G e n e ra l T rade Hardcover Fiction Hardcover Nonfiction Adult Graphic Novel Cookbook Poetry Quality Paperback Cover/Jacket Cover/Jacket Series
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FIRST
Hardcover Fiction
2 2018 New York Book Show
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The Night Ocean Paul La Farge
IMPRINT/PUBLISHER
TEXT STOCK
COVER/JACKET EFFECTS
Penguin Press, Penguin Random House
45# Glatfelter Offset Hi-Bulk B-18 400/1" PREPRESS/COMPOSITION
2/c jacket as PMS 7506U and black with no other effects
PUBLICATION DATE
Allentown Digital
CASE MATERIALS
03/07/17
PRINTING/BINDING
TRIM SIZE
LSC Communications
6⅛" x 9¼"
COVER/JACKET ART DIRECTION
PRODUCTION STAFF
Darren Haggar
John Sharp
COVER/JACKET DESIGN
TEXT ART DIRECTION
Will Staehle
Claire Vaccaro
COVER/JACKET PRINTING
TEXT DESIGN
Phoenix Color
Amanda Dewey
COVER/JACKET STOCK & FINISH
TYPEFACE
Dante MT, Neutraface
Three-piece case is 80# Rainbow Buff Handspun and 70# Rainbow Eclipse Antique, 900 metallic spine stamp and blind front, black headbands The jacket is both striking and inviting. The hardcover design complements the jacket and stands on its own merit. The typography and interior design makes it effortlessly readable; it’s beautiful.
80# Mohawk Via Felt Cool White with press varnish and gloss film lamination on reverse General Trade 3
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SECOND
Hardcover Fiction
4 2018 New York Book Show
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The Rise and Fall of D.O.D.O. Neal Stephenson and Nicole Galland
100
Neal Stephenson
and
Nicole Galland
the Rise and Fall of D.O.D.O.
“Fascinating,” said a very handsome fellow about my age, with dazzling green eyes and neat, close-cropped hair, who was standing over me and contemplating me with a grin. “If that’s what you were like when you got drunk in college, no wonder you don’t have a boyfriend.” “Give her a few moments,” I heard an older, softer male voice say. I knew that voice had a name attached to it—Yoda? No, Yoda was from Star Wars. Star Wars was on my mind because of R2-D2. And the fellow in front of me, I had seen him brushing his teeth before, so if he wasn’t my boyfriend maybe he was a brother I’d forgotten about. He began to laugh. “Stokes,” he said, “you’re saying all of that out loud. I wouldn’t speak until you feel like yourself. But hurry up with it!” He leaned closer and whispered into my ear, “We’ve got our witch vault. Let’s go get our witch.”
101
Jour nal Ent r y of
Rebecca East-Oda MAY 18
T
emperature about 64F, moist, no breeze. Barometer rising. Flowers and vegetables fending for themselves due to ODEC activity. To begin, this morning the new ODEC was “successful,” insofar as Tristan came out of it in the same state the cat once used to come out of the old ODEC. Melisande kept her head better than I did when I first saw the cat, but was clearly concerned. The following conversation, more or less: FRANK: I predict Tristan will be fine shortly. But I don’t think we
should allow anyone to go into the ODEC until we have figured out how to protect them from that effect. MEL: What is the effect? Why is it happening? FRANK: He is teetering on the edge of becoming non-local. MEL: Non-what? FRANK: His brain was suddenly not sure which precise reality
Diachronicle
it was operating in—and perhaps his body too. So much to discover still! (NB: sounding like an eager child. Sounding as if none of it happened thirty years ago.)
Day 294 (contd.)
In which we meet Erszebet. And then we meet Erszebet.
Five minutes pass TRISTAN (fully recovered): Why didn’t you take notes of what I said
the news to the Maxes and the Vladimirs that they had been working all this time on a project whose end goal was magic. He did this in the one remaining non-demolished office, so I didn’t have the satisfaction of seeing it happen. They seemed to me to be biting back amusement when
when I first came out?
FIR ST TR ISTA N H AD TO BR EAK
MEL: Trust me, you said absolutely nothing noteworthy. TRISTAN: That just sounds like your usual lip. I need
corroboration.
IMPRINT/PUBLISHER
TYPEFACES
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
William Morrow, HarperCollins Publishers
Joel Holland
06/13/17
Bembo Schoolbook, Filosofia, Opsmarckt, Baker Script, Carre Noir, Garamond, Festivo Letters no. 19, Bembo, Stencil, Pastonchi, Tekton, Chaparral Pro, Din Pro
TRIM SIZE
TEXT STOCK
Neenah Sundance Smooth Finish/Ultra
PUBLICATION DATE
6" x 9"
45# Norbrite Book Cream/White
PRODUCTION STAFF
PREPRESS/COMPOSITION
Aryana Hendrawan
Bonni Leon-Berman
TEXT ART DIRECTION
PRINTING/BINDING
Leah Carslon-Stanisic
LSC Communications
TEXT DESIGN
COVER/JACKET ART DIRECTION
Bonni Leon-Berman
Mumtaz Mustafa
ILLUSTRATOR/PHOTOGRAPHER
COVER/JACKET DESIGN
Joel Holland
Mumtaz Mustafa
COVER/JACKET PRINTING
Phoenix Color COVER/JACKET STOCK & FINISH
COVER/JACKET EFFECTS
Sculpture embossing CASE MATERIALS
Rainbow Eclipse Burnished Leather OTHER COMPONENTS
Endpapers are Rainbow Earth Handpsun Embossing Wonderful typography with clever opening art and screens. Jacket and case cover have a clean, compelling design as well as subtle embossing.
General Trade 5
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MERIT
Hardcover Fiction
6 2018 New York Book Show
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Little Fires Everywhere Celeste Ng
IMPRINT/PUBLISHER
TYPEFACES
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Penguin Press, Penguin Random House
Fournier MT Pro, Neutraface 2 Condensed
Amy Bennett
PUBLICATION DATE
TEXT STOCK
Phoenix Color
09/12/17
45# EarthChoice 400ppi
COVER/JACKET STOCK & FINISH
TRIM SIZE
PREPRESS/COMPOSITION
6" x 9"
Allentown Digital Composition
4/c on 80# C1S with soft-touch film lamination
PRODUCTION STAFF
PRINTING/BINDING
CASE MATERIALS
Bill Peabody
LSC Communications
TEXT ART DIRECTION
COVER/JACKET ART DIRECTION
Multicolor Nautilus, Multicolor Noir, B-36 copper foil
Claire Vaccaro
Darren Haggar
TEXT DESIGN
COVER/JACKET DESIGN
Lucia Bernard
Jaya Miceli
COVER/JACKET PRINTING
A nice overall package. The jacket is elegant and minimal; illustration on the title page is a particularly nice detail.
General Trade 7
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FIRST
Hardcover Nonfiction
8 2018 New York Book Show
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Mental Jaime Lowe
PART 2 — E P IS O D E 2
IMPRINT/PUBLISHER
TYPEFACES
COVER/JACKET PRINTING
Blue Rider Press, Penguin Random House
Janson Text LT Std, LunchBox
Phoenix Color
PUBLICATION DATE
TEXT STOCK
COVER/JACKET STOCK & FINISH
10/03/17
45# EarthChoice CW 400ppi
TRIM SIZE
PREPRESS/COMPOSITION
4/c 100# C1S, gritty matte UV over printable glueable stampable mylar
6" x 9"
Six Red Marbles
CASE MATERIALS
PRODUCTION STAFF
PRINTING/BINDING
Gloria Arminio
LSC Communications
TEXT ART DIRECTION
COVER/JACKET ART DIRECTION
Claire Vaccaro
Jason Booher
TEXT DESIGN
COVER/JACKET DESIGN
Marysarah Quinn
Ben Denzer
ILLUSTRATOR/PHOTOGRAPHER
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Jaime Lowe
Kathy Ryan
80# Rainbow Pink Buckram, 70# Multicolor Sour Cherry Pie Antique, SD700 dusted red foil The design is absolutely mental in the best way. From jacket, to cover, to interval laying, each element adds layers that brilliantly convey the subject matter. The upside-down text spine is the cherry on top.
General Trade 9
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SECOND
Hardcover Nonfiction
10 2018 New York Book Show
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Chuck Klosterman X Chuck Klosterman
IMPRINT/PUBLISHER
TEXT STOCK
COVER/JACKET STOCK & FINISH
Blue Rider Press, Penguin Random House
45# Norbrite Book Cream 400ppi
PUBLICATION DATE
PREPRESS/COMPOSITION
05/16/17
Six Red Marbles
Four hits of opaque white special mix, one hit PMS black on 80# Rainbow Black Antique with gloss film lamination on reverse
TRIM SIZE
PRINTING/BINDING
CASE MATERIALS
5½" x 8¼"
LSC Communications
PRODUCTION STAFF
COVER/JACKET ART DIRECTION
Gloria Arminio
Jason Booher
TEXT ART DIRECTION
COVER/JACKET DESIGN
Claire Vaccaro
Rachel Willey
TEXT DESIGN
COVER/JACKET PRINTING
Amanda Dewey
Phoenix Color
TYPEFACES
Adobe Garamond Pro, Helvetica
Rainbow Black Antique one-piece case with GP100 white pigment stamp on spine and blind stamp on front OTHER COMPONENTS
Black stain on text block This book is the overall package from a simple black and white matte cover to the stamped case and the staining of the edges. It’s an extraordinarily handsome book.
General Trade 11
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THIRD
Hardcover Nonfiction
12 2018 New York Book Show
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Origins of a Story Jake Grogan
PUBLISHER
TYPEFACES
COVER/JACKET PRINTING
Cider Mill Press Book Publishers
Quad/Graphics
PUBLICATION DATE
Garamond Premiere Pro, Policy Gothic HPLHS
10/17/17
TEXT STOCK
80# uncoated stock
TRIM SIZE
50# Domtar cream
COVER/JACKET EFFECTS
5" x 7⅜"
PREPRESS/COMPOSITION
Emboss
PRODUCTION STAFF
Quad/Graphics
CASE MATERIALS
Whalen Book Works, Michael Kwan
PRINTING/BINDING
80# C1S
TEXT ART DIRECTION
Quad/Graphics
Whalen Book Works
COVER/JACKET ART DIRECTION
TEXT DESIGN
Whalen Book Works
Debbie Berne
COVER/JACKET DESIGN
ILLUSTRATOR/PHOTOGRAPHER
Debbie Berne
COVER/JACKET STOCK & FINISH
This book is perfectly packaged. The printing and manufacturing are beautiful. The design and style are very clever and make you want to pick up this book.
Annalisa Sheldahl General Trade 13
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MERIT
Hardcover Nonfiction
14 2018 New York Book Show
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The Moth Presents All These Wonders Edited by Catherine Burns ii ALL THESE WONDERS
T H E
iii
A L L T H E S E WONDERS
M OT H
p r e s e n t s
T R U E
S T O R I E S T H E
ED I T ED
BY
A B O U T
F A C I N G
U N K N O W N
C AT H ER I N E
B U R N S
IMPRINT/PUBLISHER
TEXT DESIGN
COVER/JACKET DESIGN
Crown Archetype, Crown Publishing Group, Penguin Random House
Elina Nudelman
Jake Nicolella
TYPEFACES
COVER/JACKET PRINTING
PUBLICATION DATE
Gotham, Bembo
Coral Graphics
03/21/17
TEXT STOCK
COVER/JACKET STOCK & FINISH
TRIM SIZE
50# Glatfelter Antique 400ppi
5½" x 7⅝"
PREPRESS/COMPOSITION
80# Rainbow Antique White uncoated stock with press varnish
PRODUCTION STAFF
Berryville Graphics (Digital)
COVER/JACKET EFFECTS
Heather Williamson
PRINTING/BINDING
BE-19 gold foil
TEXT ART DIRECTION
Berryville Graphics
Elizabeth Rendfleisch
COVER/JACKET ART DIRECTION
Simple, but elegant—especially for the subject matter.
Chris Brand General Trade 15
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MERIT
Hardcover Nonfiction
16 2018 New York Book Show
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Heating & Cooling Beth Ann Fennelly
PUBLISHER
TEXT STOCK
COVER/JACKET STOCK & FINISH
W. W. Norton & Company, Inc.
50# Sebago cream 400ppi
100# C1S
PUBLICATION DATE
PREPRESS/COMPOSITION
COVER/JACKET EFFECTS
10/10/17
Joe Lops
5/c, matte UV over gloss mylar
TRIM SIZE
PRINTING/BINDING
CASE MATERIALS
4½" x 7¼"
Quad/Graphics
Multicolor
PRODUCTION STAFF
COVER/JACKET ART DIRECTION
Lauren Abbate
Ingsu Liu
TEXT ART DIRECTION
COVER/JACKET DESIGN
Lauren Abbate
Alex Merto
TEXT DESIGN
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Ellen Cipriano
Gregory Reid
TYPEFACES
COVER/JACKET PRINTING
Neutraface, New Caledonia LT Std
Coral Graphics
Great package for this book of micro-memories. The vibrant green and purple, as well as the spot gloss on the partially eaten Popsicle, are perfect for this title. The purple case peeking out from under the green jacket is a perfect touch.
General Trade 17
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MERIT
Hardcover Nonfiction
18 2018 New York Book Show
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Common Sense Thomas Paine
IMPRINT/PUBLISHER
ILLUSTRATOR/PHOTOGRAPHER
COVER/JACKET DESIGN
Morrow Gift, William Morrow, HarperCollins Publishers
Leah Carlson-Stanisic
Jeanne Reina
TYPEFACES
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
PUBLICATION DATE
Holly Empey
TRIM SIZE
Adobe Caslon, Alien Ornaments, Borders ITC, Columbus, Historical Fell Type Roman, ITC Zapf Dingbats
4⅝" x 6⅞"
TEXT STOCK
50# Offset Hi-Bulk
COVER/JACKET STOCK & FINISH
PRODUCTION STAFF
Susan Kosko
PREPRESS/COMPOSITION
TEXT ART DIRECTION
Leah Carlson-Stanisic
Leah Carlson-Stanisic
PRINTING/BINDING
TEXT DESIGN
Friesens
Leah Carlson-Stanisic
COVER/JACKET ART DIRECTION
06/06/17
Jeanne Reina
COVER/JACKET PRINTING
Friesens 4/c on 100# classic linen solar white COVER/JACKET EFFECTS
Varnish and debossing The book’s interesting trim size and its clever use of non-block text color and embossed cover make a big statement for a little book.
General Trade 19
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BES T IN C ATEGORY
FIRST/BEST IN CATEGORY
Adult Graphic Novel
20 2018 New York Book Show
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The Hunting Accident David Carlson and Landis Blair
IMPRINT/PUBLISHER
TEXT STOCK
COVER/JACKET STOCK & FINISH
First Second, Macmillan Publishers
125gsm Wibalin Finelinen White 500ppi
PUBLICATION DATE
120gsm Qiancheng Ivory Woodfree FSC-certified
09/19/17
PREPRESS/COMPOSITION
Spot gloss and embossing
TRIM SIZE
RR Donnelley Asia Printing Solutions
CASE MATERIALS
8" x 9"
PRINTING/BINDING
125gsm Wibalin Finelinen White 500ppi
PRODUCTION STAFF
RR Donnelley Asia Printing Solutions
OTHER COMPONENTS
Alexa Villanueva
COVER/JACKET ART DIRECTION
Printed ends, headbands, ribbon marker
TEXT ART DIRECTION
Andrew Arnold
Andrew Arnold
COVER/JACKET DESIGN
TEXT DESIGN
Andrew Arnold
Andrew Arnold
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
ILLUSTRATOR/PHOTOGRAPHER
Landis Blair
Landis Blair
COVER/JACKET PRINTING
TYPEFACE
RR Donnelley Asia Printing Solutions
COVER/JACKET EFFECTS
A truly inventive book with many special touches, including the detailed embossing on the cover, the playful use of spot gloss, a ribbon marker, and painstakingly intricate illustrations. The book is a breathtaking object to hold.
Arial Black General Trade 21
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SECOND
Adult Graphic Novel
22 2018 New York Book Show
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Imagine Wanting Only This Kristen Radtke
Some nights I pul led u p the hem of my clothes and clawed at my ski n, searching for signs that I was becoming one.
Iowa was a place I began leaving constantly to seek out and crawl through gutted mining towns and looted industrial buildings, bombed-out barracks and contaminated environmental zones in countries whose languages I couldn’t speak, places that excrete warnings of the wars and quakes and depressions they’ve witnessed.
Native Iowans told me about the dangers of al l the state’s rivers, the flat and modified land that flooded a year before I arrived and formed lakes, roof peaks jutting from the surface like coastal boulders and forming currents across roads, the moldy basements when the water drained the closest thing they had to ruins.
I watched the river out my window, and I wil led the stagnant water to prove it.
110
111
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IMPRINT/PUBLISHER
TEXT STOCK
COVER/JACKET STOCK & FINISH
Pantheon Books, Knopf Doubleday Publishing Group, Penguin Random House
120gsm UPM woodfree paper
128gsm gloss
PREPRESS/COMPOSITION
COVER/JACKET EFFECTS
PUBLICATION DATE
North Market Street Graphics
Matte UV with spot gloss
04/18/17
PRINTING/BINDING
CASE MATERIALS
TRIM SIZE
Toppan Leefung
7" x 9"
COVER/JACKET ART DIRECTION
4/c preprinted case on 128gsm artpaper, matte UV with spot gloss
PRODUCTION STAFF
Oliver Munday
OTHER COMPONENTS
Andy Hughes
COVER/JACKET DESIGN
TEXT ART DIRECTION
Oliver Munday
Printed ends on 140gsm Gold Woodfree FSC-certified
Kristen Radtke
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
TEXT DESIGN
Kristen Radtke
Kristen Radtke
COVER/JACKET PRINTING
ILLUSTRATOR/PHOTOGRAPHER
Toppan Leefung
The design and printing add to the beautiful illustrations and are evident throughout this package.
Kristen Radtke General Trade 23
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MERIT
Adult Graphic Novel
24 2018 New York Book Show
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Tenements, Towers & Trash Julia Wertz
TJ23-6-2017 IMUS 7/LOX5455 Tenements, Towers and Trash W:9”xH:12” 150L 140gsm Gold Sun W/F Magenta
60
Black
60
61
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TJ23-6-2017 IMUS 7/LOX5455 Tenements, Towers and Trash W:9”xH:12” 150L 140gsm Gold Sun W/F Magenta
Black
61
IMPRINT/PUBLISHER
TYPEFACE
COVER/JACKET PRINTING
Black Dog & Leventhal, Hachette Book Group
Festivo Letters no. 14
Imago
TEXT STOCK
COVER/JACKET STOCK & FINISH
PUBLICATION DATE
10/03/17
140gsm Golden Sun Uncoated Woodfree FSC-certified
128gsm ChenMing Glossy FSC-certified art paper
TRIM SIZE
PREPRESS/COMPOSITION
COVER/JACKET EFFECTS
9" x 12"
Imago
Matte film lamination
PRODUCTION STAFF
PRINTING/BINDING
CASE MATERIALS
Lillian Sun
Imago
3.0mm boards
TEXT ART DIRECTION
COVER/JACKET ART DIRECTION
Ohioboy Art & Design
Amanda Kain
TEXT DESIGN
COVER/JACKET DESIGN
Ohioboy Art & Design
Amanda Kain
ILLUSTRATOR/PHOTOGRAPHER
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Julie Wertz
Julie Wertz
Beautiful illustrations with fun pops of color on the cover.
General Trade 25
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FIRST
Cookbook
26 2018 New York Book Show
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Breaking Bread Martin Philip
IMPRINT/PUBLISHER
TYPEFACE
COVER/JACKET PRINTING
Harper Wave, HarperCollins Publishers
Phoenix Color
PUBLICATION DATE
Archer, Festivo Letters, Historical Fell Type Roman, Ringside, Scala
10/31/17
TEXT STOCK
Printed case on 100# C1S
TRIM SIZE
80# Finch Opaque White 334ppi
COVER/JACKET EFFECTS
7⅜" x 9⅛"
PREPRESS/COMPOSITION
Gritty matte with spot gloss
PRODUCTION STAFF
Impressive Printing, Leah Carlson-Stanisic
CASE MATERIALS
Diana Meunier
PRINTING/BINDING
TEXT ART DIRECTION
LSC Communications
Leah Carlson-Stanisic
COVER/JACKET ART DIRECTION
TEXT DESIGN
Milan Bozic
Leah Carlson-Stanisic
COVER/JACKET DESIGN
ILLUSTRATOR/PHOTOGRAPHER
Milan Bozic
Illustrations by Martin Philip, photography by Julia A. Reed
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
COVER/JACKET STOCK & FINISH
Preprinted case wrap is 85# pasted oak boards The production values are terrific and every page is designed to celebrate its topic. The use of color from toasty-shaded type to wheat-hued headbands stands out.
Julia A. Reed General Trade 27
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SECOND
Cookbook
28 2018 New York Book Show
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Kristen Kish Cooking Kristen Kish and Meredith Erickson
IMPRINT/PUBLISHER
TYPEFACES
COVER/JACKET PRINTING
Clarkson Potter, Crown Publishing Group, Penguin Random House
Brandon Text, Fournier MT Std, Steagal
C & C Offset Printing Co., Ltd.
PUBLICATION DATE
TEXT STOCK
10/31/17
140gsm matte
157gsm glossy art stock with matte lamination
TRIM SIZE
PREPRESS/COMPOSITION
COVER/JACKET EFFECTS
77⁄16" x 11"
Kim Tyner and Merri Ann Morrell
Spot gloss UV
PRODUCTION STAFF
PRINTING/BINDING
CASE MATERIALS
Kim Tyner
C & C Offset Printing Co., Ltd.
128gsm gloss and debossing
TEXT ART DIRECTION
COVER/JACKET ART DIRECTION
Marysarah Quinn
Marysarah Quinn
TEXT DESIGN
COVER/JACKET DESIGN
Marysarah Quinn
Marysarah Quinn
ILLUSTRATOR/PHOTOGRAPHER
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Kristin Teig
Kristin Teig
COVER/JACKET STOCK & FINISH
Every detail of this book was extraordinarily thought out. It has a calming feel, but what really stands out is the exquisite fish tail on the case.
General Trade 29
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THIRD
Cookbook
30 2018 New York Book Show
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wd~50 Wylie Dufresne and Peter Meehan
COLD FRIED CHICKEN, BUT TER MILK “RICOT TA,” TABASCO, CAVIAR Cold fried chicken is right up there with cold pizza on my list of favorite leftovers. I think it’s as good as hot fried chicken. Jon Bignelli, a longtime part of the wd~50 kitchen, came up with the idea for a cold fried chicken course. One frustrating thing about cold fried chicken is how the meat reacquaints itself with the bone and becomes difficult to separate, so we took the bone out. And we maximized the pleasure of the dish by making our fried chicken out of all thigh meat. We cooked large terrines of it sous vide, cut them into bars, and breaded and fried them just before service. Then we threw the chicken in the freezer to chill it quickly, so diners would get cold fried chicken that was still moist (because even the best fried chicken in the world dries out a little in the fridge overnight). When we were staring at the almost-finished plate—chicken, Tabasco sauce, ricotta—I realized that caviar could make it a fun high-brow, low-brow dish.
S E RV E S 6
6 batons Cold Fried Chicken (page 228)
12 pieces Crispy Chicken Skin (page 229)
70 grams Tabasco Fluid Gel (page 229)
75 grams hackleback caviar
225 grams Buttermilk “Ricotta”
12 chervil sprigs
(page 228)
1.
For each serving, cut a piece of fried, chilled chicken in half and place the halves
end-to-end (as though they’re hinged) on a plate. Pipe 3 dots of Tabasco fluid gel around the chicken.
2. In a saucepan, stir the “ricotta” over medium heat to warm through. Place 3 spoonfuls around the chicken. Place a quenelle of caviar, about the size of a demitasse, over 1 pile of ricotta. Finish with 2 pieces of chicken skin and sprigs of chervil.
226
WD~50
M E AT
227
IMPRINT/PUBLISHER
TYPEFACES
COVER/JACKET PRINTING
Anthony Bourdain/Ecco, HarperCollins Publishers
Galano Classic, Futura Std
Imago
TEXT STOCK
COVER/JACKET STOCK & FINISH
PUBLICATION DATE
130gsm blue/white matte
10/17/17
PREPRESS/COMPOSITION
128gsm Rainbow 500ppi art paper with gloss lamination
TRIM SIZE
Impressive Printing
COVER/JACKET EFFECTS
9⅜" x 11⅜"
PRINTING/BINDING
Prints 6/c
PRODUCTION STAFF
Imago
CASE MATERIALS
Michael Siebert
COVER/JACKET ART DIRECTION
Die-cut buckram slipcase with 3mm board
TEXT ART DIRECTION
Sara Wood
OTHER COMPONENTS
Suet Yee Chong
COVER/JACKET DESIGN
Smyth-sewn binding
TEXT DESIGN
Sara Wood
Suet Yee Chong
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
ILLUSTRATOR/PHOTOGRAPHER
Eric Medsker
Eric Medsker
A magnificent work of design, production, and printing. The slipcase and die-cut alone make this book a keepsake. The photography pops on this masterly created book.
General Trade 31
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MERIT
Cookbook
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The Grand Central Market Cookbook Adele Yellin and Kevin West
COVER/JACKET STOCK & FINISH
PUBLICATION DATE
Numbers Prospect, Round Mountain WF, Calibre, Liberator, Esq. Seri Wood, Knockout HTF67, League Gothic, Lunar Orbiter, Condensed Egyptian Letters
10/03/17
TEXT STOCK
128gsm matte
CASE MATERIALS
TRIM SIZE
77⁄16" x 10"
PREPRESS/COMPOSITION
PRODUCTION STAFF
Philip Leung, Alexandria Martinez
Philip Leung
PRINTING/BINDING
TEXT ART DIRECTION
C & C Offset Printing Co., Ltd.
Stephanie Huntwork and Marysarah Quinn
COVER/JACKET ART DIRECTION
TEXT DESIGN
Stephanie Huntwork, Marysarah Quinn
Laura Palese
COVER/JACKET DESIGN
ILLUSTRATOR/PHOTOGRAPHER
Laura Palese
IMPRINT/PUBLISHER
Clarkson Potter, Crown Publishing Group, Penguin Random House
Illustrations by Ludlow Kingsley, photography by Johnny Autry TYPEFACES
Graveness WF, Letter Gothic, Warehouse, Agincourt, MercuryTextG1,
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Illustrations by Oilcloth International, photography by Johnny Autry
128gsm art stock with gloss film lamination COVER/JACKET EFFECTS
Grain embossing 3.00mm boards OTHER COMPONENTS
Endpapers print K, PMS 186 V, PMS process blue U on 140gsm white woodfree with A1175 yellow and red headbands; hand lettering by Laura Palese From the cover through every page, the design captures the electric energy of a bustling market. The recipes are presented in a usable format, but this is far from an ordinary cookbook. The eclectic typography and use of color creates a hip, engaging package.
COVER/JACKET PRINTING
C & C Offset Printing Co., Ltd. General Trade 33
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MERIT
Cookbook
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Egg Shop Nick Korbee 17 HAM AND EGG SANDWICHES— OR, LOSING BETS AND HAVING TO MAKE A LOT OF SANDWICHES One day after a very long lunch service the staff was “unwinding” at the local. A friendly debate began regarding which menu item had been the most popular the previous month. We went back and forth between the Avo Egg, the B.E.C., and the El Camino. Unwinding, as we tend to do it, usually results in placing bets on nonsensical and harmless things.
6. HAMBLIN' MAN: sweet corn pudding, fried bologna, fried egg
7. GOING HAM: a double- decker biscuit of chickenfried ham and ham-fried chicken, with sunny- ups
8. HAM RADIO: 4 hams from across the globe, buttered toast, fried egg
9. HAMDLEBAR MUSTACHE: house- smoked honey ham, house- made beer mustard, house- made pickles, house- made egg bread, super- local peasant cheese, and Sriracha
10. DER HAMMEISTER: Bavarian beer cheese, caraway pickled onions, Black Forest ham, Hamburg hot mustard, and a fried egg on a pretzel roll
11. BOURBON BOY: Benton’s country ham, stone- ground grits, and fried egg on a jalapeñocheddar biscuit with jalapeño jelly and sorghum on the side
12. WILL.I.HAM: black- eyed pea hummus, Ferguson ham, herb mustard, egg over hard on a biscuit
13. HAMSON AND DELILAH: hummus, sliced hardboiled egg, turkey ham, and fattoush on pita
14. HAMBLE ON ROSE: spicy rose hip jelly, fried egg, and Canadian bacon on San Francisco sourdough
At the time, Sarah Schneider (Egg Shop Founder) was particularly interested in ham and egg sandwiches and organizing a tasting for possible new menu items. I was most interested in being right about the bet, as I was fully convinced I would emerge victorious. I was so confident I asked Sarah to pick a number between 1 and 20. She picked 17, a bold move. I was hoping for a number under 10. But, unwinding as we were, the bet proceeded and the stakes were named. If Sarah was correct regarding which item had been the most popular, I would be obligated to create and prepare a tasting of 17 variations of the ham and egg sandwich. I did not emerge victorious. What follows is my creative exercise, a visual guide in miniature to those 17 sandwiches, with recipes for 3 of our favorites following. Cheers!
1. CUBANO CON HUEVO: a Cuban sandwich with a fried egg
3. EASTERWICH: Ginger honey ham and red- eye gravy 132 on E G sourdough G S H O P with asparagus
2. HAMAGATCHI: hand roll with wasabi tobiko, avocado, diced ginger ham, tamago, and quail egg
4. GREEN EGGS AND HAM: pesto, double- cream ricotta, prosciutto crudo, pizza bianca
5. HAM MADAME: a croque madame– style toad in a hole
15. I HAM WHO I HAM: a triple- decker white bread and country ham stairway to ham heaven, with kale frittata caught in the middle
16. I HAM WHAT I HAM: ham steak with creamed spinach spread and shaved green bean slaw on a sesame seed kaiser roll, with olive oil on the side
17. HOLIDAY IN WAIKIKI: grilled pickled pineapple, sunny- up, fried ham, pan con tomate
IMPRINT/PUBLISHER
TYPEFACES
COVER/JACKET PRINTING
William Morrow, HarperCollins Publishers
Flama Condensed, Univers LT Std
Phoenix Color
PUBLICATION DATE
TEXT STOCK
COVER/JACKET STOCK & FINISH
03/21/17
Lynx Opaque White, uncoated
100# C1S with matte film lamination
TRIM SIZE
PREPRESS/COMPOSITION
CASE MATERIALS
8" x 10"
Impressive Printing
Preprinted case
PRODUCTION STAFF
PRINTING/BINDING
Anna Brower
Quad/Graphics
TEXT ART DIRECTION
COVER/JACKET ART DIRECTION
Suet Yee Chong
Mumtaz Mustafa
TEXT DESIGN
COVER/JACKET DESIGN
Suet Yee Chong
Mumtaz Mustafa
ILLUSTRATOR/PHOTOGRAPHER
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
David Malosh
LMNOP Creative
Beautiful choice of type and playful photography are complemented by the mint green palette throughout. The whimsical endpapers and yellow and white striped headbands are a nice touch.
General Trade 35
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FIRST
Poetry
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We’re All Going to Die Stefan Hunt
“I mean, what if I quit my day job
I could drown in the rapids of failure
and dived into my wildest dreams?
and float in regret downstream.”
job: 走向光明 内文 p20 170718 gen
job: 走向光明 内文 p21 170718 gen
PUBLISHER
ILLUSTRATOR/PHOTOGRAPHER
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Inspire Good Publishing
Stefan Hunt
Stefan Hunt
PUBLICATION DATE
TEXT STOCK
COVER/JACKET PRINTING
11/17/17
160gsm Golden Sun Woodfree
Asia Pacific Offset
TRIM SIZE
PREPRESS/COMPOSITION
CASE MATERIALS
7" x 9"
Asia Pacific Offset
Brillianta cloth with silkscreen
PRODUCTION STAFF
PRINTING/BINDING
Adam Benton
Asia Pacific Offset
TEXT ART DIRECTION
COVER/JACKET ART DIRECTION
Matthew Pike
Matthew Pike
TEXT DESIGN
COVER/JACKET DESIGN
Matthew Pike
Matthew Pike
From start to finish, this book is a great example of a well-thought-out design. It has a clever use of endpapers with gorgeous saturated colors throughout.
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MERIT
Poetry
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Love in the Last Days D. Nurkse
IMPRINT/PUBLISHER
TYPEFACE
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Alfred A. Knopf, Knopf Doubleday Publishing Group, Penguin Random House
Fairfield
Johann Friedrich Hennings
TEXT STOCK
COVER/JACKET PRINTING
PUBLICATION DATE
60# Glatfelter 330ppi
Coral Graphics
09/12/17
PREPRESS/COMPOSITION
COVER/JACKET STOCK & FINISH
TRIM SIZE
North Market Street Graphics
100# C1S
7" x 9⅛"
PRINTING/BINDING
COVER/JACKET EFFECTS
PRODUCTION STAFF
Thomson-Shore
Matte film with debossing
Peggy Samedi
COVER/JACKET ART DIRECTION
CASE MATERIALS
TEXT ART DIRECTION
Carol Carson
Rainbow Maroon with gold foil
Peter Andersen
COVER/JACKET DESIGN
TEXT DESIGN
Kelly Blair
Michael Collica
Classic use of typography, lovely paper, and clean design with good use of white space.
General Trade 39
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FIRST
Quality Paperback
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WWE Book of Rules (and How to Break Them)
IMPRINT/PUBLISHER
PREPRESS/COMPOSITION
COVER/JACKET EFFECTS
Media Lab Books, Macmillan Publishers
1010 Printing International Ltd.
PUBLICATION DATE
PRINTING/BINDING
02/28/17
1010 Printing International Ltd.
Closed with string around double eyelet on C1S (practical effect missing from design image)
TRIM SIZE
COVER/JACKET ART DIRECTION
CASE MATERIALS
5½" x 8"
Jeff Ashworth
Limp bound with exposed thread binding
PRODUCTION STAFF
COVER/JACKET DESIGN
OTHER COMPONENTS
Nancy Puskuldjian
Nick Harran
TEXT ART DIRECTION
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Jeff Ashworth
Nick Harran
TEXT DESIGN
COVER/JACKET PRINTING
Nick Harran
1010 Printing International Ltd.
ILLUSTRATOR/PHOTOGRAPHER
COVER/JACKET STOCK & FINISH
Nick Harran
300gsm with overall matte lamination
Eight interior pages with die-cut pattern designed to look as if the pages have been torn out by a disgruntled wrestler The design and package of this title is unique. When seeing this book on a shelf, it draws you in to open it and see what is inside. The drawings and production are amazing—a book that is definitely a winner.
TEXT STOCK
140gsm uncoated woodfree General Trade 41
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SECOND
Quality Paperback
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The Nocturnal Journal Lee Crutchley
IMPRINT/PUBLISHER
TYPEFACES
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
TarcherPerigee, Penguin Random House
Lee Crutchley
PUBLICATION DATE
Lee Crutchley Handwriting Regular, Helvetica
09/05/17
TEXT STOCK
Phoenix Color
TRIM SIZE
#60 Husky Offset Smooth
COVER/JACKET STOCK & FINISH
5½" x 7½"
PREPRESS/COMPOSITION
10pt C1S with soft-touch layflat lamination
PRODUCTION STAFF
Sabrina Bowers
COVER/JACKET EFFECTS
Ryan Benitez, Phil Wilentz
PRINTING/BINDING
TEXT ART DIRECTION
LSC Communications
Four flat colors and glow-in-the-dark spot UV
Sabrina Bowers
COVER/JACKET ART DIRECTION
OTHER COMPONENTS
TEXT DESIGN
Jess Morphew
Lee Crutchley
COVER/JACKET DESIGN
2/c interior with Pantone 109U (yellow) and Pantone 2757U (midnight blue).
ILLUSTRATOR/PHOTOGRAPHER
Lee Crutchley
Lee Crutchley
COVER/JACKET PRINTING
The use of two color makes this a rich, beautiful package from cover to the spreads.
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FIRST
Hardcover Fiction Cover/Jacket
The Talented Ribkins Ladee Hubbard PUBLISHER
Melville House PUBLICATION DATE
08/08/17 TRIM SIZE
6⅛" x 9¼" PRODUCTION STAFF
Susan Rella COVER/JACKET ART DIRECTION
Marina Drukman COVER/JACKET DESIGN
Marina Drukman COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Marina Drukman COVER/JACKET PRINTING
Phoenix Color COVER/JACKET STOCK & FINISH
100# C1S with gritty matte UV finish OTHER COMPONENTS
Lustrofoil S14 gold foil stamp The design evokes the spirit of this tale. The use of typography and illustrations is well thought out and fun from the cover to flaps; it tells the story well.
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SECOND
Hardcover Fiction Cover/Jacket USA $26.99 / CANADA $33.50
Hiddensee Beloved New York Times bestselling Gregory Maguire
PUBLICATION DATE
10/31/17aving brought his legions of devoted
(K PLATE CHANGE ONLY WITH 1421990)
author Gregory Maguire twins an origin legend of the famous Nutcracker with the life of Drosselmeier, IMPRINT/PUBLISHER the toy maker who carves him William Morrow, HarperCollins Publishers
readers to Oz in Wicked and to Wonderland in After Alice, Maguire now takes 6⅛" x 9¼" us to the realms of the Brothers Grimm and PRODUCTION STAFF E. T. A. Hoffmann—the enchanted Black Forest Aryana Hendrawan of Bavaria and the salons of Munich. Hiddensee COVER/JACKET ART DIRECTION imagines the backstory of the Nutcracker, revealRichard Aquan ing how this entrancing creature came to be carved and howDESIGN he guided an ailing girl named COVER/JACKET KlaraMcKowen through a dreamy paradise on a Christmas Scott Eve. At the heart of Hoffmann’s mysterious tale COVER/JACKET ILLUSTRATION/PHOTOGRAPHY hovers Godfather Drosselmeier—the ominous, Scott McKowen canny, one-eyed toy maker made immortal by COVER/JACKET PRINTING Petipa and Tchaikovsky’s ballet—who prePhoenix sents theColor once and future Nutcracker to Klara, COVER/JACKET his goddaughter.STOCK & FINISH 80# Mohawk Via isSmooth White But Hiddensee not justBright a retelling of awith press varnish classic story. Maguire discovers in the flowering of German Romanticism COVER/JACKET EFFECTS a migrating strain of DieHellenic cut mystery-cult and ponders a profound question: How can a person who is abused by life,binding shortchanged nevertheless Clever conceptand withchallenged, die-cut jacket, revealing a perfectly access secrets that benefit the disadvantaged framed walnut underneath. The typography and illustration on and powerless? Ultimately, Hiddensee offers the jacket work together harmoniously—a beautiful apackage. message of hope. If the compromised Godfather Drosselmeier can bring an enchanted Nutcracker to a young girl in distress on a dark winter evening, perhaps everyone, however lonely or marginalized, has something precious to share. TRIM SIZE
PHX 1421992 09/06/17 YELO MAG CYAN BLACK
o s W
1017
General Trade 45
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THIRD
Hardcover Fiction Cover/Jacket
The Burning Girl Claire Messud PUBLISHER
W. W. Norton & Company, Inc. PUBLICATION DATE
08/29/17 TRIM SIZE
5⅝" x 8½" PRODUCTION STAFF
Anna Oler COVER/JACKET ART DIRECTION
Ingsu Liu COVER/JACKET DESIGN
Peter Mendelsund COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Peter Mendelsund COVER/JACKET PRINTING
Phoenix Color COVER/JACKET STOCK & FINISH
100# C1S COVER/JACKET EFFECTS
Glossy mylar and gritty matte UV Clever design matched with film lamination creates a beautiful effect. All design elements create a cohesive clean, appropriate, and evocative presentation.
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MERIT
Hardcover Fiction Cover/Jacket
Author of Snow Flower and the Secret Fan
IMPRINT/PUBLISHER
Scribner, Simon & Schuster PUBLICATION DATE
03/21/17 TRIM SIZE
6" x 9" PRODUCTION STAFF
F O PRO
Olga Leonardo
COVER/JACKET ART DIRECTION
Phoenix Color
COVER/JACKET DESIGN
Phoenix Color
A NOVEL
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Jaya Miceli
COVER/JACKET PRINTING
Phoenix Color COVER/JACKET STOCK & FINISH
100# C1S with soft-touch film lamination and lithofoil
LISA SEE
The colors, lamination, and design of this jacket are beautifully portrayed and expressed.
PHX #1388960 12/16/16 CYAN MAG YELO BLK
THE TEA GIRL OF HUMMINGBIRD LANE
LISA SEE
The Tea Girl of Hummingbird Lane Lisa See
SCRIBNER
General Trade 47
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MERIT
Hardcover Fiction Cover/Jacket
The History of Bees Maja Lunde
U.S. $26.00 Can. $35.00
IMPRINT/PUBLISHER cccccecspicicccccScccccccEccvcccccccNcvcccLccc
Touchstone, Simon & Schuster cccGccccccczzlicgccccccmbiciccsclicecccyc
cebccccbccccccecccceccccccccplcceccccccccec PUBLICATION DATE wcclc-ccccgicgcpccecciclcccceccccccmily 08/22/17
TRIM SIZE
E N G L A N D , 1 8 5 2 : On the edge of self-
6" x 9" destruction, William is a biologist who has PRODUCTION STAFF chosen the mundane life of a seed merchant
Jim Thiel over higher callings of science and discovery. Yearning forART the DIRECTION attention and approval of his COVER/JACKET eldest son, he sets out to build a new type of Phoenix Color beehive—one that will give both him and his
COVER/JACKET DESIGN
descendants honor and fame.
Phoenix Color U N I T E D S TAT E S ,
2 0 07 : George, a bee-
COVER/JACKET ILLUSTRATION/PHOTOGRAPHY keeper in rural Ohio, has proudly preserved generation PRINTING to the next, even as he fights an COVER/JACKET uphill battle Phoenix Color
against modern farming. He
hopes that his stubborn and rebellious son
COVER/JACKET STOCK & FINISH
will be their bee farm’s salvation, but as
100# C1S
rumors of mysterious bee disappearances
COVER/JACKET EFFECTS spread throughout the country, George fears
Embossing with foil stamping losing his livelihood, his family, and the only future he knows how to create.
ArtfullyCdesigned, use of foil andeach stamping. H I N A , 2interesting 0 9 8 : For twelve hours day, Tao and countless fellow workers hand-paint pollen onto fruit trees now that the bees have long since disappeared. She thinks only of giving her son a better future, but when he is
PHX #1412898 06/29/17 CYAN MAG YELO BLK
Cherlynne Li traditions passed down from one the family
taken away by the authorities after a tragic accident, she sets out from her small village on a grueling journey to Beijing to learn his fate—no matter the cost. (continued on back flap)
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FIRST
Hardcover Nonfiction Cover/Jacket
Everything I Need to Know I Learned in the Twilight Zone Mark Dawidziak IMPRINT/PUBLISHER
Thomas Dunne Books, Macmillan Publishers PUBLICATION DATE
02/28/17 TRIM SIZE
6¼" x 9½" PRODUCTION STAFF
Eric Gladstone COVER/JACKET ART DIRECTION
Rob Grom COVER/JACKET DESIGN
Rob Grom COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Philip Pascuzzo COVER/JACKET PRINTING
Coral Graphics COVER/JACKET STOCK & FINISH
Soft-touch matte lamination COVER/JACKET EFFECTS
Metallic 8642 C ink Eye-catching throwback design reminiscent of ’50s toy marketing. Great use of two-color printing and lots of fun details make this cover engaging.
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SECOND
Hardcover Nonfiction Cover/Jacket
The Color of Law Richard Rothstein IMPRINT/PUBLISHER
Liveright, W. W. Norton & Company, Inc. PUBLICATION DATE
05/02/17 TRIM SIZE
6¼" x 9½" PRODUCTION STAFF
Anna Oler COVER/JACKET ART DIRECTION
Steve Attardo COVER/JACKET DESIGN
Steve Attardo COVER/JACKET PRINTING
Phoenix Color COVER/JACKET STOCK & FINISH
100# Mohawk Via Felt The map imagery and the key have immediate visual interest. At closer inspection, the cover has both visual and tactile texture. The cover has immediate allure and upon reading the title the viewer has an AHA moment. It is a cohesive and creative presentation.
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THIRD
Hardcover Nonfiction Cover/Jacket
Being Elvis Ray Connolly IMPRINT/PUBLISHER
Liveright, W. W. Norton & Company, Inc. PUBLICATION DATE
03/21/17 TRIM SIZE
6¼" x 9½" PRODUCTION STAFF
Anna Oler COVER/JACKET ART DIRECTION
Steve Attardo COVER/JACKET DESIGN
Steve Attardo COVER/JACKET PRINTING
Coral Graphics COVER/JACKET STOCK & FINISH
80# Mohawk Via Felt COVER/JACKET EFFECTS
Gold foil We thought it was brilliant to just have a beautiful photo of Elvis on the cover with absolutely no typography. The entire jacket from flaps to back ad is well designed with a fantastic finish.
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MERIT
Hardcover Nonfiction Cover/Jacket
Manly Health and Training Walt Whitman PUBLISHER
Regan Arts PUBLICATION DATE
02/07/17 TRIM SIZE
5⅝" x 8" PRODUCTION STAFF
Kurt Andrews COVER/JACKET ART DIRECTION
Richard Ljoenes COVER/JACKET DESIGN
Richard Ljoenes COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Morgan Library & Museum, Library of Congress, the Morning Appeal, Wm. Clement, Ward B. Snyder’s Catalogue of Gymnasium Goods, Dana Estes, Shutterstock COVER/JACKET PRINTING
Coral Graphics COVER/JACKET STOCK & FINISH
80# Tomahawk, blue-white shade with press varnish Integrating the nineteenth-century-newspaper design and archival material with new design elements is very effective. Background color is playful and textured laminate adds interest.
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MERIT
Hardcover Nonfiction Cover/Jacket
Becoming Leonardo Mike Lankford PUBLISHER
Melville House PUBLICATION DATE
03/28/17 TRIM SIZE
5¾" x 8½" PRODUCTION STAFF
Susan Rella COVER/JACKET ART DIRECTION
Marina Drukman COVER/JACKET DESIGN
Marina Drukman COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Glasshouse Images, Alamy COVER/JACKET PRINTING
Phoenix Color COVER/JACKET STOCK & FINISH
80# Mohawk Via Felt COVER/JACKET EFFECTS
Press varnish OTHER COMPONENTS
Lustrofoil GP100 foil stamping Jacket is brilliantly designed and colors used reflect fleeing of the title. The typography is elegant and creative.
General Trade 53
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MERIT
Cookbook Cover/Jacket
The Science of Cooking Stuart Farrimond IMPRINT/PUBLISHER
DK, Penguin Random House PUBLICATION DATE
09/19/17 TRIM SIZE
8½" x 10" PRODUCTION STAFF
Tony Phipps, Luca Bazzoli COVER/JACKET ART DIRECTION
Maxine Pedliham COVER/JACKET DESIGN
Steven Marsden COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY
Will Heap, William Reavell COVER/JACKET PRINTING
RR Donnelley Asia Printing Solutions COVER/JACKET STOCK & FINISH
130gsm FSC-certified glossy art paper with matte lamination COVER/JACKET EFFECTS
Spot gloss UV with embossing and color printing over silver metallic foil Thoughtful production. The knife with stamped title is interesting.
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FIRST
Poetry Cover/Jacket
The Odyssey Homer, translated by Emily Wilson PUBLISHER
W. W. Norton & Company, Inc. PUBLICATION DATE
11/07/17 TRIM SIZE
6⅛" x 9¼" PRODUCTION STAFF
Julia Druskin COVER/JACKET ART DIRECTION
Francine Kass COVER/JACKET DESIGN
Chin-Yee Lai COVER/JACKET PRINTING
Quad/Graphics COVER/JACKET STOCK & FINISH
100# C1S COVER/JACKET EFFECTS
CMYK over foil Beautiful use of gold and blue foil, particularly in the details of the illustration.
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FIRST
Quality Paperback Cover/Jacket
Three Floors Up Eshkol Nevo, translated by Sondra Silverston PUBLISHER
Other Press PUBLICATION DATE
10/10/17 TRIM SIZE
5½" x 8¼" PRODUCTION STAFF
Iisha Stevens, Yvonne Cárdenas COVER/JACKET ART DIRECTION
Jon Gray, gray318 COVER/JACKET DESIGN
Jon Gray, gray318 COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Jon Gray, gray318 COVER/JACKET PRINTING
Coral Graphics COVER/JACKET STOCK & FINISH
10pt C1S with matte film lamination Effective typography with striking color choices. All the individual parts are thoughtfully designed to intrigue. The visual cues made us love this cover.
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SECOND
Quality Paperback Cover/Jacket
I Love You, Sign Here Sarah Pierson and Roy Pierson IMPRINT/PUBLISHER
Regan Arts PUBLICATION DATE
11/14/17 TRIM SIZE
5½" x 8¼" PRODUCTION STAFF
Lynne Ciccaglione COVER/JACKET ART DIRECTION
Richard Ljoenes COVER/JACKET DESIGN
Richard Ljoenes COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Dreamstime, iStockPhoto, Shutterstock, Depositphotos COVER/JACKET PRINTING
Phoenix Color COVER/JACKET STOCK & FINISH
10pt C1S with gritty matte UV A great use of simple color. A perfectly suited design treatment for the subject matter.
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THIRD
Quality Paperback Cover/Jacket
The Mirror Thief Martin Seay PUBLISHER
Melville House PUBLICATION DATE
04/11/17 TRIM SIZE
5½" x 8¼" PRODUCTION STAFF
Susan Rella COVER/JACKET ART DIRECTION
Marina Drukman COVER/JACKET DESIGN
Marina Drukman COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
René Milot COVER/JACKET PRINTING
Phoenix Color COVER/JACKET STOCK & FINISH
80# Mohawk Via Felt Cool White COVER/JACKET EFFECTS
Press varnish The mirror effect is immediately apparent in the design. The reflection draws the eye. It is a striking cover in its simplicity.
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MERIT
Quality Paperback Cover/Jacket
KooKooLand Gloria Norris PUBLISHER
Regan Arts PUBLICATION DATE
03/14/17 TRIM SIZE
6" x 9" PRODUCTION STAFF
Kurt Andrews COVER/JACKET ART DIRECTION
Richard Ljoenes COVER/JACKET DESIGN
Richard Ljoenes COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Gloria Norris COVER/JACKET PRINTING
Phoenix Color COVER/JACKET STOCK & FINISH
10pt C1S with gritty matte UV A fun, eye-catching cover that evokes the 1960s through its color palette and playful use of archival images. The distressed type on the front cover and spine and the subtle rubbing and fading of color are nice details.
General Trade 59
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MERIT
Quality Paperback Cover/Jacket
How Dante Can Save Your Life Rod Dreher PUBLISHER
Regan Arts PUBLICATION DATE
03/07/17 TRIM SIZE
6" x 9" PRODUCTION STAFF
Kurt Andrews COVER/JACKET ART DIRECTION
Richard Ljoenes COVER/JACKET DESIGN
Richard Ljoenes COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Getty, Tudor Francu, Gustave Doré, Shutterstock, Eugene Delacroix COVER/JACKET PRINTING
Phoenix Color COVER/JACKET STOCK & FINISH
10pt C1S with gritty matte UV The cover draws you into another dimension with its colors and design—beautifully crafted.
60 2018 New York Book Show
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FIRST
Hardcover Nonfiction Cover/Jacket Series
Picador Modern Classics, Series Two Hilary Mantel, Barbara Ehrenreich, Susan Sontag, and Joan Didion IMPRINT/PUBLISHER
Picador, Macmillan Publishers PUBLICATION DATE
11/07/17 TRIM SIZE
39⁄16" x 511⁄16" PRODUCTION STAFF
Vincent Stanley, Adriana Coada, Jeremy Pink, Kolt Beringer COVER/JACKET ART DIRECTION
Henry Sene Yee COVER/JACKET DESIGN
Henry Sene Yee COVER/JACKET ILLUSTRATION/PHOTOGRAPHY
Cecilia Carlstedt COVER/JACKET PRINTING
Shenzhen RRD Printing COVER/JACKET STOCK & FINISH
4/0 on 120gsm Pingri pearlized stock with press varnish wrapped over 1mm greyboard COVER/JACKET EFFECTS
Rounded corners Attractive series: the pearlescent cover and splashes of color create a beautiful package that immediately draws the eye and makes you want to pick up the entire series.
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