30th Annual New York Book Show (2016) by Book Industry Guild of New York

T H E 3 0 TH A N N U A L

P RE S E N T E D B Y

T H E B OOK I N D U S T RY G U I L D OF N E W YO RK

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T H E 3 0 TH A N N U A L

T H E B OOK IND USTRY GUIL D OF NE W YORK October 13, 2016 ︱ Battery Gardens 1 Battery Park ︱ New York, NY

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CONTENTS Credits vii

CHILDREN’S TRADE

Letter from the BIGNY President

Picture Book Fiction/Nonfiction

About BIGNY

Young Adult Fiction/Nonfiction

JOURNALS/ PERIODICALS 120 136 Literary Journal

Letter from the Book Show

Young Adult Illustrated Novel

150

Co-Chairs

xii

Novelty

156

Book Show Committee

xiii

Young Adult Graphic Novel

160

Book Series

164

Covers and Jackets

170

Cover and Jacket Series

175

GENERAL TRADE Fiction/Nonfiction

Quality Flexicover/Paperback Fiction/

SELF-PUBLISHED COVERS Adult Nonfiction/Fiction

234

Children’s Fiction/Nonfiction

241

JUDGES’ BIOGRAPHIES

247

Nonfiction

SCHOOL PUBLISHING

Poetry

Elementary

BOOK SHOW CORPORATE 178 SPONSORS

Adult Graphic Novel

Middle/High School

180

Covers and Jackets

College

182

Cover and Jacket Series

Book Series

190

Covers and Jackets

196

Cover and Jacket Series

199

SPECIAL TRADE General

Cookbook

Crafts/Hobbies

PROFESSIONAL /REFERENCE

Photography

Scholarly

204

Fine Art Under $75

100

Scholarly Series

214

Gift

108

Covers

218

Covers and Jackets

116 Jackets 117 Cover Series

222

Cover and Jacket Series

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227

230

254

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CREDITS CATALOG

PRINTING Command Web

PRINTING Sterling Pierce Co.

STOCK Mohawk Fine Paper

STOCK Ecological Fibers

ART COORDINATION Jacob Seifert, SoHo Publishing

DISPLAY CARDS Karen Noferi

WEBSITE DESIGN Tom DuHamel, I Heart Blank, LLC

COPY EDITING Zachary Lutz, DK Angela Zurlo, Simon & Schuster

POSTER

CATALOG SPECIFICATIONS Trim: 9-³⁄8” x 8-¾” Pages: 276 Text Stock: 80# Royal Sundance Smooth Brilliant White Paper Typefaces: Avenir, Rockwell Binding: Adhesive Cover Stock: Imagine 100# Cover Antique Bright White

DESIGN Elizabeth Eno, Penguin Random House Jaclyn Whalen, Penguin Random House

PRODUCTION Martha Hanson, Simon & Schuster COVER STOCK Ecological Fibers, Inc.

POSTER DESIGN Evan Johnston PRINTING Phoenix Color SHOW BANNERS

INTERIOR STOCK Neenah

DESIGN Elizabeth Eno, Penguin Random House Jaclyn Whalen, Penguin Random House

PRINTING AND BINDING Thomson-Shore

PRINTING Neenah

CERTIFICATES

TICKETS

DESIGN Zachary Lutz, DK

TICKET DESIGN Evan Johnston

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DISCLAIMER Winners and their respective publishers are responsible for ensuring that material submitted for inclusion in the catalog is accurate and without errors. We are not responsible for any inaccuracy or error in the submitters’ materials.

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LETTER FROM THE BIGNY PRESIDENT WELCOME TO THE 30TH NEW YORK BOOK SHOW! On behalf of the Board and Executive Committee of the Book Industry Guild of New York, I am so very pleased you have come to join us at the highest point in our seasonal calendar. Inside these pages, and here at the Battery Gardens, we are honored to share with you the best in the art of bookmaking from our remarkable publishing industry. We are proud, through our New York Book Show, to show you the continuing vitality of book publishing as embodied in six genres of publishing: General Trade, Special Trade, Children’s Trade, School, Professional/Reference, and our new category, Self-Published Covers. The works displayed here reflect the creativity and talent of individuals throughout our industry. In keeping with the Guild’s ongoing commitment to enhance literacy, all the books submitted for this Show will be donated to organizations who are dedicated to promoting literacy. The Book Industry Guild of New York is a member-operated, professional, wholly volunteer organization comprised of professionals from every aspect of the book publishing and book manufacturing industries. It is this group of volunteers that make the 30th Annual Book Show possible. Very special thanks go to Christine Davis and Sara Maher, the co-chairs of this year’s event. Their yearlong effort of tireless leadership, guidance, and coordination of the Book Show Committee for all of the many tasks needed results in this spectacular evening! Also, thanks must go to the many volunteers and donors who are listed throughout this catalog for their time, monetary, and/or service donations. Through the dedication of all the volunteers, we can admire this outstanding collection of beautiful books the judges have selected as the best books of 2015. A special note of thanks goes out to Penguin Random House, Simon & Schuster, Neenah, and C&C Offset. They have been our partners in providing space and financial assistance to enable us to present this Show. We are very grateful for their steadfast involvement. Lastly, but not least, as president of the Guild, I would like to thank you for attending this event. As an organization, our greatest assets are our members, both corporate and individual. The New York Book Show contributes to covering basic expenses for our monthly evening programs, literacy efforts, plant trips, and educational seminars. Thank you for your ongoing interest and please enjoy this evening! We are delighted to share this Book Show with you as a celebration of our collective accomplishments. Come join us at any or all of our wonderful events throughout the year that enhance and expand our incredible publishing industry. Everyone is always welcome! Sincerely, Jody Saunders Ray President The Book Industry Guild of New York

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ABOUT BIGNY THE BOOK INDUSTRY GUILD OF NEW YORK (BIGNY) is an organization comprised of book publishing and manufacturing professionals. The name was changed in 2010 from the Bookbindersâ&#x20AC;&#x2122; Guild of New York in order to more clearly reflect the composition of our membership. In the past few years, meeting topics have broadened to cover a wider range of issues affecting the book business. Our program calendar runs from September to June, featuring one event per month. These events provide occasions for members to learn from guest speakers who are among the leading figures in their fields. It also provides an excellent opportunity to network and socialize. In addition to two major annual events, the Book Barge Bash and the Book Show, the Guild also organizes and co-funds annual field trips to book manufacturers, cover material plants, paper mills, and a book repair facility. As an active supporter of the Literacy Assistance Center of New York (LAC), the Guild has raised more than $300,000 over the past twenty years by sponsoring the annual LAC Recognition Awards breakfast and an annual summer softball tournament in Central Park, featuring raffle prizes and free books for children. If you would like to become a member of the Guild or would like to join one of our organizing committees, please contact any member of the executive board or executive committee, or visit our website at bigny.org.

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BIGNY EXECUTIVE BOARD PRESIDENT Jody Saunders Ray, Maple Press VICE PRESIDENT Martha Hanson, Simon & Schuster TREASURER Michael Kwan, Simon & Schuster FINANCIAL SECRETARY Andy Ensor, W. W. Norton & Company, Inc. RECORDING SECRETARY Kristen Eckhardt, HarperCollins Publishers EX OFFICIO Marv Dunkiel EXECUTIVE COMMITTEE Steve Bedney, Ecological Fibers Cathy Felgar, Columbia University Press Diana Gee, Simon & Schuster Tim Hoey Andy Hughes, Penguin Random House Janet McCarthy Grimm, Lindenmeyr Paper Carol Naughton, Penguin Random House Michael Wettstein, Phoenix Color

CAREER ADVANCEMENT COMMITTEE CO-CHAIRS Steve Bedney, Ecological Fibers Kristen Eckhardt, HarperCollins Publishers EDUCATION COMMITTEE CO-CHAIRS Steve Bedney, Ecological Fibers Elizabeth Yaffe, Penguin Random House LITERACY FUNDRAISER COMMITTEE Steve Bedney, Ecological Fibers Carol Bystrom, Edwards Brothers Malloy Dave Dickey Greg Fagan NOMINATING COMMITTEE CO-CHAIRS Diana Gee, Simon & Schuster Janet McCarthy Grimm, Lindenmeyr Paper PROGRAM COMMITTEE Carol Naughton, Penguin Random House WEBSITE COMMITTEE Kristen Eckhardt, HarperCollins Publishers

BARGE BASH COMMITTEE CO-CHAIRS Marv Dunkiel Steve Bedney, Ecological Fibers BOOK SHOW COMMITTEE CO-CHAIRS Christine Davis, Ecological Fibers Sara Maher, DK

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LETTER FROM THE BOOK SHOW CO-CHAIRS WE ARE SO PROUD TO PRESENT the winners of the 30th Annual New York Book Show. This year’s entries did not disappoint! We were amazed by the quality of submissions across all categories, including our newest category, Self-Published Covers. Welcome, Self-Pubs! We would like to thank the publishers, designers, production supervisors, suppliers, and manufacturers who helped create the most beautiful, innovative, and surprising books of 2015. It was a delight viewing the seemingly endless ways you combined paper and ink. Thank you to the judges for taking the time to review over 600 submissions. We know the number of entries made for a full day of work, but after reviewing comments like, “satisfying tactile and sensory experience,” “there’s a treat on almost every page,” “sensuous text paper,” and, “great use of pink!” we’d like to think you had at least a little fun along the way. A very special thank you to the Board of the Book Industry Guild of New York and members of the Book Show Committee. The names of those involved is on the preceding and following pages. These volunteers contributed countless hours in meetings, over email, and on the floor unpacking, sorting, moving, and re-packing hundreds of books, covers, and jackets. Without their dedication, enthusiasm, humor, and incredible ability to produce snacks, we would not have been able to produce this stunning show. Finally, we would like to thank you for your support of the New York Book Show and the Book Industry Guild of New York. We hope you enjoy the Show, and we look forward to seeing you at future Guild events. Christine Davis Sara Maher Co-Chairs, 30th Annual New York Book Show

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BOOK SHOW COMMITTEE CO-CHAIRS

JUDGING

Christine Davis, Ecological Fibers Sara Maher, DK

Steve Bedney, Ecological Fibers MaryAnne Brickner

CATALOG

WEBSITE

Elizabeth Eno, Penguin Random House Martha Hanson, Simon & Schuster Zachary Lutz, DK Jaclyn Whalen, Penguin Random House Angela Zurlo, Simon & Schuster

Tom DuHamel, I Heart Blank, LLC Michael Kwan, Simon & Shuster

CERTIFICATES & SEALS Zachary Lutz, DK SUBMISSIONS

GENERAL Diana Gee, Simon & Schuster Karen Matsu Greenberg, Hourglass Press Fritz Metsch, HarperCollins Publishers Christina Salib, Ritholz Levy Sanders Chidekel & Fields LLP

Stella Alstede, Neenah Jennifer Backe, Penguin Random House Richard Bretan Hector Gonzalez, Oxford University Press Martha Hanson, Simon & Schuster Michael Kwan, Simon & Schuster Peter Leatherwood, Neenah Zachary Lutz, DK Jacob Seifert, SoHo Publishing

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ABOUT THE SEALS In honor of the New York Book Show’s 30th anniversary, the Book Show Committee is pleased to introduce the Winners’ Seals. Print and distribution rights to these seals will be awarded to all winners—gold for first place, silver for all finalists (second, third, and merit places)—every year hereafter. We encourage all winners to display the seals on covers, websites, social media, and elsewhere to draw attention to these beautiful books. Seal design courtesy of Zachary Lutz, DK.

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FICTION/NONFICTION

FICTION/NONFICTION SERIES QUALITY PAPERBACK POETRY

ADULT GRAPHIC NOVEL LITERARY MAGAZINE

COVERS AND JACKETS

COVERS AND JACKET SERIES

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IN B E ST O RY G C AT E

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FIRST

HARDCOVER FICTION

GENERAL TRADE

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BATS OF THE REPUBLIC ZACHARY THOMAS DODSON

IMPRINT/PUBLISHER Doubleday, Penguin Random House

TYPEFACE Various

COVER/JACKET PRINTING Leefung Printers Limited

PUBLICATION DATE 10/06/15

TEXT STOCK 100gsm

COVER/JACKET STOCK & FINISH 140gsm Kraft

FORMAT Hardcover

PREPRESS/COMPOSITION North Market Street Graphics

COVER/JACKET EFFECTS 5/3 with matte varnish

TRIM SIZE 6 1⁄8 x 9 ¼"

PRINTING/BINDING Leefung Printers Limited

PRODUCTION STAFF Andy Hughes

COVER/JACKET ART DIRECTION Zachary Thomas Dodson

CASE MATERIALS Printed sides with black cloth spine and foil stamping

TEXT ART DIRECTION Zachary Thomas Dodson

COVER/JACKET DESIGN Zachary Thomas Dodson

TEXT DESIGN Zachary Thomas Dodson

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Zachary Thomas Dodson

ILLUSTRATOR/PHOTOGRAPHER Zachary Thomas Dodson

JUDGES' COMMENTS Wow, wow, wow! Brilliant use of negative outside cover. Intricate typography, flawlessly executed. Superior in every way.

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SECOND

HARDCOVER FICTION

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GENERAL TRADE

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SLADE HOUSE

I’ve never met a boy who calls his mum by her Christian name. Dad’d call it “very modern.” “I didn’t say she is lying. It’s just that he’s an incredibly famous virtuoso violinist.” Jonah spits his damson stone into tall pink daisies. “Even incredibly famous virtuoso violinists need friends. So how old are you, Nathan? Thirteen?” “Bang on.” I spit my stone farther. “You?” “Same,” he says. “My birthday’s in October.” “February.” I’m older, if shorter. “What school do you go to?” “School and I never saw eye to eye,” says Jonah. “So to speak.” I don’t understand. “You’re a kid. You have to go. It’s the law.” “The law and I never got on, either. ’Nother damson?” “Thanks. But what about the truancy officer?” Jonah’s face may mean he’s puzzled. Mrs. Marconi and me have been working on “puzzled.” “The what officer?” I don’t get it. He must know. “Are you taking the piss?” Jonah says, “I wouldn’t dream of taking your piss. What would I do with it?” That’s kind of witty, but if I ever used it on Gaz Ingram he’d crucify me on the rugby posts. “Seriously, I’m taught at home.” “That must be ace. Who teaches you? Your mum?” Jonah says, “Our master,” and looks at me. His eyes hurt, so I look away. Master’s like a posh word for “teacher.” “What’s he like?”

· · · “Eat a damson, Nathan,” says Jonah, handing me a fruit from the tree. He sits down at the base of one tree, so I sit down against its neighbor. “Thanks.” Its warm slushy flesh tastes of early August mornings. “Is Yehudi Menuhin really visiting?” Jonah gives me a look I don’t understand. “Why on earth would Norah lie?”

Mitc_9780812998689_5p_all_r1.indd 14-15

IMPRINT/PUBLISHER Random House Group, Penguin Random House PUBLICATION DATE 10/27/15 FORMAT Hardcover TRIM SIZE 5 7⁄8 x 7 ¼” PRODUCTION STAFF Richard Elman TEXT DESIGN Simon Sullivan

“An incurable show-off,” sighs Norah Grayer. “Now, Rita, I do hope you won’t mind, but Yehudi Menuhin’s dropped by and I told him about your Debussy recital. He’s positively bursting to meet you.” Mum makes a face like an astonished kid from Peanuts: “The Yehudi Menuhin? He’s here? This afternoon?” Lady Grayer nods like it’s no big deal. “Yes, he had a ‘gig’ at the Royal Festival Hall last night, and Slade House has become his London bolt-hole-cum-pied-à-terre, as it were. Say you don’t mind?” “Mind?” says Mum. “Meeting Sir Yehudi? Of course I don’t mind, I just . . . can’t quite believe I’m awake.” “Bravissima.” Lady Grayer takes Mum by the arm and steers her towards the big house. “Don’t be shy—Yehudi’s a teddy bear. Why don’t you chaps”—she turns to Jonah and me—“amuse yourselves in this glorious sunshine for a little while? Mrs. Polanski’s making coffee éclairs, so be sure to work up an appetite.”

s la d e h o u s e

dav i d mi tch el l

DAVID MITCHELL

6/8/16 2:41 PM

TYPEFACE Bell MT Std

COVER/JACKET STOCK & FINISH 80# Rainbow “Saffron” with press varnish

TEXT STOCK 45# Glatfelter Offset hi-bulk

COVER/JACKET EFFECTS BB embossing, black and gold silver foil stamping on front/spine and 1/c (black) printing on back

PREPRESS/COMPOSITION Scribe PRINTING/BINDING RR Donnelley Crawfordsville COVER/JACKET ART DIRECTION Robbin Schiff COVER/JACKET DESIGN Peter Mendelsund and Oliver Munday COVER/JACKET PRINTING Phoenix Color

OTHER COMPONENTS Each finished book was individually die-cut through the board Endpapers: 4/c JUDGES' COMMENTS Love die-cut on the cover. Effective continuity of design and different without being flash . 2 01 6 N E W YO R K B O O K S H OW

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MERIT

HARDCOVER FICTION

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GENERAL TRADE

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CITY ON FIRE

GARTH RISK HALLBERG

BOOK VI

THREE KINDS OF DESPAIR

[ 196 0 – 197 7 ]

A student came to a Zen master and said, “In what state of mind should I train myself, so as to find the truth?” Said the master, “There is no mind, so you cannot put it in any state. There is no truth, so you cannot train yourself for it.” “If there is no mind to train, and no truth to find,” said the student, “why do these monks gather before you every day to study?” “But I haven’t an inch of room here,” said the master, “so how could the monks gather? I have no tongue, so how could I teach them?” “Oh, how can you lie like this?” asked the student. “But if I have no tongue to talk to others, how can I lie to you?” asked the master. The student said sadly, “I cannot follow you. I cannot understand you.” “I cannot understand myself,” said the master. — z e n koa n

IMPRINT/PUBLISHER Alfred A. Knopf, Penguin Random House

ILLUSTRATOR/PHOTOGRAPHER Maggie Hinders and Romeo Enriquez

PUBLICATION DATE 10/13/15

TYPEFACE Janson Text

FORMAT Hardcover

TEXT STOCK Glatfelter Offset

TRIM SIZE 6 1⁄8 x 9 1⁄8”

PREPRESS/COMPOSITION North Market Street Graphics

PRODUCTION STAFF Romeo Enrique

PRINTING/BINDING RR Donnelley

TEXT ART DIRECTION Peter Andersen

COVER/JACKET ART DIRECTION Chip Kidd

TEXT DESIGN Maggie Hinders

COVER/JACKET DESIGN Chip Kidd

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Tetra Images/Alamy COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 100# C1S with gloss film lamination COVER/JACKET EFFECTS Holographic foil, spot matte UV, debossing CASE MATERIALS Rainbow 80# Black BB with Lustrofoil metallic red 48 stamp on front cover JUDGES' COMMENTS Striking jacket design. Lavish use of two foils on case to complement jacket. 2 01 6 N E W YO R K B O O K S H OW

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MERIT

HARDCOVER FICTION

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GENERAL TRADE

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MEMORY THEATER SIMON CRITCHLEY

IMPRINT/PUBLISHER Other Press

TYPEFACE Legacy Serif and Knockout

COVER/JACKET PRINTING Coral Graphics

PUBLICATION DATE 11/17/15

TEXT STOCK Glatfelter Offset B-18 Antique hi-bulk

COVER/JACKET STOCK & FINISH Soft touch layflat

FORMAT Hardcover

PREPRESS/COMPOSITION Alpha Graphics

COVER/JACKET EFFECTS PMS colors (238, 120)

TRIM SIZE 5 x 7 ½”

PRINTING/BINDING Berryville Graphics

CASE MATERIALS Antique (Ultramarine)

PRODUCTION STAFF Iisha Stevens and Yvonne Cardenas

COVER/JACKET ART DIRECTION Work of Art

OTHER COMPONENTS Endpapers: printed

TEXT ART DIRECTION Julie Fry

COVER/JACKET DESIGN Andreas Gurewich

TEXT DESIGN Elegant

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Andreas Gurewich

JUDGES' COMMENTS Vibrant colors on cover and endpapers make this book memorable.

ILLUSTRATOR/PHOTOGRAPHER Andreas Gurewich

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FIRST

HARDCOVER NONFICTION

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GENERAL TRADE

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FIELD GUIDE TO THE NEIGHBORHOOD BIRDS OF NEW YORK CITY LESLIE DAY

IMPRINT/PUBLISHER Johns Hopkins University Press PUBLICATION DATE 06/25/15 FORMAT Hardcover TRIM SIZE 5 ¼ x 8 ¼” PRODUCTION STAFF Robert Schreur TEXT ART DIRECTION Martha Sewall TEXT DESIGN Kimberly Glyder

ILLUSTRATOR/PHOTOGRAPHER Illustrations: Trudy Smoke; Photographs: Beth Bergman TYPEFACE Miller, text; Alternate Gothic TEXT STOCK 115gsm matte coated, 500ppi PREPRESS/COMPOSITION Kimberly Glyder PRINTING/BINDING Jade Productions COVER/JACKET ART DIRECTION Martha Sewall COVER/JACKET DESIGN Kimberly Glyder

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Illustration: Trudy Smoke; Photograph: Thinkstock COVER/JACKET PRINTING Jade Productions COVER/JACKET STOCK & FINISH Matte scuff-free lamination CASE MATERIALS Imitation cloth printed 4/c OTHER COMPONENTS Endpapers: 4/c JUDGES' COMMENTS Great feel; beautiful design; printing is phenomenal. 2 01 6 N E W YO R K B O O K S H OW

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SECOND

HARDCOVER NONFICTION

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GENERAL TRADE

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DRAWING BLOOD MOLLY CRABAPPLE

IMPRINT/PUBLISHER HarperCollins Publishers

TYPEFACE Fournier MT, Century Expanded LT

COVER/JACKET PRINTING Coral Graphics

PUBLICATION DATE 12/01/15

TEXT STOCK Lynx opaque 60# white, 434ppi

COVER/JACKET STOCK & FINISH 100# C1S

FORMAT Hardcover

PREPRESS/COMPOSITION Prepress: Graphic Process

COVER/JACKET EFFECTS Gritty matte, spot gloss

TRIM SIZE 6 ½ x 8 ½”

PRINTING/BINDING RR Donnelley Crawfordsville

PRODUCTION STAFF Diana Meunier

COVER/JACKET ART DIRECTION Robin Bilardello

CASE MATERIALS Rainbow “Eclipse” with “Antique” embossing and Lustrofoil metallic 82 stamping

TEXT ART DIRECTION Leah Carlson-Stanisic

COVER/JACKET DESIGN Gregg Kulick

TEXT DESIGN Leah Carlson-Stanisic

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Illustrations: Molly Crabapple; Photograph: Clayton Cubitt

ILLUSTRATOR/PHOTOGRAPHER Illustrations by Molly Crabapple

OTHER COMPONENTS Endpapers: illustration by Molly Crabapple JUDGES' COMMENTS Love the progression of black and white to two-color to four-color in the front of the book. Great heft to the book. Small details throughout add to the visual appeal. 2 01 6 N E W YO R K B O O K S H OW

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THIRD

HARDCOVER NONFICTION

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GENERAL TRADE

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M TRAIN

PATTI SMITH

IMPRINT/PUBLISHER Alfred A. Knopf, Penguin Random House

TYPEFACE Granjon

COVER/JACKET PRINTING Coral Graphics

PUBLICATION DATE 10/06/15

TEXT STOCK Glatfelter Offset

COVER/JACKET STOCK & FINISH 80# C1S

FORMAT Hardcover

PREPRESS/COMPOSITION North Market Street Graphics

COVER/JACKET EFFECTS Gritty matte UV

TRIM SIZE 5 1⁄8 x 7 7⁄8”

PRINTING/BINDING Berryville Graphics

CASE MATERIALS Rainbow 80# “New Moire”

PRODUCTION STAFF Claire Ong

COVER/JACKET ART DIRECTION Carol Carson

OTHER COMPONENTS Endpapers: Multicolor 70# Antique

TEXT ART DIRECTION Peter A. Andersen

COVER/JACKET DESIGN Carol Carson

TEXT DESIGN Cassandra Pappas

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Claire Alexandra Hatfield, Patti Smith

JUDGES' COMMENTS Beautiful, classic design. Cool case material makes it a standout.

ILLUSTRATOR/PHOTOGRAPHER Patti Smith

2 01 6 N E W YO R K B O O K S H OW

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MERIT

HARDCOVER NONFICTION

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GENERAL TRADE

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ALFRED A. KNOPF 1915-2015, A CENTURY OF PUBLISHING INTRODUCTION BY CHARLES MCGRATH, FOREWORD BY SONNY MEHTA

IMPRINT/PUBLISHER Alfred A. Knopf, Penguin Random House

TYPEFACE Electra

COVER/JACKET STOCK & FINISH 80# Mohawk Via “Warm White”

PUBLICATION DATE 10/01/15

TEXT STOCK Glatfelter Offset

COVER/JACKET EFFECTS Film lamination

FORMAT Hardcover

PREPRESS/COMPOSITION North Market Street Graphics

CASE MATERIALS Sierra Bright Red

TRIM SIZE 6 ¼ x 9 ¼"

PRINTING/BINDING Berryville Graphics

OTHER COMPONENTS Endpapers: Rainbow

PRODUCTION STAFF Andy Hughes

COVER/JACKET ART DIRECTION Carol Carson

TEXT ART DIRECTION Peter A. Andersen

COVER/JACKET DESIGN Oliver Munday

TEXT DESIGN Peter A. Andersen

COVER/JACKET PRINTING Coral Graphics

JUDGES' COMMENTS Thoughtfully designed, high production values. Two hits of foil on the case is luscious!

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MERIT

HARDCOVER NONFICTION

onori HCausaS Essays in Honour of

aveek sarkar

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GENERAL TRADE

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HONORIS CAUSA

JOHN MAKINSON, ED.

Honoris Causa

Recognizing the problem, Section 12 of the Human Rights Act 1998 bravely attempts to salvage the position. The section is headed ‘Freedom of Expression’. Promisingly, the opening paragraph reads: ‘This section applies if a court is considering whether to grant any relief which, if granted, might affect the exercise of the Convention right to freedom of expression.’ However, Section 12(3) stipulates that the court should not grant relief so as to restrain publication before trial unless satisfied that the applicant is likely to establish that the publication would be allowed. Furthermore, Section 12(4) provides that the court must give particular regard to the importance of the Convention right to freedom of expression. Section 12 of the Human Rights Act is plainly designed to strengthen the ability of a newspaper or another publication to resist an application for an injunction. The reference to a privacy code was no doubt intended by Parliament to cover such bodies as the Press Complaints Commission. In practice, however, it seems to me that the English courts have faced a stream of actions whose principal object is to prevent the publication of material defamatory of the claimant. If this is clear when the application for an injunction is made, then the court may refuse to grant an injunction. But there have been many occasions recently when the court has been persuaded that an injunction should be granted if the interest which the claimant is seeking to protect is other than to prevent the publication of defamatory material. The court may grant an injunction in order to protect the right of the claimant, for example, to confidentiality. My concern is that the rigour of the principle or ‘rule’ established in the nineteenth century in Bonnard v. Perryman is being eroded despite the valiant attempt to preserve it in Section 12 of the Human Rights Act 1998. Section 12(4) is clear in its language. What it provides is that the court must give particular regard to the right to freedom of expression. This vital provision should not be eroded by judges whether in England or in India.

Aspects of Typographic Communication Notes oN the typeforms of south AsiA FIONA ROSS

ascender height ascender

kerning vowel sign

ligature

headline

�� ক finial or stroke termination

main stroke or stem

kana (vowel sign)

counter

base character height

subscript or subscribed vowel sign

bowl

rounding or ‘blob’

notional baseline

FIGURE 1. Nomenclature for Indian typeforms using digital Linotype Bengali typeface for illustration (based on an original in Fiona Ross, The Printed Bengali Character and Its Evolution).

he communication of ideas in visual form depends on image and text and, occasionally, text as image. The world’s diverse languages rely on a multiplicity of writing systems to achieve textual expression, with the scripts of South Asia perhaps demonstrating the greatest visual diversity.

IMPRINT/PUBLISHER Allen Lane, Penguin Random House UK

ILLUSTRATOR/PHOTOGRAPHER Subrata Chowdhury

COVER/JACKET PRINTING Naba Mudran Pvt., Ltd.

PUBLICATION DATE 12/10/15

TYPEFACE Andrade, MB Empire, Adobe Jenson

COVER/JACKET STOCK & FINISH 4/c Offset, matte lamination

FORMAT Hardcover

PREPRESS/COMPOSITION Shubhani Sarkar, DIX

COVER/JACKET EFFECTS Embossing, Spot gloss UV

TRIM SIZE 7 x 9 3⁄8”

PRINTING/BINDING Naba Mudran Pvt., Ltd.

CASE MATERIALS 100% Art Cotton with 1/c silkscreen

PRODUCTION STAFF Subir Mitra

COVER/JACKET ART DIRECTION Shubhani Sarkar

OTHER COMPONENTS Endpapers: 1/c with spot gloss UV

TEXT ART DIRECTION Shubhani Sarkar

COVER/JACKET DESIGN Shubhani Sarkar

TEXT DESIGN Shubhani Sarkar

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Subrata Chowdhury

JUDGES' COMMENTS Beautifully executed printing on cloth, wow! Unique, beautiful endpapers.

2 01 6 N E W YO R K B O O K S H OW

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QUALITY FLEXICOVER NONFICTION

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PDF Page: txc4_13504.p36.pdf

THE TYPEWRITER REVOLUTION RICHARD POLT

IMPRINT/PUBLISHER The Countryman Press, W. W. Norton & Company, Inc. PUBLICATION DATE 11/12/15 FORMAT Paperback TRIM SIZE 7 ½ x 9” PRODUCTION STAFF Devon Zahn TEXT DESIGN Nick Caruso

TYPEFACE 1913 Typewriter, DIN TEXT STOCK 100gsm UPM Fine woodfree white PRINTING/BINDING RR Donnelley Shenzhen COVER/JACKET DESIGN Nick Caruso COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Richard Polt (front cover), Alan Seaver (back cover) COVER/JACKET PRINTING RR Donnelley Shenzhen

COVER/JACKET STOCK & FINISH 300gsm Huaxia Sun C1S art card with matte film lamination COVER/JACKET EFFECTS Thin cloth grain embossing, title debossing OTHER COMPONENTS Custom-dyed typewriter ribbon marker JUDGES' COMMENTS Inspired choice of typefaces that reflect the topic of the book. Brilliantly conceived package. Typewriter ribbon marker… WOW!

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• 21

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PDF Page: txc4_13504.p38.pdf

FAT CAT ART

SVETLANA PETROVA

IMPRINT/PUBLISHER TarcherPerigee, Penguin Random House

ILLUSTRATOR/PHOTOGRAPHER Svetlana Petrova

PUBLICATION DATE 09/15/15

TYPEFACE Fairfield LT Std Medium, Fairfield LT Std Heavy Italic, Copperplate Gothic Bold

FORMAT Paperback TRIM SIZE 7 x 7” PRODUCTION STAFF John Sharp TEXT ART DIRECTION Claire Vaccaro TEXT DESIGN Claire Vaccaro and Stephanie Huntwork

TEXT STOCK 105gsm Gold Sun Matte Art Paper FSC PREPRESS/COMPOSITION RR Donnelley/ComCom PRINTING/BINDING RR Donnelley South China COVER/JACKET ART DIRECTION Dave Walker COVER/JACKET DESIGN Dave Walker

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Svetlana Petrova COVER/JACKET PRINTING RR Donnelley South China COVER/JACKET STOCK & FINISH 300gsm Huaxia Sun C1S card FSC with matte lamination COVER/JACKET EFFECTS Embossing, spot gloss UV OTHER COMPONENTS Flaps JUDGES' COMMENTS Rich illustrations. Consistent color on the kitty throughout. Nice balanced design. 2 01 6 N E W YO R K B O O K S H OW

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LOVE STYLE LIFE GARANCE DORÉ

IMPRINT/PUBLISHER Spiegel & Grau, Penguin Random House

TYPEFACE Garamond Premier Pro

COVER/JACKET PRINTING C & C Offset Printing Co., Ltd.

PUBLICATION DATE 10/05/15

TEXT STOCK 128gsm Chinese Chen Ming FSC matte art

FORMAT Paperback

PREPRESS/COMPOSITION North Market Street Graphics

COVER/JACKET STOCK & FINISH 350gsm Chinese C1S art board with matte layflat lamination

TRIM SIZE 7 x 9 1⁄8”

PRINTING/BINDING C & C Offset Printing Co., Ltd.

PRODUCTION STAFF Richard Elman

COVER/JACKET ART DIRECTION Greg Mollica

TEXT ART DIRECTION Elina Asanti/NR2154

COVER/JACKET DESIGN Elina Asanti/NR2154

TEXT DESIGN Elina Asanti/NR2154

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Elina Asanti/NR2154

COVER/JACKET EFFECTS Press varnish on inside, black and gold foil stamping, post-embossing, debossing on back JUDGES' COMMENTS Intricate binding style. Dynamic layout and graphics.

2 01 6 N E W YO R K B O O K S H OW

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PDF Page: txc4_13504.p42.pdf

LOLITO

BEN BROOKS

IMPRINT/PUBLISHER Regan Arts

TYPEFACE Plantin, Futura, handwriting, Pica

COVER/JACKET PRINTING Coral Graphics/BE Printers

PUBLICATION DATE 07/28/15

TEXT STOCK 50# Glatfelter Offset Extra Bulk

FORMAT Paperback

PREPRESS/COMPOSITION In-house

COVER/JACKET STOCK & FINISH 10pt C1S with soft touch matte film lamination

TRIM SIZE 5 ½ x 8 ¼”

PRINTING/BINDING Quad Graphics Fairfield

PRODUCTION STAFF Kurt Andrews

COVER/JACKET ART DIRECTION Richard Ljoenes

TEXT ART DIRECTION Richard Ljoenes

COVER/JACKET DESIGN Clinton Reno and Richard Ljoenes

TEXT DESIGN Palimpsest Book Production, Ltd. and Richard Ljoenes

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Clinton Reno

OTHER COMPONENTS Book block stained on three sides JUDGES' COMMENTS Yellow topstain!!! A restrained package with quiet surprises: a full-bleed opening page and full-bleed closing author photo.

2 01 6 N E W YO R K B O O K S H OW

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MERIT

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NEW YORK

TIMES

BESTSELLING

AUTHOR

b BERKLEY

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PDF Page: txc4_13504.p44.pdf

BLUE SMOKE NORA ROBERTS

180

01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32S 33N

IMPRINT/PUBLISHER Berkley, Penguin Random House PUBLICATION DATE 07/07/15 FORMAT Paperback TRIM SIZE 6 x 9” PRODUCTION STAFF Kellie Schirmer TEXT ART DIRECTION Laura K. Corless TEXT DESIGN Laura K. Corless

N O R A

R O B E R T S

over and over it. I can’t see it’s anything but coincidence. You look at the statements.” She tapped the file. “Luke wasn’t Mr. Popularity among his coworkers, his former relationships. Still, none of them look any better for it than I do, at this point. What it looks like is somebody hired a torch. Hell, I’d say the son of a bitch hired one himself to slap back at me, but the timing’s too tight for that to fly.” “Pretty tight,” John agreed. “But it’s an angle—the hiring a torch to slap at you. Maybe you ought to think of somebody you might’ve ticked off lately.” “Cops are always ticking somebody off,” she muttered. “Ain’t that the truth?” He eased back, smiled when Fran brought their pizza to the table. “How’s it going, sweetie?” “It’s going good.” But her hand moved over to rub at Reena’s shoulder. “Now, make my baby sister put that work away and eat something.” “See what I can do. Put it away,” John advised when Fran walked off. “You’ll handle any heat that comes your way on this. Unofficially, nobody’s looking at you. You’ve got a solid record because you earned it, and your alibi holds. Set it aside, let the system work.” “Yeah. You know, John, I don’t know if I chose my career or it chose me. Fire seems to follow me around. Sirico’s, the first boy I really cared about, Hugh. Now this.” He slid a slice of pizza onto his plate. “Fate’s a mean bastard.”

Baltimore, 2005

or better or worse, it was done. Reena’s heart was pounding, her throat bone-dry, and at the base of her belly was a little tickle that could have been panic or excitement. She’d bought herself a house. She stood on the white marble steps, the keys in her clammy hand. Settlement was over, the papers were signed. She had a mortgage. And a bank loan, she thought, that stretched out so long she’d be ready for retirement when it was paid off. Did the math, didn’t you? she reminded herself. You can make this work. It was time she owned property. Oh God, she was a property owner. And hadn’t she fallen in love with this house? It was so like home. What that said about her, she wasn’t entirely sure, but it had been love at first sight. Everything about it had called to her. The location, the familiarity, even the slightly tired interior that just begged her to liven it up, her way. It even had a backyard—maybe it was narrow enough to spit from line to line, but it was an actual yard with actual grass. It even had a tree. Which meant she’d have to mow grass and rake leaves, which meant

01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 S32 N33

ILLUSTRATOR/PHOTOGRAPHER Title page and part opener image from Shutterstock

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Rita Frangie using images from Shutterstock

TYPEFACE Dante MT Std, Ferrum Extra-condensed

COVER/JACKET PRINTING Coral Graphics

TEXT STOCK 40# Resolute Book 70 500ppi

COVER/JACKET STOCK & FINISH 10pt C2S with gloss mylar lamination

PREPRESS/COMPOSITION Jouve North America

COVER/JACKET EFFECTS Spot matte UV, dome embossing, 4/c inside cover printing, die-cut flaps

PRINTING/BINDING RR Donnelley Harrisonburg COVER/JACKET ART DIRECTION Rita Frangie COVER/JACKET DESIGN Rita Frangie

JUDGES' COMMENTS Exceptional cover design. Nice treatment of die-cut flaps to accentuate burnt effects.

2 01 6 N E W YO R K B O O K S H OW

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PDF Page: txc4_13504.p46.pdf

THUG NOTES

SPARKY SWEETS, PHD

IMPRINT/PUBLISHER Vintage, Penguin Random House

TEXT DESIGN Stephanie Moss

COVER/JACKET PRINTING Phoenix Color

PUBLICATION DATE 08/18/15

TYPEFACE Apollo MT STD

COVER/JACKET STOCK & FINISH 10pt C2S with gritty matte UV

FORMAT Paperback

TEXT STOCK 45# Glatfelter B-18 Smooth

TRIM SIZE 6 x 7 ¾"

PREPRESS/COMPOSITION North Market Street Graphics

JUDGES' COMMENTS Skillful integration of illustrations with text.

PRODUCTION STAFF Quinn O’Neill

PRINTING/BINDING RR Donnelley Harrisonburg

TEXT ART DIRECTION Claudia Martinez

COVER/JACKET DESIGN Joan Wong 2 01 6 N E W YO R K B O O K S H OW

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• 31

FIRST

POETRY

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Job Name: 13504

PDF Page: txc4_13504.p48.pdf

SHARDS

LORENZO CHIERA AND LAWRENCE FERLINGHETTI

[. . .]

Latroniuçça tosta110 sotto lo ponne la torrao111 de scarçella112 forrata113 de pelo [. . .] ddiaceraola [. . .] gaudere114 et spiegharaola115 [. . .] pe’ffurare116 l’aoro117 que nce118 [. . .]

A quick disguise under the bridge And I’ll snatch her purse the one with fur I’ll lay it down and make it purr and open it and get the gold inside her

[. . .]

110 111 112 113 114 115 116 117 118

Latroniuçça tosta: ‘rapina, piccola ruberia’. Torrao: ‘prenderò’. Scarçella: ‘borsa’. Forrata: ‘foderata’. Ddiaceraola gaudere: ‘la metterò distesta per farla godere’. Spiegharaola: ‘la aprirò’. Pe’ffurare: ‘per rubare’. L’aoro: ‘l’oro’. Nce: ‘ci’ (sottint. ‘si trova’). 58

IMPRINT/PUBLISHER New Directions

TYPEFACE Poliphilus and Blado

PUBLICATION DATE 09/08/15

TEXT STOCK 55# Glatfelter B-18 360ppi

FORMAT Hardcover

PREPRESS/COMPOSITION Thomson-Shore

TRIM SIZE 4 x 6”

PRINTING/BINDING Thomson-Shore

PRODUCTION STAFF Erik Rieselbach

COVER/JACKET ART DIRECTION Rodrigo Corral/Erik Rieselbach

TEXT ART DIRECTION Erik Rieselbach

COVER/JACKET DESIGN Rodrigo Corral

TEXT DESIGN Erik Rieselbach

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Rodrigo Corral COVER/JACKET PRINTING Thomson-Shore COVER/JACKET STOCK & FINISH 100# C1S with matte UV CASE MATERIALS Arrestox B cloth over 88pt boards with matte foil stamping JUDGES' COMMENTS Very tactile. Great continuity of grittiness of case paper materials tying with gritty display face on cover. 2 01 6 N E W YO R K B O O K S H OW

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SECOND POETRY

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GENERAL TRADE

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PDF Page: txc4_13504.p50.pdf

DARK SPARKLER AMBER TAMBLYN

IMPRINT/PUBLISHER Harper Perennial, HarperCollins Publishers PUBLICATION DATE 04/01/15 FORMAT Paperback TRIM SIZE 6 x 8” PRODUCTION STAFF Donna Brown TEXT ART DIRECTION Leah Carlson-Stanisic TEXT DESIGN Leah Carlson-Stanisic

ILLUSTRATOR/PHOTOGRAPHER Illustrations by Sage Vaughn, Sandro Kopp, Russ Tamblyn, Marcel Dzama, George Herms, Kid Koala, Pat Hamou, Marilyn Manson, Adrian Tomine, Travis Louie, and David Lynch TYPEFACE Carre Noir Light and Chronicle Display TEXT STOCK 55# Earth Choice Cream, 364ppi PREPRESS/COMPOSITION Prepress by Graphic Process PRINTING/BINDING Quad Graphics COVER/JACKET ART DIRECTION Robin Bilardello

COVER/JACKET DESIGN Gregg Kulick COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY CSA Images, Getty Images COVER/JACKET PRINTING 3 PMS/1 PMS COVER/JACKET STOCK & FINISH 10pt C1S with matte UV COVER/JACKET EFFECTS Spot gloss JUDGES' COMMENTS There’s a treat on almost every page. Nice energy in use of colors.

2 01 6 N E W YO R K B O O K S H OW

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PDF Page: txc4_13504.p51.pdf

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THIRD POETRY

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GENERAL TRADE

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PDF Page: txc4_13504.p52.pdf

TRYING AGAIN TO STOP TIME JALAL BARZANJI

Returning to Autumn

I Want To Be Named Home

I’m not sure you too can return to autumn, but I must say it’s been a good return for me: these past six days

2007

I get good sleep, I rise early, I get to see the leaves fall, and now that my words have turned into an orchard, I don’t need much. I pick ripened fruit every morning and thank autumn for helping me reconcile with myself.

IMPRINT/PUBLISHER The University of Alberta Press

ILLUSTRATOR/PHOTOGRAPHER Angus Wyatt

PUBLICATION DATE 02/18/15

TYPEFACE Scala Sans, Fayon

FORMAT Paperback

TEXT STOCK 55# Enviro Cream

TRIM SIZE 5 ¼ x 9”

PREPRESS/COMPOSITION Alan Brownoff

PRODUCTION STAFF Alan Brownoff

PRINTING/BINDING Houghton Boston Printers

TEXT ART DIRECTION Alan Brownoff

COVER/JACKET ART DIRECTION Alan Brownoff

TEXT DESIGN Alan Brownoff

COVER/JACKET DESIGN Alan Brownoff

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Angus Wyatt COVER/JACKET PRINTING Houghton Boston Printers COVER/JACKET STOCK & FINISH Matte lamination JUDGES' COMMENTS Nice printing and binding. It’s difficult not to have the flaps crack. Achieved this beautifully.

2 01 6 N E W YO R K B O O K S H OW

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PDF Page: txc4_13504.p53.pdf

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MERIT POETRY

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PDF Page: txc4_13504.p54.pdf

HOW TO BE DRAWN TERRANCE HAYES

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Art: Terrance Hayes; Hand lettering: Jaya Miceli

IMPRINT/PUBLISHER Penguin Books, Penguin Random House

TEXT DESIGN Ginger Legato

PUBLICATION DATE 03/31/15

TYPEFACE Frutiger Linotype Std

FORMAT Paperback

TEXT STOCK 45# Domtar/Earthchoice trade 400ppi Cream White

TRIM SIZE 6 x 9” PRODUCTION STAFF Marlene de Jesús TEXT ART DIRECTION Sabrina Bowers

PREPRESS/COMPOSITION Allentown PRINTING/BINDING RR Donnelley Harrisonburg COVER/JACKET DESIGN Alison Forner

COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 10pt C1S with matte UV finish JUDGES' COMMENTS Efficient use of crinkled paper graphic carried throughout.

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ADULT GRAPHIC NOVEL

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PDF Page: txc4_13504.p56.pdf

AMAZING FANTASTIC INCREDIBLE STAN LEE

We should start at the very beginNing, I guesS.

Anyway, I was born in the apartment that I first lived in. My father was Jack Lieber, my mother, Celia. He was a Romanian imMigrant who came to the States when he was young; my mom was born in New York.

And now I wilL do my best to telL you how it alL came about, with some digresSions along the way.

I canNot telL you how wonderful it is to seE you alL. I’ve spent decades of my life trying to entertain and divert you.

We were living in Washington Heights by that point, having moved out of the apartment on West 98th StreEt and West End Avenue.

hey!

And I was raised in--

There’s a big screEn there!

I was born in New York City on December 28, 1922.

Nine years later my kid brother, LarRy, was born. We never realLy got a chance to know each other because by the time he was 5, I was 14 and playing with older kids.

I’d spend most of my time reading.

I loved to read.

Why should I loOk at you guys when I can loOk at myself?!

Although, damn, I gotTa say, it loOks pretTy goOd. Joanie did a great job.

Hold it. I can’t seE my face!

And not just that, but my mother loved to watch me read. My whole adult life, I’ve never beEn to a barber. Joanie always cuts my hair.

Or chew gum.

Or breathe.

This is ridiculous! I don’t wanNa stare at the back of my head!

But I’lL get to her in a while. First things first: back to me.

I probably got my self-confidence from the fact that my mother thought everything I did was brilLiant.

IMPRINT/PUBLISHER Touchstone Books, Simon & Schuster

TYPEFACE Lettering

COVER/JACKET PRINTING Phoenix Color

PUBLICATION DATE 11/03/15

TEXT STOCK 80# Sterling Ultra Gloss

COVER/JACKET STOCK & FINISH 100# C1S with gloss film lamination

FORMAT Hardcover

PREPRESS/COMPOSITION Simon & Schuster

COVER/JACKET EFFECTS Vibramotion, embossing

TRIM SIZE 6 7⁄8 x 10 7⁄16”

PRINTING/BINDING RR Donnelley Willard

CASE MATERIALS 80# C1S with matte film

PRODUCTION STAFF Larry Pekarek

COVER/JACKET ART DIRECTION Cherlynne Li

OTHER COMPONENTS Endpapers: Rainbow “Red”

TEXT ART DIRECTION Erich Hobbing

COVER/JACKET DESIGN Cherlynne Li

TEXT DESIGN Colleen Doran

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Colleen Doran

JUDGES' COMMENTS Amazing, fantastic, incredible printing. Bold and eye-popping. Impressive choice of materials.

ILLUSTRATOR/PHOTOGRAPHER Colleen Doran

2 01 6 N E W YO R K B O O K S H OW

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SECOND

ADULT GRAPHIC NOVEL

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GENERAL TRADE

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PDF Page: txc4_13504.p58.pdf

THE SCULPTOR SCOTT MCCLOUD

IMPRINT/PUBLISHER First Second Books, Macmillan Publishers

ILLUSTRATOR/PHOTOGRAPHER Scott McCloud

PUBLICATION DATE 02/03/15

TYPEFACE The Sculptor

FORMAT Hardcover

TEXT STOCK 120gsm UPM Fine uncoated woodfree FSC

TRIM SIZE 6 x 8 ½”

PREPRESS/COMPOSITION Westchester Book

PRODUCTION STAFF Alexa Villanueva

PRINTING/BINDING RR Donnelley Asia Printing Solutions

TEXT ART DIRECTION Colleen AF Venable/ John Green

COVER/JACKET ART DIRECTION Colleen AF Venable

TEXT DESIGN Colleen AF Venable/ John Green

COVER/JACKET DESIGN Colleen AF Venable

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Scott McCloud COVER/JACKET PRINTING RR Donnelley Asia Printing Solutions COVER/JACKET STOCK & FINISH 128gsm Gold Sun Gloss Art paper FSC COVER/JACKET EFFECTS Matte lamination CASE MATERIALS 128gsm Gold Sun Gloss art paper FSC with matte lamination JUDGES' COMMENTS Feels good in your hands. Beautiful materials and printing. Attractive layout. 2 01 6 N E W YO R K B O O K S H OW

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•

FIRST PLACE COVER HARDCOVER FICTION

THE ARCHITECT’S APPRENTICE ELIF SHAFAK

IMPRINT/PUBLISHER Viking, Penguin Random House PUBLICATION DATE 03/31/15 FORMAT Hardcover TRIM SIZE 6 1⁄8 x 9 ¼” PRODUCTION STAFF Sharon Gonzalez COVER/JACKET ART DIRECTION Paul Buckley COVER/JACKET DESIGN Jaya Miceli COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Jaya Miceli COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 100# C1S with soft touch film lamination COVER/JACKET EFFECTS Foil stamping JUDGES' COMMENTS Elephants look like pearl. The release of the gold foil is perfect.

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GENERAL TRADE

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SECOND PLACE COVER HARDCOVER FICTION

THE LAST PILOT

BENJAMIN JOHNCOCK IMPRINT/PUBLISHER Picador, St. Martin’s Press, Macmillan Publishers PUBLICATION DATE 07/07/15 FORMAT Hardcover TRIM SIZE 5 5⁄8 x 8 ½” PRODUCTION STAFF Lisa Viviani Goris COVER/JACKET ART DIRECTION Henry Sene Yee COVER/JACKET DESIGN LeeAnn Falciani and Henry Sene Yee COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Photograph by skreidzeleu/Shutterstock COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 11# C2S McCoy with matte polypropylene lamination COVER/JACKET EFFECTS Spot gloss UV, embossing CASE MATERIALS One-piece with 70# Rainbow A “Navy” with “Antique” embossing JUDGES' COMMENTS Stark, evocative image. Makes you want to know more.

2 01 6 N E W YO R K B O O K S H OW

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•

THIRD PLACE COVER HARDCOVER FICTION

DUPLICITY N. K. TRAVER

IMPRINT/PUBLISHER Thomas Dunne Books, St. Martin’s Press, Macmillan Publishers PUBLICATION DATE 03/15/15 FORMAT Hardcover TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Cheryl Mamaril COVER/JACKET ART DIRECTION Michael Storrings COVER/JACKET DESIGN Kerri Resnick COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Photo: Shutterstock COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH Matte lamination JUDGES' COMMENTS Interesting mix of image, graphics, and color. Eye-catching.

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MERIT AWARD COVER HARDCOVER FICTION

ALL THE STARS IN THE HEAVENS ADRIANA TRIGIANI

IMPRINT/PUBLISHER Harper, HarperCollins Publishers PUBLICATION DATE 10/13/15 FORMAT Hardcover TRIM SIZE 6 1⁄8 x 9 ¼” PRODUCTION STAFF Michael Siebert COVER/JACKET DESIGN Gregg Kulick COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Underwood Archives, Getty Images; Lisa Thornberg, Getty Images; Time Life Pictures, Getty Images COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 80# Neenah Starwhite Flashwhite text with press varnish COVER/JACKET EFFECTS Embossing, spot gloss UV JUDGES' COMMENTS The foil ribbon embossing is very effective.

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• 47

MERIT AWARD COVER HARDCOVER FICTION

THE BAZAAR OF BAD DREAMS STEPHEN KING

IMPRINT/PUBLISHER Scribner, Simon & Schuster PUBLICATION DATE 11/03/15 FORMAT Hardcover TRIM SIZE 6 ¼ x 9 ½” PRODUCTION STAFF Olga Leonardo COVER/JACKET ART DIRECTION Jaya Miceli COVER/JACKET DESIGN Jonathan Bush COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Nicolas Obery COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 100# C1S with soft touch film COVER/JACKET EFFECTS Lithofoil, embossing JUDGES' COMMENTS Inspired metallic ink design. Rich, vibrant color pop from exquisitely black background.

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FIRST PLACE COVER

HARDCOVER NONFICTION

BORN ON THE BAYOU BLAINE LOURD

IMPRINT/PUBLISHER Gallery Books, Simon & Schuster PUBLICATION DATE 08/18/15 FORMAT Hardcover TRIM SIZE 6 1⁄8 x 9 ¼" PRODUCTION STAFF Beth Maglione COVER/JACKET DESIGN John Vairo Jr. COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Steve Outran, Getty Images (front cover); Eric Schlegel, Corbis (back cover) COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 100# C1S with soft touch film lamination COVER/JACKET EFFECTS Embossing, debossing, spot gritty matte UV JUDGES' COMMENTS Extremely tactile. Lots of variation in textures. Label feels like freshly washed jeans.

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SECOND PLACE COVER HARDCOVER NONFICTION

BLACK SABBATH MICK WALL

IMPRINT/PUBLISHER St. Martin’s Press, Macmillan Publishers PUBLICATION DATE 04/04/15 FORMAT Hardcover TRIM SIZE 6 ¼ x 9 ½” PRODUCTION STAFF Eric Gladstone COVER/JACKET ART DIRECTION Rob Grom COVER/JACKET DESIGN Rob Grom COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Duffy, Getty Images COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH Soft touch matte lamination COVER/JACKET EFFECTS Spot gloss UV CASE MATERIALS Pasted oak board JUDGES' COMMENTS Great use of black on black. Cool! Love the matte and gloss effects.

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GENERAL TRADE

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PDF Page: txc4_13504.p66.pdf

THIRD PLACE COVER HARDCOVER NONFICTION

LEADING THROUGH LANGUAGE BART EGNAL

IMPRINT/PUBLISHER Wiley PUBLICATION DATE 12/11/15 FORMAT Hardcover TRIM SIZE 6 1⁄8 x 9 ¼” PRODUCTION STAFF Mike Freeland COVER/JACKET ART DIRECTION Mike Freeland COVER/JACKET DESIGN Mike Freeland COVER/JACKET PRINTING Quad Graphics Fairfield COVER/JACKET STOCK & FINISH 80# C1S smooth with matte film lamination CASE MATERIALS 70# Rainbow “Black” with “Antique” embossing JUDGES' COMMENTS Graphic design complements subject.

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MERIT AWARD COVER HARDCOVER NONFICTION

STRONG LOOKS BETTER NAKED

KHLOÉ KARDASHIAN IMPRINT/PUBLISHER Regan Arts PUBLICATION DATE 11/03/15 FORMAT Hardcover TRIM SIZE 6 x 9” PRODUCTION STAFF Kurt Andrews COVER/JACKET ART DIRECTION Richard Ljoenes COVER/JACKET DESIGN Richard Ljoenes COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Steven Gomillion COVER/JACKET PRINTING Coral Graphics/BE Printers COVER/JACKET STOCK & FINISH 80# C2S with soft touch matte film lamination (outside) and press varnish (inside) OTHER COMPONENTS Jacket folds out to a poster JUDGES' COMMENTS Bold use of bold. Great use of back side (pardon the pun).

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FIRST PLACE COVER QUALITY PAPERBACK

KATHERINE CARLYLE RUPERT THOMSON IMPRINT/PUBLISHER Other Press PUBLICATION DATE 10/06/15 FORMAT Paperback TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Iisha Stevens and Yvonne Cardenas COVER/JACKET ART DIRECTION Northern Lights COVER/JACKET DESIGN Andreas Gurewich COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Anna Lena Mayor Ekeblad COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH Soft touch JUDGES' COMMENTS Moody. Understated but effective.

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SECOND PLACE COVER

QUALITY PAPERBACK FICTION H

Where

CHRISTIE WATSON

PUBLICATION DATE 04/28/15

Women H

Kings H

H H

Christie Watson H

•

COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH Uncoated COVER/JACKET EFFECTS Foil stamp

a novel

H H

COVER/JACKET DESIGN Kathleen DiGrado COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Itani/Alamy

PRODUCTION STAFF Iisha Stevens and Yvonne Cardenas COVER/JACKET ART DIRECTION Bold

Are

TRIM SIZE 5 ½ x 8 ¼”

FORMAT Paperback

IMPRINT/PUBLISHER Other Press

WHERE WOMEN ARE KINGS

JUDGES' COMMENTS Striking image. Nice use of foil on stars.

GENERAL TRADE

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THIRD PLACE COVER

QUALITY PAPERBACK FICTION

IN THE FLESH

ADAM O’RIORDAN IMPRINT/PUBLISHER W. W. Norton & Company, Inc. PUBLICATION DATE 12/07/15 FORMAT Paperback TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Louise Mattarelliano COVER/JACKET ART DIRECTION Debra Morton Hoyt COVER/JACKET DESIGN Steve Attardo COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 10pt C1S COVER/JACKET EFFECTS Gritty matte JUDGES' COMMENTS Minimalist. Printed effect makes you want to reach out and touch it.

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FIRST PLACE COVER

QUALITY PAPERBACK NONFICTION

ISIS

MICHAEL WEISS AND HASSAN HASSAN IMPRINT/PUBLISHER Regan Arts PUBLICATION DATE 02/17/15 FORMAT Paperback TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Kurt Andrews COVER/JACKET ART DIRECTION Regan Arts COVER/JACKET DESIGN Regan Arts COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Abacca COVER/JACKET PRINTING Coral Graphics/BE Printers COVER/JACKET STOCK & FINISH 10pt C1S with gritty matte UV JUDGES' COMMENTS Powerful, dramatic, journalistic. Clean design, but conveys all you need to know.

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SECOND PLACE COVER

QUALITY PAPERBACK NONFICTION

HOW TO STAND OUT DR. ROB YEUNG IMPRINT/PUBLISHER Capstone, Wiley PUBLICATION DATE 05/01/15 FORMAT Paperback TRIM SIZE 5 ½ x 8 ½” PRODUCTION STAFF Carly Hounsome, Tessa Allen, Symmie Tyson, Emily Ward, Sian Bourner, Holly Bennion, Vicky Kinsman, Emma Henshall COVER/JACKET ART DIRECTION Kathy Davis COVER/JACKET DESIGN Kathy Davis COVER/JACKET PRINTING TJ International COVER/JACKET STOCK & FINISH 240/250gsm artboard with matte lamination COVER/JACKET EFFECTS 3/c with PMS 804c2 and 811c, spot gloss UV, and embossing JUDGES' COMMENTS Bold choice for front cover treatment—avoided the obvious. Dynamic back cover design.

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PDF Page: txc4_13504.p73.pdf

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THIRD PLACE COVER

QUALITY PAPERBACK NONFICTION

ONE WAY OUT ALAN PAUL

IMPRINT/PUBLISHER St. Martin’s Griffin, Macmillan Publishers PUBLICATION DATE 02/24/15 FORMAT Paperback TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Eric Gladstone COVER/JACKET ART DIRECTION Rob Grom COVER/JACKET DESIGN Rob Grom COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Hand lettering: Dave Stevenson; Photography: Michael Ochs, Getty Images COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 10pt C1S with gloss layflat film lamination COVER/JACKET EFFECTS Crown foil 210F-107, embossing JUDGES' COMMENTS Impressive execution of foil stamping and embossing.

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FIRST PLACE COVER SERIES HARDCOVER FICTION SERIES

THE KANIN CHRONICLES AMANDA HOCKING

IMPRINT/PUBLISHER St. Martin’s Griffin, Macmillan Publishers PUBLICATION DATE 01/06/15 FORMAT Hardcover TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Cheryl Mamaril COVER/JACKET ART DIRECTION Lisa Marie Pompilio COVER/JACKET DESIGN Lisa Marie Pompilio COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Mike Heath COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH Matte COVER/JACKET EFFECTS Spot Gloss UV JUDGES' COMMENTS Ironwork design tied the series together nicely. Good use of color.

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GENERAL

COOKBOOK

CRAFTS/HOBBIES PHOTOGRAPHY

FINE ART UNDER $75 GIFT

COVERS AND JACKETS

COVER AND JACKET SERIES

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FIRST

GENERAL

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THE JEMIMA CODE TONI TIPTON-MARTIN

IMPRINT/PUBLISHER University of Texas Press

TEXT STOCK 120gsm woodfree IKPP

PUBLICATION DATE 12/10/15

PREPRESS/COMPOSITION FCI Digital

FORMAT Hardcover

PRINTING/BINDING Everbest

TRIM SIZE 9 x 11”

COVER/JACKET DESIGN Lindsay Starr

PRODUCTION STAFF Lindsay Starr and Ellen McKie

COVER/JACKET PRINTING Everbest

TEXT DESIGN Lindsay Starr

COVER/JACKET STOCK & FINISH 120gsm woodfree IKPP

TYPEFACE Adobe Caslon

COVER/JACKET EFFECTS 2” French fold

CASE MATERIALS Teal cloth with red stamp on spine and front board JUDGES' COMMENTS Attractive overall design with an appealing color palette. Great use of the design grid with tasteful typography selection. Superior selection of materials for the product. Beautifully done!

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PDF Page: txc4_13504.p79.pdf

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AS ABOVE, SO BELOW

LYNNE ADELE AND BRUCE LEE WEBB

IMPRINT/PUBLISHER University of Texas Press PUBLICATION DATE 11/06/15 FORMAT Hardcover TRIM SIZE 10 x 10” PRODUCTION STAFF Derek George TEXT ART DIRECTION Derek George TEXT DESIGN Derek George ILLUSTRATOR/PHOTOGRAPHER Will Branch and Kevin Todora

TYPEFACE Miller, ITC Century, Akzidenz Grotesk, Abolition Rough

COVER/JACKET PRINTING Oceanic Graphic Printing

TEXT STOCK 157gsm Chinese Gold East matte

COVER/JACKET STOCK & FINISH 157gsm C2S Titan Gloss FSC art with layflat matte film lamination

PREPRESS/COMPOSITION Oceanic Graphic Printing

CASE MATERIALS JHT cloth, gold foil

PRINTING/BINDING Oceanic Graphic Printing

JUDGES' COMMENTS Excellent production and elegant presentation with good use of spot varnish, intricate binding design, and beautiful endpapers. Stained edges complete the package.

COVER/JACKET ART DIRECTION Derek George COVER/JACKET DESIGN Derek George COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Susan C. Waters

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PDF Page: txc4_13504.p82.pdf

WILDLIFE OF THE WORLD DK PUBLISHING

IMPRINT/PUBLISHER DK Publishing, Penguin Random House

ILLUSTRATOR/PHOTOGRAPHER Various photographers

PUBLICATION DATE 10/06/15

TYPEFACE Interstate, ITC Stone Serif Std, Palatino Lt Std, European Pi Std

FORMAT Hardcover TRIM SIZE 9 9⁄10 x 11 9⁄10" PRODUCTION STAFF Rita Sinha TEXT ART DIRECTION Michael Duffy, Ina Stradins, Francis Wong, Angeles Gavira, Janet Mohun, Peter Frances TEXT DESIGN See Interior/Text Art Direction

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Frans Lanting COVER/JACKET PRINTING Leo Paper Group

TEXT STOCK 128gsm Snow Eagle Malt FSC

COVER/JACKET STOCK & FINISH 150gsm Snow Eagle Gloss FSC

PREPRESS/COMPOSITION Francesca Wardell

COVER/JACKET EFFECTS Gold foil blocking, single level embossing, and gloss laminate finish

PRINTING/BINDING Leo Paper Group COVER/JACKET ART DIRECTION Sophia MTT COVER/JACKET DESIGN Mark Cavanagh

CASE MATERIALS 3mm board JUDGES' COMMENTS Meticulously designed interior, presenting information in an attractive and accessible manner. Beautifully reproduced photos. 2 01 6 N E W YO R K B O O K S H OW

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PDF Page: txc4_13504.p83.pdf

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PDF Page: txc4_13504.p84.pdf

STORIES IN THE STARS SUSANNA HISLOP

IMPRINT/PUBLISHER Penguin Books, Penguin Random House

ILLUSTRATOR/PHOTOGRAPHER Hannah Waldron

PUBLICATION DATE 11/03/15

TYPEFACE Quadraat Offc Pro and Futura

FORMAT Hardcover

TEXT STOCK 70# Husky Offset BW, 378 ppi

TRIM SIZE 7 1⁄8 x 10”

PREPRESS/COMPOSITION Jouve

PRODUCTION STAFF Dolores Reilly

PRINTING/BINDING RR Donnelley Willard

TEXT ART DIRECTION Sabrina Bowers

COVER/JACKET DESIGN Nayon Cho

TEXT DESIGN Will Webb Design

COVER/JACKET PRINTING Three flat spot colors

COVER/JACKET STOCK & FINISH Sides: 80# Finch uncoated Spine: 4086 Brillanta cloth COVER/JACKET EFFECTS Spine: two hits of pigment foil CASE MATERIALS Three-piece case OTHER COMPONENTS Endpapers: 2/c printing JUDGES' COMMENTS Good overall package with a wellexecuted interior design making use of the three colors in an interesting way.

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PDF Page: txc4_13504.p85.pdf

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THUNDER & LIGHTNING LAUREN REDNISS

IMPRINT/PUBLISHER Random House Group, Penguin Random House PUBLICATION DATE 10/27/15 FORMAT Hardcover TRIM SIZE 8 5⁄8 x 11 ½” PRODUCTION STAFF Richard Elman TEXT ART DIRECTION Lauren Redniss

TYPEFACE Qaneq TEXT STOCK 120gsm R.E. Thai woodfree PREPRESS/COMPOSITION Lauren Redniss PRINTING/BINDING Toppan Printing Co., (HK) Ltd. COVER/JACKET ART DIRECTION Lauren Redniss COVER/JACKET DESIGN Lauren Redniss

TEXT DESIGN Lauren Redniss

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Lauren Redniss

ILLUSTRATOR/PHOTOGRAPHER Lauren Redniss

COVER/JACKET PRINTING Toppan Printing Co., (HK) Ltd.

COVER/JACKET STOCK & FINISH 128gsm glossy art paper with matte film lamination COVER/JACKET EFFECTS Spot gloss UV, sculpted embossing CASE MATERIALS 3mm board OTHER COMPONENTS Endpapers: 4/c printing JUDGES' COMMENTS Great use of special effects on cover and unique interior design. Good choice of materials.

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BIEN CUIT

ZACHARY GOLPER AND PETER KAMINSKY

IMPRINT/PUBLISHER Regan Arts

TYPEFACE Gotham, Mercury, Trade Gothic, Sackers

COVER/JACKET PRINTING Toppan Leefung

PUBLICATION DATE 11/17/15

TEXT STOCK 140gsm woodfree

FORMAT Hardcover

PREPRESS/COMPOSITION Embassy Graphics

COVER/JACKET STOCK & FINISH 128gsm glossy stock with a scuff-resistant matte film lamination

TRIM SIZE 9 x 10 ½”

PRINTING/BINDING Toppan Leefung

PRODUCTION STAFF Kurt Andrews

COVER/JACKET ART DIRECTION Richard Ljoenes

TEXT ART DIRECTION Richard Ljoenes

COVER/JACKET DESIGN Richard Ljoenes

TEXT DESIGN Steve Attardo/Ninetynorth Design

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Thomas Schauer

ILLUSTRATOR/PHOTOGRAPHER Thomas Schauer

OTHER COMPONENTS Book block sewn with black thread and flush cut with exposed spine and black lacquer stain on three sides, including boards JUDGES' COMMENTS Bold choice using the exposed spine binding. The lay-flat binding makes the book completely functional for the cook. Beautiful overall package design with the flush boards and gilded edges. The front cover image blends nicely with the visible spine binding. 2 01 6 N E W YO R K B O O K S H OW

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PDF Page: txc4_13504.p89.pdf

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SPECIAL TRADE

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PDF Page: txc4_13504.p90.pdf

CROSSROADS TAL RONNEN

IMPRINT/PUBLISHER Artisan, Workman Publishing

TYPEFACE Grotesque MT

COVER/JACKET PRINTING Asia Pacific Offset

PUBLICATION DATE 10/06/15

TEXT STOCK 128gsm Gold East Matte Art paper

COVER/JACKET STOCK & FINISH 128gsm glossy art paper

FORMAT Hardcover

PREPRESS/COMPOSITION Mission

COVER/JACKET EFFECTS Black foil

TRIM SIZE 10 ½ x 8”

PRINTING/BINDING Asia Pacific Offset

PRODUCTION STAFF Nancy Murray

COVER/JACKET ART DIRECTION Michelle Ishay-Cohen

CASE MATERIALS Wibalin Buckram white over 2.5mm greyboard

TEXT ART DIRECTION Michelle Ishay-Cohen

COVER/JACKET DESIGN Michelle Ishay-Cohen

TEXT DESIGN Michelle Ishay-Cohen

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Lisa Romerein

ILLUSTRATOR/PHOTOGRAPHER Lisa Romerein

JUDGES' COMMENTS Innovative two-piece case and beautifully designed throughout. Stunning food photography reproductions and elegant typographic treatment make this book stand out.

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PDF Page: txc4_13504.p91.pdf

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THE CRAFT COCKTAIL PARTY

JULIE REINER WITH KAITLYN GOALEN

IMPRINT/PUBLISHER Grand Central Life & Style, Hachette

ILLUSTRATOR/PHOTOGRAPHER Photography by Daniel Krieger

COVER/JACKET DESIGN Laura Palese

PUBLICATION DATE 05/05/15

TYPEFACE Title: hand-lettered by Laura Palese Subtitle and Author: Richmond Hill (regular)

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Photography by Daniel Krieger

TEXT STOCK 80# Somerset Recycled Matte FSC

COVER/JACKET PRINTING Coral Graphics

PREPRESS/COMPOSITION Prepress: Quad Graphics Composition: Laura Palese

COVER/JACKET STOCK & FINISH Matte lamination

FORMAT Hardcover TRIM SIZE 7 ½ x 9 ¼” PRODUCTION STAFF Antoinette Marotta TEXT ART DIRECTION Laura Palese and Karen Murgolo TEXT DESIGN Laura Palese

PRINTING/BINDING Quad Graphics COVER/JACKET ART DIRECTION Elizabeth Connor

COVER/JACKET EFFECTS 5/c with matte JUDGES' COMMENTS Elegant design with clever use of nostalgic typographic elements. Beautifully produced. 2 01 6 N E W YO R K B O O K S H OW

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GOOD FOOD, GOOD LIFE CURTIS STONE

Roasted Beet and Quinoa Salad with Goat Cheese, Fennel, and Pecans the tarragon vinaigrette used here coats and clings to the grains of quinoa, infusing them with plenty of tangy flavor. i love the way the pecans interplay with the nuttiness of the grain. Farro, spelt, bulgur, and even wild or brown rice also work nicely in this salad.

1. To roast the beets, preheat the oven to 350°F.

2. Place the beets in a roasting pan or baking dish, rub them with 1 tablespoon of the oil, and sprinkle with salt and pepper. Cover the pan tightly with foil and roast the beets for about 1 hour, or until they are just tender. Cool slightly. 3. Meanwhile, to cook the quinoa, heat the remaining tablespoon of oil in a medium saucepan over medium-high heat. Add the quinoa and cook, stirring, for about 3 minutes, or until the quinoa is toasted. Add 1⅔ cups water and bring to a boil. Cover the pan, reduce the heat to medium-low, and simmer for about 20 minutes, or until the quinoa has absorbed the liquid and is tender. Turn off the heat, uncover the pan, and cool completely. 4. When the beets are cool enough to handle, using a towel, rub off the skin. Cut each beet into 6 wedges and place in a medium bowl. 5. To make the vinaigrette, in a small bowl, whisk the vinegar, shallots, oil, and tarragon to blend. Season the vinaigrette to taste with salt and pepper. Add 3 tablespoons of the vinaigrette to the cooked beets and toss to coat. Let stand for 30 minutes. 6. In a large bowl, toss the arugula and fennel with enough of the vinaigrette to coat lightly. Season with salt.

seRVes:

PReP tiMe:

15 minutes

COOK tiMe:

1 hour

M a K e - a h e a D : The beets and quinoa can be cooked up to 1 day ahead, covered separately, and refrigerated.

Beets aND QUiNOa

2 pounds small beets (about 2 inches in diameter), scrubbed and trimmed 2 tablespoons olive oil Kosher salt and freshly ground black pepper 1 cup red quinoa, rinsed saLaD aND ViNaigRette

3 tablespoons champagne vinegar 3 tablespoons finely chopped shallots 3 tablespoons olive oil 1 tablespoon chopped fresh tarragon Kosher salt and freshly ground black pepper 4 cups (not packed) baby arugula 1 fennel bulb, trimmed, cored, and shaved on a vegetable slicer or mandoline ½ cup pecans, toasted and very coarsely broken 4 ounces soft goat cheese

7. Mound the quinoa on a platter. Top with the arugula and fennel and then with the beets. Scatter the pecans over the salad and crumble the cheese over it. Drizzle with the remaining vinaigrette and serve immediately.

Light MeaLs

IMPRINT/PUBLISHER Ballantine Books

TYPEFACE Centaur MT Std

COVER/JACKET PRINTING C & C Offset Printing Co., Ltd.

PUBLICATION DATE 03/10/15

TEXT STOCK 120gsm Chinese Gold Sun woodfree

COVER/JACKET STOCK & FINISH 128gsm sides with matte film lamination

FORMAT Hardcover

PREPRESS/COMPOSITION Prepress: Mark Maguire Composition: Scribe

COVER/JACKET EFFECTS Wibalin white spine printed in two colors

TRIM SIZE 8 x 10” PRODUCTION STAFF Mark Maguire TEXT ART DIRECTION Carole Lowenstein TEXT DESIGN Liz Cosgrove ILLUSTRATOR/PHOTOGRAPHER Ray Kachatorian

PRINTING/BINDING C & C Offset Printing Co., Ltd. COVER/JACKET ART DIRECTION Paolo Pepe COVER/JACKET DESIGN Rachel Ake and Liz Cosgrove COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Ray Kachatorian

CASE MATERIALS 3mm board. Three-piece paper over board case. JUDGES' COMMENTS Nice typography selection and beautiful photography. Nice design touch having the text printing over imagery and numerous pages.

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HARTWOOD

ERIC WERNER AND MYA HENRY

IMPRINT/PUBLISHER Artisan, Workman Publishing

ILLUSTRATOR/PHOTOGRAPHER Gentl & Hyers

COVER/JACKET PRINTING Asia Pacific Offset

PUBLICATION DATE 10/20/15

TYPEFACE Grota Sans

COVER/JACKET STOCK & FINISH Wibalin

FORMAT Hardcover

TEXT STOCK 120gsm IKPP woodfree

COVER/JACKET EFFECTS 5/c printing with blind debossing

TRIM SIZE 11 x 9”

PREPRESS/COMPOSITION Embassy Graphics

PRODUCTION STAFF Nancy Murray

PRINTING/BINDING Asia Pacific Offset

TEXT ART DIRECTION Michelle Ishay-Cohen

COVER/JACKET ART DIRECTION Michelle Ishay-Cohen

JUDGES' COMMENTS Clean interior design pairs well with beautiful food photography. Nice design debossing detail on front cover.

TEXT DESIGN Michelle Ishay-Cohen

COVER/JACKET DESIGN Michelle Ishay-Cohen 2 01 6 N E W YO R K B O O K S H OW

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THE ARTFUL WOODEN SPOON JOSHUA VOGEL

IMPRINT/PUBLISHER Chronicle Books PUBLICATION DATE 11/01/15 FORMAT Hardcover TRIM SIZE 7 ¾ x 10 ½” PRODUCTION STAFF Yolanda Cazares, Natalie Beaulieu TEXT ART DIRECTION Jennifer Tolo Pierce TEXT DESIGN Jennifer Tolo Pierce ILLUSTRATOR/PHOTOGRAPHER Seth Smoot and Kendra Smoot

TYPEFACE Brandon Printed, Brandon Grotesque, Klinic Slab, and Radio TEXT STOCK 120gsm Golden Sun FSC woodfree

COVER/JACKET PRINTING C & C Offset Printing Co., Ltd. COVER/JACKET STOCK & FINISH 128gsm Gloss art paper NEO FSC

PREPRESS/COMPOSITION IO Color

COVER/JACKET EFFECTS Matte lamination 1 side, paper graining, debossing

PRINTING/BINDING C & C Offset Printing Co., Ltd.

CASE MATERIALS 2.5mm boards FSC

COVER/JACKET ART DIRECTION Jennifer Tolo Pierce

OTHER COMPONENTS Ends: 140gsm Golden Sun FSC woodfree

COVER/JACKET DESIGN Jennifer Tolo Pierce

JUDGES' COMMENTS Beautifully designed overall package. Nice paper choice for the product topic. Clean interior design with user friendly step-bystep photography.

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Seth Smoot and Kendra Smoot

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VERANDA

CLINTON SMITH

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Erika LaPresto

IMPRINT/PUBLISHER Hearst Books, Sterling Publishing

ILLUSTRATOR/PHOTOGRAPHER Various

PUBLICATION DATE 10/06/15

TYPEFACE Aire

FORMAT Hardcover

TEXT STOCK 157gsm matte

TRIM SIZE 10 ¼ x 12 ¼”

PREPRESS/COMPOSITION Embassy

PRODUCTION STAFF Fred Pagan

PRINTING/BINDING 1010 Printing Group Ltd.

TEXT ART DIRECTION Chris Thompson

COVER/JACKET ART DIRECTION Chris Thompson

CASE MATERIALS 80# Rainbow BB 171

TEXT DESIGN Scott Russo

COVER/JACKET DESIGN Scott Russo

JUDGES' COMMENTS Sumptuous package bursting with color, designed with a clear eye for color and elegance. Impressive package.

COVER/JACKET PRINTING 1010 Printing Group Ltd. COVER/JACKET STOCK & FINISH 157gsm with matte lamination COVER/JACKET EFFECTS Full foil coverage on spine (CW923k gold) with KO type

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COUNTRY LIVING AMERICAN STYLE ABRAHAM LEVI MOHEBAN

IMPRINT/PUBLISHER Hearst Books, Sterling Publishing PUBLICATION DATE 12/15/15 FORMAT Hardcover TRIM SIZE 8 ½ x 10” PRODUCTION STAFF Jocelyn O’Dowd TEXT ART DIRECTION Chris Thompson TEXT DESIGN Anna Christian

TYPEFACE Trade Gothic, Wisdom Script, Farnham Display TEXT STOCK 128gsm hi-quality matte art PREPRESS/COMPOSITION Embassy Graphics PRINTING/BINDING 1010 Printing Group Ltd. COVER/JACKET ART DIRECTION Chris Thompson COVER/JACKET DESIGN Anna Christian COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Anna Christian

COVER/JACKET PRINTING 1010 Printing Group Ltd. COVER/JACKET STOCK & FINISH 128gsm hi-quality glossy art paper with 4/c matte lamination COVER/JACKET EFFECTS Spot gloss UV, embossing, debossing, spot one side CASE MATERIALS 3mm greyboard JUDGES' COMMENTS Striking use of design for paper over board cover and printed endpapers, engaging interior design paired with good production qualities.

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LOST OCEAN

JOHANNA BASFORD

IMPRINT/PUBLISHER Penguin Books, Penguin Random House

ILLUSTRATOR/PHOTOGRAPHER Johanna Basford

COVER/JACKET PRINTING Coral Graphics

PUBLICATION DATE 10/27/15

TYPEFACE Baskerville MT Std and author’s handwriting

COVER/JACKET STOCK & FINISH 100# Rainbow Imagine

FORMAT Paperback

TEXT STOCK 90# Rolland Index

COVER/JACKET EFFECTS BE-14 foil

TRIM SIZE 10 x 10”

PRINTING/BINDING Worzalla

OTHER COMPONENTS Foldout poster

PRODUCTION STAFF Bob Wojciechowski

COVER/JACKET ART DIRECTION Roseanne Serra

TEXT ART DIRECTION Amy Hill and Sabrina Bowers

COVER/JACKET DESIGN Johanna Basford

TEXT DESIGN Amy Hill

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Johanna Basford

JUDGES' COMMENTS Great execution and production of a highly detailed cover design; good use of foil to accentuate cover design; interior gatefold is a nice added feature.

2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p105.pdf

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IN B E ST O RY G C AT E

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FIRST

PHOTOGRAPHY

SPECIAL TRADE

Job Name: 13504

PDF Page: txc4_13504.p106.pdf

HEIRLOOM HARVEST

AMY GOLDMAN AND JERRY SPAGNOLI

IMPRINT/PUBLISHER Bloomsbury USA

ILLUSTRATOR/PHOTOGRAPHER Jerry Spagnoli

PUBLICATION DATE 10/27/15

TYPEFACE Bembo, Engravers, English 157, Berthold Akzidenz-Grotesk Extended

FORMAT Hardcover TRIM SIZE 9 x 12” PRODUCTION STAFF Marina Asenjo TEXT ART DIRECTION Stephen Doyle TEXT DESIGN Stephen Doyle

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Jerry Spagnoli COVER/JACKET PRINTING C & C Offset Printing Co., Ltd.

TEXT STOCK FSC Gold Sun Matte Art

COVER/JACKET STOCK & FINISH PET silver paper

PREPRESS/COMPOSITION Altaimage

COVER/JACKET EFFECTS Soft touch lamination with foil blocking

PRINTING/BINDING C & C Offset Printing Co., Ltd.

CASE MATERIALS PET silver paper

COVER/JACKET ART DIRECTION Stephen Doyle

JUDGES' COMMENTS Spectacular reproductions, high-end finishing. Use of materials elevates the traditional design, well-executed production.

COVER/JACKET DESIGN Ben Tousley

2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p107.pdf

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Job Name: 13504

PDF Page: txc4_13504.p108.pdf

FRAME

MARK COHEN

IMPRINT/PUBLISHER University of Texas Press

TYPEFACE Ropa Sans

COVER/JACKET STOCK & FINISH 157gsm gloss art paper

PUBLICATION DATE 10/15/15

TEXT STOCK 140gsm Chinese Gold East Matte Art

COVER/JACKET EFFECTS White stamp on front and spine, tip-on

FORMAT Hardcover

PREPRESS/COMPOSITION Robert J. Hennessey Photography, LLC

CASE MATERIALS Black cloth

TRIM SIZE 9 ½ x 10 ½”

PRINTING/BINDING Midas

PRODUCTION STAFF Lindsay Starr and Ellen McKie

COVER/JACKET DESIGN Lindsay Starr

TEXT DESIGN Lindsay Starr

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Mark Cohen

JUDGES' COMMENTS Fantastic overall package with high-quality materials using a photo inlay on cloth cover. Design complements photography very well; great image reproductions and overall highly pleasing aesthetic.

ILLUSTRATOR/PHOTOGRAPHER Mark Cohen

2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p109.pdf

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PDF Page: txc4_13504.p110.pdf

ALL TORE UP

GEORGE BRAINARD

IMPRINT/PUBLISHER University of Texas Press PUBLICATION DATE 02/25/15 FORMAT Hardcover TRIM SIZE 9 1⁄20 x 12” PRODUCTION STAFF Derek George TEXT ART DIRECTION Derek George TEXT DESIGN Derek George ILLUSTRATOR/PHOTOGRAPHER George Brainard

TYPEFACE Sentinel, Tungsten, Industry Inc, Sauber Script, Sanelma

COVER/JACKET PRINTING Oceanic Graphic Printing

TEXT STOCK 157gsm Chinese Gold East Matte Art

COVER/JACKET STOCK & FINISH 157gsm Titan Gloss FSC Art C2S with layflat matte film lamination

PREPRESS/COMPOSITION Oceanic Graphic Printing

COVER/JACKET EFFECTS Spot gloss UV

PRINTING/BINDING Oceanic Graphic Printing

CASE MATERIALS 3.5mm boards

COVER/JACKET ART DIRECTION Derek George

OTHER COMPONENTS Headbands: red and black

COVER/JACKET DESIGN Derek George

JUDGES' COMMENTS Excellent production standards and eyecatching design of interior and endpapers in conjunction with subject matter make a striking combination.

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY George Brainard

2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p111.pdf

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Job Name: 13504

PDF Page: txc4_13504.p112.pdf

ICE: 1986-2007

PHOTOGRAPHS BY LYNN DAVIS AND FOREWORD BY PATTI SMITH

IMPRINT/PUBLISHER Melcher Media

ILLUSTRATOR/PHOTOGRAPHER Lynn Davis

PUBLICATION DATE 12/22/15

TYPEFACE BrownPro, Mafra

FORMAT Hardcover

TEXT STOCK 157gsm Gold East matte art

TRIM SIZE 11 ¾ x 14”

PREPRESS/COMPOSITION Embassy

PRODUCTION STAFF Charles Melcher, Bonnie Eldon, Megan Worman, Susan Lynch, Shannon Fanuko

PRINTING/BINDING C & C Offset Printing Co., Ltd.

TEXT ART DIRECTION Melcher Media TEXT DESIGN William van Roden

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Lynn Davis COVER/JACKET PRINTING C & C Offset Printing Co., Ltd. COVER/JACKET STOCK & FINISH H-1066 Saifu COVER/JACKET EFFECTS Foil stamp on front and spine, debossing on front, tip-on on front

COVER/JACKET ART DIRECTION Melcher Media

CASE MATERIALS Saifu cloth

COVER/JACKET DESIGN William van Roden

JUDGES' COMMENTS Beautiful subtle photography benefits from the large format and elegant designs. 2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p113.pdf

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MERIT

PHOTOGRAPHY

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SPECIAL TRADE

Job Name: 13504

PDF Page: txc4_13504.p114.pdf

RADICAL LOVE TONI GREAVES

RadicalLove_mechs.indd 86-87

3/3/15 4:22 PM

IMPRINT/PUBLISHER Chronicle Books

TYPEFACE Freight Text and Neutra Display

COVER/JACKET PRINTING 1010 Printing Group Ltd.

PUBLICATION DATE 10/01/15

TEXT STOCK 157gsm Matte Art Paper HiQ FSC

COVER/JACKET STOCK & FINISH Cloth

FORMAT Hardcover

PREPRESS/COMPOSITION IO Color

TRIM SIZE 8 ½ x 10 ½”

PRINTING/BINDING 1010 Printing Group Ltd.

COVER/JACKET EFFECTS Foil stamp front, back, and spine; debossing on back; and 4/c tip-on with gloss varnish

PRODUCTION STAFF Yolanda Cazares, Steve Kim

COVER/JACKET ART DIRECTION Toni Greaves and Brooke Johnson

TEXT ART DIRECTION Toni Greaves and Brooke Johnson

COVER/JACKET DESIGN Victoria Forrest

TEXT DESIGN Victoria Forrest

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Toni Greaves

ILLUSTRATOR/PHOTOGRAPHER Toni Greaves

CASE MATERIALS Cloth OTHER COMPONENTS Endpapers: 140gsm Woodfree Golden Sun FSC JUDGES' COMMENTS Well-executed package, striking cover design opens to beautifully reproduced images accentuated with spot varnish. Clever title design on cover. 2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p115.pdf

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FIRST

FINE ART UNDER $75

100

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SPECIAL TRADE

Job Name: 13504

PDF Page: txc4_13504.p116.pdf

DAN RIZZIE MARK SMITH

IMPRINT/PUBLISHER University of Texas Press

TYPEFACE Mentor and Halis

COVER/JACKET PRINTING Asia One Printing

PUBLICATION DATE 11/06/15

TEXT STOCK 157gsm Chinese Gold East Matte

COVER/JACKET STOCK & FINISH 157gsm enamel gloss, white

FORMAT Hardcover

PREPRESS/COMPOSITION Prographics

TRIM SIZE 10 x 12”

PRINTING/BINDING Asia One Printing

CASE MATERIALS Gray cloth with front board tip-on and red stamping on spine

PRODUCTION STAFF Lindsay Starr and Ellen McKie

COVER/JACKET DESIGN Lindsay Starr

TEXT DESIGN Lindsay Starr

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Dan Rizzie

JUDGES' COMMENTS Reproduction and printing quality is outstanding, balanced grid with beautifully-executed design in cohesive packages.

2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p117.pdf

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101

SECOND

FINE ART UNDER $75

102

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Job Name: 13504

PDF Page: txc4_13504.p118.pdf

HOKUSAI

SARAH E. THOMPSON

IMPRINT/PUBLISHER MFA Publications, Museum of Fine Arts, Boston PUBLICATION DATE 04/01/15 FORMAT Hardcover

ILLUSTRATOR/PHOTOGRAPHER MFA Photography Studio TYPEFACE Apex New TEXT STOCK 135gsm Gardapat Kiara

TRIM SIZE 7 ½ x 10”

PREPRESS/COMPOSITION Prepress: Graphicom Composition: Matt Mayerchak

PRODUCTION STAFF Terry McAweeney

PRINTING/BINDING Graphicom

TEXT ART DIRECTION Terry McAweeney

COVER/JACKET ART DIRECTION Terry McAweeney

TEXT DESIGN Susan Marsh

COVER/JACKET DESIGN Susan Marsh

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY MFA Photography Studio COVER/JACKET PRINTING Graphicom, Verona, Italy COVER/JACKET STOCK & FINISH 150gsm Phoenix Motion Zantur with matte no-scratch lamination COVER/JACKET EFFECTS Foil stamping CASE MATERIALS 3mm board JUDGES' COMMENTS Detail of design package is well thoughtout, superior printing. Nice design touches such as wide flaps complement the subject. 2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p119.pdf

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THIRD

FINE ART UNDER $75

104

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Job Name: 13504

PDF Page: txc4_13504.p120.pdf

LOOKING AT PICTURES ROBERT WALSER

IMPRINT/PUBLISHER New Directions

ILLUSTRATOR/PHOTOGRAPHER Various artists

PUBLICATION DATE 11/09/15

TYPEFACE Original Garamond

FORMAT Hardcover

TEXT STOCK 115gsm Kasadaka Natural

TRIM SIZE 4 5⁄8 x 7 1⁄8”

PREPRESS/COMPOSITION Asia Pacific Offset, Laura Lindgren

PRODUCTION STAFF Laura Lindgren, Christine Burgin, Erik Rieselbach

PRINTING/BINDING Asia Pacific Offset

TEXT ART DIRECTION Laura Lindgren TEXT DESIGN Laura Lindgren

COVER/JACKET ART DIRECTION Laura Lindgren and Christine Burgin COVER/JACKET DESIGN Laura Lindgren

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Cover photograph: Carl Seelig COVER/JACKET PRINTING Asia Pacific Offset COVER/JACKET STOCK & FINISH 114gsm Kasadaka Natural with machine varnish CASE MATERIALS Printed 120gsm Kasadaka Natural paper over board JUDGES' COMMENTS Nice presentation of art with tip-in book plates, classical design in a small trim size giving entire package a vintage feel. 2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p121.pdf

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105

MERIT

FINE ART UNDER $75

106

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Job Name: 13504

PDF Page: txc4_13504.p122.pdf

IN THE WAKE

ANNE NISHIMURA MORSE AND ANNE E. HAVINGA

IMPRINT/PUBLISHER MFA Publications, Museum of Fine Arts, Boston PUBLICATION DATE 04/01/15

TYPEFACE SourcePro

COVER/JACKET PRINTING Graphicom, Verona, Italy

TEXT STOCK 150gsm Perigord

COVER/JACKET STOCK & FINISH 150gsm Perigord with matte no-scratch lamination

FORMAT Hardcover

PREPRESS/COMPOSITION Prepress: Graphicom Composition: Julie Allred, BW&A Books

TRIM SIZE 8 ¾ x 12 ½”

PRINTING/BINDING Graphicom, Verona, Italy

PRODUCTION STAFF Terry McAweeney

COVER/JACKET ART DIRECTION Terry McAweeney

TEXT ART DIRECTION Terry McAweeney

COVER/JACKET DESIGN Daphne Geismar

TEXT DESIGN Daphne Geismar

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Artists

ILLUSTRATOR/PHOTOGRAPHER Artists

COVER/JACKET EFFECTS 2/c foil stamp (Kurz Colorit white 911 and grey 932) CASE MATERIALS Printed paper over 3mm board JUDGES' COMMENTS Top tier reproductions, design has nice image pair and balance, fluid design, endpaper stock that complement the cover design.

2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p123.pdf

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107

FIRST GIFT

108

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Job Name: 13504

PDF Page: txc4_13504.p124.pdf

THE STAR WARS TRILOGY, WHITE R2D2 SPECIAL EDITION GEORGE LUCAS, DONALD F. GLUT, AND JAMES KAHN

IMPRINT/PUBLISHER Del Rey, Penguin Random House for Barnes & Noble PUBLICATION DATE 07/29/15 FORMAT Hardcover

PRINTING/BINDING RR Donnelley

COVER/JACKET EFFECTS 3/c foil stamping, two hubs on spine

COVER/JACKET ART DIRECTION Jo Obarowski

CASE MATERIALS One-piece with 3mm greyboard

COVER/JACKET DESIGN Scott Russo and Paul Girard

OTHER COMPONENTS Head and tail bands, ribbon marker, gilding on three edges, two stickers Poster: 4/c on 105gsm gloss art stock Sell sheet: 4/c on 128gsm matte stock Endpapers: printed 4/1 on 140gsm white woodfree

TRIM SIZE 6 x 9 1⁄8”

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Illustration: Paul Girard

PRODUCTION STAFF Colleen Ziemba

COVER/JACKET PRINTING RR Donnelley

TEXT STOCK 80gsm cream woodfree

COVER/JACKET STOCK & FINISH .35mm Cromwell Eurobond White #8175 with calfskin grain

PREPRESS/COMPOSITION RR Donnelley

JUDGES' COMMENTS Cohesive design, brilliantly packaged for wide appeal in the gift market, high production values, very collectible.

2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p125.pdf

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109

SECOND GIFT

110

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Job Name: 13504

PDF Page: txc4_13504.p126.pdf

RAMONES AT 40 MARTIN POPOFF

IMPRINT/PUBLISHER Sterling Publishing PUBLICATION DATE 04/19/16 FORMAT Hardcover TRIM SIZE 9 x 12” PRODUCTION STAFF Fred Pagan TEXT ART DIRECTION Chris Thompson and Barbara Berger TEXT DESIGN Chris Thompson/Paul Palmer-Edwards, Grade Design

TYPEFACE Chapter Credit, City Burn, Dynamoe Courier, Cool Harbor Gothic, Conselheiro TEXT STOCK 140gsm blue white PREPRESS/COMPOSITION Embassy Graphics PRINTING/BINDING Leo Paper Products Ltd. COVER/JACKET ART DIRECTION Elephant Book Company, Elizabeth Lindy

COVER/JACKET STOCK & FINISH 128ssm and 157ssm COVER/JACKET EFFECTS Matte, gloss CASE MATERIALS 80# C1S with black stamping JUDGES' COMMENTS Gritty design appropriate for the topic. Bold jacket typography and color make the product.

COVER/JACKET DESIGN Paul Palmer-Edwards, Grade Design COVER/JACKET PRINTING Leo Paper Group 2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p127.pdf

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THIRD GIFT

112

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Job Name: 13504

PDF Page: txc4_13504.p128.pdf

TRADITIONAL JAPANESE ORIGAMI NICK ROBINSON

IMPRINT/PUBLISHER Rock Point, Quarto Publishing Group USA

TYPEFACE Nella Sue, Neou-Thin

COVER/JACKET PRINTING 1010 Printing Group Ltd.

PUBLICATION DATE 06/19/15

TEXT STOCK 210gsm Woodfree

FORMAT Hardcover

PREPRESS/COMPOSITION 1010 Printing Group Ltd.

COVER/JACKET STOCK & FINISH 250gsm Artcard printed 4/0 with matte lamination

TRIM SIZE 6 x 6”

PRINTING/BINDING 1010 Printing Group Ltd.

PRODUCTION STAFF Karen Matsu Greenberg

COVER/JACKET ART DIRECTION Karen Matsu Greenberg

TEXT ART DIRECTION Coral Communication and Design

COVER/JACKET DESIGN Coral Communications and Design

TEXT DESIGN Carol Guzowski

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Origami papers from New York Central Art Supply

ILLUSTRATOR/PHOTOGRAPHER Illustrations and Origami Fold artist: Nick Robinson

CASE MATERIALS 4/c preprinted wrap with matte lamination, spot gloss UV, foil stamping OTHER COMPONENTS Two-piece 25mm elastic banding, gold foil stamping on 3-S book block JUDGES' COMMENTS Well-put-together presentation melding packaging and book design, beautifullycoordinated patterns and color with unusual elastic bands securing cover and gilded edges. 2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p129.pdf

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113

MERIT GIFT

114

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SPECIAL TRADE

Job Name: 13504

PDF Page: txc4_13504.p130.pdf

SPORTING GUIDE LIZ GOLDWYN

IMPRINT/PUBLISHER Regan Arts PUBLICATION DATE 10/06/15 FORMAT Flexi Cover TRIM SIZE 6 x 8” PRODUCTION STAFF Kurt Andrews TEXT ART DIRECTION Richard Ljoenes TEXT DESIGN Will Staehle and Nancy Singer ILLUSTRATOR/PHOTOGRAPHER Costanza Theodoli-Braschi

TYPEFACE Scotch Roman, Miller, Matchwood, Fenwixk, Eastlake, Century Spandex TEXT STOCK 120gsm woodfree PREPRESS/COMPOSITION Embassy Graphics PRINTING/BINDING Toppan Leefung COVER/JACKET ART DIRECTION Richard Ljoenes COVER/JACKET DESIGN Will Staehle COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Costanza Theodoli-Braschi

COVER/JACKET PRINTING Toppan Leefung COVER/JACKET STOCK & FINISH Rainbow LX with “Oxford” embossing COVER/JACKET EFFECTS One hit gold foil OTHER COMPONENTS 3/8” Grosgrain scarlet ribbon JUDGES' COMMENTS Well-thought-out and executed package with added production value using highquality materials including textured cover and ribbon.

2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p131.pdf

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115

MERIT

PHOTOGRAPHY COVER OR JACKET

FELLINI: THE SIXTIES MANOAH BOWMAN

IMPRINT/PUBLISHER Running Press, Perseus Books Group PUBLICATION DATE 10/27/15 FORMAT Hardcover TRIM SIZE 10 x 12” PRODUCTION STAFF Stephen Schmidt and Joshua McDonnell COVER/JACKET ART DIRECTION Stephen Schmidt and Manoah Bowman COVER/JACKET DESIGN Stephen Schmidt COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Independent Visions Archive COVER/JACKET PRINTING 1010 Printing Group Ltd. COVER/JACKET STOCK & FINISH Coated stock, matte lamination COVER/JACKET EFFECTS Spot UV coating, silver foil stamping OTHER COMPONENTS French fold jacket JUDGES' COMMENTS High-end production values, good use of finishing techniques, striking design.

116

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Job Name: 13504

PDF Page: txc4_13504.p132.pdf

FIRST

GIFT COVER OR JACKET SERIES

A LITTLE BIT OF

CASSANDRA EASON, STASE MICHAELS, CHAD MERCREE, HENRY REED, AMY LEIGH IMPRINT/PUBLISHER Sterling Ethos, Sterling Publishing PUBLICATION DATE 01/20/15 FORMAT Hardcover TRIM SIZE 5 x 7” PRODUCTION STAFF Terence Campo COVER/JACKET ART DIRECTION Elizabeth Lindy COVER/JACKET DESIGN Elizabeth Lindy COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 80# Rainbow Buckram 127 COVER/JACKET EFFECTS Foil stamping with Lustrofoil, emboss CASE MATERIALS 80# Rainbow JUDGES' COMMENTS Design carries well across the series, good choice of materials, high quality, intricate foil stamping, attractive color choice.

2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p133.pdf

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117

Job Name: 13504

PDF Page: txc4_13504.p134.pdf

PICTURE BOOK YOUNG ADULT NOVELTY

GRAPHIC NOVEL BOOK SERIES

COVERS AND JACKETS

COVER AND JACKET SERIES

Job Name: 13504

PDF Page: txc4_13504.p135.pdf

IN B E ST Y GOR C AT E

120

FIRST

HARDCOVER PICTURE FICTION

• CHILDREN’S TRADE

Job Name: 13504

PDF Page: txc4_13504.p136.pdf

IMAGINARY FRED EOIN COLFER

PUBLISHER/IMPRINT HarperCollins Publishers

ILLUSTRATOR/PHOTOGRAPHER Oliver Jeffers

PUBLICATION DATE 09/01/15

T YPEFACE New Century Schoolbook

FORMAT Hardcover

TEXT STOCK 100# Finch

TRIM SIZE 8 ½ x 11”

PREPRESS/COMPOSITION Phoenix Color

PRODUCTION STAFF Ruiko Tokunaga

PRINTING/BINDING Phoenix Color

TEXT ART DIRECTION Rick Farley

COVER/JACKET ART DIRECTION Rick Farley

TEXT DESIGN Rick Farley

COVER/JACKET DESIGN Rick Farley

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Oliver Jeffers COVER/JACKET PRINTING 4/c COVER/JACKET STOCK & FINISH Matte lamination COVER/JACKET EFFECTS Foil, deboss, and spot UV JUDGES COMMENTS

Clean and beautiful adorned special effects. From the foil on the jacket to the debossing on the case, the effects create an engaging package. A functional use of the interior color palette creates a remarkable representative of the imaginary friend. 2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p137.pdf

• 121

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HARDCOVER PICTURE FICTION

122

• CHILDREN’S TRADE

Job Name: 13504

PDF Page: txc4_13504.p138.pdf

THE RED HAT DAVID TEAGUE

PUBLISHER/IMPRINT Hyperion, Disney Book Group

T YPEFACE Super Grotesk Pro

COVER/JACKET PRINTING Tien Wah Press

PUBLICATION DATE 12/08/15

TEXT STOCK 140gsm Golden Sun Woodfree FSC

COVER/JACKET STOCK & FINISH 130gsm Artpaper

FORMAT Hardcover

PREPRESS/COMPOSITION Tien Wah Press

COVER/JACKET EFFECTS 5/c matte lamination with spot gloss UV

TRIM SIZE 7 ½ x 11”

PRINTING/BINDING Tien Wah Press

PRODUCTION STAFF Jerry Gonzalez

COVER/JACKET ART DIRECTION Whitney Manger

CASE MATERIALS 130gsm art paper printed 5/c with matte lamination and spot gloss UV

TEXT ART DIRECTION Whitney Manger

COVER/JACKET DESIGN Whitney Manger

TEXT DESIGN Whitney Manger

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Antoinette Portis

ILLUSTRATOR/PHOTOGRAPHER Antoinette Portis

OTHER COMPONENTS Interior printed 5/c with spot lamination JUDGES COMMENTS

Brilliant use of gloss throughout interior. Very appealing limited palette—sophisticated yet child-friendly.

2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p139.pdf

• 123

THIRD

HARDCOVER PICTURE FICTION

124

• CHILDREN’S TRADE

Job Name: 13504

PDF Page: txc4_13504.p140.pdf

SPOT, THE CAT HENRY COLE

PUBLISHER/IMPRINT Little Simon, Simon & Schuster

T YPEFACE Bauer Bodoni and Century Gothic

PUBLICATION DATE 03/01/16

TEXT STOCK 140gsm uncoated

FORMAT Hardcover

PREPRESS/COMPOSITION Simon & Schuster Prepress

TRIM SIZE 11 x 10”

PRINTING/BINDING South China Printing

PRODUCTION STAFF Heather Faulls

COVER/JACKET ART DIRECTION Laura Roode

TEXT ART DIRECTION Laura Roode

COVER/JACKET DESIGN Laura Roode

TEXT DESIGN Laura Roode

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Henry Cole

ILLUSTRATOR/PHOTOGRAPHER Henry Cole

COVER/JACKET STOCK & FINISH Jacket: 140gsm uncoated with press varnish and gloss lamination to underside Case: preprinted 140gsm uncoated with matte lamination COVER/JACKET EFFECTS Sculptured emboss CASE MATERIALS 3mm board JUDGES COMMENTS

Inventive blind emboss on jacket art. Wonderful use of limited two-color palette. Perfect choice of illustrator, since it tells a rich story without use of words. Nice lap-size trim for kids.

COVER/JACKET PRINTING South China Printing 2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p141.pdf

• 125

MERIT

HARDCOVER PICTURE FICTION

126

• CHILDREN’S TRADE

Job Name: 13504

PDF Page: txc4_13504.p142.pdf

A DOG WEARING SHOES SANGMI KO

PUBLISHER/IMPRINT Schwartz & Wade Books, Random House Children’s Books, Penguin Random House

ILLUSTRATOR/PHOTOGRAPHER Sangmi Ko

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Sangmi Ko

PUBLICATION DATE 09/29/15

T YPEFACE AauxPro, MinionPro, MyriadPro, Times New Roman

FORMAT Hardcover

TEXT STOCK 157gsm Snow Eagle matte art

COVER/JACKET STOCK & FINISH 157gsm Huaxia Sun gloss art

TRIM SIZE 8 ½ x 10”

PREPRESS/COMPOSITION RR Donnelley Asia/South China Printing Co.

CASE MATERIALS 40oz boards

PRODUCTION STAFF Carol Naughton

PRINTING/BINDING RR Donnelley Asia/South China Printing Co.

JUDGES COMMENTS

TEXT ART DIRECTION Lee Wade

COVER/JACKET ART DIRECTION Lee Wade

TEXT DESIGN Lee Wade

COVER/JACKET DESIGN Lee Wade

COVER/JACKET PRINTING RR Donnelley Asia/South China Printing Co.

Beautiful line art and halftone illustrations. Effective use of limited palette artwork. Child-friendly layout and design. Information at the back regarding how to adopt a dog is a plus. 2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p143.pdf

• 127

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HARDCOVER PICTURE FICTION

128

• CHILDREN’S TRADE

Job Name: 13504

PDF Page: txc4_13504.p144.pdf

THE SKUNK MAC BARNETT

PUBLISHER/IMPRINT Roaring Brook Press, Macmillan Publishers

ILLUSTRATOR/PHOTOGRAPHER Patrick McDonnell

PUBLICATION DATE 04/14/15

T YPEFACE New Century Schoolbook

FORMAT Hardcover

TEXT STOCK 140gsm FSC Gold Sun Woodfree

TRIM SIZE 7 ½ x 10”

PREPRESS/COMPOSITION Embassy Graphics

PRODUCTION STAFF Allene Cassagnol

PRINTING/BINDING RR Donnelley Asia

TEXT ART DIRECTION Anne Diebel

COVER/JACKET ART DIRECTION Anne Diebel

TEXT DESIGN Jeff Schulz

COVER/JACKET DESIGN Jeff Schulz

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Patrick McDonnell COVER/JACKET PRINTING RR Donnelley Asia COVER/JACKET STOCK & FINISH 128gsm Gold Sun art with matte lamination CASE MATERIALS 128gsm C1S over 2.5mm board JUDGES COMMENTS

Clever endpapers. Fun vintage feel from art and interior background color.

2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p145.pdf

• 129

W: 27.46''

FIRST

HARDCOVER PICTURE NONFICTION

snyder/morstad

Swan The life and dance of anna pavlova

The world is big. Anna is small. The snow is everywhere and all around.

Swan

But one night . . . One night, her mother takes her to the ballet, and everything is changed—Anna finds a beauty inside herself that she cannot contain. So begins the journey of a girl who will one day grow up to be the most famous prima ballerina of all time, and who will inspire legions of dancers after her: the brave, the generous, the transcendently gifted Anna Pavlova.

$17.99 U.S./£11.99 U.K.

by laurel snyder illustrated by julie morstad

130

spine: 13/32''

• CHILDREN’S TRADE

9''+1/4'' Job Name: 13504

PDF Page: txc4_13504.p146.pdf

SWAN

LAUREL SNYDER

Finally, she steps onto the stage alone . . . and sprouts white wings, a swan. She weaves the notes, the very air into a story. All those sitting see. They stare— Anna is a bird in flight, a whim of wind and water. Quiet feathers in a big loud world. Anna is the swan.

For five bright years the dancers swirl around Anna. The curtains rise and fall.

PUBLISHER/IMPRINT Chronicle Books

T YPEFACE Aphrodite and Cabrito

COVER/JACKET PRINTING C&C Printing Co

PUBLICATION DATE 08/18/15

TEXT STOCK 140gsm Golden Sun FSC Woodfree

COVER/JACKET STOCK & FINISH 140gsm Golden Sun FSC Woodfree

FORMAT Hardcover

PREPRESS/COMPOSITION C&C Printing Co.

TRIM SIZE 9 3∕8 x 12 3∕8”

PRINTING/BINDING C&C Printing Co.

COVER/JACKET EFFECTS 1 side matte lamination, 1 side glossy film lamination and foil stamping

PRODUCTION STAFF Wendy Thorpe and Binh Au

COVER/JACKET ART DIRECTION Kristine Brogno

TEXT ART DIRECTION Kristine Brogno

COVER/JACKET DESIGN Kristine Brogno

TEXT DESIGN Kristine Brogno

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Julie Morstad

ILLUSTRATOR/PHOTOGRAPHER Julie Morstad

CASE MATERIALS 128gsm HiQ Matt Art FSC JUDGES COMMENTS

Uncoated stock and holographic effects are an unexpected pairing. Design is elegant and appealing.

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THE CASE FOR LOVING SELINA ALKO

PUBLISHER/IMPRINT Arthur A. Levine Books, Scholastic Inc.

T YPEFACE Adobe Garamond Bold Pro/Bad Type

COVER/JACKET STOCK & FINISH 130gsm Lumiart gloss art C2S

PUBLICATION DATE 01/27/15

TEXT STOCK 150gsm Lumisilk matte art

FORMAT Hardcover

PREPRESS/COMPOSITION Marijka Kostiw

COVER/JACKET EFFECTS Matte film lamination, spot gloss UV, embossing

TRIM SIZE 8 ½ x 10”

PRINTING/BINDING Tien Wah America

PRODUCTION STAFF Shannon Rice

COVER/JACKET ART DIRECTION Marijka Kostiw

TEXT ART DIRECTION Marijka Kostiw

COVER/JACKET DESIGN Marijka Kostiw

TEXT DESIGN Marijka Kostiw

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Sean Qualls and Selina Alko

ILLUSTRATOR/PHOTOGRAPHER Sean Qualls and Selina Alko

COVER/JACKET PRINTING Tien Wah America

CASE MATERIALS 130gsm Lumiart gloss art C2S OTHER COMPONENTS Self-ends JUDGES COMMENTS

Beautiful art rendered in mixed-media style. Perfect amount of text for the young target audience. Facts are presented effectively and are not overwhelming. Author’s note grounds the book and solidifies the message. “Suggestions for further reading” is a huge plus. 2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

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PDF Page: txc4_13504.p150.pdf

NADIA

KARLIN GRAY

PUBLISHER/IMPRINT Houghton Mifflin Harcourt

T YPEFACE Calisto MT

COVER/JACKET PRINTING Tien Wah Press

PUBLICATION DATE 06/07/16

TEXT STOCK 130gsm woodfree

COVER/JACKET STOCK & FINISH 128gsm glossy art

FORMAT Hardcover

PREPRESS/COMPOSITION United Graphics Limited

COVER/JACKET EFFECTS Matte finish with foil stamping

TRIM SIZE 9 x 11”

PRINTING/BINDING Tien Wah Press

CASE MATERIALS 128gsm glossy art paper with matte finish

PRODUCTION STAFF Trish McGinley

COVER/JACKET ART DIRECTION Sheila Smallwood

TEXT ART DIRECTION Sheila Smallwood

COVER/JACKET DESIGN Sheila Smallwood

TEXT DESIGN Sheila Smallwood

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Christine Davenier

ILLUSTRATOR/PHOTOGRAPHER Christine Davenier

JUDGES COMMENTS

Layout, pictures, and story make a biographical tale highly accessible and appealing to young readers. Visually pleasing.

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CIRCUS MIRANDUS CASSIE BEASLEY

PUBLISHER/IMPRINT Dial Books for Young Readers, Penguin Random House

T YPEFACE Stempel Garamond, Trend HM Sans, Stereopticon

PUBLICATION DATE 06/02/15

TEXT STOCK 50# Sebago 400ppi

FORMAT Hardcover

PREPRESS/COMPOSITION Jason Henry

COVER/JACKET EFFECTS Die cut; 4/c printing with dimensional spot UV, gloss, foil stamping, and embossing

TRIM SIZE 6 x 9”

PRINTING/BINDING RR Donnelley Harrisonburg

CASE MATERIALS 80# C1S printed 4/c

PRODUCTION STAFF Vanessa Robles

COVER/JACKET ART DIRECTION Deborah Kaplan

TEXT ART DIRECTION Jason Henry

COVER/JACKET DESIGN Lori Thorn and Theresa Evangelista

OTHER COMPONENTS Endpapers: 1/c on 80# Cream White Endleaf Rough front

TEXT DESIGN Jason Henry

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Diana Sudyka

ILLUSTRATOR/PHOTOGRAPHER Diana Sudyka

COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 80# Mohawk Via Felt Cool White Text

JUDGES COMMENTS

Interplay between printed case and die-cut cover works very well. Highly effective use of simple design elements come together to make a visually delightful package. 2 01 6 N E W YO R K B O O K S H OW

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ILLUMINAE

AMIE KAUFMAN AND JAY KRISTOFF

274

PUBLISHER/IMPRINT Alfred A. Knopf, Penguin Random House PUBLICATION DATE 10/20/15 FORMAT Hardcover TRIM SIZE 6 x 9” PRODUCTION STAFF Natalia Dextre TEXT ART DIRECTION Stephanie Moss TEXT DESIGN Heather Kelly and Jay Kristoff ILLUSTRATOR/PHOTOGRAPHER Logos: Stuart Wade; Blueprints and Schematics: Meinert Hansen; Movie Poster Art: Kristen Gudsnuk; Shutterstock

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T YPEFACE Arial MT, Oxide Solid, Prestige Elite, Source Sans Pro

COVER/JACKET STOCK & FINISH Case: 80# C1S with matte film lamination Jacket: 5mm clear acetate

TEXT STOCK 45# Norbrite Book Cream, 400ppi

COVER/JACKET EFFECTS Case: 3/c with Pantone 102C, Pantone 105C, and Pantone black 7c Jacket: 6/c with two hits opaque white

PREPRESS/COMPOSITION Berryville Graphics Digital Composition PRINTING/BINDING Berryville Graphics COVER/JACKET ART DIRECTION Alison Impey COVER/JACKET DESIGN Ray Shappell COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Shutterstock COVER/JACKET PRINTING Phoenix Color

OTHER COMPONENTS Endpapers: 80# white endleaf printed 1/c with Pantone 10398 JUDGES COMMENTS

Beautifully designed acetate jacket overlaying printed case makes for an eye-catching product. Well thought-out, compelling interior design and layouts. Detailed and intricate interior illustrations fit the subject matter perfectly. Lots of cool added touches, including folio design! 2 01 6 N E W YO R K B O O K S H OW

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DIARY OF A HAUNTING M. VERANO

PUBLISHER/IMPRINT Simon Pulse, Simon & Schuster

T YPEFACE Berling LT Std.

COVER/JACKET PRINTING Coral Graphics

PUBLICATION DATE 08/25/15

TEXT STOCK 40# Norbrite Book

COVER/JACKET STOCK & FINISH 5 Mil Clear Gloss Vinyl

FORMAT Hardcover

PREPRESS/COMPOSITION Coral Graphics Prepress

COVER/JACKET EFFECTS 1/c with opaque white

TRIM SIZE 5 ½ x 8 ¼”

PRINTING/BINDING Quad Graphics

CASE MATERIALS 80# C1S preprinted

PRODUCTION STAFF Sara Berko

COVER/JACKET ART DIRECTION Regina Flath

JUDGES COMMENTS

TEXT ART DIRECTION Regina Flath

COVER/JACKET DESIGN Regina Flath

TEXT DESIGN Regina Flath

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Monica Quintana/Arcangel Images

ILLUSTRATOR/PHOTOGRAPHER Stock Photography

Acetate transforms image in a smart and terrifying way. Very effective use of special materials. Brilliant and creative solution to the folded edges of the acetate so it lays flat.

2 01 6 N E W YO R K B O O K S H OW

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PDF Page: txc4_13504.p158.pdf

I AM PRINCESS X CHERIE PRIEST

PUBLISHER/IMPRINT Arthur A. Levine Books, Scholastic Inc.

T YPEFACE Alisal, Bank Gothic, Bureau Agency, Interstate

COVER/JACKET PRINTING RR Donnelly Crawfordsville

PUBLICATION DATE 06/01/15

TEXT STOCK 55# Glatfelter

COVER/JACKET STOCK & FINISH 100# C1S with matte film lamination

FORMAT Hardcover

PREPRESS/COMPOSITION Jouve

COVER/JACKET EFFECTS Spot Gloss UV

TRIM SIZE 5 ½ x 8 ¼”

PRINTING/BINDING RR Donnelly Crawfordsville

CASE MATERIALS Three-piece with Rainbow

PRODUCTION STAFF Shannon Rice

COVER/JACKET ART DIRECTION Phil Falco

OTHER COMPONENTS 2-color printing throughout the interior

TEXT ART DIRECTION Phil Falco

COVER/JACKET DESIGN Phil Falco

JUDGES COMMENTS

TEXT DESIGN Phil Falco

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Illustration: Kali Ciesemier; Photography: Phil Falco

ILLUSTRATOR/PHOTOGRAPHER Kali Ciesemier

Inventive cover design really stands out. Two-color, textured endpapers are fun and unusual. Two-color art and interior design is a fun surprise. Graphic-style interior art is edgy and works very well. 2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

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PDF Page: txc4_13504.p160.pdf

SIX OF CROWS LEIGH BARDUGO

PUBLISHER/IMPRINT Henry Holt and Company, Macmillan

T YPEFACE Perpetua

COVER/JACKET PRINTING Coral Graphics

PUBLICATION DATE 09/29/15

TEXT STOCK 40# Alternative Book Cream

COVER/JACKET STOCK & FINISH 100# C1S with glueable/stampable gloss

FORMAT Hardcover

PREPRESS/COMPOSITION Westchester Publishing Services

COVER/JACKET EFFECTS Gritty matte UV and embossing

TRIM SIZE 6 1∕8 x 9 ¼”

PRINTING/BINDING RR Donnelley Crawfordsville

CASE MATERIALS One-piece Multicolor Noir

PRODUCTION STAFF Thomas Nau

COVER/JACKET ART DIRECTION Rich Deas

TEXT ART DIRECTION April Ward

COVER/JACKET DESIGN Rich Deas

OTHER COMPONENTS Three-side stain in black Endpapers: Multicolor “Liberty Red”

TEXT DESIGN April Ward

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Rich Deas

ILLUSTRATOR/PHOTOGRAPHER illustrations by Keith Thompson

JUDGES COMMENTS

Unusual staining on the edges complements the dark tone of this book.

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PDF Page: txc4_13504.p162.pdf

RHYTHM RIDE

ANDREA DAVIS PINKNEY

PUBLISHER/IMPRINT Macmillan Children’s Publishing Group

T YPEFACE Baskerville

COVER/JACKET STOCK & FINISH 100# C1S with matte film lamination

PUBLICATION DATE 09/29/15

TEXT STOCK 80# Somerset White Matte

COVER/JACKET EFFECTS Spot gloss UV

FORMAT Hardcover

PREPRESS/COMPOSITION Westchester Publishing Services

CASE MATERIALS Multicolor “Golden Yellow”

TRIM SIZE 9 x 9”

PRINTING/BINDING Worzalla

OTHER COMPONENTS Endsheets: Multicolor “Mahogany”

PRODUCTION STAFF Thomas Nau

COVER/JACKET ART DIRECTION Anne Diebel

JUDGES COMMENTS

TEXT ART DIRECTION Anne Diebel

COVER/JACKET DESIGN Anne Diebel

TEXT DESIGN Elliot Kreloff

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Dave Homer

ILLUSTRATOR/PHOTOGRAPHER Various

Trim reminiscent of an album sleeve. Innovative use of type to create cover image. Feels fun. Well executed use of intricate spot gloss. Impressive back matter for non-fiction.

COVER/JACKET PRINTING Coral Graphics 2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

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UNLIKELY WARRIOR GEORG RAUCH

PUBLISHER/IMPRINT Farrar, Straus and Giroux, Macmillan

T YPEFACE Adobe Caslon

COVER/JACKET STOCK & FINISH 80# C1S with matte film lamination

PUBLICATION DATE 02/24/15

TEXT STOCK 40# Alternative Book Cream

FORMAT Hardcover

PREPRESS/COMPOSITION Westchester Publishing Services

CASE MATERIALS 70# Rainbow “Sage” with “Antique” embossing and GP 100 white foil on spine

TRIM SIZE 5 ½ x 8 ¼”

PRINTING/BINDING RR Donnelley & Sons

PRODUCTION STAFF John Nora

COVER/JACKET ART DIRECTION Anne Diebel

TEXT ART DIRECTION Anne Diebel

COVER/JACKET DESIGN Andrew Arnold

TEXT DESIGN Andrew Arnold

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Andrew Arnold

ILLUSTRATOR/PHOTOGRAPHER Drawings by the author from his wartime letters; archival photos

OTHER COMPONENTS Endpapers: 70# Rainbow Antique Fern Head & Tail Bands: Loden Green 009 JUDGES COMMENTS

Daring use of a friendly font with menacing imagery. Crazy and comical design makes a tough topic accessible. Impressive inclusion of maps, timelines, and glossary. Effective use of army green palette.

COVER/JACKET PRINTING Coral Graphics 2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

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THE MARVELS BRIAN SELZNICK

PUBLISHER/IMPRINT Scholastic Press, Scholastic Inc.

T YPEFACE Bulmer

PUBLICATION DATE 09/15/15

TEXT STOCK 120gsm UPM uncoated woodfree

FORMAT Hardcover

PREPRESS/COMPOSITION Charles Kreloff

TRIM SIZE 5 ½ x 8 ¼”

PRINTING/BINDING RR Donnelly Asia

PRODUCTION STAFF Jaime Capifali

COVER/JACKET ART DIRECTION David Saylor

TEXT ART DIRECTION David Saylor

COVER/JACKET DESIGN Brian Selznick

TEXT DESIGN Brian Selznick and Charles Kreloff

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Brian Selznick

ILLUSTRATOR/PHOTOGRAPHER Brian Selznick

COVER/JACKET PRINTING RR Donnelly Asia

COVER/JACKET STOCK & FINISH 157gsm FSC Golden Sun Matte with matte film lamination COVER/JACKET EFFECTS Full foil coverage CASE MATERIALS 128gsm Golden Sun Gloss OTHER COMPONENTS Gold gilding Head and tail Bands JUDGES COMMENTS

Jacket art treated with a gold metallic stamp is inventive and different for this age group. Gold stamped edges on book interior really stand out. Beautiful interior artwork is handled in a fun way where story follows it, but does not integrate with it. 2 01 6 N E W YO R K B O O K S H OW

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PDF Page: txc4_13504.p168.pdf

THE SLEEPER AND THE SPINDLE NEIL GAIMAN

PUBLISHER/IMPRINT HarperCollins Publishers

T YPEFACE Baskerville

PUBLICATION DATE 09/22/15

TEXT STOCK 128gsm FSC Gold Sun matte artpaper

FORMAT Hardcover

PREPRESS/COMPOSITION RR Donnelley Asia Printing Solutions

TRIM SIZE 7 x 10”

PRINTING/BINDING RR Donnelley Asia Printing Solutions

PRODUCTION STAFF Lillian Sun

COVER/JACKET ART DIRECTION Katie Everson

TEXT ART DIRECTION Katie Everson

COVER/JACKET DESIGN Katie Everson

TEXT DESIGN Katie Everson

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Chris Riddell

ILLUSTRATOR/PHOTOGRAPHER Chris Riddell

COVER/JACKET PRINTING Black with PMS 871C and two hits opaque white COVER/JACKET STOCK & FINISH Case: 128gsm FSC machine-coated artpaper Jacket: 110gsm Vellum with machine varnishing outside and PUR gloss lamination inside JUDGES COMMENTS

Beautiful vellum jacket protects intricately illustrated case. Lovely interior design fits subject matter perfectly. Full spreads of illustrations break up the text blocks effectively. Sidebar illustrations further progress the story. Fabulous design and layouts. 2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

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PDF Page: txc4_13504.p170.pdf

DORK DIARIES 10

RACHEL RENÉE RUSSELL

PUBLISHER/IMPRINT Aladdin, Simon & Schuster

ILLUSTRATOR/PHOTOGRAPHER Rachel Renee Russell

PUBLICATION DATE 10/20/15

T YPEFACE Potato Cut, Wubble, Skippy Sharp, Amelie, Slappy, CC TimSale (comic text)

FORMAT Hardcover TRIM SIZE 5 ½ x 8” PRODUCTION STAFF Julie Doebler TEXT ART DIRECTION Karin Paprocki TEXT DESIGN Karin Paprocki

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Rachel Renee Russell COVER/JACKET PRINTING Coral Graphics

TEXT STOCK 50# Domtar Earthchoice

COVER/JACKET STOCK & FINISH 100# C1S with matte film lamination

PREPRESS/COMPOSITION Coral Graphics

COVER/JACKET EFFECTS Spot gloss UV, special ink (RB1500), and PMS 806 pink

PRINTING/BINDING Quad Graphics COVER/JACKET ART DIRECTION Karin Paprocki COVER/JACKET DESIGN Karin Paprocki

CASE MATERIALS 100# C1S preprinted case, .085 pasted oak JUDGES COMMENTS

Great use of pink! Very vibrant. Cute art. Spot gloss paw prints stand out.

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COLOR DOG

MATTHEW VAN FLEET

PUBLISHER/IMPRINT Paula Wiseman Books, Simon & Schuster PUBLICATION DATE 08/25/15 FORMAT Hardcover TRIM SIZE 9 ½ x 7” PRODUCTION STAFF Martha Hanson and Sarah Kwak TEXT ART DIRECTION Matthew Van Fleet TEXT DESIGN Skip Skwarek ILLUSTRATOR/PHOTOGRAPHER Matthew Van Fleet; Photography by Brian Stanton T YPEFACE ITC Clearface Regular

TEXT STOCK 300gsm C1S for text and gatefolds; 230gsm for pull tabs PREPRESS/COMPOSITION Rocket Books/Hung Hing PRINTING/BINDING Rocket Books/Hung Hing COVER/JACKET ART DIRECTION Matthew Van Fleet COVER/JACKET DESIGN Skip Skwarek COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Matthew Van Fleet and Brian Stanton COVER/JACKET PRINTING Rocket Books/Hung Hing COVER/JACKET STOCK & FINISH 128gsm art paper

CASE MATERIALS 2.5mm greyboard OTHER COMPONENTS Novelty elements: crinkle paper under Kraft paper; two scratch and sniff scents; elastic plastic plus 4mm foam; one pop-up; one gatefold; one piece of cloth; three pieces of plush; one piece of fur; and two pieces of ribbon. Each tab is painted red. JUDGES COMMENTS

Beautiful, well-constructed product filled with photos of adorable dogs. Sturdy, rounded tabs with colored, glossy edges provide a kidfriendly, interactive experience. Unique and satisfying flaps, touch-and-feel elements, and scratch-and-sniff patches allow for a satisfying tactile and sensory experience. Overall, amazing production and design!

COVER/JACKET EFFECTS Diecut window with acetate, diecut piece, and shoelace 2 01 6 N E W YO R K B O O K S H OW

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PDF Page: txc4_13504.p174.pdf

THE WHITE HOUSE ROBERT SABUDA

PUBLISHER/IMPRINT Orchard Books, Scholastic Inc.

T YPEFACE Adobe Caslon, Adobe Garamond

COVER/JACKET PRINTING Sirivatana Interprint

PUBLICATION DATE 01/30/15

TEXT STOCK 210gsm uncoated art card

FORMAT Hardcover

PREPRESS/COMPOSITION Sirivatana Interprint

COVER/JACKET STOCK & FINISH 128gsm glossy art paper with matte lamination

TRIM SIZE 8 x 10”

PRINTING/BINDING Sirivatana Interprint

PRODUCTION STAFF Richard Burgess and Joseph Romano

COVER/JACKET ART DIRECTION David Saylor

TEXT ART DIRECTION David Saylor

COVER/JACKET DESIGN Robert Sabuda

OTHER COMPONENTS White String

TEXT DESIGN Jess Tice-Gilbert

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Robert Sabuda

JUDGES COMMENTS

ILLUSTRATOR/PHOTOGRAPHER Robert Sabuda

COVER/JACKET EFFECTS Gold foil, debossing, spot gloss UV CASE MATERIALS 128gsm glossy art paper over 2.5mm millboard

Splendidly complex. Thoughtful attention to detail in the paper engineering. Interactively engaging. 2 01 6 N E W YO R K B O O K S H OW

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PDF Page: txc4_13504.p176.pdf

STEVE JOBS

JESSIE HARTLAND

PUBLISHER/IMPRINT Schwartz & Wade Books, Random House Children’s Books PUBLICATION DATE 07/21/15 FORMAT Hardcover TRIM SIZE 6 x 8 ½” PRODUCTION STAFF Timothy Terhune TEXT ART DIRECTION Rachael Cole and Lee Wade TEXT DESIGN Rachael Cole and Brianne Farley ILLUSTRATOR/PHOTOGRAPHER Jessie Hartland

T YPEFACE Hand-lettered TEXT STOCK 80# Sterling Ultra Matte PREPRESS/COMPOSITION In-house PRINTING/BINDING RR Donnelley Crawfordsville COVER/JACKET ART DIRECTION Rachael Cole and Lee Wade COVER/JACKET DESIGN Rachael Cole COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Jessie Hartland (illustration), Norman Seeff (photography) COVER/JACKET PRINTING Coral Graphics

COVER/JACKET STOCK & FINISH Case: 100# C1S with gloss film lamination Jacket: 100# C1S with matte film lamination COVER/JACKET EFFECTS Case: 2/0 with Pantone 802C and spot matte UV Jacket: 3/0 with Pantone 801C and Pantone 802C, spot gloss UV, and debossing CASE MATERIALS Preprinted case OTHER COMPONENTS Endpapers: 80# white with 1/c Pantone 803 JUDGES COMMENTS

Use of special effects is clever. Nice integration of half-jacket spot art to back cover case. Innovative format. Steve Jobs would be proud.

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PDF Page: txc4_13504.p178.pdf

DARE TO DISAPPOINT ÖZGE SAMANCI

PUBLISHER/IMPRINT Farrar, Straus and Giroux, Macmillan

ILLUSTRATOR/PHOTOGRAPHER Özge Samanci

PUBLICATION DATE 11/17/15

T YPEFACE Created by artist

FORMAT Paperback

TEXT STOCK 113gsm Hi-Q Matte Art

TRIM SIZE 7 x 9”

PREPRESS/COMPOSITION Andrew Arnold

PRODUCTION STAFF Susan Doran

PRINTING/BINDING Toppan Leefung

TEXT ART DIRECTION Andrew Arnold

COVER/JACKET ART DIRECTION Andrew Arnold

TEXT DESIGN Andrew Arnold

COVER/JACKET DESIGN Özge Samanci and Andrew Arnold

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Özge Samanci COVER/JACKET PRINTING Toppan Leefung COVER/JACKET STOCK & FINISH 230gsm with matte lamination OTHER COMPONENTS 4” French flaps JUDGES COMMENTS

Chapter openers are striking. Sophisticated color palette. Adventurous graphic novel layout. Unique, hybrid format.

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PDF Page: txc4_13504.p180.pdf

TRACTOR MAC BILLY STEERS

PUBLISHER/IMPRINT Farrar, Straus, and Giroux, Macmillan PUBLICATION DATE 09/08/15 FORMAT Hardcover TRIM SIZE 8 x 8” PRODUCTION STAFF Susan Doran TEXT ART DIRECTION Kristie Radwilowicz TEXT DESIGN Kristie Radwilowicz ILLUSTRATOR/PHOTOGRAPHER Billy Steers

T YPEFACE Interior text: Rockwell Regular Logo text: Trend Sans Subtitle text: Stadium (altered from its original form)

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Billy Steers

TEXT STOCK 113gsm FSC HiQ Matt

COVER/JACKET STOCK & FINISH 128gsm matte art with matte lamination

PREPRESS/COMPOSITION Bright Arts PRINTING/BINDING Toppan Leefung COVER/JACKET ART DIRECTION Kristie Radwilowicz COVER/JACKET DESIGN Kristie Radwilowicz

COVER/JACKET PRINTING Toppan Leefung

COVER/JACKET EFFECTS Spot gloss UV CASE MATERIALS 4/c preprinted cover on 2.5mm board JUDGES COMMENTS

Strong continuity throughout series. Cohesive look for Tractor Mac brand.

2 01 6 N E W YO R K B O O K S H OW

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PDF Page: txc4_13504.p182.pdf

OMG SHAKESPEARE

WILLIAM SHAKESPEARE, COURTNEY CARBONE, AND BRETT WRIGHT

PUBLISHER/IMPRINT Random House Children’s Books, Penguin Random House PUBLICATION DATE 05/26/15

T YPEFACE Bliss, Platelet TEXT STOCK 100gsm UPM Fine (FSC) uncoated woodfree

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY srsly Hamlet: Cover painting copyright © 2015 by HIP/Art Resource, NY; Emoji copyright © Apple Inc. / YOLO Juliet: Cover painting copyright © 2015 by Southampton City Art Gallery, Hampshire, UK/Bridgeman Images; Emoji copyright © Apple Inc.

FORMAT Hardcover

PREPRESS/COMPOSITION In-house composition/prepress by RR Donnelley Asia Printing Solutions

TRIM SIZE 5 x 7 ¼”

PRINTING/BINDING RR Donnelley Asia Printing Solutions

PRODUCTION STAFF Jen Jie Li

COVER/JACKET ART DIRECTION Elizabeth Tardiff

TEXT ART DIRECTION Elizabeth Tardiff

COVER/JACKET DESIGN Elizabeth Tardiff

CASE MATERIALS 2.5 mm Ming Ou greyboard with preprinted cover

TEXT DESIGN Elizabeth Tardiff

COVER/JACKET PRINTING RR Donnelley Asia Printing Solutions

JUDGES COMMENTS

COVER/JACKET EFFECTS Spot gloss UV

COVER/JACKET STOCK & FINISH 128gsm Golden Sun (FSC) gloss art paper with matte film lamination

Superbly clever. Trendy rendition of classic Shakespeare. Text is relayed fluidly in a modern conversational tone. Made us LOL! 2 01 6 N E W YO R K B O O K S H OW

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FOR BOYS AND GIRLS ONLY VARIOUS

PUBLISHER/IMPRINT Feiwel and Friends, Macmillan

T YPEFACE New Century Schoolbook

COVER/JACKET PRINTING Coral Graphics

PUBLICATION DATE 10/13/15

TEXT STOCK 55# Earth Choice cream white

COVER/JACKET STOCK & FINISH Gloss Film

FORMAT Hardcover

PREPRESS/COMPOSITION Westchester Publishing Services

COVER/JACKET EFFECTS PMS Silver

TRIM SIZE 6 ¼ x 9 ¼”

PRINTING/BINDING RR Donnelley Crawfordsville

CASE MATERIALS 80# C1S

PRODUCTION STAFF Kim Waymer

COVER/JACKET ART DIRECTION Patrick Collins

JUDGES COMMENTS

TEXT ART DIRECTION Patrick Collins

COVER/JACKET DESIGN Paul Kepple (Headcase Studios)

TEXT DESIGN Headcase Studios

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Paul Kepple (Headcase Studios)

ILLUSTRATOR/PHOTOGRAPHER Paul Kepple

Great carryover of standout branding across series. Very nice two-color design; handled well throughout. Lovely type treatment on cover design as well as the interior book design. Spot gloss is a nice touch to the book covers.

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HARDCOVER YOUNG ADULT FICTION COVER OR JACKET

EVERYTHING, EVERYTHING NICOLA YOON

PUBLISHER/IMPRINT Delacorte Press, Random House Children’s Books, Penguin Random House PUBLICATION DATE 09/01/15 FORMAT Hardcover TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Shameiza Ally COVER/JACKET ART DIRECTION Alison Impey COVER/JACKET DESIGN Natalie Sousa, Alloy Entertainment COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Good Wives and Warriors COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 100# C1S with soft touch matte film lamination COVER/JACKET EFFECTS 6/0 (hexachrome) printing, spot gloss UV, debossing JUDGES COMMENTS

Elegant, concept-driven design. Unexpected use of soft touch on white paper and debossing on type. Bold eye-catching illustration.

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SECOND

HARDCOVER YOUNG ADULT FICTION COVER OR JACKET

DUMPLIN’

JULIE MURPHY PUBLISHER/IMPRINT Balzer + Bray, HarperCollins Publishers PUBLICATION DATE 09/15/15 FORMAT Hardcover TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Ruiko Tokunaga COVER/JACKET ART DIRECTION Alison Donalty COVER/JACKET DESIGN Aurora Parlagreco COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Daniel Stolle COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH Soft touch matte lamination COVER/JACKET EFFECTS 3/c with PMS 128C, PMS 199C, and two hits black; spot gloss UV; foil stamping; embossing CASE MATERIALS Rainbow 80# “Black” with “Antique” embossing and Lustrofoil S5 silver stamping JUDGES COMMENTS

Dumplin’ makes great use of simple elements

to create an uncomplicated and sincere design. Finished and pure, the effects were smart and chic.

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DREAMSTRIDER LINDSAY SMITH

PUBLISHER/IMPRINT Roaring Brook Press, Macmillan Publishers PUBLICATION DATE 10/06/15 FORMAT Hardcover TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Susan Doran COVER/JACKET ART DIRECTION Elizabeth Clark COVER/JACKET DESIGN Elizabeth Clark COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Nastplas COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 100# C1S with matte lamination COVER/JACKET EFFECTS Spot gloss UV, dome embossing CASE MATERIALS One-piece case with 80# Linen in “Black” with Lustrofoil foil stamp and blind stamp on front cover OTHER COMPONENTS Endpapers: 70# Multicolor in “Harbor” with “Antique” embossing JUDGES COMMENTS

Wonderful use of gritty and floral artwork combined together in one piece of art. Nice use of type and color palette. Very imaginative jacket layout design.

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MERIT

HARDCOVER YOUNG ADULT FICTION COVER OR JACKET

REAWAKENED COLLEEN HOUCK

PUBLISHER/IMPRINT Delacorte Press, Random House Children’s Books, Penguin Random House PUBLICATION DATE 08/11/15 FORMAT Hardcover TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Alice Rahaeuser COVER/JACKET ART DIRECTION Alison Impey COVER/JACKET DESIGN Angela Carlino COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Chris Saunders COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 100# silver metallic C1S with soft touch matte film lamination COVER/JACKET EFFECTS 6/0 with two hits opaque white ink and embossing JUDGES COMMENTS

This jacket design uses metallics to maximum advantage, creating an electric cover that seems to shimmer and shift in the light. Truly eye-catching.

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THE SEVENTH MOST IMPORTANT THING SHELLEY PEARSALL

PUBLISHER/IMPRINT Alfred A. Knopf, Random House Children’s Books, Penguin Random House PUBLICATION DATE 09/08/15 FORMAT Hardcover TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Alice Rahaeuser COVER/JACKET ART DIRECTION Isabel Warren-Lynch COVER/JACKET DESIGN Kate Gartner COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Karin Åkesson COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 100# silver metallic C1S with matte film lamination COVER/JACKET EFFECTS 6/0 with two hits opaque white ink JUDGES COMMENTS

Striking cover design. Metallic stock makes the art pop nicely. Limited palette works well for the subject matter.

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FIRST

PAPERBACK YOUNG ADULT FICTION COVER SERIES

THE TIFFANY ACHING ADVENTURES TERRY PRATCHETT

PUBLISHER/IMPRINT HarperTeen, HarperCollins Publishers PUBLICATION DATE 09/01/15 FORMAT Paperback TRIM SIZE 5 5/16 x 8” PRODUCTION STAFF Raymond Colon COVER/JACKET ART DIRECTION Amy Ryan COVER/JACKET DESIGN Jim Tierney COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Jim Tierney COVER/JACKET PRINTING 4/c exterior with 1/c interior COVER/JACKET STOCK & FINISH 10pt C1S with matte UV JUDGES COMMENTS

Well-defined series look. Distinct, recognizable elements create a powerful look in this series.

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ELEMENTARY

MIDDLE/HIGH SCHOOL COLLEGE

BOOK SERIES

COVERS AND JACKETS

COVER AND JACKET SERIES

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FIRST

ELEMENTARY

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NEW YORK CROSSWALK COACH PLUS, ENGLISH, GRADE 3 AMY GOLDMAN AND JERRY SPAGNOLI

PUBLISHER/IMPRINT Triumph Learning

ILLUSTRATOR/PHOTOGRAPHER Thinkstock

PUBLICATION DATE 10/27/15

T YPEFACE Helvetica Neue

FORMAT Paperback

TEXT STOCK 27.6# Newsprint

TRIM SIZE 8 ¼ x 10 7∕8”

PREPRESS/COMPOSITION Gantec

PRODUCTION STAFF Clare Courtney

PRINTING/BINDING Bind-Rite

TEXT ART DIRECTION Rocio Grubelich

COVER/JACKET ART DIRECTION Rocio Grubelich

TEXT DESIGN Scott Westerfield

COVER/JACKET DESIGN David Blumenfeld

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Thinkstock COVER/JACKET PRINTING Bind-Rite COVER/JACKET STOCK & FINISH 10pt C1S JUDGES COMMENTS

Design complements the “coaching” metaphor. Spot-on typesetting.

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NEW YORK CROSSWALK COACH PLUS, MATHEMATICS, GRADE 8 AMY GOLDMAN AND JERRY SPAGNOLI

PUBLISHER/IMPRINT Triumph Learning

ILLUSTRATOR/PHOTOGRAPHER Lapiz Digital

PUBLICATION DATE 10/27/15

T YPEFACE Helvetica Neue

FORMAT Paperback

TEXT STOCK 27.6# Newsprint

TRIM SIZE 8 ¼ x 10 7∕8”

PREPRESS/COMPOSITION Lapiz Digital

PRODUCTION STAFF Traci John

PRINTING/BINDING Bradford & Bigelow

TEXT ART DIRECTION Rocio Grubelich

COVER/JACKET ART DIRECTION Rocio Grubelich

TEXT DESIGN Dan Rusu

COVER/JACKET DESIGN David Blumenfeld

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Thinkstock COVER/JACKET PRINTING Bradford & Bigelow COVER/JACKET STOCK & FINISH 10pt C1S JUDGES COMMENTS

Judicious use of state-specific and disciplinespecific art for cover. Outstanding math typesetting.

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IN B E ST Y GOR C AT E

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THE POCKET INSTRUCTOR: LITERATURE R.J. HOGARTH

The Cut Up | 31

Contents

and learning from each other, inevitably provoking such observations as “I hadn’t realized how funny that part was!” “The Blow Up” emphasizes the closeness of close reading, but it also grounds and enlivens more general discussions in the text—removing parts from the whole and putting the whole back into conversation with its parts. After having extracted, magnified, transformed, performed, and resituated individual sentences, students will feel more authoritative when the conversation widens to larger themes and ideas. They will also not be afraid to take apart the text, to zoom in and out of any page, drawing in or blocking out what they already know for the sake of testing new claims or ideas. Students will not only feel comfortable referring to specific passages, but they will find it easier to refer to one another’s readings as evidence and counterevidence. Most importantly, they will enjoy the opportunity to converse freely with each other (instead of answering the instructor’s questions), tracking their own interpretative moves and choices in a collective and creative encounter.

Introduction

Discussions—collaborative classroom activities for promoting discussion

The Sixty Second Game Fishbowl Read, Reread, Close Read Put the Question It’s Time We Talked Reverse Entropy Debate Leader, Skeptic, Scribe

The Cut Up Diana Fuss

3 5 9 12 15 18 21 23

Essentials—classic literary exercises everyone should try

A warm-up close-reading exercise that invites students to repair rather than dissect texts.

The Blow Up The Cut Up The One-Liner The New Title The Descriptive Word The Common Thread

Genre: poetry or prose Course Level: introductory or intermediate Student Difficulty: moderate Teacher Preparation: medium Class Size: any Semester Time: early Writing Component: none Close Reading: high Estimated Time: 30 to 50 minutes

29 31 35 37 39 41

Stories—narrative, plot, setting, structure, character, point of view, beginnings, endings, ethics The Six-Word Story Narrative Rounds Splicing Is It in Your Body? Mapmaker

EXERCISE Choose a short poem or a short prose passage—nearly any poem or passage will suffice. For this simple exercise, which invites students to take up pieces of a text and put it back together again, the text you select will depend largely on the level of challenge you want to present. In fiction classes, students will

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240792WDK_LITERATURE_cs6.indd 31

23/07/2015 12:08:56

240792WDK_LITERATURE_cs6.indd 5

23/07/2015 12:08:55

PUBLISHER/IMPRINT Princeton University Press

T YPEFACE Archer and Garamond Premiere Pro

COVER/JACKET PRINTING Phoenix Color

PUBLICATION DATE 04/11/15

TEXT STOCK 50# Maple Eggshell

COVER/JACKET STOCK & FINISH Velvet matte

FORMAT Hardcover

PREPRESS/COMPOSITION Nord Composition

CASE MATERIALS Velvet matte case

TRIM SIZE 6 1∕8 x 9 ¼”

PRINTING/BINDING Maple Press

JUDGES COMMENTS

PRODUCTION STAFF Erin Suydam

COVER/JACKET ART DIRECTION Maria Lindenfeldar

TEXT ART DIRECTION Maria Lindenfeldar

COVER/JACKET DESIGN Pamela Lewis Schnitter

TEXT DESIGN Pamela Lewis Schnitter

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Shutterstock

Clean, simple, sophisticated, accessible design. An appealing book to hold. Relies on text and design to accomplish a lot with a little.

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PDF Page: txc4_13504.p200.pdf

WORLD POLITICS, 3RD EDITION

JEFFRY A. FRIEDEN, DAVID A. LAKE, KENNETH A. SHULTZ

PUBLISHER/IMPRINT W.W. Norton & Company, Inc.

ILLUSTRATOR/PHOTOGRAPHER Kiss Me I’m Polish (maps)

PUBLICATION DATE 09/15/15

T YPEFACE Din Schrift, Din, Mercury Text G1

FORMAT Paperback

TEXT STOCK 45# Flo Matte, 870ppi

TRIM SIZE 8 x 10”

PREPRESS/COMPOSITION GraphicWorld

PRODUCTION STAFF Eric Pier-Hocking

PRINTING/BINDING Transcontinental

TEXT ART DIRECTION Rubina Yeh

COVER/JACKET ART DIRECTION Debra Morton Hoyt

TEXT DESIGN Kiss Me I’m Polish

COVER/JACKET DESIGN Leah Clark

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Mahmoud Zayyat/AFP/Getty Images, Jim Watson/AFP/Getty Images, Thomas Jantzen/ ASAblanca/Getty Images COVER/JACKET PRINTING Transcontinental COVER/JACKET STOCK & FINISH 12pt C1S with soft touch lamination JUDGES COMMENTS

Vibrant, appealing colors. Spectacular map program. Clearly organized presentation of complex material.

2 01 6 N E W YO R K B O O K S H OW

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PDF Page: txc4_13504.p202.pdf

PSYCHOLOGICAL SCIENCE, 5TH EDITION

MICHAEL GAZZANIGA, TODD HEATHERTON, DIANE HALPERN

PUBLISHER/IMPRINT W.W. Norton & Company, Inc.

T YPEFACE Sentinel, Interstate

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Kuzma/Shutterstock, Roberto Westbrook/ Media Bakery, Gallery Stock

PUBLICATION DATE 02/01/15

TEXT STOCK Flo Matte

FORMAT Hardcover

PREPRESS/COMPOSITION Code Mantra

TRIM SIZE 8 ½ x 10 7∕8”

PRINTING/BINDING Transcontinental

PRODUCTION STAFF Sean Mintus

COVER/JACKET ART DIRECTION Debra Morton Hoyt

TEXT ART DIRECTION Rubina Yeh

COVER/JACKET DESIGN Faceout Studio

COVER/JACKET PRINTING Transcontinental COVER/JACKET STOCK & FINISH 80# stock with matte polypropylene lamination CASE MATERIALS .80 binder’s board JUDGES COMMENTS

An abundance of detail and information in a clean, pleasing design. Easy to navigate.

TEXT DESIGN Faceout Studio

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Job Name: 13504

PDF Page: txc4_13504.p204.pdf

A HISTORY OF NARRATIVE FILM, 5TH EDITION DAVID A. COOK

PUBLISHER/IMPRINT W.W. Norton & Company, Inc. PUBLICATION DATE 12/01/15 FORMAT Paperback TRIM SIZE 8 ½ x 10 7∕8” PRODUCTION STAFF Benjamin Reynolds TEXT ART DIRECTION Rubina Yeh TEXT DESIGN Lissi Sigillo ILLUSTRATOR/PHOTOGRAPHER Imagineering

T YPEFACE 10/13 Chronicle Text G1 Roman with Italic, Bold, and Bold Italic TEXT STOCK 50# 770ppi Somerset (Sappi) Satin PREPRESS/COMPOSITION Composition: MPS North America LLC/ Jackie Strohl, Project Manager

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Film still from Made in U.S.A. by Jean-Luc Godard, 1966 COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 12pt C1S with matte polypropylene

ART FILE PREPARATION Jay’s Publishers Services

COVER/JACKET EFFECTS Spot gloss UV

PRINTING/BINDING RR Donnelley Kendallville

JUDGES COMMENTS

COVER/JACKET ART DIRECTION Debra Morton Hoyt

Striking photography. Effective, inviting design.

COVER/JACKET DESIGN Lissi Sigillo 2 01 6 N E W YO R K B O O K S H OW

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PRACTICE COACH PLUS, ENGLISH, GRADES 3-8 TRIUMPH LEARNING

PUBLISHER/IMPRINT Triumph Learning

ILLUSTRATOR/PHOTOGRAPHER Thinkstock

PUBLICATION DATE This edition 2016

T YPEFACE Helvetica Neue

FORMAT Paperback

TEXT STOCK 27.6# Newsprint

TRIM SIZE 8 ¼ x 10 7∕8”

PREPRESS/COMPOSITION Gantec

PRODUCTION STAFF Clare Courtney

PRINTING/BINDING Bind-Rite

TEXT ART DIRECTION Rocio Grubelich

COVER/JACKET ART DIRECTION Rocio Grubelich

TEXT DESIGN Scott Westerfield

COVER/JACKET DESIGN David Blumenfeld

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Thinkstock COVER/JACKET PRINTING Bind-Rite COVER/JACKET STOCK & FINISH 10pt C1S JUDGES COMMENTS

Engaging cover photos. Effective use of color and spot art. Nicely printed.

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21ST CENTURY ASTRONOMY, 5TH EDITION KAY, PALEN, BLUMENTHAL

PUBLISHER/IMPRINT W.W. Norton & Company, Inc.

TEXT STOCK 45# matte, 870ppi

PUBLICATION DATE This edition 2016

PREPRESS/COMPOSITION Graphic World

FORMAT Paperback

PRINTING/BINDING Transcontinenal

TRIM SIZE 9 5∕8 x 10 ¾”

COVER/JACKET ART DIRECTION Debra Morton Hoyt

PRODUCTION STAFF Andrew Ensor

COVER/JACKET DESIGN Leah Clark

TEXT ART DIRECTION Hope Miller Goodell

COVER/JACKET STOCK & FINISH 15pt C1S with matte lamination; 12pt C1S with matte lamination; 12pt C1S with matte lamination All 3HP versions on 10pt stock without lamination

TEXT DESIGN Anna Reich ILLUSTRATOR/PHOTOGRAPHER Graphic World T YPEFACE Mercury, Gotham, and Forza

COVER/JACKET PRINTING Transcontinental

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY 4x6/iStock Photo, WHITEISTHECOLOR/ iStock Photo, VERTYR/ iStock Photo, Larry Landolfi/Science Source/Getty Images, NASA/JHUAPL/SWRI Volume one: Universal History Archive/Getty Images Volume two: Yuri Beletsky (Carnegie Las Campanas OBS), Igor Chilingarian (Harvard-Smithsonian CFA) COVER/JACKET EFFECTS Spot gloss UV on all except 3HP versions JUDGES COMMENTS

Striking covers tie the series together in a unique and clever way. Fantastic spot gloss. Precise printing throughout, especially notable for four-color black. Exquisite series.

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PDF Page: txc4_13504.p210.pdf

THESE UNITED STATES

DAVID EMORY SHI AND GEORGE BROWN TINDALL

PUBLISHER/IMPRINT W.W. Norton & Company, Inc. PUBLICATION DATE 2015 FORMAT Paperback TRIM SIZE 6 1∕8 x 9 ¼” PRODUCTION STAFF Ashley Horna TEXT ART DIRECTION Jillian Burr TEXT DESIGN Jillian Burr

T YPEFACE Gotham, Chronicle Display, Adobe Garamond Pro, HFJ Didot

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Dan Budnik / Contact Press Images

TEXT STOCK 40# Flo Matte White 952 ppi

COVER/JACKET PRINTING Quad Graphics Taunton

PREPRESS/COMPOSITION Achorn International

COVER/JACKET STOCK & FINISH 12pt C1S with soft touch lamination

PRINTING/BINDING Quad Graphics Taunton

JUDGES COMMENTS

COVER/JACKET ART DIRECTION Debra Morton Hoyt

Unexpected, dynamic cover design.

COVER/JACKET DESIGN Jillian Burr

2 01 6 N E W YO R K B O O K S H OW

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PDF Page: txc4_13504.p211.pdf

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THE NORTON READER, 14TH HIGH SCHOOL EDITION MELISSA GOLDWAITE, JOSEPH BIZUP, JOHN BRERETON, ANNE FERNALD, AND LINDA PETERSON PUBLISHER/IMPRINT W.W. Norton & Company, Inc. PUBLICATION DATE 12/22/15 FORMAT Paperback TRIM SIZE 6 1∕8 x 9” PRODUCTION STAFF Ashely Horna COVER/JACKET ART DIRECTION Debra Morton Hoyt COVER/JACKET DESIGN Pete Garceau COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Pete Garceau COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH Type II with gloss lamination JUDGES COMMENTS

Elegant, yet vibrant. Broadly appealing, beautifully printed, with an amusing use of company mascot (the seagull).

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FIRST

COLLEGE COVER

RACE IN AMERICA

MATTHEW DESMOND AND MUSTAFA EMIRBAYER PUBLISHER/IMPRINT W.W. Norton & Company, Inc. PUBLICATION DATE 10/01/15 FORMAT Paperback TRIM SIZE 8 x 10” PRODUCTION STAFF Steven Cestaro and Vanessa Nuttry COVER/JACKET ART DIRECTION Debra Morton Hoyt COVER/JACKET DESIGN Frank Viva COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Frank Viva COVER/JACKET PRINTING Quad Graphics COVER/JACKET STOCK & FINISH 12pt C1S with soft touch lamination JUDGES COMMENTS

Striking, modern image with a sense of humor. Atypical, effective cover choices.

2 01 6 N E W YO R K B O O K S H OW

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CONCISE INTRODUCTION TO TONAL HARMONY

L. POUNDIE BURSTEIN AND JOSEPH N. STRAUS PUBLISHER/IMPRINT W.W. Norton & Company, Inc. PUBLICATION DATE 06/01/16 FORMAT Hardcover TRIM SIZE 8 x 10” PRODUCTION STAFF Diana Spiegle COVER/JACKET ART DIRECTION Debra Morton Hoyt COVER/JACKET DESIGN Tiani Kennedy COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Miro Novak/Shutterstock, Grisha Bruev/Shutterstock, © Peter Zelei/iStock, 3D Master/iStock

COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 80# C1S with matte polypropylene lamination COVER/JACKET EFFECTS Spot gloss UV CASE MATERIALS 98pt binder’s board; Wedgewood/ Arctic 002 H&F Bands

JUDGES COMMENTS

Great use of spot gloss, pretty gradation, and nice use of musical elements. 198

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COLLEGE COVER SERIES

AMERICA: A NARRATIVE HISTORY, 10TH EDITION DAVID E. SHI AND GEORGE BROWN TINDALL PUBLISHER/IMPRINT W.W. Norton & Company, Inc.

COVER/JACKET ART DIRECTION Debra Morton Hoyt

PUBLICATION DATE 12/22/15

COVER/JACKET DESIGN Leah Clark

FORMAT Hardcover

COVER/JACKET PRINTING Coral Graphics

TRIM SIZE 6 1∕8 9 ¼”

COVER/JACKET STOCK & FINISH 100# C1S with soft touch lamination (Full One Volume); 12pt C1S with soft touch lamination (Full Volume One, Full Volume Two, Brief One Volume, Brief Volume One, Brief Volume Two)

PRODUCTION STAFF Ashley Horna COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Colin Campbell Cooper, Fifth Avenue, New York; Full One Volume: © RMNGrand Palais/Art Resource; Full Volume One: Francis William Edmonds, The New Bonnet. Image © The Metropolitan Museum of Art/Art Resource; Full Volume Two: Reginald Marsh, Battery Park. © Colección Carmen Thyssen-Bornemisza en depósito en el Museo ThyssenBornemisza/Scala/Art Resource; Brief One Volume: Harry Herman Roseland, A Summer Afternoon at Coney Island. Private Collection/Photo © Christie’s Images/Bridgeman Images; Brief Volume One: John Archibald Woodside, A Pennsylvania Country Fair. Private Collection/Photo © Christie’s Images/ Bridgeman Images; Brief Volume Two: Sir John Lavery, The Peoples’ Pool, Palm Beach. Private Collection/Photo © Christie’s Images/Bridgeman Images

COVER/JACKET EFFECTS Full One Volume: GRL SD513AH foil stamping on spine CASE MATERIALS Full One Volume: .98pt binder’s board with Ecological Fibers “Brillianta Brown 4009” on spine and Rainbow “Ice” on the sides JUDGES COMMENTS

Brilliant reproductions and beautiful choices of cover art. Disproves the myth that covers shouldn’t be brown! Daring color choices that really work.

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THE NORTON ANTHOLOGY OF WORLD RELIGIONS CHRISTIANITY: JACK MILES (SERIES), LAWRENCE S. CUNNINGHAM (VOLUME); JUDAISM: JACK MILES (SERIES), DAVID BIALE (VOLUME); ISLAM: JACK MILES (SERIES),

JANE DAMMEN MCAULIFFE (VOLUME); HINDUISM: JACK

MILES (SERIES), WENDY DONIGER (VOLUME); BUDDHISM: JACK MILES (SERIES), DONALD S. LOPEZ, JR. (VOLUME);

DAOISM: JACK MILES (SERIES), JAMES ROBSON (VOLUME) PUBLISHER/IMPRINT W.W. Norton & Company, Inc. PUBLICATION DATE 12/07/15 FORMAT Paperback TRIM SIZE 6 x 9 ¼” PRODUCTION STAFF Sean Mintus COVER/JACKET ART DIRECTION Debra Morton Hoyt COVER/JACKET DESIGN Alexandra Charitan COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Buddhism: Tibetan Tanka. Courtesy of the Museum of Anthropological Archaeology, University of Michigan; Christianity: Details of the mosaics in the twelfth-century apse at the Basilica di San Clemente. Lonely Planet/Getty Images; Daoism: Taoist Immortal Flies through the

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Clouds, from A Keepsake from the Cloud Gallery/Yuntai Xianrui. © The British Library Board/Art Resource; Hinduism: A Mithila painting by Priyanshu, Rama and Sita in Exile in the Forest. Courtesy of the Ethnic Arts Foundation; Islam: Illuminated manuscript, Koran, frontispiece. The Walters Art Museum; Judaism: Darmstadt Pesach Haggadah. © Lebrecht Music & Arts. COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 12pt Silver Lumina with overall press varnish COVER/JACKET EFFECTS Printing 4-0-0-4 JUDGES COMMENTS

Gorgeous printing and choice of cover material.

FIRST

COLLEGE ANCILLARY COVER SERIES

CONCISE INTRODUCTION TO TONAL HARMONY

L. POUNDIE BURSTEIN AND JOSEPH N. STRAUS PUBLISHER/IMPRINT W.W. Norton & Company, Inc. PUBLICATION DATE 06/01/16 FORMAT Paperback TRIM SIZE 8 ½ x 11” PRODUCTION STAFF Diana Spiegle COVER/JACKET ART DIRECTION Debra Morton Hoyt COVER/JACKET DESIGN Tiani Kennedy COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Miro Novak/Shutterstock, Grisha Bruev/ Shutterstock, © Peter Zelei/iStock, 3D Master/ iStock COVER/JACKET PRINTING Coral Graphics COVER/JACKET STOCK & FINISH 12pt C1S with matte polypropylene lamination JUDGES COMMENTS

Ingenious use of music typography. Harmonious color choices; ancillaries work variations on the theme.

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IN B E ST Y GOR C AT E

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THE WHEEL

RICHARD W. BULLIET

PUBLISHER/IMPRINT Columbia University Press

PREPRESS/COMPOSITION Newgen

PUBLICATION DATE 01/19/16

PRINTING/BINDING Edwards Brothers Malloy

FORMAT Hardcover

COVER/JACKET ART DIRECTION Julia Kushnirsky

TRIM SIZE 6 x 8”

COVER/JACKET DESIGN Jordan Wannemacher

PRODUCTION STAFF Jennifer Jerome

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Images provided by the author

TEXT DESIGN Jordan Wannemacher T YPEFACE New Baskerville ITC Pro, Gotham TEXT STOCK 70#

COVER/JACKET PRINTING Phoenix Color

CASE MATERIALS Rainbow “Spruce” with “Spanish” embossing and gold foil Headbands: black JUDGES COMMENTS

Thoughtful, intentional use of wheel design that works on multiple levels and is carried through the cover, jacket flaps, running feet, space breaks, and around the author photo. Sensuous text paper that allows photos to print well. Large gutters give breath to the entire spread.

COVER/JACKET STOCK & FINISH 80# jacket stock with matte lamination and spot UV 2 01 6 N E W YO R K B O O K S H OW

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THE ENCYCLOPEDIA OF ANTIQUE CARPETS ABRAHAM LEVI MOHEBAN

PUBLISHER/IMPRINT Princeton Architectural Press PUBLICATION DATE 12/15/15 FORMAT Hardcover TRIM SIZE 12 ½ x 8 ¾” PRODUCTION STAFF Janet Behning TEXT ART DIRECTION Benjamin English TEXT DESIGN Benjamin English ILLUSTRATOR/PHOTOGRAPHER Various

T YPEFACE Plantin MT Pro, Berthold Akzidenz Grotesk Light TEXT STOCK 157gsm Golden Sun Matt Art PREPRESS/COMPOSITION Asia Pacific Offset PRINTING/BINDING Asia Pacific Offset COVER/JACKET ART DIRECTION Paul Wagner COVER/JACKET DESIGN Benjamin English COVER/JACKET PRINTING Asia Pacific Offset

COVER/JACKET STOCK & FINISH JHT cloth with foil stamping CASE MATERIALS 3mm board OTHER COMPONENTS Slipcase: JHT wrapped over 3mm board with 4/c printed woodfree panel wrapped over JHT JUDGES COMMENTS

A magnificent exercise in restraint. Cover contains no copy, simply a lush carpet design that is also evoked on the endpapers. Interiors have marvelous attention to detail and are of high production quality. The disciplined design plays up the meticulously silhouetted carpet images. 2 01 6 N E W YO R K B O O K S H OW

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ON INEQUALITY

HARRY G. FRANKFURT

PUBLISHER/IMPRINT Princeton University Press PUBLICATION DATE 09/29/15 FORMAT Hardcover TRIM SIZE 4 ½ x 7” PRODUCTION STAFF Erin Suydam TEXT ART DIRECTION Maria Lindenfeldar TEXT DESIGN Chris Ferrante

T YPEFACE Berthold Akzidenz Grotesk and Sabon Next Lt Pro TEXT STOCK 55# Natural High Opaque PREPRESS/COMPOSITION Integrated Publishing Solutions PRINTING/BINDING Maple Press COVER/JACKET ART DIRECTION Maria Lindenfeldar COVER/JACKET DESIGN Chris Ferrante

COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH Scuff-free matte film CASE MATERIALS Printed Case JUDGES COMMENTS

Bold title design on cover is carried through to the interior. Appropriately simple page design. The black-and-white color scheme evokes the content. Trim size is intimate and inviting.

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A CANADIAN GIRL IN SOUTH AFRICA E. MAUDE GRAHAM

PUBLISHER/IMPRINT The University of Alberta Press

ILLUSTRATOR/PHOTOGRAPHER various

PUBLICATION DATE 05/22/15

T YPEFACE Fayon, Verlag

FORMAT Paperback

TEXT STOCK 55# Enviro Cream

TRIM SIZE 6 x 9”

PREPRESS/COMPOSITION Alan Brownoff

PRODUCTION STAFF Alan Brownoff

PRINTING/BINDING Houghton Boston Printers

TEXT ART DIRECTION Alan Brownoff

COVER/JACKET ART DIRECTION Alan Brownoff

TEXT DESIGN Alan Brownoff

COVER/JACKET DESIGN Alan Brownoff

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY archival COVER/JACKET PRINTING Houghton Boston Printers COVER/JACKET STOCK & FINISH Matte lamination JUDGES COMMENTS

Smart design. Unique placement of running heads and folios down the sides of the pages. The evocative photos, which bleed off the page, draw you in with their elegant arrangement and complement the text. Breaks out of the typical template for this type of book. 2 01 6 N E W YO R K B O O K S H OW

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SPIRALS

110

ON E TW O

NICO ISRAEL

E RE TH R F OU FIV E

TWINNED TOWERS

learned that, instead of the first model of the Monument to the Third International, the House of the Unions (Дом союзов) had decided to exhibit a samovar. This displacement, or replacement, represented the very beginning of a process that would eventually lead, in 1933, to the exhibition “Artists of Russia” in which Tatlin’s artworks, in a gesture not unlike that of the notorious “Degenerate Art” exhibition in Germany, were relegated to a small hall dedicated to “Formalist excesses,” and state-sponsored art critics derided him as “no artist whatsoever.”101 Tatlin— who, after building the model of the tower, worked for several years on Letatlin, the individualized aerial bicycle that he hoped could be mass produced—ended up not soaring to the sky like Dedalus (or, for that matter, Leonardo), but, mostly unappreciated, painting portraits and still-lives of flowers, with nary a spiral in sight. Meanwhile Yeats, in the last decade of his life, still clung to his vision of gyres “running on,” yet increasingly scorned the sort of artist or poet “now growing up . . . all out of shape from toe to top,” and retreated to the solidity of localized native stone, singing, at times bitterly, of human unsuccess.

L’HABITE EN SPIRALE DUCHAMP, JOYCE, AND THE INELUCTABLE VISIBILITY OF ENTROPY

Language is just no damn good—I use it because I have to, but I don’t put any trust in it. •

MARCEL DUCHAMP, IN CALVIN TOMPKINS, THE BRIDE AND THE BACHELORS

Anemic a little. . . .Your head it simply swirls •

JAMES JOYCE, ULYSSES

� � � Their inevitable “failures” aside—the word “fail” is etymologically related not only to “lacking” but also to “falling”—Tatlin’s and Yeats’s twinned spiral towers of the early post–Great War period amply demonstrate the durability of their makers’ grand and totalizing ambitions, ambitions that include not only ways of making art (with or without “Personality”) but also ways of activating history and theatrically giving shape to the future. Although spirals later in the twentieth century never again achieved quite the earnest, energetic grandiosity with which they were associated in Yeats’s and Tatlin’s work, and although that grandiosity would, in fact, itself come to be derided, the spiral ambition itself still must be admired, wondered at. Next we explore two equally wonderful forms of spiraling, though ones associated less with energy than with entropy: those of James Joyce, who of course had his own interest in flying, Dedalus-like, and that of Marcel Duchamp, who had his own notions of spirals “running on.”

PORTRAIT OF THE ARTIST AS A THRUSTING SPIRAL In 1929, the editors of the newly formed, Paris-based English-language publishing house Black Sun Press commissioned a drawing of James Joyce from the Romanian sculptor Constantin Brancusi for a limited edition of fragments of the ongoing Work in Progress that they planned to publish later that year.1 Brancusi produced two drawings that certainly resembled Joyce but did not have the modern signature style sought by the editors, so the editors asked the artist to try again. This time, Brancusi created a far more abstract work, titled Symbole de Joyce, consisting of three vertical, straight lines of varying lengths spaced at intervals along the paper and, on the right half of the drawing, a large Archimedean spiral (figure 28). Brancusi later commented that this portrait captured le sens du pousser (the sense of pushing or thrusting) he thought to be his model’s

PUBLISHER/IMPRINT Columbia University Press

TEXT STOCK 60# Nature’s Natural, 360-1ppi

COVER/JACKET EFFECTS GRL 900 matte pigment stamping

PUBLICATION DATE 02/24/15

PREPRESS/COMPOSITION Cenveo Publisher Services

FORMAT Hardcover

PRINTING/BINDING Thomson-Shore

CASE MATERIALS 80# Rainbow “Bamboo” with “Antique” embossing Headbands: red and black

TRIM SIZE 6 x 8”

COVER/JACKET ART DIRECTION Julia Kushnirsky

PRODUCTION STAFF Jennifer Jerome

COVER/JACKET DESIGN Lisa Hamm

TEXT ART DIRECTION Julia Kushnirsky

TEXT DESIGN Lisa Hamm T YPEFACE Text: Garamond Premier Pro Display: MrEaves San OT

COVER/JACKET PRINTING Brady Palmer

JUDGES COMMENTS

Inventive chapter-opener art corresponds to the cover design and carries over to the back cover. The color of the endpapers complements the jacket flaps. Jacket has attractive tactile finish. Trim size is perfect choice to contain the spiral shape and the book’s proportions are appropriate to its content.

COVER/JACKET STOCK & FINISH 100# C1S with gritty matte UV 2 01 6 N E W YO R K B O O K S H OW

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WORKS OF CICERO

MARCUS TULLIUS CICERO, EDITED BY PHILIP FREEMAN

PUBLISHER/IMPRINT Princeton University Press

T YPEFACE Stempel Garamond and Futura

COVER/JACKET PRINTING Phoenix Color

PUBLICATION DATE 03/29/16

TEXT STOCK 55# Glat Offset Cream

COVER/JACKET STOCK & FINISH Velvet matte

FORMAT Hardcover

PREPRESS/COMPOSITION Integrated Publishing Solutions

COVER/JACKET EFFECTS Pantone colors

TRIM SIZE 4 ½ x 6 ¾”

PRINTING/BINDING Maple Press

CASE MATERIALS Three-piece case

PRODUCTION STAFF Erin Suydam

COVER/JACKET ART DIRECTION Maria Lindenfeldar

JUDGES COMMENTS

TEXT ART DIRECTION Maria Lindenfeldar

COVER/JACKET DESIGN Karl Spurzem/Jason Alejandro/Pamela Lewis Schnitter

TEXT DESIGN Karl Spurzem/Jason Alejandro/Pamela Lewis Schnitter

Enticing trim size, comfortable to hold; readable font size, makes ancient text accessible; clever juxtaposition of bilingual text.

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Bridgeman Images 2 01 6 N E W YO R K B O O K S H OW

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WORKS OF MARTIN BUBER MARTIN BUBER

PUBLISHER/IMPRINT Princeton University Press PUBLICATION DATE 10/27/15 FORMAT Paperback TRIM SIZE 5 ½ x 8 ½” PRODUCTION STAFF Erin Suydam TEXT ART DIRECTION Maria Lindenfeldar TEXT DESIGN Amanda Weiss

T YPEFACE Adobe Caslon Pro, ITC Caslon 224 Std and Montserrat

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Amanda Weiss

TEXT STOCK 55# Glat Offset

COVER/JACKET PRINTING Phoenix Color

PREPRESS/COMPOSITION Integrated Publishing Solutions

COVER/JACKET STOCK & FINISH Scuff-free matte film

PRINTING/BINDING Maple Press

JUDGES COMMENTS

COVER/JACKET ART DIRECTION Maria Lindenfeldar COVER/JACKET DESIGN Amanda Weiss

Inviting margins, creative cover design that carries through to half-tile page; contentappropriate use of the Star of David, clearly altered; successful use of unconventional 1950s colors that evoke the period of the books’ original printing. 2 01 6 N E W YO R K B O O K S H OW

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THE AGE OF SUSTAINABLE DEVELOPMENT JEFFREY D. SACHS PUBLISHER/IMPRINT Columbia University Press PUBLICATION DATE 03/03/15 FORMAT Paperback TRIM SIZE 7 x 9” PRODUCTION STAFF Jennifer Jerome COVER/JACKET ART DIRECTION Julia Kushnirsky COVER/JACKET DESIGN Lisa Hamm COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Felix Pharand-Deschénes/Globaïa COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 10pt C1S metallized stock with scuff-free matte lamination COVER/JACKET EFFECTS 6/c printing with 4/c process and 2 hits of opaque white JUDGES COMMENTS

Perfect pairing of luminescent design and metallic foil.

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THE LOST GARDEN LI ANG

PUBLISHER/IMPRINT Columbia University Press PUBLICATION DATE 11/24/15 FORMAT Paperback TRIM SIZE 6 x 8” PRODUCTION STAFF Jennifer Jerome COVER/JACKET ART DIRECTION Julia Kushnirsky and Vin Dang COVER/JACKET DESIGN Vin Dang COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Antonis Minas COVER/JACKET PRINTING Edwards Brothers Malloy COVER/JACKET STOCK & FINISH 10pt C1S with matte UV lamination JUDGES COMMENTS

Poetic images with beautiful color choices and integration of lettering. Back cover is as welldesigned as the front.

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IN THEIR VOICES RHONDA M. ROORDA PUBLISHER/IMPRINT Columbia University Press PUBLICATION DATE 12/08/15 FORMAT Paperback TRIM SIZE 6 x 9” PRODUCTION STAFF Jennifer Jerome COVER/JACKET ART DIRECTION Julia Kushnirsky COVER/JACKET DESIGN Milenda Nan Ok Lee COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Image source: Getty Images COVER/JACKET PRINTING Edwards Brothers Malloy COVER/JACKET STOCK & FINISH 10pt C1S with matte lamination JUDGES COMMENTS

Powerful image combined with restrained typography creates a beautiful cover.

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PDF Page: txc4_13504.p236.pdf

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A TASTE FOR BROWN BODIES HIRAM PÉREZ

PUBLISHER/IMPRINT New York University Press PUBLICATION DATE 10/30/15 FORMAT Paperback TRIM SIZE 6 x 9” PRODUCTION STAFF Charles B. Hames COVER/JACKET ART DIRECTION Adam B. Bohannon COVER/JACKET DESIGN Adam B. Bohannon COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Tino Rodriguez COVER/JACKET PRINTING Sheridan COVER/JACKET STOCK & FINISH 12pt C1S with Velvet matte JUDGES COMMENTS

Romantic and soulful image with understated typography.

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PICTURE TITLES

RUTH BERNARD YEAZELL PUBLISHER/IMPRINT Princeton University Press PUBLICATION DATE 10/02/15 FORMAT Hardcover TRIM SIZE 6 1∕8 x 9 ¼” PRODUCTION STAFF Sharyn Zasada COVER/JACKET ART DIRECTION Maria Lindenfeldar COVER/JACKET DESIGN Pamela Lewis Schnitter COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Edgar Degas, courtesy of Getty COVER/JACKET PRINTING Friesens COVER/JACKET STOCK & FINISH Scuff-free matte film CASE MATERIALS Natural Cloth JUDGES COMMENTS

Simple, effective, elegant, risky, and intelligent.

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STRANGE GLOW

TIMOTHY J. JORGENSEN PUBLISHER/IMPRINT Princeton University Press PUBLICATION DATE 02/23/16 FORMAT Hardcover TRIM SIZE 6 1∕8 x 9 ¼” PRODUCTION STAFF Erin Suydam COVER/JACKET ART DIRECTION Maria Lindenfeldar COVER/JACKET DESIGN Jess Massabrook COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Jess Massabrook COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH Scuff-free matte film COVER/JACKET EFFECTS Glow-in-the-dark spot UV CASE MATERIALS Three-piece case 1” Arrestox B Navy Vellum on boards with Rainbow “Felt Gray” JUDGES COMMENTS

Perfect marriage of design and content. Yes, it really glows in the dark!

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VIOLENCE AND CIVILITY ETIENNE BALIBAR PUBLISHER/IMPRINT Columbia University Press PUBLICATION DATE 05/19/15 FORMAT Hardcover TRIM SIZE 6 x 9” PRODUCTION STAFF Jennifer Jerome COVER/JACKET ART DIRECTION Julia Kushnirsky COVER/JACKET DESIGN Chang Jae Lee COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Adhoc Photos/Corbis COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 100# C1S with matte lamination COVER/JACKET EFFECTS Spot UV on handwritten type CASE MATERIALS Multicolor 80# “Rouge” with “Linen” finish Headbands: red JUDGES COMMENTS

Unconventional font. You can really feel it dripping!

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STEM CELL DIALOGUES

SHELDON KRIMSKY PUBLISHER/IMPRINT Columbia University Press PUBLICATION DATE 06/23/15 FORMAT Hardcover TRIM SIZE 6 x 9” PRODUCTION STAFF Jennifer Jerome COVER/JACKET ART DIRECTION Julia Kushnirsky COVER/JACKET DESIGN Faceout Studio, Charles Brock COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Getty Images, Silvia Riccardi COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 100# metallic stock with matte lamination COVER/JACKET EFFECTS 4/c process with white CASE MATERIALS Rainbow “Turquoise” with “Burnished Leather” embossing and B29 stamping Headbands: black JUDGES COMMENTS

Organic integration of artwork and type.

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THE HILLARY DOCTRINE

VALERIE M. HUDSON AND PATRICIA LEIDL PUBLISHER/IMPRINT Columbia University Press PUBLICATION DATE 06/30/15 FORMAT Hardcover TRIM SIZE 6 x 9” PRODUCTION STAFF Jennifer Jerome COVER/JACKET ART DIRECTION Julia Kushnirsky COVER/JACKET DESIGN Jordan Wannemacher COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Win McNamee/Getty Images COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH Metallic stock with matte lamination COVER/JACKET EFFECTS 4/c process with white CASE MATERIALS Rainbow “Ruby” with “Burnished Leather” embossing and gold Headbands: blue JUDGES COMMENTS

Type, layout, and use of foil all come together to make a cover that is elegant and stately without being cliché. 226

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LIBRARY OF ARABIC LITERATURE VARIOUS

PUBLISHER/IMPRINT New York University Press PUBLICATION DATE 10/15/15 FORMAT Paperback TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Charles B. Hames COVER/JACKET ART DIRECTION Charles B. Hames COVER/JACKET DESIGN Nicole Hayward COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Various COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 12pt stock with Velvet matte lamination JUDGES COMMENTS

Wonderful art choices and sensitivity to color. Consistent design that takes into consideration different title lengths and various types of art. Beautiful front- and back-cover branding.

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LITERARY JOURNAL

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WEST MARIN REVIEW, VOLUME 6 EDITED BY DORIS OBER WITH MYN ADESS

IMPRINT/PUBLISHER Point Reyes Books PUBLICATION DATE 08/16/15 FORMAT Magazine/Journal TRIM SIZE 7 x 10” PRODUCTION STAFF Lily Bone, Willow Banks, Maxine Ressler with Micah Johnson

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Marsha Balian, “Jill”, 2014, mixed media COVER/JACKET PRINTING Asia Pacific Offset COVER/JACKET STOCK & FINISH 250gsm woodfree JUDGES COMMENTS

Beautifully cohesive collection of very diverse content. High-quality package.

COVER/JACKET ART DIRECTION Madeleine Corson Design COVER/JACKET DESIGN Madeleine Corson and Lily Bone 2 01 6 N E W YO R K B O O K S H OW

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ADULT NONFICTION/FICTION

CHILDRENâ&#x20AC;&#x2122;S FICTION/NONFICTION

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ADULT NONFICTION

THE PEANUT BUTTER AND JELLY SANDWICH JOSHUA RUBIN

SERVICE PROVIDER/PUBLISHER/IMPRINT CreateSpace PUBLICATION DATE 01/29/15 FORMAT(S) Print Book and eBook COVER/JACKET DESIGN Matthew Morse/CreateSpace JUDGES COMMENTS

Whimsical, charming illustration and type treatment. We wish it were scratch-and-sniff! We’re glad we can give an award to this one— nicely done.

Joshua Rubin

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SECOND

ADULT NONFICTION

BUDDHA SCIENCE

$12.99

STEVE DAUT

BUDDHA SCIENCE

SERVICE PROVIDER/PUBLISHER/ IMPRINT Publishing Services at Thomson-Shore PUBLICATION DATE 12/09/15 FORMAT(S) Print Book and eBook COVER/JACKET DESIGN Matt Schubbe JUDGES’ NOTES

Simple but effective. Amusing illustration and professional-looking color choices.

STEVE DAUT STEVE DAUT

2 01 6 N E W YO R K B O O K S H OW

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ADULT NONFICTION

e m b r a c i n g S A LVAT I O N

embracing S A LVAT I O N actualizing inner peace, joy, and freedom to have a more abundant life

EMBRACING SALVATION

CHANH VAN NGUYEN SERVICE PROVIDER/PUBLISHER/IMPRINT CreateSpace PUBLICATION DATE 04/10/15 FORMAT(S) Print Book and eBook COVER/JACKET DESIGN Tami Boyce/CreateSpace JUDGES COMMENTS

Cover photography fitting for subject matter.

C h a n h Va n N g u y e n

Chanh Va n Nguyen

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MERIT

ADULT NONFICTION

PASSPORT TO ME EVELYN C. WALSH

SERVICE PROVIDER/PUBLISHER/IMPRINT CreateSpace PUBLICATION DATE 06/13/15

Passport TO Me

EVELYN C. WALSH

FORMAT(S) Print Book COVER/JACKET DESIGN Evelyn C. Walsh; CreateSpace JUDGES COMMENTS

Tasteful front cover and appropriate typography choices.

EVELYN C. WALSH

Passport TO Me 2 01 6 N E W YO R K B O O K S H OW

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ADULT FICTION

LEGACY OF STOKE JOSEPH TOMARCHIO

SERVICE PROVIDER/PUBLISHER/IMPRINT CreateSpace PUBLICATION DATE 06/09/15 FORMAT(S) Print Book COVER/JACKET DESIGN Shane Lasby JUDGES COMMENTS

Captures the essence of the surfing culture in a visually pleasing way.

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SECOND

ADULT FICTION

THE GREY GHOST

The Grey Ghost

JOSEPH SQUATRITO

The Grey Ghost

SERVICE PROVIDER/PUBLISHER/IMPRINT CreateSpace PUBLICATION DATE 10/12/15 FORMAT(S) Print Book and eBook COVER/JACKET DESIGN Joseph Squatrito; CreateSpace JUDGES COMMENTS

Salable cover for a spooky subject; tastefully executed.

JOSEPH SQUATRITO

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THE ALL-NEW AMERICAN RADIO CAR

ALL-NEW AMERICAN RADIO CAR

ADULT FICTION

THE

JORDANO BORTOLOTTO 240

THE ALL-NEW AMERICAN RADIO CAR

JORDANO BORTOLOTTO SERVICE PROVIDER/PUBLISHER/IMPRINT CreateSpace PUBLICATION DATE 05/20/15 FORMAT(S) Print Book and eBook JUDGES COMMENTS

An eyecatching, bold graphic design.

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BORTOLOTTO

• SELF-PUBLISHED COVERS

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CHILDREN’S FICTION

THE DIAMOND LOOKING GLASS DORINE WHITE

SERVICE PROVIDER/PUBLISHER/IMPRINT CreateSpace PUBLICATION DATE 08/27/15 FORMAT(S) Print Book and eBook COVER/JACKET DESIGN D. Robert Pease, Walking Stick Books JUDGES' COMMENTS Eye-catching design elements, nice flourishes, and bold, legible title type.

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SECOND

CHILDREN’S FICTION

POPCORN BOY STACIE COTTO

SERVICE PROVIDER/PUBLISHER/IMPRINT CreateSpace PUBLICATION DATE 06/22/15 FORMAT(S) Print Book and eBook COVER/JACKET DESIGN Stacie Cotto; CreateSpace JUDGES' COMMENTS Imagery use ties in well with title. Attractive carryover of art from front to back cover. Movie theater imagery is great.

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THIRD

CHILDREN’S FICTION

SEA CITY

sea city

GREGG NOLAN

sea city THE THIRD HELIX

SERVICE PROVIDER/PUBLISHER/IMPRINT CreateSpace PUBLICATION DATE 02/18/15 FORMAT(S) Print Book and eBook COVER/JACKET DESIGN Gregg Nolan; CreateSpace JUDGES' COMMENTS Nice use of type on cover. Interesting artwork on cover and color palette is handled well.

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CHILDREN’S NONFICTION

BLESS THE BEASTS

MARILYN HOLASEK LLOYD SERVICE PROVIDER/PUBLISHER/IMPRINT CreateSpace PUBLICATION DATE 09/02/15 FORMAT(S) Print Book and eBook COVER/JACKET DESIGN Marilyn Holasek Lloyd (Design and Photograph); CreateSpace JUDGES' COMMENTS Whimsical, quirky cover. Evokes feelings of nostalgia.

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SECOND

CHILDREN’S NONFICTION

SILENCE IS NOT ALWAYS GOLDEN JOY ELAN

SERVICE PROVIDER/PUBLISHER/IMPRINT CreateSpace

THE POWER OF SPOKEN WORDS

PUBLICATION DATE 07/27/15 FORMAT(S) Print Book and eBook COVER/JACKET DESIGN Anna Marie JUDGES' COMMENTS Stylish and chic. Simple and elegant.

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JUDGES’ BIOGRAPHIES Lucy Albanese has a passion for books and a love of publishing. The creation of beautiful print and digital trade books to enhance the reading experience is her life’s endeavor. She finds book design challenging and highly rewarding, not to mention fun. Cutting her eyeteeth at Henry Holt, she transitioned her team from conventional book design to desktop publishing. She LUCY ALBANESE joined HarperCollins in 2000 as Design Director and now manages a team of talented interior book designers who have produced thousands of functional, beautiful, and edgy books, including award-winning designs. Married to a photographer/creative director with a son whose goal is to teach art, she is never at a loss for critics. Lucy has presented at Adobe events, taught art to students, and spearheaded the team that produced BISG “Fonts for Ebooks”. As an award-winning designer, she understands the merits of having your work recognized and displayed. She was honored to be judging the book show, collaborating with colleagues on the finer aspects of design and production while critiquing some of the most distinguished books in the industry.

Job Name: 13504

Jennifer Blanc-Tal is a book designer and production coordinator at Rutgers University Press, where she strives to make books more beautiful and more cost-efficient and to make production schedules shorter in the service of the scholarly word. With over 20 years in publishing she’s designed K-12 textbooks, young adult, children’s, trade, and mass market books for such companies as Macmillan/ JENNIFER BLANC-TAL McGraw-Hill, Pearson, Harcourt, 17th Street Productions, and Ballantine Books, among others. She holds an M.A. in photography from the New York University/International Center of Photography joint program and a B.F.A. from Long Island University. A bookworm from an early age, Sabrina Bowers’s first experience with typography was designing and laying out her high school newspaper. It was a thrill to get to select the font. After a stint in the managing editorial department of Macmillan Library Reference, she changed course in her publishing career and turned to book design. She studied typefaces while working on offsets for SABRINA BOWERS Viking. She has since designed and typeset hundreds of book interiors, from such diverse categories as Nobel Prize-winning literature to vampire romances. She’s currently the senior design manager for Penguin Books, TarcherPerigee, and Plume. She lives in a Brooklyn apartment lined with overstuffed bookshelves, and though she’s created an eBook or two, still prefers reading the printed page to reading on a screen.

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Lonn Braender is a sales executive with Phoenix Color, a proud American manufacturing company focused on bringing your projects to life through print. Phoenix Color is the premier, independently-owned book and component printer serving U.S. publishers for almost 40 years. Lonn has been involved in the printing industry for almost 30 years, dating back to his LONN BRAENDER days in Philadelphia with a multi-faceted commercial printer. He’s spent the last 20 years working with books and book components—in both customer service and sales— with Lehigh Press, Brady Palmer, and now, Phoenix Color. He has a degree from The College of New Jersey in graphic arts and loves the business of books and book components.

Heather Daugherty is a senior designer at HarperCollins Publishers in New York, designing middle grade and young adult books. She received a B.F.A. in graphic design at Suffolk University and has been designing children’s books for almost ten years, having worked with many talented illustrators and photographers. Heather is always on the lookout for new artists HEATHER DAUGHERTY that bring something different to the table, whether it be their creative style or something unique in their artwork that sets them apart. She’s a design nerd, a type geek, a working mom, an only child, a Parrothead, and a believer that the printed book will never fade out from our cultures and lives. She hopes she’s right.

Lynne Ciccaglione is currently managing editor at Regan Arts, a Phaidon Global company, where she oversees the creation and publication of trade fiction and nonfiction books and works on a select number of illustrated books. Lynne got her start in book publishing at Melcher Media. She holds a B.A. from Vassar College, where she studied cultural anthropology and English.

Julie Doebler is a 12-year employee for Simon & Schuster. She is currently the associate production director for Simon Pulse and Aladdin imprints, in addition to Custom Publishing, for all children’s imprints. She studied English with a focus on Publishing Studies at Hofstra University and has more than 15 years of experience in producing children’s books. The fourJULIE DOEBLER color and novelty experience she gained at Golden Books, along with the sales practice from her years at Random House, gave her a unique insight into the life of books that she utilizes daily in bringing books from conception to market.

LYNNE CICCAGLIONE

Elizabeth Clark is an associate art director at Macmillan Children’s Publishing Group, where she has been working for the past four years. She designs and art directs a wide range of books, including young adult novels, middle grade novels, and picture books. Elizabeth is interested in creating books as treasured objects, and enjoys the challenge of designing for both beauty and ELIZABETH CLARK function. She received her B.A. in studio art and art history at Boston University School of Fine Arts, and has been working in the book world since the day she graduated. In her spare time, she is slowly working toward the prosperity of a new community garden in her neighborhood of Crown Heights in Brooklyn, NY.

Job Name: 13504

Andy Ensor began his publishing career circulating cover mechanicals and updating schedules at Fodor’s Travel Publications. Along the way, he worked on classics at The Modern Library, trade paperbacks at Crown, mass market books at St. Martin’s Press and Berkley, and college textbooks at Bedford/St. Martin’s. Today, he is a production manager with W. W. Norton & ANDY ENSOR Company, Inc., continuing to work on college textbooks as well as an array of e-media. In his spare time, he enjoys yoga, following the Mets and Seahawks, and volunteer work.

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Leslie Flis is a senior book designer for Princeton University Press, where she has been designing interiors and covers for books on poetry, economics, mathematics, history, political science, and natural history for over 20 years. Her career began in advertising, which led to magazine art direction, freelance illustration specializing in informational graphics, and now, book LESLIE FLIS design. She holds a B.F.A. in communication arts and design from Virginia Commonwealth University and has studied at the School of Visual Arts. Sonali Fry has worked in children’s publishing for almost 20 years and is currently the editorial director of Little Bee Books, Bonnier Publishing’s new US-based imprint. In addition to acquiring titles and managing the editorial team, Sonali oversees Little Bee’s design and production teams. She began her career at the Putnam Berkley Group which, after a merger with Penguin, SONALI FRY became Penguin Putnam Inc. Sonali then spent a couple of years at Scholastic, where she had the pleasure of editing many, many books about Clifford the Big Red Dog. Prior to joining Little Bee Books, Sonali was at Simon & Schuster, working in Simon Spotlight, and then moved to Little Simon, where she edited several series of board books, including those by Karen Katz, Eric Carle, and Sandra Boynton. Sonali also launched the successful Little Simon chapter book series Heidi Heckelbeck, Galaxy Zack, The Kingdom of Wrenly, and Tales from Maple Ridge.

Job Name: 13504

Barbara Grzeslo is an art director for Boyds Mills Press, Calkins Creek, and WordSong— all imprints of Highlights Press. She has a broad and varied background: a full career in the corporate sector, culminating as principal designer at Digital Equipment Corporation (when it still existed); creative director of Grapheme (the design arm of Cossette, a Canadian advertising agency); BARBARA GRZESLO and partner in a design studio in New York City. She has taught part-time at York University in Toronto, Harvard, and Parsons School of Design. Since 2001, Barbara has immersed herself in children’s publishing, working at Farrar, Straus and Giroux, as well as Feiwel and Friends. She arrived in Honesdale, PA, after living and working in Toronto, Boston, London, England, and New York. Barbara received her M.F.A. from Yale University. Tom Leddy has spent his career in production and operations. He has held positions at Ballantine Books, Bantam Books, the Bantam Dell Publishing Group, and the Random House Publishing Group. For the past two years he has been with DK, where he is head of US production. When not touring the northeast visiting potential colleges for his older daughter (with his TOM LEDDY younger daughter in tow), Tom enjoys reading, watching movies, and spending time at the beach. Carolyn Lengel is an executive editor for English composition books and media at Bedford/St. Martin’s/Macmillan Learning. During her 12 years in-house at Bedford/ St. Martin’s she has developed a variety of books, ranging from traditional anthologies to graphic novels, all aimed at the college market. She spends most of her workdays as the franchise lead editor for three CAROLYN LENGEL remarkably friendly and cheerful writing handbooks by Andrea A. Lunsford. On these and other projects, talented designers have made the job far more enjoyable! Carolyn feels that the technology of the printed book is hard to beat—but she is grateful for ebooks every time she has to pack for a long trip.

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Michelle Mudry Lipar is production director at Rocket Books, specializing in children’s books and novelty products. She joined Rocket Books in 1997, shortly after graduating with a B.A. in English from the University of Notre Dame. She works with printers and novelty manufacturers overseas to help bring all aspects of a book together for her customers in the US and abroad. Her MICHELLE MUDRY specialty is production consulting, working with clients to develop and refine formats to meet design, editorial, and economic requirements.

JAMES McCAFFERTY

James McCafferty is the director of book group sales for Ecological Fibers, Inc. His primary responsibility is to sell and/or get specified products to the book manufacturing and publishing community. Prior to joining Ecological Fibers 10 years ago, James served at several levels of manufacturing, quality control, and management during his 15-year tenure at National Publishing Company in Philadelphia.

Jennifer Rappaport is an editor at the Modern Language Association. She began her publishing career as an intern at New York University Press and later worked at Oxford University Press and The New Press. For several years, she ran her own freelance editing business; her clients included Penguin Random House, HarperCollins, Bloomsbury, St. Martin’s, the University of JENNIFER RAPPAPORT Chicago Press, and Duke University Press. Jennifer is also a French translator. Her translation of Anna Gavalda’s novel Billie was published by Europa Editions in 2015. She received a B.A. in English and French from Vassar College and an M.A. in comparative literature from NYU.

Job Name: 13504

BENJAMIN REYNOLDS

Benjamin Reynolds is associate director of college production at W. W. Norton & Company, Inc., where he oversees textbooks and media programs across many disciplines. He is also a freelance copyeditor and proofreader, and has worked on an enormous variety of trade titles at several publishing houses. He lives in Bloomfield, NJ, with his wife, Stephanie.

Marni Sabin is a lead academic designer at McGraw-Hill Education, developing learning solutions for PreK–6 Literacy and English Language Learning. She has held a variety of editorial positions during her 18 years in educational publishing. Marni holds a B.A. in English and Spanish from Capital University in Columbus, Ohio, and an M.A. in linguistics from Northeastern MARNI SABIN Illinois University in Chicago. She lives with her husband in Brooklyn, NY, and volunteers with iMentor and Sokol New York.

DANA SLOAN

Dana Sloan has been an art director of interiors for Atria Books at Simon & Schuster since 2002. From 1988 to 2001 she was a senior designer for Harry N. Abrams, Inc., working chiefly on books about fine art and photography. She has won awards from The New York Book Show, the AIGA’s 50 Books/50 Covers Competition, The Art Directors Club of New York, and Bookbuilders West. She lives with her husband in the Bronx, NY.

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Jules Thomson holds the position of head of production at David Zwirner Books. David Zwirner is a contemporary art gallery in New York and London active in both the primary and secondary markets. Today, Jules prints mostly in Verona, Italy, where she spends considerable time on press and in binderies for the gallery. She also has extensive print production experience JULES THOMSON in the US, Europe, and Asia over a 20-year career span. Prior to joining David Zwirner, Jules worked in the design and production departments at Abrams and in the production department for Phaidon Press, New York. Before moving to New York over a decade ago, Jules held design and book production positions in her native Scotland, France, and England where she studied publishing and book production following her M.A.Â

MICHAEL WHITE

Kevin Ullrich started his career learning the ropes of the publishing business in 1985, working as a paste-up artist for a small magazine company in New Jersey. Disgruntled that all the hard work put into designing magazine products were ultimately thrown in the garbage each month, he left the business in 1988 and found a job working for the Michael KEVIN ULLRICH Friedman Publishing Group. It was here that he again found his childhood love for books, and he never looked back. Kevin started working for Barnes & Noble in 1999 and was promoted to creative operations director for Sterling Publishing, Co., Inc. in March 2014.

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Michael White has been employed by RR Donnelley for more than 35 years, and has served as a sales representative in New York for more than 22 years. During that time, he has had the pleasure of working with a variety of publishers in the college, juvenile, reference, and adult trade markets. He currently lives in New Jersey with his wife, Maria.

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BOOK SHOW CORPORATE SPONSORS

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PATRON

DONATION OF $1,001 OR ABOVE

Neenah would like to congratulate all of the exceptional New York Book Show winners, especially those titles we helped produce along with our publishing partners.

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