Martial Arts Magazine Budo International 436 by Budo International Martial Arts Magazine

In this second instructional work, Chief George E. Lepine, Chief Instructor of Okichitaw Indigenous Combat Arts, introduces us to one of the most prized weapons among warriors, the "Chikuna-Kinas," or Fighting Tomahawk, an instrument that history has placed in our minds as aggressive and ruthless. In the possession of a skilled Indian warrior, the Tomahawk was considered a very convincing weapon in any close combat. In most combative actions, the application of a simple swing and strike with a Tomahawk against an adversary is anything but a simple task to complete without utilizing the guerrilla application of surprise. In Okichitaw, there are several practices and applications of the use of the Tomahawk in battle, not only from an offensive application, but also from a defensive perspective. In this video Chief Lepine explains in detail the basic working concepts with the Tomahawk, training, throwing, the 20 movements, combined handling with knife, defense and attack applications, and counter techniques against attacks with Tomahawk or other weapons. With this work, Okichitaw continues to honour indigenous traditions by training in the use of the fighting Tomahawk which ensures that not only this knowledge remains, but that we continue to move in the same way that our ancestors once did.

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Ref.: • CHURIROMA1

Master Daniel Guijarro presents for the first time and with the blessing of his own, the ancient tradition of knife fencing, the Cachaba and gypsy rod and gypsy fight of the Churi Romá School, from the lineage of the fencing of the Paulos, from the San Juan Montoya family in Ferrol, Galicia. This family fencing, inherited from the work of the "Barateros" and the bandits and whose first records date back to 1425, was kept secret, remaining as an exclusive practice and teaching only within the families themselves. In this first introductory work we show the 3 forms of fighting, or School Fencing: "Cachaba, La Vara" stick - cane, "Esgrima Cuchillo"knife- and "Puño Limpio"- empty hands. The Cachaba and Vara Gitana has always been considered an art of honor and traditional righteousness. It is a direct, fast, very short, forceful and effective fencing, with 15 codified movements. In La Churi, the knife in Romani, the goal is always to seriously injure the opponent, all attacks are direct, cuts or thrusts made to vital points. It is also known in our tradition a system of empty hand defense, a gypsy pugilism, with significant differences with respect to traditional boxing, that you can discover. An ancient art that has remained secret until today, with formulas in which the effectiveness is guaranteed by necessity.

All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.

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“Do or do not. There is no try.” Yoda

“Without followers, evil cannot spread.” Spock

“Fear is the way to the dark side. Fear leads to anger. Anger leads to hatred. Hatred leads to suffering.” Yoda “I often forget that other people have limitations. It's so sad.” Sheldon Cooper

n my youth, cinema was the greatest exponent of moder n culture. It gathered in itself all the possibilities of the opera, which in the 19th century was the maximum expression of culture, since it had been able to bring together music, painting, theater and poetry in a single event. Art is, among other things, the expression of each epoch collective unconscious. If Verdi could inspire an inflamed patriotic sentiment and the unification of Italy through his “Va pensiero”, the unforgettable Nabucco’s chorus of slaves, the movies changed our way of seeing and understanding the world, turning into the object of desire of the established powers as a propaganda vehicle, and in the best formulation thereof, to describe the soul of each generation. The American way of life sold itself through cinema much better than with any other campaign, elevating its protagonists to global myths and establishing new paradigms and modelsto follow. But who wants to explore further, perceives in the messages of each successful film, a real hit when connecting with that collective unconscious, a marksmanship able to grant some films their acclaim as a runaway success, beyond their own cinematographic virtues, and even the budget in them invested. A glowing example of that was the film Star Wars and the phrases of Yoda, the little sage and a true Martial Arts Sensei, giving the warriors a philosophical context that broke through barriers... "May the force be with you!"

“Our species can only survive if we have obstacles to overcome. You remove those obstacles. Without them to strengthen us, we will weaken and die.” Captain Kirk “It is possible to commit no mistakes and still lose. That is not a weakness. That is life.” Jean-Luc Picard

And what about the Matrix and its impact on collective consciousness putting us all before the idea that reality was just a quantum description and that beyond forms there was a much more real world in which we had to learn to live. He put us all in a quandary: Red pill or blue pill? Harry Potter reopened the world of magic in the eyes of a generation. Deep down, the continuity of those films sagas during those years came to anticipate a new era, that of the series. Their messages, it became increasingly evident, needed more space to accommodate a Universe of signals that required a much larger footage. Like the old installment novels of XIX century, the series were winning, first through TV and then with the internet and platforms, an everincreasing power as a transmitter formula. Not all that shines is gold, of course, but the truth is that with the imminent fall of the American empire and the arrival of cultural multilateralism, we are accessing productions and contents of the most varied origins. This alone would be enough as a sign of the times we live in. Korean series that we would never have seen, Chinese movies that would never have found a cinema to screen, Turkish soap operas that break audiences, or low-cost series that suddenly and unexpectedly begin to have commercial success, for an industry increasingly puzzled with the route events are taking. Platforms today are the big monster that dominates the field on a global level, and with the pandemic they seem to have come to finish off cinema the way we knew it.

“Next time you see a series, ask yourself: What is the message implicit in this proposal? It's convenient to watch it with these counting eyes, because the talent of the best creators of our time has been poured into those series, and they are undoubtedly the reflection, the emerging collective unconscious of the current humanity.”

Whatever the medium, what is really important to me is the advent of the hidden messages within each series. Those closest to me know my fondness for sciencefiction. Once created the Universe that supports its contents as context, the possibilities are extraordinary, as in the case of Star Trek, where the most varied human or philosophical topics find a perfect place to be exposed, as if it were a modern fable by Aesop. Star Trek and its many sagas and episodes anticipated thousands of things. And not just in the world of ideas! Their communicators were the first mobile phones before they even existed, advancing even in the case of aesthetics, forms, modes and environments that today have been imposed. There are several themes that aren't my cup of tea and that I try to avoid; however, given their success, they make me reflect on the hidden message they carry. Series like “Z Nation” or “The Walking Dead”, among others, talk about the undead, a virus, and the apocalyptic idea of a culture devastated by these circumstances. I believe that as a metaphor for the current situation, they could not have chosen a better formula. With or without a virus, the truth is that the shattered contemporary culture of the West shows that a large majority of its inhabitants seem to be "anesthetized" before the brutal force of the changes that are marking this end of the cycle, and what rather than living, they seem to wander the earth in a state of deep unconsciousness. Vampire series also live in these times an extraordinary resurgence, resuming a genre that seemed exhausted at the end of the last century. Not at all! Like the ashes of a slain vampire, they have been restored to full strength. There's something in the whole idea of living off the blood of others, which seems to be highly topical and trendy! Blood as property and vital attribute, metaphor of the essential force that animates all life. We are in a world where behind every corner there is a vampire trying to draw your blood, your time, your attention, your property or your strength, people who want to live better by sucking the effort of others. Marvel heroes and other pantheons who fed our childhood with their comics have now found new life on the screen. An implicit desire for references to the idea of the hero, whose appearance is always so necessary in troubled times of profound transformations of cultures, or when great religions seem to lose their luster for new generations, especially in first world countries. Heroes are hope, heroes are a call to bring out the best in ourselves, to grow to the impossible! Autism as a symbol of an isolated individual who, no matter how much he possesses extraordinary abilities

(The Good Doctor, Big Bang Theory, Young Sheldon), is unable to relate to others empathetically, places us before that new paradigm of structural selfishness that seems to have taken root in thought, forms and action of the new generations. The Dutch series "Toon" tells us about the perplexity, the doubt and the discouraging atmosphere of a lost youth and without solid references. There have been quite a few series that connect with a Universe of pre-Christian cultures, showing in them, and sometimes with great wisdom, the strength of the shamans of yesteryear and the cultures rooted in the primitive relationship of man with mystery. The occult and spiritual, as well as with the essential forces of nature. "Game of Thrones", "Vikings", the magnificent "Britannia" or "Rome", just to mention a few, have treated with a new look the ancient cultures, thus accompanying the powerful resurgence that the most ancient forms of spirituality are experiencing today. Next time you see a series ask yourself: What is the message implicit in this proposal? It is convenient to see the series with these counting eyes, because the talent of the best creators of our time is being poured into them, and they are undoubtedly the reflection, the emerging collective unconscious of humanity today. A confused and troubled unconscious, typical of an era full of apocalyptic signs, traumas and transformations, which signal the advent of a new paradigm. A world in which many things will undoubtedly be lost, others will be rediscovered, and only the least will be a real novelty. History moves in cycles, and what is new is usually rather a refreshing blend of the old. Next time you see a series, ask yourself: What is the message implicit in this proposal? It's convenient to watch it with these counting eyes, because the talent of the best creators of our time has been poured into those series, and they are undoubtedly the reflection, the emerging collective unconscious of the current humanity. A confused and troubled unconscious, typical of an era full of apocalyptic signs, traumas and transformations, which signal the advent of a new paradigm. A world in which many things will irremediably be lost, others will be rediscovered, and only a very few will be a real novelty. History moves in cycles, and what is new is usually rather a refreshing blend of the old. Artists are the visionaries of humanity because they have their antennae spread to the subtle world in a much more open way than the rest. When we others respond to their works with our acquiescence, we give a seal of approval and thoroughly accept their successes, and with every target that they hit, we can, if we know how to look, discover the messages implicit in the hidden paths of the future that they have glimpsed.

“Artists are the visionaries of humanity because they have their antennae spread to the subtle world in a much more open way than the rest.”

American Indigenous Combat Arts Indigenous Tomahawk Fighting Chief George Lepine, Okichitaw Indigenous Combat Arts Most of what I have learned and acquired throughout my years of training in the Indigenous Combat Art of Okichitaw was always been learned through the application of what we call “Oral Tradition” which literally means that information and knowledge is only shared through discussion, stories as well as by example. This has always been the way for many indigenous nations when it came to teaching our historical knowledge and experience. This was no different for our versions of martial arts and warfare. Unlike the modern methods known for effectively documenting their tradecraft of Martial Arts, Okichitaw has always been taught thr ough the fashion of showing and explaining it as we did many years ago. As we move forward and the years continue to pass, the practice of teaching Okichitaw through verbal practice has shown us that we as knowledge keepers and martial artists must also formally document the various tactics and applications of Okichitaw. This is to ensure that the martial art remains current and that our history through the true reflection of our indigenous culture and traditions will never come close to being lost ever again. Having said this, I thought that it would be quite appr opriate to shar e some documented information, tactics as well as Okichitaw’s knowledge with respect to our concept of combat in using what we call the “Chikuna-Kinas” or known in English simply as the Fighting Tomahawk.

On the photo: Inside A Block

American Indigenous Combat Arts No doubt the history of the tomahawk reflected throughout history, in stories, literature as well as seen depicted in modern film has firmly placed the tomahawk in our minds as an aggressive and ruthless combat implement. As indigenous people, we used our tomahawks not only as a general-purpose implement, but we also acquired deadly fighting skills in the effective use of it and proved ourselves to be feared in the application of close quarter combat. In the possession of a skilled indigenous warrior, the tomahawk was seen as a very compelling weapon in any close-quarter combat engagement. We all know that an unblocked swing and subsequent blow from a tomahawk is known to be a decisive finisher of any enemy. However in most combative actions, the application of a simple swing and strike using a tomahawk against an adversar y is anything but a simple task to complete without using the guerilla application of surprise. In Okichitaw, there are various practices and applications of using the tomahawk in battle, not only from an offensive application, but also from a defensive perspective. We will elaborate on these elements within this article, but first let’s provide you with an overview of the combat tomahawk. So much focus nowadays is on the blade of the tomahawk and rarely on the handle of the same weapon. Although blade design and metal makeup is important in any tomahawk’s design, the length and the material composition of the handle of the tomahawk is just as important to make it a truly effective battle instrument. Our early tomahawks were specifically designed with longer shafts due to the fact that we used the handle of the tomahawk for defensive, redirecting and trapping applications within closequarter combat. On the photo: Roof Block

Early Plains Tomahawk Examples (Circa 1800s)

Plains Indigenous Pipe Tomahawk

Plains Indigenous Hammer Tomahawk

Like the importance of footwork, positioning and body mechanics, the components of the tomahawk are just as important to understand. Each one of these areas of the instrument are used for different applications in combat whether it is swinging the weapon, blocking with it, trapping an enemy’s weapon or simply conducting a combat throw. In Okichitaw, all of these components are effectively understood and their uses taught.

American Indigenous Combat Arts Components of the Tomahawk

Hammer, Spike or Bowl (Pipe Eye

Handle or Shaft

Butt or Pommel

Leading Edge Face or Paddle

Following Edge Edge, Bite, Bit, Cut or Blade

American Combat Arts There are challenging and complicated techniques in Okichitaw when using the tomahawk in combat however in this article we’ll provide you with general training and technical information that will assist you in gaining a practical combat understanding in the use of the combat tomahawk from an indigenous perspective.

Tomahawk Choice Tomahawks nowadays come in various shapes, sizes, styles and weights. When using a tomahawk, just be sure that you never use a tomahawk that ever outmatches your own personal strength. Start slowly and safely to be absolutely sure that you can control the tomahawk. As well, in Okichitaw, we strongly suggest that you consider a tomahawk handle length that is as long as your own forearm when measured from your elbow to your finger-tips. This length is usually between 48 to 60 centimetres (19 to 24 inches) which will ensure that you can effectively deliver not only any offensive applications, but also be able to properly conduct techniques in a defensive safe distance format, which is very important in tomahawk combat. Generally speaking, you want to use a tomahawk that has a weight that you can handle and ensure that the shaft of it is never too short. Never consider your primary combat tomahawk to be situated with a short handle. It will definitely affect your defensive capabilities and limit your effective reach. Another good rule to follow is that the delivery of tomahawk techniques are much easier with a lighter tomahawk then that of a heavy one. So choose wisely and find a tomahawk that best suits your defensive as well as offensive battle applications.

Indigenous Combat Arts The Okichitaw Tomahawk in Combat One of the reasons we used tomahawks was not only because of its bush-craft applications or its impact power, but also because it has the excellent advantage of reach to and from your adversary. In any close quarter battle situation, the tomahawk always provides exceptional reach and flexibility in the delivery of any technique. But to do any technique efficiently is actually based on the length and composition of the tomahawk’s handle. This is a primary design and weapon consideration in Okichitaw tomahawk fighting. Okichitaw’s approach is simple, “the long tomahawk handle ensures your reach and helps to deliver the maximum amount of force”. As far as the blade or head-size of the tomahawk, Okichitaw has found that any large size tomahawk head really slows down the delivery of any technique. Again the simple rule to this is always use a tomahawk (weight) you can handle. Although heavy tomahawk blades are found to be very powerful upon impact, an incredible amount of wind-up is required to be able to effectively deliver it. As well, remember that once a heavy tomahawk head is wielded, it is just as hard to slow it down or stop it – thus, the lack of effective combat control exists with a heavy tomahawk blade and you will leave yourself incredibly vulnerable. In Okichitaw Indigenous Combat, historically and over the years we have found that not only does the tomahawk design needs to be balanced between the head size as well as the handle length, but also the ground in which we see ourselves fighting with it. This is important to ensure that the weapon accommodates our fighting style as well as the environment where an engagement may occur. Be sure you consider all these elements as well, when you make the decision to get your own combat tomahawk.

Weapon Grip and Hand Position In Okichitaw, we suggest that you hold the tomahawk with a hammer grip, closest to the end of the weapon’s handle with about 3 to 5 centimeters (1 to 2 inches) above the end (butt). This strong hand position accommodates the ability to use as much handle as possible for any defensive applications, choking up on the shaft, crushing with the butt, adding the second hand as well as accommodates the proper hand placement for throwing the weapon.

On the photo: Reverse Roof Block

American Indigenous Combat Arts

Okichitaw Combat Tomahawk Trap and Counter Movements / Steps

American Indigenous Combat Arts Footwork with a Tomahawk In Okichitaw we use two types of stances when fighting with a tomahawk. These are simply strong side forward and strong side back. Whenever a technique is applied in Okichitaw tomahawk fighting, it should be noted that the delivery of our tactics usually originate from the strong side back position. However, the actual combat technique is always done strong side forward. This is as a direct result of momentum, weight and body mechanics in the delivery of a technique against an adversary whether it is an offensive action or a defensive one. Strong Side Forward Position: Allows you to intercept the adversary’s weapon sooner using your maximum reach. The rule in Okichitaw is, allow your enemy to hit metal or wood, not your flesh or bone. Strong Side Back Position: Allows you to burst forward into a technique, you can generate maximum force with all your weight and momentum, good position for deception or surprise attacks and the force generating position in delivering the one shot finishing strike.

Tomahawk Blocking, Trapping or Redirecting Okichitaw uses various blocks to either stop, recoil, trap, deflect or redirect an attacker’s weapon using the tomahawk. These blocking techniques will originate from the defender’s weak side (then across their body) to ensure that they focus on the adversary’s strong side. For example, if the attacker is holding their weapon in their right hand, the Okichitaw fighter will automatically focus on directing their technique to their left and across their body using their right hand which is holding the tomahawk. This is also conducted with the right foot forward to ensure that the Okichitaw defender can effectively challenge and redirect the enemy weapon’s impact, if required. Interception is the key in tomahawk fighting. The goal is to intercept as soon as possible to effectively challenge the attack and then execute an effective counter trap, block, or blow while always being able to deliver a follow-up impact strike, chop or cut. On the photo: Strong side forward position

On the photo: Inside A Block

Tomahawk Chopping, Hooking, Crushing, Raking In Okichitaw, we employ various tomahawk fighting applications that utilize an assortment of impact and cutting attributes unique to the tomahawk. The capabilities of this weapon are significant and as such, why we employed it use for over 14,000 years on the indigenous plains. Historically our tomahawk applications were employed to ensure the effective termination of any threat and to assist a warrior to be able to move on and engage any other additional adversary on the battlefield. The modern day version of this combat principle still lies with Okichitaw in the delivery of our combat methods to this very day. Here are a collection of fighting tomahawk delivery tactics taught through Okichitaw Indigenous Combat Arts which assist in creating opportunities for counterattacks (the first word noted is in Plains-Cree, indigenous language);

Kwaskwepitam / Hook: The hook is used to catch an opponent’s arm, wrist, leg or weapon. Once you have hooked the threat, you follow through by either forcefully pulling or pushing the trapped item. This is usually done with the inside of the leading edge of the tomahawk.

Chikaham / Chop: The primary ability of the tomahawk is that it can deliver a powerful and decisive impact damage to an adversary with the edge of the head. The driving chop is the most common strike and devastating action that can be done with the tomahawk.

Tomahawk Leg Take-Out

Matisa / Cut: The tomahawk cut is similar to that of any edged weapon application when applying pressure to the spine of an edged weapon. This is conducted with your thumb on the spine of the tomahawk handle and then extending it forward to ensure that the blade (bit, edge) makes contact with assisted pressure.

Sikwaham / Crush or Smash: The butt end of the tomahawk is used to deliver crushing blows to an assailant's head, shoulders or forearms. This technique is usually delivered when you are within a confined environment or both of you are tied up too close to effectively deliver a swing with your tomahawk. On the photo: Outside A Block

Tahkahta / Stab or Lance: Similar to a punch, lancing with a tomahawk is intended to be delivered very quickly to send severe and direct force into your adversary. As well, pulling the tomahawk back quickly after delivering this technique can also rake the opponent’s weapon or any appendages.

Tatopita / Rip, Reverse Slash or Rake: Two versions of this are applied as a result where you actually hold the tomahawk. The long rake is when you hold the tomahawk at full-handle (maximum length) and the short rake is when you hold the handle just under the tomahawk’s head. The rake action is done by pulling or pushing the tomahawk aggressively which in turn inflicts damage from either the leading edge or the following edge, based on the direction of travel.

“In Okichitaw, there are various practices and applications of using the tomahawk in battle, not only from an offensive application, but also from a defensive perspective.”

In Closing The “Chikuna-Kinas” (Tomahawk) has held a unique presence within indigenous history. For Okichitaw and our ancestors, the tomahawk always proved to be an effective battle-demonstrated implement throughout our history. Okichitaw continues to honour indigenous traditions by training in the use of the fighting tomahawk which ensures that not only this knowledge remains, but that we continue to move in the same way that our ancestors once did. In Unity, Chief George J. Lepine, Okimakahn Kiskinahumakew Okichitaw Indigenous Combat Arts On THe Photo: Medicine Wheel Teaching

“As indigenous people, we used our tomahawks not only as a general-purpose implement, but we also acquired deadly fighting skills in the effective use of it and proved ourselves to be feared in the application of close quarter combat.”

Thel ar ges tMar t i alAr t s Medi ai nt hePl anet

Nowal s oavai l abl e mont hl yi n Rus s i anl anguage! www. budoi nt er nat i onal . c om

Blocks & Counters

“Shooting the Breeze” with CombatFMA: How important are blocking techniques against oncoming strikes? In my opinion, blocking techniques are crucial in one’s self-defense repertoire. Of course, direct striking is the best option when you have that open window of opportunity. However, what if the aggressor is striking at you first or worse, countering your strike? There are multiple blocks you can utilize to negate an attack, but you must be able to r eact as well as deter mine the angles of an oncoming strike/s. Like all techniques, you must practice with great diligence to be able to pull it off during practice, sparring sessions and ultimately, if need be, in a real, violent situation. I have witnessed individuals, males and females alike facing off with one another during an aggressive confrontation. They come face to face, chest to chest, hands and arms waving around (sometimes not) and, of course, the onslaught of verbal threats along with the nasty innuendos. As tensions flare, out of nowhere a strike is delivered (usually to the face) and the receiver ends up knocked out cold along with some type of injur y. This can unexpectedly happen to you if you are not prepared. The scary part is that the aggressor may not stop at their first strike and may continue to beat on you until you are unconscious causing serious bodily injury.

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1A hen practicing hand to hand or weapon to weapon combat, blocks are an effective tool to possess within your skillset and can give you a major advantage against an assailant/s especially combined with an immediate counter strike of your own. A basic understanding of blocking is essential combined with good footwork, timing, and distancing. Let us take for example American football. The quarterback hands the ball off to his running back, who then must try to make his way to the opponent’s goal line. While attempting to score, he must face a barrage of eleven well trained athletes from the opposing team trying to stop him by means of tackling him down to the ground to keep him from scoring. The

running back on the other hand, has ten of his own teammates protecting him from being tackled by using their bodies to obstruct or block the opponent’s path to disrupt the tackle so that their running back can gain yardage and ultimately score a touchdown. Let us take another example but make it a bit more extreme. How about a gun fight? Let’s face it, no one wants to come face to face with the barrel of any firearm. So, what is the best way to evade a bullet? Run a zig zag pattern and hope for the best, or should you take cover or concealment? So, let us talk about the difference between cover and concealment? Both are highly effective depending on how they are used. Hiding behind a concrete wall or a vehicle, any place a bullet cannot penetrate and go through and

1C hit you is considered cover. On the other hand, concealment such as hiding behind a bush is also effective because you can maintain sight of your opponent to ambush them. You must keep in mind though that a bush cannot stop a bullet from penetrating and hitting you. Now that we understand the basic concept of blocking, let us use the blocking methods of both weaponry and empty hand combat.

Blocks & Counters

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1AA

Blocks & Counters Solo Blocking Exercise: 1A – Roof Block or Sumbrada. 1B – Pluma Block or Pen Block. 1C – Abierto Tala Bartikal or Outside Vertical Block (Lameco). 1D – Low Cruzada (Ilustrisimo). 1E – Fraile Block (Ilustrisimo).

1BB

1CC

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Blocks & Counters Partners Blocking Excercise: 1AA – Roof Block versus Lameco #1 angle (forehand strike). 1BB – Pluma with elastico versus Lameco #4 angle (backhand strike). 1CC – Abierto Tala Bartikal versus Lameco #7 angle (horizontal backhand strike).

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As you can see, the common denominator in all types of blocking is “protection,” protecting yourself from harm or injury. 2A – Vel is confronted by Reeck and prepares to defend herself. 2B – Vel creates distance by using footwork with an Elastico (a leaning back method to evade a strike). 2C – Reeck attemps to sweep Vel with a low kick, but Vel reacts to his attack by lifting Her leg up. 2D – Vel checks Reeck’s kick with her shin blocking his intended strike. 3A – Ariel sees Reeck brandishing a knife as his awareness heightens. 3B – Reeck postures to attack and Ariel is ready to react (long range). 3C – Reeck takes an aggressive forward step while using his left hand to distract Ariel.

Blocks & Counters 3E

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3D – Ariel side steps to flank Reeck and uses his left hand which is nearest to Reeck’s knife hand to block his #5 angle of attack aimed at Ariel’s stomach. 3E – Ariel maintains his position at close range and reacts with a counter strike of his own towards Reeck’ face and eye. 3F – Ariel counters with a combination stiff arm along with a thumb jab to Reeck’s eye while controlling his attacker’s weapon arm.

Block and Counter (Lameco Sector #1) 4A – At long range, Ariel and Reeck face off. 4B – Reeck initiates a horizontal strike #6 angle aimed at Ariel’s left side. Ariel reacts with a block called Tala Bartikal (vertical block). Note that Ariel’s left hand is now in play to control the attacker’s weapon hand at middle range. 4C – Ariel continues to control Reeck’s weapon hand using a waslik, a parry and throw method while simultaneously counter striking a sneaky horizontal strike #7 angle to Reeck’s ribs. Note, Ariel clears his right leg from the attacker’s weapon.

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4D – Ariel maintains control of attacker’s weapon hand, forcing Reeck to get off balance. Ariel now steps forward with his right leg with the opponent’s weapon on his forearm. 4E – Ariel continues with his attacker’s flow and delivers a forehand #1 strike to Reeck’s face while sneaking in a disarm.

Hand to Hand Combat 5A – Ariel and Reeck face off at long range. 5B – Reeck tries to close the gap. Ariel reacts to Reeck’s movement by slipping to his left flanking Reeck’s right side.

Blocks & Counters

5E 5F

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Blocks & Counters www.combatfma.com 5C & 5D – As Reeck delivers a right punch, Ariel continues flanking and prepares to Block and counter Reeck’s attack. 5E & 5F – At close range, Ariel counters with an inside vertical punch of his own to Reeck’s jaw line. 6A – Reeck and Vel square off. 6B – Vel aggressively moves into middle range and Reeck reacts. 6C – Vel continues her attack and delivers a thrust #5 angle towards Reeck’s center line. 6D – As she reaches full extension, Reeck uses a low line block redirecting Vel’s strike while flanking her left side.

Jukoshin Ryu. An effective self-defense system. The Jukoshin Ryu style of Jiu Jitsu was designed to be a powerful and definitive tool in hand-to-hand combat. Its precise movements, fast, direct and convincing, are focused on doing away with all the options of our opponent allowing us to fluidly face all kinds of attacks and defending ourselves from one or more adversaries, which makes it one of the most efficient self-defense systems currently existing. Without superfluous movements or frills, Jukoshin Ryu makes numerous tactical options accessible to its practitioners, so that the student will always find those techniques that best adapt to his or her particular condition. That's why Jukoshin Ryu is a system suitable for everyone, regardless of sex or physical condition. What you are going to see in this video is a small sample of the different ways of solving hand-to-hand combat situations when we are attacked with or without weapons, and how to reduce our adversary as quick as possible, so that we are able to immediately continue our combat if necessary. I hope you enjoy it. See you on the mat!

Ref.: • eDSAN1

ORDERS: Budo international.com

The Canarian Stick Fighting, “Lucha del Garrote”, is one of the archipelago's best-known combat traditions, possibly due to its extensive participation in international events. A centuries old Martial Art that has been transmitted from generation to generation, and that has come down to us thanks among other things to the over 40 years research and rescue work carried out by Grand Master and investigator Jorge Domínguez. In its efforts to disseminate this martial and cultural heritage, the Canary Stick Fighting Federation, that is, the "Federación de Lucha del Garrote Canario" (in acronyms, FLGC), presents this second work, in which its President, Grand Master Carlos Barrera, shows part of the official program corresponding to the Third Star (3rd Dan), dedicated to Hooks or “Embuchados”. We will start with the basic hooking, the “Regatón” to our opponent’s “Burra”, the way of training them, as well as some variants and applications, and their cons. We will also see hooks with the tip and some variants, the “Volcadas de Garrote” or "Envolcadas" and their cons, hooking from below, finishing with “Zapatas” or “Trabas” (takedowns), and some hooks from the outside with "Pinzas" and "Majadas" with great effectiveness in combat. We could not resist including some hooks with change of hand since they are our favorites in combat, despite their difficulty.

Ref.: • GARRO-2 All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.

ORDERS: Budo international.com

Sifu David Delannoy presents his second work, focused on Jeet Kune Do and Self-Defense and built like a puzzle. It highlights and puts into practice some very important points in self-defense, such as the three phases of an aggression, body movement and shifting, opening of the visual field, response to an aggression according to law, physical destruction, vital areas, etc. With respect to the doing away of the physical threat, one of the essential principles of the Philippine martial arts is applied: the overriding of the attacking member and the importance of immediate responding to an aggression immediately when they hit us. Our response to aggression is simply proportional and immediate to the attack. Then, we configure the puzzle by adding elements depending on the development of the situation. Sifu Delannoy explains in detail the vital points and essential areas, the pinching, how to protect against a boxer, displacements and visual field, protections and destructions against simple attacks, reactions to strangulations, grips and headbutting, how to use the attacker’s body as a shield, defenses against stick and knife attacks, the use of everyday objects to defend ourselves. In case of aggression, respect for life, lucidity and survival instinct are necessary parameters that make you make good decisions.

Ref.: • DeLJKD-2 All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.

ORDERS: Budo international.com

Interview Today we begin an interview by installments of one of the most constant collaborators of this magazine, someone who in recent years has been demonstrating, not only a solid foundation in terms of knowledge of his tradition, but also and not least, a paramount perseverance, something that usually ends up being a dividing line between those who succeed, and those who do not. A beloved disciple of Shi de Yang, one of Shaolin's greatest, Bruno Tombolato is a very special person. In his columns he never speaks of himself, but of the knowledge received from him; I think that the time has come to know more about someone, who to know him is to love him. At least that's how it has been with me! We have collaborated on different fronts and in the most varied circumstances, and he's always been able to measure up. For this reason, without any embarrassment, I have recommended to those who choose this path, not to fail approaching him. Probably, far from being disappointed, they will find an enthusiastic spirit like few others, a work capacity bordering on the impossible, and a frank disposition to share, in short, whatever it takes for a great master to flourish. Do not let his childlike face fool you, look at the depth of his warm and human gaze, which whenever necessary, turns into that of a tiger. Alfredo Tucci

Interview Budo International: What brought a young and consecrated Argentine chef to devote himself to Martial Arts? Shifu Bruno Tombolato: First of all, thank you very much Alfredo for this interview, being able to participate monthly in this prestigious magazine is really an honor. Well, to describe it somehow, the truth is that it happened gradually, little by little. In China, the term “yuan fen” is often used to refer to what was predestined. First of all, Martial Arts were always part of my life, not only in practice, but also in terms of books, movies, TV series, magazines... I recall that, back in Argentina, I used to buy all of Bruce Lee’s magazines from that time, I had a good collection. As I already mentioned, Martial Arts have always accompanied me, in one way or another, and while the popular thing was soccer, for me it was Kung fu, so you can imagine that I was the freak who did Kung fu. And of course, there was no inter net or the information we have today, and that made it even more exotic. Being a chef was a part of my life that led me to work in several countries and finally to settle in Madrid. Whenever they ask me about my school, I always answer the same thing, I never thought of having a school, I like to practice, be a student, I have a curious nature and I like to be learning new things all the time. My profession was that of chef. Before opening my school, I combined my work as a chef with giving Kung fu classes in a Chinese school on weekends, and it happened that a business group offered me to

Interview

become part of a Chinese culture center and take over Kung fu classes. I had to think long about it, since I would go from having a fixed salary to uncertainty. As we had some savings with my wife, then girlfriend, we decided to take a risk and in the end that was the beginning of a wonderful journey that continues to this day. Budo International: How were your beginnings? What was the input that drew you to the Path of the Warrior? Shifu Bruno Tombolato: I started practicing Kung fu at a very young age in my hometown, in Santa Fe, Argentina. As I said before, Martial Arts were always there. I remember as a child watching Bruce Lee's movies and David Carradine's Kung fu series, and all the Martial Arts and action movies that could be seen at the time, it was the 80s and 90s! I can't remember whether it was me who asked my folks to sign me up for Kung fu, or it was their initiative, all I know is that after signing up, it became part of my life to this day. I remember they first took me to a Karate dojo that was close to my father's studio, but it didn't convince me, so they finally found a Kung fu school and there I felt at home from the start. I cannot think of a life without training in Martial Arts, and the amazing thing is that Martial Arts led me to other paths such as the tea ceremony, traditional Chinese music, Zen and more. When they ask me about the path of Martial Arts, I always answer that it's not a single path, there are millions of paths and ways to travel them, it depends on each one and the things that have influenced him or her during their life. To this day, I can say that I am very satisfied with my path in this world, and I am sure that I have much more to learn and discover. Budo International: Why did you finally choose Shaolin? Shifu Bruno Tombolato: I think we chose each other, I already read about Buddhism when I was 15 years old, I was strongly attracted by

the image of the series "Kung fu", the search for the "I", and I knew that in Shaolin it was all united, I mean Martial Art and personal development. I always considered my personal development as a fundamental part of my life, and in Shaolin, as I said before, Kung fu and personal and spiritual development go hand in hand. The wonderful thing about this is that later you can take Zen into any aspect of your life, as well as the martial attitude, being a righteous person, of your word, transparent; that's what made me follow Shaolin’s path, what made me choose it, or that made it choose me; maybe it’s the yuan fen, and these paths of life are there for us, to fulfill a purpose, a mission. Budo International: The decision to come to Spain? Shifu Bruno Tombolato: Believe it or not, it was a decision I made after my first trip to Europe when I was 19 years old. I always

had that hunch that told me that I had to go outside of Argentina; not because things were bad for me in Argentina, on the contrary, I had to sacrifice many things to take that step: being away from my family, friends, and everything with what I had grown up... But there was something stronger inside me that told me I had to take that step. In the course of deciding completely to go live abroad, what helped me was hearing a lot of people say the typical “what if ……” or “what if I…” For me, that didn't exist, I didn't want to become the person who regrets not having taken the step, no, that was not for me. The good thing about all this is that if I went wrong I could always go back and say "I have tried, but I have not succumbed to fear." This is one of my maxims in life. "I lost the fear of failure the day I fell out of my cradle and got up." Budo International: How was your first meeting with your Master Shi de Yang? Shifu Bruno Tombolato: I met my Shifu (Master) in 2010 while I was visiting the Shaolin Temple with another

Master friend of mine. I remember that we went to Shaolin very early in the morning, we had the temple to ourselves, it was something incredible! It had not yet opened for tourists, and we spent 2 hours visiting the facilities and taking photos. Just as we were leaving, a monk appeared in the distance walking towards us, who were located practically near the exit door. The master who was with me talked to him and introduced us, and at that moment we look at each other like we’ve known each other for a long time. In fact, Master Shi De Yang has commented on it on more than one occasion and if I am not mistaken, his testimony is recorded in a conference we gave in 2012 on the occasion of his first visit. That same day we met, the master invited us to have breakfast and there we talked about Kung fu, etc. At the table, there were more students of Master Shi De Yang who had just finished their morning training. This breakfast was in a bar that was right in front of the door of the Temple, today this bar no longer exists, but I have very good memories of that day and place. On that occasion, Master Shi de Yang invited us to visit his school and, later, to witness a disciple's ceremony and an exhibition, of which I have a video and photos. What's

more, I have the first photo together with the Master in the Shaolin Temple. This meeting was a before and an after in my life, since I met him I knew that I wanted him to be my master and mentor. Budo Inter national: What distinguishes Shi de Yang from other Shaolin Masters? Shifu Bruno Tombolato: It seems like an easy question but it’s not. I have been to China more than 17 times and I have met other Masters and monks, but no one like Master Shi de Yang. Of course, I am not saying that the others are not important, because they all have their Kung fu, personality etc. But what I mean is that Master de Yang is the concept of the Great Master we all have in our consciousness. He personifies both Zen and Kung Fu by bringing the two together as two ingredients in a perfect recipe. He is an upright, transparent person, a man of his word and congruent with what he says and does, and believe me and surely you know, there are few people like that in the world today! When I talk to my students about my Master I tell them that “he is Shaolin”, he is everything that symbolizes the

temple and that makes him unique. He is, as I said before, the perfect harmony between Chan (Zen) and Kung fu, and the fact that he is a consecrated monk means that, as a teacher / mentor, he can pave the way for us with his wisdom. I have been able to share the last 11 years with him, but not only in the field of Kung fu, but also personally: we have traveled together, he has stayed at my house, I have cooked for him, I have met his family (relatives, being a monk he has no children or wife), I have been to the ceremony for his mother’s death, I know all his brothers and we have all been eating together as a big family. For all this, I know what I am talking about, I know the person beyond Kung fu, I know the great Master. It is a living legend of a great time. There are no practitioners like him anymore. Recently in a report, I commented that I am very grateful to be his disciple, because he's trusted me and accepted me beyond the borders of cultures and races, and because he's made me part of his family by inheriting the 32nd generation (Xing). It's a great honor!

I am Gianluca Frisan, National Referent of the Kyusho CSEN and European Reference of the Kyusho Institute, I welcome you to the new Kyusho Breakdown DVD series. First of all, I want to thank my Master Mark Kline, founder of the Kyusho Institute, an international Kyusho organization, for all the teachings that he has given me since 1997 and continues to give me. Much of what we will discuss today is the result of my training with GM Mark Kline. So thanks again! Bunkai means Analysis, and we will analyze in the first DVD of this series, a “basic” movement, the Gedan Barai, also called “lower block", a movement that is found in almost every Kata of every Karate style. We will see the applications of our Kyusho CSEN / Kyusho Institute program, analyzing them through the knowledge of Kyusho, bearing in mind that the objective is not that of sports but personal defense. When a form, a Kata, is purely aesthetic, it has no value for your personal defense. Each movement must have a deep meaning to you, in fact at least 3. The same movement can be done differently, depending on what I am currently visualizing, that is, the actual action that I am experiencing while practicing the form. Only in this way will this Kata be alive and real, thus turning into a superior and useful form of training.

Ref.: • KfRISAN4 All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.

ORDERS: Budo international.com

Avi Nardia begins a new series of works focused on CQB and high-risk situations. Some can be good shooters but bad fighters and it's preferable to develop the fighting spirit, not only teaching how to be good shooters, but also to handle aggressive situations to face reality and violence. To achieve these principles, acting with determination and confidence is essential. This first work explains in detail the regulations on the handling of the weapon, holstering and drawing the gun, ways of grasping the gun, loading, hand changes, changing magazines, one and two-handed work, covering and concealing yourself, shooting with precision while you are on the move, and shifting quickly and safely in conflict areas managing them proactively, not reactively. Avi Nardia Kapap Combatives takes us to the next level in realistic self defense.

Ref.: • kapap-11

ORDERS: Budo international.com

“HERE WE GO AGAIN!” part 2 By Grandmaster John Pellegrini It is NOT the technique that is at fault! It is NOT the technique that is so inadequate that it can be easily or cunningly defeated; it is the practitioner! If I was so bold as to declare a final solution to this debate, I would now state that there are NO counters, escapes or reversal to PROPERLY applied techniques; the weakness is always in the imperfect execution, which provides the opportunity for a possible counter, reverse or escape. Let’s look at an interesting philosophical exercise. A Karate practitioner throws a powerful punch aimed at the opponent solar plexus. The opponent executes a perfect inward middle block and successfully neutralizes the attack. Was that a successful counter? Yes, of course; but it was possible only because the punch was obviously too slow, and therefore “telegraphed”. If the punch had been delivered with perfect speed and energy, it would have hit the target. But wait! Since the inward middle block is also a recognized Karate technique taught to students, why does it sometimes fail to stop the punch? If properly executed it should always stop the punch, and if it did that why would we bother to learn a middle punch that would always be blocked? Or, conversely, if the perfectly executed punch would always hit the target, why would we bother learning the middle block? The answer to this intrinsic paradox is actually very simple, logical and it resolves this apparent contradiction with proven finality.

A. If my middle punch lands, it was not the middle block that failed to stop it. It was the opponent’s slow or inaccurate execution of the block. Consequently, my perfectly executed punching technique could not be countered or evaded. B. If my middle punch is successfully blocked, it was not the punch that failed. It was my slow or inaccurate execution of the punch. Consequently, his perfectly executed blocking technique could not be countered or evaded. At this point in this philosophical exercise, the astute reader will immediately sense nagging, subtle, unresolved issues in the “logic” of the above argument. They manifest as the following questions: • If both the middle punch and the middle block are valid Karate techniques, isn’t then the block the actual “counter” to the punch? • And, hypothetically, if the punch and the block were both executed perfectly and simultaneously by both combatants would the punch land or would the block stop it? Again, with rational analysis, we can answer both questions. When we teach a middle block, we are not teaching a “counter” to a Martial Arts punch, we are teaching a defensive technique to be used when attacked by someone trying to punch our midsection. In the Dojo we practice against other Martial Artists throwing Karate middle punches because that’s who we train with. In the real world, no one will ever punch us using the exact same techniques as our fellow students. Our techniques are taught, and must be understood, in the context of selfdefense and fighting tools, not as clever “counters / reversals” of other Martial Arts techniques.

And to make things even more interesting, let’s ask another very pertinent question: what if the block was not a block at all? What if it was intended as an inward strike to a pressure point on the opponent’s arm? In this case, both strikes are attacks and neither one is a counter. Several Martial Arts, including Combat Hapkido, teach the concept that in certain techniques the attack is the defense, and the defense is the attack; one fluid movement containing both. In other words, there is no difference in the intention or the execution. Only the outcome, the result is what matters. This example should cause us to always be suspicious of easy, fixed classifications and simple labels. There are Yin and Yang elements in most Martial Arts techniques. The second question, presented hypothetically, involves the impossible scenario where two equally skilled fighters perfectly execute two techniques simultaneously; which technique will prevail, the punch or the block? Could the punch both land and be blocked? This contrived paradox can be easily dismissed because it does not take into account the fact that real life involves thousands of variables affecting the outcome. Even in combat sports, where we match fighters by size, gender and age group, all fighting under the same rules, we never end up with two EXACTLY, PERFECTLY matched fighters. Therefore, we don’t need to waste time on useless speculations, ridiculous fantasies and situations that will never happen.

After all these interesting digressions, I must abandon this general foray into the peculiarities of the subject and return to the original reason for the present dissertation as it relates to my Martial Art style. The core, main strength and unique characteristics of Combat Hapkido are its application of an extensive variety of joint-locking techniques. Being a complete Martial Art / Self-Defense System, Combat Hapkido’s arsenal also includes a variety of strikes, kicks, pressure points attacks, ground defenses, disarming of weapons and other important technical material. In our training, we choose to emphasize the use of joint-locks / joint manipulations because, WHEN PROPERLY APPLIED, they are extremely painful and specifically designed to control, and if necessary, disable an attacker. The successful execution of joint-locks is NOT easy, it requires the right combination of accuracy, speed and energy. That’s why some students think that they are “too complicated”, unrealistic or ineffective; and that they could be easily escaped or reversed. Yes, the study of joint-locks is much more demanding than learning how to kick or punch, and their successful application requires a higher degree of technical skill. But the rewards, as with most things in life, are proportioned to the effort invested.

“Being a complete Martial Art / Self-Defense System, Combat Hapkido’s arsenal also includes a variety of strikes, kicks, pressure points attacks, ground defenses, disarming of weapons and other important technical material.”

The joint-locks of Combat Hapkido (and those of other Martial Arts) cannot be reversed, countered or escaped, only their inadequate, imperfect, inaccurate execution by the practitioner will caused them to be defeated. That’s my belief and my final word on the subject. But there is one more point to be made. Ask yourself: If there existed a series of infallible reversals that easily and magically defeated every joint-lock, every time, why would anyone have bothered to teach all those useless jointlocks for the last few hundred years? And why would Instructors want to teach you how to defeat the same techniques they just taught you, therefore proving how ineffective they are? Counters, reversals and escapes emerge only to take advantage of weaknesses in the execution and the imperfections in the application. And those are always the opportunities provided by the practitioner. Not by the technique.

Ref.: • kline4

When most people hear the word Kyusho, or the words Pressure Points, it is one of two things that come to mind ... Self Defense or a healing modality such as Acupuncture or Massage Therapy. In each instance, they are correct. There are some who focus mostly on the self defense aspect and other whose focus is more into the healing. I personally know of several people who trained with me and became so excited about manipulating the Pressure Points for self defense that they enrolled in Acupuncture classes, Massage Classes and Chiropractic Classes. Each area of study requires extensive focus on the mechanics of the body and how the practitioner can "assist" the body into healing itself. This is not an end all be all and each patient must be accountable for their health and lifestyle habits. This video will focus on how we can use the same 5 points for both healing and self defense. This is where knowledge of anatomy, basic principles of motion, and developing a sensitive touch come into play. Pressure Points have multiple uses for both health and self defense and can be a great complement to one another. For each to be effective, the practitioner must develop a quiet, relaxed mind, which can assess each situation to hopefully bring about the result desired.

ORDERS: Budo international.com

Ref.: • TAOWS-5

In this 5th work, Sifu Salvador Sánchez presents a small sample of what is practiced at the TAOWS Academy headquarters. "We have often tried to show some of the innovations in practice and in the teaching method. And of course, we have received praise and criticism alike. For a short time, we think that the best option is to leave only for those who come to our formations and trust us the depth of practice and the details. Most probably we are not aware now of the great advance in the study of the system, but I am very sure that in a few years, many Wing Chun practitioners from different branches will "copy" These ideas to show your students and schools. Those who think about the good of their students will benefit from them without any prerogative in return. Something that many do not understand is that for those who form TAOWS Academy, practice is the most important point of how much we do. It is the passion for Martial Arts that keeps us on track. The video contains the execution and applications of Siu Nin Tao, Chum Kiu Tao, Biu Jee Tao, Muk Yak Chong, Six & Half Point Pole, Bat Jaam Dao forms, and ends with a complete and interesting report on the study tours of the Kung Fu in China, with the participation of various local teachers. 63 min.

ORDERS: Budo international.com

WT Universe “The most sophisticated tool fails if you cannot handle it” Si-Fu AJ Neudorfer

Behind every behavior there is a system of beliefs. Si-Fu AJ Neudorfer

WT Universe

“Whoever gives up never wins - whoever never gives up wins!” Si-Fu AJ Neudorfer

WT Universe

“Gratitude does not show itself in empty words but is a feeling that radiates and creates an effect” GM AJ Neudorfer

“There is a risk that beliefs that were useful in the past will turn into useless beliefs” GM AJ Neudorfer

“Man is what the thoughts make him, which he allows to control his mind” GM AJ Neudorfer

Country

WCI List of Schools Location

Instructor

Contact Number

Website

Banbury

Sifu Jason Cooper

+44 (0)7886 785740

Team@WCiBanbury.co.uk

www.WCiBanbury.co.uk

Bicester

Sifu Jason Cooper

+44 (0)7886 785740

Team@WCiBanbury.co.uk

www.WCiBanbury.co.uk

Devizes

Simon Lazarus

+44 (0)7726 296884

Team@WCiSwindon.co.uk

www.WCiSwindon.co.uk

Ditcot

Sifu Dace Bogdane

+44 (0)7846 371611

Team@WCiOxford.co.uk

www.WCiOxford.co.uk

Dunstable

Oskar Filipiak

+44 (0)7597 103612

Team@WCiDunstable.co.uk

www.WCiDunstable.co.uk

Gloucester

Simon Lazarus

+44 (0)7726 296884

Team@WCiSwindon.co.uk

www.WCiSwindon.co.uk

London

Sifu Norbert Kaliciak

+44 (0)7512 675311

info@wingchunkungfulondon.co.uk

www.wingchunkungfulondon.co.uk

London

Sifu Tibor Moravcik

+44 (0)7788 538272

wtibor@yahoo.co.uk

www.Systematibi.com

Milton Keynes Sifu Jason Cooper

+44 (0)7886 785740

Team@WCiBanbury.co.uk

www.WCiBanbury.co.uk

Newbury

Sifu Jason Cooper

+44 (0)7886 785740

Team@WCiBanbury.co.uk

www.WCiBanbury.co.uk

Oxford

Sifu Dace Bogdane

+44 (0)7846 371611

Team@WCiOxford.co.uk

www.WCiOxford.co.uk

Peterborough Andrew Docherty

Team@WCiPeterborough.co.uk

www.WCiPeterborough.co.uk

Portsmouth

Sifu Jason Cooper

+44 (0)7886 785740

Team@WCiBanbury.co.uk

www.WCiBanbury.co.uk

Reading

Sifu Jason Cooper

+44 (0)7886 785740

Team@WCiBanbury.co.uk

www.WCiBanbury.co.uk

Salisbury

Simon Lazarus

+44 (0)7726 296884

Team@WCiSwindon.co.uk

www.WCiSwindon.co.uk

Shrewsbury

David Ridgway

+44 (0)7944 576120

Team@WCiShrewsbury.co.uk

www.WCiShrewsbury.co.uk

Solihull

Chris Lloyd

Team@WCiSolihull.co.uk

www.WCiSolihull.co.uk

Swindon

Simon Lazarus

+44 (0)7726 296884

Team@WCiSwindon.co.uk

www.WCiSwindon.co.uk

Watchfield

Daniel Tyler

+44 (0)7592 627695

Team@WCiWatchfield.co.uk

www.WCiWatchfield.co.uk

Welwyn Garden City Robert Riddell

+44 (0)7708 178943

Team@WCiWelwynGardenCity.co.uk

www.WCiWelwynGardenCity.co.uk

+44 (0) 7725 012397

+44 (0)7970 710235

Germany Dresden

Sifu David Maddox

+49 01575 246 22 18

post@safe-und-fit.de

Slovakia Bratislava

Sifu Martin Imre

chmatowt@gmailcom

www.facebook.com/iwchs.sk

Spain

Master Cameron

Support@WingChunInternational.com

Barcelona

www.safe-fit-sports.de

www.WingChunInternational.com

Ref.: • Keysi-3

In this second video of the series, Justo Diéguez, creator of the KFM Keysi Fighting Method, teaches us to systematically implement the tools on which the principles and concepts of the method are based, starting from patterns and basic sequences of defense against middle distance fist attacks. The street is not Boxing, Kick-Boxing or Thai-boxing, the street is brutal. We do not have space or answers, it's not something we expect, it will be a shock! Therefore, in order to achieve the highest efficiency in risk situations, we must know and understand all the tools we have. Justo Diéguez explains in detail the basic sequences and the different defense possibilities in this distance (block defense, shoulder defense, Pensador defense ...) to gradually incorporate and combine new elements such as Pensaevo, Pensa-shoulder, Pensa-head, Pensahammer, and battering ram blow, demolishing tools and features of KFM that can be used in both defense and attack. The sword does not make the Warrior; it is the Warrior who makes the sword. The objective is simple: combine our tools to create a space with the opponent and react explosively entering the melee to end the fight.

ORDERS: Budo international.com

Hwa Rang Do With the coming of the information age, we should know more, be more confident, smarter, faster to resolve problems, less anxious with greater access to knowledge at our fingertips, but what I find is exactly the opposite. With so many options, choices, and practically an infinite amount of information, it has created greater uncertainty, anxiety, and distractions. Who knew having so many choices and comforts of living would cr eate gr eater anxiety? I have seen some students who have become newly parents who have so much anxiety and hardships, struggling to raise one child, managing their work, and marital affairs, with some abandoning their training completely. It makes me wonder how my mother was able to raise four children and at one point she alone raised seven children ranging from 1 to 8 years old, working full-time for three years with no running water but a well, no indoor plumbing but an outhouse, with only one room that was used for multi-purpose of living, eating, sleeping for eight people. Even more amazing is when I think of my grandmother who raised seven children of her own, escaping the communist regime of North Korea, during the Korean War, keeping them all intact, healthy, fed, and even immigrated with all of them to the United States from living in impoverished circumstances of a war -torn nation.

ore is not better! It brings about inefficiency of energy, time, and effort and increases waste and productivity. What needs to be taught is learning how to do more with less and to appreciate in having less and be grateful for having more. The problem is how do you teach this? With words to an all-knowing, esteemed, technologically advanced generation that does not listen, who are quick to defend and make excuses, demean your experiences as archaic and outdated, and your intentions as offensive and demeaning as though somehow you know better? No, this is the hardest to teach and the only true way to learn it as in all things is empirically. Yet, as being teachers, parents that is our duty, job, and goal and must

Hwa Rang Do

strive to find ways in order to communicate, to be heard, and teach these most important lessons of life. No matter what you believe in or don’t believe, what you agree or disagree, man, woman, animal, or demigod, the fact of the matter is that nothing will change by leaving it alone. The problem does not fix itself nor what’s broken mend on its own and because our society has advanced with more creature comforts and abundance of our human necessities does not improve or change the human condition. It still requires the human effort and endeavor to better oneself through hard work and by achieving meaningful tasks. It’s like having several kids and a vase is broken and you come over to them and all the kids stand there frozen, like a deer seeing headlights, not moving, not saying a word, not doing anything. You wait several minutes to see what they will do and yet, no one does anything. See, this is typical, and this is our current world, our government, this is our leaders, adults and our children. They are all standing around not to flinch to give away who broke the vase, they stand in silence thinking who to blame, and the one who broke it doesn’t take claim. They wait until pushed, until the parent asks who did it and still silence, until they are threatened and now the blaming begins. What should have happened? As soon as it broke, whether you broke it or not, someone should have quickly retrieved a broom, swept and cleaned

Hwa Rang Do

the mess. Of course, it would be best if the guilty party did that, but what matters the most is that the mess was cleaned up before someone got hurt. Therefore, it is accountability that we must teach and that can only be done by example, which our leaders consistently fail at doing and so it is that much more crucial that as parents and teachers we must not. Furthermore, it is the lack of immediacy that created inaction. Ah, it’s just another lamp, we can get another one, or get someone to fix it. A result of a life in abundance inexperienced in scarcity. Who thinks this way? Who would do this? Nobody, who will accept the responsibly and be held accountable for something they did not do? Who will be prompted to make amends for wrongdoing, realizing the preciousness and value of all things, feeling the greater remorse of destroying what is not your own? We are all quick to take claim for a good deed, being quicker to blame yet slow to accept our mistakes. The more we don’t accept our own

Hwa Rang Do

responsibilities over our lives, denying any wrongdoing, blaming our failures and hardships on our God given innate conditions or external factors, the less power and freedom we will end up with. It’s like when we were children, and we could not resolve our own disputes with our siblings, so the parent had to intervene. When the parent intervenes, what happens? Well, in most cases, we all get in trouble, somebody more than others and we will be disciplined with some restrictions, being grounded, even spanked and our privileges being taken away, ending up with less freedom and even more sadly, loss of trust. In our current society and culture, this is exactly what’s happening more and more. Our woke generation is crying to the parents, our government to intervene in order to resolve our sibling disputes. The more we do, the more restrictions and laws are created, which in turn limits our freedoms, and because they no longer trust that we have the maturity and the knowledge necessary to resolve our own issues, less power is given to choose our own course.

Hwa Rang Do

In the end, it is all about control and what do you need for control, power. We as children struggle to gain control over each other so we fight, argue, bicker and cry and at the same time the parents are trying to gain control over their children. The children fight against the control by their parents, which is ineffectual when they are too young and too little, but as they grow, get bigger, stronger and smarter they become harder to control and more defiant, until they are old enough to be either kicked out due to disagreement or leave to make their own home, their own country. The family is only a microcosm of our society. When you only have a couple of children, they can be cared for with much attention and you can appreciate and nurture their uniqueness. However, imagine when you have 10, 20, or how about 30 children, what will you do then? What would you want most from your children? I would think you would want order, obedience, and no longer are you going to appreciate uniqueness but rather simplicity, commonality, and in fact dumb them down to a more steady temperament to better easily control. No longer will you appreciate them to be unique asking for specific things which require more time, attention, effort and you will want an improved system to monitor and keep track of all of them, so you don’t lose any of them. There are many dynamics which will change as the size of the family increases and so it is also true with our cities, nations, and the world. If there’s one thing that history has shown is that there’s no one system of government that works all the time in all the places, for all the people. However, the one thing that is common in all the systems by its nature, a system is a mechanism, an organization of control. Whoever has the most control has the most power and vice-versa. And under the disguise of global peace and unity, we are moving into a global government. One might think this is not possible, yet it is happening more rapidly than one might think. I am not here to argue this point, but what is important to understand is that the family unit must be dismantled and in its place the society, the culture, the global community will become the new family. The family unit is the foundation, and the children are our future. Therefore, in order for global change to take place they must rebuild the foundation and control the future, our family and our children. Will continue next month

Ref.: • AfLOReS1

Guro Ariel Flores Mosses introduces for the first time, how the fighting arts of Punong Guro Edgar G. Sulite of Lameco, GM Christopher N. Ricketts of Ilustrisimo and GM Conrad A. Manaois of Manaois Eskrima transitions to Firearms combat training. Guro Mosses shares the Importance of footwork such as Retirada Ilustrisimo, Retirada Caballero and Hakbang Paiwas and the effectiveness of footwork to create the distances and angles you need to pull off your arsenal. Long, Medium and Close range drills are shown to understand where to place yourself against an opponet(s). In addition, Guro Mosses covers the transitional techniques thru various firearm drills including LIVE FIRE exercises and for the first time on DVD shares the "MG-5" gun retention technique against any attacker attempting to seize your gun. These training drills are a must for any level or discipline and reveals the practicality of the Fighting Arts of the Philippines.

ORDERS: Budo international.com

Ref.: • cesaR-13

Le tecniche di Muay Boran (Mai Muay Boran) sono abilità nate in battaglia che, in epoche passate, hanno aiutato i guerrieri siamesi a sopravvivere in innumerevoli scontri con soldati nemici, sia armati che disarmati. Dopo una iniziale di formazione nei concetti combattivi di base, Mae Mai (tecniche madre), tutti i tirocinanti vengono istruiti nelle strategie di combattimento avanzate (Mai Kred) del combattimento siamese. Kred può essere tradotto come dettaglio. Pertanto, queste strategie di combattimento hanno lo scopo di aggiungere molte informazioni dettagliate ai concetti di base inclusi nei principi delle Mae Mai. Ogni stile tradizionale comprendeva una serie di Mai Kred che i Maestri dell'antichità c o n s e r v a v a n o gelosamente; quei principi erano destinati a mettere in salvo in una situazione di vita o di morte e non venivano mai mostrati senza una motivazione seria. Questo approccio tradizionale all'insegnamento e all'apprendimento delle Mai Kred appartiene alla filosofia IMBA e tutti i membri seguono questa stessa linea di pensiero. Le Mai Kred sono presentate in questo video secondo la classificazione “classica” accettata dalla maggior parte degli insegnanti in Thailandia: ogni Mai racchiude diverse possibili applicazioni che hanno lo scopo di mettere l'allievo in condizione di difendersi e contrastare vari attacchi. Pugni, calci, colpi di gomito e ginocchio, prese: un Nak Muay esperto nelle Mai Kred è pronto ad affrontare molti di questi attacchi feroci e a reagire con devastante efficacia.

ORDERS: Budo international.com

Learn the Nerve attacks of Kyusho in this important video that is a follow-up for the 6 Ji Hands (of the Bubishi) film. In that film you were shown the 6 Original Hands of Shaolin, their proper use and the Kyusho (Vital) targets that cause paralysis, dysfunction and incapacitation of an opponent. In this video we help you learn Kyusho and the 6 Ji Hands to a higher degree of skill with simple training exercises. These exercises will increase your skill with Kyusho, as you learn to transition from hand to hand, side to side, target to target. By training these slowly at first, then with ever increasing speed these 6 Shaolin Hands will become automatic and devastating to your opponents. These same 6 Hands were taught long ago in an ancient sequence called “Rokkishu” (6 Hands) and now from a more modern adaptation called “Tensho” (Turning Palms), it is the exact way to penetrate deep into the inner man to access the Kyusho (Vital)Targets. You will learn the Tools, Targets, Trajectories, Tuite and Tegumi from the Original Shaolin methodology. This is also Vital Information on the secret meanings of the Ancient Bubishi and Karate itself. It will help you understand the Keys to unlocking the hidden code of that epic manual and base of Martial Arts. “The Power is in Your Hands”. - Evan Pantazi

Ref.: • KYUSHO29 All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.

ORDERS: Budo international.com

Armed bodyguard – Reality check. Close protection operator (CPO) is a type of security guard, government law enforcement or service member who protects a person or a group of people – most commonly high ranking public officials or wealthy people and celebrities from different kind of danger: theft, harassment, assault, kidnapping, assassination and other criminal offences. Such important and high-risk profiles public figures are protected by several bodyguards or by a team of bodyguards from a government agency, security forces or police forces. One single bodyguard, who also works as a driver, mostly accompanies low risk public profiles. The work of governmental close protection operators differs from the work of the ones in the civilian market. In most cases governmental close protection operators can carry guns. In civilian market only some security guar ds can car r y guns. Most protection jobs are unarmed and there are only specific and unique situations when the close protection officer needs to be armed.

t means they also need to go through an advanced and strenuous security training to acquire specific certificates and licenses along the way in order to have a legal ability to carry a gun in the job. They are trained in the use of firearms and unarmed combat, advanced tactical driving, first aid and close protection basics such as walking in formation, arrivals and departures, etc. There are many companies in the world, which offer different shooting courses and armed security training in hostile environment. One must be cautious that only few of them offer internationally recognizable firearm qualifications. Also, once such certificate is obtained it is very important to be informed

about the gun law of the country you live in or are travel to. In some countries even to carry a pepper spray is not legal and will be legally sanctioned as same as to carry a knife. So it is also important to know the laws on the use of force and restrictions even on a weapon such as pepper spray. Close protection operators are not permitted to carry weapons in foreign countries. In a case of high-risk events a local assistance by a local law enforcement and a local private armed close protection officers will be required if armed personnel is needed. Only in few exceptional instances it may be possible to apply for a permission to bring and carry arms into certain country. But don’t ger carried away with it. It hardy ever happens.

Even in a high-risk situation where armed conflict is necessary a true professional will exhaust all possibilities to avoid using the gun. In many situations it is viewed as the last resort. A main goal is to protect the client by getting him/her out of the life threatening area immediately or as soon as possible. A highly trained professional is trained to identify risks, respond to threats and acts accordingly. Excellent situational awareness and ability to analyze and identify potential threat are one of the key skills of close protection operator together with an ability to make quick decisions, to apply the right set of skills in order to stop threats before they manifest or escalate. A supremely trained close

protection operator has organizational and strategy development skills, plus a very important feature i.e. flexibility and adaptability to the different scenarios. Most of the close protection operators’ work will consist of analyzing, planning different strategies, deciding about the right one and avoiding or minimalizing the threat as much as possible. So forget everything you have ever seen in action movies, let all those Brus Lee, Jason Statham action performances stay only in your wildest dreams because you will not use it at all if you stick to the brainwork and avoid a temptation of the action movie star wannabe. Your clients will appreciate it believe me.

Ref.: • VUNAK-8

The first time Paul Vunak released the Enigma Series He had the world of martial arts take a paradigm shift and rethinking there training. The ground breaking revelation of understanding the concepts of training your combat skills in two categories on Self Perfection and Self Preservation was born! How does one train for now and how does one train for a life time in the martial arts. This balance for learning how to fight now and not 10 years from now was a point that is invaluable to so many martial artist, fighters, instructors, law enforcement, military and everyday people like you who want to protect themselves and loved ones. Fast forward 10 years later and now we have the next phase of the Enigma Series. Paul continues to show you what its like to take the guess work out of your training. What tends to be the problem for most martial artist is trying to figure out what works ? What doesn't work? What works for me? Stepping into the abyss of the martial arts world without any knowledge can be daunting for anyone new to fighting to decide what should i do. This is where Paul Vunak and Contemporary Jeet Kune Do steps in. The turn around time and demand for learning to be functional now is the goal. To be a complete street fighter or martial artist that can train for a life time but have the necessary skills now to protect yourself and loved ones. Contemporary Jeet Kune Do is Vunak's particular brand of learning to fight in all ranges of combat that address the needs of self defense today with a twist. That is Asymmetrical Violence. The game changer that allows you to fight outside of the realm of dojo, ring, and above your weight class. This is the same military technology handed down to SEAL Team 6, the Department of Defense, the DEA, US Marshals, SWAT, the Army, Air Force, Marine Corps and Counter Intelligence. 56 min. Enigma 2 Vol.2 includes: Kina Mutai bite flow, Uninterrupted bite, Cross side for Kina Mutai, BJJ fundamentals, Kina Mutai Flow Drill 1, Flow Drill 2 (Standup to ground with knife, Trapping to Thai Clinch, Knife disarm against thrust, Grappling Knife on the ground), Thai Clinch to Pummeling Drill, Flow Drill 3 (Trapping to Clinch, Drill 3 with Lap Sao), Adding strikes to Lap Sao Drill, Defense against Jab-Cross Drills and more.

ORDERS: Budo international.com

In this DVD, Master Giuseppe Vuovolo, from the non-profit association "Knights of Honor and Humility" (associazione "Cavalieri d'Onore e Umiltà") founded by himself, will introduce us to a little-known world: that of the so-called Popular Arts of the Italian tradition, more precisely those of southern Italy (Manfredonia, Puglia). Together with his students, you will have the opportunity to see specific warm-up and combat techniques with various weapons that will be displayed, from a knife to a billhook knife, from a billhook knife to a razor and even a cane. There is also no shortage of empty hand techniques, rare enough to be found in other schools of popular arts. You will have the opportunity to study the application of techniques both individually and in pairs, both in self-defense and in real combat demonstrations with each individual weapon presented. Good viewing for all fans!

Ref.: • VUOVOLO1

ORDERS: Budo international.com

NEW!!! Our Free APP is already available: https://play.google.com/store/apps/details?id=com.budointernational.budomagazine Budo International Magazine is now available for FREE on your Android mobile device, in 6 languages (English, Spanish, French, Italian, German and Portuguese). With our new APP you can read and download FULLY FREE and more conveniently and quickly the latest editions of the magazine, access our complete catalog of DVDs, eBooks, and more than 800 multilingual digital videos in mp4 download and the Budo International Youtube channel with instructional clips and trailers. Keep up to date with all our editorial news.

INTERNATIONAL

CATALOG

BUDO INTERNATIONAL PUBL.CO. DVD CATALOG MARTIAL ARTS, COMBAT SPORTS & SELF DEFENSE INSTRUCTIONAL DVDs TITLES ARE AVAILABLE IN DVD FORMAT AND DIGITAL VIDEO ON INSTANT DOWNLOAD (mp4)

This catalog is provided by Budo International Publ. Co.

Ali content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws.

Table of contents - DVD Kung Fu ................................................................................................................................................................ 3 - DVD Tai Chi ................................................................................................................................................................... 8 - DVD Shaolin Kung Fu ................................................................................................................................................ 11 - DVD Wu Shu ................................................................................................................................................................ 13 - DVD Wing Chun .......................................................................................................................................................... 15 - DVD Wing Tsun ........................................................................................................................................................... 18 - DVD Other Styles China ............................................................................................................................................. 21 - DVD Judo and Ju-Jitsu .............................................................................................................................................. 23 - DVD Iaido..................................................................................................................................................................... 27 - DVD Karate .................................................................................................................................................................. 29 - DVD Aikido .................................................................................................................................................................. 36 - DVD Kobudo ............................................................................................................................................................... 41 - DVD Ninjutsu ............................................................................................................................................................... 44 - DVD Other Styles Japan ............................................................................................................................................ 46 - DVD Kyusho Jitsu ...................................................................................................................................................... 50 - DVD Capoeira.............................................................................................................................................................. 54 - DVD Brazilian Jiu-Jitsu .............................................................................................................................................. 56 - DVD Staff and Cane .................................................................................................................................................... 59 - DVD Kali Arnis Eskrima ............................................................................................................................................. 61 - DVD Nunchaku ............................................................................................................................................................ 65 - DVD Other Weapons .................................................................................................................................................. 67 - DVD Pro, Military, Police ............................................................................................................................................ 70 - DVD Krav Maga ........................................................................................................................................................... 77 - DVD Systema .............................................................................................................................................................. 81 - DVD Knife Fighting ..................................................................................................................................................... 83 - DVD Women´s Self Defense ...................................................................................................................................... 85 - DVD Other Self Defense Styles ................................................................................................................................. 87 - DVD Jeet Kune Do ...................................................................................................................................................... 91 - DVD Kenpo .................................................................................................................................................................. 94 - DVD Kajukenbo ........................................................................................................................................................... 97 - DVD Martial Arts Vietnam .......................................................................................................................................... 99 - DVD Other Martial Styles ......................................................................................................................................... 101 - DVD Pencak Silat ...................................................................................................................................................... 105 - DVD Tae Kwon Do .................................................................................................................................................... 107 - DVD Hapkido ............................................................................................................................................................. 109 - DVD Other Styles Korea ........................................................................................................................................... 111 - DVD Muay Thai ......................................................................................................................................................... 113 - DVD Kick Boxing ...................................................................................................................................................... 116 - DVD Grappling Wrestling ......................................................................................................................................... 119 - DVD MMA - Vale Tudo .............................................................................................................................................. 121 - DVD Other Contact Sports ....................................................................................................................................... 124 - DVD Health - Wellness ............................................................................................................................................. 126 - NEW DVDs! ............................................................................................................................................................... 129

TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info

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DVD Kyusho & Tegumi in Wing Chun Siu Nim Tao Ref. DVD/KYUSHO28 Price Inc. Tax......22,00 EUR

DVD Keysi Risk Situations Fighting Technique Ref. DVD/KEYSI2 Price Inc. Tax......22,00 EUR

DVD Tong Long Pai. Southern Praying Mantis Ref. DVD/SAPIR1 Price Inc. Tax......22,00 EUR

DVD Creole Fencing Ref. DVD/ECRIOLLA1 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Lat Sao Advanced. TAOWS Academy Ref. DVD/TAOWS4 Price Inc. Tax......22,00 EUR

DVD RMA Systema SV Empty Hands & Knife Ref. DVD/SKOGOREV-11 Price Inc. Tax......22,00 EUR

DVD Paul Vunak PFS Asymmetrical Violence Ref. DVD/VUNAK1 Price Inc. Tax......22,00 EUR

DVD Kyusho and Boxing Connection Ref. DVD/KLINE3 Price Inc. Tax......22,00 EUR

DVD Kyusho, First Encounter Ref. DVD/KFRISAN1 Price Inc. Tax......22,00 EUR

DVD Tai-Chi and Qi-Gong Forms Ref. DVD/LYN7 Price Inc. Tax......22,00 EUR

DVD Gham Long Pai Kung Fu Ref. DVD/VDSPEK1 Price Inc. Tax......22,00 EUR

DVD Advanced Aikido, Kisei Dojo Ref. DVD/KISEI2 Price Inc. Tax......22,00 EUR

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DVD Kapap Israeli Jiu Jitsu & Martial Arts Ref. DVD/KAPAP9 Price Inc. Tax......22,00 EUR

DVD Traditional Taekwondo Hyeong Ref. DVD/TKDOWINT1 Price Inc. Tax......22,00 EUR

DVD Krav Maga RED Vol.3. Knife Defense Ref. DVD/KMRED3 Price Inc. Tax......22,00 EUR

DVD Kyusho Handicap Ref. DVD/KYUSHO27 Price Inc. Tax......22,00 EUR

DVD Shaolin Kung Fu Essential Ref. DVD/TOMBOLATO1 Price Inc. Tax......22,00 EUR

DVD Hwa Rang Do Gumtoogi Sword Fighting Ref. DVD/HWA3 Price Inc. Tax......22,00 EUR

DVD Kajukenbo Essential Ref. DVD/LPRIETO1 Price Inc. Tax......22,00 EUR

DVD Martial Science Ref. DVD/RONDY1 Price Inc. Tax......22,00 EUR

DVD Kaisendo Self Defense Ref. DVD/KAISEN5 Price Inc. Tax......22,00 EUR

DVD Jun Fan Gung Fu Ref. DVD/DELJKD1 Price Inc. Tax......22,00 EUR

DVD Keysi Original Ref. DVD/KEYSI1 Price Inc. Tax......22,00 EUR

DVD Ip Man Wing Chun Kung Fu Ref. DVD/IMWC1 Price Inc. Tax......22,00 EUR

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DVD Pukulan Pencak Silat Serak. Weapons Ref. DVD/SERAK2 Price Inc. Tax......22,00 EUR

DVD Kenpo, My Favorite Techniques Ref. DVD/LARRY4 Price Inc. Tax......22,00 EUR

DVD Kids Self Defense: Dealing with strangers Ref. DVD/TRUST1 Price Inc. Tax......22,00 EUR

DVD Kyusho Pyramid Vol.1 Ref. DVD/KLINE1 Price Inc. Tax......22,00 EUR

DVD Kyusho Pyramid Vol.2 Ref. DVD/KLINE2 Price Inc. Tax......22,00 EUR

DVD WTU Chum Kiu Form & Applications Ref. DVD/WTU2 Price Inc. Tax......22,00 EUR

DVD Brazilian Jiu-Jitsu, Poker Of Aces Ref. DVD/GSBJJ1 Price Inc. Tax......22,00 EUR

DVD Best of Commando Krav Maga Ref. DVD/AIZIK5 Price Inc. Tax......22,00 EUR

DVD Kyusho Sanchin Kata Vol.2 Ref. DVD/KYUSHO26 Price Inc. Tax......22,00 EUR

DVD Viet Vo Dao Long staff Vol 2. Quyen Tu Tuong Con Phap Form... Ref. DVD/VIET8 Price Inc. Tax......22,00 EUR

DVD Advanced Grappling Vol.1 Ref. DVD/TBELTRAN-1 Price Inc. Tax......22,00 EUR

DVD Advanced Grappling Vol.2 Ref. DVD/TBELTRAN-2 Price Inc. Tax......22,00 EUR

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DVD Kali Ilustrisimo Laban Laro Drills Ref. DVD/FLORES3 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Self Defense Ref. DVD/WTINCE1 Price Inc. Tax......22,00 EUR

DVD Kyusho and Kali. Empty Hands Vol.2 Ref. DVD/KYUSHO25 Price Inc. Tax......22,00 EUR

DVD Systema, Fighting Basics Ref. DVD/SYSWEITZEL1 Price Inc. Tax......22,00 EUR

DVD Shaolin Luohan Shi Ba Shou Form Taolu Ref. DVD/YANTI1 Price Inc. Tax......22,00 EUR

DVD Shaolin Qin Na Ref. DVD/YANTI2 Price Inc. Tax......22,00 EUR

DVD Meitoku Yagi Meibukan Goju Ryu. Okinawa Karate Kobudo Vol.1 Ref. DVD/RS607 Price Inc. Tax......0,00 EUR

DVD Katsuya Miyahira Shidokan Shorin Ryu. Okinawa Karate Kobud... Ref. DVD/RS608 Price Inc. Tax......0,00 EUR

DVD Shuguro Nakazato Shorin Kan Shorin Ryu. Okinawa Karate Kob... Ref. DVD/RS609 Price Inc. Tax......0,00 EUR

DVD Eiichi Miyazato Jundokan Goju Ryu. Okinawa Karate Kobudo V... Ref. DVD/RS610 Price Inc. Tax......0,00 EUR

DVD Kanei Uechi Uechi Ryu. Okinawa Karate Kobudo Vol.7 Ref. DVD/RS613 Price Inc. Tax......0,00 EUR

DVD Yoshimatsu Matsuda Shorin Ryu. Okinawa Karate Kobudo Vol.12 Ref. DVD/RS618 Price Inc. Tax......0,00 EUR

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DVD Masaji Taira Bunkai Master. Okinawa Karate Kobudo Vol.16 Ref. DVD/RS622 Price Inc. Tax......0,00 EUR

DVD Eihachi Ota Shorin Ryu. Okinawa Karate Kobudo Vol.18 Ref. DVD/RS624 Price Inc. Tax......0,00 EUR

DVD Yoshitsune Senega Uechi Ryu. Okinawa Karate Kobudo Vol.20 Ref. DVD/RS626 Price Inc. Tax......0,00 EUR

DVD Jundokan Old School 1984. Okinawa Karate Kobudo Vol.22 Ref. DVD/RS628 Price Inc. Tax......0,00 EUR

DVD Hojo Undo Supplementary Training. Okinawa Karate Kobudo Vo... Ref. DVD/RS625 Price Inc. Tax......0,00 EUR

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DVD Tong Long Pai. Southern Praying Mantis Ref. DVD/SAPIR1 Price Inc. Tax......22,00 EUR

DVD Pachi Tang Lang Chuan Ref. DVD/PACH1 Price Inc. Tax......22,00 EUR

DVD Kung Fu Tang Lang Ref. DVD/TANG1 Price Inc. Tax......22,00 EUR

DVD Sanda Ming Chuan Kung Fu Ref. DVD/SANDA Price Inc. Tax......22,00 EUR

DVD Tao Yin Internal Kung Fu Ref. DVD/YIN Price Inc. Tax......22,00 EUR

DVD Shaolin Hung Gar Yap Moon Kuen Ref. DVD/SEWER1 Price Inc. Tax......22,00 EUR

DVD Tsui Pa Hsien Kung Fu Drunken Style Ref. DVD/BOR Price Inc. Tax......22,00 EUR

DVD Hung Gar Kung Fu Zum Kap Kuen Form Ref. DVD/SEWER2 Price Inc. Tax......22,00 EUR

DVD Hung Gar kung Fu Lau Gar Kuen Form Ref. DVD/SEWER3 Price Inc. Tax......22,00 EUR

DVD Gham Long Pai Kung Fu Ref. DVD/VDSPEK1 Price Inc. Tax......22,00 EUR

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DVD Weng Chun Kung Fu Vol2 Ref. DVD/WENG2 Price Inc. Tax......22,00 EUR

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DVD Combat Kung Fu Free Style Ref. DVD/CMBT Price Inc. Tax......22,00 EUR

DVD Kung Fu Chin Na Vol 2 Ref. DVD/PC3 Price Inc. Tax......22,00 EUR

DVD Kung Fu Chin Na Vol 1 Ref. DVD/PC2 Price Inc. Tax......22,00 EUR

DVD Kung Fu Masters Historical Series Taiwan 1964 Ref. DVD/BC18 Price Inc. Tax......22,00 EUR

DVD Kung Fu Pa Kua Pa Men Chan Form Vol 1 Ref. DVD/PAMEN1 Price Inc. Tax......22,00 EUR

DVD Kung Fu Pa Kua Pa Men Chan Form Vol 2 Ref. DVD/PAMEN2 Price Inc. Tax......22,00 EUR

DVD Kung Fu Pai Lum Tao Ref. DVD/PAI Price Inc. Tax......22,00 EUR

DVD Kung Fu Toa Forms & applications Vol 2 Ref. DVD/TOA2 Price Inc. Tax......22,00 EUR

DVD Kung Fu Mou Sii Lion's Dance Ref. DVD/MOU Price Inc. Tax......22,00 EUR

DVD Ling Gar Kung Fu Gun Disarming Ref. DVD/LYN6 Price Inc. Tax......22,00 EUR

DVD Ling Gar Kung Fu Dim Mak Ref. DVD/LYN3 Price Inc. Tax......22,00 EUR

DVD Ling Gar Kung Fu Knife Defense Ref. DVD/LYN5 Price Inc. Tax......22,00 EUR

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DVD Ling Gar Kung Fu Self Defense Ref. DVD/LYN2 Price Inc. Tax......22,00 EUR

DVD Weng Chun Kung Fu Ref. DVD/WENG Price Inc. Tax......22,00 EUR

DVD Hung Gar Gung Gee Fook Fu Kuen Form Ref. DVD/SEWER4 Price Inc. Tax......22,00 EUR

DVD Kung Fu Toa Forms & applications Vol 1 Ref. DVD/TOA Price Inc. Tax......22,00 EUR

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DVD Hung Gar Kung Fu Gong Gee Fook Fu Kune Form Ref. DVD/HUNG1 Price Inc. Tax......22,00 EUR

DVD Hung Gar Gong Gee Fook Fu Kune Form Vol 2 Ref. DVD/HUNG2 Price Inc. Tax......22,00 EUR

DVD Kung Fu Weapons Ref. DVD/KFW Price Inc. Tax......22,00 EUR

DVD Ling Gar Kung Fu Chin Na Ref. DVD/LYN4 Price Inc. Tax......22,00 EUR

DVD Kung Fu Splashing Hands Ref. DVD/NEIL1 Price Inc. Tax......22,00 EUR

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DVD Tai Chi Beijing Jen The Straight Sword Ref. DVD/TCE Price Inc. Tax......22,00 EUR

DVD Ling Gar, Tai Chi & Qi Gong Ref. DVD/LYN Price Inc. Tax......22,00 EUR

DVD Mongolian Tai Chi Chi Kung Ref. DVD/MONGO1 Price Inc. Tax......22,00 EUR

9/134

DVD Tai Chi

DVD Tai Chi Chuan Yang Style Ref. DVD/PR1 Price Inc. Tax......22,00 EUR

DVD Tai Chi Wind Chasing Fan Ref. DVD/PR3 Price Inc. Tax......22,00 EUR

DVD Tai Chi Yang Style & Chi Kung Vol 1 Ref. DVD/TAI1 Price Inc. Tax......22,00 EUR

DVD Tai Chi Yang Style & Chi Kung Vol 2 Ref. DVD/TAI2 Price Inc. Tax......22,00 EUR

DVD Tai Chi Che Sword Ref. DVD/TAI3 Price Inc. Tax......22,00 EUR

DVD Tai Chi Chuan for Seniors Ref. DVD/TAI4 Price Inc. Tax......22,00 EUR

10/134

DVD Shaolin Kung Fu

11/134

DVD Shaolin Kung Fu

DVD Shaolin Kung-Fu Shi De Yang Interview Ref. DVD/DEYANG Price Inc. Tax......22,00 EUR

DVD The 18 movements of Shaolin Kung Fu Ref. DVD/HONG Price Inc. Tax......22,00 EUR

DVD Shaolin Xiao Hong Quan Form Tao Lu Ref. DVD/MIAOZHI1 Price Inc. Tax......22,00 EUR

DVD Shaolin Kung Fu Boxing Ref. DVD/SHAOLIN1 Price Inc. Tax......22,00 EUR

DVD Shaolin Kung Fu Essential Ref. DVD/TOMBOLATO1 Price Inc. Tax......22,00 EUR

DVD Shaolin Luohan Shi Ba Shou Form Taolu Ref. DVD/YANTI1 Price Inc. Tax......22,00 EUR

DVD Shaolin Qin Na Ref. DVD/YANTI2 Price Inc. Tax......22,00 EUR

12/134

DVD Wu Shu

13/134

DVD Wu Shu

DVD Olympic Wu Shu Ref. DVD/WUSHU1 Price Inc. Tax......22,00 EUR

DVD Wu Shu San Jie Gun The 3 Section Staff Ref. DVD/FAN2 Price Inc. Tax......22,00 EUR

DVD Wu Shu Hou Kun The Monkey Staff Ref. DVD/FAN1 Price Inc. Tax......22,00 EUR

14/134

DVD Wing Chun

15/134

DVD Wing Chun

DVD Ip Man Wing Chun Kung Fu Ref. DVD/IMWC1 Price Inc. Tax......22,00 EUR

DVD Kyusho & Tegumi in Wing Chun Siu Nim Tao Ref. DVD/KYUSHO28 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Lat Sao Advanced. TAOWS Academy Ref. DVD/TAOWS4 Price Inc. Tax......22,00 EUR

DVD Kyusho Jitsu in Forms Siu Nim Tao Ref. DVD/KYUSHO12 Price Inc. Tax......22,00 EUR

DVD Wing Chun Wooden Dummy Form Part 1 Ref. DVD/MUKRAN1 Price Inc. Tax......22,00 EUR

DVD Wing Chun Wooden Dummy Form Part 2 Ref. DVD/MUKRAN2 Price Inc. Tax......22,00 EUR

DVD Wing Chun Wooden Dummy Form Part 3 Ref. DVD/MUKRAN3 Price Inc. Tax......22,00 EUR

DVD Wing Chun Wooden Dummy Form Part 4 Ref. DVD/MUKRAN4 Price Inc. Tax......22,00 EUR

DVD Wing Chun Wooden Dummy Form Basic Drills Ref. DVD/MUKRAN5 Price Inc. Tax......22,00 EUR

DVD Wing Chun Wooden Dummy Form Advanced Drills Ref. DVD/MUKRAN6 Price Inc. Tax......22,00 EUR

DVD Wing Chun Kung Fu Siu Lim Tao Ref. DVD/RANDY1 Price Inc. Tax......22,00 EUR

DVD Wing Chun Kung Fu Chum Kiu Ref. DVD/RANDY2 Price Inc. Tax......22,00 EUR

16/134

DVD Wing Chun

DVD Wing Chun Kung Fu Biu Jee Ref. DVD/RANDY3 Price Inc. Tax......22,00 EUR

DVD Wing Chun Kung Fu Concepts and priciples Ref. DVD/RANDY4 Price Inc. Tax......22,00 EUR

DVD Wing Chun Traditional vol 1 Ref. DVD/WCH1 Price Inc. Tax......22,00 EUR

DVD Wing Chun Traditional vol 2 Ref. DVD/WCH2 Price Inc. Tax......22,00 EUR

DVD WTU Chum Kiu Form & Applications Ref. DVD/WTU2 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Universe. Siu Nim Tao Form & Applications Ref. DVD/WTU1 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Self Defense Ref. DVD/WTINCE1 Price Inc. Tax......22,00 EUR

DVD Kyusho Gock'Ng 'Sing Ref. DVD/KYUSHO14 Price Inc. Tax......22,00 EUR

DVD Chi Sao Wing Tsun TAOWS Academy Ref. DVD/TAOWS3 Price Inc. Tax......22,00 EUR

DVD Weng Chun Kung Fu Ref. DVD/WENG Price Inc. Tax......22,00 EUR

DVD Weng Chun Kung Fu Vol2 Ref. DVD/WENG2 Price Inc. Tax......22,00 EUR

DVD Weng Chun Kung Fu Fa Kuen Ref. DVD/WENG3 Price Inc. Tax......22,00 EUR

17/134

DVD Wing Tsun

18/134

DVD Wing Tsun

DVD Wing Tsun Lat Sao Advanced. TAOWS Academy Ref. DVD/TAOWS4 Price Inc. Tax......22,00 EUR

DVD WTU Chum Kiu Form & Applications Ref. DVD/WTU2 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Self Defense Ref. DVD/WTINCE1 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Universe. Siu Nim Tao Form & Applications Ref. DVD/WTU1 Price Inc. Tax......22,00 EUR

DVD Wing Revolution Combat Fundamentals Ref. DVD/WR1 Price Inc. Tax......22,00 EUR

DVD WingTsun The Mith of the Wooden Dummy Ref. DVD/WTK Price Inc. Tax......22,00 EUR

DVD Wing Tsun Right or Wrong? Ref. DVD/LT Price Inc. Tax......22,00 EUR

DVD Wing Tsun Taows Academy Ref. DVD/TAOWS1 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Advanced TAOWS Academy Ref. DVD/TAOWS2 Price Inc. Tax......22,00 EUR

DVD Chi Sao Wing Tsun TAOWS Academy Ref. DVD/TAOWS3 Price Inc. Tax......22,00 EUR

DVD Wing Tsun Alliance and Escrima Ref. DVD/WTAL Price Inc. Tax......22,00 EUR

DVD WingTsun Combat Techniques Ref. DVD/WTS1 Price Inc. Tax......22,00 EUR

19/134

DVD Wing Tsun

DVD WingTsun Wooden Dummy Street Aplications Ref. DVD/WTS10 Price Inc. Tax......22,00 EUR

DVD WingTsun Re-Evolution Ref. DVD/WTS11 Price Inc. Tax......22,00 EUR

DVD WT Re-Evolution 2 Ref. DVD/WTS12 Price Inc. Tax......22,00 EUR

DVD WingTsun Combat Program Ref. DVD/WTS13 Price Inc. Tax......22,00 EUR

DVD WingTsun Anti-grappling Ref. DVD/WTS2 Price Inc. Tax......22,00 EUR

DVD WingTsun Street Shock Vol 1 Ref. DVD/WTS3 Price Inc. Tax......22,00 EUR

DVD WingTsun Street Shock Vol 2 Ref. DVD/WTS4 Price Inc. Tax......22,00 EUR

DVD WingTsun Lat Sao Ref. DVD/WTS5 Price Inc. Tax......22,00 EUR

DVD WingTsun Chi Sao Vol1 Ref. DVD/WTS6 Price Inc. Tax......22,00 EUR

DVD WingTsun Chi Sao Vol2 Ref. DVD/WTS7 Price Inc. Tax......22,00 EUR

DVD WingTsun Advanced Combat Ref. DVD/WTS8 Price Inc. Tax......22,00 EUR

DVD WingTsun AntiGrappling & Chi Gerk Ref. DVD/WTS9 Price Inc. Tax......22,00 EUR

20/134

DVD Other Styles China

21/134

DVD Other Styles China

DVD Tong Long Pai. Southern Praying Mantis Ref. DVD/SAPIR1 Price Inc. Tax......22,00 EUR

DVD Bao-Din Shuai Chiao Ref. DVD/CHANG Price Inc. Tax......22,00 EUR

DVD Bao-Din Shuai Chiao Advanced Program Ref. DVD/CHIAO3 Price Inc. Tax......22,00 EUR

DVD Bao-Din Shuai Chiao Combat Ref. DVD/CHIAO2 Price Inc. Tax......22,00 EUR

DVD Shuai Chiao Black Belt Program Ref. DVD/CHIAO1 Price Inc. Tax......22,00 EUR

DVD Chinese Kempo Karate Ref. DVD/HAYEN1 Price Inc. Tax......22,00 EUR

DVD Fu Shih Kenpo Vol.2 Tiger Forms & Self Defense Ref. DVD/FUSHIH2 Price Inc. Tax......22,00 EUR

DVD Sanda Ming Chuan Kung Fu Ref. DVD/SANDA Price Inc. Tax......22,00 EUR

DVD Gham Long Pai Kung Fu Ref. DVD/VDSPEK1 Price Inc. Tax......22,00 EUR

22/134

DVD Judo and Ju-Jitsu

23/134

DVD Judo and Ju-Jitsu

DVD Unlimited Ju Jitsu Ref. DVD/LOU2 Price Inc. Tax......22,00 EUR

DVD Jiu Jitsu Kyoo Soku Seishin Ryu Ref. DVD/NUNES Price Inc. Tax......22,00 EUR

DVD Judo Atemi Ref. DVD/JUDOIT Price Inc. Tax......22,00 EUR

DVD Power Jiu Jitsu Juko Ryu Jiu Jitsu Vol 2 Ref. DVD/JUKO2 Price Inc. Tax......22,00 EUR

DVD Kodokan Judo Mifune Ref. DVD/BC24 Price Inc. Tax......22,00 EUR

DVD Kapap Israeli Jiu Jitsu & Martial Arts Ref. DVD/KAPAP9 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Introduction Ref. DVD/JUDO1 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Te Waza Hand Techniques Ref. DVD/JUDO2 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Koshi Waza Hip Techniques Ref. DVD/JUDO3 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Ashi Waza Foot & Leg Techniques Ref. DVD/JUDO4 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Sutemi Waza Sacrifice Techniques Ref. DVD/JUDO5 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Katami Waza Ground Work Ref. DVD/JUDO6 Price Inc. Tax......22,00 EUR

24/134

DVD Judo and Ju-Jitsu

DVD Mastering Judo Shime Waza Strangulation Techniques Ref. DVD/JUDO7 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Kensetsu Waza Joint Locking Ref. DVD/JUDO8 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Ne Waza Clinic Ref. DVD/JUDO9 Price Inc. Tax......22,00 EUR

DVD Mastering Judo Master Okada Interview Ref. DVD/JUDO10 Price Inc. Tax......22,00 EUR

DVD Loubet Jiu-jitsu Ref. DVD/LOU1 Price Inc. Tax......22,00 EUR

DVD Judo Classics Jigoro Kano Ref. DVD/BC16 Price Inc. Tax......22,00 EUR

DVD Budo Goshin Jutsu Ryu Ref. DVD/DAB5 Price Inc. Tax......22,00 EUR

DVD Traditional Ju Jitsu Vol 4 Ground Combat Ref. DVD/DAB4 Price Inc. Tax......22,00 EUR

DVD Jiu Jitsu Ryu SDA Vol 2 Ref. DVD/JJRYU2 Price Inc. Tax......22,00 EUR

DVD Jiu Jitsu Ryu SDA Vol 1 Ref. DVD/JJRYU Price Inc. Tax......22,00 EUR

DVD Traditional Ju Jitsu Vol 3 Upright Techniques Ref. DVD/DAB3 Price Inc. Tax......22,00 EUR

DVD Traditional Jujitsu Vol 1 Ref. DVD/JUJ Price Inc. Tax......22,00 EUR

25/134

DVD Judo and Ju-Jitsu

DVD Ju Jutsu Do Combat Ref. DVD/SAN3 Price Inc. Tax......22,00 EUR

DVD Juko Ryu Jiu Jitsu Vol 1 Ref. DVD/JUKO Price Inc. Tax......22,00 EUR

26/134

DVD Iaido

27/134

DVD Iaido

DVD Toyama Ryu Iaido Ref. DVD/TOYAMA2 Price Inc. Tax......22,00 EUR

DVD Toyama Ryu Batto Jutsu Ref. DVD/TOYAMA1 Price Inc. Tax......22,00 EUR

DVD Iaido Kihon Waza Ref. DVD/IAIDO7 Price Inc. Tax......22,00 EUR

DVD Iaido Shinai Ref. DVD/IAIDO5 Price Inc. Tax......22,00 EUR

DVD Advanced Iaido Mugen Kai System Ref. DVD/IAIDO4 Price Inc. Tax......22,00 EUR

DVD Iaido Vol 3 Mugenkai Ref. DVD/IAIDO3 Price Inc. Tax......22,00 EUR

DVD Iaido Vol 2 Sen No Sen, Go No Sen Ref. DVD/IAIDO2 Price Inc. Tax......22,00 EUR

DVD Iaido Vol 1 Ref. DVD/IAIDO Price Inc. Tax......22,00 EUR

DVD Yari and Shinai Ref. DVD/IAIDO6 Price Inc. Tax......22,00 EUR

28/134

DVD Karate

29/134

DVD Karate

DVD Shoryn Ryu Karate Kyudokan Ref. DVD/SHORIN1 Price Inc. Tax......22,00 EUR

DVD Okinawa Bujutsu Motobu Udunti Ref. DVD/SU Price Inc. Tax......22,00 EUR

DVD Okinawa KenpoOdo Ref. DVD/ODO1 Price Inc. Tax......22,00 EUR

DVD Okinawa Shima-Ha Shorin-Ryu Karate Jutsu Ref. DVD/OSHIRO1 Price Inc. Tax......22,00 EUR

DVD Mastering Karate Kumite Ref. DVD/KANA7 Price Inc. Tax......22,00 EUR

DVD Goju Ryu Karate Vol 7 Interview Ref. DVD/CHINEN7 Price Inc. Tax......22,00 EUR

DVD Kyokushinkai Karate Ref. DVD/KYOKU1 Price Inc. Tax......22,00 EUR

DVD Karate Shito-Ryu Hayashi-Ha Kata & Bunkai Ref. DVD/SHITO3 Price Inc. Tax......22,00 EUR

DVD Best Karate Kumite Ref. DVD/BIERMAN3 Price Inc. Tax......22,00 EUR

DVD Sport Karate Kumite Ref. DVD/BENE1 Price Inc. Tax......22,00 EUR

DVD Shotokan Karate International Ref. DVD/KANA Price Inc. Tax......22,00 EUR

DVD Okinawa Goju Ryu Seibukai Karate Ref. DVD/NAKA Price Inc. Tax......22,00 EUR

30/134

DVD Karate

DVD Goshin Jutsu Kata Ref. DVD/BIERMAN2 Price Inc. Tax......22,00 EUR

DVD Shito Ryu Karate Pinan Kata and Bunkai Vol 2 Ref. DVD/SHITO2 Price Inc. Tax......22,00 EUR

DVD Shito Ryu Karate Pinan Kata & Bunkai Vol 1 Ref. DVD/SHITO1 Price Inc. Tax......22,00 EUR

DVD Goju Ryu Karate Yamashita Ref. DVD/YOSU Price Inc. Tax......22,00 EUR

DVD Uechi Ryu Karate Ref. DVD/UECHI1 Price Inc. Tax......22,00 EUR

DVD To-De Karate The hand of the infinite Ref. DVD/TODE Price Inc. Tax......22,00 EUR

DVD TY-GA Karate Stretching & Kicking Ref. DVD/TYGA Price Inc. Tax......22,00 EUR

DVD Goju Ryu Karate Vol 6 Self Defense Ref. DVD/CHINEN6 Price Inc. Tax......22,00 EUR

DVD Goju Ryu Karate Vol 5 Kumite Ref. DVD/CHINEN5 Price Inc. Tax......22,00 EUR

DVD Goju Ryu Karate Vol 4 Bunkai-2 Ref. DVD/CHINEN4 Price Inc. Tax......22,00 EUR

DVD Goju Ryu Karate Vol 3 Bunkai-1 Ref. DVD/CHINEN3 Price Inc. Tax......22,00 EUR

DVD Goju Ryu Karate Vol 2 The Meaning Ref. DVD/CHINEN2 Price Inc. Tax......22,00 EUR

31/134

DVD Karate

DVD Goju Ryu Karate Vol 1 Kihon Waza Ref. DVD/CHINEN Price Inc. Tax......22,00 EUR

DVD Mastering Karate Dan Kata Ref. DVD/KANA6 Price Inc. Tax......22,00 EUR

DVD Mastering Karate Kyu Kata Ref. DVD/KANA5 Price Inc. Tax......22,00 EUR

DVD Mastering Karate Kihon Ido Ref. DVD/KANA4 Price Inc. Tax......22,00 EUR

DVD Mastering Karate Ashi Waza Ref. DVD/KANA3 Price Inc. Tax......22,00 EUR

DVD Mastering Karate Te Waza Ref. DVD/KANA2 Price Inc. Tax......22,00 EUR

DVD Karate-do Shotokan Kata & Bunkai Vol3 Ref. DVD/SHJ3 Price Inc. Tax......22,00 EUR

DVD Karate-do Shotokan Kata & Bunkai Vol2 Ref. DVD/SHJ2 Price Inc. Tax......22,00 EUR

DVD Shotokan Karate Kata Bunkai Vol1 Ref. DVD/SHJ1 Price Inc. Tax......22,00 EUR

DVD Karate JKA Masters 70's Ref. DVD/BC6 Price Inc. Tax......22,00 EUR

DVD Ishin Ryu Karate Ref. DVD/BC23 Price Inc. Tax......22,00 EUR

DVD Karate JKA Masters 50's Ref. DVD/BC14 Price Inc. Tax......22,00 EUR

32/134

DVD Karate

DVD Karate 1924 Kata & Vintage Footage Funakoshi Ref. DVD/BC13 Price Inc. Tax......22,00 EUR

DVD Okinawa Shorin-Ryu Karate Chibana Ref. DVD/BC20 Price Inc. Tax......22,00 EUR

DVD Goju Ryu Karate GYamaguchi Ref. DVD/BC9 Price Inc. Tax......22,00 EUR

DVD Karate JKA Masters 60's Ref. DVD/BC3 Price Inc. Tax......22,00 EUR

DVD Karate-Do The early years Funakoshi Ref. DVD/BC1 Price Inc. Tax......22,00 EUR

DVD Kyokushin Karate Mas Oyama Ref. DVD/BC5 Price Inc. Tax......22,00 EUR

DVD Okinawa Isshin Ryu Karate Kata Ref. DVD/CAN2 Price Inc. Tax......22,00 EUR

DVD Shotokan Karate Nakayama, the last interview Ref. DVD/NAKENT Price Inc. Tax......22,00 EUR

DVD Uechi Ryu Karate K.Uechi Ref. DVD/BC21 Price Inc. Tax......22,00 EUR

DVD Wado-Ryu Karate Ref. DVD/BC15 Price Inc. Tax......22,00 EUR

DVD World Karate Championships 2004 Pack Ref. DVD/WKF2 Price Inc. Tax......22,00 EUR

DVD Karate-do Shinshinkan Okinawa Kata Ref. DVD/CAN1 Price Inc. Tax......22,00 EUR

33/134

DVD Karate

DVD Karate Wado Ryu - I Dori, Tanto Dori, Shitei Kata Ref. DVD/WADO1 Price Inc. Tax......22,00 EUR

DVD Classic Martial Arts Masters of Budo Japan & Okinawa Ref. DVD/BC8 Price Inc. Tax......22,00 EUR