31st Annual New York Book Show Catalog by Book Industry Guild of New York

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is comprised of book publishing and manufacturing professionals. We host monthly events from September to June, which feature guest speakers who are among the leading figures in their field. These events are also an excellent opportunity for our members to network and socialize. In addition to its two major annual events—The New York Book Show and the Barge Bash—BIGNY also organizes and co-funds annual field trips to book manufacturers, cover material plants, paper mills, and a book repair facility. BIGNY is an active supporter of the Literacy Assistance Center of New York (LAC), sponsoring the annual LAC Recognition Awards breakfast. We also host a summer softball tournament in Central Park, which features raffle prizes and free books for children. To become a member of BIGNY, or to join one of our organizing committees, please contact any member of the executive board or visit our website at bigny.org.

THE BOOK INDUSTRY GUILD OF NEW YORK (BIGNY)

The 31st Annual NEW YORK BOOK SHOW

ABOUT BIGNY

r Yo

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The 31st Annual

NEW YORK BOOK SHOW Presented by the Book Industry Guild of New York

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The 31st Annual

NEW YORK BOOK SHOW Presented by the Book Industry Guild of New York October 12, 2017 Battery Gardens 1 Battery Park • New York, NY

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Contents BIGNY Executive Board vi Letter from the BIGNY President vii Credits/Book Show Committee viii Letter from the Co-Chairs ix GENER AL TR ADE Hardcover Fiction 2 Hardcover Nonfiction 12 Adult Graphic Novel 22 Cookbook 26 Poetry 36 Quality Paperback 42 Cover/Jacket 48 SPECIAL TR ADE Fine Art Under $75 60 Fine Art Over $75 68 General 76 Gift 86 Photography 96 General Book Series 106 Cover/Jacket 108

Young Adult Illustrated Novel 162 Hardcover Young Adult Fiction Book Series 170 Paperback Book Series 176 Cover/Jacket 182 Cover/Jacket Series 187 SCHOOL PUBLISHING 192 Middle/High School College 196 Elementary Book Series 200 Middle/High School Book Series 202 College Book Series 204 Ancillary Book Series 206 Cover/Jacket 208 Cover/Jacket Series 210 SCHOL ARLY/PROFESSIONAL Reference 222 Scholarly 226 Scholarly Illustrated 234 Scholarly Book Series 236 Cover/Jacket 238

CHILDREN’S TR ADE

SELF-PUBLISHED COVERS

Hardcover Picture Fiction 112 Hardcover Picture Nonfiction 122 Hardcover Young Adult Fiction 128 Hardcover Young Adult Nonfiction 138 Novelty 146 Young Adult Graphic Novel 154

Adult Fiction Adult Nonfiction Children’s and Young Adult Fiction

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244 246 248

Judges’ Biographies 253 Book Show Corporate Sponsors 259

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BIGNY Executive Board President Jody Saunders Ray, Maple Press Vice President Martha Hanson, Simon & Schuster Treasurer Michael Kwan, Simon & Schuster Financial Secretary Andy Ensor, W. W. Norton & Company, Inc.

BOOK SHOW COMMITTEE CO-CHAIRS Richard Bretan, SPi-Global Angela Zurlo, Simon & Schuster EDUCATION COMMITTEE CO-CHAIRS Steve Bedney, Ecological Fibers Elizabeth Yaffe, Penguin Random House LITER ACY FUNDR AISER COMMITTEE CO-CHAIRS

Recording Secretary Kristen Eckhardt, HarperCollins Publishers

Steve Bedney, Ecological Fibers Carol Bystrom, Edwards Brothers Malloy

Ex Officio Marv Dunkiel

MEMBERSHIP COMMITTEE CHAIR

EXECUTIVE COMMITTEE Steve Bedney, Ecological Fibers Richard Bretan, SPi-Global Christine Davis, Neenah Diana Gee, Simon & Schuster Tim Hoey, Cambridge University Press Andy Hughes, Penguin Random House Sara Maher, Hachette Book Group Janet McCarthy Grimm, Lindenmeyr Paper Carol Naughton, Penguin Random House Calvin Reid, Publishers Weekly Michael Wettstein, Phoenix Color Angela Zurlo, Simon & Schuster

Andy Ensor, W. W. Norton & Company, Inc. NOMINATING COMMITTEE CO-CHAIRS Diana Gee, Simon & Schuster Janet McCarthy Grimm, Lindenmeyr Paper PROGR AM COMMITTEE CO-CHAIRS Carol Naughton, Penguin Random House Sharon Watson, Penguin Random House VOLUNTEER COORDINATOR Sara Maher, Hachette Book Group WEBSITE COMMITTEE CO-CHAIRS Kristen Eckhardt, HarperCollins Publishers Michael Kwan, Simon & Schuster

BARGE BASH COMMITTEE CO-CHAIRS Steve Bedney, Ecological Fibers Michael Kwan, Simon & Schuster

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Letter from the BIGNY President Welcome to our 31st New York Book Show! On behalf of the Board and Executive Committee of the Book Industry Guild of New York, I am very pleased you are joining us at the highest point of our seasonal calendar. Inside these pages, and here at Battery Gardens, we are honored to share with you the best in the art of bookmaking produced by our remarkable book publishing industry. Through our New York Book Show, we are proud to show you the continuing vitality of book publishing as exemplified with six genres of publishing: General Trade, Special Trade, Children’s Trade, School, Professional/Reference, and Self-Published Covers. The books displayed here reflect the creativity, hard work and talent of individuals throughout our industry. And, in keeping with the Guild’s ongoing commitment to enhance literacy, all the books submitted for this Show will be donated to organizations dedicated to promoting literacy. The Book Industry Guild of New York is a member-operated, wholly volunteer, organization. It is composed of professionals from every aspect of the book publishing and book manufacturing industries. It is this group of volunteers that makes the 31st annual Book Show possible. Very special thanks go to Richard Bretan and Angela Zurlo, the co-chairs of this year’s event. Their yearlong effort of tireless leadership, guidance and coordination of all the committees for the many tasks needed, results in this spectacular evening! Also, thanks go to the numerous volunteers and donors who are listed throughout this catalog, for their time, monetary

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and/or service donations. Through the dedication of all these volunteers, we can admire this outstanding collection of beautiful books which the judges have selected as the finest designed and manufactured books of 2016. A special note of thanks to Penguin Random House and Simon & Schuster. They have been long standing partners by providing space and financial assistance enabling us to present this Show. We are very grateful for their steadfast support. Lastly, as President of the Guild, I thank you for attending this event. As an organization, our greatest asset is our members, both corporate and individual. This annual New York Book Show also contributes to covering the basic expenses of our monthly evening programs, our literacy efforts, manufacturing plant trips, and educational seminars. Please continue your ongoing interest and enjoy this evening! We are delighted to share this Book Show with you as a celebration of our collective accomplishments. Come join us at all of our wonderful events throughout the year which help enhance and expand our incredible publishing industry. As always, everyone is welcome! Sincerely, Jody Saunders Ray President The Book Industry Guild of New York www.bigny.org

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Credits/Book Show Committee Book Show Co-Chairs Angela Zurlo, Simon & Schuster Richard Bretan, SPi-Global CATALOG Production Supervisor Edson Atwood Design, Layout, and Art Coordination Anna B. Knighton, Penguin Random House Copyediting/Proofreading Nikki Maniscalco, AGI Vigliano Literary Kathleen Charles, Scholastic Inc. Anjali Pala, Miko McGinty Inc. Christine Davis, Neenah

DISPL AY CARDS Olivia Croom, Penguin Random House TICKETS Design Olivia Croom, Penguin Random House Printing Sterling Pierce Co. Stock Ecological Fibers CERTIFICATES Design Zachary Lutz, DK

Printing and Binding LSC Kendallville Digital

Printing Command Web

Interior Stock Neenah Paper

Stock Mohawk Fine Paper

Cover Stock Neenah Performance Materials

WEBSITE DESIGN

POSTER Design Evan Johnston Printing Phoenix Color SHOW BANNERS/BOOKMARKS Design Olivia Croom, Penguin Random House Printing Neenah Performance Materials

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Tom DuHamel, I Heart Blank, LLC BOOK SHOW COMMITTEE Stella Alstede, Neenah Steve Bedney, Ecological Fibers Marsha Fontus, Penguin Random House Diana Gee, Simon & Schuster Hector Gonzalez, Oxford University Press Karen Matsu Greenberg, Ecological Fibers Martha Hanson, Simon & Schuster Victoria Horn, John Wiley & Sons Michael Kwan, Simon & Schuster

Peter Leatherwood, Neenah Sara Maher, Hachette Book Group Christina Salib, Ritholz Levy LLP Jacob Seifert, SoHo Publishing Kim Silverton, HarperCollins Jay P. Shutts, LSC Communications Michael Wettstein, Phoenix Color CATALOG SPECIFICATIONS Trim: 9 ⅜" x 8 ¾" Pages: 272 Text Stock: Royal Sundance® Text Brilliant White 80T (118 g/m2) 5.8pt Smooth Typefaces: Bembo MT Std, Bodoni Std, Helvetica Neue Binding: Adhesive Cover Stock: Kivar® 3-14 Digital Cover Material, Chrome DISCL AIMER Winners and their respective publishers are responsible for ensuring that material submitted for inclusion in the catalog is accurate and without errors. We are not responsible for any inaccuracies or errors in the submitters’ materials.

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Letter from the Co-Chairs As co-chairs for the 31st annual New York Book Show, it is our pleasure to present the best and brightest in book design and manufacturing for 2016. The range of entries was truly stunning and serves as a testament to the vitality and imagination of the book industry! For hundreds of years, books have been instruments of learning. They enable us to voice opinions, convey information, share ideas, and open imagination. Just by attending this show, you see what drew us to organize this year’s event. From graphic novels to biographies, from cookbooks to textbooks, we present those areas that are not often showcased in the public eye: the beauty and craft of design, production, and manufacturing. It’s our way of recognizing the crucial role the publishing industry plays in making the world both a little smaller and a little larger. Nowhere else will you see fawning over paper stock or folios, or people lovingly handling a good velvet matte cover. This letter would be woefully incomplete without our heartfelt thanks to: the board of the Book Industry Guild of New York, for their

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unwavering enthusiasm and support; the various Guild organizations, for their generous contributions of labor and materials; and to our esteemed panel of judges, who all took to heart the importance of their participation in a full day that we hope was a labor of love. Finally, to the blend of seasoned veterans and fresh-faced newbies that constitute this year’s Book Show Committee: an extra-large Thank You for consistently going above and beyond in your donations of time, thought, and muscle to make this show a reality. We’re honored to have you as our guests at this year’s New York Book Show. Fawn over our esteemed winners, have a drink on us, and enjoy the evening.

Angela Zurlo Richard Bretan Co-Chairs, 31st Annual New York Book Show

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General Trade Hardcover Fiction Hardcover Nonfiction Adult Graphic Novel Cookbook Poetry Quality Paperback Cover/Jacket

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FIRST Hardcover Fiction

2 • General Trade

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The Secret History of Twin Peaks Mark Frost secret history of twin peaks

The

2 Verified with Interpol sources. I believe it’s also likely, the tone being consistent with what I’ve seen of his case notes, that Agent Cooper himself may have put together this untitled volume—TP

| 172

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET STOCK & FINISH

St. Martin’s Press, Flatiron

Jenson, Akzidenz, Avant Garde

150gsm Qiancheng

PUBLICATION DATE

TEXT STOCK

COVER/JACKET EFFECTS

10/01/16

120gsm Qiancheng ivory woodfree

Press varnish with spot gloss UV

FORMAT

PREPRESS/COMPOSITION

CASE MATERIALS

Hardcover

Paul Kepple

550 Holly Green buckram

TRIM SIZE

PRINTING/BINDING

OTHER COMPONENTS

7 ⅜" x 9 ⅛"

RR Donnelley Asia Printing Solutions Ltd.

Endpapers: PMS 5807U

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Vincent Stanley

Paul Kepple

TEXT ART DIRECTION

COVER/JACKET DESIGN

Paul Kepple

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Paul Kepple

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Paul Kepple

RR Donnelley Asia Printing Solutions Ltd.

The design of the hardcover, jacket, and interior pages combined made this title one of the best in its category. The attention to detail, use of color, and inventive use of the book’s margins provide the reader with an immersive experience.

2017 New York Book Show • 3

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SECOND Hardcover Fiction

4 • General Trade

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The Gentleman Forrest Leo

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Penguin Press

Mahendra Singh

Abigail Sparrow

PUBLICATION DATE

TYPEFACE

COVER/JACKET PRINTING

08/16/16

Coral Graphics

FORMAT

Dante MT, Carre Noir, Copperplate Gothic, Constitution

Hardcover

TEXT STOCK

TRIM SIZE

Earthchoice Trade hi-bulk CW

100# C1S, gritty matte UV, gloss film lamination on reverse

5 ½" x 8 ¼"

PREPRESS/COMPOSITION

CASE MATERIALS

PRODUCTION STAFF

Allentown Digital Composition

Tom Consiglio

PRINTING/BINDING

Multicolor Cafe Homespun, Rainbow Apple antique

TEXT ART DIRECTION

LSC Communications

Claire Vaccaro

COVER/JACKET ART DIRECTION

TEXT DESIGN

Darren Haggar

Amanda Dewey

COVER/JACKET DESIGN

gray318

COVER/JACKET STOCK & FINISH

The simplicity in its one-color design makes it stand out. Thoughtful fonts and layout decisions give this book another level of complexity.

2017 New York Book Show • 5

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THIRD Hardcover Fiction

6 • General Trade

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The Pier Falls and other stories Mark Haddon

THE PIER FALL S AND OTHER STORIES

§ MARK HADDON

DOU BLE DAY New York

London

Toronto

Sydney

Auckland

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET PRINTING

Penguin Random House, Doubleday

Coral Graphics

PUBLICATION DATE

Garamond 3, with Democratica and Gotham medium

05/31/16

TEXT STOCK

100# C1S

FORMAT

55# Glatfelter Antique

COVER/JACKET EFFECTS

Hardcover

PREPRESS/COMPOSITION

Matte film lamination with spot gloss UV

TRIM SIZE

Digital Composition

CASE MATERIALS

6 ⅛" x 9 ¼"

PRINTING/BINDING

Rainbow

PRODUCTION STAFF

Berryville Graphics

Lorraine Hyland

COVER/JACKET ART DIRECTION

TEXT ART DIRECTION

Emily Mahon

Maria Carella

COVER/JACKET DESIGN

TEXT DESIGN

Emily Mahon

COVER/JACKET STOCK & FINISH

We liked the overall jacket design, and its margins made for a comfortable and welldesigned reading experience.

Maria Carella

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MERIT Hardcover Fiction

8 • General Trade

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How to Set a Fire and Why Jesse Ball

PUBLISHER/IMPRINT

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Knopf Doubleday Publishing Group, Pantheon

Maggie Hinders

Kelly Blair

TYPEFACE

COVER/JACKET PRINTING

PUBLICATION DATE

Charter

Phoenix Color

07/05/16

TEXT STOCK

COVER/JACKET STOCK & FINISH

FORMAT

Glatfelter offset hi-bulk B18

100# C1S

Hardcover

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

TRIM SIZE

Scribe

Press varnish with gloss lamination on back

5 ¼" x 7 ½"

PRINTING/BINDING

CASE MATERIALS

PRODUCTION STAFF

Berryville Graphics

Multicolor

Lisa Montebello

COVER/JACKET ART DIRECTION

TEXT ART DIRECTION

Carol Devine Carson

Peter Andersen

COVER/JACKET DESIGN

Kelly Blair

The cover immediately catches your eye. The typography and layout is efficient and mindful of the smaller page size.

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MERIT Hardcover Fiction

10 • General Trade

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Pretty Paper Willie Nelson

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET STOCK & FINISH

Blue Rider Press PUBLICATION DATE

Cavalcade, Century Schoolbook, Engravers MT, Copperplate 31BC

10/25/16

TEXT STOCK

80# Mohawk Via Felt cool white, press varnish and reverse gloss poly film lamination

FORMAT

60# 426ppi Finch Opaque vanilla vellum

CASE MATERIALS

Hardcover

PREPRESS/COMPOSITION

TRIM SIZE

Allentown Digital Composition

Multicolor Rouge Homespun, Rainbow Apple Antique

5 ⅛" x 7 ½"

PRINTING/BINDING

OTHER COMPONENTS

PRODUCTION STAFF

LSC Communications

Gloria Arminio

COVER/JACKET ART DIRECTION

TEXT ART DIRECTION

Jason Booher

Claire Vaccaro

COVER/JACKET DESIGN

TEXT DESIGN

Marc Burckhardt

Gretchen Achilles

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Marc Burckhardt

Matthew Broughton

COVER/JACKET PRINTING

Endpapers: PMS 646U, PMS 399U; Text 2/c Black and PMS 187U Creative use of the paper’s edges leads into a book with a similarly creative take on the use of color. The alternating red and white paper is used to break the third wall, showing an impressive cohesion between author, design, and production.

Phoenix Color

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BEST IN CATEGORY

FIRST Hardcover Nonfiction

12 • General Trade

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The Book Keith Houston

PUBLISHER/IMPRINT

TEXT DESIGN

COVER/JACKET PRINTING

W. W. Norton & Company, Inc.

Judith Stagnitto Abbate

Asia Pacific Offset

PUBLICATION DATE

TYPEFACE

COVER/JACKET EFFECTS

08/23/16

Adobe Jensen

Foil stamp and screen print

FORMAT

TEXT STOCK

CASE MATERIALS

Hardcover

120gsm Taiwanese woodfree

Bare caseboards with Arrestox spine

TRIM SIZE

PRINTING/BINDING

6" x 8 ⅝"

Asia Pacific Offset

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Anna Oler

Ingsu Liu

TEXT ART DIRECTION

COVER/JACKET DESIGN

Anna Oler

David High

A beautifully-designed, clean-lined book with stunning production value. Quirky, selfreferential design is eye-catching. A brilliant marriage of content and form. An absolutely impressive accomplishment and easily our favorite book of the show.

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SECOND Hardcover Nonfiction

14 • General Trade

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Alexander Hamilton Richard Sylla

PUBLISHER/IMPRINT

TEXT STOCK

COVER/JACKET STOCK & FINISH

Sterling

100# White, Lynx offset

PUBLICATION DATE

PREPRESS/COMPOSITION

11/15/16

Embassy Graphics

FORMAT

PRINTING/BINDING

Hardcover

Transcontinental Printing

80# Mohawk Pure White Text with press varnish; Back print 4/c with matte lamination, 4/4, four-inch flaps on the side; three-inch French flaps top and bottom of jacket

TRIM SIZE

COVER/JACKET ART DIRECTION

8 ½" x 10" PRODUCTION STAFF

Elizabeth Lindy, Jo Obarowski (Creative Director)

Fred Pagan

COVER/JACKET DESIGN

TEXT ART DIRECTION

David Ter-Avanesyan

Lorie Pagnozzi

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

TEXT DESIGN

Jacket images: © ra3rn/Depositphotos (front portrait); © The Granger Collection, New York (back document); Courtesy of Wikimedia Foundation/Geographicus (inside map); © rmnoa357/Shutterstock (tile patterns); Courtesy of author (author portrait)

Lorie Pagnozzi ILLUSTRATOR/PHOTOGRAPHER

Photo Editor: Stacey L. Stambaugh TYPEFACE

Nimbus, Bebas, Engravers, Ophir, Currency

COVER/JACKET EFFECTS

Foil stamping CASE MATERIALS

Cloth Rainbow Eclipse antique finish and foil stamping on spine, front and back (ITW 365) shade 040 gold OTHER COMPONENTS

Inserts: 100# Lynx offset, 4/4, 3" x 6" page gatefold inserts; Endpapers: 80# uncoated, 4/4, sheet fed offset This book tackles a massive amount of information and transforms it into a seamless and cohesive visual experience.

COVER/JACKET PRINTING

Transcontinental Printing 2017 New York Book Show • 15

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THIRD Hardcover Nonfiction

16 • General Trade

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Whiplash Joi Ito, Jeff Howe

PUBLISHER/IMPRINT

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Grand Central Publishing

Pentagram Design

Anne Twomey

PUBLICATION DATE

TEXT DESIGN

COVER/JACKET DESIGN

12/06/16

Pentagram Design

FORMAT

TYPEFACE

Cover and book interior designed by Michael Bierut and Aron Fay, Pentagram

Hardcover

Neue Haas Grotesk Display Pro

COVER/JACKET PRINTING

TRIM SIZE

TEXT STOCK

Coral Graphics

6" x 9"

Rolland Opaque Smo FSC

COVER/JACKET STOCK & FINISH

PRODUCTION STAFF

PREPRESS/COMPOSITION

Soft touch matte

Thomas Whatley and Antoinette Marotta

PDF

We all adored this book. Brilliant use of limited palette with terrific, ultra-clear typesetting.

2017 New York Book Show • 17

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MERIT Hardcover Nonfiction

18 • General Trade

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Thanks for the Money Joel McHale

THANKS for the

MONEY HOW TO USE MY LIFE STORY TO BECOME THE BEST

JOEL M C HALE

YOU CAN BE

dictated, but not read, by G . P. P U T N A M’ S S O N S

with a foreword by

NEW YORK

joel mchale

compiled and heavily revised by brad stevens and boyd vico but mostly by

joel mchale

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET PRINTING

Putnam

Coral Graphics

10/25/16

Miller Text, Alternate Gothic Com No. 2, Trade Gothic LT Std, Sackers Gothic Std, Franklin Gothic Medium

FORMAT

TEXT STOCK

100# C1S, gritty matte with gloss lamination on reverse

Hardcover

Glatfelter pub white A50 antique

COVER/JACKET EFFECTS

TRIM SIZE

PREPRESS/COMPOSITION

Embossing

6" x 9"

Allentown Digital Composition

CASE MATERIALS

PRODUCTION STAFF

PRINTING/BINDING

Rainbow Arctic BB, Rainbow Arctic Antique, Rainbow Lemon Antique, Metallic Blue #39

PUBLICATION DATE

Denise Boyd

Worzalla

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Claire Vaccaro

Monica Benalcazar

TEXT DESIGN

COVER/JACKET DESIGN

Meighan Cavanaugh

Stephen Brayda

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

F. Scott Schafer, Monica Benalcazar, Matt Vescovo

COVER/JACKET STOCK & FINISH

Excellent use of full color design elements throughout.

F. Scott Schafer

2017 New York Book Show • 19

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MERIT Hardcover Nonfiction

20 • General Trade

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The Wander Society Keri Smith

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Penguin Random House, Penguin Books

Keri Smith

PUBLICATION DATE

Chronicle Text G4, Metallofile Sp8, Glypha LT Pro, and original handwriting

03/29/16

TEXT STOCK

Pigment foils: 959 gray and 317 orange

FORMAT

60# Heritage Book BW, 360ppi

COVER/JACKET EFFECTS

Hardcover

PREPRESS/COMPOSITION

3-piece case with foil

TRIM SIZE

Sabrina Bowers

CASE MATERIALS

5" x 7"

PRINTING/BINDING

PRODUCTION STAFF

LSC Communications

Brillianta Yellow 4031 and Multicolor Antique Steel

Dolores Reilly

COVER/JACKET ART DIRECTION

OTHER COMPONENTS

TEXT ART DIRECTION

Roseanne Serra

Stickers and sticker sheet by Forms Plus

Keri Smith and Sabrina Bowers

COVER/JACKET DESIGN

TEXT DESIGN

Brianna Harden

Keri Smith and Sabrina Bowers

COVER/JACKET PRINTING

A quirky design with beautiful production and a smart, engaging interior layout.

2017 New York Book Show • 21

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FIRST Adult Graphic Novel

22 • General Trade

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8/30/17 8:03 PM

The Art of Charlie Chan Hock Chye Sonny Liew

Liew_9781101870693_3p_all_r1.e.indd 166

9/30/15 8:58 AM

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Knopf Doubleday Publishing Group, Pantheon

Sonny Liew

TYPEFACE

COVER/JACKET PRINTING

PUBLICATION DATE

Leefung Printers, Ltd.

03/01/16

Minion Pro, My Underwood, Ligurino, Rosewood Std, and Times

FORMAT

TEXT STOCK

Hardcover

120gsm woodfree

140gsm FSC Gold Sun WF, press varnish with gloss film on the back

TRIM SIZE

PREPRESS/COMPOSITION

CASE MATERIALS

6 11⁄16" x 10"

North Market Street Graphics

PRODUCTION STAFF

PRINTING/BINDING

120gsm woodfree with printed image and debossing on the case

Andy Hughes

Toppan Leefung Printing

OTHER COMPONENTS

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Sonny Liew

Chip Kidd

Printed endpaper on 140gsm white woodfree

TEXT DESIGN

COVER/JACKET DESIGN

Sonny Liew

Chip Kidd

COVER/JACKET STOCK & FINISH

From binding to print quality to layout, this book is stunning. Visually engaging: complex, but easy to navigate.

2017 New York Book Show • 23

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SECOND Adult Graphic Novel

McGu_9781101871591_stk_all_r1.indd 1 5/17/16 12:01 PM

RICHAR D M C GUIR E SEQUENTIAL DRAWINGS THE NEW YORKER SERIES

4/29/16 12:22 PM

24 • General Trade

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Sequential Drawings Richard McGuire

82.

PUBLISHER/IMPRINT McGu_9781101871591_3p_all_r1.e.indd

ILLUSTRATOR/PHOTOGRAPHER McGu_9781101871591_3p_all_r1.e.indd 5/6/16 3:03 PM

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY 5/6/16 3:03 PM

Knopf Doubleday Publishing Group, Pantheon

Richard McGuire

TYPEFACE

COVER/JACKET PRINTING

PUBLICATION DATE

Leefung Printers, Ltd.

11/01/16

Karla (Italic and Regular), Kohinoor Bangla, Mcg Fonts (author created fonts)

FORMAT

TEXT STOCK

Hardcover

100gsm woodfree

120gsm woodfree offset and matte film lamination

TRIM SIZE

PREPRESS/COMPOSITION

OTHER COMPONENTS

3 ⅞" x 5 ⅞"

North Market Street Graphics

Sticker

PRODUCTION STAFF

PRINTING/BINDING

Andy Hughes

Leefung Printers, Ltd.

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Richard McGuire

TEXT DESIGN

COVER/JACKET DESIGN

Richard McGuire

COVER/JACKET STOCK & FINISH

The trim size gives this book a considerable heft, but the layout is spacious, sparse and beautiful.

2017 New York Book Show • 25

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8/30/17 8:03 PM

FIRST Cookbook

26 • General Trade

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8/30/17 8:03 PM

Ducksoup Clare Lattin Orzo Pasta, Spicy Tomato Sauce & Feta The Italians use orzo in soups and stews, as it’s a good way to bulk out a dish without filling yourself up too much. Feta gives this dish an added saltiness, but not in the same way that Parmesan would— it’s more gentle. This dish reminds of how good a well-made feta can be. We love this dish as a summer weeknight supper. SERVES 2

1 lb [500 g] large tomatoes (we love Pink Oxheart tomatoes) 3 tbsp extra-virgin olive oil, plus extra for drizzling 1 tsp cumin seeds 1 tsp nigella seeds 1 small onion, diced 1 garlic clove, crushed 1 tsp dried chile flakes 1 bay leaf 1 tsp paprika 4 oz [120 g] orzo pasta 31⁄2 oz [100 g] feta Few leaves of fresh oregano

First skin the tomatoes. Bring a large pan of water to a boil. Using a sharp knife, score a little cross at the base of the tomatoes and cut out the “eye” of the tomato at the other end. Have a large bowl of ice water ready, and once your water is boiling submerge the tomatoes for 15 seconds, then immediately plunge them into the ice water. You’ll be able to peel off their skins immediately. Set to one side. In a large frying pan, temper the cumin and nigella seeds in the olive oil over low heat for 1 minute, then add the onion and cook until soft. Add the garlic, chile flakes, bay leaf, and paprika and cook for 2 minutes. Coarsely chop the tomatoes, add to the onions, and simmer for 10 minutes. You’re looking for a soupy consistency, so if you need to add a little water, then do so. Season with salt and pepper. While your sauce is cooking, bring a large pan of salted water to a boil and cook your orzo pasta for 10 minutes, or according to the package instructions. Drain and add to the tomato sauce. Let everything cook together for a couple of minutes. To serve, divide between two bowls, crumble the feta over, and sprinkle with the fresh oregano and a drizzle of olive oil.

146

147

Ducksoup_INT.indd 146-147

4/28/17 4:49 PM

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET PRINTING

Chronicle Books

Stempel Schneidler

C & C Offset Printing Co, Ltd.

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

04/11/17

120gsm woodfree Yunjing FSC

FORMAT

PREPRESS/COMPOSITION

157gsm gloss art paper, Golden Sun FSC with matte film lamination

Hardcover

Chronicle Books

COVER/JACKET EFFECTS

TRIM SIZE

PRINTING/BINDING

7" x 10"

C & C Offset Printing Co, Ltd.

Paper graining, front jacket flap and part of front jacket folded in to reveal front case

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

CASE MATERIALS

Tera Killip, Steve Kim

Alice Chau

TEXT ART DIRECTION

COVER/JACKET DESIGN

A Practice for Everyday Life

Alice Chau

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

A Practice for Everyday Life

Kristen Perers

ILLUSTRATOR/PHOTOGRAPHER

3mm boards, 128gsm Golden Sun gloss art paper FSC OTHER COMPONENTS

Head and tail bands, clear sleeve to fit book Interesting layered cover design. Inviting page design with strong use of white space.

Kristen Perers

2017 New York Book Show • 27

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SECOND Cookbook

28 • General Trade

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8/30/17 8:03 PM

The Love & Lemons Cookbook Jeanine Donofrio I

EAT

WELL

PTU COO

LO VE J E A N I N E

D O N O F R I O

J A C K

M A T H E W S

A V E R Y

A N

I M P R I N T

O F

2 0 PP

P E N G U I N

H O U S E

N E W

YO R K

1 6

S TO ZUCCHI LOVE

R A N D O M

FOOD

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ART DIRECTION

Penguin Random House, Avery

Jack Mathews, Kate LeSueur

Andrea Ho

PUBLICATION DATE

TYPEFACE

COVER/JACKET DESIGN

03/29/16

Archer, Baskerville MT Std, Caslon Open Face LT Std, Din Schriff, Elephnt, Knockout, Nautica, Neutra Txt, P22 Cezanne, Stand By Reg Inline

Trina Bentley, Make & Matter

TEXT STOCK

RR Donnelley Asia Printing Solutions Ltd.

FORMAT

Hardcover TRIM SIZE

8" x 10" PRODUCTION STAFF

Denise Boyd TEXT ART DIRECTION

Claire Vaccaro and Trina Bentley TEXT DESIGN

Trina Bentley, Make & Matter

120gsm Golden Sun PREPRESS/COMPOSITION

Allentown Digital Composition PRINTING/BINDING

RR Donnelley Asia Printing Solutions Ltd.

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Jack Mathews COVER/JACKET PRINTING COVER/JACKET STOCK & FINISH

120gsm Golden Sun uncoated woodfree CASE MATERIALS

Rainbow Lemon Antique Striking type design applied skillfully throughout. Strong integration of photos.

2017 New York Book Show • 29

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THIRD Cookbook

30 • General Trade

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8/30/17 8:03 PM

The Moon Juice Cookbook Amanda Chantal Bacon

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Pam Krauss Books, Avery

John von Pamer

PUBLICATION DATE

TYPEFACE

COVER/JACKET PRINTING

10/25/16

Sackers Gothic, DIN

C & C Offset Printing Co., Ltd.

FORMAT

TEXT STOCK

COVER/JACKET STOCK & FINISH

Hardcover

128gsm Golden Sun matte art FSC

155gsm FSC glossy art with soft touch

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

7 7⁄16" x 10"

Allentown Digital Composition

4/c process and PMS 2765C; 319 pink foil

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

John Sharp

C & C Offset Printing Co., Ltd.

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

3.0 mm Chinese FSC greyboard, flatback, A1207 head/footbands

Marysarah Quinn, Claire Vaccaro and Ashley Tucker

Andrea Ho

OTHER COMPONENTS

COVER/JACKET DESIGN

2/1 endpapers: PMS 665U and PMS 663U

TEXT DESIGN

Heather Scott, More Milk Studio

Marysarah Quinn

Stunning cover. Inventive photography.

2017 New York Book Show • 31

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MERIT Cookbook

32 • General Trade

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8/30/17 8:03 PM

Cooking With Loula Alexandra Stratou

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET PRINTING

Workman, Artisan

Drina, Sentinel, TT Chocolates

Asia Pacific Offset

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

05/03/16

140gsm IKPP woodfree

FORMAT

PREPRESS/COMPOSITION

157gsm Gold East glossy with matte lamination

Hardcover

Embassy Graphics

COVER/JACKET EFFECTS

TRIM SIZE

PRINTING/BINDING

3/4 jacket with PMS Reflex Blue

6 ¾" x 9 ½"

Asia Pacific Offset

CASE MATERIALS

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Nancy Murray

Renata Di Biase

TEXT ART DIRECTION

COVER/JACKET DESIGN

Printed wibalin wrapping the top portion with the bottom portion, exposed boards, and silkscreen

Toni Tajima

Renata Di Biase

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Toni Tajima

Ioanna Roufopoulou, Alexandra Stratou

ILLUSTRATOR/PHOTOGRAPHER

OTHER COMPONENTS

Calico gauze over exposed spine The multi-part cover makes an attractive package.

Ioanna Roufopoulou

2017 New York Book Show • 33

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MERIT Cookbook

34 • General Trade

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8/30/17 8:03 PM

Mozza at Home Nancy Silverton with Carolynn Carreno

Corn on the Cob with Chile Butter

SERVE S 8

8 ounces (2 sticks) unsalted butter, softened at room temperature 1 teaspoon kosher salt 2 ounces Fresno chiles (about 3 chiles), halved (stems, seeds, and membranes removed and discarded) 1 medium or large garlic clove, peeled 8 ears corn on the cob Maldon sea salt (or another flaky sea salt such as fleur de sel)

Nothing says “summer” to me more than grilled corn on the cob. In this recipe, the corn is dressed with a compound butter made with Fresno chiles, garlic, and salt. Make this only with delicious, farm-fresh corn when it’s in season. To turn this into Mexican-style corn on the cob, which I do when serving it with Sal’s Roasted Pork Shoulder (page 48) or Garlic-Rubbed Skirt Steak with Scallion Vinaigrette (page 194), squeeze lime juice over the corn after it’s cooked, roll it in finely grated Parmigiano or queso cotija, and top the corn with a dollop of crema (Mexican sour cream) or crème fraîche. If you are not cooking these on an outdoor grill, you will need a square or rectangular grill pan such as a 20-inch Lodge reversible grill/griddle.

Put the butter and kosher salt in a medium bowl. Finely chop the chiles until they are almost pulverized. Scrape the chiles off the cutting board using the side of a knife to get even the smallest bits and add the chiles to the bowl with the butter. Using a fine Microplane, grate the garlic directly into the bowl and stir with a rubber spatula or wooden spoon until the additions are thoroughly incorporated. Set the butter aside if you are using it right away, or cover and refrigerate for up to 3 days. Soften it at room temperature before using it. Pull back the husks from the corn and remove and discard the silks, leaving the husks attached. Slather the corn with chile butter, wrap the husks around the corn, leaving 1 inch of the corn kernels exposed, and tie the husks at the top with twine. Prepare a hot fire in a charcoal or gas grill to high heat. Alternatively, preheat a cast-iron skillet or grill pan over high heat until it is smoking hot. Put the corn on the grill or in the skillet and cook for 5 to 7 minutes, until the corn is cooked through, turning the corn to cook it evenly on all sides. Remove the corn from the grill or skillet and put it on a large baking sheet. Peel the husks back to expose the kernels and leave the husks attached to use as a handle. Slather 1 tablespoon of the butter on each ear of corn and sprinkle generously with sea salt. To serve, transfer the corn cobs to a long serving platter, no serving utensil necessary.

266 Mozza at Home

PUBLISHER/IMPRINT

TEXT DESIGN

COVER/JACKET ART DIRECTION

Knopf Doubleday Publishing Group, Alfred A. Knopf

Kristen Bearse, Cassandra Pappas

Carol Carson

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

PUBLICATION DATE

Christopher Hirsheimer

Abby Weintraub

10/25/16

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

FORMAT

Vendetta, Benton Gothic

Christopher Hirsheimer

Hardcover

TEXT STOCK

COVER/JACKET STOCK & FINISH

TRIM SIZE

HiQ FSC matte art paper

Matte film lamination

8 ¼" x 9 ¼"

PREPRESS/COMPOSITION

CASE MATERIALS

PRODUCTION STAFF

North Market Street Graphics

4/c preprinted paper over board

Lisa Montebello

PRINTING/BINDING

TEXT ART DIRECTION

Leefung Printers, Ltd.

Clean, appealing type design.

Peter Andersen

2017 New York Book Show • 35

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FIRST Poetry

36 • General Trade

nybs17_2p_text_r5.indd 36

8/30/17 8:03 PM

Millbrook Ryan Murphy

PUBLISHER/IMPRINT

TEXT DESIGN

COVER/JACKET DESIGN

Black Dress Press

Adam B. Bohannon

PUBLICATION DATE

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

12/01/16

Priori Serif

Lisa Gilman

FORMAT

TEXT STOCK

COVER/JACKET PRINTING

Paperback

60# natural

Sterling Pierce

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET STOCK & FINISH

5 ½" x 9 ¼"

Adam B. Bohannon

12pt cover stock

PRODUCTION STAFF

PRINTING/BINDING

COVER/JACKET EFFECTS

Adam B. Bohannon

Sterling Pierce

Velvet matte

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Adam B. Bohannon

Lovely typography and unusual trim size combine for a strong package.

2017 New York Book Show • 37

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SECOND Poetry

38 • General Trade

nybs17_2p_text_r5.indd 38

8/30/17 8:03 PM

Envelope Poems Emily Dickinson

PUBLISHER/IMPRINT

TEXT DESIGN

COVER/JACKET ART DIRECTION

New Directions, Christine Burgin

Laura Lindgren

Laura Lindgren, Jason Burch

PUBLICATION DATE

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

10/04/16

Jen Bervin, illustrator

Laura Lindgren

FORMAT

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Hardcover

Simoncini Garamond and Century Gothic

Emily Dickinson, Jen Bervin

TRIM SIZE

TEXT STOCK

COVER/JACKET PRINTING

5" x 7"

140gsm Kinmari ex woodfree

Asia Pacific Offset

PRODUCTION STAFF

PREPRESS/COMPOSITION

CASE MATERIALS

Laura Lindgren

Asia Pacific Offset

TEXT ART DIRECTION

PRINTING/BINDING

115gsm Kasadaka White with machine varnish

Laura Lindgren

Asia Pacific Offset

Interesting concept. Beautifully produced.

2017 New York Book Show • 39

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8/30/17 8:03 PM

THIRD Poetry

40 • General Trade

nybs17_2p_text_r5.indd 40

8/30/17 8:03 PM

Float Anne Carson

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Knopf Doubleday Publishing Group, Alfred A. Knopf

Cassandra Pappas

TYPEFACE

COVER/JACKET PRINTING

PUBLICATION DATE

Knockout, Sabon

Leefung Printers, Ltd.

10/25/16

TEXT STOCK

COVER/JACKET STOCK & FINISH

FORMAT

Golden Sun woodfree

Box Edition

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

TRIM SIZE

North Market Street Graphics

3/c silkscreen

6 ¾" x 9 ⅛"

PRINTING/BINDING

CASE MATERIALS

PRODUCTION STAFF

Leefung Printers, Ltd.

8mm clear PVC case

Andy Hughes

COVER/JACKET ART DIRECTION

OTHER COMPONENTS

TEXT ART DIRECTION

Peter Andersen

COVER/JACKET DESIGN

27 separate bound and unbound chapbooks in a clear PVC slipcase

TEXT DESIGN

Cassandra Pappas

Unexpected chapbook-style packaging.

2017 New York Book Show • 41

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8/30/17 8:03 PM

FIRST Quality Paperback

42 • General Trade

nybs17_2p_text_r5.indd 42

8/30/17 8:03 PM

The 2 AM Principle Jon Levy

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Regan Arts

Headcase Design

11/08/16

AT Sackers, Brandon Grotesque, Emigre Eight, Idlewild, Mercury, MyriadPro, Univers, Vitesse

FORMAT

TEXT STOCK

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

COVER/JACKET PRINTING

RR Donnelley Asia Printing Solutions Ltd.

Paperback

120gsm woodfree

TRIM SIZE

PREPRESS/COMPOSITION

310gsm C2S art card with matte film lamination

6" x 9"

Mission Productions

COVER/JACKET EFFECTS

PRODUCTION STAFF

PRINTING/BINDING

Die-cut with a spin-wheel

Kurt Andrews

RR Donnelley Asia Printing Solutions Ltd.

OTHER COMPONENTS

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Stained book block in neon orange

Headcase Design

Richard Ljoenes

TEXT DESIGN

COVER/JACKET DESIGN

Headcase Design

Novelty cover really catches the eye. Excellent use of dayglo PMS color in the interior design and overall package.

ILLUSTRATOR/PHOTOGRAPHER

Headcase Design

2017 New York Book Show • 43

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8/30/17 8:03 PM

SECOND Quality Paperback

44 • General Trade

nybs17_2p_text_r5.indd 44

8/30/17 8:03 PM

The Rookie Handbook Ryan Kalil, Geoff Hangartner, and Jordon Gross

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Regan Arts

Matt Stevens

PUBLICATION DATE

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

09/06/16

Matt Stevens

Paperback

Eames Century Modern, Simple, Canada Type Gibson, Akzidenz Grotesque, Trade Gothic

TRIM SIZE

TEXT STOCK

COVER/JACKET STOCK & FINISH

FORMAT

COVER/JACKET PRINTING

RR Donnelley Asia Printing Solutions Ltd.

6 ½" x 9"

120gsm woodfree

PRODUCTION STAFF

PREPRESS/COMPOSITION

310gsm C1S artcard with matte film lamination

Kurt Andrews

Mission Productions

OTHER COMPONENTS

TEXT ART DIRECTION

PRINTING/BINDING

4-color interior

Matt Stevens, Richard Ljoenes

RR Donnelley Asia Printing Solutions Ltd.

TEXT DESIGN

COVER/JACKET ART DIRECTION

Matt Stevens

Matt Stevens, Richard Ljoenes

Wonderful overall packaging. Excellent use of four color printing to mimic spot colors.

2017 New York Book Show • 45

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8/30/17 8:03 PM

THIRD Quality Paperback

46 • General Trade

nybs17_2p_text_r5.indd 46

8/30/17 8:03 PM

Strong Looks Better Naked Khloe Kardashian

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Regan Arts

Steven Gomillion

Richard Ljoenes

PUBLICATION DATE

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

10/18/16

Steven Gomillion

FORMAT

SummerHearts, Awadh, Abys, OCRB, Helvetica Neue

Paperback

TEXT STOCK

Coral Graphics

TRIM SIZE

40# Resolute

COVER/JACKET STOCK & FINISH

6" x 9"

PREPRESS/COMPOSITION

10pt C1S with matte film lamination

PRODUCTION STAFF

Regan Arts

COVER/JACKET EFFECTS

Kurt Andrews

PRINTING/BINDING

Prints 5/1 (neon 5th color)

TEXT ART DIRECTION

Quad Graphics Fairfield

OTHER COMPONENTS

Richard Ljoenes

COVER/JACKET ART DIRECTION

Book block is stained neon pink

TEXT DESIGN

Richard Ljoenes

Nancy Singer

COVER/JACKET PRINTING

Choice of text stock lends itself to the tabloid-like feel of the book.

2017 New York Book Show • 47

nybs17_2p_text_r6.indd 47

9/1/17 9:32 AM

FIRST Hardcover Fiction Cover/Jacket

Inherited Disorders Adam Ehrlich Sachs PUBLISHER/IMPRINT

Regan Arts PUBLICATION DATE

05/03/16 FORMAT

Hardcover TRIM SIZE

5 ½" x 8 ¼" PRODUCTION STAFF

Kurt Andrews COVER/JACKET ART DIRECTION

Richard Ljoenes COVER/JACKET DESIGN

Richard Ljoenes COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Flying contraption: iStockPhoto; Human brains: Shutterstock; Author photograph: Lulu Liu COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

Uncoated Mohawk Via Felt Two color done right. Deft combination of type and illustration in which title is obscured yet remains completely legible.

48 • General Trade

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8/30/17 8:03 PM

SECOND Hardcover Fiction Cover/Jacket

I’m Still Here (Je Suis Là) Clelie Avit PUBLISHER/IMPRINT

Grand Central Publishing PUBLICATION DATE

08/23/16 FORMAT

Hardcover TRIM SIZE

5 ½" x 8 ¼" PRODUCTION STAFF

Manufacturing Coordinator: Thomas Whatley; Jacket Coordinator: Antoinette Marotta COVER/JACKET ART DIRECTION

Anne Twomey COVER/JACKET DESIGN

Anne Twomey COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Hanna Barczyk COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

Uncoated stock, 5/c, press varnish with gloss polypropylene A happy collaboration between designer and illustrator yields an exquisite result.

2017 New York Book Show • 49

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8/30/17 8:03 PM

THIRD Hardcover Fiction Cover/Jacket

The Woman in Cabin 10 Ruth Ware PUBLISHER/IMPRINT

Simon & Schuster, Scout Press PUBLICATION DATE

07/19/16 FORMAT

Hardcover TRIM SIZE

6" x 9" PRODUCTION STAFF

Larry Pekarek COVER/JACKET ART DIRECTION

Lisa Litwack COVER/JACKET DESIGN

Alan Dingman COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Photo Illustration: Alan Dingman; Jacket Photos: Arcangel Images and Alamy COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

100# C1S, PGS Mylar film COVER/JACKET EFFECTS

Spot gritty matte UV, embossing Spooky, suspenseful, and evocative. We love the spot gloss.

50 • General Trade

nybs17_2p_text_r5.indd 50

8/30/17 8:03 PM

MERIT Hardcover Fiction Cover/Jacket

The Nest Cynthia D’Aprix Sweeney PUBLISHER/IMPRINT

HarperCollins Publishers, Ecco PUBLICATION DATE

03/22/16 FORMAT

Hardcover TRIM SIZE

6" x 9" PRODUCTION STAFF

Allison Saltzman COVER/JACKET ART DIRECTION

Allison Saltzman COVER/JACKET DESIGN

Sara Wood, Allison Saltzman COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Lisa Whiteman COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

80# Mohawk Via Felt text cool white, press varnish COVER/JACKET EFFECTS

Foil stamping, embossing Lovely color choice; legible, inviting type; and a glorious usage of foil.

2017 New York Book Show • 51

nybs17_2p_text_r5.indd 51

8/30/17 8:03 PM

FIRST Hardcover Nonfiction Cover/Jacket

The Curse of Beauty James Bone PUBLISHER/IMPRINT

Regan Arts PUBLICATION DATE

04/12/16 FORMAT

Hardcover TRIM SIZE

6" x 9" PRODUCTION STAFF

Kurt Andrews COVER/JACKET ART DIRECTION

Richard Ljoenes COVER/JACKET DESIGN

Richard Ljoenes COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Various COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

80# Mohawk Via Felt text cool white, press varnish COVER/JACKET EFFECTS

4/c process with day glo red How can you NOT love this poster as jacket? Effective use of neon ink.

52 • General Trade

nybs17_2p_text_r5.indd 52

8/30/17 8:03 PM

SECOND Hardcover Nonfiction Cover/Jacket

Big Magic Elizabeth Gilbert PUBLISHER/IMPRINT

Penguin Random House, Riverhead Books PUBLICATION DATE

09/27/16 FORMAT

Hardcover TRIM SIZE

5 ½" x 8 ¼" PRODUCTION STAFF

Denise Boyd COVER/JACKET ART DIRECTION

Helen Yentus COVER/JACKET DESIGN

Helen Yentus COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Henry Hargreaves COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

10pt C1S with soft touch film Gorgeous blend of bright color and big type. Pop!!

2017 New York Book Show • 53

nybs17_2p_text_r6.indd 53

9/1/17 9:32 AM

THIRD Hardcover Nonfiction Cover/Jacket

Nobody’s Son Mark Slouka PUBLISHER/IMPRINT

W. W. Norton & Company, Inc. PUBLICATION DATE

10/18/16 FORMAT

Hardcover TRIM SIZE

5 ⅝" x 8 ½" PRODUCTION STAFF

Louise Mattarelliano COVER/JACKET ART DIRECTION

Francine Kass COVER/JACKET DESIGN

Kapo Ng COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Kapo Ng COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

100# C1S with gloss mylar COVER/JACKET EFFECTS

Gritty matte UV Deep color, evocative type, and the perfect balance of gloss and matte.

54 • General Trade

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8/30/17 8:03 PM

MERIT Hardcover Nonfiction Cover/Jacket

Romanovs Simon Sebag Montefiore PUBLISHER/IMPRINT

Penguin Random House, Alfred A. Knopf PUBLICATION DATE

05/03/16 FORMAT

Hardcover TRIM SIZE

6 ¼" x 9 ¼" PRODUCTION STAFF

Lisa Montebello COVER/JACKET ART DIRECTION

Janet Hansen COVER/JACKET DESIGN

Nicholas Misani COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

80# C1S with soft touch film COVER/JACKET EFFECTS

LithoFoil Lush embellishment, rich color, and all the gold YEP! That’s the Romanovs, all right!

2017 New York Book Show • 55

nybs17_2p_text_r5.indd 55

8/30/17 8:03 PM

FIRST Quality Paperback Cover/Jacket

Blitz David Treuba

PUBLISHER/IMPRINT

Other Press PUBLICATION DATE

08/30/16 FORMAT

Paperback TRIM SIZE

5 ½" x 8 ¼" PRODUCTION STAFF

Iisha Stevens, Yvonne Cárdenas COVER/JACKET ART DIRECTION

Timeless COVER/JACKET DESIGN

@gray318 COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

@gray318 COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

10pt C1S with matte film lamination COVER/JACKET EFFECTS

Foil stamping and rich black ink Eye-catching and not in-your-face at the same time. A great use of raised ink in the hourglass and an interesting use of negative space.

56 • General Trade

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8/30/17 8:03 PM

SECOND Quality Paperback Cover/Jacket

One Question a Day: A Five-Year Journal: A Personal Time Capsule of Questions and Answers Aimee Chase PUBLISHER/IMPRINT

Macmillan, Castle Point Books PUBLICATION DATE

10/26/16 FORMAT

Paperback TRIM SIZE

5" x 7" PRODUCTION STAFF

Cheryl Mamaril COVER/JACKET ART DIRECTION

Young Jin Lim COVER/JACKET DESIGN

Young Jin Lim COVER/JACKET PRINTING

RR Donnelley Asia Printing Solutions Ltd. COVER/JACKET STOCK & FINISH

Matte lamination COVER/JACKET EFFECTS

Spot gloss UV, foil stamping, stained edges Framed well and constructed from strong stock, this cover’s design is charming and appropriately playful with its use of lettering and color.

2017 New York Book Show • 57

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Special Trade Fine Art Under $75 Fine Art Over $75 General Gift Photography General Book Series Cover/Jacket

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FIRST Fine Art Under $75

60 • Special Trade

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8/30/17 8:03 PM

Manus × Machina: Fashion in an Age of Technology Andrew Bolton

PUBLISHER/IMPRINT The Metropolitan Museum of Art PUBLICATION DATE 05/02/16 FORMAT Paperback TRIM SIZE 9" x 13" PRODUCTION STAFF Gwen Roginsky, Christopher Zichello TEXT ART DIRECTION OK-RM TEXT DESIGN OK-RM ILLUSTRATOR/PHOTOGRAPHER Nicholas Alan Cope TYPEFACE Portrait Text Regular and Latin Modern Mono Light Condensed TEXT STOCK 16pp cast-coated 120gsm Bindakote cold foiled one side silver, printing 1/5 UV; 24pp section dividers outer pages Gmund Shade Air 70gsm; 24pp section divider inner pages and backmatter Favini Murano black 120gsm printing 1/1 UV silver ink; 184pp 135gsm Gardapat Kiara printing 4/4 with hi-density ink; book inserted at back: interior paper Fedrigoni Arcoprint Milk 100gsm

PREPRESS/COMPOSITION Professional Graphics, Inc., OK-RM PRINTING/BINDING Graficom COVER/JACKET ART DIRECTION OK-RM COVER/JACKET DESIGN OK-RM COVER/JACKET ILLUSTRATION/PHOTOGRAPHY Nicholas Alan Cope COVER/JACKET PRINTING Graficom COVER/JACKET STOCK & FINISH Outer cover stock: PVC with Kendal Manilla board, Buff, 315gsm; inner cover stock: Vevini Murano Black 300gsm; book inserted at back: outer cover paper Tyvek 1082D 105gsm; inner cover: Favini Murano Black 120gsm unprinted COVER/JACKET EFFECTS Binding: sewn, Otabound; 300 micron PVC case with transparent stiffener, printed with white silkscreen on the inner side, highfrequency welds at pockets OTHER COMPONENTS PVC in 3 layers with transparent stiffener and opaque white silkscreen, high-frequency welds, and die-cut single layer PVC flaps; hand-insert die-punched Kendal Manilla board.

Interior: Favini Burano black paper (UV silver ink); Bindakote paper (cold stamp silver foil, UV inks); Gmund Shade paper; Gardapat Kiara and Arcoprint Milk papers (high-density CMYK ink); Smyth sew; Otabind. Interview Book: Tyvek cover; Favini Burano paper (UV silver ink); Arcoprint Milk paper (high-density black ink); hand-fed singer-sewn binding (black thread); hand-inserted into PVC flap. Finish: hand-insert into polybags with offset-printed flyleaf (GardaPat Kiara) This book expresses its own ethos of beauty-meetsmachine through surprising experimentation with materials. Like haute couture, it’s custom made and brings new meaning to look, touch, read—thick plastic inventively encases a thick chipboard cover punched with holes, and metallic pages reflect back at the reader with rich reproductions of exhibition photos. Austere type treatment lends a spare, modern edge. Beautiful integration of multiple paper stocks adds to the elite glamour, along with the sparkle of silver foil and impeccable printing, each couture item is exquisitely brought to life. Tucked into the back jacket, a hand-sewn booklet begs to be touched with its dimpled fibrous cover.

2017 New York Book Show • 61

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SECOND Fine Art Under $75

62 • Special Trade

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8/30/17 8:03 PM

Unfinished: Thoughts Left Visible Kelly Baum, Andrea Bayer, and Sheena Wagstaff with essays by Carmen C. Bambach, Thomas Beard, David Bomford, David Blayney Brown, Nicholas Cullinan, Michael Gallagher, Asher Ethan Miller, Nadine M. Orenstein, Diana Widmaier Picasso, Susan Stewart, and Nico Van Hout

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET PRINTING

The Metropolitan Museum of Art

Berthold Akzidenz Grotesk

VeronaLibri

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

150gsm GardaPat Bianka and 140gsm Woodstock Grigio

Square back, Tele Legatoria Bukram P Extra Fantasia 2260 gray cloth with 3.5mm board

03/07/16 FORMAT

Hardcover TRIM SIZE

PREPRESS/COMPOSITION

9" x 10"

Professional Graphics, Inc.; Roy Brooks, Four Fold, Inc.

PRODUCTION STAFF

PRINTING/BINDING

Peter Antony, Lauren Knighton TEXT ART DIRECTION

Roy Brooks, Four Fold, Inc. TEXT DESIGN

Roy Brooks, Four Fold, Inc. ILLUSTRATOR/PHOTOGRAPHER

The Photograph Studio, The Metropolitan Museum of Art

VeronaLibri COVER/JACKET ART DIRECTION

Roy Brooks, Four Fold, Inc. COVER/JACKET DESIGN

Roy Brooks, Four Fold, Inc.

OTHER COMPONENTS

Bodoniana with 3.5mm boards The structure of the book cover—linen spine peaks out behind a thick board cover—is a study in smart elegance. Flush-cut edges and boldly printed end leaves create a dramatic opening; subtly different papers rhythmically punctuate the content, closing with a batch of pale gray pages. Handsome and architectural.

2017 New York Book Show • 63

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THIRD Fine Art Under $75

64 • Special Trade

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8/30/17 8:03 PM

Hokusai’s Lost Manga Sarah E. Thompson

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET STOCK & FINISH

MFA Publications, Museum of Fine Arts, Boston

Archer and Vitesse by Matt Mayerchak

150gsm Munken Lynx

TEXT STOCK

COVER/JACKET EFFECTS

PUBLICATION DATE

150gsm Munken Lynx

Red foil stamping

07/01/16

PREPRESS/COMPOSITION

CASE MATERIALS

FORMAT

Trifolio, Verona, Italy

Hardcover

PRINTING/BINDING

Smyth sewn hardcover with printed paper front and back with cloth spine

TRIM SIZE

Trifolio S.r.l., Verona, Italy

8 ¼" x 7 ¾"

COVER/JACKET DESIGN

PRODUCTION STAFF

Susan Marsh

Terry McAweeney

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

TEXT DESIGN

Susan Marsh

Imaging Studios, Museum of Fine Arts, Boston

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Imaging Studios, Museum of Fine Arts, Boston

Trifolio S.r.l., Verona, Italy

Perfectly sized for its subject of Hokusai drawings, this book’s understated beauty is perfect in so many ways: brilliant red end leaves give a dramatic riblaid entry; typography exudes a sense of Zen simplicity; finely printed art images manage to hold antiqued tones and a perfectly aged ivory hue throughout.

2017 New York Book Show • 65

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MERIT Fine Art Under $75

66 • Special Trade

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Rosalyn Drexler: Who Does She Think She Is? Katy Siegel with Hilton Als, Jonathan Lethem, Michael Lobel, and Kalliopi Minoudaki

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET PRINTING

Gregory R. Miller & Co.

Steiner Special, Poynter Text, and Mallory

Conti Tipocolor S.p.A, Florence, Italy

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

06/28/16 FORMAT

150gsm GardaPat Bianka and 150gsm Munken Polar Rough

Cover printed in 5 PMS colors using LED UV inks

Hardcover

PREPRESS/COMPOSITION

TRIM SIZE

Professional Graphics, Inc.

8 ¼" x 10 ½"

PRINTING/BINDING

PRODUCTION STAFF

Conti Tipocolor S.p.A, Florence, Italy

Anjali Pala, Miko McGinty Inc.

COVER/JACKET DESIGN

TEXT DESIGN

Anjali Pala and Claire Bidwell, Miko McGinty Inc.

Graphically bold cover is eye catching, with title typography that marvelously expresses the spirit of the time and the artist. The change of paper stocks inside is artful.

2017 New York Book Show • 67

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FIRST Fine Art Over $75

68 • Special Trade

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8/30/17 8:03 PM

The Art of the Hollywood Backdrop Richard Isackes and Karen Maness

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET PRINTING

Regan Arts

Verlag, Valentina, Tyrnavia, Neutra Display

C & C Offset Printing Co., Ltd.

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

11/01/16

157gsm Huaxia matte art

FORMAT

PREPRESS/COMPOSITION

Lotus cover material for the case and slipcase

Hardcover

Mission Productions

COVER/JACKET EFFECTS

TRIM SIZE

PRINTING/BINDING

Slipcased

11" x 14"

C & C Offset Printing Co., Ltd.

CASE MATERIALS

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Lotus

Kurt Andrews

Richard Ljoenes

TEXT ART DIRECTION

COVER/JACKET DESIGN

Richard Ljoenes

Gabriele Wilson

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Gabriele Wilson

Slipcase: MGM/The Kobal Collection at Art Resource, NY; Cover: MGM/Courtesy of Photofest

ILLUSTRATOR/PHOTOGRAPHER

Various

Like ruby slippers, an Oz scene is brilliantly printed on the luxurious slipcase, a red-hot counterpoint to the cool black and white image on the book cover inside. The scale of the images and impeccable reproduction is a grand big screen experience.

2017 New York Book Show • 69

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SECOND Fine Art Over $75

70 • Special Trade

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8/30/17 8:04 PM

Karen Gunderson: The Dark World of Light Elizabeth Frank

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET PRINTING

Abbeville Press

Midas Printing International Ltd.

PUBLICATION DATE

Text: Alegreya; Display: Alegreya Sans and Sutro Deluxe

01/08/16

TEXT STOCK

FORMAT

157gsm matte art

2/c on 157gsm glossy art stock with gloss lamination

Hardcover

PREPRESS/COMPOSITION

CASE MATERIALS

TRIM SIZE

In-house

12" x 12"

PRINTING/BINDING

Black Saifu cloth over 3.5mm board, stamped with black pigment foil

PRODUCTION STAFF

Midas Printing International Ltd.

OTHER COMPONENTS

Louise Kurtz

COVER/JACKET ART DIRECTION

TEXT ART DIRECTION

Misha Beletsky

Slipcased, endpapers in 4 colors on 140gsm woodfree stock

Misha Beletsky

COVER/JACKET DESIGN

TEXT DESIGN

Misha Beletsky

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Karen Gunderson

COVER/JACKET STOCK & FINISH

The slipcase’s intriguing lenticular seems a fitting invitation into the artist’s world of dark and light. Beautifully printed, the images hold superb detail, no easy feat with textured paintings in shades of black. Soft gray pages create nicely paced section breaks.

2017 New York Book Show • 71

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THIRD Fine Art Over $75

72 • Special Trade

nybs17_2p_text_r5.indd 72

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The Godfather Notebook (Limited Edition) Francis Ford Coppola

PUBLISHER/IMPRINT Regan Arts PUBLICATION DATE 11/15/16 FORMAT Boxed Set TRIM SIZE 11" x 12" x 5" PRODUCTION STAFF Kurt Andrews TEXT ART DIRECTION Richard Ljoenes TEXT DESIGN Nancy Singer ILLUSTRATOR/PHOTOGRAPHER Photos from The Godfather Courtesy of Paramount Pictures. “The Godfather TM,® & Copyright © by Paramount Pictures Corp. All Rights Reserved.” Photos by Steve Schapiro. Photos courtesy of Francis Ford Coppola Private Collection TYPEFACE Neutraface 2, Orator, Pica, Trade Gothic, Alternate Gothic, Helvetica

TEXT STOCK 100gsm Lon Fon for the binder and 120gsm woodfree for the text PREPRESS/COMPOSITION Binder: Bright Arts; Booklet: ephemera and Embassy Graphics PRINTING/BINDING Imago COVER/JACKET ART DIRECTION Richard Ljoenes COVER/JACKET DESIGN Richard Ljoenes COVER/JACKET ILLUSTRATION/PHOTOGRAPHY Photos from The Godfather Courtesy of Paramount Pictures. The Godfather TM,® & Copyright © by Paramount Pictures Corp. All Rights Reserved. COVER/JACKET PRINTING Imago COVER/JACKET STOCK & FINISH Binder printed 4/0 on Rainbow 3 with Skytogen embossing COVER/JACKET EFFECTS Gold foil

CASE MATERIALS Cloth-bound box set OTHER COMPONENTS Boxed set includes: replica 3-ring binder, notebook pages, tabbed dividers, vellum sheet signed by Francis Ford Coppola and numbered, printed envelope with replicated ephemera (three cast lists, one script page, special effects memo, structure memo, 17 index cards with film notes on the wedding scene, 20 notebook pages used for The Godfather Part II), printed booklet Like the film, this oversized collector’s book goes beyond merely ambitious. The glossy black title foil is ominously bold on the linen box; below, the personal note from Coppola is a fun intro and invitation to open and visit behind the set. Hard not to appreciate the binder inside—faithfully reproduced—its cumbersome bulk makes it more real and cool. Use of old-time tabs and lightweight note paper with typewriter text add to the realism, as does the wonderful manila envelope filled with ephemera and nice movie still reproductions. The only thing missing was a horse head!

2017 New York Book Show • 73

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MERIT Fine Art Over $75

74 • Special Trade

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8/30/17 8:04 PM

The Metropolitan Museum of Art: Masterpiece Paintings Kathryn Calley Galitz

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Skira/Rizzoli in collaboration with The Metropolitan Museum of Art

The Photograph Studio, The Metropolitan Museum of Art

Abbott Miller

PUBLICATION DATE

TYPEFACE

Elegance Printing

09/13/16

Fakt Pro

FORMAT

PREPRESS/COMPOSITION

Hardcover

Elegance Printing

TRIM SIZE

PRINTING/BINDING

9 ⅛" x 13 ¼"

Elegance Printing

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Kaija Markoe

Abbott Miller

TEXT ART DIRECTION

COVER/JACKET DESIGN

Abbott Miller

TEXT DESIGN

Abbott Miller

COVER/JACKET PRINTING

550 pages of beautifully reproduced masterpieces make for a masterpiece of a book, and this one is epic. Elegant typographical hierarchies and ceaseless attention to all bookbinding details—the technical difficulty underlying the blue-border sections is more than impressive on a book of this scope. The pearly white foil type stamped on the cover and two foils on the spine bring the perfect shimmer to IngresPrincesse. Well done, Met!

2017 New York Book Show • 75

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FIRST General

76 • Special Trade

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8/30/17 8:04 PM

John Derian Picture Book John Derian

PUBLISHER/IMPRINT

TEXT STOCK

COVER/JACKET EFFECTS

Workman Publishing, Artisan

French folds

PUBLICATION DATE

157gsm Gold East glossy with matte lamination

10/04/16

PREPRESS/COMPOSITION

JHT cloth

FORMAT

Embassy Graphics

OTHER COMPONENTS

Hardcover

PRINTING/BINDING

Sell Sheet: 120gsm IKPP woodfree

TRIM SIZE

Asia Pacific Offset

14" x 11"

COVER/JACKET ART DIRECTION

PRODUCTION STAFF

Michelle Ishay-Cohen

Nancy Murray

COVER/JACKET DESIGN

TEXT ART DIRECTION

Michelle Ishay-Cohen

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

TEXT DESIGN

All images courtesy of John Derian

Michelle Ishay-Cohen

COVER/JACKET PRINTING

ILLUSTRATOR/PHOTOGRAPHER

Asia Pacific Offset

All images courtesy of John Derian

COVER/JACKET STOCK & FINISH

TYPEFACE

157gsm Gold East glossy with matte lamination

ITC Century

CASE MATERIALS

Flawless! The rich beauty of Derian’s 19th-century artwork and page layouts have truly earned the book’s generous proportions (a rare attribute!). A glorious object of desire, the cover’s large eye draws one into an immersive world of eclectic and delightful art imagery, gorgeously reproduced in consistent, exquisite detail, page by page. The illustrated index makes for an elegant close to an extraordinary volume.

2017 New York Book Show • 77

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SECOND General

78 • Special Trade

nybs17_2p_text_r5.indd 78

8/30/17 8:04 PM

OMG Posters Mitch Putnam

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Regan Arts

Various

C & C Offset Printing Co., Ltd.

PUBLICATION DATE

TYPEFACE

COVER/JACKET STOCK & FINISH

10/11/16

Irby, Alternate Gothic, Pica, Type Three

420gsm C2S with matte film lamination

FORMAT

TEXT STOCK

COVER/JACKET EFFECTS

Paperback

140gsm woodfree

Flaps

TRIM SIZE

PREPRESS/COMPOSITION

11" x 14"

Mission Productions

PRODUCTION STAFF

PRINTING/BINDING

Kurt Andrews

C & C Offset Printing Co., Ltd.

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Richard Ljoenes

TEXT DESIGN

COVER/JACKET DESIGN

Richard Ljoenes

Tightly executed and vibrantly captivating, OMG Posters brings rock ‘n roll posters vividly to life. The large format perfectly documents the wide breadth of whimsical, intricate, and dizzying poster art styles. Superb printing details hold out on the uncoated stock, elevating the artists’ works. Gloss on the inside covers is a nice touch.

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Various

2017 New York Book Show • 79

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THIRD General

80 • Special Trade

nybs17_2p_text_r5.indd 80

8/30/17 8:04 PM

Spice & Wolf Anniversary Collector’s Edition Isuna Hasekura

PUBLISHER/IMPRINT

TYPEFACE

CASE MATERIALS

Yen Press, Yen On

Adobe Caslon Pro

PUBLICATION DATE

TEXT STOCK

Mirage Pescara MG9P06 from Ecological Fibers

11/15/16

60# 426ppi Finch Opaque vanilla

FORMAT

PREPRESS/COMPOSITION

Hardcover

Six Red Marbles

TRIM SIZE

PRINTING/BINDING

9" x 10 ⅞"

Worzalla

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Susan Emmerich, Virginia Lawther

Wendy Chan

TEXT ART DIRECTION

COVER/JACKET DESIGN

Wendy Chan

TEXT DESIGN

COVER/JACKET EFFECTS

Wendy Chan

Debossing on cover, spine and back

ILLUSTRATOR/PHOTOGRAPHER

The leathery cover with its ornate border and debossed graphics looks lavishly antique, and resonates beautifully with illustrator Jyuu Ayakura’s fantastic artwork. A medieval manuscript theme is poetically conveyed through warm page colors and tawny text; paper stock changes add a rich, tactile quality. An impressive omnibus that looks equally handsome from a side view of page edges; a placeholder ribbon brings a silky splash of color. Spice and Wolf collectors should be thrilled!

Jyuu Ayakura

2017 New York Book Show • 81

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MERIT General

82 • Special Trade

nybs17_2p_text_r5.indd 82

8/30/17 8:04 PM

In the Company of Women Grace Bonney

PUBLISHER/IMPRINT

TEXT STOCK

CASE MATERIALS

Workman Publishing, Artisan

128gsm Gold East matte

PUBLICATION DATE

PREPRESS/COMPOSITION

128gsm Gold East glossy with matte lamination

10/04/16

Mission Pro, Hong Kong

FORMAT

PRINTING/BINDING

Hardcover

Asia Pacific Offset

TRIM SIZE

COVER/JACKET ART DIRECTION

8" x 10"

Renata Di Biase

PRODUCTION STAFF

COVER/JACKET DESIGN

Nancy Murray

Renata Di Biase

TEXT ART DIRECTION

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Doug Turshen

Sasha Israel

TEXT DESIGN

COVER/JACKET PRINTING

Doug Turshen

Asia Pacific Offset

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET STOCK & FINISH

Sasha Israel

128gsm Gold East glossy with matte lamination

TYPEFACE

ITC Century, ITC Franklin Gothic, Benton Sans

Engaging and colorful, the cover collage of photos conveys a contemporary day-in-thelife feel, promising a fresh read on the subject of inspirational stories. Debossed typography adds a touch of tactile elegance. Interior pages pair fresh-looking portrait photographs with playful type in a tight grid. Integrating various-sized type can sometimes confuse a narrative, but here the changes in scale and styles effectively convey key story points in an energetic, easy-to-read manner.

COVER/JACKET EFFECTS

Debossing on front and spine

2017 New York Book Show • 83

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MERIT General

84 • Special Trade

nybs17_2p_text_r5.indd 84

8/30/17 8:04 PM

The Godfather Notebook Francis Ford Coppola

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET PRINTING

Regan Arts

Imago

PUBLICATION DATE

Neutraface 2, Orator, Pica, Trade Gothic, Alternate Gothic, Helvetica

11/15/16

TEXT STOCK

FORMAT

80gsm Lon Fon

128gsm gloss, one hit gold foil, matte film lamination wrapped over 1mm boards

Paperback

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

TRIM SIZE

Bright Arts

8 ½" x 11"

PRINTING/BINDING

140gsm woodfree stock with gloss film lamination on the inside for strength

PRODUCTION STAFF

Imago

CASE MATERIALS

Kurt Andrews

COVER/JACKET ART DIRECTION

One-piece PLC

TEXT ART DIRECTION

Richard Ljoenes

COVER/JACKET DESIGN

TEXT DESIGN

Richard Ljoenes

Nancy Singer

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Photos from The Godfather Courtesy of Paramount Pictures. “The Godfather TM, ® & Copyright © by Paramount Pictures Corp. All Rights Reserved.” Photos by Steve Schapiro. Photos courtesy of Francis Ford Coppola Private Collection

COVER/JACKET STOCK & FINISH

This black tome of Coppola’s behind-thescenes notes and annotations authentically logs the filmmaker’s intense creative process. The old-fashioned notebook cover is pleasingly jam-packed with lightweight pages, dense with layers of typewriter manuscript and handscribbled side notes. The flexible binding adds to its workbook feel, while the luxury of foil type and a short dust jacket brings a hip flare to the book’s heft.

2017 New York Book Show • 85

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FIRST Gift

86 • Special Trade

nybs17_2p_text_r5.indd 86

8/30/17 8:04 PM

Hamilton: The Revolution Lin-Manuel Miranda & Jeremy McCarter

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET STOCK & FINISH

Produced by Melcher Media; Published by Grand Central Publishing

Illustrations by Headcase Design

140gsm woodfree

TYPEFACE

COVER/JACKET EFFECTS

PUBLICATION DATE

04/12/16

Adobe Caslon Pro, Caslon Book, Historical Fell, Letterpress Text

Black (K foil CD21) foil on title and star, protective varnish overall

FORMAT

TEXT STOCK

CASE MATERIALS

Hardcover

120gsm Hong Dong Light Vol 1.7

TRIM SIZE

PREPRESS/COMPOSITION

Cover spine blue PU with Maroon (GS967) and Gold (CW424) stamping

8 ½" x 10 ¼"

Embassy

PRODUCTION STAFF

PRINTING/BINDING

President and CEO: Charles Melcher; Vice President and COO: Bonnie Eldon; Senior Editor/Producer: Lauren Nathan; Production Manager: Susan Lynch; Associate Digital Producer: Shannon Fanuko; Editorial Assistant: Victoria Spencer

Imago

TEXT ART DIRECTION

Melcher Media TEXT DESIGN

Headcase Design

COVER/JACKET ART DIRECTION

Melcher Media COVER/JACKET DESIGN

Headcase Design COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Headcase Design COVER/JACKET PRINTING

Imago

Lovingly crafted with a ridged spine, deckleedged pages, and period style typography, Hamilton, the book, captures the spirit of the acclaimed musical. Old-world type style section openers and folios print on lightweight, cream-colored pages, harkening old parchment from an historic document. Excellent use of full-bleed photography from the performance and, despite its heft, the book stays lively with red side notes and dialogue text reversing to white, occasionally framing the cast and adding drama.

2017 New York Book Show • 87

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9/1/17 9:32 AM

SECOND Gift

88 • Special Trade

nybs17_2p_text_r5.indd 88

8/30/17 8:04 PM

The Glovers’ Repository Paul Etienne Lincoln

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET STOCK & FINISH

Christine Burgin

Janson and Verb

PUBLICATION DATE

TEXT STOCK

300gsm New G matte with matte lamination

09/27/16

128gsm Gold East matte

OTHER COMPONENTS

FORMAT

PREPRESS/COMPOSITION

Paperback

Asia Pacific Offset

TRIM SIZE

PRINTING/BINDING

300gsm New G matte with matte lamination on outside and press varnish on inside

5" x 10 ¼"

Asia Pacific Offset

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Laura Lindgren

Paul Etienne Lincoln, Laura Lindgren

TEXT ART DIRECTION

COVER/JACKET DESIGN

Paul Etienne Lincoln, Laura Lindgren

Laura Lindgren

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Laura Lindgren

Paul Etienne Lincoln

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Paul Etienne Lincoln

Asia Pacific Offset

The meticulous design leaves no detail unattended. Complex technical drawings layer with precise typography and chart-like graphics, creating a graceful tension across this multi-dimensional art book. Pages unfold, open up, and unfold again, revealing stories and keeping the reader delightfully involved. Splendidly unique reproduction and binding execution, with elegantly restrained use of color.

2017 New York Book Show • 89

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9/5/17 8:24 AM

THIRD Gift

90 • Special Trade

nybs17_2p_text_r5.indd 90

8/30/17 8:04 PM

Paint By Sticker Masterpieces Workman Publishing

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET PRINTING

Workman Publishing

Gotham and Today SB

RR Donnelley Asia Printing Solutions Ltd.

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

08/31/16

350gsm C1S artcard

FORMAT

text: 140gsm uncoated woodfree paper; stickers: 85gsm permanent sticker

Paperback

PREPRESS/COMPOSITION

Matte lamination with spot gloss UV

TRIM SIZE

Monica McCready

OTHER COMPONENTS

9 1⁄5" x 12 2⁄5"

PRINTING/BINDING

PRODUCTION STAFF

RR Donnelley Asia Printing Solutions Ltd.

Kiss-cut on sticker pages; perforations throughout

Amanda Hong, Julie Primavera

COVER/JACKET ART DIRECTION

TEXT ART DIRECTION

Colleen AF Venable

COVER/JACKET DESIGN

TEXT DESIGN

Tae Won Yu, Colleen AF Venable

Tae Won Yu

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Phil Conigliaro

COVER/JACKET EFFECTS

An original, inventive way to learn about art masterpieces—and pure fun! Vividly colorfilled, the geometric sticker shapes are inviting and make learning playful. Innovative use of materials; layout makes the best of all surfaces that is well-produced.

Phil Conigliaro

2017 New York Book Show • 91

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MERIT Gift

92 • Special Trade

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French Love Poems Various; Edited by Tynan Kogane

Arthur Rimbaud (1854–1891)

Chanson de la plus haute tour

Song of the Highest Tower

Qu’il vienne, qu’il vienne, Le temps dont on s’éprenne.

May it come, may it come, The time when love astounds us.

J’ai tant fait patience Qu’à jamais j’oublie. Craintes et souffrances Aux cieux sont parties. Et la soif malsaine Obscurcit mes veines.

I have kept so patient That forever I forget. Fears and sufferings To the heavens have risen. And the degenerate thirst Darkens my veins.

Qu’il vienne, qu’il vienne, Le temps dont on s’éprenne.

May it come, may it come, The time when love astounds us.

Telle la prairie A l’oubli livrée, Grandie et fleurie D’encens et d’ivraies, Au bourdon farouche De sales mouches.

Like the meadow, Left unattended, Overgrown, florid With fragrance and rye, Amid the harsh hum Of dirty flies.

Qu’il vienne, qu’il vienne, Le temps dont on s’éprenne.

May it come, may it come, The time when love astounds us.

Translated by Delmore Schwartz

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

New Directions

Marian Bantjes

PUBLICATION DATE

TYPEFACE

COVER/JACKET PRINTING

06/13/16

Archer

Kase Printing

FORMAT

TEXT STOCK

COVER/JACKET STOCK & FINISH

Paperback

70# 370ppi Finch Opaque

TRIM SIZE

PREPRESS/COMPOSITION

80# Mohawk Via Felt cool white with press varnish

4" x 6"

Kase Printing

COVER/JACKET EFFECTS

PRODUCTION STAFF

PRINTING/BINDING

Erik Rieselbach

Kase Printing

PMS (blue) with black and 2 gloss pigment foils (red and white). French flaps

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Erik Rieselbach

TEXT DESIGN

COVER/JACKET DESIGN

Marian Bantjes

Poetically petite, the charming calligraphic border and title typography sets sweetly on the Tiffany-blue cover; a perfect, intimate gift.

2017 New York Book Show • 93

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MERIT Gift

94 • Special Trade

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Into the Mysterium Michele Oka Doner

PUBLISHER/IMPRINT

TEXT STOCK

COVER/JACKET EFFECTS

Regan Arts

260gsm C2S art card

Boxed set

PUBLICATION DATE

PREPRESS/COMPOSITION

OTHER COMPONENTS

03/08/16

Bright Arts

FORMAT

PRINTING/BINDING

Accordion folded pages in a box-set. Includes fold-out poster

Paperback

Imago

TRIM SIZE

COVER/JACKET ART DIRECTION

6" x 4"

Richard Ljoenes

PRODUCTION STAFF

COVER/JACKET DESIGN

Kurt Andrews

Richard Ljoenes

TEXT ART DIRECTION

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Green Dragon Office TEXT DESIGN

Green Dragon Office

COVER/JACKET PRINTING

ILLUSTRATOR/PHOTOGRAPHER

Imago

COVER/JACKET STOCK & FINISH

TYPEFACE

This box of curiosities is an intriguing way to educate and illuminate the mysterious world of marine invertebrates, a difficult subject to present. Rarely seen sea life gets de-mystified: the dark background conveys a sense of underwater wonder and effectively sets off the muted colors of the specimens. The fold-out poster neatly packs in detailed information with magnified views of the ocean creatures—like looking through a microscope in a marine laboratory!

128gsm glossy stock with matte film lamination

Gotham, Lettera

2017 New York Book Show • 95

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FIRST Photography

96 • Special Trade

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The Art of Movement Ken Brewer

PUBLISHER/IMPRINT

PREPRESS/COMPOSITION

OTHER COMPONENTS

Hachette, Black Dog & Leventhal

Imago/Bright Arts

PUBLICATION DATE

PRINTING/BINDING

10/25/16

Imago

Contents printed 5/5 plus matte varnish. Images are a mix of 4/c process and duotones

FORMAT

COVER/JACKET DESIGN

Hardcover

John Heiden, Smog Design Inc.

TRIM SIZE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

10" x 12 ½"

Ken Browar and Deborah Ory

PRODUCTION STAFF

COVER/JACKET PRINTING

Ankur Ghosh

Imago

TEXT DESIGN

COVER/JACKET STOCK & FINISH

John Heiden, Smog Design Inc. ILLUSTRATOR/PHOTOGRAPHER

157gsm Snow Eagle matte art with matte film lamination

Ken Browar and Deborah Ory

COVER/JACKET EFFECTS

TYPEFACE

Foil stamping

Chronicle Display Light

CASE MATERIALS

TEXT STOCK

80# Rainbow Graphite (Large Canvas pattern) over 3mm boards

157gsm Snow Eagle matte art

As if a stage curtain, the gray linen case quietly opens, introducing the breathtaking cover of this celebration of dance. Fantastically opulent, the book is truly an embodiment of grace and movement. The cover title poises on the ethereal dancer, each letter serif seeming to convey the point behind en pointe. The photographs are superbly reproduced with unearthly clarity, and the closing illustrated index, logging each photo at thumbnail size, flows like a full ensemble ballet.

2017 New York Book Show • 97

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SECOND Photography

98 • Special Trade

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Anthony Hernandez Erin O’Toole

PUBLISHER/IMPRINT

TEXT DESIGN

COVER/JACKET DESIGN

San Francisco Museum of Modern Art in association with Distributed Art Publishers 09/24/16

Lorraine Wild and Amy Fortunato, Green Dragon Office, Los Angeles, in association with Anthony Hernandez and Erin O’Toole

FORMAT

TYPEFACE

COVER/JACKET PRINTING

Conduit (display and headers) and Eames Century Modern

Optimal Media, Germany

TEXT STOCK

150gsm Profigloss

150gsm Gardamatt Art

COVER/JACKET EFFECTS

PREPRESS/COMPOSITION

6/0 (CMYK with matte metallic silver hot foil stamping and PMS) with matte lamination

PUBLICATION DATE

Hardcover TRIM SIZE

10" x 11" PRODUCTION STAFF

Head of Publications: Kari Dahlgren; Senior Editor and Project Editor: Amanda Glesmann; Assistant Editor: Lucy Medrich; Curatorial Research Assistant: Christina Wiles; Copyeditor: Jennifer MacNair Stitt; Proofreader: Jennifer Boynton TEXT ART DIRECTION

Lorraine Wild and Amy Fortunato, Green Dragon Office, Los Angeles, in association with Anthony Hernandez and Erin O’Toole

Transparencies, negatives, and vintage prints were scanned, adjusted, proofed, and prepared for publication by Michael Wilder, master color printer, in collaboration with Anthony Hernandez; Color separations by Echelon, Santa Monica PRINTING/BINDING

Optimal Media, Germany COVER/JACKET ART DIRECTION

Lorraine Wild and Amy Fortunato, Green Dragon Office, Los Angeles, in association with Anthony Hernandez and Erin O’Toole

COVER/JACKET STOCK & FINISH

CASE MATERIALS

Iris linen with hot foil stamping on front and spine Dynamic color and composition defines this monograph. The electric orange of the cover photograph sizzles against the cool sage-green slipcase. No-nonsense san serif typography fits the energy of the artist’s work.

2017 New York Book Show • 99

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THIRD Photography

Ancient Skies Ancient Trees

Beth Moon

Best-selling author of Ancient Trees: Portraits of Time

100 • Special Trade

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Ancient Skies, Ancient Trees Beth Moon

Diamond Nights M As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. True wildness manifests itself in the form of curling black branches in November,

If magic exists anywhere, it is here.

I set out to record the lives of some of the I chose trees that were remarkable for their size, Ancient Trees: Portraits of Time. I usually photographed in the early morning light or caught the sun low in the sky as it was about to set. I learned of two interesting studies that correlated Rarely did I tree growth with celestial activity, and it changed the way I looked at trees. One of these studies, conducted by researchers at the University of Edinburgh, suggests that trees may grow faster when more cosmic radiaEdwards, who tion reaches Earth’s surface. found that tree buds change shape and size rhythmically all through winter, in regular cycles corresponding Mars, the beech with Saturn, and the birch with Venus. Curiously, Edwards also found that overhead power lines disrupted More broadly, David Milarch, founder of the Archangel Ancient Tree Archive, has said, “Trees are solar collectors. Most people equate that with the sun’s energy. But the sun is only one star, and there are billions Earth with their radiation. . . . I also believe energies inside the earth are transmuted

energies and stellar energies.” I continued to chronicle the oldest trees, but now I used the hours of darkness to photograph under the light of the stars. Full circle. I titled Diamond Nights. I M less under a dazzling array of stars. I don’t think I was prepared to see the enormity of the universe laid out so starkly above me, the Milky W and the trees beneath them, I traveled for many hours without road signs, or even roads, to areas so remote and wild the darkness was almost palpable. If ever the night was a stage of its own, it was here. I M

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET STOCK & FINISH

Abbeville Press

Arno

PUBLICATION DATE

TEXT STOCK

157gsm glossy art stock with matte lamination

01/10/16

200gsm Gold East matte

CASE MATERIALS

FORMAT

PREPRESS/COMPOSITION

Hardcover

Misha Beletsky, Julia Sedykh

Midnight Blue Saifu cloth over 3.5mm boards

TRIM SIZE

PRINTING/BINDING

OTHER COMPONENTS

11" x 11"

Midas Printing International Ltd.

Endpapers: 4/c on 140gsm woodfree stock

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Louise Kurtz

Misha Beletsky

TEXT ART DIRECTION

COVER/JACKET DESIGN

Misha Beletsky

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Misha Beletsky and Julia Sedykh

Beth Moon

The surreal quality of Moon’s photographs is captured in this most excellent recording of her work. Each image beautifully framed, night sky constellations seem to glitter off the pages, one star at a time. One can almost hear the creak of ancient tree trunks twisting. Bravo.

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Beth Moon

Midas Printing International Ltd.

2017 New York Book Show • 101

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MERIT Photography

102 • Special Trade

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8/30/17 8:05 PM

Gowanus Waters Steven Hirsch

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET STOCK & FINISH

powerHouse Books

Avenir

PUBLICATION DATE

TEXT STOCK

157gsm matte art paper with gloss lamination

03/01/16

157gsm matte art paper

COVER/JACKET EFFECTS

FORMAT

PREPRESS/COMPOSITION

Foil stamping

Hardcover

Embassy Graphics

CASE MATERIALS

TRIM SIZE

PRINTING/BINDING

3mm plain grey board and saifu cloth

9 ½" x 10 ¾"

Asia Pacific Offset

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Craig Cohen, Krzysztof Poluchowicz

Daniel Power, Krzysztof Poluchowicz

TEXT ART DIRECTION

COVER/JACKET DESIGN

Krzysztof Poluchowicz

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Krzysztof Poluchowicz, Jia Cheng Wu

Steven Hirsch

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Steven Hirsch

Asia Pacific Offset

An artistic approach to viewing polluted garbage water, with the brilliantly colored images printed such that one senses water rippling. The typography seems appropriate, stamped boldly onto the cover. An electriccolored belly band cuts across the neutral front, like a warning bar. A true cautionary tale.

2017 New York Book Show • 103

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MERIT Photography

104 • Special Trade

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8/30/17 8:05 PM

Street Chairs Lisa Gilman

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Black Dress Press

Lisa Gilman

PUBLICATION DATE

TYPEFACE

COVER/JACKET PRINTING

06/01/16

Eames Century Modern, Minion

G+H Soho

FORMAT

TEXT STOCK

COVER/JACKET STOCK & FINISH

Paperback

80# 313ppi Mohawk superfine

12pt stock with velvet matte

TRIM SIZE

PREPRESS/COMPOSITION

6" x 8 ¾"

Adam B. Bohannon

PRODUCTION STAFF

PRINTING/BINDING

Adam B. Bohannon, Laura Asmundsson

G+H Soho

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Adam B. Bohannon

TEXT DESIGN

COVER/JACKET DESIGN

Adam B. Bohannon

The velvety cover of this street chair book gives the subject an artisanal quality. With interior pages well printed on woodfree paper and a spare approach to design, the collection of unwanted chairs has earned a new life. Subtle genius lifted from the street.

2017 New York Book Show • 105

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FIRST General Book Series

106 • Special Trade

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8/30/17 8:05 PM

To The Moon, To The Ocean Deep Sarah Yoon

PUBLISHER/IMPRINT

TEXT STOCK

COVER/JACKET EFFECTS

Laurence King Publishing

250gsm woodfree

Post-press emboss, fluorescent sticker

PUBLICATION DATE

PREPRESS/COMPOSITION

OTHER COMPONENTS

02/23/16

LFA Toppan

FORMAT

PRINTING/BINDING

Flexibound. The original accordion-fold format is hand-bound.

Paperback

LFA Toppan

TRIM SIZE

COVER/JACKET ART DIRECTION

8 ½" x 13 ¾"

Charlie Bolton

PRODUCTION STAFF

COVER/JACKET DESIGN

Karen Matsu Greenberg

Charlie Bolton

TEXT ART DIRECTION

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Charlie Bolton

Sarah Yoon

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Sarah Yoon

LFA Toppan

A neat, concise package that smartly holds an impressive, obsessive tower of drawings makes for a one-of-kind coloring book that would appeal to adults for its intricate origamilike folds, and to children for the imaginative intricate images requiring hours to color, no doubt. The iridescent foil-stamped type on the cover of Ocean Deep adds a touch of chic to the age-old pastime of coloring in books.

COVER/JACKET STOCK & FINISH

350gsm woodfree, machine matte varnish

2017 New York Book Show • 107

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FIRST Gift Cover/Jacket

The Little Mermaid and Other Fairy Tales (Barnes & Noble Collectible Editions) Hans Christian Andersen, illustrated by W. Heath Robinson PUBLISHER/IMPRINT

Sterling Publishing, Barnes & Noble PUBLICATION DATE

10/15/16 FORMAT

Hardcover TRIM SIZE

5 ½" x 8 ¼" PRODUCTION STAFF

Robert La Marche COVER/JACKET ART DIRECTION

Patrice Kaplan COVER/JACKET DESIGN

Kelly Thorn COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Kelly Thorn COVER/JACKET PRINTING

1010 Printing COVER/JACKET STOCK & FINISH

Cromwell Tartan II bonded leather Kid grain COVER/JACKET EFFECTS

PMS 7416 coral; foil stamping in holographic silver and green CASE MATERIALS

3-piece case, bonded leather Charming illustrations integrate fancifully with the book title typography. Calligraphic gestures in the lettering exude the magic in Andersen’s classic story. Touches of reflective pearly foil bring to mind oyster shells and underwater fairy dust—delightful and sweetly perfect. 108 • Special Trade

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8/30/17 8:05 PM

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8/30/17 8:05 PM

Childrenâ&#x20AC;&#x2122;s Trade Hardcover Picture Fiction Hardcover Picture Nonfiction Hardcover Young Adult Fiction Hardcover Young Adult Nonfiction Novelty Young Adult Graphic Novel Young Adult Illustrated Novel Hardcover Young Adult Fiction Book Series Paperback Book Series Cover/Jacket Cover/Jacket Series

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BEST IN CATEGORY

FIRST Hardcover Picture Fiction

112 • Children’s Trade

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8/30/17 8:05 PM

The Lost House B.B. Cronin

PUBLISHER/IMPRINT

TEXT STOCK

CASE MATERIALS

Penguin Young Readers, Viking Children’s Books

150gsm Yu Long 1.3 ivory woodfree

3mm binder’s board

PREPRESS/COMPOSITION

OTHER COMPONENTS

PUBLICATION DATE

RR Donnelley Asia Printing Solutions Ltd.

09/27/16

PRINTING/BINDING

FORMAT

RR Donnelley Asia Printing Solutions Ltd.

Printed 5/c using special ink mixes: 2/c and PMS 97133 blue, fluorescent PMS 806U and PMS 811U

Hardcover

COVER/JACKET ART DIRECTION

TRIM SIZE

Denise Cronin

9 ¼" x 12 ½"

COVER/JACKET DESIGN

PRODUCTION STAFF

Mark Melnick

Cherisse Landau

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

TEXT ART DIRECTION

B.B. Cronin

Denise Cronin

COVER/JACKET PRINTING

TEXT DESIGN

RR Donnelley Asia Printing Solutions Ltd.

Mark Melnick

COVER/JACKET STOCK & FINISH

ILLUSTRATOR/PHOTOGRAPHER

B.B. Cronin

150gsm Yu Long 1.3 ivory woodfree with matte lamination

TYPEFACE

COVER/JACKET EFFECTS

Brandon Text

Buckram post embossing with 2'' circular die cut

Phenomenal use of neon and four-color inks and printing throughout. This book stands out as being completely unique and original, but still reflects back on classic children’s books. The illustrations are quirky and fun. Beautiful Smyth binding and paper stock. Love the illustration and storytelling—could be very busy but use of ink helps streamline and “find and seek” elements. The diecut and oversized trim are perfect for this standout book. It is a joy to view and read.

2017 New York Book Show • 113

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SECOND Hardcover Picture Fiction

114 • Children’s Trade

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8/30/17 8:05 PM

Suite for Human Nature Diane Charlotte Lampert

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Simon & Schuster, Atheneum Books for Young Readers

Eric Puybaret

RR Donnelley Asia Printing Solutions Ltd.

TYPEFACE

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

Calamity Jane

05/03/16

TEXT STOCK

FORMAT

157gsm Huaxia Sun Gloss art paper

Case: 128gsm Huaxia Sun gloss art paper, Jacket: 157gsm Huaxia Sun matte art paper. Matte film lamination

Hardcover

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

TRIM SIZE

RR Donnelley Asia Printing Solutions Ltd.

Holographic Foil 410A, embossing

11" x 10"

PRINTING/BINDING

CASE MATERIALS

PRODUCTION STAFF

RR Donnelley Asia Printing Solutions Ltd.

3mm MingOu greyboard

Elizabeth Blake-Linn

COVER/JACKET ART DIRECTION

TEXT ART DIRECTION

Debra Sfetsios-Conover

COVER/JACKET DESIGN

TEXT DESIGN

Debra Sfetsios-Conover

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Sweet! The overall use of color separations highlighted the quality illustrations. Text designed very nicely for the use of color. Depth of color is fantastic. Overall production, design, and illustrations come together to create a beautiful product.

Eric Puybaret

2017 New York Book Show • 115

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THIRD Hardcover Picture Fiction

116 • Children’s Trade

nybs17_2p_text_r5.indd 116

8/30/17 8:05 PM

Cloth Lullaby Amy Novesky/Isabelle Arsenault

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Abrams, Abrams Books for Young Readers

Isabelle Arsenault

PUBLICATION DATE

TYPEFACE

COVER/JACKET PRINTING

03/01/16

Hand-drawn

RR Donnelley Asia Printing Solutions Ltd.

FORMAT

TEXT STOCK

CASE MATERIALS

Hardcover

140gsm woodfree

TRIM SIZE

PREPRESS/COMPOSITION

Spine: JHT Cloth with foil stamping; Sides: 140gsm woodfree with matte varnish

9" x 11"

Fine Arts Repro House

PRODUCTION STAFF

PRINTING/BINDING

Alison Gervais, Elizabeth Peskin

RR Donnelley Asia Printing Solutions Ltd.

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Chad Beckerman

TEXT DESIGN

COVER/JACKET DESIGN

Chad Beckerman

A beautiful example in the overall production. Good use of uncoated paper stock, attractive cloth spine material, unique color printing with even ink coverage. Hand lettering adds to overall package.

2017 New York Book Show • 117

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MERIT Hardcover Picture Fiction

118 • Children’s Trade

nybs17_2p_text_r5.indd 118

8/30/17 8:05 PM

Bunny Dreams Peter McCarty

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Macmillan Publishing Group, LLC, Henry Holt and Company

Peter McCarty

TYPEFACE

COVER/JACKET PRINTING

PUBLICATION DATE

RR Donnelley Asia Printing Solutions Ltd.

01/05/16

Interior: Cochin Medium. Jacket display font: hand-lettering by Peter McCarty

FORMAT

TEXT STOCK

Hardcover

157gsm Golden Sun FSC Matte Art Paper

Golden Sun FSC gloss art with matte polypropylene lamination

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

10" x 10"

Bright Art Graphics Pte. Ltd.

Spot gloss UV

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

Allene Cassagnol

RR Donnelley Asia Printing Solutions Ltd.

Golden Sun C1S over 3mm binder’s board

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Patrick Collins

TEXT DESIGN

COVER/JACKET DESIGN

Patrick Collins

COVER/JACKET STOCK & FINISH

Cute, unique illustration with rich colors and fine detail. Beautiful endpapers and cover. Fun, delightful story. Simple, smart typography.

2017 New York Book Show • 119

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MERIT Hardcover Picture Fiction

120 • Children’s Trade

nybs17_2p_text_r5.indd 120

8/30/17 8:05 PM

Lost and Found Adèle & Simon in China Barbara McClintock

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Macmillan Children’s Books, Farrar, Straus and Giroux Books for Young Readers

Barbara McClintock

Roberta Pressel

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

PUBLICATION DATE

Barbara McClintock

Hardcover

Letterhead Fancy Regular, Ronnie Regular, Bernhard Modern Bold Italic and Italic, Bernhard Modern Roman and Std Roman

TRIM SIZE

TEXT STOCK

12/06/16 FORMAT

COVER/JACKET PRINTING

RR Donnelley Asia Printing Solutions Ltd. COVER/JACKET STOCK & FINISH

8 ¾" x 11"

120gsm FSC Gold Sun Woodfree Offset

Press varnish with gloss lamination on underside

PRODUCTION STAFF

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

Susan Doran

Bright Arts

TEXT ART DIRECTION

PRINTING/BINDING

Roberta Pressel

RR Donnelley Asia Printing Solutions Ltd.

TEXT DESIGN

COVER/JACKET ART DIRECTION

Roberta Pressel

Press varnish CASE MATERIALS

Preprinted cover Story flow is visual and conveyed overall feel of travel and their trip.

2017 New York Book Show • 121

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FIRST Hardcover Picture Nonfiction

122 • Children’s Trade

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8/30/17 8:06 PM

I Dissent Debbie Levy

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Simon & Schuster, Simon & Schuster Books for Young Readers

Elizabeth Baddeley

RR Donnelley Asia Printing Solutions Ltd.

TYPEFACE

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

Hand-lettering and Caxon

09/20/16

TEXT STOCK

160gsm woodfree, matte lamination on the case

FORMAT

140gsm woodfree

COVER/JACKET EFFECTS

Hardcover

PREPRESS/COMPOSITION

Sculpture embossing, spot deep UV

TRIM SIZE

In-house prepress

CASE MATERIALS

8 ½" x 11"

PRINTING/BINDING

140gsm woodfree

PRODUCTION STAFF

RR Donnelley Asia Printing Solutions Ltd.

Chava Wolin

COVER/JACKET ART DIRECTION

TEXT ART DIRECTION

Chloë Foglia

COVER/JACKET DESIGN

TEXT DESIGN

Elizabeth Baddeley and Chloë Foglia

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Great use of color composition reflecting the American colors of red, white, and blue. Font of “I dissent” carried out throughout and used to emphasize the storyline. Clean white paper enhanced the color. Spot gloss lamination used very well.

Elizabeth Baddeley

2017 New York Book Show • 123

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SECOND Hardcover Picture Nonfiction

124 • Children’s Trade

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The Marvelous Thing that Came from a Spring Gilbert Ford

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET STOCK & FINISH

Simon & Schuster, Atheneum Books for Young Readers

Gilbert Ford

Matte film lamination

TYPEFACE

COVER/JACKET EFFECTS

PUBLICATION DATE

Neutraface

Spot gloss UV and embossing

09/13/16

TEXT STOCK

CASE MATERIALS

FORMAT

120gsm Golden Sun uncoated woodfree

3mm MingOu greyboard

Hardcover

PRINTING/BINDING

OTHER COMPONENTS

TRIM SIZE

RR Donnelley Asia Printing Solutions Ltd.

9" x 11"

COVER/JACKET ART DIRECTION

Casebound, smyth sewn, square and tight back

PRODUCTION STAFF

Lauren Rille

Elizabeth Blake-Linn

COVER/JACKET DESIGN

TEXT ART DIRECTION

Lauren Rille

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

TEXT DESIGN

Gilbert Ford

Lauren Rille

COVER/JACKET PRINTING

Innovative style of illustration, especially for nonfiction. Fun spot gloss and embossing on jacket plays into the fun subject matter. Love the mix of illustration and photography. Great solution to the back matter design.

RR Donnelley Asia Printing Solutions Ltd.

2017 New York Book Show • 125

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THIRD Hardcover Picture Nonfiction

126 • Children’s Trade

nybs17_2p_text_r5.indd 126

8/30/17 8:06 PM

Diana’s White House Garden Elisa Carbone/Jen Hill

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Penguin Young Readers, Viking Children’s Books

Jen Hill

Nancy Brennan

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

PUBLICATION DATE

Eames Century Modern

Jen Hill

05/03/16

TEXT STOCK

COVER/JACKET STOCK & FINISH

FORMAT

140gsm woodfree (FSC)

Hardcover

PREPRESS/COMPOSITION

128gsm Gold Sun matte art (FSC) with matte lamination

TRIM SIZE

11" x 9 ½"

RR Donnelley Asia Printing Solutions Ltd./ in-house

PRODUCTION STAFF

PRINTING/BINDING

Cherisse Landau

RR Donnelley Asia Printing Solutions Ltd.

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Nancy Brennan

TEXT DESIGN

Nancy Brennan

CASE MATERIALS

115gsm Gold Sun matte art (FSC) over 2.5mm boards Clean, simple layout tells story of the White House garden. Soothing cream paper showcases fun illustration. Endpapers show before and after of garden.

2017 New York Book Show • 127

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FIRST Hardcover Young Adult Fiction

128 • Children’s Trade

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8/30/17 8:06 PM

Tales of the Peculiar Ransom Riggs

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET EFFECTS

Penguin Random House, Dutton Books for Young Readers

Bulmer MT Pro TEXT STOCK

Foil stamp on case with lustrofoil S14 gold (ES25M8) with GP100 white pigment

PUBLICATION DATE

55# Glatfelter c/w 360ppi

CASE MATERIALS

09/03/16

PREPRESS/COMPOSITION

Rainbow Forest BB emboss pattern

FORMAT

LSC Communications

OTHER COMPONENTS

Hardcover

PRINTING/BINDING

TRIM SIZE

LSC Communications

6" x 9"

COVER/JACKET ART DIRECTION

PRODUCTION STAFF

Deborah Kaplan and Lindsey Andrews

Vanessa Robles

COVER/JACKET DESIGN

Interior: web offset, 2/c (black with simulated PMS 871 gold), 1/1 printed ends: PMS 871 gold; ribbon marker: black; head/ foot bands: gold/white florentine arctic; .120 heavy boards

TEXT ART DIRECTION

Lindsey Andrews

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

TEXT DESIGN

Andrew Davidson

Lindsey Andrews

COVER/JACKET PRINTING

ILLUSTRATOR/PHOTOGRAPHER

LSC Communications

Complete, cohesive, and beautiful package. Expertly designed, from the foil-stamped case and endpaper to the use of gold ink and ribbon to the full page chapter opener illustrations and text stock choice.

Andrew Davidson

2017 New York Book Show • 129

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SECOND Hardcover Young Adult Fiction

130 • Children’s Trade

nybs17_2p_text_r5.indd 130

8/30/17 8:06 PM

Pax Sara Pennypacker

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET STOCK & FINISH

HarperCollins, Balzer + Bray PUBLICATION DATE

Goudy Old Style, Horley Old style, woolen, Campland, hand-lettering

80# Mohawk Via Felt Cool White text, press varnish with gloss film back-up

02/01/16

TEXT STOCK

CASE MATERIALS

FORMAT

50# 360ppi Norbrite

Hardcover

PRINTING/BINDING

TRIM SIZE

LSC Communications

5 ½" x 7 ¾"

COVER/JACKET ART DIRECTION

PRODUCTION STAFF

Dana Fritts

One-piece case; blind stamp front and back cover (86 square inches) on Multicolor 80# Antique moss, Lustrofoil copper foil #SD813 on front cover and spine Headbands: CottonPlus Jodpur tan

Lillian Sun

COVER/JACKET DESIGN

TEXT ART DIRECTION

Dana Fritts and Jon Klassen

Dana Fritts

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

TEXT DESIGN

Jon Klassen

Dana Fritts

COVER/JACKET PRINTING

ILLUSTRATOR/PHOTOGRAPHER

Phoenix Color

Jon Klassen

OTHER COMPONENTS

Web offset press, notch bound, rough front, hand lettering Beautiful treatment overall. Case stamping colors and art ties into story. Perfect hand-held size. Lovely jacket art, rough front, and cream stock. Adorable.

2017 New York Book Show • 131

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THIRD Hardcover Young Adult Fiction

132 • Children’s Trade

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8/30/17 8:06 PM

Heartless Marissa Meyer

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET PRINTING

Macmillan, Feiwel & Friends

Lillianesque Regular

Coral Graphics

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

11/08/16

40# Alternative Book Cream

FORMAT

PREPRESS/COMPOSITION

100# C1S with matte lamination and spot gloss UV

Hardcover

Westchester

COVER/JACKET EFFECTS

TRIM SIZE

PRINTING/BINDING

Emboss, silver and red foil

6 ⅛" x 9 ¼"

LSC Communications

CASE MATERIALS

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Excel Black (921 Kid)

Kim Waymer

Rich Deas

TEXT ART DIRECTION

COVER/JACKET DESIGN

Rich Deas

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Patrick Collins

Rich Deas

Superior design and execution. Foil and emboss on cover carries over the fold and looks seamless. Black is rich. Case is beautiful with emboss and foil. Body has nice folio and chapter treatments. Nicely sized margins.

ILLUSTRATOR/PHOTOGRAPHER

Rich Deas

2017 New York Book Show • 133

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MERIT Hardcover Young Adult Fiction

134 • Children’s Trade

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8/30/17 8:06 PM

Genius: The Game Leopoldo Gout

General Iyabo placed a hand upon my shoulder. He wore

probably did not realize it when you woke

many heavy golden rings. “I was the one who sent you the e-mail.

up this morning but your life has changed. I

You need to know that even here in the middle of Naija, I have

am here to protect you and your people.”

influence greater than the president’s. It is I who will allow you to fly to the United States and attend this competition in my name. You will make all Naija proud. You will show the world that I am

“Protect us from what?” “The big bad world.” General Iyabo removed his sunglasses and

a man of culture and that I want what is best for the people that

stared into me with his dark, bright eyes. “I

I serve.”

only request a small favor in return. I have

Much applause and cheers followed this statement.

a project I would like you to consider.

My neighbors were overjoyed and started dancing. But I glanced

Highest-level military classification. I

back at my parents and I was very anxious. I could see the worry on

have been trusted with power

their faces. I had never been beyond the neighboring villages. This

because I keep our

journey would surely be the biggest of my life.

land safe. I keep

General Iyabo put an arm around my shoulder.

your people

It felt as though a lion had his mouth around my neck.

safe.”

“Come,” he said. “Show me what you have devised here.”

2.2 I led him to the Okeke Solar Power Tower and told him how it operated and how it was built. “And this was constructed from junk?” he asked. “It was built with repurposed materials,” I replied. I do not like the term junk. It implies inherent uselessness and I have come to find that nothing is inherently useless. It is only a matter of finding the time, functionality, and place of the object. To me, all objects are waiting to transform into something different. “Do you love your land, Tunde?” General Iyabo asked. “Your village? Family?” “Very much,” I replied. “That is a good thing. I am here to help you and your village. You 40

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET PRINTING

Macmillan, Feiwel & Friends

Candida Std

Coral Graphics

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

05/03/16

60# Williamsburg Offset Smooth

FORMAT

PREPRESS/COMPOSITION

100# C1S with matte soft touch and spot gloss UV

Hardcover

Westchester

COVER/JACKET EFFECTS

TRIM SIZE

PRINTING/BINDING

Fluorescent ink, Crown foil stamping

6 ⅛" x 9 ¼"

LSC Communications

CASE MATERIALS

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Kim Waymer

Rich Deas

One-piece Rainbow embossed black with New Moire embossing

TEXT ART DIRECTION

COVER/JACKET DESIGN

Rich Deas

Liz Dresner

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Liz Dresner and Rich Deas

ILLUSTRATOR/PHOTOGRAPHER

James Manning; brick wall @ shutterstock/ Dan Kosmayer

Nice use of soft touch on silver holographic ink. Ties in perfectly with illustration and title. Unique endpapers, horizontal back flap, and “busy” design works well with title and “genius mind” concept.

2017 New York Book Show • 135

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MERIT Hardcover Young Adult Fiction

136 • Children’s Trade

nybs17_2p_text_r5.indd 136

8/30/17 8:06 PM

The Graces Laure Eve

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Abrams, Amulet

Spencer Charles

Phoenix Color

PUBLICATION DATE

TYPEFACE

COVER/JACKET STOCK & FINISH

09/06/16

Venetian 301 BT

100# C1S with soft touch matte

FORMAT

TEXT STOCK

COVER/JACKET EFFECTS

Hardcover

45# Sebago

Gold foil stamping

TRIM SIZE

PRINTING/BINDING

CASE MATERIALS

5 ½" x 8 ¼"

LSC Communications

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Rainbow salsa, Spanish 928 with gold foil stamping

Alison Gervais

Maria Middleton

TEXT ART DIRECTION

COVER/JACKET DESIGN

Maria Middleton

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Maria Middleton

Spencer Charles

Stunning use of soft touch and foil stamping. Beautiful stamping on case. Unusual use of blue ink for interior. Great ink coverage throughout.

2017 New York Book Show • 137

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FIRST Hardcover Young Adult Nonfiction

138 • Children’s Trade

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8/30/17 8:06 PM

Some Writer! Melissa Sweet

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET STOCK & FINISH

Houghton Mifflin Harcourt, BFYR

Palatino Linotype

PUBLICATION DATE

TEXT STOCK

128gsm FSC glossy art, matte film lamination

10/04/16

128gsm FSC matte art

COVER/JACKET EFFECTS

FORMAT

PREPRESS/COMPOSITION

Spot gloss UV and embossing

Hardcover

5000K

CASE MATERIALS

TRIM SIZE

PRINTING/BINDING

7" x 9"

Tien Wah Press

128gsm FSC glossy art, matte film lamination with spot gloss UV

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Donna McCarthy

Melissa Sweet

TEXT ART DIRECTION

COVER/JACKET DESIGN

Sheila Smallwood

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Sheila Smallwood

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Melissa Sweet

Tien Wah Press

This book has everything. Bright, beautiful cover shows E.B. White with his pig, and several of his books, nicely illustrated with emboss and spot gloss. Body of book is full of colorful illustrations and photos. Glossy stock. Comprehensive and full of information. Even the endpapers tell the story.

2017 New York Book Show • 139

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SECOND Hardcover Young Adult Nonfiction

140 • Children’s Trade

nybs17_2p_text_r5.indd 140

8/30/17 8:06 PM

The Playbook Kwame Alexander

Rule # 16 yoU ma y not b E A staRter

But aLways 62

Be a Star In yoUr minD

ine Ready to sH time. At anY I want to make sure that I’m a shining light, or bringing life to every situation I’m in. —Maya Moore, WNBA player for the Minnesota Lynx

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET STOCK & FINISH

Houghton Mifflin Harcourt, BFYR

100# C1S with matte lamination

PUBLICATION DATE

Adobe Garamond pro, Populaire, and Populaire Light

02/14/17

TEXT STOCK

FORMAT

80# 327ppi Accent Opaque Smooth

5/c (process with PMS 151 orange) and spot gloss UV

Hardcover

PREPRESS/COMPOSITION

CASE MATERIALS

TRIM SIZE

Lisa Vega

5 ½" x 8 ¼"

PRINTING/BINDING

PRODUCTION STAFF

LSC Communications

Endpapers: 80# Rainbow tangerine, 595 hammered reverse finish. Head/footbands: FimBands 117 mango

Diane Varone, Margaret Melvin

COVER/JACKET ART DIRECTION

OTHER COMPONENTS

TEXT ART DIRECTION

Lisa Vega

COVER/JACKET DESIGN

TEXT DESIGN

Lisa Vega

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Lisa Vega, Hector Sanchez (shutterstock)

Thai Neave, Getty Images, and Shutterstock

COVER/JACKET PRINTING

Phoenix Color

COVER/JACKET EFFECTS

Web offset printing, notch case binding, 2/c (black and PMS 151 orange), stain on edges matches PMS 165 orange on 3 sides The clever use of the special orange ink throughout really tied this package together. The embossed endpapers and tinted edges just topped it off. Perfect choice of text stock.

2017 New York Book Show • 141

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THIRD Hardcover Young Adult Nonfiction

142 • Children’s Trade

nybs17_2p_text_r5.indd 142

8/30/17 8:06 PM

Irena’s Children Tilar J. Mazzeo

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Simon & Schuster, Margaret K. McElderry Books

Shana Torok

Phoenix Color

TYPEFACE

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

Hand lettering with Adobe Garamond Pro

09/27/16

TEXT STOCK

FORMAT

Hardcover

40# 400ppi Norbrite Book 75 with rough front

80# Mohawk Via Felt Cool White with varnish finish on front, and gloss film lamination on backs

TRIM SIZE

PRINTING/BINDING

5 ⅝" x 8 ¼"

Quad Graphics Fairfield

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Elizabeth Blake-Linn

Lauren Rille

TEXT ART DIRECTION

COVER/JACKET DESIGN

Lauren Rille

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Lauren Rille and Vikki Sheatsley

Shana Torok

CASE MATERIALS

Spine: 80# Rainbow Std Emboss A, Arctic A, Lustrofoil 900 (Matte black), Sides: 70# Rainbow Antique B, Pearl A (grey) Love the monochromatic jacket with pops of yellow—very striking. Gorgeous design of jacket and interior. Beautiful case stamping. Nice printing and design.

2017 New York Book Show • 143

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MERIT Hardcover Young Adult Nonfiction

144 • Children’s Trade

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8/30/17 8:06 PM

In the Shadow of Liberty Kenneth C. Davis

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET STOCK & FINISH

Macmillan, Henry Holt

Athelas Regular

100# C1S, matte film lamination

PUBLICATION DATE

TEXT STOCK

COVER/JACKET EFFECTS

09/20/16

60# Williamsburg Offset Smooth

Spot gloss UV

FORMAT

PREPRESS/COMPOSITION

CASE MATERIALS

Hardcover

Westchester Publishing Services

TRIM SIZE

PRINTING/BINDING

6" x 9"

LSC Communications

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

John Nora

Patrick Collins

One-piece case: 80# Rainbow Ruby with Buckram 127 emboss; endpapers: 70# Rainbow Navy; headbands: FIM Florentine Gold; foil stamp on spine: Lustrofoil S23 gold

TEXT ART DIRECTION

COVER/JACKET DESIGN

Patrick Collins

Patrick Collins and Meredith Pratt

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Meredith Pratt

archival images

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

archival images

Coral Graphics

The color and shadow used in title font gradating from shadow to white matches images. Spot lamination on jacket and gold stamping on case spine all ties in with American red/white/blue colors prominently displayed in overall design. Great original photos.

2017 New York Book Show • 145

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FIRST Novelty

146 • Children’s Trade

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8/30/17 8:06 PM

Cityblock Christopher Franceschelli, art by Peskimo

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Abrams, Abrams Appleseed

Peskimo

Alyssa Nassner

PUBLICATION DATE

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

09/06/16

Soto and Helvetica Neue

Peskimo

FORMAT

TEXT STOCK

COVER/JACKET PRINTING

Board Book

300gsm C1S

Hung Hing

TRIM SIZE

PREPRESS/COMPOSITION

CASE MATERIALS

5 ¼" x 6 ¼"

Hung Hing

128gsm gloss art with matte lamination

PRODUCTION STAFF

PRINTING/BINDING

Alison Gervais

Hung Hing

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Alyssa Nassner

TEXT DESIGN

Alyssa Nassner

A clever package with great use of flaps and die cuts throughout. Beautiful illustrations. Rounded corners on a small trim size creates a perfect feel for this book. Perfect weight stock and good use of the hinged binding.

2017 New York Book Show • 147

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SECOND Novelty

148 • Children’s Trade

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8/30/17 8:06 PM

What I Love About Christmas Maryann Cocca-Leffler

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET EFFECTS

Sterling Children’s Books

Book faced Martin

PUBLICATION DATE

TEXT STOCK

Brushed gold foil on title and die-cut windows

10/06/16

CASE MATERIALS

Board Book

210gsm C1S art board plus press varnish, wheel: 250gsm C1S art board plus press varnish

TRIM SIZE

PRINTING/BINDING

Board book with accordion fold, rounded corners. Die-cut and stick glued-on flaps with push and pull tabs and wheel; the last page includes pop-up

FORMAT

8" x 8"

Leo Paper

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Fred Pagan

Irene Vandervoort

TEXT ART DIRECTION

COVER/JACKET DESIGN

Irene Vandervoort

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Irene Vandervoort

Maryann Cocca-Leffler

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET STOCK & FINISH

Maryann Cocca-Leffler

4/0 on 400gsm C1S art board with press varnish

400gsm C1S artboard OTHER COMPONENTS

From the cutouts on the cover highlighting Christmas joy to the well-placed inside flaps on each page, the book is very special. Varioussized flaps in Christmas colors is very smart and kid-appropriate. A child could spend hours with this book. The pop-up at the end is the perfect gift.

2017 New York Book Show • 149

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THIRD Novelty

150 • Children’s Trade

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8/30/17 8:06 PM

Everything I Need to Know I Learned From This Little Golden Postcard Book Diane Muldrow

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Random House Children’s Books, Golden Books

Selection from 30 Little Golden Books

British Photographers’ Liaison Committee/ Finers Stephens Innocent

PUBLICATION DATE

Britannic Bold on postcard front, Golden Script on back

COVER/JACKET PRINTING

06/21/16 FORMAT

TEXT STOCK

COVER/JACKET STOCK & FINISH

Non-traditional Book

250gsm C1S artboard

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

6" x 4 ¼"

Toppan Leefung

PRODUCTION STAFF

PRINTING/BINDING

1/c printing over gold foil stamp with matte film lamination and spot gloss UV

Jen Jie Li

Toppan Leefung

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Roberta Ludlow

TEXT DESIGN

COVER/JACKET DESIGN

Roberta Ludlow

TYPEFACE

Toppan Leefung

Cute, kitschy book with classic Golden Books illustrations and clever captions. Each page is a postcard with perforation that can really be mailed—but who would want to take this book apart?

2017 New York Book Show • 151

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MERIT Novelty

152 • Children’s Trade

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8/30/17 8:06 PM

Color Wonder: Hooray For Spring Chiêu Anh Urban

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Simon & Schuster, Little Simon

Chiêu Anh Urban

PUBLICATION DATE

TYPEFACE

COVER/JACKET PRINTING

12/27/16

Lulo Clean/ITC Avant Garde Gothic

RR Donnelley Asia Printing Solutions Ltd.

FORMAT

TEXT STOCK

COVER/JACKET STOCK & FINISH

Board Book

350gsm Huaxia Sun C1S artcard

TRIM SIZE

PREPRESS/COMPOSITION

350gsm Huaxia Sun C1S artcard plus UV varnishing to cover and interior

6 ½" x 6 ½"

RR Donnelley Asia Printing Solutions Ltd.

OTHER COMPONENTS

PRODUCTION STAFF

PRINTING/BINDING

Martha Hanson

RR Donnelley Asia Printing Solutions Ltd.

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Card wheel: 4/c on 350gsm Huaxia Sun C1S artcard plus gloss UV varnishing; PET wheel: 4/c on .25m PET

Ciara Moriarty

TEXT DESIGN

COVER/JACKET DESIGN

Ciara Moriarty

Lovely and simple design. Brilliant use of diecut and spinning color wheel to teach color theory. Cute trim size.

2017 New York Book Show • 153

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FIRST Young Adult Graphic Novel

154 • Children’s Trade

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8/30/17 8:06 PM

The Graveyard Book Graphic Novel Single Volume Special Limited Edition Neil Gaiman

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

HarperCollins

P. Craig Russell, Stephan B. Scott, Kevin Nowlan, Galen Showman, Tony Harris, Jill Thompson, David LaFuente, Scott Hampton

P. Craig Russell

TYPEFACE

COVER/JACKET EFFECTS

PUBLICATION DATE

10/01/16 FORMAT

Hardcover TRIM SIZE

6" x 9" PRODUCTION STAFF

Lillian Sun TEXT ART DIRECTION

P. Craig Russell TEXT DESIGN

Rick Parker

Hand-lettering TEXT STOCK

128gsm Golden Sun matte FSC PRINTING/BINDING

RR Donnelley Asia Printing Solutions Ltd. COVER/JACKET ART DIRECTION

Sarah Nichole Kaufman COVER/JACKET DESIGN

P. Craig Russell

COVER/JACKET STOCK & FINISH

128gsm machine coated art FSC, matte film lamination Spot gloss UV, foil CASE MATERIALS

Preprinted case OTHER COMPONENTS

Foil stamped sleeve, printed ends: black paper and metallic ink, signed tip-in Quality overall product. Use of both silver and gold stamping. Use of different illustrators and use of color. Slipcase with cloth cover makes for a great package.

2017 New York Book Show • 155

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SECOND Young Adult Graphic Novel

156 • Children’s Trade

nybs17_2p_text_r5.indd 156

8/30/17 8:06 PM

The Nameless City Faith Erin Hicks

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET STOCK & FINISH

Macmillan Publishing, First Second

CCAdamKubert

128gsm C1S

PUBLICATION DATE

TEXT STOCK

COVER/JACKET EFFECTS

04/05/16

113gsm Matte Art Paper

FORMAT

PREPRESS/COMPOSITION

Matte lamination with spot gloss UV and embossing

Paperback

Embassy Graphics

CASE MATERIALS

TRIM SIZE

PRINTING/BINDING

2.5mm board

6" x 8 ½"

1010 Printing Asia Limited

OTHER COMPONENTS

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

4/c printed endpapers

Alexa Villanueva

Danielle Ceccolini

TEXT ART DIRECTION

COVER/JACKET DESIGN

Danielle Ceccolini

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Danielle Ceccolini

Faith Erin Hicks

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Faith Erin Hicks

1010 Printing Asia Limited

Strong case design with spot gloss and embossing. Great illustration style and variance in page design and layout. Excellent printing and ink coverage. Beautiful endpapers.

2017 New York Book Show • 157

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THIRD Young Adult Graphic Novel

158 • Children’s Trade

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8/30/17 8:07 PM

The Creepy Case Files of Margo Maloo Drew Weing

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET STOCK & FINISH

Macmillan Publishing, First Second

Hand-lettered

128gsm C1S

PUBLICATION DATE

TEXT STOCK

COVER/JACKET EFFECTS

09/13/16

120gsm UPM woodfree

FORMAT

PREPRESS/COMPOSITION

Matte lamination with spot gloss UV and embossing

Hardcover

Embassy Graphics

CASE MATERIALS

TRIM SIZE

PRINTING/BINDING

2.5mm board

8 ½" x 6"

Toppan Leefung Printing Ltd.

OTHER COMPONENTS

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

4/c printed ends

Alexa Villanueva

Danielle Ceccolini

TEXT ART DIRECTION

COVER/JACKET DESIGN

Danielle Ceccolini

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Danielle Ceccolini

Drew Weing

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Drew Weing

Toppan Leefung Printing Ltd.

Nice emboss on case. Interesting illustration with action. Clear, sharp lines. Portrait format carries the story forward. Ink coverage consistent and smooth.

2017 New York Book Show • 159

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MERIT Young Adult Graphic Novel

160 • Children’s Trade

nybs17_2p_text_r5.indd 160

8/30/17 8:07 PM

Ghosts Raina Telgemeier

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Scholastic Inc., Graphix

Raina Telgemeier

PUBLICATION DATE

TYPEFACE

COVER/JACKET PRINTING

09/01/16

Futura

Leo Paper

FORMAT

TEXT STOCK

COVER/JACKET STOCK & FINISH

Paperback

115gsm woodfree

128gsm glossy art

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

5 ½" x 8"

Phil Falco

Gloss film lamination with foil

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

Shannon Rice

Leo Paper

One-piece printed case

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

OTHER COMPONENTS

Phil Falco

Endpapers: 1/c printed endpapers

TEXT DESIGN

COVER/JACKET DESIGN

Phil Falco

Nice composition. Easy to hold trim size. Visually pleasing. Nice use of uncoated stock.

2017 New York Book Show • 161

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FIRST Young Adult Illustrated Novel

162 • Children’s Trade

nybs17_2p_text_r5.indd 162

8/30/17 8:07 PM

The School for Good and Evil: The Ever Never Handbook Soman Chainani

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET EFFECTS

HarperCollins

Celestia Antiqua

PUBLICATION DATE

TEXT STOCK

5/c (4/c process with PMS 803), spot gritty matte UV, print over foil, embossing

07/12/16

80# Sterling ultra white

CASE MATERIALS

FORMAT

PRINTING/BINDING

Hardcover

LSC Communications

Rainbow maroon, Sides: Rainbow mahogany, Lustrofoil S20 gold

TRIM SIZE

COVER/JACKET ART DIRECTION

OTHER COMPONENTS

5 ½" x 8 ¼"

Amy Ryan

PRODUCTION STAFF

COVER/JACKET DESIGN

Lillian Sun

Iacopo Bruno and Amy Ryan

TEXT ART DIRECTION

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Amy Ryan

Iacopo Bruno

TEXT DESIGN

COVER/JACKET PRINTING

Carla Weise

Phoenix Color

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET STOCK & FINISH

Michael Blank

100# C1S, gloss mylar

Endpapers: 80# Cougar natural text, PMS 690U Use of gold foil stamping on cover case ties in nicely with the jacket design. Dark and white swans on cover tie with title, endpapers, paper and illustrations. Great use of color. Variety in illustrations and design is still cohesive and ties everything together. Great printing; balanced yet varied.

2017 New York Book Show • 163

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SECOND Young Adult Illustrated Novel

164 • Children’s Trade

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8/30/17 8:07 PM

Gris Grimly’s Tales from the Brothers Grimm Jacob and Wilhelm Grimm

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET STOCK & FINISH

HarperCollins, Balzer + Bray PUBLICATION DATE

Fournier, Old Earthy, Apocrypha, Type embellishments, Americanus Ornaments

100# C1S, Gloss mylar with gritty matte UV

07/01/16

TEXT STOCK

COVER/JACKET EFFECTS

FORMAT

50# 360ppi Norbrite

Emboss (frame and title, 57 square inches)

Hardcover

PREPRESS/COMPOSITION

CASE MATERIALS

TRIM SIZE

Web offset press

7" x 9"

PRINTING/BINDING

PRODUCTION STAFF

LSC Communications

Lillian Sun

COVER/JACKET ART DIRECTION

Antique Midnight (rainbow) with Lustrofoil copper #B44 on front cover and spine (9 square inches) Headbands: Antique gold

TEXT ART DIRECTION

Dana Fritts

COVER/JACKET DESIGN

TEXT DESIGN

Dana Fritts

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Gris Grimly

COVER/JACKET PRINTING

Coral Graphics

OTHER COMPONENTS

Color tip-ins and 75 black and white interior illustrations, and hand lettered chapter titles and book title and credits Stunning illustration on jacket and throughout interior. Beautiful four-color insert, endpapers, stamped case design. Lovely trim and interior design/layout.

2017 New York Book Show • 165

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THIRD Young Adult Illustrated Novel

166 • Children’s Trade

nybs17_2p_text_r5.indd 166

8/30/17 8:07 PM

The Oodlethunks : Oona Finds An Egg Adele Griffin

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Scholastic Inc., Scholastic Press

Mike Wu

PUBLICATION DATE

TYPEFACE

COVER/JACKET PRINTING

01/01/16

Old Claude LP Std

RR Donnelley Asia Printing Solutions Ltd.

FORMAT

TEXT STOCK

COVER/JACKET STOCK & FINISH

Hardcover

45# Glatfelter

Gloss film lamination

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

5 ½" x 8 ¼"

Jouve

Creative embossing

PRODUCTION STAFF

PRINTING/BINDING

OTHER COMPONENTS

Angelique Browne

RR Donnelley Asia Printing Solutions Ltd.

4/c printed endpapers and 2/c interior

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Phil Falco

TEXT DESIGN

COVER/JACKET DESIGN

Phil Falco

Very readable, fun book. Cute illustrations, strong typography, and nice use of textured UV on cover. Colorful endpapers.

2017 New York Book Show • 167

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MERIT Young Adult Illustrated Novel

168 • Children’s Trade

nybs17_2p_text_r5.indd 168

8/30/17 8:07 PM

Draw the Line Laurent Linn

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET STOCK & FINISH

Simon & Schuster, Margaret K. McElderry Books

Aldine 401 BT Std

100# C1S plus glueable stampable finish

TEXT STOCK

COVER/JACKET EFFECTS

PUBLICATION DATE

50# Domtar tradebook cream

embossing, spot gritty matte UV

05/17/16

PREPRESS/COMPOSITION

CASE MATERIALS

FORMAT

Simon & Schuster Prepress

Hardcover

PRINTING/BINDING

TRIM SIZE

Quad Graphics Fairfield

5 ½" x 8 ¼"

COVER/JACKET ART DIRECTION

80# Rainbow apple spine and 70# Rainbow graphite sides; blind emboss to front case; Lustrofoil Platinum foil stamp to spine

PRODUCTION STAFF

Laurent Linn and Sonia Chaghatzbanian

Martha Hanson

COVER/JACKET DESIGN

TEXT ART DIRECTION

Laurent Linn

Laurent Linn and Sonia Chaghatzbanian

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

TEXT DESIGN

Laurent Linn (Illustrations), iStock (Photo)

Irene Metaxatos

COVER/JACKET PRINTING

ILLUSTRATOR/PHOTOGRAPHER

Coral Graphics

OTHER COMPONENTS

Endpapers: 1/0 on 80# Natural white endleaf, no finish Nice choice of text stock. Consistent design throughout. Full page illustrations have good definition. Endpapers consistent with jacket design and interior design.

Laurent Linn

2017 New York Book Show • 169

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FIRST Hardcover Young Adult Fiction Book Series

170 • Children’s Trade

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8/30/17 8:07 PM

Night World L.J. Smith

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET PRINTING

Simon & Schuster, Pulse

Adobe Garamond

Quad Graphics

PUBLICATION DATE

TEXT STOCK

CASE MATERIALS

12/06/16 FORMAT

40# Norbrite book (PMS 202U, 648U, 5535U inks)

Hardcover

PREPRESS/COMPOSITION

80# Rainbow BB (garnet, navy, forest, maroon, black, midnight, paragon, spruce, graphite) with SD 525 foil stamping

TRIM SIZE

Quad Graphics

OTHER COMPONENTS

5 ½" x 8 ¼"

PRINTING/BINDING

PRODUCTION STAFF

Quad Graphics

Sara Berko

COVER/JACKET ART DIRECTION

TEXT ART DIRECTION

Regina Flath

80# White Endleaf endpapers (PMS 202U, 648U, 5535U, 7428U, black, 2965U, 7596U, 323U, 2336U inks) at Phoenix Color

Mike Rosamilia

COVER/JACKET DESIGN

TEXT DESIGN

Regina Flath

Mike Rosamilia

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Neal Williams

Consistent use of color on individual title and as a design throughout entire series. Beautiful endpaper design. Cream stock was a favorite feature. Foil stamped cases had clean and clear definition.

2017 New York Book Show • 171

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SECOND Hardcover Young Adult Fiction Book Series

172 • Children’s Trade

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Based on a True Story E. F. Abbott

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Macmillan Publishing Group, LLC, Feiwel and Friends

Steven Noble and Cliff Hansen

Mark Summers

TYPEFACE

COVER/JACKET PRINTING

PUBLICATION DATE

Coral Graphics

02/16/16

Interior Type: Adobe Caslon Pro; Display Type: Gin

FORMAT

TEXT STOCK

Hardcover

100# C1S with gloss film lamination on the back

TRIM SIZE

50# 400ppi Earth Choice book antique cream

5" x 8"

PREPRESS/COMPOSITION

Overall gritty matte UV with spot gloss UV

PRODUCTION STAFF

Westchester Publishing Services

CASE MATERIALS

Raymond Ernesto Colón, Kim Waymer

PRINTING/BINDING

TEXT ART DIRECTION

LSC Communications

Neenah 80# Multicolor Antique Coal with a Lustrofoil B5 Silver stamp

April Ward

COVER/JACKET ART DIRECTION

TEXT DESIGN

Rich Deas

Anna Booth

COVER/JACKET DESIGN

April Ward

COVER/JACKET STOCK & FINISH

COVER/JACKET EFFECTS

Strong jacket specs. Eye-catching imagery and illustration style. Works well together as series. Unique embossing on each case. Great illustrations and photographs throughout.

2017 New York Book Show • 173

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THIRD Hardcover Young Adult Fiction Book Series

174 • Children’s Trade

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8/30/17 8:07 PM

Galactic Hot Dogs Max Brallier

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Simon & Schuster, Aladdin

Rachel Maguire and Nichole Kelley

Vivienne To, Sandbox Networks INC

PUBLICATION DATE

TYPEFACE

COVER/JACKET PRINTING

05/03/16

Good Dog

Phoenix Color

FORMAT

TEXT STOCK

COVER/JACKET STOCK & FINISH

Hardcover

50# Domtar Earthchoice

100# C1S with matte lamination

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

5 ½" x 8"

Simon & Schuster Prepress

Silver foil, emboss, and spot gloss UV

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

Julie Doebler

Quad Graphics

100# C1S preprinted case, .085 pasted oak

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Dan Potash

TEXT DESIGN

COVER/JACKET DESIGN

Rachel Maguire and Dan Potash

Dan Potash

Fun, action-packed illustrations. Nice use of foil and emboss on colorful covers. Kids should love these.

2017 New York Book Show • 175

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9/1/17 9:32 AM

FIRST Paperback Book Series

176 • Children’s Trade

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8/30/17 8:07 PM

Big Fat Notebooks Lily Rothman (American History); Altair Peterson (Math); Ximena Yvengoechea (World History); Workman Publishing (English Language Arts and Science)

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET STOCK & FINISH

Workman Publishing

Set Fire to the Rain and P22 Stanyan

350gsm C1S art card with matte lamination

PUBLICATION DATE

TEXT STOCK

COVER/JACKET EFFECTS

07/20/16

80gsm uncoated woodfree paper

Spot gloss UV

FORMAT

PREPRESS/COMPOSITION

CASE MATERIALS

Paperback

Monica McCready

H/T bands

TRIM SIZE

PRINTING/BINDING

OTHER COMPONENTS

6 1⁄5" x 8 1⁄5"

Imago

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Jessica Rozler, Julie Primavera

Colleen AF Venable

Endpapers print 1/1 (Fluorescent PMS) on 120gsm uncoated woodfree; Rounded corners are stained black

TEXT ART DIRECTION

COVER/JACKET DESIGN

Colleen AF Venable, Tim Hall

Tim Hall and Raquel Jaramillo

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Tim Hall, Abby Dening, and Gordon Whiteside

Tim Hall

ILLUSTRATOR/PHOTOGRAPHER

Imago

COVER/JACKET PRINTING

Wish these were around when we were in school! Smart, unique design facilitates learning and invites readers to want to read. Math, Science, World History, English, and American History are perfect subjects to design to elevate the reader’s experience.

Tim Hall, Blake Henry, Chris Pearce, Kevin Jay Stanton

2017 New York Book Show • 177

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SECOND Paperback Book Series

178 • Children’s Trade

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8/30/17 8:07 PM

The Baby-Sitters Club Ann M. Martin

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Scholastic Inc., Graphix

Raina Telgemeier

PUBLICATION DATE

TYPEFACE

COVER/JACKET PRINTING

02/01/16

Futura

RR Donnelley Asia Printing Solutions Ltd.

FORMAT

TEXT STOCK

COVER/JACKET STOCK & FINISH

Hardcover

120g woodfree UPM uncoated

230gsm IP Sun Star Blanc

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

5 ½" x 8"

Phil Falco

Gloss film lamination and foil

PRODUCTION STAFF

PRINTING/BINDING

Shannon Rice

RR Donnelley Asia Printing Solutions Ltd.

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Phil Falco

TEXT DESIGN

COVER/JACKET DESIGN

Phil Falco

Innovative and fresh design and alternate way of bringing a classic series of books to a new and younger audience. Love the foil stamp and colors on jacket and throughout.

2017 New York Book Show • 179

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THIRD Paperback Book Series

180 • Children’s Trade

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8/30/17 8:07 PM

Super Happy Party Bears Marcie Colleen

PUBLISHER/IMPRINT

TEXT DESIGN

COVER/JACKET ART DIRECTION

Macmillan Children’s Publishing Group

Natalie C. Sousa

PUBLICATION DATE

Natalie C. Sousa (books 1 and 2); Natalie C. Sousa and Christine Kell (books 3 and 4)

09/06/16

ILLUSTRATOR/PHOTOGRAPHER

FORMAT

Steve James

Natalie C. Sousa (books 1 and 2); Natalie C. Sousa and Christine Kell (books 3 and 4)

Paperback

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

TRIM SIZE

Cheltenham Std

Steve James

5 ⅛" x 7 ⅝"

TEXT STOCK

COVER/JACKET PRINTING

PRODUCTION STAFF

100gsm UPM woodfree paper

Toppan Leefung

John Nora

PREPRESS/COMPOSITION

COVER/JACKET STOCK & FINISH

TEXT ART DIRECTION

Bright Arts

Natalie C. Sousa

PRINTING/BINDING

236gsm C1S artboard with gloss film lamination

Toppan Leefung

COVER/JACKET DESIGN

Cute book series with clean, colorful illustration and nice typography for young readers.

2017 New York Book Show • 181

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FIRST Hardcover Young Adult Fiction Cover/Jacket

Wolf Hollow Lauren Wolk PUBLISHER/IMPRINT

Penguin Random House PUBLICATION DATE

05/03/16 FORMAT

Hardcover TRIM SIZE

9 ¾" x 8 ½" PRODUCTION STAFF

Vanessa Robles, Caitlin Taylor COVER/JACKET ART DIRECTION

Irene Vandervoot COVER/JACKET DESIGN

Irene Vandervoot COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Hand-lettering: Sarah J. Coleman, silhouette and watercolor (based on author’s photo collection): Tony Sahara COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

Press varnish COVER/JACKET EFFECTS

Foil overprint, interactive illusion, and embossing CASE MATERIALS

80# Text Mohawk via felt natural Gorgeous use of printing over uncoated stock and foil stamping. Love the colors and the stunning combination of print over foil and interactive illusion. Design feels classic and fresh and the same time.

182 • Children’s Trade

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SECOND Hardcover Young Adult Fiction Cover/Jacket

Queen of Hearts Colleen Oakes PUBLISHER/IMPRINT

HarperCollins, HarperTeen PUBLICATION DATE

05/01/16 FORMAT

Hardcover TRIM SIZE

5 ½" x 8 ¼" PRODUCTION STAFF

Allison Brown COVER/JACKET ART DIRECTION

Alison Donalty COVER/JACKET DESIGN

Jann Stempel COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Ruben Ireland COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

100# C1S, soft touch finish, 2/c (black and PMS 199C red) COVER/JACKET EFFECTS

Embossing CASE MATERIALS

Matte pigment black stamping on Fibermark white Great design and use of two colors. Striking use of red ink on flaps, title, and subtitle on lips and crown. Back cover art is intriguing and inviting. Embossing very appropriate on soft touch finish.

2017 New York Book Show • 183

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THIRD Hardcover Young Adult Fiction Cover/Jacket

Everland Wendy Spinale PUBLISHER/IMPRINT

Scholastic Inc., Scholastic Press PUBLICATION DATE

05/01/16 FORMAT

Hardcover TRIM SIZE

5 ½" x 8 ¼" PRODUCTION STAFF

Angelique Browne COVER/JACKET ART DIRECTION

Christopher Stengel COVER/JACKET DESIGN

Christopher Stengel COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Michael Frost and Jacey at début art COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

100# C1S foil paper with soft touch matte lamination COVER/JACKET EFFECTS

Foil and embossing CASE MATERIALS

Three-piece case with Rainbow spine Beautiful use of contrast with gold foil and print over foil on/against the dense black. Use of soft touch finish is also a favorite.

184 • Children’s Trade

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MERIT Hardcover Young Adult Fiction Cover/Jacket

The Poet’s Dog Patricia MacLachlan PUBLISHER/IMPRINT

HarperCollins, Katherine Tegen Books PUBLICATION DATE

09/13/16 FORMAT

Hardcover TRIM SIZE

5 ⅜" x 8" PRODUCTION STAFF

Tina Cameron COVER/JACKET ART DIRECTION

Amy Ryan COVER/JACKET DESIGN

Aurora Parlagreco COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Kenard Pak COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

80# Mohawk via felt cool white with press varnish COVER/JACKET EFFECTS

Raised spot gloss UV with gloss film lamination on back CASE MATERIALS

One-piece case, Rainbow with Lustrofoil Gorgeous full wrap jacket art. Colors are stunning. Love use of raised spot gloss.

2017 New York Book Show • 185

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MERIT Hardcover Young Adult Fiction Cover/Jacket

Unrivaled Alyson Noel PUBLISHER/IMPRINT

HarperCollins, Katherine Tegen Books PUBLICATION DATE

05/10/16 FORMAT

Hardcover TRIM SIZE

5 ½" x 8 ½" PRODUCTION STAFF

Kimberly Stella COVER/JACKET ART DIRECTION

Amy Ryan COVER/JACKET DESIGN

Erin Fitzsimmons COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Christine Blackburne COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

100# C1S silver metallic with soft touch lamination; 4/c process with 2 hits opaque white and 1 hit black COVER/JACKET EFFECTS

Embossing CASE MATERIALS

Fibermark with Lustrofoil Striking design of print over gold foil. Soft touch finish was also a favorite.

186 • Children’s Trade

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FIRST Paperback Young Adult Fiction Cover/Jacket Series

Delirium, Pandemonium, and Requiem Lauren Oliver PUBLISHER/IMPRINT

HarperCollins PUBLICATION DATE

5/17/16 FORMAT

Paperback TRIM SIZE

5 5⁄16" x 8" PRODUCTION STAFF

Tina Cameron COVER/JACKET ART DIRECTION

Erin Fitzsimmons COVER/JACKET DESIGN

Erin Fitzsimmons COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Jeff Huang COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

10pt metallized stock with matte film lamination COVER/JACKET EFFECTS

Embossing All three books use great design with silver foil. Images of hearts in different materials, feathers, stone, and petals with varying colors create a cohesive design that invites the reader to grab it off the shelf. Clear font!

2017 New York Book Show • 187

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SECOND Hardcover Young Adult Fiction Cover/Jacket Series

The Raven Cycle Maggie Stiefvater PUBLISHER/IMPRINT

Scholastic Inc., Scholastic Press PUBLICATION DATE

05/01/16 FORMAT

Hardcover TRIM SIZE

5 ½" x 8 ¼" PRODUCTION STAFF

Angelique Browne, Jess White COVER/JACKET ART DIRECTION

Christopher Stengel COVER/JACKET DESIGN

Christopher Stengel COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Adam S. Doyle COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

80# Neenah starwhite flash (pearlescent) stock COVER/JACKET EFFECTS

Embossing, foil, matte film lamination, spot gloss UV CASE MATERIALS

Three-piece case with Rainbow spine Beautiful artwork is consistent throughout design of series. Spine design sits well as a series when looking at it on a shelf. Pearlized jacket stock really adds to the design and style of the series design.

188 • Children’s Trade

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THIRD Hardcover Young Adult Fiction Cover/Jacket Series

Snow Like Ashes Sara Raasch PUBLISHER/IMPRINT

HarperCollins, Balzer + Bray PUBLICATION DATE

09/20/16 FORMAT

Hardcover TRIM SIZE

5 ½" x 8" PRODUCTION STAFF

Raymond Colon, David Klimowicz, Tina Cameron COVER/JACKET ART DIRECTION

Erin Fitzsimmons COVER/JACKET DESIGN

Erin Fitzsimmons COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Jeff Huang COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

100# C1S with matte film lamination COVER/JACKET EFFECTS

Embossing CASE MATERIALS

Three-piece case: #1 and #2: Rainbow with Lustrofoil; #3: Fibermark with Lustrofoil Nice, consistent image on each book. Looks classical, yet dangerous and exciting. Ink coverage is smooth and drop out type is sharp. Judicial use of embossing on title.

2017 New York Book Show • 189

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8/30/17 8:08 PM

School Publishing Middle/High School College Elementary Book Series Middle/High School Book Series College Book Series Ancillary Book Series Cover/Jacket Cover/Jacket Series

nybs17_2p_text_r5.indd 191

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FIRST Middle/High School

192 • School Publishing

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Uncharted Territory Jim Burke

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

W. W. Norton & Company, Inc.

Antar Dayal/Getty Images

09/01/16

Neutraface 2 Display, Neutraface 2 Text, Nelly Frames, Mr Eaves San OT, LiebeOrnaments, ITC Berkeley Oldstyle Std

FORMAT

TEXT STOCK

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

Hardcover

40# Flo Matte

TRIM SIZE

PREPRESS/COMPOSITION

5 ¼" x 7 ⅜"

Cenveo

PRODUCTION STAFF

PRINTING/BINDING

Sean Mintus

LSC Communications

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Jullian Burr

Debra Morton Hoyt

TEXT DESIGN

COVER/JACKET DESIGN

Lisa Buckley

COVER/JACKET PRINTING

LSC Communications 100# C1S with gloss lamination CASE MATERIALS

.080 binder's board Very clean layout and fonts clearly define sections. Two page unit openers clearly delineate the material. Cover image is evocative of subject matter.

Isaac Tobin

2017 New York Book Show • 193

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9/1/17 9:32 AM

SECOND Middle/High School

194 • School Publishing

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8/30/17 8:08 PM

Environmental Science: Sustaining Your World G. Tyler Miller and Scott E. Spoolman

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

National Geographic Learning, Cengage

Various

Scott Baker

PUBLICATION DATE

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

09/06/16

Display: Univers; Text: Kievit

Carsten Peters

FORMAT

TEXT STOCK

COVER/JACKET PRINTING

Hardcover

LSC Communications

TRIM SIZE

45# Somerset matte, FSC Certified 10% PCW

8 ½" x 10 ⅞"

PREPRESS/COMPOSITION

Type II, Mylar lamination gloss

PRODUCTION STAFF

Tighe

CASE MATERIALS

JR Walker

PRINTING/BINDING

88pt binder’s board

TEXT ART DIRECTION

LSC Communications

Scott Baker

COVER/JACKET ART DIRECTION

TEXT DESIGN

Scott Baker

COVER/JACKET STOCK & FINISH

Infographics are very engaging. Rich photography and clean, structured layouts.

Brian Nehlsen

2017 New York Book Show • 195

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8/30/17 8:08 PM

BEST IN CATEGORY

FIRST College

196 • School Publishing

nybs17_2p_text_r5.indd 196

8/30/17 8:08 PM

Astronomy: At Play in the Cosmos Adam Frank

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

W. W. Norton & Company, Inc.

Boris Dmitriev

PUBLICATION DATE

Imagineering Media Services, Inc. and Lachina

01/11/16

TYPEFACE

Phoenix Color

FORMAT

Gotham, Adobe Caslon

COVER/JACKET STOCK & FINISH

Paperback

TEXT STOCK

12pt C1S

TRIM SIZE

45# 870ppi Flo matte

COVER/JACKET EFFECTS

9 ⅝" x 10 ¾"

PREPRESS/COMPOSITION

Silver foil, spot gloss

PRODUCTION STAFF

Lachina and Imagineering

Eric Pier Hocking

PRINTING/BINDING

TEXT ART DIRECTION

Transcontinental

Rubina Yeh

COVER/JACKET ART DIRECTION

TEXT DESIGN

Debra Morton Hoyt

DeMarinis Design LLC

COVER/JACKET DESIGN

DeMarinis Design LLC

COVER/JACKET PRINTING

Visually accessible given the complexity of the content. Overall it was the most successful package, meeting all of the criteria. We specifically thought the chapter openers were cleverly designed. Great infographics and rich photography.

2017 New York Book Show • 197

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8/30/17 8:08 PM

MERIT College

198 • School Publishing

nybs17_2p_text_r5.indd 198

8/30/17 8:08 PM

Essentials of Sociology, Sixth Edition Anthony Giddens, Mitchell Duneier, Richard P. Appelbaum, Deborah Carr

PUBLISHER/IMPRINT

TEXT DESIGN

COVER/JACKET DESIGN

W. W. Norton & Company, Inc.

Kiss Me I’m Polish

PUBLICATION DATE

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

12/19/16

Infographics: Kiss Me I’m Polish

FORMAT

TYPEFACE

Paperback

Aaux Pro, Sectra

TRIM SIZE

TEXT STOCK

Max Whittaker/Getty Images; Ezra Bailey/ Getty Images; Arkaprava Ghosh/Barcroft India/Barcroft Media via Getty Images; Scott Barbour/Getty Images

8 ½" x 10 ⅞"

40# Flo matte

PRODUCTION STAFF

PREPRESS/COMPOSITION

Sean Mintus

Graphic World

TEXT ART DIRECTION

PRINTING/BINDING

Hope Miller Goodell

Transcontinental COVER/JACKET ART DIRECTION

COVER/JACKET PRINTING

Transcontinental COVER/JACKET STOCK & FINISH

12pt C1S with gloss lamination Clean interior design with a clever approach to infographics.

Debra Morton Hoyt

2017 New York Book Show • 199

nybs17_2p_text_r5.indd 199

8/30/17 8:08 PM

FIRST Elementary Book Series

200 • School Publishing

nybs17_2p_text_r5.indd 200

8/30/17 8:08 PM

World of Wonders, Social Emotional Series Various

PUBLISHER/IMPRINT

TYPEFACE

McGraw-Hill Education, School Education Group

MHEelemsans, URWPalladioTOT, EdGothic

PUBLICATION DATE

TEXT STOCK

03/02/16

60# Anthem matte

FORMAT

PREPRESS/COMPOSITION

Paperback

3CD, Chicago

TRIM SIZE

PRINTING/BINDING

13" x 15"

RR Donnelley Reynosa

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Elizabeth Lamanna

Paula Darmofal

TEXT ART DIRECTION

COVER/JACKET DESIGN

Paula Darmofal

Jennifer Rotella and 3CD, Chicago

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Jennifer Rotella and 3CD, Chicago

I learn and Play in School: Luciana Navarro Powell and Aleksandar Georgiev/ iStock/Getty Images I Work and Play with Others: Luciana Navarro Powell and Lynne Gilbert/Moment/Getty Images I Have Feelings: Luciana Navarro Powell and Kativ/E+/Getty Images I Can Do It!: Luciana Navarro Powell and Andrew Rich/E+/Getty Images I Make Good

ILLUSTRATOR/PHOTOGRAPHER

Illustrators: Luciana Navarro Powell, Gareth Llewellin, Rebecca Elliott, Stephanie Dehennin, Jo Byatt, Irisz Agocs, Gynux, Barroux, Alessandra Cimatoribus, Debbie Palen, Emilie Chollat, Viviana Garafoli, Richard Johnson, Joanne Lew Vriethoff, Charlie Eve Ryan, Holly Hatam

Choices: Luciana Navarro Powell and Jeka/ Shutterstock.com I Can Control Myself: Luciana Navarro Powell and JGI/Blend Images/Getty Images I Keep Trying!: Luciana Navarro Powell and Don Mason/ Blend Images_LLC I Have Feelings, Too: Luciana Navarro Powell and KidStock/ Blend Images/Getty Images COVER/JACKET PRINTING

RR Donnelley Reynosa COVER/JACKET STOCK & FINISH

15pt C1S with gloss UV The diversity of illustration styles and type treatments are very successful. Engaging ageappropriate art and photography captures the reader’s heart.

2017 New York Book Show • 201

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8/30/17 8:08 PM

FIRST Middle/High School Book Series

202 • School Publishing

nybs17_2p_text_r5.indd 202

8/30/17 8:08 PM

World History National Geographic Learning

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

National Geographic Learning

Various

Peter Ptschelinzew

PUBLICATION DATE

TYPEFACE

COVER/JACKET PRINTING

10/06/16

Display: Caecilia; Text: Kievit

LSC Communications

FORMAT

TEXT STOCK

COVER/JACKET STOCK & FINISH

Hardcover

45# Somerset matte

Type II, gloss mylar lamination

TRIM SIZE

PREPRESS/COMPOSITION

CASE MATERIALS

8 ¼" x 10 ⅞"

Tighe

88pt binder’s board

PRODUCTION STAFF

PRINTING/BINDING

Amy Northrup

LSC Communications

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Scott Baker

TEXT DESIGN

COVER/JACKET DESIGN

The Thornburn Group

Scott Baker

Nice use of endpapers. Powerful chapter openers with intriguing photography that draws you in. Strong emphasis of visual learning especially with timelines and infographics.

2017 New York Book Show • 203

nybs17_2p_text_r5.indd 203

8/30/17 8:08 PM

MERIT College Book Series

204 • School Publishing

nybs17_2p_text_r5.indd 204

8/30/17 8:08 PM

American Politics Today, Fifth Edition William T. Bianco and David T. Canon

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

W. W. Norton & Company, Inc.

Open, NY

PUBLICATION DATE

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

12/19/16

Andrew Burton/Getty Images

FORMAT

Lyon Display, Lyon Text, Metric, Bureau Grotesque

Paperback

TEXT STOCK

LSC Communications

TRIM SIZE

40# 910ppi Flo matte

COVER/JACKET STOCK & FINISH

8 ½" x 10 ⅞"

PREPRESS/COMPOSITION

12pt C1S with soft touch lamination

PRODUCTION STAFF

Cenveo

CASE MATERIALS

Ashley Horna

PRINTING/BINDING

80# C1S with soft touch lamination

TEXT ART DIRECTION

LSC Communications

Jillian Burr

COVER/JACKET ART DIRECTION

TEXT DESIGN

Debra Morton Hoyt

COVER/JACKET PRINTING

Fresh color palette, vibrant icons, and effective use of monotone chapter opener photographs.

Open, NY

2017 New York Book Show • 205

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8/30/17 8:08 PM

MERIT Ancillary Book Series

206 • School Publishing

nybs17_2p_text_r5.indd 206

8/30/17 8:08 PM

Sadlier Sacrament Program (Student Editions) Various

Believe

Connecting with Others Each of us is connected to other people. At school, for example, we gather with other children to learn, share ideas, and make new friends.

Open Your Heart Places where I meet new people:

■

at school

■

at family gatherings

■

in my neighborhood

What I like about being with others:

How do you feel when you make a new friend? What is the difference between doing things alone and doing things with others?

“Where two or three are gathered together in my name, there am I in the midst of them.” Matthew 18:20

Through the grace of our Baptism we are connected to Jesus and his Church. When we gather with our parish community at Mass, we share and celebrate our love for God. By the power of the Holy Spirit, Jesus is with the Church as we remember him and give praise and thanks to God.

other: Ways new friends help me:

3112-9_SE_21-25_BEL [P];31_View-revoked.indd 22-23

7/26/17 2:34 PM

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

William H. Sadlier, Inc.

Nancy Figueiredo

04/22/16

Set-up photography: Spirit Juice Studios; Stock photography: various sources; Illustrators: various

FORMAT

TYPEFACE

PUBLICATION DATE

Paperback TRIM SIZE

Various PRODUCTION STAFF

Production Director: Cheryl Golding; Production Management: Monica Reece, Laura Reischour; Manufacturing: Carole Uettwiller TEXT ART DIRECTION

Arta Std., Badger, Karnak Pro, Minion Pro, Myriad Pro, Report School, Sassoon Primary, Stone Serif, Informal TEXT STOCK

45# matte PREPRESS/COMPOSITION

Prepress: Jovito Pagkalinawan; Composition: Robin D’Amato, Vinny McDonough, Carol Lin

Creative Director: Vince Gallo; Art/Design Director: Francesca O’Malley

PRINTING/BINDING

TEXT DESIGN

COVER/JACKET ART DIRECTION

Francesca O’Malley, Karen Tully, Nancy Figueiredo

Webcrafters, Inc.

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Nancy Figueiredo Photo Research: Cesar Llacuna, Bob Schatz; Art Buyer: Steve Flanagan COVER/JACKET PRINTING

Webcrafters, Inc. COVER/JACKET STOCK & FINISH

12pt C1S, 4/c Hexachrome inks plus film lamination Sections are clearly defined. Airy, child-friendly design that encourages interaction with the text. Photo and illustration complement each other with a nice use of diversity.

Vince Gallo

2017 New York Book Show • 207

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8/30/17 8:08 PM

FIRST College Cover/Jacket

Chemistry, Fifth Edition Gilbert, Kirss, Foster, Bretz, Davies PUBLISHER/IMPRINT

W. W. Norton & Company, Inc. PUBLICATION DATE

12/16/16 FORMAT

Hardcover TRIM SIZE

8 ½" x 10 ⅞" PRODUCTION STAFF

Eric Pier-Hocking COVER/JACKET ART DIRECTION

Debra Morton Hoyt COVER/JACKET DESIGN

John Hamilton COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Background and helix: Johan Swanepoel/ Shutterstock; Japonilure molecule: John Hamilton; Coral garden with yellow fish: Willyam Bardbury/Shutterstock; Earth: NASA/Langley Research Center (NASALaRC); Round space galaxy (or stars): sololos/Getty Images COVER/JACKET PRINTING

Transcontinental COVER/JACKET STOCK & FINISH

80# C1S with matte film COVER/JACKET EFFECTS

Spot gloss UV Nice use of matte lamination and spot gloss UV. Subtle gradient adds dimension. Clean, contemporary type treatment.

208 • School Publishing

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8/30/17 8:08 PM

SECOND College Cover/Jacket

Calculations in Chemistry: An Introduction, Second Edition Donald J. Dahm & Eric A. Nelson PUBLISHER/IMPRINT

W. W. Norton & Company, Inc. PUBLICATION DATE

11/23/16 FORMAT

Paperback TRIM SIZE

8 ½" x 10 ⅞" PRODUCTION STAFF

Eric Pier-Hocking COVER/JACKET ART DIRECTION

Debra Morton Hoyt COVER/JACKET DESIGN

DeMarinis Design LLC COVER/JACKET PRINTING

Coral Graphics COVER/JACKET STOCK & FINISH

12pt C1S with matte polypropylene COVER/JACKET EFFECTS

Spot gloss UV Clever use of visuals. Subject matter comes across very clearly.

2017 New York Book Show • 209

nybs17_2p_text_r5.indd 209

8/30/17 8:08 PM

FIRST Elementary Cover/Jacket Series

World of Wonders, Social Emotional Series Various PUBLISHER/IMPRINT

McGraw-Hill Education, School Education Group PUBLICATION DATE

03/02/16 FORMAT

Paperback TRIM SIZE

13" x 15" PRODUCTION STAFF

Elizabeth Lamanna COVER/JACKET ART DIRECTION

Paula Darmofal COVER/JACKET DESIGN

Jennifer Rotella and 3CD, Chicago COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

I Learn and Play in School: Luciana Navarro Powell and Aleksandar Georgiev/iStock/Getty Images; I Work and Play with Others: Luciana Navarro Powell and Lynne Gilbert/Moment/Getty Images; I Have Feelings: Luciana Navarro Powell and Kativ/E+/Getty Images; I Can Do It!: Luciana Navarro Powell and Andrew Rich/E+/Getty Images; I Make Good Choices: Luciana Navarro Powell and Jeka/Shutterstock.com; I Can Control Myself: Luciana Navarro Powell and JGI/Blend Images/Getty Images; I Keep Trying!: Luciana Navarro Powell and Don Mason/Blend Images_LLC; I Have Feelings, Too: Luciana Navarro Powell and KidStock/Blend Images/Getty Images COVER/JACKET PRINTING

RR Donnelley Reynosa COVER/JACKET STOCK & FINISH

15pt C1S with gloss UV OTHER COMPONENTS

Saddlewire Age-appropriate photography that’s playful and engaging. The interaction with the illustrations is very successful. 210 • School Publishing

nybs17_2p_text_r5.indd 210

8/30/17 8:08 PM

FIRST Middle/High School Cover/Jacket Series

Pearson enVision math 2.0 Berry, Champagne, Milou, Schielack, Wray, Charles, and Fennell PUBLISHER/IMPRINT

Pearson PUBLICATION DATE

04/15/16

ACCELERATED GRADE 7 A7

PearsonRealize.com

VOL 1

FORMAT

Paperback TRIM SIZE

9" x 10 ⅞"

VOLUME 1

PRODUCTION STAFF

Deanna Babikian COVER/JACKET ART DIRECTION

Neville Cole, Etta Jacobs, Hope Morley COVER/JACKET DESIGN

Pronk Media, Inc. COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Illustration: Brandon Cody; Photography: Fotolia and Shutterstock. COVER/JACKET PRINTING

LSC Communications COMMON CORE EDITION

8 VOL 2

PearsonRealize.com

COMMON CORE EDITION

COVER/JACKET STOCK & FINISH

VOL 2

12pt C1S

PearsonRealize.com

COVER/JACKET EFFECTS VOLUME 2

VOLUME 2

Overall gloss UV CASE MATERIALS

Binding: paperback adhesive Makes math look fun! Realistic illustrations draw you in and are cleverly composed.

2017 New York Book Show • 211

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9/1/17 9:32 AM

MERIT Middle/High School Cover/Jacket Series

Auténtico Boyles, Met, Sayers PUBLISHER/IMPRINT

Pearson PUBLICATION DATE

11/18/16 FORMAT

Hardcover TRIM SIZE

8 ¼" x 10 ⅞" PRODUCTION STAFF

Lori-Anne Cohen and Aptara Composition Team COVER/JACKET ART DIRECTION

Judi Pinkham and Joan Mazzeo COVER/JACKET DESIGN

3CD COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Level A: Rogdy Espinoza Photography/ Getty Images; Level B: Jeremy Woodhouse/ Spaces Images/Corbis; Level 1: Zu Sanchez Photography/Getty Images; Level 2: Fitopardo/ Moment/Getty Images; Level 3: Alamy Stock Photo COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

Gloss polyester CASE MATERIALS

Type II Consistent use showing depth of field through photography in a series. Appropriate color usage for this subject matter.

212 • School Publishing

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8/30/17 8:09 PM

FIRST College Cover/Jacket Series

Give Me Liberty! Fifth Edition Eric Foner PUBLISHER/IMPRINT W. W. Norton & Company, Inc. PUBLICATION DATE 10/05/16 FORMAT Paperback TRIM SIZE Full: 8 ½" x 10 ⅞", Brief: 7 ⅛" x 9 ⅛", Seagull: 6 ⅛" x 9 ¼" PRODUCTION STAFF Sean Mintus COVER/JACKET ART DIRECTION Debra Morton Hoyt COVER/JACKET DESIGN Leah Clark COVER/JACKET ILLUSTRATION/PHOTOGRAPHY One volume: Constitution Cut, 18th C. A late 18th century American printer’s cut reflecting confidence in the Constitution. Granger, NYC. All rights reserved. Volume 1: Advocates of independence pulling down statue of King George III in New York, July 9, 1776, by Franz Xaver Habermann (1721-1796), American War of Independence, United States, 18th century / De Agostini Picture Library / M Seemuller / Bridgeman Images. Author photograph: Flynn Larsen. Volume 2: The March on Washington for Jobs and Freedom. Associated Press. COVER/JACKET PRINTING Transcontinental COVER/JACKET STOCK & FINISH Jacket: 100# C1S with matte lamination; Cover: 12pt C1S with soft touch matte COVER/JACKET EFFECTS Full one volume: spot gloss CASE MATERIALS .080 binder’s board

Consistency across the series is very strong. Solid type treatment and effective use of color.

2017 New York Book Show • 213

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8/30/17 8:09 PM

SECOND College Cover/Jacket Series

The Norton Introduction to Literature, Twelfth Edition Kelly J. Mays PUBLISHER/IMPRINT

W. W. Norton & Company, Inc. PUBLICATION DATE

11/01/16 FORMAT

Paperback TRIM SIZE

6 ⅛" x 9 ¼" (Full and Shorter); 5 ½" x 8 ½" (Portable) PRODUCTION STAFF

Ashley Horna COVER/JACKET ART DIRECTION

Debra Morton Hoyt COVER/JACKET DESIGN

Leah Clark COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

18pt C1S with soft touch lamination CASE MATERIALS

100# C1S with soft touch lamination Soft touch lamination is effective. Vibrant color palette and clever play on typography.

214 • School Publishing

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8/30/17 8:09 PM

FIRST Ancillary Cover/Jacket Series

Principles of Economics, Second Edition Micro: Geerling, Mateer, O’Roark, Sackett; Macro: Geerling, Coppock, O’Roark, Sackett, Tierney, Holder PUBLISHER/IMPRINT

W. W. Norton & Company, Inc. PUBLICATION DATE

12/21/16 FORMAT

Paperback TRIM SIZE

8 ½" x 11" PRODUCTION STAFF

Eric Pier-Hocking COVER/JACKET ART DIRECTION

Debra Morton Hoyt COVER/JACKET DESIGN

Kiss Me I’m Polish COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Kiss Me I’m Polish COVER/JACKET PRINTING

Dunn & Co. COVER/JACKET STOCK & FINISH

Custom binder, soft touch Successful treatment of typography given the amount of copy on the cover. Appropriate use of materials, color, and effects. Graphic has a fun depiction of subject matter.

2017 New York Book Show • 215

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8/30/17 8:09 PM

SECOND Ancillary Cover/Jacket Series

Sadlier Sacrament Program (Student Editions) Various PUBLISHER/IMPRINT

William H. Sadlier, Inc. PUBLICATION DATE

04/22/16 FORMAT

Paperback TRIM SIZE

Various PRODUCTION STAFF

Production: Cheryl Golding, Laura Reischour; Prepress: Jovito Pagkalinawan; Composition: Robin D’Amato; Manufacturing: Carole Uettwiller COVER/JACKET ART DIRECTION

Vince Gallo COVER/JACKET DESIGN

Nancy Figueiredo COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

4/c hexachrome inks COVER/JACKET PRINTING

Webcrafters, Inc. COVER/JACKET STOCK & FINISH

12pt C1S with film lamination A perfect combination of color, design, and subject matter that holds the series together. Symbolism is very clever for the intended audience.

216 • School Publishing

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8/30/17 8:09 PM

THIRD Ancillary Cover/Jacket Series

Everybody Up, Second Edition, Student Book Starter Level: Lynne Robertson; Level 1, 2, 3 and 4: Patrick Jackson and Susan Banman Sileci; Level 5 and 6: Kathleen Kampa and Charles Vilina PUBLISHER/IMPRINT

Oxford University Press PUBLICATION DATE

07/01/16 FORMAT

Paperback TRIM SIZE

8 ½" x 11" PRODUCTION STAFF

Julie Armstrong COVER/JACKET ART DIRECTION

Lisa Donovan COVER/JACKET DESIGN

Yin Ling Wong COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Illustration by Fernando Volken Togni; Photography by Richard Hutchings/ Digital Light Source COVER/JACKET PRINTING

Golde Cup COVER/JACKET STOCK & FINISH

230gsm S/S artboard with gloss lamination Vibrant color. Bright, fun, and cheerful. The merging of the illustrations with the photos work very well together, creating a strong color connection.

2017 New York Book Show • 217

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8/30/17 8:09 PM

MERIT Ancillary Cover/Jacket Series

Voices of Freedom, Fifth Edition Eric Foner PUBLISHER/IMPRINT

W. W. Norton & Company, Inc. PUBLICATION DATE

11/23/16 FORMAT

Paperback TRIM SIZE

5 ½" x 8 ¼" PRODUCTION STAFF

Sean Mintus COVER/JACKET ART DIRECTION

Debra Morton Hoyt COVER/JACKET DESIGN

Leah Clark COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Volume 1: Advocates of independence pulling down statue of King George III in New York, July 9, 1776, by Franz Xaver Habermann (17211796), American War of Independence, United States, 18th century / De Agostini Picture Library / M Seemuller / Bridgeman Images. Author photograph: Flynn Larsen. Volume 2: The March on Washington for Jobs and Freedom. Associate Press COVER/JACKET PRINTING

Maple Press COVER/JACKET STOCK & FINISH

12pt C1S with soft touch matte Good use of two color and how they relate with the images.

218 • School Publishing

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8/30/17 8:09 PM

nybs17_2p_text_r5.indd 219

8/30/17 8:09 PM

nybs17_2p_text_r5.indd 220

8/30/17 8:09 PM

Scholarly/Professional Reference Scholarly Scholarly Illustrated Scholarly Book Series Cover/Jacket

nybs17_2p_text_r5.indd 221

8/30/17 8:09 PM

FIRST Reference

222 • Scholarly/Professional

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8/30/17 8:09 PM

Lean Logic: A Dictionary for the Future and How to Survive It David Fleming

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Chelsea Green Publishing

Various

Conrad Gesner

PUBLICATION DATE

TYPEFACE

COVER/JACKET PRINTING

09/08/16

Palatino Linotype

Edwards Brothers Malloy

FORMAT

TEXT STOCK

COVER/JACKET STOCK & FINISH

Hardcover

55# Enviro 100 Natural

100# Endurance gloss

TRIM SIZE

PREPRESS/COMPOSITION

CASE MATERIALS

9" x 7"

Melissa Jacobson

PRODUCTION STAFF

PRINTING/BINDING

Angela Boyle

Edwards Brothers Malloy

Paper over board; notch hardcover; 0.098 caliper Low Density Boards; 80# Rainbow B Antique Finish endpapers

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Patricia Stone

TEXT DESIGN

COVER/JACKET DESIGN

Melissa Jacobson

Evan Gaffney

Effective combination of preprinted sides and spine material. Beautiful reproduction of interior art.

2017 New York Book Show • 223

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8/30/17 8:09 PM

SECOND Reference

224 • Scholarly/Professional

nybs17_2p_text_r5.indd 224

8/30/17 8:09 PM

The Oxford Companion to Cheese Catherine Donnelly

PUBLISHER/IMPRINT

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Oxford University Press

Brady McNamara

PUBLICATION DATE

TYPEFACE

COVER/JACKET PRINTING

11/22/16

Arno Pro, Myriad Pro Bold SemiExtended

Sheridan

FORMAT

TEXT STOCK

COVER/JACKET STOCK & FINISH

Hardcover

45# Glatfelter B18, Natural

80# C1S, gloss film lamination

TRIM SIZE

PREPRESS/COMPOSITION

CASE MATERIALS

7" x 10"

SPI

PRODUCTION STAFF

PRINTING/BINDING

Rainbow Ivory Antique, Rainbow Black Antique

Brad Rosenkrantz

Sheridan

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Brady McNamara

Handsome case and well-printed endpapers. Nice use of cheese wheel graphic on title page and chapter openers.

COVER/JACKET DESIGN

Brady McNamara

2017 New York Book Show • 225

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8/30/17 8:09 PM

FIRST Scholarly

oethe Essential

Goethe

Edited by M A T T H E W B E L L

226 • Scholarly/Professional

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The Essential Goethe Johann Wolfgang von Goethe, Edited by Matthew Bell

The Essential

Goethe Joh a n n Wol fg a ng von G oe t h e

Edited and Introduced by

M AT T HE W BEL L

Pr i nc e t on U n i v e r s i t y Pr e s s Princeton & Oxford

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Princeton University Press 01/12/16

Frontispiece: 1791 engraving of Johann Wolfgang von Goethe, by Johann Heinrich Lips

Jacket art: 1791 engraving of Johann Wolfgang von Goethe, by Johann Heinrich Lips

FORMAT

TYPEFACE

COVER/JACKET PRINTING

Hardcover

Gulden Draak and Adobe Garamond Pro

John P. Pow Company, Inc.

TRIM SIZE

TEXT STOCK

COVER/JACKET STOCK & FINISH

6 ⅛" x 9 ¼"

45# 640ppi Glat offset B18

80# C1S, scuff-free matte lamination

PRODUCTION STAFF

PREPRESS/COMPOSITION

CASE MATERIALS

Terri O’Prey, production editor; Betsy Litz, production coordinator

Book Comp, Inc. PRINTING/BINDING

Arrestox B black cloth with gold foil spine stamp

TEXT ART DIRECTION

Maple Press

Chris Ferrante

COVER/JACKET ART DIRECTION

TEXT DESIGN

Maria Lindenfeldar

Chris Ferrante

COVER/JACKET DESIGN

PUBLICATION DATE

Chris Ferrante

Clever use of jacket layout, playful use of “the” and scale. Beautiful cloth case. Balance of classic and modern. Quality and bulk of paper appropriate to page count. Restrained interior design. Our unanimous first choice!

2017 New York Book Show • 227

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SECOND Scholarly

228 • Scholarly/Professional

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The Great East Asian War and the Birth of the Korean Nation JaHyun Kim Haboush

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET PRINTING

Columbia University Press

10.8/15 Requiem with News Gothic

Edwards Brothers Malloy

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

03/08/16

50# Recycled Natural Stock

80# C1S

FORMAT

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

Hardcover

Newgen

Matte lamination

TRIM SIZE

PRINTING/BINDING

CASE MATERIALS

6" x 9"

Edwards Brothers Malloy

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Multicolor 80#, mahogany, burnished leather finish, white stamping

Jennifer Jerome

Julia Kushnirsky

TEXT ART DIRECTION

COVER/JACKET DESIGN

Julia Kushnirsky

Chang Jae Lee

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Chang Jae Lee

Byun Bak, Battle of Tonnae (Tongnaebu Sunjeoldo), 1760, Museum of the Korean Military Academy

Consistent design carried through from cover to title pages to chapter openings to index. Handsome cover materials and stamping. Show-through pages are an effective and attractive design element.

2017 New York Book Show • 229

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THIRD Scholarly

230 • Scholarly/Professional

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Little Magazine, World Form Eric Bulson

No. 3

in italia, all’estero the transmission was also happening in reverse with foreign influences, ideas, and writers coming back in. For that reason, “in Italia” was paradoxically a way for some little magazines to acknowledge that they were bene-

in italia, all’estero

fiting from “un apertura,” or an opening, that made it impossible to close Italy off from within.

Di più nei giovani scrittori venuti su con la “Voce” e con la “Ronda” c’era pure una bramosia di ritrovarsi di comunicarsi proposte e speranze tenendo l’occhio all’estero ma cercando proprio e oneste cammini. What’s more among the young writers who grew up with la “Voce” and with la “Ronda” there was also a longing to find oneself communicating ideas and hopes keeping an eye abroad but also searching for the right and honest path.

▸ Carlo Linati, “Di un ritrovo della intelligenza e di una rivista letteraria”

In the years immediately preceding World War I, there was enough sympathy among European nations to encourage dreams of a shared literary culture that could be effectively mediated by little magazines. All of that changed, however, once the war erupted, and by 1918, when a tentative peace was finally achieved, there was a sense that Italy had lost its way, its path to modernity blocked by years of senseless destruction. In 1919, Vincenzo Cardarelli founded La ronda in Rome precisely to jumpstart the process of a “ritorno all’ordine” (return to order), and in the opening editorial, he gave readers a pretty bleak diagnosis of the situation: “Ritardata la nostra modernità di più di un mezzo secolo a causa di avvenimenti storici che non é il caso di discutere e rifatta l’Italia grettamente nazionalistica e provinciale nelle arti, la nostra letteratura intraducibile è poco valida ad attestare della nostra universalità tra le nazioni contemporanee, forse è giusto per noi il momento di uscire e di farci intendere in questo contagioso crepuscolo della civiltà moderna europea” (Having delayed our modernity by more than half a century because of historic events not worth discussing further and having remade an Italy narrowly nationalistic and provincial in the arts, our untranslatable literature is of little use

IN ITALIA, ALL’ESTERO:

in Italy, and abroad. This phrase is familiar enough to anyone who has had to navigate the Italian postal system, and it was one originally intended to distinguish between destinations for foreign and domestic mail. Little magazine editors at the beginning of the twentieth

to prove our universality between contemporary nations, perhaps it’s the right moment for us to leave and make ourselves understood in this contagious twilight of modern European civilization).1 As Cardarelli and his more liberal-minded compatriots believed, the hypernationalization that began with unification and reached fever pitch during the war brought with it an increased provincialization and isolation of Italy’s culture. Any hope in the future for a more meaningful engagement with developments

century were soon attaching this phrase to their subscription notices, and before long “all’estero” was a subtle way for them to advertise international range, taste, and connectivity. More than implying that a par ticular title was simply going to readers abroad, “all’estero” was there to signify that

abroad, then, depended on the production of a modern literature and art that could be translated and exported elsewhere.2 So began what the Milanese critic, writer, and translator Carlo Linati described as a process of keeping “l’occhio all’estero” (an eye abroad). The

115

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET PRINTING

Columbia University Press

DessauPro and MercuryText

Sheridan Books

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

11/29/16

50# 500ppi House Natural

100 # C1S, matte lamination

FORMAT

PREPRESS/COMPOSITION

CASE MATERIALS

Hardcover

Westchester Book Group

TRIM SIZE

PRINTING/BINDING

6 ⅛" x 9 ¼"

Sheridan Books

Rainbow Eclipse Handspun; GRL Lustrofoil #48 metallic red Headbands: red

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Jennifer Jerome

Julia Kushnirsky

TEXT ART DIRECTION

COVER/JACKET DESIGN

Lisa Hamm, Julia Kushnirsky

Rouemy Design

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Lisa Hamm

Rouemy Design

Strong art deco/Bauhaus design. Consistent reproduction of archival materials. Carrythrough of design: red spine stamping picks up jacket design.

2017 New York Book Show • 231

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MERIT Scholarly

232 • Scholarly/Professional

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Of Reality Gianni Vattimo

I N T E RM I S S I O N

of experience conducted by Heidegger in Being and Time is of great value to hermeneutic ontology, that it was a pragmaticist analysis, but certainly not a Berkeleian one. To follow the second Heidegger, the Heidegger of the nihilistic ontology of the event, does not at all abandon the originarily phenomenological awareness of experience as the encounter with the other by itself. The existential analytic, if ever, brings to phenomenology the indispensible opening onto the historical dimension of the encounter. Nietzsche’s maxim “this too is an interpretation” is not tantamount to reestablishing the difference between things in themselves and the cognitive schemata that Husserl already, and later, among others, Davidson, had rightly set aside. That in respect to which interpretation is “only” an interpretation is not the world out there as the fixed totality of the objects independent of my consciousness, but the inheritance of other interpretations in their turn inseparable from what was given to them as object. It is not surprising that Heidegger calls this very handing down of interpretations (inseparable from the facts that they understand) the “history of Being.” Even the appeal to the objectivity of things as they are in themselves matters only insofar as it is a thesis by some person against some other, namely, insofar as it is an interpretation motivated by projects, anticipations, and interests (in the better sense of the word). Reality “itself ” does not speak by itself; it needs a spokesperson—that is, to be precise, motivated interpreters who decide how to represent on a map a territory to which they have had access through more ancient maps. If one abandons the idea of cognitive schemata opposed to the world as a fixed totality of independent objects, it becomes clear that the passivity of the experience of the world is provenance (being thrown, not beginning from zero, by itself, and so on) rather than the receptivity of sense organs that are always “objectively” equal. That reality is (our) history does not turn it into a fable, for if the true world has become a fable, as Nietzsche writes, by that very act the fable (the cognitive schema that ought to reduce everything to itself ) is also negated. From this point, it seems, a hermeneutic recovery of “reality” can begin.

III

THE GIFFORD LECTURES

/ 78

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Columbia University Press

Museo Sans, Minion Pro

PUBLICATION DATE

TEXT STOCK

03/15/16

50# 440ppi Nature’s Natural

COVER/JACKET PRINTING

FORMAT

PREPRESS/COMPOSITION

Phoenix Color

Hardcover

Cenveo Publisher Services

COVER/JACKET STOCK & FINISH

TRIM SIZE

PRINTING/BINDING

80# C1S with matte lamination

6" x 9"

Thomson-Shore

CASE MATERIALS

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Jennifer Jerome

Julia Kushnirsky

Rainbow Midnight Pinstripe, S7 Platinum foil, blue and gold headbands

TEXT ART DIRECTION

COVER/JACKET DESIGN

Lisa Hamm, Julia Kushnirsky

Lisa Hamm

TEXT DESIGN

Unexpected jacket for a scholarly book—looks like a novel. Provocative cover image that ties in with the book’s subject.

Lisa Hamm

2017 New York Book Show • 233

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BEST IN CATEGORY

FIRST Scholarly Illustrated

234 • Scholarly/Professional

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The Voynich Manuscript Raymond Clemens, Editor

PUBLISHER/IMPRINT

TYPEFACE

COVER/JACKET PRINTING

Yale University Press

Adobe Minion Pro family

Asia Pacific Offset

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

11/01/16

128gsm Kinmari Ex Matt

FORMAT

PREPRESS/COMPOSITION

115gsm tracing paper, gloss lamination on underside

Hardcover

Asia Pacific Offset

COVER/JACKET EFFECTS

TRIM SIZE

PRINTING/BINDING

9" x 12"

Asia Pacific Offset

Printed 5/c with a white layer under the images and text

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

CASE MATERIALS

Peter Blaiwas, Wordesign Services

128gsm Gold East glossy, matte lamination

TEXT ART DIRECTION

COVER/JACKET DESIGN

Peter Blaiwas, Wordesign Services

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Peter Blaiwas, Wordesign Services

David D. Driscoll, Beinecke Rare Book & Manuscript Library

Package succinctly conveys editorial intent of giving an intimate view of a medieval manuscript. Respects integrity of original manuscript. Printing is consistent. Effective use of gate folds. Vellum jacket allows preprinted case to show through beautifully.

ILLUSTRATOR/PHOTOGRAPHER

David D. Driscoll, Beinecke Rare Book & Manuscript Library

2017 New York Book Show • 235

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FIRST Scholarly Book Series

236 • Scholarly/Professional

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Russian Library Various

96 \

Notes of a Hunter

We are pilgrims—he’s one far above us all, We are cripples—he’s one far above the rest. Our Kolya-Nikolay owns simply nil, Only crutches. And it snows, it really snows. Weather sucks. The bells clamor on the hill, And to find a place for slumber fly the daws. They fly straight across the river, scalawags, To the town of thieves and beggars for a nap. While we’re lugging on a hand sleigh garbage bags— Three archangels of recycling the old scrap. Ah, the time of dog and wolf I love so much: It’s like kindness mixed with sadness, isn’t it? I will also have a smoke; hold the match! So, we’re schlepping to the tailor, I repeat. Sewing clothing for the shelter of the blind, Our tailor’s sitting there by candlelight. Open up, dear fellow creature, be so kind, Welcome us—exhausted merchants—for the night. We were sitting by the window, feeling fine, Night was turning gray like pants too often washed. I forget now, where we finally got the wine, But remember—we got very soundly sloshed. In the morning, we see: Kolya learned to fly! Crutches—like a pair of wings he bore. He had turned into a falcon, poor old guy. Drank too much. And he simply was no more.

DISCORDS BEYOND THE ITIL

have scooped up, keep on readin, the hooch of human passions, tasted the rot of dreadful, deceitful broads, and the poison almost choked me. The dusk lasted and the darkness continued, and at dawn opened, like a wound, the unquenchable drought for the clean, for the crystal-clear water. I used whatever I had for a belt and stepped, figurelatively speakin, into the deep, squirmin. What is happiness and what is unhappiness, my dear Pozhilykh? Don’t pass, the answer ain’t complicated: Happiness is when it is. But I don’t complain; everythin will get milled over. We’ll finish clinkin with our unsharpened skates, hurtin from oaken clubs, frolickin and dancin, and one day in the mornin we’ll cast off to Bydogozhd. So many toasts will be drunk in our honor, so many tears will be spilled, so many collars will be ripped by our pals from each other’s coats on the ninth day. Earlier, we were seein others off, sailin noisily in sloops, and now others will revel followin us in dories, while we will peacefully lie in the front one with our sole akimbo. Foma Doom himself on the occasion of such an event rekindled his past—grabbed the oars. He is rowin, for sure, but at the same time on the sly searches with his bare foot

PUBLISHER/IMPRINT

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Columbia University Press

Various

Roberto de Vicq de Cumptich

PUBLICATION DATE

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

12/06/16

Ingeborg, MrPalker, Arno Pro

Various

FORMAT

TEXT STOCK

COVER/JACKET PRINTING

Paperback

50# 500ppi House Natural

Sheridan Books

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET STOCK & FINISH

5 ½" x 8 ½"

Cenveo Publisher Services

100# C1S with matte lamination

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

Jennifer Jerome

Sheridan Books

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Rainbow, Handspun, case color and headband colors vary

Lisa Hamm, Julia Kushnirsky

Julia Kushnirsky

TEXT DESIGN

Lisa Hamm

Cohesive look with each title standing out on its own.

2017 New York Book Show • 237

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FIRST Scholarly Cover/Jacket

Muslim Cool Su’ad Abdul Khabeer PUBLISHER/IMPRINT

NYU Press PUBLICATION DATE

12/01/16 FORMAT

Paperback TRIM SIZE

6" x 9" PRODUCTION STAFF

Adam B. Bohannon COVER/JACKET ART DIRECTION

Adam B. Bohannon COVER/JACKET DESIGN

Adam B. Bohannon COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Awol Erizku COVER/JACKET PRINTING

Versa Press COVER/JACKET STOCK & FINISH

12pt matte finish COVER/JACKET EFFECTS

Velvet matte Striking image, beautifully reproduced. Very strong and cohesive design reflects subject matter. Unanimous and immediate first place choice.

238 • Scholarly/Professional

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SECOND Scholarly Cover/Jacket

Mouthfeel Ole G. Mouritsen PUBLISHER/IMPRINT

Columbia University Press PUBLICATION DATE

12/30/16 FORMAT

Hardcover TRIM SIZE

7" x 10" PRODUCTION STAFF

Jennifer Jerome COVER/JACKET ART DIRECTION

Julia Kushnirsky COVER/JACKET DESIGN

Milenda Nan Ok Lee COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

iStock, Shutterstock; additional photos by Jonas Drotner Mouritsen COVER/JACKET PRINTING

Sheridan Books COVER/JACKET STOCK & FINISH

100# Enamel C1S with nylon matte scuff-resistant lamination CASE MATERIALS

Paper-on-board, 4-color printed case cover, .098 binders board Great use of saturated color and texture. Clean and elegant design. Density of black reproduced well.

2017 New York Book Show • 239

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A H isto ry

THIRD Scholarly Cover/Jacket

ISIS: A History Fawaz A. Gerges PUBLISHER/IMPRINT

Princeton University Press PUBLICATION DATE

03/14/17 FORMAT

Hardcover TRIM SIZE

5 ½" x 8 ½" PRODUCTION STAFF

Ellen Foos, Erin Suydam COVER/JACKET ART DIRECTION

Maria Lindenfeldar COVER/JACKET DESIGN

Jason Alejandro COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Typeface: Hammer Bold COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

100# C1S, PGS mylar film with gritty matte UV COVER/JACKET EFFECTS

2/c (PMS 152C and black) CASE MATERIALS

Rainbow black with matte white foil stamp Effective use of typography to convey subject matter.

240 • Scholarly/Professional

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MERIT Scholarly Cover/Jacket

Women as Wartime Rapists Laura Sjoberg PUBLISHER/IMPRINT

NYU Press PUBLICATION DATE

11/01/16 FORMAT

Paperback TRIM SIZE

6" x 9" PRODUCTION STAFF

Adam B. Bohannon COVER/JACKET ART DIRECTION

Adam B. Bohannon COVER/JACKET DESIGN

Adam B. Bohannon COVER/JACKET PRINTING

John Pow COVER/JACKET STOCK & FINISH

12pt C1S with matte finish COVER/JACKET EFFECTS

3D lamination Spot gloss is impressively registered to print. Overlay of type creates effective tension which relays subject matter.

2017 New York Book Show • 241

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Self-Published Covers Adult Fiction Adult Nonfiction Childrenâ&#x20AC;&#x2122;s and Young Adult Fiction

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eve k to tart ures ked

Alice Chang Robert Gilberg

ALICE CHANG

held ded nto

FIRST Adult Fiction

SERVICE PROVIDER/PUBLISHER/IMPRINT

CreateSpace PUBLICATION DATE

08/09/17 FORMAT(S)

Print book and eBook COVER/JACKET DESIGN

Robert Gilberg

ong It’s er

ish. l of ical e of oon s

Robert Gilberg

Robert Gilberg 244 • Self-Published Covers

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8/30/17 8:10 PM

SECOND Adult Fiction

Life Is A Canvas Joy Elan SERVICE PROVIDER/PUBLISHER/IMPRINT

CreateSpace PUBLICATION DATE

01/28/16 FORMAT(S)

Print book and eBook COVER/JACKET DESIGN

Hippy Genius Media

2017 New York Book Show • 245

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MERIT Adult Nonfiction

Awesome ‘Possum, Volume 3 Angela Boyle SERVICE PROVIDER/PUBLISHER/IMPRINT

Lightning Source, IngramSpark PUBLICATION DATE

12/15/16 FORMAT(S)

Print book COVER/JACKET DESIGN

Angela Boyle

246 • Self-Published Covers

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8/30/17 8:10 PM

MERIT Adult Nonfiction

The Little Black Book of Backstage Etiquette Brenda Braxton SERVICE PROVIDER/PUBLISHER/IMPRINT

CreateSpace PUBLICATION DATE

12/10/16 FORMAT(S)

Print book and eBook COVER/JACKET DESIGN

Billy Mitchell/Photo by Gabriel Coppola

2017 New York Book Show • 247

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FIRST Children’s and Young Adult Fiction

Havenwood Eric Slade SERVICE PROVIDER/PUBLISHER/IMPRINT

CreateSpace, KDP PUBLICATION DATE

09/09/16 FORMAT(S)

Print book and eBook COVER/JACKET DESIGN

Andrei Bat, 99designs

248 • Self-Published Covers

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8/30/17 8:10 PM

SECOND Children’s and Young Adult Fiction

Chasing The Checkered Flag Kay Presto SERVICE PROVIDER/PUBLISHER/IMPRINT

CreateSpace PUBLICATION DATE

11/09/16 FORMAT(S)

Print book and eBook COVER/JACKET DESIGN

Kay Presto COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

The photo of the Indianapolis 500 Borg-Warner trophy was provided by the Borg Warner Company.

2017 New York Book Show • 249

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9/1/17 9:32 AM

THIRD Children’s and Young Adult Fiction

The Magnum Opus Christopher & Christine Kezelos SERVICE PROVIDER/PUBLISHER/IMPRINT

Zealous Creative PUBLICATION DATE

12/13/16 FORMAT(S)

Print book and eBook COVER/JACKET DESIGN

Christopher Kezelos

250 • Self-Published Covers

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Judges’ Biographies

AMANDA WEISS is an award-winning book designer at Princeton University Press in Princeton, NJ. She has a strong interest in print design, brand identity, lettering, and custom typography. In her spare time, she pet-sits and tries her best not to kill her plants. Amanda Weiss

AMY HAWLEY has worked in publishing for over fifteen years. She began her career at Oxford University Press as an associate editor in English Language Teaching. Later, she worked as a commissioning editor and then senior managing editor with Cambridge University Press where she specialized in print, digital, Amy Hawley and blended learning materials. In her current position as a project manager with Teachers College, Amy edits academic reports and a website for the Consortium for Policy Research in Education. In addition, she does freelance copyediting and proofreading for HarperCollins on a wide range of topics—from crochet to wine. In her spare time, Amy volunteers her editing skills for educational boating materials for the education department of the United States Power Squadrons.

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ANJALI PALA is a designer at Miko McGinty Inc. in Brooklyn, where she specializes in the design and production of art and illustrated books and works with a variety of museums, galleries, and publishers. Anjali joined the studio in 2010 after stints at the Peggy Guggenheim Collection in Venice, the Metropolitan Anjali Pala Museum of Art, and Houghton Mifflin Harcourt. During her time at the studio, she has designed books for many artists, writers, and curators, including Marcel Dzama, Maira Kalman, and Orhan Pamuk. Her award-winning designs have been honored by TIME Magazine, the New York Book Show, and Bookbuilders of Boston. She loves fiction with botanical subplots and making cyanotypes on her roof.

Anna Oler

ANNA OLER is associate director of production in the trade department of W. W. Norton & Company. She also oversees the production of the Liveright imprint. Recent projects include Neil DeGrasse Tyson’s Astrophysics for People in a Hurry, Mary Roach’s Grunt, Jules Feiffer’s Kill My Mother, and Rick Bayless’s More Mexican Everyday.

8/30/17 8:13 PM

CAROLYN TELESCA has worked in publishing for 13 years. Currently an associate director of production for the Berkley Group, Carolyn has been with Penguin Random House since 2004. While she started out managing inventory for the mass market division, her passion for the printed book found her making the transition Carolyn Telesca to production in 2008 when she took on the role as reprints manager for Berkley Production. Since then, she’s had the opportunity to work on backlist reprints, repackages, and reissues for the Riverhead, Perigee, Putnam, and Dutton divisions, fiction and nonfiction, as well as working on a variety of printed material types including, but not limited to, box set corrugation, posters, and stickers. Carolyn was educated at Hofstra University, earning a BBA with a major in International Business and minor concentration in Business Law.

CHRISTINE DAVIS began her career in publishing over 20 years ago in Boston working for the reprint and business manager at Little, Brown and Company. In 1993 she moved over to the vendor side, working for the component printer Henry N. Sawyer in customer service and then as a sales representative in New York Christine Davis City. She then sold cover materials for ICG/ Holliston, Ecological Fibers, and is presently employed by Neenah Paper as a sales development manager. She is very proud to play even a small role in manufacturing beautiful, interesting, and meaningful books. As a past New York Book Show Co-chair, she was very happy to be selected as a judge this year and had a wonderful time participating.

DREW STEVENS executed his first book design in 1991—“executed” being the operative word there: the results were wretched. But his second book design was pretty good and by the time he did his third, he had hit his stride and knew he found his career. Years later, Drew learned that he hails from a long lineage of Drew Stevens typesetters and graphic designers, going back at least as far as a great-great-great grandfather who taught typography in the

early nineteenth century at a trade school in Berlin. Sometimes your career finds you. Lately, he’s been getting into photography, too. He is currently art director for Feminist Press in NYC, previously at Chanticleer Press and Westminster John Knox Press. He’s found online at studiodrew.nyc.

EDSON ATWOOD loves publishing; at ten years old he started a neighborhood newspaper. With a degree in Journalism, his first jobs were describing test tubes and spectrophotometers for a scientific catalog, then editor of a weekly newspaper. But journalism wasn’t dirty enough, so he managed a print shop, then proEdson Atwood duction for Time Inc. for 20 years. It was a tough job, flying to Miami in February for press OKs for Sports Illustrated’s Swimsuit Issue. He managed production at Reader’s Digest Books, print procurement at American Express, and was production director of Billboard magazine. Edson now manages production for Film Journal International. He is engaged in the Center for Book Arts, the Greater New York Independent Publishers Association, and the Book Industry Guild. And he hand-makes chapbooks.

ELIANE LIU is currently the associate sales director at 1010 Printing Group US, and for over a decade has achieved extensive knowledge of the print manufacturing process and a deep understanding of the industry trends. She holds a B.S. in International Business from Berkeley College and recently received training Eliane Liu in Leadership for High Potential from NYU. Over the years in the business, Eliane has produced a diverse range of book formats and managed key relationships within the industry leading publishing firms. She can truly help any production department achieve the results that publishers are looking for in today’s market. In her journey up the corporate ladder, Eliane also had the opportunity to work as a production manager for Sterling Publishing. This allowed her to broaden her expertise and develop a keen sense of purchasing domestically and internationally, making her an experienced and knowledgeable professional in the publishing world.

254 • Judges’ Biographies

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ELLERY HARVEY is an award-winning book designer, illustrator, and printmaker from Henniker, NH. His works have been shown in numerous exhibitions and publications, including Linework NW and Pathos Literary Magazine. Ellery holds an MA in Book Publishing from Portland State University, and has Ellery Harvey taught book design at Warner Pacific College, the Independent Publishing Resource Center, and Portland State University. From 2009-2014, he was head bookmaker for Scout Books, in Portland, OR, where he produced work for Facebook, Squarespace, TED Talks, Field Notes, The Frank Zappa Foundation, and Tom Waits, among many others. Ellery is currently a designer at Heinemann Publishing, in Portsmouth, NH, where he works on Fountas & Pinnell educational books and products. He resides in Dover, NH, with a cat named Rabbit, and operates Lambhouse MFG Co., a small print studio and bindery dedicated to underground art and literature.

ERIKA SUFFERN is an associate editor at the Modern Language Association, where she edits books in the Approaches to Teaching World Literature series and writes for The MLA Style Center. Her academic background is in early modern art and architectural history. Before joining the MLA staff in 2016, she was assoErika Suffern ciate director of the Renaissance Society of America and managing editor of its journal, Renaissance Quarterly.

ERIN FITZSIMMONS is an associate art director at HarperCollins Children’s Books, where she has worked for the past seven years. At Harper, she art directs and designs books for the picture book, middle grade, and young adult audiences. She graduated from NYU’s Gallatin School with a concentration in photojournalErin Fitzsimmons ism and visual storytelling. She loves merging her passions for imagery, storytelling, typography, and hand-lettering in the vibrant and ever-changing world of children’s books. She lives in Brooklyn with her husband (a fellow book designer) and their three cats.

Giraud Lorber

GIRAUD LORBER started his career in publishing sixteen years ago at Farrar, Straus and Giroux with a typewriter on his desk. Since then he’s watched the production process evolve from handling film flats to digital work flows. Even though these days much of his work at Hachette is in digital production, there are few things more satisfying to Giraud than holding a well-made, beautifully designed book.

HOPE MILLER GOODELL has over 15 years of design and art direction experience. In her current position as associate design director at W. W. Norton & Company, she works on college textbooks and accompanying ebooks on subjects ranging from sociology, history, and literature to biology, economics, and music. Hope Miller Goodell She takes special interest and pleasure in developing infographics and commissioned illustrations for many of her projects. Creating books that invite students to engage, help educators connect, and result in increased understanding keeps her challenged and inspired. Hope is a graduate of The College of Wooster and Parsons School of Design. She resides in Maplewood, NJ with her husband and two young sons. Over the years, she has received several New York Book Show awards and is honored to return this year as a judge.

JUANITA THOMPSON has worked in publishing for over 30 years. She started with Doubleday as a production clerk and has spanned seven different publishing companies and a short stint as a project manager for her own company; you could say publishing is in her blood. She has watched it go from exacto Juanita Thompson knives, film flats, and proportion wheels to content management systems and WCAG 2.0 compliance. She has a B.A. in English from Montclair State University and currently lives in New Jersey. She is the parent of a son who is currently finishing his sophomore year at Juilliard and a stepson who has provided her with the delight of two granddaughters who she has introduced to and shares the love of books with.

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KRISTIAN SANFORD, a managing editor at McGraw-Hill Education, has previously worked in digital production at W.W. Norton & Co., HarperCollins, and Random House. Like any bearded man in his early 30s, he lives in Brooklyn with his wife and their dog. Kristian Sanford

San Francisco designer MADELEINE CORSON has been creating books since opening her studio in 1985. She and her team devote themselves to creating iconic design solutions for wineries, authors, poets, publishers, universities, and museums. A genuine book lover who enjoys reading the dictionary on weekends, Madeleine Corson she has designed for Farrar, Straus and Giroux; Little, Brown and Company; Abrams Books; Chronicle Books; Ten Speed Press; and National Geographic, among others. Her award-winning book for the National Park Service, A Sense of Place, guides the preservation of Yosemite National Park. For the past 12 years, she has published and designed the West Marin Review, a literary and arts publication that captures the voices of emerging writers and artists. Passionate about the written and printed word, Madeleine’s attention to every element—typography, color, and line—results in designs that are visually distinctive and wholly engaging.

MARY G. LAPEGNA has been in the printing industry for over 25 years. Born in Tuscany and raised in New York City, she began her printing career in 1983 as a production manager at Mondadori New York. In 1990 she joined Pizzi Offset New York as senior production coordinator and sales assistant. Her fluency in Mary G. Lapegna Italian and English were a major asset for these companies, and Mary developed her vast experience in high-end quality publications with these printers. In 1998 she moved to the Asian print world and has since been working as a sales executive and production supervisor for prestigious companies such as Toppan Printing Company,

Leo Paper USA, Regent Publishing Services Ltd., and Asia Pacific Offset. Her hobbies include musical and vocal performance, recording and engineering, and traveling to Europe.

MIKE KWAN is an associate production director at Simon & Schuster, currently working primarily with S&S’s Touchstone imprint. His over 15-year publishing career started in S&S’s reprint production group, and he has managed the production and manufacturing of a wide variety of books in many different formats, Mike Kwan ranging from mass market to board books and more. When Mike is not obsessing over the finer details of book manufacturing, he enjoys photography, cycling, and craft beers.

RAY FRANZINO retired earlier this year, having worked in the book manufacturing and publishing industry since 1973. He started his career as a customer service representative at The Haddon Craftsmen, Inc. He then worked for Allied Paper Company as a mill sales representative before working as the Manager of Ray Franzino Manufacturing Materials for Litton Educational Publishing. Ray retired after 35 years as a Corporate Account Manager/ Sales Representative for Courier Corporation, which was acquired by RR Donnelley & Sons in 2015. This is Ray’s third time judging for the New York Book Show.

SEAN MINTUS is a senior production manager at W.W. Norton. He began his publishing career as a designer at Carnegie Mellon University Press before becoming assistant editor. From there he went to the literary journal Third Coast, where he served as fiction editor. Upon moving to New York in 2005, Sean Mintus he spent some time as a sales representative at Maple Press before arriving at Norton’s College Division in 2010. There,

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he handles the bulk of the Norton Anthologies as well as a smattering of history, psychology, economics, and sociology titles. He lives in Brooklyn where he operates an illegal rooftop vegetable farm, enjoys brown liquor, and occasionally grows a beard.

SHUBHANI SARKAR is an innovative and award-winning graphic designer and art director with extensive experience in print and digital media in the corporate, nonprofit, and fine arts sectors. Shubhani is currently the creative director of Sarkar Design Studio—a New York City–based full-service graphic design stuShubhani Sarkar dio offering distinctive corporate identity and branding, book design and publications, packaging, art direction, creative consulting and project management, editorial photoshoots, and digital media strategy, specializing in culinary and lifestyle verticals.

VINCE GALLO is the senior creative director at William H. Sadlier, Inc. He has been on the design end of educational publishing for more than 28 years. This includes having also worked with other distinguished publishers such as Macmillan/McGraw-Hill and SilverBurdett & Ginn. Vince has been the recipient Vince Gallo of numerous design awards in almost all school subject areas. He credits many of these achievements to the support of the incredible design talent he has had the good fortune to work with over the years. “Educational publishing has always been an inspirational journey. I always welcome new design challenges and developing new approaches that visually stimulate the reader into wanting to learn.” Vince lives in northwest New Jersey with his wife and four children. This is his second time serving as a judge for the New York Book Show.

Currently the director of production working with hardcover and paperback novels for Random House Children’s Books, TIMOTHY TERHUNE has been working in book production for 28 years. He started his career at Dover Publications, with tenures at Rizzoli Publications, Golden Books Family EntertainTimothy Terhune ment, and HarperCollins. He moved into children’s books believing that publishing books for young readers is one of the most vital areas of book publishing. Away from the office, he is an obsessive amateur brewer and is desperately trying to learn how to pick a five-string banjo.

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Book Show Corporate Sponsors

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SUPPORTER Donation of $500

MAPLE PRESS

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THANK YOU The Book Show Committee would like to acknowledge and thank the following companies without whose donation of services and materials the 2017 New York Book Show would not be possible:

Provider of catalog cover & interior stock

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Th al

R YO

THE BOOK INDUSTRY GUILD OF NEW YORK (BIGNY)

The 31st Annual NEW YORK BOOK SHOW

ABOUT BIGNY

r Yo

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