DE by Caiyizhen

A B P L 2 0 1 9

3 0 0 6 1 S E M 2

DESIGNED ECOLOGIES DESIGN JOURNAL

YIZHEN CAI (CRIS) 921679

ASSIGNMENT 1

A S S I G N M E N T 1 S I T E A N A L Y S I S

S I T E L O C AT I O N THE CORKMAN IRISH PUB MELBOURNE L O C AT I O N : C O R N E R O F L E I C E S T E R A N D P E L H A M S T R E E T S , C A R L TON, VIC TORIA, AUSTRALIA.

The site is included in the City of Melbourne Heritage Overlay (HO85) where it is described as: historically significant as one of the earliest extant buildings in this part of Carlton, which has undergone substantial change since the time of its initial phase of construction in 1857. The Carlton Inn is of aesthetic significance as a good example of the Victorian period. The faรงade is relatively plain and generally indicative of the early to mid-Victorian period, though the parapet may date to the later Victorian period. The faรงade has a stucco finish but the original corner section may be partly stone.

MELBOURNE PLANNING SCHEME, Incorporated Document City North Heritage Review 2012 Statements of Significance p.27

SITE CONTEXT

Circulation & Land Use

PEDESTRIAN FLOW - INTENSITY

600

AUTUMN

500

WINTER

UNIVERSITY SEMESTER

400 300 SUMMER

200

WINTER

100

9pm

8pm

7pm

Site Land Use Education

Commercial

Residential

Parkland

Parking

Other

LEGEND WEEKDAY

PEDESTRIAN SENSOR

WEEKEND

GRADIENT HIGHER 1:14

FLOW OF PEOPLE

200

100

11pm

6pm

Carlton Land Use

10pm

5pm

4pm

3pm

2pm

1pm

9am

Noon

8am

11am

7am

10am

6am

5am

4am

3am

2am

1am

UNIVERSITY HOLIDAYS

Midnight

URBAN CONTEXT

SPRING

1:2500

SUMMER HEAT SCALE WIND NIGHTTIME WIND DAYTIME WATER RUNOFF

S I T E V E G E TAT I O N

S I T E L O C AT I O N LEGEND

Parkville Stat

ion (in deve

lopment)

Transportation

Walking

GRATTAN STRE

Cycling

402

Bus Tram

1 Stop to

Parkville Stat

ion

PELHAM Ga

STREET

To Camberwell/K ew via Saint Kilda Beach 72/16

s/V icto

ria

urn lbo Me th ou Station

To S

rne Central

hton

to Melbou

13min walk

Brig

LEICESTER

> 600

Land Use

LINCOLN SQUARE S

Residential land use

To E 3a ast /5 Ma PELHAM STREET /6 lve rn /M alv er n/ Gle n Iris

st To Ea 64

STREET

100 - 200

N STREET

To Ea 1 5min

< 100

402 to Footscray Station/Irving 21 stops

1min 40 2 6 s to top Carl ton s

eac

403

403 to Footscray Station/Irving 1 stop on tati eS urn lbo Me rth No 1 to 40 ps o 2 st

401, 402,

Hotel

University

STREET

LINCOLN SQUARE N

Public Square

Population density (ppl/10,000 sqm)

Melbourne

CARDIGA

Cafe . Restaurant

SWANSTON

Services

To Morelan 6

BOUVERIE

Heritage Protected

to (Future)

STREET

BARRY STRE ET

5min walk

BERKELEY

Public Park

st C obu rg

STREET

Site

Heritage

Institutional Land Use Commercial Land Use Educational land use

Recreational land Use

Legend / Annotation

Leicester Place Surface Conditions - Topography | Hydrology | Climate | Geology | Soil

Leicester

Plan 1 : 1250 Carlton, Melbourne, VIC

eet

Street

Swanston Str

Street

Pelham

Bouverie

Bary Stree t

Leicester Str

eet

Water Contours Buildings Streets

Average Highest rainfall Quercus ilex Summer - 19.6mm Autumn - 4.47mm Quercus robur Winter - 11.27mm Spring - 14.93mm Celtis australis

(Bureau of Meteorology, 2019)

a urf

Runoff

Surface

Surface Ru

noff

Ulmus procera

A S S I G N M E N T 1 D E S I G N T E S T I N G

D E S I G N E X P L O R AT I O N

TO DEAL WITH CLIMATE: WIND FEEDBACK: NEED TO CONSIDER MORE ACCURARELY AND EFFICIENTLY THINGS SUCH LIKE WIND SPEED, LOCATION, ETC...

TO DEAL WITH CLIMATE: WIND FEEDBACK: NEED TO CONSIDER MORE ACCURARELY AND EFFICIENTLY AS WELL FORM FOR THE SITE CAN RELATE MORE WITH HERITAGE OR THE MAIN POINT FOR THE DESIGN

TESTING

NOTES

BACKGROUND OF THE CORKMAN IRISH PUB

I N F O R M A T I O N F R O M T H E N E W S R E P O R T. . .

D E S I G N

D O E SL IOGGNI E ES C O L O G E C

D E S I G N

D O E SL IOGGNI E ES C O L O G E C

Commercial Real Estate. Retrieved from https://www.commercialrealestate.com.au/news/should-carltons-corkman-irish-pub-be-rebuilt-62863/

CONTEXT

B AC K G R O U N D : C O R K M A N IR IS H P U B

CONTEXT

R ECSOENATRECXHT

R ECSOENA TRECXHT

HERITAGE OF CARLTON MRALNT O IRIS C O R K M A N IR IS H P U B P R EB A CC EK DG ER NO T USNT D: U DCYO : RCKA NH As one of the earliest existing buildings in the Carlton area that survived almost 160 years. C

B AC K G R O U N D :

RESEARCH

160 YEARS

L C T A

160 YEARS

BA MA IRIS R EY C PRE CC EK DG ER NO T USNT D: U DCYO : RCKA R LNT O N H PFUB ORMAL P LA OEUDT E : N L ITNSETAURD Y : C A R L T O NA N

O R N L

G A

C A

160 YEARS

D G E A

L C T A

O R

160 YEARS

N R

RESEARCH

ILLEGAL DEMOLISHED PFUB R EY C ORMAL P LA OEUDT :E N L ITNSETAURD Y : C A R L T O NA N It suddenly and illegally demolished in 2016. N L

Heritage of Carlton

Illegally demolished in 2016

demolished Heritage of Carlton TheT Carlton Garden features: linearIllegally tree-lined ave- in 2016 E nues, a majestic fountain, formal flowerbeds and minO iature lakes. N

Heritage of Carlton

Illegally demolished in 2016

demolished in 2016 of Carlton The Carlton Garden features: linearIllegally tree-lined aveSHeritage I nues, a majestic fountain, formal flowerbeds and minQ iature lakes.

G A R

D G E A

N R D

TheT Carlton Garden features: linear tree-lined aveE nues, a majestic fountain, formal flowerbeds and minB O U iature lakes. P N N

I R

I S

S The Carlton Garden Nfeatures: linear tree-lined aveA I M nues, a majesticK fountain, formal flowerbeds and min-W h o B Q U m P iature lakes.O R N

For generations of students and Moreover, this was one local residents, the Corkman Irish of the shrinking number HUMANS BY USE & FUNCTION Pub was a precious gathering of live folk music venues live folk music venues triggered user anger and live folk music venues triggered user anger and sadness sadness place. Such a sudden demolition, it in Melbourne and larger H U M A N S The B YLincoln U S ESquare: & F first U Npublic C T Iplayground ON in the city, The Lincoln Square: first public playground in the city, P Memorial. R O J The E entire C Tlayout A was I Ma linear S form. Bali Memorial. The entire layout was a linear form. P R O J E C T Atriggered I M S their anger and the sadness. Bali citiesthemore generally. N

C L

O I L N

N C

triggered user anger and sadness

live folk music venues

PROJECT AIMS

To create an outdoor live folk music venue

To evoke those cherished past memories

N A

C L

A S

O I

R Q

L N

E U

N C

R E

triggered user anger and sadness S

Y A

A S

Z P

L R

R Q

Z I

E G

E U

A A

live folk music venues

N A

PROJECT AIMS

A S

E UC

I R

I S

Who m

A R E

Y A

A S

Z P

R Q

Z I

E U

A A

L Fowler’s Position R E G

A A Ynew ItalianZ style Piazza. live Aspects: diagonal To create an outdoor To evokepaths, those cherished edges, asphalt surface and so on L R folk Zmusic venue past memories E U

R Q

The Lincoln Square: first public playground in the city, Semientire Fowler’s Position Fowler’s Position R BaliQMemorial. I the The layout was a linear form.

The Lincoln Square: first public playground in the city, the The entire layout was a linear form. R BaliQMemorial. I

A S

Sitting Position

WH Semi Fowler’s Position

A Ynew AItalianZ style Piazza. Aspects: diagonal paths, edges, asphalt L Z surface and so on R E U N

A S

Supine Position

CONTEXT

RESEARCH

B A C K G R O U N D: C O R K M A N IR IS H P U B

PRECEDENT STUDY: CARLTON

FORMAL LAYOUT: LINEA

D E S I DG EN S I E GC NO LE OC G O I L EOS G I E S C A

160 YEARS

R L

PROJECT AIM T

CONTEXT

CONTEXT Heritage of Carlton

RESEARCH Illegally demolished in 2016

G A R

D E

RESEARCH N

The Carlton Garden features: linear tree-lined ave-

B AC KG R O U N D : CO R K M A N I R IS H P U B ANA a majestic flowerbeds minP R E C E D E N T S T U D Y nues, : CA R L T Ofountain, N Fformal ORM A L L Aand YO UT: LINEAR B A C K G R O U N D: C O R K M A N IR IS H P U B P R E lakes. CEDENT STUDY: CARLTON FORMAL LAYOUT: LINEA iature

D E S I G N

W H AT A M I A D D R E S S I N G ? E C G I -HEO R I TALG E O C A

160 YEARS

R L T

CONTEXT Heritage of Carlton

triggered user anger and sadness Illegally demolished in 2016 Heritage of Carlton

160 YEARS

D E

RESEARCH N

liveNfolk music venues

L C I A N R C L O T L O N N

S G Q A U R A D R E E N

E S

N R

C L

O T

live folk music venues triggered user anger and sadness To create an outdoor live Illegally demolished in 2016 folk music venue

L O N N

S G

Q A

U R

A D

R E

E N

LINEAR

S S Q Q U U A A R R E E

A Z Z

I R

N G

C Y

O L

L E

N Q UI

L B

U S

To create a public space continuing the Irish hospitality that offered from the historicFowler’s Mel-Position S

Q N

G E

U I

A A

N 32%

ANA

Fowler’s Position

I R WNh o wa

A Semi Fo meet

frie

Supine W HPo A

Fowler’s Position Fowler’s Position

W h o wa

m e Fo et Semi frie

& FUNCTION

Minimum clear width of a ramp landin Supine Position Sitting Position

W HPo A Supine

Semi Fowler’s Position

76%

I R

M Semi

32% of youngrespecpeople(15-24 years) are bourne pub. Welcome to everyone, involved in making music tive of classes and identity.

14% of Australians Lplay a musical inEZ L R strument

DID YOU KNOW

R M

G E

Q P U I A A R Z E Z

N To create a new urban The University Square sets the direction and plan to A new styleand Piazza. Aspects: diagonal paths, space that Italian is unique responds to significant demographic and contextual A new Italian edges, asphalt surface so on The Lincoln Square: firstand public playground in thestyle city, Piazza. Aspects: diagonal paths, authenticidentity To evoke those cherished changeasphalt edges, surface and so on thepast Balimemories Memorial. The entire layout was a linear form. U Sitting Position

R M

Irish hospitality: Welcome to everyone, respective of To create an outdoor live classes and identity folk music venue

I S

H Sitting Position I S

Q SOURCE FROM: A P S U I ARTS IN DAILY LIFE: AUSTRALIAN PARTICIPATION IN THE ART.

14%

I R

BY USE & FUNCTION HUMANS BY USE & FUNC

To evoke those cherished past memories forPosition Fowler’s generation of students, local residents, travelHUMANS BY USE lers, to all who ever been to this place.

DID YOU KNOW

A new Italian style To evoke those cherished The Carlton Garden features: linear tree-lined ave- Piazza. Aspects: diagonal paths,

L A

PROJECT AIMS

live folk music venues Irish hospitality: Welcome to everyone, respective of To evoke those cherished To create past an memories classes andoutdoor identitylive folk music venue

I R

The Lincoln Square: first public playground in the surface city, edges, asphalt so on nues, amemories majestic fountain, formal flowerbeds and min- firstand The Lincoln Square: public playground in the city, PROJECT AIM thepast Memorial. The entire layout was a linear form. P RSO J E C T A I Miature SBalilakes. the Bali Memorial. The entire layout was a linear form.

triggered user anger and sadness To create an outdoor live folk music venue

To create an outdoor live folk music venue, which not only to respond with the heritage, but also to design for the people in Hthe U Mneig ANS bourhood who have a certain demand for it. live folk music venues AI

HUMANS BY USE & FUNC

The Carlton Garden features: linear tree-lined aveThe Lincoln Square: public playground in the avecity, Illegally demolished infountain, 2016 The Carltonand Gardenfirst features: linear tree-lined nues, P R EaCmajestic E D E N T S T formal U D Yflowerbeds :theCBali A R L T OminNThe entire Fformal Olayout RM A La Llinear Aand Yform. O UT: Memorial. was nues, a majestic fountain, flowerbeds miniature lakes. iature lakes. L C

160 YEARS

Heritage of Carlton

PROJECT AIMS

B AC KG R O U N D : CO R K M A N I R IS H P U B

triggered user anger and sadness

76% of young people years) felt their friends expanded through att sic performance

To create a new urban The University Square sets the direction and plan to Irish hospitality: Welcome To create new urban space that is unique and The diagonal University Square sets the Minimum direction clear and width plan to A new a Italian style Piazza. Aspects: paths, responds to significant demographic and contextual of a ramp landing. Slope: 1/12 To evoke those cherished to everyone, respective of space that asphalt is unique and and so on responds 67% authenticidentity to significant demographic and contextual Minimum clear The width of a ramp landin edges, surface change 20% annual audience past memories authenticidentity classes and identity change Melbourne (17.5 million 20% of Australians are involved in creU 2 in 3 people Sitting listen to music every day that for all major sports Position Supine Position ating music S DID YOU KNOW bourne combined (6.5 N

To create a new urban space that is unique, authentic and fit the urban context of Carlton, 76% of young people (aged 18-19 32% of young people(15-24 years) are years) had of young people 14% of Australians play a musical in32% of young people(15-24 years) are felt their friendship group 76% involved in making music Melbourne. 14% of Australians play a musical inexpanded through attending live years) mu- felt their friends strument involved in making music

SOURCE FROM: Q ARTS IN DAILY LIFE: AUSTRALIAN SOURCE PARTICIPATION U FROM: IN THE ART. I ARTS IN DAILY LIFE: AUSTRALIAN PARTICIPATION IN THE U ART. 14%

14%

32% A

32%

76%

expanded through att sic performance Irish hospitality: Welcome To create a new urban The University Square sets the direction and plan to to everyone, respective of space that is unique and responds 67% to significant demographic and contextual Minimum clear width of a ramp landing. Slope: 1/12 20% authenticidentity The annual audience for live music in classes and identity change 67% 20% The annual audience Melbourne (17.5 million) is nearly triple 20% of Australians are involved in cre2 in 3 people listen to music every day Melbourne (17.5 million that for all major sports games in Mel20% of Australians are involved in creDID YOU KN OW ating music 2 in 3 people listen to music every day combined (6.5 million). that for all major sports bourne ating music bourne combined (6.5 SOURCE FROM: strument

sic performance

ARTS IN DAILY LIFE: AUSTRALIAN PARTICIPATION IN THE ART.

32%

14%

32% of young people(15-24 years) are involved in making music

14% of Australians play a musical instrument

67%

20%

20% of Australians are involved in creating music

2 in 3 people listen to music every day

76%

76% of young people (aged 18-19 years) felt their friendship group had expanded through attending live music performance

The annual audience for live music in Melbourne (17.5 million) is nearly triple that for all major sports games in Melbourne combined (6.5 million).

RECALL THE MEMORIES...

https://www.facebook.com/thecorkmanirishpub/

S S I G N M E N T RAERSCEAR H ARCH E S E A R C H RAERSCEHA R C H

PRECEDENT STUDY

RNETCSETDU EDNYT: SCTAU RDLYT:OCNA R L T O N

R NET CSETD U EDNY T: C S TAURDLYT :OC NA R L T O N

C R

A L

R T

L O

T N

G A G R A D R E D N E N

P A

A G

S U

P A A G

S U

P A

R Y

Q A

I Z

Q A

I Z

G L

U R

A G Z L

U R

A Z

Y E

A E

Z Y A E

A E

Z A

R Y

Carlton Garden N e isted heritage-listed Carlton Garden Carlton was Garden de-

Argyle Square Piazza

E A E E A E was deThe heritage-listed The heritage-listed Carlton Garden Carlton was Garden dewas gned he features with theof features the lateofninethe latesigned nine- as a signed new Italian as a new style Italian Piazza.style The southPiazza. The so The heritage-listed Carlton Garden was designed The heritage-listed Carlton Garden was deenth y garden. century Such garden. as linear Such treeas linear erntreeside can ern beside dates canback be dates to Carlton 1850s, back aspects tode1850s,was aspe e isted heritage-listed Carlton Garden Carlton wasGarden dewas deThe heritage-listed The heritage-listed Carlton Garden was Garden with the features of the late nineteenth century signed as a new Italian style Piazza. The southed s, afeatures avenues, majestic majestic fountain, such formal asas diagonal paths, diagonal edges, paths, asphalt edges, asphalt gned he with the ofafountain, features the lateformal ofninethe late ninesigned a such signed new as Italian as a style new Piazza. Italian style Thesurface southPiazza. Thesurfa so garden. Such as linear treelined avenues, a majestic ern side can be dates back to 1850s, aspects nd miniature and lakes. miniature lakes. and so on, were and so retained on, were onretained the1850s, site. on the site. aspe enth ywerbeds garden. century Such garden. as linear Such treeas linear ern treeside can ern beside dates can back be dates to back aspects to 1850s, fountain, formal flowerbeds and miniature lakes. such as diagonal paths, edges, asphalt surface s, edaavenues, majestic a fountain, majesticformal fountain, such formal as diagonal such as paths, diagonal edges, paths, asphalt edges, surface asphalt surfa and so on, were retained on the site. U U d miniature and lakes. miniature lakes. and so on, were and so retained on, were onretained the site. on the site. Lwerbeds

L N

I C

N O

C L

O N

Q S U Q A U R A E R E

N U I

N M

I E

U I

M L

E B

Q U I S U N M Q A I E U R M L A E E B R L

U N U I

Q S U Q A

U R

A E R E

N quare e Lincoln wasSquare the firstwas public the playfirst public The playUniversity TheSquare University setsSquare the direction sets theand direction a B ound city, the in the Balicity, Memorial, the Balias Memorial, well as well plan to transition plan toa transition 19th century a 19th landscape century landsca s Lincoln (Unimelb) University Square a Lincoln diverse of remarkable planting of remarkable 19th cen19th into cena 21st century intoSquare a 21st space century space responds that toand responds sigquare eanting was Square the firstwas public theSquare playfirst public The playUniversity The University setsthat Square the direction sets the directiontoa o ry entire trees. layout The entire was a layout linear was form. a linear nificant form. demographic nificant demographic and contextual and change, contextual chan ound city, the in the Balicity, Memorial, the Balias Memorial, well as well plan to transition plan toa transition 19th century a 19th landscape century landsca while recognising while recognising the rich history the of rich the history site. of the site The Lincoln Square was thecenfirst public playground Square sets the direction and anting a diverse of remarkable planting of remarkable 19th 19th into cena 21st century intoThe a University 21st space century that responds space that toresponds sigto in theentire city, thea Bali Memorial, as asnificant a form. diverse demographic plan todemographic transition a 19th century landscape ry entire trees.layout The was layout linear was form. a well linear nificant and contextual andchange, contextual chanS while recognising while the history thethat of rich thehistory site. of the site planting of remarkable 19th century trees. The enintorecognising a 21strich century space responds to sigO LA RY MO AUL T L: AL Y ItireN Olayout EUATwas R: La linear I N Eform. A RD I D Y O U D IKnificant DN YOO W U K N O W demographic and contextual change, while recognising the rich history of the site.

SOURCE FROM: SOURCE FROM:

O LA RY MOAUL T L: AL Y I NOEUATR: L I N E A RD I ARTS D YINO UD LIFE: IKARTS DNAUSTRALIAN Y O WU LIFE: KPARTICIPATION NAUSTRALIAN O W PARTICIPATION DAILY IN O DAILY IN THE ART. IN THE

SOURCE FROM: SOURCE FROM: ARTS IN DAILY14% LIFE: ARTS AUSTRALIAN IN DAILY14% LIFE: PARTICIPATION AUSTRALIAN IN PARTICIPATION THE ART. IN THE

14%

14% of Australians 14% of play Australians a mu- play a 14% sical instrument sical instrument 14% of Australians 14% ofplay Australians a mu- play a

age, eighenues or it.

L N

To Ecreate an live A S outdoor E P folk Nmusic venue R

To Tocreate evoke an those outdoor live Echerished B folk past music memories venue

A Gnew Italian U A style Pia To evoke those cherished edges, asphalt past Position memoriessurface Fowler’s Y

The Lincoln Square was the first public playThe University Square sets the direction UL and R uare: playground inA Square: the city,first public playground GThe Lincoln U in the city, s for first public ground in the city, the Bali Memorial, as well plan to transition a 19th century landscape rial. The entire layout was a linear form. the Bali Memorial. The entire layout was a linear form. N avelas a diverse planting of remarkable 19th ceninto a 21st century space that responds to sigY

tury trees. The entire layout was a linear form.

nificant demographic and contextual change, U I while recognising the rich history of the site.

Z Base on t

sonably b

Z S of space A Q Summary

U style A new NItalian Pia - For elde To create an outdoor live To evoke those cherished M E A E S A P F O R M / L A Y O U T -surface For who Irish edges, asphalt A past F O R M Afolk L Lmusic A Y Ovenue UT: LINEAR D I D memories YPosition OU KNOW I Position MelSemiFowler’s Fowler’s Positioninteract Fowler’s E R I Q pecR - For who U SOURCE FROM: paths, A new Italian style Piazza. Aspects: diagonal rished L from the ARTS IN DAILY LIFE: AUSTRALIAN PARTICIPATION IN THE ART. G asphalt A U S edges, surface and so on E - For the N As shown on the precedent study, linear form B Y Z A Q - For pho 14% was mostly used as the layout of the parks U que, I at Carlton, U be more 14% of Australians play a muSitting Position L R Welcome CarlS Z Irish hospitality: To Irishcreate hospitality: a new Welcome urban To create aCarlton, newU Square urban s Melbourne. Even the majority of buildings at the The University sical instrument N M N to everyone, respective of space to everyone, that isrespective unique of Pub, used space thatform. is unique and to significant such as the Corkmanand Irish theresponds linear E E Q A A I U authenticidentity authenticidentity E I classes and identity classes and identity change R U 20% N Italian paths, style Piazza. Aspects: diagonal L site are not style Piazza. Aspects: diagonal paths, MA new Besides, all of these gardens that near the herished 20% of Australians are inD edges, Y O Uasphalt K N surface O W andDsoI D O W creating music E A t surface andD soI on on Y O U K N volved ies I only design to preserve theinhistory and landscapes, but B E R SOURCE FROM: SOURCE FROM: also intergrate the past into the present. Designs through UB L U Position Position BSitting Sitting PositionIN THE Square Irish hospitality: create a IN new urban ARTS IN DAILYEWelcome LIFE: PARTICIPATION ARTS THE LIFE: AUSTRALIANSupine PARTICIPATION U To s S AUSTRALIAN P givingINa DAILY new life toART. something from theThe past University that might ART. 32% to everyone, respective of S H space that is unique and B N responds to significant 32% of young people(15-24 I already disappeared or has become obsolete in its origiQ I R n the authenticidentity classes and years) are involved change in making 32% U identity N I ears, nal form, show that music it could recall the memory and other 14% M A urban U The UniversityR KSquare sets the direction and14% plan to 32% of yo 16. NO and ofasymbolic references on that certain period. 14% Australians sorts play musical 14% in-of Australians play aclear musical inD I responds D MY O U K AN OofWdemographic to significant and contextual Minimum width of a i C involved y strument strument 67% change I E

SOURCE FROM: R 2 in 3 people listen to music As shown on the precedent linear form L IN ARTS DAILY LIFE:study, AUSTRALIAN PARTICIPATION IN THE ART. every day was mostly used as the layout of the parks D A T A S E B at Carlton, Melbourne. Even the buildings at 32% the Carlton, including the Corkman Irish Pub, 67% 14% The annual audience for live ART. 20% 20% were almost all usedand the linear form. w urban sets 32% of yo Square the direction plan to music The University Square sets the direction and plan toin Melbourne (17.5 million) 14% of of Australians Australiansare play a musical numue and demographic 20% involved inwidth 20% creofofAustralians areallinvolved ininvolved cre- of is innearly that for magnificant and contextual Minimum clear atriple ramp landing. Slope: 1/12 responds to significant demographic and contextual Minimum clear 2width in 3 peo Therefore, keep the linear strument form in designing urne jor sports games in Melbourne 32% tity ating music ating music this projectchange can be more appropriate. combined (6.5 million). 76% 76% of yo

resicious tion,

in-

32% of young people(15-24 years) are involved in making music

20% of Australians are involved in creating music 20% of Australians are involved in cre2 in 3 peo 67%32% ating music The annual 76% of young people (aged 76% of 76% 18-19 32% of young people(15-24 years)32% are of young people(15-2476% years) are Melbourne years) felt their friendship group had creyears) fe cal innvolved in making music involved in listen making 2 in 3 people to music every day that for all expanded through attending live muexpande bourne com sic performance sic perfor

E ART.

14% of Australians play a 20% musical instrument

years) felt expanded sic perform 2 in 3 people listen to 67% music every day

32% of young peo76% of young people (aged 18-19 The annual audience for live 67% ple(15-24 years) are inyears) felt their friendship group musicaudience in Melbourne The annual for(17.5 live milmusic Theinannu Melbourne million) is nearly volved in making music had expanded through attending lion) (17.5 is nearly triple that for all triple Melbourn n cre2 in 3 people listen to music every 2day in 3 people listen to music every day all major sports games in that live music performance that for major sports games in Mel- Mel- for a bourne combined (6.5 million). bourne c bourne combined (6.5 million). Arts in Daily Life: Australian Participation in the Art.

deuthects ace

and ape signge, .

TYPES OF PEOPLE IN THE CLUB

A N A LY S I S

Through the pictures taken at the site, it shows that elders were the majority group of people that usually have more memory about the site. Therefore, my proposal will first to consider the accesibility for the elderly.

ANALYSE TYPES OF PEOPLE IN THE PUB

Group Co u p le

Performer

St u d e n ts

D a ncer

Elderl y

Singer

T YP ES OF PEOPLE IN THE PUB

Who like to listen the music f ro m a distance

Who want to meet new friend

Amateur

Photo-taker Solo traveller

Local re sident s Passer-by

Disabilitie s

W h o li k e t o l i s t en th e m us ic f rom a d i s t an ce

W h o wa n t t o meet n ew f riend

A m a t eu r

P h o t o- t a k e r S o l o t r a v el l e r

L o ca l r e s i de n t s P a s se r- by

D i s a bi l i t i e s

W H AT K I N D O F S PA C E S H O U L D B E P R O V I D E D O N T H E S I T E WHAT KIND OF SPACE SHOULD BE PROVIDED ON THE SITE

Position

pe: 1/12

ed 18-19 oup had g live mu-

music in arly triple es in Mel).

Base on this analysis, it can make the design more appropriate, we can arrange the spaces more reasonably by identifying the numerous type of people that might go to the pub and knowing what kind of space should be offered on the site for the certain kind of people. Summary: - For elderdy and disabilities: provide access for those with physical restriction >> Ramps and seatings - For who want to meet new friend, group of people, solo traveller, passer-by, couples and students: interaction should not hindered, in order to let them see each other face >> Gathering area - For who like to listen the music from a distance: need to provide a space with a certain distance from the live folk music >> Gathering space with a distance from the performing area. >> Snug area - For the performer, singer, dancer, amateur: enable them to enjoy the site, visually and acoustically - For photo-taker and passer-by: design the space as aesthetically pleasing as possible, so that they will be more interested in visiting the site. >> Visually and acoustically space - For couples and local residents: provide space for events.

ues

ned aveand min-

H H I SI S R R I I

The Lincoln Square: first public Nplayground in the city, N N A A A the Bali Memorial. The entire layout was a linear form. M M M K K R R O O C C

I S

I R

I S

E l de

W hWo hwa o wa n t nt to t o m em e te ente nwe w f r i ferni ed n d

H U M A N B Y U S E & F IU N C T I O N

Fowler’s A&NF SU BN YCAC SO N Position N IT HH UU MM AA NN S SB B Y YUHU SUESME& FU N TU IEO N& N FUNCTIO

blic playground in the city,

city, y, H EU M e layout was a linear form. EA NAS m.

BY USE & FUNCTION

A new Italian style Piazza. Aspects: diagonal paths, edges, asphalt surface and so on

ished

the city, ear form.

Fowler’s Position

U Fowler’s Fowler’s Position Position

Fowler’s Position

N I

Semi Fowler’s Position

Semi Fowler’s Position Sitting Position Sitting Position

WHAT K

U A

Semi Fowler’s Position

I Fowler’s Position R

WW HH AA T TK K I NI N DD

Semi Semi Fowler’s Fowler’s Position Position

Aspects: diagonal paths, E B so on High Fowler’s Position

Supine Position

s, ths,

rban and

W h o wa Pnt h Pothtooo meet n ew f riend

The University Square sets the direction and planSupine to Sitting Position Position responds to significant demographic and contextual Minimum clear width o Sitting Sitting Position Position Supine Supine Position Position change

al paths,

RT.

32% of young people(15-24 years) are involved in making music Minimum clear width of a ramp landing. Slope: 1/12

76%

67%

2 in 3 people listen to music every day

Minimum clear width of a ramp landing. Slope: 1/12

76% of young people (aged 18-19 https://www.dimensions.guide years) felt their friendship group had expanded through attending live music (aged performance 76%of ofyoung youngpeople people (aged18-19 18-19 76% 76%76%

people(15-24 years) are aking music

48”-53” | 122-135 cm.

76% of years) f expand sic perfo

Minimum Minimum clear clear width width of of a ramp a ramp landing. landing. Slope: Slope: 1/12 1/12

cre-

d plan to ontextual

Supine | 63.5Position cm and seated users range in height from

32%

in- direction and plan to the mographic and contextual

o to ual l

Wheelchairs have a standard overall width of 25”

Sitting Position

76%

years) years) feltfelt their their friendship friendship group group had had expanded expanded through through attending attending live live mumu-

The ann Melbou that for bourne

D E S I G N E X P L O R AT I O N

SINCE I AM NOT SATISFY WITH WHAT I HAVE DONE BEFORE, I DO THE RESEARCH AGAIN AND AGAIN IN ORDER TO GAIN MORE INSPIRATION AND AS A GUIDE FOR ME TO DESIGN MORE REASONABLE.

AS FORM FORM AND LAYOUT RESEARCH, I START LINEAR FORM FORM FROM MY NEW DESIGN. I USE GRID TO DIVIDE THE SITE INTO 1 X 1 METER SMALL SQUARE AS I RULER GUIDE TO DESIGN THINGS UNDER MORE CONSIDERATIONS.

1 X 1 METER SMALL BLOCK

0.5 X 0.5 METER SMALL BLOCK

DESIGN DRAFT

T R A N S L AT E 2 D D R AW I N G S I N T O 3 D M O D E L

DESIGN CONSIDERS EVERITHING FROM RESEARCH STAGES, KEEP UPDATING THE DESIGN..

A S S I G N M E N T 1 D E S I G N P R O P O S A L

PLAN

@A2 storm drain storm drain DOWN

DOWN

WATERWATER FLOW FLOW

DOWN

WATER FLOW

PERSPECTIVE

RAMP RAMP 34

DOWN

DOWN DOWN

DOWN

storm drain

PERSPECTIVE

WDUD: RAIN GARDEN

https://www.melbournewater.com.au/planning-and-building/stormwater-management/options-treating-stormwater/raingardens

DOWN

DOWN DOWN

DOWN

RAMP

https://www.melbournewater.com.au/planning-and-building/stormwater-management/options-treating-stormwater/raingardens

ASSIGNMENT 2

A S S I G N M E N T 2 S I T E A N A L Y S I S

S I T E L O C AT I O N

QUE

ERRY

STRE

N ST RE

IGAN

NSTO

40m

0 TH

2 Y ERR

STR

EET

VICT

8O R I A S T10m REET

CARD

SWA

20m

BOU

LEIC

VERI

ESTE

E ST REET

R ST RE

10m

ENSB

100m

150

200m

300

400m

SCALE 1:2500 @ A5E T

SCALE 1:200 @ A3

N FRA

1000m

KLI

TR N S

100

SCALE 1:5000 @ A5

1000km

200

SCALE 1:10000 @ A5

Victoria St. Swan ston S t. Qu een b er r y S t. - Noisy - Has bike lane - No tram - Less car traffic - Has bike lane @ A3 - No tram - No bike lane - Large tram traffic - Relatively quiet - Relatively High pedestrian - Has some car parks 2000km 0 low pre500 - 1000 1500 2000m destrian volume volume - Less car traffic - Large car traffic - Noisy - Low pedestrian volume to @ A3 - Views back SCALE 1: 50 000 @ A3 - Temperature hot spot Central City - Very low canopy area

4000km

0 @ A3 1000km

100

B o u ver i e St . (Residential) -> Used to be a creek line - No tram - Has bike lane - Many bke parks and car parks - Low predestrian volume - Relatively quiet

SITE CONTEXT 12NN 3PM

QUEEN

SBERRY

L EG E ND Car Park STREET

Transport Link

9AM

Bicycle Lane Tram

Water Flow

NOTES

- T he site was in the m iddle of the path network.

IE STRE ET

- Exposed - Not m uch plants

SWANS

BOUVER

TON ST REET

- Get north sun - W indy spot - Sunny spot - Early period: wetland

HERITAGE OVERLAY

& T he Maltstore Her-

itage

Building

Form er Carlton & United Brewer y,

21 20

The main delivery and storage area for the huge amounts of malted barley used to make the beer.

VICTOR

IA STRE ET

T he Pixel Building T he Queensberr y Hote l

B l ue ston e bui l di n g re ma i ns H e r i ta ge B rewe r y on Swa nsto n St .

Gal l e r y RM I T D e s i g n H ub

Melbourne Planning Scheme. Retrieved from https://www.planning.vic.gov.au/

T H E E L I Z A B E T H S T R E E T C AT C H M E N T M A P William creek, where currently known as Elizabeth Street, was originally a stream that flowed into the Yarra River. It was piped underground when the street was built. The area has always been a flood prone area, since it remains a natural low point and drainage line and is subject to inundation.

The Catchment includes both the Elizabeth Street drainage network and the Swanston Street drainage network. This is because when the Swanston Street drain is over capacity and water is flowing along the roads, water from Swanston Street runs downhill to Elizabeth Street.

According to Melbourne Water, the Elizabeth Street Catchment is being at Extreme Flood Risk â&#x20AC;&#x201C; the highest level. Based on the diagram, it shows the site needs to storage 0.5-1ML amount of water.

Elizabeth Street Catchment Integrated Water Cycle Management Plan 2015. Retrieved from http://urbanwater.melbourne.vic.gov.au

C A L C U L AT I O N : A P P R OX I M AT E A R E A F O R WAT E R S T O R A G E BASED ON THE RESEARCH - T he site needs to stora ge 0.5-1M L a mount of wate r. - De pt h for the fishing a re a i s a pprox i a mte l y i n 2 mete rs . T H I N G S T O K N O W B E F O R E C A L C U L AT I O N - 1 m3 = 1000 L of water - Vo lume = L x W x H - A ssume mean depth = 1.5m I N O R D E R T O S T O R A G E 0. 5 M L O F WAT E R 0 .5 M L = 500 000L = 500 m 3 V = L x W x H = 500 m 3 V = L x W x 2 = 500 m 3 L x W = 250 m 2 = Are a T he site should has a n a re a of at l e a st 250 m 2 for th e wate r sto ra ge I N O R D E R T O S T O R A G E 1. 0 M L O F WAT E R 1 .0 M L = 1 000 000L = 1 000 m 3 V = L x W x H = 1 000 m 3 V = L x W x 2 = 1 000 m 3 L x W = 500 m 2 = Are a T he site should not exce e d a n a re a of 500 m 2 for th e wate r sto ra ge R E S U LT 5 0 m L 71m 5 0 m W 71m 2 5 0 m Area 500m Based on the El i za beth street catc h m ent, th e s i te i s ex pec ted to sto ra ge 0 .5 M L - 1 .0 M L of wate r, therefo re i t sh ou l d h ave 250 - 500 m 2 of 2m m ea n d e pt h

C A L C U L AT I O N : R A I N FA L L D ATA R A I N FA L L D ATA Rainfall Mean Januar y - 46. 8mm Fe b uar y - 48. 0mm M arc h - 50. 1mm A pr il - 57. 3mm M ay - 5 5. 7mm June - 49. 5mm July - 4 7. 5mm A ugust - 50. 0mm Se pte m ber - 58. 0mm Oc tober - 66. 0mm Nove mber - 60. 3mm De c e mber - 59. 1mm T H I N G S T O K N O W B E F O R E C A L C U L AT I O N 1 mm o f rainfall = 1L/m 2 Lin co ln S quare has insta l l e d a n unde rground ta n k , whi c h w i l l co l l e c t sto r mwate r f ro m sur ro u nding areas of Pa r k vi l l e a nd C a r l ton vi a the B ouve r i e St re et dra i n nex t to L i nco l n Square , one of three her i ta ge squa re s that we re set out i n t he 1 8 5 0 ’s “ T he water tank is large r tha n a n O l y m pi c swi m mi ng po o l a nd w i l l s ave t ho us a nds o f lit re s o f drinking - qualit y wate r a ye a r. We wi l l ha r ve st t hi s wate r to ke e p C ar l to n’s he ritage s quares lush and gre e n dur i n g M e l bour ne ’s l ong ho t s um m e rs ,” t he L o rd M ayo r said. WAT E R S O U R C E F R O M L I N C O L N S Q U A R E ’ S U N D E R G R O U N D WAT E R TA N K 1 M L <--- S ite required wate r a m ount to stora ge Catc h t he water runoff f rom ra i n wate r =

https://www.melbourne.vic.gov.au/news-and-media/Pages/3-million-underground-water-tank-to-reduce-city-flooding.aspx

SITE HISTORY BEER BREWING HISTORY 1852-1864 : A rough and ready frontier town with basic housing and a hard drinking culture. C A R LT O N B R E W E R Y 1864 - 1880: Brewing a better beer 1866/67 : Carlton Brewery was known for the best beer in the colony, with Carlton Ale winning a prize at the intercolonial Exhibition. RIDING THE BOOM 1868 : the old ramshackle wooden buildings along Bouverie Street were demolished and replaced with the two-storey bluestone building used for offices, stores and beer cellar, known as the ‘counting house’. 1870-1873 : Carlton Brewery underwent a building boom.Large storage cellars along Victoria Parade, stables for the fleet of horse-drawn wagons that delivered barrels of beer around the city, and an impressive three-storey brick brew tower to house new brewing equipment. RISING TO THE TOP 1880-1907 : Carlton Crewery ultimately becoming a major landmark in inner city Melbourne, defined by its prominent brew tower. Large cellars and stores were built at the corner of Ballarat and Bouverie Streets, and the offices extended along Bouverie Street. By the early 1900s : Carlton Brewery had extended over most of the city block. A B R AV E N E W W O R L D 1907-1987 : Carlton & United Breweries Workers’ Welfare Befor WW1, a brewery picnic was held each year in Sorrento, usually on the last Saturday in March. The picnics featured music, games, races and the popular tug-of-war competitions - usually won by the Carlton Brewery team. Inter-brewery cricket and football competitions continued right through to the 1930s. CHANGING FORTUNES - the recovery from the 1890s crash was slow, with many breweries left in financial trouble. 1987 : after 120 years of beer making, Carlton Brewery was closed and all operations moved to Abbotsford.

Elizabeth Street Catchment Integrated Water Cycle Management Plan 2015. Retrieved from http://urbanwater.melbourne.vic.gov.au

Queensberry Hotel Address 593-597 Swanston Street, Carlton Date/period: 1890/Late Victorian Building type: Commercial Grading C3 Significance What is Significant? The substantially intact late Victorian building, particularly the façade to both street frontages featuring decorative stucco work and the original configuration of openings (windows and doors). How is it Significant? The Queensberry Hotel is of historic and aesthetic significance to the City of Melbourne Why is it Significant? The Queensberry Hotel is historically significant as the site was one of the earliest to be developed in this part of Carlton. The extant building, initially a hotel and shop (southern part of Swanston Street), was designed in 1890 by the eminent architects Tappin, Gilbert and Dennehy to replace an earlier iron building comprising 14 rooms. (AHC Criterion A4) The Queensberry Hotel is of aesthetic significance as a substantially intact, Italianate style hotel of the late Victorian period. Elements of note include the decorative stucco work and the original fenestration (pattern of openings) which in many other cases have been modified. (AHC Criterion E2) The Pixel Building - Australia’s First Carbon Neutral Building Building type: Commercial Offices Project Objective: To design and construct the world’s first carbon neutral and water balanced office building with regard to both operational and embodied carbon emissions. Results: Modelled Perfect 105 point Green Star score (Australian GBC)105 out of 110 point LEED score (USGBC), ten points more than the previous best rated building.

Melbourne Planning Scheme. Retrieved from https://www.planning.vic.gov.au/ The Pixel Building Case Study. Retrieved from https://www.sustainability.vic.gov.au

NOTES

D E S I G N AT T E M P # 1

INITIAL DESIGN START WITH LINEAR FORM AS THE SITE WAS IN CARLTON I DO CONTINUE THE KIND OF FORM THEY MOSTLY USED ON THEIR GARDEN FEEDBACK: TOO MANY PATHWAYS AND THE FORM WAS NOT STRONG ENOUGH FOR THAT REASON

D E S I G N AT T E M P #2 A

D E S I G N AT T E M P #2 B

D E S I G N AT T E M P #2

D E S I G N AT T E M P #2 F E E D B A C K

I START FIRSH ON DESIGNING THE WATER DIRECTION, AND LET THE WATER LEAD THE FORM OF THE ENTIRE SITE, INSTEAD OF WHAT I DID IN ATTEMP#1 WHICH KIND OF LIMIT THE WAY ON THIS HUGE SITE. I ALSO MINIMISED THE PEDESTRIAN PATHWAYS TO BE MORE EFFICIENT IN DESIGNING. AND THIS PROPOSAL IS - TO CLEANSE THE POLLUTED WATER - TO PREVENT FLOODS - AFTER THE TWO PROBLEMS HAVE SOLVE, THATS THE TIME ALLOWS THE RECRETIONAL ACTIVITIES TO HAPEN ON THIS SITE

HOWEVER, I AM STILL NOT CONFIDENT ON MY DESIGN, I STILL FEEL THAT I MISSED SOMETHING THAT IS IMPORTANT WHEN I AM DESIGNING WETLAND. I QUICKLY DO A CHECKLIST THAT IF I AM DOING CORRECTLY . THEN.... I FOUND THERE WAS WETLAND NEEDS ABOUT 4 MICROPHYTE ZONES IN ORDER TO PROVIDE A NOTIONAL DETENTIOIN TIME ( USUALLY 48 TO 72 HOURS) FOR WIDE RANGE OF FLOW DEPTHS... :) THEN I START AGAIN BUT MAINTAIN SOME GOOD POINTS FROM ATTEMP#2.

https://www.brisbane.qld.gov.au/sites/default/files/wsud_chapt6.1_to_6.3.2_constructed_wetlands.pdf

D E S I G N AT T E M P # 3

too ugly :)

D E S I G N AT T E M P # 4

Increase the mycrophyte zones and have smaller water areas, because of the calculation that shows it is too much from previous design attemps.

D E S I G N AT T E M P # 4

DESIGN PROPOSAL NOTES

BIODIVERSITY

ON PLANT SELECTION, I HAVE ONLY CONSIDER NATIVE PLANTS.

SH A L L OW MA RS H SHALLOW MARSH

Villarsia reniformis (Running Marsh Flower)

DEEP MA RS H

Ranunculus inundatus (River Butter cup)

Myriophyllum crispatum (Water Milfoil)

Baumea articulata (Jointed Twig-rush)

Villarsia reniformis (Running Marsh Flower)

Ranunculus inundatus (River Butter cup)

Myriophyllum crispatum (Water Milfoil)

Baumea articulata (Jointed Twig-rush)

Ottelia supsp. ovalifolia

Eleocharis sphacelata(Tall Spike-rush)

Alisma plantago-aquatica (Water Plantain) Alisma plantago-aquatica (Water Plantain)

Thyridia repens (Creeping Monkey-flower) Thyridia repens (Creeping Monkey-flower)

DEEP MA R SH DEEP MARSH

Schoenoplectus Triglochin procera tabernaemontani (Water Ribbons) A(River QU A TICRush) P L A NTS Club

A QU A TIC P L A NTS A U Q AT I C P L A N T S

Persicaria decipiens (Slender Knotweed) Persicaria decipiens (Slender Knotweed)

Limosella australis (Australian Mudwort) Limosella australis (Australian Mudwort)

EP H EME RA L M AR S H EPHEMERAL MARSH EP H EME RA L MAR S H

Lythrum hyssopifolia (Small Loosestrife) Lythrum hyssopifolia (Small Loosestrife)

Eryngium vesiculosum (Prickfoot) Eryngium vesiculosum (Prickfoot)

Marsilea mutica (Smooth Nardoo # k) Marsilea mutica (Smooth Nardoo # k)

Carex bichenoviana (Sedge) Carex bichenoviana (Sedge)

Epheme

MARSH MARSH MARSH

Bolboschoenus caldwellii (Sea club-rush) Bolboschoenus

caldwellii (Sea TREES club-rush)

Schoenoplectus mucronatus (Star Club-rush) Schoenoplectus

Lepironia articulata (Grey Rush) Lepironia articulata (Grey Rush)

mucronatus (Star Club-rush)

Triglochin procera (Water-ribbon) Triglochin procera (Water-ribbon)

BA TTE RS B AT T E R S

BA TTE RS

Corymbia ‘Summer Red’ Carex breviculmis (Short-stem sedge) Carex breviculmis (Short-stem sedge)

SH RU B

Maclura pomifera (Osage Orange) Cyperus Polystachyos (Bunchy Sedge) Cyperus

Acacia melanoxylon Gahnia siberiana (Red-fruited Sword sedge) Gahnia siberiana

Commersonia bartramia (Brown Currajong) Dianella longifolia var. longifolia (Pale Flaxlongifolia Lily) Dianella

Polystachyos (Bunchy Sedge)

(Red-fruited Sword sedge)

var. longifolia (Pale Flax Lily)

Acacia boormanii (Snowy River Wattle)

Astartea ‘Winter Pink’

Banksia praemorsa (Cut-leaf Banksia)

SHRUBS

Brachyloma daphnoides (Daphne Heath)

TREES TRESS

Corymbia ‘Summer Red’

Maclura pomifera (Osage Orange)

N A TI V E SP E CIE S

Acacia melanoxylon

Commersonia bartramia (Brown Currajong)

Silver perch (Bidyanus bidyanus) Silver perch (Bidyanus bidyanus)

Australian bass (Macquaria noveAustralian bass maculeata) (Macquaria novemaculeata) Banksia praemorsa (Cut-leaf Banksia)

N A TI V E SP E CIE S N AT I V E S P E C I E S

SH RU B

Sooty Grunter (Hephaestus fuligiSooty Grunter nosus) (Hephaestus fuliginosus) Brachyloma daphnoides (Daphne IN TRHeath) ODU CED

Golden Perch (Macquaria ambiGolden Perch gua) (Macquaria ambigua) Acacia boormanii (Snowy River WatS PE CI ES tle)

IN TR ODU CED S PE CI E S

I NCR E A SE BIO DIVERSIT Y INCREASE BIODIVERSITY I NCR E A SE BIO DIVERSIT Y

INTRODUCED SPECIES

Rainbow Trout (Oncorhynchus Rainbow mykissTrout ) (Oncorhynchus mykiss )

Astartea ‘Winter Pink’

Brown Trout (Salmo trutta) Brown Trout (Salmo trutta)

Black swan

Birds

Black swan

Birds

Sec. B

Y STRE E

Sedimentation Basin Inlet zone

SBERR

Macrophyte zone

QUEEN

28 27

Water storage area

RIE ST REE

1 24

BOUVE

10m

SCALE 1:250 @ A3

SWANS

20m

250

500

WATE

SCALE 1:500 @

40m

SCALE 1:1000 @ A3 0

SCALE 1:250 @

SCALE 1:500 @ A3

Out flow

TON S TREET

SCALE 1:1000 @

750

1000m

SCALE 1: 25 000 @ A3 0

250

500

750

1000km

SCALE 1: 25 000 000 @ A3

Sec

500 1000 1500 2000km

500 1000

3 SCALE 1: 50 000 000 @ A3 0

SCALE 1: 50 00

1000 2000 3000 4000km

SCALE 1: 100 000 000 @ A3 0

250

500

750

1000km

SCALE 1: 25 000 000 @ A3

6 7

LEGEND

VICTO 5

10m

SCALE 1:250 @ A3 5

500

40m

SCALE 1:1000 @ A1

750

20m

SCALE 1:500 @ A1

1000m

SCALE 1: 25 000 @ A3 250

10m

M AST ER PLAN

20m

SCALE 1:1000 @ A3 250

SCALE 1:250 @ A1

SCALE 1:500 @ A3 10

RIA ST REE

1000km

40m

Wetland explore

Picnic spot

Viewing platform

Water front

Fishing pier

Boardwalk

Picnic Spot

DETA

WAT E R F L O W D I A G R A M

Sedimentation Basin Inlet zone

Alternative water source from Lincoln Square underground water tank

Cleanse Polluted waters

Macrophyte zone

0 @ A3

Prevent Flood

Future: allow more recreational activities to happen

00 @ A3

10m Outlet to Bouverie creek

SCALE 1:250 @ A1 20m

40m

0 @ A3

Catch the water run-off

Water storage area 10m

Out flow

Catch the water run-off

20m

W AT E R FLOW DIAGRAM SCALE 1:500 @ A1 10

SCALE 1:1000 @ A1

40m

SCALE 1:250 @ A3

10m

D E TA I L A R E A

he ff

uted

more tivities n

LEGEND

10m

20m

50 @ A3 15

5 Boardwalk Boardwalk

Ramp 1

Picnic spot 6 area 6 Picnic spot Water front sitting front area sitting 2 Water

Fishing pier 3 Fishing pier

8 Wetland: 8 future Wetland: recrefuture recreViewing4platform Viewing platform ational fishing spot fishing spot ational

D E TAI L A REA

Ramp

(5 0 x 5 0 m )

10m

SCALE 1:250 @ A1 5

7 pathway Pedestrian Pedestrian pathway

82 20m

Water storage area 5

20m

250

500

10m Outlet to Bouverie creek

20m

WA T ER F L O W D I A G RA M SCALE 1:500 @ A1

40m

SCALE 1:1000 @ A3 0

SCALE 1:250 @ A1

SCALE 1:500 @ A3

SWANS

10m

SCALE 1:250 @ A3

Out flow

TON S TREE

LEGEND

750

1000km

SCALE 1: 25 000 000 @ A3 0

500 1000 1500 2000km

SCALE 1: 50 000 000 @ A3 0

20m

500 1000 1500

2000m

250

500

40m

250

500

750

SCALE 1: 25 000 000 @ A3

TREES

(50x50m)

10m

20m

40m

1000m

1000km

SCALE 1: 25 000 000 @ A3

8 Wetland: 8 future Wetland: recrefuture recreViewing4platform Viewing platform ational fishing ational spot fishing spot

1000km

SCALE 1: 100 000 000 @ A3 750

Fishing pier 3 Fishing pier

SCALE 1:1000 @ A1

500

7 pathway Pedestrian Pedestrian pathway

SCALE 1: 25 000 @ A3

SCALE 1: 50 000 @ A3

1000 2000 3000 4000km

250

SCALE 1:500 @ A1

SCALE 1:1000 @ A3 0

Picnic spot 6 area 6 Picnic spot Water front sitting front area sitting 2 Water

SCALE 1:250 @ A1

SCALE 1:500 @ A3

500

SCALE 1:250 @ A3

1000m

SCALE 1: 25 000 @ A3 250

10m

5 Boardwalk Boardwalk

Ramp 1

D E TA I L M O T A DEM TAEI LNARE

40m

SCALE 1:1000 @ A1

750

Ramp

1 2

TREES

500 1000 1500 2000km

SCALE 1: 50 000 000 @ A3 0

1000 2000 3000 4000km

500 1000 1500

2000m

SCALE 1: 50 000 @ A3

N A T I V E SP ECI ES NAT I V E SP ECI ES

SCALE 1: 100 000 000 @ A3 0

250

500

750

1000km

SCALE 1: 25 000 000 @ A3

oplectus Triglochin Schoenoplectus procera nia articulata atus (Star (Water-ribbon) mucronatus (Star Grey Rush) rush) Club-rush)

nd explore

Triglochin procera‘Summer Corymbia (Water-ribbon) Red’

SHRUB

spot

melanoxAcacia melanoxMaclura Corymbia pomifera ‘SummerAcacia Maclura pomifera Commersonia ylon Orange) bartramia (Brown ylon (Osage Orange) Red’ (Osage Currajong)

SHRUB

Commersonia Sooty Grunter bartramia (Brown fuligi(Hephaestus Currajong) nosus)

Australian bass(BidyGolden Perch Golden (BidyPerch Silver perch Sooty Grunter Silver perch nove(Macquaria ambi-fuligi- anus (Macquaria bidyanus)ambi-(Macquaria anus bidyanus) (Hephaestus maculeata) gua) nosus) gua)

Australian bass (Macquaria novemaculeata)

I N T R O DU CED SP ECI I NT RO ES D U CED I NCREASE SP ECI ES BI O D IIVNCREASE ERSI T Y BI O D I V ERSI T Y

g platform

front pier

walk

D E T A I L M O M EN T

Spot Dianella longifolia Cyperus iberiana Gahnia siberiana (Pale ed lystachyos Sword var. longifolia (Red-fruited Sword Flax Lily) nchy ge) Sedge) sedge)

Dianella longifolia daphBrachyloma var. longifolia (Pale noides (Daphne Flax Lily)Heath)

Acacia Brachyloma boormanii daph- Astartea Acacia ‘Winter boormanii Banksia Astartea praemorsa ‘Winter (Snowy River(Daphne Wat(Snowy Pink’ River Wat-(Cut-leaf Banksia) Pink’ noides tle)Heath) tle)

Water front (M Wual t ief ru n f rcotni ot n( a Ml u ) ltifunctional)

Banksia praemorsa Rainbow Trout (Cut-leaf(Oncorhynchus Banksia) mykiss )

Brown Rainbow Trout (Salmo Trout trutta) (Oncorhynchus mykiss )

Black Brownswan Trout (Salmo Birds Black swan trutta) Yizhen Cai 921679

Fishing Pier

Birds

Schoenoplectus tabernaemontani (River Club Rush)

Boverie Street entrande

Water front

Fishing pier

Triglochin procera (Water Ribbons)

Ephemeral marsh & Deep pool Aquatic plants

Boverie Street entrande

Eleocharis sphacelata(Tall Spike-rush)

Ottelia supsp. ovalifolia

Water front

Gallery

Picnic

Fishing pier

Lythrum hysso folia (Small Loo strife)

Ephemeral marsh & Deep pool Aquatic plants

Picnic

P E R S P E C T I VE SECT I ON A PERSPECT I VE SECTIO N A

Queensberry Street

Butters >>> Shallow marsh

Inlet

T r e e s

Butters >>> Shallow marsh

Sedimentation Basin

Queensberry Street

Pedestrian Pathway Butters >>> Shallow marsh

Inlet

Macrophyte zone T r e e s

Butters >>> Shallow marsh

Sedimentation Basin

Wetland Explore & Picnic lawn

Pedestrian Pathway

P E R S P E C T I VE SECT I ON B 84 PERSPECT I VE SECTIO N B

Macroph

opiose-

Eryngium vesiculosum (Prickfoot)

RMIT design hub

Gallery

Marsilea mutica (Smooth Nardoo # k)

Carex bichenoviana (Sedge)

Carex breviculmis (Short-stem sedge)

Cyperus Polystachyos (Bunchy Sedge)

Gahnia siberiana (Red-fruited Sword sedge)

Dianella longifolia var. longifolia (Pale Flax Lily)

Brachylo noides He

Swanston Street entrande

RMIT design hub

Swanston Street entrande

Water front (Multifunctional)

Water front (Mult

Butters >>> Shallow marsh yte zone

V i Deep Pool Picnic Broadwalk e & Deep Marsh behind w i n V g Ephemeral Butters i Picnic Wetland Explore marsh & >>> e f on r m behind & P i c n i cP l laatw Aquatic Shallow w plants marsh i n g

Ephemeral marsh & Aquatic plants

Platform

Butters >>> Shallow marsh

Broadwalk

Trees

Deep Pool & Deep Marsh

Butters >>> Shallow marsh

PER S

Fishing Pier

PERSPECT I VE - W E TLAND EXPLORE Yizhen Cai 921679

Thanks to Anna and Collin!!!!!!!!