Senior Architectural Lighting Design Thesis Booklet

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TABLETable OFofCONTENTS Contents 1 Research Paper 1.1 Abstract 1.2 Paper 1.3 Context 1.4 Research Findings 1.5 Precedent/ Field Studies 1.6 Works Cited 2 Concept Renderings and Design Narrative 3 Design Documentation 3.1 Project Context 3.2 Lighting Plan/ Overview 3.2.a Lighting Plan - Administration Touch Down 3.2.b Lighting Plan - Parking Lot 3.2.c Lighting Plan - Front Entrance 3.2.d Lighting Plan - Reception 3.2.e Lighting Plan - Performance Hall/ Lobby 3.2.f Lighting Plan - Exterior Stadium 3.2.g Lighting Plan - Interior Cafeteria 3.2.h Lighting Plan -Exterior Cafeteria 3.2.i Lighting Plan - Perimeter Circulation (East/Center) 3.2.j Lighting Plan - Perimeter Circulation (East/Bottom) 3.3 Lighting Controls Plan/ Overview 3.3.a Lighting Controls Plan - Administration Touch Down 3.3.b Lighting Controls Plan - Parking Lot 3.3.c Lighting Controls Plan - Front Entrance 3.3.d Lighting Controls Plan - Reception 3.3.e Lighting Controls Plan - Performance Hall/ Lobby 3.3.f Lighting Controls Plan - Exterior Stadium 3.3.g Lighting Controls Plan - Interior Cafeteria 3.3.h Lighting Controls Plan -Exterior Cafeteria 3.3.i Lighting Controls Plan - Perimeter Circulation (East/Center) 3.3.j Lighting Controls Plan - Perimeter Circulation (East/Bottom) 3.4 Lighting Calculations/ Overview 3.4.a Lighting Calculations Plan - Administration Touch Down 3.4.b Lighting Calculations Plan - Parking Lot 3.4.c Lighting Calculations Plan - Front Entrance 3.4.d Lighting Calculations Plan - Reception 3.4.e Lighting Calculations Plan - Performance Hall/ Lobby 3.4.f Lighting Calculations Plan - Exterior Stadium 3.4.g Lighting Calculations Plan - Interior Cafeteria 3.4.h Lighting Calculations Plan -Exterior Cafeteria 3.4.i Lighting Calculations Plan - Perimeter Circulation (East/Center) 3.4.j Lighting Calculations Plan - Perimeter Circulation (East/Bottom) 4 Schedules 4.1 Lighting Equipment Schedule 4.2 Dimming Schedule 5 Cutsheets 6 Elevations 6.1 Elevation 1 6.2 Elevation 2 6.3 Elevation 3 6.4 Elevation 4 7 Details 7.1 Detail 1 8 Perspective Detail 8.1 Perspective Detail 1 9 Project Renderings/ Lighting Calculations 10.1 Lighting Photometric Calculations 10.2 Lighting Energy Calculations 10.3 COM Check

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Walton 3 Abstract In today’s design industry, the architectural lighting design for performing arts centers has become more elaborate and innovative. With ground-breaking interactive qualities within performance centers, stage light should have a cohesive relationship with the architectural lighting design throughout the rest of the building. Designers can implement this design relationship by creating a connection between concepts and visual imagery in relation to the building and performing artist(s). With research strategies, such as comparing relevant case studies, researching literature, and personally observing and analyzing field studies, this Architectural Lighting Design Thesis Research Paper will provide competent insight, knowledge, and research to utilize for future studies as well as aid in the implementation of proficient lighting systems for the benefit of performing arts institutions. Analyzing the placement, color, intensity, and kinetic factors of lighting control systems throughout a performance center enables designers to alter and enhance the human experience, making a positive influence on the audience’s overall impression of a show. Compiling this research will help in understanding how the science and technology of light can be implemented into educational performing arts centers for the benefit of the users.


Walton 4 Introduction Light is the single element that can enhance dramatical effects in relation to mood and atmosphere. In other words, light holds the capabilities to illuminate any story to life. Dr. Lazauras, an influential psychologist with the University of California Berkley posited that, “an emotion is the result of a cognitive appraisal. The intensity and type of emotion that we experience depends on the importance of the circumstance at that moment” (1021). This general definition of emotion, in terms of a physical space, can better help one understand its place in architecture. Specifically, within the context of educational performance centers, the types of emotion that production managers want to evoke from their audience are liveliness, positive energy, connectiveness, as well as engagement between the audience and the performers on stage. On the other hand, emotions such as separation, exclusion, and dispiritedness are negative connotations that managers and producers try to avoid within their audience. Light can control these positive and negative connotations in relation to the atmosphere, so it is very important to have a stable understanding of how to control it within a performance. First impressions are everything, especially when it comes to a performing arts venue. As a designer, the beginning of a show starts as one enters the front door of a performing arts center. For more pronounced architectural buildings, the experience of a show starts at the first glance of a building’s exterior. If designers can find a way to provide the highest atmospheric quality to enhance the experience of the user, which in the case of the performing arts, are patrons and students within the education of fine arts, then they should cover a vast range of extensive research to implement in their design to make it happen. Atmosphere has a mentally and physically strong connection in association with emotion. “Atmosphere can be described as the appraisal of an environment with respect to the expected affective effect. Hence, atmosphere is not an affective state, but it has the potency to evoke an affective state in accordance with atmosphere” (Van Eyk vii). Atmosphere has a powerful meaning, especially within the context of designing the built environment. Designers are constantly trying to invent innovative solutions to benefit the human experience. Manipulating spaces within a building’s interior is one technique that designers found successful in


Walton 5 conveying feelings of emotion to better enhance the audience’s experience. Within a building’s shell, lighting design plays the most important role in manipulating an atmosphere. Artificial light has infinite potential in the design world, as well as the capability to give objects existence through the connection of spatial forms. Context Where does lighting play its role in an environment, and how does it influence the perceived atmosphere in a space? These questions can be answered by first understanding the science and qualities of static light, then analyzing and comparing its qualitative and quantitative characteristics of color temperature, intensity, hue, and spatial distribution. Intensity refers to the power of illumination from a light source, measured in foot candles and lumens, which can alter a light source’s brightness. Color temperature refers to the color qualities of a light source that range from warm (2800K) to cool (6000K). Spatial light distribution of a light source refers to the distribution of the light from a single source, described as directional or diffuse. Directional light sources are sources with a small beam angle and no distinct beam. On the other hand, diffuse light sources have a large beam angle and no distinct beam (Van Erp 2). Lastly, by tying knowledge of these characteristics of static light together, the effects of dynamic lighting can be analyzed. Dynamic lighting is a term used to describe flexible, kinetic lighting systems that allow the curator or design technician to control seamless changes in qualities of static light over time and can be adapted to the different needs and moods of an atmosphere to enhance the user’s experience. Color temperature and intensity, when controlled together, can alter the architecture of a human’s circadian rhythm or biological clock, which is the natural rhythm of night and day that the human body responds to, and positively affect an individual’s emotion and mood (Walton 6). Hue, another lighting characteristic distinguished by colors relative to the dominant wavelengths of the visible spectrum, has a significant effect on the perceived color temperature (Bronckers, 2). This research indicates that analyzing and comparing the controlled effects of hues with color temperature is more beneficial to lighting designers in learning how to alter atmospheric perception. This architectural lighting research presents the combined results


Walton 6 of many experimental studies to reveal valuable insight on how the effects of different lighting characteristics can alter atmospheric perception for the human experience. Colored Light and Perceived Atmosphere In 2009, an experimental design performed by J. Bronckers analyzed and compared the effects of color temperature, lightness, saturation, and hue in relation to the human response. In the experimental design, 40 participants (20 women; 20 men) are placed in controlled rooms illuminated by light sources with diversified scenic settings in terms of the four characteristics of controlled light. Initially, the study analyzed white light by manipulating features of color temperature. The study further analyzed color temperature through the manipulation of saturation and hue. The comparative analysis between the three factors of static light will narrow down the prime component of light that alters the effect of the human experience in terms of atmosphere perception. The results of the experimental study are dependent upon the range of personal responses from participants, noted as coziness, liveliness, tenseness, and detachment (Bronckers, 9). The results for the perceived atmosphere showed a significant effect between varied color temperatures of general white light. Warm white light is perceived as cozier, more tense, and more detached than cool white light. However, the effect of color temperature in white light depends on the hue of the spot. Warm white light combined with warm white spots is less tense than compared to cool white light combined with cool white spots. In addition, the only change in interactive responses between color temperature (constant) and hue (controlled) occurs when the light source associates with the hue of green, noted in many personal responses as a sense of detachment (Bronckers 29). The only descriptive term associated with lightness was liveliness, with responses showing that low lightness is perceived as less lively than high lightness. Interaction effects between saturation and hue showed a difference in atmosphere perception for saturation levels associated with hues of red, magenta, and green, while no difference in atmospheric perception occurred for saturation levels associated with hues of cyan and white. The results for hue revealed a significant effect on the four atmosphere dimensions. Red was perceived as the coziest, but also most tense and least detached compared to magenta, blue, cyan, green, and white. Yellow was evaluated as equally cozy as red and appeared the least tense. White


Walton 7 was perceived as most detached and least lively in comparison to the other colors (Bronckers 29). Overall, the compiled results show that controlling each of the three qualities of static light, especially for the factor of hue, affected the participants’ mood. This research’s conclusive statement not only indicates that people are capable of matching color to atmosphere, but also that color and intensity can alter the perceived atmosphere. Spatial Light Distribution and Perceived Atmosphere With knowledge that there is a positive correlation between the relationship of characteristics of colored light and the perceived atmosphere, one can assume from this combined research that using colored light within performance halls can give the audience a more enhanced human experience during a show. This statement allows for further research on the spatial distribution of light and how it also has the capability to influence the perceived atmosphere. Within the same parameters of the previous experimental design, with exception to a different focal analysis between spatial light distribution and perceived atmosphere, participants recorded their experience within rooms that were controlled with pre-determined light settings that compared directional and diffused lighting optics (Van Eyk 15). Results showed that participants felt a livelier atmosphere for both the diffuse and directional light at high intensity compared to low intensity. A high intensity is less tense for the diffuse light, and the same trend was visible for the direction light. High intensity is more detached for the diffuse light at a high CCT and for the directional light. For both the diffuse and directional light, a high intensity is less cozy at a low CCT level. For the diffuse settings, a low CCT is cozier, less tense, and less detached than a high CCT. In addition, for a medium and high intensity, a low CCT is livelier. At low intensities, both CCT levels are perceived as equally lively (Van Eyk 17). Directional light is perceived as cozier, livelier, and less tense compared to diffuse light at the same brightness (Van Eyk 16). Overall, these concluding results show that participants can discriminate between different levels of intensity, CCT, and spatial distribution, and therefore are considered factors within lighting that have the ability to alter the perceived atmosphere. These research findings on colored light, intensity, and spatial light distribution provide a strong basis of information in analyzing how static light affects


Walton 8 an audience. The theories developed from analyzing the experimental studies with static light can be applied to the knowledge regarding the use of dynamic light and its overall effect in educational performing arts centers. Dynamic Lighting and Perceived Atmosphere In 2014, another experimental research study carried out by HH Wang continues the research from Broncker’s study of color and atmosphere as well as Van Eyk’s study of spatial light distribution and atmosphere, focuses on the study of atmosphere perception with dynamic lighting systems. Within the experimental study, 20 observers participated in assessing the perceived environment under dynamic lighting conditions that varied in impacts of speed, saturation, and brightness. Wang composed his factor analysis within the same descriptive terms as the previous experimental studies, listed as: coziness, liveliness, tenseness, and detachment (Wang 664). Results showed that dynamic lighting does have a significant influence on atmosphere perception. A more saturated LED light conveys a less tense, cozier, and livelier atmosphere perception. For the factor of speed, increasing its power generates a more tense and less cozy atmosphere, while medium speed offers the most lively and preferred atmosphere. For the factor of brightness, brighter lighting generates a less tense environment (Wang 672). Participants classified scenic settings as either suitable for a “living room” or an “office.” Results show that a more saturated color combined with a slower speed generates more of a “living room”-like environment (Wang 671). With the insight from published academic resources, which conclude that colored light, spatial distribution, intensity, and dynamic characteristics can better enhance the human experience, stage lighting and architectural lighting designers should implement this information into their designs for the overall benefit of the performing arts center and the performance productions. Specifically, lighting design plays a fundamental role for students within educational institutes. Light affects every aspect of the visual arts; therefore, it is vital that all students within a performing arts institution understand its qualities and/or have a clear understanding of controlled light in an atmosphere. The collaboration among students within technical, theatrical, or any other fields of study within the department of fine arts is crucial for design projects that relate to a performance center


Walton 9 or stage production. Not only does this partnership of teamwork promote opportunities of advancement for students, but it also aids in the converging of dynamic systems. The use of flexible, dynamic lighting systems can connect spatial elements throughout the entire building, potentially creating a sense of connectiveness and supportiveness among students. That being said, all designers within an educational performing arts building should collaborate to create innovative lighting design solutions for educational performing arts centers. Precedent Studies An environment within an educational performing arts center should embrace creativity, allowing their students to reach their full potential of self-expression. An important relationship for innovative designers, practicing within the field of educational institutes for performing arts, is between controlled lighting systems and the perceived atmosphere and how it can promote wellbeing and creativity in their students. A precedent study that successfully implements these research findings of connecting people through lighting is Virginia Tech’s educational institute for their performing arts center, located in Blacksburg, Virginia. Richard Greene, the Regional Vice President of Virginia Tech, states, “every space promotes collaboration among art, design, light, sound, music, and performance” (“Awesome Arts Center: Virginia Tech Builds Spectacular Center for the Performing Arts” 15). The extremely broad program utilizes lighting design to provide unique opportunities in varied spaces to

Fig.1. Side angle perspective view that showcases ceiling ribbons (Boyd Photography).

create areas of collaboration that overlap many different fields of study. The performing art center’s lighting design represents fluid movement that connects the audience with the stage, further enhancing the audience’s experience of a show, regardless of where they are sitting. The performance hall provides flexible state-of-theart lighting systems paired with projection and audio technology to bring any live show or virtual presentation to life. To make the space feel more connected, linear light fixtures, which are vertically installed within each


Walton 10 stage-facing side of the symmetrically-staggered extruded walls surrounding the entire audience pit, wash the adjacent wall panels, highlighting the auditorium’s warm tones from the selected white oak finish. Continuing the warm tones, the wood work is finished with a natural 35-degree sheen to create a double curved wall panel flexible enough to achieve the complex curvature of the auditorium’s shell and adequately reflect and scatter light as well as sound (“Awesome Arts Center: Virginia Tech Builds Spectacular Center for the Performing Arts” 14). While there are many factors that promote flexibility and connection within the performance hall’s lighting design, there are a couple of missed opportunities within the design that could better strengthen the performing art center’s atmosphere. The inconsistent use between asymmetric and symmetric allocation of recessed downlights located above the balcony seats creates a sense of imbalance for the audience. Another example

Fig.2. Audience facing perspective view of Moss Arts Theater (Boyd Photography).

focuses on the sense of displacement from the overhead directional lights located in the ceiling of the auditorium in between the ceiling ribbons. These lights could be replaced with sources of illumination mounted on the ceiling ribbons to give the ceiling more movement while still meeting lighting requirements. Another option could be to continue the wall washers mounted within the auditorium walls up onto the ceiling ribbons to connect all spatial platforms surrounding the stage within the entire performance hall. Overall, the Moss Arts Center provides a communal place where the arts are a catalyst for engagement, inspiration, and discovery, and is a great representation of the design industry’s progression of designing performing arts centers.


Walton 11 Another precedent case study that successfully implements these research findings is the Walton Performing Arts Center, located in Northwest Arkansas. The use of materials and lighting systems gives this center a vivacious feel and connection to its urban community. The goal of the performance center’s latest renovation was to revitalize and Fig.4. Reception desk in lobby with the installation of a wall washer (Branch Photography).

expand the facility to create a welcoming environment, “knitting it into the community fabric and showcasing the vibrancy within” (“Walton

Arts Center”). On the exterior of the building, there is a sense of lightness between the warm gray pleated material and the exposed brick. Within the building’s interior, the new double height lobby is coated with soft wood textures, also used in the building’s exterior cantilevered porch, which together create an extended, eye-catching threshold for patrons and people passing by. The lobby’s main decorative fixture pendant conveys a sense of vibrancy within the building’s interior as well as the exterior from the perspective of observing the building from the outside. There are some missed opportunities within the Walton Performing Art Center’s lighting design, such as the lack of layered

Fig.3. Linear spatial components within lobby, illuminated by the Scout Suspension Matrix (Branch Photography).

and balanced lighting within the lobby. The integration of architectural lighting design with its ability to highlight significant focal points within a space can better reveal the primary areas of passage for misled visitors of a building. One solution to this imbalanced lighting is to mirror the illumination from the wall washer, situated behind the reception desk, onto the bottom of the physical reception desk with an LED strip light to better highlight the main area of passage within the lobby. Another missed opportunity includes the lack of connecting spaces within the lobby. A solution for this problem could be to extend the wall washer, highlighting the wooden textures behind the reception desk, along all wooden vertical surfaces featured within the lobby, including the stairs. Despite these missed opportunities within the Walton Performing Arts Center’s


Walton 12 lighting design, the building still achieves their goal of combining people and place within a community through the integration of systems that create an inviting atmosphere, therefore standing as a great representation of the design industry’s progression in designing successful and community-oriented performing arts centers. Field Studies While attending the Broadway show “The Book of Mormon” at the Bass Hall Theatre located in Fort Worth’s historical downtown district, I recorded my own observations of the building’s architectural lighting systems along with its features. I implemented my research of light by observing and analyzing the performance hall’s use of lighting systems that controlled intensity, color, space distribution, and dynamic effects in relation to the perceived atmosphere. I also noted how the stage and architectural lighting blends together in aiding the overall scenic concept of a performance. The exterior of the building utilizes lighting systems to highlight the main entrance and architectural features, such as the

Fig.5. Audience facing perspective of Bass Hall with full lumen output in all fixtures (Jonathan Ivy Photography).

80’ diameter dome and the two 48’ tall angels that grace the Grande Façade (“Nancy Lee and Perry R. Bass Performance Hall Technical Specifications” 4). The lobby’s main architectural lighting features included main sconces in the corridors, cove lighting that illuminated the detailed imagery in the entrance, and basic decorative ceiling mounted sconces for general lighting. I was fortunate enough to gain the perspective of a spectator from the last row in the audience, enabling my experience to include a perspective located within a seat with a visual disadvantage.


Walton 13 The lighting on the perimeter of the balcony seats gives the theater an overall sense of movement and connection but lacks in continuing this consistent lighting detail for the highest balcony within the performance hall. This lack of attention to the farthest seats in relation to the stage gave my experience a sense of exclusion and detachment. In comparison to Virginia Tech’s performance hall, there was no vertical cove lighting within the walls to highlight the perimeter of the theater; there were only decorative wall and ceiling sconces for general lighting. On the other hand, the use of clouds as heavenly imagery, presented digitally on the stage’s back wall as well as painted in the ceiling cove of the auditorium, together display a strong, complementary relationship within the performing arts center. Unfortunately, this cohesive design between the stage and architectural lighting was just a coincidence that stemmed from similar concepts between the building and performance that night. Overall, the factors that include our modern-day advanced lighting systems and technology along with the financial capability of Bass Hall, a designer should want every performance to have this engaging and cohesive implementation of design for all performing artists. Conclusion

Fig.6. Perspective view from the last row on the highest balcony during the theater’s performance of “The Book of Mormon” (Walton, Callie).

With the knowledge and insight from literary reviews, I conclude that colored light, spatial distribution, intensity, and dynamic characteristics can better enhance the human experience and stage lighting designers should implement this information into their designs of productions to benefit the show. On the other hand, architectural lighting designers should switch their focus from the basic design disciplines of static lighting to flexible systems of dynamic lighting to control lighting systems that promote and convey more creativity and expressiveness throughout the entire educational performing institute. The various combinations of color, distribution, and intensity within flexible dynamic lighting systems can enhance, as well as reduce the perceived atmosphere, enabling these systems to accommodate and complement any production performing within an institute. This knowledge can create a useful link between conceptual lighting design (within the stage and


Walton 14 throughout the entire building) and the proposed scenic concept of the performance for architectural and stage lighting designers throughout the institution.


Walton 15 Works Cited “Awesome Arts Center: Virginia Tech Builds Spectacular Center for the Performing Arts.” Designsolutions, Aug. 2015, pp. 11–19. Boyd Photography. Virginia Tech Builds Spectacular Center for the Performing Arts. 2014. Photograph. Virginia Tech Moss Arts Center, Blacksburg, VA. Designsolutions. Web. February 2019. Branch Photography. Walton Arts Center Expansion and Renovation. 2016. Photograph. The Walton Arts Center, Fayetteville, AR. BORA. Web. February 2019. Bronckers, X. J. “The effects of coloured light on atmosphere perception.” Eindhoven University of Technology. 31 Dec 2009. Jonathan Ivy Photography. Bass Performance Hall. 2008. Photograph. Nancy Lee and Perry R Bass Performance Hall, Fort Worth, TX. Bass Hall. Web. February 2019. Lazarus, Richard S. “Thoughts on the Relations Between Emotion and Cognition.” pp. 1019–1024. American Psychological Association, Inc., Sept. 1982, gruberpeplab.com/3131/Lazarus_1982.pdf. “Moss Hall Center for the Arts – On Site Woodwork.” On Site Woodwork, Design Solutions Publication. 2014. osw.io/portfolio/moss-hall-center-for-the-arts/. “Technical Specifications: Nancy Lee and Perry R. Bass Performance Hall Technical Specifications.” Performing Arts Fort Worth, Inc., 10 Oct. 2018, pp. 1–35., www.basshall.com/globalassets/docs/techspec.pdf. Van Erp, T. (2008). The effects of lighting characteristics on atmosphere perception. Unpublished manuscript, Philips Research, Einhoven, the Netherlands. Walton, V. Callie. “Light and Health: Healthcare Lighting Design for Hospital Rooms and Nurse Stations.” Texas Christian University. 10 November 2017. Walton, V. Callie. The Bass Hall Lighting Field Study. Digital Image. Issu. Issu Inc, February 2019. Web. February 2019.


Walton 16 “Walton Arts Center.” Schuler Shook, Schuler Shook, 14 Aug. 2018, schulershook.com/projects/walton-artscenter-1. Wang, HH, et al. “A Study of Atmosphere Perception of Dynamic Coloured Light.” Lighting Research & Technology, vol. 46, no. 6, 2014, pp. 661-675.


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THE SKY IS THE LIMIT Building Name: Universitas Pendidikan Indonesia Location: Bandung, Indonesia; West Java; Intersection of JL. Jaya Grana and JL. DR. Setiabudi, Universitas Pendidikan Indonesia (UPI) is an educational performing arts center, also open to the community, that provides engaging spaces for their students to embrace creativity, collaboration, support, and success. UPI offers their students first class studios and facilities in convenient locations in Indonesia. The Architectural Lighting Design, with its initiative of sustainability, will offer the greater community exposure to the arts through the formation of cohesive relationships between spaces by manipulating the architectural lighting systems to inspire and integrate students within different fields of study. The campus’s landscape design give students a sense of community and connectivity with new places to congregate while engaging in a revitalized environment; but once students are guided by navigational lighting systems to the central performance hall, they are no longer bound by the weight of their surroundings, but can take flight with their new potential. The Sky is Their Limit.

Intended User: Within UPI’s Graduate Program, students in the Design and Production, Dance, Film and Drama schools complete Bachelor of Fine Arts degrees, while musicians earn a Bachelor of Music degree. At UPI, students are surrounded by a thriving interconnected community of artists that radiate with creative energy. Within the UPI Performing Arts Institute, the science and technology of light is implemented into the campus’s interior and exterior for the benefit of the university’s students, patrons, and visitors, as well as its’ surrounding community. The small campus allows for close relationships with faculty and respected colleagues, helping their students become artists with a dynamic perspective ready to take on the world as they realize their potential on the ground of the campus, and reach for their dreams with the sky as their limit. Through the use, placement, and dynamic effects of exterior/ interior lighting systems, UPI’s Lighting Design naturally integrates and highlights the campus’s terrain, as well as connects the dispersed buildings throughout the institution to its central location in the performance hall.Due to Indonesia’s recorded lack of oxygen from depleted resources of vegetation for the average person, UPI’s Lighting Design reweaves the cultural and natural fabric of the city back into its campus.

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FURTHER RESEARCH ON SITE Located at a low latitude and high elevation, UPI features a dramatic terrain and a unique climate that create a boundless relationship between earth and sky. The project site is located in the heart of this landscape, on a fertile plateau on the intersection of JL. Jaya Grana and JL. DR. Setiabudi within Bandung, Indonesia. UPI has drawn inspiration from these natural variations in landscape and climate, employing a large canopy roof and a flowing form to invite users into the complex. The new complex is a renovation of the current UPI building venue in order to bring a contemporary, world-class arts complex to the city.

Light affects every aspect of the visual arts; therefore, it is vital that all students within a performing arts institution understand its qualities and/or have a clear understanding of controlled light in an atmosphere. The collaboration among students within technical, theatrical, or any other fields of study within the department of fine arts is crucial for design projects that relate to a performance center or stage production. Not only does this partnership of teamwork promote opportunities of advancement for students, but it also aids in the converging of dynamic systems. UPI’s use of flexible, dynamic lighting systems connects spatial elements throughout the entire building as well as its exterior features and surroundings within the campus grounds, which creates a sense of connection and supportiveness among students. UPI integrates innovative and sustainable lighting systems to create an uplifting place where the arts are a catalyst for engagement, inspiration, and discovery.

Rhythmic movements that create complementary relationships between spaces with an educational performing arts center for the overall benefit of collaborations for students in different fields of study as well as enhancing the overall performance of a show for patrons/donors and visitors.

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THESIS STATEMENT: Universitas Pendidikan Indonesia (UPI), located in Bandung, Indonesia, is an educational performing arts center, also open to the community, that provides engaging spaces for their students to embrace creativity, collaboration, support, and success. Due to Indonesia’s recorded lack of oxygen from depleted resources of vegetation for the average person, UPI reweaves the cultural and natural fabric of the city back into its campus. Through the use, placement, and dynamic effects of exterior/ interior lighting systems, UPI’s Lighting Design naturally integrates and highlights the campus’s terrain, as well as connects the dispersed buildings throughout the institution to its central location in the performance hall. The campus’s landscape design give students a sense of community and connectivity with new places to congregate while engaging in a revitalized environment; but once students are guided by navigational lighting systems to the central performance hall, they are no longer bound by the weight of their surroundings, but can take flight with their new potential. The Sky is Their Limit.

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T H E P E R F O R M A N C E O F L I G H T: ST U D E N T S H OW TO N I G H T AT 9 : 0 0 P M

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P

P

P

P

P

P MATCHLINE LT1.04

P

P

LT1.04


J

MATCHLINE LT1.07 MATCHLINE LT1.05 C

C

J

C

C

C

C

C

C

C

J

MATCHLINE LT1.05 MATCHLINE LT1.08

B

J C

B

C

B

B CH 20'-8"

L C

D

D

D

D

D

D

D

D

D

D

D

D

D

B

B

CALLIE WALTON C.V.WALTON@TCU.EDU

P

L

C L

MATCHLINE LT1.05 MATCHLINE LT1.08

C

B

D

CH 56'-1"

CH 36'-6"

B

B

B

L

MATCHLINE LT1.09

B

MATCHLINE LT1.05

MATCHLINE LT1.03

J

J

B

B

B

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

PERFORMING ARTS INSTITUTE

L B

CH 48'-4"

C

Issue Date: 2 MAY 2019

SCALE

M

MATCHLINE LT1.05 MATCHLINE LT1.04

B

M M

L

J J

PROJECT INFORMATION

M

L C J

C

C

C

M C

M

M M

C

C

J

M C

M C

C

M

M C

J

M

C

B

C

B

SHEET NAME

B B

J

1/8" = 1'-0"

LIGHTING PLAN PERFORMANCE HALL

P

B

B B MATCHLINE LT1.05 MATCHLINE LT1.10

SHEET NUMBER

B

P

P P

LT1.05


P

MATCHLINE LT1.07 MATCHLINE LT1.02

MATCHLINE LT1.06 P P CALLIE WALTON C.V.WALTON@TCU.EDU

R R

D P

P

P

P

P

MMMMMM

MMMMMM

PP P P

P

P

PERFORMING ARTS INSTITUTE

FS, TYP.

MATCHLINE LT1.07 MATCHLINE LT1.03

FS, TYP.

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

P

P

D

PROJECT INFORMATION

Issue Date: 2 MAY 2019

MATCHLINE LT1.06

C

P

D

PP P

D

P

P

P

D

D

MMMMMM

MMMMMM

D

P

J

D

L R MATCHLINE LT1.06 MATCHLINE LT1.07

SCALE

1/8" = 1'-0" SHEET NAME

LIGHTING PLAN EXTERIOR STADIUM SHEET NUMBER

LT1.06


MATCHLINE LT1.06 MATCHLINE LT1.07

D

R

CALLIE WALTON C.V.WALTON@TCU.EDU

D

D

MATCHLINE LT1.07 MATCHLINE LT1.05

MMMMMM

J C

MMMMMM

C C C

P

C E

E

J

MATCHLINE LT1.07

CH 19'-0"

C

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

P

C C

PERFORMING ARTS INSTITUTE

C E

PROJECT INFORMATION

D

E

J

MMMMM

J

MMMMM

P

P

C

Issue Date: 2 MAY 2019

SCALE

E

L

1/8" = 1'-0"

O

B

SHEET NAME

B D

LIGHTING PLAN INTERIOR CAFETERIA

CH 12'-2"

B

SHEET NUMBER

E O

LT1.07 MATCHLINE LT1.07

O

B

MATCHLINE LT1.07 MATCHLINE LT1.08


O

B

B

MATCHLINE LT1.07 MATCHLINE LT1.08

B E

MATCHLINE LT1.05 MATCHLINE LT1.08

P

O

CH 20'-8" B

B B

E

MATCHLINE LT1.05 MATCHLINE LT1.08

CALLIE WALTON C.V.WALTON@TCU.EDU

P P

CH 12'-2"

H

P

P

P

H P

H

H

P

P

P

H

P H

O

P

L

H

P

P

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

P

D

P

H

H

P

P

PERFORMING ARTS INSTITUTE

MATCHLINE LT1.09

O

D

MATCHLINE LT1.08 MATCHLINE LT1.09

H O

D

PROJECT INFORMATION

P

D

Issue Date: 2 MAY 2019

P

P

SCALE

P 1/8" = 1'-0"

P

P

SHEET NAME

P

P

P

LIGHTING PLAN EXTERIOR CAFETERIA SHEET NUMBER

P

P

PP

LT1.08 MATCHLINE LT1.09


CH 20'-8"

B

B

B

B

B

B

P

MATCHLINE LT1.05 MATCHLINE LT1.08

B

B

P P

CALLIE WALTON C.V.WALTON@TCU.EDU

P B

P

P

B

P

D

MATCHLINE LT1.05 MATCHLINE LT1.08

P

P

MATCHLINE LT1.09

P P

P

P

P

P

P

P D

P

P P

P

P

P

P P

P

D

P

MATCHLINE LT1.09 MATCHLINE LT1.10

D

P

P

P

P

P

P

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

D

P

MATCHLINE LT1.08 MATCHLINE LT1.09

D

PERFORMING ARTS INSTITUTE

D

P P

P

P

PROJECT INFORMATION

P P

P

Issue Date: 2 MAY 2019

P

P

P

P

SCALE

1/8" = 1'-0"

P

SHEET NAME

LIGHTING PLAN EXTERIOR CIRCULATION 1 (EAST) SHEET NUMBER

MATCHLINE LT1.09

LT1.09


MATCHLINE LT1.05 MATCHLINE LT1.10

P

B

P

P

P

B P

P

P

P

D

P

P

P

P

P P

P

P

CALLIE WALTON C.V.WALTON@TCU.EDU

P

P P

MATCHLINE LT1.09 MATCHLINE LT1.10

D

D

P

P P

P

D

MATCHLINE LT1.04 MATCHLINE LT1.10

P

P

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

MATCHLINE LT1.10

P

P P

P

P

P

P

P P

P

PERFORMING ARTS INSTITUTE

PROJECT INFORMATION

Issue Date: 2 MAY 2019

P SCALE

P

1/8" = 1'-0" SHEET NAME

LIGHTING PLAN EXTERIOR CIRCULATION 2 (EAST)

P P P

SHEET NUMBER

P

LT1.10 MATCHLINE LT1.10



MATCHLINE LT1.02 MATCHLINE LT1.01 PA02

CALLIE WALTON C.V.WALTON@TCU.EDU

D

F R

P

P

MATCHLINE LT1.01

F

F

F

F

F

F R ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

F

F

F PERFORMING ARTS INSTITUTE

R

F

F

F R

PROJECT INFORMATION

Issue Date: 2 MAY 2019

F

F

F

PA08

SCALE

1/8" = 1'-0"

R

PA09 MATCHLINE LT1.01

PA04

F PP

PP

PA07 PP

PP

PP D

MATCHLINE LT1.01 MATCHLINE LT1.04

P

F

F

SHEET NAME

LIGHTING CONTROL PLAN PARKING LOT SHEET NUMBER

LT2.01


D P

MMMMMM

MATCHLINE LT1.07 MATCHLINE LT1.02

EX06

TD01

P

CALLIE WALTON C.V.WALTON@TCU.EDU

D

D

P TD02

P

P

P

P

P

P

P

CH 16'-8"

D

DMX

R P

P

P

P

EX04 M M M M M M

R

R

PA10

PA05 P P

D

PA01

PERFORMING ARTS INSTITUTE

PROJECT INFORMATION

PA06

P

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

PP

PA03

P

M M M M M M

MATCHLINE LT1.02 MATCHLINE LT1.03

P

P

Issue Date: 2 MAY 2019

D

F

P

SCALE

1/8" = 1'-0" SHEET NAME

P

P D

F

F

F

F

P

LIGHTING CONTROL PLAN ADMINISTRATION TOUCHDOWN SHEET NUMBER

D

F MATCHLINE LT1.02 MATCHLINE LT1.01

F F

F

LT2.02


MATCHLINE LT1.07 MATCHLINE LT1.03

EX06

D J

EX05

J CALLIE WALTON C.V.WALTON@TCU.EDU

PP

PP EX04 M M M M M M

PP

M M M M M M

M M M M M M

MATCHLINE LT1.05

MATCHLINE LT1.03

MATCHLINE LT1.02 MATCHLINE LT1.03

DMX

M M M M M M

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

PERFORMING ARTS INSTITUTE

PA11

P

PROJECT INFORMATION

Issue Date: 2 MAY 2019

D SCALE

R

1/8" = 1'-0" SHEET NAME

F R

F

MATCHLINE LT1.03 MATCHLINE LT1.04

J J

MATCHLINE LT1.05 MATCHLINE LT1.04

LIGHTING CONTROL PLAN PARKING LOT SHEET NUMBER

LT2.03


F

MATCHLINE LT1.03 MATCHLINE LT1.04

MATCHLINE LT1.05 MATCHLINE LT1.10

MATCHLINE LT1.05 MATCHLINE LT1.04 MM MMMM

MM MMMM

MM MMMM M CH 19'-0"

MM MMMM

MM MMMM

EX01

MM MMMM

A

CH 17'-0" K

A

F

A

A

A

A

A

CH 18'-4"

E

A

F

A

A

RZ05

N

RZ02

F A

K

A

A

A

K

EX20

P

B

P

A

D A RZ06

P P P

A

A RZ03

K K

EX02

F

P

B

K F

A

RZ04 RZ08 A CH B 16'-8"

DMX

K

F

A RZ01 CH 18'-4"

ELV

K

CH 18'-4" RZ07

K

A

A

A

P

MATCHLINE LT1.04 MATCHLINE LT1.10

L

F

EX03

EX24

CALLIE WALTON C.V.WALTON@TCU.EDU

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

PERFORMING ARTS INSTITUTE

PROJECT INFORMATION

Issue Date: 2 MAY 2019

P

P

P

P

F

P

F

F

F F

MATCHLINE LT1.01 MATCHLINE LT1.04

D

P

P

P SCALE

1/8" = 1'-0"

EX19 D

SHEET NAME

LIGHTING CONTROL PLAN RECEPTION SHEET NUMBER

P

P

P

P

P

P MATCHLINE LT1.04

P

P

LT2.04


PH01

C

MATCHLINE LT1.07 MATCHLINE LT1.05

J

C

C

J

C

C

C

C

C

EX14 J J

C

C

B

ERZ02

ERZ03

C

MATCHLINE LT1.05 MATCHLINE LT1.08

C

B

B

B

CH 20'-8"

L C

D

D

D

D

D

D

D

D

D

D

D

D

CALLIE WALTON C.V.WALTON@TCU.EDU

P

L

PH02 D

B

B C

L

MATCHLINE LT1.05 MATCHLINE LT1.08

PH06

B

D

CH 56'-1"

CH 36'-6"

B

B

PH05 B

L

MATCHLINE LT1.09

DMX

B

MATCHLINE LT1.05

MATCHLINE LT1.03

J

J

B

B

B

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

PERFORMING ARTS INSTITUTE

L B

CH 48'-4"

PH03

C

Issue Date: 2 MAY 2019

SCALE

M PH04

MATCHLINE LT1.05 MATCHLINE LT1.04

B

M M

L

J J

PROJECT INFORMATION

M

L C J

C

C

C

M C

M M

M C

J

C

M C

M C

C

M

M C

J

M

C

B

C

B

SHEET NAME

LIGHTING CONTROL PLAN PERFORMANCE HALL

B B

J

1/8" = 1'-0"

P

B

B B MATCHLINE LT1.05 MATCHLINE LT1.10

SHEET NUMBER

B

P

P P

LT2.05


P

MATCHLINE LT1.07 MATCHLINE LT1.02

MATCHLINE LT1.06 P P

EX08

CALLIE WALTON C.V.WALTON@TCU.EDU

R R

ST04

EX07

EX21

D P

P

P

P

PP

ST05

P

MMMMMM

MMMMMM

EX06

P P

P

P

PERFORMING ARTS INSTITUTE

FS, TYP.

EX09

MATCHLINE LT1.07 MATCHLINE LT1.03

FS, TYP.

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

ST02

P

P

D

PROJECT INFORMATION

Issue Date: 2 MAY 2019

MATCHLINE LT1.06

C

P

D

PP P

D

P

P

P

D

D

MMMMMM

MMMMMM

D

1/8" = 1'-0" SHEET NAME

LIGHTING CONTROL PLAN EXTERIOR STADIUM SHEET NUMBER

EX10

ST03

D

R

L EX23

ST01

P

J MATCHLINE LT1.06 MATCHLINE LT1.07

SCALE

LT2.06


0

PH06

MATCHLINE LT1.06 MATCHLINE LT1.07

D

R

D

MATCHLINE LT1.07 MATCHLINE LT1.05

MMMMMM

J C

MMMMMM

C

D

EX22

PH01

CALLIE WALTON C.V.WALTON@TCU.EDU

C C

P

C E

E

J

MATCHLINE LT1.07

CH 19'-0"

C

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

P

C C

PERFORMING ARTS INSTITUTE

C E

PROJECT INFORMATION

D

E

MMMMM

SCALE

1/8" = 1'-0"

O

SHEET NAME

LIGHTING CONTROL PLAN INTERIOR CAFETERIA

D

CA01

B

ERZ02

ERZ01

B

CA02

E

L

EX11

EX14 J J

MMMMM

P

P

C

Issue Date: 2 MAY 2019

CH 12'-2"

B

SHEET NUMBER

E O

LT2.07 MATCHLINE LT1.07

O

B

MATCHLINE LT1.07 MATCHLINE LT1.08


O

B

B

MATCHLINE LT1.07 MATCHLINE LT1.08

B E

MATCHLINE LT1.05 MATCHLINE LT1.08

P

O

CH 20'-8" B

B B

E

MATCHLINE LT1.05 MATCHLINE LT1.08

CALLIE WALTON C.V.WALTON@TCU.EDU

P P

CH 12'-2"

H

EX13

P

P

P

H P

H

P

P

P

H

P

O

P

D

PERFORMING ARTS INSTITUTE

P

H

H

P

P

EC03

EC01

H

P

L

H

P

P

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

MATCHLINE LT1.09

O

EC02

D

EX12

MATCHLINE LT1.08 MATCHLINE LT1.09

H O

D

PROJECT INFORMATION

P

D

Issue Date: 2 MAY 2019

P

P

SCALE

P 1/8" = 1'-0"

P

P

SHEET NAME

P

P

P

LIGHTING CONTROL PLAN EXTERIOR CAFETERIA SHEET NUMBER

P

P

PP

LT2.08 MATCHLINE LT1.09


CH 20'-8"

B

B

B

B

B

B

P

MATCHLINE LT1.05 MATCHLINE LT1.08

B

B

P P

CALLIE WALTON C.V.WALTON@TCU.EDU

P B

P

P

EX17

B

P

D

MATCHLINE LT1.05 MATCHLINE LT1.08

P

P

MATCHLINE LT1.09

P

P

P

EX15

P

P

P

EX13

P

P D

P

P

EX18

P

P

P

P

P P

P

D

P

MATCHLINE LT1.09 MATCHLINE LT1.10

D

P

P

P

P

P

P

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

D

EX12

P

D

P P

P

EX16

P

MATCHLINE LT1.08 MATCHLINE LT1.09

D

PERFORMING ARTS INSTITUTE

PROJECT INFORMATION

P P

P

Issue Date: 2 MAY 2019

P

P

P

P

SCALE

1/8" = 1'-0"

P

SHEET NAME

LIGHTING CONTROL PLAN EXTERIOR CIRCULATION 1 (EAST) SHEET NUMBER

MATCHLINE LT1.09

LT2.09


MATCHLINE LT1.05 MATCHLINE LT1.10

P

B

P

P

P

B P

P

P

P

D

P

P

P

P

EX17 P

P

P

CALLIE WALTON C.V.WALTON@TCU.EDU

P

P P

MATCHLINE LT1.09 MATCHLINE LT1.10

P EX18

D

D

P

P P

P

D

MATCHLINE LT1.04 MATCHLINE LT1.10

P

P

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

MATCHLINE LT1.10

P

P P

P

P

P

P

P P

P

PERFORMING ARTS INSTITUTE

PROJECT INFORMATION

Issue Date: 2 MAY 2019

P SCALE

P

1/8" = 1'-0" SHEET NAME

LIGHTING CONTROL PLAN EXTERIOR CIRCULATION 2 (EAST)

P P P

SHEET NUMBER

P

LT2.10 MATCHLINE LT1.10



12.5

1.8

5.8

7.3

MATCHLINE LT1.02 MATCHLINE LT1.01

12.4

12.0 D

1.3

5.5F

7.3

7.1

6.3 6.4

F

6.7

7.2

6.7

7.5

7.0

7.6

7.6

6.9

F 3.1

CALLIE WALTON C.V.WALTON@TCU.EDU

R

P

P

MATCHLINE LT1.01

P

8.2

2.4

7.5

1.7

5.5

F

F

8.4

6.9

8.4

7.0

F

F

8.5

7.2

8.9

7.3

4.4 F

8.7

7.2

9.1

7.4

4.7 F

7.4

4.8 F

R

1.6

R

1.5

7.5 7.7

F

F

8.4 8.5

6.9 6.8

7.1

8.8 F

F

8.8

7.0

9.2

4.7

5.1

8.3 R

1.3

7.2

F

8.0

6.2

F

8.9

6.3

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

PERFORMING ARTS INSTITUTE

F

PROJECT INFORMATION

9.2

6.3

4.9

Issue Date: 2 MAY 2019

F

SCALE

1/8" = 1'-0"

0.0

0.0

3.5

4.2

7.6

5.7

7.1

5.4

F

R

PP

PP

1.2 MATCHLINE LT1.01

4.8

4.9

4.0

1.4

PP

PP

PP D

MATCHLINE LT1.01 MATCHLINE LT1.04

8.7

SHEET NAME

LIGHTING CALCULATIONS PLAN - PARKING LOT SHEET NUMBER

LT3.01


D

5.9

P

P

D

D

P

P

2.1

P

23.0

22.7

22.9

21.2

21.4

21.4

21.4

21.4

21.3

21.3

22.8

23.7

22.5

19.9

19.1

20.3

19.5

19.5

18.5

18.5

18.5

21.5

16.5

17.5

17.4

18.4

18.4

19.2

20.0

19.1

21.4

20.6

21.5

23.1

23.0

23.0

23.0

23.0

22.9

20.9

21.2

18.4

19.4

20.1

19.2

21.5

19.6

21.4

32.7

35.6

25.5

25.5

35.5

31.9

21.8

18.4

19.4

19.2

21.2

21.5

20.7

21.5

25.4

26.5

24.5

24.7

28.0

25.2

21.8

17.5

18.5

19.2

21.3

21.6

19.7

21.5

24.2

24.1

24.3

24.5

24.6

25.3

19.8

15.5

17.5

18.3

21.3

15.6

15.7

19.5

24.2

24.4

24.3

24.5

24.8

25.1

19.8

18.5

19.5

18.2

21.2

19.5

19.7

19.5

32.6

P

26.7

24.2

24.3

27.3

P

31.4

19.8

18.4

19.4

19.2

21.2

18.5

19.7

21.5

19.8

18.4

19.4

20.2

20.3

19.6

18.7

18.7

22.3

23.1

23.1

23.1

23.1

22.0

22.0

21.2

18.4

19.3

20.1

20.6

20.7

20.7

19.7

19.7

19.6

19.5

18.5

18.4

19.4

21.3

20.3

20.2

20.0

21.0

22.8

21.5

20.4

18.8

18.7

23.6

22.6

23.4

23.2

21.6

22.4

21.3

22.8

P

P

P

D

CH 16'-8"

M M M M M M

DMX

6.0

6.3

6.5

5.0

5.2

6.4

5.0

5.2

6.4

6.0

6.1

6.3

7.0

6.1

7.2

8.9

8.1

9.2

CALLIE WALTON C.V.WALTON@TCU.EDU

M M M M M M

P

1.1 P

7.2R

6.2

7.2

R

6.2

1.3

R

1.8

P

2.1

P

4.5

P

3.1

P

4.7

4.9

5.1 PP

1.8

P P

2.3

P

6.8

5.1

7.3

3.6

8.2

PERFORMING ARTS INSTITUTE

12.1

Issue Date: 2 MAY 2019

D

F

5.5

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

PROJECT INFORMATION

P

D

5.5

3.8

4.4

5.2

2.3

MATCHLINE LT1.02 MATCHLINE LT1.03

P

21.9

MMMMMM

MATCHLINE LT1.07 MATCHLINE LT1.02

10.6

10.0

12.1

4.6

SCALE

1/8" = 1'-0" SHEET NAME

P

P

5.6

F

2.6

P

7.3

D

D

8.7

8.2

8.1

6.3

1.8

5.8

F

6.0

6.2

6.4

F

6.4

F

F MATCHLINE LT1.02 MATCHLINE LT1.01

F

7.3

6.3

7.1

6.7

F

7.5

7.0

6.4 F

7.6

LIGHTING CALCULATIONS PLAN ADMINISTRATION TOUCHDOWN

SHEET NUMBER

LT3.02


6.0

6.3

6.5

5.0

5.2

6.4

5.0

5.2

6.4

6.0

6.1

6.3

7.0

6.1

7.2

8.9

8.1

9.2

1.8 5.1 P

2.9

M M M M M M

2.3

3.4

4.0

4.7

5.7

6.8

MATCHLINE LT1.07 MATCHLINE LT1.03

8.2

D

PP

PP

10.0

7.9

8.1

8.1

8.9

8.8

6.5

6.8

5.2

5.3

5.0

4.1

4.3

5.1

5.7

7.9

7.7

6.5

9.6

9.6

8.5

M M M M M M

PP

3.4

J

J CALLIE WALTON C.V.WALTON@TCU.EDU

M M M M M M

3.1

3.4

5.1

3.4

2.8

3.2

12.1

2.3

7.4

9.8

MATCHLINE LT1.05

2.6

MATCHLINE LT1.03

3.3

MATCHLINE LT1.02 MATCHLINE LT1.03

M M M M M M

4.1

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

PERFORMING ARTS INSTITUTE

PROJECT INFORMATION

Issue Date: 2 MAY 2019

D

12.1

4.6

3.0

4.2

SCALE

8.3R

1/8" = 1'-0" SHEET NAME

F

6.4 7.0

6.4 F

7.6

4.2

2.0

MATCHLINE LT1.03 MATCHLINE LT1.04

4.6

7.7

1.9R 8.4

J J

MATCHLINE LT1.05 MATCHLINE LT1.04

LIGHTING CALCULATIONS PLAN - PARKING LOT SHEET NUMBER

LT3.03


7.6 F 3.1

4.4 F

MATCHLINE LT1.03 MATCHLINE LT1.04

4.6

4.5 4.6

7.7 7.7

1.6

MATCHLINE LT1.05 MATCHLINE LT1.04

8.4

MM MMMM

7.4

L

1.1

0.5

0.5

0.6

0.6

0.7

0.9

1.0

1.1

1.2

1.4

1.8

1.4

1.4

1.4

1.4

1.4

1.4

1.5

1.5

1.5

1.4

1.4

1.7

1.7

1.9

2.2

1.3

0.5

0.5

0.6

0.7

0.8

1.0

1.1

1.3

1.5

1.8

2.9

1.9

1.9

1.9

1.9

1.9

1.9

2.0

2.0

2.0

1.9

1.9

1.9

2.0

2.1

2.4

1.4

0.6

0.6

0.7

0.8

1.0

1.1

1.3

1.6

1.9

2.2

3.3

2.7

2.7

2.6

2.5

2.5

2.6

2.7

2.8

2.8

2.6

2.4

2.3

2.2

2.4

1.4

0.6

0.7

0.8

1.0

1.1

1.3

1.6

1.9

2.3

2.7

4.1

4.0

3.8

3.6

3.5

3.5

3.6

3.9

4.0

3.9

3.6

3.1

2.7

2.6

2.7

4.8 F

4.9 4.8

1.8 1.6

F

4.5

1.8

5.4

6.8

12.0

17.3

20.4

2.7

4.2

5.2

6.3

11.2

15.9

18.5

3.0

4.2

4.8

5.8

10.5

14.5

16.7

A

MM MMMM

A

8.9

9.2

9.8

10.7

11.1

11.5

12.5

13.6

14.2

14.6

15.3

16.2

16.4

16.2

16.1

16.4

16.3

15.6

15.0

14.6

13.9

12.2

10.2

8.5

0.1

17.8

21.4

15.8

12.9

17.5

21.4

15.1

7.6

6.8

8.9

11.8

13.5

12.8

12.4

13.8

15.6

15.5

15.1

16.6

18.9

19.3

18.9

19.9

21.9

22.3

21.1

21.0

22.2

22.3

20.5

19.3

19.7

19.3

16.4

12.7

9.9

0.0

17.4

20.6

15.6

13.1

17.2

20.5

14.8

7.9

17.6

21.2

18.4

16.3

19.4

23.5

21.8

19.4

22.2

27.2

26.7

23.8

25.5

30.5

31.2

27.5

27.1

30.8

31.5

26.8

24.5

27.0

28.0

22.2

15.6

11.4

0.0

13.1

14.9

12.7

11.5

20.9

25.1

21.1

18.2

22.2

27.6

25.0

21.6

25.0

31.4

30.5

26.7

28.7

35.3

36.4

31.6

31.1

35.9

36.8

30.6

27.8

31.2

32.8

25.5

17.4

12.7

0.0

14.0

16.1

13.5

12.0

20.8

18.7

17.2

19.8

23.2

22.2

20.7

23.3

27.6

27.8

26.0

27.5

31.8

33.1

31.2

31.1

33.4

33.2

29.5

27.6

29.2

29.5

24.3

18.0

13.7

0.0

18.6

22.4

16.9

14.1

17.5

16.7

18.7

21.2

20.9

26.5

25.3

25.8

27.8

29.4

29.9

30.1

30.3

29.5

27.8

27.4

28.7

28.5

24.4

19.4

14.9

0.0

17.1

20.6

15.8

20.4

18.3

21.7

25.9

24.3

30.2

26.5

25.4

26.5

28.2

29.4

29.8

29.4

28.3

27.5

28.7

32.5

33.9

28.3

22.2

19.4

17.8

19.3

20.2

22.4

19.5

23.7

29.1

32.6

27.4

25.4

26.3

27.9

29.2

29.7

29.2

28.2

27.7

29.5

35.0

37.4

30.5

23.4

20.8

22.6

27.9

19.9

18.3

21.2

20.1

18.7

17.6

20.6

24.3

21.1

A

K

15.0

A

A

CH 18'-4"

A

A

A

20.3

22.4

25.8

22.1

25.1

30.5

26.6

23.3

26.9

33.6

24.7

23.5

21.9

24.7

29.2

29.1

26.2

25.5

26.7

28.3

29.1

29.6

29.5

28.6

27.8

28.7

31.9

19.8

22.6

22.0

21.0

23.3

26.8

27.2

25.8

26.5

29.2

30.5

29.9

30.1

31.4

31.1

29.0

28.5

30.2

18.8

22.2

26.7

24.8

22.2

25.1

30.5

30.0

26.9

28.5

34.0

35.1

31.5

31.2

35.2

36.0

31.3

29.4

30.2

26.2

27.9

34.1

34.9

30.1

29.8

34.8

36.1

30.6

A

A

A

A

A

N

E

A

A

A

CH 18'-4"

CH 18'-4" 13.4

14.8

11.6

7.2

14.4

16.1

12.5

7.6

18.7

22.6

16.2

8.6

13.3

17.4

20.8

15.0

8.1

18.7

17.8

18.4

18.7

16.2

12.7

30.2

25.7

23.2

26.1

28.1

22.6

15.9

36.0

29.6

26.1

30.5

33.9

26.4

A

A

33.1

28.3

23.2

21.5

44.6

42.6

30.8

27.2

22.9

21.5

43.9

49.2

31.5

27.0

25.2

27.6

29.1

24.0

32.7

34.5

29.2

23.3

21.5

43.2

47.0

28.8

24.1

24.4

25.6

26.1

22.4

28.6

32.6

35.1

29.2

23.1

21.4

44.1

40.2

43.0

28.3

25.8

28.7

30.8

25.1

A

B

A

CH 16'-8"

A

9.0

13.4

21.0

25.3

21.4

18.7

22.5

27.7

25.2

21.9

25.2

31.2

8.8

11.5

15.8

18.3

16.7

15.5

17.7

20.5

19.6

18.4

20.5

23.9

23.7

22.1

23.2

26.4

27.0

24.8

24.6

27.2

27.9

25.4

24.4

26.4

27.6

24.5

21.0

20.5

44.2

32.3

36.5

27.7

26.1

30.6

34.1

26.6

7.8

9.2

11.0

12.0

11.8

11.9

12.8

13.8

14.0

14.3

15.4

17.0

17.5

17.4

18.1

19.4

19.8

19.5

19.5

20.3

20.7

20.0

19.8

20.3

20.6

19.5

18.2

18.5

41.2

46.2

B

38.3

24.6

22.6

24.8

26.4

21.8

DMX

9.1

K

K

5.4

7.9

6.9

A

15.0

14.3

13.3

15.8

16.6

11.7

13.8

17.9

15.5

16.0

15.1

13.6

13.1

15.7

10.3

12.0

18.0

17.6

CALLIE WALTON C.V.WALTON@TCU.EDU

P P

P

P P P

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

PERFORMING ARTS INSTITUTE

4.6

K

5.0

F

A

D

K

K

6.2 F

B

17.1

P

8.8

10.1

9.1

4.0

8.1

K

4.7

CH 17'-0"

MM MMMM

5.1

6.9

K

12.1K

MM MMMM

CH 19'-0" 3.7

5.8

A

4.7 F

M MM MMMM

MM MMMM

MATCHLINE LT1.05 MATCHLINE LT1.10

17.2

MATCHLINE LT1.04 MATCHLINE LT1.10

F

7.0

8.8

5.1 PROJECT INFORMATION

Issue Date: 2 MAY 2019

4.9 F

4.0

6.2

P

P

P

P

F

P

12.2 F

F

MATCHLINE LT1.01 MATCHLINE LT1.04

3.5 1.3

6.2 2.9

P

P

P

P

P SCALE

1/8" = 1'-0"

D

8.2 P

P

11.1 F

D

5.4

P

6.6

SHEET NAME

LIGHTING CALCULATIONS PLAN RECEPTION

7.6 6.4

MATCHLINE LT1.04

SHEET NUMBER

P

P

P

LT3.04


C

C

C

L

C

29.4

28.4

28.6

27.4

27.4

26.9

27.2

26.0

17.4

18.1

18.1

15.7

12.5

12.2 9.9 9.5

L

D

D

30.0

26.8

24.2

23.9

17.9

16.2

15.6

15.1

14.8

17.2

14.8

12.9

10.0

12.8

13.7

12.7

13.0

12.4

8.3

9.4

8.8

C

C

10.3

8.4

6.1

4.7

5.1

20.5

9.5 4.0

20.5

14.9

6.7

5.4

19.5

22.7

15.5

15.5

15.0

15.9

10.5

12.6

12.0

11.2

12.5

12.0

5.6

10.0

12.6

10.5

6.3

7.0

6.9

64.9

6.0

7.8

7.0

6.9

6.9

8.2

7.6

7.6

6.8

8.2

8.0

7.2

6.0

5.4

5.3

4.6

5.0

5.1

9.7

8.1

7.8

6.3

5.0

6.7

5.7

5.6

5.3

9.8

8.1

7.3

6.3

5.0

6.5

5.6

5.0

6.0

9.2

8.8

7.6

6.9

5.4

6.1

4.8

5.2

6.1

9.0

8.4

7.8

6.3

5.9

6.2

5.5

6.2

6.6

9.0

8.1

7.1

6.7

5.4

6.0

5.5

6.0

9.8

9.0

8.3

7.2

6.9

5.7

6.0

5.8

6.1

10.3

9.4

8.1

7.8

6.3

5.8

6.8

4.8

7.1

12.1

9.9

8.2

7.1

6.5

D

D

4.9

5.0

4.8

4.5

4.3

6.8

6.5

6.2

4.3

5.2

4.9

6.9

6.0

5.9

5.1

D

D

5.4

6.7

5.6

6.9 5.6

7.5

6.7

4.1

6.3

4.8

6.9

7.5

10.2

8.7

7.5

6.7

5.7

6.9

5.7

6.0

6.5

10.3

8.2

7.6

6.6

5.6

5.8

4.4

6.3

10.8

9.5

7.5

6.5

5.7

5.3

10.0

9.7

7.5

8.0

7.8

7.4

7.4

5.7

9.3

8.6

8.4

7.9

6.2

6.1

6.2

5.4

6.5

6.4

6.0

13.0

12.5

12.1

14.8

18.4

18.3

17.8

17.8

16.5

14.6

22.0

22.7

6.3

6.1

28.7

27.9

27.0

27.8

C

M

24.5

4.6

6.9

4.3

5.3

4.3

6.5

7.1

5.5

4.6 5.2

14.4

24.5

M

C

6.6

4.2

5.9

20.2 26.9

5.0

4.8

5.8

12.0

5.7

5.4

24.9

5.1

5.6

5.2

15.8

16.6

13.0

20.6

25.3

20.7

24.4

M C

25.3 30.7

J

5.2

6.3

5.9

5.5

25.7

26.4 35.0

M M C

D

10.8 6.1

6.6

5.2

6.4

D

5.5

17.7

17.1

18.6

21.6

19.9

19.2

17.3

17.5

14.9

12.7

19.9

16.5

11.9

12.8

11.3

21.3

18.4

16.1

17.8

15.4

14.9

18.6

16.5

12.1

13.4

14.8

13.6

20.2

19.1

B

18.4

19.3

19.3

14.3

14.6

16.0

14.1

12.2

12.2

23.3

18.5

16.0

15.5

14.8

16.8

16.4

14.1

19.9

12.5

22.9

19.1

17.6

17.4

17.6

12.6

22.3

18.8

13.5

22.5

18.4

18.0

17.8

17.2

16.4

23.5

19.0

19.4

21.6

C

32.0 12.3

6.8

6.5

6.9

6.8

6.9

6.2

5.1

4.0

5.2

5.5

D

6.3

5.5

6.2

5.4

6.9

6.3

6.1

6.1

6.2

6.0

6.5

6.6

6.2

5.3

6.3

6.9

6.4

6.9

7.4

8.1

7.1

6.4

10.6

10.0

10.9

10.8

5.7

11.7

4.6

3.9

6.4

5.1

12.5

14.3

13.9

6.7

12.0

11.1

10.4

10.8

10.2

6.1

6.9

6.3

7.3

6.5

6.5

7.2

6.6

6.8

6.3

6.3

5.6

6.6

6.5

6.3

6.3

4.5

5.6

5.2

5.8

5.6

5.2

6.3

10.5

L

5.7

5.8

5.9

6.1 6.7

5.3

5.6

6.6

5.1

5.1

5.3

4.6

5.3

5.8

4.4

5.5

5.1

12.9

15.3

16.8

18.0

19.9

19.4

23.3

M

30.5

C

21.7

21.6

M C

J

J

12.3

15.1

16.2

14.0

18.4

16.9

12.6

13.1

17.0

11.1

15.8

15.0

16.7

19.7

12.6

14.9

18.4

12.6

17.3

12.5

18.2

16.3

19.9

19.1

15.2

12.4

15.3

19.2

13.4

18.4

13.6

19.5

15.5

17.8

19.5

18.6

18.3

19.2

17.3

14.8

19.5

14.2

19.2

14.7

12.4

16.5

18.9

23.4

18.1

15.4

15.1

18.8

13.9

19.3

14.7

10.1

15.7

11.8

17.7

B

14.1

18.9

18.1

16.4

14.5

12.5

19.3

15.5

11.2

17.1

13.0

18.9

15.1

23.9

16.0

17.5

13.3

19.6

16.6

17.7

18.5

14.3

18.2

20.2

22.4

23.8

18.9

18.7

15.0

17.2

18.0

14.1

12.0

15.6

14.4

17.3

18.2

21.3

17.2

16.6

B

14.5

14.6

16.1

12.3

16.7

12.5

14.8

15.3

22.1

19.2

15.8

16.8

13.5

17.9

12.8

17.8

13.5

17.1

18.1

20.3

22.0

19.7

16.7

14.9

16.2

19.3

13.5

18.5

14.4

13.5

12.6

17.0

B

L

B

D

D

B

CH 20'-8"

B

16.8

8.5

9.4

P

7.9

5.1

7.2

18.1

18.7

18.6

17.1

16.7

13.6

18.6

14.8

12.6

18.0

18.1

3.7

4.8

21.4

20.1

19.8

19.5

18.5

13.0

18.2

13.9

16.9

15.9

15.1

1.8

1.6

21.6

19.0

17.8

16.0

15.0

11.6

17.4

13.3

19.4

15.7

12.1

2.1

1.7

23.0

19.8

B

16.6

15.3

13.2

12.8

15.5

12.6

16.1

15.6

12.3

2.1

1.8

22.8

16.1

16.7

15.4

15.9

19.0

15.6

12.0

17.7

15.4

12.2

1.8

1.4

22.2

21.8

19.5

15.7

15.1

14.6

17.0

10.8

12.0

14.8

15.9

2.3

1.9

21.9

19.9

17.8

16.7

12.4

14.9

15.9

17.5

12.8

14.5

17.7

2.2

1.8

22.7

19.8

16.3

B

15.5

12.9

10.2

9.1

11.4

16.7

14.0

15.8

3.1

1.7

17.8

16.7

17.1

14.0

15.0

13.9

15.9

12.1

17.7

14.1

10.8

3.3

3.3

19.0

18.4

13.2

13.2

16.4

11.0

15.2

14.5

17.5

13.7

15.6

5.7

4.0

23.7

19.4

18.7

13.7

13.7

16.3

12.5

15.4

15.8

17.0

13.3

15.0

5.2

5.2

21.3

20.1

19.3

15.7

11.5

14.9

17.2

14.3

12.1

16.2

13.0

19.3

4.6

4.9

21.9

18.7

18.7

13.3

17.6

12.2

17.5

B

13.0

19.1

15.5

14.4

13.2

22.8

22.1

17.0

16.1

17.1

13.6

15.5

15.3

11.3

18.9

15.5

17.3

15.9

23.0

20.0

16.0

14.7

12.8

16.0

16.7

13.1

19.5

16.4

14.2

15.1

19.2

18.6

17.9

12.4

11.6

16.9

17.3

14.1

15.8

17.5

14.3

19.8

23.6

24.2

23.0

18.4

16.5

12.9

15.6

17.9

15.1

12.0

18.8

15.6

12.5

17.1

21.5

24.4

23.6

18.6

15.7

12.6

19.5

16.3

13.1

19.9

16.8

13.7

16.7

17.7

25.0

24.5

20.4

16.0

14.2

11.3

18.2

14.8

11.3

18.1

14.9

11.8

12.7

15.5

18.3

17.9

11.4

16.6

15.8

13.1

11.2

16.6

13.0

19.5

17.1

15.6

14.3

14.6

15.2

19.9

16.0

12.4

18.7

14.9

15.2

17.6

18.8

18.2

15.3 15.6

CH 36'-6"

C

5.1

5.3

5.5

5.5

B

B

CALLIE WALTON C.V.WALTON@TCU.EDU

9.1

5.9

M

23.9

M C

C

B

B

22.8

23.4

20.3

17.6

119.2 19.2 19.0

13.2

14.2

10.6

13.0

16.0

15.5

16.3

11.9

15.7

B

13.6

19.6

16.0

23.0

22.7

17.4

12.5

B

14.6

17.1

15.0

17.3

15.1

12.5

12.8

16.4

16.7

16.3

17.9

14.2

14.7

15.1

13.0

14.1

17.3

23.7

11.6

17.9

13.7

15.6

15.0

18.6

15.2

20.7

16.3

12.5

19.0

15.1

13.0

12.0

8.1

12.0

14.6

15.7

15.3

11.3

12.3

19.7

18.7

44.5

18.2

17.2

17.2

13.2

10.9

12.6

12.4

10.4

13.7

11.0

12.2

12.3

13.4

13.9

17.1

18.5

27.3

M

14.6

7.4

5.6

18.8 23.4

30.9

31.5

18.0

5.8

5.8

C

16.3

B

B

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

PERFORMING ARTS INSTITUTE

PROJECT INFORMATION

Issue Date: 2 MAY 2019

SCALE

19.0

24.3

18.1

5.6

12.2 23.9

8.9

17.6

17.4

5.0

5.9

4.5

5.9

5.6

4.9

5.3

4.2

5.6

6.0 LT1.05 7.2 MATCHLINE MATCHLINE LT1.08 18.4

5.5

D

B

15.5

C

5.0

5.5

11.9

B

C

10.6

4.5

5.5

14.3

C

12.0

4.3

6.9

17.4

M

15.1

55.6

5.8

30.7

17.5

28.7

5.4

29.9

15.7

4.7

5.7

31.9

6.2

6.6

5.6

14.8

15.0

10.4

6.4

5.2

13.8

5.8

CH 48'-4"

5.4

5.1

5.7

10.3

8.0

5.7

6.3

5.6

9.6

5.9

6.1

D

6.7

5.8

20.6

19.9

6.3

6.9

21.5

27.2

6.4

6.4

C

27.5

6.6

6.5

23.0

25.0

8.1

5.3

5.5

24.4

J

26.4

10.7

11.9 6.5

21.8

J

31.1

9.1

5.3

13.3

C

23.8

10.8

10.0

25.6

31.8

6.2

L J

MATCHLINE LT1.05 MATCHLINE LT1.04

30.8

30.0

C

7.5

L

J J

C

C

8.1

CH 56'-1"

L

C

8.1

D

M M

C

C

13.0

MATCHLINE LT1.09

J

J

15.4

MATCHLINE LT1.05 MATCHLINE LT1.08

J

J

MATCHLINE LT1.07 MATCHLINE LT1.05

18.2

17.2

17.1

B MATCHLINE LT1.05 MATCHLINE LT1.10

15.0

17.8

16.8

18.7

19.3

19.6

18.5

13.0

B

17.2

18.9

B

B

1/8" = 1'-0" SHEET NAME

LIGHTING CALCULATIONS PLAN PERFORMANCE HALL

P

SHEET NUMBER

P

P

LT3.05 52

P


4.0

8.9

P 6.0

4.9 3.8 2.3 4.0

5.1

4.5

0.0 5.2 5.0

5.3

5.2

5.8

5.8

4.7

5.3

5.9

5.8

4.7

5.9

5.9

5.8

5.8

4.9

5.9

5.9

5.8

4.3

5.8

4.6

5.8

5.7

5.3

5.7 5.8 5.8 5.9

4.3

5.8

5.8

5.9 5.9

6.0 5.1

5.2 5.3

P 10.8

5.3

9.5

5.2 5.3

9.8

8.6

9.1

0.0

5.2

5.4 4.7

5.3

6.0

4.6

6.0

4.2

5.9

4.1

5.9

5.0

5.9

6.1

5.4 5.5

6.0

5.6

SHEET NAME

LIGHTING CALCULATIONS PLAN EXTERIOR STADIUM

4.6

6.1

4.8

6.1 6.2 6.3 6.3

5.9

14.1

18.9

18.7

3.6

13.3

13.0

C

13.1

13.1

12.1

8.3

7.5

15.2

17.1

16.9

9.2

9.8

8.7

4.5 4.2 4.0 6.2 6.2

6.4 6.5

5.6 5.8

PP

9.9 10.0 12.5 9.3 8.1

6.3

6.4

3.9 4.9

5.6

5.0

4.0

5.3

4.0

6.3

6.4

6.4

6.6

6.5

6.6

6.5 6.7

6.7

7.1

7.0

6.8

D 6.7

D

6.8

7.1

6.9 7.0

7.2

P 10.4

7.2

11.6

10.9

10.7

10.2

10.2

9.7

MMMMMM

11.5

15.0

10.2

6.4

9.8

7.4

8.5

11.3

D

9.2

P

7.2

P

D

6.3

6.5 6.6 6.7

6.3

4.7

SHEET NUMBER

11.4

MMMMMM

P

11.0

9.9

P

3.5

3.6

5.2

5.0

6.5

D 3.2 3.4 3.8 4.3

5.5

5.3

5.2

6.2

6.3 6.4

5.5

5.9 5.0 5.1

13.4

4.1

5.3

13.8

24.8

9.7

11.9

7.9

8.8

6.2

MATCHLINE LT1.06

1/8" = 1'-0"

7.3

10.0

8.9

6.0

8.1

P

17.6

5.7

SCALE

18.2

14.5

13.5

5.7

5.4

6.3

6.2

Issue Date: 2 MAY 2019 6.1 6.2 6.2

D

8.2

9.4

10.2

10.2

9.7

P

P

10.0

6.4

15.9

15.8

24.4

19.9

17.6

13.2

15.0

18.7

20.5

12.4

13.3

13.2

5.6

5.5

5.4

6.2

FS, TYP.

MATCHLINE LT1.07 MATCHLINE LT1.03

6.0

5.1

5.9

6.1 6.1

6.0

6.0 6.1

6.0

6.0 6.1

5.0

6.0 6.0

5.9

6.0

5.9

5.1

PROJECT INFORMATION

5.1 5.8 5.9

6.0

6.0

5.9

6.0

5.4 5.5

5.3

5.4 1.4

5.2

5.3 1.4

5.2

5.3 1.4

5.1

5.2 1.3

5.1

5.3

16.0 12.1

5.2

5.8

5.9

5.1 5.2

16.9 12.0 2.1

5.0 16.9 12.9 12.1 12.3

5.2

12.8 12.0 12.2 20.4

5.2

13.8 12.9 15.1 22.3 18.6

5.9

12.8 12.0 20.2 18.4 14.8

R 7.3 9.1

5.2

12.9 20.1 18.3 15.6

13.0

5.2

20.0 17.2 16.5 12.8

13.3

5.0 13.8

16.1 16.3 12.6

13.1

7.2 8.6

P

5.1 8.4

5.2

13.8

16.2 12.4 12.8

24.0

7.0 7.2

8.3

P

14.1

14.3

22.6

P

14.1

20.3

2.9

7.1

10.1

5.2

13.8 13.8

12.3 12.6

23.6

15.4

5.9

14.8 17.9

12.4

23.3

15.9

14.8

5.8

5.9

18.8 18.9

20.5 23.0

15.5

14.3

15.1

6.0

16.8 12.0

22.7

15.2

13.8

14.5

5.5

5.9

5.8 5.9

18.8 14.9 12.1

15.8

13.4

13.9

6.7

8.9

5.9

5.8

17.9 18.8 19.9 17.2

13.0

13.4

6.0

6.0

6.4

5.8

5.8

5.8

3.8 3.9 4.4 4.3 5.9 5.9

5.8 5.9 6.0

5.8 5.8 6.0

15.0 17.7 18.8 19.0

13.0

6.5

4.2

5.4

7.0

10.0

D P

P MMMMMM

4.1

2.6

PP

8.8

P 15.6 16.7 21.9 22.3

8.0

8.6

4.5

5.8

7.5

9.5

5.9

10.2

5.2

6.1 10.2

4.0

7.0 6.1

P

7.0 21.7 22.1

9.1

5.8

4.8

6.2

7.8

8.6

8.1

8.0

8.0 9.1

R 6.4 5.4

6.3 2.3

5.4

3.3

6.5

20.6

21.9

6.2

5.0

5.1

6.4

8.1

8.4

8.3

7.4

5.2

5.2

6.5

18.0

8.2

7.2 22.4

7.5

5.3

5.4

16.5

17.6

8.1

5.7

15.5

8.6

4.4

15.3

6.1

8.3

6.0 22.2

9.0

13.7

14.4

5.1

6.8

4.1

6.3

FS, TYP.

9.6

13.1

13.7

4.2

5.7

MMMMMM

P

9.3

13.7

13.1

3.6

4.7

8.2

9.0 5.2

P

14.3

13.7

14.0

4.0

9.3

5.1 1.2

4.3

PERFORMING ARTS INSTITUTE 3.4

9.2

1.1 4.2

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

6.0

5.2 4.7 4.9 6.8 8.0

8.5 6.9

7.9

11.0

15.4

9.0

11.3

9.9

8.4

9.3

10.1

10.0

10.0

9.2

10.0

10.5

11.7

11.6

11.8

10.4

10.8

11.

11.

10.

9.4

9.7

15.2

9.3

9.8

L

10.0

10.2

15.2

13.2

R

7.7

10.6

8.4

6.8

53

8.7

6.4

8.2 D

6.7

4.9

4.2

5.0

LT3.06 MATCHLINE LT1.06 MATCHLINE LT1.07

CALLIE WALTON C.V.WALTON@TCU.EDU

MATCHLINE LT1.07 MATCHLINE LT1.02

2.1

P

8.9

10.2

MATCHLINE LT1.06


MATCHLINE LT1.07

4.1 3.1

3.0 2.0

2.2

0.9

0.8

1.3

1.2

0.8

0.3

D 5.2 4.0 0.0

P

4.7 2.3 0.0

1.1 1.0 1.0 0.0

D

0.0

10.7

16.8

20.6

13.3

6.1

18.4

8.3

9.7

9.9

7.4

4.2

18.7

17.7

17.6

17.4

7.0

5.8

12.6

21.6

9.3

18.6

9.4

9.5

7.8

24.6

20.0

12.4

11.7

16.2

19.1

13.1

22.9

35.1

26.5

14.8

14.4

24.5

32.7

19.8

16.1

19.0

24.5

20.1

13.5

13.4

20.1

25.1

16.5

16.4

14.7

14.8

14.9

13.0

10.5

10.5

11.9

12.7

10.4

20.7

18.0

18.9

17.6

13.8

11.0

9.9

9.2

8.9

8.2

6.8

15.6

11.9

15.4

20.9

9.4

9.3

8.7

19.5

17.4

17.5

17.4

10.7

10.0

15.4

22.2

18.2

19.6

19.0

18.7

18.4

18.5

19.9

15.4

18.3

16.2

16.0

15.4

15.9

L

21.6

18.4

5.5

5.1

5.1

36.1

5.3

5.7

23.0

6.4 18.8

E 6.3

3.7 3.4

31.2

27.5

16.8

12.2

11.2

11.2

9.9

25.0

37.1

32.5

18.2

13.8

16.2

19.5

15.5

17.2

20.2

24.9

22.4

15.6

14.9

22.9

33.5

24.1

15.7

16.0

16.7

16.3

15.1

12.7

13.7

20.6

29.1

21.9

18.2

16.9

17.0

16.4

14.1

12.4

11.4

11.7

13.7

15.6

13.4

O

4

23.0

20.1

17.2

16.4

23.2

12.8

O

22.0

22.4

17.5

18.1

9.9

31.8

23.7

17.0

8.0

37.0

19.9

27.8

25.7

19.0

5.1

24.6

16.9

6.6 4.9

4.9

17.0

14.9

14.1

14.6

13.8

18.1

13.7

12.8

13.5

17.5

14.8

16.3

11.7

16.7

14.5

14.9

14.9

15.7

15.0

15.6

14.5

14.6

18.6

12.7

17.5

12.8

17.5

12.7

16.0

16.5

19.9

15.1

10.5

16.0

15.8

14.1

12.1

16.5

12.0

14.6

17.2

12.2

13.4

11.9

17.7

15.9

12.2

14.8

12.8

17.1

5.0

13.0

17.3

15.4

14.3

6.4

19.2

17.8

19.3

B 16.1

19.3

B 18.4

B

LT3.07

4.7

11.1

10.1

18.9

17.4

16.6

21.1

19.7

0.0

17.1

10.9

10.6

13.7

24.5

26.3

19.7

8.4

E

18.0

9.3

17.6

33.8

31.4

6.3

12.9

E

7.8

11.9

12.1

21.3

19.1

B 20.2

SHEET NUMBER

CH 12'-2" 22.9

0.0

LIGHTING CALCULATIONS PLAN - INTERIOR CAFETERIA

O

SHEET NAME 22.2

0.0

1/8" = 1'-0"

13.7

12.3

10.2

MMMMM

12.5

J

MMMMM 11.2

C

SCALE

22.1

D

P

P

0.0

7.1

0.0

6.0 18.1

0.0

3.8 13.1 31.4

0.0

3.1 6.8 20.2

23.4

0.0

3.5 4.6 9.0 16.5

12.6

0.0

4.9 5.7 5.6 8.6

10.3

13.2

0.0

6.1 10.6 7.4 5.9 7.3

11.2

24.5

0.0

5.3 16.6 16.4 7.3 5.8

7.6

18.2

32.8

2.7

3.4 13.2 29.5 13.4 6.2 5.9

19.7

23.2

20.9

3.2

12.5 21.9 21.3 8.5 6.5

16.9

11.1

16.4

14.8

5.0

11.1 16.7 10.8 9.0 17.8

17.0

19.3

12.2

4.9

10.1 9.3 11.1 14.2

18.5

16.5

8.1

0.0

8.9 9.5 22.2 17.4

17.4

16.2

0.0

8.0 17.5 30.4

12.6

6.7

0.0

8.8 23.0 18.6

9.9

0.0

10.1 15.1

12.8

22.7

0.0

D

8.2 10.8

17.3

0.0

E

7.7

9.4

0.0

9.1

Issue Date: 2 MAY 2019

11.5

E

16.1

11.4

7.3

11.0

12.0

13.6

10.0

12.7

12.0

20.9

9.6

13.6

12.4

16.5

10.1

11.4

12.3

8.1

10.5

10.8

12.0

E

10.8

10.2

10.4

31.9

11.1

12.6

11.4

22.6

11.2

12.7

11.7

10.0

10.2

11.3

11.9

10.9

10.4

6.1

11.4

11.0

8.0

10.2

8.0

11.3

10.0

8.1

10.9

16.9

11.3

10.0

9.1

10.9

30.2

11.3

10.0

11.1

11.3

22.4

11.2

10.9

12.0

11.6

9.4

11.0

10.7

11.9

11.8

19.8

10.7

10.5

11.8

11.9

15.1

11.3

11.3

11.6

10.0

8.2

11.7

11.8

10.3

10.0

5.2

0.0

9.5 6.4

10.7

11.2

10.9

11.0

6.4

2.8

8.5 6.9 7.3

8.9 10.0 10.5

11.3

11.9

11.8

5.7

6.9 8.0 10.1

8.4 9.8 10.7 11.4

10.7

C

10.6

C

10.4

J C

11.1

C

11.7

MMMMMM

C

C

12.1

18.3

6.7

7.9 11.0 12.0

9.7 9.3 10.4 10.7

11.0

C

MATCHLINE LT1.07 MATCHLINE LT1.05 C

PROJECT INFORMATION

14.6

6.8

11.0 8.3 20.9

10.8 9.4 10.9 14.5 10.2

PERFORMING ARTS INSTITUTE 7.1

8.0

8.4 15.2 15.1

D

15.4 15.5

10.4 10.9 11.9 10.8

MMMMMM

15.2

11.8 11.9 10.1

R

11.6 11.1

J

CH 19'-0"

8.0

P

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

8.0

CALLIE WALTON C.V.WALTON@TCU.EDU 11.7

C

54

MATCHLINE LT1.07 MATCHLINE LT1.07

MATCHLINE LT1.06 MATCHLINE LT1.07


4.3

P

5.4 6.3

6.3

P

7.0

21.8

24.9

22.8

23.8

26.5

28.0

21.2

24.0

36.5

23.1

26.9

29.9

22.6

26.7

20.8

24.5

29.1

69.2

23.7

27.4

22.1

65.5

29.5

23.0

26.4

60.9

24.8

27.9

21.4

56.9 25.8

25.4

15.4 24.4

21.0

23.6

22.1

19.5

26.0

21.3

27.0

24.3

20.4

25.5

25.7

21.3

18.5

24.5

23.5

25.1

22.6

20.7

15.6

10.1 11.7

9.3 16.9

21.2 23.7

15.4

14.7

10.6

17.5

13.8

22.0

25.3

19.9

19.6

25.6

32.1

14.6

20.1

29.2

11.7

17.1

23.0

21.1

20.2

22.2

23.3

23.6

24.5 22.9

23.7 20.5

22.1 19.4

19.7 22.4

23.8 22.5

22.9 27.8

18.3 22.5

22.9 26.6

26.7

24.7

19.3 20.7

18.0

24.1

20.2

21.0

21.6

24.9

22.0 21.2

21.6 27.6

20.3 22.9 22.9

18.1 27.9 18.8

24.9 22.0 23.5

20.5

17.9 18.4

24.8

21.4 22.9

26.6

23.9 23.5 23.7

H

25.7 19.4 20.4

25.2

26.1 21.2 23.5 23.6

27.6

21.6 25.5 23.7

19.0

25.4

26.1 23.9

19.5

23.6 21.0

H

18.9

20.9 19.0 25.4 24.7

23.4

18.2 20.7 23.1 23.7 19.2

24.9

H

22.8 21.5 18.9 25.8 21.5

22.6 12.0

5.0 5.0

Issue Date: 2 MAY 2019

O 28.2 22.8

21.3 25.4

24.1

18.9

19.9

D

P

4.6

P

22.5

4.0

P

29.7 27.8

4.0

4.5

4.1

4.1

4.5

4.1

D

4.6

4.1 4.7 5.7 MATCHLINE 4.2LT1.08 MATCHLINE LT1.09

4.7

4.5

D

4.8

5.6

8.8

22.6

L

5.5

D

P

21.2

P

6.3

P

P

4.3

23.5

P

9.5

P

P

25.2

21.5

9.9

19.0

8.5

9.1

21.4

9.1

P P P

PROJECT INFORMATION

MATCHLINE LT1.09

28.3 28.5 27.3 23.9 28.6 71.8 20.6

P

24.6 24.9 23.1 29.0 73.3 24.1

P

20.8 26.5 28.1 73.4 26.3

29.5

25.2 26.4 25.5 72.3 27.4 21.3

O

21.7 21.5 69.8 27.1 25.3 18.6 18.2 26.3

H

25.9 66.0 26.0 27.9 20.6 20.7 19.5

25.5

29.3 60.5 23.6 29.6

O

53.9 29.9 20.2 22.1 22.5 22.0

10.5 35.0 21.1 14.9 17.3 18.2 16.0 12.4

6.0 24.5 29.9 22.5 23.7 23.7

H

28.2 28.6 21.9 24.0 24.6

20.9 26.3 20.4 23.2

H

CH 12'-2" 22.7 28.1 21.6 24.6

13.7 24.3 27.5 15.6 14.3 15.9 16.4 16.3

7.4

27.6 24.5 29.1 23.7 24.2

13.9 20.7 16.8 13.7 13.8 15.3 20.3 19.3

15.5

B

21.4

29.7 25.4 22.0 23.2

10.8 13.5 15.5 15.0 13.9 13.5 18.5 31.7

24.1 23.5 20.6 19.4 21.4

26.3 26.6 24.8 18.5 18.6

6.9 28.9 17.9 20.7 22.5

11.7 11.3 13.2 16.9 18.1 13.9 14.3 26.8 29.1

16.3 17.8

H

20.3 17.7 19.3

11.4 12.3 16.9 27.2 20.5 12.8 15.6 24.6

O 22.6 18.1 23.1

12.4 15.0 28.2 34.4 16.5 11.1 13.6

18.6

18.0 18.4 16.8

15.5

18.9

9.4

P

H

20.3 26.2

14.1 20.2 35.8 24.3 12.1 9.3

O 23.0 18.7

16.4 23.4 25.2 15.6 9.6

17.1 11.3

16.3 14.0 15.0 18.2

16.5

14.1

H

21.3 20.4

17.0 20.5 19.1 13.6

.7 12.8 13.6 18.1 16.2 15.8 12.5 19.5

B

22.4

P

P

28.5

4.3

P

1/8" = 1'-0"

5.3

P

SHEET NAME

P

3.9

SHEET NUMBER

3.5

3.5

P

P

LIGHTING CALCULATIONS PLAN EXTERIOR CAFETERIA

P

LT3.08 3.2

2.2

P

P

PP

55

MATCHLINE LT1.09

PERFORMING ARTS INSTITUTE

22.7

16.9 20.0 22.8 13.5

.9 14.8 17.4 15.1 11.1 17.3 13.6 12.4

17.7

15.1

CH 20'-8"

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS 25.1

18.2 28.5 9.4

E

23.2 7.3 5.9

7.9 6.6

12.8 9.9

26.9 17.4

37.2

24.6

.4 12.2 12.3 17.0 12.6 18.4 14.7 11.8

18.9

20.2

18.2

5.3

.2 14.6 13.1 18.4 13.4 19.2 15.7

13.0

18.2

17.3

15.3 20.3

5.7

5.2

4.5

E

5.1 5.7

8.2

4.9 5.5

.5 12.6 14.9 19.2 14.2 10.1 17.1

14.3

14.4

14.8

18.1

17.0

7.6

.9 12.6 15.3 19.5 14.7 11.2

18.5

15.6

12.5

17.1

12.6

5.6

.7 12.4 14.8 19.3 15.5 17.7

12.0

16.7

13.5

13.5

6.2

.2 17.3 13.9 19.3 16.6

14.1

12.3

17.8

14.4

.9

.2 18.8 12.5 19.6 18.0

16.1

12.8

18.5

8.9

.1 14.5 13.3 17.2

14.6

17.9

13.5

MATCHLINE LT1.05 MATCHLINE LT1.08

17.6

.4 17.5 15.0 14.5

13.5

19.3

B

.0 18.7 16.6

16.8

16.2

18.4

.9 17.2 15.8

14.9

6.0 LT1.05 7.2 MATCHLINE MATCHLINE LT1.08

.3 19.2

16.7

B

.1 19.7

B

.0

4.5

6.4

27.8

13.4

CALLIE WALTON C.V.WALTON@TCU.EDU

5.0

MATCHLINE LT1.07 MATCHLINE LT1.08

SCALE


16.1

14.1

17.7

11.2

10.1

19.2

18.4

17.3

15.8

14.0

12.8

12.3

12.0

18.5

17.1

15.7

14.7

13.6

12.5

15.0

18.4

B

17.9 13.5

19.9

12.0

14.1

16.7

15.5

12.2

14.9

16.3

16.4

15.0

12.9

12.4

15.1

15.9

13.2

15.0

18.5

16.7

14.9

16.8

18.8

15.8

13.1

15.3

17.5

17.2

12.5

11.0

13.9

10.2

14.9

14.6

19.0

12.8

11.6

13.0

13.6

CH 20'-8"

19.3

18.1 15.6

B

17.1 18.2

15.1

B

18.8 22.7

B

23.0 14.7 19.0 17.2

8.5

11.3

13.0

14.3

15.4

15.2

15.9

9.1

15.9

17.0

15.6

15.5

17.4

18.2

18.6

18.5

17.8

16.7

15.6

14.3

13.0

11.8

12.4

19.5

18.2

16.4

18.9

19.1

12.1

15.8

14.5

12.1

11.4

17.5

10.8

12.0

12.6

13.3

13.9

14.8

14.4

13.5

12.5

14.4

18.2

18.9

17.7

B

16.5

15.5

16.3

19.8

14.2

15.5

15.5

16.2

17.0

17.5

17.7

16.7

12.8

12.0

17.7

16.1

19.4

16.9

12.6

13.5

17.1

14.8

17.3

20.2

15.1

14.1

18.9

17.8

21.5

23.6

15.1

17.3

14.4

13.0

13.3

13.7

14.0

14.5

14.8

15.4

15.6

15.7

15.9

18.0

12.6

18.1

15.3

18.2

15.9

13.2

19.3

15.0

15.6

10.8

15.8

17.7

15.9

12.2

12.3

12.1

15.1

18.1

17.0

20.3

18.7

18.3

19.6

19.4

19.4

19.2

19.1

18.9

18.5

7.4

19.5 14.3 17.1

16.8

17.5 12.5 17.7

9.1

15.6 16.7 15.5

22.4

14.1

B

P

5.5 4.5

P

P

9.4

13.7 12.7

P

P

B

11.8 14.6

5.5

7.2

B

14.3 15.3

P

15.6

14.4 10.1 7.4

MATCHLINE LT1.05 MATCHLINE LT1.08 MATCHLINE LT1.09

9.9

P

P

P

P

P

P

9.1

P

P 4.3 D

9.5

15.5

P

6.3

P

P

P

9.9

P

P

4.8

P

5.5

P

6.6

D

P

P

P

4.6

4.5

4.5

4.1

4.1

4.1

4.0

PROJECT INFORMATION

4.2

4.2

4.1

4.8

4.9

3.9

4.8

4.1

4.2

4.2

4.2

4.7

5.6

5.5

5.9

5.8

5.7

5.7

4.8

4.1

5.7

4.7

4.9

5.6

D

4.8

P

4.0

5.5

P

4.6

4.7 5.6

P

4.7 5.7 4.2LT1.08 MATCHLINE MATCHLINE LT1.09

4.7

PERFORMING ARTS INSTITUTE

4.9

5.2

P

5.0

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

MATCHLINE LT1.09 MATCHLINE LT1.10 4.9 4.8 4.6

P

P

Issue Date: 2 MAY 2019

P

P

SCALE

P

1/8" = 1'-0"

P

LIGHTING CALCULATIONS PLAN EXTERIOR CIRCULATION 1 (EAST)

P

LT3.09 MATCHLINE LT1.09

CALLIE WALTON C.V.WALTON@TCU.EDU

SHEET NAME

SHEET NUMBER

56


B

17.2

17.1

15.0

17.8

16.8

18.7

19.3

19.6

18.5

13.0

17.2

14.3

13.3

15.8

10.7

13.5

17.7

16.4

17.1

19.2

16.7

19.4

16.6

11.7

13.8

13.4

15.9

15.8

14.9

15.2

17.4

16.6

17.9

15.5

16.0

18.6

15.1

16.0

15.8

15.7

16.6

15.1

13.6

13.1

16.4

17.3

19.0

15.7

10.3

12.0

15.0

18.0

17.6

B

P 18.9

15.1

P

P

P

P

4.7

5.5

P

7.2

5.5

7.4

5.5

4.5

4.3 D

4.7

4.4

4.2

4.1

P

P

P

D

P 4.1

3.9

5.0

4.7

5.5

4.6

4.5

P

P

5.0

5.0

4.7

4.6

4.5

4.4

5.3

5.1

5.0

MATCHLINE LT1.04 MATCHLINE LT1.10

4.9

10.1

P

P

P

4.6

P

P

P

P

14.4

21.4

4.9

MATCHLINE LT1.09 MATCHLINE LT1.10

4.8

P

4.6

4.9

4.7

5.4

3.9

4.7

5.4

4.2

4.7

5.5

4.7

5.4

D

P

5.6

4.8

P P P

P D P

ARCHITECTURAL LIGHTING DESIGN SENIOR THESIS

P P

P

P

P

P

P P

CALLIE WALTON C.V.WALTON@TCU.EDU

MATCHLINE LT1.10

MATCHLINE LT1.05 MATCHLINE LT1.10

P

PERFORMING ARTS INSTITUTE

PROJECT INFORMATION

Issue Date: 2 MAY 2019

SCALE

P

1/8" = 1'-0"

P

SHEET NAME

LIGHTING CALCULATIONS PLAN EXTERIOR CIRCULATION 2 (EAST)

P P P

SHEET NUMBER

P

LT3.10 57

MATCHLINE LT1.10


52


LIGHTING EQUIPMENT SCHEDULE Images

Watts

Volts Location

Finish

FA

LED ceiling recessed RGBW downlight; Colorful Architectural LxWxH 7.25"x9 3/4"x7 3/4"; Remote Illumination Driver SH6LDC70RGBWDMX-VO24SR6LED21W

LED (Integral) 2700k 357.43 Lumens 60+ CRI 35000 Hrs 60 degree beam spread

20W

120V Reception

Painted White 0-10V (LED) DMX

FB

Cylinder LED pendant 5' suspended; Times Square Lighting LED (Integral) diameter: 4", height: 11.5"; canopy mount PCT20-W-20-DXTC- RGBW with terminal block for DMX DX-SP60 40 degree beam spread 90CRI 2000lm 50,000 hours

25W

120V Performance Hall Painted White 0-10V (LED) Lobby; Reception DMX

FC

RGBW Vertical linear surface mounted outdoor LED strip; .63"x.67"x27'; Remote Driver

145lm/ft LUMINII KBL-F-V-RGBW-EPF- 50,000 hours 20 90 degree beam spread Control: PSDMX-3x96- 90CRI 24 RGBW

4.57w/ft

24VD Exterior C

White

0-10V (LED) DMX

FD

RGBW Horizontal linear surface mounted outdoor LED strip; .63"x.67"x27'; Remote Driver

145lm/ft LUMINII 50,000 hours KBM-F-H-RGBW90 degree beam spread EPF-EC-20 Control: PSDMX-3x96- 90CRI 24 RGBW

4.57w/ft

24VD Exterior C

White

0-10V (LED) DMX

FF

LED exterior mounted double head bollard; 7"x7"x14.8"; Integral Driver

Technilum Creille Qui Pousse

120V Exterior Parking

Black Steel

LED-ND

FH

LED suspended pendant with white steel UL housing and frosted lens enclosure for the MPSeries-1273 lamp "12 white LED"; 8.5"x8.5"x17"; Integral Driver

527.5lm 81.6CRI 2670K 0-180 degree beam spread 50,000 hours

White Steel

0-10V (LED) DMX

FI

LED wall mounted task fixture with lens; Astro Lighting 1.3"x4.133"x35.4"; Integral Driver 7110 Axios 900

3000K 80CRI 90 degree beam spread 50,000 hours 561.31lm

10.8W

120V Reception

Polished Chrome

LED-ND

FJ

LED, RGBW Floodlight or accent lighting ground or surface mounted; linear spread lens vertical/ horizontal distribution; 13 3/8"x5 3/5"x18 3/4"; Remote Driver

3,366lm 120,000 hours RGB + White (4000K) 90CRI 40 - 60 degrees beam spread

100W

277V Exterior, Electrostaticall 0-10V (LED) Performance Hall y applied DMX polyester powder coat

FK

Ground recessed wall washer for exterior Lumenpulse faรงade; 48"x8.5"x5 9/16"; Remote Driver LOI HO-120/277-48RGBW-10X90-TSOINTL-DMX/RDM-CE

4,178lm 28,000 hours RGBW 80CRI 10X90 Degree Optics

20W

120V Reception

FL

Double sided LED luminous panel for Hansen indoor/ outdoor applications, wall or ceiling recessed (600mm deep into wall); 11mm thick with custom LxW dimensions; Remote Driver

50,000 hours 2700-6500K + RGBW 1400lm IP20

FM

1900K LED recessed architectural step lighting; Edge Lighting 2 13/16"x1 13/16"; Remote Driver AST-06-BL-B-L-G-3.0- 80CRI W-PSU 75,000 hours 90 degree beam spread 60lm/W

Type

Description

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Manufacturer/Catalo Lamp/Source

Lumenpulse LBG-120-RGBW-XNWFL-LSLV-BRZTXDMX/RDM-CRC-UL100FT

LED (Integral) 4000K 439/1440 Lumens / Feet 60,000 Hrs 90CRI 60 degree beam spread

8W

58.61lm/W 120V Collaborative Space 2

Aluminum

Dimming

0-10V (LED) DMX

40W/m(^2) 120V Exterior Acrylic Glass 0-10V (LED) Reception, DMX Performance Hall

3W

120V Performance Hall, Titanium Exterior Circulation

Date: 19 March 2019 Project Name: Callie Walton

0-10V (LED) DMX

F 53


FN

LED linear suspension decorative Tech Lighting pendant; 4.5"x 54"x 50"; Remote Driver 700LSSURG-S-LED

80CRI 3000k 4200lm downlight 800lm uplight 50,000 hours

63W

120V Reception

Satin Nickel

Dimmable Low voltage electronic dimmer

FO

LED exterior wall mounted fixture; Astro Lighting 141mmx141mmx51mm; Integral Driver 1331008 (8116)

3000K 269.9lm 80CRI LED (Integral) 60,500 hours

4.4W

230V Exterior

Textured White

LED-ND

FP

RGBW, LED ground spot light with 60 degree optics; dimensions unknown; Remote Driver

Intertek Model Number: 700OWMNMD930xx1 0Y

3000K + RGBW 41488lm 83CRI 60 degree beam spread VS

16.27W

120V Exterior

Textured Black

0-10V (LED) DMX

FR

LED, in-ground base mounted, outdoor luminaire with down light symmetrical optic; 8'-113/4"x10'-91/8"x17'-61/2"

iGuzzini Model Number: I.ADR1-UNV-01 Accessory: I.0453

3000K 2579lm 80CRI 360 degree downlight 50,000hrs

22W

120V Exterior, Parking Painted White LED-ND Lot (RAL9016)

FS

LED, mounted 1/8" in ground, linear iGuzzini 4000K exterior decorative luminaire; 5/8" x 5/8" Model Number: 4549- 461lm x 15'; Remote Driver 0500-027-UNV-SD10 80CRI General Lighting Optics 60,000hrs

1.7W

120V Exterior Stadium Stainless Steel 0-10V (LED) DMX

END OF SECTION

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

F

54


DIMMING SCHEDULE SYSTEM: DMX LOAD TYPES Wall Box Legend Off Switch LED-ND WA WB DMX Dimming (Control Bright System) WC ELV (Electronic Low Voltage) Dimmer Zone

Type

Reception RZ01 FA RZ02 FN RZ03 FE RZ04 FA RZ05 FE RZ06 FI RZ07 FA RZ08 FB Exterior EX01 FK EX02 FF EX03 FM EX04 FM EX05 FP EX06 FM EX07 FD EX08 FP EX09 FP EX10 FD EX11 FP EX12 FD EX13 FP EX14 FJ EX15 FP EX16 FP EX17 FP EX18 FD EX19 FD EX20 FP EX21 FR EX22 FR EX23 FL EX24 FL EX25 FL Exterior Reception ERZ01 FL ERZ02 FB ERZ03 FL Exterior Stadium ST01 FR ST02 FC ST03 FD ST04 FR ST05 FS Parking Lot PA01 FF PA02 FD PA03 FP PA04 FP PA05 FP PA06 FD PA07 FD PA08 FR PA09 FR PA10 FR PA11 FR Staff Touchdown TD01 FD TD02 FP Exterior Cafeteria EC01 FH EC02 FO EC03 FL Cafeteria CA01 FE CA02 FO Performance Hall PH01 FC PH02 FM PH03 FD PH04 FC PH05 FL PH06 FL

Watts

Qty

Ttl. Load

Load Type

20 63 4.85 20 4.85 10.8 20 25

16 1 20 4 1 1 4 3

320 63 97 80 4.85 10.8 80 75

DMX 0-10V (LED) ELV DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) LED-ND LED-ND DMX 0-10V (LED)

Ceiling Recessed Downlight Suspended Decorative Fixture Linear Strip Cove Lighitng (per foot) Ceiling Recessed Downlight Linear Strip Cove Lighitng (per foot) Wall Mounted Task Fixture Ceiling Recessed Downlight Decorative Pendant

20 8 12.8 12.8 16.27 12.8 4.57 16.27 16.27 4.57 16.27 4.57 16.27 100 16.27 16.27 16.27 4.57 4.57 16.27 22 22 40 40 40

9 6 36 20 6 46 3 12 15 5 4 4 28 12 16 29 15 4 2 16 1 1 1 1 1

180 48 460.8 256 97.62 588.8 13.71 195.24 244.05 22.85 65.08 18.28 455.56 1200 260.32 471.83 244.05 18.28 9.14 260.32 22 22 40 40 40

DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED)

Ground Recessed Wall Washer Exterior Bollard Exterior Step Lighting Exterior Step Lighting LED Ground Spot Light Exterior Step Lighting Ceiling Mounted LED Strip (per foot) LED Ground Spot Light LED Ground Spot Light Ceiling Mounted LED Strip (per foot) LED Ground Spot Light Ceiling Mounted LED Strip (per foot) LED Ground Spot Light Surface Mounted Flood Light LED Ground Spot Light LED Ground Spot Light LED Ground Spot Light Ceiling Mounted LED Strip (per foot) Ceiling Mounted LED Strip (per foot) LED Ground Spot Light Exterior in-ground Bollard Exterior in-ground Bollard LED Panel LED Panel LED Panel

40 25 40

1 21 3

40 525 120

DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED)

LED Panel Decorative Pendant LED Panel

22 4.57 4.57 22 1.7

1 1 5 1 34

22 4.57 22.85 22 57.8

DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED)

Exterior in-ground Bollard Wall Mounted LED Strip (per foot) Ceiling Mounted LED Strip (per foot) Exterior in-ground Bollard Exterior Decorative

8 4.57 16.27 16.27 16.27 4.57 4.57 22 22 22 22

28 6 21 10 4 1 1 3 2 3 2

224 27.42 341.67 162.7 65.08 4.57 4.57 66 44 66 44

DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED)

Exterior Bollard Ceiling Mounted LED Strip (per foot) LED Ground Spot Light LED Ground Spot Light LED Ground Spot Light Ceiling Mounted LED Strip (per foot) Ceiling Mounted LED Strip (per foot) Exterior in-ground Bollard Exterior in-ground Bollard Exterior in-ground Bollard Exterior in-ground Bollard

4.57 16.27

2 4

9.14 65.08

DMX 0-10V (LED) DMX 0-10V (LED)

Ceiling Mounted LED Strip (per foot) LED Ground Spot Light

58.61 4.4 40

9 3 1

527.49 13.2 40

DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED)

Suspended Sphere Pendant Wall Mounted Sconce LED Panel

4.85 4.4

11 3

53.35 13.2

DMX 0-10V (LED) DMX 0-10V (LED)

Recessed Indoor Linear Strip (per foot) Wall Mounted Sconce

Contractor to field verify lengths

4.57

13

59.41

DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED) DMX 0-10V (LED)

Wall Mounted LED Strip (per foot)

Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths

72 14 1008 Project: Performing Arts Center 4.57 13 59.41 4.57 13 59.41 Architectural Lighting Design 40 1 40 Lighting Designer: Callie Walton 40 5 200

Texas Christian University

Description

Step Lighting Date:Exterior 19 March 2019 Ceiling Mounted LED Strip (per foot) Wall Mounted LED Strip (per foot) LED Panel LED Panel

Project Name: Callie Walton

Notes

Contractor to field verify lengths Contractor to field verify lengths

Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths

Contractor to field verify lengths Contractor to field verify lengths

Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths Contractor to field verify lengths

Contractor to field verify heights

Contractor to field verify heights Contractor to field verify heights

Contractor to field verify heights

Contractor to field verify heights

F

55


CUTSHEETS

56


SR6LED21

CATALOG NO. TYPE

6” RGBW RECESSED DOWNLIGHT

DMX/BLUETOOTH

RGBW.COM

PROJECT

APPLICATION For the use of direct ambient and/or accent lighting. To install as recessed in ceilings. Belongs to C70 series family. Perfect for applications desiring a dynamic color changing effect. Recommended for retail, modern residential, hospitality and entertainment installations. Miniature downlight recommended for low to medium height ceilings. RGBW design allows fine-tuned pastel colors and saturated hues without sacrificing illumination brightness.

ELECTRICAL Power In put:

Power In put Connection:

Power Consumption:

Direct 120V-240V AC input comes standard. Available with 24DC or 120V-277V options. 0.15A Max. See ordering guide below.

Direct Line Voltage hardwired inside electrical junction box. Standard knock-out conduit entries with multiple sizes for through wiring.

0.1- 20W. (Stand-by wattage not included).

PHYSICAL Environment:

9w”

IC rated for direct contact with loose insulation.

Construction:

Made of heavy gauge cold-rolled steel to protect light emiting diodes, other electronics and preserve optical alignment. Integral junction box provides easy access for electrical maintenance, via remodeling clips. Die-Cast construction trim ring flange covers ceiling opening. Steel Blades/Springs installed on trim for a tight gap-free installation onto housings. Recommended for ceiling thickness up to 0.75”.

Housing Finish:

Painted black to eliminate stray light leaks.

7w”

L70 Life:

74” 124”

35,000 Hours for ambient temperatures under 85ºF.

Temperature Rating: 0°F - 120°F Ambient. COLOR DETAILS DirectDMX Color Control:

Color controlled with USITT DMX512A Standard Protocol to work with Coloronix or 3rd Party DMX Systems such as the Color Kinetics® iPlayer 3. On board Dip Switches inside the Data Enabler allow selecting of DMX addresses between 1-512 in a given DMX universe. DMX Data fed to housing via standard RJ45 connectors. Data Input/Output ports allow daisy-chaining of DMX Signal.

7w”

Color Mixing: Using InternaMix™ proprietary technology, colors are efficiently blended together through an internal mixing chamber. The one-color output reduces unsightly views of isolated Red, Green and Blue Diodes for a seamless rainbow-free appearance.

D imming:

Wireless Bluetooth Control:

Smooth and flicker-free dimming of all colors down to 1% using Patented Color Mixing and Dimming technologies developed at Philips Color Kinetics®

Static Color Available:

Optional function to set all DMX values to 100% Data Loss use (-EMDATA)

Bluetooth control via wireless data enabler. Call up standard colors or shows. One Bluetooth enabler per zone. Each fixture is indivudually controlled. All Std. Colors, Consult Factory.

Ceiling Opening : 62”

LED Die Colors:

Emergency Data Function:

Red (620-635nm) Blue (450-465nm) Green (520-535nm) Neutral White (4000k)

COMPATIBILITY

SAFETY

Accessories:

ETL Listed Complies to UL1598 and ANSI/UL 8750. Damp Location Rated. IP62 Protection.

SWR2RJ45-BK-72: 72" RJ45 Extension PCL002: RJ45 DMX Terminator SDEBT-24VRGBW-400: 200W 4-Channel

ORDERIN G HOUSING SH6LDC70RGBW

PCL003: DMX RJ45/Terminal Block Coupler PCL004: RJ45 Coupler

example: SH6LDC70RGBWV024/SR6LED21W

CONTROL POWER INPUT Blank : DMX Blank : 120V-240V AC -WALIB : Wireless Bluetooth V024 : 24V DC V277 : 120V-277V AC

FINISH /SR6LED21B : Black /SR6LED21W : White

COLORONIX | WWW.RGBW.COM | PH. 323.677.4242 | A DIVISION OF EEMA LIGHTING GROUP | ALL RIGHTS RESERVED | PRODUCT SPECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton

Date: 19 March 2019 Project Name: Callie Walton

FA

Texas Christian University

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FA 57


MOSAIC Pendant Color Mixing - Tunable White The Mosaic Pendant is a sleek, architecturally styled fixture with a dramatic full color output. It also features tunable white from 1800K-8000K and high CRI. Rich blues, ambers, reds, violets and greens can be added in gradients or can completely saturate the output of the light. Interchangeable reflectors allow beam angles between 10° and 60°. This fixture will modernize almost any hospitality space, including restaurants, hotels, nightclubs and bars. Key Features: • 2000 Lumen Output • 4 DMX Channels • Tunable range: 1650 - 8000K tunable white. • 90+ CRI

• • •

5 Holt Drive, Stony Point, NY 10980 845-947-3034 www.tslight.com

Dimmable from 100 - 0.1% at constant CCT <2 MacAdam ellipse over 50,000 hour life On-board Bluetooth Low Energy (BLE) included in every fixture

Manufactured in the USA - IBEW

Power • • •

Power Consumption: 25W Max. Operating Temp.: 104°F (40°C) ambient 90-305 VAC, 50/60 Hz Do not install on a circuit containing a dimmer.

Optics •

10°, 20°, 40° or 60° field-changeable reflectors

Weight •

Weight: 5 lbs.

Ordering Matrix Model

Finish

Optics

Mounting

Dimming*

Cable / Stem Length

PCT20

B - Black W - White S - Silver CC - Custom Color

10 = 10° 20 = 20° 40 = 40° 60 = 60°

See Mounting Options

ECO = Lutron Ecosystem 010 = 010V Dimming BT = Bluetooth DX = DMX / RDM

C24 = 24” Cable C48 = 48” Cable C72 = 72” Cable C96 = 96” Cable CX = Custom Cable Length (in inches) SP12 = 12” Stem SP18 = 18” Stem SP24 = 24” Stem SPX = Custom Stem (in inches)

* Maximum Ambient Temperature 40° C

* Specification sheets are subject to change without notice.

Example: PCT20-B-60-STA-010V-C24 PCT20 -_________-_________-_________-_________-_________

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FB

58


Photometric Data 4000° K 95CRI

Mounting Options

10º Spot Reflector

20º Spot Reflector

Distance

Beam Spread

Footcandles

Distance

Beam Spread

Footcandles

5’

0.8’

290

5’

1.7’

240

7.5’

1.3’

129

7.5’

2.7’

107

10’

1.8’

73

10’

3.6’

60

12.5’

2.2’

46

12.5’

4.4’

38

60º Flood Reflector

STA Circuit track adapter for Data Bus. Specification grade e-series track. 120V. HSTA Circuit track adapter for Data Bus. Specification grade e-series track. 277V. DXTC Canopy mount with terminal block for DMX. (DMX only). GAC Track adapter for 120V global pulse track. CM4* Canopy mount (Bluetooth, 010V dimming, lutron ecosystem only).

40º Medium Flood Reflector

Distance

Beam Spread

Footcandles

Distance

Beam Spread

Footcandles

5’

5.7’

80

5’

3.6’

140

5.5’

62

* Contact factory for wiring details.

Accessories

7.5’

8.7’

36

7.5’

10’

11.6'

20

10’

7.3'

35

12.5’

14.4’

13

12.5’

9.1’

22

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

X00517 LV18* OF22-9101* GF22-600* GF22-601* GF22-673*

Accessory Holder Honeycomb Louver Smoothing Frost Filter 5x50 Linear Lens Solite Softner 50 x 50 Spread Lens

* X00517 Required, not compatible with 10° reflector option.

Date: 19 March 2019 Project Name: Callie Walton

FB 59


Kurba Vertical RGB & RGBW Flexible LED strip - 24 VDC Operating voltage 24 VDC

Kurba Vertical RGB & RGBW is a direct view, small profile, energy efficient and flexible LED strip suitable for wet locations capable of vertical bends up to 2.5” radius. Built with robust factory made power feeds or joiners, Kurba Vertical RGB & RGBW mounts to a specifically designed aluminum extruded channel.

Operating temperature -4˚F to 113˚F (-20˚C to 45˚C) Average life 50,000 hours Approvals Class 2 wet listed, IP67 Warranty 3 years

Applications: Outdoor wet location

Kurba dimensions

0.67” 0.63”

UP TO 26’

Technical information RGB

RGBW (4000K)

26

26

Red: 18 lm/ft Green: 69 lm/ft Blue: 10 lm/ft All on: 97 lm/ft

Red: 18 lm/ft Green: 61 lm/ft Blue: 11 lm/ft White: 52 lm/ft All on: 145 lm/ft

3.65 W/ft

4.57 W/ft

Ordering increment

3.28”

3.28”

Maximum run length (in series)

26 ft

20 ft

MODEL LEDS/ft

Light output

Average power consumption at 4’

CANDLE POWER DISTRIBUTION KBL -RGB-XX

KBL -RGBW -XX 180

180

-150

-150

150 98 73

-120

150 166

120

124

-120

49

120

83

24

41

0

90

-90

60

-60

0

-90

90

60

-60

UNIT: CD 30

-30

UNIT: CD

C0/180 C90/270

30

-30

0

C0/180 C90/270

0

SECTION START/END OPTIONS End power feed (72” wire lead)

Bottom power feed (72” wire lead) 0.63”

Side power feed (72” wire lead)

End cap 0.63”

0.63”

0.63” 0.67”

0.67”

0.67”

0.43”

0.67” 0.43” 0.55”

0.55”

0.43”

0.078”

Ordering code for straight run MODEL

COLOR

SECTION START

SECTION END

KBL-F-V

RGB

EPF

EC

KBL - Kurba Large, flat vertical

RGB - Red, Green , & Blue RGBW - Red, Green ,Blue, & White (4000K)

EPF - End power feed (72”wire lead) BPF - Bottom power feed (72”wire lead) SPF - Side power feed (72”wire lead)

REV0.1 12182018

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

EC - End cap EPF - End power feed (72”wire lead) BPF - Bottom power feed (72”wire lead) SPF - Side power feed (72”wire lead)

LENGTH

view table above for ordering increment

page 1 of 5

Date: 19 March 2019 Project Name: Callie Walton

www.luminii.com

tel: 224-333-6033

FC

60


Kurba Vertical RGB & RGBW Flexible LED strip - 24 VDC Kurba System Run Sample layout Ordering Code for system layout:

KBL-F-V-RGB-EPF-3-JC-3-JC-3-EC power supply

power supply

Ordering Code for straight layout:

KBL-F-V-RGB-EPF-EC-10

controller

controller

decoders Kurba decoders 10.0’

Kurba joiner

3.0’

joiner

3.0’

3.0’

SECTION START/END OPTIONS End power feed (72” wire lead)

Bottom power feed (72” wire lead) 0.63”

Side power feed (72” wire lead)

End cap 0.63”

0.63”

0.63” 0.67”

0.67”

0.67”

0.43”

0.67” 0.43” 0.55”

0.55”

0.43”

0.078”

Ordering code for system run MODEL

KBL-F-V KBL - Kurba Large, flat vertical

COLOR

SECTION START

RGB RGB - Red, Green , & Blue RGBW - Red, Green ,Blue, & White (4000K)

FIXTURE LENGTH

JOINER TYPE

EPF

FIXTURE LENGTH

SECTION END

JC

EC - End cap EPF - End power feed (72”wire lead) BPF - Bottom power feed (72”wire lead) SPF - Side power feed (72”wire lead)

view table on page 1 for ordering increment

JC - Joiner

EC view table on page 1 for ordering increment

EC - End cap EPF - End power feed (72”wire lead) BPF - Bottom power feed (72”wire lead) SPF - Side power feed (72”wire lead)

Each system run must be kept under power supply max wattage. Refer to page 4 for power supply information. Additional runs can be added to system, by continuing the same ordering code logic reference sample above.

Mounting Accessories & Optional Connectors mounting bracket,

aluminum channel Part # MC-KBL -F-V -78

recommended every 8 inches Part # MB-KBL -F--V -2IN

Splice Box: Wet rated, low voltage splice box, gray

Connector: Low voltage splice box wet cable management gray

Part # LVSP-WET

Part # LVSP-WET -CM

2.6” 1.3” 2.6” 78.00”

0.86”

0.86” 2.00” 0.81”

REV0.1 12182018

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

0.87”

2.2” 0.81”

page 2 of 5

Date: 19 March 2019 Project Name: Callie Walton

www.luminii.com

tel: 224-333-6033

FC 61


Kurba Vertical RGB & RGBW Flexible LED strip - 24 VDC Power consumption per fixture length Based on operation with PSD series of power supplies.

Actual length of Kurba

endcap

LED

RGB Nominal Length

Actual Length

RGBW

W/ft

Total wattage

Actual Length

W/ft

Total wattage

1’

10”

3.65

3.65

10”

4.56

4.56

2’

23-1/16”

3.20

6.40

23-1/16”

4.00

8.00 12.38

3’

36-2/16”

3.30

9.90

36-2/16”

4.13

4’

45-15/16”

3.40

13.70

45-15/16”

4.25

17.13

5’

59”

3.28

16.40

59”

4.10

20.50

6’

72-2/16”

3.35

20.10

72-2/16”

4.19

25.13

7’

81-15/16”

3.40

23.80

81-15/16”

4.25

29.75

8’

95”

3.31

26.50

95”

4.14

33.13

9’

108-1/16”

3.38

30.40

108-1/16”

4.23

38.00

10’

117-14/16”

3.41

34.10

117-14/16”

4.26

42.63

11’

130-15/16”

3.35

36.80

130-15/16”

4.19

46.00

12’

144-1/16”

3.34

40.10

144-1/16”

4.18

50.13

13’

153-14/16”

3.39

44.00

153-14/16”

4.24

55.00

14’

166-15/16”

3.37

46.70

166-15/16”

4.21

58.38

15’

180”

3.37

50.50

180”

4.21

63.13

16’

189-13/16”

3.32

53.90

189-13/16”

4.15

67.38

17’

202-14/16”

3.36

56.50

202-14/16”

4.20

70.63

18’

216”

3.36

60.40

216”

4.20

75.50

19’

225-13/16”

3.35

63.80

225-13/16”

4.19

79.75

238-14/16”

4.16

83.38

20’

238-14/16”

3.33

66.70

21’

251-15/16”

3.34

70.00

22’

261-12/16”

3.34

73.40

23’

274-13/16”

3.30

76.00

24’

287-15/16”

3.31

79.50

25’

297-12/16”

3.28

82.10

26’

310-13/16”

3.28

85.30

REV0.1 12182018

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

page 3 of 5

Date: 19 March 2019 Project Name: Callie Walton

www.luminii.com

tel: 224-333-6033

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Kurba Vertical RGB & RGBW Flexible LED strip - 24 VDC Power supply See fixture and power supply instructions & spec sheet for wiring information. Dimming possible in select models - view Luminii website for list of compatible dimmers. Non-Dimming: MODEL

PSV PSV - PSV Series

POWER

OUTPUT

40 40 - 40 W 60 - 60 W 96 - 96 W

DIMMING

24V 24 - 24 VDC

LOCATION

U2ND U2ND - Non Dimming

- Requires a controller & a decoder to work properly

D D - Dry Location IP65 - Wet Location

MODELS

PSV Dry

PSV Wet

A Length

9.2”

9.5”

B Width

3.4”

4.12”

C Depth

1.9”

2.3”

C A B

C

DMX: MODEL

B

OUTPUT

POWER

PSDMX PSDMX - DMX Power Supply

96 24 24 - 24 VDC 96 - 96 WATT 3X96 - 3 X 96 WATT - Features eldoLED’s LINEARdrive configurable dimmable drivers

MODELS

96 W

3 x 96 W

A Length

14.40”

15.75”

B Width

5.20”

6.60”

C Depth

2.60”

4.80”

A

DMX-3Z-RGBW RGBW LED 1 or 3 Zone Controller

DMX /Wireless RGB-W wall-mount controller controls DMX lighting fixtures, wireless control of RGB-W lighting fixture or use both simultaneously. Fits in any standard US switch box. Includes all the outputs in the back of the controller. Control brightness levels with a single touch, personalize and memorize 3 different scenes, and even create 3 variations of white. ORDERING CODE Model DMX DMX - DMX controller

Zones 3Z 3Z - Three Zone 1Z - One Zone

Color RGBW RGBW - Red, Green, Blue & White

REV0.1 12182018

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

page 4 of 5

Date: 19 March 2019 Project Name: Callie Walton

Operating voltage 12 - 24V DC Features • 2 in 1 in-Wall Controller: DMX Control or Wireless RGB-W • 65,000 Color Options, Dimming and Speed Control • Memory Function • 50 Foot Wireless Range • Easily Fits Standard US Switch Boxes • Touch Sensitive Glass Surface • Includes 10 Built in Programs, or Create and Play Your Own Color parameters • Brightness • Saturation • Primary colors • Fading • Color changing speed

www.luminii.com

tel: 224-333-6033

FC 63


Kurba Vertical RGB & RGBW Flexible LED strip - 24 VDC Touch DMX Controller Touchscreen digital LED controller

Programmable advanced DMX512 lighting controller featuring a touchscreen interface. Operates as stand alone controller or integrated with most architectural lighting control systems. Can controller endless DMX512 enabled devices. Mounts to standard single or dual gang wall box with the included power supply inside the junction box. Terminal block design for power and data connections. ORDERING CODE Model TSDMX-E TSDMX-E - Touchscreen DMX controller

Power supply 7 VDC (included) Programmability PC, Mac, Tablet, Smartphone Output signal DMX512 (1024 channels) Color parameters • Brightness • Saturation • Speed of color changing sequence • Fading / dimming / brightness Key Features • Sleek glass design which sits 0.43” from the wall • Graphical color display to show selected environment • Color/dimmer/speed palette • Color temperature mixing • Touch sensitive buttons. No mechanical parts • Touch sensitive wheel allows for accurate color selection • Multi-zone microSD memory • Multi-room control with 500 scenes, 10 zones • 1024 DMX channels. Control 340 RGB fixtures • USB & Ethernet connectivity for

DMX decoder DMX signal to RGBW decoder (required to operate DMX controller)

Translates controller DMX512 programs for RGB and white LED strips. Unique DMX address for the decoder can be set easily and displayed by the numeric display on the case. Changing and resetting the DMX address requires manual input. Use power repeater to expand output.

Operating voltage 12-36 VDC Power capacity up to 96W at 24V Operating temperature range from -4˚F to +122˚F in case ORDERING CODE Model DDMX-RGBW DDMX-RGBW - DMX decoder

REV0.1 12182018

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

page 5 of 5

Date: 19 March 2019 Project Name: Callie Walton

www.luminii.com

tel: 224-333-6033

FC

64


Kurba Horizontal RGB & RGBW

Flexible LED strip - 24 VDC Kurba Horizontal RGB & RGBW is a direct view, small profile, energy efficient and flexible LED strip suitable for wet locations capable of horizontal bends up to 2.5” radius. Built with robust factory made power feeds or joiners, Kurba Horizontal mounts to a specifically designed aluminum extruded channel.

Operating voltage 24 VDC Operating temperature -4˚F to 113˚F (-20˚C to 45˚C) Average life 50,000 hours Approvals Class 2 wet listed, IP67 Warranty 3 years

Applications: Outdoor wet location Kurba dimensions

0.85” 0.45”

UP TO 26’

Technical information MODEL LEDS/ft

RGB

RGBW (4000K)

18

18

KBM-RGB-XX

Red: 6 lm/ft Green: 23 lm/ft Blue: 6 lm/ft All on: 34 lm/ft

Red: 12 lm/ft Green: 37 lm/ft Blue: 8 lm/ft White: 38 lm/ft All on: 95 lm/ft

3.65 W/ft

4.57 W/ft

Ordering increment

3.93”

3.93”

Maximum run length (in series)

26 ft

20 ft

Light output

Average power consumption at 4’

CANDLE POWER DISTRIBUTION KBM-RGBW -XX 180

180

-150

-150

150 47 36

-120

120

75

-120

24

120

50

12

25

0

-90

150 100

90

60

-60

0

-90

90

60

-60

UNIT: CD C0/180 C90/270

30

-30

UNIT: CD

0

C0/180 C90/270

30

-30 0

SECTION START/END OPTIONS End power feed (72” wire lead)

Bottom power feed (72” wire lead)

Side power feed (72” wire lead)

0.45”

End cap

0.45”

0.45”

0.85”

0.85”

0.45” 0.43”

0.85” 0.85” 0.43” 0.43”

0.55”

0.55”

0.08”

Ordering code for straight run MODEL

COLOR

SECTION START

SECTION END

KBM-F-H

RGB

EPF

EC

KBM - Kurba medium, flat horizontal

RGB - Red, Green , & Blue RGBW - Red, Green ,Blue, & White (4000K)

EPF - End power feed (72”wire lead) BPF - Bottom power feed (72”wire lead) SPF - Side power feed (72”wire lead)

REV0.1 12182018

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

EC - End cap EPF - End power feed (72”wire lead) BPF - Bottom power feed (72”wire lead) SPF - Side power feed (72”wire lead)

LENGTH

view table above for ordering increment

page 1 of 5

Date: 19 March 2019 Project Name: Callie Walton

www.luminii.com

tel: 224-333-6033

FD 65


Kurba Horizontal RGB & RGBW

Flexible LED strip - 24 VDC

Kurba System Run Sample layout Ordering Code for system layout:

KBM-F-H-RGB-EPF-3-JC-3-JC-3-EC power supply

power supply

Ordering Code for straight layout:

KBM-F-H-RGB-EPF-EC-10

controller

controller

decoders Kurba decoders 10.0’

Kurba joiner

3.0’

joiner

3.0’

3.0’

SECTION START/END OPTIONS End power feed (72” wire lead)

Bottom power feed (72” wire lead)

Side power feed (72” wire lead)

0.45”

Factory Joiner

0.45”

0.45” 0.43”

0.85”

0.85”

0.85”

10” 0.43”

0.43”

0.55”

0.55”

Ordering code for system run MODEL

COLOR

KBM-F-H

RGB

KBM - Kurba medium, flat horizontal

RGB - Red, Green , & Blue RGBW - Red, Green ,Blue, & White (4000K)

SECTION START

FIXTURE LENGTH

JOINER TYPE

view table on page 1 for ordering increment

JC - Joiner

EPF

FIXTURE LENGTH

JC

EC - End cap EPF - End power feed (72”wire lead) BPF - Bottom power feed (72”wire lead) SPF - Side power feed (72”wire lead)

SECTION END

EC view table on page 1 for ordering increment

EC - End cap EPF - End power feed (72”wire lead) BPF - Bottom power feed (72”wire lead) SPF - Side power feed (72”wire lead)

Each system run must be kept under power supply max wattage. Refer to page 4 for power supply information. Additional runs can be added to system, by continuing the same ordering code logic reference sample above.

Mounting Accessories & Optional Connectors mounting bracket,

aluminum channel

Part # MC-KBM-F-H-78

recommended every 8 inches Part # MB-KBM-F-H-2IN

Splice Box: Wet rated, low voltage splice box, gray

Connector: Low voltage splice box wet cable management gray

Part # LVSP-WET

Part # LVSP-WET -CM

2.6” 1.3” 2.6” 78.00”

1.00”

1.00” 2.00” 0.63”

REV0.1 12182018

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

0.87”

2.2” 0.63”

page 2 of 5

Date: 19 March 2019 Project Name: Callie Walton

www.luminii.com

tel: 224-333-6033

FD

66


Kurba Horizontal RGB & RGBW

Flexible LED strip - 24 VDC

Power consumption per fixture length Based on operation with PSD series of power supplies.

Actual length of Kurba

LED

endcap

RGB Nominal Length

Actual Length

W/ft

RGBW Total wattage

Actual Length

W/ft

Total wattage

1’

12”

3.65

3.65

12”

4.56

4.56

2’

23-13/16”

3.20

6.40

23-13/16”

4.00

8.00

3’

35-10/16”

3.30

9.90

35-10/16”

4.13

12.38

4’

47-7/16”

3.40

13.70

47-7/16”

4.25

17.13

5’

59-4/16”

3.28

16.40

59-4/16”

4.10

20.50

6’

71-1/16”

3.35

20.10

71-1/16”

4.19

25.13

7’

82-14/16”

3.40

23.80

82-14/16”

4.25

29.75

8’

94-12/16”

3.31

26.50

94-12/16”

4.14

33.13

9’

106-9/16”

3.38

30.40

106-9/16”

4.23

38.00

10’

118-6/16”

3.41

34.10

118-6/16”

4.26

42.63

11’

130-3/16”

3.35

36.80

130-3/16”

4.19

46.00

12’

142”

3.34

40.10

142”

4.18

50.13

13’

153-13/16”

3.39

44.00

153-13/16”

4.24

55.00

14’

165-10/16”

3.37

46.70

165-10/16”

4.21

58.38

15’

181-6/16”

3.37

50.50

181-6/16”

4.21

63.13

16’

193-4/16”

3.32

53.90

193-4/16”

4.15

67.38

17’

205-1/16”

3.36

56.50

205-1/16”

4.20

70.63

18’

216-14/16”

3.36

60.40

216-14/16”

4.20

75.50

19’

228-11/16”

3.35

63.80

228-11/16”

4.19

79.75

20’

240-8/16”

3.33

66.70

240-8/16”

4.16

83.38

21’

252-5/16”

3.34

70.00

22’

264-2/16”

3.34

73.40

23’

275-15/16”

3.30

76.00

24’

287-12/16”

3.31

79.50

25’

299-10/16”

3.28

82.10

26’

311-7/16”

3.28

85.30

REV0.1 12182018

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

page 3 of 5

Date: 19 March 2019 Project Name: Callie Walton

www.luminii.com

tel: 224-333-6033

FD 67


Kurba Horizontal RGB & RGBW

Flexible LED strip - 24 VDC

Power supply See fixture and power supply instructions & spec sheet for wiring information. Dimming possible in select models - view Luminii website for list of compatible dimmers. Non-Dimming: MODEL

PSV PSV - PSV Series

POWER

OUTPUT

40 40 - 40 W 60 - 60 W 96 - 96 W

DIMMING

24V 24 - 24 VDC

LOCATION

U2ND U2ND - Non Dimming

- Requires a controller & a decoder to work properly

D D - Dry Location IP65 - Wet Location

MODELS

PSV Dry

PSV Wet

A Length

9.2”

9.5”

B Width

3.4”

4.12”

C Depth

1.9”

2.3”

C A B

C

DMX: MODEL

POWER

B

OUTPUT

PSDMX PSDMX - DMX Power Supply

96 24 24 - 24 VDC 96 - 96 WATT 3X96 - 3 X 96 WATT - Features eldoLED’s LINEARdrive configurable dimmable drivers

MODELS

96 W

3 x 96 W

A Length

14.40”

15.75”

B Width

5.20”

6.60”

C Depth

2.60”

4.80”

A

DMX-3Z-RGBW RGBW LED 1 or 3 Zone Controller

DMX /Wireless RGB-W wall-mount controller controls DMX lighting fixtures, wireless control of RGB-W lighting fixture or use both simultaneously. Fits in any standard US switch box. Includes all the outputs in the back of the controller. Control brightness levels with a single touch, personalize and memorize 3 different scenes, and even create 3 variations of white. ORDERING CODE Model DMX DMX - DMX controller

Zones 3Z 3Z - Three Zone 1Z - One Zone

Color RGBW RGBW - Red, Green, Blue & White

REV0.1 12182018

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

page 4 of 5

Date: 19 March 2019 Project Name: Callie Walton

Operating voltage 12 - 24V DC Features • 2 in 1 in-Wall Controller: DMX Control or Wireless RGB-W • 65,000 Color Options, Dimming and Speed Control • Memory Function • 50 Foot Wireless Range • Easily Fits Standard US Switch Boxes • Touch Sensitive Glass Surface • Includes 10 Built in Programs, or Create and Play Your Own Color parameters • Brightness • Saturation • Primary colors • Fading • Color changing speed

www.luminii.com

tel: 224-333-6033

FD

68


Kurba Horizontal RGB & RGBW

Flexible LED strip - 24 VDC

Touch DMX Controller Touchscreen digital LED controller

Programmable advanced DMX512 lighting controller featuring a touchscreen interface. Operates as stand alone controller or integrated with most architectural lighting control systems. Can controller endless DMX512 enabled devices. Mounts to standard single or dual gang wall box with the included power supply inside the junction box. Terminal block design for power and data connections. ORDERING CODE Model TSDMX-E TSDMX-E - Touchscreen DMX controller

Power supply 7 VDC (included) Programmability PC, Mac, Tablet, Smartphone Output signal DMX512 (1024 channels) Color parameters • Brightness • Saturation • Speed of color changing sequence • Fading / dimming / brightness Key Features • Sleek glass design which sits 0.43” from the wall • Graphical color display to show selected environment • Color/dimmer/speed palette • Color temperature mixing • Touch sensitive buttons. No mechanical parts • Touch sensitive wheel allows for accurate color selection • Multi-zone microSD memory • Multi-room control with 500 scenes, 10 zones • 1024 DMX channels. Control 340 RGB fixtures • USB & Ethernet connectivity for

DMX decoder DMX signal to RGBW decoder (required to operate DMX controller)

Translates controller DMX512 programs for RGB and white LED strips. Unique DMX address for the decoder can be set easily and displayed by the numeric display on the case. Changing and resetting the DMX address requires manual input. Use power repeater to expand output.

Operating voltage 12-36 VDC Power capacity up to 96W at 24V Operating temperature range from -4˚F to +122˚F in case ORDERING CODE Model DDMX-RGBW DDMX-RGBW - DMX decoder

REV0.1 12182018

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

page 5 of 5

Date: 19 March 2019 Project Name: Callie Walton

www.luminii.com

tel: 224-333-6033

FD 69


LLX18-RGBW

Color-changing + White linear LED strip – 24V The LLX18-RGBW is a small profile LED strip featuring a unique 4 chips into 1 LED. Each LED has a red, green, blue and warm white (3000K) diode built in for greater range of color mixing and control. Mounting LLED strip is equipped with 3M™ adhesive transfer tape (9472LE). The strip must be adhered to either a Luminii aluminum profile or an unpainted aluminum surface. For other surfaces the HST Aluminum heat sink tape will be required to reach the rated 50,000 hours average life

Applications Indoor only - above and below cabinets, cove lighting, counter accent, architectural reveals, under banister, display and book cases, etc. Approvals Class 2 damp listed Operating voltage 24 VDC (RGBW controller and power supply required) Average life 50,000 hours Warranty 5 years

Technical specifications MODEL

Section start/end options

LLX18-RGBW

LEDs/ft

18

Soldered leads (72”)

Light output

256 lumen/ft

Average power consumption (for 15’ section

4.85W/ft

No connector

Ordering increment

4.00”

Maximum run length (in series)

20 ft 0.47” W 0.09” H

Dimensions

Ordering code MODEL

CCT (White channel)

LLX18-RGBW LLX18-RGBW

30K 30K - 3000K

SECTION START

SECTION END

LENGTH

SL SL - Soldered lead wires (72”) NC - No connector

NC SL - Soldered lead wires (72”) NC - No connector

View specifications for increment options

REV1.1 03122019

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

page 1 of 5

Date: 19 March 2019 Project Name: Callie Walton

www.luminii.com

tel: 224-333-6033

FE

70


LLX18-RGBW

Color-changing + White linear LED strip – 24V

Mounting accessories Mounting clip: recommended at every 12” when LineLED strip is facing down.

Heat sink tape:

0.19”

included with LineLED strip when no extrusions are ordered

0.05”

Part # CL-1

Part # HST

0.40” 1.00”

2.00”

0.23”

Power consumption per linear foot* * with all 4 circuits at full brightless Length of Strip (LF)

W/ft

1

5.65

5.65

2

5.65

11.30

Total wattage

Length of Strip (LF)

W/ft

Total wattage

11

5.15

56.65

12

5.10

61.20

3

5.65

16.95

13

5.05

65.65

4

5.60

22.40

14

4.95

69.30

5

5.50

27.50

15

4.85

72.75

6

5.45

32.70

16

4.75

76.00

7

5.35

37.45

17

4.60

78.20

8

5.30

42.40

18

4.50

81.00

9

5.25

47.25

19

4.40

83.60

10

5.20

52.00

20

4.30

86.00

REV1.1 03122019

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

page 2 of 5

Date: 19 March 2019 Project Name: Callie Walton

www.luminii.com

tel: 224-333-6033

FE 71


LLX18-RGBW

Color-changing + White linear LED strip – 24V

Lens options / light transmission percentage per lens C

Clear

HF

Half (50%) Frosted

G

Graze

F

Frosted

M

Medium beam frosted

R

Raised

KS Channel (KSC-XX)

SI

Clear 36°

Q

Rounded Square Frosted

Clear 10°

C36 beam angle

KM Channel (KMC-XX)

Square Frosted

S

Satin Ice

C10 beam angle

K45M Channel (K45MC-XX)

BOS Channel (BOSC-XX)

0.85”

0.60”

0.69”

0.69” 0.30”

0.49”

0.85”

0.60”

C

F

HF

C36

R

C

F

HF

C10

R

C

F

HF

C10

F

SI

R

G

85%

55%

72%

83%

51%

71%

42%

58%

67%

39%

71%

42%

58%

67%

43%

56%

46%

67%

KL Channel (KLC-XX)

KXL Channel (KXLC-XX)

CLA Channel (CLAC-XX)

ALC Channel (ALC-XX) 1.21”

0.83”

0.83”

0.84”

0.50”

0.30”

0.42” 0.52” 0.77”

C

F

HF

C

F

HF

S

Q

C

F

HF

83%

55%

68%

74%

46%

61%

62%

63%

79%

58%

69%

KRS Channel (KRSC-XX)

KRM Channel (KRMC-XX)

KRL Channel (KRLC-XX)

1.00” 0.69”

1.00” 0.69” 0.44” 0.36”

KRXL Channel (KRXLC-XX) 1.21” 0.83”

1.21” 0.83” 0.63”

0.42” 0.36”

0.63” 0.55”

0.55”

C

F

HF

C

F

HF

C

F

HF

C

F

HF

85%

55%

72%

71%

42%

58%

83%

55%

68%

74%

46%

61%

Wall + Channel (WPC-XX)

RO Channel (RO-XX)

ALS20 Channel (ALS20-XX)

0.63”

FL Channel (FL -XX)

0.78”

0.30”

0.94” 3.75”

0.97”

2.06”

0.94”

C

F

C

F

C

F

C

F

HF

47%

44%

75%

52%

78%

43%

85%

63%

75%

Wiring Diagram wireless or wired RGBW controller

Installation All mounting channels are field cuttable using miter saw with circular blade suitable for cutting aluminum. Ordering Extrusions are sold separately. View respective specsheets for details on ordering extrusions and their accessories (endcaps, mounting brackets, etc).

LLX18-RGBW

LLX18-RGBW

+

repeater

receiver / decoder (not needed if using PSDMX power supply)

24V PSV power supply

OPTIONAL

REV1.1 03122019

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

page 3 of 5

Date: 19 March 2019 Project Name: Callie Walton

www.luminii.com

tel: 224-333-6033

FE

72


LLX18-RGBW

Color-changing + White linear LED strip – 24V

Power supply See fixture and power supply instructions & spec sheet for wiring information. Dimming possible in select models - view Luminii website for list of compatible dimmers. Non-Dimming: MODEL

PSV PSV - PSV Series

POWER

OUTPUT

40 40 - 40 W 60 - 60 W 96 - 96 W

DIMMING

24V 24 - 24 VDC

LOCATION

U2ND U2ND - Non Dimming

- Requires a controller & a decoder to work properly

D D - Dry Location IP65 - Wet Location

MODELS

PSV Dry

PSV Wet

A Length

9.2”

9.5”

B Width

3.4”

4.12”

C Depth

1.9”

2.3”

C A B

C

DMX: MODEL

POWER

B

OUTPUT

PSDMX PSDMX - DMX Power Supply

96 24 24 - 24 VDC 96 - 96 WATT 3X96 - 3 X 96 WATT - Features eldoLED’s LINEARdrive configurable dimmable drivers

MODELS

96 W

3 x 96 W

A Length

14.40”

15.75”

B Width

5.20”

6.60”

C Depth

2.60”

4.80”

A

DMX-3Z-RGBW RGBW LED 1 or 3 Zone Controller

DMX /Wireless RGB-W wall-mount controller controls DMX lighting fixtures, wireless control of RGB-W lighting fixture or use both simultaneously. Fits in any standard US switch box. Includes all the outputs in the back of the controller. Control brightness levels with a single touch, personalize and memorize 3 different scenes, and even create 3 variations of white. ORDERING CODE Model DMX DMX - DMX controller

Zones 3Z 3Z - Three Zone 1Z - One Zone

Color RGBW RGBW - Red, Green, Blue & White

REV1.1 03122019

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

page 4 of 5

Date: 19 March 2019 Project Name: Callie Walton

Operating voltage 12 - 24V DC Features • 2 in 1 in-Wall Controller: DMX Control or Wireless RGB-W • 65,000 Color Options, Dimming and Speed Control • Memory Function • 50 Foot Wireless Range • Easily Fits Standard US Switch Boxes • Touch Sensitive Glass Surface • Includes 10 Built in Programs, or Create and Play Your Own Color parameters • Brightness • Saturation • Primary colors • Fading • Color changing speed

www.luminii.com

tel: 224-333-6033

FE 73


LLX18-RGBW

Color-changing + White linear LED strip – 24V

Touch DMX Controller Touchscreen digital LED controller

Programmable advanced DMX512 lighting controller featuring a touchscreen interface. Operates as stand alone controller or integrated with most architectural lighting control systems. Can controller endless DMX512 enabled devices. Mounts to standard single or dual gang wall box with the included power supply inside the junction box. Terminal block design for power and data connections. ORDERING CODE Model TSDMX-E TSDMX-E - Touchscreen DMX controller

Power supply 7 VDC (included) Programmability PC, Mac, Tablet, Smartphone Output signal DMX512 (1024 channels) Color parameters • Brightness • Saturation • Speed of color changing sequence • Fading / dimming / brightness Key Features • Sleek glass design which sits 0.43” from the wall • Graphical color display to show selected environment • Color/dimmer/speed palette • Color temperature mixing • Touch sensitive buttons. No mechanical parts • Touch sensitive wheel allows for accurate color selection • Multi-zone microSD memory • Multi-room control with 500 scenes, 10 zones • 1024 DMX channels. Control 340 RGB fixtures • USB & Ethernet connectivity for

DMX decoder DMX signal to RGBW decoder (required to operate DMX controller)

Translates controller DMX512 programs for RGB and white LED strips. Unique DMX address for the decoder can be set easily and displayed by the numeric display on the case. Changing and resetting the DMX address requires manual input. Use power repeater to expand output.

Operating voltage 12-36 VDC Power capacity up to 96W at 24V Operating temperature range from -4˚F to +122˚F in case ORDERING CODE Model DDMX-RGBW DDMX-RGBW - DMX decoder

REV1.1 03122019

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

page 5 of 5

Date: 19 March 2019 Project Name: Callie Walton

www.luminii.com

tel: 224-333-6033

FE

74


Spécifications profils & semelles Profiles & baseplates specifications 01-2018

City-Module concept

Produit Product

Arbane

Dimension profil Profile dimension (mm / inch)

Epaisseur moyenne Average thickness (mm)

Poids weight (k/ml)

Resistance (daN/mm²)

Porte Access door (mm/inch)

Ø 120 / 140 / 160 / 200

5

4,9 / 5,83 / 6,57 / 8,5

25

Selon la section du mât According to mast profile

Ø 4 3/4" / 5 1/2’’ / 6 5/16’’ / 7 7/8"

Nerello Etoile C Etoile C+ Structure C Structure C+

Structure K120

Structure K140

Structure K160

Structure K200

Structure K250

Structure K320 Structure X Structure X+ Structure Z

Ø 120

5 / 6,5

5,08 / 8,7

25

Ø 4 3/4’’

Ø 160

7,5

9,7

25

7,8

8

25

8,8

11,3

25

Ø 6 5/16"

Ø 140 Ø 5 1/2"

Ø 160 Ø 6 5/16"

Ø 140

6,9

7,7

25

Ø 5 1/2"

Ø 120

6,5

8,7

25

11

11,06

25

7,7

12,7

25

Ø 4 3/4"

Ø 140 Ø 5 1/2"

Ø 160 Ø 6 5/16"

Ø 200

7,8

14

25

Ø 7 7/8"

Ø 250

8,5

20,6

25

Ø 9 13/16"

Ø 320

13,8

36

Ø 12 5/8"

(renforcé/ reinforced : 19,1)

(renforcé/ reinforced : 48,8)

25

Ø 112

8,1

7,1

25

4

2,9

27

5,5

4,4

25

Ø 4 7/16"

Ø 90 Ø 3 9/16"

Ø 100 Ø 3 15/16"

Hauteur possible (excepté zone de vent) Possible height (excepted wind zone) (m/foot-inch)

Encombrement semelle Baseplate dimension (mm/inch)

Entraxe semelle Baseplate fixing distance (mm/inch)

4,5 - 10

260 x 260 / 400 x 400

200 x 200 / 300 x 300

14' 9 5⁄32" - 32' 9 11⁄16"

10 1/4" x 10 1/4" - 15 3/4" x 15 3/4"

7 7/8" x 7 7/8" - 11 13/16" x 11 13/16"

500 x 90

3,5 - 5

260 x 260

200 x 200

19 11/16" x 3 9/16"

11’ 5 51/64‘‘ - 16’ 4 27⁄32’’

10 1/4" x 10 1/4"

7 7/8" x 7 7/8"

500 x 95

3-9

19 11/16" x 3 3/4"

9' 10 1⁄8" - 29' 6 11⁄32"

15 3/4" x 15 3/4"

11 13/16" x 11 13/16"

400 x 80

1-5

260 x 260 / 400 x 400

400 x 400

200 x 200 / 300 x 300

300 x 300

15 3/4" x 3 1/8"

3' 3 3⁄8" - 16' 4 27⁄32"

10 1/4" x 10 1/4" - 15 3/4" x 15 3/4"

7 7/8" x 7 7/8" - 11 13/16" x 11 13/166"

500 x 100

7 - 12

400 x 400

300 x 300

19 11/16" x 3 15/16"

22' 11 19⁄32" - 39' 4 7⁄16"

15 3/4" x 15 3/4"

11 13/16" x 11 13/16"

500 x 90

3-8

260 x 260 / 400 x 400

200 x 200 / 300 x 300

19 11/16" x 3 9/16"

9' 10 1⁄8" - 26' 2 31⁄32"

10 1/4" x 10 1/4" - 15 3/4" x 15 3/4"

7 7/8" x 7 7/8" - 11 13/16" x 11 13/16"

500 x 76

3-6

19 11/16" x 3"

9' 10 1⁄8" - 19' 8 7⁄32"

10 1/4" x 10 1/4"

7 7/8" x 7 7/8"

500 x 90

3-8

260 x 260 / 400 x 400

260 x 260

200 x 200 / 300 x 300

200 x 200

19 11/16" x 3 9/16"

9' 10 1⁄8" - 26' 2 31⁄32"

10 1/4" x 10 1/4" - 15 3/4" x 15 3/4"

7 7/8" x 7 7/8" - 11 13/16" x 11 13/16"

500 x 100

6 - 10

400 x 400

300 x 300

19 11/16" x 3 15/16"

19' 8 7⁄32" - 32' 9 11⁄16"

15 3/4" x 15 3/4"

11 13/16" x 11 13/16"

500 x 100

8 - 12

400 x 400

300 x 300

19 11/16" x 3 15/16"

26' 2 31⁄32" - 39' 4 7⁄16"

15 3/4" x 15 3/4"

11 13/16" x 11 13/16"

500 x 112

4 - 18

570 x 570

450 x 450

19 11/16" x 4 7/16"

13' 1 15⁄32" - 59' 21⁄32"

22 7/16" x 22 7/16"

17 3/4" x 17 3/4"

500 x 112

8 - 20

19 11/16" x 4 7/16"

26' 2 31⁄32" - 65' 7 13⁄32"

500 x 82

3-7

260 x 260

200 x 200

19 11/16" x 3 1/4"

9' 10 1⁄8" - 22' 11 19⁄32"

10 1/4" x 10 1/4"

7 7/8" x 7 7/8"

400 x 62

4

260 x 260

200 x 200

15 3/4" x 2 7/16"

13' 1 15⁄32"

10 1/4" x 10 1/4"

7 7/8" x 7 7/8"

400 x 60

3-6

260 x 260

200 x 200

15 3/4" x 2 3/8"

9' 10 1⁄8" - 19' 8 7⁄32"

10 1/4" x 10 1/4"

7 7/8" x 7 7/8"

Implantation dans massif béton de 1 m de profondeur Burried in a concrete base of 1 m depth

 Modèles équipés de rail technique externe, pour faciliter l’accessoirisation Models equipped with technichal grooves, which facilitate accessorization.

Domaine de Lézigno . 34500 Béziers . France . www.technilum.com T + 33 4 67 90 67 67 F + 33 4 67 90 68 68 E contact@technilum.com

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FF 75


Luminaire Description: Lamp: Mounting: Ballast/Driver:

White steel housing, frosted lens enclosure 12 white LEDs Pendant Integrated

Luminaire

Luminaire Characteristics Luminous Length: Luminous Width: Luminous Height:

Summary of Results

Integrating Sphere

Luminous Flux: Efficacy: CCT: CRI (Ra):

8.50 in. 8.500 in. 17.00 in.

531.7 Lumens 59.06 lm/w 2670 K 81.6

Distribution

Total Luminaire Output: Luminaire Efficacy: Maximum Candela:

527.5 Lumens 58.6 lm/w 60 Candela

Electrical Data at 120 VAC

Test Temperature: Voltage: Current: Power: Power Factor: Frequency: Current THD:

24.2 120.0 0.07558 9.002 0.992 60 12.0

°C VAC A W Hz %

Test Number 12736909.02 - Page 3 of 8

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FH

76


Color Quality - Integrating Sphere Integrating Sphere Test Conditions

Temperature

24.2 °C

Voltage

Current

Power

120.0 VAC 0.07558 A

9.002 W

Power Factor

0.992

Summary of Results

Total Output: 532 Lumens Efficacy: 59.1 lm/w CCT: 2670 K CRI (Ra): 81.6 CRI (R9): 5.4 Peak Wavelength: 607 nm Dominant Wavelength: 584 nm S/P Ratio: 1.19

0.7

0.42

0.6

0.4

0.5

0.38

0.4

y

0.3

0.34

0.2

0.32

0.1

0.3

y Ra (CRI) 81.6

0.28

0.1 0.2 0.3 0.4 0.5 0.6 0.7 0.8

x

R2 91.1

R3 95.4

R4 78.8

3500K

R6 90.2

R7 81.4

R8 56.2

2700 2500K 2200K 3000K

4000K 4500K 5000K 5700K

Inside Quad 2700 K 0.3

0.35

Color Rendering Index Detail R5 80.0

0.4643 0.4149 0.2634 0.5296 85.3 94.5 0.0008

Nominal CCT Quadrangles

0.36

R1 79.7

Chromaticity (x): Chromaticity (y): Chromaticity (u'): Chromaticity (v'):

0.46 0.44

0

12.0 %

Duv:

0.8

0

Current THD

60 Hz

TM-30 Rf: TM-30 Rg:

CIE 1931, 2 Degree

0.9

Frequency

R9 5.4

R10 80.5

0.4

R11 78.0

0.45

x

R12 75.3

0.5

R13 82.2

R14 98.1

R15 71.8

Flux vs Wavelength

14.00

Spectral Flux (mW/nm)

12.00

10.00 8.00

6.00 4.00

2.00 0.00

350

400

450

500

550

600

650

700

750

800

850

Wavelength (nm)

Test Number 12736909.02 - Page 4 of 8

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FH 77


Distribution - Goniophotometer Temperature 25.0 °C

Distribution Test Conditions

Voltage 120.0 VAC

Current 0.07558 A

Power 9.002 W

Power Factor Frequency 0.992 60 Hz

Summary of Results

Spacing Criteria 0-180: 2.66 90-270: 2.61

Total Lumen Output: Luminaire Efficacy: Maximum Candela:

Current THD 12.0 %

527.5 Lumens 58.6 lm/w 60 Candela

Polar Plot 135

150

165

180

165

150

135

120 120

105

105

12.5

90

25

37.5

50

75

90

75

60 60 45

30

15

180 Deg. Plane

Zone 0-5 5-10 10-15 15-20 20-25 25-30 30-35 35-40 40-45 45-50 50-55 55-60

Lumens 0.41 1.29 2.30 3.49 4.90 6.52 8.36 10.44 12.70 15.09 17.50 19.87

% of Luminaire 0.1% 0.2% 0.4% 0.7% 0.9% 1.2% 1.6% 2.0% 2.4% 2.9% 3.3% 3.8%

0

270 Deg. Plane

15

30

45

0 Deg. Plane

Zonal Lumen Summary

Zone 60-65 65-70 70-75 75-80 80-85 85-90 90-95 95-100 100-105 105-110 110-115 115-120

Lumens 22.15 24.29 26.10 27.47 28.43 29.11 29.31 28.91 28.06 26.81 25.19 23.22

% of Luminaire 4.2% 4.6% 4.9% 5.2% 5.4% 5.5% 5.6% 5.5% 5.3% 5.1% 4.8% 4.4%

Zone 0-40 0-60 0-90 90-180

Lumens 38 103 260 267

% of Luminaire 7.1% 19.5% 49.4% 50.6%

90 Deg. Plane

Zone 120-125 125-130 130-135 135-140 140-145 145-150 150-155 155-160 160-165 165-170 170-175 175-180

Lumens 20.97 18.57 16.04 13.44 10.94 8.67 6.65 4.77 3.09 1.68 0.67 0.13

% of Luminaire 4.0% 3.5% 3.0% 2.5% 2.1% 1.6% 1.3% 0.9% 0.6% 0.3% 0.1% 0.0%

Test Number 12736909.02 - Page 5 of 8

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FH

78


Candela Tabulation

0 5 10 15 20 25 30 35 40 45 50 55 60 65 70 75 80 85 90 95 100 105 110 115 120 125 130 135 140 145 150 155 160 165 170 175 180

0

22.5

45

67.5

90

112.5

135

157.5

180

202.5

225

247.5

270

292.5

315

337.5

17.09 16.93 17.48 18.78 20.53 22.77 25.26 28.04 31.14 34.33 37.49 40.58 43.50 46.32 48.67 50.62 52.09 53.13 53.77 53.79 54.33 54.39 53.85 52.90 51.45 49.44 47.05 43.85 40.04 36.64 33.58 30.28 26.31 21.11 16.11 11.04 3.72

17.09 17.44 18.65 20.49 22.70 25.37 28.12 31.25 34.57 38.08 41.44 44.76 47.90 50.87 53.54 55.61 57.16 58.45 59.36 59.42 59.05 58.17 56.87 54.94 52.42 49.57 46.52 42.95 39.00 35.10 31.44 27.67 23.62 19.04 14.09 8.57 3.72

17.09 17.46 18.68 20.50 22.72 25.40 28.12 31.27 34.60 38.02 41.44 44.69 47.76 50.65 53.34 55.41 56.80 58.03 58.93 58.98 58.29 57.19 55.59 53.61 51.20 48.36 45.25 41.62 37.72 33.66 30.01 26.20 22.40 18.25 12.92 7.15 3.72

17.09 17.40 18.55 20.21 22.18 24.55 27.07 29.94 33.00 36.11 39.17 42.13 44.94 47.60 50.01 51.83 53.31 54.45 55.30 55.31 54.61 53.62 52.20 50.33 48.00 45.34 42.48 39.09 35.41 31.86 28.65 25.15 21.36 16.69 11.56 6.56 3.72

17.09 17.34 18.42 19.93 21.74 23.85 26.09 28.64 31.37 34.03 36.70 39.13 41.38 43.46 45.33 46.64 47.35 47.88 48.32 48.57 48.34 47.83 46.88 45.52 43.74 41.62 39.21 36.19 33.06 29.94 27.12 24.14 19.96 15.39 10.96 6.14 3.72

17.09 17.37 18.45 20.03 21.90 24.15 26.52 29.23 32.07 35.05 37.95 40.74 43.31 45.87 48.01 49.77 50.88 51.94 52.62 52.52 51.77 50.66 49.15 47.35 45.08 42.55 39.72 36.48 33.16 29.85 26.82 23.59 20.05 15.83 11.31 6.20 3.72

17.09 17.39 18.47 20.11 22.08 24.39 26.85 29.61 32.51 35.59 38.54 41.41 44.01 46.50 48.76 50.46 51.55 52.45 53.06 52.97 52.14 50.96 49.42 47.44 45.13 42.52 39.64 36.37 32.85 29.35 26.08 22.94 19.66 15.64 10.68 5.64 3.72

17.09 17.40 18.50 20.06 21.93 24.15 26.47 29.13 31.96 34.76 37.49 40.20 42.66 44.95 47.02 48.48 49.41 50.22 50.77 50.53 49.64 48.42 46.85 44.88 42.60 40.00 37.24 34.19 30.88 27.54 24.68 21.64 18.25 13.91 9.55 5.36 3.72

17.09 18.36 19.71 21.52 23.51 25.79 27.92 30.42 32.83 35.27 37.45 39.37 41.07 42.63 43.87 44.52 44.38 44.53 44.77 44.63 43.78 42.83 41.57 39.85 37.83 35.48 33.09 30.50 27.84 25.07 22.36 19.37 15.29 11.65 8.11 4.00 3.72

17.09 17.40 18.50 20.06 21.93 24.15 26.47 29.13 31.96 34.76 37.49 40.20 42.66 44.95 47.02 48.48 49.41 50.22 50.77 50.53 49.64 48.42 46.85 44.88 42.60 40.00 37.24 34.19 30.88 27.54 24.68 21.64 18.25 13.91 9.55 5.36 3.72

17.09 17.39 18.47 20.11 22.08 24.39 26.85 29.61 32.51 35.59 38.54 41.41 44.01 46.50 48.76 50.46 51.55 52.45 53.06 52.97 52.14 50.96 49.42 47.44 45.13 42.52 39.64 36.37 32.85 29.35 26.08 22.94 19.66 15.64 10.68 5.64 3.72

17.09 17.37 18.45 20.03 21.90 24.15 26.52 29.23 32.07 35.05 37.95 40.74 43.31 45.87 48.01 49.77 50.88 51.94 52.62 52.52 51.77 50.66 49.15 47.35 45.08 42.55 39.72 36.48 33.16 29.85 26.82 23.59 20.05 15.83 11.31 6.20 3.72

17.09 17.34 18.42 19.93 21.74 23.85 26.09 28.64 31.37 34.03 36.70 39.13 41.38 43.46 45.33 46.64 47.35 47.88 48.32 48.57 48.34 47.83 46.88 45.52 43.74 41.62 39.21 36.19 33.06 29.94 27.12 24.14 19.96 15.39 10.96 6.14 3.72

17.09 17.40 18.55 20.21 22.18 24.55 27.07 29.94 33.00 36.11 39.17 42.13 44.94 47.60 50.01 51.83 53.31 54.45 55.30 55.31 54.61 53.62 52.20 50.33 48.00 45.34 42.48 39.09 35.41 31.86 28.65 25.15 21.36 16.69 11.56 6.56 3.72

17.09 17.46 18.68 20.50 22.72 25.40 28.12 31.27 34.60 38.02 41.44 44.69 47.76 50.65 53.34 55.41 56.80 58.03 58.93 58.98 58.29 57.19 55.59 53.61 51.20 48.36 45.25 41.62 37.72 33.66 30.01 26.20 22.40 18.25 12.92 7.15 3.72

17.09 17.44 18.65 20.49 22.70 25.37 28.12 31.25 34.57 38.08 41.44 44.76 47.90 50.87 53.54 55.61 57.16 58.45 59.36 59.42 59.05 58.17 56.87 54.94 52.42 49.57 46.52 42.95 39.00 35.10 31.44 27.67 23.62 19.04 14.09 8.57 3.72

Average Luminance (cd/m2)

Vertical Angle (Degrees)

Vertical Angle (Degrees)

Horizontal Angle (Degrees)

Horizontal Angle (Degrees) 0 45 367 367 347 301 394 332 445 364 496 397 548 429

0 45 55 65 75 85

90 367 344 380 417 457 494

Test Number 12736909.02 - Page 6 of 8

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FH 79


Coefficients of Utilization - Zonal Cavity Method Effective Floor Cavity Reflectance 20% Ceiling Cavity Reflectance Wall Reflectance

80 50

70

70 30

Room Cavity Ratio (RCR)

0 1 2 3 4 5 6 7 8 9 10

10

70

50

50 30

10

50

30

30

10

50

10

30

10

0

50

30

10

0

56 40 32 27 23 20 18 16 15 14 13

56 38 29 23 19 16 14 12 11 10 9

56 36 26 20 16 13 11 9 8 7 6

49 30 21 16 12 9 8 6 5 5 4

** Values are expressed as percent of total lumen output delivered to the task surface **

107 92 82 73 66 60 55 51 47 44 41

107 85 72 61 53 47 41 37 33 30 27

107 79 63 52 43 37 32 28 25 22 20

107 74 56 44 36 30 25 22 19 16 14

99 84 74 66 60 55 50 46 43 40 37

99 78 65 56 48 42 38 34 30 28 25

99 73 58 47 40 34 29 26 23 20 18

99 68 52 41 33 27 23 20 17 15 13

83 64 53 45 39 35 31 28 25 23 21

83 60 48 39 33 28 24 21 19 17 15

83 57 43 34 27 23 19 16 14 12 11

69 52 43 36 31 27 24 22 20 18 17

69 49 38 31 26 22 19 17 15 13 12

69 46 34 27 22 18 15 13 11 10 8

Beam and Field Information CIE Type: Center Beam Intensity: Central Cone Intensity: Beam Flux: Beam Angle (0-180): Beam Angle (90-270): Field Angle (0-180): Field Angle (90-270):

Direct/Indirect 17.09 17 527.2 346.9 345.2 #REF! #REF!

Candela Candela Lumens Degrees Degrees Degrees Degrees

Cone of Light Tabulation Mounting Height (Feet)

Footcandles at Nadir

Diameter (Feet)

4.00

1.07

10.8

6.00

0.475

16.3

8.00

0.267

21.7

10.0

0.171

27.1

12.0

0.119

32.5

14.0

0.0872

38.0

16.0

0.0668

43.4

Test Number 12736909.02 - Page 7 of 8

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FH

80


ISOFootcandle Plot Mounting Height - 8 Feet

2

1.5

1

0.5

-2

-1.5

-1

-0.5

0

0

0.5

1

1.5

2

-0.5

-1

-1.5

-2

Grid Lines in Units of Mounting Height 0.2 fc

0.1 fc

Test Number 12736909.02 - Page 8 of 8

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FH 81


astro

7110 Axios 900 10.8w Class 2

F

incl.

LED

3000K

Samsung LED

Driver

IP44

incl.

2

Zone

A

60cm

60cm 225cm

60cm radius

3

PC

1.9

50

ZONE 1 ZONE 2 ZONE 3

800 450

900

350

x6

50

Astro Lighting Ltd. G2 River Way, Harlow CM20 2DP, Great Britain T: +44 (0) 1279 427001 F: +44 (0) 1279 427002 sales@astrolighting.co.uk www.astrolighting.co.uk

33

105

Issue : 1

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Issued : 07.05.13

Date: 19 March 2019 Project Name: Callie Walton

FI

82


astro

Data Sheet Key Class 1

Class 2

Class 3

F

IP20

Class 1

Classe 1

Schutzlasse 1

Classe 1

AA

Anodised Aluminium

Allumino Anodizzato

Anodisiertes Aluminium

Aluminium Anodisé

Class 2

Classe 2

Schutzlasse 2

Classe 2

AB

Antique Brass

Ottone Antico

Messing Antik

Laiton Antique

Class 3

Classe 3

Schutzlasse 3

Classe 3

BA

Brushed Aluminium

Alluminio Spazzolato

Aluminium Gebürstet

Aluminium Brossé

Luminaire suitable for direct mounting on normally flammable surfaces

Apparecchio di illuminazione per installazione diretta su superfici infiammabili

Leuchte verwendbar für direkte Montage auf normalerweise feuergefährlichen Oberflächen

Luminaire montage sur surface en matériau inflammable autorisé

Bk

Black

Nero

Schwarz

Noir

BN

Kein Schutz vor eindringendem Wasser

Pas de protection contre la pénétration d’eau

Brushed Nickel

Nickel Spazzolato

Nickel Gebürstet

Nickel Brossé

No protection against water ingress

Nessuna protezione contro l’immersione in acqua

Br

Bronze

Bronzo

Bronze

Bronze

Antispruzzo

Spritzwassergeschützt

Résistant aux éclaboussures

BSS

Brushed Stainless Steel

Acciaio Inox Spazzolatocerámica

Rostfreier Edelstahl, Gebürstet

Acier Inoxydable Brossé

C

Ceramic

Ceramica

Keramik

Céramique

CG

Clear Glass

Vetro Transparente

Klares Glas

Verre Claire

Fr

Frosted

Smerigliato

Matt

Verre Satiné

MB

Matt Brass

Ottone Opaco

Messing Matt

Lation Mat

Mi

Mirror

Specchio

Spiegel

Miroir

MN

Matt Nickel

Nickel Opaco

Nickel Matt

Nickel Mat

NB

Natural Brass

Ottone Naturale

Messing Natur

Lation Naturel

O

Oak Finish

Acabado Roble

Eichenfinish

Finiton Chêne

Oy

Oyster

Madreperlato

Oyster

Oyster

P

Plaster

Gesso

Gips

Plâtre

PA

Polished Aluminium

Alluminio Brillante

Aluminium Poliert

Aluminium Poli

PC

Polished Chrome

Cromo Brillante

Chrom Poliert

Chrome Poli

PN

Polished Nickel

Nickel Brillante

Nickel Poliert

Nickel Poli

PS

Painted Silver

Argento Verniciato

Silber Lackiert

Peinture Argent

PVC

PVC

PVC

PVC

SC

Satin Chrome

Cromo Satinato

Chrom Satiniert

Chrome Satiné

SS

Stainless Steel

Acciaio Inox

Edestahl

Acier Inoxydable

W

Walnut

Noce

Walnussfinish

Finition Noyer

Wh

White

Bianco

Weiß

Blanc

WG

White Glass

Vetro Blanco

Weißer Glas

Verre Blanc

Splash-proof IP44

Jet-proof

Antigetto

Strahlwassergeschützt

Résistant aux jets d’eau

Weight of product in box

Poids du produit emballé

Gewicht der Ware im Kar ton

Peso di prodotto in scatola

Dimmable

Dimmerabile

Dimmbar

Dimmable

Touch dimmer

Touch dimmer

Touch dimmer

Touch dimmer

Glass component

Component in vetro

Glas

Verre

With on/off switch or pull cord

Con interruttore on/off o a tirante

mit An Ausschalter oder Zugband

avec interrupter on/off ou tirette

Cut out size

foro di incaso

Ausschnittsmaß

Dimensions d’encastrement

Magnification

Ingrandimento

Vergrößerung

Grossissement

Fire-rated

Ignifugo

schwer entflammbar

résistant au feu

A

Aluminium

Alluminio

Aluminium

Aluminium

C

Ceramic

Ceramica

Creme

Céramique

F

Fabric

Tissu

Stoff

Tessuto

G

Glass

Vetro

Glas

Verre

Pl

Plaster

Gesso

Gips

Plâtre

P

Plastic

Plastique

Kunststoff

Plastica

SS

Stainless steel

Acciaio inox

Edelstahl

Acier Inoxydable

St

Steel

Acier

Stahl

Acciao

Wo

Wood

Bois

Holz

Legno

Zinc

Zinc

Zink

Zinco

Anzahl der Produkte pro Versandeinheit

Quantità di prodotti per scatola di spedizione

IP65

1

70 mm

x3

Zi x6

Quantity of products per shipping box

Colisage

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

PVC

Date: 19 March 2019 Project Name: Callie Walton

FI 83


Specification Sheet Grande COLOR CHANGING

Front view

Photometric Summary

Side view

Description Dummy

The Lumenbeam Grande Color Changing is a high-performance, 100W luminaire for applying dynamic color to architectural exteriors and façades. It has numerous options including optics for flood or accent lighting; RGB, RGBW or RGBA color-mixing; various mounting options, accessories, spread lenses and controls.

Features

Optics

Color and Color Temperature

Additive RGB, Additive RGB + white 4000K, Additive RGB + amber

Optics (nominal distribution)

5°, 6°, 10°, 20°, 40°, 60°

Optical Option

Linear spread lens horizontal distribution, Linear spread lens vertical distribution

Options

Short Yoke, 3G ANSI C136.31 Vibration Rating for bridge applications, Corrosion-resistant coating for hostile environments

Control

Power Consumption

100 W

Warranty

5-year limited warranty

Performance

Rating

Delivered Output

2,702 lm (RGB full output, XN optic), 3,366 lm (RGBW full output, XN optic), 2,861 lm (RGBA full output, XN optic)

Delivered Intensity

138,550 cd at nadir (RGB full output, XN optic), 275,080 cd at nadir (RGBW full output, XN optic), 233,818 cd at nadir (RGBA full output, XN optic)

Color Consistency

2 SDCM

Lumen Maintenance

L70 120,000 hrs (Ta 25 °C)

1220 Marie-Victorin Blvd., Longueuil, QC J4G 2H9 CA T 1.877.937.3003 | 514.937.3003 F 514.937.6289 info@lumenpulse.com www.lumenpulsegroup.com Lumenpulse Group Inc. reserves the right to make changes to this product at any time without prior notice and such modification shall be effective immediately 2017.11.28 copyright © 2017 Lumenpulse Group Inc. MG - R13 1 / 12

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FJ

84


Specification Sheet Grande COLOR CHANGING

Physical Housing Material

Low copper content high pressure die-cast aluminum

Yoke Material

Heavy aluminum (standard yoke included)

Lens Material

Clear tempered glass

Hardware Material

Stainless steel

Gasket Material

Silicone

Surface Finish

Electrostatically applied polyester powder coat

Weight

24 lbs

EPA

Front = 1.6 sq ft, Side = 0.97 sq ft

Electrical and control Voltage

100 to 277 volts

Fixture Cable

Power and data in 1 cable, 3 ft cord standard (#16-5), other lengths available

Resolution (DMX/RDM)

Per board or fixture (configured with LumenID V3 software), 8-bit or 16-bit, 3 channels (RGB) or 4 channels (RGBW, RGBA)

RGB Color Mixing

72 LEDs (12x Red, 12x Green, 12x Blue per board)

RGBW Color Mixing

48 LEDs (6x Red, 6x Green, 6x Blue, 6x White 4000K per board)

RGBA Color Mixing

48 LEDs (6x Red, 6x Green, 6x Blue, 6x Amber per board)

Control

Lumentalk, DMX/RDM enabled

Environmental Operating Temperature

-13 °F to 122 °F

IP Rating

IP66

IK Rating

IK09

Accessories (order separately) Control Boxes

Power and control box - daisy chain configuration, Power and control box - star configuration

Control Systems

Lumentouch 2.0™, Lumencue, Lumentone

Diagnostic and Addressing Tools

LumenID, LumentalkID

1220 Marie-Victorin Blvd., Longueuil, QC J4G 2H9 CA T 1.877.937.3003 | 514.937.3003 F 514.937.6289 info@lumenpulse.com www.lumenpulsegroup.com Lumenpulse Group Inc. reserves the right to make changes to this product at any time without prior notice and such modification shall be effective immediately 2017.11.28 copyright © 2017 Lumenpulse Group Inc. MG - R13 2 / 12

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FJ 85


Specification Sheet Grande COLOR CHANGING

Mounting options SY - Short yoke

Mounting details Mounting hole pattern - standard and short yoke

Adjustable pivot limits

Standard yoke

Short yoke

Optical options LSLH - Linear spread lens horizontal distribution LSLV - Linear spread lens vertical distribution

Factory installed, not adjustable on site. Not available for WFL optic. See 'Optical Accessories' section for field adjustable spread lens (LSLA).

1220 Marie-Victorin Blvd., Longueuil, QC J4G 2H9 CA T 1.877.937.3003 | 514.937.3003 F 514.937.6289 info@lumenpulse.com www.lumenpulsegroup.com Lumenpulse Group Inc. reserves the right to make changes to this product at any time without prior notice and such modification shall be effective immediately 2017.11.28 copyright Š 2017 Lumenpulse Group Inc. MG - R13 3 / 12

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

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86


Specification Sheet Grande COLOR CHANGING

10 . Certification

11 . Cable Length (7)

UL

UL compliant

3FT

3 ft (7)

CE

CE compliant

10FT

10 ft

20FT

20 ft

30FT

30 ft

50FT

50 ft

70FT

70 ft

100FT

100 ft

(8)

Notes: (1)

Consult factory for color mix with Royal Blue, 3000K or other white color temperature LEDs.

(2)

Cannot be combined with other optics.

(3) Factory installed, not available for 60° optic. Field adjustable spread lens optical accessory available, order separately. (4) Lumenpulse offers a wide selection of RAL CLASSIC (K7) colors with a smooth texture and high-gloss finish. Please consult factory for a list of available K7 colors, other RAL textures and glosses, or to match alternate color charts. Final color matching results may vary. (5) A Lumentranslator and LumentalkID (LIDLT) must be specified for Lumentalk applications. Consult Lumentranslator and Lumentalk pages and specification sheets for details. (6) Use only when exposed to salt spray and harsh chemicals. This option is not required for normal outdoor exposure. (7)

3 ft cable length is standard unless otherwise specified.

(8)

Maximum of 3 ft cable length for daisy chain DMX applications with CBX-DS.

1220 Marie-Victorin Blvd., Longueuil, QC J4G 2H9 CA T 1.877.937.3003 | 514.937.3003 F 514.937.6289 info@lumenpulse.com www.lumenpulsegroup.com Lumenpulse Group Inc. reserves the right to make changes to this product at any time without prior notice and such modification shall be effective immediately 2017.11.28 copyright Š 2017 Lumenpulse Group Inc. MG - R13 12 / 12

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FJ 87


Specification Sheet

lumenfacade Inground LOI WHITE AND STATIC COLORS

Top view

Front and side views

Photometric Summary

Description Dummy

The Lumenfacade Inground is an LED luminaire designed for ground-recessed lighting applications, including asymmetric wall washing, grazing, and linear wayfinding. An innovative, plug and play design simplifies installation, protecting the system from water infiltration and ensuring long-lasting performance. Featuring second generation LED technology, the Lumenfacade Inground is available in four different sizes (12 in, 24 in, 36 in or 48 in), with a wide choice of outputs, color temperatures, color-mixing systems, optics and controls. A unique asymmetric wallwash distribution is also available, providing exceptional uniformity and brightness for walls and signage.

Features

Optics

Construction

Walk over compliant up to 500 kg in any type of ground, Walk over compliant up to 1000 kg in concrete

Color and Color Temperature

2200K, 2700K, 3000K, 3500K, 4000K, Red, Green, Blue

Length (nominal)

12 in, 24 in, 36 in, 48 in

Optics

Asymmetric wallwash, 8° x 8°, 10° x 10°, 10° x 30°, 10° x 60°, 10° x 90°, 15° x 25°, 30° x 30°, 30° x 60°, 35° x 35°, 50° x 80°, 60° x 60°, 80° x 80°, 90° x 90°

Tilt Setting (factory set)

0 degrees, 2.5 degrees, 5 degrees, 20 degrees

Optical Option

Internal louver

Options

Anti-slip lens, CE (certification covers European Economic Area)

Power Consumption

5 W/ft (meets ASHRAE standards for linear lighting on building facades - not available for 12 in fixture lengths), 8.5 W/ft (RO version), 15.25 W/ft (HO version), Typically 20% higher for 12 in fixture lengths

Warranty

5-year limited warranty

1220 Marie-Victorin Blvd., Longueuil, QC J4G 2H9 CA T United States 617.307.5700 | Canada 1.877.937.3003 | 514.937.3003 info@lumenpulse.com www.lumenpulse.com www.lumenpulse.com/products/1552/lumenfacade-inground Lumenpulse Group Inc. reserves the right to make changes to this product at any time without prior notice and such modification shall be effective immediately 2019.02.22 copyright © 2019 Lumenpulse Group Inc. NK - R18

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

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Specification Sheet

lumenfacade Inground LOI WHITE AND STATIC COLORS

Colors and Color Temperatures

Performance Illuminance at Distance

Minimum 1 fc at 94 ft (HO 4000K, 48 in fixture, 10° x 60°, 2.5° tilt setting, DMX/RDM)

Color Consistency

2 SDCM, 3 SDCM (2200K)

Color Rendering

Minimum CRI 80

Lumen Maintenance

L70 280,000 hrs, L95 35,000 hrs

Physical

Controls

Ratings

Certifications

Optical Chamber Material

Aluminum

Blockout Material

Polymer recycled PVC reinforced with a stainless steel frame

Trim Material

Anodized aluminum

Lens Material

Tempered glass

End Cap Material

Die cast aluminum

Hardware Material

Stainless steel

Weight

12 in: 7.5 lbs, 24 in: 15.3 lbs, 36 in: 21.4 lbs, 48 in: 27 lbs

Electrical and control Voltage

120 to 277 volts

Fixture Cable

Power and data in one cable

Leader Cable Conductors

5C #16-5

Connectors

IP68 push-lock

Control

On/Off control, Lumentalk, 0-10V dimming, DALI dimming, Lutron® EcoSystem® Enabled dimming, DMX/RDM enabled

Resolution (DMX/RDM)

Per foot or per fixture (configured with LumenID V3 software), 8-bit or 16-bit

Environmental Storage Temperature

-40 °F to 185 °F (device must reach start-up temperature value before operating)

Start-up Temperature

-13 °F to 122 °F

Operating Temperature

-40 °F to 122 °F

Ingress Protection Rating

IP68 rated for up to 1 ft, not suitable for permanent immersion applications

Impact Resistance Rating

IK10

1220 Marie-Victorin Blvd., Longueuil, QC J4G 2H9 CA T United States 617.307.5700 | Canada 1.877.937.3003 | 514.937.3003 info@lumenpulse.com www.lumenpulse.com www.lumenpulse.com/products/1552/lumenfacade-inground Lumenpulse Group Inc. reserves the right to make changes to this product at any time without prior notice and such modification shall be effective immediately 2019.02.22 copyright © 2019 Lumenpulse Group Inc. NK - R18

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

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Specification Sheet

lumenfacade Inground LOI WHITE AND STATIC COLORS

How to order

1 . Housing (1) (2) (3)

2 . Voltage

LOI ASHRAE

Lumenfacade™ Inground, 5 W/ft ASHRAE

LOI RO

compliant (4) Lumenfacade™ Inground, Regular Output,

LOI HO

8.5 W/ft Lumenfacade™ Inground, High Output,

120/277

120-277 volts

3 . Length

15.25 W/ft (1) A Lumenfacade Inground fixture includes one optical chamber (LOIC), one power and control box (PACBOX) and one recessed blockout (RBO). The LOIC, PACBOX and RBO are provided according to the output/color, length and control configuration. (2) Consult the installation instructions to plan all aspects of the fixture installation. A completed Certificate of Installation must be returned to Lumenpulse to activate the warranty.

12

13 1/16 in (7.5 lbs) (1)

24

25 1/16 in (15.3 lbs)

36

37 1/16 in (21.4 lbs)

48

49 1/16 in (27 lbs)

(1) Power consumption is typically 20% higher for 12 in fixture lengths.

4 . Color and Color Temperature (1)

(3)

Power consumption is typically 20% higher for 12 in fixture lengths.

22K

2200K

27K

2700K

30K

3000K

35K

3500K

40K

4000K

RD

Red (2)

GR

Green (2)

BL

Blue (2)

(4)

ASHRAE version not available for 12 in fixture lengths.

(1) Consult factory for availability of static Royal Blue, 6500K and 90+ CRI. (2)

Static colors made to order 8-10 weeks.

(1) (2) 1220 Marie-Victorin Blvd., Longueuil, QC J4G 2H9 CA T United States 617.307.5700 | Canada 1.877.937.3003 | 514.937.3003 info@lumenpulse.com www.lumenpulse.com www.lumenpulse.com/products/1552/lumenfacade-inground Lumenpulse Group Inc. reserves the right to make changes to this product at any time without prior notice and such modification shall be effective immediately 2019.02.22 copyright © 2019 Lumenpulse Group Inc. NK - R18

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

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Specification Sheet

lumenfacade Inground LOI WHITE AND STATIC COLORS

5 . Optics

6 . Tilt Setting (1) (2)

WW

Asymmetric Wallwash

TS0

0 degrees

8x8

8° x 8° (1)

TS2.5

2.5 degrees

10x10

10° x 10° (1)

TS5

5 degrees

10x30

10° x 30°

TS20

20 degrees

10x60

10° x 60°

(1)

10x90

10° x 90°

Do not specify a tilt setting for the asymmetric wallwash option. The asymmetric wallwash optic is factory set with a 2.5 degree tilt.

15x25

15° x 25°

(2)

30x30

30° x 30°

30x60

30° x 60°

35x35

35° x 35°

50x80

50° x 80°

60x60

60° x 60°

80x80

80° x 80°

90x90

90° x 90°

Tilt setting is factory set and cannot be adjusted in the field.

7 . Optical Option INTL

Internal louver (1)

(1) The addition of an internal louver will affect beam distribution. Consult factory for application support.

8 . Control NO

On/Off control

LT

Lumentalk (1)

DIM

0-10V dimming

(1)

For best results use with HO fixtures at a 6 in setback from surface. Contact factory for application support.

DALI

DALI dimming

ES

Lutron® EcoSystem® Enabled dimming

DMX/RDM

DMX/RDM enabled (2)

(1) A Lumentranslator and LumentalkID (LIDLT) must be specified for Lumentalk applications. Consult Lumentranslator and Lumentalk pages and specification sheets for details. (2)

A control box (CBX) and LumenID (LID) must be specified.

9 . Options ASL

Anti-slip lens

CE

CE (certification covers European Economic Area) (1)

(1)

Consult European specification sheet and installation instructions for CE wiring information.

1220 Marie-Victorin Blvd., Longueuil, QC J4G 2H9 CA T United States 617.307.5700 | Canada 1.877.937.3003 | 514.937.3003 info@lumenpulse.com www.lumenpulse.com www.lumenpulse.com/products/1552/lumenfacade-inground Lumenpulse Group Inc. reserves the right to make changes to this product at any time without prior notice and such modification shall be effective immediately 2019.02.22 copyright © 2019 Lumenpulse Group Inc. NK - R18

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

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Luminous Panel The hansen Luminous Panel is a very flat, large-surface luminaire for built-in purposes. The Basic and Eco versions are suitable for both indoor and outdoor installation, whereas the Slim and Power versions are suitable for indoor use only.

12 V / 24 V

Typical applications · · · · · · · ·

Lighting element for walls or ceilings Glare-free wall luminaire for kitchens and bathrooms Illumination of decorative glass elements Backlighting of artificial stone, acrylic or textiles Illumination of flat light boxes Light for traffic signs, pictograms, direction signs Double-sided illumination of signs and boxes Recessed luminaires in 600 mm or 625 mm grid ceilings

Advantages at a glance

Rea (3 m

Sectional view of the hansen Luminous Panel

Custom dimensions: The Luminous Panel is made to customer specification only. Additional features (e.g. round or oval shapes, rounded corners, cut-outs, etc.) are possible as well.

§

LED

Max

Max

Extremely thin: The panel has an overall depth of only 8 mm in the Slim version, 11 mm in the Basic and Eco version, and 13 mm in the Power version.

§

Controllable: The brightness or colour temperature of the Luminous Panel can be harmoniously dimmed with our innovative remote controls. RGB or RGB-W control is also possible.

§

Low energy consumption: Thanks to modern LED technology, the Luminous Panel has a very low power consumption of 25 watts per square metre, i.e. a Luminous Panel of 2 m² would have the same energy costs as a small candle-type incandescent light bulb.

§

§

Mixing of warm an cool white light: Allows the generation of daylight scenarios.

§

Coloured light: The Luminous Panel can also be fitted with coloured or RGB-(W) LEDs allowing attractive colour changes or impressive light scenes to be implemented.

§

Wei

Ope

Wat

Rear

Lum

Front

Deg

Con

Dim

Ava

Light-transmitting acrylic glass pane

Ava

Te

Reflecting rear panel

Availab

LIGHT

LED

Different colour temperatures: The Luminous Panel can be supplied with warm (2,700 K, 3,000 K), daylight-like (4,000 K, 5,000 K) or cool white light (6,500 K).

§

Ove

LIGHT

• • • • • • •

Low maintenance: The light sources, i.e. the LEDs, do not have to be replaced during their entire service life of approx. 50,000 operating hours.

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FL

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Luminous Panel – Details Custom dimensions The hansen Luminous Panel is made to customer specification only. The smallest possible size is 80 x 80 mm, the largest is 1,500 x 3,000 mm (Basic version). Within these dimensions any size can be supplied.

be covered y customer

mm

HT

Maximum size The Luminous Panel can be produced with a maximum height of 1,500 mm. This is the distance between the LEDilluminated edges. The light distribution over the surface area is very uniform. The maximum possible width is 3,000 mm for the Basic version and 2,000 mm for the Power version. Other dimensions are possible on request.

000 mm 13 mm

Slim version:

1,000 x 2,000 mm Basic version:

1,500 x 3,000 mm Power version:

1,500 x 2,000 mm

80 x 80 mm

Other dimensions on request

Recommendation for uniform illumination:

Max. 1,500 mm or 1,000 mm (Slim version) Max. 3,000 mm or 2,000 mm (Slim and Power version)

Illumination from one side (max. height 750 mm):

Small Luminous Panels

500 mm

We produce any size from small to large

The smallest available size for the Luminous Panel is 80 x 80 mm. For such small panels illumination from one side, i.e. with one LED strip, is perfectly sufficient. The maximum height for panels illuminated from one side is approx. 750 mm.

750 mm

15.5 kg 24 V 45 W

2,600 lm IP20 CE yes yes yes

o sides

outdoor use.

...

-W)

Special shapes Special shapes could be round or oval panels or even free shapes. Nearly every shape can be custom-made in the Basic version. Whether your desired shape is feasible can be checked in advance with our sales team.

Double-sided illumination (no rear panel) Direction signs (e.g. on airports) are often illuminated on both sides, shining towards the front and rear. For these and similar applications, the Luminous Panel can be supplied without reflecting rear panel.

Opal/transparent cover An opal front pane can be supplied when the Luminous Panel is to be used as a luminaire with a high-quality visible surface. The 3 mm transparent pane can be used as a carrier for selfadhesive vinyl lettering and graphics.

Lead-throughs, openings, cut-outs A variety of openings (e.g. for screwed connections), cut-outs (e.g. for switches) or lateral recesses (e.g. to avoid an existing strut or bracing) can be machined into the Luminous Panel.

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FL 93


Basic / Eco

Slim 20 mm to be covered by customer

20 mm to be covered by customer

Rear panel (3 mm)

LIGHT

20 mm to be covered by customer

Aluminium profile

13 mm

11 mm

8 mm Rear panel (3 mm)

Power

Rear panel (5 mm)

LIGHT

12 V

24 V

LIGHT

24 V

Max. height

1,000 mm

Max. height

1,500 mm

Max. height

1,500 mm

Max. width

2,000 mm

Max. width

3,000 mm

Max. width

2,000 mm

Overall depth (thickness)

8 mm

Overall depth (thickness)

Weight per m2

9.5 kg

Weight per m2

Operating voltage Wattage per m

2

Luminous flux per m2 Degree of protection

11 mm 13 kg

24 V

Operating voltage

25 W

Wattage per m

12 V 25 W / 12.5 W

2

Overall depth (thickness)

13 mm

Weight per m2

15.5 kg

Operating voltage

24 V

Wattage per m2

45 W

1,400 lm

Luminous flux per m2

1,400 lm / 700 lm

Luminous flux per m2

2,600 lm

IP20

Degree of protection

IP20

Degree of protection

IP20

Conformity

CE

Conformity

CE

Conformity

CE

Dimmable

yes

Dimmable

yes

Dimmable

yes

Available without rear panel

yes

Available without rear panel

yes

Available without rear panel

yes

Available with 3 mm opal cover

yes

Available with 3 mm opal cover

yes

Available with 3 mm opal cover

yes

Technical data for 1 m2, illuminated from two sides

Technical data for 1 m2, illuminated from two sides

Available colour temperatures: 2,700 K | 3,000 K | 4,000 K | 5,000 K | 6,500 K

Technical data for 1 m2, illuminated from two sides

The Basic and Eco versions are also available for outdoor use.

W-W

RGB-W

... for warm/cool white light ...

... for colour changing effects ...

• Power consumption: approx. 25 W/m2 (same as Basic version) • Overall depth: 13 mm • Colour temperatures: continuously variable between 2,700 and 6,500 K • Typical luminous flux: 1,400 lm • Indoor operation: parallel connection (12 V)

• Power consumption: 2 30 W/m² (RGB) | 40 W/m (RGB-W)

• Overall depth: 11 mm (RGB) | 13 mm (RGB-W) • Light colours: RGB | RGB-W • Indoor operation: parallel connection (12 V)

• Radio-controllable with receiver 2501M

• Radio-controllable with receiver 1009FA

• Operation with hand-held transmitter or

• Operation with hand-held transmitter or

wall-mount transmitter

wall-mount transmitter

Project: Performing Arts Center

Date: 19 March 2019

Lighting Designer: Callie Walton

Project Name: Callie Walton

PLEASE NOTE: For a more accurate calculation of the luminous flux different EULUMDAT files are available on our website. Architectural Lighting Design For further details and up-to-date data sheets of the Luminous Panel please visit www.hansen-led.com.

Texas Christian University

FL 94


Magnetic Frame

(for “Basic” power class panels) The magnetic frame is the perfect fit for the hansen Luminous Panel in the Basic version. The aluminium frame and the acrylic glass pane protect the motif, which is attractively illuminated by the Luminous Panel. The 12 V Luminous Panel can be illuminated by LED strips from one, two or four sides. The LED strips use Standard-PLUS LEDs spaced at 15 mm intervals. Other LED types and spacings are available on request. Magnetic frame sizes from 200 x 200 mm to 1,100 x 2,400 mm allow a variety of individual designs. Customized solutions are possible as well.

Frame width: 30 mm all round

The frame simply clicks together! ck

Cli

Frame depth: 30 mm

Magnetic frame (front view)

RGB-W Panel (”Basic” power class)

Radio remote control for RGB | RGB-W

The hansen Luminous Panels cannot only be illuminated with white LEDs, they can also be supplied as RGB and RGB-W (RGB combined with a white channel) versions. Warm/cool light mixing can be implemented as well to create atmospheric light scenes. The radio remote control offers the following functions: • Manual adjustment of the light colours • Mixing of the three primary colours red, green and blue • Manual mixing of RGB and white light (RGB-W) • Dimming of RGB and white light (RGB-W) • 10 pre-set automatic programs • Splitting of the LEDs into zones • Storage function for customer-defined mixed colours

Wall-mount transmitter

Hand-held transmitter

Sectional view of the RGB Panel

A particularly intense and uniform brightness and colour impression can be achieved by covering the Luminous Panel with an opal acrylic glass pane.

Light-transmitting acrylic glass pane Opal-white cover (optional)

14 mm overall thickness with opal cover

Aust

RGB LEDs

Hanse Trieste A-807

Tel. +4 Fax + E-mai

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FL 95


12V Architectural Step Lighting CAT:

Reliable LED lighting system using individually replaceable LED modules for easily maintained step illumination.

FEET:

TYPE:

PROJECT:

Features • Architectural Step Lighting features an aluminum base, a continuous diffuser lens in flame-retardant polycarbonate and flush-fitting end caps for a completely integrated auditorium system. • Indoor version incorporates our Titanium module strand with field-replaceable PCBs and the outdoor version uses replaceable low brightness indicator LED tubes. • Pre-cut and assembled according to specification. • Optional illuminated row indicator is available. Not available with outdoor version (see pg. 2) Mounting Easy glue and screw down installation with recommended construction adhesives. Applications Required for lighting 90° steps in indoor and outdoor applications. Warranty 5 years (Indoor) 3 years (Outdoor)

Technical Information Configuration LED Spacing O.C. *Watts/ft. CRI Kelvin Temp Rated Life

ADA

COMPLIANT

Indoor 4”

6”

4”

6”

0.005

0.004

0.78

0.58

>80/TYP83

>70/TYP72

1900K, 2700K, 3000K, 3500K, 4000K (+/- 80K) 3SDCM, Amber, Blue, Red

2300K (+/- 100K), 2800K (+/- 100K), 5500K (+/- 200K) Blue, Yellow

75,000 hrs.

40,000 hrs.

Order Increments

3’, 4’, 5’, 6’, 7’, 8’

Operating Voltage

12V DC

Power Supply

Class 2

Dimmable

Profile Dimensions

Outdoor

Tread Surface

Indoor version

137°

1” ¼” Clear or Bronze Top Lens

Aluminum Base

Anti-slip PVC Black or Grey Tread

17/16”

15/16” 113/16”

LED PCB

60° (Meets ADA 4.9.3)

Yes

*Based on 3000K

¼”

19/16” 213/16”

Tread Surface

Outdoor version with 360° LED Tube

137°

1” ¼” Clear or Bronze Top Lens

Aluminum Base 17/16”

Anti-slip PVC Black or Grey Tread

15/16”

360° LED Tube

113/16”

60° (Meets ADA 4.9.3) 19/16”

¼”

213/16” Tivoli, LLC. reserves the right to modify this specification without prior notice. Copyright © Tivoli 09/19/18

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Page 1 of 4

www.tivolilighting.com tel: 714-957-6101 fax: 714-427-3458

Date: 19 March 2019 Project Name: Callie Walton

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12V Architectural Step Lighting Recommended Power Supplies CAT NO

APPLICATION

PRIMARY AND SECONDARY

TOTAL WATTAGE / AMPS PER BREAKER

LISTING

DIMENSIONS

ELECTRONIC OR AC MAGNETIC

JT-60-1-5-12-D

120V AC / 12V DC

60 / 1X5A

cETLus

4.25”W X 8.50”L X 3.25”D

Magnetic

JTH-60-1-5-12-D

277V AC / 12V DC

60 / 1X5A

cETLus

4.25”W X 8.50”L X 3.25”D

Magnetic

120V AC / 12V DC

240 / 4X5A

cETLus

8.50”W X 16.00”L X 4.50”D

Magnetic

277V AC / 12V DC

240 / 4X5A

cETLus

8.50”W X 16.00”L X 4.50”D

Magnetic

Indoor/Outdoor

JT-240-4-5-12-D JTH-240-4-5-12-D DESCRIPTION

CAT NO

INPUT VOLTAGE

CONTINUOUS MAX VOLTAGE AC

CONTINUOUS MAX VOLTAGE DC

MAX CLAMPING VOLTAGE 8/20 µS @ 20KA

DIMENSION

Universal Surge Protector

JT-120-SURGE

120V - 277V AC

320V AC

420V DC

1600

3” L X 1.625” D

Aluminum Base PVC End Cap

Ordering Information LED SPACING

PRODUCT CODE

AST

-

AST = Architectural Step Titanium

Contrasting Grey Marking Stripe *LED COLOR

04 = 4” O.C. 06 = 6” O.C.

POWER FEED

END CAP -

-

19 = 1900K 27 = 2700K 30 = 3000K 35 = 3500K 40 = 4000K AM = Amber (indoor/outdoor) RD = Red BL = Blue (indoor/outdoor) **23 = 2300K **28 = 2800K **55 = 5500K **YL = Yellow

B = Both L = Left R = Right

L = Left R = Right

Wireway

TOP COVER

FIXTURE OPTIONAL LENGTH Row Indicator -

B = Black G = Grey

3.0 = 3’ 4.0 = 4’ 5.0 = 5’ 6.0 = 6’ 7.0 = 7’ 8.0 = 8”

Light **W = Outdoor version with 360° LED Tube

REQUIRED POWER SUPPLY -

PSU See Above

* Standard Clear Lens provided. Bronze lens available upon request. **Outdoor only

Optional Row Indicator Ordering Information Note: Indoor model only PRODUCT CODE

AST AST = Architectural Step Titanium

OPTION

-

RI

ROW INDICATOR POSITION

LED COLOR

-

RI = Row Indicator

19 = 1900K 27 = 2700K 30 = 3000K 35 = 3500K 40 = 4000K AM = Amber RD = Red BL = Blue

B = Both L = Left R = Right

Row Indicator

Tivoli, LLC. reserves the right to modify this specification without prior notice. Copyright © Tivoli 09/19/18

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Page 2 of 4

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Date: 19 March 2019 Project Name: Callie Walton

FM 97


12V Architectural Step Lighting Replacement Parts

REPLACEMENT LED ROW INDICATOR RI-LED-19 RI-LED-40 1900K 4000K RI-LED-27 RI-LED-AM 2700K Amber RI-LED-30 RI-LED-BL 3000K Blue RI-LED-35 RI-LED-RD 3500K Red

END CAPS AST-EC-2R Right End Cap AST-EC-2L Left End Cap (shown)

Indoor Replacement Accessories

INDOOR REPLACEMENT LED PCB TT-LED-40 TT-LED-19 4000K 1900K TT-LED-AM TT-LED-27 Amber 2700K TT-LED-BL TT-LED-30 Blue 3000K TT-LED-RD TT-LED-35 Red 3500K

INDOOR REPLACEMENT STRAND - NO LED (100’ MAX ROLL) TT-STP-04-STRAND Replacement strand 4” O.C. TT-STP-06-STRAND Replacement Strand 6” O.C.

Outdoor Replacement LED Tubes

End Prep Options & Lead Wire

Tubes are purchased per foot in either 4” O.C. or 6” O.C. One End Prep for each tube must be ordered. Dimensions/Drawing required for accurate production.

REPLACEMENT TUBE 4” O.C. AST-03-04-23-12 4” O.C. 2300K AST-03-04-28-12 4” O.C. 2800K AST-03-04-55-12 4” O.C. 5500K AST-03-04-BL-12 4” O.C. BL AST-03-04-YL-12 4” O.C. YL AST-03-04-AM-12 4” O.C. AMBER

REPLACEMENT TUBE 6” O.C. AST-03-06-23-12 6” O.C. 2300K AST-03-06-28-12 6” O.C. 2800K AST-03-06-55-12 6” O.C. 5500K AST-03-06-BL-12 6” O.C. BL AST-03-06-YL-12 6” O.C. YL AST-03-06-AM-12 6” O.C. AM

EXTRA LEAD WIRE AST-W-XEP-18/2 Additional Lead Wire, 22ga, 2 Conductor

AST-W-EPC End Prep 24” Lead Wire/ Dead End

AST-W-EPD End Prep 24” Lead Wire/ Lead Wire

Tivoli, LLC. reserves the right to modify this specification without prior notice. Copyright © Tivoli 09/19/18

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Page 3 of 4

www.tivolilighting.com tel: 714-957-6101 fax: 714-427-3458

Date: 19 March 2019 Project Name: Callie Walton

FM

98


12V Architectural Step Lighting Accessories 213/16”

5/16”

5/16”

113/16”

¼”

11/4”

7/16”

15/16" softaisle, lumitred II and architectural step

AST-BASE-8 Aluminum Base (ONLY)

AST-LENS-B-8 Bronze top lens - 8’ AST-LENS-C-8 Clear top lens - 8’

BNS-TT-R-12 Step Reducer, 12’ Section

AST-TRD-BK-8 Black tread - 8’ AST-TRD-GY-8 Grey tread - 8’

Note: Bronze lens greatly diminishes light output and is only recommended for areas where the most minimal of light is desired. Clear should be the standard go to for specification

5/16"

BASE

LENS COVER

1 1/4"

softstep II and bullnose

/8”

CARPET-TO-EDGE BASE & COVER COMBO AST-WW-CE-TT-8 Wireway 8’ length - Two-Ton (Black Base & Gray Top Cover AST-WW-CE-BK-8 Wireway 8’ length - Black

7/16”

2¼”

WIREWAY BASE AST-WW-BS-BK-8 Wireway Base 8’

WIRE WAY TOP COVER AST-WW-TC-BK-8 Wireway Cover 8’ - Black AST-WW-TC-GY-8 Wireway Cover 8’ - Grey

BASE

7/16”

9/32”

1½"

1½"

CC & CW WIRE WAY COMBO - BASE & LENS WW-CC-BK-8 Carpet to Carpet Base and Cover 8’ - Black WW-CC-GY-8 Carpet to Carpet Base and Cover 8’ - Gray WW-CW-BK-8 Carpet to Wall Base and Cover 8’ - Black 9/32” WW-CW-GY-8 Carpet to Wall Base and Cover 8’ - Gray 2¼"

3/4”

111/16”

111/16”

LENS COVER

3/8”

3/8”

3

CC & CW WIRE WAY BASE ONLY WW-CW-BS-8 Base Only, Carpet to Wall, Black, 8’ WW-CC-BS-8 Base Only, Carpet to Carpet, Black, 8’

7/16”

1½"

AST-PH Power harness with socket

1½"

CC & CW WIRE WAY LENS ONLY WW-TC-CL-8 Lens Cover Only, Clear, 8’ WW-TC-BK-8 Lens Cover Only, Black, 8’ WW-TC-BZ-8 Lens Cover Only, Bronze, 8’ WW-TC-GY-8 Lens Cover Only, Gray, 8’

1½"

TM-3/16 Concrete Screw 3/16” x 13/4”

RONDB-5/32 Concrete Drill Bit 5/32”

1½"

2¼" Tivoli, LLC. reserves the right to modify this specification without prior notice. Copyright © Tivoli 09/19/18

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Page 4 of 4

ADH-MB-75AM-10 Extrusion adhesive, 10.1 oz tubes, sold individually. 30 per case. ADH-MB-75AM-29 Extrusion adhesive, 29 oz tubes, sold individually. 12 per case.

www.tivolilighting.com tel: 714-957-6101 fax: 714-427-3458

Date: 19 March 2019 Project Name: Callie Walton

FM 99


L I N E A R S U S P E N S I O N Surge Linear Suspension DESCRIPTION The Surge linear suspension by Tech Lighting appears to float effortlessly with its smooth wavy lines. The graceful force of ocean waves is captured when gently undulating bands of downward and upward firing LED strips join to form a striking fixture capable of creating layers of illumination. Fixtures can be linked together end­to­end to create longer, continuous runs using the optional Mechanical Connector. The Surge fixture spans 54â€​ in length making it ideal for conference room lighting, foyer lighting and a host of commercial and residential lighting applications. Your choice of fully dimmable LED lamping ships with the Surge saving you both time and money. Downward and upward facing LED strips provides downlight and uplight to create layers of illumination. To empower lighting designers to create unique applications, fixtures can be linked together end­to­end to create longer, continuous runs using optional Mechanical Connector. Includes 75 watts of LED (63 watts, 4200 net lumens of downlight and 12 watts, 800 net lumens of uplight), 3000K. Ships with 12 ft of field­cuttable cable. Dimmable with low­voltage electronic dimmer. INSTALLATION This product can mount to either a 4" square electrical box with round plaster ring or an octagonal electrical box (not included). WEIGHT 21.00­22lb / 9.53­9.98kg ±

satin nickel

white

ORDERING INFORMATION 700LSSURG

FINISH

LAMP

S SATIN NICKEL W WHITE

­LED LED 80 CRI 3000K 120V ­LED277 LED 80 CRI 3000K 277V

700LSSURG ____ ____ FIXTURE TYPE: ________________________________________________

7400 Linder Avenue Skokie, Illinois 60077

T 847.410.4400 F 847.410.4500

Tech Lighting, L.L.C.

JOB NAME:

________________________________________________

NOTES:

________________________________________________ ________________________________________________ ________________________________________________

©2019 Tech Lighting, L.L.C. All Rights Reserved. The "Tech Lighting" graphic is a registered trademark of Tech Lighting, L.L.C. Tech Lighting reserves the right to change specifications for product improvements without notification.

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FN

100


SKU 1331008

PRODUCT SPECIFICATION GENERAL FINISH:

Textured White

CABLE LENGTH:

Not Applicable

MAIN MATERIAL:

Metal - Aluminium

GROSS WEIGHT:

0.85 (kg)

DIMENSIONS:

H: 141mm W: 141mm D: 51mm

CLASS:

CE (Class I)

INSTALLATION ORIENTATION:

Ceiling Mount (reduced IP rating) / Wall Mount

IP RATING:

IP54

CUT OUT HOLE:

Not Applicable

BATHROOM ZONE:

Zone 2, 3

RECESS DEPTH:

Not Applicable

VOLTAGE:

FIRE RATING:

Not Applicable

PRODUCT F MARK:

Mains 230 (V) Suitable for mounting on flammable materials

LAMP LIGHT SOURCE:

High-Power LED

MACADAM ELIPSE:

6-Step

MAXIMUM WATTAGE:

4.4W

UGR:

Not Applicable

MAXIMUM LAMP LENGTH:

Not Applicable

BEAM ANGLE:

Not Applicable

LAMP INCLUDED?

Yes (Integral)

TILT ADJUSTMENT ANGLE:

Not Applicable

LUMINOUS FLUX:

269.9 (lm)

ROTATION ADJUSTMENT ANGLE:

Not Applicable

COLOUR TEMP:

3000 (K)

AVERAGE LIFESPAN:

60,500 (Hrs)

CRI:

80

L70:

To Be Advised

R9:

7.4

ELECTRICAL SWITCHED:

No

SUPPLY FREQUENCY:

50 / 60 (Hz)

DIMMABLE:

No

DRIVER / BALLAST VOLTAGE:

100-240 (V)

DIMMING METHOD:

Not Applicable

DRIVER AVERAGE LIFESPAN:

25,000 (Hrs)

DRIVER OUTPUT CURRENT:

350 (mA)

EFFICACY:

61.2 (lm / W)

DRIVER OUTPUT VOLTAGE:

Not Applicable

DRIVER / BALLAST INCLUDED?

Yes (Integral)

ADDITIONAL INFORMATION BOX QUANTITY x 18

Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton

Issue 3Project: / 06.03.18

Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FO

EXTERIOR LIGHTING PAGE. 01/ 02

101


FR Veuillez noter que certaines dimensions peuvent varier légèrement en raison des tolérances de fabrication, y compris l’entrée de câble et les trous de fixation.

IT

DE Bitte beachten Sie, dass die Maße Fertigungstoleranzen unterliegen und daher in geringem Umfang von der angegebenen Größe abweichen können. Dies gilt auch für Kabeleingänge und Befestigungslöcher.

Si prega notare che possono esserci piccole variazioni in alcune dimensioni dovute alle tolleranze di produzione, queste includono l’ingresso del cavo e i fori di fissaggio.

51mm

GB Please note that some dimensions may vary slightly due to manufacturing tolerances, this includes cable entry and fixing holes.

51mm

112mm

40mm

141mm

141mm

40mm

T: +44 (0) 1279 427001

Issue 3 / 06.03.18

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

sales@astrolighting.com

Date: 19 March 2019

www.astrolighting.com

EXTERIOR LIGHTING PAGE. 02/ 02

Project Name: Callie Walton

FO

102


SUMMARY Model No.: Description:

700OWMNMD930xx10Y LED Wall Sconce with 40° Optics

Criteria Total Lumen Output (Lumens) Total Power (W) Luminaire Efficacy (LPW) Power Factor BUG Rating IES Classification Longitudinal Classification

Result 1413 16.27 86.85 0.978 B2-U0-G0 Type VS Very Short

EQUIPMENT LIST Equipment Used Yokogawa Power Meter Omega Newport Thermometer LSI High Speed Mirror Goniometer Newport Thermohygrometer Pacific, AC power supply

Model Number WT210 DPI8-C24 6440T iServer 118-ACX

Control Last Date Number Calibrated 146919 07/11/16 146920 10/07/16 146928 VBU 146956 01/04/16 CHI0358 VBU

Calibration Due Date 07/11/17 10/07/17 VBU 01/04/17 VBU

Date Used 11/29/16 11/29/16 11/29/16 11/29/16 11/29/16

TEST METHODS Seasoning in Sample Orientation – LED Products No seasoning was performed in accordance with IESNA LM-79. Photometric and Electrical Measurements – Distribution Method A LSI Type C High Speed Model 6440 Mirror Goniometer was used to measure the intensity (candelas) at each angle of distribution for each sample. Ambient temperature was measured equal to the height of the sample mounted on the Goniometer equipment. Each sample was operated at input rated voltage in its designated orientation. Each sample was allowed to stabilize for at least thirty minutes before measurements were made. Electrical measurements including voltage, current, and power were measured using the Xitron or Yokogawa Power Analyzer. Some graphics were created with Photometrics Plus software.

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton

Report No.102171228CHI-072

Texas Christian University

Date: 19 March 2019

2 of 5

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Date: November 29, 2016 103


RESULTS OF TEST Photometric and Electrical Measurements at Ambient Temperature (25°C +/- 1°C) – Distribution Method

Intertek Sample No. AH11102016042108

Base Orientation Up

Input Voltage {Vac} 120.0

Input Current (mA) 138.6

Input Power (Watts) 16.27

Input Absolute Power Luminous Flux (Lumens) Factor 0.978 1413

Lumen Efficacy (LPW) 86.85

Intensity (Candlepower) Summary at 25°C - Candelas Angle 0 5 10 15 20 25 30 35 40 45 50 55 60 65 70 75 80 85 90

0 2453 2336 2080 1695 1237 778 431 223 118 70 48 32 22 15 10 7 4 1 0

22.5 2453 2343 2094 1706 1254 800 449 235 125 73 47 32 21 15 10 6 4 1 0

45 2453 2369 2119 1746 1295 863 509 290 169 99 59 36 23 15 10 6 3 1 0

67.5 2453 2375 2139 1770 1339 892 538 331 208 138 90 57 35 20 12 6 3 1 0

90 2453 2375 2151 1788 1358 914 549 340 218 146 95 61 37 21 11 5 2 1 0

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton

Report No.102171228CHI-072

Texas Christian University

Date: 19 March 2019

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RESULTS OF TEST (cont'd) Illumination Plots Illuminance - Cone of Light

Mounting Height: 10 ft.

Isoillumination Plot

Zonal Lumen Summary and Percentages at 25°C Zone 0-30 0-40 0-60 60-90 0-90 90-180 0-180

Lumens 1084 1266 1388 24.9 1413 0.0 1413

% Luminaire 76.7 89.6 98.2 1.8 100.0 0.0 100.0

Luminaire Classification System (LCS) LCS FL FM FH FVH BL BM BH BVH UL UH Total

Zone (0-30) (30-60) (60-80) (80-90) (0-30) (30-60) (60-80) (80-90) (90-100) (100-180)

Lumens 543.1 154.3 12.1 0.7 543.2 150.6 11.5 0.6 0.0 0.0 1416.1

Zonal Lumens and Percentages at 25°C % Luminaire 38.3 10.9 0.9 0.0 38.4 10.6 0.8 0.0 0.0 0.0 100.0

Zone 0-10 10-20 20-30 30-40 40-50 50-60 60-70 70-80 80-90

Lumens 217.8 477.7 388.0 182.9 82.4 39.0 17.2 6.4 1.3

% Luminaire 15.4 33.8 27.5 13.0 5.8 2.8 1.2 0.5 0.1

BUG Rating: B2-U0-G0 IES Classification: Type VS Longitudinal Classification: Very Short

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton

Report No.102171228CHI-072

Texas Christian University

Date: 19 March 2019

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Date: November 29, 2016 105


PICTURES (not to scale) X

CONCLUSION The results tabulated in this report are representative of the actual test samples submitted for this report only. The data is provided to the client for further evaluation. Compliance to the referenced specification requirements was not determined in this report.

In Charge Of Tests:

Report Reviewed By:

Jehue Williams Associate Engineer Lighting Division

Timothy Quigley Engineer Lighting Division

Attachment: None

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton

Report No.102171228CHI-072

Texas Christian University

Date: 19 March 2019

5 of 5

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Date: November 29, 2016 106


ALBERO

SPECIFICATION SHEET

LED

PAGE: 1 OF 2

Project name: Type:

8'-11¾" (2737mm)

Outdoor luminaire with down light symmetrical optic. TOP VIEW

Luminaire characteristics: Power input: 123W Lumens: 2579 or 2754lm (delivered) Luminaire efficacy: 21 or 22lm/W Source: White LED, (LM-80 tested). 3000K: 80CRI. 4000K: 80CRI. Lumen maintenance: >80% of initial lumens at 50 000 hours (L80) LM-79 tested.

10'-9⅛" (3280mm)

Optics: 360° down light symmetrical optic. Mounting: Pole on mounting base (anchor flange included). Material Body: Stainless steel cylindrical body, bolts and screws. Electrical: Universal high efficiency electronic power supply, rated 50 000 hours. 120-277V. Finish: White (RAL9016) painted finish with a high level of weather and UV resistance. The semi-gloss finish coating is electrostatically applied, durable acrylic enamel baked at high temperatures for superior color retentive finish.

Max 17'-6½" (5347mm)

Weight: 253 lbs (115 kg). EPA: 11.6 ft ² (1.08 m²). Warranty: 5 year limited warranty. Certification: cULus listed for wet location. Ratings: IP65, IK08. 4" (102mm)

37" (940mm)

6" (152mm)

SIDE VIEW

DUE TO CONTINUOUS IMPROVEMENTS, THE INFORMATION HEREIN MAY BE CHANGED WITHOUT NOTICE.

LAST UPDATE: JULY 25, 2016

NA - R3

9320 Boul. St-Laurent, suite 100, Montréal (Québec) Canada H2N 1N7 P.: 514.523.1339 F.: 514.525.6107 www.iguzzini-na.com

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FR 107


ALBERO

SPECIFICATION SHEET

LED

PAGE: 2 OF 2

Project name: Type:

TECHNICAL DATA LOAD

CCT

(W)

(K)

CRI

3000K

123W

4000K

OPTIC

80

Symmetrical

DELIVERED LUMENS

LUMINAIRE EFFICACY

CENTER BEAM CANDLE POWER

(lm)

(lm / w)

(cd)

2579

21

1380

I.ADR1

2754

22

1473

I.ADR3

MODEL

Foot-candles (fc) grid

2fc

c

5f

0.

c

1f

0.

0

20ft

30ft

RESET

ORDERING INFO

MODEL

10ft

I.0453

- UNV - 01 VOLTAGE

MODEL

I.ADR1 - 3000K I.ADR3 - 4000K

ANCHOR FLANGE

FINISH

VOLTAGE

UNV - 120-277V

FINISH

● 01 - White

DUE TO CONTINUOUS IMPROVEMENTS, THE INFORMATION HEREIN MAY BE CHANGED WITHOUT NOTICE.

LAST UPDATE: JULY 25, 2016

NA - R3

9320 Boul. St-Laurent, suite 100, Montréal (Québec) Canada H2N 1N7 P.: 514.523.1339 F.: 514.525.6107 www.iguzzini-na.com

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FR

108


TYPHA REMOTE

SPECIFICATION SHEET Project name: The

SUPPORT BASE

Type: FS

PAGE: 1 OF 3

Performance of Light

⅝" (15mm)

Exterior decorative luminaire. Luminaire characteristics: Luminaire only Power input: 1.7W Lumens: 46lm (delivered) Luminaire efficacy: 27lm/W

SEE MODEL

Source: White LED, 4000K: 80CRI (LM-80 tested). Lumen maintenance: >80% of initial lumens at 60 000 hours (L80) Optics: General lighting. Mounting: To be installed in a ⅞" (23mm) hole or with the optional mounting base (see installation accessory). Material: Body: UV resistant polycarbonate tubular diffusor with internal PMMA optic Base: stainless steel Electrical: See remote power supply options. Requirement for one (1) fixture: 1.7W, 500mA.

4⅜" (111mm)

Finish: Stainless steel Weight: TBC Warranty: 5 years limited warranty. Certification: cULus listed.

FRONT VIEW

Ratings: IP67, IK07.

DUE TO CONTINUOUS IMPROVEMENTS, THE INFORMATION HEREIN MAY BE CHANGED WITHOUT NOTICE.

LAST UPDATE: December 21, 2018

JP - R5

9320 Boul. St-Laurent, suite 100, Montréal (Québec) Canada H2N 1N7 P.: 514.523.1339 F.: 514.525.6107 www.iguzzini-na.com

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FS 109


TYPHA REMOTE

SPECIFICATION SHEET

SUPPORT BASE

Project name: Type:

FS

PAGE: 2 OF 3

The Performance of Light

BASE INSTALLATION

(BASE TO BE ORDERED SEPARATELY)

Typha can be installed individually or in a cluster configuration. The base can accommodate up to 9 Typha elements and is powered by a remote power supply (to be ordered separately). It can be fastened to hard surfaces such as stone, wood or simply buried into the ground.

I.T415-13 - Multiple support base Max 9 fixtures Dim: 19¾"x19¾"x5" (500x500x126mm)

POWER SUPPLY OPTION

(TO BE ORDERED SEPARATELY)

Power supply boxes can be installed inside or outside the base. Check dimensions compatibility below.

Watts

MinMax

Voltage

Rating

Dimming protocol

Box dimensions

Compatible with base

Max distance 18AWG

Code

06

1-4

120-277V

Outdoor

None

7" X 4" X 3" (178 X 102 X 76mm)

Yes

20ft (6m)

4548-0500-006-UNV-ND

20

5-12

120-277V

Outdoor

None

7" X 4" X 3" (178 X 102 X 76mm)

Yes

20ft (6m)

4548-0500-020-UNV-ND

27

1-16

120-277V

Outdoor

0-10V

14" X 5" X 3" (356 X 127 X 76mm)

No

72ft (22m)

4549-0500-027-UNV-SD10

50

1-29

120-277V

Outdoor

0-10V

14" X 5" X 3" (356 X 127 X 76mm)

No

72ft (22m)

4549-0500-050-UNV-SD10

100

1-58

120-277V

Outdoor

0-10V

14" X 5" X 3" (356 X 127 X 76mm)

No

72ft (22m)

4549-0500-100-UNV-SD10

DUE TO CONTINUOUS IMPROVEMENTS, THE INFORMATION HEREIN MAY BE CHANGED WITHOUT NOTICE.

LAST UPDATE: December 21, 2018

JP - R5

9320 Boul. St-Laurent, suite 100, Montréal (Québec) Canada H2N 1N7 P.: 514.523.1339 F.: 514.525.6107 www.iguzzini-na.com

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FS

110


TYPHA REMOTE

SPECIFICATION SHEET

SUPPORT BASE

Project name: Type:

FS

PAGE: 3 OF 3

The Performance of Light

ALTERNATE INSTALLATION

WIRING DIAGRAMS

Typha can also be mounted into any hard material up to 3/16” - (5mm) thick. All stainless steel hardware included.

Multiple luminaires must be connected in series (home run or fixture chain)

0.157’’ (4mm)

THREADING LOCK WASHER NUT

CUT OUT

*ASSEMBLED AND SECURED BY OTHER

0.437" (11.1mm) FLATS TO AVOID ROTATION OF BOTTOM THREADED ROD

0.874" (22.2mm) 0.772" (19.6mm)

ORDERING INFO

I.ADT3 - 13 MODEL

RESET

FINISH

MODEL

I.ADT3 - 39⅜" (1000mm) I.ADT4 - 51¼" (1300mm) I.ADT5 - 59" (1500mm)

FINISH

13 - Stainless steel

4549-0500-100-UNV-SD10 REMOTE POWER SUPPLY OPTION (TO BE ORDERED SEPARATELY)

NOTES:

Requirement for one (1) fixture: 1.7W, 500mA

4548-0500-006-UNV-ND 4548-0500-020-UNV-ND 4549-0500-027-UNV-SD10

4549-0500-050-UNV-SD10 4549-0500-100-UNV-SD10

DUE TO CONTINUOUS IMPROVEMENTS, THE INFORMATION HEREIN MAY BE CHANGED WITHOUT NOTICE.

LAST UPDATE: December 21, 2018

JP - R5

9320 Boul. St-Laurent, suite 100, Montréal (Québec) Canada H2N 1N7 P.: 514.523.1339 F.: 514.525.6107 www.iguzzini-na.com

Project: Performing Arts Center Architectural Lighting Design Lighting Designer: Callie Walton Texas Christian University

Date: 19 March 2019 Project Name: Callie Walton

FS

111


ELEVATIONS

112







T H E P E R F O R M A N C E O F L I G H T: ST U D E N T S H OW TO N I G H T AT 9 : 0 0 P M




DETAILS

127



PERSPECTIVE DETAIL

129


THIN CONCRETE SHELL 7.5CM

CONCRETE ARC PORTAL 50X50 CONCRETE ARC PORTAL 30X30 TYPE FJ

COLUMN CONCRETE STRUCTURE 75X150

NOTES: - STEM MOUNTED EXTERIOR FACADE LIGHTING SYSTEM


LIGHTING CALCULATIONS

131


CALCULATIONS: Landscape CALCS

IES RECCOMENDED LEVELS:

(FC) - Circulation Corridors - Breakout-study/ Passageways Eh: 20; Ev: 7.5; 3:1 - Adjacency Passageways Eh: 5; Ev: 3; 2:1 - Transistion Spaces - Lounges: - Pleasure Reading Eh: 20; Ev: 10; 2:1 - Social: Eh: 10; Ev: 2.5; 3:1 - Landscape Highlights: Eh: 5; Ev: 3; 3:1 - Stairs - High Activity (@Ev: 5’) Eh: 10; Ev: 5; 2:1 - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1

RENDER

IES ACHIEVED:

(FC) - Circulation Corridors - Breakout-study/ Passageways Eh: 20; Ev: 7.5; 3:1 - Adjacency Passageways Eh: 5; Ev: 3; 2:1 - Transistion Spaces - Lounges: - Pleasure Reading Eh: 20; Ev: 10; 2:1 - Social: Eh: 10; Ev: 2.5; 3:1 - Landscape Highlights: Eh: 5; Ev: 3; 3:1 - Stairs - High Activity (@Ev: 5’) Eh: 10; Ev: 5; 2:1 - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1

132


CALCULATIONS: Performance Hall CALCS

RENDER

IES RECCOMENDED LEVELS:

(FC) - Auditoria Multipurpose - Screen (Front Projection) - Feature Presentation Eh: none; Ev: 1; 2:1 - Periodic Reference Eh: none; Ev: 5; 2:1 - Circulation - AV or Performance: Eh: .2; Ev: 1; 5:1/3:1 - Stairs - High Activity (@Ev: 5’) Eh: 10; Ev: 5; 2:1 - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1 - Auditoriua House - During Performance Eh: .2; Ev: 1; 5:1/3:1 - Pre/Post Event Eh: 7.5; Ev: 5; 3:1 - Stage (Productions) - Dance: Ev@ 5’ Eh: 30; Ev: 50; 5:1 - Demonstration: Ev @ 4’-6” Eh: 100; Ev: 50; 3:1 - Music: Ev @ 4’ Eh: 30; Ev: 50; 2:1

IES ACHIEVED:

(FC) - Auditoria Multipurpose - Screen (Front Projection) - Feature Presentation Eh: none; Ev: 1; 2:1 - Periodic Reference Eh: none; Ev: 5; 2:1 - Circulation - AV or Performance: Eh: 2; Ev: 10; 5:1/3:1 - Stairs - High Activity (@Ev: 5’) Eh: 10; Ev: 5; 2:1 - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1 - Auditoriua House - During Performance Eh: .2; Ev: 1; 5:1/3:1 - Pre/Post Event Eh: 7.5; Ev: 5; 3:1 - Stage (Productions) - Dance: Ev@ 5’ Eh: 30; Ev: 50; 5:1 - Demonstration: Ev @ 4’-6” Eh: 100; Ev: 50; 3:1 - Music: Ev @ 4’ Eh: 30; Ev: 50; 2:1 133


CALCULATIONS: Reception CALCS

IES RECCOMENDED LEVELS: (FC) - Reception/ Waiting Areas - Reception Desk Eh: 40; Ev: 15; 3:1 - Waiting Areas Eh: 20; Ev: 10; 3:1

IES ACHIEVED:

RENDER

(FC) - Reception/ Waiting Areas - Reception Desk Eh: 40; Ev: 15; 3:1 - Waiting Areas Eh: 20; Ev: 10; 3:1

134


CALCULATIONS: Administration Touch Down CALCS

IES RECCOMENDED LEVELS:

(FC) - Circulation Corridors - Breakout-study/ Passageways Eh: 20; Ev: 7.5; 3:1 - Adjacency Passageways Eh: 5; Ev: 3; 2:1 - Transistion Spaces - Lounges: - Pleasure Reading Eh: 20; Ev: 10; 2:1 - Landscape Highlights - Trees: - Common Philodendron Eh: 25; Ev: 75; 4:1

IES ACHIEVED:

RENDER

(FC) - Circulation Corridors - Breakout-study/ Passageways Eh: 20; Ev: 7.5; 3:1 - Adjacency Passageways Eh: 5; Ev: 3; 2:1 - Transistion Spaces - Lounges: - Pleasure Reading Eh: 20; Ev: 10; 2:1 - Landscape Highlights - Trees: - Common Philodendron Eh: 25; Ev: 75; 4:1

135


CALCULATIONS: Performance Hall Reception CALCS

IES RECCOMENDED LEVELS:

(FC) - Reception/ Waiting Areas - Waiting Areas Eh: 20; Ev: 10; 3:1 - Transistion Spaces - Lobbies: - General @ Day Eh: 10; Ev: 3; 3:1 - General @ Night: Eh: 5; Ev: 2; 3:1 - Social: Eh: 10; Ev: 2.5; 3:1

IES ACHIEVED:

RENDER

(FC) - Reception/ Waiting Areas - Waiting Areas Eh: 20; Ev: 10; 3:1 - Transistion Spaces - Lobbies: - General @ Day Eh: 10; Ev: 3; 3:1 - General @ Night: Eh: 5; Ev: 2; 3:1 - Social: Eh: 10; Ev: 2.5; 3:1

136


CALCULATIONS: Transition Spaces CALCS

IES RECCOMENDED LEVELS:

(FC) - Circulation Corridors - Breakout-study/ Passageways Eh: 20; Ev: 7.5; 3:1 - Adjacency Passageways Eh: 5; Ev: 3; 2:1 - Stairs - High Activity (@Ev: 5’) Eh: 10; Ev: 5; 2:1 - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1

IES ACHIEVED:

RENDER

(FC) - Circulation Corridors - Breakout-study/ Passageways Eh: 20; Ev: 7.5; 3:1 - Adjacency Passageways Eh: 5; Ev: 3; 2:1 - Stairs - High Activity (@Ev: 5’) Eh: 10; Ev: 5; 2:1 - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1

137


CALCULATIONS: Exterior Stage CALCS

IES RECCOMENDED LEVELS:

(FC) - Exterior Services - Exterior Platforms Eh: 15; Ev: 7.5; 4:1 - Outdoor Plazas - LZ4 Eh: .8; Ev: 7.5; 4:1 - Loading Platforms Eh: 10; Ev: 2.5; 3:1 - Transistion Spaces - Social: Eh: 10; Ev: 2.5; 3:1 - Stairs - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1

IES ACHIEVED:

RENDER

(FC) - Exterior Services - Exterior Platforms Eh: 15; Ev: 7.5; 4:1 - Outdoor Plazas - LZ4 Eh: .8; Ev: 7.5; 4:1 - Loading Platforms Eh: 10; Ev: 2.5; 3:1 - Transistion Spaces - Social: Eh: 10; Ev: 2.5; 3:1 - Stairs - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1

138


CALCULATIONS: Interior / Exterior Cafeteria CALCS

IES RECCOMENDED LEVELS: (FC) - Cafeteria - Grab and Go Displays Eh: 20; Ev: 20; 3:1 - Transistion Spaces - Lounges: - Pleasure Reading Eh: 200; Ev: 100; - Social: Eh: 100; Ev: 25; 3:1

IES ACHIEVED:

(FC) - Cafeteria - Grab and Go Displays Eh: 20; Ev: 20; 3:1

RENDER

- Transistion Spaces - Lounges: - Pleasure Reading Eh: 200; Ev: 100; - Social: Eh: 100; Ev: 25; 3:1

139


CALCULATIONS: Parking ________ Lot CALCS

IES RECCOMENDED LEVELS:

(FC) - Circulation Corridors - Adjacency Passageways Eh: 5; Ev: 3; 2:1 - Stairs - High Activity (@Ev: 5’) Eh: 10; Ev: 5; 2:1 - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1 - Parking Lots: Table 26.6.6 - Main Parking Eh: 2; Ev: 5; 4:1 - Secondary Parking Eh: 1; Ev: 3; 4:1

IES ACHIEVED:

(FC) - Circulation Corridors - Adjacency Passageways Eh: 5; Ev: 3; 2:1 - Stairs - High Activity (@Ev: 5’) Eh: 10; Ev: 5; 2:1 - Typical (@Ev: 5’) Eh: 5; Ev: 3; 2:1 - Parking Lots: Table 26.6.6 - Main Parking Eh: 2; Ev: 5; 4:1 - Secondary Parking Eh: 1; Ev: 3; 4:1

140


CALCULATIONS: Parking Lot RENDERS

141


CALCULATIONS: COM Check COMcheck Software Version 4.1.1.0

Envelope Compliance Certificate Project Information 90.1 (2016) Standard Universitas Pendidikan Indonesia Bandung Bangdung, Indonesia 2a Renovation 03.28.2019 EnergyPlus 8.1.0.009 (EPW: USA_TX_Waco.Rgnl.AP.722560_TMY3.epw)

Energy Code: Project Title: Location: Climate Zone: Project Type: Permit Date: Performance Sim. Specs:

Construction Site: Jl. DR. Setiabudi No.229, Isola, Sukasari Kota Bandung, Jawa Bara, Indonesia, TX 40154

Owner/Agent:

Building Area

Designer/Contractor:

Floor Area

1-Performing Arts Theater : Nonresidential

75496

Envelope Assemblies Assembly

Gross Area Cavity or R-Value Perimeter

Floor 1: Concrete Floor (over unconditioned space), [Bldg. Use 1 Performing Arts Theater] NORTH Exterior Wall 1: Concrete Block:6", Unreinforced, Cells Insulated, Normal Density, Furring: Wood (b), [Bldg. Use 1 - Performing Arts Theater]

Cont. R-Value

Proposed U-Factor

Budget UFactor(a)

810

---

0.0

0.322

0.107

18178

15.0

0.8

0.049

0.151

(a) Budget U-factors are used for software baseline calculations ONLY, and are not code requirements. (b) CMU insulated cells must be filled with a material having a maximum thermal conductivity of 0.44 Btu in./h-ft2-degrees F. Perlite, vermiculite, polystyrene beads, or spray foam as defined in ASHRAE 2009 Handbook of Fundamentals meet this requirement. Other materials require documentation of thermal conductivity.

Envelope PASSES: Design 1% better than code Envelope Compliance Statement Compliance Statement: The proposed envelope design represented in this document is consistent with the building plans, specifications, and other calculations submitted with this permit application. The proposed envelope systems have been designed to meet the 90.1 (2016) Standard requirements in COMcheck Version 4.1.1.0 and to comply with any applicable mandatory requirements listed in the Inspection Checklist. Name - Title

Signature

Project Title: Universitas Pendidikan Indonesia Bandung Data filename: C:\Users\Callie\Documents\Lighting Thesis\COMcheck\Walton_Callie_ComCheck.cck

Date

Report date: 05/02/19 Page 1 of 14 142


COMcheck Software Version 4.1.1.0

Interior Lighting Compliance Certificate Project Information 90.1 (2016) Standard Universitas Pendidikan Indonesia Bandung New Construction 03.28.2019

Energy Code: Project Title: Project Type: Permit Date:

Construction Site: Jl. DR. Setiabudi No.229, Isola, Sukasari Kota Bandung, Jawa Bara, Indonesia, TX 40154

Owner/Agent:

Designer/Contractor:

Allowed Interior Lighting Power A Area Category 1-Performing Arts Theater:Lobby 2-Performing Arts Theater:Audience/Seating Area 3-Common Space Types:Dining Area - General 4-Common Space Types:Restrooms 5-Convention Center:Exhibit Space

Proposed Interior Lighting Power

A Fixture ID : Description / Lamp / Wattage Per Lamp / Ballast

1-Performing Arts Theater:Lobby

LED 1: LED Linear 8W: LED 2: LED Panel 55W: LED 3: LED Other Fixture Unit 6.5W: LED 18: LED PAR 20W:

2-Performing Arts Theater:Audience/Seating Area LED 4: LED Linear 8W: LED 5: LED Panel 55W: LED 6: LED Other Fixture Unit 6.5W:

3-Common Space Types:Dining Area - General LED 7: LED Linear 8W: LED 8: LED Panel 55W: LED 10: LED PAR 20W: LED 16: LED MR 2W:

4-Common Space Types:Restrooms LED 9: LED PAR 20W: LED 11: LED Linear 8W: LED 12: Other:

B Floor Area (ft2)

C Allowed Watts / ft2

2428 5361 3318 809 2608

D Allowed Watts (B X C)

1.70 2.03 0.63 0.85 0.88

4128 10883 2090 688 2295

Total Allowed Watts =

20083

B Lamps/ Fixture

C D # of Fixture Fixtures Watt.

E (C X D)

1 1 1 1

200 20 20 24

5 55 5 20

960 1100 100 480

1 1 1

80 7 4

5 55 50

384 385 200

1 1 1 1

12 1 15 15

5 55 20 2

58 55 300 22

1 1 1

13 1 4

20 5 5

260 5 21

5-Convention Center:Exhibit Space

Project Title: Universitas Pendidikan Indonesia Bandung Data filename: C:\Users\Callie\Documents\Lighting Thesis\COMcheck\Walton_Callie_ComCheck.cck

Report date: 05/02/19 Page 2 of 14 143


A Fixture ID : Description / Lamp / Wattage Per Lamp / Ballast LED 13: LED Panel 55W: LED 14: LED MR 2W: LED 15: LED Linear 8W:

B Lamps/ Fixture

C D # of Fixture Fixtures Watt.

1 1 1

3 26 2

55 2 5

Total Proposed Watts =

E (C X D) 165 39 10 4544

Interior Lighting PASSES: Design 77% better than code Interior Lighting Compliance Statement Compliance Statement: The proposed interior lighting design represented in this document is consistent with the building plans, specifications, and other calculations submitted with this permit application. The proposed interior lighting systems have been designed to meet the 90.1 (2016) Standard requirements in COMcheck Version 4.1.1.0 and to comply with any applicable mandatory requirements listed in the Inspection Checklist. Name - Title

Signature

Project Title: Universitas Pendidikan Indonesia Bandung Data filename: C:\Users\Callie\Documents\Lighting Thesis\COMcheck\Walton_Callie_ComCheck.cck

Date

Report date: 05/02/19 Page 3 of 14 144


COMcheck Software Version 4.1.1.0

Exterior Lighting Compliance Certificate Project Information Energy Code: Project Title: Project Type: Permit Date: Exterior Lighting Zone

90.1 (2016) Standard Universitas Pendidikan Indonesia Bandung New Construction 03.28.2019 2 (Neighborhood business district)

Construction Site: Jl. DR. Setiabudi No.229, Isola, Sukasari Kota Bandung, Jawa Bara, Indonesia, TX 40154

Owner/Agent:

Designer/Contractor:

Allowed Exterior Lighting Power A Area/Surface Category Parking area Stairway Special feature area Plaza area

B Quantity 15200 ft2 8302 ft2 689 ft2 2289 ft2

C Allowed Watts / Unit

D Tradable Wattage

0.04 0.7 0.1 0.1

E Allowed Watts (B X C)

Yes Yes Yes Yes

608 5811 69 229 6717 6717 400

Total Tradable Watts (a) = Total Allowed Watts = Total Allowed Supplemental Watts (b) =

(a) Wattage tradeoffs are only allowed between tradable areas/surfaces. (b) A supplemental allowance equal to 400 watts may be applied toward compliance of both non-tradable and tradable areas/surfaces.

Proposed Exterior Lighting Power

A Fixture ID : Description / Lamp / Wattage Per Lamp / Ballast

Parking area (15200 ft2): Tradable Wattage LED 1: LED Other Fixture Unit 25W: LED 2: LED Linear 8W:

Stairway (8302 ft2): Tradable Wattage LED 3: LED Linear 8W:

Special feature area (689 ft2): Tradable Wattage LED 4: LED Linear 8W: LED 5: LED Other Fixture Unit 36W:

Plaza area (2289 ft2): Tradable Wattage LED 6: LED Linear 8W: LED 7: LED Other Fixture Unit 36W:

B Lamps/ Fixture

C D # of Fixture Fixtures Watt.

E (C X D)

2 1

33 1

24 5

792 5

3

210

3

630

1 1

8 4

5 34

38 136

1 5 5 1 8 34 Total Tradable Proposed Watts =

Project Title: Universitas Pendidikan Indonesia Bandung Data filename: C:\Users\Callie\Documents\Lighting Thesis\COMcheck\Walton_Callie_ComCheck.cck

24 272 1897

Report date: 05/02/19 Page 4 of 14 145


Exterior Lighting PASSES: Design 73% better than code Exterior Lighting Compliance Statement Compliance Statement: The proposed exterior lighting design represented in this document is consistent with the building plans, specifications, and other calculations submitted with this permit application. The proposed exterior lighting systems have been designed to meet the 90.1 (2016) Standard requirements in COMcheck Version 4.1.1.0 and to comply with any applicable mandatory requirements listed in the Inspection Checklist. Name - Title

Signature

Project Title: Universitas Pendidikan Indonesia Bandung Data filename: C:\Users\Callie\Documents\Lighting Thesis\COMcheck\Walton_Callie_ComCheck.cck

Date

Report date: 05/02/19 Page 5 of 14 146


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