Callie Walton's Portfolio

C A L L I E WA LT O N C A L L I E WA LTCOANL L I E WA LT O N INTERIOR DESIGN

INTERIOR DESIGN

ARCHITECTURAL LIGHTING DESIGN

INTERIOR DESIGN

ARCHITECTURAL LIGHTING DESIG AN RCHITECTURAL LIGHTING DESIGN

C AOLNL I E WA LT C A L L I E WA LT C AOLNL I E WA LT O N

WORK EXPERIENCE

WORK EXPERIENCE

INTERIOR DESIGN INTERIOR DESIGN INTERIOR DESIGN Fisher Marantz Stone – New York, NY Fisher Marantz Stone – New York, NY A SRIC E C T U2018 R A L L I G H Human TING D G INT E C T U R A L L I G H T I N G D E S I G N Resource A R C H I T E C T U RInterior A L L IDesign G H T IIntern NG D E GHNI –T August AERSCI H Interior Design Intern / June 2018 – August 2018 / June 2018

C O N TA C T Fort Worth, Texas 704-661-5178 c.v.walton@tcu.edu

E D U C AT I O N

March 16, 2019

Company Name • Participated and collaborated with team members in all phases of a Lighting Design project • Participated and collaborated with team members in all phases of a Lighting Design project • Assisted in developing Lighting Design solutions for national and international • Assisted inprojects developing Lighting Design solutions for national andStreet international projects 678 Address EXPERIENCE EXPERIENCE • Independently executed and designed the task lighting for WORK FMS’s office renovation byexecuted evaluating • Independently and designedWORK the task EXPERIENCE lighting for FMS’s office renovation byWORK evaluating State, City, Zip an Intern Project consistingFisher of building daylighting models (AGI32), computing /analyzing an Intern Project consisting building models Fisher Marantz Stone of – New York,daylighting NY Marantz Stone – New York, NY Fisher (AGI32), Marantz computing Stone – New/analyzing York, NY calculation points (AGI32),Interior researching fixture alternatives, reviewing and assembling fixture calculation points (AGI32), researching fixture alternatives, reviewing and assembling fixture Design Intern / June 2018 – August 2018 Interior Design Intern / June 2018 – August 2018 Interior Design Intern / June 2018 – August 2018 C O N TA C T and CO NofTA Ccollaborated T Design • with Participated with teamdrivers, membersand in• all phases of and a mock Lighting project samples with their compatible dimmers and with constructing mock samples their compatible dimmers and constructing upsDesignwith • Participated anddrivers, collaborated team members inups all phases a and Lighting project Participated collaborated team members in all phases of a Lighting Design project Assisted in developing Lighting Design solutions for national and international projects • Assisted in developing Lightingfor Design solutions for •national and international projects • Assisted in developing Lighting Design solutions for national and international projects • Updated and completed Lighting Design documentation projects •including: Updated and Worth, completed Lighting Design documentation forDear projects including: Fort Worth, Texas Fort Texas Potential Person, • Independently executed and designed the task lighting for FMS’s office renovation by evaluating • Independently executed and designed the task lighting for FMS’s office renovation by evaluating • Independently executed and designed the task lighting for FMS’s office renovation by evaluating -Lighting Layouts (AutoCAD) -Lighting Layouts (AutoCAD) 704-661-5178 an704-661-5178 Intern Project consisting of building daylighting models (AGI32), an Intern Project consisting of building daylighting-Lighting models (AGI32), computing /analyzing an Intern Projectcomputing consisting /analyzing of building daylighting models (AGI32), computing /analyzing -Lighting Details (Bluebeam) Details (Bluebeam) c.v.walton@tcu.edu c.v.walton@tcu.edu For the last four years, Ifixture havefixture been alternatives, a student atreviewing Texas Christian University, calculation points (AGI32), researching fixture alternatives, reviewing and assembling calculation points (AGI32), researching fixture alternatives, reviewing and assembling fixture calculation points (AGI32), researching and assembling fixture in Fort Worth, TX -Light Fixture Schedules (Excel) -LightCFixture Schedules (Excel) C Owith N TA Ccompatible T C O N TA C T O Nwith TA C Tcompatible samples their dimmers and drivers, and constructing mock ups inwith the their Interior Designdimmers Program. this and point in my education samples their dimmers and drivers, and constructing mock ups samples compatible and At drivers, constructing mock upsI seek the chance to apply for a -Lighting Control Specifications (InDesign; AutoCAD; Bluebeam) -Lighting Control Specifications (InDesign; AutoCAD; Bluebeam) • Updated and completed Lighting Design documentation for projects including: • Updated and completed Lighting Design documentation for projects including: • Updated and completed Lighting Design documentation for projects including: Fort Worth, Texas long-term internship or job after the Summer of 2019. Fort Worth, Texas Fort Worth, Texas DU C AT I OWebs N for Aiming Diagrams (Photoshop; -Light FixturesE with Photometric AGI32) -Light Fixtures Photometric Webs for Aiming Diagrams (Photoshop; AGI32) -Lightingwith Layouts (AutoCAD) -Lighting Layouts (AutoCAD) -Lighting Layouts (AutoCAD) 704-661-5178

704-661-5178

704-661-5178

Bachelor of Science in Interiorc.v.walton@tcu.edu Design Bachelor Science Interior Design -Lighting Details -Lighting in Details (Bluebeam) -Lighting Details (Bluebeam) Gensler - Washington, DC ofc.v.walton@tcu.edu Gensler - Washington, DC (Bluebeam) c.v.walton@tcu.edu During my education experience, I have participated in many university and state affiliated -Light Fixture Schedules Texas Christian University Texas Christian -Light Fixture2017 Schedules (Excel) -Light Fixture Schedules (Excel) Interior Design Intern / June 2017 - University August Interior Design Intern / June 2017 -(Excel) August 2017 associations, and clubs. WithinBluebeam) my school activities, I value my participation as Control Specifications (InDesign; AutoCAD; Bluebeam) -Lighting Control Specifications (InDesign; AutoCAD;-Lighting Bluebeam) -Lighting Control organizations, Specifications (InDesign; AutoCAD; Fort Worth, Texas Fort Worth, Texas systems forI O library materials utilizing AutoCAD • Implemented appropriate storage systems for library materials utilizing AutoCAD E D U C AT N E D U C AT I O •NImplemented appropriate storage E D U C AT I O N a student member and treasurer of the TCU IIDA club, as wellAGI32) as a student member of ASID. -Light Fixtures with Photometric Webs for Aiming Diagrams (Photoshop; AGI32) -Light Fixtures with Photometric Webs for Aiming Diagrams (Photoshop; AGI32) -Light Fixtures with Photometric Webs for Aiming Diagrams (Photoshop; 2015 - 2019 - 2019 • Met with vendors2015 to review new products; • Met with vendors to review new products; Bachelor of Science in Interior Design Out of those four years, I have obtained a basic understanding of the design world and am Bachelor of Science in Interior Design Bachelor of Science in Interior Design Genslerpresentations - Washington,with DC clients Gensler - Washington, DC Gensler - Washington, DC GPA: 3.6 GPA: 3.6 coordinated presentations with clients coordinated Texas Christian University Texas Christian University TexasDesign Christian University excitedIntern to see/ June my potential for growth Intern / June 2017 - August 2017 Interior Design Intern / June 2017 - August 2017 Interior 2017 - August 2017 within the working industry. in selecting finishes for interiors; designers in selecting finishes for interiors;Interior orderedDesign samples Minor in Architectural Lighting Minor in Architectural Lightingordered Designsamples• Assisted Fort Worth, Texas FortDesign Worth, Texas • Assisted designers Worth, Texas • Fort Implemented appropriate storage systems for library• Implemented materials utilizing AutoCAD • Implemented appropriate storage systems for library materials utilizing AutoCAD appropriate storage systems for library materials utilizing AutoCAD Texas Christian University Texas Christian University 2015 - 2019 2015 - 2019 - 2019 • 2015 Met with to review Artful Interiors – Charlotte, – vendors Charlotte, NC new products; •NC Met with vendors to review new products;Artful Interiors • Met with vendorsintomy review new products; As stated Resume, I have worked with both large and small Interior Design and GPA: 3.6presentations Fort Worth, Texas Fort/ May Worth, Texas GPA: 3.6 GPA: Intern 3.6 presentations coordinated with–clients coordinated coordinated presentations with clients Interior Design Intern 2016 – August 2016 with clients Interior Design / May 2016 August 2016 Architectural Lighting Design firms. During my summer internships in 2017 and 2018, I • Assisted in selecting finishes for interiors;• ordered 2015 - 2019 2015 -mood 2019 • Assisted in selecting finishesDesign for interiors; ordered samples Assistedsamples for interiors; ordered samples Minor in Lighting Minor in Architectural Lighting Design Minor indesigners Architectural Lighting • Helped designer create boardsdesigners forArchitectural presentations • Helped designer create mood boards for Design presentations wasdesigners exposedintoselecting a highfinishes paced working environment in highly recognized firms, which has Texas Christian University Texas Christian University Texas Christian University Semester Abroad Artful Interiors – Charlotte, NC media pages forArtful Abroad • Transformed andSemester maintained social media for the • Transformed and maintained social the business Artful Interiors – pages Charlotte, NCbusiness Interiors – Charlotte, NC strengthened my abilities as a growing designer. The computer programs I have worked with Fort Worth, Texas Fort Worth, Texas Fort Worth, Texas Design Intern / May 2016 – August 2016 Interior Design Interior Design Intern / May 2016 – AugustMcKenzie 2016 Interior Intern / May 2016 – August 2016 Lorenzo de’ Medici Lorenzo de’NC Medici are AutoCAD, SketchUP, AGI32, Revit, and all the Microsoft and Adobe software. McKenzie Claire – Charlotte, Claire – Charlotte, NC 2015 -designer 2019 create mood boards for presentations• 2015 2015 - 2019 - 2019 Helped designer create mood boards for presentations Helped • Helped designer create mood boards for presentations Florence, Italy Florence, Sales Associate / May 2016 –•Italy August 2016 Sales Associate / May and 2016 – August 2016 Semester Abroad • Semester Transformed maintained social media pages for• the business and maintained social media pages for the business Semester Abroad • Transformed and maintained social media pages for the business Abroad Transformed January 2018 - May 2018 January 2018 May 2018 my entire education, my passion for designing only grew stronger, while my inLorenzo boutique potential buyers; organized inventory • Sold clothes andde’ accessories in boutique to potential buyers;Throughout organized inventory de’toMedici Lorenzo de’ Medici• Sold clothes and accessories Lorenzo Medici McKenzie Claire – Charlotte, NC McKenzie Claire – Charlotte, NC McKenzie Claire – Charlotte, NC knowledge of the field continually expands. I was able to learn more than I ever thought I Italy Florence, Italy Florence, Italy Sales Associate / May 2016 – ACCOMPLISHMENTS August 2016 SalesFlorence, Associate / May 2016 – August 2016 Sales Associate / May 2016 – August 2016 ACCOMPLISHMENTS would in these past four years, mostly due to my self-determination and experiences from E X P E RT I S E E X P E•RT Iclothes S E2018 January May 2018 in boutique to potential buyers; January 2018 - May 2018 2018and - May 2018 in boutique to potential• Sold • January Sold clothes accessories buyers; organized inventory in boutique to potential buyers; organized inventory Sold and-accessories organized inventory clothes and accessories working during the Center summer. Most of my capabilities as an interior and lighting designer International Interior Design Association University Campus Center International Interior Design Association / Texas Christian University Campus Adobe Creative Suites Adobe Creative Suites/ Texas ChristianACCOMPLISHMENTS ACCOMPLISHMENTS ACCOMPLISHMENTS developed from these summer internships, as I am a fast learner and am dedicated to finding –EPresent IIDA Treasurer X P E RT I S E E X P E RT I SIIDA E Treasurer / August E X P/EAugust RT I S2018 E – Present AGI32 & Kerkythia AGI322018 & Kerkythia the right solutions. I want to thank you for your time, and I hopeCenter to meet with you personally • Pitched ideas withAutoCAD financial budgeting analysis to gainAssociation support and receive funding International Design Association / Texas Christian University Campus Center • Pitched ideas withInterior financial budgeting analysis to gain support and receive funding International Interior Design / Texas Christian University International Interior Design Association / Texas Christian University Campus Adobe Creative Suites AutoCAD Adobe Creative Suites Adobe CreativeCampus Suites Center IIDA Treasurer / August 2018 – Present by phone or for an interview. I will be visiting DC during the _____week of ________ and • Provided an exchange of ideas for program events that promoted interaction with professional • Provided an exchange of ideas for program events that promoted interaction with professional IIDA Treasurer / August 2018 – Present IIDA Treasurer / August 2018 – Present AGI32 & Kerkythia AGI32 & Kerkythia Bluebeam Bluebeam AGI32 & Kerkythia •Designers Pitched ideas with financial budgeting analysis to gain support andwith receive funding • Pitched ideas with financial budgeting analysis to gain support and receive funding • Pitched ideas financial budgeting analysis to gain support and receive funding Interior Designers and other organizations Interior and other organizations am available to meet in person if your schedule allows. Please find attached my resume and AutoCAD AutoCAD AutoCAD Hand Drafting + Modeling + Sketching Hand Drafting + Modeling + Sketching • program Provided aninteraction exchange of ideas for program that promoted interaction professional Provided an exchange ideas for program that promoted with professional • Provided an exchange ofwith ideas for activities program promoted interaction with professional • Undertook, stabilized, and •ensured funding for alloffinancial expensesevents activities • toward Undertook, stabilized, and ensured funding for events all financial expenses toward program portfolio for your review. Thank events you sothat much for your consideration and I look forward to Bluebeam Bluebeam Bluebeam Hand Rendering Hand Rendering Interior Designers and other organizations Interior Designers and other organizations Interior Designers and other organizations and events that facilitated involvement with local design professionals and events that facilitated involvement with local design professionals hearing back from you. Hand Drafting + Modeling + Sketching Hand Drafting + Modeling + SketchingMicrosoft Office Hand Drafting + Modeling + Sketching • Undertook, stabilized, and ensured funding for all financial expenses towardand program activities Microsoft Office Suite Suite • Undertook, stabilized, and ensured funding for all financial expenses toward program activities • Undertook, stabilized, ensured funding for all financial expenses toward program activities Hand Rendering Hand RenderingInternational Interior Design Association Hand Rendering Texas Oklahoma Chapter Interior Association Texas Oklahoma Chapter andprofessionals events thatDesign facilitated involvement- with local design professionals and events that -facilitated involvement withInternational local design and events that facilitated involvement with local design professionals Revit Revit Microsoft Office Suite Microsoft OfficeIIDA Suite Student Member / September Microsoft Office/ September Suite 2015 – Present Student Member 2015 – Present SketchUP & Enscape SketchUP & Enscape International Interior Design Association - Texas Oklahoma Chapter International Interior Design Association - IIDA Texas Oklahoma Chapter International Interior Design Association - Texas Oklahoma Chapter Vray & 3ds Max

Revit Revit Revit • Visit multiple residential and Interior/ September Design firms around Texas • Visit multiple residential and commercial Interior Design firms around Texas IIDA Student Student Member 2015 – Present IIDA Student Member / September 2015 – Present Vray &IIDA 3ds commercial Max SketchUP & Enscape SketchUP & Enscape SketchUP &Member Enscape/ September 2015 – Present • Host events where designers share experiences on internships and Interior study abroad programs • Host events where designers experiences on internships andaround study abroad • Visit multiple residential and commercial Interior Design Texas • Visit multiple residential and commercial Design firms around Texas share • Visit firms multiple residential andprograms commercial Interior Design firms around Texas Vray & 3ds Max Vray & 3ds Max Vray & 3ds Max • Host events where designers share experiences on internships and study abroad programs events -where share experiences on internships andCollegiate study abroad programs - Texas Christian • Host events where designers share experiences on internships and study abroad programs National Society of Collegiate• Host Scholars Texasdesigners Christian Univeristy National Society of Scholars Univeristy

PERSONAL SKILLS

PERSONAL SKILLS

Yours Sincerely,

National - Texas Christian National of Christian Univeristy NationalUniveristy Society of Collegiate Scholars - Texas Christian Univeristy 2015 May NSCS Member / SSeptember May P E–Society R S O2019 NCollegiate A L S K IScholars L L S - Texas P E R S O N ANSCS L S KMember I L L S / September PE RSociety O NofACollegiate L S2015 K I L–Scholars L S 2019 Callie/ Walton Self - Motivation Self - Motivation NSCS Member / September 2015 – May 2019 NSCS Member NSCS Member / September 2015 – May 2019 September 2015 – May 2019 Self - Motivation Interior Designers - Fort Worth, Texas American Society of Interior Designers - Fort Worth, Texas Self - MotivationAmerican Society ofCommunication Self - Motivation Communication American Society of Interior Designers Fort Worth, Texas American Society of Interior Designers Fort Worth, Texas American Society of Interior Designers - Fort Worth, Texas Communication Communication – Under May 2019 ASID Member / September 2015 – May 2019 Ability to Work Under Pressure Communication ASID Member / September Ability ASID to2015 Work Pressure ASID Member / September 2015 – May 2019 ASID Member / September 2015 – May 2019 Member / September 2015 – May 2019 Ability to Work Under Pressure Ability to Work Under Pressure Ability to Work Under Pressure Time Management Time Management Lorenzo di Medici: Art and Design Exhibition - Florence, Italy LorenzoLorenzo di Time Medici: Art and Design Exhibition - Florence, Italy Time diManagement Medici: Art and Design Exhibition - Florence, Time Management Lorenzo di Management Medici: Art and Design Exhibition - Florence, Italy LorenzoItaly di Medici: Art and Design Exhibition - Florence, Italy Adaptability Adaptability Art is in the Square Nominee / May 12, 2018 Art is in the Square Nominee / May 12, 12, 2018 Adaptability ArtAdaptability is in the Square Nominee / May 2018 Art is in the Square Nominee / May 12, 2018 Adaptability Art is in the Square Nominee / May 12, 2018 of collaboration of theSolving artistic achievments cultural diverse LDM students Problem Solving • Event ofcultural collaboration of the artistic achievments diverse LDM students Solving •consisting Event of consisting of collaboration ofstudents the artistic achievments ofthe thecultural cultural diverse LDM students Problem • Event consisting of collaboration of of thethe artistic achievments the diverse LDM • Event of consisting of collaboration of the artistic achievments of the cultural diverse LDM students Problem Solving • Event consisting Problem Problem Solving the historical center of Florence within the historical centercenter of Florence Creative & Critical Thinking Creative & Criticalwithin Creative & Critical Thinking within the historical of Florence Creative & Critical Thinking within the historical center of Florence within the historical center of Florence Thinking Creative & Critical Thinking

• LDM professional juries selected two studentsjuries fromselected each class to display their artwork • LDM professional juries juries selected twothat students from each class totodisplay their artworktwo that • LDM professional selected two students from class display theirselected artwork that • LDM professional two students from each class to that display their artwork • each LDM professional juries students from each class to display their artwork that an understanding of communication, creativity, and cultural dialogue of communication, creativity, and cultural dialogue reflects an understanding of communication, creativity, andunderstanding cultural dialogue reflects an understanding reflects an understanding of communication, creativity, and cultural dialogue reflects reflects an of communication, creativity, and cultural dialogue

W LEO LSN , NSS”U NB A IBLI L NLO ONVAT VAT ”S” T A I N A B I L I T Y, I N N O VAT I O N ” S TA I L“ IW TI Y, IL”NENN VAT ISOU “ WI IN ENLN E S S I,IOO SNU “ W E L L N E S S , S U“SWTEALILNNAEBS ISL, ISTUY, I NI NNAOBVAT O“LN E SE, S S T SATIANIA I TI TY,Y, “W ELLN EN SS , S U S T A I N A B I L I T Y, I N N O VAT I O N ”

MY DESIGN PHILOSOPHY MY DESIGN PHILOSOPHY

Extracting the small details; shapes and patterns derived from concepts of substantial composition which transform into worldly experiences that enhance Extracting the small details; shapes and patterns derived from concepts of the built environment through sustainability, innovation, and well-being. substantial composition which transform into worldly experiences that enhance the built environment through sustainability, innovation, and well-being.

RHYTHMIC DESIGN

Christian Friedrich Martin: Founder of Company

Design Objective: To develop the schematic lighting design for a commercial office. Verification of IES targets for illuminating each space within a graphic color coded hierarchy map is required. Course: Lighting for Interior Design I Task: As a designer, my goal was to create a lighting plan that conveyed a rhythmic concept that supported Martin’s passion and interest in bringing people together through music. Design Narrative Martin & Co brought people together to celebrate one thing they had in common, playing guitar. Employees aspire to connect with their co-workers and clients to ensure the consistent satisfaction of an instrument that provides a higher quality acoustical experience.

Represents Martin & Co’s design concept of connection with the installation of The “Running Magnet” throughout all areas of circulation within the office

Represents Martin & Co’s authentic brand with the installation of industrial light fixtures

Guitar Display Wall with Adjustable Track Lighting The “Running Magnet” - Circulation Lighting: Connects Spaces within Office

Simplifies collaboration within the office by connecting spaces with linear recessed ceiling fixtures that imitate a rhythmic, acoustical pattern throughout the space

Mimicking Guitar Strings in a Rhythmic Pattern Display

Utilizes energy efficient lighting factors, consistently identified in all Martin & Co offices, such as the use of solar power, LED products and sustainable eco-friendly finishes.

Indirect Linear Cove Lighting for Wall Decor in Copy/Print Room

Decorative Pendants for Entrance

LINK TO FULL PROJECT: <iframe src="https://e.issuu.com/anonymous-embed.html?u=c.v.walton&d=project1_walton_callie_lighting" style="border:none;width:100%;height:500px;" allowfullscreen></iframe>

H A H N A D N

D D R D RA F A FT TI IN G N G

C CO M O M M E M ER RC CI IA L A L D E D ES SI IG N G N

R RE ES SI ID E D EN T N TI IA L A L D E D ES SI IG N G N

L LI IG H G T H TI IN G N

G D E D ES SI IG N G N

P PH O H T O TO G O R G RA P A PH Y H Y

HAND DRAFTING

D RAF T I N G S K I LLS

PE R S PE C T I V E C O LO R R E N D E R I N G I LLU S T RAT I O N

Project Objective: Given a basic perspective drawing, students were required to go above and beyond, by extending the horizon line and adding more features to the outline to make a masterpiece of their own. Course: Hand Sketching for Interiors

Task / Skills Obtained: While using colored pencils and markers, students learned and understood the coloring techniques of blending and contrast, aiding in the development of their own style to utilize in conveying ideas and designs to future clients.

S PAT IAL D I M E N S I O N My design study focuses on phenomenal space and how transparency implies not only optical characteristics but also a broader spatial order. Project Objective: To develop an artifact that expresses anthropomorphic proportions between part-to-part as well as part-to-whole, then hand draft various configurations that demonstrate an understanding of the human scale. Course: Process and Design Theory Task/ Stills Obtained: To create an anthropomorphically proportional scale, I measured the dimensions of my own body and implemented the findings of proportion into an abstract object. This spatial study helped me learn and understand specific design theories involving the built environment for bodily shelter and its direct proportional relationship to the human body.

D RAF T I N G S K I LLS

MULTI-USE FURNITURE DESIGN WORK PLUS PROJECT Project Objective: Design a multi-use piece of case goods for installation within a client’s home. Dimensions for the furniture design are no more than 10’-0” wide, 3’-0” deep, and 8’-0” high. The final product must serve at least three different functions for the user. Course: Interior Design II Task: This custom furniture piece is designed for a client whose life is centered around balancing fitness, work, and sleep.

THE WORKFIT LOUNGE The WorkFit Lounge is the newest complex piece of furniture that allows one to work individually or with friends at a desk, exercise with two different workout-oriented structures, and lounge together with friends while watching TV.

Metal- Lam: Chemetal

3rd STRUCTURE This part is designed to hold storage for not only personal belongings but for six chairs. The chairs can easily be removed by a handle underneath the chair within the wall.

1st STRUCTURE Metal: Chemetal This part is designed to be a structure for strength building with the connected hand rails. One is able to lift themselves up or attach more equipment, like a rubber pull rope for more arm strength exercises. The structure can then fall forwards acting as a bed frame.

Dark Oak P-Lam: Wilson Art

Stainless Steel: Chemetal

Metal: Monroe

2nd STRUCTURE The second part is designed when right side up, to be another structure for work out equipment. One can adjust the height of the legs on the table for pull ups. When the table is extended out, it is used as a workspace and can be lowered from 30" to 15" to also become a coffee table for lounging.

Dark Oak P-Lam: Wilson Art

Metal: Chemetal

S PAT IAL AN D C O L O R S T U D Y / AP P L I CAT I O N COLOR STUDY SPATIAL STUDY Project Objective: Given limitations on the square footage, height, and thickness of materials, students constructed and designed a pavilion within the Japanese Botanical Gardens in Fort Worth, TX. Course: Space and Color Theory Task/ Skills Obtained: My design provides a space of peace and tranquility that creates an environment where one can connect with nature. The spatial planning within my pavilion gives visitors a suggestion in direction, leading towards an appealing viewpoint of the surrounding garden. The developmental studies of light and color strengthened my understanding of the different effects that color portrays in relation to its surrounding spatial elements.

D RAF T I N G S K I LLS

COMMERCIAL DESIGN

W O R K P LAC E D E S I G N

rsidiary the Soul, a diversified of Chicken Soup media for theand Soul, a diversified media and CSSE isaadigital subsidiary of Chicken Soup formedia the Soul, a diversified media and oupthe for the Soul, a Soup diversified media and sidiary of Chicken for the Soul, a diversified and Soul, a business diversified media and des book series, media oducts that includes the book series, a digital Project Objective: Given an assigned, recently public, business consumer products business that includes themedia book series, a digital media at includes the book series, a digital mediaseries, business includes the book a digital media he book series, athat digital media ul Pet Food for cats and dogs. doducts Chicken Soup for the Soul Pet Food forfor cats company, and Chicken Soup theand Souldogs. Pet Food for cats and dogs. organization, formulate a programming packet that shows the Soul Food cats and dogs. d Chicken Soup forfor the Soul Pet Food for cats and dogs. Food forPet cats and dogs.

knowledge of the company’s business structure to design their headquarters. that concept is expressed through linkage CSSE will have athe main concept of connectivity expressed through the linkage atymain of connectivity that is expressed throughthat theislinkage nnectivity that is expressed through the linkage a main concept of connectivity that is expressed through the linkage Course: Interior Design II ns are derived from relationships, in t is expressed through the linkage of spaces and aspects of nature. Connections are derived from relationships, in aspects of are nature. Connections are derived from relationships, in nnections derived from relationships, in aspects of nature. Connections are derived from in something else. This Skills Obtained: By designing and organizing all of the phases a person, orwith idea is linkedrelationships, or associated sociated with something This from relationships, inthing, ,derived thing, or idea iswhich linked orelse. associated something else. Thiswith ed or associated with something else.every This concept ties together design aspect of CSSE from space planning to finishes n, thing, or idea is linked or associated with something else. This fgether CSSE from space planning to finishes ed with something else. This aspect of CSSEtofrom space planning to finishes and sections of construction documents for the business, I aspect ofevery CSSEdesign from space planning finishes andCSSE will convey aCSSE positive, uplifting environment, where everything and everyone ogether every design aspect of from planning finishes where everything and is to a subsidiary ofeveryone Chicken Soup for the Soul,space aeverything diversified media and andto from space planning finishes yment, a positive, uplifting environment, where everyone developed a full understanding of the design process within a environment, where everything and everyone consumer products business that includes the book series, a digital media are company, interconnected. ywhere a positive, uplifting environment, everything and everyone and Chicken Soup for the where Soul Pet Food for cats and dogs. everything and everyone cted. professional firm. cted.

CSSE will have a main concept of connectivity that is expressed through the linkage of spaces and aspects of nature. Connections are derived relationships, in media and CSSE is a subsidiary of Chicken Soup for thefrom Soul, a diversified whichwill a person, or idea isoflinked or associated something else. Thislinkage CSSE have a thing, main concept connectivity that iswith expressed through the consumer products business that includes the book series, a digital media concept together designConnections aspect of CSSE from space planning to finishes of spacesties and aspectsevery of nature. derived from relationships, in dogs. company, and Chicken Soup forare thewhere Soul everything Pet Food for cats and and willa person, convey athing, positive, uplifting environment, everyone which or idea is linked or associated with somethingand else. This are interconnected. concept ties together every design aspect of CSSE from space planning to finishes and will convey positive, environment, where everything and everyone CSSE awill have auplifting main concept of connectivity that is expressed through the linkage are interconnected. of spaces and aspects of nature. Connections are derived from relationships, in which a person, thing, or idea is linked or associated with something else. This concept ties together every design aspect of CSSE from space planning to finishes and will convey a positive, uplifting environment, where everything and everyone are interconnected.

Belux Cloud Light Fixture: integrated nature element located in shared spaces MW

DW

Shop and Neon Works Light Custom Neon CT CSSE will have The a main concept Fixtures: Signof connectivity that is expressed through the linkage of spaces and aspects of nature. Connections are derived from relationships, in which a person, thing, or idea is linked or associated with something else. This Shop and Neon Works concept ties together every design aspect of CSSE from space planning to finishes will convey a positive, uplifting environment, where everything and everyone CTand are interconnected.

Belux Cloud Light

REF

Fixtures: The Sign Shop and Neon Works CT

Belux Cloud Light Fixture: integrated nature element Belux Cloud Light located in shared Fixture: integrated spaces nature element located in shared Belux Cloud Light spaces Fixture: integrated nature element located in shared spaces

and consumer product business. CSSE’s design concept of CHICKEN SOUP FOR THE SOUL connectivity is expressed through ENTERTAINMENT LLP the linkage of spaces as well as components of nature. This concept ties together every aspect of CSSE’s design, space planning, to finishes, and will Red and White convey a positive, uplifting Eames Chair environment, where everything and everyone are interconnected. Red and White

Red and White Eames Chair

Red and White Belux Cloud Light Eames Chair Fixture: integrated nature element located in shared spaces

Custom Neon Light Fixtures: The Sign Ergonomic Task Chair Shop andStations: Neon Works for Work CT Herman Miller

CALLIE WALTON C.V.WALTON@TCU.EDU

Fixture: integrated BeluxCloud Cloud Light Belux Light Belux Cloud Light nature Beluxelement Cloud Light Beluxintegrated Cloud Light Fixture: integrated Fixture: Fixture: integrated located in shared Fixture: integrated Fixture: integrated nature element NORTH nature element nature element spaces nature element nature element located sharedSoup forlocated located inin shared Chicken the Soul in shared CONSTRUCTION located in shared located in shared spaces spaces spaces media DOCUMENTS (CSSE), is a diversified spaces spaces

Custom Neon Light Fixtures: The Sign Shop and Neon Works Custom Neon Light CT Fixtures: The Sign Shop and Neon Works CT Custom Neon Light PANTRY

Light nSign Light Sign on Works on Works

sk Chair ask Chair ions: tions: er er

CSSE is a subsidiary of Chicken Soup for the Soul, a diversified media and consumer products business that includes the book series, a digital media CSSE is a subsidiary of Chicken for the diversified company, and Chicken Soup forSoup the Soul PetSoul, Foodafor cats and media dogs. and consumer products business that includes the book series, a digital media company, and Chicken Soup for the Soul Pet Food for cats and dogs.

CSSE will have a main concept of connectivity that is expressed through the linkage of spaces and aspects of nature. Connections are derived from relationships, in which a person, thing, or idea is linked or associated with something else. This concept ties together every design aspect of CSSE from space planning to finishes and will convey a positive, uplifting environment, where everything and everyone are interconnected.

CSSE is a subsidiary of Chicken Soup for the Soul, a diversified media and Custom Neon Light business that includes the book series, a digital media consumer products Fixtures: The Sign company, and Chicken Soup for the Soul Pet Food for cats and dogs.

Connections are derived from relationships, in which a person, thing, or idea is linked or associated with something else.

Red and White Eames Chair

Ergonomic Task Chair for Work Stations: Herman Miller Ergonomic Task Chair for Work Stations: Herman Miller Ergonomic Task Chair for Work Stations: Herman Miller

Red and White Eames Chair

ASSIGNMENT #10 Project No: 1072

Issue Date: 30 NOVEMBER 2017 Revision:

Red and White Eames Chair

Ergonomic Task Chair for Work Stations: Herman Miller

Ergonomic Task Chair for Work Stations: Herman Miller

Brick Work from Summit; Color: Alaskan

Old Polished Concrete; Olsen Construction Services; Color: Speckled

Luxury Vinyl Tile Wood Plank; Tandus Flooring; Color: American Walnut

Navy Blue Millwork for Cabinetry Petruniti Design

Royal Blue Upholstery for reception desks: Maharam Fabrics

Brick Work from Summit; Color: Brick Work Alaskan from Summit; Brick Work from Color: Alaskan Summit; Color: Alaskan

Old Polished Concrete; Olsen Construction Old Polished Services; Concrete; Color: Speckled Olsen Old Polished Construction Concrete; Services; Olsen Construction Color: Speckled Services; Color: Speckled

1

Luxury Vinyl Tile Wood Plank; Tandus Flooring; Luxury Color: Vinyl Tile Wood American Plank; WalnutTandus Luxury Vinyl Flooring; Tile Wood FURNITURE PLAN Plank; Tandus Color: Scale: 1/8"- 1'-0" Flooring; American Walnut Color: American Walnut

Red and White Eames Chair Red and White Eames Chair Eames Chair

Navy Blue Millwork for Cabinetry Petruniti Navy Blue Design Millwork for Cabinetry Navy Blue Petruniti Millwork for Cabinetry Design Petruniti Design

Red and White Red and White 1/8" = 1'-0" Eames Chair Eames Chair SHEET NAME SCALE

Royal Blue Upholstery for reception desks: Royal Blue Maharam Upholstery Fabrics for reception Royal Blue desks: Upholstery Maharam for reception Fabrics desks: Maharam Fabrics

FURNITURE PLAN SHEET NUMBER

Brick Work from Summit; Color: Alaskan

Old Polished Concrete; Olsen Construction Services; Color: Speckled

Luxury Vinyl Tile Wood Plank; Tandus Flooring; Color: American Walnut

Navy Blue Millwork for Cabinetry Petruniti Design

Royal Blue Upholstery for reception desks: Maharam Fabrics

ID1.2

Linking Places Where People Can Connect Offices

Navigational Areas Private Collaborating Spaces

Brick Work from Summit; Color: Alaskan Old Polished

Old Polished Concrete; Olsen Construction Services; Luxury Vinyl Color: Speckled

Luxury Vinyl Tile Wood

Navy Blue Millwork for Cabinetry Petruniti Design

Linking Plank; Aspects Tandus of Nature through Biophillic Design

Flooring; Color: Integrated Plants American Fixture Navy Blue Walnut Light (Mimics Water)

Royal Blue Brick Work Tile Wood Concrete; Upholstery Luxury Vinyl Old Polished Royal Blue Luxury Vinyl Old Polished from Millwork for Plank; Tandus Olsen for reception Light Fixture Luxury Vinyl Brick Work Navy Blue Luxury Vinyl Old Polished Tile Wood Brick Work Navy Blue Old Concrete; Polished Royal Blue Upholstery Tile Wood (Mimics Clouds) Summit; Concrete; Cabinetry Flooring; Brick Work Construction desks: Navy Blue Brick Work Tile Wood from Navy Blue Millwork for Tile Wood Concrete; Plank; Tandus from Millwork for Concrete; Upholstery Olsen for reception Plank; Tandus Color: Olsen Petruniti Color: Services; Maharam from Millwork for from Summit; Plank; Tandus Millwork for Cabinetry Plank; Tandus Olsen Flooring; Summit; Cabinetry Olsen for reception Construction desks: Flooring; Alaskan Design Construction American Color: Speckled Fabrics Summit; Cabinetry Summit; Flooring; Color: Cabinetry Petruniti Flooring; Construction Color: Color: Petruniti Construction desks: Services; Maharam Color: Services; Walnut Color: Petruniti Color:Alaskan Color: Petruniti Design Color: Services; American Alaskan Design Services; Maharam Color: Speckled Fabrics American Color: Speckled Alaskan Design allowfullscreen></iframe> Alaskan American Design American Color: Speckled Walnut LINK TO PROJECT: <iframe src="https://e.issuu.com/anonymous-embed.html?u=c.v.walton&d=walton_callie_csse" style="border:none;width:100%;height:500px;" Color: Speckled Fabrics Walnut Walnut Walnut

C O M M E R C IAL DESIGN

LI G H T I N G DESIGN

Royal Blue Upholstery for reception desks: Maharam Fabrics

Royal Blue Royal Blue Upholstery Upholstery for reception for reception desks: desks: Maharam Maharam Fabrics Fabrics

IIIN NT OR &B AN ND DIIIN NG GD DE GN N FFFO OR AIIIL USSSIIIN NE N TTE EER RRIIIO O RR & & BBR RRA A N D N G D EESSSIIIG G N O RR R RRE EET TTA A LL B BBU U N EESSSSSS

Business Model:

BusinessModel: Model: Business MISSION MISSIONSTATEMENT: STATEMENT: MISSION STATEMENT: Ivy Essence’s Ivy Essence’s targetaudience audienceconsists consistsof ofyoung youngto tomiddle middle Ivy Essence’s target target audience consists of young to middle aged agedcustomers customerswho whohave havethe thedesire desireto todesign designand andcreate create aged customers who have the desire to design and create their theirown ownjewelry jewelrypieces. pieces.The Thebusiness’s business’starget targetaudience audience their own jewelry pieces. The business’s target audience also alsoapplied appliedto toambitious ambitiousentrepreneurs entrepreneursin inthe thejewelry jewelry also applied to ambitious entrepreneurs in the jewelry making makingbusiness businesswho whoseek seekfor forassistance assistancein inmultiple multiple making business who seek for assistance in multiple categories categoriessuch suchas aswork workspace spaceand andlarger largerselections selectionsof of categories such as work space and larger selections of inventory inventorythat thatare areclose closeto tohand. hand. inventory that are close to hand. Client’s Client’sExperience: Experience: Client’s Experience:

WORKSHOP

CREATE

RE

S

I N T E R I O R & B RAN D I N G D E S I G N F O R R E TAI L B U S

Mission MissionStatement: Statement: MISSION STATEMENT: Mission Statement: MISSION STATEMENT: MISSION STATEMENT: To Toprovide providean anopportunity opportunityfor fornew newexperiences experiencesto to To provide an opportunity for new experiences to unite uniteaaacommunity communityof ofcreative creativepeople peoplewho whobelieve believein in unite community of creative people who believe in living livingsustainably sustainablyfor fortomorrow tomorrowwithout withoutsacrificing sacrificing living sustainably for tomorrow without sacrificing the thebeauty beautyof oftoday. today.Houses Housesareas areasfor forpurchasing purchasing the beauty of today. Houses areas for purchasing and andcreating creatingjewelry jewelryfor forpeople peoplewith withany anyor orno no and creating jewelry for people with any or no experience. experience. experience.

Project Objective: This retail project is a collaboration between the Interior Design and Graphic Design students at TCU to create a brand and design the interior and exterior spaces within a given building shell. Students had to work together to accurately express their ideas and brand for the project. Course: Interior Design IV

Mission Statement: MISSION STATEMENT: To provide an opportunity for new experiences to unite a community of creative people who believe in living sustainably for tomorrow without sacrificing the beauty of today. Houses areas for purchasing and creating jewelry for people with any or no experience.

Business Model:

MISSION STATEMENT: Ivy Essence’s target audience consists of young to middle aged customers who have the desire to design and create their own jewelry pieces. The business’s target audience also applied to ambitious entrepreneurs in the jewelry making business who seek for assistance in multiple categories such as work space and larger selections of inventory that are close to hand.

Client’s Experience:

Project ProjectObjective: Objective:This Thisretail retailproject projectis collaboration Project Objective: This retail project isisaaacollaboration collaboration between betweenthe theInterior InteriorDesign Designand andGraphic GraphicDesign Design between the Interior Design and Graphic Design students studentsat atTCU TCUto tocreate createaaabrand brandand anddesign designthe the students at TCU to create brand and design the interior interiorand andexterior exteriorspaces spaceswithin withinaaagiven givenbuilding building interior and exterior spaces within given building shell. shell.Students Studentshad hadto towork worktogether togetherto toaccurately accurately shell. Students had to work together to accurately express expresstheir theirideas ideasand andbrand brandfor forthe theproject. project. express their ideas and brand for the project. Course: Course:Interior InteriorDesign DesignIV IV Course: Interior Design IV

CREATE CREATE CREATE

STUDIO STUDIO STUDIO

WORKSHOP WORKSHOP WORKSHOP

RETAIL RETAIL RETAIL

Lighting LightingLegend Legend Lighting Legend

STUDIO BOARD STUDIO BOARD STUDIO BOARD

CREATE

STUDIO Custom light fixture mimics the stores iconic look of ivy

Tutorial video-share provided on iPads for earing, necklace, bracelet, and ring designs

STUDIO BOARD

Spaces available for monthly rental to local jewelry designers; designers can get exclusive deals on materials ordered through company

A wide variety of responsibly sourced and recycled materials 20 20 20

I  

20

E S S E N C E

CONCEPT BOARD

S U S TAIN AB ILITY EAC H M ATER IAL IS D ER IVED FR O M A R EC YC LED P R O D U C T W ITH IN TH E LO C AL C O M M U N ITY. TH IS R EC YC LED M ATTER IS A W AY O F IVY ES S EN C E G IVIN G B AC K TO TH E C O M M U N ITY.

24

RETAIL RENDERING

RETAIL BOARD

RETAIL BOARD

WORKSHOP

RETAIL BOARD

18

19

C O M M E R C IAL DESIGN

RETAIL

Rotating selection of premade jewelry by local artists; feature display showcasing a collection by an artist of the month

18

24

24

WORKSHOP BOARD WORKSHOP BOARD 24

11

WORKSHOP BOARD

24

WORKSHOP BOARD

24

Comfortable open space for customers to work WORKSHOP BOARD on their jewelry creations; jewels (customers) are available to assist customers; space available for large and small parties WORKSHOP BOARD

24

RETAIL BOARD

18

LI G H T I N G DESIGN

RESIDENTIAL DESIGN

3-D MAX SKILLS

Project Objective: Objective: Using Using skills skills developed developed in in Project 3-D MAX, MAX, students students individually individually replicated replicated the the 3-D iconic, historically historically preserved preserved residential residential home. home. iconic, Course: Course: CAD CAD for for Interior Interior Design Design II II

Designed by by Miles Miles Van Van Rohe Rohe in in 1945, 1945, The The Farnsworth Farnsworth House House is is a a vital vital part part of of America America Designed iconography. iconography. The The residence residence is is an an exemplary exemplary representation representation of of both both the the International International Style Style of of architecture architecture as as well well as as the the modern modern movement’s movement’s desire desire to to juxtapose juxtapose the the sleek, sleek, streamline streamline design of Modern structure with the organic environment of the surrounding nature. design of Modern structure with the organic environment of the surrounding nature.

Task/ Skills Skills Obtained: Obtained: By By analyzing analyzing Van Van Der Der Task/ Rohe’s choices choices of of materials, materials, colors, colors, and and details details Rohe’s within the the construction construction of of the the Farnsworth Farnsworth within House, then then implementing implementing a a selection selection of of House, customized customized material material components components within within 3-D 3-D MAX, MAX, II successfully successfully conveyed conveyed Rohe’s Rohe’s selection selection of finishes finishes to to accurately accurately reflect reflect his his design design of vision. vision.

RE ES S II D DE EN NT T IIA AL L R DE ES S II G GN N D

AG I N G - I N - P LAC E / C L I E N T BAS E D APAR T M E N T D E S I G N Project Objective: With an understanding in how to create a furniture library and furniture budget plan (Microsoft Excel; PowerPoint), design the interior of an apartment for a couple who are aging-in-place. Project submittals included a vast range of detailed CAD plans that recognized the implementation Aging in Place codes and standards with the inclusion of a lighting concept layout, schematic building system and controls plan, as well as a customized acoustical consideration. Course: Interior Design I Task/ Skills Obtained: Upon completion of the project, I obtained an understanding in how to create a furniture library, interior finish schedule, and budget plan (Microsoft Excel; Microsoft PowerPoint), for residences that comply with the aging-in-place codes and standards. Through my process of hand rendering three different spaces within the client’s home, I expanded my knowledge within custom interior architectural elements as well as developed new skills for showcasing design ideas to clients.

Biophilic Design: integrating succulents and lotus flowers to lower blood pressure and decrease the release of cortisol

Vinyl – wood flooring in bathroom for non slip material (not cork flooring because of moisture problems

MASTER BEDROOM

YOGA MATS

5’ ADA

5’ ADA

Cool colors found in nature are painted in the Meditation room to promote relaxation and connection to nature

Depth of Seat: 20” Height of Seat: 18” Arm Height: 25” Firm seating with Vinyl fabric, unpadded armchairs, and no wheels for easy control and stability

OFFICE MEDITATION ROOM

LIVING ROOM Tilted Mirror for visual acuity in the bathroom

MASTER BATHROOM

DINING ROOM

Area rug

BATHROOM RUGS

5’ ADA

Dining Table: Rounded Corners and ample space underneath (30”) for room and comfort

MASTER CLOSET 5’ ADA

KITCHEN

Wall mounted toilet at 1’5” seat height with vertical/horizontal grab bars for secureness

D‐Shaped pull handles for comfort when accessing cabinetry

5’ ADA

CAREGIVER SUITE Laundry room 5’ ADA

ADA accessible shower with grab bars

Area rug

Anti‐fatigue area rug by the sink for non‐slip protection 9” kick (vertical starting dimension) for drawers and cabinetry

Caregiver Suite: located near the Master Bedroom for easy communication

All doors are 36 Main Hall = 7’ for easy inches wide for navigation wheelchairs to be able to pass through

5’ turn around in all rooms for wheelchair mobility

The triangle in the kitchen is Shallow sink for between 12 to 26 feet, which accessibility (32”) allows for easily accessible and navigable pathways throughout the kitchen

Aging in Place p.1

Customized Customized Rug Rug Design Design Project Project Objective: Objective: To To effectively effectively distill distill and and visually visually communicate communicate data and research to create data and research to create a new new product product of of decor decor that that a reflects the the client’s client’s life life style style and and reflects preferences. preferences.

The Three Three Basic Basic Elements Elements of of Buddhism: Buddhism: The Light Light Blue: Blue: Represents Represents Water Water Light Light Green: Green: Represents Represents Earth Earth Dark Red/ Light Yellow: Dark Red/ Light Yellow: Represents Represents Fire Fire

Course: Course: Interior Interior Design Design II

Lotus petals petals represent represent the the Lotus purified purified state state of of mind mind and and the the nerves nerves of of the the heart heart

Task/ Task/ Skills Skills Obtained: Obtained: My My customized rug rug design design is is a a customized developmental study study from from the the developmental final final presentation presentation in in Interior Interior Design Design I. I. The The finished finished product product is is not not only only a a suitable suitable piece piece of of decor decor for my client, but it also provides for my client, but it also provides acoustical acoustical control control within within their their home. home.

Precious Precious Lotus Lotus Flower: Flower: symbolizes symbolizes protection protection from negative mental from negative mental factors factors like like ignorance ignorance

N N

W W

E E

S S

Entrances of of the the Southern Southern Entrances (S), Western Western (W), (W), Eastern Eastern (S), (E), and and Northern Northern (N) (N) Gates Gates (E), of Buddhism. Buddhism. Each Each of of the the of four gates gates represent represent the the four four stages stages leading leading up up to to four Enlightenment. Enlightenment.

Abstracted background background Abstracted pattern of of the the Buddhist Buddhist pattern signal of of the the eternal eternal knot knot signal

A rug rug is is placed placed within within the the correct correct A dimensions of of a a recessed recessed floor floor to to avoid avoid dimensions wheel chairs chairs getting getting stuck stuck on on unleveled unleveled wheel flooring flooring

Aging Aging in in Place Place p.2 p.2 R RE ES S II D DE EN NT T IIA AL L D DE ES S II G GN N

L LII G GH HT T II N NG G D DE ES S II G GN N

MEDITATION ROOM

BEDROOM

Aging in Place p.3

KITCHEN

Concept and Material: Kitchen March 27, 2017 Callie Walton

Concept and Material: Kitchen March 27, 2017

LINK TO FULL PROJECT:

Callie Walton

Concept and Material: Kitchen

Aging in Place p.4

March 27, 2017 Callie Walton

R E S I D E N T IAL DESIGN

Concept and and Material: Material: Kitchen Kitchen Concept

March 27, 2017 March 27, 2017 Callie Walton Callie Walton

LI G H T I N G DESIGN

Aging in Place p.4 R E S I D E N T IAL DESIGN

l: Kitchen March 27, 2017

LI G H T I N G DESIGN

Callie Walton

Concept and Material: Kitchen March 27, 2017 Callie Walton

Concept and Material: Kitchen March 27, 2017

Callie Walton style="border:none;width:100%;height:500px;" allowfullscreen></iframe> LINK TO FULL PROJECT: <iframe src="https://e.issuu.com/anonymous-embed.html?u=c.v.walton&d=walton_callie_interiordesign1"

Aging in Place p.4 Concept and Material: Kitchen March 27, 2017

R E S I D E N T IAL DESIGN

LI G H T I N G DESIGN

LIGHTING DESIGN

THE KIMBELL STUDY LIGHTING LEDGEND LIGHTING

LEDGEND

TRACK TRACK ADJUSTABLE ADJUSTABLE ACCENT ACCENT

10.7 10.7 12.5

8.6

4.8

3.2

8.6 9.3 4.85.33.2

12.5

9.3

5.3

3.4

14.0

10.4

6.0

3.9

14.0

14.2 14.2

13.9 13.9

10.4

6.0

10.4

6.1

10.4

6.1

10.5

6.2

4.2

14.5

10.8

6.4

4.3

14.5 14.9

14.7 14.9

10.5

6.2

10.8

6.4

11.0

6.5

4.3

6.4

4.4

14.7

10.7

6.4

10.5

6.4

10.9

6.5

6.5

4.4

6.4

4.4

14.1

14.7 14.8

10.9

6.5

11.0

10.6

6.5

6.4

4.4

11.2

6.6

4.5

15.0

11.0

6.6

4.6

14.1

14.4

14.8 14.4

10.5

6.4

10.6

6.4

10.7

6.5

11.0

6.5

14.8

10.9

6.5

15.0 14.4

14.4 14.0 14.0

14.4 14.6

14.8

15.0

14.8 14.8

11.2 11.0

10.6

6.5

10.5

10.8

10.9

6.4

10.6

6.4

14.0 14.7

14.0 15.1 14.7

14.6 14.2

15.0 14.1

14.8 14.8

10.6

6.5

10.4

6.5

6.5

4.4

10.5

6.4

4.4

6.5

11.0

6.5

6.4

4.4

6.6

4.4

14.9

10.9

6.6

4.4

14.1

14.3

14.7 14.4

10.5

6.4

10.6

6.4

10.6

10.9 6.46.54.3 10.7 10.8

6.4

4.3

10.7

6.4

4.3

14.7 14.3

14.2 13.9

11.0 10.8

10.5

6.5

6.3

6.5

10.2

6.1

14.1

10.4

6.0

14.8

14.1

15.2 12.7 10.2

14.9

14.3 14.4

10.5

10.9

10.0

10.9 10.6 10.7

4.4

3.2

10.3

A

7.2

A

3.2 3.2

A

4.6

3.4

18.1

16.9

6.7 18.2

6.7

6.9

35.9

7.8 43.2

12.4

41.1

10.3

31.1

15.6

22.5

23.4 18.0 16.6

29.3

12.2

16.7

A

27.5

3.2

A

3.3

6.3

11.9

3.2

3.3

4.4 3.2 3.2

4.4

3.2

4.4

3.2

4.4 3.2

3.2

4.4

3.2

4.4

3.2

A

4.4 3.2

3.3

3.6 3.7

3.2

4.4 3.1

A

3.2

3.2

3.8

3.8

3.0

3.7

A

4.4

2.8

4.4 2.5

11.7

12.9

13.6

3.4

3.3

7.5

3.2

A

13.4

3.3

7.4

3.2

3.5

13.4

3.3

4.4

4.3

A

2.7

3.2

3.2

3.2

18.6

6.6

18.0

6.4 17.8

13.0

24.7

17.8

12.2

24.7

20.7

20.9

26.7

16.3

11.6

36.5 15.235.9 18.1 11.2 17.3

45.7

17.5

42.8

17.8

14.8

11.0

43.2

15.0

11.2

41.1

15.4

11.6

30.2 16.2 31.1 18.1 12.9 19.0 13.9

23.8

22.5

18.0

28.4

29.8

12.4 34.1 16.6 26.4 37.6 27.1

36.1

40.6

25.7

33.2

37.0

12.2 12.3

23.2

16.7

16.9

27.6

29.5

12.0 22.416.8 21.1 22.7 19.2

18.8

16.9

18.5

17.6

16.8

6.3

16.3

6.5 16.6 16.8

6.6

11.8 11.9

17.8

16.8

17.4

16.7

15.8

12.3 16.3 18.4 17.8 15.0 15.9

12.5

12.9

12.7

11.1

12.1

21.6

23.4

18.2

25.1

27.2

21.1

18.6

20.5

22.6 19.3

16.8 18.3

25.9

16.1

17.8

27.4

21.2

26.6 20.7 20.6 27.1 20.9

28.0

29.6

28.5

21.4

36.3

34.4

31.1

22.7

21.0

23.5

43.8

46.2 25.3

25.7 33.5

38.3

27.7

38.2

32.7

23.4

38.9 22.9 40.3 32.247.8

42.6

36.7

30.6

21.8

35.6

33.8

29.8

21.5

25.3

23.7

28.5

21.8 23.7

41.5 36.9

31.1

50.6

45.1

29.9

22.2

29.9 29.6 35.3 28.6 22.6

20.9

26.4

28.1

21.9

19.4

24.8

26.4

20.7

20.4 19.5 18.9

18.8 18.8 18.4

18.3

17.1

18.4

14.5

19.1 11.1

23.9 20.3

24.2

17.5

21.3

17.3

38.6 35.8

17.8

29.8

18.1 24.6

11.6 12.0

11.2

26.6

19.1

14.8 30.6 11.0 33.9 22.3 35.4

31.1

22.6

33.6

29.6

21.5

15.0 15.4

30.6

11.2

11.6

28.6

21.2

16.2 28.812.9 28.5 21.9

19.5

25.2

27.0

21.1

12.7

18.2 22.3

23.5

15.9

21.6

25.2

19.7

28.4 24.8 29.8 22.7 19.7 17.4

34.1

20.5

17.8

2.9

2.9

20.9 11.6

2.9

7.7 6.4

7.6

10.6

7.5 12.4 12.7

7.7

12.3

8.0

12.1

2.3

4.7

6.5

7.0

9.8

21.2

10.6

21.4

22.7 9.2

A

3.6

21.5 3.5

10.5

16.9

10.5

17.3

29.8

6.5

12.2

24.6

6.5 11.0

9.1

9.3

17.8

21.1

22.4

22.7

12.3

17.5

19.6

19.2

18.8

21.4 8.3

12.0

16.9

18.5

17.6

16.8

19.5

11.7

16.3

17.8

16.7

15.8

18.3

9.0

8.1

12.5 12.8

5.6

6.3

6.3

10.6

18.4

A

21.9 3.3 3.1

20.7

12.6 10.7 6.219.7 5.5 5.2

11.9

A

2.6

23.8

25.7

21.3 16.2

4.3

11.6

10.1

20.0

8.5

17.9

6.0

11.7

17.5

14.9

21.3

17.2

17.5 4.5

18.7 7.423.7

19.6

20.2

24.8

22.9

21.5

21.9

26.6

A

4.7

23.4

4.5 23.4

4.7

5.3

32.3

25.7

3.8 24.7

30.6

30.7

A

3.6 33.4

A A

4.3

6.4

4.6

4.7 4.9

6.4

11.7

20.8

6.1

4.6

3.6 4.7 5.7

4.9

A

A

3.8

18.3

3.8

3.4

33.9 35.4

A

30.6

31.1

A

4.4

3.4

33.6 4.529.6 7.2 3.5 7.3

4.5

7.3

4.4

30.6

28.5

6.9

3.5

28.6

A

3.4

28.8

4.2

3.3

27.0 3.728.6 6.0 2.9 4.6

25.2

A

3.0

2.5

5.1

4.1

19.1 3.8

3.5

16.8

16.9

16.7

9.0

9.1

39.8

21.8

26.6

21.0

25.7

5.7 36.3

5.6

5.6

35.2

A

29.3

3.1

5.5 32.3

10.5 10.6

27.3

17.3

18.4

16.7

8.8

10.7 16.3 19.7 26.2 8.7

31.0

26.0

16.3

8.7

30.4

25.7

16.2

8.6

5.2

28.4

10.5 17.4 16.9 28.5 9.1

10.1

20.0

SOUTH A GALLERY

2.6

26.7

1.6 19.8 1.823.8 15.5

4.3

28.7

2.8 26.6

8.5

24.5

17.9

15.5

8.4

5.2 14.8 12.0 23.0 8.1

19.6

5.2

21.5

3.7

A

5.9 23.4 6.6

3.3

7.1

24.2

3.8

A

20.2

3.7

5.7

4.1

25.5 29.4

5.9

4.2

30.0

5.2

5.2

33.4 5.3 5.4

3.7

28.7

3.9

35.3

4.3

5.4

35.5

5.0

29.2

4.2

A 6.0

35.4

5.4

5.5

9.4

5.7

9.8

52.7 52.3

A

5.3

27.0 5.2

3.6

8.5

45.1 7.445.0 4.9 12.9

A

37.1

4.4

4.5

27.4 3.428.1 4.7 3.7

A

5.2

4.4

4.4

30.7

A

A

28.2

A

33.4

3.5

5.5

A

17.4

52.9

18.1

53.1

9.1

A

16.1

42.6 9.344.6 5.5 16.7

12.2

16.6

22.2

26.4

23.1

14.8

8.1

5.2

12.7

17.2

23.2

28.0

24.6

15.5

8.3

5.1

5.1

16.1

20.8

25.6

29.6

25.9

16.3

8.5

5.0

4.4

19.5

24.5

27.6

30.1

25.8

16.4

8.6

4.8

21.0 4.525.7 3.8 7.1

22.0

26.1

28.5

29.9

25.2

15.9

8.4

4.7

5.5

3.5

3.7

3.4

3.4

A

29.5

21.8

A

19.6

9.7

18.0

33.3

8.4

A

15.6

26.6

6.2

10.8

A

24.1

3.5

3.7

4.1

5.0

4.2

8.8

5.2

19.5 7.124.5 4.7 12.6

12.7

18.5

21.6

22.9

22.5

23.0

27.5

31.4

27.0

17.0

9.0

5.4

5.1

13.6

18.6

21.5

21.5

22.1

26.5

30.3

26.2

16.6

8.9

3.4

11.5

17.2

10.6 11.0 5.316.9 6.2 6.2

6.4

10.9

18.5

12.3 10.7 6.418.6 5.9

5.8

12.5

5.6

10.7

18.3

10.6

17.6

6.4

6.5

10.1

16.2

12.7 8.86.513.7 4.9 4.3

12.2 11.5

17.7

17.4

17.7

11.5

20.7

A

3.3 20.8

22.0

3.9

24.1

A

4.3

26.3

4.6 27.3

21.0

2.8 21.3

2.3

21.6

23.7 27.1

3.6 4.7

27.7

4.9

31.1

31.4

31.4

23.8

26.6

27.2

29.6

A

4.5

5.4

5.8 29.1

11.3

9.8

21.9

22.6

4.5 17.4

7.222.0 18.1

13.9

3.8

3.8

3.4

26.6

18.1

26.6

12.8 16.9

26.8

16.7

8.7

19.8

17.1

8.8

22.6

16.7

8.6

22.7 16.0 25.4 25.6 8.3

31.3

25.5

15.8

8.2

31.5

26.2

16.0

8.2

20.5 18.3

30.0

12.7 25.5 21.0

5.1

8.4

4.1

6.6

24.8

25.7

27.1

25.5

15.9

8.1

18.5 14.3 21.6 22.3 7.4 18.1

13.6 11.5

5.9

8.4

16.1

26.1

4.8

29.0 4.7

3.6

30.9

3.4

33.6

A

29.1 4.5 4.5

27.5

3.3

4.3

22.9 3.9

3.1

28.8

3.0

24.9

2.9

20.7

2.3

21.5 21.0

4.9

33.8

A 4.6

3.0

4.3

2.9

A

28.7

4.3

25.0

2.8

14.8

26.8

9.6 10.8

4.1

A 3.2

7.2

7.1 7.1

9.9 9.9

3.0

4.0

11.0

7.3

14.9

11.0

7.3

A

5.7

7.2

25.9

27.4

23.9

15.7

11.1

7.2

22.9

39.8 23.6 25.7

33.2

23.0

29.3

16.8

38.2

24.8

20.0

29.0

22.6

19.4

35.2 22.4 27.3 25.1 19.1 26.8

23.0

19.1

25.2

22.6

19.3

32.3

31.0

26.2

26.0

20.8

19.0

5.2

5.3

5.4

7.25.4 7.1

8.4

13.4

17.1

17.5

14.8

10.8

7.1

26.4 17.2 23.1 13.3 17.6

8.4

13.3

17.1

17.5

9.3

13.8

17.3

17.5

25.6

12.4

27.6 18.2

28.0 29.6

16.1

24.6

25.9

18.5

18.3

30.1 21.2 25.8 21.0 19.8

23.9

26.4

24.1

21.1

24.1

26.8

24.4

21.6

28.5 28.8

18.1

9.5

8.6

33.2 8.2

32.1 7.9

29.9

30.4

21.7

25.2

25.4

22.5

21.9

15.9

32.9

16.3

32.8

24.7

31.8

27.3

29.0

41.3

26.9

31.5

47.6

31.6 30.4 25.8 15.7 46.3 14.8

26.6

38.5

7.8

13.8

22.3

29.2

28.3 7.4

27.5 6.4 5.7

26.5

21.6

25.6

17.7

16.4

A

19.2

18.3

19.9

18.9

25.5

42.8

8.5 19.5 24.1

8.7

31.6

4.7

4.7

16.9

3.3

12.7

6.8

3.7

6.4 5.6

19.4

4.8

3.5

4.99.0 18.8

3.7 5.1

40.1

29.4

15.8

7.9

12.1

6.6

28.9

21.2

8.8

3.3 5.0 4.2

3.3

3.7

2.6

2.7

3.5

2.5

A

8.3 2.6

4.7

8.3

3.34.7 2.6 3.0

2.9

A 2.6

2.6

AA

2.8 2.8

9.3 2.9

4.6

3.2

2.6

4.1

2.9

2.5

5.3 7.1

2.6

2.5

8.4

2.5

5.1

A 2.4

A

2.9

18.2 23.9 2.3

8.5

5.1

4.6

8.5

6.8

4.0

3.2

15.4

15.9

4.1

6.9

4.9

8.5

17.6

17.1

5.5

9.5

A

3.7

13.3

3.9

13.3

A

6.5

10.6

17.2

6.9

8.9

13.8 6.917.3 4.0 8.7 16.1

A

18.4

21.1

8.0

7.5

26.0

14.9 17.6 10.9 14.5 20.6 7.3 25.7 13.6

18.7

21.7

11.7

19.6

23.5

14.8 14.7

9.3

10.8

10.8

18.3

23.8

14.6 15.1 10.7 7.4 21.1 5.2

13.7

4.7 29.5

3.2

24.7

14.5

28.5

24.1

14.2

27.4

22.8

13.5

7.2

4.6 4.5

6.9

8.8

6.8

8.7

18.5

3.0 2.9

26.3

27.5

22.8

13.5

7.2

7.1 25.6

4.0 28.5

2.114.1 24.1

23.6

28.7

21.4

1.9

A

4.2

1.8 4.2

A

1.4 7.0

1.6

A

25.0

14.6

7.1

4.2

3.4

3.8

24.1

14.3

7.0

4.2

3.4

3.8

22.4

13.4

6.8

4.1

3.4

3.8

14.8 6.810.9 3.1 12.1 7.2 19.6

25.1

22.2

13.3

6.8

4.1

3.4

3.8

3.7

7.7

13.3

21.0

26.8

23.6

14.0

7.0

4.1

3.4

3.8

5.1

10.3

15.9

23.0

10.7

10.8

6.8

12.2

11.0

7.1

7.1

7.3

A A

28.3

24.6

14.4

7.1

4.2

3.4

3.8

25.1

28.3

24.0

14.1

7.0

4.2

3.5

3.8

14.8 22.0 10.9 12.1 26.6 7.2 27.9

28.3

23.2

13.7

6.9

4.2

3.5

3.8

14.7

26.7

31.2

30.6

29.5

14.9

27.4

32.3

31.9

14.9

8.2

11.0

15.5

20.6

7.3

A

23.7

13.9

7.0

4.2

3.5

3.8

31.0

25.0

14.5

7.2

4.3

3.5

3.9

30.6

31.0

25.4

14.7

7.2

4.3

3.5

3.9

15.7 19.2 11.124.6 7.2 10.0 27.6

29.3

24.4

14.3

7.1

4.2

3.5

3.9

9.1

17.2

22.2

25.6

27.7

23.2

13.7

7.0

4.2

3.5

3.9

9.9

18.3

23.1

26.1

15.1

15.5

12.6

15.4

10.9

11.1

23.9

29.3

11.0

7.2 7.2

7.1

A A

27.9

23.3

13.7

7.0

4.2

3.5

3.9

27.5

29.2

24.3

14.3

7.1

4.3

3.5

3.9

15.1 17.1 10.8 8.4 23.0 7.1 26.9

29.4

24.8

6.1

12.9

18.8

24.1

27.9

4.6

9.6

15.2

21.6

15.1

10.1

10.8

19.2

24.5

7.1

A

14.6

7.2

4.3

3.5

3.9

24.0

14.2

7.1

4.3

3.5

3.9

26.2

22.8

13.6

7.0

4.3

3.5

3.9

21.3

26.2

22.8

13.6

7.0

4.3

3.5

3.9

27.7

24.1

14.3

7.2

4.4

3.6

4.0

9.9

12.1

13.7

17.2

23.7

28.9

25.2

14.8

7.3

4.4

3.6

4.0

12.2

14.6

15.9

18.6

24.2

28.6

24.7

14.6

7.3

4.4

17.7 17.5

13.7

13.5

17.6

15.3 15.4

5.1

14.9

14.8

16.2

11.0

11.1

9.0

14.3

10.9

10.8

7.1 7.1

27.5

23.4

14.8 17.5 10.8 17.1 18.8 7.1 23.3

27.2

23.4

17.7

21.7

20.4

14.8

13.2

19.4

7.2

24.1

14.0

17.3

7.1

14.0

10.8

7.1

17.5

14.7

10.7

7.1

17.5

14.9

11.1

7.4

18.3

15.8

12.5

9.3

14.0 14.1 13.9

7.2 7.4 7.9

A A

4.6

4.3 4.4

4.3

4.4

9.7

8.7

5.5

4.3

4.4

8.7

5.5

4.3

4.3

9.9

A

17.2

14.8

13.2

10.5

6.4

17.1

17.7

16.4

11.08.4 5.9 7.5

18.3

19.9

18.9

12.7

6.8

19.9

18.4

18.7

16.9

11.3

6.2

3.6

9.6

7.0

3.5

A

8.5

6.4

2.0

4.2

3.82.3 3.8

A

4.2

3.7

17.2

22.7

24.8

19.7

25.0

15.9

8.5

4.9

4.9

7.7

12.0

17.0

21.9

24.6

23.2

19.5

16.1

12.6

8.4

5.0

3.3

12.7

17.4

20.5

17.8

11.6

6.5

4.0

3.3

3.8

6.1

11.0

17.4

22.0

23.0

23.7

27.7

31.1

26.6

16.7

8.7

4.9

3.6

3.8

A 5.6

9.5

15.9

24.7

31.8

31.4

24.1

15.5

9.9

6.4

4.2

3.0

10.5

6.9

4.2

3.4

3.8

6.0

11.0

18.0

24.1

26.6

27.1

29.8

32.5

27.5

17.1

8.8

4.8

3.4

3.4

4.9

8.6

16.3

29.0

41.3

42.8

31.6

17.5

9.3

5.6

3.7

2.9

7.5

13.7

14.1

9.5

7.2

4.4

3.4

3.8

6.0

10.9

18.5

26.3

30.9

31.3

31.5

32.2

26.8

16.7

8.6

4.7

4.6

8.2

16.3

31.5

47.6

50.8

37.2

19.4

9.4

5.3

3.5

2.8

7.5

13.4

13.8

9.1

7.2

4.5

3.5

3.8

5.9

10.7

18.6

27.3

33.0

33.3

32.2

31.3

25.6

16.0

8.3

4.4

7.9

15.7

30.4

46.3

49.5

36.3

18.8

9.0

5.1

3.4

2.7

7.5

13.4

13.7

9.1

7.3

4.5

3.5

3.8

5.9

10.7

18.3

26.3

31.1

31.4

31.4

31.3

25.5

15.8

29.4

13.4

13.6

9.3

7.3

4.4

3.4

3.7

5.8

10.6

17.6

23.8

26.6

27.2

29.6

31.5

26.2

16.0

12.6

12.9

9.0

6.9

4.2

3.3

3.5

5.6

10.1

16.2

20.7

21.9

22.6

26.6

30.0

25.7

15.9

6.2

10.8

11.0

8.3

6.0

3.7

2.9

3.2

4.9

8.8

13.7

17.0

17.4

18.1

22.0

25.5

22.3

5.2

9.0

9.0

8.1

4.6

3.0

2.5

2.8

4.3

7.6

11.5

13.9

14.2

14.8

18.1

21.0

18.1

3.8

13.9

10.2

6.1

4.1

3.1

3.8

13.8

10.2

6.1

4.1

3.0

3.8

14.1

10.4

6.0

4.0

3.0

3.7

7.4

14.1

10.0

5.8

3.8

2.8

3.5

7.1

12.7

8.8

5.2

3.4

2.5

3.1

10.2

7.2

4.4

3.0

2.2

2.7

A A

A A Project Objective: To recreate the construction documents for the Kimbell Art Museum in Fort Worth, TX.

A A A

A A A

A

A

3.3

3.2

4.5

3.2

3.1

8.2

4.5

3.1

3.0

4.3

7.8

14.8

26.6

38.5

40.1

15.8

7.9

4.6

3.2

2.6

8.2

4.4

3.0

2.9

A 4.3

7.8

13.8

22.3

29.2

28.9

21.2

12.1

6.6

4.1

2.9

2.5

8.1

4.3

2.9

2.8

4.1

7.4

12.7

18.5

21.8

20.1

14.7

9.1

5.4

3.5

2.6

2.3

14.3

7.4

3.9

2.6

2.5

11.2

5.9

3.2

2.3

2.2

A A

A

1.5

5.3

3.3 4.8

11.1

3.2

4.2

4.1 4.2

5.4

15.0

4.2

4.1

4.0

5.1 5.3

8.5

12.9

6.3

3.8

A

4.9

8.2 8.4

16.3

A

4.0

11.8

19.2

6.9

3.7

9.6

18.5

8.6

4.0

10.0

19.8

4.6

3.7

4.5

21.9

26.8

1.7

1.8

A

4.1

4.6 1.9 5.0

2.0

A

5.3

2.0

5.5

A

5.6 2.0

3.6

6.4

10.7

14.8

16.3

14.3

10.5

6.8

4.3

3.0

2.3

2.0

3.2

5.7

9.2

12.1

12.7

10.9

8.0

5.4

3.5

2.5

2.0

1.8

4.2

1.6

2.4

A

2.2

3.8

A

2.5

2.6

2.7

2.6

3.4

6.5 8.1

9.5

11.6

5.5

14.7

16.1

18.8

17.4

19.1

21.1

20.8

23.6

25.07.727.5 4.4 6.4 29.2

A

3.0

10.1

5.8

15.6

18.9

6.5

2.9

10.7

10.0

2.7 10.0 9.8

2.3

3.8

2.9

2.2

1.9

3.3

2.7

2.1

1.7

31.8

25.8

14.8

A

3.7

5.4

6.7

3.8

6.9 3.2

4.0 4.6

3.8

2.5

7.2

2.1

5.4

2.2

2.8

4.1

3.0

4.9

2.0

2.9

2.6

2.9

A

4.2

3.8

3.6

3.7

3.5

3.6

7.3

4.2

3.3

3.6

7.1

4.2

3.4

3.7

5.0 18.4 9.0 15.3

15.8

19.1

10.3

15.8

19.0

10.2

15.6

18.8

5.8

10.4

15.9

19.1

5.9

10.6

16.2

19.5

5.9

10.6

16.2

19.5

5.8

10.3

15.7

18.8

5.7

10.0

15.2

18.2

5.8

10.2

15.5

18.5

5.9

10.6

5.9

16.2

19.4

10.7

16.4

19.7

5.9

10.5

16.0

19.2

5.8

10.2

15.6

18.7

5.8

10.2

15.6

18.7

5.9

10.4

15.8

19.0

5.9

10.5

16.0

19.2

5.9

10.4

15.9

19.1

5.8

10.3

5.9

A

13.9

18.3

21.3

23.5

26.8

29.0

24.0

14.1

7.1

4.2

3.4

3.7

12.1

15.9

18.4

21.1

26.0

29.4

24.7

14.5

7.2

4.2

3.4

3.7

5.9

10.1

14.5

17.6

20.6

25.7

29.5

25.0

14.6

7.2

4.2

3.4

3.7

3.4

7.1

13.6

18.7

21.7

25.6

28.5

24.1

14.2

7.0

4.2

3.4

3.7

A A

11.7

19.6

23.5

25.9

27.4

22.8

13.5

6.9

4.1

3.4

3.7

9.3

18.3

23.8

26.3

27.5

22.8

13.5

6.8

4.1

3.4

3.7

7.4

15.1

21.1

25.6

28.5

24.1

14.1

7.0

4.2

3.4

3.8

5.2

11.0

16.9

3.4

3.8

3.8

8.1

3.1

6.8

A

EAST ELEVATION 23.6

28.7

25.0

14.6

13.7

21.4

27.2

24.1

12.2

19.7

25.3

22.4

PROJECT 6

3.1

6.8

12.1

19.6

25.1

3.7

7.7

13.3

21.0

26.8

5.1

10.3

15.9 3.223.0 4.8 28.3 4.8

0.9

1.1

PROJECT 6 8.7

13.3

25.1

1.1

13.3

8.2

15.5

20.6

12.1

22.0

26.6

14.7

26.7

31.211.930.6 16.2 29.5 18.0

14.9

27.4

32.3

12.6

23.9

16.0

24.1

27.9

16.9

24.7

28.3

24.7

28.3

26.5

22.2 23.6

1.1

7.1

4.2

14.3

7.0

4.2

3.4

3.8

13.4

6.8

4.1

3.4

3.8

13.3 14.0

1.0

1.0

14.44.0 24.6 4.0 4.8

6.8

10.2

9.9

19.0

18.2

23.2

14.1

13.7

21.2

12.9

7.0

23.5

6.9

20.3

24.7

23.7 15.5 13.915.07.0 17.6 16.9

3.4

A

4.1 4.2 4.7

1.1

24.1

24.0

4.1

7.0

7.1 4.7

13.1

25.5

A

1.1

12.6

23.5

4.2

25.5

13.4

4.2 17.7

3.5

24.4

3.5

25.7

10.3

11.6

11.5

10.4

11.2

11.7

11.6

7.2

4.3

29.3

30.6

31.0

25.4

14.7

7.2

4.3

3.5

3.9

19.3

10.0 19.2 24.6 Project No: 1072

27.6

29.3

24.4

14.3

7.1

4.2

3.5

3.9

6.0

10.6

16.2

19.5

Revision: 9.1 17.2

22.2

25.6

27.7

23.2

13.7

7.0

4.2

3.5

3.9

10.5

16.0

19.1

9.9

18.3

23.1

26.1

27.9

23.3

13.7

7.0

4.2

3.5

3.9

10.1

19.2

24.5

27.5

29.2

24.3

14.3

7.1

4.3

3.5

3.9

SCALE 8.4 17.1

23.0

26.9

29.4

24.8

14.6

7.2

4.3

3.5

3.9

3/32" = 1'-0" 12.9 18.8 24.1

27.9

24.0

14.2

7.1

4.3

3.5

3.9

26.2

22.8

13.6

7.0

4.3

3.5

3.9

9.0 14.3 21.3 26.2 ELECTRICAL LIGHTING PLAN 8.3 11.0 15.5 22.5 27.7 CALCULATIONS

22.8

13.6

7.0

4.3

3.5

3.9

24.1

14.3

7.2

4.4

3.6

4.0

25.2

14.8

7.3

4.4

3.6

4.0

6.0

6.0

6.1

A

6.2 6.3

Issue Date: 3/27/17

10.4 10.6 10.9

15.8

18.9

16.0

19.2

16.5

19.7

10.9

16.6

19.9

6.2

10.7

16.2

19.4

6.1

10.4

15.7

18.8

6.1

10.5

15.7

18.7

10.4

15.7

18.8

A A

6.0

1.4

9.6

15.2

21.6

5.1

A

A

A

A A

23.4

21.7

20.4

11.8

8.2

5.1

4.1

4.3

10.0

14.1

8.4

5.3

4.2

4.4

2.6

2.9

4.0

6.9

8.7

9.6

8.5

5.4

4.3

4.4

2.5

13.9

7.4 7.9

4.6

A

4.9

A

3.8

4.0

4.1

4.2

2.9

4.0

6.9

8.8

9.7

8.7

5.5

4.3

4.4

2.4

2.8

3.9

6.8

8.7

9.9

8.7

5.5

4.3

4.3

2.3

2.6

3.6

6.3

8.6

9.6

8.5

5.3

4.2

4.2

A 2.0

2.3

3.1

5.3

8.1

8.4

7.5

4.8

3.8

3.8

1.8

2.0

2.7

4.6

6.9

7.0

6.4

4.2

3.4

3.4

A

A A

A A

3.9

2.0

2.5

3.0

2.9

2.3

1.4

3.9

2.0

2.6

3.2

2.9

2.2

1.3

1.1

1.3

1.2

1.2

1.3

1.4

19.5

1.2

1.2

10.6 4.9

16.24.1 19.5 4.9 4.2

5.0

5.0

5.0

13.3

13.3

10.2

10.4

13.5

13.5

24.4

19.5

18.9

1.1

18.8

1.2

1.2

1.2

1.1

1.1

1.2

1.2

1.2

1.1

1.1

1.2

1.2

1.2

1.2

1.1

1.2

1.2

1.2

1.1

1.1

1.2

1.2

1.2

1.1

1.1

1.2

1.2

1.2

1.1

1.1

1.1

1.2

1.2

5.0

5.0

5.0

4.2

5.0

4.9

5.0

4.4

4.3

5.0

5.0

5.1

4.3

5.0

4.9

4.9

4.1

4.9

5.0

4.9

4.2

4.8

4.9

4.9

10.5

10.5

13.5

13.4

13.6

10.4

10.7

13.4

12.8

13.3

11.2

10.6

13.5

13.5

13.7

10.7

10.9

13.5

13.3

13.3

10.2

10.4

13.4

13.5

13.4

10.4

10.4

13.3

13.3

13.4

25.0

24.5

19.2

18.7

24.1

24.9

24.9

19.6

19.0

24.1

23.7

24.0

20.7

19.4

24.4

25.0

24.9

19.6

19.1

24.4

24.7

24.4

19.4

18.9

24.4

24.9

24.4

19.1

18.6

23.9

24.7

24.5

18.0

26.8

25.9

21.3

20.8

25.4

26.8

26.3

21.7

20.9

25.2

25.7

25.5

22.8

21.6

25.8

26.9

26.2

21.7

21.0

25.4

26.7

26.0

21.7

20.9

25.6

26.7

25.8

21.2

20.6

25.2

26.5

25.5

18.6

4.2

PROJECT 6

4.1

4.2

4.1

4.1

18.6

17.9

15.9

15.2

17.2

17.9

17.7

16.3

15.9

17.7

18.6

17.9

15.7

15.3

17.4

18.5

17.9

15.9

15.4

17.5

18.4

17.8

15.5

15.0

17.2

18.2

17.0

12.6

11.7

10.8

10.5

11.4

11.8

11.7

11.2

11.1

11.8

12.2

11.8

10.8

10.6

11.5

12.1

11.7

10.8

10.6

11.6

12.1

11.7

10.6

10.5

11.3

11.8

11.0

8.5

18.2

21.8

10.8

21.0

10.7

5.8

10.2

15.6

18.7

5.8

10.2

15.6

18.7

5.9

10.4

5.9

4.5

4.4

4.1

3.3

2.3

2.1

2.0

2.1

2.4

2.5

2.5

4.9

4.3

3.6

2.8

2.1

1.9

1.9

2.0

2.2

2.4

2.5

16 parallel vaults, each 100’ long, 20’ high, and 20’ long

PROJECT 6

PROJECT INFORMATION Project No: 1072 Revision:

SCALE

15.8

19.0

10.5

16.0

19.2

10.4

15.9

19.1

10.3

15.7

18.9

5.9

10.4

15.8

18.9

PROJECT INFORMATION

3/32" = 1'-0"

A

A

5.9

10.6

16.1

19.3

Project No: 1072

6.0

10.6

16.2

19.5

Revision:

10.5

16.0

19.1

10.4

15.8

18.9

A A A

A

A

A A A

A

A

10.6

16.0

19.7

SCALE

16.6

19.9

3/32" = 1'-0"

16.2

19.4

6.1

10.4

15.7

18.8

6.1

16.5

A

SHEET NAME

SHEET NUMBER

LT5

19.2

10.9 10.7

10.9

A

LIGHTING CALCULATIONS

Issue Date: 3/27/17

6.2

10.5

15.7

18.7

6.0

10.4

15.7

18.8

5.8

9.9

14.9

17.8

5.1

8.6

12.7

15.2

4.5

7.4

10.8

12.6

A

4.2 4.6

Issue Date: 27 MARCH 2017

5.8

A

3.6 3.8

PROJECT 6

5.9

6.3

3.0 3.1

3.9

12.1

6.2

2.3 2.3

10.2

17.4

6.1

2.0 1.9

1.0

4.4

13.5

24.5 25.7

11.5

A

Louis Kahn’s uses of a subtle relationship between the buildings site and the fundamental abstract elements of nature, design, and light, and how they are incorporated within the structure and landscape.

1.9

PROJECT 6

15.1

A

1.8

2.1

18.2

10.6

A

1.6

2.3

18.4

15.6

6.0

27.2

4.1 4.5

10.7

6.0

23.3

4.0 4.3

17.8

6.0

17.7

3.3 3.4

11.7

4.0

14.0

2.9 2.9

18.5

4.0

18.8

2.2 2.1

12.2

CHA 19'-0"

13.2

2.1 1.8

17.5

3.7

17.5

2.2 2.0

11.6

3.7

8.9

1.9 1.7

19.2

4.5

7.0

1.7 1.6

19.7

4.4

A

1.7 1.6

2.2

18.9

19.4

7.2

4.0

2.2 2.5

16.0

7.3

2.9

2.4 2.6

16.4

14.0

2.6

2.5 2.5

16.2

14.6

A

2.3 2.3

15.515.918.5 17.9 15.4

23.4

LT4

2.3 2.2

11.8

24.7

14.0

2.4 2.3

10.5

27.5

17.1

3.0 2.7

10.7

28.6

13.5

4.9 4.1

12.1

24.1

14.7

5.4 5.0

10.2 18.5

24.2

10.6

4.1 4.4

5.9

19.4

9.7

3.2 3.9

5.8 17.6

18.6

10.3

3.0 3.6

10.0

17.2

6.9

2.9 3.3

5.7

17.3

6.5

2.6 2.8

19.1

15.9

A

2.1 2.3

2.0

2.2

0.9

2.0

15.9

13.7

1.6

2.4

1.3

1.7

18.8

A

1.4

1.8

1.9

19.0

A

1.6

2.0

A

1.3

15.6

A

1.9

2.1

1.4

15.8

10.6

1.6

1.9

1.5

10.2

11.7

C.V.WALTON@TCU.EDU

1.1

1.6

2.0 2.2

2.0

1.8

3.3

CALLIE WALTON 1.1

1.6

2.1

2.3

2.2

2.8

5.1

0.8 1.1

1.7

2.2

2.4

4.8

0.9 1.2

A

2.6

10.3

5.9

2.4 3.1

2.3

5.8

5.9

1.9

2.7

5.8

A

1.3

2.1 2.7 4.0

2.0

3.6

3.2

1.4

2.3 3.4

2.2

3.1

2.6

2.3

2.0

4.0

2.6

2.1

1.6

3.7

2.6

2.3

1.8

18.2

2.3

2.3

2.9

17.9

15.2

1.9

A A A

2.0

3.8

19.1

26.0

1.8

1.7

4.1

15.8

26.8

1.1

1.2 1.5

2.9

10.3

25.7

0.7

3.5

5.8

16.2

3.9

1.8

1.1 0.8

A

2.9

18.6

14.6

3.7

2.0

2.0

0.6

A

1.2

3.5

15.5

12.1

3.5

0.8 1.2

2.7

10.1

6.1

2.8

1.8

0.8

1.6

3.0

5.7

13.7

2.8

2.3

0.9

1.7

2.6

18.0

12.2

2.6

2.6

0.9

1.8

A A A

2.8

14.8

15.7

2.5

0.9 1.5

0.6

0.9

1.0 1.1 1.4

2.1

15.0

24.7

2.4

1.0 1.5

2.3

9.7

10.3

2.1

0.6 1.2

A

2.1

9.8

9.9

2.6

1.9

2.1

0.8

A

2.2

5.5

4.1

28.9

1.9

2.1

0.8

1.1

2.3

5.6

8.5

23.7

2.2

0.8

2.3

18.5

9.5

A SOUTH ELEVATION

2.0

2.2

15.1

5.5

SHEET NUMBER

1.2

1.9

2.1

9.8

24.6

1.0

2.3

2.0

18.5

13.6

1.1

2.2

A A A

1.9

15.3

5.8

1.1

2.1

2.1

15.4

A

1.0

1.6

1.2

2.0

15.3

1.1

1.1

1.7

2.7

10.0

16.2

1.5

2.0

2.4

10.0

10.6

1.9

2.0

3.5

10.0

10.4

1.7

1.9

4.4

5.6

1.2

A

2.0

2.9

1.0

C.V.WALTON@TCU.EDU

4.2

5.6

5.9

1.6

1.9

2.1

5.1

5.6

5.9 5.0

0.0

1.9

4.8

4.4

15.6

1.5

2.2 2.7

4.5

18.7

4.1 15.2 6.9 12.7 12.6

15.1

0.9

CALLIE 1.2 1.1 WALTON

1.1 1.6

A

1.0

0.8

1.2 1.8

4.4

18.4

14.9

17.8

4.3 4.6

10.1

0.8

1.0 1.7

16.8 4.4

15.4

15.5

3.2

4.9

3.9

4.2

9.7

13.3

3.6

12.7

15.3

2.9

10.8

11.0

2.5

10.0

2.6 8.6 7.4

2.6

9.9

9.9

2.6

A

3.8

2.5

4.5

7.2

5.6

2.3

5.8

2.5

SHEET NAME

4.6

3.7

5.3

A

2.1 5.1

1.6

6.1

A

3.9

3.6

5.5

5.8

10.9

14.5

18.9

16.1

A

3.5

11.1

31.0

18.9

15.8

10.6

PROJECT INFORMATION

25.0

10.6

31.9

15.7

10.4

5.9

2.4

3.4

3.0

A

22.0

2.2

2.4

1.1

14.0 3.7

A

20.0

3.8

10.2 1.6

2.9

A

11.3

3.8

20.9 23.0

6.8

8.6

9.1 3.4

5.6

1.1

5.1

5.8

8.2

A

3.5 16.3 3.815.8 17.6

A WEST ELEVATION

7.8

3.8

2.5

2.8

0.9

4.5

2.1

5.0 3.3

A

3.8

1.1

11.4

5.8

2.3

4.6

A

3.4 4.33.84.4 4.9

A

4.2

3.4

1.2

4.1

5.5

3.6

7.7

17.9

10.3

3.3

3.5

14.8

14.2

18.2

4.2

3.2

25.7

24.3

2.2

A

3.8

3.2

4.1

31.9

NORTH ELEVATION

3.3 4.1

A A A

A

2.4

3.1

3.4

29.8

18.0

2.7

3.5

3.1 3.93.33.4 4.8

32.2

3.4

2.3

A

1.9

29.2

18.5

7.3

2.0

0.8

32.2

4.3

15.2

4.3

2.8

27.7

15.1

26.6

6.8

2.3

1.4

2.6 1.32.6 1.9

32.6

15.4

33.1

4.1

2.5

13.6

A

1.7

3.6 2.4

26.2

5.8

A

14.0

2.4 2.4

2.1

1.2

3.2

A

3.7

31.1

5.8

A

23.3

1.5

26.9

5.8

A

24.0

3.1 3.2

24.0 2.414.02.1 3.2

2.9

1.1

5.7

6.5 2.3

21.9

2.018.6 15.5

A

4.4

33.5

2.3

25.5

1.3 10.1

A

5.2

31.3

5.1

33.6

4.8

1.2

2.1

18.2

1.1 5.7

A

6.0

30.3

4.8

27.9

1.4

5.2

0.1

11.9

A

15.7

15.0

A

29.2

28.3

0.8

10.6

1.0

20.4

23.9 1.813.81.8 2.2 2.7

17.4

5.4

14.8

2.1

24.7

6.9

0.9

18.0

1.3 1.8

10.5

5.8

A

2.4

9.7

17.4

6.1

25.1

8.4

1.0

9.8

A

3.0

24.2

3.9

15.7

9.8

A

1.9

13.9

18.5

5.6

27.7

12.0

10.0

18.4

5.6

1.2

23.5

4.2

8.2

15.5 5.9 18.7 10.8

5.6

20.6

22.8

18.2

15.3

1.6

0.8

19.1

16.8

13.3

5.5

15.3

1.8

16.7

3.9

15.1

10.0 3.1

1.9 5.6

16.5

14.0

11.0

10.0

A

13.2

12.7 5.1 15.4 9.2

2.9

9.9

A

11.3

13.2

CH 12'-6"

9.7

5.6

2.0

8.0 9.7

1.5 CALLIE WALTON

2.1 2.4 2.6 C.V.WALTON@TCU.EDU

9.1

ACH A 19'-0" 3.4

5.2 6.6

8.2 2.7

7.2

4.6

3.7 4.6 6.5

5.5

2.0

A CHA 19'-0"

21.6

A

2.7

3.7

3.41.03.8

21.1

6.3

26.4 5.324.1 3.1 8.1

3.7

3.4

1.1 4.2

22.5

3.6

3.7

1.6

1.5

4.1

24.4

2.0

A

3.4 3.4

1.8

3.7

3.41.7 3.7

4.2 4.1

6.8

21.7

2.6

3.4

7.0

2.0

18.1

1.8

1.8

6.9

2.2

24.1

2.3

A 1.8

1.9

11.9

A

21.2

2.3

3.1 14.6 2.2 25.0 7.2

25.6

25.9

7.2

2.3

25.3

15.0

16.9

29.4

3.3

27.2

14.5

8.1

4.8

19.7

14.4

3.1

11.0

4.9

16.0

1.8

21.0

11.3

9.7

17.1

7.0

12.2

15.1 11.0 11.0 8.3 15.5 7.2 22.5

18.3 6.1

13.3 6.017.2 3.5 10.3 17.6 14.7

4.0

3.9

12.6

2.016.1 2.0

15.8

13.4

2.8

2.3

2.0

16.6

24.9

2.9

4.0

8.6 2.3

26.2

14.1

2.9

12.4

2.6

ACH A 19'-0"

5.3

2.3

8.4

8.4

3.5

3.5

2.6

ACH A 19'-0"

4.8

3.6

2.1

9.2

4.9

4.7

5.4

6.2

2.3

5.4

2.75.92.6

4.2

A

3.4

A

2.8

5.1 3.0

8.9

3.7

A

4.1 3.4

5.2

10.9

8.4

3.5

5.3

5.4

29.1

16.6

26.8

5.9

6.85.44.3

12.7

25.7

11.0

9.1

21.8

18.0

19.0

8.0

12.1

19.1

19.3

9.0 10.5

18.5

19.4

22.4

19.1

14.7

28.9

22.6

25.1

20.8

20.1

30.3

24.8

23.6

22.6

31.4 14.8 27.0 10.7 16.3 17.0 14.3

31.1

22.9

16.7

23.0

8.5 36.3

5.0

16.1

20.6

37.2

8.5

20.0

25.2

3.4

A

19.6

23.9

16.4 2.518.9 1.6 4.1

11.3

9.3

18.5

23.3

27.4

11.7 1.4

50.8

9.4

20.4

26.6

25.9

16.8

3.4

A

9.9

4.8

17.5

20.9

25.0

18.1

23.0

3.5

9.7

18.5

17.4

10.8

4.712.6 3.3 16.1 8.4 15.5

17.1

15.6

16.1 49.5 16.0

8.7

16.4

2.07.11.5

3.8 6.4

9.2

12.7

26.4

31.4

12.5

6.2

4.4

17.1

16.7

7.7

7.1

4.5 3.5

5.1

18.5

16.9

12.1

17.4 10.1

16.6

15.9

10.5

25.9

30.8

5.0

4.810.5 13.2

31.7 21.9 26.5 17.0 24.6 16.4 23.2

16.3

7.8

29.9

5.5

A

5.1

7.4 9.3

18.7

3.7

17.7

7.1

3.6

3.7

3.4

17.7

7.15.2

1.8

3.31.8 3.6 3.4

4.2

18.1

8.6 14.8

A

3.3

4.2

7.1

17.4

12.5

A

4.2 1.9

7.1

14.1

16.0

11.1

A

1.9

4.2

14.2

24.0

14.0

10.7

7.3

24.3

29.0

12.4

8.1 10.8

2.4

29.8

26.8

9.4

15.8

15.2

25.7 7.3 3.414.8 2.4

29.2

23.5

8.5

14.9

3.5

26.6

31.9 5.3

27.7

21.3

6.0

14.7

5.8

33.1

26.2

4.4

A

33.5

2.9

1.8

21.9

17.7

A

5.3

10.5

1.9

18.3

17.3

12.9

33.6

2.4

32.2 8.9 32.2 25.5 19.5 31.1 14.3

17.4

A

18.1

32.6

3.7

13.9

17.2

16.4 17.2

18.4

24.9

26.9

6.4

15.7

17.7

13.4

14.8 14.8

19.9

18.2

17.4 20.3

18.5

8.5

9.3

8.3

3.5

5.0

9.1

15.8

3.3

3.2

3.6

7.4

1.7

3.1

3.7

9.8

A

2.8

3.01.7 3.1

4.1

17.4

9.4

A

3.8 1.9 4.0

7.2

16.8

4.9

1.8

3.7

6.9

13.0

5.7

10.2

14.8

8.1

5.5

6.8

8.6

14.0

4.7

A

5.8

5.8

25.8

12.6

6.8

4.1

24.0

16.7

A

2.2

2.7

3.5

23.3 6.7 3.713.6 2.4

23.2

14.0

1.4

1.6

24.0

16.8

A

3.4

4.52.9 5.1

A

2.6

A

31.8

12.7

3.4

6.1

3.3 1.8

2.2

2.6

29.2

A

5.5

8.4

7.7

12.9

2.3 1.5

2.3

3.6

27.9 6.6

23.6

18.8

1.3 2.11.4 2.0

A

3.2

28.3

7.8

2.0

24.8

1.3 2.9 1.5

1.7

27.5

31.9

16.1

6.5

31.3

7.8

12.8

34.1

14.7

5.7

2.0

24.2

3.4

5.5

15.9

4.3

12.7 3.416.6 2.1 5.9

13.8

2.9

30.3

4.4

1.3

11.9

23.9

5.0

25.0

4.4

1.1

20.4

27.7

9.8

29.2

A

1.0

23.5

22.8

18.0

23.6

3.7

5.2

8.5

A

2.4

16.6

1.5

19.1

16.5

12'-6"

24.7

16.9

7.1

8.3

1.8

7.7 1.6

16.9

2.0

18.0 5.2 2.310.6 1.7

13.2

13.2

24.6

20.8

16.8

10.8

16.3

9.0

12.6

2.9 20.6 3.6

9.7

11.6

17.4 21.1 13.9 25.1 36.7 19.1 26.6

16.3

14.8

15.5

9.8

5.0

12.7

4.8

8.1

17.4

16.1

7.1

8.1

5.4

2.7

7.6

6.5 11.3 6.3 16.7 14.1 8.010.6

15.7

27.9

12.5

7.1

8.4

10.8

2.9

1.9

7.6

12.0

13.9 30.6

12.4

11.0

14.8

17.7

5.9

3.0 10.5 12.7 5.817.3

2.0

7.7

28.1

7.8

10.8

15.5

A

10.7

18.2

7.6

15.3

7.2

17.6

A

12.3

3.1

10.0

5.8

4.5

15.1

10.9

23.0

8.2

5.5

4.4

5.4

8.6 11.0

24.5

2.0

2.0 7.6

16.2

4.6

3.5

4.2

11.1

17.2

7.4

11.6

3.6

4.3

14.9

26.6

3.0

3.9

3.9

15.4

28.7

2.9

9.5

4.3

A

17.7

13.3

1.6

A

2.7 9.2 10.8 5.118.0

2.0

6.6

9.7

CH CH 12'-6"

5.2 12.7

20.9

3.9

5.2

17.6

8.3

1.1

7.15.2

14.1

23.8

1.64.31.5

4.2

7.1

30.4 18.9 25.7 16.4 18.3 16.2 15.1

26.7

A

1.8

4.2

8.8 10.8 8.7

1.7

4.3

4.1 2.0

11.0

8.7

1.8

4.2

1.4

15.4

16.3

1.8

A

A

2.2

16.7 15.1

16.3

9.1

3.7

9.5

2.5

2.0

6.9

12.6

4.9

A

9.2

28.4 11.7

20.6

17.6

3.4

1.8

7.5

3.8

5.3

11.1

45.0

2.1

5.9

5.6

15.0

9.3

5.7 2.9

A

7.26.3

17.9

4.0

4.6

7.2

15.5

19.6

A

1.9

23.3

29.6

A 1.8

1.8

26.6

38.7

1.8

1.9

9.7 10.9

9.0

2.9

1.7

3.8

1.94.21.8

17.4 14.8

9.2

1.9

2.4

7.1

16.7

5.7

1.9 6.4

1.9

2.2

10.8

16.8

3.2

1.93.61.7

2.3

14.5

6.5

1.8

2.7

2.3 3.1

6.9

3.4

3.3 3.7

5.1

4.6

3.8

2.4

2.4

8.8

2.9

2.2

2.4

3.1

7.27.14.5

10.7 10.7

3.3

4.3

2.48.33.7

A

1.8

1.7

2.4 2.6

3.2

25.0

45.0

17.7

10.8

14.6

14.4

17.7

5.3

6.1

1.6 5.1

1.5

2.2

A

7.25.2

22.1

21.9

4.7

5.9

6.6

AA

4.0

1.4 3.3

17.8

14.3

21.3

2.2

4.8

7.3

9.4

17.3

3.7 2.8

3.0

2.7

4.6

16.8

A

20.8

5.6

31.4

3.4

22.5 2.523.0 2.6 3.6

A

3.2

21.5

11.9

32.6 3.132.7 3.2 4.4

A

4.4

25.1

17.2

3.8

3.2

7.5

10.9

9.1 10.9

32.1

A

4.9

26.9

16.0

26.5

6.8

8.9

8.05.24.9

11.3

14.9

9.2

2.7

A

4.8

14.3

12.2 9.0

15.4

36.3 20.4 28.5 15.1 20.9 18.5 17.4

40.1 18.5

30.0 12.0

4.6

8.5

26.5

18.1

8.6

19.5

16.6 17.0

7.2

A

23.4 4.9

24.3

16.5

16.5

16.9

10.9

27.2 4.928.1 4.0 7.7

5.1

5.1

3.5

6.1

4.4

14.8

ACH A 19'-0"

5.3

18.2

18.6

16.9

8.6

3.7

5.8

4.1

1.6

16.6

A

11.0

11.2

22.0

6.4

10.5

1.4

15.5

3.6 3.7

6.2

26.8

5.9

20.8

A

A

12.6

8.2

A

2.8

12.9

3.2 3.2

3.8

8.5

4.9

17.2

5.3

A

3.4

13.9 4.26.6

23.2 18.1

2.2

13.6

4.3 4.3

3.2

14.8

15.8

16.1

33.2

1.5 1.7

26.6 7.9

7.8

1.9

A

1.32.21.3

1.7 2.0

24.9

15.7

1.7 1.5 1.8

2.3

2.9

7.0

6.4 6.4

3.8

14.2

11.1

10.2 15.9 16.7 25.0 8.5

27.5

32.2

17.2 31.3

ACH A 19'-0"

4.0

24.9

31.1

11.8

A

20.7

4.3 17.0

6.1

6.7

32.5

7.9

A

31.5

5.7 33.3 10.2 33.0 32.2 5.9

28.9

29.8

7.4

31.3

3.7

A

3.525.9 21.9

23.0 26.6 30.9

25.6

26.3

4.6

6.3

6.1

1.8

12.7

31.8

16.0

2.0 2.2

2.5

7.4

A

10.8 10.7

11.6

7.6

2.1

A

32.6 16.8 27.4 17.4 13.0 17.2

23.2

3.5

4.9

8.5

16.6

32.1

16.9

14.0

22.2 8.3

4.8

8.5

16.0

26.4

33.2

28.1

13.4

12.4

A

4.8

8.7

16.1

25.5

32.7

27.5

16.3

9.4

34.2

12.2 3.316.6 4.7 3.4

8.7

16.7

25.8

33.8

32.1

A

16.9

26.9

32.6

33.7

8.5

30.7

27.3

30.8

12.1

30.6 8.1

32.8

33.6

31.4

4.7

31.6

5.9

17.1

32.9

29.1

30.9

4.8

A

31.1

29.0

17.4

16.8

3.3

26.9

16.8

16.4

33.5

12.5

3.6

5.0

31.9

15.4

32.0 16.7 26.3 12.7 17.3 16.6 14.7

16.1

4.7

25.4

25.8

12.5

4.7

22.6

12.8

26.6

12.4

8.5

19.8

30.9

7.7

7.8

8.3

29.9

12.7

7.8

31.2

7.6

32.3

16.4

28.3

12.4

17.4

15.8

28.7

6.0

17.7

16.6

26.5

25.0

6.6

16.6

12.7

25.4

22.7

20.3

12.6

31.7

16.9

26.3

17.3

12.7 18.5 31.6 16.9 27.1

7.7

30.4

12.8

30.5

12.7

24.9

2.0

A

3.8

12.9

28.7

7.6

28.8

28.8

6.4

7.6

7.7 27.8

30.0

24.9

8.4

26.6

6.3 9.8

7.4

24.8

23.6

28.6

3.0 4.83.32.9

10.6

18.0

34.1

27.9

17.7

30.1

5.7 7.6 6.4

14.1

24.6

SOUTH GALLERY

5.4

19.8

28.1

18.2

12.3

28.1

3.3

24.5

16.2

9.7 12.7

14.8

10.8 30.6 15.3 36.7 27.9 18.0 24.3 11.6

26.5

15.5

27.9

9.5

23.7

7.4

33.4

32.8

3.9

26.8

6.9

24.8

32.3 7.8

3.9 3.6

24.5

4.3

5.7

6.4 23.7

A

4.9

4.3

23.7 5.2

4.3

29.7

23.0

32.7 4.233.1 5.6 4.4

A

5.3

4.2

A

25.9

6.3

24.7

4.0

21.9

3.1

5.1

5.7

25.7

3.2

2.9

4.3 4.2 23.1 3.423.5

A

7.2

25.4 6.9

A

2.7

27.5

A

2.8

10.4

22.9

23.4

17.2

2.4

2.8 3.6 17.5 2.618.7

3.0

25.1

A

3.7

21.1 19.7

9.7

9.2

10.4

26.8

2.7

A

4.8

12.7

20.9

27.2

17.4

22.2 3.2

17.4 16.8

33.2

4.4

20.9

11.2

CH 12'-6"

8.3

12.6

24.3

18.0

21.9

9.9

27.4 26.5

5.7

15.3

A

4.1

4.2 18.0

17.7

5.1 7.5

23.4

11.0

25.2

17.3

10.6 17.7 16.7 28.1 9.9

32.6

31.8

5.8

15.0

19.7

4.0 8.8 22.6 6.120.2

3.3

4.6

18.2

11.0

27.0

27.5

17.5

2.7 17.5

21.3

16.7

6.1

23.5

33.5

6.1 33.7

19.8

2.2

2.8

14.9

11.1

6.0

3.8

9.6

12.0

15.2

1.8

2.2

12.5

27.1

A

21.2

9.4

16.6

16.0

9.9

CH

1.711.7 1.9

2.2

2.5

25.5

20.5

A

3.8

21.5 3.8

9.0

16.5

26.3

2.0 9.0

A A 12'-6"

3.3

3.8

10.2

3.8

22.6

25.6

17.0

25.8

7.3

3.0 8.0

6.7

3.8

22.3

26.7

27.1

26.6 9.2 22.2 16.923.4

32.0

6.3

11.6

26.8

17.2

A

12.0

31.6

30.9

7.4

9.3

3.333.2 33.3

24.1

20.6

31.2 16.4

10.8

17.6

2.8 29.5

2.3

8.6

23.3

17.9

3.3

44.6

19.6

8.2

16.5

24.2

29.0

3.4

42.6

2.6

15.7

26.3

29.6

45.0

A

7.8

24.9

38.2

45.0

53.1

2.8

13.4

15.4

24.3 7.9 16.7 15.3 18.0

30.5

38.7

52.9

2.9

10.5

24.5

28.7

A

2.9 45.0 3.440.1 45.1

52.3

27.0

27.9

9.8

24.8

11.8

ACH A 19'-0"

28.6 3.826.6 6.1 3.2

7.2

7.9

34.2

6.4

7.4

7.0

18.3

A

7.4

10.2

3.5

52.7

2.0

6.4

3.6

35.4

35.5

2.9

4.7 3.9 6.2

3.0

37.1

3.5

3.5

5.8

3.1

12.7 14.8

18.8

A

28.1

5.0

3.7

33.4

3.832.3 30.7

29.2

6.9

A

33.4

27.4

10.2

3.5

3.2 30.0

28.7

5.0

20.2 23.7

27.9 12.4

A

4.5

35.3

23.7

12.0

2.3

32.8

6.3

28.2

24.5

3.7

17.9

2.8

3.5

A

3.7

22.7

1.8

27.8

30.1

33.1

4.2

3.7

17.7 4.7 11.2 6.55.7

22.6

26.8

7.2

A

11.4

23.5

25.5 5.2 25.9 9.228.6 29.7

15.9

3.3

23.0

10.6

29.4

3.3

2.1

6.0

23.1

4.6

32.7

4.7 3.4

5.7

25.4

4.0

5.6

12.0

3.5

24.2

A

4.2

2.6 19.7 3.2

4.6

A

15.3

20.9

15.0

11.4

5.2

3.2

A

4.5

20.0

2.8

2.8

18.0 4.1

3.8

3.4

1.8

2.0

CHA 12'-6"

9.0

12.5

5.8

3.3

29.5

16.8

5.7

5.6

2.0

7.3 2.3 9.92.415.2

8.0

11.6

11.6

3.4

27.6

10.4

12.2 10.4 6.216.9 5.7

A

3.3

20.3

4.0

23.2

6.3

3.4

22.6

26.1

4.2

18.0

5.8

6.5

3.4

22.2

24.3

6.5

12.0

12.3

A

6.3 2.9

3.5

6.9

9.5

12.8

2.7

3.4

5.9

1.6

11.6

35.8 9.1

23.4

16.7

20.1

2.0

10.5

38.6

6.7

22.2

10.8 13.0 16.06.719.8 17.5

4.0

35.8

25.6

6.5

10.6

6.3

28.7 11.6

12.8

16.4

23.3

26.7

12.0

12.2

37.0

13.4

24.2

7.4

7.2

40.6

6.1

10.5

6.1

4.5

37.6

12.3

20.6

3.8

4.3

33.2

18.8

4.5

21.8

6.5

11.5

5.8

12.4 11.9 16.7 6.218.0

A

6.3 23.4

22.9

12.7

20.6

12.1

7.2

A

11.4

11.3

13.7

11.9

A

4.6

7.4 20.7

9.8

36.1

12.0

2.6

26.4

A

4.6

3.2

4.6

25.9

3.5

9.1

2.6 10.3 3.75.15.0

A

2.4

3.2

5.9

25.7

6.6

24.2

2.0 18.2

5.4

6.4

3.4

24.8

15.9

21.1

5.9 4.5 6.5

9.4 12.5

27.1

9.0

A

2.8

26.4 3.428.1 5.8 2.8 3.3

26.4

12.9

29.6

5.0

18.6

13.6

29.9

3.5

5.6

6.9

6.4

9.0

28.6

10.2

19.2

A

12.6

31.1

5.9

11.4

19.4

3.3

5.2

3.1

3.6 3.5

19.2

13.7

A

6.2

12.1

6.4

A

3.7

33.8 3.729.8 6.3 3.0

6.0

11.6

12.3

15.5

30.6

12.6

23.7

6.4 13.8

14.1

6.3

32.2

11.9

28.5

9.3

22.2

23.8 17.2

12.5

35.6 12.8

4.9

28.6

18.3

3.2

36.7

5.2

27.0

20.9

3.5

3.8

38.9

11.1

18.3

5.2

4.0

6.2

8.0

15.2

31.1

A

6.3

8.7

16.3

A

4.5

6.5 4.2 38.3 4.232.7

14.1

21.4

18.9

34.4

6.7

5.7

6.0

12.2

12.2

28.6

3.5

28.5

12.3

42.6

13.0

20.0

20.8

17.5

13.0

12.8 43.8

46.2

19.4

20.6

17.3 35.8

36.3

29.6

17.8 5.9

4.9

11.7

28.7

4.7

14.5

4.7

20.7

4.5

6.7

17.1

4.7

27.4

A

3.8

6.2 4.5 26.6 4.127.1 6.5

15.1

12.0

25.9

6.1

27.2

12.8

15.8

15.9

25.1

12.3

28.0

18.5

13.7

18.1

12.1

11.9 22.6

19.3 4.7

4.7

7.7 8.0

24.7 9.4

17.9

16.9

20.5

18.4

17.9

7.5

30.1 29.2

20.0

22.7

2.3

2.8

16.2

4.9

7.7

25.7

2.9 3.4

18.8

8.0

26.8 7.6

20.1

20.6

A

5.1

5.8

16.4

17.5 9.3

19.2

4.6 2.0 21.6 2.723.4

10.3

11.9

18.9

5.2

22.9

20.9

9.1 16.2

19.0

16.4

16.2

8.7

20.4

26.4

25.9

18.4 26.118.1 24.3 20.3 23.8

14.4

CH 12'-6"

19.2 15.9 14.2 20.6 13.6

16.2

19.0

6.5

14.6

A

19.4

19.6

14.6

A

29.2

17.5

6.3

A CH A 19'-0"

2.2

4.4

6.4

13.7 20.0 18.2 14.1 30.1 17.1

14.4 15.1

17.6

3.3

7.1

3.2 6.23.310.8 3.1

A

19.2

6.7

A

13.7

7.5

6.9 19.2

A

7.0

7.4

3.2 7.53.313.4 3.8

3.0

4.4

12.0

3.3

3.2 6.63.312.0 3.4

3.2

4.4

8.2

A

12.3

3.3

12.0

A

12.0

6.4

15.1

21.6

3.4

6.4

3.2

17.0

22.3

12.1

3.3

16.7

19.3

20.9

3.4

6.5

12.4

18.4

12.3

3.2

12.0

26.8

17.4

6.4

3.3

16.9

12.2 17.517.0 19.1 16.4

A

6.5

6.4

16.4

12.3

3.3

3.2

17.2

15.9

3.3

3.2

17.0

17.3

18.2

3.2 6.63.612.5 3.4

3.3

12.4

18.9

4.2

6.5

12.2

18.4

16.8

3.2 6.5 3.312.2 3.3

3.2

4.4

12.3

5.6

A

26.4

18.4

19.3 16.8

3.4

23.9

11.8 20.3 16.5 19.5 20.9

17.5

11.8

3.6

16.3

18.8

10.5

6.6

A

20.4

16.6

18.3

6.48.212.0

3.4

11.7

17.0

17.0

6.3

4.4

A

3.0

17.0

11.9

16.7

6.8

4.1 3.3

4.5

A

3.8

19.0

11.3

6.7

35.3

6.6

A

7.2

6.9

A

4.4

45.1

29.9

3.3

3.2

47.8

36.9

21.8

3.2

4.5 3.2

16.9

40.3

23.7

16.5

6.4 17.2

A

5.2

12.0

12.0

25.3

25.3 50.6 12.1 41.516.9

16.3

15.8

4.5 8.29.713.9 4.2 3.6

16.9

16.6 6.4

6.3

16.2

30.2

4.6

6.4

6.4

18.5

19.3

4.5

38.2

16.6

17.9

8.2

4.1

27.7

33.5

11.9

22.9

4.1

5.6

25.7

23.5

20.4

42.8

3.6

17.8

21.0

26.7

36.5

4.145.7 3.4 29.3 11.3 3.7

16.7

18.3

19.3 20.9 11.8 20.6 16.6

16.9

20.9

3.7

23.4

12.0

18.6

13.6

16.1

16.6

6.3

13.5

CH 12'-6"

16.2

24.7

17.1

3.5

15.6

3.3

9.7

27.5

6.6

6.4

5.2

11.6

A

10.5

4.6 3.4

4.0

6.5

5.8

11.2 5.26.63.4 8.8 7.2

12.4

4.4

4.6

4.1

6.4

A

3.5

3.2 7.83.513.7 4.1

AA A

4.2

10.56.16.44.1 10.2

13.8

14.1

4.5

4.5

A

14.6

14.6

15.1

4.1

3.5

6.9

A CH A 19'-0"

4.4

6.4

12.2

12.0

3.2

16.7

16.6 6.3

A

6.7

6.7

3.2

AA A

11.2

12.2

3.5

4.5 4.6

10.86.5 6.54.4 10.9

15.2

14.2

6.6

3.2 6.83.412.4 3.5

AA A

10.8

10.9

A

3.5

3.3

3.5

3.7

14.2 16.8

6.4

A

3.3

3.2

3.7

A

4.4

10.5 6.56.44.4 11.0

10.5

3.2

3.2

3.2

4.4

4.4

6.4

10.9

11.8

4.4

A

14.1

14.4

11.7

6.4

4.4 3.4

A

4.4

4.4

12.1

6.3

3.1

12.4

15.1 17.6

A

3.3

6.4

A

3.4

3.3

4.4

6.5

6.5

10.9 6.56.54.4 10.8 6.4

A

3.1

3.3

3.3 3.1 6.4 3.311.9

8.9

13.5 12.1 10.0 12.713.9

13.9

16.2

12.0

3.3

4.4

4.4

6.5

6.5

11.0

11.0

10.5

11.9

3.2

6.4

AA A

4.5

10.76.46.54.4 10.4

14.2

12.0

6.3

3.2

A

12.4 5.4

6.2

A

3.2

6.4

3.0

3.2

4.4

4.5

6.6

3.1

3.1 4.3

4.4 3.2

A

4.5

6.6

A

4.3

A

4.6

11.0 6.56.64.6 10.8

14.8

15.3

3.3

AA A

15.3

14.2

10.0

11.6

3.1

3.2 3.0 6.33.211.8 3.2

4.3

10.86.66.54.5 11.0

4.8

A

5.4

6.2

AA A

10.8 10.5

15.1

2.9

3.2

3.1

4.4

A

4.4

10.6 6.56.44.4 11.0

14.7

14.2

14.7

A

2.8

3.0

4.2

A

6.4

10.6

14.1 15.1

2.9

3.0 4.1

A

4.3

10.5

14.1

14.2

2.5

2.7 3.1

4.1

10.7 11.06.4 6.54.4

14.2

14.7

2.3

A

2.5 2.5 4.82.78.9

2.5

2.8

3.9

AA A

4.1

10.2 10.2 6.16.14.1

14.0

14.0

2.3 3.4

A

SHEET NAME

ELECTRICAL LIGHTING PLAN CALCULATIONS SHEET NUMBER

CALLIE WALTON

LT4

The vaulted ceiling relates to the shape of trees within the landscape

C.V.WALTON@TCU.EDU

Course: Digital Media in Lighting Task/ Skills Obtained: By utilizing AutoCAD, AGI32, Photoshop, Illustrator, and Adobe Software, I conducted field studies and produced research findings to replicate the building’s RCP.

PROJECT 8

The boundaries of the site are meant to visually isolate the building from the exterior PROJECT #8

PROJECT INFORMATION Project No: 1072 Issue Date: 17 APRIL 2017

LINK TO FULL PROJECT: <iframe src="https://e.issuu.com/anonymous-embed.html?u=c.v.walton&d=walton_callie_digital_media_in_ligh" style="border:none;width:100%;height:500px;" allowfullscreen></iframe> Revision:

SCALE

LI G H T I N G DESIGN

NTS SHEET NAME

Implementing natural cycles and rhythms into Healthcare Lighting Design is intrinsic to a high quality of life for patients and staff.

Design Objective: To implement previous research findings into a pre-existing hospital floor plan with a customized Lighting Plan, Lighting Control Plan, and rendered elevations.

)@<GOC><M@ ?@NDBI C<N =@>JH@ HJM@ DIIJQ<ODQ@ RDOC OC@ ?@Q@GJKH@IO JA M@N@<M>C NOP?D@N OC<O NCJR OC@ )@<GOC><M@ ?@NDBI C<N =@>JH@ )@<GOC><M@ ?@NDBI C<N =@>JH@ HJM@ DIIJQ<ODQ@ RDOC OC@ M@G<ODJINCDK =@OR@@I GDBCODIB HJM@ DIIJQ<ODQ@ RDOC OC@ ?@NDBI <I? C@<GOC =@I@ADON ?@Q@GJKH@IO JA M@N@<M>C ?@Q@GJKH@IO JA M@N@<M>C 4K@>DAD><GGT DI CJNKDO<G N@OODIBN NOP?D@N OC<O NCJR OC@ NOP?D@N OC<O NCJR OC@ OC@ PN@ JA ?<TGDBCO <I? M@G<ODJINCDK =@OR@@I GDBCODIB M@G<ODJINCDK =@OR@@I GDBCODIB ?<TGDBCODIB O@>CIDLP@N DI ?@NDBI <I? C@<GOC =@I@ADON ?@NDBI <I? C@<GOC =@I@ADON M@B<M?N OJ GDBCO G@Q@G OTK@ JA 4K@>DAD><GGT DI CJNKDO<G N@OODIBN 4K@>DAD><GGT DI CJNKDO<G N@OODIBN OC@ PN@ JA ?<TGDBCO <I? GDBCO NJPM>@ <I? GDBCO >JGJM OC@ PN@ JA ?<TGDBCO <I? C<N KMJQ@I OJ NCJR CDBC@M EJ= ?<TGDBCODIB O@>CIDLP@N DI ?<TGDBCODIB O@>CIDLP@N DI K@MAJMH<I>@ G@Q@GN DI M@B<M?N OJ GDBCO G@Q@G OTK@ JA M@B<M?N OJ GDBCO G@Q@G OTK@ JA @HKGJT@@N <I? HJM@ K<OD@IO GDBCO NJPM>@ <I? GDBCO >JGJM N<ODNA<>ODJI <GJIB RDOC A<NO@M GDBCO NJPM>@ <I? GDBCO >JGJM C<N KMJQ@I OJ NCJR CDBC@M EJ= C<N KMJQ@I OJ NCJR CDBC@M EJ= K@MAJMH<I>@ G@Q@GN DI M@>JQ@MT M<O@N 5C@M@AJM@ HT ?@NDBI DN >@IO@M@? <MJPI? K@MAJMH<I>@ G@Q@GN DI @HKGJT@@N <I? HJM@ K<OD@IO @G@H@ION JA I<OPM@ =T PODGDUDIB @HKGJT@@N <I? HJM@ K<OD@IO N<ODNA<>ODJI <GJIB RDOC A<NO@M ?<TGDBCODIB O@>CIDLP@N RDOC JM@ N<ODNA<>ODJI <GJIB RDOC A<NO@M M@>JQ@MT M<O@N 5C@M@AJM@ HT RDI?JRN <I? OPI<=G@ GDBCO M@>JQ@MT M<O@N 5C@M@AJM@ HT ?@NDBI DN >@IO@M@? <MJPI? ADSOPM@N DI K<OD@IO <I? NO<AA ?@NDBI DN >@IO@M@? <MJPI? @G@H@ION JA I<OPM@ =T PODGDUDIB <M@<N *HKG@H@IODIB I<OPM<G @G@H@ION JA I<OPM@ =T PODGDUDIB ?<TGDBCODIB O@>CIDLP@N RDOC JM@ >T>G@N <I? MCTOCHN DIOJ RDI?JRN <I? OPI<=G@ GDBCO ?<TGDBCODIB O@>CIDLP@N RDOC JM@ C@<GOC><M@ GDBCODIB ?@NDBI DN ADSOPM@N DI K<OD@IO <I? NO<AA RDI?JRN <I? OPI<=G@ GDBCO DIOMDIND> OJ < CDBC LP<GDOT JA GDA@ <M@<N *HKG@H@IODIB I<OPM<G ADSOPM@N DI K<OD@IO <I? NO<AA AJM K<OD@ION <I? NO<AA >T>G@N <I? MCTOCHN DIOJ <M@<N *HKG@H@IODIB I<OPM<G C@<GOC><M@ GDBCODIB ?@NDBI DN >T>G@N <I? MCTOCHN DIOJ DIOMDIND> OJ < CDBC LP<GDOT JA GDA@ C@<GOC><M@ GDBCODIB ?@NDBI DN AJM K<OD@ION <I? NO<AA DIOMDIND> OJ < CDBC LP<GDOT JA GDA@

Course: Lighting and the Human Experience Task/ Skills Obtained: My design is centered around elements of nature by utilizing daylighting techniques with more windows and tunable light fixtures that are manipulated to complement the sleep cycles within patient and staff areas.

CIRCADIAN RYTHM RESEARCH / SOLUTION

)@<GOC><M@ ?@NDBI C<N =@>JH@ HJM@ DIIJQ<ODQ@ RDOC OC@ ?@Q@GJKH@IO JA M@N@<M>C NOP?D@N OC<O NCJR OC@ RECESSED ROUND WALL MOUN 4" M@G<ODJINCDK =@OR@@I GDBCODIB -DBCODIB $JI>@KO #J< DOWN LIGHT FIXTURE LINEAR ART -DBCODIB $JI>@KO #J<M? - GENERAL -DBCODIB $JI>@KO #J<M? AJM K<OD@ION <I? NO<AA GENERAL -DBCODIB $JI>@KO #J<M? ?@NDBI <I? C@<GOC =@I@ADON ADMIT ROOM RECESSED ROUND RECESSED ROUND $<GGD@ 8<G WALL MOUNTED A 4" DOWN LIGHT FIXTURE DOWN LIGHT C FIXTURE $<GGD@ 8<GOJI $<GGD@ 8<GOJI -DBCODIB $JI>@KO #J<M? LINEAR ART SCONCE $<GGD@ 8<GOJI 4K@>DAD><GGT DI CJNKDO<G N@OODIBN - GENERAL GENERAL - GENERAL IMPLEMENTED -DBCODIB $JI>@KO #J<M? $<GGD@ 8<GOJI OC@ PN@ JA ?<TGDBCO <I? C D D ED D CL01 RESEARCH $<GGD@ 8<GOJI ?<TGDBCODIB O@>CIDLP@N DI 11' 10'-0" LINEARPATIENT ROOM M@B<M?N OJ GDBCO G@Q@G OTK@ JA LIGHTING B ADMIT ROOM (HORIZONTAL)- 200 LUX GDBCO NJPM>@ <I? GDBCO >JGJM 11'STRIP LINEAR LED 3000 K LIGHTING 11' -GENERAL, B C<N KMJQ@I OJ NCJR CDBC@M EJ= ZONE 1 5'-9" A (HORIZONTAL) TASK, ACCENT RECESSED ROUND RECESSED ROUND WALL MOUNTED LED STRIP RECESSED LINEAR NURSES STATION 4" CL01 K@MAJMH<I>@ G@Q@GN DI DOWN LIGHT FIXTURE DOWN LIGHT FIXTURE LINEAR ART SCONCE A -GENERAL, 1X4 FIXTURE 10'-0" 5'-9" A 280 LUX 210 LUX - GENERAL - GENERAL A - GENERAL @HKGJT@@N <I? HJM@ K<OD@IO TASK, ACCENT - GENERAL A K A 3'-8 -D5100 - 3000 K C D ED D N<ODNA<>ODJI <GJIB RDOC A<NO@M A A M@>JQ@MT M<O@N 5C@M@AJM@ HT SHARED NORTH SPACES ELEVATION LINEAR A ADMIT ROOM CL01 01 LIGHTING - 100 LUXSCALE:1/4"=1'-0" ?@NDBI DN >@IO@M@? <MJPI? NORTH 11'-6" (HORIZONTAL) 11' LINEAR NORTH ELEVATION SOUTH ELEVATIO 3000 K LED STRIP CL01 @G@H@ION JA I<OPM@ =T PODGDUDIB 01 B 02 LIGHTING 11' -GENERAL, SCALE:1/4"=1'-0" SCALE:1/4"=1'-0" 10'-0" (HORIZONTAL) ZONE 7 ?<TGDBCODIB O@>CIDLP@N RDOC JM@ TASK, LED STRIP NO ACCENT ZONE 8 A A A A -GENERAL, RDI?JRN <I? OPI<=G@ GDBCO Lighting Legend 5'-9" A A HEALTHCARE TASK, ACCENT LIGHTING D 3'-8" E ADSOPM@N DI K<OD@IO <I? NO<AA TEMPLATE Linear Lighting (Horizontal) A Lighting Legend A <M@<N *HKG@H@IODIB I<OPM<G HEAL A Wall Mounted Linear Down Light w/Lens B LIGHT CL01 Linear Lighting (Horizontal) >T>G@N <I? MCTOCHN DIOJ TEMP A Rec C Exit Sign D 11'-0" A Wall Mounted Linear Down Light w/Lens C@<GOC><M@ GDBCODIB ?@NDBI DN NORTH ELEVATION SOUTH ELEVATION B NURSES STATION 01 02 C Recessed Fixture Recessed Fixture E Exit Sign SCALE:1/4"=1'-0" SCALE:1/4"=1'-0" OJ < CDBC LP<GDOT JA GDA@ ZONE 5 DIOMDIND> D CL01 Recessed Fixture C D Rec AJM K<OD@ION <I? NO<AA D 11'-6" D D CALLIE WALTON

PATIENT ROOM

CL01 11'-0" ZONE 2 ZONE 3

C

B

ZONE 4 STAFF TOILET

CL01 11'-0"

12'-0"

KITCHENETTE / STAFF LOUNGE

CAL

C.V.WALTON@TCU.EDU

B

ZONE 6 Lighting Legend A

A

A

)@<GOC><M@ ?@NDBI C<N =@>JH@ )@<GOC><M@ ?@NDBI C<N =@>JH@ )@<GOC><M@ ?@NDBI C<N =@>JH@ )@<GOC><M@ ?@NDBI C<N =@>JH@ )@<GOC><M@ ?@NDBI C<N =@>JH@ HJM@ DIIJQ<ODQ@ RDOC OC@ HJM@ DIIJQ<ODQ@ RDOC OC@ HJM@ DIIJQ<ODQ@ RDOC OC@ HJM@ DIIJQ<ODQ@ RDOC OC@ HJM@ DIIJQ<ODQ@ RDOC OC@ ?@Q@GJKH@IO JA M@N@<M>C ?@Q@GJKH@IO JA M@N@<M>C ?@Q@GJKH@IO JA M@N@<M>C ?@Q@GJKH@IO JA M@N@<M>C ?@Q@GJKH@IO JA M@N@<M>C NOP?D@N OC<O NCJR OC@ NOP?D@N OC<O NCJR OC@ NOP?D@N OC<O NCJR OC@ NOP?D@N OC<O NCJR OC@ NOP?D@N OC<O NCJR OC@ M@G<ODJINCDK =@OR@@I GDBCODIB M@G<ODJINCDK =@OR@@I GDBCODIB M@G<ODJINCDK =@OR@@I GDBCODIB M@G<ODJINCDK =@OR@@I GDBCODIB M@G<ODJINCDK =@OR@@I GDBCODIB ?@NDBI <I? C@<GOC =@I@ADON ?@NDBI <I? C@<GOC =@I@ADON ?@NDBI <I? C@<GOC =@I@ADON ?@NDBI <I? C@<GOC =@I@ADON ?@NDBI <I? C@<GOC =@I@ADON 4K@>DAD><GGT DI CJNKDO<G N@OODIBN 4K@>DAD><GGT DI CJNKDO<G N@OODIBN 4K@>DAD><GGT DI CJNKDO<G N@OODIBN 4K@>DAD><GGT DI CJNKDO<G N@OODIBN 4K@>DAD><GGT DI CJNKDO<G N@OODIBN OC@ PN@ JA ?<TGDBCO <I? OC@ PN@ JA ?<TGDBCO <I? OC@ PN@ JA ?<TGDBCO <I? OC@ PN@ JA ?<TGDBCO <I? OC@ PN@ JA ?<TGDBCO <I? ?<TGDBCODIB O@>CIDLP@N DI ?<TGDBCODIB O@>CIDLP@N DI ?<TGDBCODIB O@>CIDLP@N DI ?<TGDBCODIB O@>CIDLP@N DI ?<TGDBCODIB O@>CIDLP@N DI M@B<M?N OJ GDBCO G@Q@G OTK@ JA M@B<M?N OJ GDBCO G@Q@G OTK@ JA M@B<M?N OJ GDBCO G@Q@G OTK@ JA M@B<M?N OJ GDBCO G@Q@G OTK@ JA M@B<M?N OJ GDBCO G@Q@G OTK@ JA GDBCO NJPM>@ <I? GDBCO >JGJM GDBCO NJPM>@ <I? GDBCO >JGJM GDBCO NJPM>@ <I? GDBCO >JGJM GDBCO NJPM>@ <I? GDBCO >JGJM GDBCO NJPM>@ <I? GDBCO >JGJM C<N KMJQ@I OJ NCJR CDBC@M EJ= C<N KMJQ@I OJ NCJR CDBC@M EJ= C<N KMJQ@I OJ NCJR CDBC@M EJ= C<N KMJQ@I OJ NCJR CDBC@M EJ= C<N KMJQ@I OJ NCJR CDBC@M EJ= K@MAJMH<I>@ G@Q@GN DI K@MAJMH<I>@ G@Q@GN DI K@MAJMH<I>@ G@Q@GN DI K@MAJMH<I>@ G@Q@GN DI K@MAJMH<I>@ G@Q@GN DI @HKGJT@@N <I? HJM@ K<OD@IO @HKGJT@@N <I? HJM@ K<OD@IO @HKGJT@@N <I? HJM@ K<OD@IO @HKGJT@@N <I? HJM@ K<OD@IO @HKGJT@@N <I? HJM@ K<OD@IO N<ODNA<>ODJI <GJIB RDOC A<NO@M N<ODNA<>ODJI <GJIB RDOC A<NO@M N<ODNA<>ODJI <GJIB RDOC A<NO@M N<ODNA<>ODJI <GJIB RDOC A<NO@M N<ODNA<>ODJI <GJIB RDOC A<NO@M M@>JQ@MT M<O@N 5C@M@AJM@ HT M@>JQ@MT M<O@N 5C@M@AJM@ HT M@>JQ@MT M<O@N 5C@M@AJM@ HT M@>JQ@MT M<O@N 5C@M@AJM@ HT M@>JQ@MT M<O@N 5C@M@AJM@ HT ?@NDBI DN >@IO@M@? <MJPI? ?@NDBI DN >@IO@M@? <MJPI? ?@NDBI DN >@IO@M@? <MJPI? ?@NDBI DN >@IO@M@? <MJPI? ?@NDBI DN >@IO@M@? <MJPI? @G@H@ION JA I<OPM@ =T PODGDUDIB @G@H@ION JA I<OPM@ =T PODGDUDIB @G@H@ION JA I<OPM@ =T PODGDUDIB @G@H@ION JA I<OPM@ =T PODGDUDIB @G@H@ION JA I<OPM@ =T PODGDUDIB ?<TGDBCODIB O@>CIDLP@N RDOC JM@ ?<TGDBCODIB O@>CIDLP@N RDOC JM@ ?<TGDBCODIB O@>CIDLP@N RDOC JM@ ?<TGDBCODIB O@>CIDLP@N RDOC JM@ ?<TGDBCODIB O@>CIDLP@N RDOC JM@ RDI?JRN <I? OPI<=G@ GDBCO RDI?JRN <I? OPI<=G@ GDBCO RDI?JRN <I? OPI<=G@ GDBCO RDI?JRN <I? OPI<=G@ GDBCO RDI?JRN <I? OPI<=G@ GDBCO ADSOPM@N DI K<OD@IO <I? NO<AA ADSOPM@N DI K<OD@IO <I? NO<AA ADSOPM@N DI K<OD@IO <I? NO<AA ADSOPM@N DI K<OD@IO <I? NO<AA ADSOPM@N DI K<OD@IO <I? NO<AA <M@<N *HKG@H@IODIB I<OPM<G <M@<N *HKG@H@IODIB I<OPM<G <M@<N *HKG@H@IODIB I<OPM<G <M@<N *HKG@H@IODIB I<OPM<G <M@<N *HKG@H@IODIB I<OPM<G >T>G@N <I? MCTOCHN DIOJ >T>G@N <I? MCTOCHN DIOJ >T>G@N <I? MCTOCHN DIOJ >T>G@N <I? MCTOCHN DIOJ >T>G@N <I? MCTOCHN DIOJ C@<GOC><M@ GDBCODIB ?@NDBI DN C@<GOC><M@ GDBCODIB ?@NDBI DN C@<GOC><M@ GDBCODIB ?@NDBI DN C@<GOC><M@ GDBCODIB ?@NDBI DN C@<GOC><M@ GDBCODIB ?@NDBI DN OJ < CDBC LP<GDOT JA GDA@ OJ < CDBC LP<GDOT JA GDA@ OJ < CDBC LP<GDOT JA GDA@ DIOMDIND> OJ < CDBC LP<GDOT JA GDA@ DIOMDIND> DIOMDIND> DIOMDIND> DIOMDIND>OJ < CDBC LP<GDOT JA GDA@ AJM K<OD@ION <I? NO<AA AJM K<OD@ION <I? NO<AA AJM K<OD@ION <I? NO<AA AJM K<OD@ION <I? NO<AA AJM K<OD@ION <I? NO<AA

INTRINSIC LIGHTING DESIGN

-DBCODIB $JI>@KO #J<M? -DBCODIB $JI>@KO #J<M? -DBCODIB $JI>@KO #J<M? -DBCODIB $JI>@KO #J<M? -DBCODIB $JI>@KO #J<M? $<GGD@ 8<GOJI $<GGD@ 8<GOJI $<GGD@ 8<GOJI $<GGD@ 8<GOJI $<GGD@ 8<GOJI

CIRCADIAN RHYTHM RESEARCH

C

Recessed Fixture

Linear Lighting (Horizontal)

B

Wall Mounted Linear Down Light w/Lens

C

Recessed Fixture

CONSULT

D

Exit Sign

A C

Recessed Fixture

C.V.WAL

PROJECT #6

PROJEC

PROJECT INFORMATION

Project No: 1072 Issue Date: 12 DECEMBER 2017 Revision:

PROJEC

SCALE

D Recessed 1x4

1/4" = 1'-0" SHEET NAME

LIGHTING CONTROL PLAN

Project No

Issue Date Revision:

-DBC SCALE

1/4" =

SHEET NUMBER

LT1.2 E

Recessed Fixture

SHEET N

ELEV

D Recessed 1x4

SHEET N

LT

CALLIE WALTON C.V.WALTON@TCU.EDU

TYPE FA

A

RECESSED ROUND DOWN LIGHT FIXTURE - GENERAL

B TYPE FB

4" C

D

11'

LINEAR LIGHTING (HORIZONTAL) LED STRIP -GENERAL, TASK, ACCENT

D LINEAR LIGHTING (HORIZONTAL) LED STRIP -GENERAL, TASK, ACCENT

D

A

E NORTH

PROJECT #6

COLOR TUNING FEATURES

3'-8"

A

HEALTHCARE LIGHTING TEMPLATE

NORTH ELEVATION SCALE:1/4"=1'-0"

01

ED

5'-9"

A

A

TYPE FC

D

RECESSED LINEAR 1X4 FIXTURE - GENERAL

11'

B

C

TYPE FD

RECESSED ROUND DOWN LIGHT FIXTURE - GENERAL

WALL MOUNTED LINEAR ART SCONCE - GENERAL

02

SOUTH ELEVATION SCALE:1/4"=1'-0"

A

PROJECT INFORMATION Project No: 1072 Issue Date: 12 DECEMBER 2017 Revision:

Lighting Legend A B

PATIENT ROOM 12:00AM PATIENT ROOM

C

12:00AM

Linear Lighting (Horizontal)

NURSE STATION Exit Sign PATIENT ROOM PATIENT ROOM (END OF SHIFT) PATIENT ROOM NURSE STATION 12:00PM 12:00AM 12:00AM 12:00AM PATIENT ROOM PATIENT ROOM (END OF SHIFT) Recessed Fixture 12:00AM 12:00PM 12:00AM

TYPE FE

SCALE

Wall Mounted Linear Down Light w/Lens

C

D

PATIENT ROOM NURSE STATION NURSE STATION Recessed Fixture Recessed Fixture ESTATION PATIENT ROOM NURSE (END OFSHIFT) SHIFT) 12:00PM (END OF (BEGINNING OF SHIFT) NURSE STATION PATIENT ROOM 12:00PM 12:00AM 12:00AM 12:00PM (END OF SHIFT) NURSE STATION 12:00PM OF SHIFT) Recessed 1x4 (BEGINNING 12:00AM 12:00PM

NURSE STATION (BEGINNING OF SHIFT) NURSE STATION (BEGINNING OF SHIFT) 12:00PM NURSE STATION ELEVATIONS 12:00PMOF SHIFT) (BEGINNING 12:00PM 1/4" = 1'-0" SHEET NAME

SHEET NUMBER

LT2.1

B

01 01

01

NORTH ELEVATION N.T.S.

NORTH ELEVATION N.T.S.

0101 01 01

01

SOUTH ELEVATION NORTH ELEVATION NORTH ELEVATION 02 02 N.T.S. N.T.S. N.T.S. NORTH ELEVATION N.T.S. NORTH ELEVATION SOUTH ELEVATION 02 N.T.S.N.T.S.

NORTH ELEVATION N.T.S.

02

SOUTH ELEVATION SOUTH ELEVATION NORTH ELEVATION 0202 01 N.T.S. N.T.S. N.T.S. SOUTH ELEVATION NORTH ELEVATION 01 N.T.S. SOUTH N.T.S. ELEVATION 02 N.T.S. NORTH ELEVATION 01

02

D

SOUTH ELEVATION N.T.S. N.T.S.

02 02

02

SOUTH ELEVATION N.T.S. SOUTH ELEVATION N.T.S.

SOUTH ELEVATION N.T.S.

LINK TO FULL PROJECT: <iframe src="https://e.issuu.com/anonymous-embed.html?u=c.v.walton&d=walton_callie_intrinsiclighting" style="border:none;width:100%;height:500px;" allowfullscreen></iframe> LINK TO PAPER: https://issuu.com/c.v.walton/docs/walton_callie_healthcarelighting_re

LI G H T I N G DESIGN

Green Greenhouse housebar bar Green house bar Green house bar

Green house bar Green house bar

R E TAI L LI G H T I N G D E S I G N - CAT E NARY M O U N T I N G S T U D R E TAI L LI G H T I N G D E S I G N - CAT E NARY M O U N T I N G S T U D

WE ARE JUICE WE AREstatement JUICE Concept CONCEPT

Project Objective: To develop the schematic lighting design for an international hospitality business. Course: Lighting for Interior Design I Project Objective: To develop the schematic lighting design for an international hospitality business. Task: From the integration of minimal linear fixtures, to utilizing lighting systems that maximize Course: Lighting for Interior Design I sufficient daylight, WE ARE JUICE’s Lighting Design exhibits a luminous development in their wide Concept statement Task: From the integration of minimal linear fixtures, to utilizing lighting systems that maximize L’croissance range of conceptually similar fixtures and variety of lighting levels that, together, create a bright, sufficient daylight, WE ARE JUICE’s Lighting Design exhibits a luminous development in their wide inspiring space that encapsulates the naturalistic concept of GROWTH. The restaurant is dedicated to L’croissance range of conceptually similar fixtures and variety of lighting levels that, together, create a bright, Green house bar inspiring the consumption of food derived straight from Earth’s natural components. space that encapsulates the naturalistic concept of GROWTH. The restaurant is dedicated to Green house bar the consumption of food derived straight from Earth’s natural components. From the integration of minimal linear fixtures, to

CONCEPT

e restaurants restaurants

nts of

to maximize hat mimic ts of ecological n the food o maximize at mimic ecological t the top of nthe thejuice foodbar customers

the top of he juice bar to alter the customers ining spaces h of their

to alter the ning spaces of their

utilizing systems that maximize sufficient From the lighting integration of minimal linear fixtures, to We Are systems Juice’s Lighting Designsufficient exhibits a daylight,lighting utilizing that maximize luminous in theirDesign wide range of a Wedevelopment Are Juice’s Lighting daylight, WE exhibits ARE JUICE conceptually similar fixtures and variety of lighting luminous development in their wide range of levels that, together, create a bright, inspiring space that WE ARE JUICE Client profile conceptually similar fixtures and variety of lighting growth the encapsulates the naturalistic concept of levels that, together, create a bright, inspiring space that Client profile FOOD restaurant is dedicated to through the of consumption of growth the encapsulates theBusiness naturalistic concept food derived straight from earth’s natural components. FOOD restaurant is dedicated of Businessto through the consumption

food derived straight from earth’s natural components. WE ARE JUICE is a Because eating healthy trendyWEjuice caféjuice bar ARE JUICEbar is a trendy café and restaurant andARE restaurant WE JUICE isthat a that offers endless optionsoptions of authentic offersWE endless trendy juice café ARE JUICE is a trendy juicemeals bar and varieties ofbar healthy vegan of authentic varieties of café and restaurant that offers and restaurant that natural juices that benefit skin, endless options ofmood. authentic healthy vegan meals and weight loss, and With a offers endless options varieties of healthy vegan meals requirement of qualitybenefit and speed,and natural juices that of authentic varieties natural juices that experience benefit of skin,for they offer aloss, dining skin, weight andand healthy weight loss, andmeals mood. With all vegan dining experiences fromaa casual mood.requirement With aofthat requirement quality and dining speed, natural benefit sit juices down to a more formal of quality and speed, they offer aloss, dining experience for and even take out. skin, weight and they dining experiences from a casual offer all aWith dining experience mood. a requirement sit down to a more formal dining forquality all dining experiences of speed, they and evenand take out. from aa dining casual experience sit down to offer a more formal dining and for all dining experiences even atake out.sit down to from casual

Because eating healthy gluten and gluten free and rhymes free rhymes for too long with for too long with boring, Because eating healthy boring, we are juice hired a chef to we are juice hired a chef Because eating healthy and gluten and gluten free rhymes develop a symbiosis between the tofree develop symbiosis rhymes fora too long with natural components in our food and for too long with boring, boring, we are juice hired chef to between the natural our customer sohired we fullya receive we are juice a chef develop a symbiosis between the nourishment, development, components in ourand food to develop a symbiosis natural components ourdrinking food and growth by eatinginand and ourjustcustomer so we between the natural our soWe we fullyoffer receive the customer right meals. also small fully receive nourishment, nourishment, development, components in ourand food appetizers, toasted sandwiches, growth by eating and drinking development, and growth soups ofjust the day, Buddha-bowls and and our customer so we the right meals. We also offer small desserts. whethernourishment, Vegan, just by eating and drinking fully receive appetizers, vegetarian, or just sandwiches, someone wanting the righttoasted meals. development, and growth soups of the day,all Buddha-bowls a healthy meal, are welcome!and

desserts. whether Vegan, just by eating and drinking vegetarian, just someone wanting the right ormeals. a healthy meal, all are welcome!

a more formal dining and even take out.

JUICE JUICE The particularity of “We Are Juice” is toof the nutritional contributions fruits and vegetables pressed associate many “magic The particularity of have no secrets. the foods” “super foods” “We AreorJuice” toofis the nutritional particularity ofcontributions “We Areis Juice” with unsuspected fruits and vegetables pressed associate many “magic to associate many "magic foods" have no secrets. the virtues. Flaxseeds or "super foods" with foods” or “super foods” particularity of “We Are Juice” unsuspected virtues. Flaxseeds rich in proteins andis with unsuspected to associate manyand "magic foods" rich in proteins magnesium, magnesium, Spirulina, virtues. Flaxseeds or "super foods" withrich in Spirulina, a seaweed aunsuspected seaweed rich in virtues. Flaxseeds rich in proteins and antioxidant nutrients, and antioxidant rich in proteins andnutrients, magnesium, magnesium, Spirulina, Urucum, a beta-carotene mine. Spirulina, a seaweed rich in feel Urucum, a in These tasty juices make you aand seaweed rich antioxidant good inside nutrients, and out. Atand any time beta-carotene mine. antioxidant nutrients, Urucum, a beta-carotene mine. of the day. These tasty juices make and a you feel TheseUrucum, tasty juices make you feeland good good inside out. At inside any time beta-carotene mine. of theout. day. and These tasty juices make you feel good inside and out.

WE ARE JUICE WE ARE JUICE

IES TARGET ILLUMINATION (foot candles) IES TARGET ILLUMINATION (foot candles) Focal point Focal point Accent lighting can help Accentimportant lighting helpS emphasize important areas of areas ofemphasize your restaurant. Accent lighting can help THE restaurant. WALL WASHERS These lights are meant Accentimportant lighting helpS to emphasize AND GRAZERS add depth, add depth, contrast and important areas of areas ofemphasize your restaurant. and createfor a focal createlights acontrast focal point the THE restaurant. WALL WASHERS These are meant to point WITHIN THE SPACE AND THE AND GRAZERS add depth, eyes. Great for displays add depth, contrast and PERFECT DESIRED ATMOSPHERE. contrast and create a and highlighting certain create a focal point forfocal the point WITHINlights THE SPACE AND THE areas,Great accent can eyes. for displays PERFECT DESIRED ATMOSPHERE. create the perfect desired and highlighting certain atmosphere yourcan space. areas, accentfor lights create the perfect desired atmosphere for your space.

Color & light Color & light White walls can give a White ANDbrightness LIGHT COLORED uniformed give acan uniformed that walls iswalls great for give reflecting White a brightness that is great for lightWhite andAND making spaces LIGHT COLORED uniformed brightness reflecting light and making look bigger and brighter. walls give a uniformed that is great for reflecting spaces look bigger and Commercial spaces with brightness that is great for light and making spaces brighter. Commercial spaces reflecting light and making darker colored walls can look bigger and brighter. with darker colored walls spaces lookspaces bigger andwith create more intimate Commercial canacreate a more intimate brighter. Commercial spaces mood lighting. darker colored mood lighting. walls can

Color temperature Color temperature Lighting in the 3000K

Lighting in 3000K rangeused is range isthe typically typically used to accentuate to accentuate Lighting in the brightly 3000K brightly colored food, suchas colored food, Lighting in 3000Ksuch rangeused is range isthe typically as vegetables and fruits. vegetables fruits. typically used toand accentuate to accentuate brightly

WE ARE JUICE reinforces the restaurant’s association with nature and growth by: WE ARE JUICE reinforces the restaurant’s association with nature and growth by: 1. Implementing suspended fixtures that display organic geometry, derived from components of nature 1. Implementing suspended fixtures that display organic geometry, derived from components of nature 2. Integrating sophisticated technology with LED lighting systems that utilizes daylight sensors (to maximize energy 2. Integrating sophisticated technology with LED lighting conservation in spaces with sufficient daylight) and color systems that utilizes daylight sensors (to maximize energy tuning techniques (that mimics daylight to promote the natural conservation in spaces with sufficient daylight) and color benefits we receive from the Sun) to promote an ecological tuning techniques (that mimics daylight to promote the natural balance with nature and help WE ARE JUICE grow as an even benefits we receive from the Sun) to promote an ecological more sustainable business in the food industry balance with nature and help WE ARE JUICE grow as an even more sustainable business in the food industry 3. Providing simplistic navigation with linear fixtures, mounted on mullions at the top of the greenhouse (staggered in equal 3. Providing simplistic navigation with linear fixtures, mounted increments along the entire ceiling) from the front of the Juice on mullions at the top of the greenhouse (staggered in equal Bar Cafe all the way to the back, where the dining entrance is increments along the entire ceiling) from the front of the Juice located, further influencing the customers decision to prolong Bar Cafe all the way to the back, where the dining entrance is their visit for dinner. located, further influencing the customers decision to prolong their visit for dinner. 4. Concentrating on the blending of illumination with control systems that allow the user to alter the color and intensity 4. Concentrating on the blending of illumination with control of each individual or selection of lamps for zones in-between systems that allow the user to alter the color and intensity the two dining spaces which have drastically different lighting of each individual or selection of lamps for zones in-between requirements that must be met to achieve both of their the two dining spaces which have drastically different lighting contrasting ambiances. requirements that must be met to achieve both of their contrasting ambiances.

brightly colored suchas colored food,food, such as vegetables and fruits. vegetables and fruits.

with darker colored walls

create more intimate canacreate a more intimate mood lighting. mood lighting.

We Are Juice p.1 We Are Juice p.1

Lighting Plan - Hierarchy Illumination Map KEY GREENHOUSE BAR

RESTROOM DINING OFFICE STORAGE WARE WASHING PRIVATE DINING KITCHEN CIRCULATION IES LEVELS RESTAURANT (CASUAL DINING): EH: 20; EV: 8 LOUNGE: EH: 100; EV: 50 RESTAURANT (CASUAL DINING) - BREAKFAST: EH: 100; EV: 30 LUNCH: EH: 50; EV: 20 COFFEE SHOP: EH: 100; EV: 30 GENERAL SEATING: EH: 50; EV: 20 WORK SURFACES: EH: 100; EV: 20 BAR (BACK TOP): EH: 50; EV: 150 - BAR (TOP): EH: 75; EV: 20 CASHIERS: EH: 200; EV: 75 FORMAL DINNER: EH: 20; EV: 8

We Are Juice p.2 LI G H T I N G DESIGN

Entrance to dining room

Surrounding perimeter of cove

CALLIE WALTON CALLIE WALTON C.V.WALTON@TCU.EDU C.V.WALTON@TCU.EDU

DINING ROOM

Lighting Legend

CALLIE CALLIEWALTON WALTON C.V.WALTON@TCU.EDU C.V.WALTON@TCU.EDU

Decorative Pendant Ceiling Mounted Adjustable Track Fixture Catenary Suspended Downlight Suspended Linear Lighting (Horizontal) Linear Lighting (Horizontal) Floor Lamp Decorative Pendant

Electrical Legend Wall box Dimmer

Linear Lighting (Horizontal) Decorative Table Lamp

LCP

Lighting Control Panel - Dimmer Rack Floor Power Outlet

PROJECT #2 PROJECT #2

PROJECT #2 HOSPITALITY PROJECT #2 HOSPITALITY LIGHTING LIGHTING DESIGN DESIGN

HOSPITALITY HOSPITALITY LIGHTING LIGHTING DESIGN DESIGN

Entrance to dining room

PROJECT INFORMATION PROJECT INFORMATION PROJECT INFORMATION Project No: 1072 Project No: 1072 Project No: 1072 Issue Date: OCTOBER 2018 Issue Date: 2121 OCTOBER 2018 Issue Date: 21 OCTOBER 2018 Revision: Revision: Revision:

PROJECT INFORMATION Project No: 1072 Issue Date: 21 OCTOBER 2018

SCALE SCALE Revision: SCALE

1/8" 1/8" 1'-0" 1/8"== =1'-0" 1'-0" SHEET NAME SHEET SHEET NAME NAME SCALE

REFLECTED 1/8" = 1'-0" CONTROLS AND REFLECTED CEILING PLAN ZONING CEILING SHEET NAME PLAN SHEET NUMBER SHEET NUMBER SHEET

LT3.1 LT3.1 LT3.2 REFLECTED CEILING PLAN SHEET NUMBER

LT3.1

We Are Juice p.3

CALLIE WALTON CALLIE WALTON C.V.WALTON@TCU.EDU C.V.WALTON@TCU.EDU

Lighting Legend

CALLIE CALLIEWALTON WALTON C.V.WALTON@TCU.EDU C.V.WALTON@TCU.EDU

Decorative Pendant Ceiling Mounted Adjustable Track Fixture Catenary Suspended Downlight Suspended Linear Lighting (Horizontal)

Green house bar

GREENHOUSE RESTAURANT / BAR

Linear Lighting (Horizontal) Floor Lamp Decorative Pendant

Electrical Legend Wall box Dimmer

Linear Lighting (Horizontal) Decorative Table Lamp

LCP

Lighting Control Panel - Dimmer Rack Floor Power Outlet

PROJECT #2 PROJECT #2

PROJECT #2 HOSPITALITY PROJECT #2 HOSPITALITY LIGHTING LIGHTING DESIGN DESIGN

HOSPITALITY HOSPITALITY LIGHTING LIGHTING DESIGN DESIGN

PROJECT INFORMATION PROJECT INFORMATION PROJECT INFORMATION Project No: 1072 Project No: 1072 Project No: 1072 Issue Date: OCTOBER 2018 Issue Date: 2121 OCTOBER 2018 Issue Date: 21 OCTOBER 2018 Revision: Revision: Revision:

PROJECT INFORMATION Project No: 1072 Issue Date: 21 OCTOBER 2018

SCALE SCALE Revision: SCALE

1/8" 1/8" 1'-0" 1/8"== =1'-0" 1'-0" SHEET NAME SHEET SHEET NAME NAME SCALE

REFLECTED 1/8" = 1'-0" CONTROLS AND REFLECTED CEILING PLAN ZONING CEILING SHEET NAME PLAN SHEET NUMBER SHEET NUMBER SHEET

LT3.1 LT3.1 LT3.2 REFLECTED CEILING PLAN SHEET NUMBER

LT3.1

Green house bar

LINK TO FULL PROJECT: <iframe src="https://e.issuu.com/anonymous-embed.html?u=c.v.walton&d=walton_callie_project2_lighting_f18" style="border:none;width:100%;height:500px;" allowfullscreen></iframe>

We Are Juice p.4 LI G H T I N G DESIGN

size size size size daylighting daylighting aylighting daylighting patterns patterns patterns patterns relating relating relating relating to to to to the the the the earth earth earth earth and and and and size size size size its its its solar solar solar solar geometry geometry geometry geometry restrial restrial restrial restrial planets planets planets planets to to to create create create create atmospheres atmospheres atmospheres atmospheres that that that that accurately accurately accurately accurately reflect reflect reflect reflect the the the the function function function function ofof ofof each each each each spa spa spa spa room. room. room. room. its --far -to far far far from from from from the the the the sun sun sun sun ts its its its solar solar solar solar geometry geometry geometry geometry ---close -close close close to to to to the the the the sun sun sun sun of 3. 3. 3.3. the the the the installation installation installation installation of of of solar solar solar solar panels panels panels panels to to to to reinstate reinstate reinstate reinstate the the the the company’s company’s company’s company’s emphasis emphasis emphasis emphasis on on on on ---made -made made made of of of of hydrogen, hydrogen, hydrogen, hydrogen, rr panels panels panels panels to to to to reinstate reinstate reinstate reinstate the the the the company’s company’s company’s company’s emphasis emphasis emphasis emphasis on on on on made made made made of of of of metal metal metal metal and and and and their their their concept concept concept concept of of of of energy energy energy energy conservation conservation conservation conservation and and and and its its its its reuse reuse reuse reuse through through through through their their their their theraputheraputheraputherapuhelium, helium, helium, helium, and and and and hydrohydrohydrohydroInterstellar’s Interstellar’s Interstellar’s Interstellar’s Lighting Lighting Lighting Lighting design design design design transforms transforms transforms transforms its its its its space space space space asas as as atheir aajourney ajourney journey journey with with with with interstellar interstellar interstellar interstellar illusions illusions illusions illusions through: through: through: through: nservation nservation servation ervation and and and and its its its its reuse reuse reuse reuse through through through through their their their their theraputheraputheraputherapurocK rocK rocK rocK tic tic tic tic practices practices practices practices gen gen gen gen compounds compounds compounds compounds tic tic tic tic practices practices practices practices ---have -have have have few few few few moons moons moons moons --have -have have have rings rings rings rings and and and and 1.1. 1.1. The The The The installation installation installation installation ofof ofof vertical vertical vertical vertical and and and and horizontal horizontal horizontal horizontal wall wall wall wall and and and and ceiling ceiling ceiling ceiling mounted mounted mounted mounted led led led led linear linear linear linear fixtures fixtures fixtures fixtures toto to to represent represent represent represent latilatilatilatiand and and and rings rings rings rings 4. 4. 4.4. the the the the selection selection selection selection of of of of various various various various suspended suspended suspended suspended and and and and ceiling ceiling ceiling ceiling mounted mounted mounted mounted decorative decorative decorative decorative fixfixfixfixmany many many many moons moons moons moons tude, tude, tude, tude, longitude, longitude, longitude, longitude, and and and the the the the prime prime prime prime meridian, meridian, meridian, meridian, uspended uspended suspended uspendedand and and and ceiling ceiling ceiling ceiling mounted mounted mounted mounted decorative decorative decorative decorative fixfixfixfix- and tures tures tures tures that that that that mimic mimic mimic mimic the the the the physical physical physical physical qualities qualities qualities qualities of of of of interstellar interstellar interstellar interstellar obJects obJects obJects obJects in in in in space. space. space. space. cal ical sical icalqualities qualities qualities qualities of of of of interstellar interstellar interstellar interstellar obJects obJects obJects obJects in in in in space. space. space. space. 2.2. 2.2. The The The The use use use use ofof ofof RGB, RGB, RGB, RGB, color color color color tuning, tuning, tuning, tuning, and and and and fully fully fully fully dimmable dimmable dimmable dimmable lighting lighting lighting lighting systems systems systems systems toto to to convey convey convey convey the the the the different different different different temperatures temperatures temperatures temperatures and and and and lighting lighting lighting lighting features features features features represenetd represenetd represenetd represenetd inin in in terrstrial terrstrial terrstrial terrstrial and and and and jouvian jouvian jouvian jouvian planets, planets, planets, planets, asas asas well well well well asas asas the the the the daylighting daylighting daylighting daylighting patterns patterns patterns patterns relatrelatrelatrelating ing ing ing toto to to the the the the earth earth earth earth and and and and its its its its solar solar solar solar geometry geometry geometry geometry

size size size size ---close -close close close to to to to the the the the sun sun sun sun made made made made of of of of metal metal metal metal and and and and rocK rocK rocK rocK ---have -have have have few few few few moons moons moons moons and and and and rings rings rings rings

3.3. 3.3. The The The The installation installation installation installation ofof ofof solar solar solar solar panels panels panels panels toto to to reinstate reinstate reinstate reinstate the the the the company’s company’s company’s company’s emphasis emphasis emphasis emphasis on on on on their their their their concept concept concept concept ofof ofof energy energy energy energy conservaconservaconservaconservation tion tion tion and and and and its its its its reuse reuse reuse reuse through through through through their their their their theraputic theraputic theraputic theraputic practices practices practices practices

I N T E R S T E L LAR

design design design designnarrative narrative narrative narrative

4.4. 4.4. The The The The selection selection selection selection ofof ofof various various various various suspended suspended suspended suspended and and and and ceiling ceiling ceiling ceiling mounted mounted mounted mounted decorative decorative decorative decorative fixtures fixtures fixtures fixtures that that that that mimic mimic mimic mimic the the the the physical physical physical physical qualqualqualqualities ities ities ities ofof ofof interstellar interstellar interstellar interstellar objects objects objects objects inin in in space. space. space. space.

AN ESCAPE TO SPACE

N.T.S

16"

16"

16"

20" 42" 9'-11 3/16"

20"

42"

42"

20"

D

interstellar’s interstellar’s interstellar’s interstellar’s lighting lighting lighting lighting design design design design transforms transforms transforms transforms its its its its space space space space as as as as aa aa Journey Journey Journey Journey with with with with interinterinterinterProject Objective: To design, execute, and present an stellar stellar stellar stellar illusions illusions illusions illusions through: through: through: through:

innovative lighting design solution for an urban spa that

D

9" 15'-216

42" GFI

24" GFI APP

K

D

B

F

42" GFI

G

16" APP

H

G

G

G

J J

G

K K

K

20"

G

C2 9'-0"

G

1'-8 13/16"

F F

2'-9 1/2"

F 2'-2"

C2 9'-0"

F

G

24” APP X2

G

24” APP X2

G

C2 9'-0"

C2 9'-0"

G C2 9'-0" 24” APP X2

1" 4'-72

J

G

J 3'-815 16"

F F F F F F F

20"

J

FJ

FK

42" GFI 36” APP

42" GFI

36” APP

20"

36” APP

16"

16"

36” APP

20"

J

G

F F

42"

G C2 9'-0"

G

G

G

L

J

J

L

4'-2

H

1/4"

H H H RECEPTION H H H 4'-7 1/8"

4'-3 5/8"

3'-1

H

J

I I

1'-113 16" 1" 4'-14 I, TYP.

FL

1" 4'-58 G G

J

C1 10'-0"

I

I G

G

I

C5 9'-2" I

RETAIL/ DISPLAY

J

I

I

I

I C6 9'-4" I

I

8'-3 1/8"

FN

16" APP 38" GFI 38" GFI

G

E

A

A

A

F

I C7 9'-6" I

I

I

I

I

I

I

I

B L

I I

I

7" 17'-38

C8 I 9'-9"

I

FO

B

L

C5 9'-2"

I

B

I

I I MANICURE/PEDICURE I

L

I

I C

C6 9'-4"

B I

I I

I

I

I

I

I

1 4I " I

I

C

I

I

I

FM

A

I

I I

I

I

1 11 I 16"2'-116"

I

1" 3'-216 I

I MPZ03

I

J

I G

I

I, TYP.

1'-5 1/2"

J

J

2'-9"

3 2'-8 SINK4"

1'-3 3/4"

I J

HC RR C2 9'-0" G

E A

I

3/4"

13/16"

J

20"

I

2'-10

1" 3'-08 G

G

L

G HC RR

G

2'-1015 16"

20"

J

H L

C2 9'-0"

1'-8 9/16"

K G

J

A

G

PREP/ WORK STATION

20"

3'-2" H

H

9" 1'-1016 A 0"

42" APP

G

J

C, TYP.

G

C2 9'-0"

20"

J

J

42" APP

11" 9'-016

3'-3 1/2"

STAFF BREAKROOM

A

A

F

C

A 1 2'-78 "

C2 9'-0"

0"

C C2 9'-0"

F

C1 10'-0" K

16" APP

C2 9'-0"

A1 2'-78 "

A

4"

11" 1'-716

3'-7 3/16"

16"

3'-23 " G 8

G

20"

I

20"

FI

G

20"

1" 5'-916 4'-10"

J

FH

3'

A

20"

A

F

F

J

F F

C2 9'-0"

FG

L

F

3 A1'-916" WOMEN'S LOCKER 1" 2'-12 C4 8'-0"

9"

1'-2 7/16"

16"

E

FF

G

G

42" GFI

F

G

G 20"

MEN'S LOCKER

3'-1 1/16"

24” APP X2

9" 2'-1016 CZ03

6'-13 8"

C2 9'-0"

C2 OFFICE 9'-0" G G

12”

2'-15 8"

1'-10 7/8"

C4 8'-0"

A

1'-6 3/16"

F

G

A

A

3'-97 8"

G

16"

A 11 " 2'-616

F

42" GFI

G

16"

K

16"

C2 9'-0"

20” 16"

20"

24” APP X2

42" GFI

42" GFI

1" 4'-04 6'-05 8"

9" 5'-116

7" 2'-57 8" 2'-5 1 8" 3'-116 G G

E

E

4 7/8"

F4'-211" F 16 E

E

G

G

2'-10"

24” APP X2

G

E

1" 2'-82 G

12”

5'-4 1/8"

42"

5'-9 1/8"

G

K

2'-7 5/8"

K

A

2'-103 4"

42" GFI

16" 42"

20”

C2 9'-0"

16"

F

1'-1 7/8"

16"

G

G

G 1'-87 8"

42"

42"

C2 9'-0"

F

42" GFI

F

E

G

C3 7'-0"

2'-65 8"

42" GFI

2'-97 8"

16"

MASSAGE/THERAPY WAITING AREA

P

1" 5'-04

16"

20”

A

42" GFI

G C2 9'-0"

7" 10'-116 2'-11"

20”

FD

G LAUNDRY

F

F

20"

42" GFI

42"

P P P P C4 P 12'-0" P K P P P P

20"

I

I

L 12”

16" 42"

16"

42"

C2 9'-0"

42"

C4 8'-0"

F

P P

20"

42"

20"

20"

N

D

42"

11" 7'-416

16"

16" APP

P 20"

36” APP

D

B

RETAIL/DISPLAY

FC

42"

MASSAGE/THERAPY SINGLE ROOM

D

20" 16"

24” APP X2

FB

42"

42"

C2 9'-0"

N O

16"

K

F

K

M

36” APP

16"

1'-0 13/16"

16"

8'-23 4" G C2 9'-0" 18'-1 7 " 16 8'-23 " C 4 L

20"

42"

B

16"

16"

16"

L

1" 42

42"

42" 42"

9" 2'-1016

C

Decorative Pendant

Ceiling Mounted Adjus

Decorative Table Lamp

L

16"

16"

20"

16"

O

16"

SOLAR GEOMETRY By researching the building’s geographical location in comparison to the sun’s movement, Interstellar’s exterior shell allows daylight to penetrate through, illuminating the retail spaces where high lumen outputs are needed, as well as provide the building with energy efficient features through the use and installation of solar panels on the roof above spaces where only artificial light is needed to maximize sustainable features and minimize the company’s energy footprint. 42"

16"

O

O

C PREP/WORKSTATION

10'-7 1/2"

16" APP

20"

42"

42"

42"

20"

20"

16"

16"

factors to promote Interstellar’s sustainability.

C2 9'-0"

1" 5'-62

B

C2 9'-0"

THERAPY MASSAGE/ SINGLE ROOM

F

16"

16"

16"

42"

16"

16"

20"

16"

16"

16"

small small small small in in in in mass mass mass mass and and and and size size size size ---close -close close close to to to to the the the the sun sun sun sun made made made made of of of of metal metal metal metal and and and and rocK rocK rocK rocK ---have -have have have few few few few moons moons moons moons and and and and rings rings rings rings A

20"

C4

16"

20"

16"

16"

16"

16"

7" 9'-116 8'-0" 1" 1'-38

16"

5 1/2"

Course: Lighting for Interior Design I

2.2. 2.2. the the the the use use use use of of of of rgb, rgb, rgb, rgb, color color color color tuning, tuning, tuning, tuning, and and and and fully fully fully fully dimmable dimmable dimmable dimmable lighting lighting lighting lighting systems systems systems systems to to to to conconconconDesign Statement: The Lighting Design at Interstellar uses vey vey vey vey the the the the different different different different temperatures temperatures temperatures temperatures and and and and lighting lighting lighting lighting features features features features in in in in terrstrial terrstrial terrstrial terrstrial and and and and JouJouJouJoumass mass mass mass and and and and vian vian vian vian planets, planets, planets, as as as as well well well well as as as as the the the the daylighting daylighting daylighting daylighting patterns patterns patterns patterns relating relating relating relating to to to the the the the earth earth earth earth and and and and theplanets, natural salubrious characteristics derived fromto Jovian ze ze eze its its its its solar solar solar solar geometry geometry geometry geometry m m m the the the the sun sun sun sun and Terrestrial planets to create atmospheres that accurately 3.3. 3.3. the the the the installation installation installation installation of of of of solar solar solar solar panels panels panels panels to to to to reinstate reinstate reinstate reinstate the the the the company’s company’s company’s company’s emphasis emphasis emphasis emphasis on on on on hydrogen, hydrogen, ydrogen, hydrogen, their their their concept concept concept concept of of of energy energy energy energy conservation conservation conservation conservation and and and its its its its reuse reuse reuse reuse through through through through their their their their theraputheraputheraputherapureflect the of function of each spa and room. The client favors lighting nd d nd dhydrohydrohydrohydro- their tic tic tic tic practices practices practices practices mpounds mpounds pounds pounds features such as the integration of light within architecture, ngs ngs ings ngsand and and and systems thatof support controllability, and energy efficient 4.4. 4. 4. the the the the selection selection selection selection of of of various various various various suspended suspended suspended suspended and and and and ceiling ceiling ceiling ceiling mounted mounted mounted mounted decorative decorative decorative decorative fixfixfixfixmoons moons moons moons tures tures tures tures that that that that mimic mimic mimic mimic the the the the physical physical physical physical qualities qualities qualities qualities of of of of interstellar interstellar interstellar interstellar obJects obJects obJects obJects in in in in space. space. space. space.

K

9" 316

Decorative Wall Sconc Decorative Wall Sconc Wall Mounted Wall Wa

Ceiling Mounted Down

K Linear Lighting (Horizo

16"

1.1.1.1. the the the the installation installation installation installation of of of of vertical vertical vertical vertical and and and and horizontal horizontal horizontal horizontal wall wall wall wall and and and and ceiling ceiling ceiling ceiling mounted mounted mounted mounted led led led led conveys a synthesis of creativity, science, and technology. linear linear linear linear fixtures fixtures fixtures fixtures to to to to represent represent represent represent latitude, latitude, latitude, latitude, longitude, longitude, longitude, longitude, and and and and the the the the prime prime prime prime meridian, meridian, meridian, meridian,

Decorative Pendant

Decorative Pendant

I

1" 4'-98 G

B

WC WB

Decorative Pendant

F

1" 2'-22

16"

4'-113 B 4" 1'-45" D D D8

Decorative Wall Sconc

B C D

16"

0"

16"

A

E

42" GFI

42"

M

8'-0"

C2 9'-0"

16" GFI

20"

5" 7'-0 C48

M

Lighting Ledgend

K

16"

THERAPY MASSAGE/ DOUBLE ROOM

16"

16"

20" GFI

16"

the the the the lighting lighting lighting lighting design design design design at at at at interstellar interstellar interstellar interstellar uses uses uses the the the the natural natural natural naturalsalubrious salubrious salubrious salubrious characterischaracterischaracterischaracteris“Interstellar provides its uses customers with a physical and tics tics tics tics derived derived derived derived from from from from Jovian Jovian Jovian Jovian and and and and terrestrial terrestrial terrestrial terrestrial planets planets planets planets to to to tocreate create create create atmospheres atmospheres atmospheres atmospheres that that that that accurately accurately accurately accurately reflect reflect reflect reflect the the the the function function function function of of of of each each each each spa spa spa spa room room room room mental meditative relazing escape from reality”

16"

16" GFI

42"

42" GFI

20"

16"

20"

16"

20" GFI

16" GFI

I

I

FP

Decorative Pendant Decorative Pendant Decorative Pendant Linear Mesh Grid

ILLUMINANCE CALCS SPA ROOMS

SPA ROOMS

RECCOMENDATIONS Each spa room includes a DMX -IES control - RECCOMENDATIONS system that allows the user to IESalter the (LUX) - Therapy, Physical, general: 100; 30 room’s mood lighting into three different scenes depending on the use of the room at the time.

- 100 LXis The orientation of each spa room symbolic to each concept within the room, also representing the existing orientation of their concepts of sun, moon, and earth.

20"

42" GFI 42"

MASSAGE/THERAPY SINGLE ROOM

F

2'-2"

6'-13 8"

C2 9'-0"

F

G

24” APP X2

24” APP X2

G

C2 9'-0"

C2 9'-0"

1" 4'-72

24” APP X2

42" GFI 36” APP

42" GFI

36” APP

PROJECT #3

G

F

A1'-916" WOMEN'S LOCKER C4 8'-0"

J 3'-815 16"

F F

J

20"

F F

F F F F F F F

J

4'-2

G

3'-1

L

I I

1'-113 16" 1" 4'-14 J

I, TYP.

1" 4'-58 G G

C1 10'-0"

I G

G

I

I

I G

I

RETAIL/ DISPLAY

J

I

I

I

I C6 9'-4" I

I

8'-3 1/8"

38" GFI 38" GFI 16" APP

G

2'-9"

3 2'-8 SINK4" E

A

G

E

A

C

A

A

F

I

1 4I "

I C7 9'-6" I

I

I

I

I

I

I

I

I

I

B

B I

IES RECCOMENDATIONS -IES RECCOMENDATIONS (LUX) - Social waiting: 40; 15 - Lounge general: 40; 15 - Reception Desktop: 150; 50

SCALE

1/4" = 1'-0"

ACHIEVED 17'-37 8"ILLUMINANCE LEVELS (LUX)

C5 9'-2"

I

I I MANICURE/PEDICURE

Project No: 1072 Issue Date: 10 DECEMBER 2018

SHEET NAME

L

I

PROJECT INFORMATION

B L

I I

I C8 I 9'-9"

ILLUMINANCE CALCS LOUNGE PATIENT WAITING

L

I

I C

I

C6 9'-4"

B I

I I

I

I

I

I I

I I

I

I I

I

I I, TYP.

1" 3'-216 I

I

I

11 1 I 16"2'-116"

I

I MPZ03

I

J

HC RR C2 9'-0" G

1'-3 3/4"

C5 9'-2"

I J

1" 3'-08

20"

A I

I

3/4"

J

C2 9'-0" G HC RR

G

2'-1015 16"

I

J

H L

A

G

G

20"

J

13/16"

J

C, TYP.

9" 1'-1016 A

PREP/ WORK STATION

20"

2'-10

1'-5 1/2"

E

1/4"

H H H RECEPTION H H H 4'-7 1/8"

4'-3 5/8"

H

J

RETAIL/DISPLAY

20”

42" APP

K

20"

J

3'-3 1/2"

G

C2 9'-0"

H

11" 9'-016

STAFF BREAKROOM

A

42" APP

G

J

H

H

L

J I

J

G

L

C2 9'-0"

0"

C C2 9'-0" C

A 1 2'-78 "

3'-2"

1" 5'-916 4'-10" J

C2 9'-0"

G

J

J

9"

1'-2 7/16"

16"

G

20"

J

G

42"

G C2 9'-0"

F

20"

C2 9'-0"

16" APP

4"

A

20"

3'-23 " G 8

G

A

F

1" 2'-12

SPA LIGHTING DESIGN

F

C1 10'-0"

1'-8 9/16"

3

G

A1 2'-78 "

A

0"

F

IES Reccomendations - Reception Desktop: 150; 50 - Reception Desk Top:Reception 150;general: 50100; 30 Lounge general: 40; 15 - Reception General: 100; 30areas: 40; 15 Social waiting - Lounge General: 40; 15 - Social Waiting Areas: 40; 15 ACHIEVED Achieved IlluminanceILLUMINANCE Levels: LEVELS (LUX) 150-200lx - 150-200 Lx

16"

16"

L

A

F

G 20"

J

MEN'S LOCKER G C2 9'-0"

A G

16"

K

16"

CZ03

2'-9 1/2"

F

G

G

42" GFI

11" 1'-716

12”

G

F

C2 OFFICE 9'-0" G G

K

3'

42" GFI

A

3'-1 1/16"

24” APP X2

G

1'-10 7/8"

C4 8'-0"

A 1'-6 3/16"

F

G

9" 2'-1016

5 1/2"

A 11 2'-616 "

C2 9'-0"

G

2'-10"

24” APP X2

42" GFI

20”

9" 5'-116

7" 2'-57 8" 2'-5 1 8" 3'-116 G G

C2 9'-0"

2'-15 8"

16"

1'-8 13/16"

4 7/8"

16"

Linear Mesh Grid

20" 20"

A

2'-103 4"

1'-1 7/8"

L I

I

- 40-150 Lx ACHIEVED ILLUMINANCE LEVELS -

LIGHTING PLAN

IES Reccomendations - Social Waiting Areas: 40; 15 - Lounge General: 40; 15 - Reception Desktop: 150; 50 Achieved Illuminance Levels: 40-150lx

SHEET NUMBER

LT1

ILLUMINANCE CALCS STAFF LOUNGE STAFF LOUNGE/ PREP WORK

PRIME MERIDIAN: CIRCULATION

IES RECCOMENDATIONS IES - RECCOMENDATIONS (LUX) Bathroom: 50; 30 Vanities: 150; 200 Reading work station: 150; 50 Social waiting: 40; 15 Lounge general: 40; 15

PRIME MERIDIAN LINE:

IES Reccomendations - Circulation: 50; 30 Achieved Levels: 30-60lx

ILLUMINANCE CALCS CIRCULATION

Geographical orientation of prime meridian is represented in the lighting design at the end of the circulation hallway where a ceiling mounted linear fixture directs customer to the spa rooms and lounge waiting areas

ACHIEVED ACHIEVED ILLUMINANCE LEVELS (LUX) LEVELS -ILLUMINANCE 50-150Lx -

IES Reccomendations - Mani/Pedi General: 200; 100 - Mani/Pedi Hand/ Foot Rest: 500; 150 - Pedi Foot Rest: 500; 150 Achieved Illuminance Levels: 300-500lx

- 30-60 Lx

ACHIEVED ILLUMINANCE LEVELS (LUX)

Circulation: 50; 30

LINK TO FULL PROJECT: <iframe src="https://e.issuu.com/anonymous-embed.html?u=c.v.walton&d=walton_callie_lightingproject3" style="border:none;width:100%;height:500px;" allowfullscreen></iframe> IES RECCOMENDATIONS -IES RECCOMENDATIONS (LUX)

20"

G

G

1" 4'-04 6'-05 8"

2'-7 5/8"

5'-4 1/8"

5'-9 1/8"

E

E

Decorative Pendant

16"

F

G

G

42" GFI

16"

42"

K

24” APP X2

G

1'-88" C2 9'-0"

24” APP X2

G7

F

42" GFI

3'-97 8"

G

16"

K 42" GFI

42"

G

E

F4'-211" F 16 E

E

G C2 9'-0"

C3 7'-0"

2'-65 8"

42" GFI

G

F

E

1" 2'-82 G

F

42" GFI

3'-7 3/16"

1" 5'-04

16"

MASSAGE/THERAPY WAITING AREA

P

42" GFI

16"

G C2 9'-0"

7" 10'-116 2'-11" 16"

20”

A

Decorative Pendant

20"

12”

16"

42"

42"

F

P P P P P P C4 P 12'-0" P K P P P P

LOUNGE WAITING C2 9'-0"

C2 9'-0"

G LAUNDRY

F

F

20"

20" 42"

2'-97 8"

20"

16"

11" 7'-416

20"

42"

20"

12”

C4 8'-0" 10'-7 1/2"

16" APP

P

Decorative Pendant

20"

N

D

16"

16" APP

M

O

36” APP

D

B

A

16"

IES RECCOMENDATIONS (LUX)

Ceiling Mounted Adjustable

16"

D

Decorative Pendant

Decorative Table Lamp

L

N

36” APP

C2 9'-0"

Ceiling Mounted Downlight

K Linear Lighting (Horizontal)

36” APP

16"

1'-0 13/16"

16"

K

F

K

Decorative Wall Sconce Decorative Wall Sconce Wall Mounted Wall Washer

36” APP

42"

L

20"

42"

B

16"

C

1" 42

8'-23 4" G C2 9'-0" 18'-1 7 " 16 8'-23 " C 4

L

Decorative Pendant

Decorative Pendant

J J

G

G

42"

42"

16"

C PREP/WORKSTATION

9" 2'-1016

EARTH

16"

C2 9'-0"

1" 5'-62

B

C2 9'-0"

O

G

16" APP

H

G

G

42"

16"

K

O

O

THERAPY MASSAGE/ SINGLE ROOM

F

16"

16"

16"

20"

16"

16"

16"

20"

42" 20"

16" 42" 20"

16"

C4

42"

7" 9'-116 8'-0" 1" 1'-38

F

42" GFI

K K

K

9" 316

16"

16"

16"

16"

MOON

24" GFI APP

I

1" 4'-98 G

B

WC WB

9" 15'-216

42" GFI

K

D

B

42"

D

D

Decorative Pendant

F

1" 2'-22

16"

D

4'-113 4" 1'-45" D D8

42"

B

Decorative Wall Sconce

B C D E

20"

C2 9'-0"

0"

A

42"

M

8'-0"

ILLUMINANCE CALCS RECEPTION

Lighting Ledgend

9'-11 3/16"

16"

20"

16"

20"

42"

16"

16"

16" 16"

M

CALLIE WALTON

K

16"

THERAPY MASSAGE/ DOUBLE ROOM

5" 7'-0 C48

ACHIEVED ILLUMINANCE LEVELS (LUX) - 300-500 Lx

IES Reccomendations - Bathroom: 50; 30 - Vanities: 150; 200 - Work Station: 150; 50 - Waiting Areas: 40; 15 - Lounge General: 40; 15 Achieved Levels - 50-150lx

C.V.WALTON@TCU.EDU

16"

42" 16" GFI

SUN

42"

16"

20"

16"

IES RECCOMENDATIONS (LUX) Mani general:200; 100 Mani hand rest: 500; 150 Pedi foot rest: 500; 150 Pedi general: 200;100

IES Reccomendations - Physical, Therapy, General: 100; 30 Achieved Illuminance Levels: 100lx

ACHIEVED ILLUMINANCE LEVELS (LUX)

16"

ILLUMINANCE CALCS MANI/PEDI ROOM MANI/PEDI ROOM

RECEPTION

LI G H T I N G DESIGN

HEALTHCARE INTERIOR DESIGN Reception

LH Medical Diagnosis Center, with it’s metaphoric name of “The Sanctuary,” breaks the boundaries of regimented healthcare design, to provide an environment that is evocative of another pleasant, harmonic place. The Sanctuary is a place of holistic healthing, providing the highest level of cancer care.

Changing Rooms Amenities

Sedona, Arizona

LH Medical Diagnosis Center emphasizes the importance of adding amenities in healthcare settings to help comfort the patients, as well as make them feel at home. The Sanctuary’s design includes amenities such as a coffee bar and snack station located within sub-waiting areas.

The Sanctuary’s design is heliocentric: it incorporates the geometric and organic shapes derived from the sun, as well as the different hues of the Sun’s reflected light through transparent material.

Chairs include soft armrests, with sasters that allow easy movement and a backrest that conforms to the natural curvature of the spine. All uphosltery is PVC free and avoids the presencr of harmful flame retardents.

Range of Seating

Biophilic Design Plants aren’t the only aspect of nature that can be brought indoors. A simple water feature wall can reduce stress level, increase relaxation, and generate negative ions, which increase the flow of oxygen to the brain.

Exam Rooms

Centralized Nurse Station

The door at the end of the exam room hallway is the barrier that separates the patient from the employee section. The end of the wooden organic ceiling is an indicator to the patient that they have reached the end of their navigational journey.

A centralized nursing station can provide space for collaboration among caregivers and can also represent a symbolic barrier separating the public and private spaces of a unit that operate as a mechanism of social control where individuals are expected to formally seek permission to enter the unit before proceeding to patient rooms. From a pivotal location within the unit, the nursing station also serves to maintain work-flow and is the setting for frequent social interaction and formal/ informal teaching, as well as learning activities.

HEALTHCARE LIGHTING DESIGN

Reflected Ceiling Plan

The LH Medical Diagnosis Center’s design has an emphasis on lighting, specifically natural and artifictial light with its use of many windows within the sub-waiting areas and color tuning fixtures in both staff and patient areas.

LIGHT FIXTURES

FA

FB

FC

FD

FF

FG

FH

FI

FJ

FK

FL

FM

Artificial Daylight Light Fixture

Maximizing daylight: The patients can walk through The Sanctuary and watch light play over this meditative escape. Implementing cycles and rythmns into Healthcare Lighting Design is intrinsic to a high quality life for both patients and employees. LH Medical Diagnosis Center’s Lighting Design is centered around elements of Sanctuary and Light with more windows and tunable light fixtures in patient and staff areas.

Circulation: Explanation of fixture within ceiling component

The Nurse Station Lighting: The light fixtures in the nurse station mimic the rendering of daylight to help regulate an individual’s natural sleep cycle. Light fixtures within the nurse station are color tuning ranging in color temperatures from 2700K to 5700K as well as ranging in levels of intensity from 200 lumens to 250 lumens.

Wayfinding: Patients can easily navigate their way through the space by following the flow of the organic wooden ceiling, illuminated with LED recessed linear fixtures. Not only is the ceiling distinguishable in its shape and finish, but also in the way it brightens the patient's navigational path, starting in the dressing room zone, through the subwaiting areas, and finally towards the exam rooms.

An artificial skylight has been developed which aims at creating an impression of a daylight opening in the ceiling by means of an artificial sunspot and a blue sky with perceived infinite depth.

LINK TO FULL PROJECT: <iframe src="https://e.issuu.com/anonymous-embed.html?u=c.v.walton&d=walton_callie_healthcareboard" style="border:none;width:100%;height:500px;" allowfullscreen></iframe>

C O M M E R C IAL DESIGN

LI G H T I N G DESIGN

PHOTOGRAPHY

During my Junior year while studying abroad in Florence, Italy, I was able to strengthen my skills in photography, enhancing my knowledge and understanding of how light visually affects the world and how we see it.

P PH HO OT TO OG GR RA AP PH HY Y

LAN D S CAP E P H O T O G RAP H Y A common view for one individual may be a brand new experience for another

This collection of landscape photography, taken at Cascine Park in Florence, Italy, emphasizes the idea of discovering new ways to look at familiar places. Project Objective: With the use of a SLR digital camera, capture a collection of landscape images that show a unique point of view Course: Introduction to Digital Media Photography Task/ Skills Obtained: I created my landscape collection by utilizing camera features, such as adjusting the shutter speed, ISO, and exposure. Combining these skills with digital media techniques in Photoshop and Adobe Bridge successfully enhanced the scenes in my images.

My collection focuses on finding the beauty of nature within the built environment and its surrounding natural landscape, even when observed on a gloomy day.

CHANGING YOUR LENS

Locals Design Objective: Create a collection of images that naturally convey an emotion Course: Introduction to Digital Photography Task/ Skills Obtained: By exploring the city of Florence and interacting with locals, I captured candid moments of happiness from individuals working within their daily jobs.

During my Junior year while studying abroad in Florence, Italy, I was able to strengthen my skills in photography, enhancing my knowledge and understanding of how light visually affects the world and how we see it.

PH O T O G RAPHY

LIGHT AND COLOR:ARCHITECTURAL PHOTOGRAPHY

The Complementary Relationship Between Architecture and Nature

Design Objective: To create a collection of images that combine two different elements of photography while showcasing an augmented, unforeseen perspective. Course: Introduction to Digital Photography Task/ Skills Obtained: The composition of this collection is a juxtaposition between creative urban landscapes and architectural photography, which together, conceptually represent a theme of light and color. By utilizing digital media techniques, I applied black and white filters on non-illuminated spaces of architecture while leaving illuminated spaces in color. This digital effect comparing illuminated spaces dramatically highlights where sunlight hits specific parts of architecture in an urban environment, giving the viewer a sense of nature within an environment inhabited by people.

My collection is a juxtaposition between creative urban landscapes and architectural photography, which together, conceptually represent a theme of light and color

NEUTRAL TONES

During my Junior year while studying abroad in Florence, Italy, I was able to strengthen my skills in photography, enhancing my knowledge and understanding of how light visually affects the world and how we see it.

ACCENTS OF COLOR

P PH HO OT TO OG GR RA AP PH HY Y

NAT U R E W I T H I N LI G H T I N G

Nature Within Light A conceptual study showcasing a design emphasis of nature through light fixtures

Design Objective: To create and digitally modify a collection of images that capture components of nature. Course: Introduction to Digital Media Task/ Skills Obtained: By analyzing a vast range of light fixtures and observing their different qualities of shapes and colors, I composed a collection of pictures digitally modified to enhance the main concept of nature. My collection is divided into two sections that are classified by their color temperature of either warm or cold illumination. This contrast in color symbolizes the earth and its components of fire (warm) and water (cool). The orientation of each picture reinforces the contrast between the two sections. The landscape-oriented pictures represent fire (warm), while the portrait-oriented pictures represent water (cool). Although the color temperature and orientation of these photos separate my series into two groups, the underlining component of nature aspects within each fixture ties all eight of the photos together.

Inspiration: Inspired by the 2018 Design Fair in Milan, Italy, Nature Within Light focuses on specific interior architectural light fixtures and how they resemble different elements of nature.

During my Junior year while studying abroad in Florence, Italy, I was able to strengthen my skills in photography, enhancing my knowledge and understanding of how light visually affects the world and how we see it.

P PH HO OT TO OG GR RA AP PH HY Y