H.C.Andersen House of Fairytales Hans Christian Andersen was born in a charming neighborhood in the historic
center of Odense, where his birth house is still preserved. Attached to it, and partly surrounding a public garden, a museum and a cultural center currently present the author’s life and work. The challenging assignment calls for a substantial enlargement of both garden and museum, but on the very same location they now occupy. Our answer is to cover the whole site with a large Fairytale Garden, and to put under it most of the new museum: the House of Fairytales.
The Fairytale Garden, with its forest, its pond, and its paper cut shaped flower
beds, is inspired by Andersen’s fantasy world, while the medicinal plants and trees to be used are drawn from the memory of the site, where an old apothecary garden once stood. Interplaying with the physical garden, a virtual layer, accessible through all smart mobile electronic devices, offers an additional gateway to Andersen’s imaginary world, and to the history and present of the site.
Paper cutting, one of Andersen’s favorite art forms, provides the strategy
through which the House of Fairytales and the Fairytale Garden are brought into a symbiotic relation: the ground is cut and molded, and, through the biggest cut, the garden lets us in. Here we find the entrance lobby, the café, and the shop, all broadly opening towards the garden. From the lobby, through a huge light shaft, we take a slide down into the Fairytales World. There, through an immersive, state-of-the-art and didactic experience, we discover the most famous fairytales. From them, we learn about their author’s life and work.
A big lift takes us up then, and we enter the Treasure World, where we can
get to know Andersen closer, visit his birth house and interactively discover the jewels of his literature and artworks.
Together, the House of Fairytales and the Fairytale Garden take us on a
wonderful journey into the fantastic and profound universe of Hans Christian Andersen’s imagination.
Spring - Having a drink at the south-facing Café terrace. Flora and fauna awaken and the ducks and swans swim on the pond. Autumn - The forest turns yellow and red. Through any mobile device, Andersen’s characters interact with the garden.
Winter - Enjoying the snow and sled-sliding downhill on the roof of The House of Fairytales. Summer - Lying on the grass and watching the H.C.Andersen Festival open air theater. The paper cut shaped flower beds are in bloom.
HANS CHRISTIAN ANDERSEN HOUSE OF FAIRYTALES
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The Green Connections and the Urban Weaving The North-South Urban Green Connector
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The future transformation of the Thomas B Thriges Gade road into a pedestrian and bicycle friendly tree-planted boulevard (‘From streetscape to cityscape’ masterplan) provides the possibility of creating a clear urban green connector between the Natura 2000 Odense river corridor and the Stavis Å river, and between the historic city center and the new developments of the Harbor District. This urban green corridor will link together the Eventyr Haven garden, the tree-planted Albani Torv and Fisketorvet squares, the green Fairytale Garden in front of the House of Fairytales, Kongens Have park, and the Åløkke Skov forest.
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The East-West Urban Connections
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Perpendicularly to this north-south urban green connector, will run the reestablished east-west urban connections that will weave together again the eastern and western parts of the city center, torn apart by the Thomas B Thriges Gade road in the 1960’s. These connections include, among others, the foundational Viking Kings Road (now Vestergade and Overgade streets), Vindegade street (which follows the line of the old city walls), Bangs Boder, Ramsherred and Skulkenborg streets, and the diagonal links through the Fairytale Garden in front of the House of Fairytales.
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Conurbation scale 1 Fairytale Garden and The House of Fairytales 2 Odense Fjord 3 Odense river 4 Stavis Å river 5 Eventyr Haven garden 6 Kongens Have park 7 Åløkke Skov forest 8 Old town 9 New developments of Inner Harbour
Inner city scale
City scale
The Urban Green Connector between the Odense and Stavis Å rivers
The Urban Green Cornnector linking the parks and the East-West urban connections
The Urban Green Connector between the inner city
10 Viking Kings Road 11 Odense Train Station
1 Fairytale Garden and The House of Fairytales 2 Odense river 3 Åløkke Skov forest 4 Eventyr Haven garden 5 Kongens Have park 6 Odense Train Station 7 Viking Kings Road (VestergadeOvergade) 8 Ostre Stationsvej-Hans Mules Gade-Ostergade
The North-South Urban Green Connector Ecological corridors, parks and gardens The East-West Urban Connections
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1 Fairytale Garden and The House of Fairytales 2 Odense river 3 Eventyr Haven garden 4 Kongens Have park 5 Odense Train Station 6 Odense Castle 7 The Charity School 8 Odense Penitentiary 9 Odense Cathedral 10 Odense Town Hall
The North-South Urban Green Connector Ecological corridors, parks and gardens The East-West Urban Connections
11 Gråbrødre Hospital 12 The Bishop’s manor 13 St. Alban’s Church 14 St. Hans Church 15 Møntergården Museum 16 Funen’s Art Museum 17 Odense Theatre 18 Odense Concert house and Carl Nielsen museum 19 H.C. Andersen’s Childhood Home
The North-South Urban Green Connector Ecological corridors, parks and gardens The East-West Urban Connections
The Symbiosis between the Fairytale Garden and The House of Fairytales The Paper Cutting Strategy
“...making paper cuts is the first step towards writing” As Andersen himself states, paper cutting was a very powerful creative tool to shape his tales. In the same way, we propose paper cutting as a tool to shape our proposal. A big garden is laid out on top of the site, and, as if it was a large green sheet of paper, it is then cut and molded. The cuts are where garden and building come into symbiotic relation: the entrance lobby, the café, the shop; a green courtyard between the building and the neighboring houses; a sunken planted courtyard as a façade for the underground parking transfer area and its accesses to the garden on top. A second level of filegree cutting forms the network of paths and the paper cut shaped flower beds.
H.C.Andersen in a letter to Dorothea Melchior, 21st July 1867
“The Tablecloth” paper cut by H.C.Andersen
Throughout his life, Andersen made no fewer than 1.000 paper cuts. He most often cut them while he was telling one of his fairytales to children.This is one of the largest and can be considered a “collected works”.In it we can find all the recurrent themes of his paper cuts: sun, wind-mill, palm trees, ballerinas, angels, swans, storks, ladys-inwaiting, pierrots, gnomes, witches, hearts, outstretched hands, masks and vegetal ornaments.
H.C.Andersen original paper cutting scissors
The then 10 year old baronness Bodild von Donner remembered Andersen’s paper cutting as follows: “He always cut with an enourmous pair of scissors. It was a mystery to me how he could cut out such dainty, delicate things with his big hands and those enormous scissors”
Source: The amazing paper cuttings of Hans Christian Andersen by Beth Wagner Brust
The Fairytale Garden is inspired both by Andersen’s fantasy world and the apothecary garden that once stood on the site. With its forest, pond, meadows and paper cut shaped flower beds, it seeks to enhance biodiversity. Real lenght: 24,5 cm. Source: Hans Christian Andersen as an Artist by Kjeld Heltoft
“The Tablecloth” paper cut. Source: Hans Christian Andersen as an Artist by Kjeld Heltof
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The House of Fairytales underground footprint
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Underground public parking transfer hall
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The Fairytale Garden
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House of Fairytales access - Foyer / Café / Shop Light courtyard - separation from neighbors Planted sunken courtyard - façade and pedestrian access from the parking transfer hall 4 Main access to the Fairytale garden and the Fairytales House from the parking transfer hall
The Hans Christian Andersen birth house The Memorial Hall Preserved historical buildings
Covering the whole site with a green sheet
Main Cuts
The whole site is covered with the largest possible green garden. Like a green sheet of paper, it is then cut.
The main cuts define the lines where the Fairytales garden and the House of Fairytales come into symbiosis.
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Main paths Secondary paths Papercuttings
Filigree cuts
Some precision cuts shape the network of paths and the paper cut character shaped flower beds.
The Fairytale Garden e.g. the Palmtree as one of the recurrent elements featured in Andersen’s papercuts as an exotic element that he brought back from his extensice travels along the Mediteranean
frogs
swans
dragon-flies
ducks
fish
snails
active paths
butterflies bees rabbits
owls
bats
lotus
macophites reeds
squirrels
viewpoint over the Andersen neighbourhood (H.C.Andersen Kvarteret)
cockchafers
knapweed
birds
e.g. Historical pictures of Andersen’s Birth House superimposed to the existing in augmented reality
dahlia lavender
new trees
lily
existing trees
picnincking
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cafe terrace facing south
e.g. Thumbelina standing on a real lotus leaf in real time augmented reality
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sun bathing
downhill on a sled during winter
children’s playground
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H.C.Andersen Summer Festival
The medicinal plants flower beds in the shape of H.C.Andersen’s paper cuts
meeting point
The Pond The Forest The two big existing trees that are preserved
Andersen’s fantasy world and the apothecary garden
The inspiration for the landscapes and the shapes is drawn from Andersen’s magic world: the forest, the pond, the meadows, and the papercut shaped flower beds. The medicinal plants used enhace biodiversity and are inspired by the ones in the apothecary garden that once stood on the site. HANS CHRISTIAN ANDERSEN HOUSE OF FAIRYTALES
e.g. Description and medicinal properties of Lavender
The virtual layer
Interplaying with the physical garden, a virtual layer, freely accessible through all smart mobile electronic devices, offers an additional gateway to Andersen’s world. We can gain insight about the paper cuts meaning, about the apothecary plants and the history of the site, and Andersen’s tales characters interact in real time with the garden. 2
Activities
The garden is activated throughout the year. In summer, the existing Hans Christian Andersen Festival is the main attraction. Within its small open air theater, the tales are acted in front of a numerous audience who can sit on the grass at the meadow in front. In winter, children have fun gliding down the slopes on their sleds.
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Masterplan and Section AA’ legend 1 The Hans Christian Andersen birth house 2 House of Fairytales entrance 3 Pond 4 H.C.Andersen Summer Festival open air theater 5 Children’s playground 6 Café terrace 7 Paper cut shaped medicinal flower beds with grass recreational areas 8 Oculus 9 Viewpoint over the Andersen neighbourhood (H.C.Andersen Kvarteret) 10 The Memorial Hall
The Hans Christian Andersen Parade - Odense City Museums
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H.C.Andersen Summer Festival Parade - open air theater In order to continue the beautiful tradition of open-air theater of Andersen Fairytales, which take place every summer, the Fairytale Garden reserve a very special place for this event, in the middle of the gardne, in front of the entrance to the House of Fairytales, having as a background pond with reed and swans..
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11 Administration building of the House of Fairytales 12 Cycle Route 13 Light Rail 14 Stairs and lift from underground car parking 15 H.C.Andersen quotation wall 16 Palm tree (Phoenix canariensis) 17 Light shaft 18 Slides 19 The Fairytales Hall 20 Fairytale Experience “The Steadfast Tin Soldier”Andersen tells a tale! 21 Fairytale Experience “The Steadfast Tin Soldier”) The Children’s Playroom
Toboggans reference: Singapore Airport and Tate Modern in London 3
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The House of Fairytales 12
The House of Fairytales is a journey into Andersen’s universe, and it features two worlds: under the Fairytale Garden, the Fairytales World; and at the ground floor, the Treasure World.
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The Fairytales World is where we discover the most famous fairytales, through an immersive, state-of-the-art, playful and didactic experience. Each tale is a unique journey into each of the fairytales. Relevant facts about their author, that relate to or influenced the tale’s creation, are also presented; this way, we get to know Andersen through his tales. We access every tale through The Fairytales Hall, a big and bright underground space, inspired by the “large hall (beneath the tree) with many hundred lamps” that appears in “The Tinderbox” fairytale. The Treasure World revolves around Andersen’s birth house, and is where we can enlarge and deepen the first knowledge of Andersen’s life and work that we have already gained in the Fairytales World.
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The Treasure World and The Fairytales World are bound together by big lift and a large light shaft, where two slides intertwine around a palm tree. The slides, one fast and the other slow, provide an exciting vertical movement. The palm tree is an icon drawn from Andersen’s paper cuts, where it refers to his extensive travelling along the Mediterranean.
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The House of Fairy Tales The Fairytales World
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The House of Fairy Tales The Fairytales World
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The forest The pond The paper cut medicinal flower beds Big trees that are preserved Oculus Viewpoint over the Andersen Neighborhood 7 Café terrace 8 Children’s playground 9 H.C.Andersen Summer Festival Open Air Theater Stage 10 Cycle route 11 Light rail The House of Fairy Tales The Treasure World and Entrance level
12 Hans Christian Andersen birth house 13 The Memorial Hall 14 The Foyer 15 The Light Shaft - Slides around palm tree 16 Lift 17 Café 18 Shop 19 Treasure World 20 Service spaces: lockers and toilets 21 The House of Fairytales administration building Surface
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Public parking transfer hall and service access level
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22 Service spaces: café storage 23 Service entrance and loading and unloading zone 24 Internal circulations employees 25 Public parking transfer hall 26 Public parking transfer hall accesses to The Fairytale Garden 27 Public parking transfer hall sunken courtyard
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The House of Fairy Tales The Fairytales World
28 The Fairytales Hall 29 Fairytale Experience The Little Match Seller 30 Fairytale Experience The Steadfast Tin Soldier 31 Fairytale Experience The Ugly Duckling 32 Fairytale Experience The Nightingale 33 Fairytale Experience The Little Mermaid 34 Service spaces: toilets 35 Earth gap for big preserved trees root system 36 Emergency stairs 37 Service gallery 38 Heavyweight service lift 39 Possible extension of the surface
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The House of Fairy Tales The Fairytales World
Surface 4300 m2 Total surface of the House of Fairy Tales 6275 m2
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The Foyer, together with café and shop, form open see-through extention of the Fairytales Garden. The oculus lights the Foyer and The Light Shaft, a vertical space with a palm tree in the middle and with slides that wind around it down to the Fairytales World.
The Light Shaft with the palm tree and two slides, one faster and one slower, go down into the Fairytales World.
The Fairytales Hall is the core of the Fairytales World. There, the gates invites to step into Andersen’s most famous fairytales.
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A Fairytale Centered Experience A cohesive strategy current The Tinderbox cultural center for children
The Fairytale Garden
The Treasure World
fact fairytale fairytale fact fact
The Fairytales World
The continuous visit experience Both in the Fairytales Garden and House of Fairytales, visitors will find elements of immersion and understanding of Andersen’s fairytales: together, they form a continuous and complete experience.
current The Tinderbox cultural center for children
fact
fact
fact
current H.C.Andersen Museum
current H.C.Andersen Museum
House of Fairytales and Fairytale Garden
House of Fairytales and Fairytale Garden
A fairytale centered experience
A unique experience for children and adults
Instead of presenting the fairytales separated from Andersen’s life and work, the fairytales are at the center of the narrative, and the relationships between them and the life and work of their author lets us get to know Andersen through his tales.
The proposed experience can appeal to both to adults and children alike, and to people with different cultural backgrounds. The contents can engage and enthrall them equally, which corresponds to Andersen’s intentions when writing his fairytales.
The House of Fairytales and its Fairytale Garden will bring together the following elements into a cohesive whole: the fairytales and their author, the different age and cultural groups, the exterior and interior, turning the House of Fairytales and its Fairytale garden into a unique and complete experience, which will also present the history and present of the site.
The Tinderbox as an Interactive Exploration Kit
The Heart - The Steadfast Tin Soldier
The Heart coin triggers the canary, who starts talking in poetry. like in the tale, and the other toys on the table of the Children’s play room.
The Match - The Little Match Seller One Tale - One Object
The match, when stroken, reveals the girl’s visions on the walls and sky of an old Danish street.
In order to engage the visitors and to give a solid thread to the experience, we propose to provide the visitors, both children and adults, with a small exploration kit: the Tinderbox. For it, we draw inspiration from Andersen’s fairytale “The Tinderbox”, where the tinderbox is a box with magic objects that can fulfill their owner’s wishes. In the same way, the Tinderbox we propose is a small container of interactive objects that trigger experiences in each of the tales featured in the The Fairytales World. The shape of each object is inspired by a key object present in each tale. The Tinderbox is also a clear visual way to present the organization of the experience to children: there’s one object for each tale, and the gate to each tale in the Fairytales Hall has the same shape as the object that activates that tales’s particular experiences.
The Emperor’s Slipper - The Nightingale
The Shell - The Little Mermaid
the Nightingale has ran away to the forest and the visitor must touch the slipper to the tree trunks to find where he is (the correct tree trunk generates a nightingale hologram).
Visitors can place the shell inside slots found in a shell-covered wall and listen to the songs of the sirens and be immersed in a subaquatic experience
The Egg - The Ugly Duckling
Projection mechanism with weight sensor in the shape of a nest. The landscapes of the tale and the landscapes of Andersen.
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The Fairytales World
Andersen tells the tale
Play and learn
The Experience
Five Fairytales
The three parts of the Fairytale Experience
The Fairytale World consists of 5 spaces = 5 tales, from which four of them are permanent exhibitions, and one is annual or biennial.
Located under the Fairytale Garden, it’s the main gateway to Andersen’s fantastic universe. Here visitors can step into Anderesen’s most famous fairytales, and through them, get to know their author. Each of the fairytales presented in The Fairytales World is a unique experience which features a recognizable structure composed of three parts: -Andersen tells a tale! : in different moments of his life, and in the main settings where he actually told his tales, the author himself, in the form of an ultrarealistic 3D projection, tells the tale as an introduction to the experience. -Play and Learn : we learn about Andersen through his tales. The facts of the author’s life and work that influenced the tale are revealed and visitors engage in didactic and creative activites related to the tale. -The Experience : it’s a where the main features of the tale are spectacularly shown.
“The Steadfast Tin Soldier’’ In the case of this tale, the three-element tale structure could translate into the following narrative components: 1 Andersen tells a tale! - The Steadfast Tin Soldier: We are in 1938, just after the tale has been published, in the livingroom of his benefactors, the Collin’s family, where Andersen tells us the tale, as he usually did, while making a paper cut. Play and Learn - The Children’s Playroom : we are in the 2 children’s room with the magificent paper castle. We have the size of the tin soldier, so, everything is huge! With the heart we can find in the Tinderbox, we can activate the toys! We’ll also learn relevant facts about Andersen’s life and work related to the tale and engage in creative activities related to it. 3 The Experience - The amazing Trip of the Steadfast Tin Soldier: in a 4D cinema, we’ll follow the Tin Soldier in his trip: we’ll fall into a waterfall, sink into the deep waters, and be swallowed by a fish!
Dress up like the Steadfast Tin Soldier and the Ballerina!
Dress up and play around in the room: climb to the second storey of the paper castle and activate the toys with the heart from yourTinderbox!
Inside the Steadfast Tin Soldier
Go ‘inside’ the Steadfast Tin Soldier and experience his amazing trip within a state-of-the-art 4D cinema! Here u use 3d glasses for a complete immersive journey!
The Steadfast Tin Soldier
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The Soldier Paper Cut
Learn about the author through the tale: first paper cut by Andersen that is preserved: a Soldier.
Wax Swan Ride
With the heart in your Tinderbox activate the Swans on the mirror lake and ride them!
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Canary talks in poetry!
Activating it with the heart in your Tinderbox, make the canary recite an Andersen poem in your language, as it does in the tale.
The Ballerina
Learn about the author through the tale: the paper ballerina of the tale can be identified with Sophie Ørsted, not corresponded love of Andersen
HANS CHRISTIAN ANDERSEN HOUSE OF FAIRYTALES
Paper cutting
Being inspired by Andersen’s paper cuttings on display inside the paper castle, engage into a guided paper cutting activity.
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The tale told by its author
Andersenan as an ultrarealistic 3d projection, tells you the tale in your chosen language (through wireless mini headphones)
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Andersen tells a tale! is where Andersen, in the form of an ultrarealistic 3D projection, tells the tale while making a paper cut
The Childrenâ&#x20AC;&#x2122;s Playroom is where we activate the canary and the toys with our Heart from the Tinderbox, and make intricate paper cuts!
The Amazing Trip of the Steadfast Tin Soldier is a spectacular 4D experience where we follow the Tin Soldier in his hazardous trip! HANS CHRISTIAN ANDERSEN HOUSE OF FAIRYTALES
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The Treasure World
Play and Learn
The Fairytales World
In the Treasure World we can interactively complete and deepen the knowledge of Andersen’s life and work that we have already gained in The Fairytales World. It has the following sections, where we learn more about Andersen’s life and discover some of his hidden literary and artistic jewels: Andersen’s Times, The
Discover and Understand Andersen’s Times, The Picture gallery, The Library, The Birth House, The Drawing Room, The Workshop, The Memorial Hall, “To travel is to live”, The Diary
Picture Gallery, The Library, The Birth House, The Drawing Room, The Workshop, The Memorial Hall, ”To travel is to live” and The Diary.
From an architectural point of view, we propose to scrupulously preserve the buildings that are required to be kept, and we propose to replace the others by new buildings that archeologically reconstruct the historic street fronts of the Hans Jensens and Bangs Boder streets. We consider the view from, and towards these streets to be a crucial part of the experience of stepping back towards Andersen’s Odense.
The Treasure World
The Treasure World as a place of discovery and understanding
The Drawing Room
Presentation of Andersen’s original paper cuts and collages on the walls, while historical context and their meanings revealed in circular projection areas.
The Birth House
the corner house with the room where the granmother of Andersen lived and where with all likelihood he was born.
The Workshop
Display of renowned and up-coming contemproary artists’s artwroks inspired by Andersen’s world andAndersen literature and illustration awards.
The Library
Big ineractive digital books with the finest and most dificult to find original illustrations and informations.
The Memorial Hall
Preserved neoclassical dome and its paintings as a calm, contemplative space.
“To travel is to live”
Step on the country and trigger a projection of what did Andersen do there, who he met and which drawings he made.
The Picture Gallery
‘Alive’ portraits of all the people who played a role in Andersen’s life explain their relationship: friends, benefactors, the people he was in love with and the celebrities he got to know.
The Diary
A chronology of Andersen’s life told through excerpts of his diaries (which span through almost all his life) and autobiographies, accompanied by visuals of the milestones of his life.
Andersen’s Times
A short film about Andersen’s times serves as a fundamental introduction to his world.
The Library in the Treasure World is where we discover the other fairytales with the most beautiful original illustrations HANS CHRISTIAN ANDERSEN HOUSE OF FAIRYTALES
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Taking under account that authenticity is crucial in experience of stepping back into times of Andersen, which the Fairytale Garden and House of Fairytales will offer, we are in strong conviction of bringing back the historical scale into the streets surrounding the birth house of Andersen. From the historical pictures of the facades from the times of Andersen, we propose to bring back the original streetscape of small scale, homogenous , balanced grain of the buildings. In this meaning we also refer to authentic materials used in that times, as well as original arrangement of windows on the facades.
Existing situation
Proposed return to the original design
Historical picture of the birth house of Andersen
Historical picture of the Hans Jensens StrĂŚde
The historic street fronts are recovered by shaping the new buildings exactly as they where in Andersenâ&#x20AC;&#x2122;s times
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