertical patterns, that reflect the constant movement that takes place on both the vehichle and pedestrian bridges 4000K

[1]

[3]

[2]

[3] “The Below” The Promenade provision for social gathering and a curated view of the bridge 2500K Shelter

[2] Lock and staircase treated as a light installation

.Ponte Vecchio di Magenta.

THE ABOVE

.exterior.

0.10

0.20

0.30

0.50

0.75

1.00

1.35

1.84

2.50

3.39

132

180

543

1643 [lx]

.lighting design.

4.60

6.25

8.48

Pro

.4W

.1W

dialux_materiali_ok

18/05/2018

Site 1 / Luminaire parts list

Quantity

Luminaire (Luminous emittance)

iGuzzini illuminazione - E517 Side Bend 16 mm 4.3W Luminous emittance 1 Fitting: 1xLED Light Light outputoutput ratio: 100%ratio: 62.93% Lamp luminous flux: 155 lm flux: 230 lm Lamp luminous Luminaire luminous flux: 155 lm Luminaire luminous flux: 145 Power: 4.3 W Luminous efficacy: 36.0 lm/W Power: 2.4W

Luminous Colourimetric data efficacy: 1xA73E: 3800 K,CRI CRI 80 CCT CCT 3000K/ 80 6

60.3 lm/W

iGuzzini illuminazione - PROI_POS1_BV97 Platea Pro 43.3W Luminous emittance 1 Fitting: 1xLED Light output ratio: 74.90% Lamp luminous flux: 171 lm Luminaire luminous flux: 128 lm Power: 43.3 W Luminous efficacy: 3.0 lm/W Colourimetric data 1xA66U: CCT 3000 K, CRI 100

Light output ratio: 100% Lamp luminous flux: 150 lm Luminaire luminous flux: 155 Power: 4.3W Luminous efficacy: 36.0 lm/W CCT 3800K/ CRI 80

.Ponte Vecchio di Magenta.

THE BELOW

.exterior.

0.10

0.20

0.30

0.50

0.75

1.00

1.35

1.84

2.50

3.39

132

180

543

1643 [lx]

.lighting design.

4.60

6.25

8.48

dialux_materiali_ok

18/05/2018

Site 1 / Luminaire parts list

Site 1 Quantity

Luminaire (Luminous emittance)

BEGA Lichttechnische Spezialfabrik - 22228K3 LED 4,3W Luminous emittance 1 Fitting: 1xLED Absolute photometry Luminaire luminous flux: 161 lm Power: 4.0 W Luminous efficacy: 40.3 lm/W Colourimetric data 1xLED 2,9W: CCT 3000 K, CRI 80 161 lm

BEGA Lichttechnische Spezialfabrik - 88673K3 LED 4,6W Luminous emittance 1 Fitting: 1xLED 3,0W Absolute photometry Luminaire luminous flux: 67 lm Power: 5.0 W Luminous efficacy: 13.4 lm/W Colourimetric data 1xLED 3,0W: CCT 3000 K, CRI 80 67 lm

1 dialux_materiali_ok

18/05/2018

Site 1 / Luminaire parts list dialux_materiali_ok

18/05/2018

Site 1 / Luminaire parts list

Site 1

Colourimetric data 1xLED 0,6W warm white: CCT 2957 K, CRI 91

Quantity

Luminaire (Luminous emittance)

BEGA Lichttechnische Spezialfabrik - 22228K3 LED 2 4,3W Luminaire (Luminous emittance) Luminous emittance 1 BEGA Spezialfabrik - 22228K3ratio: LED Fitting:Lichttechnische 1xLED Light output 74.09% 4,3W Absolute photometry Luminous 1 Lamp Luminaire emittance luminous flux: 161 lm luminous flux: 171 lm Fitting: Power: 1xLED 4.0 W Luminaire luminous flux: 128 Absolute Luminousphotometry efficacy: 40.3 lm/W Luminaire luminous flux:Power: 161 lm 43.3W Colourimetric Power: 4.0 W data efficacy: 3.0 lm/W 1xLED 2,9W: CCT 3000 K, CRI 80 Luminous efficacy: 40.3 Luminous lm/W

Site 1 Quantity 20

4 lm

CCT 3000K/CRI 100

14 14

Colourimetric data 1xLED 2,9W: CCT 3000Spezialfabrik K, CRI 80 - 88673K3 LED BEGA Lichttechnische 11 4,6W Luminous emittance 1 BEGA Fitting:Lichttechnische 1xLED 3,0W Spezialfabrik - 88673K3 LED 4,6W Absolute photometry Luminous 1 67 lm Luminaire emittance luminous flux: Fitting: Light output ratio: 100% Power: 1xLED 5.0 W 3,0W Absolute Luminousphotometry efficacy: 13.4 lm/W luminous flux: 150 lm Luminaire luminous flux:Lamp 67 lm Colourimetric Power: 5.0 W data Luminaire luminous flux: 155 1xLED 3,0W: CCT 3000 K, CRI 80 Luminous efficacy: 13.4 lm/W

Power: 4.3W

Colourimetric data Luminous efficacy: 1xLED CCT 3000 K, CRIluminaire 80 ERCO -3,0W: 33757000 Orientation 1xLED 0.6W CCT 3800K/CRI 80 warm white Luminous emittance 1 1 ERCO 33757000 Orientation luminaire 1xLED 0.6W Fitting: -1xLED 9 W, Luminous efficacy: 15.8 lm/W warm white Absolute photometry Luminous 1 4 lm Luminaire emittance luminous flux: Fitting: 1xLED Power: 1.0 W Absolute Luminousphotometry efficacy: 4.0 lm/W Luminaire luminous flux: 4 lm Colourimetric Power: 1.0 W data 1

ERCO - 33757000 Orientation luminaire 1xLED 0.6W warm white Luminous emittance 1 Fitting: 1xLED Absolute photometry Luminaire luminous flux: 4 lm Power: 1.0 W Luminous efficacy: 4.0 lm/W

36.0 lm/W

iGuzzini illuminazione - BA78 Linealuce - surface 39W Luminous emittance 1 Fitting: 1xLED Light output ratio: 43.09% Light output ratio: 100% Lamp luminous flux: 800 lm Luminaire luminous flux: 345 lm Lamp luminous flux: 545 lm Power: 39.0 W Luminaire luminous flux: 161 Luminous efficacy: 8.8 lm/W Colourimetric data 1xLED: CCT 3000 K, CRI 100 161 lm

lm Power: 4.0W Luminous efficacy: 38,3 lm/W CCT 3000K/CRI 80

Light output ratio: 43.09% Lamp luminous flux: 800 lm Luminaire luminous flux: 345 Power: 39.0W Luminous efficacy: 9.8 lm/W CCT 3000K/CRI 100

iGuzzini illuminazione - BA78 Linealuce - surface 39W Luminous emittance 1 Fitting: 1xLED Light output ratio: 43.09% Lamp luminous flux: 900 lm Luminaire luminous flux: 388 lm Light output Power: 39.0 W Luminous efficacy: 9.9 lm/W 161 lm

Colourimetric data 1xLED: CCT 3000 K, CRI 100 67 lm

ratio: 100% Lamp luminous flux: 450 lm Luminaire luminous flux: 67 lm Power: 5.0W Luminous efficacy: 14,6 lm/W CCT 3000K/CRI 80

67 lm

.Ponte Vecchio di Magenta.

.Hotel room. Ski Resort, Livigno, Italy lectured by Laura Bellia & Chiara Bertolaja in collaboration with Joanna Palmer (scenographer) & Clara Viladecans (product designer)

The Alp Wellness Motta Hotel is located in the pedestrian area at the center of Livigno, a town in the Italian Alps in the Lombard province of Sondrio. Many tourists go there during the winter to enjoy the impressive ski season, and during the summer for its beautiful natural setting and wealth of outdoor activities. The rooms at the Alp Wellness are spacious, well-equipped, and currently furnished in a classic Alpine style. We decided to change a few elements of the interior of the rooms to give them a more contemporary design still maintaining a warm and cosy feeling. The objective is to provide maximum comfort whilst also supporting the hotel guestsâ&#x20AC;&#x2122; energy levels in each of the moments we have identified in our analysis : Wake Up and Relax.

.hospitality.

.lighting design.

Light affects our mood We want to provide maximum comfort supporting the hotel costumers’ energy levels in each of the two moments: “Wake Up” to energize and invigorate guests prior to starting their day and “Relax” in which the hotel guests can rest, read a book or drink a warm tea, after their outdoor activities

.Hotel room.

WAKE UP SCENE

7 A.M. - 10 A.M.

.hospitality.

.lighting design.

0.10

0.20

0.30

0.50

0.75

1.00

1.46

136

200

370

686 [lx]

2.13

3.11

4.54

6.63

9.68

RELAXED SCENE

5 P.M. - 8 P.M.

0.10

0.20

0.30

0.50

0.75

1.00

1.46

136

200

370

686 [lx]

2.13

3.11

4.54

6.63

9.68

.Hotel room.

RCP PLAN/ CORRIDOR

DAYTIME CORRIDOR 6 A.M.- 6 P.M. ROOMS WAKEUP SCENE

EVENING TIME CORRIDOR 6 P.M- 6 A.M. ROOMS RELAXED SCENE

.hospitality.

0.10

0.20

0.30

0.50

0.75

1.00

1.46

136

200

370

686 [lx]

2.13

3.11

4.54

6.63

9.68

.lighting design.

EXAMPLE ROOM

A B 1

A-A1

C-C1

A1 B1

B-B1

.Hotel room.

PANELS ENERGY SAVING CONTROL SYSTEM

'Work': Operates the desk light independently (with isolated dimmer).

'Watch': Removes linear wall grazer behind TV from the light scene.

'Sleep': Removes all lighting.

'Read': Operates the reading lamp beside sofa independently (with isolated dimmer).

Our aim is to assure a fl the guests to customize t their stay and prov of the two key 'Mirror': Operates the mirror light independently (with isolated dimmer).

'Read': Operates the reading lights independently (with isolated dimmer for each).

'Shower Mood'': Selects pre-programmed colour. Arrow Up/Down:: Indepedent dimmer buttons that scroll through colour changes.

ALL SWITCH POINTS: - Lutron's Palladiomâ&#x201E;˘ QS wallstations - Dynamic backlighting for legibility. - Satin Nickel finish for quality aesthetic.

.hospitality.

.lighting design.

COMPONENTS ENERGY SAVING CONTROL SYSTEM

Concealed Installation: Load Control Integration Units with other building systems Guestroom Contrl Unit DALI, DMX or 0-10V Interface (as desired) Vacancy Sensor

flexible design that allows their environment during vide the foundation lighting scenes QS Sensor Module Vacancy Sensor

Lutron Roller Shades™ Roller shades Palladiom™ QS wallstation Wall stations QS Hard Wired Qs Hard Wired

.Hotel room.

.XYZ Innovation Center. Sollentuna, Sweden lectured by Carlo dâ&#x20AC;&#x2122;Alesio & Piero Santoro in collaboration with Joanna Palmer (scenographer) & Clara Viladecans (product designer)

Our client is a company that since its inception has stood out for its innovation and evolution with the desire to bring their technological and scientific advances to all the people in the world. This is why we wanted to endorse science, the engine that has made this company go forward during all these years. XYZ Innovation Center is a space where people can discover and experience new ways of thinking and learning, observing the companyâ&#x20AC;&#x2122;s products.

.commercial commercial interior interior.

.lighting design.

Light creates experience Through lighting design we want to transmit to the viewers a sensorial experience by creating different atmospheres in each space.

1-ENTRANCE, DISPLAY CABINET AND VIDEO DISPLAY AREA

2-SHOWROOM

3-BRAINSTORMING ROOM

4-LOUNGE

4 1

.XYZ Innovation Center.

1-PHYSICS - WAVES The experience is ephimeral, the guests donâ&#x20AC;&#x2122;t have a physical contact with the objects exposed and the nature of the video itself is temporary

2-BIOLOGY - CELLS The experience is static. Each display is defined by pools of light in colored and white light. The object exposed become the nuclei of the display

3-BIOLOGY - SYNAPSE Through its physical structure the light visually connects the object to a place of thought/idea. The shelves are lit with a combination of white and colored linear lights that relate with the showroom 4-CHEMISTRY-MOLECULES Intimacy is given through scandinavian design aestetics in a more explicit way but with subtle reference to our core concept

.commercial interior.

.lighting design.

.XYZ Innovation Center.

1. DISPLAY CABINET

SCENE: WALL WASH & FRONT SPOTS

SCENE: WALL WASH & FRONT WASH

Our design aims to the products and c which the viewers re

SCENE: WALL WASH ONLYV

.commercial interior.

.lighting design.

. 2. EXPOSITION DISPLAYS

Framed Accent Lighting that lits the products from the top

Lighting Panels 300x300 mm

o enchance the aesthetics of creates an environment in ecognize the brandâ&#x20AC;&#x2122;s values Strip LED Transmit light into the colored panel box

Colored Panel Material

Reflective diffusing lens that produces soft, uniform light to effectively distribute without glare

Existing boxes

.XYZ Innovation Center.

3. BRAINSTORMING ROOM

‫ژى‬

Corporate video in progress: Lights off and BlackOut Blinds in

‫ژى‬

Brain Storming Room in use (not Projection): black out blinds open, table fully lit and shelving detail at full

‫ژى‬

Brain Storming Room in use (with Projection): black out blinds open, table fully lit and shelving detail at full

.commercial interior.

.lighting design.

4. LOUNGE

Wall Grazer Light that reveals the textured wall

During daytime the light coming from the corridor is softened by a satin glass

Accent Lighting

dining counter for food

Accent Lighting

that lits the surface of each table

.XYZ Innovation Center.

.Albrecht Durer and the Reinassance between Germany and Italy. Palazzo Reale, Milan, Italy lectured by Francesco Murano & Fulvio Musante in collaboration with Joanna Palmer (scenographer) & Clara Viladecans (product designer)

Continuing the notion established by the Exhibition Designer of Frames within Frames we decided to place a frame of light around the artworks that sit inside the physical frame structures. To achieve the ambient lighting necessary for safe visual conditions we illuminated vertically the sides of the exhibition panels to produce lines of light that guide the visitor to explore the exhibition.

.cultural heritage.

.lighting design.

Light reveals art An accent light applied on each piece provides higher illumination levels on only the artworks themselves, which remain the main focus of the visual field

.Albrecht Durer and the Reinassance between Germany and Italy.

s s

s s s s s s s s

s s

s s s s s s

s s

s s ss

s s

s s s s s ss

s s

s s s s

ROOM 1

.cultural heritage.

ROOM 3

.lighting design.

ROOM 4

GROUPS OF ARTWORKS illuminated as one

INDIVIDUAL ARTWORKS illuminated singularly emphasizing the subject represented in the artwork

Strip LED orientation lights

PRELIMINARY ACTIONS: 1. Analysis of the exhibited works of art 2. Understanding of the curator’s exhibition concept 3. Inspection or better sharing of the exhibition project LUMINAIRE CHARACTERISTICS: · High CRI - 95 with two step average · On boarding dimming for easy intensity adjustments · Easy shaping and filter placement · Flexible beam angle · Sensitive application; no UV/IR

Framed Accent Lighting

Framed Background Lighting 4000k

Accent Lighting

Framed Accent Lighting

on the main character of the scene represented

3000k

on each artwork

Emax: · 150/200 lux - oil based color - wood panel · 100 lux - incisions · 40/50 lux - sensitive materials (silk, leather, newspaper, prints, watercolor)

.Albrecht Durer and the Reinassance between Germany and Italy.

31 31

SECTION

45Â°

.cultural heritage.

We approached luminaire placement considering a 45Â° angle from the centre of each piece, both vertical and horizontal, which provided the greatest number of optimum positions from which to observe each artwork

.lighting design.

FALSE COLORS

.Fashion Show. Rodarte Summer/Spring Collection 2018, lectured by Rob Halliday & Giovanni Pinna in collaboration with Joanna Palmer (scenographer) & Clara Viladecans (product designer)

Rodarte is an American brand of clothing and accessories founded and headquartered in Los Angeles, California by sisters Kate and Laura Mulleavy. The collection showed in this project is characterized by strong colors. The materials and textures of the dresses make the models look like they are coming from a fairytale. The show has been presented already in many different locations always in green outdoor spaces. Our idea consists into bringing to the inside space the same atmosphere of an outdoor space through light

.stage.

.lighting design.

Light is dinamic We want to transmit the feeling of being close to nature, since it is a strong element present in Rodarteâ&#x20AC;&#x2122;s collection

Cue 1: Audience Entrance

Cue 1: Introduction

Cue 3: Show with Colour Chase effect

Cue 4: End of Show

.Fashion Show.

Cue 3: Show with Colour Chase effect

Cue 4.5: Auto Follow On (Black Out)

COLOUR PALETTES

PRESETS LEE FIlter Reference Codes:

CUE SHEET (page 1/3) DESCRIPTION: t Designed for Technician to check that all units are working and focused correctly prior to audience entrance. t All patched units at 20% to minimise power consumption but be visible during check.

DESCRIPTION: t Houselight at suitable level for audience to take their seats safely. t Silhouettes of live models on balcony visible. t Light chase of intenisty from Clay Paky Moving Heads to create sense of movement. t Company Logos bright at either end of the venue take strong visual presidence and can be clearly seen by all entrancing audience members. t Tree Gobos overlaying logo gobo to create themed texture on cloths. t Channel 102 Moving Head in ready position for introduction.

on Channels 100-105

Master in Lighting Design & LED Technology · Polimi

CLOTHS & LX1-6

CUE SHEET (page 2/3)

stage lighting · project

19 LX BALCONY US2

19 27

1/307

alk

1/339

1/91

alk

LX BALCONY DS2 Silhouette

DESCRIPTION: t Houslight dimmed but not out. t Moving Head channel 102 in bright as spot light for introduction. t Intenisty chase of moving heads ends so as not to draw focus from the introduction. t All else as previous cue.

LX BALCONY US11/10

LX BALCONY DS2

Silhouette on Channels 41-44 and 100-105.

DESCRIPTION: t Introduction Spot light goes out and moves to focus on the balcony. t All moving heads begin colour pallete chase (colours chosen to compliment palettes of the fashion collection), with oak tree gobo to create gentle movement on balcony screens. t Catwalk wash in bright. t silhouettes dimto almost out. t Houselight out.

Master in Lighting Design & LED Technology · Polimi

CUE SHEET (page 3/3)

GROUP 10 · Joanna Palmer · Beatrice Nespega · Clara Viladecans stage lighting · project

stage lighting · project

DESCRIPTION: t With end of show all everythign out except for brand logo gobos which remain bright for 5 seconds. t Auto Follow on cue that then also takes out the brand gobos in order to indicate that show has ended.

DESCRIPTION: t Repeat of Cue 1.

Master in Lighting Design & LED Technology · Polimi

.stage.

.lighting design.

Brand Logo GOBO

trees/ nature GOBO

Accent Lighting on stage and model

Silhouette of the models before entering the stage. Cyclorama Material Panels installed on Balcony to achieve this with backlighting

.Fashion Show.

Color of the nature feeling related with the dresses GOBO

Light uniform on the stage

37 37

.Daylight control. Master of Science in Architecture, at Accademia di Architettura di Mendrisio, Switzerland

The course of study at Accademia di Architettura di Mendrisio (Switzerland) is based on a balanced integration among practical design work, humanities and technical-scientific subjects. The core of the training is embodied in design studios, lectured by internationally acclaimed architects who give the students hands-on teaching, so that theoretical knowledge is continually being tested in real-life practice. During my academic studies I developed a design approach which consists of an initial research of the projectâ&#x20AC;&#x2122;s site and of a collection and elaboration of references through images. It explores the architectural potential of space through natural light, structure and material with the use of physical models.

.architecture.

.daylight control.

Light shapes forms and interacts with materials

Avahof grand magasin, Salzburg, Austria Lounge (architectural model)

2. Monquiqueâ&#x20AC;&#x2122;s Monastery Reuse, Porto, Portugal Covered Courtyard (architectural model)

3. Max Bill Foundation, Zurich, Switzerland Exposition Space (architectural model)

4. New Parliament House, Ouagadougou, Burkina Faso Circulation Space (architectural model)

.Accademia di Architettura di Mendrisio.

Light is a matter of composition

5. 6. 7. 8.

(watercolor) (charcoal) (collage, mixed techniques) (acrylic painting)

Thank you for your attention! .Beatrice Nespega.

Architecture and Lighting https://issuu.com/beatrice_130892

+393497250212 beatrice.nespega.arc@gmail.com