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T E C T O N I C S
DESIGN PORTFOLIO LARC30001_SITE TECTONICS YIZHEN CAI (921679) TUTOR: TIANYI YANG
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TABLE OF CONTENTS FINAL ENGINEERED SCHEME VOLUME CALCULATION --------- 06 OVERVIEW RENDER --------- 07 DESIGN STATEMENT --------- 08 CONTOUR PLAN --------- 09 EYE HEIGHT PERSPECTIVES --------- 10
FINAL TOPOGRAPHIC SCHEME VOLUME CALCULATION --------- 18 OVERVIEW RENDER --------- 19 DESIGN STATEMENT --------- 20 CONTOUR PLAN --------- 21 EYE HEIGHT PERSPECTIVES --------- 22 LANDSCAPE DESIGNS --------- 28 EXPLORATION --------- 36 ANIMATED VIDEO --------- 36 OVERVIEW RENDER --------- 37
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FINAL ENGINEERED SCHEME (CUT AND FILL)
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VOLUME CALCULATION BEFORE
AFTER
CONSIDERED REUSING THE EXCAVATED SOIL FROM THE CUT SPACE TO THE FILL SPACE, IT STILL NEED TO CUT OF A TOTAL VOLUME OF 745.12 M3
CUT VOLUME: 745.12 M3
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OVERVIEW RENDER 7
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DESIGN STATEMENT FINAL DESIGN INTENTION THE ENGINEERED SCHEME DESIGN HAS BEEN MODIFIED TO MAKE THE EAMES HOUSE ENJOY RIVERSIDE VIEWS AND TO CONNECT THE LOWER AND UPPER PATHS
THE MAIN PURPOSE OF THE PATHS/ RAMPS DESIGN IS TO PROVIDE CONVENIENT TRANSPORTATION AND LANDSCAPE ENJOYMENT FOR THE OCCUPANTS OF THE HOUSE. THE RAMP DESIGN TAKES INTO ACCOUNT THE USABILITY OF WHEELCHAIRS, IN ORDER TO ACHIEVE A MORE USER-FRIENDLY DESIGN, THEREFORE ALL RAMPS HAVE A RATIO OF AT LEAST 1:14, AND ALSO CONSIDER THE RELEVANT REQUIREMENTS OF AUSTRALIAN LANDSCAPE DESIGN.
MOREOVER, BOTH THE EAMES HOUSE USERS AND THE PEDESTRIANS ARE ENCOURAGED TO LOOK TOWARDS THE RIVER OR THE OPPOSITE BANK, WHILE THEY ARE EITHER USING THE RAMPS OR STAY AT THE HOUSE OR STUDIO.
THE DESIGN OF THE BRIDGE BRINGS VISITORS CLOSER TO THE WATER SURFACE, INCREASING FUN WHILE ALSO ALLOWING IT TO BE HIDDEN DURING CERTAIN PERIODS, SUCH AS WHEN THE HEAVY RAIN CAUSES THE RIVER WATER TO BE HIGHER THAN USUAL.
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+21.5
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0
18.5
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+19
+22
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+13 16
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+14 14
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+12
+12.5
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50
+11
+12
0
12.5
+16
+13
+13.5 11
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12
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+14 14.50
+14.5
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Drawing Title:
Engineered Scheme
Project:
Brimbank Park 16.50
Location:
9
Melbourne, Victoria
Scale:
1:500
Paper size:
A3
Drawn by:
Yizhen Cai 921679
Exercise number:
3
LARC30001 Site Tectonics
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EYEHEIGHT PERSPECTIVES 1
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EYEHEIGHT PERSPECTIVES 2
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EYEHEIGHT PERSPECTIVES 3
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FINAL TOPOGRAPHIC SCHEME (CUT AND FILL)
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VOLUME CALCULATION BEFORE
AFTER
CONSIDERED REUSING THE EXCAVATED SOIL FROM THE CUT SPACE TO THE FILL SPACE, IT STILL NEED TO FILL OF A TOTAL VOLUME OF 6522.61 M3
FILL VOLUME: 6522.61 M3
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OVERVIEW RENDER 19
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DESIGN STATEMENT FINAL DESIGN INTENTION & INSPIRATION INSPIRED BY THE PINNACLES (WESTERN AUSTRALIA). IN TOPOGRAPHIC SCHEME, IT IS CONSIDERED TO FORM MINARETS OF THE PECULIAR OLD ROCK FORMATIONS IN AUSTRALIA TO CREATE THE SCENERY OF PERTH, SO THAT CARS AND PEDESTRIANS CAN ENJOY THE BEAUTIFUL DRIVEWAY.
INSPIRED BY THE GLACIAL LAKE. THE MAIN PURPOSE OF THE DESIGN IS TO COLLECT WATER, PURIFY IT AND MAKE BETTER USE OF IT TO FORM A NEW SCENIC SPOT， SUCH LIKE WATERFALL AND HOTSPRING. WHEN A CERTAIN AMOUNT OF WATER IS REACHED, IT WILL BE FILTERED
FINAL DESIGN INTENTION AND INSPIRATION
AGAIN AND FLOW INTO THE RIVER
Drawing Title:
THE REASON FOR FILLING UP THE ORIGINAL TERRAIN IN THIS DESIGN IS TO GUIDE THE WATER Topographic scheme
Project:
Design intention & inspirationBrimbank Park
Location:
Melbourne, Victoria
Scale:
Paper size:
1:1000 A3
Drawn by:
Yizhen Cai 921679
Exercise number:
3
SOURCE TO THE RIVER AND THE WATER COLLECTION POINT. MOREOVER, IT IS DESIGNED TO PREVENT THE HOUSE FROM BEING EXPOSED TO SUNLIGHT THROUGHOUT THE DAY. MOUNTAINS SCENARY OPPUTUNITY: HIKING ALLOW LARGE AREAS OF WATERS TO PASS THROUGH THE GREEN AREAS
INSPIRED BY THE MOUNT FUJI, THIS IS DESIGNED TO ALLOW PEOPLE WHO TAKE HOT SPRINGS,
AND FLOW INTO THE RIVER.
USERS OF THE EAMES HOUSE, AND PEDESTRIANS TO ENJOY THE BEAUTIFUL NATURAL ENVI-
INSPIRED FROM GLACIAL LAKE OPPORTUNITY: WATER FALL / HOT SPRING
RONMENT MORE.
iNPIRED FROM MOUNT FUJI
PROVIDE MULTI-ACTIVITY - KAYAK WILD LIFE - SWAN / DUCK
THE HOUSE AND STUDIO IS INTENTED TO BUILT ABOVE THE RIVER AS A BRIDGE TO ENCOUNTER
FOREST
360 DEGREE RIVER-VIEW, AND ALSO MANIPULATING THE CIRCULATION. THROUGH ADJUSTING THE LANDSCAPE AND PATHS, PEOPLE IS ALLOWED TO PASS FROM THE SECOND FLOOR OF THE
INITIAL DESIGN INTENTION AND INSPIRATION
HOUSE AND STUDIO (NORTH SIDE) TO THE FIRST FLOOR OF THE OTHER SIDE.
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LARC30001 Site Tectonics
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FL
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16.5
1:14
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14
1:14
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16.5
16.0
15.5
13.5
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12.5
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1:14
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15.50
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17
1:14
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Drawing Title:
Topographic contour plan
Project:
Brimbank Park
Location:
21
Melbourne, Victoria
Scale:
1:500
Paper size:
A3
Drawn by:
Yizhen Cai 921679
Exercise number:
3
LARC30001 Site Tectonics
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EYEHEIGHT PERSPECTIVES 1 DESIGN FEATURE - HAND RAIL - RIVER VIEW - MOUNTAIN VIEW - NEW WATER FEATURES (WATERFALL & HOTSPRING) - NATURAL MATERIAL USED - ENGAGE WITH WATER - PATHS FOLLOW CONTOUR
IN THIS PERSPECTIVE, THE BLUE ROUTE CAN BE CLEARLY SEEN ON THE PINK ROUTE.
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EYEHEIGHT PERSPECTIVES 2 DESIGN FEATURE - HAND RAIL - CONNECTED TO THE LOWER PATH - MOUNTAIN VIEW - NATURAL MATERIAL USED - PATHS FOLLOW CONTOUR
IN THIS PERSPECTIVE, THE SOUTH PART PINK ROUTE CAN BE CLEARLY SEEN.
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EYEHEIGHT PERSPECTIVES 3 DESIGN FEATURE - HAND RAIL - RIVER VIEW - MOUNTAIN VIEW - NEW WATER FEATURES (WATERFALL & HOTSPRING) - NATURAL MATERIAL USED
IN THIS PERSPECTIVE, IT CAN BE FOUND THAT MORE OPPORTUNITY CAN BE ALLOWED IN THE RIVER, SUCH AS WILDLIFE HABITAT AND THE POSSIBILITY OF LEISURE ACTIVITIES.
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Drawing Title:
Topographic scheme
Project:
Brimbank Park
Location:
Melbourne, Victoria
Scale:
Paper size:
1:1000 A3
Drawn by:
Yizhen Cai 921679
Exercise number:
3
LARC30001 Site Tectonics
LANDSCAPE DESIGN_1 FINAL DESIGN INTENTION & INSPIRATION INSPIRED BY THE PINNACLES (WESTERN AUSTRALIA). IN TOPOGRAPHIC SCHEME, IT IS CONSIDERED TO FORM MINARETS OF THE PECULIAR OLD ROCK FORMATIONS IN AUSTRALIA TO CREATE THE SCENERY OF PERTH, SO THAT CARS AND PEDESTRIANS CAN ENJOY THE BEAUTIFUL DRIVEWAY.
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Drawing Title:
Topographic scheme
Project:
Brimbank Park
Location:
Melbourne, Victoria
Scale:
Paper size:
1:1000 A3
Drawn by:
Yizhen Cai 921679
Exercise number:
3
LARC30001 Site Tectonics
LANDSCAPE DESIGN_2 FINAL DESIGN INTENTION & INSPIRATION INSPIRED BY THE GLACIAL LAKE. THE MAIN PURPOSE OF THE DESIGN IS TO COLLECT WATER, PURIFY IT AND MAKE BETTER USE OF IT TO FORM A NEW SCENIC SPOT， SUCH LIKE WATERFALL AND HOTSPRING. WHEN A CERTAIN AMOUNT OF WATER IS REACHED, IT WILL BE FILTERED AGAIN AND FLOW INTO THE RIVER
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Drawing Title:
Topographic scheme
Project:
Brimbank Park
Location:
Melbourne, Victoria
Scale:
Paper size:
1:1000 A3
Drawn by:
Yizhen Cai 921679
Exercise number:
3
LARC30001 Site Tectonics
LANDSCAPE DESIGN_3 FINAL DESIGN INTENTION & INSPIRATION INSPIRED BY THE MOUNT FUJI, THIS IS DESIGNED TO ALLOW PEOPLE WHO TAKE HOT SPRINGS, USERS OF THE EAMES HOUSE, AND PEDESTRIANS TO ENJOY THE BEAUTIFUL NATURAL ENVIRONMENT MORE.
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Drawing Title:
Topographic scheme
Project:
Brimbank Park
Location:
Melbourne, Victoria
Scale:
Paper size:
1:1000 A3
Drawn by:
Yizhen Cai 921679
Exercise number:
3
LARC30001 Site Tectonics
LANDSCAPE DESIGN_4 FINAL DESIGN INTENTION & INSPIRATION THE HOUSE AND STUDIO IS INTENTED TO BUILT ABOVE THE RIVER AS A BRIDGE TO ENCOUNTER 360 DEGREE RIVER-VIEW, AND ALSO MANIPULATING THE CIRCULATION. THROUGH ADJUSTING THE LANDSCAPE AND PATHS, PEOPLE IS ALLOWED TO PASS FROM THE SECOND FLOOR OF THE HOUSE AND STUDIO (NORTH SIDE) TO THE FIRST FLOOR OF THE OTHER SIDE.
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EXPLORATION
FOR THIS SUBJECT, I HAD EXPLORED LUMION 9.5 , 3DS MAX, AUTOCAD, PREMIUM PRO, WHICH MOST I DIDN'T LEARN BEFORE. THROUGH THE ASSIGNMENT 1 AND 2, I LEARNED THE BASIC REPRESENTATIONS OF LANDSCAPE DRAWINGS, AND THINGS LIKE THE AUSTRALIAN STANDARD FOR A PATH. IT REMINDS ME TO ALWAYS CONSIDERED CAREFULLY THE DETAILS OF THE RAMPS. BESIDES, I FOUND BOTH HAND-DRAWING AND DIGITAL-DRAWING HELPED ME TO EVOLVE DIFFERENT WAYS OF SEEING. EACH DRAWING TYPE HELPED ME TO SEE MY DESIGN IN DIFFERENT WAYS – NOT JUST BECAUSE OF THE DRAWINGS' DIFFERENT FINISHED RESULTS, BUT ALSO BECAUSE OF THE DIFFERENT THINKING PROCESSES NEEDED FOR EACH TYPE OF DRAWING.
ON ASSIGNMENT 3, I TRIED MANY TOOLS IN 3DS MAX TO MANIPULATE THE FINAL TOPOGRAPHIC SCHEME, THEN I USED AUTOCAD TO DESIGN THE PATHS AND IMPORT IT TO 3DS MAX AGAIN TO MODEL. AFTER THAT I TRIED TO USE 3DSMAX TO GET MY RENDERS, BUT I WAS NOT SATISFY WITH THE RESULT, THEREFORE, I USED LUMION TO GET ALL THE RENDERS AND THE ANIMATED VIDEO WITH REAL-TIME SPACIAL EXPERIENCE AND FLYTHROUGH VIEWS. LIMIT IS THAT WHEN I USING THE LUMION I FOUND I NEED TO ADD SOME LANDSCAPE DESIGN IN ORDER TO LOOK MORE HARMONIOUS, IT TAKES ME A LOT OF TIME TO GET THE PENINSULA STYLE THAT I WANT TO CREATE. AFTER THAT I USED PHOTOSHOP ON THE RENDERS, AND PREMIUN PRO ON THE VIDEO.
ALTHOUGH I LOST THE FILES IN THE MEANTIME, I AM VERY GRATEFUL FOR EACH CLASS OF TIANYI SO THAT I CAN QUICKLY KEEP UP WITH EVERYONE'S PROGRESS AND ALSO HELPED ME FINALLY COMPLETE THIS PROJECT.
ANIMATED VIDEO HTTPS://WWW.YOUTUBE.COM/WATCH?V=9CZ3MWQAHWG 36
OVERVIEW RENDER 37