32nd Annual New York Book Show Catalog by Book Industry Guild of New York

The 32nd Annual

is a member-operated professional organization composed of individuals from every aspect of the book publishing and book manufacturing industries. It sponsors educational seminars and trips, holds informational programs, and helps raise money for the Literacy Assistance Center, in addition to creating opportunities for junior level publishing people to learn from a variety of senior staff. Originally the Bookbindersâ&#x20AC;&#x2122; Guild of New York, the Guild was formed in 1925 by a group of thirty-five craftspeople from the many binderies in and around New York City. These pioneers gathered monthly to discuss issues, brainstorm through common problems, and address areas for improvement. These engagements helped develop many of the processes that we take for granted today. To become a member of BIGNY, or to join one of our organizing committees, please contact any member of the executive board or visit our website at bigny.org. THE BOOK INDUSTRY GUILD OF NEW YORK (BIGNY)

the 32nd annual new york book show

A BOU T BIGNY

Presented by the Book Industry Guild of New York

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The 32nd Annual

NEW YORK BOOK SHOW Presented by the Book Industry Guild of New York

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The 32nd Annual

NEW YORK BOOK SHOW Presented by the Book Industry Guild of New York October 11, 2018 Battery Gardens 1 Battery Place, New York, NY 10004

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Contents

BIGNY Executive Board Letter from the BIGNY President Credits/Book Show Committee Letter from the Co-Chairs

viii ix x xi

GE NE RA L T R A D E

Hardcover Fiction 2 Hardcover Nonfiction 8 Adult Graphic Novel 20 Cookbook 26 Poetry 36 Quality Paperback 40 Cover/Jacket 44 Cover/Jacket Series 61 S P E CIAL T R A D E

Fine Art Under $75 64 Fine Art Over $75 74 General 80 Gift 90 Photography 100 Cover/Jacket 106 CH ILD R E N ’ S T R A D E

Hardcover Picture Fiction 112 Hardcover Picture Nonfiction 122 Hardcover Picture Nonfiction Series 128 Hardcover Young Adult Fiction 130 Hardcover Young Adult Fiction Series 140 Hardcover Young Adult Nonfiction 146 Novelty 154

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Young Adult Graphic Novel 164 Young Adult Graphic Novel Series 170 Young Adult Illustrated Novel 172 Young Adult Illustrated Novel Series 182 Cover/Jacket 188 Cover/Jacket Series 195 SCHO O L PUBL I SHI NG

Middle/High School 202 College 208 Ancillary 216 Elementary Book Series 218 Middle/High School Book Series 226 College Book Series 228 Ancillary Book Series 230 Cover/Jacket 232 Cover/Jacket Series 235 SCHO L A RLY / PRO F ESSI O NA L

Reference 244 Scholarly 252 Scholarly Book Series 260 Cover/Jacket 262 Cover/Jacket Series 269 SEL F-PUBL I SHED

Adult Fiction 272 Adult Nonfiction 276 Cover/Jacket 278 Judges’ Biographies Book Show Corporate Sponsors

281 289

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BIGNY Executiv e Boa rd

President

MEMBERSHIP COMMITTEE CHAIR

Martha Hanson, Simon & Schuster

Richard Bretan, SPi-Global

Vice President Karen Romano, Thomson-Shore

NOMINATING COMMITTEE CO-CHAIRS

Treasurer

Diana Gee, Simon & Schuster Janet McCarthy-Grimm, Lindenmeyr Paper

Michael Kwan, Simon & Schuster Financial Secretary Richard Bretan, SPi-Global

PROGRAM COMMITTEE CHAIR

Sharon Watson, Penguin Random House

Recording Secretary

LITERACY FUNDRAISER COMMITTEE CO-CHAIRS

Brigid Black, Simon & Schuster Ex-Officio

Steve Bedney, Ecological Fibers Carol Bystrom, Dickinson Press

Jody Saunders Ray, Maple Press

WEBSITE COMMITTEE CO-CHAIRS

EXECUTIVE COMMITTEE

Richard Bretan, SPi-Global Michael Kwan, Simon & Schuster

Steve Bedney, Ecological Fibers Christine Davis, Neenah, Inc. Diana Gee, Simon & Schuster Andy Hughes, Penguin Random House Janet McCarthy Grimm, Lindenmeyr Paper Calvin Reid, Publishers Weekly Michael Wettstein, Phoenix Color BARGE BASH COMMITTEE CO-CHAIRS

Steve Bedney, Ecological Fibers Michael Kwan, Simon & Schuster EDUCATION COMMITTEE CO-CHAIRS

Steve Bedney, Ecological Fibers Elizabeth Yaffe, Penguin Random House

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Le tter from the BIGNY President

On behalf of the Book Industry Guild of New York, I extend a warm welcome to the 32nd New York Book Show. We are so excited to be returning to Battery Gardens this evening for what many of us consider to be the highest point in BIGNY’s calendar year. Thank you to our Book Show Co-Chairs, Christine Davis and Edson Atwood, for leading their dedicated team of volunteers to make this year’s show a success. Through the Book Show Committee’s year-long effort, we bring you these beautiful books that the judges have selected as the best-designed and best-crafted books of 2017. From the first poster mailing to the final award certificate mailing, the show is an enormous undertaking. Having attended many of this year’s book show meetings and being involved in much of what goes into the show, I have been impressed by our growing volunteer base whose energy and ideas have contributed greatly to this show’s vitality. We also thank the numerous volunteers and donors who are listed throughout this catalog for their time as well as service and monetary donations. BIGNY is a member-operated, wholly volunteer organization. It is composed of professionals from all aspects of the book publishing and book manufacturing industries. Special recognition goes to Penguin Random House and Simon & Schuster again this year for providing the

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meeting space and financial assistance we continue to rely on for this show’s success. The New York Book Show contributes to covering the basic expenses of BIGNY’s monthly evening programs, educational seminars, manufacturing plant trips and literary efforts. It is also important to note that we donate the books submitted to this show to organizations dedicated to promoting literacy. This exceptionally designed catalog is yours to take this evening. We hope you will continue to look at it over the year ahead and let it inspire you in your own work or to become involved in the Guild. We welcome you to all of our events throughout the year. We are always looking for new volunteers to participate. Please find us online at www.bigny.org As President of the Guild, I thank you for joining in tonight’s annual celebration of book making! Sincerely,

Martha Hanson President The Book Industry Guild of New York

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Cr edits/Bo ok Show Com m ittee

Book Show Co-Chairs Christine Davis, Neenah, Inc. Edson Atwood, Wiley CATALOG

Production Supervisor Zachary Lutz, Penguin Random House Design, Layout, and Art Coordination Anna B. Knighton, Penguin Random House Copyediting/Proofreading Westchester Publishing Services Printing and Binding Bertelsmann Printing Group Interior Stock Neenah, Inc. Cover Stock Neenah Performance Materials POSTER

Design Evan Johnston Printing Phoenix Color Stock Neenah, Inc. SHOW BANNERS/BOOKMARKS

Design Olivia Croom, Penguin Random House Printing Neenah, Inc.

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DISPLAY CARDS

Design Olivia Croom, Penguin Random House Printing Alpha Graphics Stock Ecological Fibers TICKETS

Design Olivia Croom, Penguin Random House Printing Sterling Pierce Stock Ecological Fibers CERTIFICATES

Design Zachary Lutz, Penguin Random House Printing Command Web Stock Mohawk WEBSITE DESIGN

Tom DuHamel, I Heart Blank, LLC BOOK SHOW COMMITTEE

Stella Alstede, Neenah, Inc. Marybel Angulo, Penguin Random House Steve Bedney, Ecological Fibers Lizz Blaise, Harper Collins Denise Boyd, Penguin Random House Richard Bretan, SPi-Global

Kathleen Charles, Scholastic Olivia Croom, Penguin Random House Katheryn Gao Diana Gee, Simon & Schuster Erika Genova, Simon & Schuster Hector Gonzalez, Oxford University Press Martha Hanson, Simon & Schuster Sofya Joseph Anna B. Knighton, Penguin Random House Michael Kwan, Simon & Schuster Lauren Lapinski Zachary Lutz, Penguin Random House Anthony Mauro, Sterling Publishing Anjali Pala, Miko McGinty Inc. Jacob Seifert, Soho Publishing CATALOG SPECIFICATIONS

Trim: 9⅜" x 8¾" Pages: 304 Text Stock: 80# Royal Sundance Smooth Ultra White Typefaces: Avenir Next LT Pro, Bembo MT Pro, Filosofia Binding: Adhesive Cover Stock: Kivar 3-14 Digital Cover Material, Chrome DISCLAIMER

Winners and their respective publishers are responsible for ensuring that material submitted for inclusion in the catalog is accurate and without errors. We are not responsible for any inaccuracies or errors in the submitters’ materials.

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L etter from the Co -Cha irs

Welcome to the 32nd Annual New York Book Show! The Book Show’s mission is to present the “best of the best” in book design, production, and manufacturing chosen by a group of your industry colleagues. What you will see on display here tonight and printed in this catalog, we believe, does just that. A lot of skill and care goes into producing these books. We dare say that the Book Show winners are about truth and beauty, expressed through words, art, and design, inseparable from the physicality of the book itself. We were thrilled to see over 500 entries this year. The competition was fierce and we thank you and appreciate every single one of those entries! While you walk tonight’s show, and as you view this catalog, you will directly experience the wide range of papers and case materials, typefaces and inks, foils and coatings, all painstakingly composed to create incredible books. It is an honor and a privilege to serve as co-chairs of this beloved event, but this night would not be possible without the unwavering support of the board of the Book Industry Guild of New York or the tireless efforts of all the committee members and volunteers that make this show happen.

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We would be remiss if we did not thank the many varied judges, from editors and writers, to production managers and print or paper specialists that spent a full day deciding which books we would feature. And we want to thank you all for coming and supporting this annual event! This is a night of mingling with friends, enjoying the evening sky at the tip of Manhattan, sampling the foods, and getting to see and touch the best books of 2017. Thank you again,

Edson Atwood

Christine Davis Co-Chairs, 32nd Annual New York Book Show

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G e n e ra l T rade Hardcover Fiction Hardcover Nonfiction Adult Graphic Novel Cookbook Poetry Quality Paperback Cover/Jacket Cover/Jacket Series

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FIRST

Hardcover Fiction

2 2018 New York Book Show

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The Night Ocean Paul La Farge

IMPRINT/PUBLISHER

TEXT STOCK

COVER/JACKET EFFECTS

Penguin Press, Penguin Random House

45# Glatfelter Offset Hi-Bulk B-18 400/1" PREPRESS/COMPOSITION

2/c jacket as PMS 7506U and black with no other effects

PUBLICATION DATE

Allentown Digital

CASE MATERIALS

03/07/17

PRINTING/BINDING

TRIM SIZE

LSC Communications

6⅛" x 9¼"

COVER/JACKET ART DIRECTION

PRODUCTION STAFF

Darren Haggar

John Sharp

COVER/JACKET DESIGN

TEXT ART DIRECTION

Will Staehle

Claire Vaccaro

COVER/JACKET PRINTING

TEXT DESIGN

Phoenix Color

Amanda Dewey

COVER/JACKET STOCK & FINISH

TYPEFACE

Dante MT, Neutraface

Three-piece case is 80# Rainbow Buff Handspun and 70# Rainbow Eclipse Antique, 900 metallic spine stamp and blind front, black headbands The jacket is both striking and inviting. The hardcover design complements the jacket and stands on its own merit. The typography and interior design makes it effortlessly readable; it’s beautiful.

80# Mohawk Via Felt Cool White with press varnish and gloss film lamination on reverse General Trade 3

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SECOND

Hardcover Fiction

4 2018 New York Book Show

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The Rise and Fall of D.O.D.O. Neal Stephenson and Nicole Galland

100

Neal Stephenson

and

Nicole Galland

the Rise and Fall of D.O.D.O.

“Fascinating,” said a very handsome fellow about my age, with dazzling green eyes and neat, close-cropped hair, who was standing over me and contemplating me with a grin. “If that’s what you were like when you got drunk in college, no wonder you don’t have a boyfriend.” “Give her a few moments,” I heard an older, softer male voice say. I knew that voice had a name attached to it—Yoda? No, Yoda was from Star Wars. Star Wars was on my mind because of R2-D2. And the fellow in front of me, I had seen him brushing his teeth before, so if he wasn’t my boyfriend maybe he was a brother I’d forgotten about. He began to laugh. “Stokes,” he said, “you’re saying all of that out loud. I wouldn’t speak until you feel like yourself. But hurry up with it!” He leaned closer and whispered into my ear, “We’ve got our witch vault. Let’s go get our witch.”

101

Jour nal Ent r y of

Rebecca East-Oda MAY 18

emperature about 64F, moist, no breeze. Barometer rising. Flowers and vegetables fending for themselves due to ODEC activity. To begin, this morning the new ODEC was “successful,” insofar as Tristan came out of it in the same state the cat once used to come out of the old ODEC. Melisande kept her head better than I did when I first saw the cat, but was clearly concerned. The following conversation, more or less: FRANK: I predict Tristan will be fine shortly. But I don’t think we

should allow anyone to go into the ODEC until we have figured out how to protect them from that effect. MEL: What is the effect? Why is it happening? FRANK: He is teetering on the edge of becoming non-local. MEL: Non-what? FRANK: His brain was suddenly not sure which precise reality

Diachronicle

it was operating in—and perhaps his body too. So much to discover still! (NB: sounding like an eager child. Sounding as if none of it happened thirty years ago.)

Day 294 (contd.)

In which we meet Erszebet. And then we meet Erszebet.

Five minutes pass TRISTAN (fully recovered): Why didn’t you take notes of what I said

the news to the Maxes and the Vladimirs that they had been working all this time on a project whose end goal was magic. He did this in the one remaining non-demolished office, so I didn’t have the satisfaction of seeing it happen. They seemed to me to be biting back amusement when

when I first came out?

FIR ST TR ISTA N H AD TO BR EAK

MEL: Trust me, you said absolutely nothing noteworthy. TRISTAN: That just sounds like your usual lip. I need

corroboration.

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

William Morrow, HarperCollins Publishers

Joel Holland

06/13/17

Bembo Schoolbook, Filosofia, Opsmarckt, Baker Script, Carre Noir, Garamond, Festivo Letters no. 19, Bembo, Stencil, Pastonchi, Tekton, Chaparral Pro, Din Pro

TRIM SIZE

TEXT STOCK

Neenah Sundance Smooth Finish/Ultra

PUBLICATION DATE

6" x 9"

45# Norbrite Book Cream/White

PRODUCTION STAFF

PREPRESS/COMPOSITION

Aryana Hendrawan

Bonni Leon-Berman

TEXT ART DIRECTION

PRINTING/BINDING

Leah Carslon-Stanisic

LSC Communications

TEXT DESIGN

COVER/JACKET ART DIRECTION

Bonni Leon-Berman

Mumtaz Mustafa

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Joel Holland

Mumtaz Mustafa

COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

COVER/JACKET EFFECTS

Sculpture embossing CASE MATERIALS

Rainbow Eclipse Burnished Leather OTHER COMPONENTS

Endpapers are Rainbow Earth Handpsun Embossing Wonderful typography with clever opening art and screens. Jacket and case cover have a clean, compelling design as well as subtle embossing.

General Trade 5

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MERIT

Hardcover Fiction

6 2018 New York Book Show

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Little Fires Everywhere Celeste Ng

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Penguin Press, Penguin Random House

Fournier MT Pro, Neutraface 2 Condensed

Amy Bennett

PUBLICATION DATE

TEXT STOCK

Phoenix Color

09/12/17

45# EarthChoice 400ppi

COVER/JACKET STOCK & FINISH

TRIM SIZE

PREPRESS/COMPOSITION

6" x 9"

Allentown Digital Composition

4/c on 80# C1S with soft-touch film lamination

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

Bill Peabody

LSC Communications

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Multicolor Nautilus, Multicolor Noir, B-36 copper foil

Claire Vaccaro

Darren Haggar

TEXT DESIGN

COVER/JACKET DESIGN

Lucia Bernard

Jaya Miceli

COVER/JACKET PRINTING

A nice overall package. The jacket is elegant and minimal; illustration on the title page is a particularly nice detail.

General Trade 7

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FIRST

Hardcover Nonfiction

8 2018 New York Book Show

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Mental Jaime Lowe

PART 2 — E P IS O D E 2

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Blue Rider Press, Penguin Random House

Janson Text LT Std, LunchBox

Phoenix Color

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

10/03/17

45# EarthChoice CW 400ppi

TRIM SIZE

PREPRESS/COMPOSITION

4/c 100# C1S, gritty matte UV over printable glueable stampable mylar

6" x 9"

Six Red Marbles

CASE MATERIALS

PRODUCTION STAFF

PRINTING/BINDING

Gloria Arminio

LSC Communications

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Claire Vaccaro

Jason Booher

TEXT DESIGN

COVER/JACKET DESIGN

Marysarah Quinn

Ben Denzer

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Jaime Lowe

Kathy Ryan

80# Rainbow Pink Buckram, 70# Multicolor Sour Cherry Pie Antique, SD700 dusted red foil The design is absolutely mental in the best way. From jacket, to cover, to interval laying, each element adds layers that brilliantly convey the subject matter. The upside-down text spine is the cherry on top.

General Trade 9

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SECOND

Hardcover Nonfiction

10 2018 New York Book Show

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Chuck Klosterman X Chuck Klosterman

IMPRINT/PUBLISHER

TEXT STOCK

COVER/JACKET STOCK & FINISH

Blue Rider Press, Penguin Random House

45# Norbrite Book Cream 400ppi

PUBLICATION DATE

PREPRESS/COMPOSITION

05/16/17

Six Red Marbles

Four hits of opaque white special mix, one hit PMS black on 80# Rainbow Black Antique with gloss film lamination on reverse

TRIM SIZE

PRINTING/BINDING

CASE MATERIALS

5½" x 8¼"

LSC Communications

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Gloria Arminio

Jason Booher

TEXT ART DIRECTION

COVER/JACKET DESIGN

Claire Vaccaro

Rachel Willey

TEXT DESIGN

COVER/JACKET PRINTING

Amanda Dewey

Phoenix Color

TYPEFACES

Adobe Garamond Pro, Helvetica

Rainbow Black Antique one-piece case with GP100 white pigment stamp on spine and blind stamp on front OTHER COMPONENTS

Black stain on text block This book is the overall package from a simple black and white matte cover to the stamped case and the staining of the edges. It’s an extraordinarily handsome book.

General Trade 11

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THIRD

Hardcover Nonfiction

12 2018 New York Book Show

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Origins of a Story Jake Grogan

PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Cider Mill Press Book Publishers

Quad/Graphics

PUBLICATION DATE

Garamond Premiere Pro, Policy Gothic HPLHS

10/17/17

TEXT STOCK

80# uncoated stock

TRIM SIZE

50# Domtar cream

COVER/JACKET EFFECTS

5" x 7⅜"

PREPRESS/COMPOSITION

Emboss

PRODUCTION STAFF

Quad/Graphics

CASE MATERIALS

Whalen Book Works, Michael Kwan

PRINTING/BINDING

80# C1S

TEXT ART DIRECTION

Quad/Graphics

Whalen Book Works

COVER/JACKET ART DIRECTION

TEXT DESIGN

Whalen Book Works

Debbie Berne

COVER/JACKET DESIGN

ILLUSTRATOR/PHOTOGRAPHER

Debbie Berne

COVER/JACKET STOCK & FINISH

This book is perfectly packaged. The printing and manufacturing are beautiful. The design and style are very clever and make you want to pick up this book.

Annalisa Sheldahl General Trade 13

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MERIT

Hardcover Nonfiction

14 2018 New York Book Show

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The Moth Presents All These Wonders Edited by Catherine Burns ii ALL THESE WONDERS

T H E

iii

A L L T H E S E WONDERS

M OT H

p r e s e n t s

T R U E

S T O R I E S T H E

ED I T ED

A B O U T

F A C I N G

U N K N O W N

C AT H ER I N E

B U R N S

IMPRINT/PUBLISHER

TEXT DESIGN

COVER/JACKET DESIGN

Crown Archetype, Crown Publishing Group, Penguin Random House

Elina Nudelman

Jake Nicolella

TYPEFACES

COVER/JACKET PRINTING

PUBLICATION DATE

Gotham, Bembo

Coral Graphics

03/21/17

TEXT STOCK

COVER/JACKET STOCK & FINISH

TRIM SIZE

50# Glatfelter Antique 400ppi

5½" x 7⅝"

PREPRESS/COMPOSITION

80# Rainbow Antique White uncoated stock with press varnish

PRODUCTION STAFF

Berryville Graphics (Digital)

COVER/JACKET EFFECTS

Heather Williamson

PRINTING/BINDING

BE-19 gold foil

TEXT ART DIRECTION

Berryville Graphics

Elizabeth Rendfleisch

COVER/JACKET ART DIRECTION

Simple, but elegant—especially for the subject matter.

Chris Brand General Trade 15

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MERIT

Hardcover Nonfiction

16 2018 New York Book Show

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Heating & Cooling Beth Ann Fennelly

PUBLISHER

TEXT STOCK

COVER/JACKET STOCK & FINISH

W. W. Norton & Company, Inc.

50# Sebago cream 400ppi

100# C1S

PUBLICATION DATE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

10/10/17

Joe Lops

5/c, matte UV over gloss mylar

TRIM SIZE

PRINTING/BINDING

CASE MATERIALS

4½" x 7¼"

Quad/Graphics

Multicolor

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Lauren Abbate

Ingsu Liu

TEXT ART DIRECTION

COVER/JACKET DESIGN

Lauren Abbate

Alex Merto

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Ellen Cipriano

Gregory Reid

TYPEFACES

COVER/JACKET PRINTING

Neutraface, New Caledonia LT Std

Coral Graphics

Great package for this book of micro-memories. The vibrant green and purple, as well as the spot gloss on the partially eaten Popsicle, are perfect for this title. The purple case peeking out from under the green jacket is a perfect touch.

General Trade 17

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MERIT

Hardcover Nonfiction

18 2018 New York Book Show

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Common Sense Thomas Paine

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Morrow Gift, William Morrow, HarperCollins Publishers

Leah Carlson-Stanisic

Jeanne Reina

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

PUBLICATION DATE

Holly Empey

TRIM SIZE

Adobe Caslon, Alien Ornaments, Borders ITC, Columbus, Historical Fell Type Roman, ITC Zapf Dingbats

4⅝" x 6⅞"

TEXT STOCK

50# Offset Hi-Bulk

COVER/JACKET STOCK & FINISH

PRODUCTION STAFF

Susan Kosko

PREPRESS/COMPOSITION

TEXT ART DIRECTION

Leah Carlson-Stanisic

PRINTING/BINDING

TEXT DESIGN

Friesens

Leah Carlson-Stanisic

COVER/JACKET ART DIRECTION

06/06/17

Jeanne Reina

COVER/JACKET PRINTING

Friesens 4/c on 100# classic linen solar white COVER/JACKET EFFECTS

Varnish and debossing The book’s interesting trim size and its clever use of non-block text color and embossed cover make a big statement for a little book.

General Trade 19

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BES T IN C ATEGORY

FIRST/BEST IN CATEGORY

Adult Graphic Novel

20 2018 New York Book Show

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The Hunting Accident David Carlson and Landis Blair

IMPRINT/PUBLISHER

TEXT STOCK

COVER/JACKET STOCK & FINISH

First Second, Macmillan Publishers

125gsm Wibalin Finelinen White 500ppi

PUBLICATION DATE

120gsm Qiancheng Ivory Woodfree FSC-certified

09/19/17

PREPRESS/COMPOSITION

Spot gloss and embossing

TRIM SIZE

RR Donnelley Asia Printing Solutions

CASE MATERIALS

8" x 9"

PRINTING/BINDING

125gsm Wibalin Finelinen White 500ppi

PRODUCTION STAFF

RR Donnelley Asia Printing Solutions

OTHER COMPONENTS

Alexa Villanueva

COVER/JACKET ART DIRECTION

Printed ends, headbands, ribbon marker

TEXT ART DIRECTION

Andrew Arnold

COVER/JACKET DESIGN

TEXT DESIGN

Andrew Arnold

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Landis Blair

COVER/JACKET PRINTING

TYPEFACE

RR Donnelley Asia Printing Solutions

COVER/JACKET EFFECTS

A truly inventive book with many special touches, including the detailed embossing on the cover, the playful use of spot gloss, a ribbon marker, and painstakingly intricate illustrations. The book is a breathtaking object to hold.

Arial Black General Trade 21

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SECOND

Adult Graphic Novel

22 2018 New York Book Show

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Imagine Wanting Only This Kristen Radtke

Some nights I pul led u p the hem of my clothes and clawed at my ski n, searching for signs that I was becoming one.

Iowa was a place I began leaving constantly to seek out and crawl through gutted mining towns and looted industrial buildings, bombed-out barracks and contaminated environmental zones in countries whose languages I couldn’t speak, places that excrete warnings of the wars and quakes and depressions they’ve witnessed.

Native Iowans told me about the dangers of al l the state’s rivers, the flat and modified land that flooded a year before I arrived and formed lakes, roof peaks jutting from the surface like coastal boulders and forming currents across roads, the moldy basements when the water drained the closest thing they had to ruins.

I watched the river out my window, and I wil led the stagnant water to prove it.

110

111

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IMPRINT/PUBLISHER

TEXT STOCK

COVER/JACKET STOCK & FINISH

Pantheon Books, Knopf Doubleday Publishing Group, Penguin Random House

120gsm UPM woodfree paper

128gsm gloss

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

PUBLICATION DATE

North Market Street Graphics

Matte UV with spot gloss

04/18/17

PRINTING/BINDING

CASE MATERIALS

TRIM SIZE

Toppan Leefung

7" x 9"

COVER/JACKET ART DIRECTION

4/c preprinted case on 128gsm artpaper, matte UV with spot gloss

PRODUCTION STAFF

Oliver Munday

OTHER COMPONENTS

Andy Hughes

COVER/JACKET DESIGN

TEXT ART DIRECTION

Oliver Munday

Printed ends on 140gsm Gold Woodfree FSC-certified

Kristen Radtke

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

TEXT DESIGN

Kristen Radtke

COVER/JACKET PRINTING

ILLUSTRATOR/PHOTOGRAPHER

Toppan Leefung

The design and printing add to the beautiful illustrations and are evident throughout this package.

Kristen Radtke General Trade 23

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MERIT

Adult Graphic Novel

24 2018 New York Book Show

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Tenements, Towers & Trash Julia Wertz

TJ23-6-2017 IMUS 7/LOX5455 Tenements, Towers and Trash W:9”xH:12” 150L 140gsm Gold Sun W/F Magenta

Black

9780316501217_P001-284.indd 60-61

5/17/18 12:42 PM

TJ23-6-2017 IMUS 7/LOX5455 Tenements, Towers and Trash W:9”xH:12” 150L 140gsm Gold Sun W/F Magenta

Black

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Black Dog & Leventhal, Hachette Book Group

Festivo Letters no. 14

Imago

TEXT STOCK

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

10/03/17

140gsm Golden Sun Uncoated Woodfree FSC-certified

128gsm ChenMing Glossy FSC-certified art paper

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

9" x 12"

Imago

Matte film lamination

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

Lillian Sun

Imago

3.0mm boards

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Ohioboy Art & Design

Amanda Kain

TEXT DESIGN

COVER/JACKET DESIGN

Ohioboy Art & Design

Amanda Kain

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Julie Wertz

Beautiful illustrations with fun pops of color on the cover.

General Trade 25

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FIRST

Cookbook

26 2018 New York Book Show

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Breaking Bread Martin Philip

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Harper Wave, HarperCollins Publishers

Phoenix Color

PUBLICATION DATE

Archer, Festivo Letters, Historical Fell Type Roman, Ringside, Scala

10/31/17

TEXT STOCK

Printed case on 100# C1S

TRIM SIZE

80# Finch Opaque White 334ppi

COVER/JACKET EFFECTS

7⅜" x 9⅛"

PREPRESS/COMPOSITION

Gritty matte with spot gloss

PRODUCTION STAFF

Impressive Printing, Leah Carlson-Stanisic

CASE MATERIALS

Diana Meunier

PRINTING/BINDING

TEXT ART DIRECTION

LSC Communications

Leah Carlson-Stanisic

COVER/JACKET ART DIRECTION

TEXT DESIGN

Milan Bozic

Leah Carlson-Stanisic

COVER/JACKET DESIGN

ILLUSTRATOR/PHOTOGRAPHER

Milan Bozic

Illustrations by Martin Philip, photography by Julia A. Reed

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

COVER/JACKET STOCK & FINISH

Preprinted case wrap is 85# pasted oak boards The production values are terrific and every page is designed to celebrate its topic. The use of color from toasty-shaded type to wheat-hued headbands stands out.

Julia A. Reed General Trade 27

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SECOND

Cookbook

28 2018 New York Book Show

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Kristen Kish Cooking Kristen Kish and Meredith Erickson

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Clarkson Potter, Crown Publishing Group, Penguin Random House

Brandon Text, Fournier MT Std, Steagal

C & C Offset Printing Co., Ltd.

PUBLICATION DATE

TEXT STOCK

10/31/17

140gsm matte

157gsm glossy art stock with matte lamination

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

77⁄16" x 11"

Kim Tyner and Merri Ann Morrell

Spot gloss UV

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

Kim Tyner

C & C Offset Printing Co., Ltd.

128gsm gloss and debossing

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Marysarah Quinn

TEXT DESIGN

COVER/JACKET DESIGN

Marysarah Quinn

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Kristin Teig

COVER/JACKET STOCK & FINISH

Every detail of this book was extraordinarily thought out. It has a calming feel, but what really stands out is the exquisite fish tail on the case.

General Trade 29

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THIRD

Cookbook

30 2018 New York Book Show

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wd~50 Wylie Dufresne and Peter Meehan

COLD FRIED CHICKEN, BUT TER MILK “RICOT TA,” TABASCO, CAVIAR Cold fried chicken is right up there with cold pizza on my list of favorite leftovers. I think it’s as good as hot fried chicken. Jon Bignelli, a longtime part of the wd~50 kitchen, came up with the idea for a cold fried chicken course. One frustrating thing about cold fried chicken is how the meat reacquaints itself with the bone and becomes difficult to separate, so we took the bone out. And we maximized the pleasure of the dish by making our fried chicken out of all thigh meat. We cooked large terrines of it sous vide, cut them into bars, and breaded and fried them just before service. Then we threw the chicken in the freezer to chill it quickly, so diners would get cold fried chicken that was still moist (because even the best fried chicken in the world dries out a little in the fridge overnight). When we were staring at the almost-finished plate—chicken, Tabasco sauce, ricotta—I realized that caviar could make it a fun high-brow, low-brow dish.

S E RV E S 6

6 batons Cold Fried Chicken (page 228)

12 pieces Crispy Chicken Skin (page 229)

70 grams Tabasco Fluid Gel (page 229)

75 grams hackleback caviar

225 grams Buttermilk “Ricotta”

12 chervil sprigs

(page 228)

For each serving, cut a piece of fried, chilled chicken in half and place the halves

end-to-end (as though they’re hinged) on a plate. Pipe 3 dots of Tabasco fluid gel around the chicken.

2. In a saucepan, stir the “ricotta” over medium heat to warm through. Place 3 spoonfuls around the chicken. Place a quenelle of caviar, about the size of a demitasse, over 1 pile of ricotta. Finish with 2 pieces of chicken skin and sprigs of chervil.

226

WD~50

M E AT

227

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Anthony Bourdain/Ecco, HarperCollins Publishers

Galano Classic, Futura Std

Imago

TEXT STOCK

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

130gsm blue/white matte

10/17/17

PREPRESS/COMPOSITION

128gsm Rainbow 500ppi art paper with gloss lamination

TRIM SIZE

Impressive Printing

COVER/JACKET EFFECTS

9⅜" x 11⅜"

PRINTING/BINDING

Prints 6/c

PRODUCTION STAFF

Imago

CASE MATERIALS

Michael Siebert

COVER/JACKET ART DIRECTION

Die-cut buckram slipcase with 3mm board

TEXT ART DIRECTION

Sara Wood

OTHER COMPONENTS

Suet Yee Chong

COVER/JACKET DESIGN

Smyth-sewn binding

TEXT DESIGN

Sara Wood

Suet Yee Chong

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Eric Medsker

A magnificent work of design, production, and printing. The slipcase and die-cut alone make this book a keepsake. The photography pops on this masterly created book.

General Trade 31

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MERIT

Cookbook

32 2018 New York Book Show

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The Grand Central Market Cookbook Adele Yellin and Kevin West

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

Numbers Prospect, Round Mountain WF, Calibre, Liberator, Esq. Seri Wood, Knockout HTF67, League Gothic, Lunar Orbiter, Condensed Egyptian Letters

10/03/17

TEXT STOCK

128gsm matte

CASE MATERIALS

TRIM SIZE

77⁄16" x 10"

PREPRESS/COMPOSITION

PRODUCTION STAFF

Philip Leung, Alexandria Martinez

Philip Leung

PRINTING/BINDING

TEXT ART DIRECTION

C & C Offset Printing Co., Ltd.

Stephanie Huntwork and Marysarah Quinn

COVER/JACKET ART DIRECTION

TEXT DESIGN

Stephanie Huntwork, Marysarah Quinn

Laura Palese

COVER/JACKET DESIGN

ILLUSTRATOR/PHOTOGRAPHER

Laura Palese

IMPRINT/PUBLISHER

Clarkson Potter, Crown Publishing Group, Penguin Random House

Illustrations by Ludlow Kingsley, photography by Johnny Autry TYPEFACES

Graveness WF, Letter Gothic, Warehouse, Agincourt, MercuryTextG1,

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Illustrations by Oilcloth International, photography by Johnny Autry

128gsm art stock with gloss film lamination COVER/JACKET EFFECTS

Grain embossing 3.00mm boards OTHER COMPONENTS

Endpapers print K, PMS 186 V, PMS process blue U on 140gsm white woodfree with A1175 yellow and red headbands; hand lettering by Laura Palese From the cover through every page, the design captures the electric energy of a bustling market. The recipes are presented in a usable format, but this is far from an ordinary cookbook. The eclectic typography and use of color creates a hip, engaging package.

COVER/JACKET PRINTING

C & C Offset Printing Co., Ltd. General Trade 33

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MERIT

Cookbook

34 2018 New York Book Show

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Egg Shop Nick Korbee 17 HAM AND EGG SANDWICHES— OR, LOSING BETS AND HAVING TO MAKE A LOT OF SANDWICHES One day after a very long lunch service the staff was “unwinding” at the local. A friendly debate began regarding which menu item had been the most popular the previous month. We went back and forth between the Avo Egg, the B.E.C., and the El Camino. Unwinding, as we tend to do it, usually results in placing bets on nonsensical and harmless things.

6. HAMBLIN' MAN: sweet corn pudding, fried bologna, fried egg

7. GOING HAM: a double- decker biscuit of chickenfried ham and ham-fried chicken, with sunny- ups

8. HAM RADIO: 4 hams from across the globe, buttered toast, fried egg

9. HAMDLEBAR MUSTACHE: house- smoked honey ham, house- made beer mustard, house- made pickles, house- made egg bread, super- local peasant cheese, and Sriracha

10. DER HAMMEISTER: Bavarian beer cheese, caraway pickled onions, Black Forest ham, Hamburg hot mustard, and a fried egg on a pretzel roll

11. BOURBON BOY: Benton’s country ham, stone- ground grits, and fried egg on a jalapeñocheddar biscuit with jalapeño jelly and sorghum on the side

12. WILL.I.HAM: black- eyed pea hummus, Ferguson ham, herb mustard, egg over hard on a biscuit

13. HAMSON AND DELILAH: hummus, sliced hardboiled egg, turkey ham, and fattoush on pita

14. HAMBLE ON ROSE: spicy rose hip jelly, fried egg, and Canadian bacon on San Francisco sourdough

At the time, Sarah Schneider (Egg Shop Founder) was particularly interested in ham and egg sandwiches and organizing a tasting for possible new menu items. I was most interested in being right about the bet, as I was fully convinced I would emerge victorious. I was so confident I asked Sarah to pick a number between 1 and 20. She picked 17, a bold move. I was hoping for a number under 10. But, unwinding as we were, the bet proceeded and the stakes were named. If Sarah was correct regarding which item had been the most popular, I would be obligated to create and prepare a tasting of 17 variations of the ham and egg sandwich. I did not emerge victorious. What follows is my creative exercise, a visual guide in miniature to those 17 sandwiches, with recipes for 3 of our favorites following. Cheers!

1. CUBANO CON HUEVO: a Cuban sandwich with a fried egg

3. EASTERWICH: Ginger honey ham and red- eye gravy 132 on E G sourdough G S H O P with asparagus

2. HAMAGATCHI: hand roll with wasabi tobiko, avocado, diced ginger ham, tamago, and quail egg

4. GREEN EGGS AND HAM: pesto, double- cream ricotta, prosciutto crudo, pizza bianca

5. HAM MADAME: a croque madame– style toad in a hole

15. I HAM WHO I HAM: a triple- decker white bread and country ham stairway to ham heaven, with kale frittata caught in the middle

16. I HAM WHAT I HAM: ham steak with creamed spinach spread and shaved green bean slaw on a sesame seed kaiser roll, with olive oil on the side

17. HOLIDAY IN WAIKIKI: grilled pickled pineapple, sunny- up, fried ham, pan con tomate

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

William Morrow, HarperCollins Publishers

Flama Condensed, Univers LT Std

Phoenix Color

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

03/21/17

Lynx Opaque White, uncoated

100# C1S with matte film lamination

TRIM SIZE

PREPRESS/COMPOSITION

CASE MATERIALS

8" x 10"

Impressive Printing

Preprinted case

PRODUCTION STAFF

PRINTING/BINDING

Anna Brower

Quad/Graphics

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Suet Yee Chong

Mumtaz Mustafa

TEXT DESIGN

COVER/JACKET DESIGN

Suet Yee Chong

Mumtaz Mustafa

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

David Malosh

LMNOP Creative

Beautiful choice of type and playful photography are complemented by the mint green palette throughout. The whimsical endpapers and yellow and white striped headbands are a nice touch.

General Trade 35

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FIRST

Poetry

36 2018 New York Book Show

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We’re All Going to Die Stefan Hunt

“I mean, what if I quit my day job

I could drown in the rapids of failure

and dived into my wildest dreams?

and float in regret downstream.”

job: 走向光明内文 p20 170718 gen

job: 走向光明内文 p21 170718 gen

PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Inspire Good Publishing

Stefan Hunt

PUBLICATION DATE

TEXT STOCK

COVER/JACKET PRINTING

11/17/17

160gsm Golden Sun Woodfree

Asia Pacific Offset

TRIM SIZE

PREPRESS/COMPOSITION

CASE MATERIALS

7" x 9"

Asia Pacific Offset

Brillianta cloth with silkscreen

PRODUCTION STAFF

PRINTING/BINDING

Adam Benton

Asia Pacific Offset

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Matthew Pike

TEXT DESIGN

COVER/JACKET DESIGN

Matthew Pike

From start to finish, this book is a great example of a well-thought-out design. It has a clever use of endpapers with gorgeous saturated colors throughout.

General Trade 37

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MERIT

Poetry

38 2018 New York Book Show

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Love in the Last Days D. Nurkse

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Alfred A. Knopf, Knopf Doubleday Publishing Group, Penguin Random House

Fairfield

Johann Friedrich Hennings

TEXT STOCK

COVER/JACKET PRINTING

PUBLICATION DATE

60# Glatfelter 330ppi

Coral Graphics

09/12/17

PREPRESS/COMPOSITION

COVER/JACKET STOCK & FINISH

TRIM SIZE

North Market Street Graphics

100# C1S

7" x 9⅛"

PRINTING/BINDING

COVER/JACKET EFFECTS

PRODUCTION STAFF

Thomson-Shore

Matte film with debossing

Peggy Samedi

COVER/JACKET ART DIRECTION

CASE MATERIALS

TEXT ART DIRECTION

Carol Carson

Rainbow Maroon with gold foil

Peter Andersen

COVER/JACKET DESIGN

TEXT DESIGN

Kelly Blair

Michael Collica

Classic use of typography, lovely paper, and clean design with good use of white space.

General Trade 39

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FIRST

Quality Paperback

40 2018 New York Book Show

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WWE Book of Rules (and How to Break Them)

IMPRINT/PUBLISHER

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

Media Lab Books, Macmillan Publishers

1010 Printing International Ltd.

PUBLICATION DATE

PRINTING/BINDING

02/28/17

1010 Printing International Ltd.

Closed with string around double eyelet on C1S (practical effect missing from design image)

TRIM SIZE

COVER/JACKET ART DIRECTION

CASE MATERIALS

5½" x 8"

Jeff Ashworth

Limp bound with exposed thread binding

PRODUCTION STAFF

COVER/JACKET DESIGN

OTHER COMPONENTS

Nancy Puskuldjian

Nick Harran

TEXT ART DIRECTION

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Jeff Ashworth

Nick Harran

TEXT DESIGN

COVER/JACKET PRINTING

Nick Harran

1010 Printing International Ltd.

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET STOCK & FINISH

Nick Harran

300gsm with overall matte lamination

Eight interior pages with die-cut pattern designed to look as if the pages have been torn out by a disgruntled wrestler The design and package of this title is unique. When seeing this book on a shelf, it draws you in to open it and see what is inside. The drawings and production are amazing—a book that is definitely a winner.

TEXT STOCK

140gsm uncoated woodfree General Trade 41

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SECOND

Quality Paperback

42 2018 New York Book Show

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The Nocturnal Journal Lee Crutchley

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

TarcherPerigee, Penguin Random House

Lee Crutchley

PUBLICATION DATE

Lee Crutchley Handwriting Regular, Helvetica

09/05/17

TEXT STOCK

Phoenix Color

TRIM SIZE

#60 Husky Offset Smooth

COVER/JACKET STOCK & FINISH

5½" x 7½"

PREPRESS/COMPOSITION

10pt C1S with soft-touch layflat lamination

PRODUCTION STAFF

Sabrina Bowers

COVER/JACKET EFFECTS

Ryan Benitez, Phil Wilentz

PRINTING/BINDING

TEXT ART DIRECTION

LSC Communications

Four flat colors and glow-in-the-dark spot UV

Sabrina Bowers

COVER/JACKET ART DIRECTION

OTHER COMPONENTS

TEXT DESIGN

Jess Morphew

Lee Crutchley

COVER/JACKET DESIGN

2/c interior with Pantone 109U (yellow) and Pantone 2757U (midnight blue).

ILLUSTRATOR/PHOTOGRAPHER

Lee Crutchley

COVER/JACKET PRINTING

The use of two color makes this a rich, beautiful package from cover to the spreads.

General Trade 43

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FIRST

Hardcover Fiction Cover/Jacket

The Talented Ribkins Ladee Hubbard PUBLISHER

Melville House PUBLICATION DATE

08/08/17 TRIM SIZE

6⅛" x 9¼" PRODUCTION STAFF

Susan Rella COVER/JACKET ART DIRECTION

Marina Drukman COVER/JACKET DESIGN

Marina Drukman COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Marina Drukman COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

100# C1S with gritty matte UV finish OTHER COMPONENTS

Lustrofoil S14 gold foil stamp The design evokes the spirit of this tale. The use of typography and illustrations is well thought out and fun from the cover to flaps; it tells the story well.

44 2018 New York Book Show

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SECOND

Hardcover Fiction Cover/Jacket USA $26.99 / CANADA $33.50

Hiddensee Beloved New York Times bestselling Gregory Maguire

PUBLICATION DATE

10/31/17aving brought his legions of devoted

(K PLATE CHANGE ONLY WITH 1421990)

author Gregory Maguire twins an origin legend of the famous Nutcracker with the life of Drosselmeier, IMPRINT/PUBLISHER the toy maker who carves him William Morrow, HarperCollins Publishers

readers to Oz in Wicked and to Wonderland in After Alice, Maguire now takes 6⅛" x 9¼" us to the realms of the Brothers Grimm and PRODUCTION STAFF E. T. A. Hoffmann—the enchanted Black Forest Aryana Hendrawan of Bavaria and the salons of Munich. Hiddensee COVER/JACKET ART DIRECTION imagines the backstory of the Nutcracker, revealRichard Aquan ing how this entrancing creature came to be carved and howDESIGN he guided an ailing girl named COVER/JACKET KlaraMcKowen through a dreamy paradise on a Christmas Scott Eve. At the heart of Hoffmann’s mysterious tale COVER/JACKET ILLUSTRATION/PHOTOGRAPHY hovers Godfather Drosselmeier—the ominous, Scott McKowen canny, one-eyed toy maker made immortal by COVER/JACKET PRINTING Petipa and Tchaikovsky’s ballet—who prePhoenix sents theColor once and future Nutcracker to Klara, COVER/JACKET his goddaughter.STOCK & FINISH 80# Mohawk Via isSmooth White But Hiddensee not justBright a retelling of awith press varnish classic story. Maguire discovers in the flowering of German Romanticism COVER/JACKET EFFECTS a migrating strain of DieHellenic cut mystery-cult and ponders a profound question: How can a person who is abused by life,binding shortchanged nevertheless Clever conceptand withchallenged, die-cut jacket, revealing a perfectly access secrets that benefit the disadvantaged framed walnut underneath. The typography and illustration on and powerless? Ultimately, Hiddensee offers the jacket work together harmoniously—a beautiful apackage. message of hope. If the compromised Godfather Drosselmeier can bring an enchanted Nutcracker to a young girl in distress on a dark winter evening, perhaps everyone, however lonely or marginalized, has something precious to share. TRIM SIZE

PHX 1421992 09/06/17 YELO MAG CYAN BLACK

o s W

1017

General Trade 45

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THIRD

Hardcover Fiction Cover/Jacket

The Burning Girl Claire Messud PUBLISHER

W. W. Norton & Company, Inc. PUBLICATION DATE

08/29/17 TRIM SIZE

5⅝" x 8½" PRODUCTION STAFF

Anna Oler COVER/JACKET ART DIRECTION

Ingsu Liu COVER/JACKET DESIGN

Peter Mendelsund COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Peter Mendelsund COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

100# C1S COVER/JACKET EFFECTS

Glossy mylar and gritty matte UV Clever design matched with film lamination creates a beautiful effect. All design elements create a cohesive clean, appropriate, and evocative presentation.

46 2018 New York Book Show

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MERIT

Hardcover Fiction Cover/Jacket

Author of Snow Flower and the Secret Fan

IMPRINT/PUBLISHER

Scribner, Simon & Schuster PUBLICATION DATE

03/21/17 TRIM SIZE

6" x 9" PRODUCTION STAFF

F O PRO

Olga Leonardo

COVER/JACKET ART DIRECTION

Phoenix Color

COVER/JACKET DESIGN

Phoenix Color

A NOVEL

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Jaya Miceli

COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

100# C1S with soft-touch film lamination and lithofoil

LISA SEE

The colors, lamination, and design of this jacket are beautifully portrayed and expressed.

PHX #1388960 12/16/16 CYAN MAG YELO BLK

THE TEA GIRL OF HUMMINGBIRD LANE

LISA SEE

The Tea Girl of Hummingbird Lane Lisa See

SCRIBNER

General Trade 47

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MERIT

Hardcover Fiction Cover/Jacket

The History of Bees Maja Lunde

U.S. $26.00 Can. $35.00

IMPRINT/PUBLISHER cccccecspicicccccScccccccEccvcccccccNcvcccLccc

Touchstone, Simon & Schuster cccGccccccczzlicgccccccmbiciccsclicecccyc

cebccccbccccccecccceccccccccplcceccccccccec PUBLICATION DATE wcclc-ccccgicgcpccecciclcccceccccccmily 08/22/17

TRIM SIZE

E N G L A N D , 1 8 5 2 : On the edge of self-

6" x 9" destruction, William is a biologist who has PRODUCTION STAFF chosen the mundane life of a seed merchant

Jim Thiel over higher callings of science and discovery. Yearning forART the DIRECTION attention and approval of his COVER/JACKET eldest son, he sets out to build a new type of Phoenix Color beehive—one that will give both him and his

COVER/JACKET DESIGN

descendants honor and fame.

Phoenix Color U N I T E D S TAT E S ,

2 0 07 : George, a bee-

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY keeper in rural Ohio, has proudly preserved generation PRINTING to the next, even as he fights an COVER/JACKET uphill battle Phoenix Color

against modern farming. He

hopes that his stubborn and rebellious son

COVER/JACKET STOCK & FINISH

will be their bee farm’s salvation, but as

100# C1S

rumors of mysterious bee disappearances

COVER/JACKET EFFECTS spread throughout the country, George fears

Embossing with foil stamping losing his livelihood, his family, and the only future he knows how to create.

ArtfullyCdesigned, use of foil andeach stamping. H I N A , 2interesting 0 9 8 : For twelve hours day, Tao and countless fellow workers hand-paint pollen onto fruit trees now that the bees have long since disappeared. She thinks only of giving her son a better future, but when he is

PHX #1412898 06/29/17 CYAN MAG YELO BLK

Cherlynne Li traditions passed down from one the family

taken away by the authorities after a tragic accident, she sets out from her small village on a grueling journey to Beijing to learn his fate—no matter the cost. (continued on back flap)

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FIRST

Hardcover Nonfiction Cover/Jacket

Everything I Need to Know I Learned in the Twilight Zone Mark Dawidziak IMPRINT/PUBLISHER

Thomas Dunne Books, Macmillan Publishers PUBLICATION DATE

02/28/17 TRIM SIZE

6¼" x 9½" PRODUCTION STAFF

Eric Gladstone COVER/JACKET ART DIRECTION

Rob Grom COVER/JACKET DESIGN

Rob Grom COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Philip Pascuzzo COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

Soft-touch matte lamination COVER/JACKET EFFECTS

Metallic 8642 C ink Eye-catching throwback design reminiscent of ’50s toy marketing. Great use of two-color printing and lots of fun details make this cover engaging.

General Trade 49

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SECOND

Hardcover Nonfiction Cover/Jacket

The Color of Law Richard Rothstein IMPRINT/PUBLISHER

Liveright, W. W. Norton & Company, Inc. PUBLICATION DATE

05/02/17 TRIM SIZE

6¼" x 9½" PRODUCTION STAFF

Anna Oler COVER/JACKET ART DIRECTION

Steve Attardo COVER/JACKET DESIGN

Steve Attardo COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

100# Mohawk Via Felt The map imagery and the key have immediate visual interest. At closer inspection, the cover has both visual and tactile texture. The cover has immediate allure and upon reading the title the viewer has an AHA moment. It is a cohesive and creative presentation.

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THIRD

Hardcover Nonfiction Cover/Jacket

Being Elvis Ray Connolly IMPRINT/PUBLISHER

Liveright, W. W. Norton & Company, Inc. PUBLICATION DATE

03/21/17 TRIM SIZE

6¼" x 9½" PRODUCTION STAFF

Anna Oler COVER/JACKET ART DIRECTION

Steve Attardo COVER/JACKET DESIGN

Steve Attardo COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

80# Mohawk Via Felt COVER/JACKET EFFECTS

Gold foil We thought it was brilliant to just have a beautiful photo of Elvis on the cover with absolutely no typography. The entire jacket from flaps to back ad is well designed with a fantastic finish.

General Trade 51

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MERIT

Hardcover Nonfiction Cover/Jacket

Manly Health and Training Walt Whitman PUBLISHER

Regan Arts PUBLICATION DATE

02/07/17 TRIM SIZE

5⅝" x 8" PRODUCTION STAFF

Kurt Andrews COVER/JACKET ART DIRECTION

Richard Ljoenes COVER/JACKET DESIGN

Richard Ljoenes COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Morgan Library & Museum, Library of Congress, the Morning Appeal, Wm. Clement, Ward B. Snyder’s Catalogue of Gymnasium Goods, Dana Estes, Shutterstock COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

80# Tomahawk, blue-white shade with press varnish Integrating the nineteenth-century-newspaper design and archival material with new design elements is very effective. Background color is playful and textured laminate adds interest.

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MERIT

Hardcover Nonfiction Cover/Jacket

Becoming Leonardo Mike Lankford PUBLISHER

Melville House PUBLICATION DATE

03/28/17 TRIM SIZE

5¾" x 8½" PRODUCTION STAFF

Susan Rella COVER/JACKET ART DIRECTION

Marina Drukman COVER/JACKET DESIGN

Marina Drukman COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Glasshouse Images, Alamy COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

80# Mohawk Via Felt COVER/JACKET EFFECTS

Press varnish OTHER COMPONENTS

Lustrofoil GP100 foil stamping Jacket is brilliantly designed and colors used reflect fleeing of the title. The typography is elegant and creative.

General Trade 53

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MERIT

Cookbook Cover/Jacket

The Science of Cooking Stuart Farrimond IMPRINT/PUBLISHER

DK, Penguin Random House PUBLICATION DATE

09/19/17 TRIM SIZE

8½" x 10" PRODUCTION STAFF

Tony Phipps, Luca Bazzoli COVER/JACKET ART DIRECTION

Maxine Pedliham COVER/JACKET DESIGN

Steven Marsden COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY

Will Heap, William Reavell COVER/JACKET PRINTING

RR Donnelley Asia Printing Solutions COVER/JACKET STOCK & FINISH

130gsm FSC-certified glossy art paper with matte lamination COVER/JACKET EFFECTS

Spot gloss UV with embossing and color printing over silver metallic foil Thoughtful production. The knife with stamped title is interesting.

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FIRST

Poetry Cover/Jacket

The Odyssey Homer, translated by Emily Wilson PUBLISHER

W. W. Norton & Company, Inc. PUBLICATION DATE

11/07/17 TRIM SIZE

6⅛" x 9¼" PRODUCTION STAFF

Julia Druskin COVER/JACKET ART DIRECTION

Francine Kass COVER/JACKET DESIGN

Chin-Yee Lai COVER/JACKET PRINTING

Quad/Graphics COVER/JACKET STOCK & FINISH

100# C1S COVER/JACKET EFFECTS

CMYK over foil Beautiful use of gold and blue foil, particularly in the details of the illustration.

General Trade 55

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FIRST

Quality Paperback Cover/Jacket

Three Floors Up Eshkol Nevo, translated by Sondra Silverston PUBLISHER

Other Press PUBLICATION DATE

10/10/17 TRIM SIZE

5½" x 8¼" PRODUCTION STAFF

Iisha Stevens, Yvonne Cárdenas COVER/JACKET ART DIRECTION

Jon Gray, gray318 COVER/JACKET DESIGN

Jon Gray, gray318 COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Jon Gray, gray318 COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

10pt C1S with matte film lamination Effective typography with striking color choices. All the individual parts are thoughtfully designed to intrigue. The visual cues made us love this cover.

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SECOND

Quality Paperback Cover/Jacket

I Love You, Sign Here Sarah Pierson and Roy Pierson IMPRINT/PUBLISHER

Regan Arts PUBLICATION DATE

11/14/17 TRIM SIZE

5½" x 8¼" PRODUCTION STAFF

Lynne Ciccaglione COVER/JACKET ART DIRECTION

Richard Ljoenes COVER/JACKET DESIGN

Richard Ljoenes COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Dreamstime, iStockPhoto, Shutterstock, Depositphotos COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

10pt C1S with gritty matte UV A great use of simple color. A perfectly suited design treatment for the subject matter.

General Trade 57

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THIRD

Quality Paperback Cover/Jacket

The Mirror Thief Martin Seay PUBLISHER

Melville House PUBLICATION DATE

04/11/17 TRIM SIZE

5½" x 8¼" PRODUCTION STAFF

Susan Rella COVER/JACKET ART DIRECTION

Marina Drukman COVER/JACKET DESIGN

Marina Drukman COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

René Milot COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

80# Mohawk Via Felt Cool White COVER/JACKET EFFECTS

Press varnish The mirror effect is immediately apparent in the design. The reflection draws the eye. It is a striking cover in its simplicity.

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MERIT

Quality Paperback Cover/Jacket

KooKooLand Gloria Norris PUBLISHER

Regan Arts PUBLICATION DATE

03/14/17 TRIM SIZE

6" x 9" PRODUCTION STAFF

Kurt Andrews COVER/JACKET ART DIRECTION

Richard Ljoenes COVER/JACKET DESIGN

Richard Ljoenes COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Gloria Norris COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

10pt C1S with gritty matte UV A fun, eye-catching cover that evokes the 1960s through its color palette and playful use of archival images. The distressed type on the front cover and spine and the subtle rubbing and fading of color are nice details.

General Trade 59

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MERIT

Quality Paperback Cover/Jacket

How Dante Can Save Your Life Rod Dreher PUBLISHER

Regan Arts PUBLICATION DATE

03/07/17 TRIM SIZE

6" x 9" PRODUCTION STAFF

Kurt Andrews COVER/JACKET ART DIRECTION

Richard Ljoenes COVER/JACKET DESIGN

Richard Ljoenes COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Getty, Tudor Francu, Gustave Doré, Shutterstock, Eugene Delacroix COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

10pt C1S with gritty matte UV The cover draws you into another dimension with its colors and design—beautifully crafted.

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FIRST

Hardcover Nonfiction Cover/Jacket Series

Picador Modern Classics, Series Two Hilary Mantel, Barbara Ehrenreich, Susan Sontag, and Joan Didion IMPRINT/PUBLISHER

Picador, Macmillan Publishers PUBLICATION DATE

11/07/17 TRIM SIZE

39⁄16" x 511⁄16" PRODUCTION STAFF

Vincent Stanley, Adriana Coada, Jeremy Pink, Kolt Beringer COVER/JACKET ART DIRECTION

Henry Sene Yee COVER/JACKET DESIGN

Henry Sene Yee COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Cecilia Carlstedt COVER/JACKET PRINTING

Shenzhen RRD Printing COVER/JACKET STOCK & FINISH

4/0 on 120gsm Pingri pearlized stock with press varnish wrapped over 1mm greyboard COVER/JACKET EFFECTS

Rounded corners Attractive series: the pearlescent cover and splashes of color create a beautiful package that immediately draws the eye and makes you want to pick up the entire series.

General Trade 61

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Sp e ci a l Tr ade Fine Art Under $75 Fine Art Over $75 General Gift Photography Cover/Jacket

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FIRST

Fine Art Under $75

Walworth

Catherine Walworth

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64 2018 New York Book Show

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Soviet Salvage Catherine Walworth

26 (left) Plate from the Banqueting Service of the Imperial Order of St. Aleksandr Nevskii, ca. 1780. Francis Gardner Factory, manufacturer. Hard paste porcelain with enamel decoration. Carnegie Museum of Art, Pittsburgh; purchase: gift of Mr. and Mrs. George L. Craig, Jr. in memory of Mr. and Mrs. George Hann, 80.40.2. Photo: Bryan Conley.

27 (below) Dessert plate from the Order of St. George Service, 1778. G. I. Kozlov, designer; Francis Gardner Factory, manufacturer. Porcelain, underglaze painting, polychrome gilt. Hillwood Estate, Museum & Gardens, Bequest of Marjorie Merriweather Post, 1973, 25.1.32.

25 (opposite) Plate, Red Ribbon, 1919. Sergei Vasilievich Chekhonin, designer. State Porcelain Factory, manufacturer. Enameled and gilt porcelain. The Henry and Ludmilla Shapiro Collection; partial gift and partial purchase through the Decorative Arts Association Acquisition and Smithsonian Collections Acquisition Program Funds, 1989-41-10. Cooper Hewitt, Smithsonian Design Museum, New York. Photo: Cooper Hewitt, Smithsonian Design Museum / Art Resource, NY.

PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

The Pennsylvania State University Press

Scala, Neue Haas Unica

Asia Pacific Offset

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

10/10/17

140gsm Golden Sun Woodfree

TRIM SIZE

PREPRESS/COMPOSITION

Matte varnish on outside, matte lamination inside on 140gsm IKPP

9" x 9½"

Asia Pacific Offset

OTHER COMPONENTS

PRODUCTION STAFF

PRINTING/BINDING

Jennifer Norton

Asia Pacific Offset

Three-piece case, JHT cloth, exposed boards, and spot UV varnish

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Jennifer Norton

TEXT DESIGN

COVER/JACKET DESIGN

Regina Starace

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Various

The design language reflects the subject matter really well. The uncoated stock and exposed board contribute to its rawness.

Special Trade 65

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SECOND

Fine Art Under $75

66 2018 New York Book Show

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Axis Mundo: Queer Networks in Chicano L.A. C. Ondine Chavoya and David Evans Frantz

PUBLISHER

TYPEFACES

COVER/JACKET STOCK & FINISH

ONE Archives at the USC Libraries and DelMonico Books/Prestel

Computer, Domaine, Euclid Flex, Graphik, Prestige Elite Std

Printed LED UV, 6/c on brossulin stock with LED gloss varnish

PUBLICATION DATE

TEXT STOCK

COVER/JACKET EFFECTS

11/20/17 TRIM SIZE

Garda Gloss; Munken Lynx, Selena, and Sirio

9" x 12"

PREPRESS/COMPOSITION

Translucent gradient swash across the cover created by a PMS spot color overprinted offline

PRODUCTION STAFF

Echelon Color

CASE MATERIALS

C. Ondine Chavoya, David Evans Frantz, Audrey Walen

PRINTING/BINDING

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Kimberly Varella, Content Object

TEXT DESIGN

COVER/JACKET DESIGN

Kimberly Varella, Content Object

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Ian Byers-Gamber, Fredrik Nilsen, Various

Patssi Valdez, Teddy Sandoval, Joey Terrill

Conti Tipocolor S.p.A.

COVER/JACKET PRINTING

Case wrapped flexi-bind cover with brossulin stock, and Munken Lynx for the endpapers with yellow headbands Visually stunning! The cover colors and stock choices are perfectly suited for the subject matter. The production and design are incredible! There is so much beauty: the interior is complex but incredibly amazing. There are many surprises and twists and turns.

Conti Tipocolor S.p.A. Special Trade 67

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THIRD

Fine Art Under $75

68 2018 New York Book Show

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On Weaving Anni Albers

PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Princeton University Press

ITC Baskerville, Whitney

Conti Tipocolor S.p.A.

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

10/10/17

GardaPat Kiara

Matte lamination

TRIM SIZE

PREPRESS/COMPOSITION

CASE MATERIALS

8½" x 11"

Conti Tipocolor S.p.A.

Seveso Cialinen

PRODUCTION STAFF

PRINTING/BINDING

Steve Sears

Conti Tipocolor S.p.A.

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Yve Ludwig

TEXT DESIGN

COVER/JACKET DESIGN

Yve Ludwig

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

The Josef and Anni Albers Foundation

The jacket and beautiful cloth case tie in the subject matter well. The overall look of the illustrations and text give a realistic visual of textures. The text and layout are easy to follow. A perfectly-executed design and production style.

Special Trade 69

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MERIT

Fine Art Under $75

bambach

MICHELANGELO

DIV INE DR AFTSM AN & DESIGNER

Carmen C. Bambach Consummate painter, draftsman, sculptor, and archi tect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was consid ered in the Renaissance to be the foundation of all

DIVINE DR AFTSMAN & DESIGNER

MICHELANGELO

artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 draw ings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeenyear appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and fullscale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s —offering fresh insights into his creative process. Also explored are Michelangelo’s influential

role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.

bn 9781588396372

printed in italy

392 pages; 370 color illustrations; bibliography; index

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Michelangelo: Divine Draftsman & Designer Carmen C. Bambach

64 | Michelangelo, Studies for the Libyan Sibyl in the Sistine Ceiling. The Metropolitan Museum of Art, New York (24.197.2 recto)

Fig. 31. Michelangelo, Libyan Sibyl (detail), Sistine Chapel ceiling

65 | Michelangelo, Studies for the Libyan Sibyl and a Sketch for a Seated Figure. The Metropolitan Museum of Art, New York (24.197.2 verso)

the verso the small seated figure with a putto at the side, which seems to be an early idea for the prophet Isaiah, while the softly drawn arm study in black chalk aligns with the pose of the Erythraean Sibyl. The increasing self-assurance of the artist is noticeable among the drawings done in the same medium. For example, the study for the head of the prophet Zechariah, one of the first Seers to be painted, is executed lightly and timidly in black chalk (pl. 53), whereas the powerful drawing for the Cumaean Sibyl in Turin has the formal definition of a figure carved in marble (pl. 54; fig. 30). This sibyl was among the last to be frescoed before Michelangelo had the scaffolding moved to commence the second portion of the ceiling. Though more schematic, the black-chalk figures on the Turin verso (pl. 55), which were preparatory for the lunette of Ezechias, Manasses, and Amon, are as bold and expressive as the Cumaean Sibyl on the recto. Also from the last group of drawings done in preparation for the first portion of the ceiling are vigorous studies from the model that were probably for the arms of God the Father in the Creation of Adam; the other side of the sheet contains earlier studies for the Battle of Cascina (pls. 56, 57). Leaves from a small, disassembled sketchbook at the Ashmolean Museum pertain mostly to the design of the later parts of the ceiling and to the Ancestors of Christ, but they illustrate what earlier sketches of a similar type must have looked like.159

These sheets include slight sketches with initial ideas for figures in pen and ink, “to explore the manner of the poses,” to quote Vasari,160 as well as more developed studies in black chalk. The powerful study in black chalk of a male nude model (pl. 58) is unforgivingly naturalistic, undoubtedly observed from a malnourished garzone in the workshop, and was preparatory for a figure in reverse design on the lunette of Phares, Esron, and Aram by the altar wall of the chapel, which was later destroyed.161 It compares closely in style to the Turin study for the lunette of Ezechias, Manasses, and Amon (pl. 55). The summary sketch on the verso of the sheet (pl. 59) is among Michelangelo’s very rare drawings of a figural group on the Sistine ceiling, its main function being to articulate the atmospheric chiaroscuro of the arrangement. The bent-over figure is recognizable, though in a highly idealized form, on the lunette of Naason. The bold sketch of a figure on another sheet fcrom the Ashmolean sketchbook (pl. 60) relates to the other destroyed lunette by the altar wall, which depicted Abraam, Isaac, and Iudas.162 The abstract blackchalk sketches on the verso (pl. 61) were simply a means to explore investing the seated figures with movement. By the time he prepared the drawings for the Creation of Adam, Michelangelo had begun using red chalk more frequently than black chalk for studies after the living model. It will be recalled that Raffaello Borghini in 1584 had considered red-chalk

a new artistic vision 89

PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

The Metropolitan Museum of Art

Verona Libri

PUBLICATION DATE

Stevens Titling, Aldus Nova, Sistina

11/21/17

TEXT STOCK

TRIM SIZE

135gsm GardaPat Kiara

150gsm Munken Polar with matte film lamination on reverse

9½" x 12"

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

PRODUCTION STAFF

Verona Libri

Paul Booth

PRINTING/BINDING

4/0 with UV foil stamping on spine using Kurz Luxor #334

TEXT ART DIRECTION

Verona Libri

CASE MATERIALS

Christopher Kuntze

COVER/JACKET ART DIRECTION

Cialux #1576 cloth, 3.0mm boards

TEXT DESIGN

Christopher Kuntze

OTHER COMPONENTS

Christopher Kuntze

COVER/JACKET DESIGN

Scored 4x

ILLUSTRATOR/PHOTOGRAPHER

Christopher Kuntze

The Metropolitan Museum of Art Imaging Department

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Michelangelo

COVER/JACKET STOCK & FINISH

A sensitive solution to including a vast quantity of information—beautiful reproductions.

Special Trade 71

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MERIT

Fine Art Under $75

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The Propaganda Front Anna Jozefacka, Lynda Klich, Juliana Kreinik, and Benjamin Weiss

PUBLISHER

TYPEFACE

COVER/JACKET STOCK & FINISH

MFA Publications, Museum of Fine Arts, Boston

National Book TEXT STOCK

150gsm Garda Premium Natural with no-scratch film lamination

PUBLICATION DATE

135gsm GardaPat Kiara

CASE MATERIALS

12/12/17

PREPRESS/COMPOSITION

TRIM SIZE

Graphicom S.r.l. Group

Hardcover with cloth over 3mm boards; brillianta black 4000 cloth

8½" x 9½"

PRINTING/BINDING

PRODUCTION STAFF

Graphicom S.r.l. Group

Terry McAweeney

COVER/JACKET DESIGN

TEXT DESIGN

Susan Marsh

COVER/JACKET PRINTING

The artwork is displayed in a coherent order. The reproduction of the posters and postcards are very sharp and clean.

Graphicom S.r.l. Group Special Trade 73

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FIRST

Fine Art Over $75

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Eleven Madison Park: The Next Chapter Daniel Humm and Will Guidara

IMPRINT/PUBLISHER

TEXT STOCKS

COVER/JACKET STOCK & FINISH

Ten Speed Press, Crown Publishing Group, Penguin Random House

140gsm Tintoretto Gesso, 150gsm Magno Matte

128gsm matte art, soft-touch matte lamination

PUBLICATION DATE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

10/03/17

Bright Arts, Mari Gill

Rich black ink, spot gloss, debossing

TRIM SIZE

PRINTING/BINDING

CASE MATERIALS

10¾" x 11¾"

Legatoria Editoriale Giovanni Olivotto

Slipcase on Assuan gray cloth and silver foil

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

OTHER COMPONENTS

Serena Sigona

be-poles

TEXT ART DIRECTION

COVER/JACKET DESIGN

Two books housed in a slipcase, signed and numbered, limited to 11,000 copies

be-poles

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

be-poles

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Janice Barnes, Francesco Tonelli

Legatoria Editoriale Giovanni Olivotto

TYPEFACES

Exquisite paper and packaging. Complicated recipes organized for easy navigation. Silhouetting of food photography is perfect. Watercolor illustrations are beautifully presented. The printed liner on the slipcase is a nice touch.

Verlag, Plantin Special Trade 75

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SECOND

Fine Art Over $75

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Poetic Vision Adrian Villeta

118

119

job: 工作室内文 p118 170628 jun

job: 工作室内文 p119 170628 jun

PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Michael Bell

Adrian Villeta

PUBLICATION DATE

TYPEFACES

COVER/JACKET PRINTING

09/13/17

Elido, Odile, Meta

Asia Pacific Offset

TRIM SIZE

TEXT STOCK

CASE MATERIALS

10½" x 13"

140gsm IKPP Woodfree

Printed woodfree case with debossing

PRODUCTION STAFF

PREPRESS/COMPOSITION

OTHER COMPONENTS

Alberto Rigau

Asia Pacific Offset

Black ribbon marker

TEXT ART DIRECTION

PRINTING/BINDING

Adrian Villeta

Asia Pacific Offset

TEXT DESIGN

COVER/JACKET ART DIRECTION

Alberto Rigau, Stephanie Rodriguez, and Estudio Interlínea

Adrian Villeta COVER/JACKET DESIGN

Moody and atmospheric with vintage tones, creating a striking book. The volume fits nicely into its slipcase. The book and slipcase have cohesive design and presentation.

Alberto Rigau Special Trade 77

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8/29/18 6:20 PM

THIRD

Fine Art Over $75

78 2018 New York Book Show

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Handbags: A Love Story Monica Botkier

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Harper Design, HarperCollins Publishers

Linotype Didot, Engravers Gothic, Filosofia

Imago

PUBLICATION DATE

TEXT STOCK

11/14/17

140gsm woodfree

PET clear jacket prints 4/c with opaque white, .35mm thickness

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

10¼" x 12½"

Bright Arts, Shubhani Sarkar

4/c plus opaque white

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

Susan Kosko, Lynne Yeamans

Imago

JHT cloth

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

OTHER COMPONENTS

Lynne Yeamans

TEXT DESIGN

COVER/JACKET DESIGN

Endpapers 2/2, two ribbon markers (one red and one black)

Shubhani Sarkar

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Judith van den Hoek

COVER/JACKET STOCK & FINISH

The plastic jacket is beautiful yet the cover stands on its own. Nice clean typography and layout. Unique and beautiful package.

Special Trade 79

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BES T IN C ATEGORY

FIRST/BEST IN CATEGORY

General

80 2018 New York Book Show

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SHE: muses, visionaries and madcap heroines Kate Spade New York

PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Abrams Books

Various

Julie Weiss Design

PUBLICATION DATE

TYPEFACE

CASE MATERIALS

10/10/17

ITC New Baskerville

TRIM SIZE

TEXT STOCK

JHT cloth, black grosgrain with pink foil stamping

9½" x 11½"

128gsm matte art

PRODUCTION STAFF

PREPRESS/COMPOSITION

Rebecca Westall

Julie Weiss Design

TEXT ART DIRECTION

PRINTING/BINDING

Danielle Youngsmith

RR Donnelley Asia Printing Solutions

TEXT DESIGN

COVER/JACKET ART DIRECTION

Julie Weiss Design

Danielle Youngsmith

Every element of this package is intentional—the cloth and deep foil stamping is seductive; use of pink is sophisticated, not overwhelming. The gilding is a beautiful contrast; acetate tip-ins elevate the design.

Special Trade 81

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SECOND

General

82 2018 New York Book Show

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House Industries: The Process Is the Inspiration Andy Cruz, Rich Roat, and Ken Barber

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Watson-Guptill, Ten Speed Press, Crown Publishing Group, Penguin Random House

Neutraface, Eames Century Modern

C & C Offset Printing Co., Ltd.

TEXT STOCK

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

Ecological Fibers Ultima

TRIM SIZE

128gsm matte art, 120gsm brown Kraft paper, 60gsm light extreme, 125gsm brown Kraft paper

8½" x 10"

PREPRESS/COMPOSITION

Betsy Stromberg

CASE MATERIALS

PRODUCTION STAFF

Serena Sigona

PRINTING/BINDING

TEXT ART DIRECTION

C & C Offset Printing Co., Ltd.

Andy Cruz

COVER/JACKET ART DIRECTION

TEXT DESIGN

Andy Cruz

Bondé Angeline, Andy Cruz, Ken Barber

COVER/JACKET DESIGN

ILLUSTRATOR/PHOTOGRAPHER

Andy Cruz

05/30/17

Chris Gardner, Adam Cruz, Carlos Alejandro, Various

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Andy Cruz

COVER/JACKET EFFECTS

Gold and silver silkscreen, plus debossing 3mm board OTHER COMPONENTS

Hand lettering by Ken Barber, 352pp printed CMYK, metallic Pantone, spot gloss varnish, 48pp printed two Pantones, metallic The case has an inviting texture. This book has it all! A lot of content, which is unified through the color scheme and pearlescent and copper inks. Beautiful showcase of their typefaces and their applications.

Special Trade 83

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THIRD

General

84 2018 New York Book Show

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A Man and His Watch Matt Hranek

PAUL NEWMAN’S MODEL 6263 BIG RED ROLEX DAYTONA

19172_AMAHW_int_Jun27.indd 016

12/7/2017 11:44 AM

19172_AMAHW_int_Jun27.indd 017

12/7/2017 11:44 AM

IMPRINT/PUBLISHER

TEXT STOCK

CASE MATERIALS

Artisan, Workman Publishing

140gsm Gold East Matte

PUBLICATION DATE

PREPRESS/COMPOSITION

10/31/17

Mission

Three-piece case, Wibalin spine, front and back case matte lamination, debossing on front case

TRIM SIZE

PRINTING/BINDING

OTHER COMPONENTS

7" x 10"

Asia Pacific Offset

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Nancy Murray

Renata Di Biase, Nancy Murray

TEXT ART DIRECTION

COVER/JACKET DESIGN

Renata Di Biase

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Renata Di Biase

Matt Hranek

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Matt Hranek

Asia Pacific Offset

Slipcase has half circle die cut and opens on both sides; Wibalin case has debossing and black liner Attractive package, particularly the relationship between slipcase and cover. The detail of the thumb cut mirrors a watch crown, including the debossing of the notches. Exquisite photography. Print production is well executed and all the details of watch are maintained.

TYPEFACES

Karloff Positive and National Special Trade 85

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MERIT

General

86 2018 New York Book Show

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Surf Shack Nina Freudenberger

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Clarkson Potter, Crown Publishing Group, Penguin Random House

Brittany Ambridge

Stephanie Huntwork

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

PUBLICATION DATE

Brittany Ambridge

04/11/17

Gothic 13, Gothic 720 BT B, Granjon Roman

TRIM SIZE

TEXT STOCK

C & C Offset Printing Co., Ltd.

8" x 11"

140gsm woodfree

COVER/JACKET STOCK & FINISH

PRODUCTION STAFF

PREPRESS/COMPOSITION

Pure white imitation cloth

Kim Tyner

Kim Tyner, Alexandria Martinez

COVER/JACKET EFFECTS

TEXT ART DIRECTION

PRINTING/BINDING

Debossing

Stephanie Huntwork, Marysarah Quinn

C & C Offset Printing Co., Ltd.

TEXT DESIGN

COVER/JACKET ART DIRECTION

Stephanie Huntwork

Stephanie Huntwork, Marysarah Quinn

COVER/JACKET PRINTING

The debossing of the title from the spine wrapped on the hinge and front case is a manufacturing wonder. The interior design has a sunny quality and the choice of paper makes you feel like you are at the beach.

Special Trade 87

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MERIT

General

88 2018 New York Book Show

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Rei Kawakubo/Comme des Garçons: Art of the In-Between Andrew Bolton

Cacophony, spring /summer 2008

“[For my spring/summer 2008 collection], I started out thinking about disharmony and randomness, playing with weird and unlikely mixes of fabrics, colors and patterns on the one hand, and working with shapes . . . that are not clothes on the other hand.” 2008

“The entire collection . . . was built on the plain, flat rectangular bag.” 2008

124

125

PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

The Metropolitan Museum of Art

Baron One

Ofset Yapımevi

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

05/04/17

150gsm Munken Polar

150gsm Munken Polar, 58gsm glassine

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

11" x 14¼"

Professional Graphics

PRODUCTION STAFF

PRINTING/BINDING

Blind stamping with UV matte film lamination on reverse

Paul Booth

Ofset Yapımevi

CASE MATERIALS

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Fabien Baron, Yuki Iwashiro, Baron & Baron

Cialux #1576 cloth with foil stamping on spine using Kurz Luxor #334 3.0mm boards

TEXT DESIGN

COVER/JACKET DESIGN

OTHER COMPONENTS

Fabien Baron, Yuki Iwashiro, Baron & Baron

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Nicholas Alan Cope, Inez and Vinoodh, Katerina Jebb, Kazumi Kurigami, Ari Marcopoulos, Craig McDean, Brigitte Niedermair, Paolo Roversi, Collier Schorr

Paolo Roversi

Smyth-sewn binding The paper choice catches your eye. The design reflects the aesthetic of the subject: simple, minimal, and beautiful. The jacket and slipcase reflect the material Rei Kawakubo uses in her fashion designs.

Special Trade 89

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FIRST

Gift

90 2018 New York Book Show

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This Book Is a Planetarium Kelli Anderson

PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Chronicle Books

Toppan Excel, Toppan Leefung

PUBLICATION DATE

Din Medium, Futura Std, MTT Milano, Milano Popup, Neutra Text

10/03/17

TEXT STOCK

TRIM SIZE

379gsm C1S Printkote Artcard with matte lamination

9½" x 12"

330gsm C1S Hongta Artcard, pop-ups are 220gsm uncoated YFY

PRODUCTION STAFF

PREPRESS/COMPOSITION

Paper over 2mm binder’s board

Erin Thacker

OTHER COMPONENTS

TEXT ART DIRECTION

PRINTING/BINDING

Brooke Johnson, Jennifer Tolo Pierce

Toppan Excel, Toppan Leefung

TEXT DESIGN

COVER/JACKET ART DIRECTION

Kelli Anderson

Brooke Johnson, Jennifer Tolo Pierce

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Kelli Anderson

Kelli Anderson COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

COVER/JACKET STOCK & FINISH

CASE MATERIALS

Elastic bands attached to inside front and back covers Wow! This book is so much fun. It’s the kind of book that an adult wants to play with. This is sophisticated. Clearly a judge’s favorite. The pop-ups and design choices are really well-executed.

Kelli Anderson Special Trade 91

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SECOND

Gift

92 2018 New York Book Show

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Carve: A Simple Guide to Whittling Melanie Abrantes

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Clarkson Potter, Crown Publishing Group, Penguin Random House

Melanie Riccardi

Stephanie Huntwork

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

PUBLICATION DATE

Getty, Melanie Riccardi

08/22/17

Chronicle Text G1, DIN Next LT Pro, ATSackersGothic

TRIM SIZE

TEXT STOCK

C & C Offset Printing Co., Ltd.

5" x 7"

140gsm woodfree

COVER/JACKET STOCK & FINISH

PRODUCTION STAFF

PREPRESS/COMPOSITION

Pure white imitation cloth

Kim Tyner

Kim Tyner, Kelli Tokos

COVER/JACKET EFFECTS

TEXT ART DIRECTION

PRINTING/BINDING

Debossing

Stephanie Huntwork, Marysarah Quinn

C & C Offset Printing Co., Ltd.

TEXT DESIGN

COVER/JACKET ART DIRECTION

Stephanie Huntwork

Stephanie Huntwork, Marysarah Quinn

COVER/JACKET PRINTING

The printing and manufacturing—as well as the choice of endpaper and design—convey the subject perfectly.

Special Trade 93

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THIRD

Gift

94 2018 New York Book Show

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Matzo Michele Streit Heilbrun and David Kirschner

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Clarkson Potter, Crown Publishing Group, Penguin Random House

Jennifer May

TYPEFACES

COVER/JACKET PRINTING

PUBLICATION DATE

GarageGothic, Burford Base, Farnham Text

C & C Offset Printing Co., Ltd.

03/07/17

TEXT STOCK

COVER/JACKET EFFECTS

TRIM SIZE

128gsm matte

Sculptural debossing

8" x 8"

PREPRESS/COMPOSITION

CASE MATERIALS

PRODUCTION STAFF

Heather Williamson, Kelli Tokos

128gsm with matte lamination

Heather Williamson

PRINTING/BINDING

TEXT ART DIRECTION

C & C Offset Printing Co., Ltd.

Stephanie Huntwork, Marysarah Quinn

COVER/JACKET ART DIRECTION

TEXT DESIGN

Stephanie Huntwork, Marysarah Quinn

Sonia Persad

COVER/JACKET DESIGN

Makes you want to take a bite out of the cover! Debossing recreates the nooks and crannies of a piece of matzo. Design makes content easy to identify and follow.

Sonia Persad Special Trade 95

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MERIT

Gift

96 2018 New York Book Show

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8/29/18 6:20 PM

A Graphic History of Sport Andrew Janik

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Clarkson Potter, Crown Publishing Group, Penguin Random House

Andrew Janik

TYPEFACES

COVER/JACKET PRINTING

PUBLICATION DATE

Red Top, GT Pressura

Toppan Leefung

02/28/17

TEXT STOCK

COVER/JACKET EFFECTS

TRIM SIZE

157gsm Hi-Q matte FSC-certified

Embossing and debossing

6" x 7¼"

PREPRESS/COMPOSITION

CASE MATERIALS

PRODUCTION STAFF

Luisa Francavilla, Kelli Tokos

Luisa Francavilla

PRINTING/BINDING

3.00mm board, 128gsm glossy artpaper with soft-touch lamination

TEXT ART DIRECTION

Toppan Leefung

Danielle Deschenes, Marysarah Quinn

COVER/JACKET ART DIRECTION

TEXT DESIGN

Danielle Deschenes, Marysarah Quinn

Ian Dingman

COVER/JACKET DESIGN

Ian Dingman

The cover screams SPORTS. The connection between the cover and spine ties the theme together. The endpapers and illustrations have a playfulness appropriate to the subject.

Special Trade 97

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MERIT

Gift

98 2018 New York Book Show

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The Little Book of Life Hacks Yumi Sakugawa

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

St. Martin’s Griffin, St. Martin’s Press, Macmillan

Blog Script

Shenzhen RRD Printing

TEXT STOCK

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

115gsm Yulong paper 1.3, 340ppi

05/02/17

PREPRESS/COMPOSITION

300gsm C1S art paper with 1/s matte lamination

TRIM SIZE

Yumi Sakugawa

COVER/JACKET EFFECTS

6⅛" x 93⁄16"

PRINTING/BINDING

Metallic foil, emboss pattern

PRODUCTION STAFF

Shenzhen RRD Printing

OTHER COMPONENTS

Lena Shekhter

COVER/JACKET ART DIRECTION

Hand lettering

TEXT ART DIRECTION

Young Jin Lim

Michelle McMillian

COVER/JACKET DESIGN

TEXT DESIGN

Young Jin Lim

Michelle McMillian

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Yumi Sakugawa

The design of the book is playful, hip, and youthful. The cover ties the subject matter together. The graphic novel and comic-style illustrations make the instruction manual easy to use.

Yumi Sakugawa Special Trade 99

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FIRST

Photography

100 2018 New York Book Show

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Vegas Gold David Wills

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Dey Street Books, HarperCollins Publishers

Eurostile Bold Condensed, Gill Sans

Imago

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

10/31/17

157gsm Chenming Matte FSC-certified

157gsm Chenming Glossy FSC-certified

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

10½" x 11¾"

Imago

Spot UV, gold foil

PRODUCTION STAFF

PRINTING/BINDING

OTHER COMPONENTS

Stephen Schmidt, Susan Kosko, Richard Aquan, Alex Cheng

Imago

Smyth-sewn binding with gilded book block

TEXT ART DIRECTION

Stephen Schmidt

COVER/JACKET DESIGN

TEXT DESIGN

Stephen Schmidt, David Wills

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Photofest

COVER/JACKET ART DIRECTION

Various

The production choices are very Vegas. The way the book is designed and printed makes the photography really shine. The gold disco-style foil on the jacket and case, along with the metallic and gold inks, ties everything together and makes this book really stand out.

Special Trade 101

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SECOND

Photography

102 2018 New York Book Show

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Mariposas Nocturnas Emmet Gowin

PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Princeton University Press

Centaur

Meridian Printing

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

09/19/17

Phoenix Motion Xantur matte

Matte lamination

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

11" x 14"

Robert J. Hennessey

French fold

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

Steve Sears

Meridian Printing

Phoenix Motion Xantur matte

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Katy Homans

TEXT DESIGN

COVER/JACKET DESIGN

Katy Homans

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Emmet Gowin

The oversized trim really works for the subject. The photography is well-organized and beautifully shot. The grid layout reflects a museum display. The printed case with soft-touch coating is striking.

Special Trade 103

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THIRD

Photography

104 2018 New York Book Show

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Blind Spot Teju Cole

MIL AN It holds its violence in reserve. It is symmetrical, as are most vertebrates. It is in fact bipedal, like the animal that stands up, the animal that can mourn strangers. This suggestiveness is the key to surrealism. Suddenly coming up for air, a whale breaking the sea’s surface, the surreal object is beyond or over (sur) a reality it might have been expected to stay below. The scissors is a mask without a face.

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Random House, Penguin Random House

Aaux Pro

Teju Cole

PUBLICATION DATE

TEXT STOCK

COVER/JACKET PRINTING

06/13/17

RR Donnelley Asia Printing Solutions

TRIM SIZE

157gsm Golden Sun matte FSC-certified art paper

6¼" x 8¾"

PREPRESS/COMPOSITION

PRODUCTION STAFF

North Market Street Graphics

128gsm Golden Sun glossy FSC-certified art paper with matte film lamination

Richard Elman

PRINTING/BINDING

COVER/JACKET EFFECTS

TEXT ART DIRECTION

RR Donnelley Asia Printing Solutions

Debossing and spot gloss UV

Liz Cosgrove

COVER/JACKET ART DIRECTION

CASE MATERIALS

TEXT DESIGN

Alex Merto

Wibalin 552 green

Liz Cosgrove

COVER/JACKET DESIGN

ILLUSTRATOR/PHOTOGRAPHER

Alex Merto

Teju Cole

COVER/JACKET STOCK & FINISH

Impressive layout, title page, and endpaper design. The use of white space is really smart—the map at the end is a nice way to wrap it up.

Special Trade 105

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FIRST

Fine Art Under $75 Cover/Jacket

Axis Mundo: Queer Networks in Chicano L.A. C. Ondine Chavoya and David Evans Frantz PUBLISHER

ONE Archives at the USC Libraries and DelMonico Books/Prestel PUBLICATION DATE

11/20/17 TRIM SIZE

9" x 12" PRODUCTION STAFF

C. Ondine Chavoya, David Evans Frantz, Audrey Walen COVER/JACKET ART DIRECTION

Kimberly Varella, Content Object COVER/JACKET DESIGN

Kimberly Varella, Content Object COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Patssi Valdez, Teddy Sandoval, Joey Terrill COVER/JACKET PRINTING

Conti Tipocolor S.p.A. COVER/JACKET STOCK & FINISH

Printed LED UV, 6/c on brossulin stock with LED gloss varnish COVER/JACKET EFFECTS

Translucent gradient swash across the cover created by a PMS spot color overprinted offline Incredibly well executed. The cover stock texture and colors work with great effectiveness. Spine and title typeface were great choices.

106 2018 New York Book Show

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FIRST

General Cover/Jacket

The Legend of Zelda: Art & Artifacts Nintendo IMPRINT/PUBLISHER

Dark Horse Books, Dark Horse Comics PUBLICATION DATE

02/21/17 TRIM SIZE

9" x 12" PRODUCTION STAFF

Patrick Thorpe COVER/JACKET ART DIRECTION

Cary Grazzini COVER/JACKET DESIGN

Cary Grazzini COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Nintendo COVER/JACKET PRINTING

1010 Printing International Ltd. COVER/JACKET STOCK & FINISH

182gsm metallic silver foil paper and soft-touch lamination, 0.30mm PET acetate material COVER/JACKET EFFECTS

Metallic gold foil stamping and 3D embossing OTHER COMPONENTS

Metallic gilding Clever use of acetate slipcase, sculptural debossing, and holographic foil clearly conveys content.

Special Trade 107

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8/29/18 6:20 PM

MERIT

Photography Cover/Jacket

Clarence H. White and His World Anne McCauley PUBLISHER

Princeton University Art Museum PUBLICATION DATE

09/01/17 TRIM SIZE

10" x 11½" PRODUCTION STAFF

Anjali Pala, Miko McGinty Inc. COVER/JACKET DESIGN

Anjali Pala, Miko McGinty Inc. COVER/JACKET PRINTING

Trifolio S.r.l. COVER/JACKET STOCK & FINISH

170gsm Garda Matte COVER/JACKET EFFECTS

LED UV printing with soft-touch lamination and Kurz Luxor 334 foil stamping CASE MATERIALS

Brillianta 4254 cloth with Oropress 070S10 stamping Nice soft-touch feel. Good choice of foil for the overall aesthetic of the jacket. Beautiful printing of a very delicate platinotype.

108 2018 New York Book Show

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8/29/18 6:21 PM

nybs18_3p_text_r2.indd 110

8/29/18 6:21 PM

Ch i ldre n â&#x20AC;&#x2122;s Trade Hardcover Picture Fiction Hardcover Picture Nonfiction Hardcover Picture Nonfiction Series Hardcover Young Adult Fiction Hardcover Young Adult Fiction Series Hardcover Young Adult Nonfiction Novelty Young Adult Graphic Novel Young Adult Graphic Novel Series Young Adult Illustrated Novel Young Adult Illustrated Novel Series Cover/Jacket Cover/Jacket Series

nybs18_3p_text_r2.indd 111

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BES T IN C ATEGORY

FIRST/BEST IN CATEGORY

Hardcover Picture Fiction

112 2018 New York Book Show

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8/29/18 6:21 PM

Creepy Pair of Underwear! Aaron Reynolds and Peter Brown

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET STOCK & FINISH

Simon & Schuster Books for Young Readers, Simon & Schuster

Goldenbook TEXT STOCK

100# C1S stock, scuff-free matte lamination

PUBLICATION DATE

100# matte

COVER/JACKET EFFECTS

08/15/17

PRINTING/BINDING

Spot gloss UV, sculpted embossing

TRIM SIZE

Phoenix Color

CASE MATERIALS

9" x 12"

COVER/JACKET ART DIRECTION

.080mm binder’s board

PRODUCTION STAFF

Lizzy Bromley

Chava Wolin

COVER/JACKET DESIGN

TEXT ART DIRECTION

Lizzy Bromley, Peter Brown

Lizzy Bromley

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

TEXT DESIGN

Peter Brown

Lizzy Bromley

COVER/JACKET PRINTING

ILLUSTRATOR/PHOTOGRAPHER

Phoenix Color

Exceptional use of the fifth color. The back design, the use of panels, and the layout are great. The contrast in the black-and-gray tones throughout is phenomenal. The greenish glow makes this book an undeniable—if creepy—winner.

Peter Brown Children’s Trade 113

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SECOND

Hardcover Picture Fiction

114 2018 New York Book Show

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8/29/18 6:21 PM

The Book of Mistakes Corinna Luyken

IMPRINT/PUBLISHER

TEXT STOCK

COVER/JACKET EFFECTS

Dial Books for Young Readers, Penguin Random House

140gsm woodfree, FSC-certified paper

Embossing

PREPRESS/COMPOSITION

CASE MATERIALS

PUBLICATION DATE

RR Donnelley Asia Printing Solutions

04/18/17

PRINTING/BINDING

140gsm woodfree, FSC-certified materials with matte lamination over 3mm boards

TRIM SIZE

RR Donnelley Asia Printing Solutions

OTHER COMPONENTS

9½" x 11½"

COVER/JACKET ART DIRECTION

PRODUCTION STAFF

Lily Malcom

Interior color 4/c (PMS 801, 806, 3955, extra black), 4% tint of yellow throughout

Cherisse Landau

COVER/JACKET DESIGN

TEXT ART DIRECTION

Lily Malcom

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

TEXT DESIGN

Corinna Luyken

Lily Malcom

COVER/JACKET PRINTING

ILLUSTRATOR/PHOTOGRAPHER

RR Donnelley Asia Printing Solutions

Corinna Luyken

COVER/JACKET STOCK & FINISH

TYPEFACE

Perpetua Pro

Exceptional typography and design. The use of subtle color throughout is effective and builds as the book progresses. Very good printing with nice rich blacks. The flaps are integrated with the endpapers flawlessly. Jacket-to-case consideration was appreciated.

140gsm woodfree, FSC-certified stock with matte varnish and gloss on back for support Children’s Trade 115

nybs18_3p_text_r2.indd 115

8/29/18 6:21 PM

THIRD

Hardcover Picture Fiction

116 2018 New York Book Show

nybs18_3p_text_r2.indd 116

8/29/18 6:21 PM

Robinson Peter Sís Cyan Magenta Yellow Black

Cyan Magenta Yellow Black

DRC250-5-2017 Scholastic Robinson int W:9.75”XH:11.75” 150L 140gsm Golden Sun W/F Magenta

I find water and something to eat.

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Scholastic Press, Scholastic Inc.

Amatica SC

Peter Sís

PUBLICATION DATE

TEXT STOCK

COVER/JACKET PRINTING

09/26/17

RR Donnelley

TRIM SIZE

140gsm Golden Sun woodfree, FSC-certified paper

9¾" x 11¾"

PREPRESS/COMPOSITION

PRODUCTION STAFF

Charles Kreloff, David Saylor

157gsm Golden Sun matte, FSC-certified stock

Shannon Rice

PRINTING/BINDING

COVER/JACKET EFFECTS

TEXT ART DIRECTION

RR Donnelley

Matte film lamination and spot UV

David Saylor

COVER/JACKET ART DIRECTION

CASE MATERIALS

TEXT DESIGN

David Saylor

One-piece case with matte film lamination

Charles Kreloff, David Saylor

COVER/JACKET DESIGN

ILLUSTRATOR/PHOTOGRAPHER

Charles Kreloff, David Saylor

Peter Sís

COVER/JACKET STOCK & FINISH

Beautiful color throughout. Every spread shows a new adventure—excellent design. Beautiful package.

Children’s Trade 117

nybs18_3p_text_r2.indd 117

8/29/18 6:21 PM

MERIT

Hardcover Picture Fiction

118 2018 New York Book Show

nybs18_3p_text_r2.indd 118

8/29/18 6:21 PM

On a Magical Do-Nothing Day Beatrice Alemagna

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Harper, HarperCollins Publishers

Sofia Pro Light, Forest Puyehue

RR Donnelley Asia Printing Solutions

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

09/12/17 TRIM SIZE

140gsm Golden Sun uncoated, woodfree, FSC-certified paper

140gsm Golden Sun uncoated, woodfree, FSC-certified paper with matte lamination

9" x 12"

PRINTING/BINDING

COVER/JACKET EFFECTS

PRODUCTION STAFF

RR Donnelley Asia Printing Solutions

Allison Brown

COVER/JACKET ART DIRECTION

PMS 804 fluorescent orange, printed on uncoated stock paper

TEXT ART DIRECTION

Beatrice Vincent

CASE MATERIALS

Beatrice Vincent, Amy Ryan

COVER/JACKET DESIGN

2.5 mm MingOu greyboard

TEXT DESIGN

Amy Ryan

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Beatrice Alemagna

Excellent use of color throughout, particularly the spot color. Conceptually the use of the fifth color is integral to the whole design and progression of the visual story. Beautiful design and nice quality paper.

Children’s Trade 119

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8/29/18 6:21 PM

MERIT

Hardcover Picture Fiction

120 2018 New York Book Show

nybs18_3p_text_r2.indd 120

8/29/18 6:21 PM

Monster’s New Undies Samantha Berger and Tad Carpenter

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Orchard Books, Scholastic Inc.

Rockwell

Tien Wah Press America

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

06/27/17

130gsm woodfree

Matte film lamination

TRIM SIZE

PREPRESS/COMPOSITION

CASE MATERIALS

8½" x 11"

Doan Buu

Matte laminated paper over board

PRODUCTION STAFF

PRINTING/BINDING

OTHER COMPONENTS

Shannon Rice

Tien Wah Press America

Printed using four Pantone colors

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Patti Ann Harris

TEXT DESIGN

COVER/JACKET DESIGN

Tad Carpenter, Doan Buu

Doan Buu

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Tad Carpenter

Great use of spot colors. Thoughtful design with very fun packaging. We liked the graphite title type.

Children’s Trade 121

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8/29/18 6:21 PM

FIRST

Hardcover Picture Nonfiction

122 2018 New York Book Show

nybs18_3p_text_r2.indd 122

8/29/18 6:21 PM

Her Right Foot Dave Eggers and Shawn Harris

PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Chronicle Books

Acta

Toppan Leefung

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

09/19/17

Golden Sun woodfree, FSC-certified paper

TRIM SIZE

PREPRESS/COMPOSITION

Hi-Q glossy, FSC-certified art paper with matte lamination

10" x 8"

Binh Au

CASE MATERIALS

PRODUCTION STAFF

PRINTING/BINDING

FSC-certified binder’s board

Wendy Thorpe

Toppan Leefung

OTHER COMPONENTS

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Headbands

Kristine Brogno

TEXT DESIGN

COVER/JACKET DESIGN

Kristine Brogno, Shawn Harris

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Shawn Harris

Sparse text and gorgeously colored illustrations mitigate the otherwise daunting length of this book. Thoughtful use of white space gives readers room to breathe as they take in the vibrant artwork—a shining and appealing package.

Children’s Trade 123

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8/29/18 6:21 PM

SECOND

Hardcover Picture Nonfiction

124 2018 New York Book Show

nybs18_3p_text_r2.indd 124

8/29/18 6:21 PM

Victoria: Portrait of a Queen Catherine Reef

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Clarion Books, Houghton Mifflin Harcourt

Ambergate, Seminary, ITC Tiffany, Avenir

RR Donnelley Asia Printing Solutions

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

11/07/17

115gsm matte, FSC-certified art paper

5/c on 128gsm gloss art paper

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

8" x 10"

United Graphics, Sharismar Rodriguez

Matte lamination and spot gloss

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

Trish McGinley

RR Donnelley Asia Printing Solutions

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

PMS 187U on 120gsm woodfree endpaper and GF 206 tan headbands

Sharismar Rodriguez

OTHER COMPONENTS

TEXT DESIGN

COVER/JACKET DESIGN

4/c and PMS 873C metallic

Sharismar Rodriguez

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Various

Royal Collection Trust, Shutterstock

A serious, thoughtfully laid-out, impressive-looking package.

Children’s Trade 125

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8/29/18 6:21 PM

MERIT

Hardcover Picture Nonfiction

PERIODIC

TABLE The definitive visual catalog of the building blocks of the universe Featuring

100s

of incredible examples By Sean Callery and Miranda Smith

126 2018 New York Book Show

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The Periodic Table Sean Callery and Miranda Smith

K 39.098 Atomic number: 19 Formula: K Atomic weight: 39.098 State at 68°F (20°C): solid Boiling point: 1398°F (759°C) Melting point: 146.3°F (63.5°C) % in the Universe: 0.0003 % in Earth’s crust: 1.5 % in Earth’s oceans: 0.042 % in humans: 0.4 Uses: in fertilizers; in glass production to toughen the glass; dyes; in detergent and liquid soap; in drain cleaners; in alkaline batteries; pharmaceuticals and saline drips; deodorants; textile and leather production; gold mining; photography; as a healthy alternative to table salt; in gunpowder; for fireworks; in nuclear reactors; as a heat exchange medium; bleaching textiles; enamels; ceramics; photographic film Crystals

Sylvite, also called sylvine, is very valuable commercially because it is mined for potassium. Sylvite forms crystals that are similar to rock salt (halite) and they are often found together. The coarse-grained ore in this sample is a mixture of sylvite (potassium chloride) and halite (sodium chloride).

e19 | p19 | n20

POTASSIUM

FOUND IN

A L K A L I M E TA L

This soft metal loves color. It burns with a bright lilac flame when it touches water, turns black in the open air, and is found inside all sorts of foods, including vividly colored fruits such as bananas and melons. It helps feed many of us since it is in the powerful fertilizers used by farmers, and it allows your brain to contract your muscles. Cell essential

Potassium is essential to the health of cells and blood vessels. It conducts electrical signals around animals’ bodies, and, with sodium, is essential for proper muscle contraction and the maintaining of blood pressure. Your body cannot make potassium, so it must be obtained from foods. Most of the 85 percent of the potassium your body absorbs is taken in through the cells of the small intestine (left).

Sylvite

Halite

Aphophyllite

Muscovite

Plant pick-me-up

Potassium is vital for the health of plant cells. Crops quickly deplete potassium, so farmers spread their land with potash-rich fertilizers (potash is a term for any salt that contains water-soluble potassium).

Potassium was the first elemental metal to be found using an electric current.

Soft metal

If you cut pure potassium—you can do this easily with a knife because it is so soft—it is bright silver. However, it quickly tarnishes to a gray-black when exposed to air. It also reacts instantly with water to release hydrogen that burns with a lilac flame. Potassium is the seventh most abundant element in Earth’s crust.

Fiery elements

Potassium

PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Scholastic Inc.

Various

Bryn Walls

PUBLICATION DATE

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

09/26/17

Various

TRIM SIZE

TEXT STOCK

COVER/JACKET PRINTING

10" x 10"

128gsm matte

RR Donnelley Asia Printing Solutions

PRODUCTION STAFF

PREPRESS/COMPOSITION

COVER/JACKET STOCK & FINISH

Catherine Saunders, John Goldsmid, Irene Huang

Bright Arts

250gsm art card

PRINTING/BINDING

COVER/JACKET EFFECTS

TEXT ART DIRECTION

RR Donnelley Asia Printing Solutions

Bryn Walls

COVER/JACKET ART DIRECTION

Foil stamping, scuff-free matte film lamination, and spot gloss UV

TEXT DESIGN

Bryn Walls

Smart flexibind cover with bright, engaging interior.

Bryn Walls Children’s Trade 127

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MERIT

Hardcover Picture Nonfiction Series

128 2018 New York Book Show

nybs18_3p_text_r2.indd 128

8/29/18 6:22 PM

Who Was . . . ? Megan Stine, Pam Pollack, Meg Belviso

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Penguin Workshop, Penguin Random House

John Hinderliter, Gregory Copeland, Joseph J.M. Qiu

David Groff, Kevin McVeigh, Nancy Harrison

PUBLICATION DATE

TYPEFACES

COVER/JACKET PRINTING

10/03/17

Worzalla Publishing

TRIM SIZE

Lemonade, Adobe Garamond Pro, Triplex Serif, Triplex Sans

57⁄16" x 7⅝"

TEXT STOCK

80# C1S case cover with matte lamination

PRODUCTION STAFF

50# Enviro Offset Smooth White 500ppi

CASE MATERIALS

Kurt Zisa

PRINTING/BINDING

.088mm board

TEXT ART DIRECTION

Worzalla Publishing

OTHER COMPONENTS

Lynn Portnoff

COVER/JACKET ART DIRECTION

TEXT DESIGN

Lynn Portnoff

Debbie Guy, Lynn Portnoff

COVER/JACKET DESIGN

Debbie Guy, Lynn Portnoff

COVER/JACKET STOCK & FINISH

4/c fold-out perforated map and 1/c 16-page insert on 70# Anthem Gloss Good use of typeface, inserts, and illustrations to keep readers engaged.

Children’s Trade 129

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FIRST

Hardcover Young Adult Fiction

130 2018 New York Book Show

nybs18_3p_text_r2.indd 130

8/29/18 6:22 PM

The Language of Thorns: Midnight Tales and Dangerous Magic Leigh Bardugo Sara Kipin

IMPRINT/PUBLISHER

TEXT STOCK

COVER/JACKET EFFECTS

Imprint, Macmillan Publishers

60# Finch Smooth Offset 466ppi

PUBLICATION DATE

PREPRESS/COMPOSITION

09/26/17

Natalie C. Sousa

PMS black, opaque white; second pass is oxybind black with print over Dynamic Graphics BE-31 Foil; complex embossing

TRIM SIZE

PRINTING/BINDING

CASE MATERIALS

6⅛" x 9⅛"

Worzalla Publishing

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Raymond Ernesto Colón

Natalie C. Sousa

TEXT ART DIRECTION

COVER/JACKET DESIGN

Natalie C. Sousa

TEXT DESIGN

COVER/JACKET PRINTING

Natalie C. Sousa

Coral Graphics

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET STOCK & FINISH

Sara Kipin

Ecological Fibers 80# Rainbow Turquoise BB with press varnish and matte film

TYPEFACE

80# Rainbow Antique Black with a Lustrofoil S37 copper stamp; 70# Rainbow Antique Black endpapers; CottonPlus Solid Black 999 headbands OTHER COMPONENTS

Text printed 2/2 PMS 3145 U, PMS 187 U Beautiful package from beginning to end. Original use of special effects on the jacket. Great use of spot color on the surprising interior.

Perpetua Children’s Trade 131

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SECOND

Hardcover Young Adult Fiction

132 2018 New York Book Show

nybs18_3p_text_r2.indd 132

8/29/18 6:22 PM

City of Bones, 10th Anniversary Edition Cassandra Clare

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Margaret K. McElderry Books, Simon & Schuster

Kathleen Jennings, Cassandra Jean, Drew Willis

Coral Graphics

PUBLICATION DATE

TYPEFACES

11/07/17

Dolly, Pterra

TRIM SIZE

TEXT STOCK

80# Multicolor Midnight Sky Blue BB Embossing, 3/c, two hits opaque white and black (two press pass/oxybind inks)

6" x 9"

50# Domtar Tradebook 400ppi

COVER/JACKET EFFECTS

PRODUCTION STAFF

PRINTING/BINDING

Print over BE-3 silver foil

Elizabeth Blake-Linn

Quad/Graphics

OTHER COMPONENTS

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Michael Rosamilia

Russell Gordon

TEXT DESIGN

COVER/JACKET DESIGN

Michael Rosamilia

Will Staehle COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Will Staehle

COVER/JACKET STOCK & FINISH

80# cream white endpapers in 4/c process; six two-page 4/c inserts on 80# C2S cream white stock Beautifully constructed throughout. Surprised as it opened. Gives both a classic and modern feel.

Children’s Trade 133

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8/29/18 6:22 PM

THIRD

Hardcover Young Adult Fiction

134 2018 New York Book Show

nybs18_3p_text_r2.indd 134

8/29/18 6:22 PM

Coco: Miguel and the Grand Harmony Matt de la Peña and Ana Ramírez

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Disney Press, Disney Book Group

Macarons

Coral Graphics

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

10/10/17

100# Jefferson Matte

100# Mohawk, overall press varnish

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

9" x 11"

Worzalla Publishing

PRODUCTION STAFF

PRINTING/BINDING

Kate Milford

Worzalla Publishing

6/c (CMYK, PMS 8542, PMS 8741), matte polypropolene on back, dome embossing

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

CASE MATERIALS

Winnie Ho

Ana Ramírez, Scott Tilley, Winnie Ho

TEXT DESIGN

COVER/JACKET DESIGN

Winnie Ho

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Ana Ramírez

80# C1S with matte polypropelene Successful integration of illustration and typography. Strong use of color. Cut-paper theme consistently carried out across all elements of the book. Effective use of matte UV on cover.

Children’s Trade 135

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8/29/18 6:22 PM

MERIT

Hardcover Young Adult Fiction

136 2018 New York Book Show

nybs18_3p_text_r2.indd 136

8/29/18 6:22 PM

The Wicker King K. Ancrum

IMPRINT/PUBLISHER

TEXT STOCK

COVER/JACKET STOCK & FINISH

Imprint, Macmillan Publishers

100# C1S with gloss polypropylene

PUBLICATION DATE

50# EarthChoice Book Antique Cream 400ppi

10/31/17

PREPRESS/COMPOSITION

TRIM SIZE

Westchester Publishing Services

4/c process with Dynamic Graphics BE-16 foil

5½" x 8¼"

PRINTING/BINDING

CASE MATERIALS

PRODUCTION STAFF

LSC Communications

Raymond Ernesto Colón

COVER/JACKET ART DIRECTION

TEXT ART DIRECTION

Natalie Sousa

COVER/JACKET DESIGN

80# Multicolor Antique Noir with a Lustrofoil S20 gold stamp, 70# Multicolor Antique Noir endpapers, CottonPlus Light Gold 406 headbands

TEXT DESIGN

Ellen Duda

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Ellen Duda, Michael Frost

COVER/JACKET PRINTING

TYPEFACES

Coral Graphics

COVER/JACKET EFFECTS

OTHER COMPONENTS

Text printed 1/1 black Overall dark vibe gets subtly darker as the reader takes the journey through the book.

Avenir Next Condensed, ITC Legacy Serif Children’s Trade 137

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8/29/18 6:22 PM

MERIT

Hardcover Young Adult Fiction

138 2018 New York Book Show

nybs18_3p_text_r2.indd 138

8/29/18 6:22 PM

Beauty and the Beast: Belle’s Library Brittany Rubiano and Jenna Huerta

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Disney Press, Disney Book Group

Stempel Schneidler Std, DJB Dear St. Nick

Coral Graphics

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

01/31/17

50# cream

TRIM SIZE

PREPRESS/COMPOSITION

80# Rainbow Opaque BB 171 Embossing, overall press varnish

5¼" x 7¼"

BlueSoHo, Quad/Graphics

COVER/JACKET EFFECTS

PRODUCTION STAFF

PRINTING/BINDING

Clear foil stamp

Kate Milford

Quad/Graphics

CASE MATERIALS

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

.80pt board

Scott Piehl

OTHER COMPONENTS

TEXT DESIGN

COVER/JACKET DESIGN

Headbands, ¼" single-face satin ribbon

Gegham Vardanyan

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Jenna Huerta

Adorable package. Nice cover specs, beautiful light touches of color throughout.

Children’s Trade 139

nybs18_3p_text_r2.indd 139

8/29/18 6:22 PM

FIRST

Hardcover Young Adult Fiction Series

140 2018 New York Book Show

nybs18_3p_text_r2.indd 140

8/29/18 6:22 PM

The Vault of Dreamers Trilogy Caragh M. O’Brien

IMPRINT/PUBLISHER

TEXT STOCK

COVER/JACKET STOCK & FINISH

Roaring Brook Press, Macmillan Publishers

40# Alternative Book Cream

80# Starwhite Smooth Flash White Text

PUBLICATION DATE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

08/29/17

Westchester Publishing Services

TRIM SIZE

PRINTING/BINDING

5½" x 8¼"

LSC Communications

Press varnish, spot gloss UV, dome embossing with gloss film lamination on the back

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

CASE MATERIALS

John Nora

Elizabeth H. Clark

TEXT ART DIRECTION

COVER/JACKET DESIGN

Elizabeth H. Clark

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Elizabeth H. Clark

Gandee Vasan, Getty Images

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Chris B. Murray

Coral Graphics

TYPEFACE

70# Rainbow Antique over .085mm board; Lustrofoil pigment foil on spine; FIM headbands; 70# Rainbow Antique endpapers Bold, striking, and impactful in its simplicity. Consistent and inventive appeal to series branding. Beautiful use of pearlescent stock. Lovely attention to fine detail.

Sabon Children’s Trade 141

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8/29/18 6:22 PM

SECOND

Hardcover Young Adult Fiction Series

142 2018 New York Book Show

nybs18_3p_text_r2.indd 142

8/29/18 6:22 PM

Curiosity House Lauren Oliver and H. C. Chester

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET STOCK & FINISH

Harper, HarperCollins Publishers

Mrs Eaves, Hurstmonceux

100# C1S with matte film

PUBLICATION DATE

TEXT STOCK

COVER/JACKET EFFECTS

04/11/17

40# Norbrite 400ppi

TRIM SIZE

PRINTING/BINDING

4/c process, spot gloss UV, print over silver foil, opaque white, sculpted embossing

5½" x 8¼"

RR Donnelley Harrisonburg

CASE MATERIALS

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

80# C1S with matte film, 4/c process

Ruiko Tokunaga, Lillian Sun

Erin Fitzsimmons

OTHER COMPONENTS

TEXT ART DIRECTION

COVER/JACKET DESIGN

80# Rainbow ruby antique endpapers

Erin Fitzsimmons

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Erin Fitzsimmons

Benjamin Lacombe

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Benjamin Lacombe

Coral Graphics

Lovely packaging and continuity across the series. Like the endpapers and the graphic cases with complementary colors.

Children’s Trade 143

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8/29/18 6:22 PM

MERIT

Hardcover Young Adult Fiction Series

144 2018 New York Book Show

nybs18_3p_text_r2.indd 144

8/29/18 6:22 PM

The Chronicles of Prydain, 50th Anniversary Edition Lloyd Alexander

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Henry Holt and Company, Macmillan Publishers

Martha Rago

M.S. Corley

TYPEFACE

CASE MATERIALS

PUBLICATION DATE

Goudy Old Style

12/05/17

TEXT STOCK

TRIM SIZE

45# EarthChoice High-Bulk CW

5½" x 8¼"

PREPRESS/COMPOSITION

Rainbow Sierra Cloth over .098mm non-spec board; Lustrofoil metallic and pigment foils; FIM headbands; barcode stickers supplied by LSC Communications

PRODUCTION STAFF

Westchester Publisher Services

John Nora

PRINTING/BINDING

TEXT ART DIRECTION

LSC Communications

Martha Rago

COVER/JACKET ART DIRECTION

TEXT DESIGN

Patrick Collins

Martha Rago

COVER/JACKET DESIGN

OTHER COMPONENTS

Endpapers printed 2/c by Coral Graphics Appropriate use of temporal touches; cloth binding, foil stamping, rough-cut edges.

Kathleen Breitenfeld

Children’s Trade 145

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FIRST

Hardcover Young Adult Nonfiction

RODRIGO CORRAL

ALEX FRENCH

HOWIE KAHN

146 2018 New York Book Show

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8/29/18 6:22 PM

Sneakers Rodrigo Corral, Alex French, and Howie Kahn CHAPTER 22

T I F FA N Y B E E R S

SNEAKERS

II. Hyper Drive I started working on airbags. Jordan Brand would say, we need a new airbag for the AJ XXI. Running would say, we need a new, articulated airbag for the Air Max Moto. I did airbag design for a year and then I applied to work in the Innovation Kitchen. The first year, working with legends like Tinker Hatfield and Bruce Kilgore, was really intimidating. I was the twenty-seventh person to get a job in the Kitchen and the fourth or fifth woman. There’s hundreds of people in there now. I'm always problem solving so I’m rarely short on new ideas. New experiences and constant learning fuel the best ideas for me. Many of mine are not initially grounded in reality because I literally believe anything is possible. I think this is a great place to start but the true craft is taking that idea and making it real and impactful. From the very beginning, the HyperAdapt was one shoe that I had asked Tinker, “Can I just prototype in my size?” Because when I’m building a size 10, a men’s 10, it’s really hard to get a good perception of what it feels like. Normally, you build for whoever the main decision maker of the product is. I’m a women’s 7, so I built the HyperAdapt in a women’s 7. Right away in 2012, with the first motorized units, I was running in them, wearing them, dealing with them. At the time we had a remote on your wrist, a bracelet basically, that you controlled the shoe with. That bracelet could also control your iPod, so I didn’t know if I was tightening the shoe or turning up the volume, which was really annoying. Other than that it was amazing. By 2030, people are going to realize how irritating footwear actually is. People tolerate laces, but, actually, they’re super annoying. The idea is that footwear will become more like a part of the body. Part of me versus something I put on. I’d say I work on about ten different models at a time. I think right now I have fourteen models. For about a year or two, during the really meaty times of the HyperAdapt, I was maybe only working on two models. Between managing electronics and everything else that went into that thing, it was just like doing ten people’s jobs.

OPPOSITE PAGE: Nike HyperAdapt 1.0 “Metallic Silver”

1 5 4 / 311

1 5 5 / 311

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET STOCK & FINISH

Razorbill, Penguin Random House

Apercu

Type II with soft-touch matte

PUBLICATION DATE

TEXT STOCK

COVER/JACKET EFFECTS

10/24/17

70# Husky Offset Smooth

TRIM SIZE

PRINTING/BINDING

77⁄16" x 911⁄16"

LSC Communications

Prints 6/c (CMYK, Pantone 172C and 032C), foil stamping on title, LUXE G-5 gold, all-over textured embossing

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

CASE MATERIALS

Amy White, Amanda Cranney

Rodrigo Corral

TEXT ART DIRECTION

COVER/JACKET DESIGN

Rodrigo Corral

Rodrigo Corral Studio

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Rodrigo Corral Studio

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Various

Phoenix Color

Preprinted case over .098mm graphic board with Arctic white headbands Stunning cover design and total package. From the endpapers right on through the spine, the production and design are outstanding.

Children’s Trade 147

nybs18_3p_text_r2.indd 147

8/29/18 6:22 PM

SECOND

Hardcover Young Adult Nonfiction

148 2018 New York Book Show

nybs18_3p_text_r2.indd 148

8/29/18 6:22 PM

The Playbook Kwame Alexander

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

HMH Books for Young Readers, Houghton Mifflin Harcourt

Adobe Garamond Pro

Phoenix Color

TEXT STOCK

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

80# Accent Opaque Smooth 327ppi

02/14/17

PREPRESS/COMPOSITION

5/c process and PMS 151 (orange) on 100# C1S with matte lamination

TRIM SIZE

Lisa Vega

COVER/JACKET EFFECTS

5½" x 8¼"

PRINTING/BINDING

Spot gloss

PRODUCTION STAFF

RR Donnelley Crawfordsville

CASE MATERIALS

Diane Varone

COVER/JACKET ART DIRECTION

TEXT ART DIRECTION

Lisa Vega

COVER/JACKET DESIGN

TEXT DESIGN

Lisa Vega

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Shutterstock

Lisa Vega, Thai Neave, Shutterstock, Getty, Dreamstime

80# Rainbow tangerine endpapers, 595 hammered reverse finish; FimBands headbands, 117 Mango A perfect package. Fantastic use of two-color printing throughout, with the orange expertly integrated. Wonderfully chosen embossed end pages and great orange blocking.

Children’s Trade 149

nybs18_3p_text_r2.indd 149

8/29/18 6:22 PM

THIRD

Hardcover Young Adult Nonfiction

150 2018 New York Book Show

nybs18_3p_text_r2.indd 150

8/29/18 6:22 PM

Alexander Hamilton, Revolutionary Martha Brockenbrough

IMPRINT/PUBLISHER

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

Feiwel & Friends, Macmillan Publishers

Raphael Geroni

PUBLICATION DATE

PRINTING/BINDING

4/c process with Crown 931 foil, embossing

09/05/17

LSC Communications

CASE MATERIALS

TRIM SIZE

COVER/JACKET ART DIRECTION

6⅛" x 9¼"

Patrick Collins

PRODUCTION STAFF

COVER/JACKET DESIGN

Raymond Ernesto Colón

Raphael Geroni

TEXT ART DIRECTION

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Patrick Collins

John Trumbull

TEXT DESIGN

COVER/JACKET PRINTING

Raphael Geroni

Coral Graphics

TYPEFACE

COVER/JACKET STOCK & FINISH

Surveyor Text Book

80# Mohawk Via Felt Cool White with press varnish, gloss film lamination on backup

TEXT STOCK

50# EarthChoice Book Antique Cream 400ppi

80# Rainbow Antique Delft with Lustrofoil B-24 gold stamping; 1/1 PMS 2955 U on 80# cream endleaf printed endpapers; CottonPlus Solid Blue 325 headbands OTHER COMPONENTS

Text printed 1/1 PMS 2449 U A perfect package! Jacket, binding, endpapers . . . and Asia Ink for the interior. All the stars.

Children’s Trade 151

nybs18_3p_text_r2.indd 151

8/29/18 6:22 PM

MERIT

Hardcover Young Adult Nonfiction

152 2018 New York Book Show

nybs18_3p_text_r2.indd 152

8/29/18 6:22 PM

Notorious RBG Young Readers’ Edition Irin Carmon and Shana Knizhnik

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Harper, HarperCollins Publishers

Phoenix Color

PUBLICATION DATE

Stempel Garamond, Brush Up Too, Engravers Gothic BT, Bodoni

11/28/17

TEXT STOCK

100# C1S

TRIM SIZE

80# Sterling Ultra Book 416ppi

COVER/JACKET EFFECTS

6" x 9"

PRINTING/BINDING

PRODUCTION STAFF

LSC Communications

Kristen Eckhardt

COVER/JACKET ART DIRECTION

4/c, two hits of opaque white, overall matte film lamination, spot UV, print over silver foil stamping

TEXT ART DIRECTION

Amy Ryan

CASE MATERIALS

Amy Ryan

COVER/JACKET DESIGN

TEXT DESIGN

Adam Johnson, Laura Eckes

One-piece case is 80# Rainbow Apple with Lustrofoil B-25 gold stamping

Torborg Davern

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Laura Eckes, Shutterstock, Alamy

COVER/JACKET STOCK & FINISH

Nice use of foil on the jacket. Substantial feel.

Various Children’s Trade 153

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8/29/18 6:22 PM

FIRST

Novelty

154 2018 New York Book Show

nybs18_3p_text_r2.indd 154

8/29/18 6:22 PM

All Aboard: Let’s Ride a Train Nichole Mara and Andrew Kolb

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Abrams Appleseed, Abrams Books

Andrew Kolb

Alyssa Nassner

PUBLICATION DATE

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

09/05/17

Averta Bold

Andrew Kolb

TRIM SIZE

TEXT STOCK

COVER/JACKET PRINTING

11" x 16"

300gsm

Leo Paper Group

PRODUCTION STAFF

PREPRESS/COMPOSITION

CASE MATERIALS

Alison Gervais

Fine Arts Repro House Co., Ltd

TEXT ART DIRECTION

PRINTING/BINDING

128gsm gloss art paper, matte lamination, die cut

Alyssa Nassner

Leo Paper Group

TEXT DESIGN

COVER/JACKET ART DIRECTION

Alyssa Nassner

A wonderfully executed novelty. Excellent and wellconsidered paper engineering. A great example of multiple novelty elements working well together. All aboard!

Children’s Trade 155

nybs18_3p_text_r2.indd 155

8/29/18 6:22 PM

SECOND

Novelty

156 2018 New York Book Show

nybs18_3p_text_r2.indd 156

8/29/18 6:22 PM

Beep Beep Robot!

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Cartwheel Books, Scholastic Inc.

KG Second Chances Solid

Hung Hing Offset

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

09/26/17

400gsm C1S

TRIM SIZE

PREPRESS/COMPOSITION

OTHER COMPONENTS

8" x 10½"

Lake Press

Die-cut, spinning gear elements

PRODUCTION STAFF

PRINTING/BINDING

Lake Press

Hung Hing Offset

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Lake Press

TEXT DESIGN

COVER/JACKET DESIGN

Lake Press

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Lake Press

The popping colors and fun-turning gears are very engaging.

Children’s Trade 157

nybs18_3p_text_r2.indd 157

8/29/18 6:22 PM

THIRD

Novelty

158 2018 New York Book Show

nybs18_3p_text_r2.indd 158

8/29/18 6:23 PM

The World Shines for You Jeffrey Burton and Don Clark

IMPRINT/PUBLISHER

TEXT STOCK

COVER/JACKET STOCK & FINISH

Little Simon, Simon & Schuster PUBLICATION DATE

400gsm C1S artboard text and four-layered spacers

128gsm glossy art paper with matte lamination and spot gloss

09/05/17

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

TRIM SIZE

Leo Paper Group

Foil stamping, embossing

8½" x 9¾"

PRINTING/BINDING

CASE MATERIALS

PRODUCTION STAFF

Leo Paper Group

3mm chipboard

Martha Hanson

COVER/JACKET ART DIRECTION

OTHER COMPONENTS

TEXT ART DIRECTION

Chani Yammer

Don Clark, Chani Yammer

COVER/JACKET DESIGN

Each spacer is hollowed out except for solid spacer board between pages 3 and 4

TEXT DESIGN

Don Clark, Chani Yammer

Don Clark

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Don Clark

COVER/JACKET PRINTING

Truth in title! The group of judges enjoyed this. Shines for all!

Leo Paper Group Children’s Trade 159

nybs18_3p_text_r2.indd 159

8/29/18 6:23 PM

MERIT

Novelty

160 2018 New York Book Show

nybs18_3p_text_r2.indd 160

8/29/18 6:23 PM

Lines Sarvinder Naberhaus and Melinda Beck

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Little Simon, Simon & Schuster

Melinda Beck

PUBLICATION DATE

TEXT STOCK

COVER/JACKET PRINTING

08/22/17

RR Donnelley Asia Printing Solutions

TRIM SIZE

400gsm StarBlanc C1S art card with matte varnishing

5" x 7"

PRINTING/BINDING

PRODUCTION STAFF

RR Donnelley Asia Printing Solutions

400gsm StarBlanc C1S art card with matte UV

Martha Hanson

COVER/JACKET ART DIRECTION

COVER/JACKET EFFECTS

TEXT ART DIRECTION

Ciara Gay

Deep spot-gloss dimensional UV

Ciara Gay

COVER/JACKET DESIGN

TEXT DESIGN

Ciara Gay

COVER/JACKET STOCK & FINISH

Clean and appealing design. Perfect size for little hands.

Children’s Trade 161

nybs18_3p_text_r2.indd 161

8/29/18 6:23 PM

MERIT

Novelty

162 2018 New York Book Show

nybs18_3p_text_r2.indd 162

8/29/18 6:23 PM

What the World Needs Now Is Love Burt Bacharach and Hal David

IMPRINT/PUBLISHER

TEXT STOCK

COVER/JACKET STOCK & FINISH

Penguin Workshop, Penguin Random House

128gsm matte artpaper PREPRESS/COMPOSITION

4/c on 128gsm glossy art paper with matte lamination

PUBLICATION DATE

Rocket Books, Hung Hing Offset

COVER/JACKET EFFECTS

12/26/17

PRINTING/BINDING

Spot UV

TRIM SIZE

Rocket Books, Hung Hing Offset

CASE MATERIALS

6½" x 61/2"

COVER/JACKET ART DIRECTION

PRODUCTION STAFF

Sara Corbett

Three-piece case with gold foil stamping over red cloth on spine, 3mm board

Araselly Rodriguez

COVER/JACKET DESIGN

OTHER COMPONENTS

TEXT ART DIRECTION

Sara Corbett

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

TEXT DESIGN

Mary Kate McDevitt

COVER/JACKET PRINTING

ILLUSTRATOR/PHOTOGRAPHER

Rocket Books, Hung Hing Offset

Two satin ribbons Charming package lifts the spirit. Nice attention to detail with cloth spine and ribbon closure—very sweet.

Mary Kate McDevitt Children’s Trade 163

nybs18_3p_text_r2.indd 163

8/29/18 6:23 PM

FIRST

Young Adult Graphic Novel

164 2018 New York Book Show

nybs18_3p_text_r2.indd 164

8/29/18 6:23 PM

The Dam Keeper Robert Kondo and Dice Tsutsumi

IMPRINT/PUBLISHER

TEXT STOCK

COVER/JACKET PRINTING

First Second, Macmillan Publishers

RR Donnelley Asia Printing Solutions

PUBLICATION DATE

120gsm Gold Sun woodfree, FSC-certified paper

09/26/17

PREPRESS/COMPOSITION

176gsm Pinghe Tomahawk Via Felt

TRIM SIZE

Embassy Graphics

COVER/JACKET EFFECTS

7" x 9"

PRINTING/BINDING

Spot gloss and foil stamping

PRODUCTION STAFF

RR Donnelley Asia Printing Solutions

CASE MATERIALS

Alexa Villanueva

COVER/JACKET ART DIRECTION

TEXT ART DIRECTION

Andrew Arnold

Robert Kondo, Dice Tsutsumi, Andrew Arnold

TEXT DESIGN

COVER/JACKET DESIGN

Andrew Arnold ILLUSTRATOR/PHOTOGRAPHER

Robert Kondo, Dice Tsutsumi

Robert Kondo, Dice Tsutsumi, Andrew Arnold COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

COVER/JACKET STOCK & FINISH

Gloss varnishing on 110gsm Changyi khaki paper OTHER COMPONENTS

Headbands Beautiful overall package with muted colors. Great typography and use of light and dark.

Robert Kondo, Dice Tsutsumi Children’s Trade 165

nybs18_3p_text_r2.indd 165

8/29/18 6:23 PM

SECOND

Young Adult Graphic Novel

166 2018 New York Book Show

nybs18_3p_text_r2.indd 166

8/29/18 6:23 PM

Thornhill Pam Smy

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Roaring Brook Press, Macmillan Publishers

Atma Serif

RR Donnelley Asia Printing Solutions

TEXT STOCK

COVER/JACKET EFFECTS

PUBLICATION DATE

08/29/17

100gsm Gold Sun woodfree, FSC-certified paper

TRIM SIZE

PREPRESS/COMPOSITION

Case cover prints two flat colors, opaque white with stamping in white pigment and debossing

5¾" x 8¼"

RR Donnelley Asia Printing Solutions

CASE MATERIALS

PRODUCTION STAFF

PRINTING/BINDING

128gsm Wibalin Black with press varnish

Thomas Nau

RR Donnelley Asia Printing Solutions

OTHER COMPONENTS

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Elizabeth H. Clark

Black text with press varnish on selected pages

TEXT DESIGN

COVER/JACKET DESIGN

Pam Smy

Elizabeth H. Clark, Pam Smy

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Pam Smy

Use of debossing and embossing on case—very nice application. Good, solid construction.

Children’s Trade 167

nybs18_3p_text_r2.indd 167

8/29/18 7:39 PM

MERIT

Young Adult Graphic Novel

168 2018 New York Book Show

nybs18_3p_text_r2.indd 168

8/29/18 6:23 PM

Fish Girl David Wiesner and Donna Jo Napoli

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Clarion Books, Houghton Mifflin Harcourt

Aunt Mildred, Komika

Tien Wah Press

TEXT STOCK

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

128gsm matte FSC-certified artpaper

4/c on 130gsm glossy artpaper

03/07/17

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

TRIM SIZE

United Graphics

Matte polypropylene with spot gloss

7¼" x 10"

PRINTING/BINDING

CASE MATERIALS

PRODUCTION STAFF

Tien Wah Press

4/c preprinted case on 130gsm glossy art

Donna McCarthy

COVER/JACKET ART DIRECTION

OTHER COMPONENTS

TEXT ART DIRECTION

Carol Goldenberg

COVER/JACKET DESIGN

TEXT DESIGN

Carol Goldenberg

PMS cool gray 2 U on woodfree endpapers, Tatsuno H45 blue and yellow headbands; hand lettering by John Green

Carol Goldenberg

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

David Wiesner

Case art and jacket design were thoughtful and interesting. Good composition and attention to design.

Children’s Trade 169

nybs18_3p_text_r2.indd 169

8/29/18 6:23 PM

FIRST

Young Adult Graphic Novel Series

170 2018 New York Book Show

nybs18_3p_text_r2.indd 170

8/29/18 6:23 PM

Pandora Hearts Collection Jun Mochizuki

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Yen Press, Hachette Book Group

Adobe Jenson Pro, CCWildWords

1010 Printing International Ltd.

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

11/21/17

120gsm Gold Sun, woodfree

TRIM SIZE

PREPRESS/COMPOSITION

250gsm C1S art board with matte lamination

5" x 7½"

Tania Biswas

COVER/JACKET EFFECTS

PRODUCTION STAFF

PRINTING/BINDING

Die cut on the front cover, foil stamping

Susan Emmerich, Virginia Lawther

1010 Printing International Ltd.

OTHER COMPONENTS

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Tania Biswas

Wendy Chan

TEXT DESIGN

COVER/JACKET DESIGN

Tania Biswas, Alexis Eckerman

Wendy Chan

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Jun Mochizuki

Box is 3mm greyboard printing 4/0 with matte lamination and spot UV gloss, two ribbons and metal handles on the short sides of the box A showstopper! Excellent binding design and particular attention to detail. The high-quality paper and half-tone reproduction make this series a stand-out winner.

Children’s Trade 171

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8/29/18 6:23 PM

FIRST

Young Adult Illustrated Novel

172 2018 New York Book Show

nybs18_3p_text_r2.indd 172

8/29/18 6:23 PM

Snow & Rose Emily Winfield Martin

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Random House Books for Young Readers, Penguin Random House

Adobe Caslon

RR Donnelley Asia Printing Solutions

TEXT STOCK

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

10/10/17

120gsm Golden Sun woodfree, FSC-certified paper

128gsm Golden Sun gloss art paper, FSC-certified, with matte lamination

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

5½" x 8¼"

RR Donnelley Asia Printing Solutions

PRODUCTION STAFF

PRINTING/BINDING

Foil stamping with spot gloss UV and embossing

Amy Bowman

RR Donnelley Asia Printing Solutions

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Nicole de las Heras

TEXT DESIGN

COVER/JACKET DESIGN

Nicole de las Heras

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Emily Winfield Martin

Beautifully packaged all around. Classic colors, nice details; good use of foil and embossing; creative case and endpapers. Layout of artwork is deliberate and well placed.

Children’s Trade 173

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8/29/18 6:23 PM

SECOND

Young Adult Illustrated Novel

174 2018 New York Book Show

nybs18_3p_text_r2.indd 174

8/29/18 6:23 PM

Hatchet, 30th Anniversary Edition Gary Paulsen

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET STOCK & FINISH

Simon & Schuster Books for Young Readers, Simon & Schuster

Adobe Garamond, Mrs Eaves, Cheltenham BT

128gsm Huaxia Sun gloss art paper with soft-touch lamination

PUBLICATION DATE

TEXT STOCK

COVER/JACKET EFFECTS

10/03/17

Sculpted embossing

TRIM SIZE

100gsm Qiancheng Ivory uncoated, woodfree paper

5" x 7"

PRINTING/BINDING

PRODUCTION STAFF

RR Donnelley Asia Printing Solutions

300gsm Huaxia Sun C1S art card flexibind cover with rounded corners

Martha Hanson

COVER/JACKET ART DIRECTION

OTHER COMPONENTS

TEXT ART DIRECTION

Chloë Foglia

Chloë Foglia, Alicia Mikles

COVER/JACKET DESIGN

Endpaper print 4/c on 150gsm Quiancheng Ivory, uncoated, woodfree paper

TEXT DESIGN

Alicia Mikles

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Drew Willis

COVER/JACKET PRINTING

RR Donnelley Asia Printing Solutions

CASE MATERIALS

Clever packaging. Flexi-bound with embossing and soft-touch coating gives this cover a leather look and feel. Smart use of spot illustrations and one-color printed endpapers.

Children’s Trade 175

nybs18_3p_text_r2.indd 175

8/29/18 6:23 PM

THIRD

Young Adult Illustrated Novel

176 2018 New York Book Show

nybs18_3p_text_r2.indd 176

8/29/18 6:23 PM

The Purloining of Prince Oleomargarine Mark Twain, Philip Stead, and Erin E. Stead

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Doubleday Books for Young Readers, Penguin Random House

Bembo Book MT Std

RR Donnelley Asia Printing Solutions

TEXT STOCK

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

09/26/17

140gsm Golden Sun woodfree, FSC-certified

140gsm Golden Sun woodfree, FSC-certified with matte press varnish

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

8" x 11"

RR Donnelley Asia Printing Solutions

Spot gloss UV and embossing

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

Amy Bowman

RR Donnelley Asia Printing Solutions

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Martha Rago

TEXT DESIGN

COVER/JACKET DESIGN

140gsm Golden Sun woodfree, FSCcertified materials with 2/c printing and matte press varnish and overall embossing pattern

Martha Rago

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Erin E. Stead

Spot-on typography for the period. Lovely binding and endpapers. Book design allows room for the art to breathe.

Children’s Trade 177

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8/29/18 6:23 PM

MERIT

Young Adult Illustrated Novel

178 2018 New York Book Show

nybs18_3p_text_r2.indd 178

8/29/18 6:23 PM

House of Furies Madeleine Roux

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

HarperTeen, HarperCollins Publishers

Coral Graphics

PUBLICATION DATE

Bromwich, Tagliente, Ivory Headline, Adobe Caslon

05/30/17

TEXT STOCK

100# C1S, gloss polypropylene

TRIM SIZE

COVER/JACKET EFFECTS

5½" x 8¼"

50# Domtar EarthChoice Tradebook FSC-certified

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

COVER/JACKET STOCK & FINISH

Spot matte UV

Allison Brown

LSC Communications

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

One-piece case is Rainbow Eclipse with one hit of Lustrofoil gloss pigment

Erin Fitzsimmons

OTHER COMPONENTS

TEXT DESIGN

COVER/JACKET DESIGN

5/c (4/c process and PMS 300C)

Erin Fitzsimmons

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Iris Compiet, Getty, Shutterstock

Daniel Danger

Wow! Strikingly perfect package. Lovely—if mysterious—art in two color.

Children’s Trade 179

nybs18_3p_text_r2.indd 179

8/29/18 6:24 PM

MERIT

Young Adult Illustrated Novel

180 2018 New York Book Show

nybs18_3p_text_r2.indd 180

8/29/18 6:24 PM

Timeless: Diego and the Rangers of the Vastlantic Armand Baltazar

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Katherine Tegen Books, HarperCollins Publishers

Armand Baltazar

Armand Baltazar, Jason Cook

TYPEFACE

COVER/JACKET PRINTING

PUBLICATION DATE

Celestia Antiqua

RR Donnelley Asia Printing Solutions

10/10/17

TEXT STOCK

COVER/JACKET STOCK & FINISH

5½" x 8¼"

115gsm Golden Sun Matte, FSC-certified Artpaper

157gsm Golden Sun Matte, FSC-certified art paper with matte lamination

PRODUCTION STAFF

PRINTING/BINDING

COVER/JACKET EFFECTS

Allison Brown

RR Donnelley Asia Printing Solutions

Spot gloss UV, sculpted embossing

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

CASE MATERIALS

Amy Ryan

2.5mm MingOu greyboard

TEXT DESIGN

COVER/JACKET DESIGN

Carla Weise

Amy Ryan

TRIM SIZE

Rich four-color illustrations; strong and effective jacket effects.

Children’s Trade 181

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FIRST

Young Adult Illustrated Novel Series

182 2018 New York Book Show

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Jack & Louisa Andrew Keenan-Bolger and Kate Wetherhead

IMPRINT/PUBLISHER

TEXT DESIGN

COVER/JACKET DESIGN

Penguin Workshop, Penguin Random House

Sara Corbett

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

PUBLICATION DATE

Ben Kirchner

01/31/17

TYPEFACES

COVER/JACKET PRINTING

TRIM SIZE

Archer Light, Aptifer Slab LT Pro

Coral Graphics

5⅛" x 7⅝"

TEXT STOCK

COVER/JACKET STOCK & FINISH

PRODUCTION STAFF

50# Husky offset 476ppi

Matte UV

Kurt Zisa

PRINTING/BINDING

TEXT ART DIRECTION

LSC Communications

Sara Corbett

COVER/JACKET ART DIRECTION

Cover design ties together well. Bold color choices.

Sara Corbett Children’s Trade 183

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SECOND

Young Adult Illustrated Novel Series

184 2018 New York Book Show

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Daisy Dreamer Holly Anna, Genevieve Santos

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Little Simon, Simon & Schuster

Genevieve Santos

PUBLICATION DATE

TYPEFACE

COVER/JACKET PRINTING

10/03/17

Mercurius

Coral Graphics

TRIM SIZE

TEXT STOCK

COVER/JACKET STOCK & FINISH

5½" x 75/16"

40# Norbrite

10pt C1S with matte UV

PRODUCTION STAFF

PRINTING/BINDING

COVER/JACKET EFFECTS

Tamika Brown

Quad/Graphics

Embossing with spot gloss UV

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Laura Roode

TEXT DESIGN

COVER/JACKET DESIGN

Laura Roode

Nice, iconic color design with appealing color palette.

Children’s Trade 185

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THIRD

Young Adult Illustrated Novel Series

186 2018 New York Book Show

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Isadora Moon Harriet Muncaster

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Random House Books for Young Readers, Penguin Random House

Harriet Muncaster

TYPEFACE

COVER/JACKET PRINTING

PUBLICATION DATE

Bell MT

Hung Hing Offset

08/15/17

TEXT STOCK

COVER/JACKET STOCK & FINISH

TRIM SIZE

100gsm woodfree, FSC-certified

230gsm C1S with matte lamination

53⁄16" x 7⅝"

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

PRODUCTION STAFF

Hung Hing Offset

Spot glitter UV

Jen Jie Li

PRINTING/BINDING

CASE MATERIALS

TEXT ART DIRECTION

Hung Hing Offset

Elizabeth Tardiff

COVER/JACKET ART DIRECTION

Case on 128gsm art paper with glossy lamination over 2.5mm board

TEXT DESIGN

Elizabeth Tardiff

COVER/JACKET DESIGN

Elizabeth Tardiff

Great use of glitter and smart use of two-color printing.

Children’s Trade 187

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FIRST

Hardcover Young Adult Fiction Cover/Jacket

Long Way Down Jason Reynolds IMPRINT/PUBLISHER

Atheneum/Caitlyn Dlouhy Books, Simon & Schuster PUBLICATION DATE

10/24/17 TRIM SIZE

5½" x 8¼" PRODUCTION STAFF

Elizabeth Blake-Linn COVER/JACKET ART DIRECTION

Michael McCartney COVER/JACKET DESIGN

Michael McCartney COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

Metallized jacket stock COVER/JACKET EFFECTS

6/c printing CASE MATERIALS

Three-piece case in black with blind and foil stamping Innovative design with fabulous use of metallic stock. Comic cover: front cover art wraps to front flap and leads into story.

188 2018 New York Book Show

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SECOND

Hardcover Young Adult Fiction Cover/Jacket

An Unkindness of Magicians Kat Howard IMPRINT/PUBLISHER

Saga Press, Simon & Schuster PUBLICATION DATE

09/26/17 TRIM SIZE

5½" x 8¼" PRODUCTION STAFF

Elizabeth Blake-Linn COVER/JACKET ART DIRECTION

Lizzy Bromley COVER/JACKET DESIGN

Lizzy Bromley COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Vault49 COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

100# Sterling Premium Gloss with matte film lamination COVER/JACKET EFFECTS

Foil stamping, sculpted embossing CASE MATERIALS

Case is 70# Multicolor White BB and 70# Multicolor White Antique with Lustrofoil SD 525 stamp to spine, blind stamp to front of case, and 80# white endpapers Lovely, subtle, and subdued—but still stirring. Repeated views reward the observant. Beautiful!

Children’s Trade 189

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THIRD

Hardcover Young Adult Fiction Cover/Jacket

This Darkness Mine Mindy McGinnis IMPRINT/PUBLISHER

Katherine Tegen Books, HarperCollins Publishers PUBLICATION DATE

10/10/17 TRIM SIZE

5½" x 8¼" PRODUCTION STAFF

Kimberly Stella COVER/JACKET ART DIRECTION

Amy Ryan COVER/JACKET DESIGN

Erin Fitzsimmons COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Greta Tuckute COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

100# C1S with gloss mylar COVER/JACKET EFFECTS

4/c process with gritty matte UV and debossing CASE MATERIALS

One-piece case, Multicolor White with gloss pigment #GP9000 (black) Very striking design; restrained use of special effects.

190 2018 New York Book Show

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MERIT

Hardcover Young Adult Fiction Cover/Jacket

A Boy Called Bat Elana K. Arnold and Charles Santoso IMPRINT/PUBLISHER

Walden Pond Press, HarperCollins Publishers PUBLICATION DATE

03/14/17 TRIM SIZE

5½" x 7¾" PRODUCTION STAFF

Lillian Sun COVER/JACKET ART DIRECTION

Amy Ryan COVER/JACKET DESIGN

Aurora Parlagreco COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Charles Santoso COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

4/c process on 80# Mohawk Via Felt Cool White with press varnish, gloss film on reverse COVER/JACKET EFFECTS

Raised spot UV CASE MATERIALS

Three-piece case is 80# Rainbow Antique Orange and 70# Rainbow Antique Cotton with Lustrofoil GP100 white stamping and CottonPlus 111 Terracotta headbands A wonderful and expert execution. A modern classic with beautiful integration of picture and words. A lovely surprise on the case.

Children’s Trade 191

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MERIT

Hardcover Young Adult Fiction Cover/Jacket

They Both Die at the End Adam Silvera IMPRINT/PUBLISHER

HarperTeen, HarperCollins Publishers PUBLICATION DATE

09/05/17 TRIM SIZE

5½" x 8¼" PRODUCTION STAFF

Allison Brown COVER/JACKET ART DIRECTION

Erin Fitzsimmons COVER/JACKET DESIGN

Erin Fitzsimmons COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Simon Prades COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

100# C1S with matte film lamination COVER/JACKET EFFECTS

4/c process, Pantone 2728, spot gloss UV CASE MATERIALS

One-piece case is Rainbow Eclipse with Lustrofoil Metallic #B29 Gun Metal Good use of wraparound artwork. Effective color palette. Evocative.

192 2018 New York Book Show

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MERIT

Hardcover Young Adult Fiction Cover/Jacket

When Dimple Met Rishi Sandhya Menon IMPRINT/PUBLISHER

Simon Pulse, Simon & Schuster PUBLICATION DATE

05/30/17 TRIM SIZE

5½" x 8¼" PRODUCTION STAFF

Sara Berko COVER/JACKET ART DIRECTION

Russell Gordon COVER/JACKET DESIGN

Regina Flath COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Jacob Pritchard COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

100# C1S with matte film lamination COVER/JACKET EFFECTS

Spot gloss UV OTHER COMPONENTS

.085mm pasted oak, 70# Rainbow sides and spine Unexpected art direction. Refreshing reinvention of the cover as an art form.

Children’s Trade 193

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MERIT

Young Adult Illustrated Novel Cover/Jacket

The Misadventures of Max Crumbly 2: Middle School Mayhem Rachel Renée Russell IMPRINT/PUBLISHER

Aladdin, Simon & Schuster PUBLICATION DATE

06/06/17 TRIM SIZE

5½" x 8" PRODUCTION STAFF

Julie Doebler COVER/JACKET ART DIRECTION

Karin Paprocki COVER/JACKET DESIGN

Karin Paprocki COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Rachel Renée Russell COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

100# C1S with matte film lamination COVER/JACKET EFFECTS

Soft touch, foil stamp, and spot UV OTHER COMPONENTS

Preprinted case is .085mm pasted oak Great use of special effects.

194 2018 New York Book Show

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MERIT

Hardcover Picture Fiction Cover/Jacket Series

The Thickety J. A. White and Andrea Offermann IMPRINT/PUBLISHER

Katherine Tegen Books, HarperCollins Publishers PUBLICATION DATE

04/04/17 TRIM SIZE

59⁄16" x 7⅛" PRODUCTION STAFF

Shayna Ramos, Raymond Colon, Tina Cameron, Kimberly Stella COVER/JACKET ART DIRECTION

Amy Ryan COVER/JACKET DESIGN

Amy Ryan COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Andrea Offermann COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

100# C1S with overall matte film COVER/JACKET EFFECTS

Matte lamination, spot UV, and embossing CASE MATERIALS

Cases are 80# Multicolor spine and 70# Multicolor, Lustrofoil gloss pigment on spine, blind stamping on front Nice spot UV and color palettes.

Children’s Trade 195

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FIRST

Hardcover Young Adult Fiction Cover/Jacket Series

Todhunter Moon Angie Sage and Mark Zug IMPRINT/PUBLISHER

Katherine Tegen Books, HarperCollins Publishers PUBLICATION DATE

09/12/17 TRIM SIZE

59⁄16" x 7⅛" PRODUCTION STAFF

Raymond Colon, Kristen Eckhardt COVER/JACKET ART DIRECTION

Amy Ryan COVER/JACKET DESIGN

Joel Tippie COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Mark Zug COVER/JACKET PRINTING

Phoenix Color, Coral Graphics COVER/JACKET STOCK & FINISH

100# C1S with overall matte film COVER/JACKET EFFECTS

Spot UV, print over foil, embossing Beautiful design with nice use of printing over foil. The series jackets are complementary but the colors and design are nicely varied.

196 2018 New York Book Show

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SECOND

Hardcover Young Adult Fiction Cover/Jacket Series

Queen of Hearts! Colleen Oakes IMPRINT/PUBLISHER

HarperTeen, HarperCollins Publishers PUBLICATION DATE

11/07/17 TRIM SIZE

5½" x 8¼" PRODUCTION STAFF

Allison Brown COVER/JACKET ART DIRECTION

Alison Klapthor COVER/JACKET DESIGN

Jenna Stempel-Lobell COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Ruben Ireland COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

100# C1S with soft-touch matte film finish Nicely executed playing-card motif; smart use of limited black, white, and red across series; subtle details and distinction within design and illustration.

Children’s Trade 197

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8/29/18 6:24 PM

MERIT

Hardcover Young Adult Fiction Cover/Jacket Series

A Clash of Kingdoms Erin Summerill IMPRINT/PUBLISHER

HMH Books for Young Readers, Houghton Mifflin Harcourt PUBLICATION DATE

12/05/17 TRIM SIZE

5½" x 8¼" PRODUCTION STAFF

Diane Varone COVER/JACKET ART DIRECTION

Lisa Vega COVER/JACKET DESIGN

Lisa Vega COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Martin Schmetzer COVER/JACKET PRINTING

Lehigh Phoenix COVER/JACKET STOCK & FINISH

Mohawk stock COVER/JACKET EFFECTS

Crown 490 gold stamping OTHER COMPONENTS

Multicolor case finish is burnished leather Fantastic typography and design.

198 2018 New York Book Show

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8/29/18 7:49 PM

nybs18_3p_text_r2.indd 199

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Scho ol P ubl ishing Middle/High School College Ancillary Elementary Book Series Middle/High School Book Series College Book Series Ancillary Book Series Cover/Jacket Cover/Jacket Series

nybs18_3p_text_r2.indd 201

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FIRST

Middle/High School

202 2018 New York Book Show

nybs18_3p_text_r2.indd 202

8/29/18 6:24 PM

U.S. History—America Through the Lens: 1877 to the Present, Grade 11 National Geographic Learning

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

National Geographic Learning, Cengage

Helvetica Neue LT Std

Various

PUBLICATION DATE

TEXT STOCK

COVER/JACKET PRINTING

10/03/17

Quad/Graphics

TRIM SIZE

45# Somerset matte 800ppi, blade-coated freesheet

8½" x 11¼"

PREPRESS/COMPOSITION

Type II Kivar with mylar lamination gloss

PRODUCTION STAFF

Tighe Publishing

CASE MATERIALS

Virginia Christopher

PRINTING/BINDING

TEXT ART DIRECTION

Quad/Graphics

Scott Baker

COVER/JACKET ART DIRECTION

TEXT DESIGN

Scott Baker

Michael Rosenquest

COVER/JACKET DESIGN

ILLUSTRATOR/PHOTOGRAPHER

Scott Baker

COVER/JACKET STOCK & FINISH

Case is 98pt binder’s board with McCain side-sewing and light gold 406 headbands; endpapers are 80# white stock Highly readable layout and design; great use of archival photography throughout.

Rebecca Ray School Publishing 203

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SECOND

Middle/High School

204 2018 New York Book Show

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U.S. History—American Stories: Beginnings to World War I, Grade 8 National Geographic Learning

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

National Geographic Learning, Cengage

Helvetica Neue LT Std

Mark Summers

PUBLICATION DATE

TEXT STOCK

COVER/JACKET PRINTING

05/01/17

Quad/Graphics

TRIM SIZE

45# Somerset matte 800ppi, blade-coated freesheet

8½" x 11¼"

PREPRESS/COMPOSITION

Type II Kivar with mylar lamination gloss

PRODUCTION STAFF

Tighe Publishing

CASE MATERIALS

Virginia Christopher

PRINTING/BINDING

TEXT ART DIRECTION

Quad/Graphics

Scott Baker

COVER/JACKET ART DIRECTION

TEXT DESIGN

Scott Baker

Michael Rosenquest

COVER/JACKET DESIGN

ILLUSTRATOR/PHOTOGRAPHER

Scott Baker

Rebecca Ray

COVER/JACKET STOCK & FINISH

Case is 98pt binder’s board with McCain side-sewing and light gold 406 headbands; endpapers are 80# white stock Attractive cover that uniquely aligns with the era of the book’s content. Well-laid out callout boxes facilitate learning.

School Publishing 205

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THIRD

Middle/High School

206 2018 New York Book Show

nybs18_3p_text_r3.indd 206

9/10/18 10:48 AM

Miller & Levine Biology Ken Miller and Joe Levine

PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Pearson Education

Various

Pronk Media

PUBLICATION DATE

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

06/01/17

Avenir LT Pro

Fotolia

TRIM SIZE

TEXT STOCK

COVER/JACKET PRINTING

10⅝" x 11⅜"

40# Appleton Utopia GW Book Matte

LSC Communications

PRODUCTION STAFF

PREPRESS/COMPOSITION

CASE MATERIALS

Lori-Anne Cohen

Aptara

Perfect bound

TEXT ART DIRECTION

PRINTING/BINDING

Lynette Haggard, Lisa Sysun, Joan Mazzeo

LSC Communications

TEXT DESIGN

COVER/JACKET ART DIRECTION

Aptara

Lisa Sysun, Joan Mazzeo

Choice of font makes the book easy to read with great use of photographs throughout.

School Publishing 207

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BES T IN C ATEGORY

FIRST/BEST IN CATEGORY

College

208 2018 New York Book Show

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Debating Truth: The Barcelona Disputation of 1263 Nina Caputo and Liz Clarke

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Oxford University Press

Sabon LT Std

Courier

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

01/02/17

80# Appleton Utopia Matte 408ppi

12pt CIS with scuff-resistant finish

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

7" x 10"

S4Carlisle Publishing Services

Spot gloss, French flaps

PRODUCTION STAFF

PRINTING/BINDING

Marianne Paul, Shandra Holman

Courier

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Michele Laseau

TEXT DESIGN

COVER/JACKET DESIGN

Michele Laseau

Todd Williams

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Liz Clarke

The use of comics to explain a complex subject draws the reader in. Cover flaps are practical for keeping a reader’s place. The overall aesthetics are pleasing and we appreciate the choice of soft-touch cover. Part dividers create logical organization of the book.

School Publishing 209

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SECOND

College

210 2018 New York Book Show

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Understanding Our Universe, 3rd Edition Stacey Palen, Laura Kay, and George Blumenthal

PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

W. W. Norton & Company, Inc.

Anne DeMarinis

PUBLICATION DATE

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

11/01/17

Getty

TRIM SIZE

Archer, Gotham Narrow, Gotham, Chronicle Text G2, Forza

9⅝" x 10¾"

TEXT STOCK

LSC Communications

PRODUCTION STAFF

40# Sappi Flo Matte White

COVER/JACKET STOCK & FINISH

Elizabeth Marotta

PREPRESS/COMPOSITION

12pt C1S soft-touch lamination

TEXT ART DIRECTION

Graphic World

Jillian Burr

PRINTING/BINDING

TEXT DESIGN

LSC Communications

Anne DeMarinis

COVER/JACKET ART DIRECTION

Debra Morton Hoyt

COVER/JACKET PRINTING

Unique trim size supports dense content. Effective layout and appropriate graphics make complex content more approachable. High-resolution photos supplement the text.

School Publishing 211

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THIRD

College

212 2018 New York Book Show

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By the People: Debating American Government, 3rd Edition James Morone and Rogan Kersh

PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Oxford University Press

Various

Michele Laseau

PUBLICATION DATE

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

01/02/17

Miller, MyriadPro

Michele Laseau, iStockPhoto

TRIM SIZE

TEXT STOCK

COVER/JACKET PRINTING

8½" x 11"

Courier 45# Utopia 834

LSC Communications

PRODUCTION STAFF

PREPRESS/COMPOSITION

COVER/JACKET STOCK & FINISH

Keith Faivre, Shandra Holman

S4Carlisle Publishing Services

12pt C1S with scuff-resistant matte finish

TEXT ART DIRECTION

PRINTING/BINDING

COVER/JACKET EFFECTS

Michele Laseau

LSC Communications

Spot gloss

TEXT DESIGN

COVER/JACKET ART DIRECTION

Michele Laseau

Attractive cover and interior design. We love the addition of a functional and durable bind in.

School Publishing 213

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MERIT

College

214 2018 New York Book Show

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The West: A New History Anthony Grafton and David A. Bell

PUBLISHER

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

W. W. Norton & Company, Inc. PUBLICATION DATE

Freight Sans Pro, Placard MT Condensed, Hoefler Txt

DeAgostini Picture Library, Bridgeman Images

05/19/17

TEXT STOCK

COVER/JACKET PRINTING

TRIM SIZE

40# Sappi Flo Matte 910ppi

TC Transcontinental Printing

9" x 10⅞"

PREPRESS/COMPOSITION

COVER/JACKET STOCK & FINISH

PRODUCTION STAFF

Brad Walrod, Kenoza Type

Benjamin Reynolds

PRINTING/BINDING

Preprinted case sides are 100# coated gloss with soft-touch lamination

TEXT ART DIRECTION

TC Transcontinental Printing

CASE MATERIALS

Jillian Burr

COVER/JACKET ART DIRECTION

TEXT DESIGN

Debra Morton Hoyt

0.098mm FSC-certified binder’s board; headbands are Tartan/Florentine 503

Jillian Burr

COVER/JACKET DESIGN

ILLUSTRATOR/PHOTOGRAPHER

Jillian Burr

Inviting cover and endpapers. Font is highly readable.

Mapping Specialists, Charlotte Miller School Publishing 215

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FIRST

Ancillary

216 2018 New York Book Show

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Confirmation: Inspired by the Spirit

PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ART DIRECTION

William H. Sadlier, Inc.

Various

Vince Gallo

PUBLICATION DATE

TYPEFACE

COVER/JACKET DESIGN

05/19/17

Francesca O’Malley

TRIM SIZE

Ainslie, Hardwood, Palatino, Sava, Hardwood, Myriad, Zapf Dingbats

8⅜" x 10⅞"

TEXT STOCK

Webcrafters, Inc.

PRODUCTION STAFF

45# Escanaba Matte

COVER/JACKET STOCK & FINISH

Cheryl Golding

PREPRESS/COMPOSITION

TEXT ART DIRECTION

Jovito Pagkalinawan, Composure

Vince Gallo, Francesca O’Malley

PRINTING/BINDING

TEXT DESIGN

Webcrafters, Inc.

Francesca O’Malley, Composure

COVER/JACKET PRINTING

4/c on 12pt, C1S with layflat film lamination High-quality, attractive graphics. A great interactive workbook—perforated pages increase functionality.

School Publishing 217

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FIRST

Elementary Book Series

218 2018 New York Book Show

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Panorama: Reading Through the Lens of Science, Grades K–6 Nancy Frey, Lada Kratky, Nonie K. Lesaux, Sylvia Linan-Thompson, Deborah J. Short, and Jennifer D. Turner

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

National Geographic Learning, Cengage

Arno Pro, Myriad Pro

PUBLICATION DATE

TEXT STOCK

12/01/17

45# New Era Matte

Deb Garside, Arctic-Images, Paul Souders, Sergio Pitamitz, Marcia Straub, Webguzs, Richard Wear

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET PRINTING

10" x 121⁄16"

Lumina Datamatics, MPS North America, Tighe Publishing

COVER/JACKET STOCK & FINISH

PRODUCTION STAFF

Quad/Graphics

Jen Coppens, Doris Endo-Lewis, Marion O’Neal

PRINTING/BINDING

Quad/Graphics

12pt C2S, 100# C1S litho, layflat gloss lamination

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

CASE MATERIALS

Alex von Dallwitz

Michael Farmer

TEXT DESIGN

COVER/JACKET DESIGN

Alex von Dallwitz

Michael Farmer

ILLUSTRATOR/PHOTOGRAPHER

Various

Mechanical bind with hard back cover .088mm board with 80# liner These books are both beautiful and practical! Color coordinated spiral binding and tabs make for easy usage. Hardcover back provides added durability.

School Publishing 219

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SECOND

Elementary Book Series

220 2018 New York Book Show

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Wonders Genre Read-Aloud Anthology

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Reading Wonders, McGraw-Hill Education

Various

Patricia Sweeney

PUBLICATION DATE

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

01/02/17

URW Palladio

Inna Chernyak

TRIM SIZE

TEXT STOCK

COVER/JACKET PRINTING

8½" x 10⅞"

45# Truejet Book

Quad/Graphics

PRODUCTION STAFF

PREPRESS/COMPOSITION

COVER/JACKET STOCK & FINISH

Steven Martin, Beth Detraglia

MPS North America, Editec

10pt C1S with gloss UV coating

TEXT ART DIRECTION

PRINTING/BINDING

Francis Owens, Anita Lambrinos, Sangeeta Ramcharan

Quad/Graphics

TEXT DESIGN

Francis Owens, Patricia Sweeney

Eye-catching design—a great educational series.

COVER/JACKET ART DIRECTION

Anita Lambrinos, Sangeeta Ramcharan School Publishing 221

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THIRD

Elementary Book Series

222 2018 New York Book Show

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Elevate Science, Grades K–5 Zipporah Miller, Michael J. Padilla, and Michael E. Wysession

PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Pearson Education

Various

QBS Learning

PUBLICATION DATE

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

09/13/17

Shutterstock, Getty

TRIM SIZE

Heinemann School, Avenir LT Pro, Stone Informal ITC Pro

8¼" x 10⅞"

TEXT STOCK

Phoenix Color

PRODUCTION STAFF

37.2# Electrastar 80

COVER/JACKET STOCK & FINISH

Deanna Babikian, Lori Anne Cohen

PREPRESS/COMPOSITION

12pt C1S, overall gloss UV coating

TEXT ART DIRECTION

SPi Global

Laura Hancko, Joan Mazzeo

PRINTING/BINDING

TEXT DESIGN

LSC Communications

Jennifer Parker, Stephen Barth, Lucia Tirondola, Tighe Publishing, Symmetry

COVER/JACKET PRINTING

Great use of color! Attractive, interactive layouts.

COVER/JACKET ART DIRECTION

Laura Hancko, Joan Mazzeo School Publishing 223

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MERIT

Elementary Book Series

224 2018 New York Book Show

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myWorld Interactive Social Studies, Grades K–5 Zipporah Miller, Michael J. Padilla, Michael E. Wysession

PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ART DIRECTION

Pearson Education

Various

Judi Pinkham, Joan Mazzeo

PUBLICATION DATE

TYPEFACES

COVER/JACKET DESIGN

11/22/17

Heinemann School, Helvetica Neue eText Pro, Plak Com Black, Markin LT Pro Ultra Bold, Stone Informal ITC Pro/Monotype Framework

Three Communications Design

TEXT STOCK

Phoenix Color

TRIM SIZE

8¼" x 10⅞" PRODUCTION STAFF

Mark Tricca, Oscar Vera TEXT ART DIRECTION

Electrastar 80/37.2#

Dorothea Alderfer, Tamara English, Jill Ort, Joan

PREPRESS/COMPOSITION

TEXT DESIGN

PRINTING/BINDING

Pearson Design, QBS Learning Design

Aptara Design LSC Communications

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Various COVER/JACKET PRINTING

COVER/JACKET STOCK & FINISH

12pt C1S with gloss UV coating Fresh design with clean layouts, engaging art and photos, and a vibrant color palette.

School Publishing 225

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MERIT

Middle/High School Book Series

226 2018 New York Book Show

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myWorld Interactive, Middle Grades

PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Pearson Education

Various

Three Communications Design

PUBLICATION DATE

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

09/05/17

Avenir, Stone Informal, Klepto

Various

TRIM SIZE

TEXT STOCK

COVER/JACKET PRINTING

8¼" x 10⅞"

40# Sappi Flo Matte 910ppi

Phoenix Color

PRODUCTION STAFF

PREPRESS/COMPOSITION

COVER/JACKET STOCK & FINISH

Mark Tricca, Kunal Mehrotra

Aptara

TEXT ART DIRECTION

PRINTING/BINDING

Type II Smooth with gloss polypropylene film lamination

Joan Mazzeo, Jennifer Ribnicky

LSC Communications

TEXT DESIGN

COVER/JACKET ART DIRECTION

April Okano, Célio Pedrosa, Jennifer Parker, Aptara Design

Three Communications Design

Great use of color and friendly layout.

School Publishing 227

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FIRST

College Book Series

228 2018 New York Book Show

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CrimComics Krista S. Gehrig, Michael R. Batista

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Oxford University Press

Michael R. Batista

Todd Williams

PUBLICATION DATE

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

01/02/17

Sabon LT Std, Trade Gothic

Michael R. Batista

TRIM SIZE

TEXT STOCK

COVER/JACKET PRINTING

6⅞" x 10½"

60# opaque 466ppi

LSC Communications

PRODUCTION STAFF

PREPRESS/COMPOSITION

COVER/JACKET STOCK & FINISH

Marianne Paul, Shandra Holman

SPi Global

80# Appleton Utopia Matte 408ppi

TEXT ART DIRECTION

PRINTING/BINDING

Michele Laseau

LSC Communications

TEXT DESIGN

COVER/JACKET ART DIRECTION

Michele Laseau

Attractive and engaging way to present content. Unique presentation draws the reader in.

School Publishing 229

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MERIT

Ancillary Book Series

230 2018 New York Book Show

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Close Reading of Complex Texts Diane Lapp, Barbara Moss, Maria Grant, Kelly Johnson

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

William H. Sadlier, Inc.

Various

Silver Linings Studios

PUBLICATION DATE

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

12/15/17

Silver Linings Studios

TRIM SIZE

Frutiger, Ainslie, Avant Garde Gothic Condensed

8⅜" x 10⅞"

TEXT STOCK

Webcrafters, Inc.

PRODUCTION STAFF

45# Escanaba Matte

COVER/JACKET STOCK & FINISH

Cheryl Golding, Monica Reece, Carol Uettwiller

PREPRESS/COMPOSITION

TEXT ART DIRECTION

PRINTING/BINDING

Vince Gallo

Webcrafters, Inc.

TEXT DESIGN

COVER/JACKET ART DIRECTION

Francesca O’Malley, Nancy Figueiredo, Gabriel Ricci, Jackson Blount

Vince Gallo

Jovito Pagkalinawan, MPS North America

COVER/JACKET PRINTING

4/c on 12pt C1S with layflat film lamination Functional layout.

School Publishing 231

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MERIT

Middle/High School Cover/Jacket

Miller & Levine Biology Ken Miller and Joe Levine PUBLISHER

Pearson Education PUBLICATION DATE

06/01/17 TRIM SIZE

10⅝" x 11⅜" PRODUCTION STAFF

Lori-Anne Cohen COVER/JACKET ART DIRECTION

Lisa Sysun, Joan Mazzeo COVER/JACKET DESIGN

Pronk Media COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY

Fotolia COVER/JACKET PRINTING

LSC Communications Well-balanced book cover with suitable image. Includes a useful description of the contents and how the book relates to the student.

232 2018 New York Book Show

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FIRST

College Cover/Jacket

The Advanced Art of Baking & Pastry R. Andrew Chlebana PUBLISHER

Wiley PUBLICATION DATE

10/12/17 TRIM SIZE

8½" x 10⅞" COVER/JACKET ART DIRECTION

Wendy Lai COVER/JACKET DESIGN

Wendy Lai COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY

Anthony Tahlier COVER/JACKET PRINTING

Quad/Graphics COVER/JACKET STOCK & FINISH

10pt C1S with gloss lamination The hyperreal photo draws the reader in; the image appropriately represents the content of the book.

School Publishing 233

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MERIT

College Cover/Jacket

Introduction to the Human Body, 11th Edition Gerard J. Tortora, Bryan H. Derrickson IMPRINT/PUBLISHER

Wiley PUBLICATION DATE

12/07/17 TRIM SIZE

8½" x 10⅞" COVER/JACKET ART DIRECTION

Thomas Nery COVER/JACKET DESIGN

Thomas Nery COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY

Shutterstock COVER/JACKET PRINTING

Quad/Graphics COVER/JACKET STOCK & FINISH

Gloss lamination OTHER COMPONENTS

HSB Type 2 Graphic White We liked the image choice.

234 2018 New York Book Show

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FIRST

Elementary Cover/Jacket Series

Elevate Science, Grades K–5 Zipporah Miller, Michael J. Padilla, Michael E. Wysession PUBLISHER

Pearson Education PUBLICATION DATE

09/13/17 TRIM SIZE

8¼" x 10⅞" PRODUCTION STAFF

Deanna Babikian COVER/JACKET ART DIRECTION

Laura Hancko, Joan Mazzeo COVER/JACKET DESIGN

QBS Learning COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Shutterstock, Getty COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

12pt C1S with gloss UV coating Engaging and clean, with sleek design.

School Publishing 235

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9/10/18 11:33 AM

SECOND

Elementary Cover/Jacket Series

myWorld Interactive Social Studies, Grades K–5 PUBLISHER

Pearson Education PUBLICATION DATE

11/22/17 TRIM SIZE

8¼" x 10⅞" PRODUCTION STAFF

Mark Tricca, Oscar Vera COVER/JACKET ART DIRECTION

Judi Pinkham, Joan Mazzeo COVER/JACKET DESIGN

Three Communications Design COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY

Various COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

12pt C1S with gloss UV coating Promotes diversity. Age appropriate and relevant to the content.

236 2018 New York Book Show

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MERIT

Elementary Cover/Jacket Series

Sadlier Math, Grades K–6 Catherine D. LeTourneau, Allan E. Bellman, Jill A. Perry PUBLISHER

William H. Sadlier, Inc. PUBLICATION DATE

08/11/17 TRIM SIZE

8⅜" x 10⅞" PRODUCTION STAFF

Laura Reischour, Evie Alvarez, Carol Uettwiller COVER/JACKET ART DIRECTION

Vince Gallo COVER/JACKET DESIGN

Silver Linings Studios COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Silver Linings Studios, Cesar Llacuna COVER/JACKET PRINTING

Webcrafters, Inc. COVER/JACKET STOCK & FINISH

Softcover is 4/c on 12pt C1S with layflat film lamination; 4/c hardcover is Type II stock with film lamination Duality of the pictures is very appealing.

School Publishing 237

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8/29/18 6:27 PM

FIRST

Middle/High School Cover/Jacket Series

myWorld Interactive, Middle Grades PUBLISHER

Pearson Education PUBLICATION DATE

09/05/17 TRIM SIZE

8¼" x 10⅞" PRODUCTION STAFF

Mark Tricca, Kunal Mehrotra COVER/JACKET ART DIRECTION

Three Communications Design COVER/JACKET DESIGN

Three Communications Design COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY

Various COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

Type II Smooth with gloss polypropylene film lamination Great use of color; great choice of images for subject matter.

238 2018 New York Book Show

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MERIT

Middle/High School Cover/Jacket Series

Elevate Science, Grades 1–3 Zipporah Miller, Michael J. Padilla, Michael E. Wysession PUBLISHER

Pearson Education PUBLICATION DATE

09/13/17 TRIM SIZE

8¼" x 10⅞" PRODUCTION STAFF

Deanna Babikian COVER/JACKET ART DIRECTION

Laura Hancko, Joan Mazzeo COVER/JACKET DESIGN

QBS Learning COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY

Getty COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

12pt C1S with gloss UV coating Crisp, modern look will attract kids to pick up these books.

School Publishing 239

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FIRST

College Cover/Jacket Series

The Seagull Book of Literature, 4th Edition Joseph Kelly IMPRINT/PUBLISHER

W. W. Norton & Company, Inc. PUBLICATION DATE

12/08/17 TRIM SIZE

5½" x 8¼" PRODUCTION STAFF

Stephen Sajdak, Lisa Kraege COVER/JACKET ART DIRECTION

Debra Morton Hoyt COVER/JACKET DESIGN

Kiss Me I’m Polish COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Kiss Me I’m Polish COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

10pt C1S with scuff-free soft-touch lamination Simplistic symbols are eye-catching and work together to create a great series feel. Soft touch enhances overall product feel.

240 2018 New York Book Show

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SECOND

College Cover/Jacket Series

The American Political System, 3rd Edition Ken Kollman PUBLISHER

W. W. Norton & Company, Inc. PUBLICATION DATE

05/08/17 TRIM SIZE

7½" x 9⅛" PRODUCTION STAFF

Andy Ensor COVER/JACKET ART DIRECTION

Debra Morton Hoyt COVER/JACKET DESIGN

Jillian Burr COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Bloomberg, Getty COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

12pt C1S with soft-touch matte lamination Provocative images—appropriate use of current photography—great contrasting colors.

School Publishing 241

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Schola rly/Professional Reference Scholarly Scholarly Book Series Cover/Jacket Cover/Jacket Series

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FIRST

Reference

244 2018 New York Book Show

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CnC Creativity Continuum Joe MacDonald way to the edge of the property. So the fields and natural areas are not just for sports, but for learning too.” The design supports the uniqueness of every community. The client says, “The design team did lots of cool things to make Vose unique from the other sites. For example, some community members were really attached to the sequoias that had to be cut down during site preparation. DLR Group was sensitive to that, and they helped us select projects that preserved the wood and to bring them back into the school in new forms. Additionally, the Vose school community is 65% Hispanic. Nearly everyone who came to our community meetings spoke only Spanish, so we ran them in dual languages. To make the courtyard special, we designed these cool tile pavers for the walk from the courtyard

into the building that are inspired by tile mosaics. They have words in both English and Spanish. The design team did a lot of special things like this to make Vose a reflection of its community’s spirit.” A designer says, “We did other unique things as well. At Vose, there is a wall for an art mural inside. The school will determine what that mural will be. We intentionally found placeholders in the prototypes— opportunities for customization. Elements like this make the interior spaces unique on a tactile level. “Of all the topics we discussed, the color of the jams was most controversial. With a simple palette of only three colors, complexity is created by how you order them: red, red, orange; orange, red, red...and then yellow. Moving around the building, red morphs into yellow, but it’s done with only three colors. There is also a

transition from blue to green. The color transitions are uniquee to each school.” The client says, “I love the colored elevations because they are sophisticated and fun. Some of our schools look dated because of all the bright colors. These are subtle. We picked thee interior colors first, and those informed the colors on the exterior. I like how the colors tie into one another, and I especially like the pop of color in the courtyard. It’s like the bright lining on a jacket.”

B BEAVERTON

PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

DLR Group PUBLICATION DATE

Jill Maltby, Omnivore Design, Aaron Asis, Shana Duncan

09/26/17

TEXT STOCK

COVER/JACKET PRINTING

TRIM SIZE

120gsm Golden Sun, woodfree

Asia Pacific Offset

6" x 9"

PREPRESS/COMPOSITION

CASE MATERIALS

PRODUCTION STAFF

Asia Pacific Offset

Silk screening on exposed board

Joe MacDonald, Alice Chung, Omnivore Design

PRINTING/BINDING

OTHER COMPONENTS

Asia Pacific Offset

Slipcase JHT cloth with silk screening

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Omnivore Design

TEXT DESIGN

COVER/JACKET DESIGN

Omnivore Design

Innovative slipcase package design includes beautiful choice of materials such as chipboard, tamped cloth, and fluorescent inks. Clever board-binding technique allows easy access to remove book from slipcase.

Scholarly/Professional 245

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SECOND

Reference

246 2018 New York Book Show

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John Yeon Landscape

2 The Lawn looking west 3 The Lawn looking southwest

Shire_030817 copy.indd 86

3/8/17 10:10 AM

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3/8/17 10:10 AM

PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Andrea Monfried Editions

Various

Catherine Mills

PUBLICATION DATE

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

06/19/17

Whitman

Susan Seubert

TRIM SIZE

TEXT STOCK

COVER/JACKET PRINTING

8" x 9½"

157gsm Gold East matte

Asia Pacific Offset

PRODUCTION STAFF

PREPRESS/COMPOSITION

CASE MATERIALS

Andrea Monfried

iocolor

TEXT ART DIRECTION

PRINTING/BINDING

Cloth case with 2/c foil stamping and full-color printed onlay

Andrea Monfried

Asia Pacific Offset

TEXT DESIGN

COVER/JACKET ART DIRECTION

Catherine Mills

Andrea Monfried

Beautiful use of materials; the cover onlay looks like a window into the book. Elegant tranquil design combined with stunning photographs makes this book a gem to read.

Scholarly/Professional 247

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THIRD

Reference

248 2018 New York Book Show

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Designing Brand Identity, 5th Edition Alina Wheeler

PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Wiley

Univers LT

LSC Communications

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

10/16/17

70# Influence Matte 526

80pt C1S cover stock

TRIM SIZE

PRINTING/BINDING

COVER/JACKET EFFECTS

8½" x 10⅞"

LSC Communications

Matte lamination with spot varnish

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Kerstin Nasdeo

Jon Bjornson, Alina Wheeler

TEXT ART DIRECTION

COVER/JACKET DESIGN

Kathy Mueller, Alina Wheeler

Jon Bjornson, Alina Wheeler

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Kathy Mueller

Jon Bjornson

High-quality printing and color reproduction of a diverse range of brand marks.

Scholarly/Professional 249

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MERIT

Reference

250 2018 New York Book Show

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A Global History of Architecture, 3rd Edition Francis D. K. Ching, Mark M. Jarzombek, and Vikramaditya Prakash

PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Wiley

Trade Gothic LT

LSC Communications

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

04/17/17

70# Influence Matte 526

80pt C1S, 70# Influence Matte 526

TRIM SIZE

PRINTING/BINDING

COVER/JACKET EFFECTS

8½" x 10⅞"

LSC Communications

Gloss lamination

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

David Sassian Kerstin Nasdeo

Christopher Wallace

TEXT ART DIRECTION

COVER/JACKET DESIGN

Francis D. K. Ching

Christopher Wallace

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Francis D. K. Ching

Francis D. K. Ching, Jorg Hackermann, Shutterstock

Clean and simple layout; high-quality manufacturing.

Scholarly/Professional 251

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BES T IN C ATEGORY

FIRST/BEST IN CATEGORY

Scholarly

252 2018 New York Book Show

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Where Honeybees Thrive Heather Swan

Aganetha Dyck and the honeybees, from MMasked Ball (detail), series 2006–2008. William Eakin in collaboration with Aganetha Dyck, Light, 2011–12.

PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

The Pennsylvania State University Press

Chaparral, Mrs Eaves

Asia Pacific Offset

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

10/31/17

Ensolux Classic

TRIM SIZE

PREPRESS/COMPOSITION

360gsm C1S art board with scuff-free matte lamination

6¾" x 8½"

Embassy Graphics

COVER/JACKET EFFECTS

PRODUCTION STAFF

PRINTING/BINDING

Gritty spot UV coating

Jennifer Norton

Asia Pacific Offset

OTHER COMPONENTS

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Rounded corners, oversized flaps

Jennifer Norton

TEXT DESIGN

COVER/JACKET DESIGN

Regina Starace

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Various

Peter Waters

Excellent balance of scholarly text and evocative images. Every production choice is spot on—the thoughtful attention to design completes the outstanding entry.

Scholarly/Professional 253

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SECOND

Scholarly

254 2018 New York Book Show

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Insomniac Dreams Vladimir Nabokov

PUBLISHER

TEXT STOCK

COVER/JACKET EFFECTS

Princeton University Press

60# Finch Vanilla Opaque 466ppi

Black and PMS 186 U (red) ink

PUBLICATION DATE

PREPRESS/COMPOSITION

CASE MATERIALS

11/28/17

S4Carlisle Publishing Services

TRIM SIZE

PRINTING/BINDING

Arrestox B black cloth, white foil spine stamp, red headbands

5⅞" x 8¼"

Sheridan Books

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Jacquie Poirier

Chris Ferrante

TEXT ART DIRECTION

COVER/JACKET DESIGN

Chris Ferrante

TEXT DESIGN

COVER/JACKET PRINTING

Chris Ferrante

Phoenix Color

TYPEFACE

COVER/JACKET STOCK & FINISH

Baskerville 10 Pro

Mohawk Via Felt Natural, uncoated

Clever use of design to illustrate Nabokov’s use of index cards to chronicle his dreams. The layout is very readable and intimate. Judicious use of second color throughout; effective use of photographs completes the design.

Scholarly/Professional 255

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THIRD

Scholarly

256 2018 New York Book Show

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The Book of Greek and Roman Folktales, Legends & Myths

PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Princeton University Press

Garamond Premier Pro

Phoenix Color

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

03/07/17

60# House Natural Smooth 420ppi

TRIM SIZE

PREPRESS/COMPOSITION

Rainbow White with BB 171 embossing and matte lamination

5⅞" x 8¼"

BookComp

CASE MATERIALS

PRODUCTION STAFF

PRINTING/BINDING

2/c printed endpapers, blue headbands

Erin Suydam

Sheridan Books

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Amanda Weiss

Maria Lindenfeldar

TEXT DESIGN

COVER/JACKET DESIGN

Amanda Weiss

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Glynnis Fawkes

Very readable text design. The cover illustration integrates well with the typography. Phenomenal endpapers.

Scholarly/Professional 257

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MERIT

Scholarly

258 2018 New York Book Show

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William Blake and the Age of Aquarius Stephen F. Eisenman and Mark Crosby

PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Princeton University Press

Goudy Heavyface, Univers LT, Walbaum

Asia Pacific Offset

PUBLICATION DATE

TEXT STOCK

CASE MATERIALS

10/17/17

120gsm UPM, woodfree

TRIM SIZE

PREPRESS/COMPOSITION

Three-piece case, JHT cloth, printed laminated front and back case

8" x 10"

Asia Pacific Offset

OTHER COMPONENTS

PRODUCTION STAFF

PRINTING/BINDING

Holographic foil stamping on spine

Steven Sears

Asia Pacific Offset

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Roy Brooks, Fold Four

TEXT DESIGN

COVER/JACKET DESIGN

Roy Brooks, Fold Four

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Various

William Blake, Richard Anuszkiewicz

Highlights include perfect cover that captures the subject matter, three-piece case, printed ends, and bold design.

Scholarly/Professional 259

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FIRST

Scholarly Book Series

260 2018 New York Book Show

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Oxford Keynotes Kevin Bartig, Annegret Fauser, Kevin C. Karnes

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Oxford University Press

Helvetica Neue, Minion Pro

Webcom Inc.

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

10/25/17

50# cream paper 454ppi

TRIM SIZE

PREPRESS/COMPOSITION

10pt C1S with scuff-resistant matte lamination

5½" x 8¼"

Newgen

CASE MATERIALS

PRODUCTION STAFF

PRINTING/BINDING

Preprinted split bind

Denise Phillip Grant

Webcom Inc.

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Farzana Razak

Rachel Perkins

TEXT DESIGN

COVER/JACKET DESIGN

Farzana Razak

Terri Sirma

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Various

Size and format are highly usable. Attractive covers. Photography, even on cream stock, is effective.

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Business Cover/Jacket

Blind Spots RJ Brideson IMPRINT/PUBLISHER

Wiley PUBLICATION DATE

09/21/17 TRIM SIZE

6⅛" x 9¼" COVER/JACKET ART DIRECTION

Paul McCarthy COVER/JACKET DESIGN

Paul McCarthy COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Paul McCarthy COVER/JACKET PRINTING

SCI COVER/JACKET STOCK & FINISH

10pt C1S cover stock COVER/JACKET EFFECTS

Matte lamination with spot varnish Effective use of spot lamination. Consistent use of design elements carried throughout. Print quality is spot-on.

262 2018 New York Book Show

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SECOND

Business Cover/Jacket

Unstoppable Dave Anderson PUBLISHER

Wiley PUBLICATION DATE

09/25/17 TRIM SIZE

6⅛" x 9¼" COVER/JACKET ART DIRECTION

Paul McCarthy COVER/JACKET DESIGN

Paul McCarthy COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Paul McCarthy COVER/JACKET PRINTING

LCS/Harrisonburg COVER/JACKET STOCK & FINISH

80pt C1S jacket stock COVER/JACKET EFFECTS

Matte lamination Use of hand lettering is unique for business genre but conveys a clear theme.

Scholarly/Professional 263

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FIRST

Scholarly Cover/Jacket

The Story of Hebrew Lewis Glinert PUBLISHER

Princeton University Press PUBLICATION DATE

02/14/17 TRIM SIZE

5½" x 8½" PRODUCTION STAFF

Erin Suydam COVER/JACKET ART DIRECTION

Maria Lindenfeldar COVER/JACKET DESIGN

Derek Thornton, Faceout Studio COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Michel D’anastasio COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

Mohawk Via Felt Natural, uncoated CASE MATERIALS

Kennett Royal cloth case In a category that was jam-packed with excellent jackets and covers, this one rises to the top. The gorgeous use of calligraphy as jacket art and elegant paper stock enhance the overall aesthetic.

264 2018 New York Book Show

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SECOND

Scholarly Cover/Jacket

Keeping It Halal John O’Brien PUBLISHER

Princeton University Press PUBLICATION DATE

09/12/17 TRIM SIZE

6⅛" x 9¼" PRODUCTION STAFF

Jacquie Poirier COVER/JACKET ART DIRECTION

Maria Lindenfeldar COVER/JACKET DESIGN

Amanda Weiss COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Amanda Weiss COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

80# C1S stock with gritty matte COVER/JACKET EFFECTS

Reflex Blue C, PMS 2423 C (green), PMS 102 C (yellow) CASE MATERIALS

Pearl linen charcoal grey 14991 cloth case The cohesive use of hand lettering and eye-catching colors make this an energetic and attractive layout.

Scholarly/Professional 265

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THIRD

Scholarly Cover/Jacket

Midlife Kieran Setiya PUBLISHER

Princeton University Press PUBLICATION DATE

10/03/17 TRIM SIZE

5¼" x 8" PRODUCTION STAFF

Jacquie Poirier COVER/JACKET ART DIRECTION

Maria Lindenfeldar COVER/JACKET DESIGN

Amanda Weiss COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Amanda Weiss COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

80# C1S with scuff-free matte lamination COVER/JACKET EFFECTS

Black and PMS 297 U (blue) ink CASE MATERIALS

Rainbow Sky Blue Cambric Embossing Clean and minimal design with conceptual illustration encapsulates the subject matter.

266 2018 New York Book Show

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MERIT

Scholarly Cover/Jacket

The House of Government Yuri Slezkine PUBLISHER

Princeton University Press PUBLICATION DATE

08/22/17 TRIM SIZE

6⅛" x 9¼" PRODUCTION STAFF

Jacquie Poirier COVER/JACKET ART DIRECTION

Chris Ferrante COVER/JACKET DESIGN

Chris Ferrante COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Francesco Bongiorni COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

80# Rainbow Ivory, uncoated with press varnish COVER/JACKET EFFECTS

Black and PMS 2035 U (red) ink CASE MATERIALS

Arrestox B black cloth case, cream foil spine stamp, black-and-red striped headbands The jacket design with its two-color illustration and typography appropriately harkens back to the Soviet era.

Scholarly/Professional 267

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MERIT

Scholarly Cover/Jacket

A Description of the New York Central Park Clarence C. Cook PUBLISHER

New York University Press PUBLICATION DATE

05/23/17 TRIM SIZE

6" x 9" PRODUCTION STAFF

Charles B. Hames COVER/JACKET ART DIRECTION

Adam B. Bohannon COVER/JACKET DESIGN

Adam B. Bohannon COVER/JACKET PRINTING

John P. Pow Company COVER/JACKET STOCK & FINISH

Uncoated white with press varnish CASE MATERIALS

One-piece case is Rainbow Meadow The vintage aesthetic of this design feels both historical and contemporary. Simple, elegant design evokes the time period.

268 2018 New York Book Show

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MERIT

Scholarly Cover/Jacket Series

Russian Library Alexei Remizov, Linor Goralik, Iliazd PUBLISHER

Columbia University Press PUBLICATION DATE

12/19/17 TRIM SIZE

5½" x 8½" PRODUCTION STAFF

Jennifer Jerome, Lisa Hamm COVER/JACKET ART DIRECTION

Julia Kushnirsky COVER/JACKET DESIGN

Roberto de Vicq de Cumptich COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Roberto de Vicq de Cumptich COVER/JACKET PRINTING

Sheridan Books COVER/JACKET STOCK & FINISH

100# C1S, matte lamination Smart use of diagonal symmetry throughout the series; nice use of vintage illustrations in a modern fashion.

Scholarly/Professional 269

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Se lf-P ubl ished Adult Fiction Adult Nonfiction Cover/Jacket

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FIRST

Adult Fiction

JOHN L. LOEB JR. REFLECTIONS, MEMORIES AND CONFESSIONS

272 2018 New York Book Show

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John L. Loeb Jr.: Reflections, Memories, and Confessions John L. Loeb Jr.

C H A P T ER T W ELV E

On My Own: The Siren Song of Politics, 1974–1981 For people like me, politics is addictive, much like the smell of greasepaint and the roar of the crowd are to an actor. I worked like the proverbial beaver for the GOP during the next few years, but I also made time in late 1978 to found a nonpartisan movement called Voice of the Electorate, or VOTE. Part of my motivation was that I knew VOTE would be an enormous boost for my political visibility across the state. I was appalled that an astonishing 37 percent of registered voters in New York had not voted in the previous election. VOTE was based on the idea that disenchanted New York voters would become more engaged if it were possible to repeal unpopular legislation and add their own propositions to election ballots. That kind of referendum existed in twenty-three states, and citizens were free to put an issue on the ballot if they got enough signatures. VOTE’s most important mission was lobbying for an enabling amendment to New York’s constitution. An amendment would require passage through two successive legislatures and subsequent voter approval in a referendum. Over the months, we met the opposition of powerful vested interests, as well as that of Governor Carey and Senate Republican Majority Leader Warren M. Anderson. But we also gained warm and fervent support from the inﬂuential United Taxpayers of New York, the League of Women Voters and the Conservative Party. We drew wide media support, most notably from The New York Times. Radio and TV stations were particularly receptive to running public service announcements for us. I

I tried my best to emulate California’s hugely successful Howard Jarvis helping to pass Proposition 13. Jarvis stabilized everybody’s property tax in California. When campaigning for VOTE, I imitated his vigorous fist-bump.

305

SERVICE PROVIDER/PUBLISHER

TRIM SIZE

TEXT STOCK

Scout Books & Media

8½" x 11¼"

PUBLICATION DATE

TYPEFACES

80# Anthem Plus Satin White, FSC-certified

12/22/17

Warnock Pro, Univers

COVER/JACKET DESIGN

Andrij Borys Associates, LLC Self-Published 273

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MERIT

Adult Fiction

274 2018 New York Book Show

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By Any Means: From the Beauty for Ashes Saga Sharon L. Polk

Sharon L. Polk

CHAPTER 1

Darkest Before Dawn

he sky was black, the clouds ominous. Lightning strikes painted the heavens with a temporary glow, providing light in the darkness. The wind blew so intensely the trees bowed and touched the ground before them. While the sound of thunder shook the ground fiercely, the earth beneath opened and formed a great chasm. Amidst the chaos, a woman in a red dress stood directly above the newly formed gulf. She slowly fell into the darkness of the deep pit. Plummeting into what appeared to be a never-ending black abyss, she extended her hands, grasping upward towards the light. She screamed as she fell, but no sound was heard. Eventually, she came to rest atop an object. It was cold, both the object and the environment. Her teeth chattered as she turned to see what was beneath her. A small bolt of lightning from the surface revealed a man’s lifeless body under hers. He lay in what appeared to be a sea of blood. She was terrified. Emotionally paralyzed, she was unable to move. Suddenly, she realized the man’s body was on top of another body. In fact, it looked as if hundreds of bodies lay beneath her. Their pungent smell was unbearable. She incessantly vomited until nothing was left in her. Out of nowhere, a bloody hand grasped her neck, a moan and then mumbling, “Save me.” Before she could react, a firebolt exposed the face of the man that gripped her in the dark, rank space. She looked into his very familiar eyes. Then looking past him, she quickly realized the man that lay beneath him looked exactly as he did. Actually, all of the bodies beneath them appeared to have the same face. She screamed and fought to escape his grip. Clutching the bloody fingers that were snuggly wrapped around her throat, she pulled until she removed the appendages one by one. Then she frantically reached for the side of the pit, hoping to grab hold

of something she could leverage to escape. This entire time the man was grappling for her foot, trying to get a firm hold on it to pull her back to the center of the cavity. She finally grabbed hold of something and began clawing her way out of the pit. After climbing just a few feet, she fell back into the bloody goo. Surrounded by the bloody bodies again, she fought her way from the center of the pit. Then she gripped the wall and started to ascend once more. As she climbed higher, the bodies climbed higher, propelled by the sea of blood. They continued to reach for her, to drag her back into the darkness. When she finally reached the surface, one of the bodies grabbed her ankle to pull her back into the pit, but she fought and he released his hold. Finally, she emerged on the surface, away from the bloody bodies. It appeared she had narrowly escaped. A child was sitting atop the opening with her head down. The child’s hair was long. It covered her face and extended to her feet. As she raised her head, her eyes illuminated from beneath her hair, and she said, “My mother deserted me. She left me here, alone, beside my father’s dead body. I cried for her, but she didn’t come. I needed her, but she stayed away.” The child pointed to the body beside her. It was entirely covered with a white cotton sheet. As the woman turned to look at the corpse, the man’s arm fell from beneath the sheet. On his arm was a bracelet. The woman stared at the bracelet for a while and then stared into the child’s eyes. Tears begin to run down the woman’s face. The child grew until she morphed into a woman. The newly formed woman shouted, “YOU…YOU left me. YOU failed me. YOU lied. It was YOU!” Suddenly, the man under the sheet arose, grabbed the woman in the red dress and started to choke her. He compressed both carotid arteries in the woman’s neck, causing her to lose consciousness. Her lifeless body slowly fell to the ground. Fannie awakened, screaming and frenziedly crying from her nightmare. She sat up, grasping her neck, trembling, as she stared into the dimness of the room. She closed her eyes again and firmly pressed her lips together. Her entire body was tense. Moments later, with her eyes still shut, she groped the other side of the bed several times, searching for Joe.

SERVICE PROVIDER/PUBLISHER

TRIM SIZE

TYPEFACE

CreateSpace

6" x 9"

Perpetua

PUBLICATION DATE

01/23/17 Self-Published 275

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FIRST

Adult Nonfiction

276 2018 New York Book Show

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One Dominion: Celebrating Canada—Prepared for a Purpose Bob Beasley and Paul Richardson

SERVICE PROVIDER/PUBLISHER

TRIM SIZE

TEXT STOCK

Friesens/Bible League Canada

12" x 10"

80# matte white FSC-certified white

PUBLICATION DATE

TYPEFACES

COVER/JACKET DESIGN

05/01/17

Monoton, Upper East Side

Graf-Martin Communications

Self-Published 277

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MERIT

Adult Fiction Cover/Jacket

By Any Means: From the Beauty for Ashes Saga Sharon L. Polk SERVICE PROVIDER/PUBLISHER

CreateSpace PUBLICATION DATE

01/23/17 TRIM SIZE

6" x 9" TYPEFACE

Perpetua

278 2018 New York Book Show

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MERIT

Adult Nonfiction Cover/Jacket

Live Small, Live Big: The New Guide to Modern Success Heath Lampee SERVICE PROVIDER/PUBLISHER

Indigo/IngramSpark PUBLICATION DATE

11/07/17 TRIM SIZE

5⅛" x 7⅞" TYPEFACES

Monoton, Upper East Side COVER/JACKET DESIGN

Olivia Croom

Self-Published 279

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J udgesâ&#x20AC;&#x2122; Bio gra phies

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8/29/18 10:43 AM

Elizabeth Blake-Linn

Adam Bohannon

Dan Breitkreutz

Richard Bretan

Elizabeth Blake-Linn is currently employed at Simon & Schuster and has been with the company for more than seventeen years. Books— whether she is working on them or reading them—have always been her passion. She can often be found reaching for something new from her bookshelf or scanning bookstores for that one hidden gem that captures her attention and imagination. Because of her fascination with the production of books, her position at Simon & Schuster as the senior production manager for Atheneum Books for Young Readers, Saga Press, Margaret K. McElderry Books, and Beach Lane Books is the perfect fit. The relationships she has curated with her editors, designers, and production editors are the best parts of her job, and seeing a book in the hands of a child makes all the work worthwhile. She is thrilled to be a judge at the New York Book Show.

Adam Bohannon is art director at New York University Press. He also freelance designs for various publishers, including Indolent Books, Milkweed Editions, and Rutgers University Press. In addition, he is the art director for Black Dress Press, publisher of the literary magazine Spinning Jenny. He runs Refrigerator Rex, an indie publisher that will be publishing its first projects in 2018.

Dan Breitkreutz has been in the printing and publishing industry for over thirty-five years and as a sales representative with Maple Press for the last fifteen. A graduate of Syracuse University, his previous experience includes ownership, consulting and sales with financial, commercial, book and newspaper printing companies in the Northeast. He is very detail oriented and understands the production process completely. Helping publishers achieve their goals has been the driving force to his success over the years. His past and current customers include some of the most recognizable names in the business. Dan and his wife currently live in the Philadelphia suburbs.

Richard Bretan has spent his entire professional career in academic publishing, starting with ink on paper at Longman and now to pixels on screen as a project manager/digital content producer with SPi-Global. He co-chaired the 2017 New York Book Show and is currently the financial secretary for the Book Industry Guild of New York. For all this—and for better or worse— you could say publishing is in his blood and he is eminently proud to be a part of this noble industry. He has worked on several diversity and inclusion employee resource groups and volunteers with iMentor, a school-based mentoring program that empowers high school students in low-income communities to graduate high school and succeed in college.

282 Judges’ Biographies

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Steven Bucsok

David L. Elovich

Chris Ferrante

Lisa Ford

Steven Bucsok is the reprint supervisor at Workman Publishing where he handles production on all Workman and Algonquin reprints, as well as some of Workman’s frontlist, calendar, and proprietary titles. A graduate of Susquehanna University, he attended the Columbia Publishing Course in 2013.

David L. Elovich, territory sales manager, Rolland Paper, comes from four generations of a New England printing family. A graduate in mechanical engineering from Lafayette College, he trained in corporate America with technical sales management and marketing positions for General Electric as well as Eastman Kodak. In 1987, he was lured back to Connecticut and the family printing enterprise. That business, along with a start-up envelope company, were sold in 2004; however, he agreed to continue working for the new owners for a predetermined period of time. Upon completion of that commitment, he began representing Rolland Papers (formerly Cascades Fine Paper) in the Northeast. With a personal appreciation for the outdoors, he found a comfortable home promoting recycled papers. He lives in Connecticut with his wife. An empty nester with three grown daughters and two dogs, he enjoys waterfowling, fishing, skiing, and golfing in his spare time.

Chris Ferrante is a book designer at Princeton University Press where he designs covers and interiors for a diverse range of trade and scholarly titles. His work has been recognized by the American Institute of Graphic Arts and Design Observer’s 50 Books | 50 Covers competition, AIGA Philadelphia Design Awards, the Association of University Presses, and the Book Industry Guild of New York, and has been featured on book design websites including “The Casual Optimist” and “Book Cover Archive.” He is a self-proclaimed perfectionist, typophile, and all-around creative guy.

Lisa Ford is the production manager at Lonely Planet Kids, the children’s imprint of travel media brand Lonely Planet. Lonely Planet Kids is part of the house’s ongoing expansion in the North American market with a new children’s publishing office in New York. She has been a book production professional for three decades, primarily in children’s book publishing. She has worked at many of the leading publishing houses including Oxford University Press, Simon & Schuster Publishers—where she served as production director for the children’s division for sixteen years—HarperCollins Children’s Books, and Dial Books, Penguin Random House. Lisa also served on the diversity councils at Oxford University Press and Simon & Schuster, working to promote a more inclusive work environment and diverse workforce.

Judges’ Biographies 283

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Simona Gheorghiu Jansons

Jim Kaeli

Daniel Lagin

Bonni Leon-Berman

Simona Gheorghiu Jansons got her start in publishing as editor-in-chief of her high school yearbook (Go Lions!). Her career in print production was sealed during her first job, when she accompanied her supervisor on a press OK for the Philadelphia Museum of Art annual report. There was something about the sound of the printing press, the smell of ink, and the crackling pages of a newly bound book that ignited her passion. After relocating to New York, she became a reprint assistant at HarperCollins Publishers. From there she moved to Asia Pacific Offset, the leading print management company in Asia, where she is celebrating her fifteen-year anniversary. She spends an obscene amount of time in bookstores, combing the aisles for the most dazzling covers and luscious papers. She has a BA in history from McGill University, and an MA in Eastern European history from Toronto University.

Jim Kaeli is the solutions manager for book and hardcover technology at Müller Martini. In this role, he interacts with customers, sales personnel, and company manufacturing facilities to help define and configure book manufacturing systems. He joined RR Donnelley in 1981 as a project engineer and worked in several manufacturing divisions before joining Müller Martini in 2001. He holds a BS in industrial engineering from Rensselaer Polytechnic Institute and an MBA from Shippensburg University. He is a member of the adjunct faculty of Penn State University. He is also a member of the Book Industry Guild of New York and the Book Manufacturer’s Institute. His interests include fly fishing and hiking in the Shenandoah National Park, serving as local district chairman for the Boy Scouts of America, and playing keyboards. He is married for thirty-five years with two grown children and resides in the Shenandoah Valley of Virginia with his wife, Kathy.

Daniel Lagin is a senior designer at Penguin Publishing Group and a New York Book Show award winner. He has over fifteen years of experience designing books and animating for video and film. He also illustrates maps and infographics for book interiors and endpapers. His design and graph illustrations for The Dirty Little Secrets of Getting into a Top College won a book show award. He received a BFA from the prestigious Cooper Union for the Advancement of Science and Art. His fine art background gave him a unique perspective that he applies to all his creative ventures. His design work is thoughtfully conceived and executed with precision. When not designing, he enjoys cooking and being outdoors.

Bonni Leon-Berman is a lifelong lover of typography. From a young age, she has been enamored with letter forms. She is especially proud to have hand-lettered her high school yearbook. Bonni graduated from the School of Visual Arts in New York City. Bonni finds inspiration in ghost advertising and is obsessed with collecting wood type, for which she has an extensive collection of B’s. She is an award-winning designer and recently participated in National Novel Writing Month by designing a book cover for an aspiring novelist. Bonni cut her teeth at Simon & Schuster, where she produced their first “crash” alldigital, high-profile book as well as managed and designed trade paperback and cookbook imprints. After putting in freelance hours, she did a stint at Oxford University Press. She is currently a senior designer at HarperCollins Publishers, creating for their William Morrow, Harper, Harper Wave, and Morrow Gift imprints.

284 Judges’ Biographies

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Lily Malcom

Antoinette Marotta

Daniel Moreton

Tom O’Connor

Lily Malcom is the VP, executive art director of Dial Books for Young Readers, an imprint of Penguin Random House. As an art director, she has had the privilege to work with many talented illustrators, among them Corinna Luyken, Judy Schachner, David Small, Jon Agee, Jerry Pinkney, Erin E. Stead, Tao Nyeu, and Zachariah OHora. She enjoys working with long-time professionals as well as new, firsttime illustrators. Some recent titles from Dial are The Book of Mistakes, All’s Faire in Middle School, Sarabella, Dory Fantasmagory, Blue Sky White Stars, Dragons Love Tacos 2, and Life on Mars.

Antoinette Marotta (a.k.a. Toni) has been in book manufacturing and production for forty years. Her first job was at Warner Books. She has worked on trade and hardcover books in all areas of production— first printings, reprints, one- and four-color books, including the purchasing of paper. She always enjoys the challenge and is very enthusiastic on whatever project she is working on. She is currently working at Knopf Doubleday in the Vintage/Anchor division as a production associate. She enjoys going to boxing classes, theatre, and movies, and absolutely loves going to the beach and taking in the beauty of it.

Daniel Moreton joined Penguin Random House in October of 2014, as associate publisher for Grosset & Dunlap, PSS!, and licensed publishing for Penguin Young Readers. He oversees and collaborates on more than 200 books a year, including Mad Libs, The Hardy Boys, Nancy Drew, and the New York Times bestselling series, Who Was…? Prior to coming to Penguin Random House, he spent over twenty-five years, illustrating, designing, and providing creative direction for children’s publishing and entertainment products. He has worked for some of the leaders in books and television, including Scholastic, Disney, Nickelodeon, and Simon & Schuster. Whether he’s illustrating his own books or working collaboratively to develop content with a team, he loves to create new and innovative experiences for children.

Tom O’Connor is the director of account development for S4Carlisle Publishing Services. S4Carlisle is a company that offers a publishing workflow system and a complete array of production services to the book and journal publishing industry. He has been a part of publishing his entire working career and has had seventeen years of extensive firsthand experience inside a major publisher house. Later, he had the opportunity to start the first complete outside service to the publishing community. He is very pleased to be a part of this group of judges.

Judges’ Biographies 285

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Jason O’Neil

Pamela Pelton

Andrew Rosenau

Kate E. Stephenson

Jason O’Neil, a former spacecraft sales executive with forty years of experience in major aerospace companies, has authored thirteen successful spacecraft systems proposals. He used his knowledge of the industry to create the Red Box Trilogy, an Indiana Jones-style thriller based upon an antigravity device that changes transportation systems on Earth. In a recent book, Sinecure, one of five books published by AuthorHouse, the author exposes the retirement package of the members of Congress. In addition, he has authored two books about the national debt crisis in America. His first book, Bald Eagle Vision, is a novel about the U.S. economy and necessary painful budget cuts. His most recent novel, When Baldie Cries, details the collapse of the 242-year American experiment as the “most difficult sales job on the planet.” It portrays a chilling prophesy when the president attempts to wean the country off of the welfare state.

Pamela Pelton is a senior production supervisor with McGraw Hill Education in the Professional Group celebrating twenty-eight years in May 2018. She started at John Wiley & Sons as a production supervisor and then moved to United Church of Christ working with specialty printing projects. She currently lives in Queens and is an avid movie goer, Crock-Pot cooker, and a gym rat.

Andrew Rosenau began his career in book publishing after graduating from Boston University, first with Bentley Publishers and later at Allyn & Bacon. He began selling for New England Book Components, covering the New England market, then expanding into Chicago and Washington, DC. He moved on to Arcata-Quebecor where he focused on trade and educational publishing. After over a decade, he joined Edwards Brothers Malloy as their northeast sales manager, in time becoming director of sales, East, and attaining an MBA at Northeastern University in 2009. After five years far afield, most notably in corporate business-to-business sales management at Staples, he returned to Edwards Brothers Malloy; he has since departed in favor of the Command Companies. He resides in Scituate, Massachusetts, with his wife and son where he is active in Bookbuilders of Boston, the Book Industry Guild of New York, and other professional and charitable organizations.

Kate E. Stephenson is a communications specialist, a title that encompasses writing, editing and indie publishing consulting. She founded KEMPS Consulting in 2006, a boutique communications firm, catering to dreamers and doers with something to say. With a focus on personalized service, she offers tailored solutions and custom processes to meet her clients’ specific needs. A lover of language, a creator of narratives, and a weaver of words, she likes wearing many hats. She grew up believing that anything is possible and that you can go anywhere in the world or your imagination through a book.

286 Judges’ Biographies

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9/10/18 12:16 PM

Audrey Walen

Shayna Webb Dray

Chava Wolin

Angela Zurlo

Audrey Walen has served as manager of publications at the American Federation of Arts (AFA), a nonprofit arts organization that originates and travels major museum exhibition internationally, since 2014. Recent projects have included Women Artists in Paris, 1850–1900 and Out of the Box: The Rise of Sneaker Culture. Prior to joining the AFA, she served as consultant, project manager, and editor to many national and international arts organizations. Her award-winning projects include Axis Mundo: Queer Networks in Chicano LA (PST/Delmonico, 2017); Marisol: Sculptures and Works on Paper (Memphis Brooks Museum of Art/Yale, 2014); ASCO: Elite of the Obscure (Williams College Museum of Art/Hatje Cantz, 2011); and Martha Wilson Sourcebook: 40 Years of Reconsidering Performance, Feminism, Alternative Spaces (ICI, 2011). She was art publications manager at the Hirshhorn Museum of Art from 2001 to 2004, and the founding editor of the Themes & Movements series with Phaidon Press, London.

Shayna Webb Dray is the executive director of operations at Kaplan Publishing and chair of the Book Industry Study Group (BISG)’s supply chain committee. A champion of continuous improvement, she is passionate about exploring new innovations in manufacturing and distribution, with a focus on creating high-quality learning products at Kaplan. Through her work on the supply chain committee, she aims to foster cross-industry collaboration and ongoing improvements throughout all facets of the publishing supply chain. This includes exploring new manufacturing and antipiracy technologies, as well as evaluating and leveraging new industry opportunities. She is dedicated to community service as a member of the New York Junior League, and is a winner of BISG’s 2016 Distinguished Service Award.

Chava Wolin has worked in children’s book production for over twenty years. She started her career at Blaze International Productions, a children’s book packager, where she learned the ins and outs of novelty books. In 1998 she moved to Simon & Schuster Children’s Division where she is currently a senior production manager supervising the BFYR and Paula Wiseman imprints. An avid book lover, she thoroughly enjoys working with her peers to create beautiful books while paying special attention to details to make each book unique. During her tenure at Simon & Schuster, she worked on The Spiderwick Chronicles by Tony DiTerlizzi, Derek Jeter’s middle grade novels, multiple series from bestseller Stu Gibbs, and, most recently, Hillary Clinton’s picture book, It Takes a Village. She lives with her husband and three children in New Jersey, and is currently reading all of the Harry Potter series aloud to her daughter and loving every moment.

Angela Zurlo fell into children’s production by chance, despite having little interest in children’s books or production. But it must have been divine intervention, because ten years later she still marvels over pretty text stock or the fabulous use of foil stamping. She devotes her skill and passion to HarperCollins Christian Publishing as assistant manager, working with Tommy Nelson and Zonderkidz. Previously, she bounced from Simon & Schuster to Workman Publishing and back, from reprints to first prints and back. Her repertoire includes everything from one-color novels to elaborately constructed pop-up books. She holds an MS in publishing from Pace University and is a former co-chair of the New York Book Show. When not creating or reading books, she is involved with her local parish, plays flute for the Montclair Gamer Symphony Orchestra, and definitely does not get lost hiking in the woods.

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Bo ok Show Corporate Sponsors

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SUPPORTER

Donation of $500

MAPLE PRESS

290 Book Show Corporate Sponsors

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THANK YOU

The Book Show Committee would like to acknowledge and thank the following companies without whose donation of services and materials the 2018 New York Book Show would not be possible:

Book Show Corporate Sponsors 291

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The 32nd Annual

the 32nd annual new york book show

A BOU T BIGNY

Presented by the Book Industry Guild of New York

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