FICTION/NONFICTION
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ADULT GRAPHIC NOVEL LITERARY MAGAZINE
COVERS AND JACKETS
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IN B E ST O RY G C AT E
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BATS OF THE REPUBLIC ZACHARY THOMAS DODSON
IMPRINT/PUBLISHER Doubleday, Penguin Random House
TYPEFACE Various
COVER/JACKET PRINTING Leefung Printers Limited
PUBLICATION DATE 10/06/15
TEXT STOCK 100gsm
COVER/JACKET STOCK & FINISH 140gsm Kraft
FORMAT Hardcover
PREPRESS/COMPOSITION North Market Street Graphics
COVER/JACKET EFFECTS 5/3 with matte varnish
TRIM SIZE 6 1⁄8 x 9 ¼"
PRINTING/BINDING Leefung Printers Limited
PRODUCTION STAFF Andy Hughes
COVER/JACKET ART DIRECTION Zachary Thomas Dodson
CASE MATERIALS Printed sides with black cloth spine and foil stamping
TEXT ART DIRECTION Zachary Thomas Dodson
COVER/JACKET DESIGN Zachary Thomas Dodson
TEXT DESIGN Zachary Thomas Dodson
COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Zachary Thomas Dodson
ILLUSTRATOR/PHOTOGRAPHER Zachary Thomas Dodson
JUDGES' COMMENTS Wow, wow, wow! Brilliant use of negative outside cover. Intricate typography, flawlessly executed. Superior in every way.
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SLADE HOUSE
I’ve never met a boy who calls his mum by her Christian name. Dad’d call it “very modern.” “I didn’t say she is lying. It’s just that he’s an incredibly famous virtuoso violinist.” Jonah spits his damson stone into tall pink daisies. “Even incredibly famous virtuoso violinists need friends. So how old are you, Nathan? Thirteen?” “Bang on.” I spit my stone farther. “You?” “Same,” he says. “My birthday’s in October.” “February.” I’m older, if shorter. “What school do you go to?” “School and I never saw eye to eye,” says Jonah. “So to speak.” I don’t understand. “You’re a kid. You have to go. It’s the law.” “The law and I never got on, either. ’Nother damson?” “Thanks. But what about the truancy officer?” Jonah’s face may mean he’s puzzled. Mrs. Marconi and me have been working on “puzzled.” “The what officer?” I don’t get it. He must know. “Are you taking the piss?” Jonah says, “I wouldn’t dream of taking your piss. What would I do with it?” That’s kind of witty, but if I ever used it on Gaz Ingram he’d crucify me on the rugby posts. “Seriously, I’m taught at home.” “That must be ace. Who teaches you? Your mum?” Jonah says, “Our master,” and looks at me. His eyes hurt, so I look away. Master’s like a posh word for “teacher.” “What’s he like?”
· · · “Eat a damson, Nathan,” says Jonah, handing me a fruit from the tree. He sits down at the base of one tree, so I sit down against its neighbor. “Thanks.” Its warm slushy flesh tastes of early August mornings. “Is Yehudi Menuhin really visiting?” Jonah gives me a look I don’t understand. “Why on earth would Norah lie?”
Mitc_9780812998689_5p_all_r1.indd 14-15
IMPRINT/PUBLISHER Random House Group, Penguin Random House PUBLICATION DATE 10/27/15 FORMAT Hardcover TRIM SIZE 5 7⁄8 x 7 ¼” PRODUCTION STAFF Richard Elman TEXT DESIGN Simon Sullivan
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“An incurable show-off,” sighs Norah Grayer. “Now, Rita, I do hope you won’t mind, but Yehudi Menuhin’s dropped by and I told him about your Debussy recital. He’s positively bursting to meet you.” Mum makes a face like an astonished kid from Peanuts: “The Yehudi Menuhin? He’s here? This afternoon?” Lady Grayer nods like it’s no big deal. “Yes, he had a ‘gig’ at the Royal Festival Hall last night, and Slade House has become his London bolt-hole-cum-pied-à-terre, as it were. Say you don’t mind?” “Mind?” says Mum. “Meeting Sir Yehudi? Of course I don’t mind, I just . . . can’t quite believe I’m awake.” “Bravissima.” Lady Grayer takes Mum by the arm and steers her towards the big house. “Don’t be shy—Yehudi’s a teddy bear. Why don’t you chaps”—she turns to Jonah and me—“amuse yourselves in this glorious sunshine for a little while? Mrs. Polanski’s making coffee éclairs, so be sure to work up an appetite.”
s la d e h o u s e
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dav i d mi tch el l
DAVID MITCHELL
6/8/16 2:41 PM
TYPEFACE Bell MT Std
COVER/JACKET STOCK & FINISH 80# Rainbow “Saffron” with press varnish
TEXT STOCK 45# Glatfelter Offset hi-bulk
COVER/JACKET EFFECTS BB embossing, black and gold silver foil stamping on front/spine and 1/c (black) printing on back
PREPRESS/COMPOSITION Scribe PRINTING/BINDING RR Donnelley Crawfordsville COVER/JACKET ART DIRECTION Robbin Schiff COVER/JACKET DESIGN Peter Mendelsund and Oliver Munday COVER/JACKET PRINTING Phoenix Color
OTHER COMPONENTS Each finished book was individually die-cut through the board Endpapers: 4/c JUDGES' COMMENTS Love die-cut on the cover. Effective continuity of design and different without being flash . 2 01 6 N E W YO R K B O O K S H OW
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PDF Page: txc4_13504.p21.pdf
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CITY ON FIRE
GARTH RISK HALLBERG
BOOK VI
THREE KINDS OF DESPAIR
[ 196 0 – 197 7 ]
A student came to a Zen master and said, “In what state of mind should I train myself, so as to find the truth?” Said the master, “There is no mind, so you cannot put it in any state. There is no truth, so you cannot train yourself for it.” “If there is no mind to train, and no truth to find,” said the student, “why do these monks gather before you every day to study?” “But I haven’t an inch of room here,” said the master, “so how could the monks gather? I have no tongue, so how could I teach them?” “Oh, how can you lie like this?” asked the student. “But if I have no tongue to talk to others, how can I lie to you?” asked the master. The student said sadly, “I cannot follow you. I cannot understand you.” “I cannot understand myself,” said the master. — z e n koa n
IMPRINT/PUBLISHER Alfred A. Knopf, Penguin Random House
ILLUSTRATOR/PHOTOGRAPHER Maggie Hinders and Romeo Enriquez
PUBLICATION DATE 10/13/15
TYPEFACE Janson Text
FORMAT Hardcover
TEXT STOCK Glatfelter Offset
TRIM SIZE 6 1⁄8 x 9 1⁄8”
PREPRESS/COMPOSITION North Market Street Graphics
PRODUCTION STAFF Romeo Enrique
PRINTING/BINDING RR Donnelley
TEXT ART DIRECTION Peter Andersen
COVER/JACKET ART DIRECTION Chip Kidd
TEXT DESIGN Maggie Hinders
COVER/JACKET DESIGN Chip Kidd
COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Tetra Images/Alamy COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 100# C1S with gloss film lamination COVER/JACKET EFFECTS Holographic foil, spot matte UV, debossing CASE MATERIALS Rainbow 80# Black BB with Lustrofoil metallic red 48 stamp on front cover JUDGES' COMMENTS Striking jacket design. Lavish use of two foils on case to complement jacket. 2 01 6 N E W YO R K B O O K S H OW
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MEMORY THEATER SIMON CRITCHLEY
IMPRINT/PUBLISHER Other Press
TYPEFACE Legacy Serif and Knockout
COVER/JACKET PRINTING Coral Graphics
PUBLICATION DATE 11/17/15
TEXT STOCK Glatfelter Offset B-18 Antique hi-bulk
COVER/JACKET STOCK & FINISH Soft touch layflat
FORMAT Hardcover
PREPRESS/COMPOSITION Alpha Graphics
COVER/JACKET EFFECTS PMS colors (238, 120)
TRIM SIZE 5 x 7 ½”
PRINTING/BINDING Berryville Graphics
CASE MATERIALS Antique (Ultramarine)
PRODUCTION STAFF Iisha Stevens and Yvonne Cardenas
COVER/JACKET ART DIRECTION Work of Art
OTHER COMPONENTS Endpapers: printed
TEXT ART DIRECTION Julie Fry
COVER/JACKET DESIGN Andreas Gurewich
TEXT DESIGN Elegant
COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Andreas Gurewich
JUDGES' COMMENTS Vibrant colors on cover and endpapers make this book memorable.
ILLUSTRATOR/PHOTOGRAPHER Andreas Gurewich
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PDF Page: txc4_13504.p26.pdf
FIELD GUIDE TO THE NEIGHBORHOOD BIRDS OF NEW YORK CITY LESLIE DAY
IMPRINT/PUBLISHER Johns Hopkins University Press PUBLICATION DATE 06/25/15 FORMAT Hardcover TRIM SIZE 5 ¼ x 8 ¼” PRODUCTION STAFF Robert Schreur TEXT ART DIRECTION Martha Sewall TEXT DESIGN Kimberly Glyder
ILLUSTRATOR/PHOTOGRAPHER Illustrations: Trudy Smoke; Photographs: Beth Bergman TYPEFACE Miller, text; Alternate Gothic TEXT STOCK 115gsm matte coated, 500ppi PREPRESS/COMPOSITION Kimberly Glyder PRINTING/BINDING Jade Productions COVER/JACKET ART DIRECTION Martha Sewall COVER/JACKET DESIGN Kimberly Glyder
COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Illustration: Trudy Smoke; Photograph: Thinkstock COVER/JACKET PRINTING Jade Productions COVER/JACKET STOCK & FINISH Matte scuff-free lamination CASE MATERIALS Imitation cloth printed 4/c OTHER COMPONENTS Endpapers: 4/c JUDGES' COMMENTS Great feel; beautiful design; printing is phenomenal. 2 01 6 N E W YO R K B O O K S H OW
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DRAWING BLOOD MOLLY CRABAPPLE
IMPRINT/PUBLISHER HarperCollins Publishers
TYPEFACE Fournier MT, Century Expanded LT
COVER/JACKET PRINTING Coral Graphics
PUBLICATION DATE 12/01/15
TEXT STOCK Lynx opaque 60# white, 434ppi
COVER/JACKET STOCK & FINISH 100# C1S
FORMAT Hardcover
PREPRESS/COMPOSITION Prepress: Graphic Process
COVER/JACKET EFFECTS Gritty matte, spot gloss
TRIM SIZE 6 ½ x 8 ½”
PRINTING/BINDING RR Donnelley Crawfordsville
PRODUCTION STAFF Diana Meunier
COVER/JACKET ART DIRECTION Robin Bilardello
CASE MATERIALS Rainbow “Eclipse” with “Antique” embossing and Lustrofoil metallic 82 stamping
TEXT ART DIRECTION Leah Carlson-Stanisic
COVER/JACKET DESIGN Gregg Kulick
TEXT DESIGN Leah Carlson-Stanisic
COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Illustrations: Molly Crabapple; Photograph: Clayton Cubitt
ILLUSTRATOR/PHOTOGRAPHER Illustrations by Molly Crabapple
OTHER COMPONENTS Endpapers: illustration by Molly Crabapple JUDGES' COMMENTS Love the progression of black and white to two-color to four-color in the front of the book. Great heft to the book. Small details throughout add to the visual appeal. 2 01 6 N E W YO R K B O O K S H OW
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PDF Page: txc4_13504.p29.pdf
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PDF Page: txc4_13504.p30.pdf
M TRAIN
PATTI SMITH
IMPRINT/PUBLISHER Alfred A. Knopf, Penguin Random House
TYPEFACE Granjon
COVER/JACKET PRINTING Coral Graphics
PUBLICATION DATE 10/06/15
TEXT STOCK Glatfelter Offset
COVER/JACKET STOCK & FINISH 80# C1S
FORMAT Hardcover
PREPRESS/COMPOSITION North Market Street Graphics
COVER/JACKET EFFECTS Gritty matte UV
TRIM SIZE 5 1⁄8 x 7 7⁄8”
PRINTING/BINDING Berryville Graphics
CASE MATERIALS Rainbow 80# “New Moire”
PRODUCTION STAFF Claire Ong
COVER/JACKET ART DIRECTION Carol Carson
OTHER COMPONENTS Endpapers: Multicolor 70# Antique
TEXT ART DIRECTION Peter A. Andersen
COVER/JACKET DESIGN Carol Carson
TEXT DESIGN Cassandra Pappas
COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Claire Alexandra Hatfield, Patti Smith
JUDGES' COMMENTS Beautiful, classic design. Cool case material makes it a standout.
ILLUSTRATOR/PHOTOGRAPHER Patti Smith
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PDF Page: txc4_13504.p31.pdf
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ALFRED A. KNOPF 1915-2015, A CENTURY OF PUBLISHING INTRODUCTION BY CHARLES MCGRATH, FOREWORD BY SONNY MEHTA
IMPRINT/PUBLISHER Alfred A. Knopf, Penguin Random House
TYPEFACE Electra
COVER/JACKET STOCK & FINISH 80# Mohawk Via “Warm White”
PUBLICATION DATE 10/01/15
TEXT STOCK Glatfelter Offset
COVER/JACKET EFFECTS Film lamination
FORMAT Hardcover
PREPRESS/COMPOSITION North Market Street Graphics
CASE MATERIALS Sierra Bright Red
TRIM SIZE 6 ¼ x 9 ¼"
PRINTING/BINDING Berryville Graphics
OTHER COMPONENTS Endpapers: Rainbow
PRODUCTION STAFF Andy Hughes
COVER/JACKET ART DIRECTION Carol Carson
TEXT ART DIRECTION Peter A. Andersen
COVER/JACKET DESIGN Oliver Munday
TEXT DESIGN Peter A. Andersen
COVER/JACKET PRINTING Coral Graphics
JUDGES' COMMENTS Thoughtfully designed, high production values. Two hits of foil on the case is luscious!
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PDF Page: txc4_13504.p33.pdf
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onori HCausaS Essays in Honour of
aveek sarkar
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PDF Page: txc4_13504.p34.pdf
HONORIS CAUSA
JOHN MAKINSON, ED.
Honoris Causa
Recognizing the problem, Section 12 of the Human Rights Act 1998 bravely attempts to salvage the position. The section is headed ‘Freedom of Expression’. Promisingly, the opening paragraph reads: ‘This section applies if a court is considering whether to grant any relief which, if granted, might affect the exercise of the Convention right to freedom of expression.’ However, Section 12(3) stipulates that the court should not grant relief so as to restrain publication before trial unless satisfied that the applicant is likely to establish that the publication would be allowed. Furthermore, Section 12(4) provides that the court must give particular regard to the importance of the Convention right to freedom of expression. Section 12 of the Human Rights Act is plainly designed to strengthen the ability of a newspaper or another publication to resist an application for an injunction. The reference to a privacy code was no doubt intended by Parliament to cover such bodies as the Press Complaints Commission. In practice, however, it seems to me that the English courts have faced a stream of actions whose principal object is to prevent the publication of material defamatory of the claimant. If this is clear when the application for an injunction is made, then the court may refuse to grant an injunction. But there have been many occasions recently when the court has been persuaded that an injunction should be granted if the interest which the claimant is seeking to protect is other than to prevent the publication of defamatory material. The court may grant an injunction in order to protect the right of the claimant, for example, to confidentiality. My concern is that the rigour of the principle or ‘rule’ established in the nineteenth century in Bonnard v. Perryman is being eroded despite the valiant attempt to preserve it in Section 12 of the Human Rights Act 1998. Section 12(4) is clear in its language. What it provides is that the court must give particular regard to the right to freedom of expression. This vital provision should not be eroded by judges whether in England or in India.
Aspects of Typographic Communication Notes oN the typeforms of south AsiA FIONA ROSS
ascender height ascender
kerning vowel sign
ligature
headline
������� ক finial or stroke termination
main stroke or stem
kana (vowel sign)
counter
base character height
base character height
subscript or subscribed vowel sign
bowl
rounding or ‘blob’
notional baseline
FIGURE 1. Nomenclature for Indian typeforms using digital Linotype Bengali typeface for illustration (based on an original in Fiona Ross, The Printed Bengali Character and Its Evolution).
T
he communication of ideas in visual form depends on image and text and, occasionally, text as image. The world’s diverse languages rely on a multiplicity of writing systems to achieve textual expression, with the scripts of South Asia perhaps demonstrating the greatest visual diversity.
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IMPRINT/PUBLISHER Allen Lane, Penguin Random House UK
ILLUSTRATOR/PHOTOGRAPHER Subrata Chowdhury
COVER/JACKET PRINTING Naba Mudran Pvt., Ltd.
PUBLICATION DATE 12/10/15
TYPEFACE Andrade, MB Empire, Adobe Jenson
COVER/JACKET STOCK & FINISH 4/c Offset, matte lamination
FORMAT Hardcover
PREPRESS/COMPOSITION Shubhani Sarkar, DIX
COVER/JACKET EFFECTS Embossing, Spot gloss UV
TRIM SIZE 7 x 9 3⁄8”
PRINTING/BINDING Naba Mudran Pvt., Ltd.
CASE MATERIALS 100% Art Cotton with 1/c silkscreen
PRODUCTION STAFF Subir Mitra
COVER/JACKET ART DIRECTION Shubhani Sarkar
OTHER COMPONENTS Endpapers: 1/c with spot gloss UV
TEXT ART DIRECTION Shubhani Sarkar
COVER/JACKET DESIGN Shubhani Sarkar
TEXT DESIGN Shubhani Sarkar
COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Subrata Chowdhury
JUDGES' COMMENTS Beautifully executed printing on cloth, wow! Unique, beautiful endpapers.
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PDF Page: txc4_13504.p35.pdf
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PDF Page: txc4_13504.p36.pdf
THE TYPEWRITER REVOLUTION RICHARD POLT
IMPRINT/PUBLISHER The Countryman Press, W. W. Norton & Company, Inc. PUBLICATION DATE 11/12/15 FORMAT Paperback TRIM SIZE 7 ½ x 9” PRODUCTION STAFF Devon Zahn TEXT DESIGN Nick Caruso
TYPEFACE 1913 Typewriter, DIN TEXT STOCK 100gsm UPM Fine woodfree white PRINTING/BINDING RR Donnelley Shenzhen COVER/JACKET DESIGN Nick Caruso COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Richard Polt (front cover), Alan Seaver (back cover) COVER/JACKET PRINTING RR Donnelley Shenzhen
COVER/JACKET STOCK & FINISH 300gsm Huaxia Sun C1S art card with matte film lamination COVER/JACKET EFFECTS Thin cloth grain embossing, title debossing OTHER COMPONENTS Custom-dyed typewriter ribbon marker JUDGES' COMMENTS Inspired choice of typefaces that reflect the topic of the book. Brilliantly conceived package. Typewriter ribbon marker… WOW!
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FAT CAT ART
SVETLANA PETROVA
IMPRINT/PUBLISHER TarcherPerigee, Penguin Random House
ILLUSTRATOR/PHOTOGRAPHER Svetlana Petrova
PUBLICATION DATE 09/15/15
TYPEFACE Fairfield LT Std Medium, Fairfield LT Std Heavy Italic, Copperplate Gothic Bold
FORMAT Paperback TRIM SIZE 7 x 7” PRODUCTION STAFF John Sharp TEXT ART DIRECTION Claire Vaccaro TEXT DESIGN Claire Vaccaro and Stephanie Huntwork
TEXT STOCK 105gsm Gold Sun Matte Art Paper FSC PREPRESS/COMPOSITION RR Donnelley/ComCom PRINTING/BINDING RR Donnelley South China COVER/JACKET ART DIRECTION Dave Walker COVER/JACKET DESIGN Dave Walker
COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Svetlana Petrova COVER/JACKET PRINTING RR Donnelley South China COVER/JACKET STOCK & FINISH 300gsm Huaxia Sun C1S card FSC with matte lamination COVER/JACKET EFFECTS Embossing, spot gloss UV OTHER COMPONENTS Flaps JUDGES' COMMENTS Rich illustrations. Consistent color on the kitty throughout. Nice balanced design. 2 01 6 N E W YO R K B O O K S H OW
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PDF Page: txc4_13504.p40.pdf
LOVE STYLE LIFE GARANCE DORÉ
IMPRINT/PUBLISHER Spiegel & Grau, Penguin Random House
TYPEFACE Garamond Premier Pro
COVER/JACKET PRINTING C & C Offset Printing Co., Ltd.
PUBLICATION DATE 10/05/15
TEXT STOCK 128gsm Chinese Chen Ming FSC matte art
FORMAT Paperback
PREPRESS/COMPOSITION North Market Street Graphics
COVER/JACKET STOCK & FINISH 350gsm Chinese C1S art board with matte layflat lamination
TRIM SIZE 7 x 9 1⁄8”
PRINTING/BINDING C & C Offset Printing Co., Ltd.
PRODUCTION STAFF Richard Elman
COVER/JACKET ART DIRECTION Greg Mollica
TEXT ART DIRECTION Elina Asanti/NR2154
COVER/JACKET DESIGN Elina Asanti/NR2154
TEXT DESIGN Elina Asanti/NR2154
COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Elina Asanti/NR2154
COVER/JACKET EFFECTS Press varnish on inside, black and gold foil stamping, post-embossing, debossing on back JUDGES' COMMENTS Intricate binding style. Dynamic layout and graphics.
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PDF Page: txc4_13504.p41.pdf
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PDF Page: txc4_13504.p42.pdf
LOLITO
BEN BROOKS
IMPRINT/PUBLISHER Regan Arts
TYPEFACE Plantin, Futura, handwriting, Pica
COVER/JACKET PRINTING Coral Graphics/BE Printers
PUBLICATION DATE 07/28/15
TEXT STOCK 50# Glatfelter Offset Extra Bulk
FORMAT Paperback
PREPRESS/COMPOSITION In-house
COVER/JACKET STOCK & FINISH 10pt C1S with soft touch matte film lamination
TRIM SIZE 5 ½ x 8 ¼”
PRINTING/BINDING Quad Graphics Fairfield
PRODUCTION STAFF Kurt Andrews
COVER/JACKET ART DIRECTION Richard Ljoenes
TEXT ART DIRECTION Richard Ljoenes
COVER/JACKET DESIGN Clinton Reno and Richard Ljoenes
TEXT DESIGN Palimpsest Book Production, Ltd. and Richard Ljoenes
COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Clinton Reno
OTHER COMPONENTS Book block stained on three sides JUDGES' COMMENTS Yellow topstain!!! A restrained package with quiet surprises: a full-bleed opening page and full-bleed closing author photo.
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PDF Page: txc4_13504.p43.pdf
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#1
NEW YORK
TIMES
BESTSELLING
AUTHOR
b BERKLEY
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PDF Page: txc4_13504.p44.pdf
BLUE SMOKE NORA ROBERTS
180
01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32S 33N
IMPRINT/PUBLISHER Berkley, Penguin Random House PUBLICATION DATE 07/07/15 FORMAT Paperback TRIM SIZE 6 x 9” PRODUCTION STAFF Kellie Schirmer TEXT ART DIRECTION Laura K. Corless TEXT DESIGN Laura K. Corless
N O R A
R O B E R T S
over and over it. I can’t see it’s anything but coincidence. You look at the statements.” She tapped the file. “Luke wasn’t Mr. Popularity among his coworkers, his former relationships. Still, none of them look any better for it than I do, at this point. What it looks like is somebody hired a torch. Hell, I’d say the son of a bitch hired one himself to slap back at me, but the timing’s too tight for that to fly.” “Pretty tight,” John agreed. “But it’s an angle—the hiring a torch to slap at you. Maybe you ought to think of somebody you might’ve ticked off lately.” “Cops are always ticking somebody off,” she muttered. “Ain’t that the truth?” He eased back, smiled when Fran brought their pizza to the table. “How’s it going, sweetie?” “It’s going good.” But her hand moved over to rub at Reena’s shoulder. “Now, make my baby sister put that work away and eat something.” “See what I can do. Put it away,” John advised when Fran walked off. “You’ll handle any heat that comes your way on this. Unofficially, nobody’s looking at you. You’ve got a solid record because you earned it, and your alibi holds. Set it aside, let the system work.” “Yeah. You know, John, I don’t know if I chose my career or it chose me. Fire seems to follow me around. Sirico’s, the first boy I really cared about, Hugh. Now this.” He slid a slice of pizza onto his plate. “Fate’s a mean bastard.”
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Baltimore, 2005
F
or better or worse, it was done. Reena’s heart was pounding, her throat bone-dry, and at the base of her belly was a little tickle that could have been panic or excitement. She’d bought herself a house. She stood on the white marble steps, the keys in her clammy hand. Settlement was over, the papers were signed. She had a mortgage. And a bank loan, she thought, that stretched out so long she’d be ready for retirement when it was paid off. Did the math, didn’t you? she reminded herself. You can make this work. It was time she owned property. Oh God, she was a property owner. And hadn’t she fallen in love with this house? It was so like home. What that said about her, she wasn’t entirely sure, but it had been love at first sight. Everything about it had called to her. The location, the familiarity, even the slightly tired interior that just begged her to liven it up, her way. It even had a backyard—maybe it was narrow enough to spit from line to line, but it was an actual yard with actual grass. It even had a tree. Which meant she’d have to mow grass and rake leaves, which meant
01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 S32 N33
ILLUSTRATOR/PHOTOGRAPHER Title page and part opener image from Shutterstock
COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Rita Frangie using images from Shutterstock
TYPEFACE Dante MT Std, Ferrum Extra-condensed
COVER/JACKET PRINTING Coral Graphics
TEXT STOCK 40# Resolute Book 70 500ppi
COVER/JACKET STOCK & FINISH 10pt C2S with gloss mylar lamination
PREPRESS/COMPOSITION Jouve North America
COVER/JACKET EFFECTS Spot matte UV, dome embossing, 4/c inside cover printing, die-cut flaps
PRINTING/BINDING RR Donnelley Harrisonburg COVER/JACKET ART DIRECTION Rita Frangie COVER/JACKET DESIGN Rita Frangie
JUDGES' COMMENTS Exceptional cover design. Nice treatment of die-cut flaps to accentuate burnt effects.
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PDF Page: txc4_13504.p46.pdf
THUG NOTES
SPARKY SWEETS, PHD
IMPRINT/PUBLISHER Vintage, Penguin Random House
TEXT DESIGN Stephanie Moss
COVER/JACKET PRINTING Phoenix Color
PUBLICATION DATE 08/18/15
TYPEFACE Apollo MT STD
COVER/JACKET STOCK & FINISH 10pt C2S with gritty matte UV
FORMAT Paperback
TEXT STOCK 45# Glatfelter B-18 Smooth
TRIM SIZE 6 x 7 ¾"
PREPRESS/COMPOSITION North Market Street Graphics
JUDGES' COMMENTS Skillful integration of illustrations with text.
PRODUCTION STAFF Quinn O’Neill
PRINTING/BINDING RR Donnelley Harrisonburg
TEXT ART DIRECTION Claudia Martinez
COVER/JACKET DESIGN Joan Wong 2 01 6 N E W YO R K B O O K S H OW
Job Name: 13504
PDF Page: txc4_13504.p47.pdf
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FIRST
POETRY
32
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GENERAL TRADE
Job Name: 13504
PDF Page: txc4_13504.p48.pdf
SHARDS
LORENZO CHIERA AND LAWRENCE FERLINGHETTI
[. . .]
[. . .]
Latroniuçça tosta110 sotto lo ponne la torrao111 de scarçella112 forrata113 de pelo [. . .] ddiaceraola [. . .] gaudere114 et spiegharaola115 [. . .] pe’ffurare116 l’aoro117 que nce118 [. . .]
A quick disguise under the bridge And I’ll snatch her purse the one with fur I’ll lay it down and make it purr and open it and get the gold inside her
[. . .]
[. . .]
110 111 112 113 114 115 116 117 118
Latroniuçça tosta: ‘rapina, piccola ruberia’. Torrao: ‘prenderò’. Scarçella: ‘borsa’. Forrata: ‘foderata’. Ddiaceraola gaudere: ‘la metterò distesta per farla godere’. Spiegharaola: ‘la aprirò’. Pe’ffurare: ‘per rubare’. L’aoro: ‘l’oro’. Nce: ‘ci’ (sottint. ‘si trova’). 58
59
IMPRINT/PUBLISHER New Directions
TYPEFACE Poliphilus and Blado
PUBLICATION DATE 09/08/15
TEXT STOCK 55# Glatfelter B-18 360ppi
FORMAT Hardcover
PREPRESS/COMPOSITION Thomson-Shore
TRIM SIZE 4 x 6”
PRINTING/BINDING Thomson-Shore
PRODUCTION STAFF Erik Rieselbach
COVER/JACKET ART DIRECTION Rodrigo Corral/Erik Rieselbach
TEXT ART DIRECTION Erik Rieselbach
COVER/JACKET DESIGN Rodrigo Corral
TEXT DESIGN Erik Rieselbach
COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Rodrigo Corral COVER/JACKET PRINTING Thomson-Shore COVER/JACKET STOCK & FINISH 100# C1S with matte UV CASE MATERIALS Arrestox B cloth over 88pt boards with matte foil stamping JUDGES' COMMENTS Very tactile. Great continuity of grittiness of case paper materials tying with gritty display face on cover. 2 01 6 N E W YO R K B O O K S H OW
Job Name: 13504
PDF Page: txc4_13504.p49.pdf
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33
SECOND POETRY
34
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GENERAL TRADE
Job Name: 13504
PDF Page: txc4_13504.p50.pdf
DARK SPARKLER AMBER TAMBLYN
IMPRINT/PUBLISHER Harper Perennial, HarperCollins Publishers PUBLICATION DATE 04/01/15 FORMAT Paperback TRIM SIZE 6 x 8” PRODUCTION STAFF Donna Brown TEXT ART DIRECTION Leah Carlson-Stanisic TEXT DESIGN Leah Carlson-Stanisic
ILLUSTRATOR/PHOTOGRAPHER Illustrations by Sage Vaughn, Sandro Kopp, Russ Tamblyn, Marcel Dzama, George Herms, Kid Koala, Pat Hamou, Marilyn Manson, Adrian Tomine, Travis Louie, and David Lynch TYPEFACE Carre Noir Light and Chronicle Display TEXT STOCK 55# Earth Choice Cream, 364ppi PREPRESS/COMPOSITION Prepress by Graphic Process PRINTING/BINDING Quad Graphics COVER/JACKET ART DIRECTION Robin Bilardello
COVER/JACKET DESIGN Gregg Kulick COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY CSA Images, Getty Images COVER/JACKET PRINTING 3 PMS/1 PMS COVER/JACKET STOCK & FINISH 10pt C1S with matte UV COVER/JACKET EFFECTS Spot gloss JUDGES' COMMENTS There’s a treat on almost every page. Nice energy in use of colors.
2 01 6 N E W YO R K B O O K S H OW
Job Name: 13504
PDF Page: txc4_13504.p51.pdf
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35
THIRD POETRY
36
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GENERAL TRADE
Job Name: 13504
PDF Page: txc4_13504.p52.pdf
TRYING AGAIN TO STOP TIME JALAL BARZANJI
Returning to Autumn
I Want To Be Named Home
I’m not sure you too can return to autumn, but I must say it’s been a good return for me: these past six days
2007
I get good sleep, I rise early, I get to see the leaves fall, and now that my words have turned into an orchard, I don’t need much. I pick ripened fruit every morning and thank autumn for helping me reconcile with myself.
22
IMPRINT/PUBLISHER The University of Alberta Press
ILLUSTRATOR/PHOTOGRAPHER Angus Wyatt
PUBLICATION DATE 02/18/15
TYPEFACE Scala Sans, Fayon
FORMAT Paperback
TEXT STOCK 55# Enviro Cream
TRIM SIZE 5 ¼ x 9”
PREPRESS/COMPOSITION Alan Brownoff
PRODUCTION STAFF Alan Brownoff
PRINTING/BINDING Houghton Boston Printers
TEXT ART DIRECTION Alan Brownoff
COVER/JACKET ART DIRECTION Alan Brownoff
TEXT DESIGN Alan Brownoff
COVER/JACKET DESIGN Alan Brownoff
COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Angus Wyatt COVER/JACKET PRINTING Houghton Boston Printers COVER/JACKET STOCK & FINISH Matte lamination JUDGES' COMMENTS Nice printing and binding. It’s difficult not to have the flaps crack. Achieved this beautifully.
2 01 6 N E W YO R K B O O K S H OW
Job Name: 13504
PDF Page: txc4_13504.p53.pdf
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37
MERIT POETRY
38
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GENERAL TRADE
Job Name: 13504
PDF Page: txc4_13504.p54.pdf
HOW TO BE DRAWN TERRANCE HAYES
COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Art: Terrance Hayes; Hand lettering: Jaya Miceli
IMPRINT/PUBLISHER Penguin Books, Penguin Random House
TEXT DESIGN Ginger Legato
PUBLICATION DATE 03/31/15
TYPEFACE Frutiger Linotype Std
FORMAT Paperback
TEXT STOCK 45# Domtar/Earthchoice trade 400ppi Cream White
TRIM SIZE 6 x 9” PRODUCTION STAFF Marlene de Jesús TEXT ART DIRECTION Sabrina Bowers
PREPRESS/COMPOSITION Allentown PRINTING/BINDING RR Donnelley Harrisonburg COVER/JACKET DESIGN Alison Forner
COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 10pt C1S with matte UV finish JUDGES' COMMENTS Efficient use of crinkled paper graphic carried throughout.
2 01 6 N E W YO R K B O O K S H OW
Job Name: 13504
PDF Page: txc4_13504.p55.pdf
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39
FIRST
ADULT GRAPHIC NOVEL
40
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GENERAL TRADE
Job Name: 13504
PDF Page: txc4_13504.p56.pdf
AMAZING FANTASTIC INCREDIBLE STAN LEE
We should start at the very beginNing, I guesS.
Anyway, I was born in the apartment that I first lived in. My father was Jack Lieber, my mother, Celia. He was a Romanian imMigrant who came to the States when he was young; my mom was born in New York.
And now I wilL do my best to telL you how it alL came about, with some digresSions along the way.
I canNot telL you how wonderful it is to seE you alL. I’ve spent decades of my life trying to entertain and divert you.
We were living in Washington Heights by that point, having moved out of the apartment on West 98th StreEt and West End Avenue.
hey!
And I was raised in--
There’s a big screEn there!
I was born in New York City on December 28, 1922.
Nine years later my kid brother, LarRy, was born. We never realLy got a chance to know each other because by the time he was 5, I was 14 and playing with older kids.
I’d spend most of my time reading.
I loved to read.
Why should I loOk at you guys when I can loOk at myself?!
Although, damn, I gotTa say, it loOks pretTy goOd. Joanie did a great job.
Hold it. I can’t seE my face!
And not just that, but my mother loved to watch me read. My whole adult life, I’ve never beEn to a barber. Joanie always cuts my hair.
Or chew gum.
Or breathe.
This is ridiculous! I don’t wanNa stare at the back of my head!
But I’lL get to her in a while. First things first: back to me.
I probably got my self-confidence from the fact that my mother thought everything I did was brilLiant.
IMPRINT/PUBLISHER Touchstone Books, Simon & Schuster
TYPEFACE Lettering
COVER/JACKET PRINTING Phoenix Color
PUBLICATION DATE 11/03/15
TEXT STOCK 80# Sterling Ultra Gloss
COVER/JACKET STOCK & FINISH 100# C1S with gloss film lamination
FORMAT Hardcover
PREPRESS/COMPOSITION Simon & Schuster
COVER/JACKET EFFECTS Vibramotion, embossing
TRIM SIZE 6 7⁄8 x 10 7⁄16”
PRINTING/BINDING RR Donnelley Willard
CASE MATERIALS 80# C1S with matte film
PRODUCTION STAFF Larry Pekarek
COVER/JACKET ART DIRECTION Cherlynne Li
OTHER COMPONENTS Endpapers: Rainbow “Red”
TEXT ART DIRECTION Erich Hobbing
COVER/JACKET DESIGN Cherlynne Li
TEXT DESIGN Colleen Doran
COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Colleen Doran
JUDGES' COMMENTS Amazing, fantastic, incredible printing. Bold and eye-popping. Impressive choice of materials.
ILLUSTRATOR/PHOTOGRAPHER Colleen Doran
2 01 6 N E W YO R K B O O K S H OW
Job Name: 13504
PDF Page: txc4_13504.p57.pdf
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SECOND
ADULT GRAPHIC NOVEL
42
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GENERAL TRADE
Job Name: 13504
PDF Page: txc4_13504.p58.pdf
THE SCULPTOR SCOTT MCCLOUD
IMPRINT/PUBLISHER First Second Books, Macmillan Publishers
ILLUSTRATOR/PHOTOGRAPHER Scott McCloud
PUBLICATION DATE 02/03/15
TYPEFACE The Sculptor
FORMAT Hardcover
TEXT STOCK 120gsm UPM Fine uncoated woodfree FSC
TRIM SIZE 6 x 8 ½”
PREPRESS/COMPOSITION Westchester Book
PRODUCTION STAFF Alexa Villanueva
PRINTING/BINDING RR Donnelley Asia Printing Solutions
TEXT ART DIRECTION Colleen AF Venable/ John Green
COVER/JACKET ART DIRECTION Colleen AF Venable
TEXT DESIGN Colleen AF Venable/ John Green
COVER/JACKET DESIGN Colleen AF Venable
COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Scott McCloud COVER/JACKET PRINTING RR Donnelley Asia Printing Solutions COVER/JACKET STOCK & FINISH 128gsm Gold Sun Gloss Art paper FSC COVER/JACKET EFFECTS Matte lamination CASE MATERIALS 128gsm Gold Sun Gloss art paper FSC with matte lamination JUDGES' COMMENTS Feels good in your hands. Beautiful materials and printing. Attractive layout. 2 01 6 N E W YO R K B O O K S H OW
Job Name: 13504
PDF Page: txc4_13504.p59.pdf
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FIRST PLACE COVER HARDCOVER FICTION
THE ARCHITECT’S APPRENTICE ELIF SHAFAK
IMPRINT/PUBLISHER Viking, Penguin Random House PUBLICATION DATE 03/31/15 FORMAT Hardcover TRIM SIZE 6 1⁄8 x 9 ¼” PRODUCTION STAFF Sharon Gonzalez COVER/JACKET ART DIRECTION Paul Buckley COVER/JACKET DESIGN Jaya Miceli COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Jaya Miceli COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 100# C1S with soft touch film lamination COVER/JACKET EFFECTS Foil stamping JUDGES' COMMENTS Elephants look like pearl. The release of the gold foil is perfect.
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Job Name: 13504
PDF Page: txc4_13504.p60.pdf
SECOND PLACE COVER HARDCOVER FICTION
THE LAST PILOT
BENJAMIN JOHNCOCK IMPRINT/PUBLISHER Picador, St. Martin’s Press, Macmillan Publishers PUBLICATION DATE 07/07/15 FORMAT Hardcover TRIM SIZE 5 5⁄8 x 8 ½” PRODUCTION STAFF Lisa Viviani Goris COVER/JACKET ART DIRECTION Henry Sene Yee COVER/JACKET DESIGN LeeAnn Falciani and Henry Sene Yee COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Photograph by skreidzeleu/Shutterstock COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 11# C2S McCoy with matte polypropylene lamination COVER/JACKET EFFECTS Spot gloss UV, embossing CASE MATERIALS One-piece with 70# Rainbow A “Navy” with “Antique” embossing JUDGES' COMMENTS Stark, evocative image. Makes you want to know more.
2 01 6 N E W YO R K B O O K S H OW
Job Name: 13504
PDF Page: txc4_13504.p61.pdf
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THIRD PLACE COVER HARDCOVER FICTION
DUPLICITY N. K. TRAVER
IMPRINT/PUBLISHER Thomas Dunne Books, St. Martin’s Press, Macmillan Publishers PUBLICATION DATE 03/15/15 FORMAT Hardcover TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Cheryl Mamaril COVER/JACKET ART DIRECTION Michael Storrings COVER/JACKET DESIGN Kerri Resnick COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Photo: Shutterstock COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH Matte lamination JUDGES' COMMENTS Interesting mix of image, graphics, and color. Eye-catching.
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Job Name: 13504
PDF Page: txc4_13504.p62.pdf
MERIT AWARD COVER HARDCOVER FICTION
ALL THE STARS IN THE HEAVENS ADRIANA TRIGIANI
IMPRINT/PUBLISHER Harper, HarperCollins Publishers PUBLICATION DATE 10/13/15 FORMAT Hardcover TRIM SIZE 6 1⁄8 x 9 ¼” PRODUCTION STAFF Michael Siebert COVER/JACKET DESIGN Gregg Kulick COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Underwood Archives, Getty Images; Lisa Thornberg, Getty Images; Time Life Pictures, Getty Images COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 80# Neenah Starwhite Flashwhite text with press varnish COVER/JACKET EFFECTS Embossing, spot gloss UV JUDGES' COMMENTS The foil ribbon embossing is very effective.
2 01 6 N E W YO R K B O O K S H OW
Job Name: 13504
PDF Page: txc4_13504.p63.pdf
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MERIT AWARD COVER HARDCOVER FICTION
THE BAZAAR OF BAD DREAMS STEPHEN KING
IMPRINT/PUBLISHER Scribner, Simon & Schuster PUBLICATION DATE 11/03/15 FORMAT Hardcover TRIM SIZE 6 ¼ x 9 ½” PRODUCTION STAFF Olga Leonardo COVER/JACKET ART DIRECTION Jaya Miceli COVER/JACKET DESIGN Jonathan Bush COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Nicolas Obery COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 100# C1S with soft touch film COVER/JACKET EFFECTS Lithofoil, embossing JUDGES' COMMENTS Inspired metallic ink design. Rich, vibrant color pop from exquisitely black background.
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Job Name: 13504
PDF Page: txc4_13504.p64.pdf
FIRST PLACE COVER
HARDCOVER NONFICTION
BORN ON THE BAYOU BLAINE LOURD
IMPRINT/PUBLISHER Gallery Books, Simon & Schuster PUBLICATION DATE 08/18/15 FORMAT Hardcover TRIM SIZE 6 1⁄8 x 9 ¼" PRODUCTION STAFF Beth Maglione COVER/JACKET DESIGN John Vairo Jr. COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Steve Outran, Getty Images (front cover); Eric Schlegel, Corbis (back cover) COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 100# C1S with soft touch film lamination COVER/JACKET EFFECTS Embossing, debossing, spot gritty matte UV JUDGES' COMMENTS Extremely tactile. Lots of variation in textures. Label feels like freshly washed jeans.
2 01 6 N E W YO R K B O O K S H OW
Job Name: 13504
PDF Page: txc4_13504.p65.pdf
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SECOND PLACE COVER HARDCOVER NONFICTION
BLACK SABBATH MICK WALL
IMPRINT/PUBLISHER St. Martin’s Press, Macmillan Publishers PUBLICATION DATE 04/04/15 FORMAT Hardcover TRIM SIZE 6 ¼ x 9 ½” PRODUCTION STAFF Eric Gladstone COVER/JACKET ART DIRECTION Rob Grom COVER/JACKET DESIGN Rob Grom COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Duffy, Getty Images COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH Soft touch matte lamination COVER/JACKET EFFECTS Spot gloss UV CASE MATERIALS Pasted oak board JUDGES' COMMENTS Great use of black on black. Cool! Love the matte and gloss effects.
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Job Name: 13504
PDF Page: txc4_13504.p66.pdf
THIRD PLACE COVER HARDCOVER NONFICTION
LEADING THROUGH LANGUAGE BART EGNAL
IMPRINT/PUBLISHER Wiley PUBLICATION DATE 12/11/15 FORMAT Hardcover TRIM SIZE 6 1⁄8 x 9 ¼” PRODUCTION STAFF Mike Freeland COVER/JACKET ART DIRECTION Mike Freeland COVER/JACKET DESIGN Mike Freeland COVER/JACKET PRINTING Quad Graphics Fairfield COVER/JACKET STOCK & FINISH 80# C1S smooth with matte film lamination CASE MATERIALS 70# Rainbow “Black” with “Antique” embossing JUDGES' COMMENTS Graphic design complements subject.
2 01 6 N E W YO R K B O O K S H OW
Job Name: 13504
PDF Page: txc4_13504.p67.pdf
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MERIT AWARD COVER HARDCOVER NONFICTION
STRONG LOOKS BETTER NAKED
KHLOÉ KARDASHIAN IMPRINT/PUBLISHER Regan Arts PUBLICATION DATE 11/03/15 FORMAT Hardcover TRIM SIZE 6 x 9” PRODUCTION STAFF Kurt Andrews COVER/JACKET ART DIRECTION Richard Ljoenes COVER/JACKET DESIGN Richard Ljoenes COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Steven Gomillion COVER/JACKET PRINTING Coral Graphics/BE Printers COVER/JACKET STOCK & FINISH 80# C2S with soft touch matte film lamination (outside) and press varnish (inside) OTHER COMPONENTS Jacket folds out to a poster JUDGES' COMMENTS Bold use of bold. Great use of back side (pardon the pun).
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GENERAL TRADE
Job Name: 13504
PDF Page: txc4_13504.p68.pdf
FIRST PLACE COVER QUALITY PAPERBACK
KATHERINE CARLYLE RUPERT THOMSON IMPRINT/PUBLISHER Other Press PUBLICATION DATE 10/06/15 FORMAT Paperback TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Iisha Stevens and Yvonne Cardenas COVER/JACKET ART DIRECTION Northern Lights COVER/JACKET DESIGN Andreas Gurewich COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Anna Lena Mayor Ekeblad COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH Soft touch JUDGES' COMMENTS Moody. Understated but effective.
2 01 6 N E W YO R K B O O K S H OW
Job Name: 13504
PDF Page: txc4_13504.p69.pdf
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SECOND PLACE COVER
QUALITY PAPERBACK FICTION H
H
H
H
H
H
H
H
H
H
Where
H
H
CHRISTIE WATSON
H
H
PUBLICATION DATE 04/28/15
H
Women H
H
H
H
H
H
H
H
H
H
H
Kings H
H
H H
H
H H
H
H
H
H
H
H
H
Christie Watson H
H
H
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COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH Uncoated COVER/JACKET EFFECTS Foil stamp
H
a novel
H H
COVER/JACKET DESIGN Kathleen DiGrado COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Itani/Alamy
H
H
PRODUCTION STAFF Iisha Stevens and Yvonne Cardenas COVER/JACKET ART DIRECTION Bold
H
Are
H
H
H
H
H
H
TRIM SIZE 5 ½ x 8 ¼”
H
H
H
FORMAT Paperback
H
H
H
IMPRINT/PUBLISHER Other Press
H
H
H
WHERE WOMEN ARE KINGS
JUDGES' COMMENTS Striking image. Nice use of foil on stars.
H
H
GENERAL TRADE
Job Name: 13504
PDF Page: txc4_13504.p70.pdf
THIRD PLACE COVER
QUALITY PAPERBACK FICTION
IN THE FLESH
ADAM O’RIORDAN IMPRINT/PUBLISHER W. W. Norton & Company, Inc. PUBLICATION DATE 12/07/15 FORMAT Paperback TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Louise Mattarelliano COVER/JACKET ART DIRECTION Debra Morton Hoyt COVER/JACKET DESIGN Steve Attardo COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 10pt C1S COVER/JACKET EFFECTS Gritty matte JUDGES' COMMENTS Minimalist. Printed effect makes you want to reach out and touch it.
2 01 6 N E W YO R K B O O K S H OW
Job Name: 13504
PDF Page: txc4_13504.p71.pdf
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FIRST PLACE COVER
QUALITY PAPERBACK NONFICTION
ISIS
MICHAEL WEISS AND HASSAN HASSAN IMPRINT/PUBLISHER Regan Arts PUBLICATION DATE 02/17/15 FORMAT Paperback TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Kurt Andrews COVER/JACKET ART DIRECTION Regan Arts COVER/JACKET DESIGN Regan Arts COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Abacca COVER/JACKET PRINTING Coral Graphics/BE Printers COVER/JACKET STOCK & FINISH 10pt C1S with gritty matte UV JUDGES' COMMENTS Powerful, dramatic, journalistic. Clean design, but conveys all you need to know.
56
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Job Name: 13504
PDF Page: txc4_13504.p72.pdf
SECOND PLACE COVER
QUALITY PAPERBACK NONFICTION
HOW TO STAND OUT DR. ROB YEUNG IMPRINT/PUBLISHER Capstone, Wiley PUBLICATION DATE 05/01/15 FORMAT Paperback TRIM SIZE 5 ½ x 8 ½” PRODUCTION STAFF Carly Hounsome, Tessa Allen, Symmie Tyson, Emily Ward, Sian Bourner, Holly Bennion, Vicky Kinsman, Emma Henshall COVER/JACKET ART DIRECTION Kathy Davis COVER/JACKET DESIGN Kathy Davis COVER/JACKET PRINTING TJ International COVER/JACKET STOCK & FINISH 240/250gsm artboard with matte lamination COVER/JACKET EFFECTS 3/c with PMS 804c2 and 811c, spot gloss UV, and embossing JUDGES' COMMENTS Bold choice for front cover treatment—avoided the obvious. Dynamic back cover design.
2 01 6 N E W YO R K B O O K S H OW
Job Name: 13504
PDF Page: txc4_13504.p73.pdf
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THIRD PLACE COVER
QUALITY PAPERBACK NONFICTION
ONE WAY OUT ALAN PAUL
IMPRINT/PUBLISHER St. Martin’s Griffin, Macmillan Publishers PUBLICATION DATE 02/24/15 FORMAT Paperback TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Eric Gladstone COVER/JACKET ART DIRECTION Rob Grom COVER/JACKET DESIGN Rob Grom COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Hand lettering: Dave Stevenson; Photography: Michael Ochs, Getty Images COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 10pt C1S with gloss layflat film lamination COVER/JACKET EFFECTS Crown foil 210F-107, embossing JUDGES' COMMENTS Impressive execution of foil stamping and embossing.
58
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Job Name: 13504
PDF Page: txc4_13504.p74.pdf
FIRST PLACE COVER SERIES HARDCOVER FICTION SERIES
THE KANIN CHRONICLES AMANDA HOCKING
IMPRINT/PUBLISHER St. Martin’s Griffin, Macmillan Publishers PUBLICATION DATE 01/06/15 FORMAT Hardcover TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Cheryl Mamaril COVER/JACKET ART DIRECTION Lisa Marie Pompilio COVER/JACKET DESIGN Lisa Marie Pompilio COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Mike Heath COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH Matte COVER/JACKET EFFECTS Spot Gloss UV JUDGES' COMMENTS Ironwork design tied the series together nicely. Good use of color.
2 01 6 N E W YO R K B O O K S H OW
Job Name: 13504
PDF Page: txc4_13504.p75.pdf
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