Studio Beta Journal _ Yizhen Cai (Cris)

Page 1

D E S I G N

J O U R N A L F O R S T U D I O S E M E S T E R 1 , 2 0 1 9

Design Journal ARCH 20001 DESIGN STUDIO BETA BY YIZHEN CAI (921679)

TUTOR NAME: ZIYI LIU


D E S I G N

J O U R N A L F O R S T U D I O S E M E S T E R 1 , 2 0 1 9

Design Journal ARCH 20001 DESIGN STUDIO BETA

TUTOR NAME: ZIYI LIU

02


ASSIGNMENT 01

THE GROUP / THE FIELD WEEK 01 -------------------------------------------------------------WEEK 02 -------------------------------------------------------------WEEK 03 --------------------------------------------------------------

ASSIGNMENT 02

DEFINING THE FIGURE ELEMENTS IN A GROUP / THE FIELD WEEK 04 -------------------------------------------------------------WEEK 05 -------------------------------------------------------------WEEK 06 --------------------------------------------------------------

ASSIGNMENT 03

DEFINING THE GROUND WEEK 07 -------------------------------------------------------------WEEK 08 -------------------------------------------------------------WEEK 09 --------------------------------------------------------------

ASSIGNMENT 04 COMMUNICATION

WEEK 10 -------------------------------------------------------------WEEK 11

--------------------------------------------------------------

WEEK 12 -------------------------------------------------------------REFLECTION ---------------------------------------------------------

03

02


04


D E S I G N

J O U R N A L F O R S T U D I O S E M E S T E R 1 , 2 0 1 9

Design Journal ARCH 20001 DESIGN STUDIO BETA

ASSIGNMENT -01-

TUTOR NAME: ZIYI LIU

05


ASSIGNMENT -01-

06 04


D E S I G N

J O U R N A L F O R S T U D I O S E M E S T E R 1 , 2 0 1 9

Design Journal ARCH 20001 DESIGN STUDIO BETA

WEEK 1 | R E A D I N G S N O T E S |

TUTOR NAME: ZIYI LIU

07


08 02


D E S I G N

J O U R N A L F O R S T U D I O S E M E S T E R 1 , 2 0 1 9

Design Journal ARCH 20001 DESIGN STUDIO BETA

TUTOR NAME: ZIYI LIU




12


WEEK 1 | T U T O R I A L |

13


14


E X P E R I M E N T S -


16


WEEK 2 | N O T E S F R O M L E C T U R E |

17


18


E X P E R I M E N T S -


20


WEEK 2 | T U T O R I A L |

21


22


INFORMATION BEHIND THE COLLAGES

WEEK 2 | T U T O R I A L |

13




INFORMATION BEHIND THE COLLAGES

26


WEEK 2 | P R E C E D E N T S T U D Y |

27




30


WEEK 3 WEEK 2 | L| E P C R T E U C R E E D E N N O T T E S S T U | D Y |

31 17


WEEK 2 | P R E C E D E N T S T U D Y |

17


WEEK 3 | P R E C E D E N T S T U D Y |

23


34


WEEK 3 | P R E C E D E N T S T U D Y |

35


36



PRESENTATION FEEDBACK

TUTOR FEEDBACK: You have demonstrated great understanding of the design brief and group form. The design concept of elasticity is interesting and well represented in the project. The effect of the elastic geometry has resulted in creating a variety of narrow and broad spaces. How would this affect people’s experience? And how would this be reflected on your function layouts? Is it possible to carry through the character of the elasticity on to the three dimensional design? Maybe it could also be represented in the relationship between the architecture and landscape (which you would be designing in Assignment 3, but it is worthwhile to start to have some ideas in mind now)?

NOTES - PEOPLE EXPERIENCE!!! in overall design * interior , exterior , landscape, etc. - LAYOUT!!! what are the kind of function available in the pleasure garden? is the size fit for the function? - CONCEPT How would I keep the concept till the end of the project? Or maybe why I change my concept? How to show elasticity in 3D. Or maybe in Landscape

38


WEEK 3 ASSIGNMENT |

- 0T 2 U T O R I A L |

27 39


40


PRESENTATION FEEDBACK

TUTOR FEEDBACK: You have demonstrated great understanding of the design brief and group form. The design concept of elasticity is interesting and well represented in the project. The effect of the elastic geometry has resulted in creating a variety of narrow and broad spaces. How would this affect people’s experience? And how would this be reflected on your function layouts? Is it possible to carry through the character of the elasticity on to the three dimensional design? Maybe it could also be represented in the relationship between the architecture and landscape (which you would be designing in Assignment 3, but it is worthwhile to start to have some ideas in mind now)?

NOTES - PEOPLE EXPERIENCE!!! in overall design * interior , exterior , landscape, etc. - LAYOUT!!! what are the kind of function available in the pleasure garden? is the size fit for the function? - CONCEPT How would I keep the concept till the end of the project? Or maybe why I change my concept? How to show elasticity in 3D. Or maybe in Landscape


PRESENTATION FEEDBACK

TUTOR FEEDBACK: You have demonstrated great understanding of the design brief and group form. The design concept of elasticity is interesting and well represented in the project. The effect of the elastic geometry has resulted in creating a variety of narrow and broad spaces. How would this affect people’s experience? And how would this be reflected on your function layouts? Is it possible to carry through the character of the elasticity on to the three dimensional design? Maybe it could also be represented in the relationship between the architecture and landscape (which you would be designing in Assignment 3, but it is worthwhile to start to have some ideas in mind now)?

NOTES - PEOPLE EXPERIENCE!!! in overall design * interior , exterior , landscape, etc. - LAYOUT!!! what are the kind of function available in the pleasure garden? is the size fit for the function? - CONCEPT How would I keep the concept till the end of the project? Or maybe why I change my concept? How to show elasticity in 3D. Or maybe in Landscape

42


WEEK 4 |

A S S I G PN M E N T R E C E D E N T

-02-

S T U D Y |

30 43


ASSIGNMENT -02-

44

27


Detail Study

WEEK 4 | L E C T U R E N O T E S |

BOLU PAGE / 7

45


46


Detail Study

BOLU PAGE / 7


48


Detail Study

WEEK 4 | P R E C E D E N T S T U D Y |

BOLU PAGE / 7

49


WEEK 5 | L E C T U R E N O T E S |

34 50




Detail Study

BOLU - PAGE / 7


Detail Study

BOLU PAGE / 7 54


WEEK 5 | L E C T U R E N O T E S |

55


56


WEEK 5 | R E A D I N G N O T E S |

38


Detail Study

BOLU PAGE / 7



60


WEEK 5 WEEK 5 | T| U R T E O A R DI AI N L G N N O O T T E E S S | |

40 61


62



64


WEEK 5 | T U T O R I A L N O T E S |

65


66



68


WEEK 5 | I N S P I R A T I O N |

69






WEEK 6 | D E S I G N C O N C E P T |

49



76


WEEK 6 | D E S I G N C O N C E P T |

77


78



WEEK 6 | P R E C E D E N T S T U D Y |

51 80


WEEK 6 | P R E C E D E N T S T U D Y |

81


82



84


WEEK 6 | D E S I G N P R O G R E S S |

85


86





90


WEEK 6 | P R E C E D E N T S T U D Y |

91




94


WEEK 6 | L E C T U R E N O T E S |

95


96


M O D E L

M O D E L

P H O T O

P H O T O

M O D E L

M O D E L

P H O T O

P H O T O

M O D E L

M O D E L

P H O T O

P H O T O


98


WEEK 6 | M O D E L P H O T O |

99


M O D E L

M O D E L

P H O T O

P H O T O

M O D E L

M O D E L

P H O T O

P H O T O

M O D E L

M O D E L

P H O T O

P H O T O


M O D E L

M O D E L

P H O T O

P H O T O

M O D E L

M O D E L

P H O T O

P H O T O

M O D E L

M O D E L

P H O T O

P H O T O


TEA HOUSE

M O D E L

M O D E L

P H O GF: COFFEE STAND, LAUNDRY, PUBLIC TOILETS T O

P H O T O

FF: RESTAURANT

M O D E L

M O D FF: WORKSPACE, STUDY AREA, E BALCONY L

P H O T O

GF: RECEPTION, WAITING AREA, P MEETING ROOM, STAFF H ROOM

O T O

FF: CAFETERIA, ATRIUM M

M O D E L

O D E CAF GF: ART GALLERY, L INDOOR GARDEN, WATER FEATURE.

P H O T O

P H O T O

102


AQUARIUM

WEEK 6 | D E GROCERY, S GAME ROOM, LIVING ROOM, KITCHEN, DINING ROOM, ROOM FOR SHORT-STAY, ENSUITE, COURTYARD I G N 1:250

P R SUMMARY: O G At the beginning, I would like to break the default static configuration and thus R eventually leads to the variation of creating new paths among each section, E program and circulation. S The interior space becomes unpredictable, and continues to provide moments S 0m

2m

6m

of surprise that deviate from its otherwise static and predictable, circular origin.

|

Maybe let people lose the perception of direction and find themselves in open and serene volumes. A winding corridor is squeezed out by continuous curved walls, different from traditional boring straight corridors, can also stimulates people, especially children’s, desire to explore.

103


TEA HOUSE TEA HOUSE

FF: RESTAURANT FF: RESTAURANT GF: COFFEE STAND, LAUNDRY, PUBLIC TOILETS GF: COFFEE STAND, LAUNDRY, PUBLIC TOILETS

FF: WORKSPACE, STUDY FF: WORKSPACE, STUDY AREA,AREA, BALCONY BALCONY GF: RECEPTION, WAITING GF: RECEPTION, WAITING AREA,AREA, MEETING ROOM, MEETING ROOM, STAFFSTAFF ROOMROOM

FF: CAFETERIA, FF: CAFETERIA, ATRIUM ATRIUM

GF: ART CAFE,CAFE, GF:GALLERY, ART GALLERY, INDOOR GARDEN, INDOOR GARDEN, WATER FEATURE. WATER FEATURE.


AQUARIUM

GROCERY, GAME ROOM, LIVING ROOM, KITCHEN, DINING ROOM, ROOM FOR SHORT-STAY, ENSUITE, COURTYARD

1:250 0m

2m

6m

SUMMARY: At the beginning, I would like to break the default static configuration and thus creating new paths among each section, eventually leads to the variation of program and circulation. The interior space becomes unpredictable, and continues to provide moments of surprise that deviate from its otherwise static and predictable, circular origin. Maybe let people lose the perception of direction and find themselves in open and serene volumes. A winding corridor is squeezed out by continuous curved walls, different from traditional boring straight corridors, can also stimulates people, especially children’s, desire to explore.


AQUARIUM

GROCERY, GAME ROOM, LIVING ROOM, KITCHEN, DINING ROOM, ROOM FOR SHORT-STAY, ENSUITE, COURTYARD

1:250 0m

2m

6m

SUMMARY: At the beginning, I would like to break the default static configuration and thus creating new paths among each section, eventually leads to the variation of program and circulation. The interior space becomes unpredictable, and continues to provide moments of surprise that deviate from its otherwise static and predictable, circular origin. Maybe let people lose the perception of direction and find themselves in open and serene volumes. A winding corridor is squeezed out by continuous curved walls, different from traditional boring straight corridors, can also stimulates people, especially children’s, desire to explore.

106


WEEK 6 ASSIGNMENT |

- 0T 3 U T O R I A L |

70 107


PRESENTATION FEEDBACK

TUTOR FEEDBACK & SOLUTION: - Aquarium is not clear Solution: might need to do some interior for the floor plan

WEEK 6

- Matrix of Figure Elements seems flat

Solution: might need to add some contour into the graphic drawings to have a much better quality to show the circulation exterior.

|

- Overall Isonometric View can be improve

D Solution : insteed of Rhino capture, use graphic drawings in E black and white, add some contours. S I G N

P R O G R E S S |

108 65


PRESENTATION FEEDBACK

TUTOR FEEDBACK & SOLUTION: - Aquarium is not clear Solution: might need to do some interior for the floor plan - Matrix of Figure Elements seems flat Solution: might need to add some contour into the graphic drawings to have a much better quality to show the circulation exterior. - Overall Isonometric View can be improve Solution : insteed of Rhino capture, use graphic drawings in black and white, add some contours.


WEEK 6 | D E S I G N P R O G R E S S |

110 65


TEA HOUSE

FF: RESTAURANT WEEK 7 GF: COFFEE STAND, LAUNDRY, PUBLIC TOILETS

| I ASSIGN MENT D E A

-03| FF: WORKSPACE, STUDY AREA, BALCONY GF: RECEPTION, WAITING AREA, MEETING ROOM, STAFF ROOM

FF: CAFETERIA, ATRIUM

GF: ART GALLERY, CAFE, INDOOR GARDEN, WATER FEATURE. 72 111


AQUARIUM

GROCERY, GAME ROOM, LIVING ROOM, KITCHEN, DINING ROOM, ROOM FOR SHORT-STAY, ENSUITE, COURTYARD

1:250 0m

2m

6m

SUMMARY: At the beginning, I would like to break the default static configuration and thus creating new paths among each section, eventually leads to the variation of program and circulation. The interior space becomes unpredictable, and continues to provide moments of surprise that deviate from its otherwise static and predictable, circular origin. Maybe let people lose the perception of direction and find themselves in open and serene volumes. A winding corridor is squeezed out by continuous curved walls, different from traditional boring straight corridors, can also stimulates people, especially children’s, desire to explore.

112



WEEK 7 | L E C T U R E N O T E S |

74 114


WEEK 7 | I D E A |

115


116



118


WEEK 7 | L E C T U R E N O T E S |

119


120



122


WEEK 9 WEEK 8 | | D E C S OI N G C N E P P T R

O | G R E S S |

80 123


124



INSPIRES FROM THE INITIAL COLLAGES

LANDSCAPE LANDSCAPE LANDSCAPE LANDSCAPE LANDSCAPE LANDSCAPE

45 o

C O N T O U R D E S I G N P R O G R E S S I O N

STEP 1

DONE IN ASSIGNMENT 01

STEP 4

Distance is set in 1.5m to ensure there are enough space for either the pathway or any other uses.

STEP 2 Only remain the Intersection part

STEP 5

45 o

Playing with level change, ensure the slope is in human scale. And make sure it is welcome everyone to access. This is included Elderly as well.

Rotate in 45 o

STEP 3 Intersection

Scale into approximate 40 x 30 m Offeset those initial circle to meet the intersection.

Ramp Ratio : 1/12

C O N T O U R D E S I G N P R O G R E S S I O N


Winter Shadow Diagram

Summer Shadow Diagram Northern Wind

Site: Melbourne,Vic,Australia SUN SHADOW ANALYSIS As shown on the diagrams, the site might possibly suffered from the heat, in order to deal with Heat Island Effect, there will have some water features and vegetation designed on the design. WIND ANLYSIS in winter, North side normally could encounter the warm wind, while in summer the southern wind providing a cool change. Southern Wind

Typography and Wind Diagram

WATER SHED ANLYSIS Based on the diagram, the water features are considered to build on the area with more lines. OTHER ANLYSIS According on the Melbourne Monthly Records, the site will rain almost every two days!

Water Shed

In such a city, it is impossible to detain all the water on site, so we need to design a comprehensive water management system to reduce flooding, clean up, filter, slow down the flow, and then drain it. Therefore, the roof are change in order to collect the rain and reuse it.


128


WEEK 9 | D E S I G N P R O G R E S S |

129


S I T E

INSPIRES FROM THE INITIAL COLLAGES

LANDSCAPE LANDSCAPE LANDSCAPE LANDSCAPE LANDSCAPE LANDSCAPE

C O N T O U R D E S I G N P R O G R E S S I O N

P L A N W I T H

STEP 1 o I would45 like to break the default static configuration and thus creating new paths among each section, eventually leads to the variation of program and circulation.

V E G E T A T I O N

DONE IN ASSIGNMENT 01

STEP 4

Distance is set in 1.5m to ensure there are enough space for either the pathway or any other uses.

STEP 2 Only remain the Intersection part

STEP 5

45 o

Playing with level change, ensure the slope is in human scale. And make sure it is welcome everyone to access. This is included Elderly as well.

Rotate in 45 o

STEP 3 Intersection

Scale into approximate 40 x 30 m Offeset those initial circle to meet the intersection.

Ramp Ratio : 1/12

C O N T O U R D E S I G N P R O G R E S S I O N

S E C T I O N

D R A W I N G S


Winter Shadow Diagram

Summer Shadow Diagram Northern Wind

Site: Melbourne,Vic,Australia SUN SHADOW ANALYSIS As shown on the diagrams, the site might possibly suffered from the heat, in order to deal with Heat Island Effect, there will have some water features and vegetation designed on the design. WIND ANLYSIS in winter, North side normally could encounter the warm wind, while in summer the southern wind providing a cool change. Southern Wind

Typography and Wind Diagram

WATER SHED ANLYSIS Based on the diagram, the water features are considered to build on the area with more lines. OTHER ANLYSIS According on the Melbourne Monthly Records, the site will rain almost every two days!

Water Shed

In such a city, it is impossible to detain all the water on site, so we need to design a comprehensive water management system to reduce flooding, clean up, filter, slow down the flow, and then drain it. Therefore, the roof are change in order to collect the rain and reuse it.


S I T E P L A N W I T H I would like to break the default static configuration and thus creating new paths among each section, eventually leads to the variation of program and circulation.

V E G E T A T I O N

S E C T I O N D R A W I N G S


OVERALL ISO

CHILL OUT HILL

Studio Beta & Earth

Exercise Name

THINGS TO IMPROVE FIRST: -WINDOWS Drawing Title Ismetric Drawing - EXTERIOR Student Name:

Tutor Name:

Yizhen Cai - ID 921679

Ziyi LIu

Coordinators Name:

Date:

Leire Asensio Villoria and David Mah

08 / 05/ 2019

Comments

Scale 1 : 100@A3 (drawn in meters) 0m

1m

2m


CHILL OUT HILL

WEEK 9 | L A N D S C A P E Drawing No

19

P H O T O

19 of 19

Studio Beta & Earth

Exercise Name

Drawing Title Ismetric Drawing

Student Name:

Tutor Name:

Yizhen Cai - ID 921679

Ziyi LIu

Coordinators Name:

Date:

Leire Asensio Villoria and David Mah

08 / 05/ 2019

|

85 134

Comments

Scale

North

1 : 100@A3 (drawn in meters) 0m

1m

2m


WEEK 9 | L A N D S C A P E P H O T O |

135


136



138


WEEK 9 | T U T O R I A L |

139


140


PRESENTATION FEEDBACK


PRESENTATION FEEDBACK

142


ASSIGNMENT -04-

143


144


WEEK 10 | A S S I G N M E N T N O T E S |

145


146


Assignment 04 - Communication Purpose of assignment: - devise a collection of drawings, diagrams, ideograms and imagery - refine your designs - including materiality a. PROJECT IDEOGRAM/DIAGRAM - Concept Diagram - Organizational/formal/spatial scheme communicating a particular formal style or language - Diagrammatic Conceptual Model b. ORGANIZATIONAL DIAGRAMS - Exploded isometric with circulation (also identifying vertical circulation that connects the different levels/layers. also label the different rooms and outdoor areas in your proposal on the isometric. - Two plan diagrams. (1- circulation in plan, 1- program distribution) c. EXPERIENTIAL IMAGES - two perspective images (1- an exterior garden(s) viewed from the interior of one of your pavilions. 2- a view from a garden towards a pavilion(s). ) * Besides the material and atmospheric quality of these scenes, some sense of the activities enabled by your proposal should also be evident in both images.

d. COMIC STRIP/ OCCUPATION DIAGRAM - Comic spread - Time-based diagram e. SECTIONAL PERSPECTIVE/ ISOMETRIC * The relationship between architecture and landscape is crucial. !!!!! PREPARE THE PRESENATION !!!!!


148


WEEK 11 | L E C T U R E N O T E S |

149


Lecture presented by James Loder from John Wardle Architects There will be information regarding to A4 pin up. LANDSCAPES FOUND AND MAKE MELBOURNE OFFICE in COLLINGWOOD Occupied the top 2 levels Level 1 : Engine Room, Staff Room No hierarchy Level 2: More Domestic Scale Found Lanscapes Shaearers Quarters, Bruny Island Captain Kelly’s Cottage -Views , many layers, Frame the courtyard, Window detail Venacular: Shelter and Body Marchwiel Estate -Verandah Line, Floor Line and Water Line Across the site Is quite flat Experiential thing about water Massive Chamber!!! UTAS Cradle Coast, Tasmania A rising Escarpment Prominant View Fairhaven House Boneo House -Set back up Framing View: Rural View, Port Philip Bay View, Bass Strait View Tanderrum Bridge


Melbourne School of Design Ways pf creating different social settings. COncrete Structure columns are alomost like the roots of Tree at below Large Stairs: for social gathering Stairs: Meet people between transition of the level Learning and Teaching Building Monash University Interesting history: become farmland in the 40th , and etc... Landscape: skylight roof *Materials inform some message A number of different learning landscape Bruny Island Workshop

This studio is set up for us to learn quite a lot of aspects. :)


152


WEEK 12 | R E F I N E D A S S I G N M E N T 0 2 |

153


R E F I N E D

A S S I G N M E N T 0 2

154


R E F I N E D A S S I G N M E N T 0 2 Basement Site Plan

Ground Floor Site Plan


R E F I N E D A S S I G N M E N T 0 2 First Floor Site Plan

Scale 1 : 250@A3 (drawn in meters)

Restaurant

2m

6m

6500

0m

Coffee Stand, Laundry, Public Toilets Scale 1 : 125 (drawn in meters) 0m

1m

3m


Reception, Gift Shop, Small Auditorium Ramp with fish tanks

Aquarium

6500

Dark pavilion : Aquarium -Offers the visitors an education entertaining and stimulating journey through the different seas.

Scale 1 : 125 (drawn in meters) 0m

1m

3m


Cafe, Atrium, Balcony

6800

Art gallery, Indoor Garden, Cafe, Water Feature

Bright pavilion : Art gallery -Offers the visitors an education entertaining and stimulating journey through the different seas.

Scale 1 : 125 (drawn in meters) 0m

1m

3m


WorkShops, Study Area, Balcony

6500

Reception, Waiting Area, Meeting Room, Staff Room

Scale 1 : 125 (drawn in meters) 0m

1m

3m


3500

Grocery, Living Room, Shared Kitchen, Dining Room, Ensuite, Room for short-stay, Courtyard

Scale 1 : 125 (drawn in meters) 0m

1m

3m


TEAHOUSE

3000 Scale 1 : 125 (drawn in meters) 0m

1m

3m


162


WEEK 12 | R E F I N E D A S S I G N M E N T 0 3 |

163


164


A

B D

D

A

C

B

C

S E C T I O N D R A W I N G S

Section A-A

Section B-B

Section C-C

Section D-D

Scale 1 : 250 (drawn in meters) 0m

2m

6m


166


WEEK 12 | A S S I G N M E N T 0 4 |

167


168


CONCEPT DIAGRAM

05

06

07

04

08

03

09

02

10

01

T I M E B A S E D D I A G R A M

11

24

12

23

13 22

14 21

15 20

19

18

17

16

Commercial Pavilion - Room for short stay - Ensuite - Teahouse - Game Room Ͳ DĞĞƟŶŐ ZŽŽŵ - Community Garden

- Cafe - Restaurant - Coīee Stand - Art Gallery - Aquarium

Service Pavillion

Pavillion fŽƌ EŝŐht Owls

- Kitchen Ͳ >ŝǀŝŶŐ Room Ͳ ŝŶŝŶŐ Room - Public Toilets - Laundry Ͳ ZĞĐĞƉƟŽŶ

- Bar - Workspace - Grocery - Theatre

T I M E B A S E D D I A G R A M


ORGANIZATION DIAGRAM

Ramp with Fish Tank

Aquarium

Restaurant & Bar Coīee Shop ;EŝŐht Time Theatre) 24/7 Work Place & Study Area Aquarium Laundry Coīee Stand

Balcony Indoor Garden

Public Toilet Balcony

Coīee Shop

& Employee’sRoom

Tea House Grocery

Room for Short-Stay & Ensuite Courtyard

Game Room

KitĐŚĞŶ͕ >ŝǀŝŶŐ Room, Θ ŝŶŝŶŐ Room Service Pavillion

Commercial Pavilion

Pavillion fŽƌ EŝŐht Owls

CONCEPT Roof

Pleasure Garden

Based on the site analysis, the site will almost rain every 2 days, therefore the roof is designed in purpose to collect the rain water and reduce flooding. And since the site is a place where winter is more frequent than summer, of course, windows are essential for either ventilation and views, but what is more important is to get enough sunlight for the users inside. Hence, the skylight is provided in the design of the roof, in order to let the sunlight in. Windows inspires by https://www.youtube.com/watch?v=BjQ_p7jFzcg It is wonderful that every window has a story, hence the windows are design in order to frame every story in the site.

TIME- BASED DIAGRAM The site is designed in order to have no night-time dead zones.


EXPLODED CIRCULATION DIAGRAM

Threshold

Scale 1 : 500 (drawn in meters) 0m

4m

12m


EXPERIENTIAL IMAGES

SECTIONAL PERSPECTIVE


EXPERIENTIAL IMAGES


ROOFTOP

GROUND FLOOR

basement


AQUARIUM

Rooftop Garden

Underwater Tour

Reception & Gift Shop behind

Ramp with Fishtank

TWO - POINT PERSPECTIVE - SPATIAL EXPERIENCE - AQUARIUM’S RAMP

Seating area with panoramic water view


first FLOOR

GROUND FLOOR


ARTART GALLERY ART GALLERY GALLERY & COFFEE & COFFEE & COFFEE SHOP SHOP SHOP

Art Gallery

Atrium

Indoor Garden

Coffee shop with water feature

TWO - POINT PERSPECTIVE - SPATIAL EXPERIENCE - CAFE’S BALCONY

Balcony


GROUND FLOOR


RESIDENTIAL PAVILION RESIDENTIAL PAVILION 1

1

1

1

1

1

3

1

G R O C E R Y

K I T C H E N

L I V I N G

D I N I N G

G A M E

R O O M

E N S U I T E

T W I N

R O O M

C O U R T Y A R D

R O O M

B E D S R O O M

TWO - POINT PERSPECTIVE - SPATIAL EXPERIENCE - SHARED KITCHEN, LIVING & DINING AREA


GROUND FLOOR

TEAHOUSE


HOUSE TEATEA HOUSE

TWO - POINT PERSPECTIVE - SPATIAL EXPERIENCE - TEA HOUSE


first FLOOR

GROUND FLOOR


RECEPTION, MEETING ROOM, STAFF ROOM, RECEPTION, MEETING ROOM, STAFF ROOM, WORKSHOP, STUDY AREA WORKSHOP, STUDY AREA

TWO - POINT PERSPECTIVE - SPATIAL EXPERIENCE - GROUND FLOOR


first FLOOR

R E S T A U R A N T

C O F F E E

GROUND FLOOR

S T A N D

L A U N D R Y

P U B L I C T O I L E T


185


186


WEEK 12 | R E F L E C T I O N |

187


188


REFLECTION I like the amount of work that we produce at the end of the semester, I felt satisfied and learned a lot. This studio is set up for us to learn quite a lot of aspects. :) A lot of thanks to Ziyi ! Cheers ! :)

189


190


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.