TABLETable OFofCONTENTS Contents 1 Research Paper 1.1 Abstract 1.2 Paper 1.3 Context 1.4 Research Findings 1.5 Precedent/ Field Studies 1.6 Works Cited 2 Concept Renderings and Design Narrative 3 Design Documentation 3.1 Project Context 3.2 Lighting Plan/ Overview 3.2.a Lighting Plan - Administration Touch Down 3.2.b Lighting Plan - Parking Lot 3.2.c Lighting Plan - Front Entrance 3.2.d Lighting Plan - Reception 3.2.e Lighting Plan - Performance Hall/ Lobby 3.2.f Lighting Plan - Exterior Stadium 3.2.g Lighting Plan - Interior Cafeteria 3.2.h Lighting Plan -Exterior Cafeteria 3.2.i Lighting Plan - Perimeter Circulation (East/Center) 3.2.j Lighting Plan - Perimeter Circulation (East/Bottom) 3.3 Lighting Controls Plan/ Overview 3.3.a Lighting Controls Plan - Administration Touch Down 3.3.b Lighting Controls Plan - Parking Lot 3.3.c Lighting Controls Plan - Front Entrance 3.3.d Lighting Controls Plan - Reception 3.3.e Lighting Controls Plan - Performance Hall/ Lobby 3.3.f Lighting Controls Plan - Exterior Stadium 3.3.g Lighting Controls Plan - Interior Cafeteria 3.3.h Lighting Controls Plan -Exterior Cafeteria 3.3.i Lighting Controls Plan - Perimeter Circulation (East/Center) 3.3.j Lighting Controls Plan - Perimeter Circulation (East/Bottom) 3.4 Lighting Calculations/ Overview 3.4.a Lighting Calculations Plan - Administration Touch Down 3.4.b Lighting Calculations Plan - Parking Lot 3.4.c Lighting Calculations Plan - Front Entrance 3.4.d Lighting Calculations Plan - Reception 3.4.e Lighting Calculations Plan - Performance Hall/ Lobby 3.4.f Lighting Calculations Plan - Exterior Stadium 3.4.g Lighting Calculations Plan - Interior Cafeteria 3.4.h Lighting Calculations Plan -Exterior Cafeteria 3.4.i Lighting Calculations Plan - Perimeter Circulation (East/Center) 3.4.j Lighting Calculations Plan - Perimeter Circulation (East/Bottom) 4 Schedules 4.1 Lighting Equipment Schedule 4.2 Dimming Schedule 5 Cutsheets 6 Elevations 6.1 Elevation 1 6.2 Elevation 2 6.3 Elevation 3 6.4 Elevation 4 7 Details 7.1 Detail 1 8 Perspective Detail 8.1 Perspective Detail 1 9 Project Renderings/ Lighting Calculations 10.1 Lighting Photometric Calculations 10.2 Lighting Energy Calculations 10.3 COM Check
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Walton 3 Abstract In today’s design industry, the architectural lighting design for performing arts centers has become more elaborate and innovative. With ground-breaking interactive qualities within performance centers, stage light should have a cohesive relationship with the architectural lighting design throughout the rest of the building. Designers can implement this design relationship by creating a connection between concepts and visual imagery in relation to the building and performing artist(s). With research strategies, such as comparing relevant case studies, researching literature, and personally observing and analyzing field studies, this Architectural Lighting Design Thesis Research Paper will provide competent insight, knowledge, and research to utilize for future studies as well as aid in the implementation of proficient lighting systems for the benefit of performing arts institutions. Analyzing the placement, color, intensity, and kinetic factors of lighting control systems throughout a performance center enables designers to alter and enhance the human experience, making a positive influence on the audience’s overall impression of a show. Compiling this research will help in understanding how the science and technology of light can be implemented into educational performing arts centers for the benefit of the users.
Walton 4 Introduction Light is the single element that can enhance dramatical effects in relation to mood and atmosphere. In other words, light holds the capabilities to illuminate any story to life. Dr. Lazauras, an influential psychologist with the University of California Berkley posited that, “an emotion is the result of a cognitive appraisal. The intensity and type of emotion that we experience depends on the importance of the circumstance at that moment” (1021). This general definition of emotion, in terms of a physical space, can better help one understand its place in architecture. Specifically, within the context of educational performance centers, the types of emotion that production managers want to evoke from their audience are liveliness, positive energy, connectiveness, as well as engagement between the audience and the performers on stage. On the other hand, emotions such as separation, exclusion, and dispiritedness are negative connotations that managers and producers try to avoid within their audience. Light can control these positive and negative connotations in relation to the atmosphere, so it is very important to have a stable understanding of how to control it within a performance. First impressions are everything, especially when it comes to a performing arts venue. As a designer, the beginning of a show starts as one enters the front door of a performing arts center. For more pronounced architectural buildings, the experience of a show starts at the first glance of a building’s exterior. If designers can find a way to provide the highest atmospheric quality to enhance the experience of the user, which in the case of the performing arts, are patrons and students within the education of fine arts, then they should cover a vast range of extensive research to implement in their design to make it happen. Atmosphere has a mentally and physically strong connection in association with emotion. “Atmosphere can be described as the appraisal of an environment with respect to the expected affective effect. Hence, atmosphere is not an affective state, but it has the potency to evoke an affective state in accordance with atmosphere” (Van Eyk vii). Atmosphere has a powerful meaning, especially within the context of designing the built environment. Designers are constantly trying to invent innovative solutions to benefit the human experience. Manipulating spaces within a building’s interior is one technique that designers found successful in
Walton 5 conveying feelings of emotion to better enhance the audience’s experience. Within a building’s shell, lighting design plays the most important role in manipulating an atmosphere. Artificial light has infinite potential in the design world, as well as the capability to give objects existence through the connection of spatial forms. Context Where does lighting play its role in an environment, and how does it influence the perceived atmosphere in a space? These questions can be answered by first understanding the science and qualities of static light, then analyzing and comparing its qualitative and quantitative characteristics of color temperature, intensity, hue, and spatial distribution. Intensity refers to the power of illumination from a light source, measured in foot candles and lumens, which can alter a light source’s brightness. Color temperature refers to the color qualities of a light source that range from warm (2800K) to cool (6000K). Spatial light distribution of a light source refers to the distribution of the light from a single source, described as directional or diffuse. Directional light sources are sources with a small beam angle and no distinct beam. On the other hand, diffuse light sources have a large beam angle and no distinct beam (Van Erp 2). Lastly, by tying knowledge of these characteristics of static light together, the effects of dynamic lighting can be analyzed. Dynamic lighting is a term used to describe flexible, kinetic lighting systems that allow the curator or design technician to control seamless changes in qualities of static light over time and can be adapted to the different needs and moods of an atmosphere to enhance the user’s experience. Color temperature and intensity, when controlled together, can alter the architecture of a human’s circadian rhythm or biological clock, which is the natural rhythm of night and day that the human body responds to, and positively affect an individual’s emotion and mood (Walton 6). Hue, another lighting characteristic distinguished by colors relative to the dominant wavelengths of the visible spectrum, has a significant effect on the perceived color temperature (Bronckers, 2). This research indicates that analyzing and comparing the controlled effects of hues with color temperature is more beneficial to lighting designers in learning how to alter atmospheric perception. This architectural lighting research presents the combined results
Walton 6 of many experimental studies to reveal valuable insight on how the effects of different lighting characteristics can alter atmospheric perception for the human experience. Colored Light and Perceived Atmosphere In 2009, an experimental design performed by J. Bronckers analyzed and compared the effects of color temperature, lightness, saturation, and hue in relation to the human response. In the experimental design, 40 participants (20 women; 20 men) are placed in controlled rooms illuminated by light sources with diversified scenic settings in terms of the four characteristics of controlled light. Initially, the study analyzed white light by manipulating features of color temperature. The study further analyzed color temperature through the manipulation of saturation and hue. The comparative analysis between the three factors of static light will narrow down the prime component of light that alters the effect of the human experience in terms of atmosphere perception. The results of the experimental study are dependent upon the range of personal responses from participants, noted as coziness, liveliness, tenseness, and detachment (Bronckers, 9). The results for the perceived atmosphere showed a significant effect between varied color temperatures of general white light. Warm white light is perceived as cozier, more tense, and more detached than cool white light. However, the effect of color temperature in white light depends on the hue of the spot. Warm white light combined with warm white spots is less tense than compared to cool white light combined with cool white spots. In addition, the only change in interactive responses between color temperature (constant) and hue (controlled) occurs when the light source associates with the hue of green, noted in many personal responses as a sense of detachment (Bronckers 29). The only descriptive term associated with lightness was liveliness, with responses showing that low lightness is perceived as less lively than high lightness. Interaction effects between saturation and hue showed a difference in atmosphere perception for saturation levels associated with hues of red, magenta, and green, while no difference in atmospheric perception occurred for saturation levels associated with hues of cyan and white. The results for hue revealed a significant effect on the four atmosphere dimensions. Red was perceived as the coziest, but also most tense and least detached compared to magenta, blue, cyan, green, and white. Yellow was evaluated as equally cozy as red and appeared the least tense. White
Walton 7 was perceived as most detached and least lively in comparison to the other colors (Bronckers 29). Overall, the compiled results show that controlling each of the three qualities of static light, especially for the factor of hue, affected the participants’ mood. This research’s conclusive statement not only indicates that people are capable of matching color to atmosphere, but also that color and intensity can alter the perceived atmosphere. Spatial Light Distribution and Perceived Atmosphere With knowledge that there is a positive correlation between the relationship of characteristics of colored light and the perceived atmosphere, one can assume from this combined research that using colored light within performance halls can give the audience a more enhanced human experience during a show. This statement allows for further research on the spatial distribution of light and how it also has the capability to influence the perceived atmosphere. Within the same parameters of the previous experimental design, with exception to a different focal analysis between spatial light distribution and perceived atmosphere, participants recorded their experience within rooms that were controlled with pre-determined light settings that compared directional and diffused lighting optics (Van Eyk 15). Results showed that participants felt a livelier atmosphere for both the diffuse and directional light at high intensity compared to low intensity. A high intensity is less tense for the diffuse light, and the same trend was visible for the direction light. High intensity is more detached for the diffuse light at a high CCT and for the directional light. For both the diffuse and directional light, a high intensity is less cozy at a low CCT level. For the diffuse settings, a low CCT is cozier, less tense, and less detached than a high CCT. In addition, for a medium and high intensity, a low CCT is livelier. At low intensities, both CCT levels are perceived as equally lively (Van Eyk 17). Directional light is perceived as cozier, livelier, and less tense compared to diffuse light at the same brightness (Van Eyk 16). Overall, these concluding results show that participants can discriminate between different levels of intensity, CCT, and spatial distribution, and therefore are considered factors within lighting that have the ability to alter the perceived atmosphere. These research findings on colored light, intensity, and spatial light distribution provide a strong basis of information in analyzing how static light affects
Walton 8 an audience. The theories developed from analyzing the experimental studies with static light can be applied to the knowledge regarding the use of dynamic light and its overall effect in educational performing arts centers. Dynamic Lighting and Perceived Atmosphere In 2014, another experimental research study carried out by HH Wang continues the research from Broncker’s study of color and atmosphere as well as Van Eyk’s study of spatial light distribution and atmosphere, focuses on the study of atmosphere perception with dynamic lighting systems. Within the experimental study, 20 observers participated in assessing the perceived environment under dynamic lighting conditions that varied in impacts of speed, saturation, and brightness. Wang composed his factor analysis within the same descriptive terms as the previous experimental studies, listed as: coziness, liveliness, tenseness, and detachment (Wang 664). Results showed that dynamic lighting does have a significant influence on atmosphere perception. A more saturated LED light conveys a less tense, cozier, and livelier atmosphere perception. For the factor of speed, increasing its power generates a more tense and less cozy atmosphere, while medium speed offers the most lively and preferred atmosphere. For the factor of brightness, brighter lighting generates a less tense environment (Wang 672). Participants classified scenic settings as either suitable for a “living room” or an “office.” Results show that a more saturated color combined with a slower speed generates more of a “living room”-like environment (Wang 671). With the insight from published academic resources, which conclude that colored light, spatial distribution, intensity, and dynamic characteristics can better enhance the human experience, stage lighting and architectural lighting designers should implement this information into their designs for the overall benefit of the performing arts center and the performance productions. Specifically, lighting design plays a fundamental role for students within educational institutes. Light affects every aspect of the visual arts; therefore, it is vital that all students within a performing arts institution understand its qualities and/or have a clear understanding of controlled light in an atmosphere. The collaboration among students within technical, theatrical, or any other fields of study within the department of fine arts is crucial for design projects that relate to a performance center
Walton 9 or stage production. Not only does this partnership of teamwork promote opportunities of advancement for students, but it also aids in the converging of dynamic systems. The use of flexible, dynamic lighting systems can connect spatial elements throughout the entire building, potentially creating a sense of connectiveness and supportiveness among students. That being said, all designers within an educational performing arts building should collaborate to create innovative lighting design solutions for educational performing arts centers. Precedent Studies An environment within an educational performing arts center should embrace creativity, allowing their students to reach their full potential of self-expression. An important relationship for innovative designers, practicing within the field of educational institutes for performing arts, is between controlled lighting systems and the perceived atmosphere and how it can promote wellbeing and creativity in their students. A precedent study that successfully implements these research findings of connecting people through lighting is Virginia Tech’s educational institute for their performing arts center, located in Blacksburg, Virginia. Richard Greene, the Regional Vice President of Virginia Tech, states, “every space promotes collaboration among art, design, light, sound, music, and performance” (“Awesome Arts Center: Virginia Tech Builds Spectacular Center for the Performing Arts” 15). The extremely broad program utilizes lighting design to provide unique opportunities in varied spaces to
Fig.1. Side angle perspective view that showcases ceiling ribbons (Boyd Photography).
create areas of collaboration that overlap many different fields of study. The performing art center’s lighting design represents fluid movement that connects the audience with the stage, further enhancing the audience’s experience of a show, regardless of where they are sitting. The performance hall provides flexible state-of-theart lighting systems paired with projection and audio technology to bring any live show or virtual presentation to life. To make the space feel more connected, linear light fixtures, which are vertically installed within each
Walton 10 stage-facing side of the symmetrically-staggered extruded walls surrounding the entire audience pit, wash the adjacent wall panels, highlighting the auditorium’s warm tones from the selected white oak finish. Continuing the warm tones, the wood work is finished with a natural 35-degree sheen to create a double curved wall panel flexible enough to achieve the complex curvature of the auditorium’s shell and adequately reflect and scatter light as well as sound (“Awesome Arts Center: Virginia Tech Builds Spectacular Center for the Performing Arts” 14). While there are many factors that promote flexibility and connection within the performance hall’s lighting design, there are a couple of missed opportunities within the design that could better strengthen the performing art center’s atmosphere. The inconsistent use between asymmetric and symmetric allocation of recessed downlights located above the balcony seats creates a sense of imbalance for the audience. Another example
Fig.2. Audience facing perspective view of Moss Arts Theater (Boyd Photography).
focuses on the sense of displacement from the overhead directional lights located in the ceiling of the auditorium in between the ceiling ribbons. These lights could be replaced with sources of illumination mounted on the ceiling ribbons to give the ceiling more movement while still meeting lighting requirements. Another option could be to continue the wall washers mounted within the auditorium walls up onto the ceiling ribbons to connect all spatial platforms surrounding the stage within the entire performance hall. Overall, the Moss Arts Center provides a communal place where the arts are a catalyst for engagement, inspiration, and discovery, and is a great representation of the design industry’s progression of designing performing arts centers.
Walton 11 Another precedent case study that successfully implements these research findings is the Walton Performing Arts Center, located in Northwest Arkansas. The use of materials and lighting systems gives this center a vivacious feel and connection to its urban community. The goal of the performance center’s latest renovation was to revitalize and Fig.4. Reception desk in lobby with the installation of a wall washer (Branch Photography).
expand the facility to create a welcoming environment, “knitting it into the community fabric and showcasing the vibrancy within” (“Walton
Arts Center”). On the exterior of the building, there is a sense of lightness between the warm gray pleated material and the exposed brick. Within the building’s interior, the new double height lobby is coated with soft wood textures, also used in the building’s exterior cantilevered porch, which together create an extended, eye-catching threshold for patrons and people passing by. The lobby’s main decorative fixture pendant conveys a sense of vibrancy within the building’s interior as well as the exterior from the perspective of observing the building from the outside. There are some missed opportunities within the Walton Performing Art Center’s lighting design, such as the lack of layered
Fig.3. Linear spatial components within lobby, illuminated by the Scout Suspension Matrix (Branch Photography).
and balanced lighting within the lobby. The integration of architectural lighting design with its ability to highlight significant focal points within a space can better reveal the primary areas of passage for misled visitors of a building. One solution to this imbalanced lighting is to mirror the illumination from the wall washer, situated behind the reception desk, onto the bottom of the physical reception desk with an LED strip light to better highlight the main area of passage within the lobby. Another missed opportunity includes the lack of connecting spaces within the lobby. A solution for this problem could be to extend the wall washer, highlighting the wooden textures behind the reception desk, along all wooden vertical surfaces featured within the lobby, including the stairs. Despite these missed opportunities within the Walton Performing Arts Center’s
Walton 12 lighting design, the building still achieves their goal of combining people and place within a community through the integration of systems that create an inviting atmosphere, therefore standing as a great representation of the design industry’s progression in designing successful and community-oriented performing arts centers. Field Studies While attending the Broadway show “The Book of Mormon” at the Bass Hall Theatre located in Fort Worth’s historical downtown district, I recorded my own observations of the building’s architectural lighting systems along with its features. I implemented my research of light by observing and analyzing the performance hall’s use of lighting systems that controlled intensity, color, space distribution, and dynamic effects in relation to the perceived atmosphere. I also noted how the stage and architectural lighting blends together in aiding the overall scenic concept of a performance. The exterior of the building utilizes lighting systems to highlight the main entrance and architectural features, such as the
Fig.5. Audience facing perspective of Bass Hall with full lumen output in all fixtures (Jonathan Ivy Photography).
80’ diameter dome and the two 48’ tall angels that grace the Grande Façade (“Nancy Lee and Perry R. Bass Performance Hall Technical Specifications” 4). The lobby’s main architectural lighting features included main sconces in the corridors, cove lighting that illuminated the detailed imagery in the entrance, and basic decorative ceiling mounted sconces for general lighting. I was fortunate enough to gain the perspective of a spectator from the last row in the audience, enabling my experience to include a perspective located within a seat with a visual disadvantage.
Walton 13 The lighting on the perimeter of the balcony seats gives the theater an overall sense of movement and connection but lacks in continuing this consistent lighting detail for the highest balcony within the performance hall. This lack of attention to the farthest seats in relation to the stage gave my experience a sense of exclusion and detachment. In comparison to Virginia Tech’s performance hall, there was no vertical cove lighting within the walls to highlight the perimeter of the theater; there were only decorative wall and ceiling sconces for general lighting. On the other hand, the use of clouds as heavenly imagery, presented digitally on the stage’s back wall as well as painted in the ceiling cove of the auditorium, together display a strong, complementary relationship within the performing arts center. Unfortunately, this cohesive design between the stage and architectural lighting was just a coincidence that stemmed from similar concepts between the building and performance that night. Overall, the factors that include our modern-day advanced lighting systems and technology along with the financial capability of Bass Hall, a designer should want every performance to have this engaging and cohesive implementation of design for all performing artists. Conclusion
Fig.6. Perspective view from the last row on the highest balcony during the theater’s performance of “The Book of Mormon” (Walton, Callie).
With the knowledge and insight from literary reviews, I conclude that colored light, spatial distribution, intensity, and dynamic characteristics can better enhance the human experience and stage lighting designers should implement this information into their designs of productions to benefit the show. On the other hand, architectural lighting designers should switch their focus from the basic design disciplines of static lighting to flexible systems of dynamic lighting to control lighting systems that promote and convey more creativity and expressiveness throughout the entire educational performing institute. The various combinations of color, distribution, and intensity within flexible dynamic lighting systems can enhance, as well as reduce the perceived atmosphere, enabling these systems to accommodate and complement any production performing within an institute. This knowledge can create a useful link between conceptual lighting design (within the stage and
Walton 14 throughout the entire building) and the proposed scenic concept of the performance for architectural and stage lighting designers throughout the institution.
Walton 15 Works Cited “Awesome Arts Center: Virginia Tech Builds Spectacular Center for the Performing Arts.” Designsolutions, Aug. 2015, pp. 11–19. Boyd Photography. Virginia Tech Builds Spectacular Center for the Performing Arts. 2014. Photograph. Virginia Tech Moss Arts Center, Blacksburg, VA. Designsolutions. Web. February 2019. Branch Photography. Walton Arts Center Expansion and Renovation. 2016. Photograph. The Walton Arts Center, Fayetteville, AR. BORA. Web. February 2019. Bronckers, X. J. “The effects of coloured light on atmosphere perception.” Eindhoven University of Technology. 31 Dec 2009. Jonathan Ivy Photography. Bass Performance Hall. 2008. Photograph. Nancy Lee and Perry R Bass Performance Hall, Fort Worth, TX. Bass Hall. Web. February 2019. Lazarus, Richard S. “Thoughts on the Relations Between Emotion and Cognition.” pp. 1019–1024. American Psychological Association, Inc., Sept. 1982, gruberpeplab.com/3131/Lazarus_1982.pdf. “Moss Hall Center for the Arts – On Site Woodwork.” On Site Woodwork, Design Solutions Publication. 2014. osw.io/portfolio/moss-hall-center-for-the-arts/. “Technical Specifications: Nancy Lee and Perry R. Bass Performance Hall Technical Specifications.” Performing Arts Fort Worth, Inc., 10 Oct. 2018, pp. 1–35., www.basshall.com/globalassets/docs/techspec.pdf. Van Erp, T. (2008). The effects of lighting characteristics on atmosphere perception. Unpublished manuscript, Philips Research, Einhoven, the Netherlands. Walton, V. Callie. “Light and Health: Healthcare Lighting Design for Hospital Rooms and Nurse Stations.” Texas Christian University. 10 November 2017. Walton, V. Callie. The Bass Hall Lighting Field Study. Digital Image. Issu. Issu Inc, February 2019. Web. February 2019.
Walton 16 “Walton Arts Center.” Schuler Shook, Schuler Shook, 14 Aug. 2018, schulershook.com/projects/walton-artscenter-1. Wang, HH, et al. “A Study of Atmosphere Perception of Dynamic Coloured Light.” Lighting Research & Technology, vol. 46, no. 6, 2014, pp. 661-675.
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THE SKY IS THE LIMIT Building Name: Universitas Pendidikan Indonesia Location: Bandung, Indonesia; West Java; Intersection of JL. Jaya Grana and JL. DR. Setiabudi, Universitas Pendidikan Indonesia (UPI) is an educational performing arts center, also open to the community, that provides engaging spaces for their students to embrace creativity, collaboration, support, and success. UPI offers their students first class studios and facilities in convenient locations in Indonesia. The Architectural Lighting Design, with its initiative of sustainability, will offer the greater community exposure to the arts through the formation of cohesive relationships between spaces by manipulating the architectural lighting systems to inspire and integrate students within different fields of study. The campus’s landscape design give students a sense of community and connectivity with new places to congregate while engaging in a revitalized environment; but once students are guided by navigational lighting systems to the central performance hall, they are no longer bound by the weight of their surroundings, but can take flight with their new potential. The Sky is Their Limit.
Intended User: Within UPI’s Graduate Program, students in the Design and Production, Dance, Film and Drama schools complete Bachelor of Fine Arts degrees, while musicians earn a Bachelor of Music degree. At UPI, students are surrounded by a thriving interconnected community of artists that radiate with creative energy. Within the UPI Performing Arts Institute, the science and technology of light is implemented into the campus’s interior and exterior for the benefit of the university’s students, patrons, and visitors, as well as its’ surrounding community. The small campus allows for close relationships with faculty and respected colleagues, helping their students become artists with a dynamic perspective ready to take on the world as they realize their potential on the ground of the campus, and reach for their dreams with the sky as their limit. Through the use, placement, and dynamic effects of exterior/ interior lighting systems, UPI’s Lighting Design naturally integrates and highlights the campus’s terrain, as well as connects the dispersed buildings throughout the institution to its central location in the performance hall.Due to Indonesia’s recorded lack of oxygen from depleted resources of vegetation for the average person, UPI’s Lighting Design reweaves the cultural and natural fabric of the city back into its campus.
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FURTHER RESEARCH ON SITE Located at a low latitude and high elevation, UPI features a dramatic terrain and a unique climate that create a boundless relationship between earth and sky. The project site is located in the heart of this landscape, on a fertile plateau on the intersection of JL. Jaya Grana and JL. DR. Setiabudi within Bandung, Indonesia. UPI has drawn inspiration from these natural variations in landscape and climate, employing a large canopy roof and a flowing form to invite users into the complex. The new complex is a renovation of the current UPI building venue in order to bring a contemporary, world-class arts complex to the city.
Light affects every aspect of the visual arts; therefore, it is vital that all students within a performing arts institution understand its qualities and/or have a clear understanding of controlled light in an atmosphere. The collaboration among students within technical, theatrical, or any other fields of study within the department of fine arts is crucial for design projects that relate to a performance center or stage production. Not only does this partnership of teamwork promote opportunities of advancement for students, but it also aids in the converging of dynamic systems. UPI’s use of flexible, dynamic lighting systems connects spatial elements throughout the entire building as well as its exterior features and surroundings within the campus grounds, which creates a sense of connection and supportiveness among students. UPI integrates innovative and sustainable lighting systems to create an uplifting place where the arts are a catalyst for engagement, inspiration, and discovery.
Rhythmic movements that create complementary relationships between spaces with an educational performing arts center for the overall benefit of collaborations for students in different fields of study as well as enhancing the overall performance of a show for patrons/donors and visitors.
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THESIS STATEMENT: Universitas Pendidikan Indonesia (UPI), located in Bandung, Indonesia, is an educational performing arts center, also open to the community, that provides engaging spaces for their students to embrace creativity, collaboration, support, and success. Due to Indonesia’s recorded lack of oxygen from depleted resources of vegetation for the average person, UPI reweaves the cultural and natural fabric of the city back into its campus. Through the use, placement, and dynamic effects of exterior/ interior lighting systems, UPI’s Lighting Design naturally integrates and highlights the campus’s terrain, as well as connects the dispersed buildings throughout the institution to its central location in the performance hall. The campus’s landscape design give students a sense of community and connectivity with new places to congregate while engaging in a revitalized environment; but once students are guided by navigational lighting systems to the central performance hall, they are no longer bound by the weight of their surroundings, but can take flight with their new potential. The Sky is Their Limit.
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P MATCHLINE LT1.04
P
P
LT1.04
J
MATCHLINE LT1.07 MATCHLINE LT1.05 C
C
J
C
C
C
C
C
C
C
J
MATCHLINE LT1.05 MATCHLINE LT1.08
B
J C
B
C
B
B CH 20'-8"
L C
D
D
D
D
D
D
D
D
D
D
D
D
D
B
B
CALLIE WALTON C.V.WALTON@TCU.EDU
P
L
C L
MATCHLINE LT1.05 MATCHLINE LT1.08
C
B
D
CH 56'-1"
CH 36'-6"
B
B
B
L
MATCHLINE LT1.09
B
MATCHLINE LT1.05
MATCHLINE LT1.03
J
J
B
B
B
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
PERFORMING ARTS INSTITUTE
L B
CH 48'-4"
C
Issue Date: 2 MAY 2019
SCALE
M
MATCHLINE LT1.05 MATCHLINE LT1.04
B
M M
L
J J
PROJECT INFORMATION
M
L C J
C
C
C
M C
M
M M
C
C
J
M C
M C
C
M
M C
J
M
C
B
C
B
SHEET NAME
B B
J
1/8" = 1'-0"
LIGHTING PLAN PERFORMANCE HALL
P
B
B B MATCHLINE LT1.05 MATCHLINE LT1.10
SHEET NUMBER
B
P
P P
LT1.05
P
MATCHLINE LT1.07 MATCHLINE LT1.02
MATCHLINE LT1.06 P P CALLIE WALTON C.V.WALTON@TCU.EDU
R R
D P
P
P
P
P
MMMMMM
MMMMMM
PP P P
P
P
PERFORMING ARTS INSTITUTE
FS, TYP.
MATCHLINE LT1.07 MATCHLINE LT1.03
FS, TYP.
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
P
P
D
PROJECT INFORMATION
Issue Date: 2 MAY 2019
MATCHLINE LT1.06
C
P
D
PP P
D
P
P
P
D
D
MMMMMM
MMMMMM
D
P
J
D
L R MATCHLINE LT1.06 MATCHLINE LT1.07
SCALE
1/8" = 1'-0" SHEET NAME
LIGHTING PLAN EXTERIOR STADIUM SHEET NUMBER
LT1.06
MATCHLINE LT1.06 MATCHLINE LT1.07
D
R
CALLIE WALTON C.V.WALTON@TCU.EDU
D
D
MATCHLINE LT1.07 MATCHLINE LT1.05
MMMMMM
J C
MMMMMM
C C C
P
C E
E
J
MATCHLINE LT1.07
CH 19'-0"
C
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
P
C C
PERFORMING ARTS INSTITUTE
C E
PROJECT INFORMATION
D
E
J
MMMMM
J
MMMMM
P
P
C
Issue Date: 2 MAY 2019
SCALE
E
L
1/8" = 1'-0"
O
B
SHEET NAME
B D
LIGHTING PLAN INTERIOR CAFETERIA
CH 12'-2"
B
SHEET NUMBER
E O
LT1.07 MATCHLINE LT1.07
O
B
MATCHLINE LT1.07 MATCHLINE LT1.08
O
B
B
MATCHLINE LT1.07 MATCHLINE LT1.08
B E
MATCHLINE LT1.05 MATCHLINE LT1.08
P
O
CH 20'-8" B
B B
E
MATCHLINE LT1.05 MATCHLINE LT1.08
CALLIE WALTON C.V.WALTON@TCU.EDU
P P
CH 12'-2"
H
P
P
P
H P
H
H
P
P
P
H
P H
O
P
L
H
P
P
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
P
D
P
H
H
P
P
PERFORMING ARTS INSTITUTE
MATCHLINE LT1.09
O
D
MATCHLINE LT1.08 MATCHLINE LT1.09
H O
D
PROJECT INFORMATION
P
D
Issue Date: 2 MAY 2019
P
P
SCALE
P 1/8" = 1'-0"
P
P
SHEET NAME
P
P
P
LIGHTING PLAN EXTERIOR CAFETERIA SHEET NUMBER
P
P
PP
LT1.08 MATCHLINE LT1.09
CH 20'-8"
B
B
B
B
B
B
P
MATCHLINE LT1.05 MATCHLINE LT1.08
B
B
P P
CALLIE WALTON C.V.WALTON@TCU.EDU
P B
P
P
B
P
D
MATCHLINE LT1.05 MATCHLINE LT1.08
P
P
MATCHLINE LT1.09
P P
P
P
P
P
P
P D
P
P P
P
P
P
P P
P
D
P
MATCHLINE LT1.09 MATCHLINE LT1.10
D
P
P
P
P
P
P
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
D
P
MATCHLINE LT1.08 MATCHLINE LT1.09
D
PERFORMING ARTS INSTITUTE
D
P P
P
P
PROJECT INFORMATION
P P
P
Issue Date: 2 MAY 2019
P
P
P
P
SCALE
1/8" = 1'-0"
P
SHEET NAME
LIGHTING PLAN EXTERIOR CIRCULATION 1 (EAST) SHEET NUMBER
MATCHLINE LT1.09
LT1.09
MATCHLINE LT1.05 MATCHLINE LT1.10
P
B
P
P
P
B P
P
P
P
D
P
P
P
P
P P
P
P
CALLIE WALTON C.V.WALTON@TCU.EDU
P
P P
MATCHLINE LT1.09 MATCHLINE LT1.10
D
D
P
P P
P
D
MATCHLINE LT1.04 MATCHLINE LT1.10
P
P
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
MATCHLINE LT1.10
P
P P
P
P
P
P
P P
P
PERFORMING ARTS INSTITUTE
PROJECT INFORMATION
Issue Date: 2 MAY 2019
P SCALE
P
1/8" = 1'-0" SHEET NAME
LIGHTING PLAN EXTERIOR CIRCULATION 2 (EAST)
P P P
SHEET NUMBER
P
LT1.10 MATCHLINE LT1.10
MATCHLINE LT1.02 MATCHLINE LT1.01 PA02
CALLIE WALTON C.V.WALTON@TCU.EDU
D
F R
P
P
MATCHLINE LT1.01
F
F
F
F
F
F R ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
F
F
F PERFORMING ARTS INSTITUTE
R
F
F
F R
PROJECT INFORMATION
Issue Date: 2 MAY 2019
F
F
F
PA08
SCALE
1/8" = 1'-0"
R
PA09 MATCHLINE LT1.01
PA04
F PP
PP
PA07 PP
PP
PP D
MATCHLINE LT1.01 MATCHLINE LT1.04
P
F
F
SHEET NAME
LIGHTING CONTROL PLAN PARKING LOT SHEET NUMBER
LT2.01
D P
MMMMMM
MATCHLINE LT1.07 MATCHLINE LT1.02
EX06
TD01
P
CALLIE WALTON C.V.WALTON@TCU.EDU
D
D
P TD02
P
P
P
P
P
P
P
CH 16'-8"
D
DMX
R P
P
P
P
EX04 M M M M M M
R
R
PA10
PA05 P P
D
PA01
PERFORMING ARTS INSTITUTE
PROJECT INFORMATION
PA06
P
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
PP
PA03
P
M M M M M M
MATCHLINE LT1.02 MATCHLINE LT1.03
P
P
Issue Date: 2 MAY 2019
D
F
P
SCALE
1/8" = 1'-0" SHEET NAME
P
P D
F
F
F
F
P
LIGHTING CONTROL PLAN ADMINISTRATION TOUCHDOWN SHEET NUMBER
D
F MATCHLINE LT1.02 MATCHLINE LT1.01
F F
F
LT2.02
MATCHLINE LT1.07 MATCHLINE LT1.03
EX06
D J
EX05
J CALLIE WALTON C.V.WALTON@TCU.EDU
PP
PP EX04 M M M M M M
PP
M M M M M M
M M M M M M
MATCHLINE LT1.05
MATCHLINE LT1.03
MATCHLINE LT1.02 MATCHLINE LT1.03
DMX
M M M M M M
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
PERFORMING ARTS INSTITUTE
PA11
P
PROJECT INFORMATION
Issue Date: 2 MAY 2019
D SCALE
R
1/8" = 1'-0" SHEET NAME
F R
F
MATCHLINE LT1.03 MATCHLINE LT1.04
J J
MATCHLINE LT1.05 MATCHLINE LT1.04
LIGHTING CONTROL PLAN PARKING LOT SHEET NUMBER
LT2.03
F
MATCHLINE LT1.03 MATCHLINE LT1.04
MATCHLINE LT1.05 MATCHLINE LT1.10
MATCHLINE LT1.05 MATCHLINE LT1.04 MM MMMM
MM MMMM
MM MMMM M CH 19'-0"
MM MMMM
MM MMMM
EX01
MM MMMM
A
CH 17'-0" K
A
F
A
A
A
A
A
CH 18'-4"
E
A
F
A
A
RZ05
N
RZ02
F A
K
A
A
A
K
EX20
P
B
P
A
D A RZ06
P P P
A
A RZ03
K K
EX02
F
P
B
K F
A
RZ04 RZ08 A CH B 16'-8"
DMX
K
F
A RZ01 CH 18'-4"
ELV
K
CH 18'-4" RZ07
K
A
A
A
P
MATCHLINE LT1.04 MATCHLINE LT1.10
L
F
EX03
EX24
CALLIE WALTON C.V.WALTON@TCU.EDU
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
PERFORMING ARTS INSTITUTE
PROJECT INFORMATION
Issue Date: 2 MAY 2019
P
P
P
P
F
P
F
F
F F
MATCHLINE LT1.01 MATCHLINE LT1.04
D
P
P
P SCALE
1/8" = 1'-0"
EX19 D
SHEET NAME
LIGHTING CONTROL PLAN RECEPTION SHEET NUMBER
P
P
P
P
P
P MATCHLINE LT1.04
P
P
LT2.04
PH01
C
MATCHLINE LT1.07 MATCHLINE LT1.05
J
C
C
J
C
C
C
C
C
EX14 J J
C
C
B
ERZ02
ERZ03
C
MATCHLINE LT1.05 MATCHLINE LT1.08
C
B
B
B
CH 20'-8"
L C
D
D
D
D
D
D
D
D
D
D
D
D
CALLIE WALTON C.V.WALTON@TCU.EDU
P
L
PH02 D
B
B C
L
MATCHLINE LT1.05 MATCHLINE LT1.08
PH06
B
D
CH 56'-1"
CH 36'-6"
B
B
PH05 B
L
MATCHLINE LT1.09
DMX
B
MATCHLINE LT1.05
MATCHLINE LT1.03
J
J
B
B
B
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
PERFORMING ARTS INSTITUTE
L B
CH 48'-4"
PH03
C
Issue Date: 2 MAY 2019
SCALE
M PH04
MATCHLINE LT1.05 MATCHLINE LT1.04
B
M M
L
J J
PROJECT INFORMATION
M
L C J
C
C
C
M C
M M
M C
J
C
M C
M C
C
M
M C
J
M
C
B
C
B
SHEET NAME
LIGHTING CONTROL PLAN PERFORMANCE HALL
B B
J
1/8" = 1'-0"
P
B
B B MATCHLINE LT1.05 MATCHLINE LT1.10
SHEET NUMBER
B
P
P P
LT2.05
P
MATCHLINE LT1.07 MATCHLINE LT1.02
MATCHLINE LT1.06 P P
EX08
CALLIE WALTON C.V.WALTON@TCU.EDU
R R
ST04
EX07
EX21
D P
P
P
P
PP
ST05
P
MMMMMM
MMMMMM
EX06
P P
P
P
PERFORMING ARTS INSTITUTE
FS, TYP.
EX09
MATCHLINE LT1.07 MATCHLINE LT1.03
FS, TYP.
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
ST02
P
P
D
PROJECT INFORMATION
Issue Date: 2 MAY 2019
MATCHLINE LT1.06
C
P
D
PP P
D
P
P
P
D
D
MMMMMM
MMMMMM
D
1/8" = 1'-0" SHEET NAME
LIGHTING CONTROL PLAN EXTERIOR STADIUM SHEET NUMBER
EX10
ST03
D
R
L EX23
ST01
P
J MATCHLINE LT1.06 MATCHLINE LT1.07
SCALE
LT2.06
0
PH06
MATCHLINE LT1.06 MATCHLINE LT1.07
D
R
D
MATCHLINE LT1.07 MATCHLINE LT1.05
MMMMMM
J C
MMMMMM
C
D
EX22
PH01
CALLIE WALTON C.V.WALTON@TCU.EDU
C C
P
C E
E
J
MATCHLINE LT1.07
CH 19'-0"
C
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
P
C C
PERFORMING ARTS INSTITUTE
C E
PROJECT INFORMATION
D
E
MMMMM
SCALE
1/8" = 1'-0"
O
SHEET NAME
LIGHTING CONTROL PLAN INTERIOR CAFETERIA
D
CA01
B
ERZ02
ERZ01
B
CA02
E
L
EX11
EX14 J J
MMMMM
P
P
C
Issue Date: 2 MAY 2019
CH 12'-2"
B
SHEET NUMBER
E O
LT2.07 MATCHLINE LT1.07
O
B
MATCHLINE LT1.07 MATCHLINE LT1.08
O
B
B
MATCHLINE LT1.07 MATCHLINE LT1.08
B E
MATCHLINE LT1.05 MATCHLINE LT1.08
P
O
CH 20'-8" B
B B
E
MATCHLINE LT1.05 MATCHLINE LT1.08
CALLIE WALTON C.V.WALTON@TCU.EDU
P P
CH 12'-2"
H
EX13
P
P
P
H P
H
P
P
P
H
P
O
P
D
PERFORMING ARTS INSTITUTE
P
H
H
P
P
EC03
EC01
H
P
L
H
P
P
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
MATCHLINE LT1.09
O
EC02
D
EX12
MATCHLINE LT1.08 MATCHLINE LT1.09
H O
D
PROJECT INFORMATION
P
D
Issue Date: 2 MAY 2019
P
P
SCALE
P 1/8" = 1'-0"
P
P
SHEET NAME
P
P
P
LIGHTING CONTROL PLAN EXTERIOR CAFETERIA SHEET NUMBER
P
P
PP
LT2.08 MATCHLINE LT1.09
CH 20'-8"
B
B
B
B
B
B
P
MATCHLINE LT1.05 MATCHLINE LT1.08
B
B
P P
CALLIE WALTON C.V.WALTON@TCU.EDU
P B
P
P
EX17
B
P
D
MATCHLINE LT1.05 MATCHLINE LT1.08
P
P
MATCHLINE LT1.09
P
P
P
EX15
P
P
P
EX13
P
P D
P
P
EX18
P
P
P
P
P P
P
D
P
MATCHLINE LT1.09 MATCHLINE LT1.10
D
P
P
P
P
P
P
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
D
EX12
P
D
P P
P
EX16
P
MATCHLINE LT1.08 MATCHLINE LT1.09
D
PERFORMING ARTS INSTITUTE
PROJECT INFORMATION
P P
P
Issue Date: 2 MAY 2019
P
P
P
P
SCALE
1/8" = 1'-0"
P
SHEET NAME
LIGHTING CONTROL PLAN EXTERIOR CIRCULATION 1 (EAST) SHEET NUMBER
MATCHLINE LT1.09
LT2.09
MATCHLINE LT1.05 MATCHLINE LT1.10
P
B
P
P
P
B P
P
P
P
D
P
P
P
P
EX17 P
P
P
CALLIE WALTON C.V.WALTON@TCU.EDU
P
P P
MATCHLINE LT1.09 MATCHLINE LT1.10
P EX18
D
D
P
P P
P
D
MATCHLINE LT1.04 MATCHLINE LT1.10
P
P
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
MATCHLINE LT1.10
P
P P
P
P
P
P
P P
P
PERFORMING ARTS INSTITUTE
PROJECT INFORMATION
Issue Date: 2 MAY 2019
P SCALE
P
1/8" = 1'-0" SHEET NAME
LIGHTING CONTROL PLAN EXTERIOR CIRCULATION 2 (EAST)
P P P
SHEET NUMBER
P
LT2.10 MATCHLINE LT1.10
12.5
1.8
5.8
7.3
MATCHLINE LT1.02 MATCHLINE LT1.01
12.4
12.0 D
1.3
5.5F
7.3
7.1
6.3 6.4
F
6.7
7.2
6.7
7.5
7.0
7.6
7.6
6.9
F 3.1
CALLIE WALTON C.V.WALTON@TCU.EDU
R
P
P
MATCHLINE LT1.01
P
8.2
2.4
7.5
1.7
5.5
F
F
8.4
6.9
8.4
7.0
F
F
8.5
7.2
8.9
7.3
4.4 F
8.7
7.2
9.1
7.4
4.7 F
7.4
4.8 F
R
1.6
R
1.5
7.5 7.7
F
F
8.4 8.5
6.9 6.8
7.1
8.8 F
F
8.8
7.0
9.2
4.7
5.1
8.3 R
1.3
7.2
F
8.0
6.2
F
8.9
6.3
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
PERFORMING ARTS INSTITUTE
F
PROJECT INFORMATION
9.2
6.3
4.9
Issue Date: 2 MAY 2019
F
SCALE
1/8" = 1'-0"
0.0
0.0
3.5
4.2
7.6
5.7
7.1
5.4
F
R
PP
PP
1.2 MATCHLINE LT1.01
4.8
4.9
4.0
1.4
PP
PP
PP D
MATCHLINE LT1.01 MATCHLINE LT1.04
8.7
SHEET NAME
LIGHTING CALCULATIONS PLAN - PARKING LOT SHEET NUMBER
LT3.01
D
5.9
P
P
D
D
P
P
2.1
P
23.0
22.7
22.9
21.2
21.4
21.4
21.4
21.4
21.3
21.3
22.8
23.7
22.5
19.9
19.1
20.3
19.5
19.5
18.5
18.5
18.5
21.5
16.5
17.5
17.4
18.4
18.4
19.2
20.0
19.1
21.4
20.6
21.5
23.1
23.0
23.0
23.0
23.0
22.9
20.9
21.2
18.4
19.4
20.1
19.2
21.5
19.6
21.4
32.7
35.6
25.5
25.5
35.5
31.9
21.8
18.4
19.4
19.2
21.2
21.5
20.7
21.5
25.4
26.5
24.5
24.7
28.0
25.2
21.8
17.5
18.5
19.2
21.3
21.6
19.7
21.5
24.2
24.1
24.3
24.5
24.6
25.3
19.8
15.5
17.5
18.3
21.3
15.6
15.7
19.5
24.2
24.4
24.3
24.5
24.8
25.1
19.8
18.5
19.5
18.2
21.2
19.5
19.7
19.5
32.6
P
26.7
24.2
24.3
27.3
P
31.4
19.8
18.4
19.4
19.2
21.2
18.5
19.7
21.5
19.8
18.4
19.4
20.2
20.3
19.6
18.7
18.7
22.3
23.1
23.1
23.1
23.1
22.0
22.0
21.2
18.4
19.3
20.1
20.6
20.7
20.7
19.7
19.7
19.6
19.5
18.5
18.4
19.4
21.3
20.3
20.2
20.0
21.0
22.8
21.5
20.4
18.8
18.7
23.6
22.6
23.4
23.2
21.6
22.4
21.3
22.8
P
P
P
D
CH 16'-8"
M M M M M M
DMX
6.0
6.3
6.5
5.0
5.2
6.4
5.0
5.2
6.4
6.0
6.1
6.3
7.0
6.1
7.2
8.9
8.1
9.2
CALLIE WALTON C.V.WALTON@TCU.EDU
M M M M M M
P
1.1 P
7.2R
6.2
7.2
R
6.2
1.3
R
1.8
P
2.1
P
4.5
P
3.1
P
4.7
4.9
5.1 PP
1.8
P P
2.3
P
6.8
5.1
7.3
3.6
8.2
PERFORMING ARTS INSTITUTE
12.1
Issue Date: 2 MAY 2019
D
F
5.5
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
PROJECT INFORMATION
P
D
5.5
3.8
4.4
5.2
2.3
MATCHLINE LT1.02 MATCHLINE LT1.03
P
21.9
MMMMMM
MATCHLINE LT1.07 MATCHLINE LT1.02
10.6
10.0
12.1
4.6
SCALE
1/8" = 1'-0" SHEET NAME
P
P
5.6
F
2.6
P
7.3
D
D
8.7
8.2
8.1
6.3
1.8
5.8
F
6.0
6.2
6.4
F
6.4
F
F MATCHLINE LT1.02 MATCHLINE LT1.01
F
7.3
6.3
7.1
6.7
F
7.5
7.0
6.4 F
7.6
LIGHTING CALCULATIONS PLAN ADMINISTRATION TOUCHDOWN
SHEET NUMBER
LT3.02
6.0
6.3
6.5
5.0
5.2
6.4
5.0
5.2
6.4
6.0
6.1
6.3
7.0
6.1
7.2
8.9
8.1
9.2
1.8 5.1 P
2.9
M M M M M M
2.3
3.4
4.0
4.7
5.7
6.8
MATCHLINE LT1.07 MATCHLINE LT1.03
8.2
D
PP
PP
10.0
7.9
8.1
8.1
8.9
8.8
6.5
6.8
5.2
5.3
5.0
4.1
4.3
5.1
5.7
7.9
7.7
6.5
9.6
9.6
8.5
M M M M M M
PP
3.4
J
J CALLIE WALTON C.V.WALTON@TCU.EDU
M M M M M M
3.1
3.4
5.1
3.4
2.8
3.2
12.1
2.3
7.4
9.8
MATCHLINE LT1.05
2.6
MATCHLINE LT1.03
3.3
MATCHLINE LT1.02 MATCHLINE LT1.03
M M M M M M
4.1
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
PERFORMING ARTS INSTITUTE
PROJECT INFORMATION
Issue Date: 2 MAY 2019
D
12.1
4.6
3.0
4.2
SCALE
8.3R
1/8" = 1'-0" SHEET NAME
F
6.4 7.0
6.4 F
7.6
4.2
2.0
MATCHLINE LT1.03 MATCHLINE LT1.04
4.6
7.7
1.9R 8.4
J J
MATCHLINE LT1.05 MATCHLINE LT1.04
LIGHTING CALCULATIONS PLAN - PARKING LOT SHEET NUMBER
LT3.03
7.6 F 3.1
4.4 F
MATCHLINE LT1.03 MATCHLINE LT1.04
4.6
4.5 4.6
7.7 7.7
1.6
MATCHLINE LT1.05 MATCHLINE LT1.04
8.4
MM MMMM
7.4
L
1.1
0.5
0.5
0.6
0.6
0.7
0.9
1.0
1.1
1.2
1.4
1.8
1.4
1.4
1.4
1.4
1.4
1.4
1.5
1.5
1.5
1.4
1.4
1.7
1.7
1.9
2.2
1.3
0.5
0.5
0.6
0.7
0.8
1.0
1.1
1.3
1.5
1.8
2.9
1.9
1.9
1.9
1.9
1.9
1.9
2.0
2.0
2.0
1.9
1.9
1.9
2.0
2.1
2.4
1.4
0.6
0.6
0.7
0.8
1.0
1.1
1.3
1.6
1.9
2.2
3.3
2.7
2.7
2.6
2.5
2.5
2.6
2.7
2.8
2.8
2.6
2.4
2.3
2.2
2.4
1.4
0.6
0.7
0.8
1.0
1.1
1.3
1.6
1.9
2.3
2.7
4.1
4.0
3.8
3.6
3.5
3.5
3.6
3.9
4.0
3.9
3.6
3.1
2.7
2.6
2.7
4.8 F
4.9 4.8
1.8 1.6
F
4.5
1.8
5.4
6.8
12.0
17.3
20.4
2.7
4.2
5.2
6.3
11.2
15.9
18.5
3.0
4.2
4.8
5.8
10.5
14.5
16.7
A
MM MMMM
A
8.9
9.2
9.8
10.7
11.1
11.5
12.5
13.6
14.2
14.6
15.3
16.2
16.4
16.2
16.1
16.4
16.3
15.6
15.0
14.6
13.9
12.2
10.2
8.5
0.1
17.8
21.4
15.8
12.9
17.5
21.4
15.1
7.6
6.8
8.9
11.8
13.5
12.8
12.4
13.8
15.6
15.5
15.1
16.6
18.9
19.3
18.9
19.9
21.9
22.3
21.1
21.0
22.2
22.3
20.5
19.3
19.7
19.3
16.4
12.7
9.9
0.0
17.4
20.6
15.6
13.1
17.2
20.5
14.8
7.9
17.6
21.2
18.4
16.3
19.4
23.5
21.8
19.4
22.2
27.2
26.7
23.8
25.5
30.5
31.2
27.5
27.1
30.8
31.5
26.8
24.5
27.0
28.0
22.2
15.6
11.4
0.0
13.1
14.9
12.7
11.5
20.9
25.1
21.1
18.2
22.2
27.6
25.0
21.6
25.0
31.4
30.5
26.7
28.7
35.3
36.4
31.6
31.1
35.9
36.8
30.6
27.8
31.2
32.8
25.5
17.4
12.7
0.0
14.0
16.1
13.5
12.0
20.8
18.7
17.2
19.8
23.2
22.2
20.7
23.3
27.6
27.8
26.0
27.5
31.8
33.1
31.2
31.1
33.4
33.2
29.5
27.6
29.2
29.5
24.3
18.0
13.7
0.0
18.6
22.4
16.9
14.1
17.5
16.7
18.7
21.2
20.9
26.5
25.3
25.8
27.8
29.4
29.9
30.1
30.3
29.5
27.8
27.4
28.7
28.5
24.4
19.4
14.9
0.0
17.1
20.6
15.8
20.4
18.3
21.7
25.9
24.3
30.2
26.5
25.4
26.5
28.2
29.4
29.8
29.4
28.3
27.5
28.7
32.5
33.9
28.3
22.2
19.4
17.8
19.3
20.2
22.4
19.5
23.7
29.1
32.6
27.4
25.4
26.3
27.9
29.2
29.7
29.2
28.2
27.7
29.5
35.0
37.4
30.5
23.4
20.8
22.6
27.9
19.9
18.3
21.2
20.1
18.7
17.6
20.6
24.3
21.1
A
K
15.0
A
A
CH 18'-4"
A
A
A
20.3
22.4
25.8
22.1
25.1
30.5
26.6
23.3
26.9
33.6
24.7
23.5
21.9
24.7
29.2
29.1
26.2
25.5
26.7
28.3
29.1
29.6
29.5
28.6
27.8
28.7
31.9
19.8
22.6
22.0
21.0
23.3
26.8
27.2
25.8
26.5
29.2
30.5
29.9
30.1
31.4
31.1
29.0
28.5
30.2
18.8
22.2
26.7
24.8
22.2
25.1
30.5
30.0
26.9
28.5
34.0
35.1
31.5
31.2
35.2
36.0
31.3
29.4
30.2
26.2
27.9
34.1
34.9
30.1
29.8
34.8
36.1
30.6
A
A
A
A
A
N
E
A
A
A
CH 18'-4"
CH 18'-4" 13.4
14.8
11.6
7.2
14.4
16.1
12.5
7.6
18.7
22.6
16.2
8.6
13.3
17.4
20.8
15.0
8.1
18.7
17.8
18.4
18.7
16.2
12.7
30.2
25.7
23.2
26.1
28.1
22.6
15.9
36.0
29.6
26.1
30.5
33.9
26.4
A
A
33.1
28.3
23.2
21.5
44.6
42.6
30.8
27.2
22.9
21.5
43.9
49.2
31.5
27.0
25.2
27.6
29.1
24.0
32.7
34.5
29.2
23.3
21.5
43.2
47.0
28.8
24.1
24.4
25.6
26.1
22.4
28.6
32.6
35.1
29.2
23.1
21.4
44.1
40.2
43.0
28.3
25.8
28.7
30.8
25.1
A
B
A
CH 16'-8"
A
9.0
13.4
21.0
25.3
21.4
18.7
22.5
27.7
25.2
21.9
25.2
31.2
8.8
11.5
15.8
18.3
16.7
15.5
17.7
20.5
19.6
18.4
20.5
23.9
23.7
22.1
23.2
26.4
27.0
24.8
24.6
27.2
27.9
25.4
24.4
26.4
27.6
24.5
21.0
20.5
44.2
32.3
36.5
27.7
26.1
30.6
34.1
26.6
7.8
9.2
11.0
12.0
11.8
11.9
12.8
13.8
14.0
14.3
15.4
17.0
17.5
17.4
18.1
19.4
19.8
19.5
19.5
20.3
20.7
20.0
19.8
20.3
20.6
19.5
18.2
18.5
41.2
46.2
B
38.3
24.6
22.6
24.8
26.4
21.8
DMX
9.1
K
K
5.4
7.9
6.9
A
15.0
14.3
13.3
15.8
16.6
11.7
13.8
17.9
15.5
16.0
15.1
13.6
13.1
15.7
10.3
12.0
18.0
17.6
CALLIE WALTON C.V.WALTON@TCU.EDU
P P
P
P P P
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
PERFORMING ARTS INSTITUTE
4.6
K
5.0
F
A
D
K
K
6.2 F
B
17.1
P
8.8
10.1
9.1
4.0
8.1
K
4.7
CH 17'-0"
MM MMMM
5.1
6.9
K
12.1K
MM MMMM
CH 19'-0" 3.7
5.8
A
4.7 F
M MM MMMM
MM MMMM
MATCHLINE LT1.05 MATCHLINE LT1.10
17.2
MATCHLINE LT1.04 MATCHLINE LT1.10
F
7.0
8.8
5.1 PROJECT INFORMATION
Issue Date: 2 MAY 2019
4.9 F
4.0
6.2
P
P
P
P
F
P
12.2 F
F
MATCHLINE LT1.01 MATCHLINE LT1.04
3.5 1.3
6.2 2.9
P
P
P
P
P SCALE
1/8" = 1'-0"
D
8.2 P
P
11.1 F
D
5.4
P
6.6
SHEET NAME
LIGHTING CALCULATIONS PLAN RECEPTION
7.6 6.4
MATCHLINE LT1.04
SHEET NUMBER
P
P
P
LT3.04
C
C
C
L
C
29.4
28.4
28.6
27.4
27.4
26.9
27.2
26.0
17.4
18.1
18.1
15.7
12.5
12.2 9.9 9.5
L
D
D
30.0
26.8
24.2
23.9
17.9
16.2
15.6
15.1
14.8
17.2
14.8
12.9
10.0
12.8
13.7
12.7
13.0
12.4
8.3
9.4
8.8
C
C
10.3
8.4
6.1
4.7
5.1
20.5
9.5 4.0
20.5
14.9
6.7
5.4
19.5
22.7
15.5
15.5
15.0
15.9
10.5
12.6
12.0
11.2
12.5
12.0
5.6
10.0
12.6
10.5
6.3
7.0
6.9
64.9
6.0
7.8
7.0
6.9
6.9
8.2
7.6
7.6
6.8
8.2
8.0
7.2
6.0
5.4
5.3
4.6
5.0
5.1
9.7
8.1
7.8
6.3
5.0
6.7
5.7
5.6
5.3
9.8
8.1
7.3
6.3
5.0
6.5
5.6
5.0
6.0
9.2
8.8
7.6
6.9
5.4
6.1
4.8
5.2
6.1
9.0
8.4
7.8
6.3
5.9
6.2
5.5
6.2
6.6
9.0
8.1
7.1
6.7
5.4
6.0
5.5
6.0
9.8
9.0
8.3
7.2
6.9
5.7
6.0
5.8
6.1
10.3
9.4
8.1
7.8
6.3
5.8
6.8
4.8
7.1
12.1
9.9
8.2
7.1
6.5
D
D
4.9
5.0
4.8
4.5
4.3
6.8
6.5
6.2
4.3
5.2
4.9
6.9
6.0
5.9
5.1
D
D
5.4
6.7
5.6
6.9 5.6
7.5
6.7
4.1
6.3
4.8
6.9
7.5
10.2
8.7
7.5
6.7
5.7
6.9
5.7
6.0
6.5
10.3
8.2
7.6
6.6
5.6
5.8
4.4
6.3
10.8
9.5
7.5
6.5
5.7
5.3
10.0
9.7
7.5
8.0
7.8
7.4
7.4
5.7
9.3
8.6
8.4
7.9
6.2
6.1
6.2
5.4
6.5
6.4
6.0
13.0
12.5
12.1
14.8
18.4
18.3
17.8
17.8
16.5
14.6
22.0
22.7
6.3
6.1
28.7
27.9
27.0
27.8
C
M
24.5
4.6
6.9
4.3
5.3
4.3
6.5
7.1
5.5
4.6 5.2
14.4
24.5
M
C
6.6
4.2
5.9
20.2 26.9
5.0
4.8
5.8
12.0
5.7
5.4
24.9
5.1
5.6
5.2
15.8
16.6
13.0
20.6
25.3
20.7
24.4
M C
25.3 30.7
J
5.2
6.3
5.9
5.5
25.7
26.4 35.0
M M C
D
10.8 6.1
6.6
5.2
6.4
D
5.5
17.7
17.1
18.6
21.6
19.9
19.2
17.3
17.5
14.9
12.7
19.9
16.5
11.9
12.8
11.3
21.3
18.4
16.1
17.8
15.4
14.9
18.6
16.5
12.1
13.4
14.8
13.6
20.2
19.1
B
18.4
19.3
19.3
14.3
14.6
16.0
14.1
12.2
12.2
23.3
18.5
16.0
15.5
14.8
16.8
16.4
14.1
19.9
12.5
22.9
19.1
17.6
17.4
17.6
12.6
22.3
18.8
13.5
22.5
18.4
18.0
17.8
17.2
16.4
23.5
19.0
19.4
21.6
C
32.0 12.3
6.8
6.5
6.9
6.8
6.9
6.2
5.1
4.0
5.2
5.5
D
6.3
5.5
6.2
5.4
6.9
6.3
6.1
6.1
6.2
6.0
6.5
6.6
6.2
5.3
6.3
6.9
6.4
6.9
7.4
8.1
7.1
6.4
10.6
10.0
10.9
10.8
5.7
11.7
4.6
3.9
6.4
5.1
12.5
14.3
13.9
6.7
12.0
11.1
10.4
10.8
10.2
6.1
6.9
6.3
7.3
6.5
6.5
7.2
6.6
6.8
6.3
6.3
5.6
6.6
6.5
6.3
6.3
4.5
5.6
5.2
5.8
5.6
5.2
6.3
10.5
L
5.7
5.8
5.9
6.1 6.7
5.3
5.6
6.6
5.1
5.1
5.3
4.6
5.3
5.8
4.4
5.5
5.1
12.9
15.3
16.8
18.0
19.9
19.4
23.3
M
30.5
C
21.7
21.6
M C
J
J
12.3
15.1
16.2
14.0
18.4
16.9
12.6
13.1
17.0
11.1
15.8
15.0
16.7
19.7
12.6
14.9
18.4
12.6
17.3
12.5
18.2
16.3
19.9
19.1
15.2
12.4
15.3
19.2
13.4
18.4
13.6
19.5
15.5
17.8
19.5
18.6
18.3
19.2
17.3
14.8
19.5
14.2
19.2
14.7
12.4
16.5
18.9
23.4
18.1
15.4
15.1
18.8
13.9
19.3
14.7
10.1
15.7
11.8
17.7
B
14.1
18.9
18.1
16.4
14.5
12.5
19.3
15.5
11.2
17.1
13.0
18.9
15.1
23.9
16.0
17.5
13.3
19.6
16.6
17.7
18.5
14.3
18.2
20.2
22.4
23.8
18.9
18.7
15.0
17.2
18.0
14.1
12.0
15.6
14.4
17.3
18.2
21.3
17.2
16.6
B
14.5
14.6
16.1
12.3
16.7
12.5
14.8
15.3
22.1
19.2
15.8
16.8
13.5
17.9
12.8
17.8
13.5
17.1
18.1
20.3
22.0
19.7
16.7
14.9
16.2
19.3
13.5
18.5
14.4
13.5
12.6
17.0
B
L
B
D
D
B
CH 20'-8"
B
16.8
8.5
9.4
P
7.9
5.1
7.2
18.1
18.7
18.6
17.1
16.7
13.6
18.6
14.8
12.6
18.0
18.1
3.7
4.8
21.4
20.1
19.8
19.5
18.5
13.0
18.2
13.9
16.9
15.9
15.1
1.8
1.6
21.6
19.0
17.8
16.0
15.0
11.6
17.4
13.3
19.4
15.7
12.1
2.1
1.7
23.0
19.8
B
16.6
15.3
13.2
12.8
15.5
12.6
16.1
15.6
12.3
2.1
1.8
22.8
16.1
16.7
15.4
15.9
19.0
15.6
12.0
17.7
15.4
12.2
1.8
1.4
22.2
21.8
19.5
15.7
15.1
14.6
17.0
10.8
12.0
14.8
15.9
2.3
1.9
21.9
19.9
17.8
16.7
12.4
14.9
15.9
17.5
12.8
14.5
17.7
2.2
1.8
22.7
19.8
16.3
B
15.5
12.9
10.2
9.1
11.4
16.7
14.0
15.8
3.1
1.7
17.8
16.7
17.1
14.0
15.0
13.9
15.9
12.1
17.7
14.1
10.8
3.3
3.3
19.0
18.4
13.2
13.2
16.4
11.0
15.2
14.5
17.5
13.7
15.6
5.7
4.0
23.7
19.4
18.7
13.7
13.7
16.3
12.5
15.4
15.8
17.0
13.3
15.0
5.2
5.2
21.3
20.1
19.3
15.7
11.5
14.9
17.2
14.3
12.1
16.2
13.0
19.3
4.6
4.9
21.9
18.7
18.7
13.3
17.6
12.2
17.5
B
13.0
19.1
15.5
14.4
13.2
22.8
22.1
17.0
16.1
17.1
13.6
15.5
15.3
11.3
18.9
15.5
17.3
15.9
23.0
20.0
16.0
14.7
12.8
16.0
16.7
13.1
19.5
16.4
14.2
15.1
19.2
18.6
17.9
12.4
11.6
16.9
17.3
14.1
15.8
17.5
14.3
19.8
23.6
24.2
23.0
18.4
16.5
12.9
15.6
17.9
15.1
12.0
18.8
15.6
12.5
17.1
21.5
24.4
23.6
18.6
15.7
12.6
19.5
16.3
13.1
19.9
16.8
13.7
16.7
17.7
25.0
24.5
20.4
16.0
14.2
11.3
18.2
14.8
11.3
18.1
14.9
11.8
12.7
15.5
18.3
17.9
11.4
16.6
15.8
13.1
11.2
16.6
13.0
19.5
17.1
15.6
14.3
14.6
15.2
19.9
16.0
12.4
18.7
14.9
15.2
17.6
18.8
18.2
15.3 15.6
CH 36'-6"
C
5.1
5.3
5.5
5.5
B
B
CALLIE WALTON C.V.WALTON@TCU.EDU
9.1
5.9
M
23.9
M C
C
B
B
22.8
23.4
20.3
17.6
119.2 19.2 19.0
13.2
14.2
10.6
13.0
16.0
15.5
16.3
11.9
15.7
B
13.6
19.6
16.0
23.0
22.7
17.4
12.5
B
14.6
17.1
15.0
17.3
15.1
12.5
12.8
16.4
16.7
16.3
17.9
14.2
14.7
15.1
13.0
14.1
17.3
23.7
11.6
17.9
13.7
15.6
15.0
18.6
15.2
20.7
16.3
12.5
19.0
15.1
13.0
12.0
8.1
12.0
14.6
15.7
15.3
11.3
12.3
19.7
18.7
44.5
18.2
17.2
17.2
13.2
10.9
12.6
12.4
10.4
13.7
11.0
12.2
12.3
13.4
13.9
17.1
18.5
27.3
M
14.6
7.4
5.6
18.8 23.4
30.9
31.5
18.0
5.8
5.8
C
16.3
B
B
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
PERFORMING ARTS INSTITUTE
PROJECT INFORMATION
Issue Date: 2 MAY 2019
SCALE
19.0
24.3
18.1
5.6
12.2 23.9
8.9
17.6
17.4
5.0
5.9
4.5
5.9
5.6
4.9
5.3
4.2
5.6
6.0 LT1.05 7.2 MATCHLINE MATCHLINE LT1.08 18.4
5.5
D
B
15.5
C
5.0
5.5
11.9
B
C
10.6
4.5
5.5
14.3
C
12.0
4.3
6.9
17.4
M
15.1
55.6
5.8
30.7
17.5
28.7
5.4
29.9
15.7
4.7
5.7
31.9
6.2
6.6
5.6
14.8
15.0
10.4
6.4
5.2
13.8
5.8
CH 48'-4"
5.4
5.1
5.7
10.3
8.0
5.7
6.3
5.6
9.6
5.9
6.1
D
6.7
5.8
20.6
19.9
6.3
6.9
21.5
27.2
6.4
6.4
C
27.5
6.6
6.5
23.0
25.0
8.1
5.3
5.5
24.4
J
26.4
10.7
11.9 6.5
21.8
J
31.1
9.1
5.3
13.3
C
23.8
10.8
10.0
25.6
31.8
6.2
L J
MATCHLINE LT1.05 MATCHLINE LT1.04
30.8
30.0
C
7.5
L
J J
C
C
8.1
CH 56'-1"
L
C
8.1
D
M M
C
C
13.0
MATCHLINE LT1.09
J
J
15.4
MATCHLINE LT1.05 MATCHLINE LT1.08
J
J
MATCHLINE LT1.07 MATCHLINE LT1.05
18.2
17.2
17.1
B MATCHLINE LT1.05 MATCHLINE LT1.10
15.0
17.8
16.8
18.7
19.3
19.6
18.5
13.0
B
17.2
18.9
B
B
1/8" = 1'-0" SHEET NAME
LIGHTING CALCULATIONS PLAN PERFORMANCE HALL
P
SHEET NUMBER
P
P
LT3.05 52
P
4.0
8.9
P 6.0
4.9 3.8 2.3 4.0
5.1
4.5
0.0 5.2 5.0
5.3
5.2
5.8
5.8
4.7
5.3
5.9
5.8
4.7
5.9
5.9
5.8
5.8
4.9
5.9
5.9
5.8
4.3
5.8
4.6
5.8
5.7
5.3
5.7 5.8 5.8 5.9
4.3
5.8
5.8
5.9 5.9
6.0 5.1
5.2 5.3
P 10.8
5.3
9.5
5.2 5.3
9.8
8.6
9.1
0.0
5.2
5.4 4.7
5.3
6.0
4.6
6.0
4.2
5.9
4.1
5.9
5.0
5.9
6.1
5.4 5.5
6.0
5.6
SHEET NAME
LIGHTING CALCULATIONS PLAN EXTERIOR STADIUM
4.6
6.1
4.8
6.1 6.2 6.3 6.3
5.9
14.1
18.9
18.7
3.6
13.3
13.0
C
13.1
13.1
12.1
8.3
7.5
15.2
17.1
16.9
9.2
9.8
8.7
4.5 4.2 4.0 6.2 6.2
6.4 6.5
5.6 5.8
PP
9.9 10.0 12.5 9.3 8.1
6.3
6.4
3.9 4.9
5.6
5.0
4.0
5.3
4.0
6.3
6.4
6.4
6.6
6.5
6.6
6.5 6.7
6.7
7.1
7.0
6.8
D 6.7
D
6.8
7.1
6.9 7.0
7.2
P 10.4
7.2
11.6
10.9
10.7
10.2
10.2
9.7
MMMMMM
11.5
15.0
10.2
6.4
9.8
7.4
8.5
11.3
D
9.2
P
7.2
P
D
6.3
6.5 6.6 6.7
6.3
4.7
SHEET NUMBER
11.4
MMMMMM
P
11.0
9.9
P
3.5
3.6
5.2
5.0
6.5
D 3.2 3.4 3.8 4.3
5.5
5.3
5.2
6.2
6.3 6.4
5.5
5.9 5.0 5.1
13.4
4.1
5.3
13.8
24.8
9.7
11.9
7.9
8.8
6.2
MATCHLINE LT1.06
1/8" = 1'-0"
7.3
10.0
8.9
6.0
8.1
P
17.6
5.7
SCALE
18.2
14.5
13.5
5.7
5.4
6.3
6.2
Issue Date: 2 MAY 2019 6.1 6.2 6.2
D
8.2
9.4
10.2
10.2
9.7
P
P
10.0
6.4
15.9
15.8
24.4
19.9
17.6
13.2
15.0
18.7
20.5
12.4
13.3
13.2
5.6
5.5
5.4
6.2
FS, TYP.
MATCHLINE LT1.07 MATCHLINE LT1.03
6.0
5.1
5.9
6.1 6.1
6.0
6.0 6.1
6.0
6.0 6.1
5.0
6.0 6.0
5.9
6.0
5.9
5.1
PROJECT INFORMATION
5.1 5.8 5.9
6.0
6.0
5.9
6.0
5.4 5.5
5.3
5.4 1.4
5.2
5.3 1.4
5.2
5.3 1.4
5.1
5.2 1.3
5.1
5.3
16.0 12.1
5.2
5.8
5.9
5.1 5.2
16.9 12.0 2.1
5.0 16.9 12.9 12.1 12.3
5.2
12.8 12.0 12.2 20.4
5.2
13.8 12.9 15.1 22.3 18.6
5.9
12.8 12.0 20.2 18.4 14.8
R 7.3 9.1
5.2
12.9 20.1 18.3 15.6
13.0
5.2
20.0 17.2 16.5 12.8
13.3
5.0 13.8
16.1 16.3 12.6
13.1
7.2 8.6
P
5.1 8.4
5.2
13.8
16.2 12.4 12.8
24.0
7.0 7.2
8.3
P
14.1
14.3
22.6
P
14.1
20.3
2.9
7.1
10.1
5.2
13.8 13.8
12.3 12.6
23.6
15.4
5.9
14.8 17.9
12.4
23.3
15.9
14.8
5.8
5.9
18.8 18.9
20.5 23.0
15.5
14.3
15.1
6.0
16.8 12.0
22.7
15.2
13.8
14.5
5.5
5.9
5.8 5.9
18.8 14.9 12.1
15.8
13.4
13.9
6.7
8.9
5.9
5.8
17.9 18.8 19.9 17.2
13.0
13.4
6.0
6.0
6.4
5.8
5.8
5.8
3.8 3.9 4.4 4.3 5.9 5.9
5.8 5.9 6.0
5.8 5.8 6.0
15.0 17.7 18.8 19.0
13.0
6.5
4.2
5.4
7.0
10.0
D P
P MMMMMM
4.1
2.6
PP
8.8
P 15.6 16.7 21.9 22.3
8.0
8.6
4.5
5.8
7.5
9.5
5.9
10.2
5.2
6.1 10.2
4.0
7.0 6.1
P
7.0 21.7 22.1
9.1
5.8
4.8
6.2
7.8
8.6
8.1
8.0
8.0 9.1
R 6.4 5.4
6.3 2.3
5.4
3.3
6.5
20.6
21.9
6.2
5.0
5.1
6.4
8.1
8.4
8.3
7.4
5.2
5.2
6.5
18.0
8.2
7.2 22.4
7.5
5.3
5.4
16.5
17.6
8.1
5.7
15.5
8.6
4.4
15.3
6.1
8.3
6.0 22.2
9.0
13.7
14.4
5.1
6.8
4.1
6.3
FS, TYP.
9.6
13.1
13.7
4.2
5.7
MMMMMM
P
9.3
13.7
13.1
3.6
4.7
8.2
9.0 5.2
P
14.3
13.7
14.0
4.0
9.3
5.1 1.2
4.3
PERFORMING ARTS INSTITUTE 3.4
9.2
1.1 4.2
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
6.0
5.2 4.7 4.9 6.8 8.0
8.5 6.9
7.9
11.0
15.4
9.0
11.3
9.9
8.4
9.3
10.1
10.0
10.0
9.2
10.0
10.5
11.7
11.6
11.8
10.4
10.8
11.
11.
10.
9.4
9.7
15.2
9.3
9.8
L
10.0
10.2
15.2
13.2
R
7.7
10.6
8.4
6.8
53
8.7
6.4
8.2 D
6.7
4.9
4.2
5.0
LT3.06 MATCHLINE LT1.06 MATCHLINE LT1.07
CALLIE WALTON C.V.WALTON@TCU.EDU
MATCHLINE LT1.07 MATCHLINE LT1.02
2.1
P
8.9
10.2
MATCHLINE LT1.06
MATCHLINE LT1.07
4.1 3.1
3.0 2.0
2.2
0.9
0.8
1.3
1.2
0.8
0.3
D 5.2 4.0 0.0
P
4.7 2.3 0.0
1.1 1.0 1.0 0.0
D
0.0
10.7
16.8
20.6
13.3
6.1
18.4
8.3
9.7
9.9
7.4
4.2
18.7
17.7
17.6
17.4
7.0
5.8
12.6
21.6
9.3
18.6
9.4
9.5
7.8
24.6
20.0
12.4
11.7
16.2
19.1
13.1
22.9
35.1
26.5
14.8
14.4
24.5
32.7
19.8
16.1
19.0
24.5
20.1
13.5
13.4
20.1
25.1
16.5
16.4
14.7
14.8
14.9
13.0
10.5
10.5
11.9
12.7
10.4
20.7
18.0
18.9
17.6
13.8
11.0
9.9
9.2
8.9
8.2
6.8
15.6
11.9
15.4
20.9
9.4
9.3
8.7
19.5
17.4
17.5
17.4
10.7
10.0
15.4
22.2
18.2
19.6
19.0
18.7
18.4
18.5
19.9
15.4
18.3
16.2
16.0
15.4
15.9
L
21.6
18.4
5.5
5.1
5.1
36.1
5.3
5.7
23.0
6.4 18.8
E 6.3
3.7 3.4
31.2
27.5
16.8
12.2
11.2
11.2
9.9
25.0
37.1
32.5
18.2
13.8
16.2
19.5
15.5
17.2
20.2
24.9
22.4
15.6
14.9
22.9
33.5
24.1
15.7
16.0
16.7
16.3
15.1
12.7
13.7
20.6
29.1
21.9
18.2
16.9
17.0
16.4
14.1
12.4
11.4
11.7
13.7
15.6
13.4
O
4
23.0
20.1
17.2
16.4
23.2
12.8
O
22.0
22.4
17.5
18.1
9.9
31.8
23.7
17.0
8.0
37.0
19.9
27.8
25.7
19.0
5.1
24.6
16.9
6.6 4.9
4.9
17.0
14.9
14.1
14.6
13.8
18.1
13.7
12.8
13.5
17.5
14.8
16.3
11.7
16.7
14.5
14.9
14.9
15.7
15.0
15.6
14.5
14.6
18.6
12.7
17.5
12.8
17.5
12.7
16.0
16.5
19.9
15.1
10.5
16.0
15.8
14.1
12.1
16.5
12.0
14.6
17.2
12.2
13.4
11.9
17.7
15.9
12.2
14.8
12.8
17.1
5.0
13.0
17.3
15.4
14.3
6.4
19.2
17.8
19.3
B 16.1
19.3
B 18.4
B
LT3.07
4.7
11.1
10.1
18.9
17.4
16.6
21.1
19.7
0.0
17.1
10.9
10.6
13.7
24.5
26.3
19.7
8.4
E
18.0
9.3
17.6
33.8
31.4
6.3
12.9
E
7.8
11.9
12.1
21.3
19.1
B 20.2
SHEET NUMBER
CH 12'-2" 22.9
0.0
LIGHTING CALCULATIONS PLAN - INTERIOR CAFETERIA
O
SHEET NAME 22.2
0.0
1/8" = 1'-0"
13.7
12.3
10.2
MMMMM
12.5
J
MMMMM 11.2
C
SCALE
22.1
D
P
P
0.0
7.1
0.0
6.0 18.1
0.0
3.8 13.1 31.4
0.0
3.1 6.8 20.2
23.4
0.0
3.5 4.6 9.0 16.5
12.6
0.0
4.9 5.7 5.6 8.6
10.3
13.2
0.0
6.1 10.6 7.4 5.9 7.3
11.2
24.5
0.0
5.3 16.6 16.4 7.3 5.8
7.6
18.2
32.8
2.7
3.4 13.2 29.5 13.4 6.2 5.9
19.7
23.2
20.9
3.2
12.5 21.9 21.3 8.5 6.5
16.9
11.1
16.4
14.8
5.0
11.1 16.7 10.8 9.0 17.8
17.0
19.3
12.2
4.9
10.1 9.3 11.1 14.2
18.5
16.5
8.1
0.0
8.9 9.5 22.2 17.4
17.4
16.2
0.0
8.0 17.5 30.4
12.6
6.7
0.0
8.8 23.0 18.6
9.9
0.0
10.1 15.1
12.8
22.7
0.0
D
8.2 10.8
17.3
0.0
E
7.7
9.4
0.0
9.1
Issue Date: 2 MAY 2019
11.5
E
16.1
11.4
7.3
11.0
12.0
13.6
10.0
12.7
12.0
20.9
9.6
13.6
12.4
16.5
10.1
11.4
12.3
8.1
10.5
10.8
12.0
E
10.8
10.2
10.4
31.9
11.1
12.6
11.4
22.6
11.2
12.7
11.7
10.0
10.2
11.3
11.9
10.9
10.4
6.1
11.4
11.0
8.0
10.2
8.0
11.3
10.0
8.1
10.9
16.9
11.3
10.0
9.1
10.9
30.2
11.3
10.0
11.1
11.3
22.4
11.2
10.9
12.0
11.6
9.4
11.0
10.7
11.9
11.8
19.8
10.7
10.5
11.8
11.9
15.1
11.3
11.3
11.6
10.0
8.2
11.7
11.8
10.3
10.0
5.2
0.0
9.5 6.4
10.7
11.2
10.9
11.0
6.4
2.8
8.5 6.9 7.3
8.9 10.0 10.5
11.3
11.9
11.8
5.7
6.9 8.0 10.1
8.4 9.8 10.7 11.4
10.7
C
10.6
C
10.4
J C
11.1
C
11.7
MMMMMM
C
C
12.1
18.3
6.7
7.9 11.0 12.0
9.7 9.3 10.4 10.7
11.0
C
MATCHLINE LT1.07 MATCHLINE LT1.05 C
PROJECT INFORMATION
14.6
6.8
11.0 8.3 20.9
10.8 9.4 10.9 14.5 10.2
PERFORMING ARTS INSTITUTE 7.1
8.0
8.4 15.2 15.1
D
15.4 15.5
10.4 10.9 11.9 10.8
MMMMMM
15.2
11.8 11.9 10.1
R
11.6 11.1
J
CH 19'-0"
8.0
P
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
8.0
CALLIE WALTON C.V.WALTON@TCU.EDU 11.7
C
54
MATCHLINE LT1.07 MATCHLINE LT1.07
MATCHLINE LT1.06 MATCHLINE LT1.07
4.3
P
5.4 6.3
6.3
P
7.0
21.8
24.9
22.8
23.8
26.5
28.0
21.2
24.0
36.5
23.1
26.9
29.9
22.6
26.7
20.8
24.5
29.1
69.2
23.7
27.4
22.1
65.5
29.5
23.0
26.4
60.9
24.8
27.9
21.4
56.9 25.8
25.4
15.4 24.4
21.0
23.6
22.1
19.5
26.0
21.3
27.0
24.3
20.4
25.5
25.7
21.3
18.5
24.5
23.5
25.1
22.6
20.7
15.6
10.1 11.7
9.3 16.9
21.2 23.7
15.4
14.7
10.6
17.5
13.8
22.0
25.3
19.9
19.6
25.6
32.1
14.6
20.1
29.2
11.7
17.1
23.0
21.1
20.2
22.2
23.3
23.6
24.5 22.9
23.7 20.5
22.1 19.4
19.7 22.4
23.8 22.5
22.9 27.8
18.3 22.5
22.9 26.6
26.7
24.7
19.3 20.7
18.0
24.1
20.2
21.0
21.6
24.9
22.0 21.2
21.6 27.6
20.3 22.9 22.9
18.1 27.9 18.8
24.9 22.0 23.5
20.5
17.9 18.4
24.8
21.4 22.9
26.6
23.9 23.5 23.7
H
25.7 19.4 20.4
25.2
26.1 21.2 23.5 23.6
27.6
21.6 25.5 23.7
19.0
25.4
26.1 23.9
19.5
23.6 21.0
H
18.9
20.9 19.0 25.4 24.7
23.4
18.2 20.7 23.1 23.7 19.2
24.9
H
22.8 21.5 18.9 25.8 21.5
22.6 12.0
5.0 5.0
Issue Date: 2 MAY 2019
O 28.2 22.8
21.3 25.4
24.1
18.9
19.9
D
P
4.6
P
22.5
4.0
P
29.7 27.8
4.0
4.5
4.1
4.1
4.5
4.1
D
4.6
4.1 4.7 5.7 MATCHLINE 4.2LT1.08 MATCHLINE LT1.09
4.7
4.5
D
4.8
5.6
8.8
22.6
L
5.5
D
P
21.2
P
6.3
P
P
4.3
23.5
P
9.5
P
P
25.2
21.5
9.9
19.0
8.5
9.1
21.4
9.1
P P P
PROJECT INFORMATION
MATCHLINE LT1.09
28.3 28.5 27.3 23.9 28.6 71.8 20.6
P
24.6 24.9 23.1 29.0 73.3 24.1
P
20.8 26.5 28.1 73.4 26.3
29.5
25.2 26.4 25.5 72.3 27.4 21.3
O
21.7 21.5 69.8 27.1 25.3 18.6 18.2 26.3
H
25.9 66.0 26.0 27.9 20.6 20.7 19.5
25.5
29.3 60.5 23.6 29.6
O
53.9 29.9 20.2 22.1 22.5 22.0
10.5 35.0 21.1 14.9 17.3 18.2 16.0 12.4
6.0 24.5 29.9 22.5 23.7 23.7
H
28.2 28.6 21.9 24.0 24.6
20.9 26.3 20.4 23.2
H
CH 12'-2" 22.7 28.1 21.6 24.6
13.7 24.3 27.5 15.6 14.3 15.9 16.4 16.3
7.4
27.6 24.5 29.1 23.7 24.2
13.9 20.7 16.8 13.7 13.8 15.3 20.3 19.3
15.5
B
21.4
29.7 25.4 22.0 23.2
10.8 13.5 15.5 15.0 13.9 13.5 18.5 31.7
24.1 23.5 20.6 19.4 21.4
26.3 26.6 24.8 18.5 18.6
6.9 28.9 17.9 20.7 22.5
11.7 11.3 13.2 16.9 18.1 13.9 14.3 26.8 29.1
16.3 17.8
H
20.3 17.7 19.3
11.4 12.3 16.9 27.2 20.5 12.8 15.6 24.6
O 22.6 18.1 23.1
12.4 15.0 28.2 34.4 16.5 11.1 13.6
18.6
18.0 18.4 16.8
15.5
18.9
9.4
P
H
20.3 26.2
14.1 20.2 35.8 24.3 12.1 9.3
O 23.0 18.7
16.4 23.4 25.2 15.6 9.6
17.1 11.3
16.3 14.0 15.0 18.2
16.5
14.1
H
21.3 20.4
17.0 20.5 19.1 13.6
.7 12.8 13.6 18.1 16.2 15.8 12.5 19.5
B
22.4
P
P
28.5
4.3
P
1/8" = 1'-0"
5.3
P
SHEET NAME
P
3.9
SHEET NUMBER
3.5
3.5
P
P
LIGHTING CALCULATIONS PLAN EXTERIOR CAFETERIA
P
LT3.08 3.2
2.2
P
P
PP
55
MATCHLINE LT1.09
PERFORMING ARTS INSTITUTE
22.7
16.9 20.0 22.8 13.5
.9 14.8 17.4 15.1 11.1 17.3 13.6 12.4
17.7
15.1
CH 20'-8"
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS 25.1
18.2 28.5 9.4
E
23.2 7.3 5.9
7.9 6.6
12.8 9.9
26.9 17.4
37.2
24.6
.4 12.2 12.3 17.0 12.6 18.4 14.7 11.8
18.9
20.2
18.2
5.3
.2 14.6 13.1 18.4 13.4 19.2 15.7
13.0
18.2
17.3
15.3 20.3
5.7
5.2
4.5
E
5.1 5.7
8.2
4.9 5.5
.5 12.6 14.9 19.2 14.2 10.1 17.1
14.3
14.4
14.8
18.1
17.0
7.6
.9 12.6 15.3 19.5 14.7 11.2
18.5
15.6
12.5
17.1
12.6
5.6
.7 12.4 14.8 19.3 15.5 17.7
12.0
16.7
13.5
13.5
6.2
.2 17.3 13.9 19.3 16.6
14.1
12.3
17.8
14.4
.9
.2 18.8 12.5 19.6 18.0
16.1
12.8
18.5
8.9
.1 14.5 13.3 17.2
14.6
17.9
13.5
MATCHLINE LT1.05 MATCHLINE LT1.08
17.6
.4 17.5 15.0 14.5
13.5
19.3
B
.0 18.7 16.6
16.8
16.2
18.4
.9 17.2 15.8
14.9
6.0 LT1.05 7.2 MATCHLINE MATCHLINE LT1.08
.3 19.2
16.7
B
.1 19.7
B
.0
4.5
6.4
27.8
13.4
CALLIE WALTON C.V.WALTON@TCU.EDU
5.0
MATCHLINE LT1.07 MATCHLINE LT1.08
SCALE
16.1
14.1
17.7
11.2
10.1
19.2
18.4
17.3
15.8
14.0
12.8
12.3
12.0
18.5
17.1
15.7
14.7
13.6
12.5
15.0
18.4
B
17.9 13.5
19.9
12.0
14.1
16.7
15.5
12.2
14.9
16.3
16.4
15.0
12.9
12.4
15.1
15.9
13.2
15.0
18.5
16.7
14.9
16.8
18.8
15.8
13.1
15.3
17.5
17.2
12.5
11.0
13.9
10.2
14.9
14.6
19.0
12.8
11.6
13.0
13.6
CH 20'-8"
19.3
18.1 15.6
B
17.1 18.2
15.1
B
18.8 22.7
B
23.0 14.7 19.0 17.2
8.5
11.3
13.0
14.3
15.4
15.2
15.9
9.1
15.9
17.0
15.6
15.5
17.4
18.2
18.6
18.5
17.8
16.7
15.6
14.3
13.0
11.8
12.4
19.5
18.2
16.4
18.9
19.1
12.1
15.8
14.5
12.1
11.4
17.5
10.8
12.0
12.6
13.3
13.9
14.8
14.4
13.5
12.5
14.4
18.2
18.9
17.7
B
16.5
15.5
16.3
19.8
14.2
15.5
15.5
16.2
17.0
17.5
17.7
16.7
12.8
12.0
17.7
16.1
19.4
16.9
12.6
13.5
17.1
14.8
17.3
20.2
15.1
14.1
18.9
17.8
21.5
23.6
15.1
17.3
14.4
13.0
13.3
13.7
14.0
14.5
14.8
15.4
15.6
15.7
15.9
18.0
12.6
18.1
15.3
18.2
15.9
13.2
19.3
15.0
15.6
10.8
15.8
17.7
15.9
12.2
12.3
12.1
15.1
18.1
17.0
20.3
18.7
18.3
19.6
19.4
19.4
19.2
19.1
18.9
18.5
7.4
19.5 14.3 17.1
16.8
17.5 12.5 17.7
9.1
15.6 16.7 15.5
22.4
14.1
B
P
5.5 4.5
P
P
9.4
13.7 12.7
P
P
B
11.8 14.6
5.5
7.2
B
14.3 15.3
P
15.6
14.4 10.1 7.4
MATCHLINE LT1.05 MATCHLINE LT1.08 MATCHLINE LT1.09
9.9
P
P
P
P
P
P
9.1
P
P 4.3 D
9.5
15.5
P
6.3
P
P
P
9.9
P
P
4.8
P
5.5
P
6.6
D
P
P
P
4.6
4.5
4.5
4.1
4.1
4.1
4.0
PROJECT INFORMATION
4.2
4.2
4.1
4.8
4.9
3.9
4.8
4.1
4.2
4.2
4.2
4.7
5.6
5.5
5.9
5.8
5.7
5.7
4.8
4.1
5.7
4.7
4.9
5.6
D
4.8
P
4.0
5.5
P
4.6
4.7 5.6
P
4.7 5.7 4.2LT1.08 MATCHLINE MATCHLINE LT1.09
4.7
PERFORMING ARTS INSTITUTE
4.9
5.2
P
5.0
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
MATCHLINE LT1.09 MATCHLINE LT1.10 4.9 4.8 4.6
P
P
Issue Date: 2 MAY 2019
P
P
SCALE
P
1/8" = 1'-0"
P
LIGHTING CALCULATIONS PLAN EXTERIOR CIRCULATION 1 (EAST)
P
LT3.09 MATCHLINE LT1.09
CALLIE WALTON C.V.WALTON@TCU.EDU
SHEET NAME
SHEET NUMBER
56
B
17.2
17.1
15.0
17.8
16.8
18.7
19.3
19.6
18.5
13.0
17.2
14.3
13.3
15.8
10.7
13.5
17.7
16.4
17.1
19.2
16.7
19.4
16.6
11.7
13.8
13.4
15.9
15.8
14.9
15.2
17.4
16.6
17.9
15.5
16.0
18.6
15.1
16.0
15.8
15.7
16.6
15.1
13.6
13.1
16.4
17.3
19.0
15.7
10.3
12.0
15.0
18.0
17.6
B
P 18.9
15.1
P
P
P
P
4.7
5.5
P
7.2
5.5
7.4
5.5
4.5
4.3 D
4.7
4.4
4.2
4.1
P
P
P
D
P 4.1
3.9
5.0
4.7
5.5
4.6
4.5
P
P
5.0
5.0
4.7
4.6
4.5
4.4
5.3
5.1
5.0
MATCHLINE LT1.04 MATCHLINE LT1.10
4.9
10.1
P
P
P
4.6
P
P
P
P
14.4
21.4
4.9
MATCHLINE LT1.09 MATCHLINE LT1.10
4.8
P
4.6
4.9
4.7
5.4
3.9
4.7
5.4
4.2
4.7
5.5
4.7
5.4
D
P
5.6
4.8
P P P
P D P
ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS
P P
P
P
P
P
P P
CALLIE WALTON C.V.WALTON@TCU.EDU
MATCHLINE LT1.10
MATCHLINE LT1.05 MATCHLINE LT1.10
P
PERFORMING ARTS INSTITUTE
PROJECT INFORMATION
Issue Date: 2 MAY 2019
SCALE
P
1/8" = 1'-0"
P
SHEET NAME
LIGHTING CALCULATIONS PLAN EXTERIOR CIRCULATION 2 (EAST)
P P P
SHEET NUMBER
P
LT3.10 57
MATCHLINE LT1.10
52
LIGHTING EQUIPMENT SCHEDULE Images
Watts
Volts Location
Finish
FA
LED ceiling recessed RGBW downlight; Colorful Architectural LxWxH 7.25"x9 3/4"x7 3/4"; Remote Illumination Driver SH6LDC70RGBWDMX-VO24SR6LED21W
LED (Integral) 2700k 357.43 Lumens 60+ CRI 35000 Hrs 60 degree beam spread
20W
120V Reception
Painted White 0-10V (LED) DMX
FB
Cylinder LED pendant 5' suspended; Times Square Lighting LED (Integral) diameter: 4", height: 11.5"; canopy mount PCT20-W-20-DXTC- RGBW with terminal block for DMX DX-SP60 40 degree beam spread 90CRI 2000lm 50,000 hours
25W
120V Performance Hall Painted White 0-10V (LED) Lobby; Reception DMX
FC
RGBW Vertical linear surface mounted outdoor LED strip; .63"x.67"x27'; Remote Driver
145lm/ft LUMINII KBL-F-V-RGBW-EPF- 50,000 hours 20 90 degree beam spread Control: PSDMX-3x96- 90CRI 24 RGBW
4.57w/ft
24VD Exterior C
White
0-10V (LED) DMX
FD
RGBW Horizontal linear surface mounted outdoor LED strip; .63"x.67"x27'; Remote Driver
145lm/ft LUMINII 50,000 hours KBM-F-H-RGBW90 degree beam spread EPF-EC-20 Control: PSDMX-3x96- 90CRI 24 RGBW
4.57w/ft
24VD Exterior C
White
0-10V (LED) DMX
FF
LED exterior mounted double head bollard; 7"x7"x14.8"; Integral Driver
Technilum Creille Qui Pousse
120V Exterior Parking
Black Steel
LED-ND
FH
LED suspended pendant with white steel UL housing and frosted lens enclosure for the MPSeries-1273 lamp "12 white LED"; 8.5"x8.5"x17"; Integral Driver
527.5lm 81.6CRI 2670K 0-180 degree beam spread 50,000 hours
White Steel
0-10V (LED) DMX
FI
LED wall mounted task fixture with lens; Astro Lighting 1.3"x4.133"x35.4"; Integral Driver 7110 Axios 900
3000K 80CRI 90 degree beam spread 50,000 hours 561.31lm
10.8W
120V Reception
Polished Chrome
LED-ND
FJ
LED, RGBW Floodlight or accent lighting ground or surface mounted; linear spread lens vertical/ horizontal distribution; 13 3/8"x5 3/5"x18 3/4"; Remote Driver
3,366lm 120,000 hours RGB + White (4000K) 90CRI 40 - 60 degrees beam spread
100W
277V Exterior, Electrostaticall 0-10V (LED) Performance Hall y applied DMX polyester powder coat
FK
Ground recessed wall washer for exterior Lumenpulse faรงade; 48"x8.5"x5 9/16"; Remote Driver LOI HO-120/277-48RGBW-10X90-TSOINTL-DMX/RDM-CE
4,178lm 28,000 hours RGBW 80CRI 10X90 Degree Optics
20W
120V Reception
FL
Double sided LED luminous panel for Hansen indoor/ outdoor applications, wall or ceiling recessed (600mm deep into wall); 11mm thick with custom LxW dimensions; Remote Driver
50,000 hours 2700-6500K + RGBW 1400lm IP20
FM
1900K LED recessed architectural step lighting; Edge Lighting 2 13/16"x1 13/16"; Remote Driver AST-06-BL-B-L-G-3.0- 80CRI W-PSU 75,000 hours 90 degree beam spread 60lm/W
Type
Description
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Manufacturer/Catalo Lamp/Source
Lumenpulse LBG-120-RGBW-XNWFL-LSLV-BRZTXDMX/RDM-CRC-UL100FT
LED (Integral) 4000K 439/1440 Lumens / Feet 60,000 Hrs 90CRI 60 degree beam spread
8W
58.61lm/W 120V Collaborative Space 2
Aluminum
Dimming
0-10V (LED) DMX
40W/m(^2) 120V Exterior Acrylic Glass 0-10V (LED) Reception, DMX Performance Hall
3W
120V Performance Hall, Titanium Exterior Circulation
Date: 19 March 2019 Project Name: Callie Walton
0-10V (LED) DMX
F 53
FN
LED linear suspension decorative Tech Lighting pendant; 4.5"x 54"x 50"; Remote Driver 700LSSURG-S-LED
80CRI 3000k 4200lm downlight 800lm uplight 50,000 hours
63W
120V Reception
Satin Nickel
Dimmable Low voltage electronic dimmer
FO
LED exterior wall mounted fixture; Astro Lighting 141mmx141mmx51mm; Integral Driver 1331008 (8116)
3000K 269.9lm 80CRI LED (Integral) 60,500 hours
4.4W
230V Exterior
Textured White
LED-ND
FP
RGBW, LED ground spot light with 60 degree optics; dimensions unknown; Remote Driver
Intertek Model Number: 700OWMNMD930xx1 0Y
3000K + RGBW 41488lm 83CRI 60 degree beam spread VS
16.27W
120V Exterior
Textured Black
0-10V (LED) DMX
FR
LED, in-ground base mounted, outdoor luminaire with down light symmetrical optic; 8'-113/4"x10'-91/8"x17'-61/2"
iGuzzini Model Number: I.ADR1-UNV-01 Accessory: I.0453
3000K 2579lm 80CRI 360 degree downlight 50,000hrs
22W
120V Exterior, Parking Painted White LED-ND Lot (RAL9016)
FS
LED, mounted 1/8" in ground, linear iGuzzini 4000K exterior decorative luminaire; 5/8" x 5/8" Model Number: 4549- 461lm x 15'; Remote Driver 0500-027-UNV-SD10 80CRI General Lighting Optics 60,000hrs
1.7W
120V Exterior Stadium Stainless Steel 0-10V (LED) DMX
END OF SECTION
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
F
54
DIMMING SCHEDULE SYSTEM: DMX LOAD TYPES Wall Box Legend Off Switch LED-ND WA WB DMX Dimming (Control Bright System) WC ELV (Electronic Low Voltage) Dimmer Zone
Type
Reception RZ01 FA RZ02 FN RZ03 FE RZ04 FA RZ05 FE RZ06 FI RZ07 FA RZ08 FB Exterior EX01 FK EX02 FF EX03 FM EX04 FM EX05 FP EX06 FM EX07 FD EX08 FP EX09 FP EX10 FD EX11 FP EX12 FD EX13 FP EX14 FJ EX15 FP EX16 FP EX17 FP EX18 FD EX19 FD EX20 FP EX21 FR EX22 FR EX23 FL EX24 FL EX25 FL Exterior Reception ERZ01 FL ERZ02 FB ERZ03 FL Exterior Stadium ST01 FR ST02 FC ST03 FD ST04 FR ST05 FS Parking Lot PA01 FF PA02 FD PA03 FP PA04 FP PA05 FP PA06 FD PA07 FD PA08 FR PA09 FR PA10 FR PA11 FR Staff Touchdown TD01 FD TD02 FP Exterior Cafeteria EC01 FH EC02 FO EC03 FL Cafeteria CA01 FE CA02 FO Performance Hall PH01 FC PH02 FM PH03 FD PH04 FC PH05 FL PH06 FL
Watts
Qty
Ttl. Load
Load Type
20 63 4.85 20 4.85 10.8 20 25
16 1 20 4 1 1 4 3
320 63 97 80 4.85 10.8 80 75
DMX 0-10V (LED) ELV DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) LED-ND LED-ND DMX 0-10V (LED)
Ceiling Recessed Downlight Suspended Decorative Fixture Linear Strip Cove Lighitng (per foot) Ceiling Recessed Downlight Linear Strip Cove Lighitng (per foot) Wall Mounted Task Fixture Ceiling Recessed Downlight Decorative Pendant
20 8 12.8 12.8 16.27 12.8 4.57 16.27 16.27 4.57 16.27 4.57 16.27 100 16.27 16.27 16.27 4.57 4.57 16.27 22 22 40 40 40
9 6 36 20 6 46 3 12 15 5 4 4 28 12 16 29 15 4 2 16 1 1 1 1 1
180 48 460.8 256 97.62 588.8 13.71 195.24 244.05 22.85 65.08 18.28 455.56 1200 260.32 471.83 244.05 18.28 9.14 260.32 22 22 40 40 40
DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED)
Ground Recessed Wall Washer Exterior Bollard Exterior Step Lighting Exterior Step Lighting LED Ground Spot Light Exterior Step Lighting Ceiling Mounted LED Strip (per foot) LED Ground Spot Light LED Ground Spot Light Ceiling Mounted LED Strip (per foot) LED Ground Spot Light Ceiling Mounted LED Strip (per foot) LED Ground Spot Light Surface Mounted Flood Light LED Ground Spot Light LED Ground Spot Light LED Ground Spot Light Ceiling Mounted LED Strip (per foot) Ceiling Mounted LED Strip (per foot) LED Ground Spot Light Exterior in-ground Bollard Exterior in-ground Bollard LED Panel LED Panel LED Panel
40 25 40
1 21 3
40 525 120
DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED)
LED Panel Decorative Pendant LED Panel
22 4.57 4.57 22 1.7
1 1 5 1 34
22 4.57 22.85 22 57.8
DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED)
Exterior in-ground Bollard Wall Mounted LED Strip (per foot) Ceiling Mounted LED Strip (per foot) Exterior in-ground Bollard Exterior Decorative
8 4.57 16.27 16.27 16.27 4.57 4.57 22 22 22 22
28 6 21 10 4 1 1 3 2 3 2
224 27.42 341.67 162.7 65.08 4.57 4.57 66 44 66 44
DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED)
Exterior Bollard Ceiling Mounted LED Strip (per foot) LED Ground Spot Light LED Ground Spot Light LED Ground Spot Light Ceiling Mounted LED Strip (per foot) Ceiling Mounted LED Strip (per foot) Exterior in-ground Bollard Exterior in-ground Bollard Exterior in-ground Bollard Exterior in-ground Bollard
4.57 16.27
2 4
9.14 65.08
DMX 0-10V (LED) DMX 0-10V (LED)
Ceiling Mounted LED Strip (per foot) LED Ground Spot Light
58.61 4.4 40
9 3 1
527.49 13.2 40
DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED)
Suspended Sphere Pendant Wall Mounted Sconce LED Panel
4.85 4.4
11 3
53.35 13.2
DMX 0-10V (LED) DMX 0-10V (LED)
Recessed Indoor Linear Strip (per foot) Wall Mounted Sconce
Contractor to field verify lengths
4.57
13
59.41
DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED)
Wall Mounted LED Strip (per foot)
Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths
72 14 1008 Project: Performing Arts Center 4.57 13 59.41 4.57 13 59.41 Architectural Lighting Design 40 1 40 Lighting Designer: Callie Walton 40 5 200
Texas Christian University
Description
Step Lighting Date:Exterior 19 March 2019 Ceiling Mounted LED Strip (per foot) Wall Mounted LED Strip (per foot) LED Panel LED Panel
Project Name: Callie Walton
Notes
Contractor to field verify lengths Contractor to field verify lengths
Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths
Contractor to field verify lengths Contractor to field verify lengths
Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths
Contractor to field verify heights
Contractor to field verify heights Contractor to field verify heights
Contractor to field verify heights
Contractor to field verify heights
F
55
CUTSHEETS
56
SR6LED21
CATALOG NO. TYPE
6” RGBW RECESSED DOWNLIGHT
DMX/BLUETOOTH
RGBW.COM
PROJECT
APPLICATION For the use of direct ambient and/or accent lighting. To install as recessed in ceilings. Belongs to C70 series family. Perfect for applications desiring a dynamic color changing effect. Recommended for retail, modern residential, hospitality and entertainment installations. Miniature downlight recommended for low to medium height ceilings. RGBW design allows fine-tuned pastel colors and saturated hues without sacrificing illumination brightness.
ELECTRICAL Power In put:
Power In put Connection:
Power Consumption:
Direct 120V-240V AC input comes standard. Available with 24DC or 120V-277V options. 0.15A Max. See ordering guide below.
Direct Line Voltage hardwired inside electrical junction box. Standard knock-out conduit entries with multiple sizes for through wiring.
0.1- 20W. (Stand-by wattage not included).
PHYSICAL Environment:
9w”
IC rated for direct contact with loose insulation.
Construction:
Made of heavy gauge cold-rolled steel to protect light emiting diodes, other electronics and preserve optical alignment. Integral junction box provides easy access for electrical maintenance, via remodeling clips. Die-Cast construction trim ring flange covers ceiling opening. Steel Blades/Springs installed on trim for a tight gap-free installation onto housings. Recommended for ceiling thickness up to 0.75”.
Housing Finish:
Painted black to eliminate stray light leaks.
7w”
L70 Life:
74” 124”
35,000 Hours for ambient temperatures under 85ºF.
Temperature Rating: 0°F - 120°F Ambient. COLOR DETAILS DirectDMX Color Control:
Color controlled with USITT DMX512A Standard Protocol to work with Coloronix or 3rd Party DMX Systems such as the Color Kinetics® iPlayer 3. On board Dip Switches inside the Data Enabler allow selecting of DMX addresses between 1-512 in a given DMX universe. DMX Data fed to housing via standard RJ45 connectors. Data Input/Output ports allow daisy-chaining of DMX Signal.
7w”
Color Mixing: Using InternaMix™ proprietary technology, colors are efficiently blended together through an internal mixing chamber. The one-color output reduces unsightly views of isolated Red, Green and Blue Diodes for a seamless rainbow-free appearance.
D imming:
Wireless Bluetooth Control:
Smooth and flicker-free dimming of all colors down to 1% using Patented Color Mixing and Dimming technologies developed at Philips Color Kinetics®
Static Color Available:
Optional function to set all DMX values to 100% Data Loss use (-EMDATA)
Bluetooth control via wireless data enabler. Call up standard colors or shows. One Bluetooth enabler per zone. Each fixture is indivudually controlled. All Std. Colors, Consult Factory.
Ceiling Opening : 62”
LED Die Colors:
Emergency Data Function:
Red (620-635nm) Blue (450-465nm) Green (520-535nm) Neutral White (4000k)
COMPATIBILITY
SAFETY
Accessories:
ETL Listed Complies to UL1598 and ANSI/UL 8750. Damp Location Rated. IP62 Protection.
SWR2RJ45-BK-72: 72" RJ45 Extension PCL002: RJ45 DMX Terminator SDEBT-24VRGBW-400: 200W 4-Channel
ORDERIN G HOUSING SH6LDC70RGBW
PCL003: DMX RJ45/Terminal Block Coupler PCL004: RJ45 Coupler
example: SH6LDC70RGBWV024/SR6LED21W
CONTROL POWER INPUT Blank : DMX Blank : 120V-240V AC -WALIB : Wireless Bluetooth V024 : 24V DC V277 : 120V-277V AC
FINISH /SR6LED21B : Black /SR6LED21W : White
COLORONIX | WWW.RGBW.COM | PH. 323.677.4242 | A DIVISION OF EEMA LIGHTING GROUP | ALL RIGHTS RESERVED | PRODUCT SPECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton
Date: 19 March 2019 Project Name: Callie Walton
FA
Texas Christian University
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FA 57
MOSAIC Pendant Color Mixing - Tunable White The Mosaic Pendant is a sleek, architecturally styled fixture with a dramatic full color output. It also features tunable white from 1800K-8000K and high CRI. Rich blues, ambers, reds, violets and greens can be added in gradients or can completely saturate the output of the light. Interchangeable reflectors allow beam angles between 10° and 60°. This fixture will modernize almost any hospitality space, including restaurants, hotels, nightclubs and bars. Key Features: • 2000 Lumen Output • 4 DMX Channels • Tunable range: 1650 - 8000K tunable white. • 90+ CRI
• • •
5 Holt Drive, Stony Point, NY 10980 845-947-3034 www.tslight.com
Dimmable from 100 - 0.1% at constant CCT <2 MacAdam ellipse over 50,000 hour life On-board Bluetooth Low Energy (BLE) included in every fixture
Manufactured in the USA - IBEW
Power • • •
Power Consumption: 25W Max. Operating Temp.: 104°F (40°C) ambient 90-305 VAC, 50/60 Hz Do not install on a circuit containing a dimmer.
Optics •
10°, 20°, 40° or 60° field-changeable reflectors
Weight •
Weight: 5 lbs.
Ordering Matrix Model
Finish
Optics
Mounting
Dimming*
Cable / Stem Length
PCT20
B - Black W - White S - Silver CC - Custom Color
10 = 10° 20 = 20° 40 = 40° 60 = 60°
See Mounting Options
ECO = Lutron Ecosystem 010 = 010V Dimming BT = Bluetooth DX = DMX / RDM
C24 = 24” Cable C48 = 48” Cable C72 = 72” Cable C96 = 96” Cable CX = Custom Cable Length (in inches) SP12 = 12” Stem SP18 = 18” Stem SP24 = 24” Stem SPX = Custom Stem (in inches)
* Maximum Ambient Temperature 40° C
* Specification sheets are subject to change without notice.
Example: PCT20-B-60-STA-010V-C24 PCT20 -_________-_________-_________-_________-_________
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FB
58
Photometric Data 4000° K 95CRI
Mounting Options
10º Spot Reflector
20º Spot Reflector
Distance
Beam Spread
Footcandles
Distance
Beam Spread
Footcandles
5’
0.8’
290
5’
1.7’
240
7.5’
1.3’
129
7.5’
2.7’
107
10’
1.8’
73
10’
3.6’
60
12.5’
2.2’
46
12.5’
4.4’
38
60º Flood Reflector
STA Circuit track adapter for Data Bus. Specification grade e-series track. 120V. HSTA Circuit track adapter for Data Bus. Specification grade e-series track. 277V. DXTC Canopy mount with terminal block for DMX. (DMX only). GAC Track adapter for 120V global pulse track. CM4* Canopy mount (Bluetooth, 010V dimming, lutron ecosystem only).
40º Medium Flood Reflector
Distance
Beam Spread
Footcandles
Distance
Beam Spread
Footcandles
5’
5.7’
80
5’
3.6’
140
5.5’
62
* Contact factory for wiring details.
Accessories
7.5’
8.7’
36
7.5’
10’
11.6'
20
10’
7.3'
35
12.5’
14.4’
13
12.5’
9.1’
22
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
X00517 LV18* OF22-9101* GF22-600* GF22-601* GF22-673*
Accessory Holder Honeycomb Louver Smoothing Frost Filter 5x50 Linear Lens Solite Softner 50 x 50 Spread Lens
* X00517 Required, not compatible with 10° reflector option.
Date: 19 March 2019 Project Name: Callie Walton
FB 59
Kurba Vertical RGB & RGBW Flexible LED strip - 24 VDC Operating voltage 24 VDC
Kurba Vertical RGB & RGBW is a direct view, small profile, energy efficient and flexible LED strip suitable for wet locations capable of vertical bends up to 2.5” radius. Built with robust factory made power feeds or joiners, Kurba Vertical RGB & RGBW mounts to a specifically designed aluminum extruded channel.
Operating temperature -4˚F to 113˚F (-20˚C to 45˚C) Average life 50,000 hours Approvals Class 2 wet listed, IP67 Warranty 3 years
Applications: Outdoor wet location
Kurba dimensions
0.67” 0.63”
UP TO 26’
Technical information RGB
RGBW (4000K)
26
26
Red: 18 lm/ft Green: 69 lm/ft Blue: 10 lm/ft All on: 97 lm/ft
Red: 18 lm/ft Green: 61 lm/ft Blue: 11 lm/ft White: 52 lm/ft All on: 145 lm/ft
3.65 W/ft
4.57 W/ft
Ordering increment
3.28”
3.28”
Maximum run length (in series)
26 ft
20 ft
MODEL LEDS/ft
Light output
Average power consumption at 4’
CANDLE POWER DISTRIBUTION KBL -RGB-XX
KBL -RGBW -XX 180
180
-150
-150
150 98 73
-120
150 166
120
124
-120
49
120
83
24
41
0
90
-90
60
-60
0
-90
90
60
-60
UNIT: CD 30
-30
UNIT: CD
C0/180 C90/270
30
-30
0
C0/180 C90/270
0
SECTION START/END OPTIONS End power feed (72” wire lead)
Bottom power feed (72” wire lead) 0.63”
Side power feed (72” wire lead)
End cap 0.63”
0.63”
0.63” 0.67”
0.67”
0.67”
0.43”
0.67” 0.43” 0.55”
0.55”
0.43”
0.078”
Ordering code for straight run MODEL
COLOR
SECTION START
SECTION END
KBL-F-V
RGB
EPF
EC
KBL - Kurba Large, flat vertical
RGB - Red, Green , & Blue RGBW - Red, Green ,Blue, & White (4000K)
EPF - End power feed (72”wire lead) BPF - Bottom power feed (72”wire lead) SPF - Side power feed (72”wire lead)
REV0.1 12182018
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
EC - End cap EPF - End power feed (72”wire lead) BPF - Bottom power feed (72”wire lead) SPF - Side power feed (72”wire lead)
LENGTH
view table above for ordering increment
page 1 of 5
Date: 19 March 2019 Project Name: Callie Walton
www.luminii.com
tel: 224-333-6033
FC
60
Kurba Vertical RGB & RGBW Flexible LED strip - 24 VDC Kurba System Run Sample layout Ordering Code for system layout:
KBL-F-V-RGB-EPF-3-JC-3-JC-3-EC power supply
power supply
Ordering Code for straight layout:
KBL-F-V-RGB-EPF-EC-10
controller
controller
decoders Kurba decoders 10.0’
Kurba joiner
3.0’
joiner
3.0’
3.0’
SECTION START/END OPTIONS End power feed (72” wire lead)
Bottom power feed (72” wire lead) 0.63”
Side power feed (72” wire lead)
End cap 0.63”
0.63”
0.63” 0.67”
0.67”
0.67”
0.43”
0.67” 0.43” 0.55”
0.55”
0.43”
0.078”
Ordering code for system run MODEL
KBL-F-V KBL - Kurba Large, flat vertical
COLOR
SECTION START
RGB RGB - Red, Green , & Blue RGBW - Red, Green ,Blue, & White (4000K)
FIXTURE LENGTH
JOINER TYPE
EPF
FIXTURE LENGTH
SECTION END
JC
EC - End cap EPF - End power feed (72”wire lead) BPF - Bottom power feed (72”wire lead) SPF - Side power feed (72”wire lead)
view table on page 1 for ordering increment
JC - Joiner
EC view table on page 1 for ordering increment
EC - End cap EPF - End power feed (72”wire lead) BPF - Bottom power feed (72”wire lead) SPF - Side power feed (72”wire lead)
Each system run must be kept under power supply max wattage. Refer to page 4 for power supply information. Additional runs can be added to system, by continuing the same ordering code logic reference sample above.
Mounting Accessories & Optional Connectors mounting bracket,
aluminum channel Part # MC-KBL -F-V -78
recommended every 8 inches Part # MB-KBL -F--V -2IN
Splice Box: Wet rated, low voltage splice box, gray
Connector: Low voltage splice box wet cable management gray
Part # LVSP-WET
Part # LVSP-WET -CM
2.6” 1.3” 2.6” 78.00”
0.86”
0.86” 2.00” 0.81”
REV0.1 12182018
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
0.87”
2.2” 0.81”
page 2 of 5
Date: 19 March 2019 Project Name: Callie Walton
www.luminii.com
tel: 224-333-6033
FC 61
Kurba Vertical RGB & RGBW Flexible LED strip - 24 VDC Power consumption per fixture length Based on operation with PSD series of power supplies.
Actual length of Kurba
endcap
LED
RGB Nominal Length
Actual Length
RGBW
W/ft
Total wattage
Actual Length
W/ft
Total wattage
1’
10”
3.65
3.65
10”
4.56
4.56
2’
23-1/16”
3.20
6.40
23-1/16”
4.00
8.00 12.38
3’
36-2/16”
3.30
9.90
36-2/16”
4.13
4’
45-15/16”
3.40
13.70
45-15/16”
4.25
17.13
5’
59”
3.28
16.40
59”
4.10
20.50
6’
72-2/16”
3.35
20.10
72-2/16”
4.19
25.13
7’
81-15/16”
3.40
23.80
81-15/16”
4.25
29.75
8’
95”
3.31
26.50
95”
4.14
33.13
9’
108-1/16”
3.38
30.40
108-1/16”
4.23
38.00
10’
117-14/16”
3.41
34.10
117-14/16”
4.26
42.63
11’
130-15/16”
3.35
36.80
130-15/16”
4.19
46.00
12’
144-1/16”
3.34
40.10
144-1/16”
4.18
50.13
13’
153-14/16”
3.39
44.00
153-14/16”
4.24
55.00
14’
166-15/16”
3.37
46.70
166-15/16”
4.21
58.38
15’
180”
3.37
50.50
180”
4.21
63.13
16’
189-13/16”
3.32
53.90
189-13/16”
4.15
67.38
17’
202-14/16”
3.36
56.50
202-14/16”
4.20
70.63
18’
216”
3.36
60.40
216”
4.20
75.50
19’
225-13/16”
3.35
63.80
225-13/16”
4.19
79.75
238-14/16”
4.16
83.38
20’
238-14/16”
3.33
66.70
21’
251-15/16”
3.34
70.00
22’
261-12/16”
3.34
73.40
23’
274-13/16”
3.30
76.00
24’
287-15/16”
3.31
79.50
25’
297-12/16”
3.28
82.10
26’
310-13/16”
3.28
85.30
REV0.1 12182018
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
page 3 of 5
Date: 19 March 2019 Project Name: Callie Walton
www.luminii.com
tel: 224-333-6033
FC
62
Kurba Vertical RGB & RGBW Flexible LED strip - 24 VDC Power supply See fixture and power supply instructions & spec sheet for wiring information. Dimming possible in select models - view Luminii website for list of compatible dimmers. Non-Dimming: MODEL
PSV PSV - PSV Series
POWER
OUTPUT
40 40 - 40 W 60 - 60 W 96 - 96 W
DIMMING
24V 24 - 24 VDC
LOCATION
U2ND U2ND - Non Dimming
- Requires a controller & a decoder to work properly
D D - Dry Location IP65 - Wet Location
MODELS
PSV Dry
PSV Wet
A Length
9.2”
9.5”
B Width
3.4”
4.12”
C Depth
1.9”
2.3”
C A B
C
DMX: MODEL
B
OUTPUT
POWER
PSDMX PSDMX - DMX Power Supply
96 24 24 - 24 VDC 96 - 96 WATT 3X96 - 3 X 96 WATT - Features eldoLED’s LINEARdrive configurable dimmable drivers
MODELS
96 W
3 x 96 W
A Length
14.40”
15.75”
B Width
5.20”
6.60”
C Depth
2.60”
4.80”
A
DMX-3Z-RGBW RGBW LED 1 or 3 Zone Controller
DMX /Wireless RGB-W wall-mount controller controls DMX lighting fixtures, wireless control of RGB-W lighting fixture or use both simultaneously. Fits in any standard US switch box. Includes all the outputs in the back of the controller. Control brightness levels with a single touch, personalize and memorize 3 different scenes, and even create 3 variations of white. ORDERING CODE Model DMX DMX - DMX controller
Zones 3Z 3Z - Three Zone 1Z - One Zone
Color RGBW RGBW - Red, Green, Blue & White
REV0.1 12182018
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
page 4 of 5
Date: 19 March 2019 Project Name: Callie Walton
Operating voltage 12 - 24V DC Features • 2 in 1 in-Wall Controller: DMX Control or Wireless RGB-W • 65,000 Color Options, Dimming and Speed Control • Memory Function • 50 Foot Wireless Range • Easily Fits Standard US Switch Boxes • Touch Sensitive Glass Surface • Includes 10 Built in Programs, or Create and Play Your Own Color parameters • Brightness • Saturation • Primary colors • Fading • Color changing speed
www.luminii.com
tel: 224-333-6033
FC 63
Kurba Vertical RGB & RGBW Flexible LED strip - 24 VDC Touch DMX Controller Touchscreen digital LED controller
Programmable advanced DMX512 lighting controller featuring a touchscreen interface. Operates as stand alone controller or integrated with most architectural lighting control systems. Can controller endless DMX512 enabled devices. Mounts to standard single or dual gang wall box with the included power supply inside the junction box. Terminal block design for power and data connections. ORDERING CODE Model TSDMX-E TSDMX-E - Touchscreen DMX controller
Power supply 7 VDC (included) Programmability PC, Mac, Tablet, Smartphone Output signal DMX512 (1024 channels) Color parameters • Brightness • Saturation • Speed of color changing sequence • Fading / dimming / brightness Key Features • Sleek glass design which sits 0.43” from the wall • Graphical color display to show selected environment • Color/dimmer/speed palette • Color temperature mixing • Touch sensitive buttons. No mechanical parts • Touch sensitive wheel allows for accurate color selection • Multi-zone microSD memory • Multi-room control with 500 scenes, 10 zones • 1024 DMX channels. Control 340 RGB fixtures • USB & Ethernet connectivity for
DMX decoder DMX signal to RGBW decoder (required to operate DMX controller)
Translates controller DMX512 programs for RGB and white LED strips. Unique DMX address for the decoder can be set easily and displayed by the numeric display on the case. Changing and resetting the DMX address requires manual input. Use power repeater to expand output.
Operating voltage 12-36 VDC Power capacity up to 96W at 24V Operating temperature range from -4˚F to +122˚F in case ORDERING CODE Model DDMX-RGBW DDMX-RGBW - DMX decoder
REV0.1 12182018
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
page 5 of 5
Date: 19 March 2019 Project Name: Callie Walton
www.luminii.com
tel: 224-333-6033
FC
64
Kurba Horizontal RGB & RGBW
Flexible LED strip - 24 VDC Kurba Horizontal RGB & RGBW is a direct view, small profile, energy efficient and flexible LED strip suitable for wet locations capable of horizontal bends up to 2.5” radius. Built with robust factory made power feeds or joiners, Kurba Horizontal mounts to a specifically designed aluminum extruded channel.
Operating voltage 24 VDC Operating temperature -4˚F to 113˚F (-20˚C to 45˚C) Average life 50,000 hours Approvals Class 2 wet listed, IP67 Warranty 3 years
Applications: Outdoor wet location Kurba dimensions
0.85” 0.45”
UP TO 26’
Technical information MODEL LEDS/ft
RGB
RGBW (4000K)
18
18
KBM-RGB-XX
Red: 6 lm/ft Green: 23 lm/ft Blue: 6 lm/ft All on: 34 lm/ft
Red: 12 lm/ft Green: 37 lm/ft Blue: 8 lm/ft White: 38 lm/ft All on: 95 lm/ft
3.65 W/ft
4.57 W/ft
Ordering increment
3.93”
3.93”
Maximum run length (in series)
26 ft
20 ft
Light output
Average power consumption at 4’
CANDLE POWER DISTRIBUTION KBM-RGBW -XX 180
180
-150
-150
150 47 36
-120
120
75
-120
24
120
50
12
25
0
-90
150 100
90
60
-60
0
-90
90
60
-60
UNIT: CD C0/180 C90/270
30
-30
UNIT: CD
0
C0/180 C90/270
30
-30 0
SECTION START/END OPTIONS End power feed (72” wire lead)
Bottom power feed (72” wire lead)
Side power feed (72” wire lead)
0.45”
End cap
0.45”
0.45”
0.85”
0.85”
0.45” 0.43”
0.85” 0.85” 0.43” 0.43”
0.55”
0.55”
0.08”
Ordering code for straight run MODEL
COLOR
SECTION START
SECTION END
KBM-F-H
RGB
EPF
EC
KBM - Kurba medium, flat horizontal
RGB - Red, Green , & Blue RGBW - Red, Green ,Blue, & White (4000K)
EPF - End power feed (72”wire lead) BPF - Bottom power feed (72”wire lead) SPF - Side power feed (72”wire lead)
REV0.1 12182018
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
EC - End cap EPF - End power feed (72”wire lead) BPF - Bottom power feed (72”wire lead) SPF - Side power feed (72”wire lead)
LENGTH
view table above for ordering increment
page 1 of 5
Date: 19 March 2019 Project Name: Callie Walton
www.luminii.com
tel: 224-333-6033
FD 65
Kurba Horizontal RGB & RGBW
Flexible LED strip - 24 VDC
Kurba System Run Sample layout Ordering Code for system layout:
KBM-F-H-RGB-EPF-3-JC-3-JC-3-EC power supply
power supply
Ordering Code for straight layout:
KBM-F-H-RGB-EPF-EC-10
controller
controller
decoders Kurba decoders 10.0’
Kurba joiner
3.0’
joiner
3.0’
3.0’
SECTION START/END OPTIONS End power feed (72” wire lead)
Bottom power feed (72” wire lead)
Side power feed (72” wire lead)
0.45”
Factory Joiner
0.45”
0.45” 0.43”
0.85”
0.85”
0.85”
10” 0.43”
0.43”
0.55”
0.55”
Ordering code for system run MODEL
COLOR
KBM-F-H
RGB
KBM - Kurba medium, flat horizontal
RGB - Red, Green , & Blue RGBW - Red, Green ,Blue, & White (4000K)
SECTION START
FIXTURE LENGTH
JOINER TYPE
view table on page 1 for ordering increment
JC - Joiner
EPF
FIXTURE LENGTH
JC
EC - End cap EPF - End power feed (72”wire lead) BPF - Bottom power feed (72”wire lead) SPF - Side power feed (72”wire lead)
SECTION END
EC view table on page 1 for ordering increment
EC - End cap EPF - End power feed (72”wire lead) BPF - Bottom power feed (72”wire lead) SPF - Side power feed (72”wire lead)
Each system run must be kept under power supply max wattage. Refer to page 4 for power supply information. Additional runs can be added to system, by continuing the same ordering code logic reference sample above.
Mounting Accessories & Optional Connectors mounting bracket,
aluminum channel
Part # MC-KBM-F-H-78
recommended every 8 inches Part # MB-KBM-F-H-2IN
Splice Box: Wet rated, low voltage splice box, gray
Connector: Low voltage splice box wet cable management gray
Part # LVSP-WET
Part # LVSP-WET -CM
2.6” 1.3” 2.6” 78.00”
1.00”
1.00” 2.00” 0.63”
REV0.1 12182018
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
0.87”
2.2” 0.63”
page 2 of 5
Date: 19 March 2019 Project Name: Callie Walton
www.luminii.com
tel: 224-333-6033
FD
66
Kurba Horizontal RGB & RGBW
Flexible LED strip - 24 VDC
Power consumption per fixture length Based on operation with PSD series of power supplies.
Actual length of Kurba
LED
endcap
RGB Nominal Length
Actual Length
W/ft
RGBW Total wattage
Actual Length
W/ft
Total wattage
1’
12”
3.65
3.65
12”
4.56
4.56
2’
23-13/16”
3.20
6.40
23-13/16”
4.00
8.00
3’
35-10/16”
3.30
9.90
35-10/16”
4.13
12.38
4’
47-7/16”
3.40
13.70
47-7/16”
4.25
17.13
5’
59-4/16”
3.28
16.40
59-4/16”
4.10
20.50
6’
71-1/16”
3.35
20.10
71-1/16”
4.19
25.13
7’
82-14/16”
3.40
23.80
82-14/16”
4.25
29.75
8’
94-12/16”
3.31
26.50
94-12/16”
4.14
33.13
9’
106-9/16”
3.38
30.40
106-9/16”
4.23
38.00
10’
118-6/16”
3.41
34.10
118-6/16”
4.26
42.63
11’
130-3/16”
3.35
36.80
130-3/16”
4.19
46.00
12’
142”
3.34
40.10
142”
4.18
50.13
13’
153-13/16”
3.39
44.00
153-13/16”
4.24
55.00
14’
165-10/16”
3.37
46.70
165-10/16”
4.21
58.38
15’
181-6/16”
3.37
50.50
181-6/16”
4.21
63.13
16’
193-4/16”
3.32
53.90
193-4/16”
4.15
67.38
17’
205-1/16”
3.36
56.50
205-1/16”
4.20
70.63
18’
216-14/16”
3.36
60.40
216-14/16”
4.20
75.50
19’
228-11/16”
3.35
63.80
228-11/16”
4.19
79.75
20’
240-8/16”
3.33
66.70
240-8/16”
4.16
83.38
21’
252-5/16”
3.34
70.00
22’
264-2/16”
3.34
73.40
23’
275-15/16”
3.30
76.00
24’
287-12/16”
3.31
79.50
25’
299-10/16”
3.28
82.10
26’
311-7/16”
3.28
85.30
REV0.1 12182018
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
page 3 of 5
Date: 19 March 2019 Project Name: Callie Walton
www.luminii.com
tel: 224-333-6033
FD 67
Kurba Horizontal RGB & RGBW
Flexible LED strip - 24 VDC
Power supply See fixture and power supply instructions & spec sheet for wiring information. Dimming possible in select models - view Luminii website for list of compatible dimmers. Non-Dimming: MODEL
PSV PSV - PSV Series
POWER
OUTPUT
40 40 - 40 W 60 - 60 W 96 - 96 W
DIMMING
24V 24 - 24 VDC
LOCATION
U2ND U2ND - Non Dimming
- Requires a controller & a decoder to work properly
D D - Dry Location IP65 - Wet Location
MODELS
PSV Dry
PSV Wet
A Length
9.2”
9.5”
B Width
3.4”
4.12”
C Depth
1.9”
2.3”
C A B
C
DMX: MODEL
POWER
B
OUTPUT
PSDMX PSDMX - DMX Power Supply
96 24 24 - 24 VDC 96 - 96 WATT 3X96 - 3 X 96 WATT - Features eldoLED’s LINEARdrive configurable dimmable drivers
MODELS
96 W
3 x 96 W
A Length
14.40”
15.75”
B Width
5.20”
6.60”
C Depth
2.60”
4.80”
A
DMX-3Z-RGBW RGBW LED 1 or 3 Zone Controller
DMX /Wireless RGB-W wall-mount controller controls DMX lighting fixtures, wireless control of RGB-W lighting fixture or use both simultaneously. Fits in any standard US switch box. Includes all the outputs in the back of the controller. Control brightness levels with a single touch, personalize and memorize 3 different scenes, and even create 3 variations of white. ORDERING CODE Model DMX DMX - DMX controller
Zones 3Z 3Z - Three Zone 1Z - One Zone
Color RGBW RGBW - Red, Green, Blue & White
REV0.1 12182018
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
page 4 of 5
Date: 19 March 2019 Project Name: Callie Walton
Operating voltage 12 - 24V DC Features • 2 in 1 in-Wall Controller: DMX Control or Wireless RGB-W • 65,000 Color Options, Dimming and Speed Control • Memory Function • 50 Foot Wireless Range • Easily Fits Standard US Switch Boxes • Touch Sensitive Glass Surface • Includes 10 Built in Programs, or Create and Play Your Own Color parameters • Brightness • Saturation • Primary colors • Fading • Color changing speed
www.luminii.com
tel: 224-333-6033
FD
68
Kurba Horizontal RGB & RGBW
Flexible LED strip - 24 VDC
Touch DMX Controller Touchscreen digital LED controller
Programmable advanced DMX512 lighting controller featuring a touchscreen interface. Operates as stand alone controller or integrated with most architectural lighting control systems. Can controller endless DMX512 enabled devices. Mounts to standard single or dual gang wall box with the included power supply inside the junction box. Terminal block design for power and data connections. ORDERING CODE Model TSDMX-E TSDMX-E - Touchscreen DMX controller
Power supply 7 VDC (included) Programmability PC, Mac, Tablet, Smartphone Output signal DMX512 (1024 channels) Color parameters • Brightness • Saturation • Speed of color changing sequence • Fading / dimming / brightness Key Features • Sleek glass design which sits 0.43” from the wall • Graphical color display to show selected environment • Color/dimmer/speed palette • Color temperature mixing • Touch sensitive buttons. No mechanical parts • Touch sensitive wheel allows for accurate color selection • Multi-zone microSD memory • Multi-room control with 500 scenes, 10 zones • 1024 DMX channels. Control 340 RGB fixtures • USB & Ethernet connectivity for
DMX decoder DMX signal to RGBW decoder (required to operate DMX controller)
Translates controller DMX512 programs for RGB and white LED strips. Unique DMX address for the decoder can be set easily and displayed by the numeric display on the case. Changing and resetting the DMX address requires manual input. Use power repeater to expand output.
Operating voltage 12-36 VDC Power capacity up to 96W at 24V Operating temperature range from -4˚F to +122˚F in case ORDERING CODE Model DDMX-RGBW DDMX-RGBW - DMX decoder
REV0.1 12182018
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
page 5 of 5
Date: 19 March 2019 Project Name: Callie Walton
www.luminii.com
tel: 224-333-6033
FD 69
LLX18-RGBW
Color-changing + White linear LED strip – 24V The LLX18-RGBW is a small profile LED strip featuring a unique 4 chips into 1 LED. Each LED has a red, green, blue and warm white (3000K) diode built in for greater range of color mixing and control. Mounting LLED strip is equipped with 3M™ adhesive transfer tape (9472LE). The strip must be adhered to either a Luminii aluminum profile or an unpainted aluminum surface. For other surfaces the HST Aluminum heat sink tape will be required to reach the rated 50,000 hours average life
Applications Indoor only - above and below cabinets, cove lighting, counter accent, architectural reveals, under banister, display and book cases, etc. Approvals Class 2 damp listed Operating voltage 24 VDC (RGBW controller and power supply required) Average life 50,000 hours Warranty 5 years
Technical specifications MODEL
Section start/end options
LLX18-RGBW
LEDs/ft
18
Soldered leads (72”)
Light output
256 lumen/ft
Average power consumption (for 15’ section
4.85W/ft
No connector
Ordering increment
4.00”
Maximum run length (in series)
20 ft 0.47” W 0.09” H
Dimensions
Ordering code MODEL
CCT (White channel)
LLX18-RGBW LLX18-RGBW
30K 30K - 3000K
SECTION START
SECTION END
LENGTH
SL SL - Soldered lead wires (72”) NC - No connector
NC SL - Soldered lead wires (72”) NC - No connector
View specifications for increment options
REV1.1 03122019
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
page 1 of 5
Date: 19 March 2019 Project Name: Callie Walton
www.luminii.com
tel: 224-333-6033
FE
70
LLX18-RGBW
Color-changing + White linear LED strip – 24V
Mounting accessories Mounting clip: recommended at every 12” when LineLED strip is facing down.
Heat sink tape:
0.19”
included with LineLED strip when no extrusions are ordered
0.05”
Part # CL-1
Part # HST
0.40” 1.00”
2.00”
0.23”
Power consumption per linear foot* * with all 4 circuits at full brightless Length of Strip (LF)
W/ft
1
5.65
5.65
2
5.65
11.30
Total wattage
Length of Strip (LF)
W/ft
Total wattage
11
5.15
56.65
12
5.10
61.20
3
5.65
16.95
13
5.05
65.65
4
5.60
22.40
14
4.95
69.30
5
5.50
27.50
15
4.85
72.75
6
5.45
32.70
16
4.75
76.00
7
5.35
37.45
17
4.60
78.20
8
5.30
42.40
18
4.50
81.00
9
5.25
47.25
19
4.40
83.60
10
5.20
52.00
20
4.30
86.00
REV1.1 03122019
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
page 2 of 5
Date: 19 March 2019 Project Name: Callie Walton
www.luminii.com
tel: 224-333-6033
FE 71
LLX18-RGBW
Color-changing + White linear LED strip – 24V
Lens options / light transmission percentage per lens C
Clear
HF
Half (50%) Frosted
G
Graze
F
Frosted
M
Medium beam frosted
R
Raised
KS Channel (KSC-XX)
SI
Clear 36°
Q
Rounded Square Frosted
Clear 10°
C36 beam angle
KM Channel (KMC-XX)
Square Frosted
S
Satin Ice
C10 beam angle
K45M Channel (K45MC-XX)
BOS Channel (BOSC-XX)
0.85”
0.60”
0.69”
0.69” 0.30”
0.49”
0.85”
0.60”
C
F
HF
C36
R
C
F
HF
C10
R
C
F
HF
C10
F
SI
R
G
85%
55%
72%
83%
51%
71%
42%
58%
67%
39%
71%
42%
58%
67%
43%
56%
46%
67%
KL Channel (KLC-XX)
KXL Channel (KXLC-XX)
CLA Channel (CLAC-XX)
ALC Channel (ALC-XX) 1.21”
0.83”
0.83”
0.84”
0.50”
0.30”
0.42” 0.52” 0.77”
C
F
HF
C
F
HF
S
Q
C
F
HF
83%
55%
68%
74%
46%
61%
62%
63%
79%
58%
69%
KRS Channel (KRSC-XX)
KRM Channel (KRMC-XX)
KRL Channel (KRLC-XX)
1.00” 0.69”
1.00” 0.69” 0.44” 0.36”
KRXL Channel (KRXLC-XX) 1.21” 0.83”
1.21” 0.83” 0.63”
0.42” 0.36”
0.63” 0.55”
0.55”
C
F
HF
C
F
HF
C
F
HF
C
F
HF
85%
55%
72%
71%
42%
58%
83%
55%
68%
74%
46%
61%
Wall + Channel (WPC-XX)
RO Channel (RO-XX)
ALS20 Channel (ALS20-XX)
0.63”
FL Channel (FL -XX)
0.78”
0.30”
0.94” 3.75”
0.97”
2.06”
0.94”
C
F
C
F
C
F
C
F
HF
47%
44%
75%
52%
78%
43%
85%
63%
75%
Wiring Diagram wireless or wired RGBW controller
Installation All mounting channels are field cuttable using miter saw with circular blade suitable for cutting aluminum. Ordering Extrusions are sold separately. View respective specsheets for details on ordering extrusions and their accessories (endcaps, mounting brackets, etc).
LLX18-RGBW
LLX18-RGBW
+
repeater
receiver / decoder (not needed if using PSDMX power supply)
24V PSV power supply
OPTIONAL
REV1.1 03122019
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
page 3 of 5
Date: 19 March 2019 Project Name: Callie Walton
www.luminii.com
tel: 224-333-6033
FE
72
LLX18-RGBW
Color-changing + White linear LED strip – 24V
Power supply See fixture and power supply instructions & spec sheet for wiring information. Dimming possible in select models - view Luminii website for list of compatible dimmers. Non-Dimming: MODEL
PSV PSV - PSV Series
POWER
OUTPUT
40 40 - 40 W 60 - 60 W 96 - 96 W
DIMMING
24V 24 - 24 VDC
LOCATION
U2ND U2ND - Non Dimming
- Requires a controller & a decoder to work properly
D D - Dry Location IP65 - Wet Location
MODELS
PSV Dry
PSV Wet
A Length
9.2”
9.5”
B Width
3.4”
4.12”
C Depth
1.9”
2.3”
C A B
C
DMX: MODEL
POWER
B
OUTPUT
PSDMX PSDMX - DMX Power Supply
96 24 24 - 24 VDC 96 - 96 WATT 3X96 - 3 X 96 WATT - Features eldoLED’s LINEARdrive configurable dimmable drivers
MODELS
96 W
3 x 96 W
A Length
14.40”
15.75”
B Width
5.20”
6.60”
C Depth
2.60”
4.80”
A
DMX-3Z-RGBW RGBW LED 1 or 3 Zone Controller
DMX /Wireless RGB-W wall-mount controller controls DMX lighting fixtures, wireless control of RGB-W lighting fixture or use both simultaneously. Fits in any standard US switch box. Includes all the outputs in the back of the controller. Control brightness levels with a single touch, personalize and memorize 3 different scenes, and even create 3 variations of white. ORDERING CODE Model DMX DMX - DMX controller
Zones 3Z 3Z - Three Zone 1Z - One Zone
Color RGBW RGBW - Red, Green, Blue & White
REV1.1 03122019
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
page 4 of 5
Date: 19 March 2019 Project Name: Callie Walton
Operating voltage 12 - 24V DC Features • 2 in 1 in-Wall Controller: DMX Control or Wireless RGB-W • 65,000 Color Options, Dimming and Speed Control • Memory Function • 50 Foot Wireless Range • Easily Fits Standard US Switch Boxes • Touch Sensitive Glass Surface • Includes 10 Built in Programs, or Create and Play Your Own Color parameters • Brightness • Saturation • Primary colors • Fading • Color changing speed
www.luminii.com
tel: 224-333-6033
FE 73
LLX18-RGBW
Color-changing + White linear LED strip – 24V
Touch DMX Controller Touchscreen digital LED controller
Programmable advanced DMX512 lighting controller featuring a touchscreen interface. Operates as stand alone controller or integrated with most architectural lighting control systems. Can controller endless DMX512 enabled devices. Mounts to standard single or dual gang wall box with the included power supply inside the junction box. Terminal block design for power and data connections. ORDERING CODE Model TSDMX-E TSDMX-E - Touchscreen DMX controller
Power supply 7 VDC (included) Programmability PC, Mac, Tablet, Smartphone Output signal DMX512 (1024 channels) Color parameters • Brightness • Saturation • Speed of color changing sequence • Fading / dimming / brightness Key Features • Sleek glass design which sits 0.43” from the wall • Graphical color display to show selected environment • Color/dimmer/speed palette • Color temperature mixing • Touch sensitive buttons. No mechanical parts • Touch sensitive wheel allows for accurate color selection • Multi-zone microSD memory • Multi-room control with 500 scenes, 10 zones • 1024 DMX channels. Control 340 RGB fixtures • USB & Ethernet connectivity for
DMX decoder DMX signal to RGBW decoder (required to operate DMX controller)
Translates controller DMX512 programs for RGB and white LED strips. Unique DMX address for the decoder can be set easily and displayed by the numeric display on the case. Changing and resetting the DMX address requires manual input. Use power repeater to expand output.
Operating voltage 12-36 VDC Power capacity up to 96W at 24V Operating temperature range from -4˚F to +122˚F in case ORDERING CODE Model DDMX-RGBW DDMX-RGBW - DMX decoder
REV1.1 03122019
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
page 5 of 5
Date: 19 March 2019 Project Name: Callie Walton
www.luminii.com
tel: 224-333-6033
FE
74
Spécifications profils & semelles Profiles & baseplates specifications 01-2018
City-Module concept
Produit Product
Arbane
Dimension profil Profile dimension (mm / inch)
Epaisseur moyenne Average thickness (mm)
Poids weight (k/ml)
Resistance (daN/mm²)
Porte Access door (mm/inch)
Ø 120 / 140 / 160 / 200
5
4,9 / 5,83 / 6,57 / 8,5
25
Selon la section du mât According to mast profile
Ø 4 3/4" / 5 1/2’’ / 6 5/16’’ / 7 7/8"
Nerello Etoile C Etoile C+ Structure C Structure C+
Structure K120
Structure K140
Structure K160
Structure K200
Structure K250
Structure K320 Structure X Structure X+ Structure Z
Ø 120
5 / 6,5
5,08 / 8,7
25
Ø 4 3/4’’
Ø 160
7,5
9,7
25
7,8
8
25
8,8
11,3
25
Ø 6 5/16"
Ø 140 Ø 5 1/2"
Ø 160 Ø 6 5/16"
Ø 140
6,9
7,7
25
Ø 5 1/2"
Ø 120
6,5
8,7
25
11
11,06
25
7,7
12,7
25
Ø 4 3/4"
Ø 140 Ø 5 1/2"
Ø 160 Ø 6 5/16"
Ø 200
7,8
14
25
Ø 7 7/8"
Ø 250
8,5
20,6
25
Ø 9 13/16"
Ø 320
13,8
36
Ø 12 5/8"
(renforcé/ reinforced : 19,1)
(renforcé/ reinforced : 48,8)
25
Ø 112
8,1
7,1
25
4
2,9
27
5,5
4,4
25
Ø 4 7/16"
Ø 90 Ø 3 9/16"
Ø 100 Ø 3 15/16"
Hauteur possible (excepté zone de vent) Possible height (excepted wind zone) (m/foot-inch)
Encombrement semelle Baseplate dimension (mm/inch)
Entraxe semelle Baseplate fixing distance (mm/inch)
4,5 - 10
260 x 260 / 400 x 400
200 x 200 / 300 x 300
14' 9 5⁄32" - 32' 9 11⁄16"
10 1/4" x 10 1/4" - 15 3/4" x 15 3/4"
7 7/8" x 7 7/8" - 11 13/16" x 11 13/16"
500 x 90
3,5 - 5
260 x 260
200 x 200
19 11/16" x 3 9/16"
11’ 5 51/64‘‘ - 16’ 4 27⁄32’’
10 1/4" x 10 1/4"
7 7/8" x 7 7/8"
500 x 95
3-9
19 11/16" x 3 3/4"
9' 10 1⁄8" - 29' 6 11⁄32"
15 3/4" x 15 3/4"
11 13/16" x 11 13/16"
400 x 80
1-5
260 x 260 / 400 x 400
400 x 400
200 x 200 / 300 x 300
300 x 300
15 3/4" x 3 1/8"
3' 3 3⁄8" - 16' 4 27⁄32"
10 1/4" x 10 1/4" - 15 3/4" x 15 3/4"
7 7/8" x 7 7/8" - 11 13/16" x 11 13/166"
500 x 100
7 - 12
400 x 400
300 x 300
19 11/16" x 3 15/16"
22' 11 19⁄32" - 39' 4 7⁄16"
15 3/4" x 15 3/4"
11 13/16" x 11 13/16"
500 x 90
3-8
260 x 260 / 400 x 400
200 x 200 / 300 x 300
19 11/16" x 3 9/16"
9' 10 1⁄8" - 26' 2 31⁄32"
10 1/4" x 10 1/4" - 15 3/4" x 15 3/4"
7 7/8" x 7 7/8" - 11 13/16" x 11 13/16"
500 x 76
3-6
19 11/16" x 3"
9' 10 1⁄8" - 19' 8 7⁄32"
10 1/4" x 10 1/4"
7 7/8" x 7 7/8"
500 x 90
3-8
260 x 260 / 400 x 400
260 x 260
200 x 200 / 300 x 300
200 x 200
19 11/16" x 3 9/16"
9' 10 1⁄8" - 26' 2 31⁄32"
10 1/4" x 10 1/4" - 15 3/4" x 15 3/4"
7 7/8" x 7 7/8" - 11 13/16" x 11 13/16"
500 x 100
6 - 10
400 x 400
300 x 300
19 11/16" x 3 15/16"
19' 8 7⁄32" - 32' 9 11⁄16"
15 3/4" x 15 3/4"
11 13/16" x 11 13/16"
500 x 100
8 - 12
400 x 400
300 x 300
19 11/16" x 3 15/16"
26' 2 31⁄32" - 39' 4 7⁄16"
15 3/4" x 15 3/4"
11 13/16" x 11 13/16"
500 x 112
4 - 18
570 x 570
450 x 450
19 11/16" x 4 7/16"
13' 1 15⁄32" - 59' 21⁄32"
22 7/16" x 22 7/16"
17 3/4" x 17 3/4"
500 x 112
8 - 20
19 11/16" x 4 7/16"
26' 2 31⁄32" - 65' 7 13⁄32"
500 x 82
3-7
260 x 260
200 x 200
19 11/16" x 3 1/4"
9' 10 1⁄8" - 22' 11 19⁄32"
10 1/4" x 10 1/4"
7 7/8" x 7 7/8"
400 x 62
4
260 x 260
200 x 200
15 3/4" x 2 7/16"
13' 1 15⁄32"
10 1/4" x 10 1/4"
7 7/8" x 7 7/8"
400 x 60
3-6
260 x 260
200 x 200
15 3/4" x 2 3/8"
9' 10 1⁄8" - 19' 8 7⁄32"
10 1/4" x 10 1/4"
7 7/8" x 7 7/8"
Implantation dans massif béton de 1 m de profondeur Burried in a concrete base of 1 m depth
Modèles équipés de rail technique externe, pour faciliter l’accessoirisation Models equipped with technichal grooves, which facilitate accessorization.
Domaine de Lézigno . 34500 Béziers . France . www.technilum.com T + 33 4 67 90 67 67 F + 33 4 67 90 68 68 E contact@technilum.com
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FF 75
Luminaire Description: Lamp: Mounting: Ballast/Driver:
White steel housing, frosted lens enclosure 12 white LEDs Pendant Integrated
Luminaire
Luminaire Characteristics Luminous Length: Luminous Width: Luminous Height:
Summary of Results
Integrating Sphere
Luminous Flux: Efficacy: CCT: CRI (Ra):
8.50 in. 8.500 in. 17.00 in.
531.7 Lumens 59.06 lm/w 2670 K 81.6
Distribution
Total Luminaire Output: Luminaire Efficacy: Maximum Candela:
527.5 Lumens 58.6 lm/w 60 Candela
Electrical Data at 120 VAC
Test Temperature: Voltage: Current: Power: Power Factor: Frequency: Current THD:
24.2 120.0 0.07558 9.002 0.992 60 12.0
°C VAC A W Hz %
Test Number 12736909.02 - Page 3 of 8
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FH
76
Color Quality - Integrating Sphere Integrating Sphere Test Conditions
Temperature
24.2 °C
Voltage
Current
Power
120.0 VAC 0.07558 A
9.002 W
Power Factor
0.992
Summary of Results
Total Output: 532 Lumens Efficacy: 59.1 lm/w CCT: 2670 K CRI (Ra): 81.6 CRI (R9): 5.4 Peak Wavelength: 607 nm Dominant Wavelength: 584 nm S/P Ratio: 1.19
0.7
0.42
0.6
0.4
0.5
0.38
0.4
y
0.3
0.34
0.2
0.32
0.1
0.3
y Ra (CRI) 81.6
0.28
0.1 0.2 0.3 0.4 0.5 0.6 0.7 0.8
x
R2 91.1
R3 95.4
R4 78.8
3500K
R6 90.2
R7 81.4
R8 56.2
2700 2500K 2200K 3000K
4000K 4500K 5000K 5700K
Inside Quad 2700 K 0.3
0.35
Color Rendering Index Detail R5 80.0
0.4643 0.4149 0.2634 0.5296 85.3 94.5 0.0008
Nominal CCT Quadrangles
0.36
R1 79.7
Chromaticity (x): Chromaticity (y): Chromaticity (u'): Chromaticity (v'):
0.46 0.44
0
12.0 %
Duv:
0.8
0
Current THD
60 Hz
TM-30 Rf: TM-30 Rg:
CIE 1931, 2 Degree
0.9
Frequency
R9 5.4
R10 80.5
0.4
R11 78.0
0.45
x
R12 75.3
0.5
R13 82.2
R14 98.1
R15 71.8
Flux vs Wavelength
14.00
Spectral Flux (mW/nm)
12.00
10.00 8.00
6.00 4.00
2.00 0.00
350
400
450
500
550
600
650
700
750
800
850
Wavelength (nm)
Test Number 12736909.02 - Page 4 of 8
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FH 77
Distribution - Goniophotometer Temperature 25.0 °C
Distribution Test Conditions
Voltage 120.0 VAC
Current 0.07558 A
Power 9.002 W
Power Factor Frequency 0.992 60 Hz
Summary of Results
Spacing Criteria 0-180: 2.66 90-270: 2.61
Total Lumen Output: Luminaire Efficacy: Maximum Candela:
Current THD 12.0 %
527.5 Lumens 58.6 lm/w 60 Candela
Polar Plot 135
150
165
180
165
150
135
120 120
105
105
12.5
90
25
37.5
50
75
90
75
60 60 45
30
15
180 Deg. Plane
Zone 0-5 5-10 10-15 15-20 20-25 25-30 30-35 35-40 40-45 45-50 50-55 55-60
Lumens 0.41 1.29 2.30 3.49 4.90 6.52 8.36 10.44 12.70 15.09 17.50 19.87
% of Luminaire 0.1% 0.2% 0.4% 0.7% 0.9% 1.2% 1.6% 2.0% 2.4% 2.9% 3.3% 3.8%
0
270 Deg. Plane
15
30
45
0 Deg. Plane
Zonal Lumen Summary
Zone 60-65 65-70 70-75 75-80 80-85 85-90 90-95 95-100 100-105 105-110 110-115 115-120
Lumens 22.15 24.29 26.10 27.47 28.43 29.11 29.31 28.91 28.06 26.81 25.19 23.22
% of Luminaire 4.2% 4.6% 4.9% 5.2% 5.4% 5.5% 5.6% 5.5% 5.3% 5.1% 4.8% 4.4%
Zone 0-40 0-60 0-90 90-180
Lumens 38 103 260 267
% of Luminaire 7.1% 19.5% 49.4% 50.6%
90 Deg. Plane
Zone 120-125 125-130 130-135 135-140 140-145 145-150 150-155 155-160 160-165 165-170 170-175 175-180
Lumens 20.97 18.57 16.04 13.44 10.94 8.67 6.65 4.77 3.09 1.68 0.67 0.13
% of Luminaire 4.0% 3.5% 3.0% 2.5% 2.1% 1.6% 1.3% 0.9% 0.6% 0.3% 0.1% 0.0%
Test Number 12736909.02 - Page 5 of 8
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FH
78
Candela Tabulation
0 5 10 15 20 25 30 35 40 45 50 55 60 65 70 75 80 85 90 95 100 105 110 115 120 125 130 135 140 145 150 155 160 165 170 175 180
0
22.5
45
67.5
90
112.5
135
157.5
180
202.5
225
247.5
270
292.5
315
337.5
17.09 16.93 17.48 18.78 20.53 22.77 25.26 28.04 31.14 34.33 37.49 40.58 43.50 46.32 48.67 50.62 52.09 53.13 53.77 53.79 54.33 54.39 53.85 52.90 51.45 49.44 47.05 43.85 40.04 36.64 33.58 30.28 26.31 21.11 16.11 11.04 3.72
17.09 17.44 18.65 20.49 22.70 25.37 28.12 31.25 34.57 38.08 41.44 44.76 47.90 50.87 53.54 55.61 57.16 58.45 59.36 59.42 59.05 58.17 56.87 54.94 52.42 49.57 46.52 42.95 39.00 35.10 31.44 27.67 23.62 19.04 14.09 8.57 3.72
17.09 17.46 18.68 20.50 22.72 25.40 28.12 31.27 34.60 38.02 41.44 44.69 47.76 50.65 53.34 55.41 56.80 58.03 58.93 58.98 58.29 57.19 55.59 53.61 51.20 48.36 45.25 41.62 37.72 33.66 30.01 26.20 22.40 18.25 12.92 7.15 3.72
17.09 17.40 18.55 20.21 22.18 24.55 27.07 29.94 33.00 36.11 39.17 42.13 44.94 47.60 50.01 51.83 53.31 54.45 55.30 55.31 54.61 53.62 52.20 50.33 48.00 45.34 42.48 39.09 35.41 31.86 28.65 25.15 21.36 16.69 11.56 6.56 3.72
17.09 17.34 18.42 19.93 21.74 23.85 26.09 28.64 31.37 34.03 36.70 39.13 41.38 43.46 45.33 46.64 47.35 47.88 48.32 48.57 48.34 47.83 46.88 45.52 43.74 41.62 39.21 36.19 33.06 29.94 27.12 24.14 19.96 15.39 10.96 6.14 3.72
17.09 17.37 18.45 20.03 21.90 24.15 26.52 29.23 32.07 35.05 37.95 40.74 43.31 45.87 48.01 49.77 50.88 51.94 52.62 52.52 51.77 50.66 49.15 47.35 45.08 42.55 39.72 36.48 33.16 29.85 26.82 23.59 20.05 15.83 11.31 6.20 3.72
17.09 17.39 18.47 20.11 22.08 24.39 26.85 29.61 32.51 35.59 38.54 41.41 44.01 46.50 48.76 50.46 51.55 52.45 53.06 52.97 52.14 50.96 49.42 47.44 45.13 42.52 39.64 36.37 32.85 29.35 26.08 22.94 19.66 15.64 10.68 5.64 3.72
17.09 17.40 18.50 20.06 21.93 24.15 26.47 29.13 31.96 34.76 37.49 40.20 42.66 44.95 47.02 48.48 49.41 50.22 50.77 50.53 49.64 48.42 46.85 44.88 42.60 40.00 37.24 34.19 30.88 27.54 24.68 21.64 18.25 13.91 9.55 5.36 3.72
17.09 18.36 19.71 21.52 23.51 25.79 27.92 30.42 32.83 35.27 37.45 39.37 41.07 42.63 43.87 44.52 44.38 44.53 44.77 44.63 43.78 42.83 41.57 39.85 37.83 35.48 33.09 30.50 27.84 25.07 22.36 19.37 15.29 11.65 8.11 4.00 3.72
17.09 17.40 18.50 20.06 21.93 24.15 26.47 29.13 31.96 34.76 37.49 40.20 42.66 44.95 47.02 48.48 49.41 50.22 50.77 50.53 49.64 48.42 46.85 44.88 42.60 40.00 37.24 34.19 30.88 27.54 24.68 21.64 18.25 13.91 9.55 5.36 3.72
17.09 17.39 18.47 20.11 22.08 24.39 26.85 29.61 32.51 35.59 38.54 41.41 44.01 46.50 48.76 50.46 51.55 52.45 53.06 52.97 52.14 50.96 49.42 47.44 45.13 42.52 39.64 36.37 32.85 29.35 26.08 22.94 19.66 15.64 10.68 5.64 3.72
17.09 17.37 18.45 20.03 21.90 24.15 26.52 29.23 32.07 35.05 37.95 40.74 43.31 45.87 48.01 49.77 50.88 51.94 52.62 52.52 51.77 50.66 49.15 47.35 45.08 42.55 39.72 36.48 33.16 29.85 26.82 23.59 20.05 15.83 11.31 6.20 3.72
17.09 17.34 18.42 19.93 21.74 23.85 26.09 28.64 31.37 34.03 36.70 39.13 41.38 43.46 45.33 46.64 47.35 47.88 48.32 48.57 48.34 47.83 46.88 45.52 43.74 41.62 39.21 36.19 33.06 29.94 27.12 24.14 19.96 15.39 10.96 6.14 3.72
17.09 17.40 18.55 20.21 22.18 24.55 27.07 29.94 33.00 36.11 39.17 42.13 44.94 47.60 50.01 51.83 53.31 54.45 55.30 55.31 54.61 53.62 52.20 50.33 48.00 45.34 42.48 39.09 35.41 31.86 28.65 25.15 21.36 16.69 11.56 6.56 3.72
17.09 17.46 18.68 20.50 22.72 25.40 28.12 31.27 34.60 38.02 41.44 44.69 47.76 50.65 53.34 55.41 56.80 58.03 58.93 58.98 58.29 57.19 55.59 53.61 51.20 48.36 45.25 41.62 37.72 33.66 30.01 26.20 22.40 18.25 12.92 7.15 3.72
17.09 17.44 18.65 20.49 22.70 25.37 28.12 31.25 34.57 38.08 41.44 44.76 47.90 50.87 53.54 55.61 57.16 58.45 59.36 59.42 59.05 58.17 56.87 54.94 52.42 49.57 46.52 42.95 39.00 35.10 31.44 27.67 23.62 19.04 14.09 8.57 3.72
Average Luminance (cd/m2)
Vertical Angle (Degrees)
Vertical Angle (Degrees)
Horizontal Angle (Degrees)
Horizontal Angle (Degrees) 0 45 367 367 347 301 394 332 445 364 496 397 548 429
0 45 55 65 75 85
90 367 344 380 417 457 494
Test Number 12736909.02 - Page 6 of 8
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FH 79
Coefficients of Utilization - Zonal Cavity Method Effective Floor Cavity Reflectance 20% Ceiling Cavity Reflectance Wall Reflectance
80 50
70
70 30
Room Cavity Ratio (RCR)
0 1 2 3 4 5 6 7 8 9 10
10
70
50
50 30
10
50
30
30
10
50
10
30
10
0
50
30
10
0
56 40 32 27 23 20 18 16 15 14 13
56 38 29 23 19 16 14 12 11 10 9
56 36 26 20 16 13 11 9 8 7 6
49 30 21 16 12 9 8 6 5 5 4
** Values are expressed as percent of total lumen output delivered to the task surface **
107 92 82 73 66 60 55 51 47 44 41
107 85 72 61 53 47 41 37 33 30 27
107 79 63 52 43 37 32 28 25 22 20
107 74 56 44 36 30 25 22 19 16 14
99 84 74 66 60 55 50 46 43 40 37
99 78 65 56 48 42 38 34 30 28 25
99 73 58 47 40 34 29 26 23 20 18
99 68 52 41 33 27 23 20 17 15 13
83 64 53 45 39 35 31 28 25 23 21
83 60 48 39 33 28 24 21 19 17 15
83 57 43 34 27 23 19 16 14 12 11
69 52 43 36 31 27 24 22 20 18 17
69 49 38 31 26 22 19 17 15 13 12
69 46 34 27 22 18 15 13 11 10 8
Beam and Field Information CIE Type: Center Beam Intensity: Central Cone Intensity: Beam Flux: Beam Angle (0-180): Beam Angle (90-270): Field Angle (0-180): Field Angle (90-270):
Direct/Indirect 17.09 17 527.2 346.9 345.2 #REF! #REF!
Candela Candela Lumens Degrees Degrees Degrees Degrees
Cone of Light Tabulation Mounting Height (Feet)
Footcandles at Nadir
Diameter (Feet)
4.00
1.07
10.8
6.00
0.475
16.3
8.00
0.267
21.7
10.0
0.171
27.1
12.0
0.119
32.5
14.0
0.0872
38.0
16.0
0.0668
43.4
Test Number 12736909.02 - Page 7 of 8
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FH
80
ISOFootcandle Plot Mounting Height - 8 Feet
2
1.5
1
0.5
-2
-1.5
-1
-0.5
0
0
0.5
1
1.5
2
-0.5
-1
-1.5
-2
Grid Lines in Units of Mounting Height 0.2 fc
0.1 fc
Test Number 12736909.02 - Page 8 of 8
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FH 81
astro
7110 Axios 900 10.8w Class 2
F
incl.
LED
3000K
Samsung LED
Driver
IP44
incl.
2
Zone
A
60cm
60cm 225cm
60cm radius
3
PC
1.9
50
ZONE 1 ZONE 2 ZONE 3
800 450
900
350
x6
50
Astro Lighting Ltd. G2 River Way, Harlow CM20 2DP, Great Britain T: +44 (0) 1279 427001 F: +44 (0) 1279 427002 sales@astrolighting.co.uk www.astrolighting.co.uk
33
105
Issue : 1
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Issued : 07.05.13
Date: 19 March 2019 Project Name: Callie Walton
FI
82
astro
Data Sheet Key Class 1
Class 2
Class 3
F
IP20
Class 1
Classe 1
Schutzlasse 1
Classe 1
AA
Anodised Aluminium
Allumino Anodizzato
Anodisiertes Aluminium
Aluminium Anodisé
Class 2
Classe 2
Schutzlasse 2
Classe 2
AB
Antique Brass
Ottone Antico
Messing Antik
Laiton Antique
Class 3
Classe 3
Schutzlasse 3
Classe 3
BA
Brushed Aluminium
Alluminio Spazzolato
Aluminium Gebürstet
Aluminium Brossé
Luminaire suitable for direct mounting on normally flammable surfaces
Apparecchio di illuminazione per installazione diretta su superfici infiammabili
Leuchte verwendbar für direkte Montage auf normalerweise feuergefährlichen Oberflächen
Luminaire montage sur surface en matériau inflammable autorisé
Bk
Black
Nero
Schwarz
Noir
BN
Kein Schutz vor eindringendem Wasser
Pas de protection contre la pénétration d’eau
Brushed Nickel
Nickel Spazzolato
Nickel Gebürstet
Nickel Brossé
No protection against water ingress
Nessuna protezione contro l’immersione in acqua
Br
Bronze
Bronzo
Bronze
Bronze
Antispruzzo
Spritzwassergeschützt
Résistant aux éclaboussures
BSS
Brushed Stainless Steel
Acciaio Inox Spazzolatocerámica
Rostfreier Edelstahl, Gebürstet
Acier Inoxydable Brossé
C
Ceramic
Ceramica
Keramik
Céramique
CG
Clear Glass
Vetro Transparente
Klares Glas
Verre Claire
Fr
Frosted
Smerigliato
Matt
Verre Satiné
MB
Matt Brass
Ottone Opaco
Messing Matt
Lation Mat
Mi
Mirror
Specchio
Spiegel
Miroir
MN
Matt Nickel
Nickel Opaco
Nickel Matt
Nickel Mat
NB
Natural Brass
Ottone Naturale
Messing Natur
Lation Naturel
O
Oak Finish
Acabado Roble
Eichenfinish
Finiton Chêne
Oy
Oyster
Madreperlato
Oyster
Oyster
P
Plaster
Gesso
Gips
Plâtre
PA
Polished Aluminium
Alluminio Brillante
Aluminium Poliert
Aluminium Poli
PC
Polished Chrome
Cromo Brillante
Chrom Poliert
Chrome Poli
PN
Polished Nickel
Nickel Brillante
Nickel Poliert
Nickel Poli
PS
Painted Silver
Argento Verniciato
Silber Lackiert
Peinture Argent
PVC
PVC
PVC
PVC
SC
Satin Chrome
Cromo Satinato
Chrom Satiniert
Chrome Satiné
SS
Stainless Steel
Acciaio Inox
Edestahl
Acier Inoxydable
W
Walnut
Noce
Walnussfinish
Finition Noyer
Wh
White
Bianco
Weiß
Blanc
WG
White Glass
Vetro Blanco
Weißer Glas
Verre Blanc
Splash-proof IP44
Jet-proof
Antigetto
Strahlwassergeschützt
Résistant aux jets d’eau
Weight of product in box
Poids du produit emballé
Gewicht der Ware im Kar ton
Peso di prodotto in scatola
Dimmable
Dimmerabile
Dimmbar
Dimmable
Touch dimmer
Touch dimmer
Touch dimmer
Touch dimmer
Glass component
Component in vetro
Glas
Verre
With on/off switch or pull cord
Con interruttore on/off o a tirante
mit An Ausschalter oder Zugband
avec interrupter on/off ou tirette
Cut out size
foro di incaso
Ausschnittsmaß
Dimensions d’encastrement
Magnification
Ingrandimento
Vergrößerung
Grossissement
Fire-rated
Ignifugo
schwer entflammbar
résistant au feu
A
Aluminium
Alluminio
Aluminium
Aluminium
C
Ceramic
Ceramica
Creme
Céramique
F
Fabric
Tissu
Stoff
Tessuto
G
Glass
Vetro
Glas
Verre
Pl
Plaster
Gesso
Gips
Plâtre
P
Plastic
Plastique
Kunststoff
Plastica
SS
Stainless steel
Acciaio inox
Edelstahl
Acier Inoxydable
St
Steel
Acier
Stahl
Acciao
Wo
Wood
Bois
Holz
Legno
Zinc
Zinc
Zink
Zinco
Anzahl der Produkte pro Versandeinheit
Quantità di prodotti per scatola di spedizione
IP65
1
70 mm
x3
Zi x6
Quantity of products per shipping box
Colisage
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
PVC
Date: 19 March 2019 Project Name: Callie Walton
FI 83
Specification Sheet Grande COLOR CHANGING
Front view
Photometric Summary
Side view
Description Dummy
The Lumenbeam Grande Color Changing is a high-performance, 100W luminaire for applying dynamic color to architectural exteriors and façades. It has numerous options including optics for flood or accent lighting; RGB, RGBW or RGBA color-mixing; various mounting options, accessories, spread lenses and controls.
Features
Optics
Color and Color Temperature
Additive RGB, Additive RGB + white 4000K, Additive RGB + amber
Optics (nominal distribution)
5°, 6°, 10°, 20°, 40°, 60°
Optical Option
Linear spread lens horizontal distribution, Linear spread lens vertical distribution
Options
Short Yoke, 3G ANSI C136.31 Vibration Rating for bridge applications, Corrosion-resistant coating for hostile environments
Control
Power Consumption
100 W
Warranty
5-year limited warranty
Performance
Rating
Delivered Output
2,702 lm (RGB full output, XN optic), 3,366 lm (RGBW full output, XN optic), 2,861 lm (RGBA full output, XN optic)
Delivered Intensity
138,550 cd at nadir (RGB full output, XN optic), 275,080 cd at nadir (RGBW full output, XN optic), 233,818 cd at nadir (RGBA full output, XN optic)
Color Consistency
2 SDCM
Lumen Maintenance
L70 120,000 hrs (Ta 25 °C)
1220 Marie-Victorin Blvd., Longueuil, QC J4G 2H9 CA T 1.877.937.3003 | 514.937.3003 F 514.937.6289 info@lumenpulse.com www.lumenpulsegroup.com Lumenpulse Group Inc. reserves the right to make changes to this product at any time without prior notice and such modification shall be effective immediately 2017.11.28 copyright © 2017 Lumenpulse Group Inc. MG - R13 1 / 12
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FJ
84
Specification Sheet Grande COLOR CHANGING
Physical Housing Material
Low copper content high pressure die-cast aluminum
Yoke Material
Heavy aluminum (standard yoke included)
Lens Material
Clear tempered glass
Hardware Material
Stainless steel
Gasket Material
Silicone
Surface Finish
Electrostatically applied polyester powder coat
Weight
24 lbs
EPA
Front = 1.6 sq ft, Side = 0.97 sq ft
Electrical and control Voltage
100 to 277 volts
Fixture Cable
Power and data in 1 cable, 3 ft cord standard (#16-5), other lengths available
Resolution (DMX/RDM)
Per board or fixture (configured with LumenID V3 software), 8-bit or 16-bit, 3 channels (RGB) or 4 channels (RGBW, RGBA)
RGB Color Mixing
72 LEDs (12x Red, 12x Green, 12x Blue per board)
RGBW Color Mixing
48 LEDs (6x Red, 6x Green, 6x Blue, 6x White 4000K per board)
RGBA Color Mixing
48 LEDs (6x Red, 6x Green, 6x Blue, 6x Amber per board)
Control
Lumentalk, DMX/RDM enabled
Environmental Operating Temperature
-13 °F to 122 °F
IP Rating
IP66
IK Rating
IK09
Accessories (order separately) Control Boxes
Power and control box - daisy chain configuration, Power and control box - star configuration
Control Systems
Lumentouch 2.0™, Lumencue, Lumentone
Diagnostic and Addressing Tools
LumenID, LumentalkID
1220 Marie-Victorin Blvd., Longueuil, QC J4G 2H9 CA T 1.877.937.3003 | 514.937.3003 F 514.937.6289 info@lumenpulse.com www.lumenpulsegroup.com Lumenpulse Group Inc. reserves the right to make changes to this product at any time without prior notice and such modification shall be effective immediately 2017.11.28 copyright © 2017 Lumenpulse Group Inc. MG - R13 2 / 12
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FJ 85
Specification Sheet Grande COLOR CHANGING
Mounting options SY - Short yoke
Mounting details Mounting hole pattern - standard and short yoke
Adjustable pivot limits
Standard yoke
Short yoke
Optical options LSLH - Linear spread lens horizontal distribution LSLV - Linear spread lens vertical distribution
Factory installed, not adjustable on site. Not available for WFL optic. See 'Optical Accessories' section for field adjustable spread lens (LSLA).
1220 Marie-Victorin Blvd., Longueuil, QC J4G 2H9 CA T 1.877.937.3003 | 514.937.3003 F 514.937.6289 info@lumenpulse.com www.lumenpulsegroup.com Lumenpulse Group Inc. reserves the right to make changes to this product at any time without prior notice and such modification shall be effective immediately 2017.11.28 copyright Š 2017 Lumenpulse Group Inc. MG - R13 3 / 12
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FJ
86
Specification Sheet Grande COLOR CHANGING
10 . Certification
11 . Cable Length (7)
UL
UL compliant
3FT
3 ft (7)
CE
CE compliant
10FT
10 ft
20FT
20 ft
30FT
30 ft
50FT
50 ft
70FT
70 ft
100FT
100 ft
(8)
Notes: (1)
Consult factory for color mix with Royal Blue, 3000K or other white color temperature LEDs.
(2)
Cannot be combined with other optics.
(3) Factory installed, not available for 60° optic. Field adjustable spread lens optical accessory available, order separately. (4) Lumenpulse offers a wide selection of RAL CLASSIC (K7) colors with a smooth texture and high-gloss finish. Please consult factory for a list of available K7 colors, other RAL textures and glosses, or to match alternate color charts. Final color matching results may vary. (5) A Lumentranslator and LumentalkID (LIDLT) must be specified for Lumentalk applications. Consult Lumentranslator and Lumentalk pages and specification sheets for details. (6) Use only when exposed to salt spray and harsh chemicals. This option is not required for normal outdoor exposure. (7)
3 ft cable length is standard unless otherwise specified.
(8)
Maximum of 3 ft cable length for daisy chain DMX applications with CBX-DS.
1220 Marie-Victorin Blvd., Longueuil, QC J4G 2H9 CA T 1.877.937.3003 | 514.937.3003 F 514.937.6289 info@lumenpulse.com www.lumenpulsegroup.com Lumenpulse Group Inc. reserves the right to make changes to this product at any time without prior notice and such modification shall be effective immediately 2017.11.28 copyright Š 2017 Lumenpulse Group Inc. MG - R13 12 / 12
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FJ 87
Specification Sheet
lumenfacade Inground LOI WHITE AND STATIC COLORS
Top view
Front and side views
Photometric Summary
Description Dummy
The Lumenfacade Inground is an LED luminaire designed for ground-recessed lighting applications, including asymmetric wall washing, grazing, and linear wayfinding. An innovative, plug and play design simplifies installation, protecting the system from water infiltration and ensuring long-lasting performance. Featuring second generation LED technology, the Lumenfacade Inground is available in four different sizes (12 in, 24 in, 36 in or 48 in), with a wide choice of outputs, color temperatures, color-mixing systems, optics and controls. A unique asymmetric wallwash distribution is also available, providing exceptional uniformity and brightness for walls and signage.
Features
Optics
Construction
Walk over compliant up to 500 kg in any type of ground, Walk over compliant up to 1000 kg in concrete
Color and Color Temperature
2200K, 2700K, 3000K, 3500K, 4000K, Red, Green, Blue
Length (nominal)
12 in, 24 in, 36 in, 48 in
Optics
Asymmetric wallwash, 8° x 8°, 10° x 10°, 10° x 30°, 10° x 60°, 10° x 90°, 15° x 25°, 30° x 30°, 30° x 60°, 35° x 35°, 50° x 80°, 60° x 60°, 80° x 80°, 90° x 90°
Tilt Setting (factory set)
0 degrees, 2.5 degrees, 5 degrees, 20 degrees
Optical Option
Internal louver
Options
Anti-slip lens, CE (certification covers European Economic Area)
Power Consumption
5 W/ft (meets ASHRAE standards for linear lighting on building facades - not available for 12 in fixture lengths), 8.5 W/ft (RO version), 15.25 W/ft (HO version), Typically 20% higher for 12 in fixture lengths
Warranty
5-year limited warranty
1220 Marie-Victorin Blvd., Longueuil, QC J4G 2H9 CA T United States 617.307.5700 | Canada 1.877.937.3003 | 514.937.3003 info@lumenpulse.com www.lumenpulse.com www.lumenpulse.com/products/1552/lumenfacade-inground Lumenpulse Group Inc. reserves the right to make changes to this product at any time without prior notice and such modification shall be effective immediately 2019.02.22 copyright © 2019 Lumenpulse Group Inc. NK - R18
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
F 514.937.6289
1 / 11
FK
88
Specification Sheet
lumenfacade Inground LOI WHITE AND STATIC COLORS
Colors and Color Temperatures
Performance Illuminance at Distance
Minimum 1 fc at 94 ft (HO 4000K, 48 in fixture, 10° x 60°, 2.5° tilt setting, DMX/RDM)
Color Consistency
2 SDCM, 3 SDCM (2200K)
Color Rendering
Minimum CRI 80
Lumen Maintenance
L70 280,000 hrs, L95 35,000 hrs
Physical
Controls
Ratings
Certifications
Optical Chamber Material
Aluminum
Blockout Material
Polymer recycled PVC reinforced with a stainless steel frame
Trim Material
Anodized aluminum
Lens Material
Tempered glass
End Cap Material
Die cast aluminum
Hardware Material
Stainless steel
Weight
12 in: 7.5 lbs, 24 in: 15.3 lbs, 36 in: 21.4 lbs, 48 in: 27 lbs
Electrical and control Voltage
120 to 277 volts
Fixture Cable
Power and data in one cable
Leader Cable Conductors
5C #16-5
Connectors
IP68 push-lock
Control
On/Off control, Lumentalk, 0-10V dimming, DALI dimming, Lutron® EcoSystem® Enabled dimming, DMX/RDM enabled
Resolution (DMX/RDM)
Per foot or per fixture (configured with LumenID V3 software), 8-bit or 16-bit
Environmental Storage Temperature
-40 °F to 185 °F (device must reach start-up temperature value before operating)
Start-up Temperature
-13 °F to 122 °F
Operating Temperature
-40 °F to 122 °F
Ingress Protection Rating
IP68 rated for up to 1 ft, not suitable for permanent immersion applications
Impact Resistance Rating
IK10
1220 Marie-Victorin Blvd., Longueuil, QC J4G 2H9 CA T United States 617.307.5700 | Canada 1.877.937.3003 | 514.937.3003 info@lumenpulse.com www.lumenpulse.com www.lumenpulse.com/products/1552/lumenfacade-inground Lumenpulse Group Inc. reserves the right to make changes to this product at any time without prior notice and such modification shall be effective immediately 2019.02.22 copyright © 2019 Lumenpulse Group Inc. NK - R18
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
F 514.937.6289
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FK 89
Specification Sheet
lumenfacade Inground LOI WHITE AND STATIC COLORS
How to order
1 . Housing (1) (2) (3)
2 . Voltage
LOI ASHRAE
Lumenfacade™ Inground, 5 W/ft ASHRAE
LOI RO
compliant (4) Lumenfacade™ Inground, Regular Output,
LOI HO
8.5 W/ft Lumenfacade™ Inground, High Output,
120/277
120-277 volts
3 . Length
15.25 W/ft (1) A Lumenfacade Inground fixture includes one optical chamber (LOIC), one power and control box (PACBOX) and one recessed blockout (RBO). The LOIC, PACBOX and RBO are provided according to the output/color, length and control configuration. (2) Consult the installation instructions to plan all aspects of the fixture installation. A completed Certificate of Installation must be returned to Lumenpulse to activate the warranty.
12
13 1/16 in (7.5 lbs) (1)
24
25 1/16 in (15.3 lbs)
36
37 1/16 in (21.4 lbs)
48
49 1/16 in (27 lbs)
(1) Power consumption is typically 20% higher for 12 in fixture lengths.
4 . Color and Color Temperature (1)
(3)
Power consumption is typically 20% higher for 12 in fixture lengths.
22K
2200K
27K
2700K
30K
3000K
35K
3500K
40K
4000K
RD
Red (2)
GR
Green (2)
BL
Blue (2)
(4)
ASHRAE version not available for 12 in fixture lengths.
(1) Consult factory for availability of static Royal Blue, 6500K and 90+ CRI. (2)
Static colors made to order 8-10 weeks.
(1) (2) 1220 Marie-Victorin Blvd., Longueuil, QC J4G 2H9 CA T United States 617.307.5700 | Canada 1.877.937.3003 | 514.937.3003 info@lumenpulse.com www.lumenpulse.com www.lumenpulse.com/products/1552/lumenfacade-inground Lumenpulse Group Inc. reserves the right to make changes to this product at any time without prior notice and such modification shall be effective immediately 2019.02.22 copyright © 2019 Lumenpulse Group Inc. NK - R18
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
F 514.937.6289
10 / 11
FK
90
Specification Sheet
lumenfacade Inground LOI WHITE AND STATIC COLORS
5 . Optics
6 . Tilt Setting (1) (2)
WW
Asymmetric Wallwash
TS0
0 degrees
8x8
8° x 8° (1)
TS2.5
2.5 degrees
10x10
10° x 10° (1)
TS5
5 degrees
10x30
10° x 30°
TS20
20 degrees
10x60
10° x 60°
(1)
10x90
10° x 90°
Do not specify a tilt setting for the asymmetric wallwash option. The asymmetric wallwash optic is factory set with a 2.5 degree tilt.
15x25
15° x 25°
(2)
30x30
30° x 30°
30x60
30° x 60°
35x35
35° x 35°
50x80
50° x 80°
60x60
60° x 60°
80x80
80° x 80°
90x90
90° x 90°
Tilt setting is factory set and cannot be adjusted in the field.
7 . Optical Option INTL
Internal louver (1)
(1) The addition of an internal louver will affect beam distribution. Consult factory for application support.
8 . Control NO
On/Off control
LT
Lumentalk (1)
DIM
0-10V dimming
(1)
For best results use with HO fixtures at a 6 in setback from surface. Contact factory for application support.
DALI
DALI dimming
ES
Lutron® EcoSystem® Enabled dimming
DMX/RDM
DMX/RDM enabled (2)
(1) A Lumentranslator and LumentalkID (LIDLT) must be specified for Lumentalk applications. Consult Lumentranslator and Lumentalk pages and specification sheets for details. (2)
A control box (CBX) and LumenID (LID) must be specified.
9 . Options ASL
Anti-slip lens
CE
CE (certification covers European Economic Area) (1)
(1)
Consult European specification sheet and installation instructions for CE wiring information.
1220 Marie-Victorin Blvd., Longueuil, QC J4G 2H9 CA T United States 617.307.5700 | Canada 1.877.937.3003 | 514.937.3003 info@lumenpulse.com www.lumenpulse.com www.lumenpulse.com/products/1552/lumenfacade-inground Lumenpulse Group Inc. reserves the right to make changes to this product at any time without prior notice and such modification shall be effective immediately 2019.02.22 copyright © 2019 Lumenpulse Group Inc. NK - R18
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
F 514.937.6289
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Luminous Panel The hansen Luminous Panel is a very flat, large-surface luminaire for built-in purposes. The Basic and Eco versions are suitable for both indoor and outdoor installation, whereas the Slim and Power versions are suitable for indoor use only.
12 V / 24 V
Typical applications · · · · · · · ·
Lighting element for walls or ceilings Glare-free wall luminaire for kitchens and bathrooms Illumination of decorative glass elements Backlighting of artificial stone, acrylic or textiles Illumination of flat light boxes Light for traffic signs, pictograms, direction signs Double-sided illumination of signs and boxes Recessed luminaires in 600 mm or 625 mm grid ceilings
Advantages at a glance
Rea (3 m
Sectional view of the hansen Luminous Panel
Custom dimensions: The Luminous Panel is made to customer specification only. Additional features (e.g. round or oval shapes, rounded corners, cut-outs, etc.) are possible as well.
§
LED
Max
Max
Extremely thin: The panel has an overall depth of only 8 mm in the Slim version, 11 mm in the Basic and Eco version, and 13 mm in the Power version.
§
Controllable: The brightness or colour temperature of the Luminous Panel can be harmoniously dimmed with our innovative remote controls. RGB or RGB-W control is also possible.
§
Low energy consumption: Thanks to modern LED technology, the Luminous Panel has a very low power consumption of 25 watts per square metre, i.e. a Luminous Panel of 2 m² would have the same energy costs as a small candle-type incandescent light bulb.
§
§
Mixing of warm an cool white light: Allows the generation of daylight scenarios.
§
Coloured light: The Luminous Panel can also be fitted with coloured or RGB-(W) LEDs allowing attractive colour changes or impressive light scenes to be implemented.
§
Wei
Ope
Wat
Rear
Lum
Front
Deg
Con
Dim
Ava
Light-transmitting acrylic glass pane
Ava
Te
Reflecting rear panel
Availab
LIGHT
LED
Different colour temperatures: The Luminous Panel can be supplied with warm (2,700 K, 3,000 K), daylight-like (4,000 K, 5,000 K) or cool white light (6,500 K).
§
Ove
LIGHT
• • • • • • •
Low maintenance: The light sources, i.e. the LEDs, do not have to be replaced during their entire service life of approx. 50,000 operating hours.
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FL
92
Luminous Panel â&#x20AC;&#x201C; Details Custom dimensions The hansen Luminous Panel is made to customer specification only. The smallest possible size is 80 x 80 mm, the largest is 1,500 x 3,000 mm (Basic version). Within these dimensions any size can be supplied.
be covered y customer
mm
HT
Maximum size The Luminous Panel can be produced with a maximum height of 1,500 mm. This is the distance between the LEDilluminated edges. The light distribution over the surface area is very uniform. The maximum possible width is 3,000 mm for the Basic version and 2,000 mm for the Power version. Other dimensions are possible on request.
000 mm 13 mm
Slim version:
1,000 x 2,000 mm Basic version:
1,500 x 3,000 mm Power version:
1,500 x 2,000 mm
80 x 80 mm
Other dimensions on request
Recommendation for uniform illumination:
Max. 1,500 mm or 1,000 mm (Slim version) Max. 3,000 mm or 2,000 mm (Slim and Power version)
Illumination from one side (max. height 750 mm):
Small Luminous Panels
500 mm
We produce any size from small to large
The smallest available size for the Luminous Panel is 80 x 80 mm. For such small panels illumination from one side, i.e. with one LED strip, is perfectly sufficient. The maximum height for panels illuminated from one side is approx. 750 mm.
750 mm
15.5 kg 24 V 45 W
2,600 lm IP20 CE yes yes yes
o sides
outdoor use.
...
-W)
Special shapes Special shapes could be round or oval panels or even free shapes. Nearly every shape can be custom-made in the Basic version. Whether your desired shape is feasible can be checked in advance with our sales team.
Double-sided illumination (no rear panel) Direction signs (e.g. on airports) are often illuminated on both sides, shining towards the front and rear. For these and similar applications, the Luminous Panel can be supplied without reflecting rear panel.
Opal/transparent cover An opal front pane can be supplied when the Luminous Panel is to be used as a luminaire with a high-quality visible surface. The 3 mm transparent pane can be used as a carrier for selfadhesive vinyl lettering and graphics.
Lead-throughs, openings, cut-outs A variety of openings (e.g. for screwed connections), cut-outs (e.g. for switches) or lateral recesses (e.g. to avoid an existing strut or bracing) can be machined into the Luminous Panel.
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FL 93
Basic / Eco
Slim 20 mm to be covered by customer
20 mm to be covered by customer
Rear panel (3 mm)
LIGHT
20 mm to be covered by customer
Aluminium profile
13 mm
11 mm
8 mm Rear panel (3 mm)
Power
Rear panel (5 mm)
LIGHT
12 V
24 V
LIGHT
24 V
Max. height
1,000 mm
Max. height
1,500 mm
Max. height
1,500 mm
Max. width
2,000 mm
Max. width
3,000 mm
Max. width
2,000 mm
Overall depth (thickness)
8 mm
Overall depth (thickness)
Weight per m2
9.5 kg
Weight per m2
Operating voltage Wattage per m
2
Luminous flux per m2 Degree of protection
11 mm 13 kg
24 V
Operating voltage
25 W
Wattage per m
12 V 25 W / 12.5 W
2
Overall depth (thickness)
13 mm
Weight per m2
15.5 kg
Operating voltage
24 V
Wattage per m2
45 W
1,400 lm
Luminous flux per m2
1,400 lm / 700 lm
Luminous flux per m2
2,600 lm
IP20
Degree of protection
IP20
Degree of protection
IP20
Conformity
CE
Conformity
CE
Conformity
CE
Dimmable
yes
Dimmable
yes
Dimmable
yes
Available without rear panel
yes
Available without rear panel
yes
Available without rear panel
yes
Available with 3 mm opal cover
yes
Available with 3 mm opal cover
yes
Available with 3 mm opal cover
yes
Technical data for 1 m2, illuminated from two sides
Technical data for 1 m2, illuminated from two sides
Available colour temperatures: 2,700 K | 3,000 K | 4,000 K | 5,000 K | 6,500 K
Technical data for 1 m2, illuminated from two sides
The Basic and Eco versions are also available for outdoor use.
W-W
RGB-W
... for warm/cool white light ...
... for colour changing effects ...
• Power consumption: approx. 25 W/m2 (same as Basic version) • Overall depth: 13 mm • Colour temperatures: continuously variable between 2,700 and 6,500 K • Typical luminous flux: 1,400 lm • Indoor operation: parallel connection (12 V)
• Power consumption: 2 30 W/m² (RGB) | 40 W/m (RGB-W)
• Overall depth: 11 mm (RGB) | 13 mm (RGB-W) • Light colours: RGB | RGB-W • Indoor operation: parallel connection (12 V)
• Radio-controllable with receiver 2501M
• Radio-controllable with receiver 1009FA
• Operation with hand-held transmitter or
• Operation with hand-held transmitter or
wall-mount transmitter
wall-mount transmitter
Project: Performing Arts Center
Date: 19 March 2019
Lighting Designer: Callie Walton
Project Name: Callie Walton
PLEASE NOTE: For a more accurate calculation of the luminous flux different EULUMDAT files are available on our website. Architectural Lighting Design For further details and up-to-date data sheets of the Luminous Panel please visit www.hansen-led.com.
Texas Christian University
FL 94
Magnetic Frame
(for “Basic” power class panels) The magnetic frame is the perfect fit for the hansen Luminous Panel in the Basic version. The aluminium frame and the acrylic glass pane protect the motif, which is attractively illuminated by the Luminous Panel. The 12 V Luminous Panel can be illuminated by LED strips from one, two or four sides. The LED strips use Standard-PLUS LEDs spaced at 15 mm intervals. Other LED types and spacings are available on request. Magnetic frame sizes from 200 x 200 mm to 1,100 x 2,400 mm allow a variety of individual designs. Customized solutions are possible as well.
Frame width: 30 mm all round
The frame simply clicks together! ck
Cli
Frame depth: 30 mm
Magnetic frame (front view)
RGB-W Panel (”Basic” power class)
Radio remote control for RGB | RGB-W
The hansen Luminous Panels cannot only be illuminated with white LEDs, they can also be supplied as RGB and RGB-W (RGB combined with a white channel) versions. Warm/cool light mixing can be implemented as well to create atmospheric light scenes. The radio remote control offers the following functions: • Manual adjustment of the light colours • Mixing of the three primary colours red, green and blue • Manual mixing of RGB and white light (RGB-W) • Dimming of RGB and white light (RGB-W) • 10 pre-set automatic programs • Splitting of the LEDs into zones • Storage function for customer-defined mixed colours
Wall-mount transmitter
Hand-held transmitter
Sectional view of the RGB Panel
A particularly intense and uniform brightness and colour impression can be achieved by covering the Luminous Panel with an opal acrylic glass pane.
Light-transmitting acrylic glass pane Opal-white cover (optional)
14 mm overall thickness with opal cover
Aust
RGB LEDs
Hanse Trieste A-807
Tel. +4 Fax + E-mai
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FL 95
12V Architectural Step Lighting CAT:
Reliable LED lighting system using individually replaceable LED modules for easily maintained step illumination.
FEET:
TYPE:
PROJECT:
Features • Architectural Step Lighting features an aluminum base, a continuous diffuser lens in flame-retardant polycarbonate and flush-fitting end caps for a completely integrated auditorium system. • Indoor version incorporates our Titanium module strand with field-replaceable PCBs and the outdoor version uses replaceable low brightness indicator LED tubes. • Pre-cut and assembled according to specification. • Optional illuminated row indicator is available. Not available with outdoor version (see pg. 2) Mounting Easy glue and screw down installation with recommended construction adhesives. Applications Required for lighting 90° steps in indoor and outdoor applications. Warranty 5 years (Indoor) 3 years (Outdoor)
Technical Information Configuration LED Spacing O.C. *Watts/ft. CRI Kelvin Temp Rated Life
ADA
COMPLIANT
Indoor 4”
6”
4”
6”
0.005
0.004
0.78
0.58
>80/TYP83
>70/TYP72
1900K, 2700K, 3000K, 3500K, 4000K (+/- 80K) 3SDCM, Amber, Blue, Red
2300K (+/- 100K), 2800K (+/- 100K), 5500K (+/- 200K) Blue, Yellow
75,000 hrs.
40,000 hrs.
Order Increments
3’, 4’, 5’, 6’, 7’, 8’
Operating Voltage
12V DC
Power Supply
Class 2
Dimmable
Profile Dimensions
Outdoor
Tread Surface
Indoor version
137°
1” ¼” Clear or Bronze Top Lens
Aluminum Base
Anti-slip PVC Black or Grey Tread
17/16”
15/16” 113/16”
LED PCB
60° (Meets ADA 4.9.3)
Yes
*Based on 3000K
¼”
19/16” 213/16”
Tread Surface
Outdoor version with 360° LED Tube
137°
1” ¼” Clear or Bronze Top Lens
Aluminum Base 17/16”
Anti-slip PVC Black or Grey Tread
15/16”
360° LED Tube
113/16”
60° (Meets ADA 4.9.3) 19/16”
¼”
213/16” Tivoli, LLC. reserves the right to modify this specification without prior notice. Copyright © Tivoli 09/19/18
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Page 1 of 4
www.tivolilighting.com tel: 714-957-6101 fax: 714-427-3458
Date: 19 March 2019 Project Name: Callie Walton
FM
96
12V Architectural Step Lighting Recommended Power Supplies CAT NO
APPLICATION
PRIMARY AND SECONDARY
TOTAL WATTAGE / AMPS PER BREAKER
LISTING
DIMENSIONS
ELECTRONIC OR AC MAGNETIC
JT-60-1-5-12-D
120V AC / 12V DC
60 / 1X5A
cETLus
4.25”W X 8.50”L X 3.25”D
Magnetic
JTH-60-1-5-12-D
277V AC / 12V DC
60 / 1X5A
cETLus
4.25”W X 8.50”L X 3.25”D
Magnetic
120V AC / 12V DC
240 / 4X5A
cETLus
8.50”W X 16.00”L X 4.50”D
Magnetic
277V AC / 12V DC
240 / 4X5A
cETLus
8.50”W X 16.00”L X 4.50”D
Magnetic
Indoor/Outdoor
JT-240-4-5-12-D JTH-240-4-5-12-D DESCRIPTION
CAT NO
INPUT VOLTAGE
CONTINUOUS MAX VOLTAGE AC
CONTINUOUS MAX VOLTAGE DC
MAX CLAMPING VOLTAGE 8/20 µS @ 20KA
DIMENSION
Universal Surge Protector
JT-120-SURGE
120V - 277V AC
320V AC
420V DC
1600
3” L X 1.625” D
Aluminum Base PVC End Cap
Ordering Information LED SPACING
PRODUCT CODE
AST
-
AST = Architectural Step Titanium
Contrasting Grey Marking Stripe *LED COLOR
04 = 4” O.C. 06 = 6” O.C.
POWER FEED
END CAP -
-
19 = 1900K 27 = 2700K 30 = 3000K 35 = 3500K 40 = 4000K AM = Amber (indoor/outdoor) RD = Red BL = Blue (indoor/outdoor) **23 = 2300K **28 = 2800K **55 = 5500K **YL = Yellow
B = Both L = Left R = Right
L = Left R = Right
Wireway
TOP COVER
FIXTURE OPTIONAL LENGTH Row Indicator -
B = Black G = Grey
3.0 = 3’ 4.0 = 4’ 5.0 = 5’ 6.0 = 6’ 7.0 = 7’ 8.0 = 8”
Light **W = Outdoor version with 360° LED Tube
REQUIRED POWER SUPPLY -
PSU See Above
* Standard Clear Lens provided. Bronze lens available upon request. **Outdoor only
Optional Row Indicator Ordering Information Note: Indoor model only PRODUCT CODE
AST AST = Architectural Step Titanium
OPTION
-
RI
ROW INDICATOR POSITION
LED COLOR
-
RI = Row Indicator
19 = 1900K 27 = 2700K 30 = 3000K 35 = 3500K 40 = 4000K AM = Amber RD = Red BL = Blue
B = Both L = Left R = Right
Row Indicator
Tivoli, LLC. reserves the right to modify this specification without prior notice. Copyright © Tivoli 09/19/18
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Page 2 of 4
www.tivolilighting.com tel: 714-957-6101 fax: 714-427-3458
Date: 19 March 2019 Project Name: Callie Walton
FM 97
12V Architectural Step Lighting Replacement Parts
REPLACEMENT LED ROW INDICATOR RI-LED-19 RI-LED-40 1900K 4000K RI-LED-27 RI-LED-AM 2700K Amber RI-LED-30 RI-LED-BL 3000K Blue RI-LED-35 RI-LED-RD 3500K Red
END CAPS AST-EC-2R Right End Cap AST-EC-2L Left End Cap (shown)
Indoor Replacement Accessories
INDOOR REPLACEMENT LED PCB TT-LED-40 TT-LED-19 4000K 1900K TT-LED-AM TT-LED-27 Amber 2700K TT-LED-BL TT-LED-30 Blue 3000K TT-LED-RD TT-LED-35 Red 3500K
INDOOR REPLACEMENT STRAND - NO LED (100’ MAX ROLL) TT-STP-04-STRAND Replacement strand 4” O.C. TT-STP-06-STRAND Replacement Strand 6” O.C.
Outdoor Replacement LED Tubes
End Prep Options & Lead Wire
Tubes are purchased per foot in either 4” O.C. or 6” O.C. One End Prep for each tube must be ordered. Dimensions/Drawing required for accurate production.
REPLACEMENT TUBE 4” O.C. AST-03-04-23-12 4” O.C. 2300K AST-03-04-28-12 4” O.C. 2800K AST-03-04-55-12 4” O.C. 5500K AST-03-04-BL-12 4” O.C. BL AST-03-04-YL-12 4” O.C. YL AST-03-04-AM-12 4” O.C. AMBER
REPLACEMENT TUBE 6” O.C. AST-03-06-23-12 6” O.C. 2300K AST-03-06-28-12 6” O.C. 2800K AST-03-06-55-12 6” O.C. 5500K AST-03-06-BL-12 6” O.C. BL AST-03-06-YL-12 6” O.C. YL AST-03-06-AM-12 6” O.C. AM
EXTRA LEAD WIRE AST-W-XEP-18/2 Additional Lead Wire, 22ga, 2 Conductor
AST-W-EPC End Prep 24” Lead Wire/ Dead End
AST-W-EPD End Prep 24” Lead Wire/ Lead Wire
Tivoli, LLC. reserves the right to modify this specification without prior notice. Copyright © Tivoli 09/19/18
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Page 3 of 4
www.tivolilighting.com tel: 714-957-6101 fax: 714-427-3458
Date: 19 March 2019 Project Name: Callie Walton
FM
98
12V Architectural Step Lighting Accessories 213/16”
5/16”
5/16”
113/16”
¼”
11/4”
7/16”
15/16" softaisle, lumitred II and architectural step
AST-BASE-8 Aluminum Base (ONLY)
AST-LENS-B-8 Bronze top lens - 8’ AST-LENS-C-8 Clear top lens - 8’
BNS-TT-R-12 Step Reducer, 12’ Section
AST-TRD-BK-8 Black tread - 8’ AST-TRD-GY-8 Grey tread - 8’
Note: Bronze lens greatly diminishes light output and is only recommended for areas where the most minimal of light is desired. Clear should be the standard go to for specification
5/16"
BASE
LENS COVER
1 1/4"
softstep II and bullnose
/8”
CARPET-TO-EDGE BASE & COVER COMBO AST-WW-CE-TT-8 Wireway 8’ length - Two-Ton (Black Base & Gray Top Cover AST-WW-CE-BK-8 Wireway 8’ length - Black
7/16”
2¼”
WIREWAY BASE AST-WW-BS-BK-8 Wireway Base 8’
WIRE WAY TOP COVER AST-WW-TC-BK-8 Wireway Cover 8’ - Black AST-WW-TC-GY-8 Wireway Cover 8’ - Grey
BASE
7/16”
9/32”
1½"
1½"
CC & CW WIRE WAY COMBO - BASE & LENS WW-CC-BK-8 Carpet to Carpet Base and Cover 8’ - Black WW-CC-GY-8 Carpet to Carpet Base and Cover 8’ - Gray WW-CW-BK-8 Carpet to Wall Base and Cover 8’ - Black 9/32” WW-CW-GY-8 Carpet to Wall Base and Cover 8’ - Gray 2¼"
3/4”
111/16”
111/16”
LENS COVER
3/8”
3/8”
3
CC & CW WIRE WAY BASE ONLY WW-CW-BS-8 Base Only, Carpet to Wall, Black, 8’ WW-CC-BS-8 Base Only, Carpet to Carpet, Black, 8’
7/16”
1½"
AST-PH Power harness with socket
1½"
CC & CW WIRE WAY LENS ONLY WW-TC-CL-8 Lens Cover Only, Clear, 8’ WW-TC-BK-8 Lens Cover Only, Black, 8’ WW-TC-BZ-8 Lens Cover Only, Bronze, 8’ WW-TC-GY-8 Lens Cover Only, Gray, 8’
1½"
TM-3/16 Concrete Screw 3/16” x 13/4”
RONDB-5/32 Concrete Drill Bit 5/32”
1½"
2¼" Tivoli, LLC. reserves the right to modify this specification without prior notice. Copyright © Tivoli 09/19/18
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Page 4 of 4
ADH-MB-75AM-10 Extrusion adhesive, 10.1 oz tubes, sold individually. 30 per case. ADH-MB-75AM-29 Extrusion adhesive, 29 oz tubes, sold individually. 12 per case.
www.tivolilighting.com tel: 714-957-6101 fax: 714-427-3458
Date: 19 March 2019 Project Name: Callie Walton
FM 99
L I N E A R S U S P E N S I O N Surge Linear Suspension DESCRIPTION The Surge linear suspension by Tech Lighting appears to float effortlessly with its smooth wavy lines. The graceful force of ocean waves is captured when gently undulating bands of downward and upward firing LED strips join to form a striking fixture capable of creating layers of illumination. Fixtures can be linked together endtoend to create longer, continuous runs using the optional Mechanical Connector. The Surge fixture spans 54†in length making it ideal for conference room lighting, foyer lighting and a host of commercial and residential lighting applications. Your choice of fully dimmable LED lamping ships with the Surge saving you both time and money. Downward and upward facing LED strips provides downlight and uplight to create layers of illumination. To empower lighting designers to create unique applications, fixtures can be linked together endtoend to create longer, continuous runs using optional Mechanical Connector. Includes 75 watts of LED (63 watts, 4200 net lumens of downlight and 12 watts, 800 net lumens of uplight), 3000K. Ships with 12 ft of fieldcuttable cable. Dimmable with lowvoltage electronic dimmer. INSTALLATION This product can mount to either a 4" square electrical box with round plaster ring or an octagonal electrical box (not included). WEIGHT 21.0022lb / 9.539.98kg ±
satin nickel
white
ORDERING INFORMATION 700LSSURG
FINISH
LAMP
S SATIN NICKEL W WHITE
LED LED 80 CRI 3000K 120V LED277 LED 80 CRI 3000K 277V
700LSSURG ____ ____ FIXTURE TYPE: ________________________________________________
7400 Linder Avenue Skokie, Illinois 60077
T 847.410.4400 F 847.410.4500
Tech Lighting, L.L.C.
JOB NAME:
________________________________________________
NOTES:
________________________________________________ ________________________________________________ ________________________________________________
©2019 Tech Lighting, L.L.C. All Rights Reserved. The "Tech Lighting" graphic is a registered trademark of Tech Lighting, L.L.C. Tech Lighting reserves the right to change specifications for product improvements without notification.
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FN
100
SKU 1331008
PRODUCT SPECIFICATION GENERAL FINISH:
Textured White
CABLE LENGTH:
Not Applicable
MAIN MATERIAL:
Metal - Aluminium
GROSS WEIGHT:
0.85 (kg)
DIMENSIONS:
H: 141mm W: 141mm D: 51mm
CLASS:
CE (Class I)
INSTALLATION ORIENTATION:
Ceiling Mount (reduced IP rating) / Wall Mount
IP RATING:
IP54
CUT OUT HOLE:
Not Applicable
BATHROOM ZONE:
Zone 2, 3
RECESS DEPTH:
Not Applicable
VOLTAGE:
FIRE RATING:
Not Applicable
PRODUCT F MARK:
Mains 230 (V) Suitable for mounting on flammable materials
LAMP LIGHT SOURCE:
High-Power LED
MACADAM ELIPSE:
6-Step
MAXIMUM WATTAGE:
4.4W
UGR:
Not Applicable
MAXIMUM LAMP LENGTH:
Not Applicable
BEAM ANGLE:
Not Applicable
LAMP INCLUDED?
Yes (Integral)
TILT ADJUSTMENT ANGLE:
Not Applicable
LUMINOUS FLUX:
269.9 (lm)
ROTATION ADJUSTMENT ANGLE:
Not Applicable
COLOUR TEMP:
3000 (K)
AVERAGE LIFESPAN:
60,500 (Hrs)
CRI:
80
L70:
To Be Advised
R9:
7.4
ELECTRICAL SWITCHED:
No
SUPPLY FREQUENCY:
50 / 60 (Hz)
DIMMABLE:
No
DRIVER / BALLAST VOLTAGE:
100-240 (V)
DIMMING METHOD:
Not Applicable
DRIVER AVERAGE LIFESPAN:
25,000 (Hrs)
DRIVER OUTPUT CURRENT:
350 (mA)
EFFICACY:
61.2 (lm / W)
DRIVER OUTPUT VOLTAGE:
Not Applicable
DRIVER / BALLAST INCLUDED?
Yes (Integral)
ADDITIONAL INFORMATION BOX QUANTITY x 18
Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton
Issue 3Project: / 06.03.18
Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FO
EXTERIOR LIGHTING PAGE. 01/ 02
101
FR Veuillez noter que certaines dimensions peuvent varier légèrement en raison des tolérances de fabrication, y compris l’entrée de câble et les trous de fixation.
IT
DE Bitte beachten Sie, dass die Maße Fertigungstoleranzen unterliegen und daher in geringem Umfang von der angegebenen Größe abweichen können. Dies gilt auch für Kabeleingänge und Befestigungslöcher.
Si prega notare che possono esserci piccole variazioni in alcune dimensioni dovute alle tolleranze di produzione, queste includono l’ingresso del cavo e i fori di fissaggio.
51mm
GB Please note that some dimensions may vary slightly due to manufacturing tolerances, this includes cable entry and fixing holes.
51mm
112mm
40mm
141mm
141mm
40mm
T: +44 (0) 1279 427001
Issue 3 / 06.03.18
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
sales@astrolighting.com
Date: 19 March 2019
www.astrolighting.com
EXTERIOR LIGHTING PAGE. 02/ 02
Project Name: Callie Walton
FO
102
SUMMARY Model No.: Description:
700OWMNMD930xx10Y LED Wall Sconce with 40° Optics
Criteria Total Lumen Output (Lumens) Total Power (W) Luminaire Efficacy (LPW) Power Factor BUG Rating IES Classification Longitudinal Classification
Result 1413 16.27 86.85 0.978 B2-U0-G0 Type VS Very Short
EQUIPMENT LIST Equipment Used Yokogawa Power Meter Omega Newport Thermometer LSI High Speed Mirror Goniometer Newport Thermohygrometer Pacific, AC power supply
Model Number WT210 DPI8-C24 6440T iServer 118-ACX
Control Last Date Number Calibrated 146919 07/11/16 146920 10/07/16 146928 VBU 146956 01/04/16 CHI0358 VBU
Calibration Due Date 07/11/17 10/07/17 VBU 01/04/17 VBU
Date Used 11/29/16 11/29/16 11/29/16 11/29/16 11/29/16
TEST METHODS Seasoning in Sample Orientation – LED Products No seasoning was performed in accordance with IESNA LM-79. Photometric and Electrical Measurements – Distribution Method A LSI Type C High Speed Model 6440 Mirror Goniometer was used to measure the intensity (candelas) at each angle of distribution for each sample. Ambient temperature was measured equal to the height of the sample mounted on the Goniometer equipment. Each sample was operated at input rated voltage in its designated orientation. Each sample was allowed to stabilize for at least thirty minutes before measurements were made. Electrical measurements including voltage, current, and power were measured using the Xitron or Yokogawa Power Analyzer. Some graphics were created with Photometrics Plus software.
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton
Report No.102171228CHI-072
Texas Christian University
Date: 19 March 2019
2 of 5
Project Name: Callie Walton
FP
Date: November 29, 2016 103
RESULTS OF TEST Photometric and Electrical Measurements at Ambient Temperature (25°C +/- 1°C) – Distribution Method
Intertek Sample No. AH11102016042108
Base Orientation Up
Input Voltage {Vac} 120.0
Input Current (mA) 138.6
Input Power (Watts) 16.27
Input Absolute Power Luminous Flux (Lumens) Factor 0.978 1413
Lumen Efficacy (LPW) 86.85
Intensity (Candlepower) Summary at 25°C - Candelas Angle 0 5 10 15 20 25 30 35 40 45 50 55 60 65 70 75 80 85 90
0 2453 2336 2080 1695 1237 778 431 223 118 70 48 32 22 15 10 7 4 1 0
22.5 2453 2343 2094 1706 1254 800 449 235 125 73 47 32 21 15 10 6 4 1 0
45 2453 2369 2119 1746 1295 863 509 290 169 99 59 36 23 15 10 6 3 1 0
67.5 2453 2375 2139 1770 1339 892 538 331 208 138 90 57 35 20 12 6 3 1 0
90 2453 2375 2151 1788 1358 914 549 340 218 146 95 61 37 21 11 5 2 1 0
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton
Report No.102171228CHI-072
Texas Christian University
Date: 19 March 2019
3 of 5
Project Name: Callie Walton
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Date: November 29, 2016 104
RESULTS OF TEST (cont'd) Illumination Plots Illuminance - Cone of Light
Mounting Height: 10 ft.
Isoillumination Plot
Zonal Lumen Summary and Percentages at 25°C Zone 0-30 0-40 0-60 60-90 0-90 90-180 0-180
Lumens 1084 1266 1388 24.9 1413 0.0 1413
% Luminaire 76.7 89.6 98.2 1.8 100.0 0.0 100.0
Luminaire Classification System (LCS) LCS FL FM FH FVH BL BM BH BVH UL UH Total
Zone (0-30) (30-60) (60-80) (80-90) (0-30) (30-60) (60-80) (80-90) (90-100) (100-180)
Lumens 543.1 154.3 12.1 0.7 543.2 150.6 11.5 0.6 0.0 0.0 1416.1
Zonal Lumens and Percentages at 25°C % Luminaire 38.3 10.9 0.9 0.0 38.4 10.6 0.8 0.0 0.0 0.0 100.0
Zone 0-10 10-20 20-30 30-40 40-50 50-60 60-70 70-80 80-90
Lumens 217.8 477.7 388.0 182.9 82.4 39.0 17.2 6.4 1.3
% Luminaire 15.4 33.8 27.5 13.0 5.8 2.8 1.2 0.5 0.1
BUG Rating: B2-U0-G0 IES Classification: Type VS Longitudinal Classification: Very Short
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton
Report No.102171228CHI-072
Texas Christian University
Date: 19 March 2019
4 of 5
Project Name: Callie Walton
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Date: November 29, 2016 105
PICTURES (not to scale) X
CONCLUSION The results tabulated in this report are representative of the actual test samples submitted for this report only. The data is provided to the client for further evaluation. Compliance to the referenced specification requirements was not determined in this report.
In Charge Of Tests:
Report Reviewed By:
Jehue Williams Associate Engineer Lighting Division
Timothy Quigley Engineer Lighting Division
Attachment: None
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton
Report No.102171228CHI-072
Texas Christian University
Date: 19 March 2019
5 of 5
Project Name: Callie Walton
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Date: November 29, 2016 106
ALBERO
SPECIFICATION SHEET
LED
PAGE: 1 OF 2
Project name: Type:
8'-11¾" (2737mm)
Outdoor luminaire with down light symmetrical optic. TOP VIEW
Luminaire characteristics: Power input: 123W Lumens: 2579 or 2754lm (delivered) Luminaire efficacy: 21 or 22lm/W Source: White LED, (LM-80 tested). 3000K: 80CRI. 4000K: 80CRI. Lumen maintenance: >80% of initial lumens at 50 000 hours (L80) LM-79 tested.
10'-9⅛" (3280mm)
Optics: 360° down light symmetrical optic. Mounting: Pole on mounting base (anchor flange included). Material Body: Stainless steel cylindrical body, bolts and screws. Electrical: Universal high efficiency electronic power supply, rated 50 000 hours. 120-277V. Finish: White (RAL9016) painted finish with a high level of weather and UV resistance. The semi-gloss finish coating is electrostatically applied, durable acrylic enamel baked at high temperatures for superior color retentive finish.
Max 17'-6½" (5347mm)
Weight: 253 lbs (115 kg). EPA: 11.6 ft ² (1.08 m²). Warranty: 5 year limited warranty. Certification: cULus listed for wet location. Ratings: IP65, IK08. 4" (102mm)
37" (940mm)
6" (152mm)
SIDE VIEW
DUE TO CONTINUOUS IMPROVEMENTS, THE INFORMATION HEREIN MAY BE CHANGED WITHOUT NOTICE.
LAST UPDATE: JULY 25, 2016
NA - R3
9320 Boul. St-Laurent, suite 100, Montréal (Québec) Canada H2N 1N7 P.: 514.523.1339 F.: 514.525.6107 www.iguzzini-na.com
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FR 107
ALBERO
SPECIFICATION SHEET
LED
PAGE: 2 OF 2
Project name: Type:
TECHNICAL DATA LOAD
CCT
(W)
(K)
CRI
3000K
123W
4000K
OPTIC
80
Symmetrical
DELIVERED LUMENS
LUMINAIRE EFFICACY
CENTER BEAM CANDLE POWER
(lm)
(lm / w)
(cd)
2579
21
1380
I.ADR1
2754
22
1473
I.ADR3
MODEL
Foot-candles (fc) grid
2fc
c
5f
0.
c
1f
0.
0
20ft
30ft
RESET
ORDERING INFO
MODEL
10ft
I.0453
- UNV - 01 VOLTAGE
MODEL
I.ADR1 - 3000K I.ADR3 - 4000K
ANCHOR FLANGE
FINISH
VOLTAGE
●
UNV - 120-277V
FINISH
● 01 - White
DUE TO CONTINUOUS IMPROVEMENTS, THE INFORMATION HEREIN MAY BE CHANGED WITHOUT NOTICE.
LAST UPDATE: JULY 25, 2016
NA - R3
9320 Boul. St-Laurent, suite 100, Montréal (Québec) Canada H2N 1N7 P.: 514.523.1339 F.: 514.525.6107 www.iguzzini-na.com
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FR
108
TYPHA REMOTE
SPECIFICATION SHEET Project name: The
SUPPORT BASE
Type: FS
PAGE: 1 OF 3
Performance of Light
⅝" (15mm)
Exterior decorative luminaire. Luminaire characteristics: Luminaire only Power input: 1.7W Lumens: 46lm (delivered) Luminaire efficacy: 27lm/W
SEE MODEL
Source: White LED, 4000K: 80CRI (LM-80 tested). Lumen maintenance: >80% of initial lumens at 60 000 hours (L80) Optics: General lighting. Mounting: To be installed in a ⅞" (23mm) hole or with the optional mounting base (see installation accessory). Material: Body: UV resistant polycarbonate tubular diffusor with internal PMMA optic Base: stainless steel Electrical: See remote power supply options. Requirement for one (1) fixture: 1.7W, 500mA.
4⅜" (111mm)
Finish: Stainless steel Weight: TBC Warranty: 5 years limited warranty. Certification: cULus listed.
FRONT VIEW
Ratings: IP67, IK07.
DUE TO CONTINUOUS IMPROVEMENTS, THE INFORMATION HEREIN MAY BE CHANGED WITHOUT NOTICE.
LAST UPDATE: December 21, 2018
JP - R5
9320 Boul. St-Laurent, suite 100, Montréal (Québec) Canada H2N 1N7 P.: 514.523.1339 F.: 514.525.6107 www.iguzzini-na.com
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FS 109
TYPHA REMOTE
SPECIFICATION SHEET
SUPPORT BASE
Project name: Type:
FS
PAGE: 2 OF 3
The Performance of Light
BASE INSTALLATION
(BASE TO BE ORDERED SEPARATELY)
Typha can be installed individually or in a cluster configuration. The base can accommodate up to 9 Typha elements and is powered by a remote power supply (to be ordered separately). It can be fastened to hard surfaces such as stone, wood or simply buried into the ground.
●
I.T415-13 - Multiple support base Max 9 fixtures Dim: 19¾"x19¾"x5" (500x500x126mm)
POWER SUPPLY OPTION
(TO BE ORDERED SEPARATELY)
Power supply boxes can be installed inside or outside the base. Check dimensions compatibility below.
Watts
MinMax
Voltage
Rating
Dimming protocol
Box dimensions
Compatible with base
Max distance 18AWG
Code
06
1-4
120-277V
Outdoor
None
7" X 4" X 3" (178 X 102 X 76mm)
Yes
20ft (6m)
4548-0500-006-UNV-ND
20
5-12
120-277V
Outdoor
None
7" X 4" X 3" (178 X 102 X 76mm)
Yes
20ft (6m)
4548-0500-020-UNV-ND
27
1-16
120-277V
Outdoor
0-10V
14" X 5" X 3" (356 X 127 X 76mm)
No
72ft (22m)
4549-0500-027-UNV-SD10
50
1-29
120-277V
Outdoor
0-10V
14" X 5" X 3" (356 X 127 X 76mm)
No
72ft (22m)
4549-0500-050-UNV-SD10
100
1-58
120-277V
Outdoor
0-10V
14" X 5" X 3" (356 X 127 X 76mm)
No
72ft (22m)
4549-0500-100-UNV-SD10
DUE TO CONTINUOUS IMPROVEMENTS, THE INFORMATION HEREIN MAY BE CHANGED WITHOUT NOTICE.
LAST UPDATE: December 21, 2018
JP - R5
9320 Boul. St-Laurent, suite 100, Montréal (Québec) Canada H2N 1N7 P.: 514.523.1339 F.: 514.525.6107 www.iguzzini-na.com
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FS
110
TYPHA REMOTE
SPECIFICATION SHEET
SUPPORT BASE
Project name: Type:
FS
PAGE: 3 OF 3
The Performance of Light
ALTERNATE INSTALLATION
WIRING DIAGRAMS
Typha can also be mounted into any hard material up to 3/16” - (5mm) thick. All stainless steel hardware included.
Multiple luminaires must be connected in series (home run or fixture chain)
0.157’’ (4mm)
THREADING LOCK WASHER NUT
CUT OUT
*ASSEMBLED AND SECURED BY OTHER
0.437" (11.1mm) FLATS TO AVOID ROTATION OF BOTTOM THREADED ROD
0.874" (22.2mm) 0.772" (19.6mm)
ORDERING INFO
I.ADT3 - 13 MODEL
RESET
FINISH
MODEL
●
I.ADT3 - 39⅜" (1000mm) I.ADT4 - 51¼" (1300mm) I.ADT5 - 59" (1500mm)
FINISH
●
13 - Stainless steel
4549-0500-100-UNV-SD10 REMOTE POWER SUPPLY OPTION (TO BE ORDERED SEPARATELY)
NOTES:
Requirement for one (1) fixture: 1.7W, 500mA
4548-0500-006-UNV-ND 4548-0500-020-UNV-ND 4549-0500-027-UNV-SD10
●
4549-0500-050-UNV-SD10 4549-0500-100-UNV-SD10
DUE TO CONTINUOUS IMPROVEMENTS, THE INFORMATION HEREIN MAY BE CHANGED WITHOUT NOTICE.
LAST UPDATE: December 21, 2018
JP - R5
9320 Boul. St-Laurent, suite 100, Montréal (Québec) Canada H2N 1N7 P.: 514.523.1339 F.: 514.525.6107 www.iguzzini-na.com
Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University
Date: 19 March 2019 Project Name: Callie Walton
FS
111
ELEVATIONS
112
T H E P E R F O R M A N C E O F L I G H T: ST U D E N T S H OW TO N I G H T AT 9 : 0 0 P M
DETAILS
127
PERSPECTIVE DETAIL
129
THIN CONCRETE SHELL 7.5CM
CONCRETE ARC PORTAL 50X50 CONCRETE ARC PORTAL 30X30 TYPE FJ
COLUMN CONCRETE STRUCTURE 75X150
NOTES: - STEM MOUNTED EXTERIOR FACADE LIGHTING SYSTEM
LIGHTING CALCULATIONS
131
CALCULATIONS: Landscape CALCS
IES RECCOMENDED LEVELS:
(FC) - Circulation Corridors - Breakout-study/ Passageways Eh: 20; Ev: 7.5; 3:1 - Adjacency Passageways Eh: 5; Ev: 3; 2:1 - Transistion Spaces - Lounges: - Pleasure Reading Eh: 20; Ev: 10; 2:1 - Social: Eh: 10; Ev: 2.5; 3:1 - Landscape Highlights: Eh: 5; Ev: 3; 3:1 - Stairs - High Activity (@Ev: 5’) Eh: 10; Ev: 5; 2:1 - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1
RENDER
IES ACHIEVED:
(FC) - Circulation Corridors - Breakout-study/ Passageways Eh: 20; Ev: 7.5; 3:1 - Adjacency Passageways Eh: 5; Ev: 3; 2:1 - Transistion Spaces - Lounges: - Pleasure Reading Eh: 20; Ev: 10; 2:1 - Social: Eh: 10; Ev: 2.5; 3:1 - Landscape Highlights: Eh: 5; Ev: 3; 3:1 - Stairs - High Activity (@Ev: 5’) Eh: 10; Ev: 5; 2:1 - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1
132
CALCULATIONS: Performance Hall CALCS
RENDER
IES RECCOMENDED LEVELS:
(FC) - Auditoria Multipurpose - Screen (Front Projection) - Feature Presentation Eh: none; Ev: 1; 2:1 - Periodic Reference Eh: none; Ev: 5; 2:1 - Circulation - AV or Performance: Eh: .2; Ev: 1; 5:1/3:1 - Stairs - High Activity (@Ev: 5’) Eh: 10; Ev: 5; 2:1 - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1 - Auditoriua House - During Performance Eh: .2; Ev: 1; 5:1/3:1 - Pre/Post Event Eh: 7.5; Ev: 5; 3:1 - Stage (Productions) - Dance: Ev@ 5’ Eh: 30; Ev: 50; 5:1 - Demonstration: Ev @ 4’-6” Eh: 100; Ev: 50; 3:1 - Music: Ev @ 4’ Eh: 30; Ev: 50; 2:1
IES ACHIEVED:
(FC) - Auditoria Multipurpose - Screen (Front Projection) - Feature Presentation Eh: none; Ev: 1; 2:1 - Periodic Reference Eh: none; Ev: 5; 2:1 - Circulation - AV or Performance: Eh: 2; Ev: 10; 5:1/3:1 - Stairs - High Activity (@Ev: 5’) Eh: 10; Ev: 5; 2:1 - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1 - Auditoriua House - During Performance Eh: .2; Ev: 1; 5:1/3:1 - Pre/Post Event Eh: 7.5; Ev: 5; 3:1 - Stage (Productions) - Dance: Ev@ 5’ Eh: 30; Ev: 50; 5:1 - Demonstration: Ev @ 4’-6” Eh: 100; Ev: 50; 3:1 - Music: Ev @ 4’ Eh: 30; Ev: 50; 2:1 133
CALCULATIONS: Reception CALCS
IES RECCOMENDED LEVELS: (FC) - Reception/ Waiting Areas - Reception Desk Eh: 40; Ev: 15; 3:1 - Waiting Areas Eh: 20; Ev: 10; 3:1
IES ACHIEVED:
RENDER
(FC) - Reception/ Waiting Areas - Reception Desk Eh: 40; Ev: 15; 3:1 - Waiting Areas Eh: 20; Ev: 10; 3:1
134
CALCULATIONS: Administration Touch Down CALCS
IES RECCOMENDED LEVELS:
(FC) - Circulation Corridors - Breakout-study/ Passageways Eh: 20; Ev: 7.5; 3:1 - Adjacency Passageways Eh: 5; Ev: 3; 2:1 - Transistion Spaces - Lounges: - Pleasure Reading Eh: 20; Ev: 10; 2:1 - Landscape Highlights - Trees: - Common Philodendron Eh: 25; Ev: 75; 4:1
IES ACHIEVED:
RENDER
(FC) - Circulation Corridors - Breakout-study/ Passageways Eh: 20; Ev: 7.5; 3:1 - Adjacency Passageways Eh: 5; Ev: 3; 2:1 - Transistion Spaces - Lounges: - Pleasure Reading Eh: 20; Ev: 10; 2:1 - Landscape Highlights - Trees: - Common Philodendron Eh: 25; Ev: 75; 4:1
135
CALCULATIONS: Performance Hall Reception CALCS
IES RECCOMENDED LEVELS:
(FC) - Reception/ Waiting Areas - Waiting Areas Eh: 20; Ev: 10; 3:1 - Transistion Spaces - Lobbies: - General @ Day Eh: 10; Ev: 3; 3:1 - General @ Night: Eh: 5; Ev: 2; 3:1 - Social: Eh: 10; Ev: 2.5; 3:1
IES ACHIEVED:
RENDER
(FC) - Reception/ Waiting Areas - Waiting Areas Eh: 20; Ev: 10; 3:1 - Transistion Spaces - Lobbies: - General @ Day Eh: 10; Ev: 3; 3:1 - General @ Night: Eh: 5; Ev: 2; 3:1 - Social: Eh: 10; Ev: 2.5; 3:1
136
CALCULATIONS: Transition Spaces CALCS
IES RECCOMENDED LEVELS:
(FC) - Circulation Corridors - Breakout-study/ Passageways Eh: 20; Ev: 7.5; 3:1 - Adjacency Passageways Eh: 5; Ev: 3; 2:1 - Stairs - High Activity (@Ev: 5’) Eh: 10; Ev: 5; 2:1 - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1
IES ACHIEVED:
RENDER
(FC) - Circulation Corridors - Breakout-study/ Passageways Eh: 20; Ev: 7.5; 3:1 - Adjacency Passageways Eh: 5; Ev: 3; 2:1 - Stairs - High Activity (@Ev: 5’) Eh: 10; Ev: 5; 2:1 - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1
137
CALCULATIONS: Exterior Stage CALCS
IES RECCOMENDED LEVELS:
(FC) - Exterior Services - Exterior Platforms Eh: 15; Ev: 7.5; 4:1 - Outdoor Plazas - LZ4 Eh: .8; Ev: 7.5; 4:1 - Loading Platforms Eh: 10; Ev: 2.5; 3:1 - Transistion Spaces - Social: Eh: 10; Ev: 2.5; 3:1 - Stairs - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1
IES ACHIEVED:
RENDER
(FC) - Exterior Services - Exterior Platforms Eh: 15; Ev: 7.5; 4:1 - Outdoor Plazas - LZ4 Eh: .8; Ev: 7.5; 4:1 - Loading Platforms Eh: 10; Ev: 2.5; 3:1 - Transistion Spaces - Social: Eh: 10; Ev: 2.5; 3:1 - Stairs - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1
138
CALCULATIONS: Interior / Exterior Cafeteria CALCS
IES RECCOMENDED LEVELS: (FC) - Cafeteria - Grab and Go Displays Eh: 20; Ev: 20; 3:1 - Transistion Spaces - Lounges: - Pleasure Reading Eh: 200; Ev: 100; - Social: Eh: 100; Ev: 25; 3:1
IES ACHIEVED:
(FC) - Cafeteria - Grab and Go Displays Eh: 20; Ev: 20; 3:1
RENDER
- Transistion Spaces - Lounges: - Pleasure Reading Eh: 200; Ev: 100; - Social: Eh: 100; Ev: 25; 3:1
139
CALCULATIONS: Parking ________ Lot CALCS
IES RECCOMENDED LEVELS:
(FC) - Circulation Corridors - Adjacency Passageways Eh: 5; Ev: 3; 2:1 - Stairs - High Activity (@Ev: 5’) Eh: 10; Ev: 5; 2:1 - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1 - Parking Lots: Table 26.6.6 - Main Parking Eh: 2; Ev: 5; 4:1 - Secondary Parking Eh: 1; Ev: 3; 4:1
IES ACHIEVED:
(FC) - Circulation Corridors - Adjacency Passageways Eh: 5; Ev: 3; 2:1 - Stairs - High Activity (@Ev: 5’) Eh: 10; Ev: 5; 2:1 - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1 - Parking Lots: Table 26.6.6 - Main Parking Eh: 2; Ev: 5; 4:1 - Secondary Parking Eh: 1; Ev: 3; 4:1
140
CALCULATIONS: Parking Lot RENDERS
141
CALCULATIONS: COM Check COMcheck Software Version 4.1.1.0
Envelope Compliance Certificate Project Information 90.1 (2016) Standard Universitas Pendidikan Indonesia Bandung Bangdung, Indonesia 2a Renovation 03.28.2019 EnergyPlus 8.1.0.009 (EPW: USA_TX_Waco.Rgnl.AP.722560_TMY3.epw)
Energy Code: Project Title: Location: Climate Zone: Project Type: Permit Date: Performance Sim. Specs:
Construction Site: Jl. DR. Setiabudi No.229, Isola, Sukasari Kota Bandung, Jawa Bara, Indonesia, TX 40154
Owner/Agent:
Building Area
Designer/Contractor:
Floor Area
1-Performing Arts Theater : Nonresidential
75496
Envelope Assemblies Assembly
Gross Area Cavity or R-Value Perimeter
Floor 1: Concrete Floor (over unconditioned space), [Bldg. Use 1 Performing Arts Theater] NORTH Exterior Wall 1: Concrete Block:6", Unreinforced, Cells Insulated, Normal Density, Furring: Wood (b), [Bldg. Use 1 - Performing Arts Theater]
Cont. R-Value
Proposed U-Factor
Budget UFactor(a)
810
---
0.0
0.322
0.107
18178
15.0
0.8
0.049
0.151
(a) Budget U-factors are used for software baseline calculations ONLY, and are not code requirements. (b) CMU insulated cells must be filled with a material having a maximum thermal conductivity of 0.44 Btu in./h-ft2-degrees F. Perlite, vermiculite, polystyrene beads, or spray foam as defined in ASHRAE 2009 Handbook of Fundamentals meet this requirement. Other materials require documentation of thermal conductivity.
Envelope PASSES: Design 1% better than code Envelope Compliance Statement Compliance Statement: The proposed envelope design represented in this document is consistent with the building plans, specifications, and other calculations submitted with this permit application. The proposed envelope systems have been designed to meet the 90.1 (2016) Standard requirements in COMcheck Version 4.1.1.0 and to comply with any applicable mandatory requirements listed in the Inspection Checklist. Name - Title
Signature
Project Title: Universitas Pendidikan Indonesia Bandung Data filename: C:\Users\Callie\Documents\Lighting Thesis\COMcheck\Walton_Callie_ComCheck.cck
Date
Report date: 05/02/19 Page 1 of 14 142
COMcheck Software Version 4.1.1.0
Interior Lighting Compliance Certificate Project Information 90.1 (2016) Standard Universitas Pendidikan Indonesia Bandung New Construction 03.28.2019
Energy Code: Project Title: Project Type: Permit Date:
Construction Site: Jl. DR. Setiabudi No.229, Isola, Sukasari Kota Bandung, Jawa Bara, Indonesia, TX 40154
Owner/Agent:
Designer/Contractor:
Allowed Interior Lighting Power A Area Category 1-Performing Arts Theater:Lobby 2-Performing Arts Theater:Audience/Seating Area 3-Common Space Types:Dining Area - General 4-Common Space Types:Restrooms 5-Convention Center:Exhibit Space
Proposed Interior Lighting Power
A Fixture ID : Description / Lamp / Wattage Per Lamp / Ballast
1-Performing Arts Theater:Lobby
LED 1: LED Linear 8W: LED 2: LED Panel 55W: LED 3: LED Other Fixture Unit 6.5W: LED 18: LED PAR 20W:
2-Performing Arts Theater:Audience/Seating Area LED 4: LED Linear 8W: LED 5: LED Panel 55W: LED 6: LED Other Fixture Unit 6.5W:
3-Common Space Types:Dining Area - General LED 7: LED Linear 8W: LED 8: LED Panel 55W: LED 10: LED PAR 20W: LED 16: LED MR 2W:
4-Common Space Types:Restrooms LED 9: LED PAR 20W: LED 11: LED Linear 8W: LED 12: Other:
B Floor Area (ft2)
C Allowed Watts / ft2
2428 5361 3318 809 2608
D Allowed Watts (B X C)
1.70 2.03 0.63 0.85 0.88
4128 10883 2090 688 2295
Total Allowed Watts =
20083
B Lamps/ Fixture
C D # of Fixture Fixtures Watt.
E (C X D)
1 1 1 1
200 20 20 24
5 55 5 20
960 1100 100 480
1 1 1
80 7 4
5 55 50
384 385 200
1 1 1 1
12 1 15 15
5 55 20 2
58 55 300 22
1 1 1
13 1 4
20 5 5
260 5 21
5-Convention Center:Exhibit Space
Project Title: Universitas Pendidikan Indonesia Bandung Data filename: C:\Users\Callie\Documents\Lighting Thesis\COMcheck\Walton_Callie_ComCheck.cck
Report date: 05/02/19 Page 2 of 14 143
A Fixture ID : Description / Lamp / Wattage Per Lamp / Ballast LED 13: LED Panel 55W: LED 14: LED MR 2W: LED 15: LED Linear 8W:
B Lamps/ Fixture
C D # of Fixture Fixtures Watt.
1 1 1
3 26 2
55 2 5
Total Proposed Watts =
E (C X D) 165 39 10 4544
Interior Lighting PASSES: Design 77% better than code Interior Lighting Compliance Statement Compliance Statement: The proposed interior lighting design represented in this document is consistent with the building plans, specifications, and other calculations submitted with this permit application. The proposed interior lighting systems have been designed to meet the 90.1 (2016) Standard requirements in COMcheck Version 4.1.1.0 and to comply with any applicable mandatory requirements listed in the Inspection Checklist. Name - Title
Signature
Project Title: Universitas Pendidikan Indonesia Bandung Data filename: C:\Users\Callie\Documents\Lighting Thesis\COMcheck\Walton_Callie_ComCheck.cck
Date
Report date: 05/02/19 Page 3 of 14 144
COMcheck Software Version 4.1.1.0
Exterior Lighting Compliance Certificate Project Information Energy Code: Project Title: Project Type: Permit Date: Exterior Lighting Zone
90.1 (2016) Standard Universitas Pendidikan Indonesia Bandung New Construction 03.28.2019 2 (Neighborhood business district)
Construction Site: Jl. DR. Setiabudi No.229, Isola, Sukasari Kota Bandung, Jawa Bara, Indonesia, TX 40154
Owner/Agent:
Designer/Contractor:
Allowed Exterior Lighting Power A Area/Surface Category Parking area Stairway Special feature area Plaza area
B Quantity 15200 ft2 8302 ft2 689 ft2 2289 ft2
C Allowed Watts / Unit
D Tradable Wattage
0.04 0.7 0.1 0.1
E Allowed Watts (B X C)
Yes Yes Yes Yes
608 5811 69 229 6717 6717 400
Total Tradable Watts (a) = Total Allowed Watts = Total Allowed Supplemental Watts (b) =
(a) Wattage tradeoffs are only allowed between tradable areas/surfaces. (b) A supplemental allowance equal to 400 watts may be applied toward compliance of both non-tradable and tradable areas/surfaces.
Proposed Exterior Lighting Power
A Fixture ID : Description / Lamp / Wattage Per Lamp / Ballast
Parking area (15200 ft2): Tradable Wattage LED 1: LED Other Fixture Unit 25W: LED 2: LED Linear 8W:
Stairway (8302 ft2): Tradable Wattage LED 3: LED Linear 8W:
Special feature area (689 ft2): Tradable Wattage LED 4: LED Linear 8W: LED 5: LED Other Fixture Unit 36W:
Plaza area (2289 ft2): Tradable Wattage LED 6: LED Linear 8W: LED 7: LED Other Fixture Unit 36W:
B Lamps/ Fixture
C D # of Fixture Fixtures Watt.
E (C X D)
2 1
33 1
24 5
792 5
3
210
3
630
1 1
8 4
5 34
38 136
1 5 5 1 8 34 Total Tradable Proposed Watts =
Project Title: Universitas Pendidikan Indonesia Bandung Data filename: C:\Users\Callie\Documents\Lighting Thesis\COMcheck\Walton_Callie_ComCheck.cck
24 272 1897
Report date: 05/02/19 Page 4 of 14 145
Exterior Lighting PASSES: Design 73% better than code Exterior Lighting Compliance Statement Compliance Statement: The proposed exterior lighting design represented in this document is consistent with the building plans, specifications, and other calculations submitted with this permit application. The proposed exterior lighting systems have been designed to meet the 90.1 (2016) Standard requirements in COMcheck Version 4.1.1.0 and to comply with any applicable mandatory requirements listed in the Inspection Checklist. Name - Title
Signature
Project Title: Universitas Pendidikan Indonesia Bandung Data filename: C:\Users\Callie\Documents\Lighting Thesis\COMcheck\Walton_Callie_ComCheck.cck
Date
Report date: 05/02/19 Page 5 of 14 146