2018 General Trade

G e n e ra l T rade Hardcover Fiction Hardcover Nonfiction Adult Graphic Novel Cookbook Poetry Quality Paperback Cover/Jacket Cover/Jacket Series

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FIRST

Hardcover Fiction

2 2018 New York Book Show

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The Night Ocean Paul La Farge

IMPRINT/PUBLISHER

TEXT STOCK

COVER/JACKET EFFECTS

Penguin Press, Penguin Random House

45# Glatfelter Offset Hi-Bulk B-18 400/1" PREPRESS/COMPOSITION

2/c jacket as PMS 7506U and black with no other effects

PUBLICATION DATE

Allentown Digital

CASE MATERIALS

03/07/17

PRINTING/BINDING

TRIM SIZE

LSC Communications

6⅛" x 9¼"

COVER/JACKET ART DIRECTION

PRODUCTION STAFF

Darren Haggar

John Sharp

COVER/JACKET DESIGN

TEXT ART DIRECTION

Will Staehle

Claire Vaccaro

COVER/JACKET PRINTING

TEXT DESIGN

Phoenix Color

Amanda Dewey

COVER/JACKET STOCK & FINISH

TYPEFACE

Dante MT, Neutraface

Three-piece case is 80# Rainbow Buff Handspun and 70# Rainbow Eclipse Antique, 900 metallic spine stamp and blind front, black headbands The jacket is both striking and inviting. The hardcover design complements the jacket and stands on its own merit. The typography and interior design makes it effortlessly readable; it’s beautiful.

80# Mohawk Via Felt Cool White with press varnish and gloss film lamination on reverse General Trade 3

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SECOND

Hardcover Fiction

4 2018 New York Book Show

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The Rise and Fall of D.O.D.O. Neal Stephenson and Nicole Galland

100

Neal Stephenson

and

Nicole Galland

the Rise and Fall of D.O.D.O.

“Fascinating,” said a very handsome fellow about my age, with dazzling green eyes and neat, close-cropped hair, who was standing over me and contemplating me with a grin. “If that’s what you were like when you got drunk in college, no wonder you don’t have a boyfriend.”

“Give her a few moments,” I heard an older, softer male voice say. I knew that voice had a name attached to it—Yoda? No, Yoda was from Star Wars. Star Wars was on my mind because of R2-D2. And the fellow in front of me, I had seen him brushing his teeth before, so if he wasn’t my boyfriend maybe he was a brother I’d forgotten about.

He began to laugh. “Stokes,” he said, “you’re saying all of that out loud. I wouldn’t speak until you feel like yourself. But hurry up with it!” He leaned closer and whispered into my ear, “We’ve got our witch vault. Let’s go get our witch.”

101

Jour nal Ent r y of

Rebecca East-Oda MAY 18

T

emperature about 64F, moist, no breeze. Barometer rising.

Flowers and vegetables fending for themselves due to ODEC activity.

To begin, this morning the new ODEC was “successful,” insofar as Tristan came out of it in the same state the cat once used to come out of the old ODEC. Melisande kept her head better than I did when I first saw the cat, but was clearly concerned. The following conversation, more or less: FRANK: I predict Tristan will be fine shortly. But I don’t think we

should allow anyone to go into the ODEC until we have figured out how to protect them from that effect.

MEL: What is the effect? Why is it happening?

FRANK: He is teetering on the edge of becoming non-local.

MEL: Non-what?

FRANK: His brain was suddenly not sure which precise reality

Diachronicle

it was operating in—and perhaps his body too. So much to discover still! (NB: sounding like an eager child. Sounding as if none of it happened thirty years ago.)

Day 294 (contd.)

In which we meet Erszebet. And then we meet Erszebet.

Five minutes pass TRISTAN (fully recovered): Why didn’t you take notes of what I said

the news to the Maxes and the Vladimirs that they had been working all this time on a project whose end goal was magic. He did this in the one remaining non-demolished office, so I didn’t have the satisfaction of seeing it happen. They seemed to me to be biting back amusement when

when I first came out?

FIR ST TR ISTA N H AD TO BR EAK

MEL: Trust me, you said absolutely nothing noteworthy.

TRISTAN: That just sounds like your usual lip. I need

corroboration.

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

William Morrow, HarperCollins Publishers

Joel Holland

06/13/17

Bembo Schoolbook, Filosofia, Opsmarckt, Baker Script, Carre Noir, Garamond, Festivo Letters no. 19, Bembo, Stencil, Pastonchi, Tekton, Chaparral Pro, Din Pro

TRIM SIZE

TEXT STOCK

Neenah Sundance Smooth Finish/Ultra

PUBLICATION DATE

6" x 9"

45# Norbrite Book Cream/White

PRODUCTION STAFF

PREPRESS/COMPOSITION

Aryana Hendrawan

Bonni Leon-Berman

TEXT ART DIRECTION

PRINTING/BINDING

Leah Carslon-Stanisic

LSC Communications

TEXT DESIGN

COVER/JACKET ART DIRECTION

Bonni Leon-Berman

Mumtaz Mustafa

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Joel Holland

Mumtaz Mustafa

COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

COVER/JACKET EFFECTS

Sculpture embossing CASE MATERIALS

Rainbow Eclipse Burnished Leather OTHER COMPONENTS

Endpapers are Rainbow Earth Handpsun Embossing Wonderful typography with clever opening art and screens. Jacket and case cover have a clean, compelling design as well as subtle embossing.

General Trade 5

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MERIT

Hardcover Fiction

6 2018 New York Book Show

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Little Fires Everywhere Celeste Ng

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Penguin Press, Penguin Random House

Fournier MT Pro, Neutraface 2 Condensed

Amy Bennett

PUBLICATION DATE

TEXT STOCK

Phoenix Color

09/12/17

45# EarthChoice 400ppi

COVER/JACKET STOCK & FINISH

TRIM SIZE

PREPRESS/COMPOSITION

6" x 9"

Allentown Digital Composition

4/c on 80# C1S with soft-touch film lamination

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

Bill Peabody

LSC Communications

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Multicolor Nautilus, Multicolor Noir, B-36 copper foil

Claire Vaccaro

Darren Haggar

TEXT DESIGN

COVER/JACKET DESIGN

Lucia Bernard

Jaya Miceli

COVER/JACKET PRINTING

A nice overall package. The jacket is elegant and minimal; illustration on the title page is a particularly nice detail.

General Trade 7

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FIRST

Hardcover Nonfiction

8 2018 New York Book Show

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Mental Jaime Lowe

PART 2 — E P IS O D E 2

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Blue Rider Press, Penguin Random House

Janson Text LT Std, LunchBox

Phoenix Color

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

10/03/17

45# EarthChoice CW 400ppi

TRIM SIZE

PREPRESS/COMPOSITION

4/c 100# C1S, gritty matte UV over printable glueable stampable mylar

6" x 9"

Six Red Marbles

CASE MATERIALS

PRODUCTION STAFF

PRINTING/BINDING

Gloria Arminio

LSC Communications

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Claire Vaccaro

Jason Booher

TEXT DESIGN

COVER/JACKET DESIGN

Marysarah Quinn

Ben Denzer

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Jaime Lowe

Kathy Ryan

80# Rainbow Pink Buckram, 70# Multicolor Sour Cherry Pie Antique, SD700 dusted red foil The design is absolutely mental in the best way. From jacket, to cover, to interval laying, each element adds layers that brilliantly convey the subject matter. The upside-down text spine is the cherry on top.

General Trade 9

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SECOND

Hardcover Nonfiction

10 2018 New York Book Show

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Chuck Klosterman X Chuck Klosterman

IMPRINT/PUBLISHER

TEXT STOCK

COVER/JACKET STOCK & FINISH

Blue Rider Press, Penguin Random House

45# Norbrite Book Cream 400ppi

PUBLICATION DATE

PREPRESS/COMPOSITION

05/16/17

Six Red Marbles

Four hits of opaque white special mix, one hit PMS black on 80# Rainbow Black Antique with gloss film lamination on reverse

TRIM SIZE

PRINTING/BINDING

CASE MATERIALS

5½" x 8¼"

LSC Communications

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Gloria Arminio

Jason Booher

TEXT ART DIRECTION

COVER/JACKET DESIGN

Claire Vaccaro

Rachel Willey

TEXT DESIGN

COVER/JACKET PRINTING

Amanda Dewey

Phoenix Color

TYPEFACES

Adobe Garamond Pro, Helvetica

Rainbow Black Antique one-piece case with GP100 white pigment stamp on spine and blind stamp on front OTHER COMPONENTS

Black stain on text block This book is the overall package from a simple black and white matte cover to the stamped case and the staining of the edges. It’s an extraordinarily handsome book.

General Trade 11

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THIRD

Hardcover Nonfiction

12 2018 New York Book Show

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Origins of a Story Jake Grogan

PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Cider Mill Press Book Publishers

Quad/Graphics

PUBLICATION DATE

Garamond Premiere Pro, Policy Gothic HPLHS

10/17/17

TEXT STOCK

80# uncoated stock

TRIM SIZE

50# Domtar cream

COVER/JACKET EFFECTS

5" x 7⅜"

PREPRESS/COMPOSITION

Emboss

PRODUCTION STAFF

Quad/Graphics

CASE MATERIALS

Whalen Book Works, Michael Kwan

PRINTING/BINDING

80# C1S

TEXT ART DIRECTION

Quad/Graphics

Whalen Book Works

COVER/JACKET ART DIRECTION

TEXT DESIGN

Whalen Book Works

Debbie Berne

COVER/JACKET DESIGN

ILLUSTRATOR/PHOTOGRAPHER

Debbie Berne

COVER/JACKET STOCK & FINISH

This book is perfectly packaged. The printing and manufacturing are beautiful. The design and style are very clever and make you want to pick up this book.

Annalisa Sheldahl General Trade 13

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MERIT

Hardcover Nonfiction

14 2018 New York Book Show

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The Moth Presents All These Wonders Edited by Catherine Burns ii ALL THESE WONDERS

T H E

 iii

A L L T H E S E WONDERS

M OT H

p r e s e n t s

T R U E

S T O R I E S T H E

ED I T ED

BY

A B O U T

F A C I N G

U N K N O W N

C AT H ER I N E

B U R N S

IMPRINT/PUBLISHER

TEXT DESIGN

COVER/JACKET DESIGN

Crown Archetype, Crown Publishing Group, Penguin Random House

Elina Nudelman

Jake Nicolella

TYPEFACES

COVER/JACKET PRINTING

PUBLICATION DATE

Gotham, Bembo

Coral Graphics

03/21/17

TEXT STOCK

COVER/JACKET STOCK & FINISH

TRIM SIZE

50# Glatfelter Antique 400ppi

5½" x 7⅝"

PREPRESS/COMPOSITION

80# Rainbow Antique White uncoated stock with press varnish

PRODUCTION STAFF

Berryville Graphics (Digital)

COVER/JACKET EFFECTS

Heather Williamson

PRINTING/BINDING

BE-19 gold foil

TEXT ART DIRECTION

Berryville Graphics

Elizabeth Rendfleisch

COVER/JACKET ART DIRECTION

Simple, but elegant—especially for the subject matter.

Chris Brand General Trade 15

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MERIT

Hardcover Nonfiction

16 2018 New York Book Show

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Heating & Cooling Beth Ann Fennelly

PUBLISHER

TEXT STOCK

COVER/JACKET STOCK & FINISH

W. W. Norton & Company, Inc.

50# Sebago cream 400ppi

100# C1S

PUBLICATION DATE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

10/10/17

Joe Lops

5/c, matte UV over gloss mylar

TRIM SIZE

PRINTING/BINDING

CASE MATERIALS

4½" x 7¼"

Quad/Graphics

Multicolor

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Lauren Abbate

Ingsu Liu

TEXT ART DIRECTION

COVER/JACKET DESIGN

Lauren Abbate

Alex Merto

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Ellen Cipriano

Gregory Reid

TYPEFACES

COVER/JACKET PRINTING

Neutraface, New Caledonia LT Std

Coral Graphics

Great package for this book of micro-memories.

The vibrant green and purple, as well as the spot gloss on the partially eaten Popsicle, are perfect for this title.

The purple case peeking out from under the green jacket is a perfect touch.

General Trade 17

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MERIT

Hardcover Nonfiction

18 2018 New York Book Show

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Common Sense Thomas Paine

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Morrow Gift, William Morrow, HarperCollins Publishers

Leah Carlson-Stanisic

Jeanne Reina

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

PUBLICATION DATE

Holly Empey

TRIM SIZE

Adobe Caslon, Alien Ornaments, Borders ITC, Columbus, Historical Fell Type Roman, ITC Zapf Dingbats

4⅝" x 6⅞"

TEXT STOCK

50# Offset Hi-Bulk

COVER/JACKET STOCK & FINISH

PRODUCTION STAFF

Susan Kosko

PREPRESS/COMPOSITION

TEXT ART DIRECTION

Leah Carlson-Stanisic

Leah Carlson-Stanisic

PRINTING/BINDING

TEXT DESIGN

Friesens

Leah Carlson-Stanisic

COVER/JACKET ART DIRECTION

06/06/17

Jeanne Reina

COVER/JACKET PRINTING

Friesens 4/c on 100# classic linen solar white COVER/JACKET EFFECTS

Varnish and debossing The book’s interesting trim size and its clever use of non-block text color and embossed cover make a big statement for a little book.

General Trade 19

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BES T IN C ATEGORY

FIRST/BEST IN CATEGORY

Adult Graphic Novel

20 2018 New York Book Show

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The Hunting Accident David Carlson and Landis Blair

IMPRINT/PUBLISHER

TEXT STOCK

COVER/JACKET STOCK & FINISH

First Second, Macmillan Publishers

125gsm Wibalin Finelinen White 500ppi

PUBLICATION DATE

120gsm Qiancheng Ivory Woodfree FSC-certified

09/19/17

PREPRESS/COMPOSITION

Spot gloss and embossing

TRIM SIZE

RR Donnelley Asia Printing Solutions

CASE MATERIALS

8" x 9"

PRINTING/BINDING

125gsm Wibalin Finelinen White 500ppi

PRODUCTION STAFF

RR Donnelley Asia Printing Solutions

OTHER COMPONENTS

Alexa Villanueva

COVER/JACKET ART DIRECTION

Printed ends, headbands, ribbon marker

TEXT ART DIRECTION

Andrew Arnold

Andrew Arnold

COVER/JACKET DESIGN

TEXT DESIGN

Andrew Arnold

Andrew Arnold

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Landis Blair

Landis Blair

COVER/JACKET PRINTING

TYPEFACE

RR Donnelley Asia Printing Solutions

COVER/JACKET EFFECTS

A truly inventive book with many special touches, including the detailed embossing on the cover, the playful use of spot gloss, a ribbon marker, and painstakingly intricate illustrations. The book is a breathtaking object to hold.

Arial Black General Trade 21

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SECOND

Adult Graphic Novel

22 2018 New York Book Show

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Imagine Wanting Only This Kristen Radtke

Some nights I pul led u p the hem of my clothes and clawed at my ski n, searching for signs that I was becoming one.

Iowa was a place I began leaving constantly to seek out and crawl through gutted mining towns and looted industrial buildings, bombed-out barracks and contaminated environmental zones in countries whose languages I couldn’t speak, places that excrete warnings of the wars and quakes and depressions they’ve witnessed.

Native Iowans told me about the dangers of al l the state’s rivers, the flat and modified land that flooded a year before I arrived and formed lakes, roof peaks jutting from the surface like coastal boulders and forming currents across roads, the moldy basements when the water drained the closest thing they had to ruins.

I watched the river out my window, and I wil led the stagnant water to prove it.

110

111

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IMPRINT/PUBLISHER

TEXT STOCK

COVER/JACKET STOCK & FINISH

Pantheon Books, Knopf Doubleday Publishing Group, Penguin Random House

120gsm UPM woodfree paper

128gsm gloss

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

PUBLICATION DATE

North Market Street Graphics

Matte UV with spot gloss

04/18/17

PRINTING/BINDING

CASE MATERIALS

TRIM SIZE

Toppan Leefung

7" x 9"

COVER/JACKET ART DIRECTION

4/c preprinted case on 128gsm artpaper, matte UV with spot gloss

PRODUCTION STAFF

Oliver Munday

OTHER COMPONENTS

Andy Hughes

COVER/JACKET DESIGN

TEXT ART DIRECTION

Oliver Munday

Printed ends on 140gsm Gold Woodfree FSC-certified

Kristen Radtke

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

TEXT DESIGN

Kristen Radtke

Kristen Radtke

COVER/JACKET PRINTING

ILLUSTRATOR/PHOTOGRAPHER

Toppan Leefung

The design and printing add to the beautiful illustrations and are evident throughout this package.

Kristen Radtke General Trade 23

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MERIT

Adult Graphic Novel

24 2018 New York Book Show

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Tenements, Towers & Trash Julia Wertz

TJ23-6-2017 IMUS 7/LOX5455 Tenements, Towers and Trash W:9”xH:12” 150L 140gsm Gold Sun W/F Magenta

60

Black

60

61

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5/17/18 12:42 PM

TJ23-6-2017 IMUS 7/LOX5455 Tenements, Towers and Trash W:9”xH:12” 150L 140gsm Gold Sun W/F Magenta

Black

61

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Black Dog & Leventhal, Hachette Book Group

Festivo Letters no. 14

Imago

TEXT STOCK

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

10/03/17

140gsm Golden Sun Uncoated Woodfree FSC-certified

128gsm ChenMing Glossy FSC-certified art paper

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

9" x 12"

Imago

Matte film lamination

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

Lillian Sun

Imago

3.0mm boards

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Ohioboy Art & Design

Amanda Kain

TEXT DESIGN

COVER/JACKET DESIGN

Ohioboy Art & Design

Amanda Kain

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Julie Wertz

Julie Wertz

Beautiful illustrations with fun pops of color on the cover.

General Trade 25

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FIRST

Cookbook

26 2018 New York Book Show

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Breaking Bread Martin Philip

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Harper Wave, HarperCollins Publishers

Phoenix Color

PUBLICATION DATE

Archer, Festivo Letters, Historical Fell Type Roman, Ringside, Scala

10/31/17

TEXT STOCK

Printed case on 100# C1S

TRIM SIZE

80# Finch Opaque White 334ppi

COVER/JACKET EFFECTS

7⅜" x 9⅛"

PREPRESS/COMPOSITION

Gritty matte with spot gloss

PRODUCTION STAFF

Impressive Printing, Leah Carlson-Stanisic

CASE MATERIALS

Diana Meunier

PRINTING/BINDING

TEXT ART DIRECTION

LSC Communications

Leah Carlson-Stanisic

COVER/JACKET ART DIRECTION

TEXT DESIGN

Milan Bozic

Leah Carlson-Stanisic

COVER/JACKET DESIGN

ILLUSTRATOR/PHOTOGRAPHER

Milan Bozic

Illustrations by Martin Philip, photography by Julia A. Reed

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

COVER/JACKET STOCK & FINISH

Preprinted case wrap is 85# pasted oak boards The production values are terrific and every page is designed to celebrate its topic. The use of color from toasty-shaded type to wheat-hued headbands stands out.

Julia A. Reed General Trade 27

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SECOND

Cookbook

28 2018 New York Book Show

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Kristen Kish Cooking Kristen Kish and Meredith Erickson

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Clarkson Potter, Crown Publishing Group, Penguin Random House

Brandon Text, Fournier MT Std, Steagal

C & C Offset Printing Co., Ltd.

PUBLICATION DATE

TEXT STOCK

10/31/17

140gsm matte

157gsm glossy art stock with matte lamination

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

77⁄16" x 11"

Kim Tyner and Merri Ann Morrell

Spot gloss UV

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

Kim Tyner

C & C Offset Printing Co., Ltd.

128gsm gloss and debossing

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Marysarah Quinn

Marysarah Quinn

TEXT DESIGN

COVER/JACKET DESIGN

Marysarah Quinn

Marysarah Quinn

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Kristin Teig

Kristin Teig

COVER/JACKET STOCK & FINISH

Every detail of this book was extraordinarily thought out. It has a calming feel, but what really stands out is the exquisite fish tail on the case.

General Trade 29

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THIRD

Cookbook

30 2018 New York Book Show

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wd~50 Wylie Dufresne and Peter Meehan

COLD FRIED CHICKEN, BUT TER MILK “RICOT TA,” TABASCO, CAVIAR Cold fried chicken is right up there with cold pizza on my list of favorite leftovers. I think it’s as good as hot fried chicken. Jon Bignelli, a longtime part of the wd~50 kitchen, came up with the idea for a cold fried chicken course.

One frustrating thing about cold fried chicken is how the meat reacquaints itself with the bone and becomes difficult to separate, so we took the bone out. And we maximized the pleasure of the dish by making our fried chicken out of all thigh meat.

We cooked large terrines of it sous vide, cut them into bars, and breaded and fried them just before service. Then we threw the chicken in the freezer to chill it quickly, so diners would get cold fried chicken that was still moist (because even the best fried chicken in the world dries out a little in the fridge overnight).

When we were staring at the almost-finished plate—chicken, Tabasco sauce, ricotta—I realized that caviar could make it a fun high-brow, low-brow dish.

S E RV E S 6

6 batons Cold Fried Chicken (page 228)

12 pieces Crispy Chicken Skin (page 229)

70 grams Tabasco Fluid Gel (page 229)

75 grams hackleback caviar

225 grams Buttermilk “Ricotta”

12 chervil sprigs

(page 228)

1.

For each serving, cut a piece of fried, chilled chicken in half and place the halves

end-to-end (as though they’re hinged) on a plate. Pipe 3 dots of Tabasco fluid gel around the chicken.

2. In a saucepan, stir the “ricotta” over medium heat to warm through. Place 3 spoonfuls around the chicken. Place a quenelle of caviar, about the size of a demitasse, over 1 pile of ricotta. Finish with 2 pieces of chicken skin and sprigs of chervil.

226

WD~50

M E AT

227

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Anthony Bourdain/Ecco, HarperCollins Publishers

Galano Classic, Futura Std

Imago

TEXT STOCK

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

130gsm blue/white matte

10/17/17

PREPRESS/COMPOSITION

128gsm Rainbow 500ppi art paper with gloss lamination

TRIM SIZE

Impressive Printing

COVER/JACKET EFFECTS

9⅜" x 11⅜"

PRINTING/BINDING

Prints 6/c

PRODUCTION STAFF

Imago

CASE MATERIALS

Michael Siebert

COVER/JACKET ART DIRECTION

Die-cut buckram slipcase with 3mm board

TEXT ART DIRECTION

Sara Wood

OTHER COMPONENTS

Suet Yee Chong

COVER/JACKET DESIGN

Smyth-sewn binding

TEXT DESIGN

Sara Wood

Suet Yee Chong

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Eric Medsker

Eric Medsker

A magnificent work of design, production, and printing. The slipcase and die-cut alone make this book a keepsake. The photography pops on this masterly created book.

General Trade 31

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MERIT

Cookbook

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The Grand Central Market Cookbook Adele Yellin and Kevin West

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

Numbers Prospect, Round Mountain WF, Calibre, Liberator, Esq. Seri Wood, Knockout HTF67, League Gothic, Lunar Orbiter, Condensed Egyptian Letters

10/03/17

TEXT STOCK

128gsm matte

CASE MATERIALS

TRIM SIZE

77⁄16" x 10"

PREPRESS/COMPOSITION

PRODUCTION STAFF

Philip Leung, Alexandria Martinez

Philip Leung

PRINTING/BINDING

TEXT ART DIRECTION

C & C Offset Printing Co., Ltd.

Stephanie Huntwork and Marysarah Quinn

COVER/JACKET ART DIRECTION

TEXT DESIGN

Stephanie Huntwork, Marysarah Quinn

Laura Palese

COVER/JACKET DESIGN

ILLUSTRATOR/PHOTOGRAPHER

Laura Palese

IMPRINT/PUBLISHER

Clarkson Potter, Crown Publishing Group, Penguin Random House

Illustrations by Ludlow Kingsley, photography by Johnny Autry TYPEFACES

Graveness WF, Letter Gothic, Warehouse, Agincourt, MercuryTextG1,

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Illustrations by Oilcloth International, photography by Johnny Autry

128gsm art stock with gloss film lamination COVER/JACKET EFFECTS

Grain embossing 3.00mm boards OTHER COMPONENTS

Endpapers print K, PMS 186 V, PMS process blue U on 140gsm white woodfree with A1175 yellow and red headbands; hand lettering by Laura Palese From the cover through every page, the design captures the electric energy of a bustling market. The recipes are presented in a usable format, but this is far from an ordinary cookbook. The eclectic typography and use of color creates a hip, engaging package.

COVER/JACKET PRINTING

C & C Offset Printing Co., Ltd. General Trade 33

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MERIT

Cookbook

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Egg Shop Nick Korbee 17 HAM AND EGG SANDWICHES— OR, LOSING BETS AND HAVING TO MAKE A LOT OF SANDWICHES One day after a very long lunch service the staff was “unwinding” at the local. A friendly debate began regarding which menu item had been the most popular the previous month. We went back and forth between the Avo Egg, the B.E.C., and the El Camino. Unwinding, as we tend to do it, usually results in placing bets on nonsensical and harmless things.

6. HAMBLIN' MAN: sweet corn pudding, fried bologna, fried egg

7. GOING HAM: a double- decker biscuit of chickenfried ham and ham-fried chicken, with sunny- ups

8. HAM RADIO: 4 hams from across the globe, buttered toast, fried egg

9. HAMDLEBAR MUSTACHE: house- smoked honey ham, house- made beer mustard, house- made pickles, house- made egg bread, super- local peasant cheese, and Sriracha

10. DER HAMMEISTER: Bavarian beer cheese, caraway pickled onions, Black Forest ham, Hamburg hot mustard, and a fried egg on a pretzel roll

11. BOURBON BOY: Benton’s country ham, stone- ground grits, and fried egg on a jalapeñocheddar biscuit with jalapeño jelly and sorghum on the side

12. WILL.I.HAM: black- eyed pea hummus, Ferguson ham, herb mustard, egg over hard on a biscuit

13. HAMSON AND DELILAH: hummus, sliced hardboiled egg, turkey ham, and fattoush on pita

14. HAMBLE ON ROSE: spicy rose hip jelly, fried egg, and Canadian bacon on San Francisco sourdough

At the time, Sarah Schneider (Egg Shop Founder) was particularly interested in ham and egg sandwiches and organizing a tasting for possible new menu items. I was most interested in being right about the bet, as I was fully convinced I would emerge victorious. I was so confident I asked Sarah to pick a number between 1 and 20. She picked 17, a bold move. I was hoping for a number under 10. But, unwinding as we were, the bet proceeded and the stakes were named.

If Sarah was correct regarding which item had been the most popular, I would be obligated to create and prepare a tasting of 17 variations of the ham and egg sandwich. I did not emerge victorious.

What follows is my creative exercise, a visual guide in miniature to those 17 sandwiches, with recipes for 3 of our favorites following. Cheers!

1. CUBANO CON HUEVO: a Cuban sandwich with a fried egg

3. EASTERWICH: Ginger honey ham and red- eye gravy 132 on E G sourdough G S H O P with asparagus

2. HAMAGATCHI: hand roll with wasabi tobiko, avocado, diced ginger ham, tamago, and quail egg

4. GREEN EGGS AND HAM: pesto, double- cream ricotta, prosciutto crudo, pizza bianca

5. HAM MADAME: a croque madame– style toad in a hole

15. I HAM WHO I HAM: a triple- decker white bread and country ham stairway to ham heaven, with kale frittata caught in the middle

16. I HAM WHAT I HAM: ham steak with creamed spinach spread and shaved green bean slaw on a sesame seed kaiser roll, with olive oil on the side

17. HOLIDAY IN WAIKIKI: grilled pickled pineapple, sunny- up, fried ham, pan con tomate

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

William Morrow, HarperCollins Publishers

Flama Condensed, Univers LT Std

Phoenix Color

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

03/21/17

Lynx Opaque White, uncoated

100# C1S with matte film lamination

TRIM SIZE

PREPRESS/COMPOSITION

CASE MATERIALS

8" x 10"

Impressive Printing

Preprinted case

PRODUCTION STAFF

PRINTING/BINDING

Anna Brower

Quad/Graphics

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Suet Yee Chong

Mumtaz Mustafa

TEXT DESIGN

COVER/JACKET DESIGN

Suet Yee Chong

Mumtaz Mustafa

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

David Malosh

LMNOP Creative

Beautiful choice of type and playful photography are complemented by the mint green palette throughout.

The whimsical endpapers and yellow and white striped headbands are a nice touch.

General Trade 35

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FIRST

Poetry

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We’re All Going to Die Stefan Hunt

“I mean, what if I quit my day job

I could drown in the rapids of failure

and dived into my wildest dreams?

and float in regret downstream.”

job: 走向光明 内文 p20 170718 gen

job: 走向光明 内文 p21 170718 gen

PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Inspire Good Publishing

Stefan Hunt

Stefan Hunt

PUBLICATION DATE

TEXT STOCK

COVER/JACKET PRINTING

11/17/17

160gsm Golden Sun Woodfree

Asia Pacific Offset

TRIM SIZE

PREPRESS/COMPOSITION

CASE MATERIALS

7" x 9"

Asia Pacific Offset

Brillianta cloth with silkscreen

PRODUCTION STAFF

PRINTING/BINDING

Adam Benton

Asia Pacific Offset

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Matthew Pike

Matthew Pike

TEXT DESIGN

COVER/JACKET DESIGN

Matthew Pike

Matthew Pike

From start to finish, this book is a great example of a well-thought-out design. It has a clever use of endpapers with gorgeous saturated colors throughout.

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MERIT

Poetry

38 2018 New York Book Show

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Love in the Last Days D. Nurkse

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Alfred A. Knopf, Knopf Doubleday Publishing Group, Penguin Random House

Fairfield

Johann Friedrich Hennings

TEXT STOCK

COVER/JACKET PRINTING

PUBLICATION DATE

60# Glatfelter 330ppi

Coral Graphics

09/12/17

PREPRESS/COMPOSITION

COVER/JACKET STOCK & FINISH

TRIM SIZE

North Market Street Graphics

100# C1S

7" x 9⅛"

PRINTING/BINDING

COVER/JACKET EFFECTS

PRODUCTION STAFF

Thomson-Shore

Matte film with debossing

Peggy Samedi

COVER/JACKET ART DIRECTION

CASE MATERIALS

TEXT ART DIRECTION

Carol Carson

Rainbow Maroon with gold foil

Peter Andersen

COVER/JACKET DESIGN

TEXT DESIGN

Kelly Blair

Michael Collica

Classic use of typography, lovely paper, and clean design with good use of white space.

General Trade 39

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FIRST

Quality Paperback

40 2018 New York Book Show

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WWE Book of Rules (and How to Break Them)

IMPRINT/PUBLISHER

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

Media Lab Books, Macmillan Publishers

1010 Printing International Ltd.

PUBLICATION DATE

PRINTING/BINDING

02/28/17

1010 Printing International Ltd.

Closed with string around double eyelet on C1S (practical effect missing from design image)

TRIM SIZE

COVER/JACKET ART DIRECTION

CASE MATERIALS

5½" x 8"

Jeff Ashworth

Limp bound with exposed thread binding

PRODUCTION STAFF

COVER/JACKET DESIGN

OTHER COMPONENTS

Nancy Puskuldjian

Nick Harran

TEXT ART DIRECTION

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Jeff Ashworth

Nick Harran

TEXT DESIGN

COVER/JACKET PRINTING

Nick Harran

1010 Printing International Ltd.

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET STOCK & FINISH

Nick Harran

300gsm with overall matte lamination

Eight interior pages with die-cut pattern designed to look as if the pages have been torn out by a disgruntled wrestler The design and package of this title is unique. When seeing this book on a shelf, it draws you in to open it and see what is inside. The drawings and production are amazing—a book that is definitely a winner.

TEXT STOCK

140gsm uncoated woodfree General Trade 41

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SECOND

Quality Paperback

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The Nocturnal Journal Lee Crutchley

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

TarcherPerigee, Penguin Random House

Lee Crutchley

PUBLICATION DATE

Lee Crutchley Handwriting Regular, Helvetica

09/05/17

TEXT STOCK

Phoenix Color

TRIM SIZE

#60 Husky Offset Smooth

COVER/JACKET STOCK & FINISH

5½" x 7½"

PREPRESS/COMPOSITION

10pt C1S with soft-touch layflat lamination

PRODUCTION STAFF

Sabrina Bowers

COVER/JACKET EFFECTS

Ryan Benitez, Phil Wilentz

PRINTING/BINDING

TEXT ART DIRECTION

LSC Communications

Four flat colors and glow-in-the-dark spot UV

Sabrina Bowers

COVER/JACKET ART DIRECTION

OTHER COMPONENTS

TEXT DESIGN

Jess Morphew

Lee Crutchley

COVER/JACKET DESIGN

2/c interior with Pantone 109U (yellow) and Pantone 2757U (midnight blue).

ILLUSTRATOR/PHOTOGRAPHER

Lee Crutchley

Lee Crutchley

COVER/JACKET PRINTING

The use of two color makes this a rich, beautiful package from cover to the spreads.

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FIRST

Hardcover Fiction Cover/Jacket

The Talented Ribkins Ladee Hubbard PUBLISHER

Melville House PUBLICATION DATE

08/08/17 TRIM SIZE

6⅛" x 9¼" PRODUCTION STAFF

Susan Rella COVER/JACKET ART DIRECTION

Marina Drukman COVER/JACKET DESIGN

Marina Drukman COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Marina Drukman COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

100# C1S with gritty matte UV finish OTHER COMPONENTS

Lustrofoil S14 gold foil stamp The design evokes the spirit of this tale. The use of typography and illustrations is well thought out and fun from the cover to flaps; it tells the story well.

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SECOND

Hardcover Fiction Cover/Jacket USA $26.99 / CANADA $33.50

Hiddensee Beloved New York Times bestselling Gregory Maguire

PUBLICATION DATE

10/31/17aving brought his legions of devoted

(K PLATE CHANGE ONLY WITH 1421990)

author Gregory Maguire twins an origin legend of the famous Nutcracker with the life of Drosselmeier, IMPRINT/PUBLISHER the toy maker who carves him William Morrow, HarperCollins Publishers

readers to Oz in Wicked and to Wonderland in After Alice, Maguire now takes 6⅛" x 9¼" us to the realms of the Brothers Grimm and PRODUCTION STAFF E. T. A. Hoffmann—the enchanted Black Forest Aryana Hendrawan of Bavaria and the salons of Munich. Hiddensee COVER/JACKET ART DIRECTION imagines the backstory of the Nutcracker, revealRichard Aquan ing how this entrancing creature came to be carved and howDESIGN he guided an ailing girl named COVER/JACKET KlaraMcKowen through a dreamy paradise on a Christmas Scott Eve. At the heart of Hoffmann’s mysterious tale COVER/JACKET ILLUSTRATION/PHOTOGRAPHY hovers Godfather Drosselmeier—the ominous, Scott McKowen canny, one-eyed toy maker made immortal by COVER/JACKET PRINTING Petipa and Tchaikovsky’s ballet—who prePhoenix sents theColor once and future Nutcracker to Klara, COVER/JACKET his goddaughter.STOCK & FINISH 80# Mohawk Via isSmooth White But Hiddensee not justBright a retelling of awith press varnish classic story. Maguire discovers in the flowering of German Romanticism COVER/JACKET EFFECTS a migrating strain of DieHellenic cut mystery-cult and ponders a profound question: How can a person who is abused by life,binding shortchanged nevertheless Clever conceptand withchallenged, die-cut jacket, revealing a perfectly access secrets that benefit the disadvantaged framed walnut underneath.

The typography and illustration on and powerless?

Ultimately, Hiddensee offers the jacket work together harmoniously—a beautiful apackage. message of hope. If the compromised Godfather Drosselmeier can bring an enchanted Nutcracker to a young girl in distress on a dark winter evening, perhaps everyone, however lonely or marginalized, has something precious to share.

TRIM SIZE

PHX 1421992 09/06/17 YELO MAG CYAN BLACK

o s W

1017

General Trade 45

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THIRD

Hardcover Fiction Cover/Jacket

The Burning Girl Claire Messud PUBLISHER

W. W. Norton & Company, Inc. PUBLICATION DATE

08/29/17 TRIM SIZE

5⅝" x 8½" PRODUCTION STAFF

Anna Oler COVER/JACKET ART DIRECTION

Ingsu Liu COVER/JACKET DESIGN

Peter Mendelsund COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Peter Mendelsund COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

100# C1S COVER/JACKET EFFECTS

Glossy mylar and gritty matte UV Clever design matched with film lamination creates a beautiful effect. All design elements create a cohesive clean, appropriate, and evocative presentation.

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MERIT

Hardcover Fiction Cover/Jacket

Author of Snow Flower and the Secret Fan

IMPRINT/PUBLISHER

Scribner, Simon & Schuster PUBLICATION DATE

03/21/17 TRIM SIZE

6" x 9" PRODUCTION STAFF

F O PRO

Olga Leonardo

COVER/JACKET ART DIRECTION

Phoenix Color

COVER/JACKET DESIGN

Phoenix Color

A NOVEL

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Jaya Miceli

COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

100# C1S with soft-touch film lamination and lithofoil

LISA SEE

The colors, lamination, and design of this jacket are beautifully portrayed and expressed.

PHX #1388960 12/16/16 CYAN MAG YELO BLK

THE TEA GIRL OF HUMMINGBIRD LANE

LISA SEE

The Tea Girl of Hummingbird Lane Lisa See

SCRIBNER

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MERIT

Hardcover Fiction Cover/Jacket

The History of Bees Maja Lunde

U.S. $26.00 Can. $35.00

IMPRINT/PUBLISHER cccccecspicicccccScccccccEccvcccccccNcvcccLccc

Touchstone, Simon & Schuster cccGccccccczzlicgccccccmbiciccsclicecccyc

cebccccbccccccecccceccccccccplcceccccccccec PUBLICATION DATE wcclc-ccccgicgcpccecciclcccceccccccmily 08/22/17

TRIM SIZE

E N G L A N D , 1 8 5 2 : On the edge of self-

6" x 9" destruction, William is a biologist who has PRODUCTION STAFF chosen the mundane life of a seed merchant

Jim Thiel over higher callings of science and discovery.

Yearning forART the DIRECTION attention and approval of his COVER/JACKET eldest son, he sets out to build a new type of Phoenix Color beehive—one that will give both him and his

COVER/JACKET DESIGN

descendants honor and fame.

Phoenix Color U N I T E D S TAT E S ,

2 0 07 : George, a bee-

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY keeper in rural Ohio, has proudly preserved generation PRINTING to the next, even as he fights an COVER/JACKET uphill battle Phoenix Color

against modern farming. He

hopes that his stubborn and rebellious son

COVER/JACKET STOCK & FINISH

will be their bee farm’s salvation, but as

100# C1S

rumors of mysterious bee disappearances

COVER/JACKET EFFECTS spread throughout the country, George fears

Embossing with foil stamping losing his livelihood, his family, and the only future he knows how to create.

ArtfullyCdesigned, use of foil andeach stamping.

H I N A , 2interesting 0 9 8 : For twelve hours day, Tao and countless fellow workers hand-paint pollen onto fruit trees now that the bees have long since disappeared. She thinks only of giving her son a better future, but when he is

PHX #1412898 06/29/17 CYAN MAG YELO BLK

Cherlynne Li traditions passed down from one the family

taken away by the authorities after a tragic accident, she sets out from her small village on a grueling journey to Beijing to learn his fate—no matter the cost. (continued on back flap)

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FIRST

Hardcover Nonfiction Cover/Jacket

Everything I Need to Know I Learned in the Twilight Zone Mark Dawidziak IMPRINT/PUBLISHER

Thomas Dunne Books, Macmillan Publishers PUBLICATION DATE

02/28/17 TRIM SIZE

6¼" x 9½" PRODUCTION STAFF

Eric Gladstone COVER/JACKET ART DIRECTION

Rob Grom COVER/JACKET DESIGN

Rob Grom COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Philip Pascuzzo COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

Soft-touch matte lamination COVER/JACKET EFFECTS

Metallic 8642 C ink Eye-catching throwback design reminiscent of ’50s toy marketing. Great use of two-color printing and lots of fun details make this cover engaging.

General Trade 49

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SECOND

Hardcover Nonfiction Cover/Jacket

The Color of Law Richard Rothstein IMPRINT/PUBLISHER

Liveright, W. W. Norton & Company, Inc. PUBLICATION DATE

05/02/17 TRIM SIZE

6¼" x 9½" PRODUCTION STAFF

Anna Oler COVER/JACKET ART DIRECTION

Steve Attardo COVER/JACKET DESIGN

Steve Attardo COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

100# Mohawk Via Felt The map imagery and the key have immediate visual interest.

At closer inspection, the cover has both visual and tactile texture. The cover has immediate allure and upon reading the title the viewer has an AHA moment. It is a cohesive and creative presentation.

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THIRD

Hardcover Nonfiction Cover/Jacket

Being Elvis Ray Connolly IMPRINT/PUBLISHER

Liveright, W. W. Norton & Company, Inc. PUBLICATION DATE

03/21/17 TRIM SIZE

6¼" x 9½" PRODUCTION STAFF

Anna Oler COVER/JACKET ART DIRECTION

Steve Attardo COVER/JACKET DESIGN

Steve Attardo COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

80# Mohawk Via Felt COVER/JACKET EFFECTS

Gold foil We thought it was brilliant to just have a beautiful photo of Elvis on the cover with absolutely no typography. The entire jacket from flaps to back ad is well designed with a fantastic finish.

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MERIT

Hardcover Nonfiction Cover/Jacket

Manly Health and Training Walt Whitman PUBLISHER

Regan Arts PUBLICATION DATE

02/07/17 TRIM SIZE

5⅝" x 8" PRODUCTION STAFF

Kurt Andrews COVER/JACKET ART DIRECTION

Richard Ljoenes COVER/JACKET DESIGN

Richard Ljoenes COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Morgan Library & Museum, Library of Congress, the Morning Appeal, Wm. Clement, Ward B. Snyder’s Catalogue of Gymnasium Goods, Dana Estes, Shutterstock COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

80# Tomahawk, blue-white shade with press varnish Integrating the nineteenth-century-newspaper design and archival material with new design elements is very effective. Background color is playful and textured laminate adds interest.

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MERIT

Hardcover Nonfiction Cover/Jacket

Becoming Leonardo Mike Lankford PUBLISHER

Melville House PUBLICATION DATE

03/28/17 TRIM SIZE

5¾" x 8½" PRODUCTION STAFF

Susan Rella COVER/JACKET ART DIRECTION

Marina Drukman COVER/JACKET DESIGN

Marina Drukman COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Glasshouse Images, Alamy COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

80# Mohawk Via Felt COVER/JACKET EFFECTS

Press varnish OTHER COMPONENTS

Lustrofoil GP100 foil stamping Jacket is brilliantly designed and colors used reflect fleeing of the title. The typography is elegant and creative.

General Trade 53

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MERIT

Cookbook Cover/Jacket

The Science of Cooking Stuart Farrimond IMPRINT/PUBLISHER

DK, Penguin Random House PUBLICATION DATE

09/19/17 TRIM SIZE

8½" x 10" PRODUCTION STAFF

Tony Phipps, Luca Bazzoli COVER/JACKET ART DIRECTION

Maxine Pedliham COVER/JACKET DESIGN

Steven Marsden COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY

Will Heap, William Reavell COVER/JACKET PRINTING

RR Donnelley Asia Printing Solutions COVER/JACKET STOCK & FINISH

130gsm FSC-certified glossy art paper with matte lamination COVER/JACKET EFFECTS

Spot gloss UV with embossing and color printing over silver metallic foil Thoughtful production. The knife with stamped title is interesting.

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FIRST

Poetry Cover/Jacket

The Odyssey Homer, translated by Emily Wilson PUBLISHER

W. W. Norton & Company, Inc. PUBLICATION DATE

11/07/17 TRIM SIZE

6⅛" x 9¼" PRODUCTION STAFF

Julia Druskin COVER/JACKET ART DIRECTION

Francine Kass COVER/JACKET DESIGN

Chin-Yee Lai COVER/JACKET PRINTING

Quad/Graphics COVER/JACKET STOCK & FINISH

100# C1S COVER/JACKET EFFECTS

CMYK over foil Beautiful use of gold and blue foil, particularly in the details of the illustration.

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FIRST

Quality Paperback Cover/Jacket

Three Floors Up Eshkol Nevo, translated by Sondra Silverston PUBLISHER

Other Press PUBLICATION DATE

10/10/17 TRIM SIZE

5½" x 8¼" PRODUCTION STAFF

Iisha Stevens, Yvonne Cárdenas COVER/JACKET ART DIRECTION

Jon Gray, gray318 COVER/JACKET DESIGN

Jon Gray, gray318 COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Jon Gray, gray318 COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

10pt C1S with matte film lamination Effective typography with striking color choices. All the individual parts are thoughtfully designed to intrigue.

The visual cues made us love this cover.

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SECOND

Quality Paperback Cover/Jacket

I Love You, Sign Here Sarah Pierson and Roy Pierson IMPRINT/PUBLISHER

Regan Arts PUBLICATION DATE

11/14/17 TRIM SIZE

5½" x 8¼" PRODUCTION STAFF

Lynne Ciccaglione COVER/JACKET ART DIRECTION

Richard Ljoenes COVER/JACKET DESIGN

Richard Ljoenes COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Dreamstime, iStockPhoto, Shutterstock, Depositphotos COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

10pt C1S with gritty matte UV A great use of simple color. A perfectly suited design treatment for the subject matter.

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THIRD

Quality Paperback Cover/Jacket

The Mirror Thief Martin Seay PUBLISHER

Melville House PUBLICATION DATE

04/11/17 TRIM SIZE

5½" x 8¼" PRODUCTION STAFF

Susan Rella COVER/JACKET ART DIRECTION

Marina Drukman COVER/JACKET DESIGN

Marina Drukman COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

René Milot COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

80# Mohawk Via Felt Cool White COVER/JACKET EFFECTS

Press varnish The mirror effect is immediately apparent in the design. The reflection draws the eye. It is a striking cover in its simplicity.

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MERIT

Quality Paperback Cover/Jacket

KooKooLand Gloria Norris PUBLISHER

Regan Arts PUBLICATION DATE

03/14/17 TRIM SIZE

6" x 9" PRODUCTION STAFF

Kurt Andrews COVER/JACKET ART DIRECTION

Richard Ljoenes COVER/JACKET DESIGN

Richard Ljoenes COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Gloria Norris COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

10pt C1S with gritty matte UV A fun, eye-catching cover that evokes the 1960s through its color palette and playful use of archival images. The distressed type on the front cover and spine and the subtle rubbing and fading of color are nice details.

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MERIT

Quality Paperback Cover/Jacket

How Dante Can Save Your Life Rod Dreher PUBLISHER

Regan Arts PUBLICATION DATE

03/07/17 TRIM SIZE

6" x 9" PRODUCTION STAFF

Kurt Andrews COVER/JACKET ART DIRECTION

Richard Ljoenes COVER/JACKET DESIGN

Richard Ljoenes COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Getty, Tudor Francu, Gustave Doré, Shutterstock, Eugene Delacroix COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

10pt C1S with gritty matte UV The cover draws you into another dimension with its colors and design—beautifully crafted.

60 2018 New York Book Show

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FIRST

Hardcover Nonfiction Cover/Jacket Series

Picador Modern Classics, Series Two Hilary Mantel, Barbara Ehrenreich, Susan Sontag, and Joan Didion IMPRINT/PUBLISHER

Picador, Macmillan Publishers PUBLICATION DATE

11/07/17 TRIM SIZE

39⁄16" x 511⁄16" PRODUCTION STAFF

Vincent Stanley, Adriana Coada, Jeremy Pink, Kolt Beringer COVER/JACKET ART DIRECTION

Henry Sene Yee COVER/JACKET DESIGN

Henry Sene Yee COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Cecilia Carlstedt COVER/JACKET PRINTING

Shenzhen RRD Printing COVER/JACKET STOCK & FINISH

4/0 on 120gsm Pingri pearlized stock with press varnish wrapped over 1mm greyboard COVER/JACKET EFFECTS

Rounded corners Attractive series: the pearlescent cover and splashes of color create a beautiful package that immediately draws the eye and makes you want to pick up the entire series.

General Trade 61

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