MK19131 - MUSIC & MÚSICA VOL.6 STUDENT ACTIVITY BOOK + DVD

Natalia Velilla

NUEVA CARISCH ESPAÑA

CARISCH-MUSICOM PARIS, FRANCE

WWW.CARISCH.COM CARISCH-MUSICOM

PARIS, FRANCE

WWW.CARISCH.COM

CARISCH-MUSICOM PARIS, FRANCE

MADRID, ESPAÑA

WWW.CARISCH.COM CARISCH-MUSICOM

MADRID, ESPAÑA

WWW.CARISCH.COM

WWW .CARISCH.COM NUEVA CARISCH ESPAÑA WWW.CARISCH.COM

NUEVA CARISCH ESPAÑA MADRID, ESPAÑA

WWW .CARISCH.COM NUEVA CARISCH ESPAÑA

US

IC A

LS TOR IES

U STUD ENT ACTIVITY BOOK

MADRID, ESPAÑA

WWW.CARISCH.COM

6th year

WWW .CARISCH.COM NUEVA CARISCH ESPAÑA

G

MUSIC & MÚSICA

MADRID, ESPAÑA

M

MUSIC & MÚSICA 6th year Natalia Velilla

BACK COVER BACK COVER

NUEVA CARISCH ESPAÑA

PRIMARY EDUCATION

ND SA SONG

N

S

K

PARIS, FRANCE

CARISCH-MUSICOM PARIS, FRANCE

WWW.CARISCH.COM CARISCH-MUSICOM

PARIS, FRANCE

MADRID, ESPAÑA

WWW.CARISCH.COM

WWW.CARISCH.COM

ISBN 978-84-387-1264-1 NUEVA CARISCH ESPAÑA

CARISCH-MUSICOM PARIS, FRANCE

MADRID, ESPAÑA

WWW.CARISCH.COM CARISCH-MUSICOM

MADRID, ESPAÑA

WWW.CARISCH.COM

WWW .CARISCH.COM NUEVA CARISCH ESPAÑA WWW.CARISCH.COM

PARIS, FRANCE

9 788438 712641

Name:

MK 19131

Portada Alumno 6_ing.indd 1

ISBN 978-88-507xx-xx-x

ISBN 978-88-507xx-xx-x

ISBN 978-88-507xx-xx-x

08/04/14 13:13

S

K PRIMARY EDUCATION

MUSIC & MÚSICA

TR

A

U

M

U

ES

G

STUD ENT ACTIVITY BOOK

6th year Natalia Velilla

Alumno 6 ingles.indd 1

28/04/14 08:51

Illustrations: María Angulo

Patitocorrections: Feo ® y todos los Acres derechos relacionados son propiedad de Ideas del Sur S.A., Rep. Argentina © Derechos reservados 2010 Translations and Jenny Children’s voices: Teresa Velilla and Patricia Velilla

Patito Feo ® y todos los derechos relacionados son propiedad de Ideas del Sur S.A., Rep. Argentina © Derechos reservados 2010

Musical arrangements: Ramy Rodríguez, Rafael Martínez and Iker Cuadra www.elmundodepatito.es Adult voices (text and songs): Madeline Alford, Maxine Bennett and Natalia Velilla Musical direction: Natalia Velilla

www.elmundodepatito.es

A

Recording studio: KMC

ES

TR

Graphic design: cloudbridge.es

U

ISBN: 978-84-387-1264-1

ISBN (Obra completa): 978-84-387-1068-5

Gracias a todas las Editoriales Musicales que nos han

ISMN: 979-0-69202-453-8 concedido el permiso para la realización de esta publicación.

ISMN (Obra completa): 979-0-69202-351-7 Gracias a todas las Editoriales Musicales que nos han

Transcripciones y adaptaciones realizadas por David Leiva. concedido el permiso para la realización de esta publicación.

M

Depósito Legal: M-11307-2014

Transcripciones y adaptaciones realizadas por David Leiva.

the best on-line resource for music

www.carisch.com

your music the click best on-line resourceeverywhere! for music

Este album © 2010 de www.carisch.com NUEVA CARISCH ESPAÑA Vicente, 24 / 2ºD - 28008 Madrid, España clickCuesta yourSan music everywhere!

distribuido por MUSIC DISTRIBUCIÓN : Este album © 2014 de No estáCARISCH permitida la reproducción NUEVA ESPAÑAtotal o parcial de este libro, ni su tratamiento informático, ni la24 transmisión de ninguna formaEspaña o por cualquier medio, ya Cuesta San Vicente, / 2ºD - 28008 Madrid,

sea electrónico, mecánico, por fotocopia, por registro y otros métodos, sin el No está permitida la yreproducción total parcial de libro, ni All su tratamienpermiso previo por escrito de losotitulares deleste Copyright. rights reserved. to informático, ni la transmisión de ninguna forma o por cualquier medio, ya sea electrónico, mecánico, por fotocopia, por registro y otros métodos, sin el permiso previo y por escrito de los titulares del Copyright. All rights reserved.

2 2 Alumno 6 ingles.indd 2

28/04/14 08:51

A

INDEX

TR

1. The Early Middle Ages: Religious Music ................... 7

2. The Early Middle Ages: Secular Music .................... 21

ES

3. The Late Middle Ages ....................................................... 33 4. The Renaissance .................................................................. 47

U

5. The Baroque Period ........................................................... 59

M

6. Classicism .................................................................................. 73 7. The 19th Century ............................................................... 85 8. The 20th and 21st Centuries ................................... 97

Alumno 6 ingles.indd 3

28/04/14 08:51

A TR ES U

M IMPORTANT The musical excerpts that cited are in accordance with Article 32 of the Law of Intellectual Property 1/1996.

Alumno 6 ingles.indd 4

28/04/14 08:51

Alumno 6 ingles.indd 5

28/04/14 08:51

The year 0

ANTIQUITY

ANTIQUITY

5th century

THE LATE MIDDLE AGES

11th century The year 1000

THE EARLY MIDDLE AGES

The year 476, the fall of the Western Roman Empire

THE MIDDLE AGES

15th century

16th century

RENAISSANCE

The year 1453, the fall of the Eastern Roman Empire

17th century

1st half

BAROQUE

CLASSICISM

2nd half

19th century

20th century

21th century

NEW PATHS IN MUSIC

THE CONTEMPORARY PERIOD

ROMANTICISM NATIONALISM IMPRESSIONISM

The year 1789, French Revolution

A 18th century

TR

THE MODERN PERIOD

ES

U

TIME LINE OF THE HISTORY OF WESTERN MUSIC

M

A TR ES U

M Alumno 6 ingles.indd 6

28/04/14 08:51

M

U

ES

TR

A

N

UNIT 1

THE EARLY MIDDLE AGES: RELIGIOUS MUSIC

Alumno 6 ingles.indd 7

28/04/14 08:51

I

STORY

1

THE WANDERING MOZARAB: SAINT MICHAEL OF ESCALADA

A

Write all the words that you do not understand from the story: SECOND PART

TR

FIRST PART

ES

8

M

U

THE EARLY MIDDLE AGES: RELIGIOUS MUSIC

UNIT 1: THE EARLY MIDDLE AGES: RELIGIOUS MUSIC

Alumno 6 ingles.indd 8

28/04/14 08:51

TR

A

I

M

U

ES

9

UNIT 1: THE EARLY MIDDLE AGES: RELIGIOUS MUSIC

Alumno 6 ingles.indd 9

28/04/14 08:52

TR

A

I

M

U

ES

10

UNIT 1: THE EARLY MIDDLE AGES: RELIGIOUS MUSIC

Alumno 6 ingles.indd 10

28/04/14 08:52

TR

A

I

M

U

ES

11

UNIT 1: THE EARLY MIDDLE AGES: RELIGIOUS MUSIC

Alumno 6 ingles.indd 11

28/04/14 08:52

TR

A

I

M

U

ES

12

UNIT 1: THE EARLY MIDDLE AGES: RELIGIOUS MUSIC

Alumno 6 ingles.indd 12

28/04/14 08:52

TR

A

I

ES

13

M

U

WHY IT IS CALLED GREGORIAN CHANT?

UNIT 1: THE EARLY MIDDLE AGES: RELIGIOUS MUSIC

Alumno 6 ingles.indd 13

28/04/14 08:52

TR

A

I

ES

14

M

U

WHAT WAS INVENTED AND WHO INVENTED IT?

UNIT 1: THE EARLY MIDDLE AGES: RELIGIOUS MUSIC

Alumno 6 ingles.indd 14

28/04/14 08:52

I

TR

A

WOULD YOU LIKE TO SEE THE HYMN?

ES

15

M

U

WHERE WERE THE SOUNDS PLACED?

UNIT 1: THE EARLY MIDDLE AGES: RELIGIOUS MUSIC

Alumno 6 ingles.indd 15

28/04/14 08:52

I

1.Copy the Hymn to Saint John the Baptist onto the stave and then sing it. Mark the syllables and the notes of the music scale that correspond to those syllables with one colour.

Notice there is no time signature or bar lines.

1a

C

D

F

D

E

ES

16

TR

A

While singing it, you will notice that sometimes one note corresponds to one syllable of the lyrics, but other times you will notice that one syllable will be prolonged over several notes. This is what we call SYLLABIC SINGING and MELISMATIC SINGING. It is called syllabic singing when each syllable has one note.

It is called melismatic singing when each syllable has many notes.

UT

D

C

M

U

D

QUE - ANT

F

MI

G

D

-

E

RA

D

LA -XIS

RE - SO - NA - RE

E

GREGORIAN CHANT ANONYMOUS

E

E

FI -BRIS

D

E

GES - TO

C

D

- RUM

UNIT 1: THE EARLY MIDDLE AGES: RELIGIOUS MUSIC

Alumno 6 ingles.indd 16

28/04/14 08:52

I 1b A

G

FA - MU - LI

A

D

G

TU -

F

O

SOL

-

G

A

U

A

M

LA - BI

G

F

-

E

D

-RUM

E

F

ES

G

F

A

G

TR

F

VE

F

I

RE

D

-

G

E

17

PO - LLU - TI

A

- A

C

D

G

A

-

TUM

D

SAN - CTE - I - O - AN - NES. UNIT 1: THE EARLY MIDDLE AGES: RELIGIOUS MUSIC

Alumno 6 ingles.indd 17

28/04/14 08:52

THE GREGORIAN CHANT

ES

M

U

18

TR

A

* Chant for a solo voice (everyone sings the same melody): MONOPHONY. * Religious chant in Latin from the Roman Christian Church. * It can be melismatic: one syllable is sung with several different musical notes. * It can be syllabic: each syllable is sung with a single musical note. * It does not have an instrumental accompaniment. * It is normally sung by men. * All the men can sing at the same time, in a choir, or a soloist can respond to the choir. * The author is anonymous, though it has been said that Pope Saint Gregory was the one who composed those songs. This is where the name GREGORIAN CHANT came from. * It is also called PLAINCHANT.

UNIT 1: THE EARLY MIDDLE AGES: RELIGIOUS MUSIC

Alumno 6 ingles.indd 18

28/04/14 08:52

I THE EARLY MIDDLE AGES: RELIGIOUS MUSIC

2a

A

1. Pair each word with its definition. Beside each word write the number of the matching definition.

A. VESPERS

D. MOZARAB

C. THE OFFICES

F. MONASTERY

E. PARCHMENT

TR

B. SCRIPTORIUM G. ABBOT

1. Building in which a religious community lives.

2. Superior of a community of monks 3. Christians who live on Spanish land under Arab rule.

4. Afternoon prayer in religious communities.

5. Pages of a book made from sheep skin 6. Hours during the day that are designated for prayer in religious communities.

7.Place where monks copy books

ES

19

U

2. What is a four-line stave?

M

3. What is the name of the Christian religious chant of the Early Middle Ages?

4. Where does the name for musical notes come from?

5. Who came up with the names of musical sounds?

UNIT 1: THE EARLY MIDDLE AGES: RELIGIOUS MUSIC

Alumno 6 ingles.indd 19

28/04/14 08:52

I 2b

A

6. Answer if it is true or false. At the end of each sentence, write a "T" if it is True or an "F" if it is False.

TR

- Gregorian Chant has no author.

- Monophony is a song with many voices.

- Gregorian Chant has instrumental accompaniment.

- Neumes were the first signs that were used to write music in the Middle Ages.

- Guido of Arezzo took the name of the musical notes from a Christmas carol.

- Gregorian Chant was named in honour of Pope Saint Gregory.

- Medieval monks sang the offices in their own language.

- Music of the Middle Ages was first transmitted orally and later it was written.

- Plainchant is not related to Gregorian Chant.

ES

20

U

7. While you listen to the listening VIDERUNT OMNES (They saw everything), you have to answer the following questions.

What is this kind of song called?

Is there an instrumental accompaniment?

How many different melodies are there?

What is this form called?

In which language are they singing?

Is the song melismatic or syllabic?

Is the music religious or non-religious?

Is it anonymous or is there an author?

Is it a choir, a soloist, or a choir and soloist?

If there is a choir, are the singers men, women or children?

M

-

UNIT 1: THE EARLY MIDDLE AGES: RELIGIOUS MUSIC

Alumno 6 ingles.indd 20

28/04/14 08:52

Natalia Velilla

NUEVA CARISCH ESPAÑA

CARISCH-MUSICOM PARIS, FRANCE

WWW.CARISCH.COM CARISCH-MUSICOM

PARIS, FRANCE

WWW.CARISCH.COM

CARISCH-MUSICOM PARIS, FRANCE

MADRID, ESPAÑA

WWW.CARISCH.COM CARISCH-MUSICOM

MADRID, ESPAÑA

WWW.CARISCH.COM

WWW .CARISCH.COM NUEVA CARISCH ESPAÑA WWW.CARISCH.COM

NUEVA CARISCH ESPAÑA MADRID, ESPAÑA

WWW .CARISCH.COM NUEVA CARISCH ESPAÑA

US

IC A

LS TOR IES

U STUD ENT ACTIVITY BOOK

MADRID, ESPAÑA

WWW.CARISCH.COM

6th year

WWW .CARISCH.COM NUEVA CARISCH ESPAÑA

G

MUSIC & MÚSICA

MADRID, ESPAÑA

M

MUSIC & MÚSICA 6th year Natalia Velilla

BACK COVER BACK COVER

NUEVA CARISCH ESPAÑA

PRIMARY EDUCATION

ND SA SONG

N

S

K

PARIS, FRANCE

CARISCH-MUSICOM PARIS, FRANCE

WWW.CARISCH.COM CARISCH-MUSICOM

PARIS, FRANCE

MADRID, ESPAÑA

WWW.CARISCH.COM

WWW.CARISCH.COM

ISBN 978-84-387-1264-1 NUEVA CARISCH ESPAÑA

CARISCH-MUSICOM PARIS, FRANCE

MADRID, ESPAÑA

WWW.CARISCH.COM CARISCH-MUSICOM

MADRID, ESPAÑA

WWW.CARISCH.COM

WWW .CARISCH.COM NUEVA CARISCH ESPAÑA WWW.CARISCH.COM

PARIS, FRANCE

9 788438 712641

Name:

MK 19131

Portada Alumno 6_ing.indd 1

ISBN 978-88-507xx-xx-x

ISBN 978-88-507xx-xx-x

ISBN 978-88-507xx-xx-x

08/04/14 13:13